Pclanglais
/

Brahe

@@ -19,37 +19,37 @@ With the incipit of Proust's *Swann's Way*:
 Output of Brahe:
 > Summary: The narrator reflects on their childhood memories of Combray, a town with dark and depressing streets.<br>
-> Trope: The town as a character
-> Narrative arc: Reflective
-> Enunciation: First-person narrative
-> Tone: Nostalgic
-> Genre: Memoir
-> Intertextuality: Historical accounts of Combray
-> Speech standard: Poetic
-> Literary form: Description of a place
-> Literary movement: Symbolism
-> Active character: The narrator, the aunt
-> Time setting: Childhood
-> Absolute place: Combray
-> Fuzzy place: Combray
 With the incipit of Henry James' *The Ambassadors*:
 >*Strether\'s first question, when he reached the hotel, was about his friend; yet on his learning that Waymarsh was apparently not to arrive till evening he was not wholly disconcerted. A telegram from him bespeaking a room "only if not noisy," with the answer paid, was produced for the inquirer at the office, so that the understanding that they should meet at Chester rather than at Liverpool remained to that extent sound. The same secret principle, however, that had prompted Strether not absolutely to desire Waymarsh\'s presence at the dock, that had led him thus to postpone for a few hours his enjoyment of it, now operated to make him feel that he could still wait without disappointment. They would dine together at the worst, and, with all respect to dear old Waymarsh—if not even, for that matter, to himself—there was little fear that in the sequel they should not see enough of each other. The principle I have just mentioned as operating had been, with the most newly-disembarked of the two men, wholly instinctive—the fruit of a sharp sense that, delightful as it would be to find himself looking, after so much separation, into his comrade\'s face, his business would be a trifle bungled should he simply arrange that this countenance should present itself to the nearing steamer as the first "note," for him, of Europe. Mixed with everything was the apprehension, already, on Strether\'s part, that he would, at best, throughout, prove the note of Europe in quite a sufficient degree.*
-> Summary: Strether is waiting for his friend Waymarsh to arrive at the hotel, but is not completely disappointed when he learns that Waymarsh will not arrive until evening. Strether has a secret principle that led him to postpone meeting Waymarsh at the dock, but now feels that they will see enough of each other. Strether is concerned that his presence in Europe will be enough of a note for his friend.
-> Trope: The anticipation of meeting a friend
-> Narrative arc: Suspense
-> Enunciation: Third-person narrative
-> Tone: Anticipatory
-> Genre: Literary fiction
-> Intertextuality: Travelogue
-> Speech standard: Standard
-> Literary form: Stream of consciousness
-> Literary movement: Realism
-> Active character: Strether, Waymarsh
-> Time setting: Contemporary
-> Fuzzy time: Evening
-> Diegetic time: A few hours
-> Absolute place: The hotel
-> Fuzzy place: The hotel

 Output of Brahe:
 > Summary: The narrator reflects on their childhood memories of Combray, a town with dark and depressing streets.<br>
+> Trope: The town as a character<br>
+> Narrative arc: Reflective<br>
+> Enunciation: First-person narrative<br>
+> Tone: Nostalgic<br>
+> Genre: Memoir<br>
+> Intertextuality: Historical accounts of Combray<br>
+> Speech standard: Poetic<br>
+> Literary form: Description of a place<br>
+> Literary movement: Symbolism<br>
+> Active character: The narrator, the aunt<br>
+> Time setting: Childhood<br>
+> Absolute place: Combray<br>
+> Fuzzy place: Combray<br>
 With the incipit of Henry James' *The Ambassadors*:
 >*Strether\'s first question, when he reached the hotel, was about his friend; yet on his learning that Waymarsh was apparently not to arrive till evening he was not wholly disconcerted. A telegram from him bespeaking a room "only if not noisy," with the answer paid, was produced for the inquirer at the office, so that the understanding that they should meet at Chester rather than at Liverpool remained to that extent sound. The same secret principle, however, that had prompted Strether not absolutely to desire Waymarsh\'s presence at the dock, that had led him thus to postpone for a few hours his enjoyment of it, now operated to make him feel that he could still wait without disappointment. They would dine together at the worst, and, with all respect to dear old Waymarsh—if not even, for that matter, to himself—there was little fear that in the sequel they should not see enough of each other. The principle I have just mentioned as operating had been, with the most newly-disembarked of the two men, wholly instinctive—the fruit of a sharp sense that, delightful as it would be to find himself looking, after so much separation, into his comrade\'s face, his business would be a trifle bungled should he simply arrange that this countenance should present itself to the nearing steamer as the first "note," for him, of Europe. Mixed with everything was the apprehension, already, on Strether\'s part, that he would, at best, throughout, prove the note of Europe in quite a sufficient degree.*
+> Summary: Strether is waiting for his friend Waymarsh to arrive at the hotel, but is not completely disappointed when he learns that Waymarsh will not arrive until evening. Strether has a secret principle that led him to postpone meeting Waymarsh at the dock, but now feels that they will see enough of each other. Strether is concerned that his presence in Europe will be enough of a note for his friend.<br>
+> Trope: The anticipation of meeting a friend<br>
+> Narrative arc: Suspense<br>
+> Enunciation: Third-person narrative<br>
+> Tone: Anticipatory<br>
+> Genre: Literary fiction<br>
+> Intertextuality: Travelogue<br>
+> Speech standard: Standard<br>
+> Literary form: Stream of consciousness<br>
+> Literary movement: Realism<br>
+> Active character: Strether, Waymarsh<br>
+> Time setting: Contemporary<br>
+> Fuzzy time: Evening<br>
+> Diegetic time: A few hours<br>
+> Absolute place: The hotel<br>
+> Fuzzy place: The hotel<br>