1
00:00:10,640 --> 00:00:16,800
again for another poetry class so let me welcome

2
00:00:16,800 --> 00:00:22,120
all of you again today today's class is a new poem

3
00:00:22,120 --> 00:00:25,440
it's about a new poem a new poet

4
00:00:28,970 --> 00:00:32,370
But the same period. So today we're going to see

5
00:00:32,370 --> 00:00:37,370
Christopher Marlowe, one of the most famous

6
00:00:37,370 --> 00:00:45,470
lyricist and pastoral poetry writers or poets.

7
00:00:50,180 --> 00:00:53,660
But today's angle is going to be a little bit

8
00:00:53,660 --> 00:00:57,440
different. Different in, I'm not going to explore

9
00:00:57,440 --> 00:01:01,660
the poem in detail today, but rather to create a

10
00:01:01,660 --> 00:01:05,620
context which might reveal the multifaceted

11
00:01:05,620 --> 00:01:12,560
meanings of the poem itself. So, as usual, we

12
00:01:12,560 --> 00:01:18,490
start by listening to one or two reports. Then one

13
00:01:18,490 --> 00:01:24,850
or two responses in poetry, if you remember. After

14
00:01:24,850 --> 00:01:30,550
that, we'll hold a debate. Either I bring a panel

15
00:01:30,550 --> 00:01:36,390
here. We bring a panel like you here, a couple of

16
00:01:36,390 --> 00:01:39,050
people, and you debate. And I'll be in the middle

17
00:01:39,050 --> 00:01:47,520
just trying to flare up that debate. and perhaps

18
00:01:47,520 --> 00:01:51,300
try to make you, yeah, it would be a nice idea to

19
00:01:51,300 --> 00:01:56,020
have a panel here. Yes? Okay, this is today's

20
00:01:56,020 --> 00:02:00,640
class. Hopefully this will be a springboard for

21
00:02:00,640 --> 00:02:04,920
next class, okay? So today we're not going to go

22
00:02:04,920 --> 00:02:08,060
deeper into the background, the historical

23
00:02:08,060 --> 00:02:11,980
background or the cultural background, but we're

24
00:02:11,980 --> 00:02:15,660
going to have a preparatory class for next class,

25
00:02:15,760 --> 00:02:22,070
okay? Good. Let's listen as usual for a report. I

26
00:02:22,070 --> 00:02:24,250
think you have never read a report. Okay, good.

27
00:02:24,650 --> 00:02:25,350
You come here.

28
00:02:29,150 --> 00:02:33,780
Good morning. All of us know poetry classes start

29
00:02:33,780 --> 00:02:37,600
at night. As usually, Mr. Habib comes in the time.

30
00:02:38,000 --> 00:02:41,080
Then, he selects one or two to read their reports.

31
00:02:41,740 --> 00:02:45,740
Also, if we have a new poem, he will ask one or

32
00:02:45,740 --> 00:02:49,180
two to read their response. After that, he begins

33
00:02:49,180 --> 00:02:53,680
to explain. So, last class, he continued the

34
00:02:53,680 --> 00:02:58,280
Spencer's poem, Poem Explained. He analyzed all

35
00:02:58,280 --> 00:03:03,790
aspects of it. Also, Mrs. Amal came and shared Mr.

36
00:03:03,850 --> 00:03:10,350
Habib to explain the rhyme of the poem. And a lot

37
00:03:10,350 --> 00:03:15,010
of students joined with teacher in discussion it.

38
00:03:15,650 --> 00:03:18,870
Finally, he finished the Spencer poem and called

39
00:03:18,870 --> 00:03:23,090
us to prepare a new one for Marlow, and he ordered

40
00:03:23,090 --> 00:03:26,170
from us to try to write response for it in poetic

41
00:03:26,170 --> 00:03:28,730
form. He asked us, thank you very much. You know,

42
00:03:28,850 --> 00:03:33,470
Amal, okay, it's not the message. She's mess, you

43
00:03:33,470 --> 00:03:35,710
know. So this is good news, you know, for the

44
00:03:35,710 --> 00:03:39,350
future, not now. Okay, good. Thank you very much.

45
00:03:39,570 --> 00:03:41,990
Thank you for having the courage. You know, I

46
00:03:41,990 --> 00:03:45,470
think you started to write very well. And this is

47
00:03:45,470 --> 00:03:48,750
a, you know, good. Because I felt like you've

48
00:03:48,750 --> 00:03:51,730
been, we've been teaching poetry for I think a

49
00:03:51,730 --> 00:03:56,060
month now. Almost like this is the fourth week and

50
00:03:56,060 --> 00:04:00,080
I feel that some students like critique develop

51
00:04:00,080 --> 00:04:03,080
Their way of writing, you know, they started to

52
00:04:03,080 --> 00:04:06,980
see writing like an easier thing Okay, still we

53
00:04:06,980 --> 00:04:15,080
have the guts to listen to another report Okay Yes

54
00:04:15,080 --> 00:04:17,480
Yes, please just come here

55
00:04:23,010 --> 00:04:27,150
It's not a problem. It's short, laconic. You mean

56
00:04:27,150 --> 00:04:31,770
like... Good morning. I sit to write my report and

57
00:04:31,770 --> 00:04:35,310
ask myself what can I write my feeling during the

58
00:04:35,310 --> 00:04:39,190
lecture or my feeling... I ask myself what I can

59
00:04:39,190 --> 00:04:41,970
write. This is indirect question. Yes. Not what

60
00:04:41,970 --> 00:04:45,390
can I write. You know? Okay. or my feelings about

61
00:04:45,390 --> 00:04:49,730
the last poem. It was boring to write about a bus

62
00:04:49,730 --> 00:04:52,750
event every day as you're writing a daily report.

63
00:04:53,170 --> 00:04:56,170
I sit and imagine how to start attractive report

64
00:04:56,170 --> 00:05:00,690
because I lose my words, but it is not true. I

65
00:05:00,690 --> 00:05:03,550
start to get new words, new ideas, new

66
00:05:03,550 --> 00:05:09,430
imagination. Then I realize it is a useful way to

67
00:05:09,430 --> 00:05:13,020
develop our writing and thinking.Yes, thank you.

68
00:05:13,320 --> 00:05:16,060
That's right. So at some point like you might

69
00:05:16,060 --> 00:05:18,120
reach like, hey, I don't have anything to write

70
00:05:18,120 --> 00:05:21,500
about. And then, you know, here the point of

71
00:05:21,500 --> 00:05:24,080
creativity starts when you don't have when you

72
00:05:24,080 --> 00:05:27,540
find writing a report is a boring issue. So then

73
00:05:27,540 --> 00:05:32,090
you you find any hook. Like to start with and then

74
00:05:32,090 --> 00:05:36,230
to weave your story or your narrative. So this is

75
00:05:36,230 --> 00:05:38,930
like the most wonderful thing about the report.

