Delete The Apery.vtt
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The Apery.vtt
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WEBVTT The Apery
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In every stroke, a story
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In every gallery, a game
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Art and theft, forever entwined.
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Acrylic glaze, non-period canvas..
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fascinating.
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Airflow patterns..
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helpful, very helpful.
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00:00:57.500 --> 00:01:00.373
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And forty-eight hours of continuous recording
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00:01:01.000 --> 00:01:01.914
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Excellent.
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00:01:09.000 --> 00:01:11.742
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Your knowledge is as enchanting as the art itself.
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00:01:15.500 --> 00:01:18.608
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You're a beauty, aren't you? Let's see what secrets you hold.
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00:01:22.500 --> 00:01:26.444
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Their body language casual, but their faces severe with intent.
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Remember, it's not just what you look at
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00:01:36.500 --> 00:01:37.884
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It's what you see
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Be precise
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Be bold
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Tonight, we prepare for the greatest performance of our lives.
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00:02:01.500 --> 00:02:04.686
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This isn't just another job, it's our future at stake
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00:02:05.500 --> 00:02:07.433
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Tonight, we need to be more than thieves...
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Und artists?
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00:02:14.000 --> 00:02:16.272
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Artists and magicians, mon amis.
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I hope I'm not interrupting.
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00:02:29.500 --> 00:02:31.668
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You are, but we both know you don't care.
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00:02:38.500 --> 00:02:40.720
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I've got something that belongs to you...
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00:02:47.500 --> 00:02:48.884
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Get to the point.
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00:02:51.500 --> 00:02:54.451
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Each of your fingerprints on relics I now own
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00:02:55.000 --> 00:02:56.854
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Interpol would love to see this.
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00:03:03.500 --> 00:03:04.100
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And..
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00:03:05.500 --> 00:03:06.597
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what do you want?
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Lavington's "Vanishing Vistas" exhibition
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Replace the collection with your charming replicas.
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00:03:16.500 --> 00:03:17.988
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And if we say no?
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00:03:20.500 --> 00:03:23.190
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Then your promising careers are vanishing vistas.
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00:03:28.000 --> 00:03:29.253
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How long do we have?
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Six months
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The clock starts now.
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We're in too deep to swim back now.
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00:03:46.500 --> 00:03:49.268
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So we dive deeper and come out on the other side.
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00:03:52.000 --> 00:03:53.619
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A heist of this magnitude..
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it will require precision, und a perfect execution.
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00:04:00.500 --> 00:04:04.261
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We will turn this gamble into our masterpiece… A true apery.
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00:04:20.000 --> 00:04:24.675
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Entry points, surveillance patterns, guard rotations - we need control over each
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Tess?
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Already on it
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00:04:29.500 --> 00:04:31.433
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I've infiltrated their system
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00:04:32.000 --> 00:04:34.507
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With a few more tweaks, I'll have complete access.
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00:04:39.500 --> 00:04:41.119
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Und the security systems?
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They'll be seeing what we want them to see.
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The paintings?
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00:04:52.500 --> 00:04:53.832
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Give me four months
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00:04:54.500 --> 00:04:58.679
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They'll be aging like fine wine, indistinguishable from the real deal.
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00:05:05.500 --> 00:05:06.414
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Disabling?
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00:05:09.500 --> 00:05:11.955
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I'll create something non-invasive, silent
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00:05:12.500 --> 00:05:14.772
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It will take time, but it will be flawless.
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00:05:17.500 --> 00:05:19.354
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And once they're down, I'm in
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The distraction's all set.
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Then let's begin
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This gallery's gonna witness a vanishing act like no other.
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Okay, baby..
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let's show them how the digital world bows to us.
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00:06:00.500 --> 00:06:02.589
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That's the chorus I've been composing.
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A splash of misdirection here, a sprinkle of mirage there… A toy dinosaur on her desk WOBBLES, a mechanism triggers, and it ROARS
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Tess glances with mock annoyance.
