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1.
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BLACK:
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O.S. “BRANDY” by LOOKING GLASS PLAYS.
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1 EXT. FORD COBRA MUSTANG - DAY 1
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SUPER: MISSOURI
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EARTH
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1980
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OVERHEAD SHOT: A ‘79 Cobra winds alongside the Missouri
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River, past swaying loosestrife, vibrant sugar maples, and
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oily self-pump gas stations. A hazy sun glints off the hood
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of the Cobra which, like its descendant the Milano, is
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orange and teal.
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We MOVE DOWN AND IN on a fresh-faced girl of 18 in the
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passenger seat: MEREDITH QUILL. As “Brandy” blasts from the
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car stereo, she pushes her fine, feathered hair from her
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mouth, and sings along, out-of-tune -
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MEREDITH
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Do do do do do do do do do do do!
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The driver, a MYSTERIOUS MAN in his 30’s, dressed in sleek,
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mod attire, LAUGHS.
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Meredith LAUGHS too. She SINGS and dances with abandon in
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her seat. She’s a lively goofball, and it’s apparent where
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Peter Quill received much of his personality.
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2 EXT. DAIRY QUEEN/WOODS - MOMENTS LATER 2
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The Cobra pulls beside this Dairy Queen in a desolate area.
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3 EXT. WOODS BEHIND DAIRY QUEEN - MOMENTS LATER 3
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The Mysterious Man helps Meredith down the steep hillside
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into the woods. “Brandy” continues to play on the car
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stereo in the lot behind them. Meredith GIGGLES.
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MYSTERIOUS MAN
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This way, my river lily.
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MEREDITH
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Where are you taking me?
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2.
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The Mysterious Man shows her a STRANGE SPROUT nestled
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amongst the trees.
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A few inches tall and decidedly alien in nature, its
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delicate limbs twist and turn in a complex pattern.
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MEREDITH
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Oh. It’s beautiful.
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The Mysterious Man looks proudly at Meredith. With a
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perpetually excited glint in his eye, and the air of a
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self-empowerment guru, he is an intoxicating presence.
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MYSTERIOUS MAN
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I was afraid it wouldn’t take to
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the soil, but it rooted quickly.
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He nods toward the sky between the branches above.
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MYSTERIOUS MAN
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Soon it will be everywhere - all
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across the universe, fulfilling
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life’s one true purpose.
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MEREDITH
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Which is what?
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MYSTERIOUS MAN
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Expansion.
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The Mysterious Man takes her in his arms. He gazes into her
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eyes. She grows almost teary.
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MEREDITH
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I’m not sure what you’re talking
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about. But I like the way you say
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it.
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MYSTERIOUS MAN
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My heart is yours, Meredith Quill.
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MEREDITH
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I can’t believe I fell in love with
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a spaceman.
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And they KISS, with passion, and love. “DO DO DO DO DO DO
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DO DO DO DO DO!” sings Looking Glass as SOURCE BECOMES
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SCORE and we TILT DOWN to the plant. It TWITCHES AND GROWS
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AND TWISTS.
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3.
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We PUSH IN ON IT, where we see the plant is made, not only
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of cellulose and leaves, but of a BRIGHT COSMIC LIGHT. And
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we KEEPING PUSHING IN, INTO THE PLANT ITSELF, more FLESH-
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LIKE than you’d imagine, where COLORFUL BACTERIA OVERCOMES
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US as “BRANDY” DISTORTS AND TRANSFORMS into something epic.
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O.S. A CRACK OF INTERDIMENSIONAL THUNDER
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SUPER: 34 Years Later
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4 EXT. THE SOVEREIGN - OUTER SPACE 4
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An artificial, golden planet, made of interlocking orbs,
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revolves around a blue sun.
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We PUSH IN on THUNDEROUS INTERDIMENSIONAL CRACKS on one
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small patch of planet.
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SUPER: THE SOVEREIGN
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5 I/E. POWER STATION - DAY 5
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A DIMENSIONAL CRACK SNAPS in the sky overhead. PETER QUILL
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looks from it to an old MATTEL ELECTRONICS FOOTBALL GAME
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converted into a tracker. A RED DOT APPROACHES.
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QUILL
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Showtime, a-holes! It’ll be here
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any minute!
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GAMORA (O.S.)
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Which will be its loss.
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Quill turns toward GAMORA, loading a rifle. DRAX, ROCKET,
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and BABY GROOT also ready themselves for battle in this
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grand, open-air power station. Dozens of BATTERIES are
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couched in conductor towers encircling them. Quill, Gamora,
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and Rocket wear flying rigs.
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QUILL
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Is that a rifle?
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GAMORA
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You don’t know what a rifle is?
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QUILL
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I thought your thing was a sword.
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GAMORA
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4.
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We’ve been hired to stop an
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interdimensional beast from feeding
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on those batteries’ energy, and I’m
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going to stop it with a sword?
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QUILL
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(mumbling to himself)
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Don’t look at me like I’m stupid.
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You’re the one being all
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inconsistent.
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A LOUDER, LARGER CRACK: something seems to be fighting its
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way through the sky.
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GAMORA
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Drax, why aren’t you wearing one of
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Rocket’s aero-rigs?
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DRAX
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It hurts.
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GAMORA
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Hurts?
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DRAX
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(muttering)
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I have sensitive nipples.
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Rocket, who is working on a pair of speakers wired to
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Quill’s Walkman, LAUGHS HARD at this. Drax points at him.
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DRAX
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What about him?! What’s he doing?!
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ROCKET
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If I finish this, we can listen to
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tunes while we work.
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DRAX
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How is that a priority?
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ROCKET
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Blame Quill! He’s the one who loves
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music so much!
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QUILL
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I agree with Drax. It’s hardly
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important right now.
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ROCKET
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Oh, sure, okayyyy, Quill.
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Rocket WINKS at him.
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5.
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QUILL
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No, I really agree with him.
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ROCKET
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Sure, I know.
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Rocket WINKS some more.
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DRAX
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I can clearly see you winking.
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ROCKET
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Damn. I’m using my left eye?
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Rocket hears a small GROWL.
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He looks down and sees Baby Groot - newly unpotted, only
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nine inches tall or so - angrily THROWING ASIDE some
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foraging Orloni. Then he looks up at Rocket, explaining:
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GROOT
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I am Groot.
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ROCKET
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They were not looking at you funny.
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AN EVEN LARGER CRACK!
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Rocket swirls as a GIGANTIC BEAST - a hundred-foot-long
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Lovecraftian monstrosity - BREAKS THROUGH THE
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INTERDIMENSIONAL RIFT. THE ABILISK is the color of a pinkie
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mouse with kaleidoscopic and deadly SPLATTER MATTER pulsing
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from its maw.
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ROCKET
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Well. That’s intense.
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Rocket, Quill, and Gamora JET-PACK OUT OF THE WAY, while
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they BLAST at the creature. Drax HOLLERS, CHARGING it with
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his twin blades. Quill TURNS ON his mask.
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But we FOCUS on baby Groot, who trots up to the stereo
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speakers and Walkman.
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He fiddles with two wires. They SPARK, the stereo POWERS
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UP, and “MR. BLUE SKY” by ELECTRIC LIGHT ORCHESTRA PLAYS as
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-
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THE CREDITS START
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Baby Groot DANCES IN-FOCUS in the foreground as the
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Guardians get PUMMELED by the beast OUT-OF-FOCUS in the
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background.
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6.
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Baby Groot’s dancing is arrhythmic and many of his “dance
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moves” are nonsensical mixtures of trembling, swaying, and
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making weird faces.
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But it is joyous.
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As Groot struts, Quill comes ROLLING behind him. As he
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stands, he sees Groot dancing and looks at him, worried.
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QUILL
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Groot, look - !
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A TENTACLE FLIES IN FROM OFF-SCREEN, KNOCKING Quill OUT-OF-
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FRAME as Groot dances on, blissfully unaware.
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Groot, smiling, dances onward, as DRAX, in the clutches of
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a giant tentacle, is SLAMMED NUMEROUS TIMES BESIDE HIM.
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Groot arrives at GAMORA, who is blasting at the OFF-SCREEN
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BEAST.
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GAMORA
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Get out of the way, Groot! You’re
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going to get hurt!
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Groot stops dancing. He WAVES at her.
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GAMORA
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Hi.
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She AERO-JETS back into the fray.
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As Groot DANCES, Drax FALLS directly behind him.
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Groot FREEZES.
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Drax stares at him a moment, suspicious. Groot stays
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frozen.
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Drax LEAVES, and Groot COMMENCES THE DANCE where he left
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off.
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Groot sees an INSECT FLYING BY.
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Suddenly dancing is forgotten and GETTING THIS BUG is all-
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important. He CHASES it.
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He HOPS up and grabs it from the air...
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And starts EATING it.
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7.
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Rocket spots this and FLIES DOWN beside him, worried. He
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PRIES OPEN GROOT’S MOUTH with his fingers, frantically
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trying to get it out.
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ROCKET
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Spit it out! Spit it out!
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Groot COUGHS IT OUT. The bug FLIES crookedly away, one wing
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mulched.
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Rocket JETS OFF back toward the battle, muttering:
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ROCKET
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Disgusting.
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Groot sees something else and becomes furious. We follow
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his line of sight to a GRAZING ORLONI.
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Groot SCREAMS A WAR CRY and ATTACKS IT. He GROWS HIS
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BRANCHES AROUND IT, and the terrified Orloni DARTS AWAY,
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DRAGGING GROOT WITH IT.
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Groot’s anger becomes panic as he is DRAGGED AROUND BY THE
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ORLONI and can’t let go.
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The Orloni DARTS around the power station and underneath
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the RAGING BATTLE, a CRYING Groot bouncing along behind it.
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Finally, he LETS GO and goes TUMBLING, ROLLING directly
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INTO THE CAMERA.
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And then stands up and, as if none of it happened at all,
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starts DANCING AGAIN.
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We PAN and see the speakers and Walkman beside him, and we
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realize Baby Groot has traveled around the entire Power
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Station and has arrived back where he started -
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When Drax is FLUNG by the beast into the stereo system,
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SMASHING it.
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Groot stops dancing. Angry that Drax has ruined his fun, he
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picks up a piece of the stereo and beats him with it.
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CREDITS END.
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Drax stands and glares at the ferocious beast as Rocket,
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Quill, and Gamora BLAST at it without effect.
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DRAX
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The beast’s hide is too thick to be
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pierced from the outside. I must
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cut through it from the inside.
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8.
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GAMORA
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Huh?
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Drax HOLLERS, CHARGING the creature.
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GAMORA
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Drax, no! That doesn’t make -
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The creature OPENS ITS ENORMOUS MOUTH, SCREECHING, and Drax
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LEAPS INSIDE IT, instantly swallowed up.
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QUILL
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What is he doing?!
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GAMORA
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He said the skin is too thick to be
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pierced from the outside, so he --
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QUILL
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That doesn’t make sense!
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GAMORA
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I tried to tell -- !
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QUILL
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Its skin is the same thickness from
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the inside as from the out!
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GAMORA
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I REALIZE THAT.
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6 INT. BEAST’S STOMACH - DOESN’T MATTER 6
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Drax HOLLERS as he SLASHES AWAY inside the goo of the
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beast’s stomach. To no avail.
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7 I/E. POWER STATION - DAY 7
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Quill reloads his pistol, thinking.
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QUILL
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Gamora, there’s a cut on its neck -
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Rocket, get it to look up.
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Quill and Rocket JET UP HIGH up over the creature as they
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BLAST REPEATEDLY at it.
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QUILL
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Hey, you giant Sea Monkey, up here!
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9.
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Gamora’s rifle is jammed. She tosses it down. PULLS HER
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SWORD. SNAPS IT OPEN.
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The beast SCREECHES at Quill and Rocket FLYING overhead.
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The colorful SPLATTER MATTER FLIES FROM ITS MOUTH,
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BATTERING ROCKET, BURNING his clothes.
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But its neck is exposed, where the skin is thinner, and
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there is a small wound.
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Gamora DASHES, LEAPING HIGH into the air, and she PLUNGES
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her sword directly into the wound.
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She holds tight to the hilt as she FALLS, SLICING AN
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INCISION down the length of the creature’s neck.
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The beast WOBBLES, TOPPLES, and DIES. As it COLLAPSES, Drax
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SPILLS OUT of the wound. He raises his arms in victory.
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DRAX
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Ha ha! I have single-handedly
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vanquished the beast!
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Quill SCOFFS. Rocket SNORTS. Gamora stares at him, dead-
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eyed.
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Baby Groot throws a rock at him.
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DRAX
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What?
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8 I/E. POWER STATION - MOMENTS LATER 8
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The Guardians de-rig by the Anulax batteries.
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DRAX
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What are they called again?
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QUILL
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Anulax batteries.
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DRAX
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Harbulary batteries.
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QUILL
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That’s nothing like what I just
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said. But they’re worth thousands
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of units a piece. Which is why the
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Sovereign hired us to protect them.
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Rocket pulls out one of the ANULAX BATTERIES, checking it
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out.
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10.
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Gamora, Drax, and Quill walk on. Rocket stays back a
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moment.
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Quill nods down the walkway, where GOLDEN SOVEREIGN
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CITIZENS stand at the edge of the station, gawking.
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QUILL
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Just be careful what you say around
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these folks. They’re easily
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offended and the cost of
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transgression is death.
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DRAX
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Sounds judgmental for a bunch of
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golden morons.
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QUILL
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That’s the kind of thing you might
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want to keep to yourself.
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GAMORA
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I’ll hold my tongue, as long as
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they deliver what was promised.
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9 EXT. LAIR OF THE HIGH PRIESTESS - MORNING 9
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An enormous golden palace in the shape of a globe, dappled
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by morning sunlight.
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AYESHA (O.S.)
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We thank you, Guardians, for
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putting your life on the line. We
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could not risk the lives of our own
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Sovereign citizens.
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10 INT. LAIR OF THE HIGH PRIESTESS - DAY 10
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HIGH PRIESTESS AYESHA is stunningly beautiful with golden
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skin. Her CHAMBERMAIDS and other DENIZENS flutter
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throughout her luxurious lair, all of whom are equally
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perfect.
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AYESHA
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Every citizen is born exactly as
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designed by the community,
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impeccable, both physically and
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mentally. We control the DNA of our
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progeny, germinating them in
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birthing pods.
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QUILL
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11.
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I guess I prefer making people the
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old-fashioned way.
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AYESHA
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Well... perhaps someday you could
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give me a history lesson in the
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archaic ways of our ancestors...
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for academic purposes.
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QUILL
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Yeah, I mean, if it’s for research
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that could be pretty --
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Quill sees Gamora staring at him.
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QUILL
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Pretty repulsive. I’m not into that
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kind of casual -
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GAMORA
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Oh, please.
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(to Ayesha)
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Your people promised something in
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trade for our services. Bring it
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and we shall gladly be on our way.
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Ayesha nods.
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Two SOLDIERS emerge with A WOMAN in a hood and cloak, her
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wrists bound by SHACKLES. They SHOVE HER TO HER KNEES and
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yank back her hood, REVEALING --
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NEBULA. Her clothes are tattered. Her hand is now just a
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low-tech metal claw.
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She glares at Gamora. Gamora glares at her. Quill looks
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from one to the other, feeling the tension.
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QUILL
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(quietly)
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Family reunion. Yaaaay.
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AYESHA
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I understand she is your sister?
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Gamora roughly picks Nebula up, starts to go.
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GAMORA
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She’s worth no more to me than the
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bounty due for her on Xandar.
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AYESHA
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12.
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Our soldiers apprehended her
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attempting to steal the batteries.
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Do with her as you please.
|
|
|
|
QUILL
|
|
Thank you, High Priestess Ayesha.
|
|
|
|
Quill starts to go.
|
|
|
|
AYESHA
|
|
What is your heritage, Mr. Quill?
|
|
|
|
Quill turns back towards her, uncomfortable with the
|
|
question.
|
|
|
|
QUILL
|
|
My mother is from earth.
|
|
|
|
AYESHA
|
|
And your father?
|
|
|
|
QUILL
|
|
He’s... not from Missouri, that’s
|
|
all I know.
|
|
|
|
Ayesha stares at him as if she’s eaten something foul.
|
|
|
|
AYESHA
|
|
I see it within you, an unorthodox
|
|
genealogy. A hybrid that seems
|
|
particularly... reckless.
|
|
|
|
Quill tries not to let this affect him, but it does. Rocket
|
|
grins a huge, fake grin at Ayesha.
|
|
|
|
ROCKET
|
|
You know, they told me you people
|
|
were conceited douchebags. But that
|
|
isn’t true at all.
|
|
|
|
Rocket turns to Quill and WINKS. The Guardians shift
|
|
uncomfortably.
|
|
|
|
ROCKET
|
|
Oh, shit, I’m using my wrong eye
|
|
again, aren’t I?
|
|
(to Ayesha)
|
|
I’m sorry. That was meant to be
|
|
behind your back.
|
|
|
|
Drax YANKS Rocket away.
|
|
13.
|
|
|
|
|
|
Gamora and Quill head out of the lair. Drax and Rocket are
|
|
a few paces behind.
|
|
|
|
DRAX
|
|
Count yourself blessed they didn’t
|
|
kill you.
|
|
|
|
ROCKET
|
|
You’re telling me. You wanna buy
|
|
some batteries?
|
|
|
|
Rocket grins and shows Drax something hidden in his bag -
|
|
TWO ANULAX BATTERIES.
|
|
|
|
“LAKE SHORE DRIVE” by ALIOTTA, HAYNES, AND JEREMIAH PLAYS.
|
|
|
|
Drax LAUGHS. Rocket SHUSHES him so Quill and Gamora don’t
|
|
hear.
|
|
|
|
|
|
11 EXT. SOVEREIGN SPACE DOCK/THE MILANO - MOMENTS LATER 11
|
|
|
|
The Milano RISES into the blue sunset over the Sovereign
|
|
Space Dock filled with golden, capsule-shaped ships.
|
|
|
|
Rocket works the controls as they rise up. He speaks into
|
|
the comm:
|
|
|
|
ROCKET
|
|
Let’s get baldy back to Xandar and
|
|
retrieve that bounty!
|
|
|
|
|
|
12 INT. MILANO LOWER FLIGHT DECK - OUTER SPACE 12
|
|
|
|
Groot lies on the rear window peering out the back as they
|
|
pass overhead.
|
|
|
|
On the CASSETTE PLAYER AWESOME MIX VOL. 2 is playing; we
|
|
PAN away from it, MOVING IN on Quill, looking perturbed as
|
|
he takes off his jacket.
|
|
|
|
Gamora is nearby, putting shackles on Nebula.
|
|
|
|
GAMORA
|
|
You all right?
|
|
|
|
QUILL
|
|
That stuff about my father. Who
|
|
does she think she is?
|
|
|
|
GAMORA
|
|
I know you’re sensitive about that.
|
|
14.
|
|
|
|
|
|
QUILL
|
|
I’m not sensitive about it. I just
|
|
don’t know who he is.
|
|
|
|
Gamora nods.
|
|
|
|
QUILL
|
|
Sorry if it looked like I was
|
|
flirting with her. I wasn’t.
|
|
|
|
GAMORA
|
|
I don’t care if you were.
|
|
|
|
Gamora pushes Nebula to the rear of the craft.
|
|
|
|
QUILL
|
|
I think you do care. That’s why I’m
|
|
apologizing.
|
|
|
|
Quill watches her go, somewhat longingly.
|
|
|
|
DRAX
|
|
Gamora is not the one for you,
|
|
Quill.
|
|
|
|
Quill is startled to see Drax directly beside him.
|
|
|
|
DRAX
|
|
There are two types of beings in
|
|
the universe. Those who dance, and
|
|
those who do not.
|
|
|
|
QUILL
|
|
Uh huh.
|
|
|
|
DRAX
|
|
I first met my beloved at a war
|
|
rally.
|
|
|
|
DRAX
|
|
Everyone in the village flailed
|
|
about, dancing. Except one woman.
|
|
My Ovette. I knew immediately she
|
|
was the one.
|
|
|
|
Quill nods, trying to be polite.
|
|
|
|
DRAX
|
|
The most melodic song in the world
|
|
could be playing, and she wouldn’t
|
|
even tap her foot. She wouldn’t
|
|
move a muscle. One might assume she
|
|
was dead.
|
|
15.
|
|
|
|
|
|
QUILL
|
|
Well, that is pretty hot, but--
|
|
|
|
DRAX
|
|
It would make my nether regions
|
|
engorge -
|
|
|
|
QUILL
|
|
All right, okay, fascinating, don’t
|
|
need to hear it. I get your point,
|
|
I’m a dancer and Gamora is not.
|
|
|
|
Drax smiles kindly, clutches Quill’s shoulder.
|
|
|
|
DRAX
|
|
You just need to find a woman who
|
|
is pathetic, like you.
|
|
|
|
At the rear of the ship, Gamora roughly restrains Nebula.
|
|
|
|
Nebula notices a bowl of fruit.
|
|
|
|
NEBULA
|
|
I am hungry. Hand me some of that
|
|
yaro root.
|
|
|
|
GAMORA
|
|
No. It’s not ripe yet. And I hate
|
|
you.
|
|
|
|
NEBULA
|
|
You hate me?! You left me there
|
|
while you stole that stone for
|
|
yourself. Yet here you stand, a
|
|
hero, a Garden of the Galaxy!
|
|
|
|
GAMORA
|
|
A what?
|
|
|
|
Nebula stares at her, confused.
|
|
|
|
GAMORA
|
|
‘Guardians of the Galaxy.’
|
|
|
|
NEBULA
|
|
Oh.
|
|
|
|
GAMORA
|
|
Why would we be ‘the Gardens of the
|
|
Galaxy’?
|
|
|
|
NEBULA
|
|
16.
|
|
|
|
|
|
I don’t know. I thought it was
|
|
stupid.
|
|
|
|
GAMORA
|
|
Yeah, it would be.
|
|
|
|
NEBULA
|
|
It’s still wordy.
|
|
|
|
GAMORA
|
|
I wasn’t the one who thought of it.
|
|
|
|
NEBULA
|
|
Your name doesn’t matter. I’ll be
|
|
free of these shackles soon enough,
|
|
and I’ll kill you, I swear.
|
|
|
|
GAMORA
|
|
No. You’ll live out your days in a
|
|
prison on Xandar, wishing you
|
|
could.
|
|
|
|
WARNING LIGHTS FLASH.
|
|
|
|
|
|
13 I/E. MILANO FLIGHT DECK - MOMENTS LATER 13
|
|
|
|
Gamora MOVES UP from the stairs. Rocket and Quill are in
|
|
the pilot seats. Drax is moving up from the back.
|
|
|
|
QUILL
|
|
We got an armed Sovereign fleet,
|
|
approaching from the rear.
|
|
|
|
Gamora takes the center seat, sees a REARVIEW SCAN:
|
|
|
|
Golden, capsule-shaped, Sovereign OMNICRAFT, with a video
|
|
screen on front and a blaster on each side - getting
|
|
closer.
|
|
|
|
GAMORA
|
|
Why would they do that?!
|
|
|
|
DRAX
|
|
Probably because Rocket stole some
|
|
of their batteries.
|
|
|
|
Quill and Gamora look at Rocket, astounded. Rocket gawks at
|
|
Drax, betrayed.
|
|
|
|
ROCKET
|
|
Dude.
|
|
17.
|
|
|
|
|
|
DRAX
|
|
Oh, right. He didn’t steal one of
|
|
those. I don’t know why they’re
|
|
after us. What a mystery this is.
|
|
|
|
THE SOVEREIGN FIRE UPON THE MILANO.