76
00:05:39,430 --> 00:05:44,050
Plus it is a way to vent out, you know, your if

77
00:05:44,050 --> 00:05:46,970
you are not happy with something, it's good. Good.

78
00:05:49,450 --> 00:05:55,410
Yes. What response? Wow. Like a lot of people want

79
00:05:55,410 --> 00:06:01,900
to respond. Yes. You just go. Now, I need to

80
00:06:01,900 --> 00:06:07,060
listen to several responses. Why? Because this

81
00:06:07,060 --> 00:06:09,580
will help you now to vote, because there will be

82
00:06:09,580 --> 00:06:14,580
voting whether to go or not to go. So here, we'll

83
00:06:14,580 --> 00:06:18,300
see how many people who would say, OK, I like to

84
00:06:18,300 --> 00:06:23,020
go. It's good. And how many people who want to

85
00:06:23,020 --> 00:06:26,460
say, no, I'm not going. Good. So the first word,

86
00:06:26,520 --> 00:06:30,050
I'm going. Yes. Let's see. I'm going to the valley

87
00:06:30,050 --> 00:06:33,050
where the water flow. I will use the wall and the

88
00:06:33,050 --> 00:06:35,770
rest I will draw. And the candid tears will melt

89
00:06:35,770 --> 00:06:38,350
the snow. The picture of happiness I will draw.

90
00:06:38,750 --> 00:06:41,790
And for sadness he said no. A suitable figures of

91
00:06:41,790 --> 00:06:44,890
speech he draw. The natural romantic language used

92
00:06:44,890 --> 00:06:47,470
was suitable for you. Themes of simplicity and

93
00:06:47,470 --> 00:06:50,430
love, that's what he want us to know. But for her,

94
00:06:50,690 --> 00:06:53,550
she might say bye and go. This was a nice poem

95
00:06:53,550 --> 00:06:56,290
from Marlow and what Dr. Akram want us to know.

96
00:06:56,790 --> 00:07:00,740
Okay, thank you. Clap for her. Yeah, but it's good

97
00:07:00,740 --> 00:07:03,920
response, like you respond to a poem by poetry,

98
00:07:04,140 --> 00:07:07,820
but it's good that you are listing, you know, the

99
00:07:07,820 --> 00:07:12,300
elements of persuasion. You know, she started to

100
00:07:12,300 --> 00:07:15,400
talk about like the promises, the lovely things he

101
00:07:15,400 --> 00:07:19,520
promised, the natural life, the romantic scenes of

102
00:07:19,520 --> 00:07:23,180
the countryside. Good. Yes.

103
00:07:28,810 --> 00:07:33,330
I will not go. Okay, good. Answer to, answer to

104
00:07:33,330 --> 00:07:35,070
what? Because you are my relative, you know she's

105
00:07:35,070 --> 00:07:40,040
not going. Sorry Marlo, I can't go with you in

106
00:07:40,040 --> 00:07:42,680
your world. There is a lot of things inside me

107
00:07:42,680 --> 00:07:47,020
warn me. This is not acceptable, and in my society

108
00:07:47,020 --> 00:07:49,960
this is not available. My religion forbids that,

109
00:07:50,160 --> 00:07:53,880
and I must accept it. You entice me by something

110
00:07:53,880 --> 00:07:56,720
unreal, and I have been waiting for something

111
00:07:56,720 --> 00:08:00,160
greater and glorious. I am with you that these are

112
00:08:00,160 --> 00:08:03,360
unattractive things, but I try to make myself away

113
00:08:03,360 --> 00:08:07,030
from it. You are a sensitive and a romantic man,

114
00:08:07,230 --> 00:08:12,890
but I try to be a realistic one. I am a Muslim, so

115
00:08:12,890 --> 00:08:17,050
I have to respect my Islam. Allah prohibited this

116
00:08:17,050 --> 00:08:21,370
splendor, so I have to obey his order. So try to

117
00:08:21,370 --> 00:08:24,570
forgive me I can't come. At least I will have a

118
00:08:24,570 --> 00:08:27,470
heaven and a paradise which Allah prepared for us.

119
00:08:27,550 --> 00:08:29,730
Wow, good. Thank you very much. I think she

120
00:08:29,730 --> 00:08:33,510
succeeded in persuading, in dissuading you not to

121
00:08:33,510 --> 00:08:37,250
go. But let's see somebody who will persuade. It's

122
00:08:37,250 --> 00:08:41,430
fun, you know. Yes, Rawan, like, and I think

123
00:08:41,430 --> 00:08:45,770
Khawla as well. So today we're supposed to listen

124
00:08:45,770 --> 00:08:49,780
to many responses. Good. The shepherd invites his

125
00:08:49,780 --> 00:08:52,240
love to come with him to live in the countryside,

126
00:08:52,600 --> 00:08:55,360
which contains pleasures of all kinds, to enjoy

127
00:08:55,360 --> 00:08:58,700
the nature sights. Is he out of his mind? With no

128
00:08:58,700 --> 00:09:01,760
future defined, there is no brandy the lady can

129
00:09:01,760 --> 00:09:04,960
find. So this is like a cynical attitude. No

130
00:09:04,960 --> 00:09:08,500
future, nothing realistic. The same concern is

131
00:09:08,500 --> 00:09:13,800
shared by her, like nothing is real, nothing is

132
00:09:13,800 --> 00:09:17,720
concrete. All of these are just promises in the

133
00:09:17,720 --> 00:09:21,090
air. Good. I just can't decide whether he's being

134
00:09:21,090 --> 00:09:25,450
ridiculous or serious. He wants to watch the

135
00:09:25,450 --> 00:09:28,190
river, but he didn't bother himself to make any

136
00:09:28,190 --> 00:09:31,930
offer. Even if he brought a rose, he didn't do

137
00:09:31,930 --> 00:09:34,450
both. He wants to hear the birds sing. Yeah, like

138
00:09:34,450 --> 00:09:36,990
here, there is a way out as a Muslim, you know.

