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[ { "content": "What was Amory's job in the military?", "role": "user" } ]

[ [ "He was a bayonet instructor.", "A bayonet instructor." ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

[ 0.9999997616, 0.9949397445, 0.9933750629, 0.9930083156, 0.9924875498, 0.9920397997 ]

[ 1336, 24, 372, 496, 417, 1065 ]

[ { "content": "What destroys Amory's relation ship with Rosalind Connage?", "role": "user" } ]

[ [ "His lack of money.", "Because Amory is poor." ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

[ 0.9999997616, 0.9949397445, 0.9933750629, 0.9930083156, 0.9924875498, 0.9920397997 ]

[ 1336, 24, 372, 496, 417, 1065 ]

[ { "content": "Who does Amory claim to be the only person he knows?", "role": "user" } ]

[ [ "Himself.", "Everyone he loves has died or abandoned him." ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

[ 0.9999997616, 0.9949397445, 0.9933750629, 0.9930083156, 0.9924875498, 0.9920397997 ]

[ 1336, 24, 372, 496, 417, 1065 ]

[ { "content": "What university does Amory attend?", "role": "user" } ]

[ [ "Princeton", "Princeton." ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

[ 0.9999997616, 0.9949397445, 0.9933750629, 0.9930083156, 0.9924875498, 0.9920397997 ]

[ 1336, 24, 372, 496, 417, 1065 ]

[ { "content": "Who is Beatrice in relation to Amory?", "role": "user" } ]

[ [ "His mother", "His mother." ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

[ 0.9999997616, 0.9949397445, 0.9933750629, 0.9930083156, 0.9924875498, 0.9920397997 ]

[ 1336, 24, 372, 496, 417, 1065 ]

[ { "content": "While at Princeton, what does Amory write for Isabelle?", "role": "user" } ]

[ [ "poetry", "flowery poems" ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

[ 0.9999997616, 0.9949397445, 0.9933750629, 0.9930083156, 0.9924875498, 0.9920397997 ]

[ 1336, 24, 372, 496, 417, 1065 ]

[ { "content": "Why does Amory go overseas?", "role": "user" } ]

[ [ "to serve in the army", "To serve in the army during World War I." ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

[ 0.9999997616, 0.9949397445, 0.9933750629, 0.9930083156, 0.9924875498, 0.9920397997 ]

[ 1336, 24, 372, 496, 417, 1065 ]

[ { "content": "What war was taking place?", "role": "user" } ]

[ [ "World War I", "World War I" ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

[ 0.9999997616, 0.9949397445, 0.9933750629, 0.9930083156, 0.9924875498, 0.9920397997 ]

[ 1336, 24, 372, 496, 417, 1065 ]

[ { "content": "What was Amory's job in the arm?", "role": "user" } ]

[ [ "a bayonet instructor", "A bayonet teacher." ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

[ 0.9999997616, 0.9949397445, 0.9933750629, 0.9930083156, 0.9924875498, 0.9920397997 ]

[ 1336, 24, 372, 496, 417, 1065 ]

[ { "content": "Why does the relationship between Rosalind and Amory fail?", "role": "user" } ]

[ [ "Amory is poor", "Rosalind married a rich man. " ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

[ 0.9999997616, 0.9949397445, 0.9933750629, 0.9930083156, 0.9924875498, 0.9920397997 ]

[ 1336, 24, 372, 496, 417, 1065 ]

[ { "content": "Who is Monsignor Darcy in relation to Amory?", "role": "user" } ]

[ [ "his mentor", "His mentor." ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

[ 0.9999997616, 0.9949397445, 0.9933750629, 0.9930083156, 0.9924875498, 0.9920397997 ]

[ 1336, 24, 372, 496, 417, 1065 ]

[ { "content": "Where does Amory meet Isabelle?", "role": "user" } ]

[ [ "Minneapolis", "in Minneapolis" ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

[ 0.9999997616, 0.9949397445, 0.9933750629, 0.9930083156, 0.9924875498, 0.9920397997 ]

[ 1336, 24, 372, 496, 417, 1065 ]

[ { "content": "After Isabelle marries someone, why is Amory again crushed?", "role": "user" } ]

[ [ "He learns that Darcy has died", "Her mentor has died." ] ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\"." ]

[ " The book is written in three parts.\n\"Book One: The Romantic Egotist\"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom.\n\"Interlude\"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor.\n\"Book Two: The Education of a Personage\"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, \"I know myself, but that is all\".", " The book is broken up into four parts. The first section, \"Mrs Baines\" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother.\nBy the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop.\nThe second part, \"Constance\", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son.\nThe third part, \"Sophia\", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione.\nThe final part, \"What Life Is\", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.", " This is a book in two parts. The first, \"The Enigma of Innocent Smith\", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund.\nHowever, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press.\nThe second part, \"The Explanations of Innocent Smith\", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.\nSmith is, needless to say, acquitted on all charges.", " The novel is divided into three volumes.\nPart One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.\nPart two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.\nHuntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.\nWalter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.\nArthur's corruption of their son — encouraging him to drink and swear at his tender age — is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.\nPart Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.\nA year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.", " The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named \"the Poet\" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism.\nAfter completing an essay entitled Traité de la Volonté (\"Treatise on the Will\"), Lambert is horrified when a teacher confiscates it, calls it \"rubbish\", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself.\nDeclared \"incurable\" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: \"The angels are white.\" Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.", " The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\" — and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle—the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband—and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: “Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don’t like to be hurt.\"" ]

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[ { "content": "Who is the main character in the story?", "role": "user" } ]

[ [ "Charley Brewster.", "Charley Brewster" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "What is Charley Brewster a fan of?", "role": "user" } ]

[ [ "Horror films and a horror TV Show called Fright Night.", "Fright Night." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "Who does Charley believe is a vampire?", "role": "user" } ]