|
|
|
|
Quill does his best to evade their blasts.
|
|
|
|
QUILL
|
|
What were you thinking?!
|
|
|
|
ROCKET
|
|
Dude, it was really easy to steal.
|
|
|
|
GAMORA
|
|
That’s your defense?
|
|
|
|
ROCKET
|
|
Come on. You saw how that high-
|
|
priestess talked down to us! I’m
|
|
teaching her a lesson!
|
|
|
|
QUILL
|
|
Oh! I didn’t realize your
|
|
motivation was altruism. A shame
|
|
the Sovereign have mistaken your
|
|
intentions and are trying to kill
|
|
us.
|
|
|
|
ROCKET
|
|
Exactly.
|
|
|
|
QUILL
|
|
I WAS BEING SARCASTIC!
|
|
|
|
ROCKET
|
|
Oh no! You tricked me! You’re
|
|
supposed to use a sarcastic voice!
|
|
Now I look foolish!
|
|
|
|
Drax points at Rocket and LAUGHS at him.
|
|
|
|
QUILL
|
|
SHUT UP, DRAX! You knew! You should
|
|
have told us!
|
|
|
|
Drax is aghast. He looks at Rocket.
|
|
|
|
DRAX
|
|
Did you tell him it was easy to
|
|
steal?
|
|
18.
|
|
|
|
|
|
ROCKET
|
|
Are you kidding me?
|
|
|
|
DRAX
|
|
What?
|
|
|
|
ROCKET
|
|
You never listen to anything!
|
|
|
|
GAMORA
|
|
None of you listens! Can we please
|
|
just put the bickering on hold
|
|
until after we survive the massive
|
|
space battle?!
|
|
|
|
Rocket glances at Quill, nodding back at Gamora.
|
|
|
|
ROCKET
|
|
Whoa. Somebody woke up on the wrong
|
|
side of the bed this morning.
|
|
|
|
QUILL
|
|
Do not try to bro down with me
|
|
right now, dude. I will fricking
|
|
punch you in your fricking face.
|
|
|
|
ROCKET
|
|
Real nice! Resorting to violence.
|
|
|
|
QUILL
|
|
More incoming!
|
|
|
|
MORE SHIP FLY AT THEM from the front.
|
|
|
|
ROCKET
|
|
GOOD! I WANT TO KILL SOME GUYS!
|
|
|
|
They twist and turn between the oncoming ships as ROCKET
|
|
FIRES AT THEM, SCREAMING. They EXPLODE.
|
|
|
|
On the front of the Sovereign ships is the VIDEO IMAGE OF A
|
|
PILOT.
|
|
|
|
SOVEREIGN PILOT (ON SHIP)
|
|
Bloody hell!
|
|
|
|
|
|
14 INT. SOVEREIGN PILOT BAY - DAY 14
|
|
|
|
The same SOVEREIGN PILOT sits in a REMOTE POD. On a SCREEN
|
|
in front of her we see ROCKET FIRING.
|
|
|
|
The SHIP IS HIT and the SCREEN GOES STATIC.
|
|
19.
|
|
|
|
|
|
The Pilot SHOUTS in anger, like a kid who lost at a video
|
|
game.
|
|
|
|
High Priestess Ayesha surveys from a walkway above; ROWS OF
|
|
PODS containing PILOTS, all flying their Omnicraft
|
|
remotely.
|
|
|
|
|
|
15 I/E. MILANO FLIGHT DECK 15
|
|
|
|
GAMORA
|
|
You’re not killing anyone. Those
|
|
ships are all remotely piloted.
|
|
|
|
|
|
16 INT. SOVEREIGN PILOT BAY - DAY 16
|
|
|
|
A SOVEREIGN ADMIRAL is beside Ayesha.
|
|
|
|
AYESHA
|
|
What is the delay, Admiral?
|
|
|
|
ADMIRAL
|
|
High Priestess, if we destroy their
|
|
craft, we risk destroying the
|
|
batteries. They’re extraordinarily
|
|
combustible and could, in turn,
|
|
destroy the entire fleet.
|
|
|
|
AYESHA
|
|
We have thousands of batteries and
|
|
thousands of ships. Our concern is
|
|
their slight against our people. We
|
|
hired them and they steal from us?
|
|
It is heresy of the highest order.
|
|
|
|
The Admiral speaks into his comm.
|
|
|
|
ADMIRAL
|
|
All command modules -
|
|
|
|
A FRIGHTENED SOVEREIGN PILOT, on the outskirts of the
|
|
battle, hears the Admiral in his headset.
|
|
|
|
ADMIRAL (O.S.)
|
|
Fire with the intent to kill.
|
|
|
|
A MEAN SOVEREIGN PILOT, FIRING at the Milano, smirks.
|
|
|
|
|
|
17 I/E. MILANO FLIGHT DECK - OUTER SPACE 17
|
|
20.
|
|
|
|
|
|
THE MILANO’S WING IS STRUCK. The EMERGENCY SYSTEMS FLASH
|
|
ON.
|
|
|
|
QUILL
|
|
What’s the closest habitable
|
|
planet?
|
|
|
|
Gamora dances her fingers over the UNIVERSAL NEURAL
|
|
TELEPORTATION NETWORK, clicking through “jump points” until
|
|
she finds one.
|
|
|
|
GAMORA
|
|
It’s called Berhert.
|
|
|
|
QUILL
|
|
How many jumps?
|
|
|
|
GAMORA
|
|
Only one. But the access point is
|
|
47 clicks away. And it’s through
|
|
that Quantum Asteroid Field over
|
|
there.
|
|
|
|
Quill spots, to his side, a HUGE FIELD OF SMALL, GLOWING
|
|
ASTEROIDS, SWIRLING IN RANDOM PATTERNS, DISAPPEARING OUT OF
|
|
SPACE and EMERGING AGAIN a few feet or a few yards away.
|
|
|
|
Quill ZOOMS SIDEWAYS toward the field.
|
|
|
|
DRAX
|
|
Quill, to make it through that,
|
|
you’d have to be the greatest pilot
|
|
in the universe.
|
|
|
|
Quill smirks.
|
|
|
|
QUILL
|
|
Lucky for us -
|
|
|
|
ROCKET
|
|
I am.
|
|
|
|
Rocket FLIPS the pilot controls between them so that he’s
|
|
the one piloting the ship. Quill gapes at him.
|
|
|
|
The Milano DIVES into the QUANTUM ASTEROID FIELD, SWOOPING
|
|
in and around the SWIRLING ATOMIZED STONES, barely missing
|
|
them.
|
|
|
|
The Sovereign ships FOLLOW. They are not pilots on par with
|
|
Rocket, so most of the ships are immediately PELTED WITH
|
|
STONES AND DESTROYED.
|
|
21.
|
|
|
|
|
|
18 INT. SOVEREIGN PILOT BAY - DAY 18
|
|
|
|
One after another the SOVEREIGN PILOTS screens go blank,
|
|
and they FALL BACK, angry and upset.
|
|
|
|
PUSH IN on Ayesha, barely containing her fury.
|
|
|
|
|
|
19 I/E. MILANO FLIGHT DECK - OUTER SPACE 19
|
|
|
|
Quill FLIPS the controls back, so he’s piloting again.
|
|
|
|
ROCKET
|
|
What are you doing?!
|
|
|
|
QUILL
|
|
I’ve been flying this rig since I
|
|
was ten years old.
|
|
|
|
ROCKET
|
|
I was cybernetically engineered to
|
|
pilot a spacecraft!
|
|
|
|
Rocket FLIPS the controls back to him.
|
|
|
|
QUILL
|
|
You were cybernetically engineered
|
|
to be a douchebag.
|
|
|
|
Quill FLIPS the controls back to him.
|
|
|
|
GAMORA
|
|
Stop it!
|
|
|
|
ROCKET
|
|
Quill, later on tonight you’re
|
|
gonna lay down in your bed and
|
|
there’s gonna be something squishy
|
|
in your pillowcase and you’re gonna
|
|
be, like, ‘what’s this?’ and it’s
|
|
gonna be because I put a turd in
|
|
there.
|
|
|
|
Rocket FLIPS the switch back.
|
|
|
|
QUILL
|
|
You put your turd in my bed, I
|
|
shave you.
|
|
|
|
ROCKET
|
|
Oh it won’t be my turd, it will be
|
|
Drax’s.
|
|
22.
|
|
|
|
|
|
Drax LAUGHS cheerfully. Gamora glances at him. He explains:
|
|
|
|
DRAX
|
|
I have famously huge turds.
|
|
|
|
GAMORA
|
|
We’re about to die, and this is
|
|
what we’re discussing?
|
|
|
|
DRAX
|
|
They raise havoc with the pipes.
|
|
That’s why I do all the plumbing. I
|
|
take responsibility for my actions.
|
|
Unlike some people...
|
|
|
|
Drax eyes baby Groot.
|
|
|
|
QUILL
|
|
Groot, he’s right, you have to
|
|
start aiming inside the box.
|
|
|
|
Groot looks ashamed. Quill FLIPS the controls back.
|
|
|
|
GAMORA
|
|
Stop it.
|
|
|
|
Rocket SWITCHES it back. Quill SWITCHES it back.
|
|
|
|
They’re nearing the end of the Asteroid Field when both go
|
|
to switch it at the same time and --
|
|
|
|
WHAM! A LARGE ASTEROID SMASHES THROUGH the stern of the
|
|
Milano.
|
|
|
|
|
|
20 I/E. MILANO LIVING AREA - OUTER SPACE 20
|
|
|
|
A CHUNK OF THE REAR OF THE CRAFT DISAPPEARS.
|
|
|
|
Nebula IS SUCKED toward the hole - but, fortunately, her
|
|
arms are shackled to a post, so she doesn’t fly out.
|
|
|
|
Her face and body cover with frost.
|
|
|
|
|
|
21 I/E. MILANO FLIGHT DECK - OUTER SPACE 21
|
|
|
|
Everything FLIES AROUND THE SPACECRAFT, RUSHING THROUGH THE
|
|
HOLE.
|
|
|
|
Groot GOES FLYING, but Quill CATCHES HIM, and casually
|
|
TOSSES him back to Drax --
|
|
23.
|
|
|
|
|
|
So that he can punch in a code, causing -
|
|
|
|
|
|
22 I/E. MILANO LIVING AREA - OUTER SPACE 22
|
|
|
|
A PROTECTIVE ENERGY SHIELD SLIDES UP in front of the hole.
|
|
|
|
Nebula COLLAPSES to the floor. She yells upstairs --
|
|
|
|
NEBULA
|
|
Idiots!
|
|
|
|
|
|
23 I/E. MILANO FLIGHT DECK - OUTER SPACE 23
|
|
|
|
Everyone catches their breath, relieved.
|
|
|
|
ROCKET
|
|
Well, that’s what you get when
|
|
Quill flies.
|
|
|
|
Gamora THROWS SOMETHING HARD at the back of Rocket’s head.
|
|
|
|
ROCKET
|
|
Ow!
|
|
|
|
GAMORA
|
|
There’s still a Sovereign craft
|
|
behind us!
|
|
|
|
The electronics FLICKER.
|
|
|
|
QUILL
|
|
Our weapons are down!
|
|
|
|
GAMORA
|
|
Twenty clicks to the jump.
|
|
|
|
The Mean Pilot BLASTS at them from the sole Sovereign
|
|
Craft, TAKING OUT another part of a wing. The Milano is
|
|
TREMBLING.
|
|
|
|
Drax starts climbing down into the living area.
|
|
|
|
QUILL
|
|
Where’s he going?
|
|
|
|
|
|
24 INT. SOVEREIGN PILOT BAY - DAY 24
|
|
|
|
A group of pilots have gathered around the Mean Pilot,
|
|
rooting him on, like kids at a video arcade.
|
|
24.
|
|
|
|
|
|
FRIGHTENED PILOT
|
|
Come on, Zylak, you can do this.
|
|
|
|
|
|
25 I/E. MILANO LIVING AREA - OUTER SPACE 25
|
|
|
|
Nebula sees the bowl of yaro root has spilled in front of
|
|
her.
|
|
|
|
She reaches for a piece, but it’s KICKED OUT OF HER WAY.
|
|
|
|
She looks up to see Drax, grabbing a cable on a spool
|
|
attached to the wall.
|
|
|
|
DRAX
|
|
It’s not ripe.
|
|
|
|
Drax HOOKS the cable to his belt. A folder on the wall
|
|
reads SPACESUITS FOR EMERGENCY and, below that, in Rocket’s
|
|
scrawl: OR FOR FUN.
|
|
|
|
Drax pulls a small disk from the folder. He slaps it
|
|
between his shoulder blades and a SHIMMERY SHEATH COVERS
|
|
HIS ENTIRE BODY - a thin force-field spacesuit.
|
|
|
|
|
|
26 I/E. MILANO FLIGHT DECK - OUTER SPACE 26
|
|
|
|
Gamora watches THE MAP leading to the jump point.
|
|
|
|
GAMORA
|
|
Fifteen clicks.
|
|
|
|
Another BLAST from the Sovereign craft HITS them.
|
|
|
|
|
|
27 INT. SOVEREIGN PILOT BAY - DAY 27
|
|
|
|
The pilots rooting on the Mean Pilot erupt into CHEERS.
|
|
|
|
|
|
28 I/E. MILANO LIVING AREA - OUTER SPACE 28
|
|
|
|
Drax grabs a huge rifle.
|
|
|
|
He punches buttons on the wall. A SECOND PROTECTIVE SHIELD
|
|
OPENS UP between him and Nebula, and THE FIRST PROTECTIVE
|
|
SHEATH OPENS, exposing him to space --
|
|
|
|
|
|
29 INT. SOVEREIGN PILOT BAY - DAY 29
|
|
25.
|
|
|
|
|
|
The Mean Pilot watches in awe as Drax JUMPS OUT the back of
|
|
the Milano.
|
|
|
|
|
|
30 I/E. MILANO LIVING AREA - OUTER SPACE 30
|
|
|
|
Drax smiles. The cable UNSPOOLS and SNAPS TAUT when it
|
|
reaches its end.
|
|
|
|
Drax is DRAGGED HAPHAZARDLY by the Milano like a water sled
|
|
on a boat.
|
|
|
|
|
|
31 I/E. MILANO FLIGHT DECK - OUTER SPACE 31
|
|
|
|
ON THE MAP, the jump point gets closer.
|
|
|
|
GAMORA
|
|
Ten clicks.
|
|
|
|
|
|
32 I/E. MILANO LIVING AREA - OUTER SPACE 32
|
|
|
|
The Mean Pilot BLASTS WILDLY at Drax, missing him by mere
|
|
inches.
|
|
|
|
Drax brings the sight to his eye. Aims at the ship.
|
|
|
|
DRAX
|
|
Die, spaceship.
|
|
|
|
And he SHOOTS, BLASTING the Sovereign ship.
|
|
|
|
|
|
33 INT. SOVEREIGN PILOT BAY - DAY 33
|
|
|
|
The Mean Pilot SCREAMS as his lights go out. The Frightened
|
|
Pilot shakes his head in disgust.
|
|
|
|
FRIGHTENED PILOT
|
|
You suck, Zylak.
|
|
|
|
Zylak is really sad.
|
|
|
|
|
|
34 I/E. MILANO FLIGHT DECK - OUTER SPACE 34
|
|
|
|
As Quill and Rocket leave the asteroid field, it seems for
|
|
a moment they’re scot-free...
|
|
|
|
GAMORA
|
|
Five clicks!
|
|
26.
|
|
|
|
|
|
Then DOZENS OF OMNICRAFT pull around them on both sides.
|
|
|
|
QUILL
|
|
Son-of-a-! They went around the
|
|
field!
|
|
|
|
|
|
35 INT. SOVEREIGN PILOT BAY - DAY 35
|
|
|
|
Ayesha smiles.
|
|
|
|
|
|
36 I/E. MILANO FLIGHT DECK - OUTER SPACE 36
|
|
|
|
It looks like the end of the road for the Guardians when -
|
|
|
|
THERE IS A BLINDING BURST OF LIGHT AND ALL OF THE OMNICRAFT
|
|
EXPLODE.
|
|
|
|
|
|
37 INT. SOVEREIGN PILOT BAY - DAY 37
|
|
|
|
Ayesha watches in shock as the screens in the pods go dead.
|
|
|
|
ADMIRAL
|
|
Someone destroyed all the ships.
|
|
|
|
AYESHA
|
|
What?! WHO?!
|
|
|
|
But the Admiral doesn’t know.
|
|
|
|
|
|
38 I/E. MILANO FLIGHT DECK - OUTER SPACE 38
|
|
|
|
Rocket sees the BRIGHT WHITE LIGHT is emanating from an
|
|
OVAL-SHAPED SPACECRAFT.
|
|
|
|
ROCKET
|
|
What is that?!
|
|
|
|
Quill sees the FLICKERING framework of a JUMP POINT.
|
|
|
|
QUILL
|
|
Doesn’t matter! That’s the jump
|
|
point! GO! GO!
|
|
|
|
As they’re about to reach the jump point, Rocket sees a MAN
|
|
standing casually atop the oval ship, LIGHT BURSTING
|
|
THROUGH HIS BODY and into the craft - the source of the
|
|
explosion.
|
|
27.
|
|
|
|
|
|
ROCKET
|
|
It’s a guy.
|
|
|
|
Quill doesn’t see as the Milano DISAPPEARS INTO THE JUMP
|
|
POINT.
|
|
|
|
|
|
39 I/E. MILANO LIVING AREA/DIRECTLY ABOVE BERHERT - DAY 39
|
|
|
|
The ship POPS IN HERE, TELEPORTING directly above the
|
|
earth-like planet. Because the ship is in such bad shape,
|
|
parts of it TEAR OFF AND SPIRAL AWAY as it enters this new
|
|
atmosphere.
|
|
|
|
|
|
40 I/E. MILANO FLIGHT DECK - OUTER SPACE 40
|
|
|
|
Gamora sees Drax being dragged in the REARVIEW MONITOR.
|
|
|
|
GAMORA
|
|
Oh my God.
|
|
|
|
|
|
41 I/E. MILANO LIVING AREA/DIRECTLY ABOVE BERHERT - DAY 41
|
|
|
|
Drax WHIPS WILDLY OUT of the back of the ship. The CABLE
|
|
SPOOL on the wall is coming off -
|
|
|
|
|
|
42 I/E. MILANO FLIGHT DECK/BERHERT FOREST - DAY 42
|
|
|
|
Quill sees a green forest APPROACHING UNBELIEVABLY FAST.
|
|
|
|
He turns toward Gamora, but she’s gone. Instead Baby Groot
|
|
is sitting alone, happily munching on candies as if he’s
|
|
watching a movie.
|
|
|
|
QUILL
|
|
Groot, put on your seat belt!
|
|
|
|
|
|
43 I/E. MILANO LIVING AREA/DIRECTLY ABOVE BERHERT - DAY 43
|
|
|
|
The SPOOL DETACHES and FLIES toward the back, which would
|
|
leave Drax in the upper reaches of the planet’s atmosphere
|
|
-
|
|
|
|
But Gamora has made it downstairs - she GRABS ONTO THE
|
|
SPOOL with one hand while CLUTCHING onto a secure part of
|
|
the ship with her other. As it SNAPS TIGHT, it nearly
|
|
wrenches her apart. She GROANS.
|
|
|
|
QUILL
|
|
28.
|
|
|
|
|
|
Prepare for a really bad -
|
|
|
|
The Milano HITS THE TREES, BARRELING OVER THEM. They PART
|
|
and FLATTEN and SWAT at the windshield.
|
|
|
|
Out back, Gamora HOLDS TIGHT despite searing pain, as Drax
|
|
BOUNCES VIOLENTLY off the trees.
|
|
|
|
DRAX
|
|
Ow! Ow! Ow! Ow!
|
|
|
|
And, eventually, the Milano comes to an ABRUPT STOP.
|
|
|
|
SUPER: BERHERT
|
|
|
|
Drax pushes himself up in the dirt. He CHUCKLES. He glances
|
|
back at Gamora like the madman he is.
|
|
|
|
DRAX
|
|
That was awesome.
|
|
|
|
Gamora nods, sure, yeah, okay, whatever, dude.
|
|
|
|
|
|
44 I/E. CRASHED MILANO - CLEARING - MOMENTS LATER 44
|
|
|
|
CRANE DOWN OVER THE SMOKING, BATTERED MILANO TO our heroes,
|
|
and a still-shackled Nebula.
|
|
|
|
GAMORA
|
|
Either one of you could have gotten
|
|
us through that field, if you had
|
|
flown with what’s between your ears
|
|
instead of what’s between your
|
|
legs!
|
|
|
|
QUILL
|
|
If what’s between my legs had a
|
|
hand on it, I guarantee I could
|
|
have landed this ship.
|
|
|
|
GAMORA
|
|
It’s not funny, Peter. We almost
|
|
died. Because of your arrogance.
|
|
|
|
QUILL
|
|
(re: Rocket)
|
|
More like because he stoled Anulax
|
|
batteries!
|
|
|
|
DRAX
|
|
They’re called Harbulary batteries.
|
|
29.
|
|
|
|
|
|
QUILL
|
|
No, they’re not!
|
|
|
|
ROCKET
|
|
You know why I did it, Star-Munch?
|
|
|
|
Quill fumes.
|
|
|
|
ROCKET
|
|
Do you?
|
|
|
|
QUILL
|
|
I’m not going to answer to ‘Star-
|
|
Munch.’
|
|
|
|
ROCKET
|
|
I DID IT BECAUSE I WANTED TO.
|
|
|
|
QUILL
|
|
Dick.
|
|
|
|
ROCKET
|
|
What are we even talking about this
|
|
for? We just had a little man save
|
|
us by blowing up fifty ships!
|
|
|
|
DRAX
|
|
How little?
|
|
|
|
Rocket shows him with his finger and thumb.
|
|
|
|
ROCKET
|
|
Like this.
|
|
|
|
GAMORA
|
|
A little one-inch man saved us?
|
|
|
|
ROCKET
|
|
Well, if he got closer I’m sure
|
|
he’d be much larger.
|
|
|
|
QUILL
|
|
That’s how eyes work, you stupid
|
|
raccoon.
|
|
|
|
ROCKET
|
|
Don’t call me a raccoon!
|
|
|
|
QUILL
|
|
Oh, I’m sorry, I meant to say
|
|
‘trash panda.’
|
|
|
|
Rocket pauses, unsure, looks at Drax.
|
|
30.
|
|
|
|
|
|
ROCKET
|
|
Is that better?
|
|
|
|
DRAX
|
|
I don’t know.
|
|
|
|
QUILL
|
|
It’s worse.
|
|
|
|
ROCKET
|
|
YOU SON-OF-A-!!
|
|
|
|
Rocket LEAPS, SNAPPING at Quill, when Nebula looks up into
|
|
the sky.
|
|
|
|
NEBULA
|
|
Someone followed you through the
|
|
jump point.
|
|
|
|
A HUGE SPACESHIP HOVERS overhead.
|
|
|
|
The Guardians COCK THEIR WEAPONS as they FALL BACK-TO-BACK
|
|
in tight formation.
|
|
|
|
NEBULA
|
|
Set me free. You’ll need my help.
|
|
|
|
GAMORA
|
|
I’m not a fool, Nebula.
|
|
|
|
NEBULA
|
|
You’re a fool if you deprive
|
|
yourself a hand in combat.
|
|
|
|
GAMORA
|
|
You’ll attack me the moment I let
|
|
you go.
|
|
|
|
NEBULA
|
|
(mumbly, unconvincing)
|
|
No, I won’t.