139
00:09:37,150 --> 00:09:41,650
Okay. like if there is like a formal proposal you

140
00:09:41,650 --> 00:09:45,230
know and a formal you know relationship like it's

141
00:09:45,230 --> 00:09:49,230
a you know marriage relationship so this kind of

142
00:09:49,230 --> 00:09:52,770
you know relationship would be legal and as a

143
00:09:52,770 --> 00:09:58,070
Muslim we will respond eagerly you know So there

144
00:09:58,070 --> 00:10:01,230
are limitations for us as Muslims, you know, this

145
00:10:01,230 --> 00:10:06,070
doesn't appeal to us unless we have certain, you

146
00:10:06,070 --> 00:10:10,710
know, prerequisites to be achieved. He wants to

147
00:10:10,710 --> 00:10:13,230
hear the bird sing, but he didn't bring any wing.

148
00:10:13,590 --> 00:10:16,190
It seemed that the lady never cared because her

149
00:10:16,190 --> 00:10:19,540
response was never heard. Yeah, you are detaching

150
00:10:19,540 --> 00:10:23,260
yourself. You talk about the lady and because I

151
00:10:23,260 --> 00:10:26,980
think this poem was addressed to us. Good. The

152
00:10:26,980 --> 00:10:30,220
last one, Khaoula, if you know. Okay. Yes,

153
00:10:30,280 --> 00:10:36,280
Khaoula. So we have so far like three people like

154
00:10:36,280 --> 00:10:42,190
refusing to go. Yes. Good morning. To His Love is

155
00:10:42,190 --> 00:10:44,750
a poem written by Marlow. It's the fifth time I

156
00:10:44,750 --> 00:10:47,810
write response for the poem, but I feel I feel now

157
00:10:47,810 --> 00:10:50,110
there is no difficulty in writing. After I read

158
00:10:50,110 --> 00:10:53,110
the poem loudly, the words, the style, and even

159
00:10:53,110 --> 00:10:55,610
the theme attract my attention. It's the first

160
00:10:55,610 --> 00:10:58,210
time the poet invites his beloved to come and to

161
00:10:58,210 --> 00:11:00,890
be his wife, so this is a new style in our

162
00:11:00,890 --> 00:11:03,250
studying of poetry. I face some difficulties with

163
00:11:05,430 --> 00:11:08,610
I faced some difficulties whereas actually, but I

164
00:11:08,610 --> 00:11:10,310
tried to understand it throughout the context.

165
00:11:10,490 --> 00:11:13,170
Marlow used an image which is an imaginative image

166
00:11:13,170 --> 00:11:16,350
because I don't think there is an image like he

167
00:11:16,350 --> 00:11:18,770
narrated. He invites his beloved to come and to

168
00:11:18,770 --> 00:11:21,890
live with him in the countryside where everything

169
00:11:21,890 --> 00:11:25,510
will be depositioned to serve them. They will sit

170
00:11:25,510 --> 00:11:28,490
upon the rocks and watch the shepherd feeding

171
00:11:28,490 --> 00:11:33,370
their flocks. This image reflects his mood and

172
00:11:33,370 --> 00:11:36,110
attitude, all images from nature and as hills,

173
00:11:36,250 --> 00:11:39,210
valleys, flowers and mountains. Finally, I just

174
00:11:39,210 --> 00:11:42,090
want to say that Marlow was succeeded in using

175
00:11:42,090 --> 00:11:44,750
language to convince his beloved to live with him,

176
00:11:44,930 --> 00:11:47,810
and he's an optimistic one, so I... Thank you,

177
00:11:47,910 --> 00:11:51,690
thank you. Okay, good. Yes, the last one, because,

178
00:11:51,990 --> 00:11:54,650
you know, this is like a good introduction for

179
00:11:54,650 --> 00:11:59,910
like the debate. Let's see who will be here and

180
00:11:59,910 --> 00:12:03,820
who will be here, you know? Okay. Superficial, my

181
00:12:03,820 --> 00:12:06,540
love, seems your verse. As of nature, you seem

182
00:12:06,540 --> 00:12:09,400
more fascinated than me. Those pleasures you speak

183
00:12:09,400 --> 00:12:12,140
of for me, better or worse, seems not to matter,

184
00:12:12,280 --> 00:12:15,100
for it's you who will see. Those silver dishes of

185
00:12:15,100 --> 00:12:17,760
meat you speak of are my curse, for who will

186
00:12:17,760 --> 00:12:20,600
prepare for the idle shepherd his provisions? Get

187
00:12:20,600 --> 00:12:22,940
real, man, of you, after this, I'm not a great

188
00:12:22,940 --> 00:12:26,680
fan. Okay, thank you very much. Okay, now I want

189
00:12:26,680 --> 00:12:30,920
to see people here like to come See people who do

190
00:12:30,920 --> 00:12:34,500
not want to go. Okay, just you come here, sit

191
00:12:34,500 --> 00:12:38,240
down. This is a debate. It's like TV debate. Okay,

192
00:12:38,780 --> 00:12:44,500
who thinks that you shouldn't go? Yes, you just

193
00:12:44,500 --> 00:12:52,160
come here. Okay, you come here. Okay. You just

194
00:12:52,160 --> 00:12:54,840
bring your chair, because this is a debate. This

195
00:12:54,840 --> 00:12:59,100
is a debate. Sit here. Okay, you sit here.

196
00:13:02,070 --> 00:13:08,970
yes and I need the like a third one okay so those

197
00:13:08,970 --> 00:13:15,570
who think it's nice to go where are they okay yes

198
00:13:15,570 --> 00:13:23,730
okay good one yeah

199
00:13:23,730 --> 00:13:30,730
like here to go yes yeah to go where is like yeah

200
00:13:30,730 --> 00:13:35,310
I need like this Don't worry, I might change you

201
00:13:35,310 --> 00:13:37,970
now, like I changed the order. So Amal, do you

202
00:13:37,970 --> 00:13:41,010
want to play with me? I'm just going to watch. No,

203
00:13:41,190 --> 00:13:45,910
it's good, like, you know. Yeah, you can come. I

204
00:13:45,910 --> 00:13:54,750
might switch it. OK. Yes. Yes, you can come. OK.