[ [ "His next door neighbor Jerry Dandrige.", "Jerry" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "Who does Charley tell about his suspicions of Jerry?", "role": "user" } ]

[ [ "His mom, his friends, and the police.", "Peter Vincent" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "What happens when Jerry visits Charley to ask him to forget about him being a vampire?", "role": "user" } ]

[ [ "Charley attacks Jerry with his crucifix.", "Charley pulls out a crucifix on Jerry, and Jerry tries to push him out of the window and gets stabbed through the hand with a pencil." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "How does Jerry avoid having to drink holy water?", "role": "user" } ]

[ [ "By saying that it would be against his religion to drink holy water.", "He says it's agains his religion." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "How does Jerry first try to kill Charley?", "role": "user" } ]

[ [ "By slowly pushing him back towards an open window.", "He tries to push him out of the window." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "Who does Charley stab in the hand with a pencil?", "role": "user" } ]

[ [ "Jerry.", "Jerry" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "How does Jerry retaliate for being stabbed in the hand with a pencil?", "role": "user" } ]

[ [ "He destroys Charley's car.", "He destroys Charley's car." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "How does Jerry die?", "role": "user" } ]

[ [ "Vincent and Charley break the black-out windows in the basement and expose him to the sunlight.", "By sunlight" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "What is the name of the show that Charles Brewster a fan of?", "role": "user" } ]

[ [ "Fright Night", "Fright Night." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "Which character hosts the show Fright Night?", "role": "user" } ]

[ [ "Peter Vincent", "Peter Vincent." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

[ 1, 0.9932098985, 0.9923406839, 0.9922605753, 0.9919069409, 0.991787672 ]

[ 1337, 976, 449, 865, 1182, 287 ]

[ { "content": "What kind of creature is Jerry Dandrige?", "role": "user" } ]

[ [ "A Vampire", "A vampire" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

[ 1, 0.9932098985, 0.9923406839, 0.9922605753, 0.9919069409, 0.991787672 ]

[ 1337, 976, 449, 865, 1182, 287 ]

[ { "content": "What item does Charles use on Jerry after he refuses to forget that he is a vampire?", "role": "user" } ]

[ [ "A crucifix", "A crucifix" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "Who does Charles turn to for help?", "role": "user" } ]

[ [ "Peter Vincent", "His mother, his friends, Peter Vincent and the police. " ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

[ 1, 0.9932098985, 0.9923406839, 0.9922605753, 0.9919069409, 0.991787672 ]

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[ { "content": "Which friend of Charleys' does Jerry hunt down?", "role": "user" } ]

[ [ "Ed Thompson", "\"Evil\" Ed. " ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

[ 1, 0.9932098985, 0.9923406839, 0.9922605753, 0.9919069409, 0.991787672 ]

[ 1337, 976, 449, 865, 1182, 287 ]

[ { "content": "Which character does Jerry hypnotize in the club?", "role": "user" } ]

[ [ "Amy", "Amy." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

[ 1, 0.9932098985, 0.9923406839, 0.9922605753, 0.9919069409, 0.991787672 ]

[ 1337, 976, 449, 865, 1182, 287 ]

[ { "content": "What is the name of Jerry's protector?", "role": "user" } ]

[ [ "Billy Cole", "Billy Cole" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "What does Jerry transform into right before the sun comes up?", "role": "user" } ]

[ [ "A Bat", "bat" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "What eventually kills Jerry?", "role": "user" } ]

[ [ "Sunlight", "Sunlight." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

[ 1, 0.9932098985, 0.9923406839, 0.9922605753, 0.9919069409, 0.991787672 ]

[ 1337, 976, 449, 865, 1182, 287 ]

[ { "content": "At times, Vincent's crucifix works to repel vampire attacks, but at other times, it does not. When will Vincent's crucifix work?", "role": "user" } ]

[ [ "The crucifix only works when Vincent has faith in its spiritual powers.", "When he has faith on it's abilities" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

[ 1, 0.9932098985, 0.9923406839, 0.9922605753, 0.9919069409, 0.991787672 ]

[ 1337, 976, 449, 865, 1182, 287 ]

[ { "content": "How is Jerry killed?", "role": "user" } ]

[ [ "Charley and Vincent expose him to sunlight.", "He gets exposed to sunlight." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "How can Amy be saved from turning into a vampire?", "role": "user" } ]

[ [ "Amy can be saved from turning into a vampire if Jerry is killed before dawn.", "By killing Jerry before sunrise." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

[ 1, 0.9932098985, 0.9923406839, 0.9922605753, 0.9919069409, 0.991787672 ]

[ 1337, 976, 449, 865, 1182, 287 ]

[ { "content": "How does Amy become a vampire?", "role": "user" } ]

[ [ "Jerry turns her into a vampire.", "Yes." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

[ 1, 0.9932098985, 0.9923406839, 0.9922605753, 0.9919069409, 0.991787672 ]

[ 1337, 976, 449, 865, 1182, 287 ]

[ { "content": "How is Billy killed?", "role": "user" } ]

[ [ "Charley stakes him.", "shot" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ 1337, 976, 449, 865, 1182, 287 ]

[ { "content": "How did Peter Vincent know that Billy was not a vampire?", "role": "user" } ]

[ [ "Vincent saw Billy's reflection in a mirror.", "Billy has a reflection." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ 1337, 976, 449, 865, 1182, 287 ]

[ { "content": "Who does Amy resemble?", "role": "user" } ]

[ [ "Amy resembles Jerry's lost love.", "Jerry's lost love." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "Why does Peter Vincent initially not help Charley?", "role": "user" } ]

[ [ "Peter Vincent dismisses Charley as an obsessed fan and doesn't believe his story.", "He thinks he's an obsessed fan." ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