|
|
|
|
QUILL
|
|
You’d think an evil supervillain
|
|
would learn how to properly lie.
|
|
|
|
DRAX
|
|
I bet it’s the one-inch man!!
|
|
|
|
The SHIP LANDS, CRUSHING ALL OF THE TREES AROUND IT.
|
|
31.
|
|
|
|
|
|
A HATCH OPENS, and an adventurous, outer space frontiersman
|
|
steps forward. He has grown hardened and haggard over the
|
|
years, but he is definitely the MYSTERIOUS MAN from the
|
|
beginning of the film. MANTIS, a creepy woman with
|
|
antennae, emerges behind him.
|
|
|
|
The Man smiles.
|
|
|
|
MYSTERIOUS MAN
|
|
After all these years, I’ve found
|
|
you.
|
|
|
|
QUILL
|
|
Who the hell are you?
|
|
|
|
MYSTERIOUS MAN
|
|
I figured my rugged good looks
|
|
would make that obvious. My name’s
|
|
Ego. And I’m your Dad, Peter.
|
|
|
|
|
|
45 EXT. CONTRAXIA - OUTER SPACE 45
|
|
|
|
QUIET. A planet of mostly water and white icy patches of
|
|
land, revolving around two overlapping suns.
|
|
|
|
SUPER: CONTRAXIA
|
|
|
|
M15 5127512731+X1955KX
|
|
|
|
|
|
46 EXT. THE IRON LOTUS - DAY 46
|
|
|
|
SNOW FALLS GENTLY over this sleepy, pastel-colored town of
|
|
wood and stone buildings.
|
|
|
|
PUSH IN on the Iron Lotus, a robot brothel and saloon.
|
|
|
|
ASSORTED RAVAGERS, including KRAGLIN, as well as some
|
|
ROBOTIC COURTESANS, are drunk and GIGGLING, trying to catch
|
|
snowflakes on their tongues.
|
|
|
|
|
|
47 INT. IRON LOTUS SUITE - DAY 47
|
|
|
|
YONDU UDONTA is staring out the window as he puts on his
|
|
pants. He looks utterly disconnected and alone.
|
|
|
|
Behind him are three ROBOT COURTESANS. One pushes a button
|
|
on her neck and she POWERS DOWN.
|
|
|
|
TULLK (O.S.)
|
|
Yondu! Come on down!
|
|
32.
|
|
|
|
|
|
Yondu looks down at the street where an older Ravager,
|
|
TULLK, drunkenly dances, waving for him to join.
|
|
|
|
|
|
48 INT. IRON LOTUS - MOMENTS LATER 48
|
|
|
|
Yondu exits his suite. Two bodyguards, BRAHL and HALF-NUT,
|
|
salute and follow him as he descends the stairwell.
|
|
|
|
At the bottom of the stairs a group of RAVAGERS in BLUE
|
|
UNIFORMS LAUGH. A gruff, older warrior, STAKAR, and a man
|
|
seemingly made of diamonds, MARTINEX are among them.
|
|
|
|
Yondu stops when he sees them. He’s struck. Stakar LAUGHS
|
|
as he tells a story -
|
|
|
|
STAKAR
|
|
And I was like, Aleta, I love you,
|
|
but you’re crazy now, you always
|
|
been -
|
|
|
|
Yondu approaches Stakar with trepidation.
|
|
|
|
YONDU
|
|
Stakar.
|
|
|
|
Stakar is surprised to see him.
|
|
|
|
YONDU
|
|
Been some time. I’d -
|
|
|
|
STAKAR
|
|
Seems like this establishment is
|
|
the wrong kind of disreputable.
|
|
|
|
The blue-coats turn and walk away.
|
|
|
|
YONDU
|
|
Stakar...
|
|
|
|
Stakar glances at the PROPRIETOR as he passes her.
|
|
|
|
STAKAR
|
|
There are a hundred Ravager
|
|
factions, Sneeper. You just lost
|
|
the business of ninety-nine by
|
|
serving one.
|
|
|
|
PROPRIETOR
|
|
Please, sir! Sir!
|
|
|
|
Yondu stands there for a moment, hurt, as they head out the
|
|
door.
|
|
33.
|
|
|
|
|
|
But, little by little, his hurt turns to rage and he
|
|
FOLLOWS.
|
|
|
|
|
|
49 EXT. IRON LOTUS - DAY 49
|
|
|
|
Yondu trots quickly toward Stakar and the others.
|
|
|
|
YONDU
|
|
You all can go to hell! I don’t
|
|
care what you think of me!
|
|
|
|
Stakar swirls toward him, furious.
|
|
|
|
STAKAR
|
|
Then why you following us for?!
|
|
|
|
YONDU
|
|
‘Cause you’ll listen to what I got
|
|
to say!
|
|
|
|
STAKAR
|
|
I don’t got to listen to nothing!
|
|
You betrayed the code! Ravagers
|
|
don’t deal in kids!
|
|
|
|
YONDU
|
|
I didn’t know what was going on -
|
|
|
|
STAKAR
|
|
You didn’t know ‘cause you didn’t
|
|
want to know, ‘cause it made you
|
|
rich!
|
|
|
|
YONDU
|
|
I demand a seat at the table! I
|
|
wear the flames same as you!
|
|
|
|
STAKAR
|
|
You may dress like a Ravager but
|
|
you won’t hear no Horns of Freedom
|
|
when you die, boy, and the Colors
|
|
of Ogord will not flash over your
|
|
grave!
|
|
|
|
STAKAR
|
|
You think I take some pleasure in
|
|
exiling you, you’re wrong. You
|
|
broke all our hearts.
|
|
|
|
Stakar and the others storm away. Martinex stays a moment,
|
|
staring at Yondu, and then moves on too.
|
|
34.
|
|
|
|
|
|
Yondu is left alone, shaken as the WHITE SNOW FALLS GENTLY
|
|
on his blue face.
|
|
|
|
NEARBY, a MONSTROUS RAVAGER leans in toward Kraglin, Tullk,
|
|
GEF THE RAVAGER, OBLO, and RETCH. As he eyes Yondu, he
|
|
WHISPERS:
|
|
|
|
MONSTROUS RAVAGER
|
|
First Quill betrays us and Yondu
|
|
just lets him go, scot-free. Now
|
|
he’s getting all riled over
|
|
nothing. We followed him ‘cause he
|
|
was the one wasn’t afraid to do
|
|
what needed to be done. Seems like
|
|
he’s going soft.
|
|
|
|
KRAGLIN
|
|
If he’s so soft why you whispering
|
|
for?
|
|
|
|
MONSTROUS RAVAGER
|
|
You know I’m right, Kraglin.
|
|
|
|
TULLK
|
|
You best watch what you say about
|
|
the Cap’n, Tay -
|
|
|
|
RETCH
|
|
Who the hell is that?!
|
|
|
|
Tullk stops when he sees High Priestess Ayesha approaching
|
|
beside them. The Chambermaids ROLL OUT a LONG BLUE CLOTH so
|
|
she doesn’t touch unconsecrated ground.
|
|
|
|
She STOPS at the carpet’s end. Does her best to force a
|
|
smile.
|
|
|
|
AYESHA
|
|
Yondu Udonta, I have a proposition
|
|
for you.
|
|
|
|
Yondu looks at her.
|
|
|
|
EGO (PRE-LAP)
|
|
When your mother passed away, I
|
|
hired Yondu to pick you up.
|
|
|
|
|
|
50 EXT. CAMPFIRE/CRASHED MILANO - NIGHT 50
|
|
|
|
Quill sits around a campfire with Ego, Mantis and the
|
|
others, eating. Ego indulges heartily.
|
|
35.
|
|
|
|
|
|
EGO
|
|
I would have done so myself, but I
|
|
was in the midst of an outlandish
|
|
adventure at the time, battling
|
|
demonic forces to save this
|
|
dimension or some such nonsense - I
|
|
can’t quite recall, it all bleeds
|
|
together after awhile. But instead
|
|
of returning you, Yondu kept you. I
|
|
have no clue as to why.
|
|
|
|
QUILL
|
|
Because I was a skinny kid who
|
|
could squeeze into places adults
|
|
couldn’t, making thieving easier.
|
|
|
|
EGO
|
|
I’ve been trying to track you down
|
|
ever since.
|
|
|
|
DRAX
|
|
I thought Yondu was your father.
|
|
|
|
QUILL
|
|
What?
|
|
|
|
Drax stares at him.
|
|
|
|
QUILL
|
|
We’ve been together all this time
|
|
and you thought Yondu was my
|
|
actual, blood relative?
|
|
|
|
DRAX
|
|
You look exactly alike.
|
|
|
|
ROCKET
|
|
One’s blue.
|
|
|
|
QUILL
|
|
He wasn’t my father. Yondu was the
|
|
guy who abducted me. He’d beat the
|
|
crap out of me so I’d learn how to
|
|
fight and he kept me in terror
|
|
threatening to eat me.
|
|
|
|
EGO
|
|
Eat you?!
|
|
|
|
QUILL
|
|
Yes.
|
|
|
|
EGO
|
|
36.
|
|
|
|
|
|
That son-of-a-bitch.
|
|
|
|
GAMORA
|
|
How’d you locate us now?
|
|
|
|
EGO
|
|
Even where I reside, out past the
|
|
edge of what’s known, we’ve heard
|
|
tell of the man they call Star-
|
|
Lord.
|
|
|
|
He stands, handing his dish to Gamora.
|
|
|
|
EGO
|
|
Say we head out that way now? Your
|
|
associates are welcome, even that
|
|
triangle-faced monkey there.
|
|
|
|
Rocket, self-conscious, feels his nose.
|
|
|
|
EGO
|
|
I promise you, it’s like no place
|
|
you’ve ever seen. And there I can
|
|
explain your very special heritage,
|
|
and finally be the father I’ve
|
|
always wanted to be.
|
|
(almost teary)
|
|
‘Scuse me. I gotta take a whizz.
|
|
|
|
Ego leaves. Quill looks at Gamora.
|
|
|
|
QUILL
|
|
Not buying it.
|
|
|
|
GAMORA
|
|
Peter, we need to take a walk.
|
|
|
|
|
|
51 EXT. CAMPFIRE/CRASHED MILANO - NIGHT 51
|
|
|
|
Ego is WHISTLING “BRANDY” and PEEING into the bushes.
|
|
|
|
Mantis looks at Drax. She GRINS, or at least her best
|
|
attempt at grinning. It’s kind of creepy.
|
|
|
|
MANTIS
|
|
I am Mantis.
|
|
|
|
DRAX
|
|
What are you doing?
|
|
|
|
MANTIS
|
|
37.
|
|
|
|
|
|
Smiling. I hear it is the thing to
|
|
do to make people like you.
|
|
|
|
DRAX
|
|
Not if you do it like that.
|
|
|
|
MANTIS
|
|
Oh. I was raised alone on Ego’s
|
|
planet. I do not understand the
|
|
intricacies of social interaction.
|
|
|
|
She points at Rocket.
|
|
|
|
MANTIS
|
|
Can I pet your puppy? It is
|
|
adorable.
|
|
|
|
DRAX
|
|
(mischievous)
|
|
Yes...
|
|
|
|
She goes to pet Rocket: startled, he SWIRLS and SNAPS at
|
|
her.
|
|
|
|
MANTIS
|
|
AHH!
|
|
|
|
She pulls back her hand. Drax LAUGHS, heartily.
|
|
|
|
DRAX
|
|
That’s called a practical joke!
|
|
|
|
She GIGGLES.
|
|
|
|
MANTIS
|
|
I liked it very much!
|
|
|
|
They both LAUGH together. Nebula shakes her head with
|
|
disbelief.
|
|
|
|
|
|
52 EXT. BESIDE CRASHED MILANO - MOMENTS LATER 52
|
|
|
|
Quill and Gamora enter this private spot; the campfire
|
|
flickers through the trees beyond them.
|
|
|
|
QUILL
|
|
Give me a break! After all this
|
|
time, and he just expects to be my
|
|
Dad all of the sudden!
|
|
|
|
GAMORA
|
|
I hear you.
|
|
38.
|
|
|
|
|
|
QUILL
|
|
I mean, this could be a trap - the
|
|
Kree purists, the Ravagers, now the
|
|
Sovereign - they all want us dead.
|
|
|
|
GAMORA
|
|
I know, but -
|
|
|
|
QUILL
|
|
But what?
|
|
|
|
GAMORA
|
|
What was that story you told me
|
|
about Zardu Hasselfrau?
|
|
|
|
QUILL
|
|
Who?
|
|
|
|
GAMORA
|
|
The wonderful television-singer
|
|
man. He had a magic boat.
|
|
|
|
QUILL
|
|
David Hasselhoff?
|
|
|
|
GAMORA
|
|
Right.
|
|
|
|
QUILL
|
|
He had a talking car, not a magic -
|
|
|
|
GAMORA
|
|
Why did it talk again?
|
|
|
|
QUILL
|
|
Just to be a good friend, I guess.
|
|
|
|
GAMORA
|
|
And as a child you carried his
|
|
picture in your pocket, and you
|
|
told the other children he was your
|
|
father, but he was out of town --
|
|
|
|
QUILL
|
|
(embarrassed)
|
|
Shooting Knight Rider or touring
|
|
with his band in Germany. Why are
|
|
you bringing this up now? I was
|
|
drunk when I told you that.
|
|
|
|
GAMORA
|
|
I love that story.
|
|
39.
|
|
|
|
|
|
QUILL
|
|
I don’t. It’s just sad! I was so
|
|
sad because I’d see the other kids
|
|
off playing catch with their dads,
|
|
and I wanted that, more than
|
|
anything in the world.
|
|
|
|
Gamora takes Quill’s hands in her own.
|
|
|
|
GAMORA
|
|
My point is, maybe this man is your
|
|
Hasselhoff. I know it’s a long
|
|
shot. But I lost my father as a
|
|
child. I’d give anything...
|
|
|
|
Quill nods, grudgingly.
|
|
|
|
GAMORA
|
|
If he ends up being evil, we’ll
|
|
just kill him.
|
|
|
|
Quill CHUCKLES.
|
|
|
|
GAMORA
|
|
What’s funny?
|
|
|
|
|
|
53 I/E. CRASHED MILANO - SUNRISE 53
|
|
|
|
Inside the ship, “THE CHAIN” BY FLEETWOOD MAC PLAYS on the
|
|
cassette player. Nebula is angry.
|
|
|
|
NEBULA
|
|
You’re leaving me with that fox?!
|
|
|
|
Rocket is SOLDERING the ship.
|
|
|
|
GAMORA
|
|
He’s not a fox.
|
|
|
|
Gamora glances at Rocket as she grabs her outer-space-
|
|
adventurer version of luggage.
|
|
|
|
GAMORA
|
|
Shoot her if she does anything
|
|
suspicious. Or if you feel like it.
|
|
|
|
Rocket GRUNTS. Gamora looks at a sad Baby Groot.
|
|
|
|
GAMORA
|
|
It will just be a couple days.
|
|
We’ll be back before Rocket’s
|
|
finished fixing the ship.
|
|
40.
|
|
|
|
|
|
Gamora steps out. Rocket sees Groot, who is ABOUT TO CRY as
|
|
he watches them go.
|
|
|
|
Drax and Quill come from the back of the ship.
|
|
|
|
DRAX
|
|
What about your spool of songs?
|
|
|
|
QUILL
|
|
I have clones.
|
|
|
|
DRAX
|
|
What if the Sovereign come?
|
|
|
|
QUILL
|
|
There’s no way for them to know
|
|
they’re here.
|
|
|
|
DRAX
|
|
I am uncertain about parting ways.
|
|
|
|
QUILL
|
|
You’re like an old woman.
|
|
|
|
DRAX
|
|
Because I am wise?
|
|
|
|
Quill turns to Rocket as Drax and Gamora head toward the
|
|
ship. He starts to say something nice - perhaps something
|
|
conciliatory but --
|
|
|
|
ROCKET
|
|
Hope daddy isn’t as big of a dick
|
|
as you, orphan boy.
|
|
|
|
Quill just shakes his head and SNICKERS.
|
|
|
|
QUILL
|
|
So what’s your goal here? To get
|
|
everyone to hate you? ‘Cause it’s
|
|
working.
|
|
|
|
Quill turns back around with Gamora and Drax and walks
|
|
away.
|
|
|
|
Rocket looks at the others leaving as THE SONG BECOMES
|
|
SCORE: I can still hear you saying you will never break the
|
|
chain.
|
|
|
|
Rocket watches them move away.
|
|
|
|
IN SLOW-MOTION, Quill, Drax, and Gamora approach the oval
|
|
ship. The slit opens. Ego, with Mantis, is waiting inside.
|
|
41.
|
|
|
|
|
|
Ego smiles and CLASPS his hand on Quill as he enters.
|
|
|
|
|
|
54 INT. EGOS SHIP - SUNRISE 54
|
|
|
|
Quill sits back against the wall, alone, nervous. He looks
|
|
across the way at a SLEEP CHAMBER, where Mantis helps Ego
|
|
lie down on a slab.
|
|
|
|
She places her hand on his forehead with her hand: her
|
|
antennae ALIGHT. And he drifts off to sleep.
|
|
|
|
Quill takes a small, folded piece of paper out of his
|
|
pocket.
|
|
|
|
It’s the PHOTO OF DAVID HASSELHOFF.
|
|
|
|
He looks at it, then looks at Ego. Quill’s eyes fill with
|
|
cautious hope. And the SONG ENDS.
|
|
|
|
|
|
55 EXT. BERHERT - MOMENTS LATER 55
|
|
|
|
Ego’s ship rises, blocking out the sun.
|
|
|
|
|
|
56 EXT. EGO’S SHIP - OUTER SPACE 56
|
|
|
|
The Orb moves through a rainbowish funnel of space and
|
|
time; technology beyond what even the Guardians know.
|
|
|
|
|
|
57 INT. EGO’S SHIP - OUTER SPACE 57
|
|
|
|
Quill and Drax are drinking tea and LAUGHING with Mantis.
|
|
|
|
QUILL
|
|
Can I ask you a personal question?
|
|
|
|
MANTIS
|
|
Oh, no one has ever asked me a
|
|
personal question!
|
|
|
|
QUILL
|
|
The antennae, what are they for?
|
|
|
|
MANTIS
|
|
Their purpose?
|
|
|
|
Gamora ENTERS, pouring herself some tea.
|
|
|
|
DRAX
|
|
42.
|
|
|
|
|
|
Yes, Quill and I have a bet.
|
|
|
|
QUILL
|
|
You’re not supposed to say that.
|
|
|
|
DRAX
|
|
I say that if you are about to go
|
|
through a doorway that is too low,
|
|
your antennae will feel this, and
|
|
stop you from being decapitated.
|
|
|
|
QUILL
|
|
Just making clear - if it’s
|
|
anything else - any other answer -
|
|
I win?
|
|
|
|
Gamora smiles, warmed by the good-natured, by-now-familiar
|
|
bickering between Quill and Drax.
|
|
|
|
MANTIS
|
|
They are not for feeling doorways.
|
|
|
|
DRAX
|
|
(bummed)
|
|
Damn. I just lost my entire life’s
|
|
savings.
|
|
|
|
QUILL
|
|
Three pairs of pants.
|
|
|
|
MANTIS
|
|
I think they have something to do
|
|
with my empathic abilities.
|
|
|
|
GAMORA
|
|
What are - ?
|
|
|
|
MANTIS
|
|
If I touch someone I can feel their
|
|
feelings -
|
|
|
|
QUILL
|
|
You read minds?
|
|
|
|
MANTIS
|
|
No. Telepaths know thoughts.
|
|
Empaths feel feelings. Emotions.
|
|
|
|
She looks at Quill.
|
|
|
|
MANTIS
|
|
May I?
|
|
43.
|
|
|
|
|
|
Quill doesn’t stop her. Mantis, cautiously, touches him.
|
|
Her hand quivers as his emotions shoot through her and her
|
|
antennae ALIGHT. She is moved.
|
|
|
|
MANTIS
|
|
You feel love.
|
|
|
|
QUILL
|
|
Yeah, I guess, yeah, I have sort of
|
|
a general, unselfish love for
|
|
everyone.
|
|
|
|
MANTIS
|
|
No, romantic, sexual love.
|
|
|
|
QUILL
|
|
No. No, I don’t.
|
|
|
|
Mantis nods at Gamora.
|
|
|
|
MANTIS
|
|
For her.
|
|
|
|
QUILL
|
|
No.
|
|
|
|
Gamora is embarrassed. Drax starts LAUGHING UPROARIOUSLY.
|
|
|
|
DRAX
|
|
She just told everyone your
|
|
deepest, darkest secret, Quill!
|
|
HAHAHAHAHAHA!!!
|
|
|
|
QUILL
|
|
What the hell, dude? That’s a total
|
|
overreaction.
|
|
|
|
Drax SLAPS HIS CHEST.
|
|
|
|
DRAX
|
|
DO ME! DO ME!
|
|
|
|
Mantis touches Drax. She grins brightly.
|
|
|
|
MANTIS
|
|
I have never felt such humor!
|
|
|
|
She starts GIGGLING and before long both she and Drax are
|
|
LAUGHING HYSTERICALLY.
|
|
|
|
QUILL
|
|
You got to be kidding me.
|
|
44.
|
|
|
|
|
|
Drax and Mantis both point at Quill, clutching onto each
|
|
other and FALLING OVER WITH LAUGHTER. Quill’s humiliated.
|
|
|
|
QUILL
|
|
That’s so incredibly uncool.
|
|
|
|
Mantis wipes the tears from her eyes, composing herself.
|
|
She goes to touch Gamora, who grabs her wrist though her
|
|
clothes.
|
|
|
|
GAMORA
|
|
Touch me. And the only thing you’re
|
|
going to feel is a broken jaw.
|
|
|
|
Mantis smiles, nods, backs away.
|
|
|
|
MANTIS
|
|
I can also alter emotions, to some
|
|
extent.
|
|
|
|
QUILL
|
|
Like what?
|
|
|
|
MANTIS
|
|
If I touch someone who is sad I can
|
|
ease them into contentment, for a
|
|
short while. I can make a stubborn
|
|
person compliant. But I mostly use
|
|
it to help my Master sleep. He lies
|
|
awake at night, thinking about his
|
|
progeny.
|
|
|
|
Quill looks at her, struck by this.
|
|
|
|
DRAX
|
|
Do one of those on me!
|
|
|
|
Mantis touches him. He grins expectantly.
|
|
|
|
MANTIS
|
|
Sleep.
|
|
|
|
Drax COLLAPSES, INSTANTLY ASLEEP. Mantis smiles at the
|
|
others, hoping she has pleased. Quill and Gamora look at
|
|
Drax, SNORING. They’re surprised.
|
|
|
|
GAMORA
|
|
Is that real?
|
|
|
|
QUILL
|
|
It’s kind of like someone put a
|
|
baby’s head on a big, muscular
|
|
body, isn’t it?
|
|
45.
|
|
|
|
|
|
FADE TO BLACK.
|
|
|
|
O.S. ALIEN INSECTS CHIRP
|
|
|
|
|
|
58 EXT. CRASHED MILANO - NIGHT 58
|
|
|
|
Four moons shine over the forest. The campfire CRACKLES
|
|
beside the Milano, and “SOUTHERN NIGHTS” BY GLENN CAMPBELL
|
|
emerges from the cassette player within.
|
|
|
|
The Monstrous Ravager and Kraglin lead a group of Ravagers
|
|
up over a ravine. Dozens of M-Ships quietly lower behind
|
|
them.
|
|
|
|
Kraglin nods toward the sounds of Glenn Campbell in the
|
|
distance. They raise their weapons.