205
00:13:55,550 --> 00:13:59,790
Ladies, good morning. Ladies and gentlemen, good

206
00:13:59,790 --> 00:14:03,240
morning. Today, we have a wonderful debate. It's

207
00:14:03,240 --> 00:14:07,000
like we have an invitation from a lesbian poet

208
00:14:07,000 --> 00:14:11,640
named Christopher Martin. And all of you read the

209
00:14:11,640 --> 00:14:16,480
invitation. It's not a willing invitation, but it

210
00:14:16,480 --> 00:14:20,840
is an invitation to go with the poet to the

211
00:14:20,840 --> 00:14:26,520
countryside. Here we have some people who are

212
00:14:26,520 --> 00:14:30,550
cynical, who are Little adamant, they don't trust

213
00:14:30,550 --> 00:14:34,230
the poet, and they decided not to go. Of course,

214
00:14:34,370 --> 00:14:38,910
we'll ask them about the reasons. And again here,

215
00:14:38,990 --> 00:14:44,270
we have people who wanted to give themselves time

216
00:14:44,270 --> 00:14:47,650
to relax. And they thought it was a good idea to

217
00:14:47,650 --> 00:14:52,470
go and to enjoy the beauty, because there is a

218
00:14:52,470 --> 00:14:55,810
carefree life. It's wonderful. It's a good

219
00:14:55,810 --> 00:15:00,050
vacation to go there. Now, they are going to

220
00:15:00,050 --> 00:15:03,410
debate. But when they debate, of course, you know,

221
00:15:04,150 --> 00:15:07,250
like one would start by an argument. Yeah, it's

222
00:15:07,250 --> 00:15:10,690
good to go out and become suicidal and to relax,

223
00:15:10,910 --> 00:15:13,930
to escape from this. And the other would say,

224
00:15:14,630 --> 00:15:17,770
yeah, you might be right. I think I might share

225
00:15:17,770 --> 00:15:20,010
you. I respect your point of view. But let me

226
00:15:20,010 --> 00:15:22,750
disagree with you. So whenever you disagree with

227
00:15:22,750 --> 00:15:29,930
each other, use best language, OK? let's see i

228
00:15:29,930 --> 00:15:31,610
think you have the invitation you received the

229
00:15:31,610 --> 00:15:38,790
invitation so why did you decide not to go yes i

230
00:15:38,790 --> 00:15:39,370
decided

231
00:15:43,500 --> 00:15:47,680
mind say to me no. That first of all my values, my

232
00:15:47,680 --> 00:15:54,260
culture, my religion forbid that. That because the

233
00:15:54,260 --> 00:16:00,920
illegal relationship between men and

234
00:16:00,920 --> 00:16:03,880
women is not acceptable in our society. So the

235
00:16:03,880 --> 00:16:08,900
best way to connect the man and the woman if she

236
00:16:08,900 --> 00:16:12,120
wants to go with him is the marriage. So I will

237
00:16:12,120 --> 00:16:17,550
not go. Now they say, like, I think the poem, you

238
00:16:17,550 --> 00:16:19,210
know, I don't know, like, let's see what they are

239
00:16:19,210 --> 00:16:24,350
going to say. Yes? I want to say that while they

240
00:16:24,350 --> 00:16:29,730
are seeing things like this, that it is forbidden

241
00:16:29,730 --> 00:16:32,270
and it is like they are going to a legal

242
00:16:32,270 --> 00:16:37,430
relationship, why not? I am with my mind, I'm not

243
00:16:37,430 --> 00:16:39,730
mindless, so I can decide what's right and what's

244
00:16:39,730 --> 00:16:43,330
wrong. So why not a place of mountains, valleys,

245
00:16:43,490 --> 00:16:48,010
roses, flowers, walls and relaxation? It's

246
00:16:48,010 --> 00:16:51,220
something nice. So she thinks like it's good like

247
00:16:51,220 --> 00:16:55,640
to have your own decision and to go, you know. Of

248
00:16:55,640 --> 00:16:57,920
course, like she didn't talk about the

249
00:16:57,920 --> 00:17:03,040
restrictions. Let's see here. Yes, another support

250
00:17:03,040 --> 00:17:06,600
like I'll change position, you know. allow me to

251
00:17:06,600 --> 00:17:09,140
disagree with both of them because here i do not

252
00:17:09,140 --> 00:17:11,860
think that he specified you know you know you can

253
00:17:11,860 --> 00:17:14,460
you have to go you know for an illegal

254
00:17:14,460 --> 00:17:18,020
relationship i think the main focus of the poem is

255
00:17:18,020 --> 00:17:20,600
about the pastoral side and the pastoral way of

256
00:17:20,600 --> 00:17:23,400
life so what i think of it i think that the

257
00:17:23,400 --> 00:17:28,190
attitude that marlo himself uh took is one that is

258
00:17:28,190 --> 00:17:31,870
very idle he idealized everything um not

259
00:17:31,870 --> 00:17:33,950
everything is always positive not everything is

260
00:17:33,950 --> 00:17:36,550
always rosy and flowery there is always a positive

261
00:17:36,550 --> 00:17:39,090
and negative side for everything he he talked

262
00:17:39,090 --> 00:17:41,430
about the shepherd's singing singing he talked

263
00:17:41,430 --> 00:17:44,430
about him watching everything he seems like really

264
00:17:44,430 --> 00:17:47,850
lazy and idle he seems like he's just making

265
00:17:47,850 --> 00:17:51,900
everything like uh heavenly for her Although she

266
00:17:51,900 --> 00:17:54,900
needs to realize that this is not a lifetime

267
00:17:54,900 --> 00:17:58,900
honeymoon. It's going to be hard to live on, you

268
00:17:58,900 --> 00:18:01,860
know, on a regular basis this way of life. She can

269
00:18:01,860 --> 00:18:04,180
go for a visit, you know what I mean? But it's not

270
00:18:04,180 --> 00:18:05,980
going to be practical and it's not going to be

271
00:18:05,980 --> 00:18:09,360
realistic. You are buffing us. You are in the

272
00:18:09,360 --> 00:18:11,840
middle. You should be in the middle here. And you

273
00:18:11,840 --> 00:18:14,940
know what? You made your team lose a point, you

274
00:18:14,940 --> 00:18:21,720
know? So I would say, one, nail you know okay so

275
00:18:21,720 --> 00:18:23,620
you have to be adamant you have to be stubborn

276
00:18:23,620 --> 00:18:27,280
good now good like you see like you want a point

277
00:18:27,280 --> 00:18:31,480
yes like uh well for me i would say i would go

278
00:18:31,480 --> 00:18:36,880
because of the nature of our life civilized life I

279
00:18:36,880 --> 00:18:40,020
would, for me, I would go because of, you know,

280
00:18:40,100 --> 00:18:42,280
the nature of our daily life, civilized life. We

281
00:18:42,280 --> 00:18:46,440
hardly even notice the tree that we cross. So

282
00:18:46,440 --> 00:18:52,380
going to a pastoral area would actually be a nice

283
00:18:52,380 --> 00:18:56,430
holiday. It would be a nice holiday, yes? Yes.