[ 1, 0.9932098985, 0.9923406839, 0.9922605753, 0.9919069409, 0.991787672 ]

[ 1337, 976, 449, 865, 1182, 287 ]

[ { "content": "What animal does \"Evil\" Ed Thompson transform into?", "role": "user" } ]

[ [ "He transforms into a wolf.", "Wolf" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

[ 1, 0.9932098985, 0.9923406839, 0.9922605753, 0.9919069409, 0.991787672 ]

[ 1337, 976, 449, 865, 1182, 287 ]

[ { "content": "At the end of the story, where is \"Evil\" Ed Thompson?", "role": "user" } ]

[ [ "He is in Jerry's house.", "Jerry's house" ] ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"" ]

[ " Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearences of several victims. Charley tries to tell his mother and asks his friends for help. In desperation, he contacts the police, but they believe that he is imagining things and ignore his claims after revealing his suspicions to them when he accompanies a homicide officer to Jerry's house. That night, Charley gets a visit from Jerry, who offers Charley a \"choice\" by forgetting about his vampire identity, but he refuses by using his crucifix on Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, he stabs Jerry's hand with a pencil. Enraged, Jerry destroys Charley's car in retaliation and threatens Charley that he plans to do much worse to him later.\nCharley turns to Peter Vincent for help, but Peter dismisses Charley as an obsessed fan. Charley's girlfriend, Amy Peterson, fears for Charley's sanity and safety, resulting her hiring the destitute Vincent to \"prove\" that Jerry is not a vampire by having him drink what they claim is \"holy water\", but it turns out to only be tap water; Jerry having claimed to Peter that drinking actual holy water would be against his religious convictions. Vincent discovers Jerry's true nature after glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop and smash the mirror. Vincent then flees, but Jerry learns of his discovery after finding a piece of his pocket mirror on the floor.\nJerry hunts down and turns Charley's friend, \"Evil\" Ed Thompson, into a vampire. Evil then visits Vincent and tries to attack him, only to be warded off when injured by a crucifix. Meanwhile, Jerry chases Charley and Amy into a club. While Charley is trying to call the police for help, Jerry hypnotizes and abducts Amy who bears a resemblance to Jerry's lost love (whom Jerry has a painting of). With nowhere left to turn, Charley attempts to gain Vincent's help once more. A frightened Vincent (following Evil's attack) initially refuses, but he then reluctantly resumes his \"Vampire Killer\" role as Charley approaches his neighbour's house. The two are able to repel Jerry's attack using a crucifix, though only Charley's works since he has faith in its spiritual power. Jerry's protector, Billy Cole, appears and knocks Charley unconscious over the banister, having Vincent flees to Charley's house. At his house, he finds that Mrs. Brewster is still not home and is attacked by Evil, who transforms into a wolf. Vincent seemingly kills him after staking him through the heart but later removes the stake. Meanwhile, an unconscious Charley is taken to Amy who has been turned into a vampire by Jerry. Vincent says the process can be reversed, but only if they kill Jerry before dawn.\nCharley and Vincent are then confronted by Billy whom Vincent shoots since he saw his reflection in the mirror. However, Billy is revealed to be a zombie-like creature, who rises again and continues advancing towards them until he is killed by Charley who stakes him and then melts into goo and dust. Jerry appears, but Vincent is able to lure the overconfident vampire in front of a window using a crucifix (now working due to his renewed faith in its abilities). Just before the morning sun, Jerry transforms into a bat and attacks Vincent and Charley (biting Charley in the process) before fleeing to his coffin in the basement. Charley and Vincent go in pursuit of Jerry; Vincent breaks open Jerry's coffin and tries to stake him through the heart whilst Charley has to fight off Amy who has completed her transformation. By breaking the blacked-out windows in the basement, Vincent and Charley expose Jerry to the sunlight and kills him. Jerry's death leads Amy reverting to her human form and the three embrace.\nA few nights later, Vincent returns to his Fright Night TV series and announces a hiatus from vampires by instead presenting Octaman. The series is being watched by Charley and Amy as they embrace together in bed. When Charley goes to turn off the TV, he at first sees red eyes in Jerry's now-vacant house, but dismisses them. Unbeknownst to both Charley and Amy, a survived Evil with red eyes (hiding in the darkness) laughs and says \"Oh, you're so cool, Brewster!\"", " Sixteen-year-old Minnesota high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a rather pathetic one-person pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.\nJuno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.\nAs the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart.\nNot long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa. Juno is horrified by this revelation, with Mark asking Juno \"How do you think of me?\" Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.\nAfter a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: \"Vanessa: If you're still in, I'm still in. —Juno.\" The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Sixty-year-old magnate Robert Miller (Richard Gere) manages a hedge fund with his daughter Brooke (Brit Marling) and is about to sell it for a handsome profit. However, unbeknownst to his daughter and most of his other employees, he has cooked his company's books in order to cover an investment loss and avoid being arrested for fraud. One night, while driving with his mistress Julie Cote (Laetitia Casta), he begins to doze off and crashes; Julie is killed. An injured Robert leaves the scene and decides to cover up his involvement to prevent the public, his wife Ellen (Susan Sarandon), and the prospective buyer James Mayfield (Graydon Carter) from discovering the truth.