|
|
|
|
OVERHEAD SHOT: dozens and dozens of Ravagers come from
|
|
different directions, surrounding the Milano.
|
|
|
|
One Ravager cluster, lead by Half-Nut, CREEPS close enough
|
|
to the Milano that they see the lights within the vehicle
|
|
and can hear Rocket inside HUMMING along to the song.
|
|
|
|
Half-Nut licks his lips in anticipation, closing in for the
|
|
kill, when he steps on a small pedal. It CLICKS.
|
|
|
|
A HUNDRED DARTS FLY AT THE GROUP from traps set in trees.
|
|
|
|
They STICK INTO THE RAVAGERS’ BODIES, knocking them
|
|
instantly unconscious. As one Ravager FALLS, a GUNSHOT is
|
|
discharged.
|
|
|
|
|
|
59 INT. CRASHED MILANO - NIGHT 59
|
|
|
|
Nebula is awakened by the SHOT. She sees a frightened
|
|
Groot, peering through a hole at the bodies falling.
|
|
|
|
PULL BACK TO REVEAL, beside him, a futuristic walkie-talkie
|
|
with ROCKET’S HUMS emerging.
|
|
|
|
|
|
60 EXT. CRASHED MILANO - PERCUSSIVE BOMB TRAP - NIGHT 60
|
|
|
|
Rocket is crouched on a limb in shadows above the Milano,
|
|
smiling and HUMMING to “Southern Nights” into his comm.
|
|
|
|
He spots A LARGER GROUP OF RAVAGERS APPROACHING THE MILANO
|
|
from the other side, led by Retch.
|
|
46.
|
|
|
|
|
|
Rocket LEAPS TOWARD THEM, from one tree limb to another
|
|
like a squirrel.
|
|
|
|
The GROUP enters a clearing close to the ship. A TALL
|
|
RAVAGER looks up and spots Rocket LEAPING OVER THEIR HEADS.
|
|
|
|
TALL RAVAGER
|
|
There!
|
|
|
|
The Ravagers BLAST at Rocket, following him. He HOPS from
|
|
tree to tree as BULLETS WHIZZ PAST HIM, leading them right
|
|
where he wants them.
|
|
|
|
He stops in a tree at the end of the run. He holds a device
|
|
with two buttons. He presses one of them.
|
|
|
|
A PERCUSSIVE BOMB at the feet of the Ravagers BURSTS,
|
|
sending half of them FLYING UP into the air.
|
|
|
|
As the confused group on the ground watches, Rocket presses
|
|
the second button and a second BOMB BURSTS. They FLY UP
|
|
INTO THE AIR as well.
|
|
|
|
Rocket SNICKERS, as he continues pushes the buttons and the
|
|
two groups of Ravagers FLY UP and DOWN until the bombs are
|
|
depleted of energy.
|
|
|
|
Retch looks up from the ground, to see the little animal
|
|
hopping away in the tree limbs overhead.
|
|
|
|
|
|
61 EXT. CRASHED MILANO - STICKY DISK TRAP - NIGHT 61
|
|
|
|
An EVEN LARGER GROUP OF RAVAGERS walk beneath the branches,
|
|
MOONLIGHT FLICKERING ON THEIR FACES.
|
|
|
|
TILT UP TO REVEAL ROCKET’S SILHOUETTE on a gnarled limb.
|
|
He’s clutching an armful of small discs. He breathes
|
|
shallowly, waits. As soon as the last Ravager is passing
|
|
beneath him, he LEAPS onto his back.
|
|
|
|
Rocket JUMPS FORWARD FROM ONE MAN TO THE NEXT, SLAPPING A
|
|
STICKY-DISC to each of their heads - SLAP! SLAP! SLAP!
|
|
SLAP!
|
|
|
|
And then he LEAPS from the Ravager at the front of the line
|
|
BACK UP INTO THE TREES.
|
|
|
|
The men are confused. They bring their fingers to the
|
|
sticky discs on their bodies.
|
|
47.
|
|
|
|
|
|
Rocket smiles in the tree as he flicks a trigger. The
|
|
STICKY-DISCS SEND ELECTRICITY COURSING THROUGH ALL OF THE
|
|
MEN’S BODIES.
|
|
|
|
They CONVULSE for a moment, then COLLAPSE.
|
|
|
|
|
|
62 EXT. CRASHED MILANO - CLEARING - NIGHT 62
|
|
|
|
Rocket LEAPS to the ground in a crouch. He sees Brahl
|
|
approaching in front of him, and then another RAVAGER
|
|
approaching from behind. They train their weapons on him.
|
|
|
|
BRAHL
|
|
Ain’t so tough now without all your
|
|
toys, are you?
|
|
|
|
Rocket LEAPS up onto Brahl’s face.
|
|
|
|
He PUNCHES HIM IN THE THORAX so hard he can’t breathe.
|
|
|
|
The other Ravager SHOOTS at him, but Rocket BACKFLIPS over
|
|
the SHOT so Brahl is STRUCK instead.
|
|
|
|
Rocket LANDS on the back of the shooter’s neck and RAPID-
|
|
FIRE PUNCHES HIM in the head, until the man CRUMPLES to the
|
|
ground, unconscious.
|
|
|
|
As Rocket lands, he HEARS WHISTLING and he looks up to see
|
|
--
|
|
|
|
YONDU’S ARROW FLYING THROUGH THE TREES, DIRECTLY TOWARD
|
|
HIM.
|
|
|
|
ROCKET
|
|
Crap.
|
|
|
|
Another high-pitched WHISTLE and the arrow STOPS ABRUPTLY,
|
|
FLOATING with the tip almost grazing Rocket’s forehead.
|
|
|
|
Yondu waltzes out of the trees with Tullk, Kraglin, the
|
|
Monstrous Ravager, and many more.
|
|
|
|
Rocket reluctantly raises his hands in surrender.
|
|
|
|
YONDU
|
|
Hey there, rat.
|
|
|
|
ROCKET
|
|
How’s it going, you blue idiot?
|
|
|
|
YONDU
|
|
48.
|
|
|
|
|
|
Eh, not so bad. We got a pretty
|
|
good gig. A golden gal with quite a
|
|
high opinion of herself offered us
|
|
a large sum to deliver you and your
|
|
pals to her, so she can kill y’all.
|
|
|
|
|
|
63 INT. CRASHED MILANO - NIGHT 63
|
|
|
|
Nebula looks out the window to see even more Ravagers
|
|
surrounding Rocket. She looks at baby Groot.
|
|
|
|
NEBULA
|
|
Your friend. There’s too many of
|
|
them. They’re going to kill him.
|
|
|
|
Groot looks as if he’s about to cry.
|
|
|
|
NEBULA
|
|
He needs my help. If you care about
|
|
him, you need to get me out of
|
|
these bonds.
|
|
|
|
Groot is unsure.
|
|
|
|
|
|
64 EXT. CRASHED MILANO - CLEARING - NIGHT 64
|
|
|
|
The Ravagers have entirely encircled Rocket. There’s no
|
|
chance of escape. Though upset, he mostly holds it in.
|
|
|
|
YONDU
|
|
Pretty easy to find you, since we
|
|
put a tracer on your ship back
|
|
during the War over Xandar.
|
|
|
|
ROCKET
|
|
You give me your word you won’t
|
|
hurt Groot, and I’ll tell you where
|
|
the batteries are.
|
|
|
|
YONDU
|
|
Lucky for you my word don’t mean
|
|
squat. Otherwise I’d actually hand
|
|
you over.
|
|
|
|
MONSTROUS RAVAGER
|
|
Otherwise you’d what?!
|
|
|
|
Yondu scowls at the Monstrous Ravager.
|
|
|
|
YONDU
|
|
49.
|
|
|
|
|
|
We’ll take the batteries. They’re
|
|
worth a a quarter mil on the open
|
|
market -
|
|
|
|
MONSTROUS RAVAGER
|
|
That priestess offered us a
|
|
million! A quarter is only one
|
|
third of that!
|
|
|
|
YONDU
|
|
A quarter ain’t one-th -
|
|
|
|
OBLO
|
|
A quarter is four times a million!
|
|
We’re in the money!
|
|
|
|
GEF THE RAVAGER
|
|
No, idiot. A quarter is twenty-
|
|
five.
|
|
|
|
YONDU
|
|
No -
|
|
|
|
GEF THE RAVAGER
|
|
We can’t even buy a pair of boots
|
|
with twenty-five units!
|
|
|
|
YONDU
|
|
The point is, we aren’t stupid
|
|
enough to help kill the Guardians
|
|
of the Galaxy. We’d have the whole
|
|
Nova Corps on us.
|
|
|
|
KRAGLIN
|
|
(realizing)
|
|
That ain’t right. I just gotta say
|
|
it this one time, Cap’n.
|
|
|
|
Everyone looks at Kraglin.
|
|
|
|
KRAGLIN
|
|
No matter how many times Quill
|
|
betrays you, you protect him, like
|
|
none of the rest of us much matter.
|
|
I’m the one what sticks up for you,
|
|
me and Tullk.
|
|
|
|
MONSTROUS RAVAGER
|
|
Damn straight, lad. You’re right:
|
|
he’s going soft. S’pose it’s time
|
|
for a change in leadership!
|
|
|
|
KRAGLIN
|
|
50.
|
|
|
|
|
|
Uh -
|
|
|
|
The Monstrous Ravager points his weapon at Yondu.
|
|
|
|
Others follow his lead.
|
|
|
|
A handful of others, including Tullk and the Innocent
|
|
Ravager, raise their weapons in their Captain’s defense, so
|
|
that the whole circle are aiming at one another. Kraglin is
|
|
confused.
|
|
|
|
TULLK
|
|
Put you damn guns down!
|
|
|
|
Rocket is in the center of the potential crossfire.
|
|
|
|
ROCKET
|
|
Hold on! There’s got to be some
|
|
sort of peaceful resolution here!
|
|
Or even a violent resolution, where
|
|
I’m standing over there.
|
|
|
|
Yondu glares at the Monstrous Ravager. His FIN LIGHTS UP
|
|
and he starts to WHISTLE when -
|
|
|
|
A GUNSHOT RINGS OUT; THE FIN IS BLOWN OFF THE TOP OF
|
|
YONDU’S HEAD. The arrow CLATTERS to the ground.
|
|
|
|
Rocket watches as Yondu, confused, TOTTERS there for a
|
|
moment, and then COLLAPSES --
|
|
|
|
REVEALING NEBULA behind him, clutching a smoking pistol.
|
|
|
|
Rocket looks at her, dead-eyed: really?
|
|
|
|
She SHOOTS HIM WITH A BLAST OF ELECTRICITY, knocking him
|
|
unconscious.
|
|
|
|
The Ravagers gape at Nebula.
|
|
|
|
NEBULA
|
|
Well, hello, boys.
|
|
|
|
She takes a bite from a piece of yaro root she stole from
|
|
the Milano. As she chews, she becomes disgusted.
|
|
|
|
She spits it out.
|
|
|
|
NEBULA
|
|
It’s not ripe.
|
|
51.
|
|
|
|
|
|
65 EXT. RED PLANET - MOMENTS LATER 65
|
|
|
|
Ego’s ship ARRIVES at a bold red planet, twisting in front
|
|
of an enormous yellow sun, so close it seems like the sun
|
|
is about to devour it. “MY SWEET LORD” BY GEORGE HARRISON
|
|
PLAYS.
|
|
|
|
SUPER: EGO’S PLANET
|
|
|
|
G52 22C848T12F+E16UC22
|
|
|
|
|
|
66 INT. EGO’S SHIP - SLEEP CHAMBER - OUTER SPACE 66
|
|
|
|
Mantis sets her hand on Ego’s forehead, waking him.
|
|
|
|
|
|
67 EXT. EGO’S PLANET/SPACEPORT - MOMENTS LATER 67
|
|
|
|
Ego’s ship lands in a spaceport. It organically JOINS the
|
|
spot where it lands - strands of material actually linking
|
|
up with the landing pad itself.
|
|
|
|
From the front of the craft, a FLOATING TRAM emerges, with
|
|
Ego, Mantis, Quill, Gamora, and Drax.
|
|
|
|
As the TRAM GLIDES toward its destination, the Guardians
|
|
are overwhelmed by transcendentally splendid surroundings.
|
|
The plant life is colorful and alien. Tall, twisting
|
|
obelisks seem to have no function other than beauty itself.
|
|
|
|
EGO
|
|
Welcome, friends, to my world.
|
|
|
|
QUILL
|
|
Wow. You have your own planet?
|
|
|
|
EGO
|
|
But a trifle, no larger than your
|
|
earth’s moon.
|
|
|
|
DRAX
|
|
Humility. I like it. I too, am
|
|
extraordinarily humble.
|
|
|
|
Even Gamora smiles at the wonder of it all.
|
|
|
|
Multicolored mercurial clumps FLOAT BY.
|
|
|
|
Drax pokes one, and it BURSTS INTO A DOZEN VIBRANT HUES.
|
|
52.
|
|
|
|
|
|
68 EXT. TRAM/PALACE - MOMENTS LATER 68
|
|
|
|
Ahead of them looms an astounding palace atop a mountain.
|
|
|
|
QUILL
|
|
It’s beautiful.
|
|
|
|
The tram STOPS.
|
|
|
|
They step off it and toward the palace, Ego stops beside a
|
|
large FOUNTAIN.
|
|
|
|
EGO
|
|
Peter, consider this a token of a
|
|
father’s pride.
|
|
|
|
Ego motions; the WATERS OF THE FOUNTAIN FALL AWAY,
|
|
REVEALING a GIANT STATUE OF STAR-LORD: Quill stands
|
|
heroically, with foolish-looking Guardians kneeling around
|
|
him worshipfully.
|
|
|
|
EGO
|
|
A memorial to the War Over Xandar,
|
|
when you single-handedly saved the
|
|
galaxy.
|
|
|
|
GAMORA
|
|
Single-handedly?
|
|
|
|
QUILL
|
|
Whoa. It’s perfect.
|
|
|
|
GAMORA
|
|
You’ve got to be kidding.
|
|
|
|
DRAX
|
|
Why am I dead? Why did you all kill
|
|
me?!
|
|
|
|
GAMORA
|
|
That’s Ronan. That’s you.
|
|
|
|
Drax is sitting on Quill’s shoulder, with a raccoon tail.
|
|
|
|
DRAX
|
|
When was I that tiny?
|
|
|
|
Gamora shakes her head in disbelief. They step past the
|
|
statue and onto the steps approaching the palace.
|
|
|
|
GAMORA
|
|
53.
|
|
|
|
|
|
You own a planet and can destroy
|
|
two dozen spaceships without a
|
|
suit. What are you, exactly?
|
|
|
|
EGO
|
|
I’m what they call a Celestial,
|
|
sweetheart.
|
|
|
|
The Guardians STOP behind him, astounded.
|
|
|
|
QUILL
|
|
A Celestial. Like a... god?
|
|
|
|
EGO
|
|
Small ‘g’, son. At least on the
|
|
days I’m feeling humble as Drax.
|
|
|
|
He LAUGHS and walks up the stairs.
|
|
|
|
|
|
69 INT. PALACE - MOMENTS LATER 69
|
|
|
|
Ego SAUNTERS with Quill, Gamora, Drax, and Mantis, through
|
|
the enormous open doors, toward huge DIORAMAS lining either
|
|
side of the palace, like cosmic Stations of the Cross.
|
|
|
|
EGO
|
|
This form you see before you is
|
|
only an extension of who I truly
|
|
am. I don’t know where I came from,
|
|
exactly.
|
|
|
|
The DIORAMAS around them begin to ANIMATE: In the first, a
|
|
FLICKERING BRAIN COMPOSED OF POLYCHROMATIC LIGHT FLOATS in
|
|
space.
|
|
|
|
EGO
|
|
The first thing I remember is
|
|
flickering, adrift in the cosmos -
|
|
utterly and entirely alone.
|
|
|
|
The flickering brain pulls cosmic dust and rocks into
|
|
itself, ingesting them, GROWING.
|
|
|
|
EGO
|
|
I fed on the matter around me like
|
|
plankton. I grew smarter and
|
|
stronger.
|
|
|
|
A hard metal shell forms around the brain, with channels
|
|
running through for his energy to flow like rivers.
|
|
|
|
EGO
|
|
54.
|
|
|
|
|
|
I formed a sheathe to protect
|
|
myself from the elements.
|
|
|
|
Ego continues developing outward from the shell, growing
|
|
the planet, then its beautiful landscapes and structures.
|
|
|
|
EGO
|
|
And continued building from there,
|
|
layer by layer, the very planet you
|
|
walk on now. I built the spires
|
|
reaching up to the sky and the
|
|
tunnels burrowing into its depths.
|
|
|
|
QUILL
|
|
Wow.
|
|
|
|
EGO
|
|
But I was no ant to be fulfilled
|
|
solely by labor. I wanted more. I
|
|
desired... meaning.
|
|
|
|
In the core shell - the Self Chamber - the flickering brain
|
|
floats, alone, perhaps sad.
|
|
|
|
EGO
|
|
There must be some life out there
|
|
in the universe besides just me, I
|
|
thought, and I set myself to task
|
|
with finding it.
|
|
|
|
The brain grows a SKELETAL FRAMEWORK OF LIGHT up from the
|
|
self chamber and to the surface of the planet. He pulls
|
|
molecules around this shape to create his “human” self.
|
|
|
|
EGO
|
|
I created what I imagined
|
|
biological life might be like, down
|
|
to the most minute detail.
|
|
|
|
DRAX
|
|
Did you make a penis?
|
|
|
|
QUILL
|
|
Dude.
|
|
|
|
DRAX
|
|
If he’s a planet, how did he make a
|
|
baby with your mother? He would
|
|
smush her.
|
|
|
|
QUILL
|
|
I don’t need to hear about how my
|
|
parents, you know -
|
|
55.
|
|
|
|
|
|
DRAX
|
|
Why? My father would tell me the
|
|
story of impregnating my mother
|
|
every winter solstice.
|
|
|
|
QUILL
|
|
That’s disgusting.
|
|
|
|
DRAX
|
|
It was beautiful. You earthers have
|
|
hang-ups.
|
|
|
|
EGO
|
|
Yes, Drax, I’ve got a penis.
|
|
|
|
QUILL
|
|
Oh my God.
|
|
|
|
EGO
|
|
It’s not half bad. I’ve also got
|
|
pain receptors, a digestive system,
|
|
and all the accompanying junk. I
|
|
wanted to experience what it truly
|
|
meant to be human as I set out
|
|
amongst the stars.
|
|
|
|
In another DIORAMA, Ego explores various uninhabited and
|
|
barren planets.
|
|
|
|
EGO
|
|
I visited thousands of planets over
|
|
thousands of years, one barren husk
|
|
after the next until I found what I
|
|
sought...
|
|
|
|
Ego stares down at a CUTE ALIEN CHILD.
|
|
|
|
EGO
|
|
Life. I was not alone in this
|
|
universe after all.
|
|
|
|
Ego reminisces: wistful? Sad? It’s hard to tell.
|
|
|
|
QUILL
|
|
When did you meet my mother?
|
|
|
|
EGO
|
|
Not long after.
|
|
|
|
Ego turns toward the last set of DIORAMAS. They show
|
|
Meredith and Ego kissing and Ego with his hand on
|
|
Meredith’s pregnant belly.
|
|
56.
|
|
|
|
|
|
EGO
|
|
It was with Meredith that I
|
|
experienced love for the first
|
|
time. I called her my river lily.
|
|
And from that love, Peter, you.
|
|
|
|
In the final DIORAMA we PUSH IN on the belly and see,
|
|
inside the womb, VERY young Peter Quill, a fetus, himself
|
|
encased in light.
|
|
|
|
Quill looks up in amazement - this story is the story of
|
|
himself. And Ego gazes at Quill with adoration.
|
|
|
|
EGO
|
|
I searched for you for so long.
|
|
When I heard a man from earth held
|
|
an Infinity Stone in his hand
|
|
without dying, I knew you must be
|
|
the son of the woman I loved.
|
|
|
|
Ego puts his hand on Quill. Quill wants to believe, but he
|
|
can’t quite let it go.
|
|
|
|
QUILL
|
|
If you loved her why did you leave
|
|
her?
|
|
|
|
|
|
70 EXT. THE ECLECTOR - OUTER SPACE 70
|
|
|
|
The Ravagers’ massive ship FLOATS in space.
|
|
|
|
SUPER: RAVAGER TERRITORY
|
|
|
|
HE2 6SM6R16617+6241023
|
|
|
|
TULLK (O.S.)
|
|
You can’t do this!
|
|
|
|
|
|
71 INT. ECLECTOR CENTRAL AREA - OUTER SPACE 71
|
|
|
|
Ravagers LAUGH as they DRAG Tullk across the floor while he
|
|
STRUGGLES to get free.
|
|
|
|
TULLK
|
|
This is mutiny! Mutiny!
|
|
|
|
They shove Tullk into a cylindrical room as a glass door
|
|
CLOSES on him.
|
|
|
|
©
|
|
57.
|
|
|
|
|
|
He continues SCREAMING and SLAMMING ON THE GLASS, but we
|
|
can barely hear him.
|
|
|
|
Half-Nut smiles and presses a button. The outside of the
|
|
compartment OPENS so that Tullk is SUCKED INTO SPACE.
|
|
|
|
|
|
72 EXT. THE ECLECTOR - OUTER SPACE 72
|
|
|
|
Tullk FLOATS AWAY, opening his mouth to scream, but he
|
|
can’t.
|
|
|
|
His FACE AND BODY SWELL QUICKLY and he EXPIRES there.
|
|
|
|
As we CURL AROUND his lifeless body, we REVEAL the
|
|
countless other CORPSES of Ravagers loyal to Yondu, leading
|
|
like bread crumbs toward nothing at all.
|
|
|
|
|
|
73 INT. ECLECTOR CENTRAL AREA - OUTER SPACE 73
|
|
|
|
Yondu watches this, helplessly. He’s in a chair, his hands
|
|
tied behind him. He’s a wreck, his headpiece destroyed,
|
|
wires hanging from a gap in his head where the fin used to
|
|
be. He sees the mutineers grab the innocent Oblo, DRAGGING
|
|
HIM to the same fate as Tullk.
|
|
|
|
OBLO
|
|
Cap’n, help me! Cap’n?!
|
|
|
|
Yondu drops his head in shame.
|
|
|
|
MONSTROUS RAVAGER
|
|
You’re the one what kilt those men
|
|
by leading ‘em down the wrong path.
|
|
|
|
He PUNCHES Yondu.
|
|
|
|
MONSTROUS RAVAGER
|
|
Because you’re weak.
|
|
|
|
He PUNCHES him again.
|
|
|
|
MONSTROUS RAVAGER
|
|
And stupid.
|
|
|
|
The Monstrous Ravager turns towards the Ravagers, who
|
|
listen, rapt and vengeful. Nebula leans calmly against a
|
|
wall, watching. Kraglin watches too, seemingly concerned.
|
|
|
|
MONSTROUS RAVAGER
|
|
58.
|
|
|
|
|
|
It’s time for the Ravagers to once
|
|
again rise to glory with a new
|
|
Cap’n... TASERFACE.
|
|
|
|
The Ravagers SHOUT IN APPROVAL. Taserface throws his arms
|
|
up in glory - when he hears SNICKERING. He stops.
|
|
|
|
He and the other Ravagers turn and see Rocket, also in a
|
|
chair with his arms secured behind him, GIGGLING.
|
|
|
|
ROCKET
|
|
I’m sorry. Your name is... it’s
|
|
‘Taserface’?
|
|
|
|
TASERFACE
|
|
That’s right.