284
00:18:58,070 --> 00:19:00,510
Okay, go ahead. It would be a very nice holiday

285
00:19:00,510 --> 00:19:04,610
for me to ponder and to look around for the trees

286
00:19:04,610 --> 00:19:07,590
and all the things that he said he would do. So

287
00:19:07,590 --> 00:19:09,930
yes, I would go for relaxation. You would go out.

288
00:19:10,030 --> 00:19:14,030
You are attracted by all these scenes and beauty,

289
00:19:14,570 --> 00:19:14,870
yes?

290
00:19:19,710 --> 00:19:23,210
neither than idols so even if there was a like

291
00:19:23,210 --> 00:19:27,130
beauty in life outside life but there's still even

292
00:19:27,130 --> 00:19:29,610
no matter how life can be complex but we can live

293
00:19:29,610 --> 00:19:33,350
without it and we can cope with it yeah and he

294
00:19:33,350 --> 00:19:35,890
didn't even he didn't make any promise that he

295
00:19:35,890 --> 00:19:38,670
would stay with her or marry her or even a long

296
00:19:38,670 --> 00:19:42,010
-term relationship he just said come with me so

297
00:19:42,010 --> 00:19:46,680
she didn't have like but is he going to be the you

298
00:19:46,680 --> 00:19:48,780
know the only one in the countryside this is the

299
00:19:48,780 --> 00:19:51,060
question they might say he's not going to be the

300
00:19:51,060 --> 00:19:53,220
only one you know there will be a lot of people a

301
00:19:53,220 --> 00:19:56,980
lot of shepherds a lot of swains you know okay i

302
00:19:56,980 --> 00:20:00,390
don't believe him I feel like I feel like he's

303
00:20:00,390 --> 00:20:03,430
being very like he's idealizing everything He says

304
00:20:03,430 --> 00:20:07,830
that the silver dishes of meat for for you who's

305
00:20:07,830 --> 00:20:10,010
going to make the silver dishes of meat It's gonna

306
00:20:10,010 --> 00:20:12,970
be like make me some dinner for God's sake. That's

307
00:20:12,970 --> 00:20:15,270
the way they're gonna act in the end It's you

308
00:20:15,270 --> 00:20:17,810
know, yeah, it's ridiculous. Let us read the

309
00:20:17,810 --> 00:20:20,050
imitation again. Who wants to read the imitation?

310
00:20:20,690 --> 00:20:24,940
like in a poet form it would be nice like to you

311
00:20:24,940 --> 00:20:29,660
can click this and yes and read the poem read the

312
00:20:29,660 --> 00:20:38,040
invitation uh i don't know yeah wow look come with

313
00:20:38,040 --> 00:20:41,440
me and be my love and we will own the pleasures

314
00:20:41,440 --> 00:20:47,440
through the hills and the valleys dale and fields

315
00:20:47,440 --> 00:20:52,260
and all the craggy mountain hills There we will

316
00:20:52,260 --> 00:20:56,920
sit upon the rocks, seeing the shepherds feed

317
00:20:56,920 --> 00:21:02,000
their flocks by shallow rivers, to whose forms the

318
00:21:02,000 --> 00:21:07,600
lodges birds sing mandolins. There will I make

319
00:21:07,600 --> 00:21:12,040
thee a bin of roses and a thousand fragrant roses,

320
00:21:13,180 --> 00:21:17,260
a cab of flowers and a curtain embroidered with

321
00:21:17,260 --> 00:21:23,470
leaves and myrtle, A gown? A gown made of the

322
00:21:23,470 --> 00:21:32,370
finest wool. A gown made of the finest wool, which

323
00:21:32,370 --> 00:21:36,570
from our pretty lamps we pull. Fair lines

324
00:21:36,570 --> 00:21:41,350
splattered, slippers for the cold, with packles of

325
00:21:41,350 --> 00:21:45,250
the purest gold. A belt of straw and ivory buds,

326
00:21:45,870 --> 00:21:50,730
with coral clasp and amber studs. If these

327
00:21:50,730 --> 00:21:54,710
pleasures made thee move, come live with me and be

328
00:21:54,710 --> 00:22:00,570
my love. Thy silver dishes, for thy need, as

329
00:22:00,570 --> 00:22:04,710
precious as the goods to eat, shall on an ivory

330
00:22:04,710 --> 00:22:10,530
table be prepared each day for thee and me. The

331
00:22:10,530 --> 00:22:13,510
shepherds, the shepherds' swains, shall dance and

332
00:22:13,510 --> 00:22:17,730
sing for thy delight each day in our name. If

333
00:22:17,730 --> 00:22:21,510
these delights thy mind, they move, they live with

334
00:22:21,510 --> 00:22:25,430
me and be my love I think it's very interesting

335
00:22:25,430 --> 00:22:30,570
like look here it is good thing for a lady like to

336
00:22:30,570 --> 00:22:34,310
be blind nowadays ladies are complaining they are

337
00:22:34,310 --> 00:22:37,770
cocking they are doing the kitchen work here as

338
00:22:37,770 --> 00:22:41,130
you see I don't believe him either he's not being

339
00:22:41,130 --> 00:22:43,150
realistic what do you want to say yes

340
00:22:48,510 --> 00:22:51,570
as if she is a princess and she is controlling

341
00:22:51,570 --> 00:22:55,410
everything around her and also them and himself is

342
00:22:55,410 --> 00:22:59,710
controlled by her so she will feel like as if she

343
00:22:59,710 --> 00:23:02,390
is in heaven yeah she's in heaven you know like

344
00:23:02,390 --> 00:23:05,190
okay good and now I'm telling that he's being a

345
00:23:05,190 --> 00:23:08,410
romantic not a ridiculous I don't know what okay

346
00:23:08,410 --> 00:23:13,090
there's nothing amazing in watching this hold on

347
00:23:13,090 --> 00:23:16,070
hold on let's let's go okay yeah you want to

348
00:23:16,070 --> 00:23:18,130
repeat that again okay

349
00:23:20,740 --> 00:23:25,540
Yes, go ahead. Yes, I feel that everything is

350
00:23:25,540 --> 00:23:28,160
ready for her and she will feel that she is a

351
00:23:28,160 --> 00:23:30,580
princess and controlling everything around her. So

352
00:23:30,580 --> 00:23:33,060
she will be having a special life, a very

353
00:23:33,060 --> 00:23:36,860
prestigious life. She will be feeling that

354
00:23:36,860 --> 00:23:39,660
everything is under her control.

355
00:23:42,460 --> 00:23:44,200
Yeah, what did you want to say? I wanted to say

356
00:23:44,200 --> 00:23:46,520
that he's being a romantic, not what they said,

357
00:23:46,620 --> 00:23:49,460
ridiculous and stupid. He can't be romantic 24x7.