\nRobert calls Jimmy Grant (Nate Parker), a twenty-three-year-old man from Harlem with a criminal record whom he helped get off the street in the past, and whose father had been Robert's driver for many years. After being driven home by Grant, Miller drags his injured body into bed at 4:30 am, arousing suspicion in his wife. The next day, he is questioned by police detective Bryer (Tim Roth). Bryer is keen on arresting Robert for manslaughter and begins to put the pieces together. Brooke discovers the financial irregularities, realizes that she could be implicated and confronts her father.\nJimmy is arrested and placed before a grand jury but still refuses to admit to helping Miller. Miller once again contemplates turning himself in. Even though Jimmy is about to go to prison, Miller tells Jimmy that investors are depending on him and that waiting for the sale to close before coming forward would serve the greater good. Eventually, the sale is closed, but Robert finds a way to avoid being charged. He proves that Bryer had fabricated evidence. The case against Jimmy is dismissed, and the detective is ordered not to go near him. Robert's wife tries to blackmail him with a separation agreement getting rid of his wealth. When Robert refuses to sign, his wife says that she will tell the police that he got into bed at 4:30 am on the night of the accident, bruised and bleeding but will tell them that he was there all night if he agrees to sign.\nIn the final scene, Robert addresses a banquet honoring him for his successful business, with his wife at his side and his daughter introducing him to the audience but their false embrace on the stage signifies that he has lost the respect and admiration of his daughter. As Robert approaches the podium to deliver his speech the screen cuts to black, leaving his decision ambiguous.", " Fifteen-year-old Sarah Williams rehearses a play in the park with her dog Merlin but becomes distracted by a line she is unable to remember while being watched by a barn owl. Realizing she is late to babysit her baby brother Toby, she rushes home and is confronted by her stepmother Irene before she and her father Robert leave for dinner. Sarah has many toys that she has grown out of and realizes that Toby is in possession of her treasured teddy bear Lancelot. Frustrated by this and his constant crying, Sarah rashly wishes Toby be taken away by the Goblin King Jareth, a character in the play she is rehearsing. She is shocked when Toby disappears and the Goblin King confronts her then transports her to his kingdom. He refuses to return the baby, but gives Sarah thirteen hours to solve his Labyrinth and find him before Toby is turned into a goblin forever. Sarah meets a dwarfish man named Hoggle, who aids her in entering the Labyrinth. She has trouble finding turns and corners but then meets a talking worm who inadvertently sends her in the wrong direction.\nSarah ends up in an oubliette where she reunites with Hoggle. After they confront Jareth and escape one of his traps, the two encounter a large beast named Ludo. Hoggle cowardly flees while Sarah befriends Ludo. After another riddle, she loses him in a forest. Hoggle encounters Jareth, who gives him a peach and instructs him to give it to Sarah, calling his loyalty into question as he was supposed to lead her out of the maze. Sarah is assaulted by a group of creatures called Firies with detachable body parts who try to remove her head, but Hoggle comes to her aid. She kisses him, and Jareth magically sends them to the swamp of the Bog of Eternal Stench as punishment, where they reunite with Ludo. Sarah, Hoggle, and Ludo meet a guard of the bridge out of the swamp named Sir Didymus, an anthropomorphic Fox Terrier and his Old English Sheepdog steed named Ambrosius. After Ludo howls and summons a trail of rocks to save Sarah from falling into the bog, Didymus joins the group (Her three new friends are just like some of the toys in her room). After the group gets hungry, Hoggle gives Sarah the peach and runs away as she falls into a trance and begins to lose her memories. She has a dream where Jareth comes to her at a masquerade ball, proclaiming his love for her, but she begins to remember and escapes, falling into a junkyard. After an old Junk Lady fails to brainwash her and her memory is jogged, she is rescued by Ludo and Didymus, and they are right outside Goblin City near Jareth's castle. They are confronted by the gate guard, but Hoggle bravely comes to their rescue. Despite his feeling unworthy of forgiveness for his betrayal, Sarah and the others welcome him back, and they enter the city together.\nJareth is alerted to their presence and sends his goblin army to stop them, but Ludo howls and summons a mountain of rocks to chase the guards away, and they enter the castle. Sarah insists she must face Jareth alone and promises to call the others if needed. In a room modeled after an Escher staircase, she confronts Jareth while trying to retrieve Toby. She recites the lines from her play, that have told her adventure to that point, but still cannot remember the last line. As Jareth begs her to obey him and he will love her, she remembers the line, \"You have no power over me!\" Defeated at the last second, Jareth returns Sarah and Toby home safely and turns into a barn owl, flying away.\nRealizing how important Toby is to her, she gives him Lancelot and returns to her room. After she hears her father and stepmother come in, she sees her friends in the mirror and realizes even though she is growing up, she still needs them in her life every now and again. In an instant, all of the major characters from the Labyrinth appear in her room for a raucous celebration, and she reunites with Hoggle, Ludo, Didymus, and Ambrosius. As they celebrate, Jareth, in his owl form, watches from outside and then flies away into the night." ]