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I'm working, T-Rex
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No prehistoric symphonies right now!
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As I prophesied...
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Joining the fray, Schro? The more, the merrier
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There's a big fish in the cyber sea tonight.
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You're officially on the team now, Schro
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Sasha, your toys are cleared for the show.
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Our feline muse has graced us
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Well played...
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Now for the sleight of hand..
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to disappear without a trace.
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The digital cloak of invisibility..
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still a classic in my collection.
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Patience, my digital symphony
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The opera is about to begin
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Make us proud, Leon and comrades
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It's almost showtime.
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Every gear, a cog in our grand schema...
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INSERT - SASHA'S BLUEPRINTS: Expansive schematics detail each invention's role
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Drones, sensors, jammers - a high-tech arsenal at the ready.
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The Sentry's not just a device; it's the embodiment of deception.
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Tess, Sentries are about to waltz into their debut...
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Reception's crystal
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They'll see nothing more than harmless flickers on their boards.
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Not a second more, not a second less...
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INSERT - CLOSE-UP OF LEON'S HAND As he traces his finger along the delicately inked timelines and blueprints that extend across the workshop wall like an artist's canvas.
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In this dance, each second is a brushstroke..
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we can't afford to blur the lines.
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Every masterpiece tells a tale
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Ours will be no different - etched permanently in the annals of precision and daring.
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This is it
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Our legacy unfolds tonight.
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In your colors, I found my voice..
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be joyful, for you will live anew.
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INSERT - DELICATE BRUSHSTROKE: Capturing the essence of a painted sky as dusk meets the canvas, the evening light sanctifying her forgery.
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They will admire, yet never discern...
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A cappuccino to enrich your palette - a true masterpiece begins with the first sip.
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And remember, mademoiselle, each secret has its savor - tasted best amidst a touch of enigma.
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Almost showtime - the subterfuge commences.
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The time is now
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Remember, every micro-action is choreographed
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Let's write history.
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Too quiet..
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something's brewing.
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Comms check
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Confirm when ready.
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Tech and comms are go.
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My gear's set.
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Replicas ready for the switch.
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Charm is always ready.
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We are the invisible brushstrokes on the canvas of night
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Let's create our mark.
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All systems are down
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Switch to infrared.
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East wing clear
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Move now.
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Stage one complete
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Prepare for exfil of the originals.
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Extraction point is prepped and ready for transport.
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Heading to the rendezvous point now.
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I'm covering your six
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Keep moving.
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Come on, come on...
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Final artworks in transit
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Time to disappear.
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Got a feeling tonight's the night...
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I'm in pursuit of the target
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Approaching the east sector
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Keep backup on standby.
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00:14:27.500 --> 00:14:28.832
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Hawk is in flight
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Keep an eye on the egg.
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Hold on tight, this is gonna get bumpy!
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00:14:51.500 --> 00:14:52.753
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Ready on your mark!
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Now, Sasha!
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They've set a trap
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I need aerial support and all units to converge on— He cuts off abruptly, as something catches his attention
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A glint of LIGHT reflects off something in the distance, drawing his gaze.
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422 |
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|
423 |
-
00:15:31.000 --> 00:15:43.120
|
424 |
-
ARCHER'S POV - THE SECOND VAN Sneaking through an intersecting street, the SECOND VAN takes a different, SECURER route, unnoticed by the chaos of the first distraction.
|
425 |
-
|
426 |
-
00:15:48.000 --> 00:15:49.149
|
427 |
-
Forget it
|
428 |
-
|
429 |
-
00:15:50.000 --> 00:15:51.253
|
430 |
-
They split up
|
431 |
-
|
432 |
-
00:15:52.000 --> 00:15:54.403
|
433 |
-
I'm going after the secondary target
|
434 |
-
|
435 |
-
00:15:55.000 --> 00:15:56.332
|
436 |
-
Stay on the original!