358
00:23:51,840 --> 00:23:54,940
He can't be romantic 24x7, like you can't, come

359
00:23:54,940 --> 00:23:57,340
on, like be realistic. Be realistic, he's not

360
00:23:57,340 --> 00:23:59,860
realistic at all. He's not realistic. At all, like

361
00:23:59,860 --> 00:24:02,260
he's talking about the silver dishes of meat

362
00:24:02,260 --> 00:24:05,540
prepared and the slippers and the baba arif meat.

363
00:24:05,860 --> 00:24:08,640
So do you think he's exaggerating? He's

364
00:24:08,640 --> 00:24:11,680
exaggerating so much and he's like, I don't know.

365
00:24:12,600 --> 00:24:15,440
Like he can be romantic but at the same time keep

366
00:24:15,440 --> 00:24:16,600
balance. I'm sorry, I'm sorry, but you know they

367
00:24:16,600 --> 00:24:16,900
are

368
00:24:20,530 --> 00:24:24,170
giving us a ground anything to help us actually I

369
00:24:24,170 --> 00:24:29,910
don't know okay so okay now help him he's not

370
00:24:29,910 --> 00:24:33,910
helping us helping him he's not helping us to help

371
00:24:33,910 --> 00:24:39,410
him he's he's exaggerating yes

372
00:24:39,410 --> 00:24:43,330
we have one from the audience yes please

373
00:24:48,860 --> 00:24:50,920
We are having one from the audience. I don't know,

374
00:24:51,240 --> 00:24:54,320
she's going to support either of the teams. I

375
00:24:54,320 --> 00:24:58,360
would go for his mind because you know this is

376
00:24:58,360 --> 00:25:02,880
poetry it has to be some way for us we are the

377
00:25:05,110 --> 00:25:08,390
the hearers or the listeners of poetry it has to

378
00:25:08,390 --> 00:25:11,610
be a little bit exaggerated because it's an image

379
00:25:11,610 --> 00:25:14,210
but when you come to real life and the pastoral

380
00:25:14,210 --> 00:25:18,890
life or in the countryside it is gonna be

381
00:25:18,890 --> 00:25:22,890
realistic you are living in the real world but you

382
00:25:22,890 --> 00:25:26,190
are living in some other way because we didn't try

383
00:25:26,190 --> 00:25:30,560
that we are facing some problems to imagine it to

384
00:25:30,560 --> 00:25:33,920
try to live in it but I'm gonna tell you something

385
00:25:33,920 --> 00:25:36,940
you are most of you are sad girls you don't have

386
00:25:36,940 --> 00:25:39,700
kids you're not married you're not you're not

387
00:25:39,700 --> 00:25:43,860
already through all these problems to me I would

388
00:25:43,860 --> 00:25:46,280
go for a better life I would go to the countryside

389
00:25:46,280 --> 00:25:51,000
having all the concerns of a woman working outside

390
00:25:51,000 --> 00:25:55,140
she would go Give herself a break. It's not only a

391
00:25:55,140 --> 00:26:01,340
break. I'm looking for a life of stability here in

392
00:26:01,340 --> 00:26:07,480
the country or in towns. maybe your work is close

393
00:26:07,480 --> 00:26:10,540
to you maybe you don't have as in the countryside

394
00:26:10,540 --> 00:26:15,320
to take hours to get to your work or to get

395
00:26:15,320 --> 00:26:18,400
whatever you want at the time you want but there

396
00:26:18,400 --> 00:26:21,400
you will have a life of manners a life of

397
00:26:21,400 --> 00:26:26,400
spontaneous people but let me hug you know the

398
00:26:26,400 --> 00:26:30,300
other guys like where is he inviting her to which

399
00:26:30,300 --> 00:26:35,790
place to the countryside did he you know identify

400
00:26:35,790 --> 00:26:38,970
whose countryside it is like who is the owner of

401
00:26:38,970 --> 00:26:41,650
the countryside like you see what I mean so they

402
00:26:41,650 --> 00:26:45,590
think this is a reason which would persuade or

403
00:26:45,590 --> 00:26:49,650
dissuade okay okay let's see the other group yes

404
00:26:49,650 --> 00:26:53,030
do you think it's like if somebody invites you

405
00:26:53,030 --> 00:26:57,010
like to a place which is not her place will you go

406
00:26:57,620 --> 00:27:03,300
I will go but I will know where is the place and I

407
00:27:03,300 --> 00:27:10,300
am well aware I will go by my reason to know where

408
00:27:10,300 --> 00:27:13,800
is the place and to go with my relatives no with

409
00:27:13,800 --> 00:27:16,620
man I have no relation with him but this is not

410
00:27:16,620 --> 00:27:19,340
we're not talking about this somebody is inviting

411
00:27:19,340 --> 00:27:24,640
you to a place he doesn't own it is not his place

412
00:27:24,640 --> 00:27:29,450
you know like You know, yes, for example, we know

413
00:27:29,450 --> 00:27:33,730
Palestine. We are Palestinian. This is our land.

414
00:27:34,210 --> 00:27:39,090
And now, and you know, the Jewish propaganda, like

415
00:27:39,090 --> 00:27:42,270
the Zionist movement, come to the land of holy,

416
00:27:42,390 --> 00:27:47,030
come live with us in this land. So this is part

417
00:27:47,030 --> 00:27:48,750
of, what do you call that?

418
00:27:56,440 --> 00:28:00,620
Are you okay with that idea? He's just asking her

419
00:28:00,620 --> 00:28:02,960
opinion. He's not going to say in the poetry,

420
00:28:03,160 --> 00:28:07,400
look, I found a place we can rent it and it's not

421
00:28:07,400 --> 00:28:12,400
going to be expensive. The market is near and he's

422
00:28:12,400 --> 00:28:16,920
not going to go on all these details. But still

423
00:28:16,920 --> 00:28:20,640
like he's telling her I'll buy you slippers, a bed

424
00:28:20,640 --> 00:28:23,660
of roses. Let's say, what do you think? I think it

425
00:28:23,660 --> 00:28:23,660
is

426
00:28:29,110 --> 00:28:29,750
Yeah,

427
00:28:33,210 --> 00:28:35,430
but like what about the bed of roses it's a good

428
00:28:35,430 --> 00:28:39,150
idea people are I mean, yeah, so this shows how

429
00:28:39,150 --> 00:28:45,150
Careful he is how much time you will put Yes,

430
00:28:46,170 --> 00:28:50,390
yes So

431
00:28:50,390 --> 00:28:54,590
everything will come to an end temporary and also