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[ { "content": "Who survives an assassination attempt? ", "role": "user" } ]

[ [ "Sean Archer", "FBI Agent Sean Archer." ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "Who does Archer work for? ", "role": "user" } ]

[ [ "The FBI ", "The FBI" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "Who gets accidentally killed when Archer is shot by Caster?", "role": "user" } ]

[ [ "Archer's son", "His son, Michael" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "What is the name of Archer's partner?", "role": "user" } ]

[ [ "Tito Biondi", "Tito Biondi." ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

[ 0.9999999404, 0.9918005466, 0.9917682409, 0.9916950464, 0.9915841818, 0.9915132523 ]

[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "What procedure does Archer undergo? ", "role": "user" } ]

[ [ "A face transplant procedure", "face transplant" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

[ 0.9999999404, 0.9918005466, 0.9917682409, 0.9916950464, 0.9915841818, 0.9915132523 ]

[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "Who performs the face transplant operation? ", "role": "user" } ]

[ [ "Dr. Malcolm Walsh", "Dr. walsh" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "How does Archer escape prison?", "role": "user" } ]

[ [ "He starts a prison riot", "By starting a prison riot" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "Who kills Victor Lazarro? ", "role": "user" } ]

[ [ "Castor", "castor" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "What type of promotion does Castor-as-Archer receive? ", "role": "user" } ]

[ [ "Acting director", "Respect from the FBI." ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "How does it appear that Victor Lazarro dies? ", "role": "user" } ]

[ [ "From a heart attack", "heart attack" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "Who does Sean Archer work for?", "role": "user" } ]

[ [ "The FBI", "FBI" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

[ 0.9999999404, 0.9918005466, 0.9917682409, 0.9916950464, 0.9915841818, 0.9915132523 ]

[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "Who is known for being a domestic terrorist?", "role": "user" } ]

[ [ "Castor Troy", "Castor troy " ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

[ 0.9999999404, 0.9918005466, 0.9917682409, 0.9916950464, 0.9915841818, 0.9915132523 ]

[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "Who was responsible for Michael's death?", "role": "user" } ]

[ [ "Castor Troy", "Castor troy" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "Who performs the face transplant?", "role": "user" } ]

[ [ "Dr. Malcolm Walsh", "Dr. Walsh" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "Who burned down Dr. Walsh's lab?", "role": "user" } ]

[ [ "Castor", "Castor Troy " ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "Who does Castor save Jamie from?", "role": "user" } ]

[ [ "A rapist", "a rapist" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "What did Archer start in prison in order to escape?", "role": "user" } ]

[ [ "A riot", "a riot" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "What does Archer make Eve do in order to believe his story?", "role": "user" } ]

[ [ "Take a sample of his blood", "take blood samples" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "Who does Jamie stab with a butterfly knife?", "role": "user" } ]

[ [ "Castor", "Castor" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

[ 0.9999999404, 0.9918005466, 0.9917682409, 0.9916950464, 0.9915841818, 0.9915132523 ]

[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "Who was adopted by Archer's family?", "role": "user" } ]

[ [ "Adam", "Adam" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "Who gets killed when Castor Troy was trying to kill FBI agent Sean Archer?", "role": "user" } ]

[ [ "Archer's son Michael", "his gang" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "What knowledge does Castor taunt Archer with at the Los Angeles airport, six years after Michael was killed?", "role": "user" } ]

[ [ "there is a bomb hidden in the city and it will be explode in a few days", "Burning Dr Walsh's lab " ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "How does Archer trick Pollux Troy into telling him the location of the bomb?", "role": "user" } ]

[ [ "he has an experimental face plant, he takes Castor's face", "He convinces him that he is Castor" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "What happens when Castor wakes up from a coma?", "role": "user" } ]

[ [ "he forces Dr. Walsh to give him Archer's face", "He discovers his face is missing." ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "What does \"Archer\" tell \"Castor\" when he surprises him at the prison?", "role": "user" } ]

[ [ "he burned the lab to the ground with Tito and Dr. Walsh inside", "burned down the lab and evidence" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ { "content": "How does Castor as Archer begin to take over Archer's life?", "role": "user" } ]

[ [ "he dismantles the bomb, begins to romance his wife, and even saves his daughter from a rapist", "He gets his face, impresses his coworkers, and seduces his wife." ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "How does Asher as Castor escape prison?", "role": "user" } ]

[ [ "he starts a prison riot", "By starting a riot." ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

[ 0.9999999404, 0.9918005466, 0.9917682409, 0.9916950464, 0.9915841818, 0.9915132523 ]

[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "What huge news does Archer as Castor learn when he went to Castor's headquarters?", "role": "user" } ]

[ [ "Castor has a son, Adam, by Sasha", "Adam is castor's son " ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "How does Archer as Castor convince his wife that he is Archer?", "role": "user" } ]

[ [ "she takes blood samples from Castor and Archer", "By comparing their blood" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

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[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "What promise does Archer make Sasha as she lay there dying?", "role": "user" } ]

[ [ "to raise Adam and not allow him to fall prey to a life of crime.", "To take care of Adam and keep him away from crime" ] ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha." ]