|
|
|
|
ROCKET
|
|
Do you... shoot tasers out of your
|
|
face?
|
|
|
|
TASERFACE
|
|
It’s metaphorical!
|
|
|
|
ROCKET
|
|
For what?
|
|
|
|
Taserface thinks. Time for a new answer:
|
|
|
|
TASERFACE
|
|
It’s a name what strikes fear in
|
|
anyone what hears it!
|
|
|
|
ROCKET
|
|
(doubtful)
|
|
Really?... Okay, sure.
|
|
|
|
Taserface screams at him, SPIT FLYING EVERYWHERE.
|
|
|
|
TASERFACE
|
|
You shut up! You’re next!
|
|
|
|
Taserface goes back to Yondu, bringing out his blade.
|
|
|
|
TASERFACE
|
|
Udonta, I been waiting to do this
|
|
for a long ti -
|
|
|
|
Again they hear SNICKERING. Rocket is burying his mouth in
|
|
his chest, TRYING TO STOP FROM CRACKING UP.
|
|
|
|
TASERFACE
|
|
What?! What?!
|
|
59.
|
|
|
|
|
|
ROCKET
|
|
I’m sorry, I’m so sorry. I just
|
|
keep imagining you waking up one
|
|
morning, looking in the mirror,
|
|
and, in all seriousness, saying
|
|
‘You know what would be a really
|
|
kickass name? Taserface!’
|
|
|
|
Nebula smirks. The Ravagers are TRYING NOT TO LAUGH. Rocket
|
|
can’t stop LAUGHING.
|
|
|
|
ROCKET
|
|
What was your second choice?!
|
|
Scrotum Hat?!
|
|
|
|
The Ravagers all BUST OUT LAUGHING.
|
|
|
|
TASERFACE
|
|
New plan. We’re killing you first.
|
|
|
|
Taserface SHOVES HIM BACK, ready to plunge the knife in
|
|
him.
|
|
|
|
Rocket’s smile disappears. He stares at Taserface with dead
|
|
eyes.
|
|
|
|
ROCKET
|
|
Well, dying is certainly better
|
|
than having to live an entire life
|
|
as a moronic shitbag who thinks
|
|
‘Taserface’ is a cool name.
|
|
|
|
Taserface goes to stab him, when -
|
|
|
|
NEBULA
|
|
That’s enough killing for today.
|
|
|
|
Taserface turns toward her, irritated.
|
|
|
|
TASERFACE
|
|
Thought you were the biggest sadist
|
|
in the galaxy.
|
|
|
|
NEBULA
|
|
That was when Daddy was paying my
|
|
bills. The Priestess wants to kill
|
|
the fox herself. And he -
|
|
(re: Yondu)
|
|
- has bounties on his head in at
|
|
least twelve Kree provinces.
|
|
|
|
Taserface glares at her. It’s obvious he’s considering
|
|
attacking her.
|
|
60.
|
|
|
|
|
|
NEBULA
|
|
I assure you, I am not as easy a
|
|
mark as an old man without his
|
|
magic stick or a talking woodland
|
|
beast.
|
|
|
|
Taserface decides not to risk it.
|
|
|
|
NEBULA
|
|
I want ten percent of the take, and
|
|
a couple more things.
|
|
|
|
|
|
74 INT. ECLECTOR DOCKING BAY HALL - LATER 74
|
|
|
|
Nebula is TRYING OUT A BRAND NEW HAND as Kraglin leads her
|
|
through this hall.
|
|
|
|
KRAGLIN
|
|
We got a whole box of hands if that
|
|
one don’t work out.
|
|
|
|
NEBULA
|
|
It’s fine.
|
|
|
|
KRAGLIN
|
|
You think them Kree is gonna
|
|
execute the Cap’n?
|
|
|
|
NEBULA
|
|
The Kree consider themselves
|
|
merciful. It will be painless.
|
|
|
|
Kraglin comes to an open doorway beside a huge DOCKING BAY,
|
|
and an M-SHIP decked out with lots of weapons.
|
|
|
|
KRAGLIN
|
|
Well, there it is, best ship we
|
|
got. The location of Ego’s planet’s
|
|
in the nav. We’ll wire you the ten
|
|
percent when we’s paid. What you
|
|
gonna do with your share?
|
|
|
|
Nebula stops at the doorway.
|
|
|
|
NEBULA
|
|
61.
|
|
|
|
|
|
As a child my father would have
|
|
Gamora and me battle one another in
|
|
‘training.’ Every time my sister
|
|
prevailed my father would replace a
|
|
piece of me with machinery,
|
|
claiming he wanted me to be her
|
|
equal. But she won, again and again
|
|
and again. Never once refraining.
|
|
Because of them, I am this. So
|
|
after I murder my sister, I will
|
|
buy a warship with every
|
|
conceivable instrument of death.
|
|
|
|
NEBULA
|
|
I will hunt my father like a dog
|
|
and I will tear him apart slowly,
|
|
piece by piece, until he knows some
|
|
semblance of the profound and
|
|
unceasing pain I know every single
|
|
day.
|
|
|
|
Kraglin stares at her, weirded-out.
|
|
|
|
KRAGLIN
|
|
Yeah... I was talking about, like,
|
|
a pretty necklace. Or a nice hat.
|
|
Something that’ll make the other
|
|
girls go ‘oooooo, that’s nice.’
|
|
|
|
Nebula gives him a look of pure death.
|
|
|
|
KRAGLIN
|
|
Anyway, uh, happy trails.
|
|
|
|
|
|
75 INT. PALACE COURTYARD - DAY 75
|
|
|
|
Quill looks up at a GIANT SCULPTURE of his mother. He is
|
|
upset. Ego is behind him, watching him, sadly.
|
|
|
|
QUILL
|
|
My mother told everyone my father
|
|
was from the stars.
|
|
|
|
Quill turns to look at his father, somewhat accusatory.
|
|
|
|
QUILL
|
|
She had brain cancer - so everyone
|
|
thought she was delusional.
|
|
|
|
Ego looks sad, ashamed.
|
|
|
|
EGO
|
|
62.
|
|
|
|
|
|
Peter -
|
|
|
|
QUILL
|
|
Listen. I’d love to believe all of
|
|
this, I really would - but you left
|
|
the most wonderful woman ever, to
|
|
die alone!
|
|
|
|
Ego has tears in his eyes.
|
|
|
|
EGO
|
|
I didn’t want to leave your mother,
|
|
Peter. But if I don’t return
|
|
regularly to this planet, and the
|
|
light within, this form will wither
|
|
and perish --
|
|
|
|
QUILL
|
|
So why didn’t you come back?! Why’d
|
|
you send Yondu, a criminal, of all
|
|
people, to fetch me?!
|
|
|
|
EGO
|
|
I loved your mother, Peter! I
|
|
couldn’t stand to set foot on an
|
|
earth where she wasn’t living! You
|
|
can’t imagine what that’s like!
|
|
|
|
QUILL
|
|
I know exactly what that’s like! I
|
|
had to watch her die!
|
|
|
|
Ego stops, seeming to hear his son. He touches him.
|
|
|
|
EGO
|
|
Over the millions and millions of
|
|
years of my existence I have made
|
|
many mistakes, Peter. But you’re
|
|
not one of them. Please give me the
|
|
chance to be the father she would
|
|
want me to be.
|
|
|
|
Quill looks at him, vulnerable.
|
|
|
|
EGO
|
|
There are so many things I need to
|
|
teach you. This planet, and the
|
|
light within... they are a part of
|
|
you.
|
|
|
|
QUILL
|
|
What do you mean?
|
|
63.
|
|
|
|
|
|
Ego takes Quill’s hands in his own, gently, putting them in
|
|
the correct position.
|
|
|
|
EGO
|
|
Give me your hands, son. Here. Hold
|
|
them like that.
|
|
|
|
Quill holds his hands apart. Ego steps back, holding his
|
|
hands in the same way.
|
|
|
|
EGO
|
|
Now close your eyes and
|
|
concentrate. Take your brain to the
|
|
center of the planet.
|
|
|
|
Quill concentrates. He holds his hand out. A white light
|
|
emanates from it.
|
|
|
|
EGO
|
|
Yes! Yes!
|
|
|
|
QUILL
|
|
Whoa.
|
|
|
|
The light disappears as quickly as it came.
|
|
|
|
EGO
|
|
Yes, yes - it’s okay. Just relax.
|
|
Concentrate. You can do it. Bring
|
|
it back.
|
|
|
|
Quill concentrates and the LIGHT, once again, bursts up
|
|
from the palms of his hands.
|
|
|
|
EGO
|
|
Yes, yes, now - shape it -
|
|
|
|
Ego shows him, pulling in the molecules around him, so that
|
|
the light itself forms into the shape of a ball.
|
|
|
|
EGO
|
|
Feel the energy.
|
|
|
|
Quill tries to pull molecules into the ball. And, little by
|
|
little, they come, and the ball glows brighter.
|
|
|
|
EGO
|
|
Yes.
|
|
|
|
Quill laughs. Ego is JOYOUS. He almost looks as if he’s
|
|
going to break down in tears.
|
|
|
|
EGO
|
|
64.
|
|
|
|
|
|
You’re home, Peter.
|
|
|
|
Ego cups his hands.
|
|
|
|
EGO
|
|
Here.
|
|
|
|
Quill, smiling, THROWS him the ball. Ego LAUGHS. He
|
|
inspects the cosmic ball of light, and he throws it back to
|
|
Quill.
|
|
|
|
Quill LAUGHS, catching it, and throws it back. Ego moves
|
|
back further.
|
|
|
|
And Ego and Quill continue tossing the ball back and forth
|
|
there, LAUGHING, a friendly father and son game of catch in
|
|
the middle of a palace courtyard.
|
|
|
|
|
|
76 EXT. PALACE - DAY 76
|
|
|
|
Drax and Mantis sit here, soaking in the sun and gazing at
|
|
the lush, flowing hills, like something an alien Maxfield
|
|
Parrish would paint.
|
|
|
|
DRAX
|
|
How did you get here?
|
|
|
|
MANTIS
|
|
Ego found me in my larva state,
|
|
orphaned on my homeworld. He raised
|
|
me by hand, and kept me as his own.
|
|
|
|
DRAX
|
|
So you’re a pet?
|
|
|
|
MANTIS
|
|
I suppose.
|
|
|
|
DRAX
|
|
People usually want cute pets. Why
|
|
would Ego want a hideous one?
|
|
|
|
MANTIS
|
|
I am hideous?
|
|
|
|
DRAX
|
|
You’re horrifying to look at, yes.
|
|
|
|
Mantis seems sad about this. Drax notice this, feels bad.
|
|
|
|
DRAX
|
|
But it is a good thing.
|
|
65.
|
|
|
|
|
|
MANTIS
|
|
Oh?
|
|
|
|
DRAX
|
|
When you are ugly and someone loves
|
|
you, you know they love you for who
|
|
you are. Beautiful people never
|
|
know who to trust.
|
|
|
|
MANTIS
|
|
Well, then I am certainly grateful
|
|
to be ugly!
|
|
(thinking)
|
|
Poor Gamora. She can never trust
|
|
anyone.
|
|
|
|
Drax nods and stares out at spattered patches of water.
|
|
|
|
DRAX
|
|
Those pools remind me of a time I
|
|
took my daughter to visit the
|
|
Forgotten Lakes on my homeworld.
|
|
She was like you.
|
|
|
|
MANTIS
|
|
Disgusting?
|
|
|
|
DRAX
|
|
Innocent.
|
|
|
|
Drax stares out at them without expression.
|
|
|
|
Slowly, Mantis TOUCHES his shoulder.
|
|
|
|
And, as she does, TEARS INSTANTLY FLOW DOWN HER CHEEKS. She
|
|
stares with Drax at the hills. They feel the sadness
|
|
together: she cries while he’s stoic.
|
|
|
|
MANTIS
|
|
I have never met anyone like you,
|
|
or your friends. You are filled
|
|
with such... love. It is a thing I
|
|
did not know existed, not like
|
|
this, and I think... I think it may
|
|
be the very finest of all things.
|
|
It both hurts and soothes the
|
|
heart.
|
|
|
|
She looks at Drax. There is something she wants to say, but
|
|
she is torn.
|
|
|
|
MANTIS
|
|
66.
|
|
|
|
|
|
Drax, there is something I must
|
|
tell -
|
|
|
|
GAMORA (O.S.)
|
|
What’s going on?
|
|
|
|
Drax and Mantis turn to see her behind them. She smiles.
|
|
|
|
MANTIS
|
|
I am learning many things. Like I
|
|
am a pet and ugly.
|
|
|
|
GAMORA
|
|
You’re not ugly.
|
|
(admonishing)
|
|
Drax.
|
|
|
|
Drax, confused, points at Mantis, as if her ugliness proves
|
|
itself.
|
|
|
|
GAMORA
|
|
Mantis, can you show us where we’ll
|
|
be staying? I’m getting eye-strain
|
|
in this place.
|
|
|
|
Mantis nods, yes.
|
|
|
|
|
|
77 EXT. PATH TO SLEEPING QUARTERS - MOMENTS LATER 77
|
|
|
|
Gamora, Drax, and Mantis walk across the sunset.
|
|
|
|
GAMORA
|
|
Why are there no other beings on
|
|
this planet?
|
|
|
|
MANTIS
|
|
The planet IS Ego. A dog would not
|
|
invite a flea to live on his back.
|
|
|
|
GAMORA
|
|
And you’re not a flea?
|
|
|
|
MANTIS
|
|
I’m a flea with a purpose. I help
|
|
him sleep.
|
|
|
|
Gamora curls around Mantis, cutting her off.
|
|
|
|
GAMORA
|
|
What were you about to say to Drax
|
|
before I walked out?
|
|
67.
|
|
|
|
|
|
Mantis looks around, worried.
|
|
|
|
MANTIS
|
|
Nothing.
|
|
|
|
Gamora and Drax share a look: why is she so scared? Mantis
|
|
moves on.
|
|
|
|
MANTIS
|
|
Your quarters are this way.
|
|
|
|
|
|
78 INT. ECLECTOR CELL - OUTER SPACE 78
|
|
|
|
Rocket HITS THE GROUND, hard. Yondu LANDS equally hard on
|
|
the ground beside him.
|
|
|
|
They look up to see Taserface, Gef the Ravager and an
|
|
OBTUSE RAVAGER locking the cell door.
|
|
|
|
TASERFACE
|
|
We’ll deliver you to the Kree in
|
|
the morning. Neither one of you
|
|
gonna last much longer after that.
|
|
|
|
Rocket crawls toward them as they walk away.
|
|
|
|
ROCKET
|
|
Okay, Taserface. See you later,
|
|
Taserface. Hey, Taserface, tell the
|
|
other guys we said hi, Taserface!
|
|
|
|
Taserface glances back, perturbed, as he disappears around
|
|
the corner.
|
|
|
|
|
|
79 INT. ECLECTOR HALLWAY - OUTER SPACE 79
|
|
|
|
Taserface, Gef, and Obtuse come around the hall.
|
|
|
|
GEF THE RAVAGER
|
|
What about the little plant? Can I
|
|
smash it with a rock?
|
|
|
|
TASERFACE
|
|
No, Gef! It’s too adorable to kill.
|
|
Bring it to the tailor.
|
|
|
|
|
|
80 INT. ECLECTOR CELL - OUTER SPACE 80
|
|
|
|
Yondu and Rocket settle. Yondu looks like a beaten man.
|
|
68.
|
|
|
|
|
|
ROCKET
|
|
No offense, but your employees are
|
|
a bunch of jerks.
|
|
|
|
YONDU
|
|
I was a Kree battle-slave for
|
|
twenty years when Stakar freed me.
|
|
He offered me a place in the
|
|
Ravagers. Said all I needed to do
|
|
was adhere to the code. But I was
|
|
young and greedy and stupid - like
|
|
you stealing those batteries.
|
|
|
|
ROCKET
|
|
That was mostly Drax.
|
|
|
|
YONDU
|
|
Me and Stakar, and the other
|
|
captains - we weren’t so different
|
|
from you and your friends. The only
|
|
family I ever had. But I broke the
|
|
code. They exiled me.
|
|
|
|
YONDU
|
|
These ones here are the ones who
|
|
followed - of course they’re jerks.
|
|
Which is what I deserve.
|
|
|
|
ROCKET
|
|
Slow down, drama queen. You might
|
|
deserve this, but I don’t. We gotta
|
|
get out of here.
|
|
|
|
YONDU
|
|
Where’s Quill?
|
|
|
|
ROCKET
|
|
Went off with his old man.
|
|
|
|
YONDU
|
|
Ego?
|
|
|
|
Yondu looks concerned. Rocket stares at him, picking this
|
|
up.
|
|
|
|
ROCKET
|
|
Yeah. It’s a day for dumbass names.
|
|
|
|
Yondu SNICKERS.
|
|
|
|
ROCKET
|
|
69.
|
|
|
|
|
|
You smiled and for a second I got a
|
|
warm feeling, but then it was
|
|
ruined by those disgusting-ass
|
|
teeth. Ever heard of floss?
|
|
|
|
Yondu’s smile disappears.
|
|
|
|
YONDU
|
|
You’re like a professional asshole
|
|
or - ?
|
|
|
|
ROCKET
|
|
Pretty much a pro. Why didn’t you
|
|
deliver Quill to Ego like you
|
|
promised?
|
|
|
|
YONDU
|
|
He was skinny, could fit into
|
|
places we couldn’t. Good for
|
|
thieving.
|
|
|
|
Rocket nods, GRUMBLES.
|
|
|
|
YONDU
|
|
I got an idea on how to get outta
|
|
here. But we’re gonna need your
|
|
little friend.
|
|
|
|
|
|
81 INT. BAR/QUADRANT FLIGHT DECK - OUTER SPACE 81
|
|
|
|
Baby Groot is wearing a tiny Ravager uniform. He reacts to
|
|
clothes like a cat, struggling to take them off but unable.
|
|
|
|
Ravagers are gathered around him, drunk and LAUGHING. They
|
|
are CHANTING “MASCOT.”
|
|
|
|
RETCH
|
|
Lil’ feller’s all worked up! Needs
|
|
a drank!
|
|
|
|
Retch POURS ALCOHOL on him. The Ravagers LAUGH MORE as
|
|
others POUR DRINKS on him as well. Groot SCREAMS at them,
|
|
furious but helpless.
|
|
|
|
RETCH
|
|
Lookit how cute it is when it’s all
|
|
riled up!
|
|
|
|
HALF-NUT
|
|
It’s Goddang precious!
|
|
70.
|
|
|
|
|
|
82 INT. ECLECTOR CELL - LATER 82
|
|
|
|
Groot, in shadows, MOPES down the hallway, looking
|
|
traumatized. His clothes are torn and he’s soaked in
|
|
alcohol.
|
|
|
|
As he passes the cell, he hears -
|
|
|
|
YONDU (O.S.)
|
|
Hey, twig. C’mere.
|
|
|
|
Groot sees Yondu and Rocket looking at him in the cell. He
|
|
steps toward them.
|
|
|
|
ROCKET
|
|
Oh, man. What’d they do to you?
|
|
|
|
YONDU
|
|
Hey, you wanna help us get outta
|
|
here?
|
|
|
|
Groot NODS. Rocket looks unsure. Yondu speaks slowly.
|
|
|
|
YONDU
|
|
There’s something I need you to
|
|
get, and bring back to me.
|
|
|
|
Groot NODS.
|
|
|
|
YONDU
|
|
In the Cap’n’s quarters, there’s a
|
|
prototype fin, like the thing I
|
|
wore on my head.
|
|
|
|
Groot NODS.
|
|
|
|
YONDU
|
|
There’s a drawer next to the bunk.
|
|
It’s inside that. It’s red. You got
|
|
it?
|
|
|
|
Groot NODS EMPHATICALLY and DARTS OFF to get it. Yondu
|
|
looks at Rocket, pleased.
|
|
|
|
Rocket looks more than a bit uncertain.
|
|
|
|
|
|
83 INT. CAPTAIN’S QUARTERS - MOMENTS LATER 83
|
|
|
|
Baby Groot CREEPS into this dark room. DRUNKEN RAVAGERS are
|
|
sprawled everywhere.
|
|
71.
|
|
|
|
|
|
He spots a bureau. A drawer is half open.
|
|
|
|
His face lights up.
|
|
|
|
MOMENTS LATER
|
|
|
|
Baby Groot stands outside of the cell, beaming, holding A
|
|
PAIR OF SHORTS.
|
|
|
|
YONDU
|
|
That’s my underwears.
|
|
|
|
ROCKET
|
|
Yeah, I was pretty sure he didn’t
|
|
know what you were talking about.
|
|
You have to explain it more
|
|
careful.
|
|
|
|
YONDU
|
|
All right. It’s a prototype fin -
|
|
|
|
MOMENTS LATER
|
|
|
|
Groot is back in front of the cell, holding a wriggling
|
|
ORLONI in his hands.
|
|
|
|
ROCKET
|
|
That’s an orloni. It’s a fin,
|
|
Groot.
|
|
|
|
YONDU
|
|
You explain it this time.
|
|
|
|
Rocket starts to speak -
|
|
|
|
MOMENTS LATER
|
|
|
|
Groot looks hopeful, holding out a CYBERNETIC EYE.
|
|
|
|
YONDU
|
|
That’s Vorker’s eye. He takes it
|
|
out when he sleeps. Go look again.
|
|
|
|
Groot starts to SLINK OFF -
|
|
|
|
ROCKET
|
|
But leave the eye here.
|
|
|
|
YONDU
|
|
Why?
|
|
|
|
Rocket CAN HARDLY SPEAK he finds it so funny.
|
|
72.
|
|
|
|
|
|
ROCKET
|
|
He’s gonna wake up tomorrow and
|
|
he’s not gonna know where his eye
|
|
is!
|
|
|
|
MOMENTS LATER
|
|
|
|
Groot is DRAGGING a LARGE PIECE OF FURNITURE to the cell.
|
|
|
|
ROCKET
|
|
That’s a desk. We told you it was
|
|
this big.
|
|
|
|
Rocket shows him how small it is with his hands.
|
|
|
|
Groot makes a face like “Oh!” as if NOW he gets it. It’s
|
|
all coming together.
|
|
|
|
MOMENTS LATER
|
|
|
|
Groot is holding a SEVERED TOE.
|
|
|
|
ROCKET
|
|
Tell me you guys have a
|
|
refrigerator somewhere with a bunch
|
|
of severed human toes.
|
|
|
|
Yondu SUBTLY SHAKES HIS HEAD.
|
|
|
|
ROCKET
|
|
Okay, then let’s just agree to
|
|
never discuss this.
|
|
|
|
Yondu RIPS the Ravager patch off his jacket.
|
|
|
|
YONDU
|
|
The drawer you want to open. Has
|
|
this symbol on it, okay?
|
|
|
|
Groot takes it. He looks at Yondu and NODS.
|
|
|
|
And then, slowly, HE PLACES IT ON TOP OF HIS HEAD.
|
|
|
|
YONDU
|
|
What? No.
|
|
|
|
ROCKET
|
|
He thinks you want him to wear it
|
|
as a hat.
|
|
|
|
YONDU
|
|
That’s not what I said.
|
|
73.
|
|
|
|
|
|
Groot takes it off his head.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
ROCKET
|
|
(translating)
|
|
He’s relieved that you don’t want
|
|
him to.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
ROCKET
|
|
He hates hats.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
ROCKET
|
|
On anyone, not just himself.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
ROCKET
|
|
One minute you think someone has a
|
|
weird-shaped head. The next minute,
|
|
it’s just because you realize part
|
|
of that head is a hat.