432
00:28:54,590 --> 00:28:58,840
I think like I he did not like he did not take

433
00:28:58,840 --> 00:29:01,340
into consideration the reaction of the woman once

434
00:29:01,340 --> 00:29:03,500
she received this invitation i mean put yourself

435
00:29:03,500 --> 00:29:06,200
in the condition you have this letter from him an

436
00:29:06,200 --> 00:29:08,980
invitation come with me we have this we have that

437
00:29:08,980 --> 00:29:11,480
are you just gonna say oh yeah i'm coming

438
00:29:15,350 --> 00:29:19,050
The funny thing about him asking her to come is

439
00:29:19,050 --> 00:29:21,450
that although he's saying that he wants her to

440
00:29:21,450 --> 00:29:25,550
live with him in a pastoral life, he uses a lot of

441
00:29:25,550 --> 00:29:28,770
things that are from the urban life, from the

442
00:29:28,770 --> 00:29:32,630
civilized life. Like when he says that he's going

443
00:29:32,630 --> 00:29:38,210
to make her slippers, a gown, a dish. All of these

444
00:29:38,210 --> 00:29:44,460
are artificial. All of these are natural. Nothing

445
00:29:44,460 --> 00:29:48,720
is artificial. So he's talking about a carefree

446
00:29:48,720 --> 00:29:53,820
life, a simple life, devoid of any sign or any

447
00:29:53,820 --> 00:29:59,180
manifestation of, let's say, artificiality. Yes?

448
00:30:00,740 --> 00:30:05,600
You live with

449
00:30:05,600 --> 00:30:11,390
women. You don't care for... Don't fall in love.

450
00:30:11,890 --> 00:30:18,110
So that's her video. But when you fall in love...

451
00:30:18,110 --> 00:30:21,290
So you forget all of these things, you know? Yeah,

452
00:30:22,370 --> 00:30:25,390
but still like there are restrictions and rules.

453
00:30:25,610 --> 00:30:30,600
Okay, we will apply. But like... Teacher, let me

454
00:30:30,600 --> 00:30:33,360
say something. I guess it's important. At their

455
00:30:33,360 --> 00:30:38,460
time, the time they let in, it was so natural and

456
00:30:38,460 --> 00:30:40,880
it was so normal to go and live in countryside.

457
00:30:40,920 --> 00:30:43,040
Yes, so if it was a weekend time, it was fine.

458
00:30:43,040 --> 00:30:44,780
They didn't have lights, they didn't have

459
00:30:44,780 --> 00:30:47,560
electricity, internet, wireless, and all of these

460
00:30:47,560 --> 00:30:50,300
stuff we're caring about this moment. It was so,

461
00:30:50,380 --> 00:30:55,640
so regular. Well, I think yes, if we switch you,

462
00:30:56,220 --> 00:31:00,360
if we switch you like the other way, What are you

463
00:31:00,360 --> 00:31:06,440
going to say? They want to switch you? Sure. Okay,

464
00:31:06,700 --> 00:31:09,940
you go. You go. Let's see. Let's see how you are

465
00:31:09,940 --> 00:31:12,680
going now. Say yes, we should go. It's good, you

466
00:31:12,680 --> 00:31:15,420
know. And you say we shouldn't go. This is a good

467
00:31:15,420 --> 00:31:18,860
idea in debate. Now we are in difficult. Yeah, I

468
00:31:18,860 --> 00:31:23,120
think this team, this team thinks it's a good idea

469
00:31:23,120 --> 00:31:26,940
to go. You know, it is good. and those people say

470
00:31:26,940 --> 00:31:31,900
no we don't have to go it's very it's not good you

471
00:31:31,900 --> 00:31:37,200
want me to go because you want one of the 17th

472
00:31:37,200 --> 00:31:39,460
century woman you want her to cook you want her to

473
00:31:39,460 --> 00:31:41,880
wash your dishes you want her to work for you you

474
00:31:41,880 --> 00:31:44,060
you don't want me to have my independence and my

475
00:31:44,060 --> 00:31:48,100
own personality to go for my dreams and goals you

476
00:31:48,100 --> 00:31:50,840
just want me to stay home okay so she's protesting

477
00:31:50,840 --> 00:31:55,050
against you know the stereotype image of uh you

478
00:31:55,050 --> 00:32:02,370
know uh power you know lady yeah very good and yes

479
00:32:02,370 --> 00:32:05,730
please uh i don't think he knows who's who he's

480
00:32:05,730 --> 00:32:08,130
dealing with i mean he's saying all of this and

481
00:32:08,130 --> 00:32:11,230
now like it does sound like to me it does sound a

482
00:32:11,230 --> 00:32:13,230
little bit superficial and a little bit

483
00:32:13,230 --> 00:32:16,190
exaggerated but he doesn't know if he actually

484
00:32:16,190 --> 00:32:18,930
takes me and i don't find what i'm expecting he

485
00:32:18,930 --> 00:32:22,250
doesn't know what he's gonna be facing so it's all

486
00:32:22,250 --> 00:32:26,290
gonna be like so I think I think that I uh I would

487
00:32:26,290 --> 00:32:28,490
definitely go because I would love to live that

488
00:32:28,490 --> 00:32:30,750
moment I have nothing else to lose I mean it's an

489
00:32:30,750 --> 00:32:32,870
experience look she she's excellent at

490
00:32:32,870 --> 00:32:37,030
manipulating her position it's an experience it is

491
00:32:37,030 --> 00:32:38,990
an experience yeah I have nothing else to lose if

492
00:32:38,990 --> 00:32:40,890
he if he doesn't you know satisfy me with

493
00:32:40,890 --> 00:32:42,850
everything that he mentioned then you know

494
00:32:42,850 --> 00:32:45,930
whatever for me I would go for some time and then

495
00:32:45,930 --> 00:32:56,030
go back to my life So let's now conclude

496
00:32:56,030 --> 00:33:00,850
this wonderful debate. As you see, some people are

497
00:33:00,850 --> 00:33:07,090
willing to go because it's nice, it's very, the

498
00:33:07,090 --> 00:33:10,010
pastoral life is nice. Some people are realistic.