[ " FBI Special Agent Sean Archer (John Travolta) survives an assassination attempt by freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage), but the bullet pierces through Archer's chest and hits his son Michael, killing the boy.\nSix years later, Archer's vendetta against Castor culminates in his team's ambush of Troy and his younger brother/accomplice Pollux (Alessandro Nivola) at Los Angeles International Airport. Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more.\nArcher affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito Biondi (Robert Wisdom), Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh (Colm Feore) to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him.\nCastor (now played by Travolta) visits the prison and surprises Archer. He taunts his nemesis with how he burned down Dr. Walsh's lab with Walsh and Tito inside to eliminate all evidence of their switch and will take over Archer's life. He leaves Archer to languish while he convinces Pollux to \"reveal\" the bomb's location in exchange for release from prison. Disarming his bomb in a dramatic fashion, Castor-as-Archer gains respect from Archer's fellow FBI colleagues. Castor gets close to Archer's family that Archer neglected over his vendetta: he romances his wife Eve (Joan Allen) and saves his daughter Jamie (Dominique Swain) from an attempted rapist.\nArcher starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha (Gina Gershon), the sister of Castor's primary drug kingpin, and her son Adam whom reminds Archer of Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro (Harve Presnell) blames Castor for the numerous deaths. Castor, angered over Pollux's death, kills Victor and makes it look like a heart attack. Castor-as-Archer is promoted to Acting Director as plans are made for Lazarro's funeral.\nArcher finds safety for Sasha and Adam and approaches Eve. He persuades her to take a sample of Castor's blood and his own to compare their blood types at the hospital where she works to prove he is Archer. Convinced of her husband's identity, she tells him that Castor will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime.\nCastor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife Castor ironically provided to her for self-defense. A speedboat chase ensues wherein Archer forces Castor to shore by collision, then bests Castor in a melee fight. Castor mutilates his/Archer's face to taunt him but Archer kills him with a spear gun. FBI agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity. After the face transplant surgery is undone, Archer (back to Travolta) returns home, with Adam having been adopted into his family to keep his promise to Sasha.", " Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10 million to program multi-headed worm, a \"hydra\", to siphon $9.5 billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.", " Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a mental breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox) whom he captured. Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the \"Tooth Fairy\" by the police for the bite-marks left on his victims.\nHaving found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history; Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. A little later, Lecktor contrives and manages to obtain Graham's home address by deceit during his phone privileges.\nGraham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor—and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper.\nThe FBI intends to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake; therefore, they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning.\nGraham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy—it is Graham's home address with an instruction to kill the family (ending with \"Save yourself. Kill them all,\" revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safe house, he tries to explain to his son Kevin why he had retired previously.\nAt his job in a St. Louis film lab, Francis Dollarhyde—The Tooth Fairy—approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: \"Francis is gone. Forever.\"\nDesperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employees that match their profile information have seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home, Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.", " Dominick \"Dom\" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are \"extractors\", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or \"inception\".\nTo break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable \"dream within a dream\" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).\nWhen the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a \"kick\" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.\nThe first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into \"limbo\", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.\nEames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.\nIn the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).\nThe third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.\nYusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.\nCobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to \"wake up\" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.\nThrough his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.\nUpon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.", " Private investigator Tom Welles (Nicolas Cage) is contacted by Daniel Longdale (Anthony Heald), attorney for wealthy widow Mrs. Christian (Myra Carter), whose husband has recently died. While clearing out her late husband's safe, she and Longdale found an 8mm film which appears to depict a real murder of a girl, but Mrs. Christian wants to know for certain.\nAfter looking through missing persons files, Tom discovers that the girl is Mary Ann Mathews (Jenny Powell), and visits her mother, Janet Mathews (Amy Morton). While searching the house with her permission, he finds Mary Ann's diary, in which she says that she went to Hollywood to become a film star. He asks Mrs. Mathews whether she wants to know the truth, even if it is a horrible truth. She says that she wants to know what happened to her daughter, so after reading the diary and a note left for her mother inside of it, he leaves it for her and then leaves.\nIn Hollywood, with the help of an adult video store employee called Max California (Joaquin Phoenix), Tom penetrates the underworld of illegal pornography. Contact with a sleazy talent scout named Eddie Poole (James Gandolfini) leads them to director Dino Velvet (Peter Stormare), whose violent pornographic films star a masked man known as \"Machine\" (Chris Bauer). To gain more evidence, Tom pretends to be a client interested in commissioning a hardcore bondage film to be directed by Velvet and starring Machine. Velvet agrees and arranges a meeting in New York City.\nAt the meeting, attorney Longdale appears and explains that Christian had contracted him to procure a snuff film. Longdale says that he told Velvet that Tom might come looking for them. Realizing that the snuff film was authentic, the private eye knows he is at risk. Velvet and Machine produce a bound and beaten Max, whom they abducted to force Tom to bring them the only surviving copy of the illegal film. Once he delivers it, but before he turns it over, they kill Max and beat Tom and then burn the film. As they are about to kill Tom, he tells them that Christian had paid $1 million for the film and that the reason Christian wanted the film made was for the simple reason that he had enough money to make it possible. Unbeknownst to them previously Velvet, Poole, and Machine received much less and that Longdale kept the major portion. In an ensuing fight, Velvet and Longdale are both killed; Tom wounds Machine and escapes.\nHe calls Mrs. Christian to tell her his discoveries and recommends going to the police, to which she agrees. Arriving at her estate, Tom is told that Mrs. Christian committed suicide after hearing the news. She left envelopes for the Mathews family and Tom: it contains the rest of his payment and a note reading, \"Try to forget us.\"\nTom decides to seek justice for the murdered girl by killing the remaining people involved. Tracking down Eddie, Tom takes him to the shooting location and tries to kill him. Eddie shows no remorse for his role in the murder and taunts Tom for being unable to go through with it. He calls Mrs. Mathews to tell her the truth about her daughter's fate and asks a devastated Janet for her permission to punish those responsible, to which she says yes. With that, he returns and pistol whips Eddie to death. After burning his body and the pornography from his car, Tom traces Machine and attacks him at his home. Tom unmasks him, revealing a bald, bespectacled man named George. He says, \"What did you expect? A monster?\" George goes on to tell Tom that he has no ulterior motive for his sadistic actions; he does them simply because he enjoys it. They struggle, and Tom kills him.\nAfter returning to his family, Tom receives a letter from Mrs. Mathews, thanking him for killing the men responsible and suggesting he and she were the only ones to care about Mary Ann.", " Travel agent Paul Barnell (Robin Williams) finds a body in a dumpster that, unbeknownst to him, was left there by Mafia hitmen. Heavily in debt and attempting to find a cure for his wife Margaret's (Holly Hunter) apparent Tourette Syndrome, he stages a disfiguring animal attack with the body in order to cash in his missing brother's life-insurance policy, for which a corpse is required.\nLocal police are convinced, but promotion-hungry insurance agent Ted Waters (Giovanni Ribisi) is not. The hitmen who dumped the body are also in search of the corpse for proof to collect their payment. They take Margaret hostage to ensure that they will get the body. Meanwhile, Ted is having problems with his girlfriend, Tiffany (Alison Lohman), who he neglects as he works his way up in his firm.\nPaul's missing brother Raymond (Woody Harrelson) returns home, beats him up, and demands a portion of the insurance money. By suggesting that Ted assaulted him, Paul speeds up the delivery of the million dollar insurance payment. He has the body exhumed and agrees to exchange it and a portion of the money for Margaret. Fearing that Raymond will attempt to kill Margaret to keep her quiet, Paul considers killing his brother in his sleep, but cannot bring himself to do so.\nThe next morning Paul leaves his brother asleep and meets the hit-men for the exchange. Raymond is angered at his brother's deception and arrives as well, and is told by the insurance agent, who has finally pieced together what has happened, about his million dollar policy. Raymond then pulls out a pistol and shoots Margaret in the back as she flees. He is in turn shot in the stomach by one of the hit-men (Tim Nelson). Paul finds Margaret alive; he had hidden the insurance money in her jacket, and it stopped the bullet. The brothers say goodbye as Raymond dies. Paul tells Ted that he only committed fraud out of love for his wife, which appeals to Ted's renewed feelings for Tiffany; touched, he lets them go. Using the money, Paul takes Margaret on a tropical vacation." ]