|
437 |
-
|
438 |
-
00:16:10.000 --> 00:16:11.802
|
439 |
-
The eagle has left the nest
|
440 |
-
|
441 |
-
00:16:12.500 --> 00:16:15.138
|
442 |
-
I repeat, the eagle has left the nest
|
443 |
-
|
444 |
-
00:16:16.000 --> 00:16:17.436
|
445 |
-
Rendezvous at point delta.
|
446 |
-
|
447 |
-
00:16:29.000 --> 00:16:30.619
|
448 |
-
Boss, the first van's been hit
|
449 |
-
|
450 |
-
00:16:31.500 --> 00:16:32.936
|
451 |
-
There's been an incident.
|
452 |
-
|
453 |
-
00:16:39.500 --> 00:16:41.067
|
454 |
-
Then we play our hand
|
455 |
-
|
456 |
-
00:16:42.000 --> 00:16:44.037
|
457 |
-
No one double-crosses Victor Moretti.
|
458 |
-
|
459 |
-
00:16:58.000 --> 00:16:59.384
|
460 |
-
We did it, Leon
|
461 |
-
|
462 |
-
00:17:00.000 --> 00:17:01.279
|
463 |
-
We're almost there.
|
464 |
-
|
465 |
-
00:17:04.000 --> 00:17:07.291
|
466 |
-
Not until every piece is secured, and Archer's out of the picture
|
467 |
-
|
468 |
-
00:17:08.000 --> 00:17:10.324
|
469 |
-
Keep your eyes open; it's not over yet.
|
470 |
-
|
471 |
-
00:17:23.000 --> 00:17:24.488
|
472 |
-
Just like old times, huh?
|
473 |
-
|
474 |
-
00:17:27.000 --> 00:17:28.070
|
475 |
-
Yeah
|
476 |
-
|
477 |
-
00:17:29.000 --> 00:17:30.253
|
478 |
-
Just like old times.
|
479 |
-
|
480 |
-
00:17:36.000 --> 00:17:38.351
|
481 |
-
These need to be climate-controlled
|
482 |
-
|
483 |
-
00:17:39.000 --> 00:17:40.201
|
484 |
-
Is the vault prepped?
|
485 |
-
|
486 |
-
00:17:43.000 --> 00:17:45.272
|
487 |
-
Temperature and humidity are stable
|
488 |
-
|
489 |
-
00:17:46.000 --> 00:17:46.862
|
490 |
-
It's time.
|
491 |
-
|
492 |
-
00:17:56.000 --> 00:17:57.985
|
493 |
-
We've outdone ourselves this time.
|
494 |
-
|
495 |
-
00:18:00.500 --> 00:18:01.988
|
496 |
-
We make quite the team.
|
497 |
-
|
498 |
-
00:18:06.500 --> 00:18:09.190
|
499 |
-
We need to sync up with the others and confirm extraction.
|
500 |
-
|
501 |
-
00:18:23.000 --> 00:18:24.149
|
502 |
-
They're close
|
503 |
-
|
504 |
-
00:18:25.000 --> 00:18:26.332
|
505 |
-
I can feel it.
|
506 |
-
|
507 |
-
00:18:37.000 --> 00:18:39.089
|
508 |
-
Come out, come out, wherever you are...
|
509 |
-
|
510 |
-
00:18:50.000 --> 00:18:52.037
|
511 |
-
Sir, Archer's on the team's trail
|
512 |
-
|
513 |
-
00:18:53.000 --> 00:18:54.384
|
514 |
-
But he's alone.
|
515 |
-
|
516 |
-
00:18:57.000 --> 00:18:58.567
|
517 |
-
Let him play the hero
|
518 |
-
|
519 |
-
00:18:59.500 --> 00:19:01.720
|
520 |
-
We'll swoop in at the end and pluck the fruits
|
521 |
-
|
522 |
-
00:19:02.500 --> 00:19:03.597
|
523 |
-
Prepare the men..