499
00:33:10,730 --> 00:33:15,890
In fact, that was the case in Elizabethan time. We

500
00:33:15,890 --> 00:33:20,350
had two different attitudes. One was optimistic,

501
00:33:21,290 --> 00:33:24,650
cheerful, singing, celebrating the beauty, the

502
00:33:24,650 --> 00:33:28,710
simplicity of the countryside. And the other was

503
00:33:28,710 --> 00:33:31,330
more realistic. So if we are talking about the

504
00:33:31,330 --> 00:33:34,470
first one, we're talking about Martin Chapman and

505
00:33:34,470 --> 00:33:37,690
Thomas Chapman and others. If we are talking about

506
00:33:37,690 --> 00:33:42,670
the realistic, we are talking about running. So

507
00:33:42,670 --> 00:33:45,090
this is a late Elizabethan. In the late

508
00:33:45,090 --> 00:33:49,120
Elizabethan, there was a spirit of nationalism It

509
00:33:49,120 --> 00:33:54,280
was a spirit of expansion. And the idea of America

510
00:33:54,280 --> 00:33:58,020
was there. America was discovered. And America was

511
00:33:58,020 --> 00:34:02,800
like the nomad land, which the poets invited. So

512
00:34:02,800 --> 00:34:06,560
you could say, these are the scenes of the

513
00:34:06,560 --> 00:34:10,060
colonial language, the colonial discourse. Come

514
00:34:10,060 --> 00:34:14,660
with me. Where? Which land? He didn't specify the

515
00:34:14,660 --> 00:34:17,370
land. And that was the spirit. You could say,

516
00:34:17,670 --> 00:34:21,470
because in the Nazircan time, even before America

517
00:34:21,470 --> 00:34:25,610
was discovered, they kept on writing about this

518
00:34:25,610 --> 00:34:30,450
place in their literature. They were writing about

519
00:34:30,450 --> 00:34:35,470
this new land with indigenous people. But they

520
00:34:35,470 --> 00:34:38,910
didn't specify it very well. So there was this is

521
00:34:38,910 --> 00:34:41,790
like a promotion, a promotion. The same thing

522
00:34:41,790 --> 00:34:46,330
happened when Palestine was occupied There was

523
00:34:46,330 --> 00:34:49,050
like a lot of promotion by the Zionist media

524
00:34:49,050 --> 00:34:52,870
where, you know, in order to attract many Jews

525
00:34:52,870 --> 00:34:55,090
from all over the world to come and live in

526
00:34:55,090 --> 00:34:58,290
Palestine, we had the same style to promote, come

527
00:34:58,290 --> 00:35:01,150
to this land of honey. And of course, you know,

528
00:35:02,950 --> 00:35:06,470
they succeeded in attracting by through these

529
00:35:06,470 --> 00:35:10,370
images. So thank you very much, and we'll see you

530
00:35:10,370 --> 00:35:15,160
in another class, huh? For another debate. Let me

531
00:35:15,160 --> 00:35:15,720
assume.

532
00:35:20,240 --> 00:35:25,020
Yes. So as you see, next time, we have a good

533
00:35:25,020 --> 00:35:28,660
context for this poem. In other classes, I know,

534
00:35:28,920 --> 00:35:32,360
and you might have a wonderful poem. So the

535
00:35:32,360 --> 00:35:38,930
critique next time is to discover the music. to

536
00:35:38,930 --> 00:35:43,970
discover the aesthetics you know because here this

537
00:35:43,970 --> 00:35:47,890
poem is a poem full of persuasion and you know the

538
00:35:47,890 --> 00:35:52,430
art of persuasion is very important nowadays we

539
00:35:52,430 --> 00:35:56,880
need persuasion for business We need persuasion

540
00:35:56,880 --> 00:36:02,680
for, let's say, advocacy. The art of persuasion is

541
00:36:02,680 --> 00:36:06,440
for recommendation because this is the art of

542
00:36:06,440 --> 00:36:09,980
life, so persuasion. So it's very important to

543
00:36:09,980 --> 00:36:17,440
delineate, to show what kind of persuasion,

544
00:36:17,560 --> 00:36:20,760
the elements of persuasion he's using here. I

545
00:36:20,760 --> 00:36:23,720
would like to thank you for listening. And if you

546
00:36:23,720 --> 00:36:27,240
have any question, you know, concerning this poem

547
00:36:27,240 --> 00:36:30,460
and, you know, the age itself, it would be a good

548
00:36:30,460 --> 00:36:31,820
idea. Yes, please.

549
00:36:42,080 --> 00:36:45,480
Yes, I wouldn't go, you know, because, you know, I

550
00:36:45,480 --> 00:36:48,760
would make sure that this is your place. You own

551
00:36:48,760 --> 00:36:51,100
the place. Otherwise, I would be like a thief, you

552
00:36:51,100 --> 00:36:54,680
know, even for watching. This is not my place. I

553
00:36:54,680 --> 00:36:57,680
have to take the permit. My religion, my values

554
00:36:57,680 --> 00:37:02,140
tell me that I have, you know, to make sure that

555
00:37:02,140 --> 00:37:05,040
I'm not trespassing because this is trespassing.

556
00:37:05,420 --> 00:37:10,650
It's not ethical at all. It is not ethical. Nobody

557
00:37:10,650 --> 00:37:13,950
can invite me and say, OK, let's go to that field.

558
00:37:14,330 --> 00:37:16,970
I say, whose field it is? I should say, whose

559
00:37:16,970 --> 00:37:20,050
field it is? Because I want to make sure that I'm

560
00:37:20,050 --> 00:37:25,070
not trespassing. I'm not violating any rule. So

561
00:37:25,070 --> 00:37:28,850
this is the point. But this is pastoral poetry.

562
00:37:29,270 --> 00:37:32,850
Next time you have to define what is pastoral

563
00:37:32,850 --> 00:37:36,200
poetry, And we're going to discuss this further,

564
00:37:36,560 --> 00:37:39,640
because after discussing this poem, we're going to

565
00:37:39,640 --> 00:37:42,720
see, you know, the other one, Raleigh, how Raleigh

566
00:37:42,720 --> 00:37:46,840
responded by writing The Nymph's Reply, because

567
00:37:46,840 --> 00:37:51,670
this poem was parodized You know, it's not by, you

568
00:37:51,670 --> 00:37:56,390
know, Raleigh, but by many other poets. And, you

569
00:37:56,390 --> 00:37:59,290
know, it lost its beauty. But we don't want to

570
00:37:59,290 --> 00:38:04,270
speak about any parody unless we explore the

571
00:38:04,270 --> 00:38:06,310
aesthetics of this poem and see how it is

572
00:38:06,310 --> 00:38:09,510
wonderful, how it is lovely. I would like to thank

573
00:38:09,510 --> 00:38:11,570
you and see you next time, okay? Bye-bye.

574
00:38:16,630 --> 00:38:20,020
Okay. Thank you for. Thanks.