[ 0.9999999404, 0.9918005466, 0.9917682409, 0.9916950464, 0.9915841818, 0.9915132523 ]

[ 1338, 82, 942, 172, 682, 141 ]

[ { "content": "Who does this story revolve around?", "role": "user" } ]

[ [ "Peter", "Peter" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

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[ { "content": "How old was Peter when he left?", "role": "user" } ]

[ [ "7 days old", "He was seven days old." ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "How was Peter like all infants?", "role": "user" } ]

[ [ "He was part bird.", "He used to be part bird." ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "Why was Peter stuck in Kensington Gardens?", "role": "user" } ]

[ [ "He'd become more like the humans and so couldn't fly.", "He cannot fly" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "How did Peter navigate the Gardens?", "role": "user" } ]

[ [ "Thrush's nest on the Serpentine.", "on foot" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "Whom did Peter ask to marry him?", "role": "user" } ]

[ [ "Maimie Mannering", "Maime Mannering" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "What did Peter believe a pram to be?", "role": "user" } ]

[ [ "An animal.", "an animal" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "What gift did Mamie give Peter that was used every night?", "role": "user" } ]

[ [ "An imaginary goat.", "goat" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "What does Peter do when not playing?", "role": "user" } ]

[ [ "Makes graves for the little children lost in the night.", "He makes graves for children who get lost in the garden." ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "Why did Peter leave home the last time?", "role": "user" } ]

[ [ "His mother gave birth to another son.", "his mother has a new boy." ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "How old is Peter in the beginning of the story? ", "role": "user" } ]

[ [ "Seven days old. ", "seven-day-old infant" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "What is the crow's name?", "role": "user" } ]

[ [ "Solomon Caw", "Solomon Caw" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "Why does Peter return to Kensington after his second visit home to his mother? ", "role": "user" } ]

[ [ "She had another baby boy to love. ", "he is heartbroken" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "Who does Peter ask to marry him? ", "role": "user" } ]

[ [ "Maimie Mannering", "Maimie Mannering" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "When Peter is not playing what does he like to do? ", "role": "user" } ]

[ [ "Make graves for the children who get lost at night. ", "Make children's graves" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "What does Queen Mab give Peter? ", "role": "user" } ]

[ [ "The wish of his heart. ", "his hearts desire" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "What does Peter use as a boat? ", "role": "user" } ]

[ [ "A child sized thrush's nest. ", "a child's sized thrush's nest" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "What city did Peter live in with his mom? ", "role": "user" } ]

[ [ "London", "London" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "What does Maimie make for Peter when she is older? ", "role": "user" } ]

[ [ "Presents and letters", "presents and letters" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "How is Peter described in the first of the story?", "role": "user" } ]

[ [ "as a seven day old baby that is part bird", "He is described as a seven day old infant who is part bird." ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "Who tells Peter he is no longer part bird?", "role": "user" } ]

[ [ "Simon Caw, a crow Peter meets in Kensington Gardens", "Solomon Caw" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "How does Peter get down the Serpentine?", "role": "user" } ]

[ [ "a small boat made from a thrush's nest", "He uses the nest as a boat" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "After scaring the fairies, how does Peter win them over?", "role": "user" } ]

[ [ "he agrees to play the panpipes at all of the fairy dances", "He amuses them with his human ways and plays the pipes at their dances." ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "What does Queen Mab give Peter?", "role": "user" } ]

[ [ "his heart's greatest wish", "his hearts desire." ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

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[ { "content": "What is Peter's heart's greatest wish?", "role": "user" } ]

[ [ "to go home to his mother", "to return home to his mother. " ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "Why does Peter return to Kensington Gardens after going to his Mother's house?", "role": "user" } ]

[ [ "to say goodbye to everyone", "his mother had another boy she can love" ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]

[ { "content": "What happens when Pete again returns to his mother's house after spending too much time in Kensington Gardens?", "role": "user" } ]

[ [ "he finds out that his mother had given birth to another son", "She has given birth to another son." ] ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens." ]