|
|
(to Groot)
|
|
That’s why you don’t like hats?
|
|
|
|
Groot nods.
|
|
|
|
YONDU
|
|
This is an important conversation
|
|
right now?
|
|
|
|
ROCKET
|
|
No. Let’s try again.
|
|
|
|
|
|
84 INT. CAPTAIN’S QUARTERS - MOMENTS LATER 84
|
|
|
|
Taserface is SNORING and SLOBBERING in his bed. We see the
|
|
Ravager Patch tossed up onto the bed beside him. Then
|
|
Groot’s vines GROW up the bed, and he pulls himself up
|
|
beside the sleeping giant.
|
|
|
|
Groot clasps the Ravager patch in his hand and looks
|
|
fearfully around.
|
|
74.
|
|
|
|
|
|
He spots the Ravager symbol on a night stand drawer.
|
|
|
|
He stares at the symbol in his hand, then at the drawer,
|
|
then at the symbol, and then at the drawer again, and then
|
|
one more time for good measure -- he wants to be very, very
|
|
sure they’re the same.
|
|
|
|
He creeps carefully towards the drawer, GROWING his vines
|
|
out to grab the handle and PULL IT slowly open...
|
|
|
|
He peers inside.
|
|
|
|
Beside some writing instruments and a tin of candies, there
|
|
lies a RED FIN, taller and more shark-like than Yondu’s
|
|
current model. Groot smiles hugely, picking up -
|
|
|
|
THE TIN OF CANDIES! He’s found it!
|
|
|
|
KRAGLIN (O.S.)
|
|
That ain’t it.
|
|
|
|
Groot SWIRLS to see KRAGLIN, BACKLIT IN THE DOORWAY,
|
|
LOOMING OVER HIM, intimidating as hell. And CUT TO --
|
|
|
|
|
|
85 INT. ECLECTOR CELL - MOMENTS LATER 85
|
|
|
|
The RED FIN PLOPS DOWN at Yondu’s feet.
|
|
|
|
Yondu and Rocket look up to see Kraglin, holding Groot. He
|
|
stares at the ground -
|
|
|
|
KRAGLIN
|
|
I didn’t mean to do a mutiny.
|
|
(pause, then, sadly)
|
|
They killed all my friends.
|
|
|
|
YONDU
|
|
Go get the third quadrant ready for
|
|
release.
|
|
|
|
Kraglin SALUTES.
|
|
|
|
ROCKET
|
|
One more thing.
|
|
|
|
Kraglin stares at him.
|
|
|
|
ROCKET
|
|
You got any clones of Quill’s old
|
|
music on the ship?
|
|
75.
|
|
|
|
|
|
86 INT. ECLECTOR BATHROOM - OUTER SPACE 86
|
|
|
|
Brahl is shaving, when, suddenly, JAY AND THE AMERICAN’S
|
|
“COME A LITTLE BIT CLOSER” STARTS PLAYING over the
|
|
intercom.
|
|
|
|
He looks up, confused.
|
|
|
|
|
|
87 INT. ECLECTOR HALLWAY/CELL - OUTER SPACE 87
|
|
|
|
TWO RAVAGERS outside the cell hear the MUSIC. They turn,
|
|
unlocking the cell door.
|
|
|
|
As they enter, THE CAMERA OVERTAKES them, arriving before
|
|
they do at --
|
|
|
|
Yondu, sitting calmly; Rocket is finishing ATTACHING THE
|
|
BIG-ASS FIN TO HIS HEAD. Its electrical systems POP on.
|
|
|
|
PUSH IN ON the two surprised Ravagers trying to UNHOLSTER
|
|
THEIR PISTOLS in time.
|
|
|
|
Too late.
|
|
|
|
Yondu WHISTLES.
|
|
|
|
|
|
88 INT. ECLECTOR CLOSET - OUTER SPACE 88
|
|
|
|
The ARROW FLIES OFF a shelf of supplies and SHOOTS TOWARD A
|
|
WALL.
|
|
|
|
|
|
89 INT. ECLECTOR CELL - OUTER SPACE 89
|
|
|
|
The ARROW PUNCHES THROUGH THE WALL behind the Ravagers.
|
|
They swirl to see it --
|
|
|
|
IT SHOOTS THROUGH ONE RAVAGER
|
|
|
|
And THEN THE OTHER --
|
|
|
|
And then to Yondu; he CATCHES it, and STANDS.
|
|
|
|
He SAUNTERS past the two Ravagers as they WOBBLE and FALL.
|
|
|
|
Rocket and Groot follow.
|
|
|
|
On the way out the door, Rocket looks down and sees TWO
|
|
PISTOLS beside the dead Ravagers.
|
|
76.
|
|
|
|
|
|
He smiles.
|
|
|
|
|
|
90 INT. CAPTAIN’S QUARTERS - OUTER SPACE 90
|
|
|
|
Taserface is awoken by JAY AND THE AMERICANS on the PA. He
|
|
glances over to see the open drawer beside him, sans
|
|
gargantuan fin.
|
|
|
|
He SCRAMBLES for the comm, yelling into it --
|
|
|
|
TASERFACE
|
|
He’s got it!
|
|
|
|
|
|
91 INT. BAR/QUADRANT FLIGHT DECK - OUTER SPACE 91
|
|
|
|
The hoard of Ravagers hear Taserface’s voice.
|
|
|
|
TASERFACE (O.S.)
|
|
HE’S GOT IT! YONDU’S GOT THE DAMN
|
|
FIN!
|
|
|
|
RETCH
|
|
GO!
|
|
|
|
|
|
92 SERIES OF SHOTS - INT. ALL OVER THE SHIP - OUTER SPACE 92
|
|
|
|
ALL OF THE RAVAGERS all over the ship, in a panic, LOAD
|
|
THEIR WEAPONS and HEAD TOWARD THE CELL.
|
|
|
|
|
|
93 INT. ECLECTOR HALLWAY - OUTER SPACE 93
|
|
|
|
Yondu and Rocket and Groot COME AROUND THIS CORNER IN SLOW-
|
|
MOTION, the three biggest badasses in the history of
|
|
cinema.
|
|
|
|
A HOARD OF RAVAGERS, led by Brahl, FILE IN at the end of
|
|
the hallway.
|
|
|
|
But Yondu WHISTLES and the ARROW TWISTS QUICKLY BACK AND
|
|
FORTH, SLICING THROUGH EACH OF THEM.
|
|
|
|
Yondu SLAMS through a door into -
|
|
|
|
|
|
94 INT. ECLECTOR DOCKING BAY - OUTER SPACE 94
|
|
77.
|
|
|
|
|
|
Our heroes step onto a catwalk in this, the biggest space
|
|
in the Eclector. There are catwalks throughout and dozens
|
|
of docked M-ships. The SCURRILOUS RAVAGER sees them from
|
|
above --
|
|
|
|
SCURRILOUS RAVAGER
|
|
Down there!
|
|
|
|
IN AN EXTREME WIDE ANGLE, we see the ARROW FLYING UP AND
|
|
DOWN, BACKWARDS AND FORWARDS, CUTTING THROUGH ALL SORTS OF
|
|
RAVAGERS, closer and further from CAMERA.
|
|
|
|
We TRAVEL BEHIND YONDU AND ROCKET as BODIES FALL AROUND
|
|
THEM IN SLOW-MOTION LIKE FIREWORKS.
|
|
|
|
Groot looks up and sees RETCH looking down at him.
|
|
|
|
RETCH FLEES in terror as Groot GROWS branches to pull
|
|
himself up behind him.
|
|
|
|
Groot HOWLS FURIOUSLY, TAKING CHASE.
|
|
|
|
Retch YOWLS like a child as he frantically runs.
|
|
|
|
But Groot GROWS HIS BRANCHES around RETCH’s legs, TRIPPING
|
|
HIM.
|
|
|
|
BAM! He FALLS, face first to the floor.
|
|
|
|
And, with a WAR CRY, Baby Groot FLINGS the sadistic Ravager
|
|
off the edge towards the abyss below.
|
|
|
|
As RETCH FALLS past Yondu and Rocket, Baby Groot DROPS back
|
|
down onto Rocket’s shoulder, and they push their way
|
|
through the doorway -
|
|
|
|
|
|
95 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 95
|
|
|
|
Yondu, Rocket, and Groot move into this area, where they
|
|
look up at DOZENS OF SECURITY MONITORS encircling them
|
|
showing Ravagers filing toward them from every part of the
|
|
ship.
|
|
|
|
Yondu WHISTLES as he watches the MONITORS -
|
|
|
|
ON A MONITOR, the arrow FLIES out the wall. He whistles so
|
|
that it strikes TWO RAVAGERS running towards them.
|
|
|
|
It ZIPS out of that room and
|
|
78.
|
|
|
|
|
|
96 INT. DARK HALL - OUTER SPACE 96
|
|
|
|
A HOARD of Ravagers come running down a hall. The ARROW
|
|
ZIPS overhead, smashing out all the lights so that the hall
|
|
is completely dark, except for the DIM RED LIGHT OF THE
|
|
ARROW.
|
|
|
|
And we can just make out the RED LIGHT smashing through the
|
|
body of every Ravager there and then on into --
|
|
|
|
|
|
97 INT. SPACEPORT - OUTER SPACE 97
|
|
|
|
A YELLING CROWD OF RAVAGERS come, hungry for war, when the
|
|
arrow SHOOTS THROUGH THE CHAINS holding a giant spaceship
|
|
in place over their heads.
|
|
|
|
It FALLS, instantly CRUSHING them all, and then zips on --
|
|
|
|
|
|
98 INT. BAR - OUTER SPACE 98
|
|
|
|
Gef the Ravager is drunkenly drinking a mug of beer, when
|
|
the arrow zips past him and through the mug, SHATTERING it.
|
|
|
|
As Gef looks at the shattered mug, confused, the arrow
|
|
comes flying back, ripping through Gef himself, FLINGING
|
|
him off the bar stool.
|
|
|
|
|
|
99 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 99
|
|
|
|
Rocket also uses the MONITORS to pinpoint where their
|
|
attackers are. He methodically SHOOTS THROUGH the walls,
|
|
striking the Ravagers as they get closer.
|
|
|
|
WIDE OVERHEAD SHOT, the CAMERA REVOLVES as hoards of
|
|
Ravagers GET CLOSE to Yondu and Rocket but the arrow and
|
|
gunshots ZIP THROUGH THE WALLS taking them all down, one by
|
|
one, like Busby Berkely gone mad.
|
|
|
|
Then Yondu stops, seeing something on one of the MONITORS.
|
|
|
|
Taserface, clutching a big ass gun, is marching down the
|
|
hall towards them.
|
|
|
|
Yondu WHISTLES, loudly and angrily.
|
|
|
|
|
|
100 INTERCUT - INT. ENGINE ROOM/SECURITY DOCK - OUTER SPACE 100
|
|
|
|
Taserface sees THE ARROW COMING AROUND A CORNER TOWARDS
|
|
HIM.
|
|
79.
|
|
|
|
|
|
Yondu WHISTLES again.
|
|
|
|
The ARROW BURSTS INTO FLAMES.
|
|
|
|
Taserface DODGES it.
|
|
|
|
He turns to watch it go, CACKLING pridefully over his
|
|
agility.
|
|
|
|
But his smile quickly dissipates.
|
|
|
|
The arrow PLUNGES into a giant tank - which EXPLODES,
|
|
ENGULFING HIM.
|
|
|
|
|
|
101 EXT. ECLECTOR - OUTER SPACE 101
|
|
|
|
A huge portion of the giant spacecraft EXPLODES, leading to
|
|
a domino effect of one part of the ship BURSTING after
|
|
another.
|
|
|
|
|
|
102 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 102
|
|
|
|
ROCKET is dumbfounded as he sees on the MONITORS the
|
|
numerous EXPLOSIONS throughout the ship.
|
|
|
|
ROCKET
|
|
You maniac. The whole ship is gonna
|
|
blow.
|
|
|
|
|
|
103 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 103
|
|
|
|
A DOOR SWINGS OPEN and TASERFACE FALLS ONTO THE FLOOR,
|
|
ENGULFED IN FLAMES, but furious.
|
|
|
|
He angrily SLAPS off the flames as he reaches for a
|
|
COMMUNICATIONS MODULE.
|
|
|
|
|
|
104 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 104
|
|
|
|
YONDU
|
|
Not the whole ship.
|
|
|
|
Yondu catches the arrow and walks out.
|
|
|
|
|
|
105 INT. BAR/QUADRANT FLIGHT DECK - OUTER SPACE 105
|
|
80.
|
|
|
|
|
|
Kraglin ENTERS, pulling latches and flipping switches and
|
|
twisting dials on elementary flight controls.
|
|
|
|
|
|
106 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 106
|
|
|
|
With pained effort, Taserface PULLS UP A VIDEO SCREEN with
|
|
a SOVEREIGN CHAMBERMAID.
|
|
|
|
CHAMBERMAID (ON SCREEN)
|
|
Who is this? You’re not supposed to
|
|
be on this line.
|
|
|
|
TASERFACE
|
|
I’m sending you the coordinates for
|
|
Yondu’s ship.
|
|
|
|
|
|
107 INT. QUADRANT FLIGHT DECK - OUTER SPACE 107
|
|
|
|
Yondu enters with Rocket and Groot.
|
|
|
|
YONDU
|
|
Release the quadrant.
|
|
|
|
KRAGLIN
|
|
Aye Capn’
|
|
|
|
|
|
108 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 108
|
|
|
|
TASERFACE
|
|
I only ask one thing. That your
|
|
High Priestess tells him the name
|
|
of the man what sealed his fate:
|
|
Taserface.
|
|
|
|
The CHAMBERMAID laughs uncontrollably at his name.
|
|
|
|
Taserface looks really sad as he EXPLODES.
|
|
|
|
|
|
109 INT. QUADRANT FLIGHT DECK - OUTER SPACE 109
|
|
|
|
As Rocket and Groot, frightened, feel the SHIP EXPLODING
|
|
around them, Kraglin pulls up one final latch -
|
|
|
|
|
|
110 EXT. ECLECTOR - OUTER SPACE 110
|
|
|
|
THE ENTIRE REAR UPPER QUADRANT OF THE ECLECTOR DETACHES
|
|
FROM THE REST OF THE SHIP, while the remains CONTINUE
|
|
EXPLODING.
|
|
81.
|
|
|
|
|
|
111 I/E. QUADRANT FLIGHT DECK - OUTER SPACE 111
|
|
|
|
Rocket and Groot are amazed as the SHIP thrusts forward,
|
|
away from the explosions.
|
|
|
|
Kraglin keys into a JUMP POINT ahead. Nearby, Rocket pulls
|
|
up the Navigation panel.
|
|
|
|
KRAGLIN
|
|
Where to, Cap’n?
|
|
|
|
Rocket SETS THE DESTINATION:
|
|
|
|
ROCKET
|
|
Ego.
|
|
|
|
YONDU
|
|
NO, BOY!
|
|
|
|
The Quadrant TREMBLES as they hit THE JUMP POINT. It BLOOPS
|
|
out of present space, making the JUMP to -
|
|
|
|
|
|
112 EXT. DESERT - DAY 112
|
|
|
|
The Quadrant POPS into a blue sky above a DESERT with two
|
|
fighting KRONANS.
|
|
|
|
|
|
113 INT. QUADRANT FLIGHT DECK - VARIOUS OUTER SPACE LOCATIONS 113
|
|
|
|
Inside the ship, Rocket, Yondu, Kraglin, and baby Groot
|
|
hold on for dear life as the ship VIOLENTLY SHAKES and THE
|
|
LOCATIONS OUTSIDE OF THE WINDOW RAPIDLY SHIFT.
|
|
|
|
Their bodies DISTEND SLIGHTLY. Yondu is furious.
|
|
|
|
YONDU
|
|
It ain’t healthy for a mammalian
|
|
body to hop over fifty jumps at a
|
|
time.
|
|
|
|
ROCKET
|
|
I know that.
|
|
|
|
YONDU
|
|
We’re about to do seven-hundred.
|
|
|
|
Rocket looks bummed.
|
|
|
|
|
|
114 EXT. PINK SKY - AMOEBA BLOBS - OUTER SPACE 114
|
|
82.
|
|
|
|
|
|
The Quadrant pops out of a jump point into this Pepto
|
|
Bismol pink land, SMASHING THROUGH an AMOEBA-LIKE BLOB, and
|
|
then through the next jump point.
|
|
|
|
|
|
115 INT. QUADRANT FLIGHT DECK - VARIOUS OUTER SPACE LOCATIONS 115
|
|
|
|
Kraglin, Yondu, Rocket, and Baby Groot all SCREAM, their
|
|
entire faces and bodies distorting as if in some evil
|
|
funhouse mirror.
|
|
|
|
|
|
116 EXT. RED PLANET LANDSCAPE - VARIOUS 116
|
|
|
|
The yellow sun CURVES SLOWLY WEST TO EAST over this
|
|
magnificent landscape.
|
|
|
|
“BRING IT ON HOME TO ME” BY SAM COOKE PLAYS.
|
|
|
|
|
|
117 EXT. SLEEPING QUARTERS - VERANDA - DAY 117
|
|
|
|
TILT DOWN to Quill, on this veranda, gazing out at the
|
|
beauty. The Walkman is connected to small, jerry-rigged
|
|
speakers nearby, PLAYING SAM COOKE.
|
|
|
|
QUILL
|
|
So I guess this could all be mine
|
|
someday.
|
|
|
|
Gamora isn’t paying attention. She’s fooling with a
|
|
communications device, which has no reception.
|
|
|
|
GAMORA
|
|
Rocket? Rocket, you there? Dammit.
|
|
|
|
Quill comes up behind her, messing with her.
|
|
|
|
GAMORA
|
|
What are you doing, Peter?
|
|
|
|
QUILL
|
|
Dance with me.
|
|
|
|
GAMORA
|
|
No. I’m not --
|
|
|
|
QUILL
|
|
Come on. This is Sam Cooke, one of
|
|
the greatest Earth singers of all
|
|
time.
|
|
83.
|
|
|
|
|
|
Gamora lets out an exasperated SIGH, but, reluctantly,
|
|
starts DANCING with him. She is incredibly light on her
|
|
feet.
|
|
|
|
Quill smiles and Gamora, despite herself, does as well. He
|
|
TWIRLS HER AND BRINGS HER BACK IN. This is definitely not
|
|
the first time they’ve done this.
|
|
|
|
QUILL
|
|
Drax thinks you’re not a dancer.
|
|
|
|
GAMORA
|
|
If you ever tell anyone about this,
|
|
I’ll kill you.
|
|
|
|
They look at each other.
|
|
|
|
QUILL
|
|
When are we going to do something
|
|
about this... unspoken thing
|
|
between us?
|
|
|
|
GAMORA
|
|
What unspoken thing?
|
|
|
|
QUILL
|
|
This Cheers-Sam-and-Diane-guy-and-
|
|
girl-on-a-TV-show-who-dig-each-
|
|
other-but-never-say-it-’cause-when-
|
|
they-do-the-ratings-would-go-down
|
|
sort of thing?
|
|
|
|
GAMORA
|
|
There is no unspoken thing between
|
|
us.
|
|
|
|
QUILL
|
|
Well, that’s a Catch-22. Because if
|
|
you said there was, it would be
|
|
spoken, and then you’d be a liar.
|
|
So by saying there isn’t, you’re
|
|
telling the truth, and admitting
|
|
there is.
|
|
|
|
GAMORA
|
|
That’s not --
|
|
|
|
Gamora PULLS AWAY.
|
|
|
|
GAMORA
|
|
What we should be discussing right
|
|
now is that something about this
|
|
place doesn’t feel right.
|
|
84.
|
|
|
|
|
|
QUILL
|
|
What are you talking about? You
|
|
were the one who wanted me to come
|
|
here!
|
|
|
|
Gamora moves into --
|
|
|
|
|
|
118 INT. SLEEPING QUARTERS - DAY 118
|
|
|
|
GAMORA
|
|
That girl, Mantis. She’s afraid of
|
|
something.
|
|
|
|
Quill follows her. He stops, staring at her, hurt and
|
|
frustrated.
|
|
|
|
QUILL
|
|
Why are you trying to take this
|
|
from me?
|
|
|
|
GAMORA
|
|
I’m not --
|
|
|
|
QUILL
|
|
He’s my father. He’s blood -
|
|
|
|
GAMORA
|
|
You have blood on earth. You never
|
|
wanted to return there.
|
|
|
|
QUILL
|
|
Again - you made me come here! And
|
|
Earth?! Earth is the place my
|
|
mother died in front of me.
|
|
|
|
GAMORA
|
|
No, it’s because that’s real, and
|
|
this is a fantasy.
|
|
|
|
QUILL
|
|
This is real. I’m only half human,
|
|
remember?
|
|
|
|
GAMORA
|
|
That’s the half I’m worried about.
|
|
|
|
QUILL
|
|
Oh, I get it. You’re jealous
|
|
because I’m part god! You like me
|
|
being the weak one!
|
|
|
|
Gamora adds some pieces to her transmitter.
|
|
85.
|
|
|
|
|
|
GAMORA
|
|
Uh. You were insufferable to begin
|
|
with. I haven’t been able to reach
|
|
Rocket. I’m going to see if I can
|
|
get a signal outside.
|
|
|
|
QUILL
|
|
You know, this isn’t Cheers after
|
|
all. It’s whatever the show is
|
|
where one person is willing to, you
|
|
know, open themselves up to new
|
|
possibilities, and the other person
|
|
is just kind of a jerk who doesn’t
|
|
trust anyone! It’s a show that
|
|
doesn’t exist - it would never be
|
|
made, it would be so horrible! It
|
|
would get zero ratings!
|
|
|
|
GAMORA
|
|
You’re having a conversation with
|
|
yourself! I don’t know what Cheers
|
|
is!
|
|
|
|
QUILL
|
|
I finally found my family, don’t
|
|
you understand that!?
|
|
|
|
GAMORA
|
|
I thought you already had.
|
|
|
|
QUILL
|
|
So this is how it ends, then? Our
|
|
whole story. Like this? You and me?
|
|
|
|
GAMORA
|
|
Get it through your head, Peter.
|
|
There is no you and me. There never
|
|
was.
|
|
|
|
Quill watches her leave.
|
|
|
|
|
|
119 EXT. EGO’S FIELDS - SUNSET 119
|
|
|
|
Gamora sits, alone in the fields, pouting, fuming. She
|
|
stops, staring angrily inward.
|
|
|
|
Two plants, nearby, flitter against one another in the
|
|
wind, making a CLICKING sound. She side-eyes them. They
|
|
don’t stop.
|
|
|
|
She slices them off with her sword.
|
|
86.
|
|
|
|
|
|
GAMORA
|
|
Dammit.
|
|
|
|
Gamora hears something. She turns to see, in the distance,
|
|
an M-ship flying toward the planet.
|
|
|
|
She watches as it gets closer and closer, and realizes it
|
|
is FLYING DIRECTLY AT HER.
|
|
|
|
Gamora RUNS.
|
|
|
|
|
|
120 INT. NEBULA’S SHIP - SUNSET 120
|
|
|
|
Nebula HOLLERS as she BLASTS HER GUNS, DIVING towards
|
|
Gamora.
|
|
|
|
|
|
121 EXT. HILLSIDE - SUNSET 121
|
|
|
|
Gamora FLEES from Nebula’s ship like Cary Grant from the
|
|
crop duster in North by Northwest as HUGE CHUNKS OF LAND
|
|
EXPLODE on either side of her.
|
|
|
|
Gamora leaps into a DITCH, LANDING HARD, as the M-Ship
|
|
SWOOPS just a couple feet above her.