|
524 |
-
|
525 |
-
00:19:04.500 --> 00:19:06.119
|
526 |
-
It's time to end this game.
|
527 |
-
|
528 |
-
00:19:20.000 --> 00:19:21.750
|
529 |
-
They've got to be here.
|
530 |
-
|
531 |
-
00:19:30.500 --> 00:19:33.922
|
532 |
-
Detective Archer, right? I was hoping we’d run into each other.
|
533 |
-
|
534 |
-
00:19:36.500 --> 00:19:38.668
|
535 |
-
You're a long way from the gala, Mr
|
536 |
-
|
537 |
-
00:19:39.500 --> 00:19:40.570
|
538 |
-
Lambert.
|
539 |
-
|
540 |
-
00:19:43.500 --> 00:19:45.067
|
541 |
-
Where's the rest of your crew?
|
542 |
-
|
543 |
-
00:19:48.000 --> 00:19:49.279
|
544 |
-
Oh, you know, around.
|
545 |
-
|
546 |
-
00:19:52.000 --> 00:19:54.272
|
547 |
-
But they're not the company you're looking for.
|
548 |
-
|
549 |
-
00:19:59.000 --> 00:20:00.488
|
550 |
-
Don't test me
|
551 |
-
|
552 |
-
00:20:01.000 --> 00:20:02.933
|
553 |
-
I’m not in the mood for games.
|
554 |
-
|
555 |
-
00:20:05.500 --> 00:20:11.351
|
556 |
-
Isn't that exactly why we're here? A game of cat and mouse, though I'm not sure who's who anymore.
|
557 |
-
|
558 |
-
00:20:25.000 --> 00:20:26.488
|
559 |
-
Is it too good to be true?
|
560 |
-
|
561 |
-
00:20:29.000 --> 00:20:29.835
|
562 |
-
No
|
563 |
-
|
564 |
-
00:20:31.000 --> 00:20:32.488
|
565 |
-
We've earned this.
|
566 |
-
|
567 |
-
00:20:35.000 --> 00:20:36.515
|
568 |
-
Everything's in place?
|
569 |
-
|
570 |
-
00:20:39.500 --> 00:20:40.832
|
571 |
-
We're clear
|
572 |
-
|
573 |
-
00:20:41.500 --> 00:20:43.015
|
574 |
-
Archer’s busy with Anthony.
|
575 |
-
|
576 |
-
00:20:46.000 --> 00:20:47.933
|
577 |
-
It's only a matter of time, though...
|
578 |
-
|
579 |
-
00:20:56.500 --> 00:20:57.832
|
580 |
-
And what about Anthony?
|
581 |
-
|
582 |
-
00:21:00.500 --> 00:21:01.936
|
583 |
-
He knows the risks
|
584 |
-
|
585 |
-
00:21:02.500 --> 00:21:03.936
|
586 |
-
He’ll hold his own
|
587 |
-
|
588 |
-
00:21:04.500 --> 00:21:06.015
|
589 |
-
We move in fifteen.
|
590 |
-
|
591 |
-
00:21:09.000 --> 00:21:10.515
|
592 |
-
Prepare for the next phase.
|
593 |
-
|
594 |
-
00:21:20.500 --> 00:21:22.485
|
595 |
-
You're going to talk, one way or another.
|
596 |
-
|
597 |
-
00:21:27.000 --> 00:21:28.567
|
598 |
-
Detective, I'm an open book.
|
599 |
-
|
600 |
-
00:21:35.500 --> 00:21:36.832
|
601 |
-
It's too easy.
|
602 |
-
|
603 |
-
00:21:48.500 --> 00:21:51.321
|
604 |
-
Quietly confident for a man in your position.
|
605 |
-
|
606 |
-
00:21:54.000 --> 00:21:57.004
|
607 |
-
Confidence and a plan go hand in hand, Detective.
|
608 |
-
|
609 |
-
00:22:00.000 --> 00:22:01.201
|
610 |
-
We'll see about that.
|
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