[ " Peter is a seven-day-old infant who, \"like all infants\", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human – Solomon says he is crossed between them as a \"Betwixt-and-Between\". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine, the large lake that divides Kensington Gardens from Hyde Park.\nAlthough he terrifies the fairies when he first arrives, Peter quickly gains favour with them. He amuses them with his human ways and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart, and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.\nPeter feels rather guilty for leaving his mother, mostly because he believes she misses him terribly. He considers returning to live with her, but first decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens, and, when he uses his second wish to go home permanently, he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.\nPeter later meets a little girl named Maimie Mannering, who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realises that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older, she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.\nThroughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.", " David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his \"sleeping father\" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is \"just David.\"\nDavid is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and \"playing\" the world around him, such as playing \"the sunset\" and \"the flowers,\" and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.\nDuring the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.", " Benny Bates, a poor boy from the Liverpool slums, is ten years old when the story begins. He scrapes a living running errands in the streets; his beloved but frail sister Nelly, a year younger, sells matches. Their mother is dead, their father a drink-sodden brute. When he becomes violent towards Nelly, the two children run away from home. Helped by their friend the night-watchman Joe Wrag, and 'Granny' Betty Barker, they manage to retain their independence and learn to lead Christian lives. Nelly, a child of great natural spiritual insight, acts as Benny's moral conscience; when she dies after a street accident, he is in despair. A lucky encounter with Eva Lawrence, the little girl he will come to call his 'angel', leads to a job as office-boy to her father, a rich Liverpool businessman. Benny works hard, hoping to educate and better himself, but loses both job and reputation when Mr. Lawrence wrongly accuses him of stealing a five-pound note. Abandoning Liverpool, he nearly dies of starvation and heat-stroke, but is rescued and nursed back to health by a kindly farming family. He remains with them, working on the farm and studying in night school. Six years later, and by now grown up, he bravely stops a runaway carriage in a nearby lane; only afterwards does he discover that one of its occupants was Eva Lawrence. Benny has saved his 'angel's' life; now she reveals that she and her father have long known that he was innocent of the theft. The grateful Mr. Lawrence offers Benny a new job, this time as his clerk; he returns to Liverpool, to work his way up into partnership with Mr. Lawrence, and marriage with Eva.", " Twelve-year-old Josh Baskin, who lives with his parents and infant sister in Cliffside Park, New Jersey, is told he is too short for a carnival ride called the Ring of Fire, while attempting to impress Cynthia Benson, an older girl. He puts a coin into an unusual antique arcade fortune teller machine called Zoltar Speaks, and makes a wish to be \"big\". It dispenses a card stating \"Your wish is granted\", but Josh is spooked to see it was unplugged the entire time.\nThe next morning, Josh has been transformed into a 30-year-old man. He tries to find the Zoltar machine, only to see an empty plaza, the carnival having moved on. Returning home, he tries to explain his predicament to his mother, who refuses to listen, thinking he is a stranger who kidnapped her son. Fleeing from her, he then finds his best friend, Billy Kopecki, and convinces him of his identity by singing a rap that only they know. With Billy's help, he learns that it will take a couple of months to find the machine, so Josh rents a flophouse room in New York City and gets a job as a data entry clerk at MacMillan Toy Company.\nJosh runs into the company's owner, Mr. MacMillan, at FAO Schwarz, and impresses him with his insight into current toys and his childlike enthusiasm. They play a duet on a foot-operated electronic keyboard, performing \"Heart and Soul\" and \"Chopsticks.\" This earns Josh a promotion to a dream job: getting paid to test toys as Vice President in Charge of Production. With his promotion, his larger salary enables him to move into a spacious luxury apartment, which he and Billy fill with toys, a rigged Pepsi vending machine dispensing free drinks, and a pinball machine. He soon attracts the attention of Susan Lawrence, a fellow McMillan executive. A romance begins to develop, to the annoyance of her ruthless boyfriend and coworker, Paul Davenport. Josh becomes increasingly entwined in his \"adult\" life by spending time with her, mingling with her friends, and being in a steady relationship. His ideas become valuable assets to MacMillan Toys; however, he begins to forget what it is like to be a child, and he never has time to hang out with his best friend Billy because of his busy schedule.\nMacMillan asks Josh to come up with proposals for a new line of toys. He is intimidated by the need to formulate the business aspects of the proposal, but Susan says she will handle the business end while he comes up with ideas. Nonetheless, he feels pressured, and longs for his old life. When he expresses doubts to her and attempts to explain that he is really a child, she interprets this as fear of commitment on his part, and dismisses his explanation.\nJosh learns from Billy that the Zoltar machine is now at Sea Point Park. He leaves in the middle of presenting their proposal to MacMillan and other executives. Susan also leaves, and encounters Billy, who tells her where Josh went. At the park, Josh finds the machine, unplugs it and makes a wish to become \"a kid again.\" He is then confronted by Susan, who, seeing the machine and the fortune it gave him, realizes he was telling the truth. She becomes despondent at realizing their relationship is over. He tells her she was the one thing about his adult life he wishes would not end and suggests she use the machine to turn herself into a little girl. She declines, saying that being a child once was enough, and takes him home. After sharing an emotional goodbye with Susan, he becomes a child again. He waves goodbye to Susan one last time before reuniting with his family. The film ends with Josh and Billy hanging out together, with the song \"Heart and Soul\" playing over the credits.", " Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws' and their urbanized, fashionable lifestyles, expensive clothes and other habits she has never been exposed to, and, for the most part, dislikes. Fanny's friends ignore her because of her different behavior and simple clothing, Fanny's brother Tom teases her, and Fan herself can't help considering her unusual sometimes. However, Polly's warmth, support and kindness eventually win the hearts of all the family members, and her old-fashioned ways teach them a lesson.\nOver the next six years, Polly visits the Shaws every year and comes to be considered a member of the family. Later, Polly comes back to the city to become a music teacher and struggles with professional issues and internal emotions. Later in the book, Polly finds out that the prosperous Shaws are on the brink of bankruptcy, and she guides them to the realization that a wholesome family life is the only thing they will ever need, not money or decoration.\nWith the comfort of the ever helpful Polly, the family gets to change for the better and to find a happier life for all of them. After being rejected by his fiancée, Trix, Tom procures a job out West, with Polly's brother Ned, and heads off to help his family and compensate for all the money he has wasted in frivolous expenditures. At that point of the book, we see that Polly and Tom seem to have developed strong feelings for one another.\nAt the end of the book, Tom returns from the West and finally gets engaged to his true love, Polly.", " Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs. Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel offers blunt protestations that only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off.\nWhen next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him." ]

[ 0.9999998212, 0.9943193793, 0.9938172102, 0.9936470389, 0.993437171, 0.9929212332 ]

[ 1339, 1177, 865, 449, 1302, 627 ]