|
|
|
|
GAMORA
|
|
You psychopath.
|
|
|
|
Gamora sees the M-Ship banking and FLYING BACK at her
|
|
again.
|
|
|
|
She stands and runs along the hillside as GUN BLASTS burst
|
|
behind her. But Gamora sees a CAVERN, leading down into the
|
|
earth.
|
|
|
|
She DARTS into it.
|
|
|
|
|
|
122 INT. EGO’S CAVERN - FIRST/SECOND LEVELS - SUNSET 122
|
|
|
|
As Gamora RUNS down the cavern, she glances back over her
|
|
shoulder where Nebula, insane with rage, continues FLYING
|
|
towards her --
|
|
|
|
The M-SHIP ENTERS THE CAVERN, which is too small for it,
|
|
CLIPPING ITS WINGS - but it keeps flying. It again BLASTS
|
|
at Gamora as she FLEES -
|
|
|
|
The BLASTS cause the ground to COLLAPSE around Gamora, and
|
|
she FALLS, SMASHING DOWN THROUGH ONE LEVEL, to another
|
|
level below, SLAMMING HARD on the ground.
|
|
87.
|
|
|
|
|
|
The underside of the M-ship gets SCRAPED APART as it flies
|
|
above her, and pieces of it come RAINING DOWN around her.
|
|
|
|
Nebula ZOOMS towards a huge cavern wall. She tries to turn
|
|
her ship in time, to no avail.
|
|
|
|
She SIDESWIPES it, falling down, CRASHING on the ground,
|
|
where she is now on the same level as Gamora.
|
|
|
|
Gamora sees something beside her: it’s one of the ENORMOUS
|
|
BLASTERS from the M-ship, attached to an AMMO RIG.
|
|
|
|
|
|
123 INT. NEBULA’S M-SHIP - SUNSET 123
|
|
|
|
Nebula sees Gamora, through the canopy, picking up the
|
|
blaster, and clutching it. It is comically enormous.
|
|
|
|
Nebula struggles to get free and out of the way, but her
|
|
legs have been pinned in the crash -
|
|
|
|
|
|
124 INT. EGO’S CAVERN - SECOND/THIRD LEVELS - SUNSET 124
|
|
|
|
Gamora CLAMPS two metal switches together, MACHINE-FIRING
|
|
THE GUN, as she walks forward.
|
|
|
|
The front of the M-ship is peppered with blasts and then
|
|
EXPLODES.
|
|
|
|
The explosion causes the thin ground around it to COLLAPSE,
|
|
and the entire ship FALLS BACKWARDS to an even LOWER LEVEL
|
|
- BURSTING some more as it hits the ground.
|
|
|
|
Gamora gazes down at the ship.
|
|
|
|
|
|
125 I/E. NEBULA’S SQUASHED M-SHIP - SUNSET 125
|
|
|
|
Nebula is a mess. Her legs are broken, trapped in the ship.
|
|
|
|
There is a FIRE at her feet.
|
|
|
|
She struggles, trying to get out, but her machine parts are
|
|
SPARKING and she can hardly breathe. It seems as she’s
|
|
going to die, when --
|
|
|
|
Part of the ship is TORN AWAY. She sees Gamora.
|
|
|
|
Gamora GRABS HER, unceremoniously PULLING HER FREE, just as
|
|
the M-ship EXPLODES, PITCHING THEM BOTH to the ground.
|
|
88.
|
|
|
|
|
|
They lie next to each other. Nebula COUGHS as her legs are
|
|
healing, CRACKING back into place.
|
|
|
|
She looks over and eyes Gamora.
|
|
|
|
And then she HOLLERS and attacks her.
|
|
|
|
GAMORA
|
|
Are you kidding me?!
|
|
|
|
They FIGHT.
|
|
|
|
Nebula snatches Gamora’s blade from her, and TUMBLES on top
|
|
of her as she gains the upper hand. She holds the blade
|
|
above Gamora, ready to plummet it into her.
|
|
|
|
She wants to - she really does - but now that the moment is
|
|
here...
|
|
|
|
She SCREAMS in frustration, and falls back.
|
|
|
|
NEBULA
|
|
I win.
|
|
|
|
Gamora eyes her, a little surprised.
|
|
|
|
NEBULA
|
|
I win. I bested you in combat.
|
|
|
|
GAMORA
|
|
Uh, no, I just spared your life -
|
|
|
|
NEBULA
|
|
You were stupid enough to let me
|
|
live so -
|
|
|
|
GAMORA
|
|
You just let me live!
|
|
|
|
NEBULA
|
|
I WIN!
|
|
|
|
GAMORA
|
|
Nebula, I really don’t need this.
|
|
My day has been bad enough -
|
|
|
|
NEBULA
|
|
I don’t need you always trying to
|
|
beat me!
|
|
|
|
GAMORA
|
|
89.
|
|
|
|
|
|
I’m not the one who just flew
|
|
across the universe because I
|
|
wanted to win!
|
|
|
|
NEBULA
|
|
Don’t tell me what I want!
|
|
|
|
GAMORA
|
|
I don’t have to because you make it
|
|
obvi -
|
|
|
|
NEBULA
|
|
YOU WERE THE ONE WHO WANTED TO WIN,
|
|
I JUST WANTED A SISTER!
|
|
|
|
Gamora stops suddenly, struck. Nebula is cracking.
|
|
|
|
NEBULA
|
|
You were all I had, but you were
|
|
the one who needed to win! Thanos
|
|
pulled my eye from my head and my
|
|
brain from my skull and my arm from
|
|
my body because of you!
|
|
|
|
Gamora doesn’t know what to say. Nebula is almost instantly
|
|
embarrassed.
|
|
|
|
They sit there for a moment, saying nothing.
|
|
|
|
|
|
126 EXT. SLEEPING QUARTERS - NIGHT 126
|
|
|
|
The Quarters are entombed in stars. The dim sound of
|
|
“BRANDY” comes from within.
|
|
|
|
|
|
127 INT. SLEEPING QUARTERS - NIGHT 127
|
|
|
|
Quill lies in bed, unable to sleep, listening to the song.
|
|
|
|
EGO (O.S.)
|
|
You all right, son?
|
|
|
|
Quill turns to see Ego in the doorway.
|
|
|
|
EGO
|
|
I saw your girl stomp off earlier
|
|
in quite a huff.
|
|
|
|
Quill sits up, nods.
|
|
|
|
QUILL
|
|
Yeah.
|
|
90.
|
|
|
|
|
|
Ego sits beside him.
|
|
|
|
EGO
|
|
It’s fortuitous you’re listening to
|
|
this song.
|
|
|
|
QUILL
|
|
You know - ?
|
|
|
|
EGO
|
|
‘Brandy’ by Looking Glass. A
|
|
favorite of your mom’s.
|
|
|
|
QUILL
|
|
Yes.
|
|
|
|
EGO
|
|
One of earth’s greatest musical
|
|
compositions. Perhaps its very
|
|
greatest.
|
|
|
|
QUILL
|
|
Yeah, it is.
|
|
|
|
EGO
|
|
You and I, Peter, we’re the sailor
|
|
in the song.
|
|
|
|
Ego speaks along with the lyrics as they play.
|
|
|
|
EGO
|
|
He came on a summer’s day, bringing
|
|
gifts from far away - like the
|
|
child I put in your mother, or the
|
|
freedom you brought Gamora.
|
|
|
|
Quill listens.
|
|
|
|
EGO
|
|
Brandy, you’re a fine girl, what a
|
|
good wife you would be. But my
|
|
life, my love, my lady is the sea.
|
|
The sea calls the sailor back. He
|
|
loves the girl, but that’s not his
|
|
place. The sea calls upon him as
|
|
history calls upon great men, and
|
|
sometimes we are deprived the
|
|
pleasures of mortals.
|
|
|
|
QUILL
|
|
Well, you might not be mortal, but
|
|
me -
|
|
91.
|
|
|
|
|
|
EGO
|
|
Death will remain a stranger to
|
|
both of us as long as the light
|
|
burns within the planet.
|
|
|
|
Ego smiles.
|
|
|
|
QUILL
|
|
I’m immortal? That’s... really?
|
|
|
|
EGO
|
|
Yes, as long as the light exists.
|
|
|
|
QUILL
|
|
And I can use the light to make
|
|
cool things? Like how you made all
|
|
this?
|
|
|
|
EGO
|
|
It’ll take thousands of years of
|
|
practice before you get really good
|
|
at it . But, yes.
|
|
|
|
QUILL
|
|
Well, get ready for an eight
|
|
hundred foot statue of Pac Man,
|
|
then. With Skeletor. And Heather
|
|
Locklear. I’m gonna make some weird
|
|
shit.
|
|
|
|
Ego puts his arm around him, smiles kindly.
|
|
|
|
EGO
|
|
I can’t wait to see your weird
|
|
shit.
|
|
|
|
QUILL
|
|
Wow, that...
|
|
|
|
EGO
|
|
Came out a little disgusting.
|
|
|
|
They CHUCKLE.
|
|
|
|
EGO
|
|
It is a tremendous responsibility,
|
|
Peter. Only we can remake the
|
|
universe. Only we can take the
|
|
bridle of the cosmos and lead it
|
|
where it needs to go.
|
|
|
|
QUILL
|
|
How?
|
|
92.
|
|
|
|
|
|
Ego holds up his fingers, letting forth a flame of white
|
|
cosmic light. Quill holds up his fingers, letting forth a
|
|
smaller, less intense flame of white cosmic light.
|
|
|
|
REVEAL MANTIS, IN THE HALL, around the corner, looking at
|
|
Ego and Quill and the light emanating from their fingers.
|
|
|
|
EGO
|
|
Come with me.
|
|
|
|
Mantis looks like she’s having a panic attack.
|
|
|
|
|
|
128 INT. DRAX’S SLEEPING QUARTERS - MOMENTS LATER 128
|
|
|
|
CLOSE-UP OF DRAX, sound asleep.
|
|
|
|
MANTIS (O.S.)
|
|
Drax! Drax!
|
|
|
|
He WAKES to see a panicked Mantis sitting on the bed beside
|
|
him.
|
|
|
|
MANTIS
|
|
Drax, we need to talk -
|
|
|
|
DRAX
|
|
Ugh. I am sorry, but I like a woman
|
|
with some meat on her bones.
|
|
|
|
MANTIS
|
|
What?
|
|
|
|
DRAX
|
|
I tried to let you down easily by
|
|
telling you I found you disgusting.
|
|
|
|
MANTIS
|
|
No! That’s not what I -
|
|
|
|
Drax starts to GAG.
|
|
|
|
MANTIS
|
|
What are you doing?!
|
|
|
|
DRAX
|
|
I’m imagining being with you
|
|
physically!
|
|
|
|
MANTIS
|
|
Drax, that’s not - I don’t like you
|
|
like that. I don’t even like the
|
|
type of thing you are.
|
|
93.
|
|
|
|
|
|
DRAX
|
|
(offended)
|
|
Hey! There’s no need to get
|
|
personal!
|
|
|
|
MANTIS
|
|
Listen! Ego’s gotten exactly what
|
|
he wanted. I should have told you
|
|
earlier, I am stupid. You are in
|
|
danger.
|
|
|
|
|
|
129 EXT. NEBULA’S SQUASHED M-SHIP - NIGHT 129
|
|
|
|
Gamora and Nebula still sit here, quietly and awkwardly.
|
|
|
|
Gamora glances down a twisting tunnel, where phosphorescent
|
|
lights shine brightly.
|
|
|
|
GAMORA
|
|
What’s that?
|
|
|
|
She moves towards it. Nebula, hesitantly, follows.
|
|
|
|
|
|
130 INT. PALACE - NIGHT 130
|
|
|
|
Ego and Quill enter the palace.
|
|
|
|
EGO
|
|
You need to readjust the way you
|
|
process life. Everything around us
|
|
- including the girl - is
|
|
temporary. We are forever.
|
|
|
|
QUILL
|
|
Doesn’t eternity get boring?
|
|
|
|
EGO
|
|
Not if you have a purpose, Peter.
|
|
Which is why you’re here. I told
|
|
you how all those years ago I had
|
|
an unceasing impulse to find life.
|
|
|
|
Ego is standing underneath the diorama of him facing the
|
|
little alien girl.
|
|
|
|
EGO
|
|
I didn’t tell you how when I did
|
|
find it, it was all so...
|
|
disappointing.
|
|
94.
|
|
|
|
|
|
131 INT. TWISTING CAVERNS - NIGHT 131
|
|
|
|
Gamora and Nebula move further down the cavern, stepping
|
|
into light, getting closer.
|
|
|
|
EGO
|
|
And that is when I came to a
|
|
profound realization.
|
|
|
|
|
|
132 INT. PALACE - NIGHT 132
|
|
|
|
EGO
|
|
My innate desire to seek out other
|
|
life was not so that I could walk
|
|
among that life.
|
|
|
|
Ego looks at his son, moved by the memories.
|
|
|
|
EGO
|
|
Peter, I had found meaning.
|
|
|
|
Quill is taken aback. But Ego sets his finger lightly on
|
|
his forehead, and the white light bursts through his son’s
|
|
body.
|
|
|
|
We see THE COSMOS IN QUILL’S EYES. He looks ecstatic, far
|
|
beyond where he stands, and seems to finally understand.
|
|
|
|
QUILL
|
|
I see it. Eternity.
|
|
|
|
|
|
133 INT. TWISTING CAVERNS - NIGHT 133
|
|
|
|
Gamora and Nebula stop, in horror.
|
|
|
|
GAMORA
|
|
Oh my God.
|
|
|
|
They are staring at piles and piles of skeletons of various
|
|
species, thousands of them, seeming to go on forever.
|
|
|
|
NEBULA
|
|
We need to get off this planet.
|
|
|
|
|
|
134 EXT. GALAXY/UNIVERSE - OUTER SPACE 134
|
|
|
|
We see traces of the UNIVERSAL NEURAL TELEPORTATION
|
|
NETWORK, the Quadrant a blinking light POPPING IN and OUT
|
|
on a trail across the cosmos -
|
|
95.
|
|
|
|
|
|
And then ZOOM BACK FURTHER TO THE UNIVERSE, the same
|
|
blinking light making its way while ROCKET, YONDU, and
|
|
KRAGLIN SCREAM.
|
|
|
|
|
|
135 EXT. ASTEROIDS - OUTER SPACE 135
|
|
|
|
WATCHERS swirl to the Quadrant SWISH past them and JUMPS
|
|
OUT.
|
|
|
|
They turn back to STAN LEE, in a spacesuit with a fishbowl
|
|
helmet.
|
|
|
|
STAN LEE
|
|
Anyway, before I was so rudely
|
|
interrupted, that time I was a
|
|
World War II vet -
|
|
|
|
|
|
136 EXT. RED PLANET - OUTER SPACE 136
|
|
|
|
THE QUADRANT POPS INTO SPACE, EGO’S PLANET nearby.
|
|
|
|
|
|
137 INT. QUADRANT FLIGHT DECK - OUTER SPACE 137
|
|
|
|
Yondu, Kraglin, Rocket and Groot FALL OUT OF THEIR SEATS,
|
|
RETCHING, clutching their stomachs.
|
|
|
|
YONDU
|
|
What the hell you doing, boy?!
|
|
|
|
ROCKET
|
|
I could tell by how you talked
|
|
about him - this Ego is bad news.
|
|
We’re here to save Quill.
|
|
|
|
YONDU
|
|
For what?
|
|
(derisively)
|
|
For ‘honor’? For ‘love’?
|
|
|
|
ROCKET
|
|
No! I don’t care about those
|
|
things! I want to save Quill so I
|
|
can prove I’m better than him! I
|
|
can lord this over him forever!
|
|
|
|
Yondu LAUGHS bitterly as he pulls himself up to the
|
|
controls.
|
|
|
|
Rocket yanks himself up beside him.
|
|
96.
|
|
|
|
|
|
ROCKET
|
|
What are you laughing at me for?!
|
|
|
|
YONDU
|
|
You can fool yourself and everyone
|
|
else but you can’t fool me. I know
|
|
who you are.
|
|
|
|
ROCKET
|
|
You don’t know anything about me,
|
|
loser.
|
|
|
|
YONDU
|
|
I know everything about you. I know
|
|
you play like the meanest and the
|
|
hardest ‘cause you actually the
|
|
most scared of all.
|
|
|
|
ROCKET
|
|
Shut up.
|
|
|
|
YONDU
|
|
I know you steal batteries you
|
|
don’t need and you push away anyone
|
|
who’s willing to put up with you,
|
|
‘cause just a little bit of love
|
|
reminds you how big and empty that
|
|
hole inside you actually is!
|
|
|
|
ROCKET
|
|
I said, shut up.
|
|
|
|
YONDU
|
|
I know the scientists what made you
|
|
never gave a rat’s ass about you -
|
|
|
|
ROCKET
|
|
I’m serious, dude - !
|
|
|
|
YONDU
|
|
Just like my own damn parents, who
|
|
sold me, their own little baby,
|
|
into slavery! I know who you are,
|
|
boy, because you’re me.
|
|
|
|
They stare at each other there, a mirror.
|
|
|
|
ROCKET
|
|
What kind of pair are we?
|
|
|
|
YONDU
|
|
The kind that’s about to go fight a
|
|
planet I reckon.
|
|
97.
|
|
|
|
|
|
ROCKET
|
|
All right, okay, that’s - Wait.
|
|
Fight a what?
|
|
|
|
|
|
138 INT. DRAX’S SLEEPING QUARTERS - NIGHT 138
|
|
|
|
Gamora, furious, BURSTS into the room. She sees Mantis
|
|
standing with Drax.
|
|
|
|
She RUNS to her, GRABBING HER by the neck --
|
|
|
|
DRAX
|
|
Hey!
|
|
|
|
And she SLAMS her against the wall.
|
|
|
|
GAMORA
|
|
Who are you people?! What is this
|
|
place?!
|
|
|
|
DRAX
|
|
(re: Nebula)
|
|
What is she doing here?
|
|
|
|
NEBULA
|
|
Just watching the fireworks.
|
|
|
|
DRAX
|
|
Gamora, let her go!
|
|
|
|
GAMORA
|
|
The bodies in the caverns, who are
|
|
they?!
|
|
|
|
MANTIS
|
|
You are scared.
|
|
|
|
Gamora, whose skin is touching Mantis, lets go of her neck,
|
|
terrified.
|
|
|
|
|
|
139 INT. PALACE - NIGHT 139
|
|
|
|
The DIORAMAS all around Quill and Ego TRANSFORM into a map
|
|
of the universe. Quill stares in his cosmic reverie at the
|
|
PLANETS around him - thousands of them with pieces of EGO’S
|
|
LIFEFORM - GLOWING COSMIC PLANTS - buried within them.
|
|
|
|
EGO
|
|
I call it the Expansion. It is my
|
|
purpose. And now it’s yours as
|
|
well.
|
|
98.
|
|
|
|
|
|
QUILL
|
|
It’s beautiful.
|
|
|
|
Quill stares up at a DIORAMA: Ego grabs handfuls of his own
|
|
body, engulfed in light, and plants the wriggling pieces on
|
|
various planets.
|
|
|
|
EGO
|
|
Over thousands of years I implanted
|
|
thousands of extensions of myself
|
|
on thousands of worlds.
|
|
|
|
In the DIORAMAS, the COSMIC PLANTS OVERGROW and COVER each
|
|
of the planets, like chocolate on a malt ball.
|
|
|
|
EGO
|
|
I needed to fulfill life’s one true
|
|
purpose: to grow and to spread,
|
|
covering all that exists, until
|
|
everything... is me.
|
|
|
|
|
|
140 INT. DRAX’S SLEEPING QUARTERS - NIGHT 140
|
|
|
|
Gamora backs away, recovering.
|
|
|
|
GAMORA
|
|
What did she do to me?!
|
|
|
|
DRAX
|
|
She already told me everything.
|
|
|
|
|
|
141 INT. PALACE - NIGHT 141
|
|
|
|
EGO
|
|
I only had one problem. A single
|
|
Celestial doesn’t have enough power
|
|
for such an enterprise. But two
|
|
Celestials - well now, that just
|
|
might do.
|
|
|
|
|
|
142 INT. DRAX’S SLEEPING QUARTERS - NIGHT 142
|
|
|
|
MANTIS
|
|
The bodies are his children.
|
|
|
|
Gamora is horrified.
|
|
|
|
|
|
143 INT. PALACE - NIGHT 143
|
|
99.
|
|
|
|
|
|
On the DIORAMAS we see Ego with hundreds of species of
|
|
female aliens.
|
|
|
|
EGO
|
|
Out of all my labors the most
|
|
beguiling was attempting to graft
|
|
my DNA with that of another
|
|
species. I hoped the result of such
|
|
a coupling would be enough to power
|
|
the expansion.
|
|
|
|
|
|
144 INT. ECLECTOR HALLWAY - NIGHT 144
|
|
|
|
Yondu and Rocket walk here.
|
|
|
|
EGO (O.S.)
|
|
I had Yondu deliver some of them to
|
|
me. It broke the Ravager code - but
|
|
I compensated him generously. And,
|
|
to ease his conscience, I told him
|
|
I would never hurt them.
|
|
|
|
|
|
145 INT. PALACE - NIGHT 145
|
|
|
|
EGO
|
|
That was true. They never felt a
|
|
thing. But, one after the other,
|
|
they failed me. None of them had
|
|
the Celestial genes. Until you,
|
|
Peter. Out of all my spawn, only
|
|
you have carried the connection to
|
|
the light.
|
|
|
|
Peter smiles, an enchanted idiot, the cosmos in his eyes.
|
|
|
|
|
|
146 INT. DRAX’S SLEEPING QUARTERS - NIGHT 146
|
|
|
|
GAMORA
|
|
We need to find Peter now and get
|
|
off this damn planet.
|
|
|
|
MANTIS
|
|
Ego will have won him to his side
|
|
by now. He has a way of -
|
|
|
|
NEBULA
|
|
Then we just go.
|
|
|
|
GAMORA
|
|
No. He’s our friend.
|
|
100.
|
|
|
|
|
|
NEBULA
|
|
All any of you do is yell at each
|
|
other. You’re not friends.
|
|
|
|
DRAX
|
|
You’re right. We’re family. We
|
|
leave no one behind.
|
|
(To Nebula)
|
|
Except maybe you.
|
|
|
|
NEBULA
|
|
Oh my god.
|
|
|
|
|
|
147 INT. PALACE - NIGHT 147
|
|
|
|
EGO
|
|
For the first time in my life, I am
|
|
truly not alone.
|
|
|
|
Quill suddenly looks sad.
|
|
|
|
EGO
|
|
What is it, son?
|
|
|
|
QUILL
|
|
My friends.
|
|
|
|
EGO
|
|
That’s the mortal in you, Peter.
|
|
|
|
QUILL
|
|
Yes. I don’t need that.
|
|
|
|
EGO
|
|
What are we?
|
|
|
|
QUILL
|
|
Forever.
|
|
|
|
EGO
|
|
What are they?
|
|
|
|
QUILL
|
|
Temporary.
|
|
|
|
EGO
|
|
You think you love them. But love
|
|
is merely an evolutionary trick in
|
|
the service of reproduction. We are
|
|
beyond such things.
|
|
|
|
QUILL
|
|
101.
|
|
|
|
|
|
Yes.
|
|
|
|
EGO
|
|
Now -
|
|
|
|
QUILL
|
|
But my mother.
|
|
|
|
Ego looks at him, questioningly.
|
|
|
|
QUILL
|
|
You said you loved my mother.
|
|
|
|
EGO
|
|
That I did. My river lily, who knew
|
|
the words to every song that came
|
|
on the radio. I returned to earth
|
|
to see her three times. I knew if I
|
|
came back a fourth, I’d never
|
|
leave.
|
|
|
|
EGO
|
|
The expansion, the reason for my
|
|
very existence would be over. So I
|
|
did what I had to do. But it broke
|
|
my heart to put that tumor in her
|
|
head.
|
|
|
|
QUILL
|
|
Wh- what?
|
|
|
|
ZOLLY IN ON QUILL as the cosmos disappear from his eyes.
|
|
|
|
Tears stream down his face.
|
|
|
|
EGO
|
|
I know that sounds bad -
|
|
|
|
QUILL PULLS OUT HIS PISTOLS AND FIRES; THE BLAST TEARS
|
|
THROUGH EGO, DISPERSING the MOLECULES forming his body.
|
|
|
|
Quill SHOOTS at him AGAIN and AGAIN and AGAIN. The flesh
|
|
disappears from Ego like bites from a cookie, exposing the
|
|
angry alien skeletal form beneath.
|
|
|
|
But, as the charge on Peter’s blasters wears out, Ego just
|
|
looks at him, and, although he’s filled with holes, he’s
|
|
merely disappointed.
|
|
|
|
EGO
|
|
Who in the hell do you think you
|
|
are?
|
|
102.
|
|
|
|
|
|
QUILL
|
|
You killed my mother!
|
|
|
|
EGO TRANSFORMS into DAVID HASSELHOFF.
|
|
|
|
EGO
|
|
I tried so hard to find the form
|
|
that best suited you, and this is
|
|
the thanks I get?
|
|
|
|
And then, once again, BECOMES HIS USUAL FORM.
|
|
|
|
EGO
|
|
You really need to grow up.
|
|
|
|
A SPIKY COSMIC LIGHT-PROPELLED TENDRIL SHOOTS UP from the
|
|
floor behind Quill, and JUTS into Quill’s body.
|
|
|
|
Quill is THRUST INTO THE AIR. He opens his mouth to SCREAM
|
|
and WHITE LIGHT EMITS.
|
|
|
|
EGO
|
|
I wanted to do this together! But I
|
|
suppose you’ll have to learn by
|
|
spending the next thousand years as
|
|
a battery, ‘Star-Lord’.
|
|
|
|
|
|
148 INT. DRAX’S SLEEPING QUARTERS - NIGHT 148
|
|
|
|
THROUGH THE WINDOW to the PALACE - PAN TO Gamora watching
|
|
as her TRANSMITTER - the one she was trying to contact
|
|
Rocket on - BEEPS. She answers.
|
|
|
|
GAMORA
|
|
Rocket?!
|
|
|
|
Gamora follows Drax, Nebula, and a confused Mantis as they
|
|
move out.
|
|
|
|
|
|
149 INT. LASER DRILL - OUTER SPACE 149
|
|
|
|
Rocket, Yondu, and Groot are CRAWLING into a huge LASER
|
|
DRILL.
|
|
|
|
ROCKET
|
|
Keep that transmitter nearby so I
|
|
can find you. We’re in an old piece
|
|
of construction equipment Yondu
|
|
once used to slice open the Bank of
|
|
A’askavaria.
|
|
103.
|
|
|
|
|
|
GAMORA (O.S.)
|
|
Ego’s unhinged -
|
|
|
|
ROCKET
|
|
I know. Get ready.
|
|
|
|
YONDU
|
|
Drop it, Kraglin!
|
|
|
|
|
|
150 INT. QUADRANT FLIGHT DECK - OUTER SPACE 150
|
|
|
|
Kraglin YANKS a lever.
|
|
|
|
|
|
151 I/E. LASER DRILL - OUTER SPACE 151
|
|
|
|
An ugly, bulbous and uneven craft PLOPS from the Quadrant,
|
|
and heads toward Ego’s surface.
|
|
|
|
ROCKET
|
|
I got a plan.
|
|
|
|
YONDU
|
|
What is it?
|
|
|
|
ROCKET
|
|
It’s pretty simple.
|
|
|
|
|
|
152 INT. PALACE - NIGHT 152
|
|
|
|
Ego walks calmly up beside the trapped Quill. He snatches
|
|
the Walkman off of him. He stares at it. Quill can barely
|
|
speak.
|
|
|
|
QUILL
|
|
NO.
|
|
|
|
EGO PRESSES PLAY. A distorted version of “Brandy” plays. He
|
|
stares at it - perhaps he’s feeling wistful sadness, or
|
|
perhaps nothing at all.
|
|
|
|
‘Brandy, you’re a fine girl. What a good wife you would
|
|
be.’
|
|
|
|
EGO
|
|
‘My life, my love, my lady is the
|
|
sea’? Peter, THIS IS THE SEA.
|
|
|
|
EGO CRUSHES THE WALKMAN IN HIS GRIP as Quill watches
|
|
helplessly.
|
|
104.
|
|
|
|
|
|
The POWER SURGES from Quill through the TENTACLE and
|
|
throughout the entire PALACE --
|
|
|
|
|
|
153 EXT. PALACE - NIGHT 153
|
|
|
|
As Gamora, Mantis, Drax, and Nebula run toward the Palace
|
|
it BURSTS WITH COSMIC LIGHT, so brightly they have to
|
|
protect their eyes.
|
|
|
|
|
|
154 INT. PALACE - NIGHT 154
|
|
|
|
EGO basks in the power and we TRAVEL down his legs --
|
|
|
|
|
|
155 INT. RED PLANET/SELF CHAMBER - NIGHT 155
|
|
|
|
We FOLLOW THE ENERGY THROUGH THE SURFACE OF THE PLANET --
|
|
|
|
|
|
156 THROUGH THE TWISTING VEINS OF LIGHT BENEATH -- 156
|
|
|
|
And INTO an ENORMOUS, METAL ORB, the SELF CHAMBER, which
|
|
EXPLODES WITH LIGHT.
|
|
|
|
Boom.
|
|
|
|
|
|
157 EARTH - EXT. WOODS BEHIND DAIRY QUEEN - MOMENTS LATER 157
|
|
|
|
We PUSH INTO the small plant - now a bit larger - that Ego
|
|
planted at the very beginning of the film.
|
|
|
|
It LIGHTS UP and GROWS, INSTANTLY BURSTING UPWARDS -
|
|
|
|
|
|
158 EARTH - EXT. DQ - MOMENTS LATER 158
|
|
|
|
The PLANT BURSTS UP BEHIND the Dairy Queen (now a modern
|
|
DQ), a huge ORGANIC, BLOB-LIKE MASS OF LIGHT that comes
|
|
down instantly on the building, CRUSHING it and everyone
|
|
inside --
|
|
|
|
AND CONTINUING TO SPILL FORWARD, SPREADING.
|
|
|
|
|
|
159 INT. PALACE - NIGHT 159
|
|
|
|
EGO SUMMONS all his energy, when, SUDDENLY, a DOOR beside
|
|
him SMASHES APART.
|
|
105.
|
|
|
|
|
|
Drax has kicked through it and Gamora, Nebula and Mantis
|
|
are with him. Ego turns to see them, then hears a RUMBLING
|
|
above him.
|
|
|
|
He turns to look at a window on the palace wall behind him.
|
|
|
|
AND THE GIANT LASER DRILL COMES SMASHING THROUGH THE PALACE
|
|
WALL.
|
|
|
|
YONDU
|
|
Hey there, Jackass.
|
|
|
|
Ego looks surprised.
|
|
|
|
The LASER DRILL lands on Ego, SQUASHING HIM.
|
|
|
|
The tendril retracts from Quill as he falls and heaves for
|
|
breath.
|
|
|
|
|
|
160 EARTH - EXT. STREET - DAY 160
|
|
|
|
The cosmic plant, barreling down the street, suddenly
|
|
STOPS.
|
|
|
|
|
|
161 INT. PALACE/LASER DRILL - SUNRISE 161
|
|
|
|
Drax, Gamora, Nebula, and Mantis rush into the crumbling
|
|
palace.
|
|
|
|
The door on the side of the Laser Drill SLIDES OPEN. Baby
|
|
Groot is standing there, smiling, and waving.
|
|
|
|
DRAX
|
|
Out of the way, dumber, smaller
|
|
Groot.
|
|
|
|
As Drax crawls in, Groot starts PUNCHING Drax as hard as he
|
|
can. Probably because he called him dumb, but who’s to say.
|
|
|
|
Gamora helps up Quill.
|
|
|
|
GAMORA
|
|
I told you something didn’t feel
|
|
right.
|
|
|
|
QUILL
|
|
‘I told you so.’ That’s really what
|
|
I need right now.
|
|
|
|
GAMORA
|
|
106.
|
|
|
|
|
|
I came back, didn’t I?
|
|
|
|
QUILL
|
|
Because there’s an unspoken thing.
|
|
|
|
GAMORA
|
|
There is no unspoken thing.
|
|
|
|
|
|
162 INT. LASER DRILL - NIGHT 162
|
|
|
|
Drax, Mantis, Gamora, and Quill step inside the door.
|
|
|
|
DRAX
|
|
What are you doing? You could have
|
|
killed us all crashing in here like
|
|
that!
|
|
|
|
ROCKET
|
|
Uh, ‘Thank you, Rocket’?
|
|
|
|
DRAX
|
|
We had it under control.
|
|
|
|
MANTIS
|
|
We did not. That is only an
|
|
extension of his true self. He will
|
|
be back soon.
|
|
|
|
QUILL
|
|
(re: Nebula)
|
|
What’s Smurfette doing here!?
|
|
|
|
NEBULA
|
|
Back rubs, dishes, killing gods,
|
|
whatever I need to do to get a damn
|
|
ride home.
|
|
|
|
ROCKET
|
|
She tried to murder me!
|
|
|
|
NEBULA
|
|
I saved you, you stupid fox.
|
|
|
|
GAMORA
|
|
He’s not a fox.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
ROCKET
|
|
I’m not a raboon either!
|
|
107.
|
|
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
ROCKET
|
|
‘Raccoon,’ whatever!
|
|
|
|
Drax looks out the window.
|
|
|
|
|
|
163 INT. PALACE - NIGHT 163
|
|
|
|
TENTACLE-LIKE STRANDS BURST UP through the palace flooring
|
|
all around the drill.
|
|
|
|
|
|
164 INT. PALACE - NIGHT 164
|
|
|
|
Drax turns to the others.
|
|
|
|
DRAX
|
|
How do we kill a Celestial?
|
|
|
|
QUILL
|
|
There’s the center to him - his
|
|
brain, his soul, whatever it is, in
|
|
some sort of shell --
|
|
|
|
MANTIS
|
|
It’s in the caverns below the
|
|
surface.
|
|
|
|
Quill climbs up the ladder to see -
|
|
|
|
QUILL
|
|
YONDU?
|
|
|
|
Nebula looks at Gamora.
|
|
|
|
NEBULA
|
|
If he’s got that fin back, I am so
|
|
screwed.
|
|
|
|
|
|
165 I/E. PALACE - SUNRISE 165
|
|
|
|
Yondu THRUSTS the ship upward for takeoff. But TENTACLES
|
|
wrap around the ship --
|
|
|
|
And YANK IT BACK DOWN into the floor, destroying the
|
|
foundation of the palce.
|
|
|
|
THE ENTIRE PALACE SLOPES.
|
|
108.
|
|
|
|
|
|
166 INT. LASER DRILL - SUNRISE 166
|
|
|
|
Everyone FALLS forward.
|
|
|
|
YONDU
|
|
Thrusters are out!
|
|
|
|
Quill starts rewiring the mechanics.
|
|
|
|
QUILL
|
|
I guess I should be glad I was a
|
|
skinny kid. Otherwise you would
|
|
have delivered me to this maniac!
|
|
|
|
YONDU
|
|
You still reckon that’s the reason
|
|
I kept you around, you idiot?!
|
|
|
|
QUILL
|
|
That’s what you told me, you old
|
|
doofus!
|
|
|
|
YONDU
|
|
Once I figured out what happened to
|
|
them other kids, I wasn’t gonna
|
|
just hand you over.
|
|
|
|
QUILL
|
|
You said you were gonna eat me!
|
|
|
|
YONDU
|
|
That was being funny!
|
|
|
|
QUILL
|
|
Not to me!!
|
|
|
|
ROCKET
|
|
You people have issues.
|
|
|
|
Quill sees THROUGH THE WINDSHIELD where EGO’S CREEPY
|
|
SKELETAL is GROWING IN FRONT OF THEM.
|
|
|
|
QUILL
|
|
Of course I have issues that’s my
|
|
fricking father!!... Thrusters are
|
|
back up.
|
|
|
|
Quill thrusts the ship FORWARD instead of up.
|
|
|
|
It CRASHES through Ego and DOWN THE SLOPING FLOOR --
|
|
|
|
And OUT THROUGH the giant pane of glass at the end.
|
|
109.
|
|
|
|
|
|
167 I/E. LASER DRILL/CRACK IN THE PLANET - SUNRISE 167
|
|
|
|
Everyone holds on in what’s essentially the worst roller
|
|
coaster drop ever.
|
|
|
|
YONDU
|
|
We should be going up!
|
|
|
|
QUILL
|
|
We can’t. Ego wants to eradicate
|
|
the universe as we know it. We have
|
|
to kill him.
|
|
|
|
They PLUMMET toward a fissure in the earth below. It’s too
|
|
small for the ship.
|
|
|
|
QUILL
|
|
Rocket!
|
|
|
|
ROCKET
|
|
Got it.
|
|
|
|
Rocket BLASTS the lasers perfectly, CHIPPING AWAY PIECES of
|
|
rock, forming an opening in the crack.
|
|
|
|
They SMASH into the opening, barely fitting, leading down
|
|
into the planet.
|
|
|
|
Quill flies perfectly, TWISTING through tunnels and around
|
|
corners.
|
|
|
|
Rocket mans the lasers, BLASTING PIECES OUT OF PLACE just
|
|
in time so they can SCRAPE through.
|
|
|
|
ROCKET
|
|
So, we’re saving the galaxy again?
|
|
|
|
QUILL
|
|
I guess.
|
|
|
|
ROCKET
|
|
Awesome. We’ll really be able to
|
|
jack up our prices if we’re two-
|
|
time-galaxy savers.
|
|
|
|
QUILL
|
|
I seriously can’t believe that is
|
|
where your mind goes.
|
|
|
|
ROCKET
|
|
It was just a random thought, man!
|
|
I thought we were friends!
|
|
110.
|
|
|
|
|
|
ROCKET
|
|
Of course I care about the planets,
|
|
and the buildings, and all of the
|
|
animals on the planets.
|
|
|
|
QUILL
|
|
And the people.
|
|
|
|
ROCKET
|
|
Meh.
|
|
|
|
Mantis GIGGLES.
|
|
|
|
MANTIS
|
|
The crabby puppy is so cute he
|
|
makes me want to die!
|
|
|
|
DRAX
|
|
Your suicidal thoughts sadden me,
|
|
but your wish will likely come
|
|
true.
|
|
|
|
|
|
168 I/E. QUADRANT FLIGHT DECK - OUTER SPACE 168
|
|
|
|
MEANWHILE, Kraglin is mellowly hanging out, eating some
|
|
soup and listening to “WHAM BAM” BY SILVER as he sees
|
|
something out in the distance of space. He looks a bit
|
|
closer.
|
|
|
|
SOVEREIGN OMNICRAFT ARE POPPING THROUGH JUMP POINTS ABOVE
|
|
EGO’S PLANET.
|
|
|
|
|
|
169 EXT. AYESHA’S SPACECRAFT - OUTER SPACE 169
|
|
|
|
AYESHA is remotely piloting one of the ships. She looks
|
|
determined and angry on the vid-screen.
|
|
|
|
And, one by one, Sovereign OMNICRAFT POP IN all around her,
|
|
until there is a large fleet.
|
|
|
|
|
|
170 INT. SOVEREIGN PILOT BAY - DAY 170
|
|
|
|
Ayesha, in full pilot gear, yells into her comm.
|
|
|
|
AYESHA
|
|
Pilots, release envoy units!
|
|
|
|
|
|
171 EXT. AYESHA’S SPACECRAFT - OUTER SPACE 171
|
|
111.
|
|
|
|
|
|
Smaller, more nimble robotic ENVOYS, like big pods with
|
|
blasters for arms - detach from the front of every
|
|
Omnicraft.
|
|
|
|
AYESHA
|
|
Our sensors detect the batteries
|
|
are below the surface of the
|
|
planet.
|
|
|
|
|
|
172 INT. SOVEREIGN PILOT BAY - DAY 172
|
|
|
|
AYESHA
|
|
Dive!
|
|
|
|
OVERHEAD SHOT: On the screens in all the pods, the envoys
|
|
DIVE toward the planet from slightly different directions.
|
|
|
|
|
|
173 I/E. QUADRANT FLIGHT DECK - OUTER SPACE 173
|
|
|
|
Kraglin, in shock, watches the massive fleet of envoys
|
|
diving downward. He grabs the comm.
|
|
|
|
KRAGLIN
|
|
Uhh... Cap’n?
|
|
|
|
No answer.
|
|
|
|
KRAGLIN
|
|
Cap’n?
|
|
|
|
|
|
174 INT. LASER DRILL/CRACK IN THE PLANET - SUNRISE 174
|
|
|
|
Yondu doesn’t hear the CRACKLING SPEAKER beside him as they
|
|
maneuver down through the fissure. Quill eyes him.
|
|
|
|
YONDU
|
|
So why’d Ego want you here?
|
|
|
|
QUILL
|
|
He needs my genetic connection to
|
|
the light to help destroy the
|
|
universe. He tried to teach me how
|
|
to control the power.
|
|
|
|
YONDU
|
|
So could you?
|
|
|
|
QUILL
|
|
A little. I made a ball.
|
|
112.
|
|
|
|
|
|
YONDU
|
|
A ball?
|
|
|
|
QUILL
|
|
I thought as hard as a could,
|
|
that’s all I could come up with.
|
|
|
|
YONDU
|
|
You ‘thought’?
|
|
|
|
Quill nods.
|
|
|
|
YONDU
|
|
You think when I make this arrow
|
|
fly I use my head?
|
|
|
|
QUILL
|
|
What do you use?
|
|
|
|
They look at each other instead of where they’re going, and
|
|
the CRASH into an overhanging piece of rock.
|
|
|
|
The entire side door is RIPPED OFF.
|
|
|
|
As the SCREECH through a smaller space and into --
|
|
|
|
|
|
175 INT. PLANET’S HOLLOW/LASER DRILL - DAY 175
|
|
|
|
The Laser Drill DROPS into this enormous open space within
|
|
the planet.
|
|
|
|
The Guardians gather on the side of the ship open to the
|
|
hollow, gazing out at its stunning beauty, lit by Ego’s
|
|
white glow running throughout it.
|
|
|
|
GAMORA
|
|
Whoa.
|
|
|
|
Mantis turns, looking through the portholes on the other
|
|
side.
|
|
|
|
MANTIS
|
|
There! Thats Ego’s core.
|
|
|
|
Mantis points at the Self Chamber, down below them. They
|
|
twist down towards it.
|
|
|
|
GAMORA
|
|
That ore’s thick. Rocket, we’re
|
|
gonna need to use the big laser.
|
|
113.
|
|
|
|
|
|
Rocket nods, FLICKS switches.
|
|
|
|
All the small lasers on the sides move through grooves to
|
|
combine into one huge laser in the center of the ship: the
|
|
MEGA-LASER.
|
|
|
|
MANTIS
|
|
We must hurry. It will not take Ego
|
|
long to find us.
|
|
|
|
ROCKET
|
|
Keep it still!
|
|
|
|
Quill steadies the craft as best he can beside the Self
|
|
Chamber. But it’s an unwieldy beast, built for power, not
|
|
precision.
|
|
|
|
Rocket powers up the mega-laser and holds tight to the
|
|
SHUDDERING CONTROLS as it DRILLS, BURNING a HOLE into the
|
|
protective sheathe. It melts and drips down.
|
|
|
|
QUILL
|
|
We drill into the center, we kill
|
|
him.
|
|
|
|
Quill holds tight to the steering wheel. Yondu notices the
|
|
BLINKING LIGHT on the comm. He taps it.
|
|
|
|
YONDU
|
|
What is it, Kraglin?
|
|
|
|
KRAGLIN (O.S.)
|
|
Um, remember that Ayesha chick?
|
|
|
|
YONDU
|
|
Yeah, why?
|
|
|
|
Yondu looks out the window where AYESHA’S SQUADRON is
|
|
SWOOPING OUT OF the cracks in the ceiling all around them.
|
|
|
|
YONDU
|
|
Aw, hell.
|
|
|
|
Quill PULLS AWAY from the envoys.
|
|
|
|
But the Sovereign envoys start BLASTING AT THE CRAFT all at
|
|
once; the LASER LOSES POWER and the VEHICLE TURNS SIDEWAYS
|
|
-
|
|
|
|
Drax, Mantis, and Gamora GO TUMBLING from the hole in the
|
|
side. Nebula and Groot grab onto the floor.
|
|
114.
|
|
|
|
|
|
176 INT. BELOW SELF CHAMBER - DAY 176
|
|
|
|
Gamora, Drax, and Mantis FALL from an incredible height.
|
|
They LAND - ONE, TWO, THREE - WITH APLOMB.
|
|
|
|
Gamora looks up and sees the Laser Drill CURL behind the
|
|
Self Chamber as it tries to avoid the envoys’ BLASTERS.
|
|
|
|
|
|
177 INT. SELF CHAMBER/LASER DRILL - DAY 177
|
|
|
|
Nebula and Groot settle as the ship rights itself and
|
|
BLASTS PIERCE the ship around them.
|
|
|
|
Quill peers down at Rocket, who has jumped out of his seat
|
|
and is pouring out the contents of his satchel.
|
|
|
|
QUILL
|
|
Why aren’t you firing the laser?!
|
|
|
|
ROCKET
|
|
They blew out the generator! I
|
|
think I packed a small detonator.
|
|
|
|
NEBULA
|
|
A detonator is worthless without
|
|
explosives!
|
|
|
|
ROCKET
|
|
We got these!
|
|
|
|
Rocket shows Nebula the Anulax batteries.
|
|
|
|
Quill leaves the controls to Yondu as he CLIMBS down beside
|
|
Rocket, now messing with wiring on his BOMB.
|
|
|
|
QUILL
|
|
Is it strong enough to kill Ego?
|
|
|
|
ROCKET
|
|
If it is, it will cause a chain
|
|
reaction throughout his entire
|
|
nervous system.
|
|
|
|
QUILL
|
|
Meaning what?
|
|
|
|
ROCKET
|
|
The entire planet will explode.
|
|
We’ll have to get out of here fast.
|
|
I rigged a timer.
|
|
115.
|
|
|
|
|
|
Rocket stuffs the bomb back in his satchel. Groot climbs on
|
|
his back.
|
|
|
|
Rocket and Quill slap on their AERO RIGS.
|
|
|
|
QUILL
|
|
Go!
|
|
|
|
The run and jump out of the laser drill, FLYING ON THEIR
|
|
AERO RIGS, avoiding the GUNFIRE.
|
|
|
|
The ZOOM towards the blast hole on the side of the self
|
|
chamber.
|
|
|
|
|
|
178 INT. OPENING OF BLAST HOLE - DAY 178
|
|
|
|
Rocket and Quill land here, messily, TUMBLING.
|
|
|
|
|
|
179 INT. BELOW SELF CHAMBER - DAY 179
|
|
|
|
Mantis is worried about something else entirely; the entire
|
|
chasm begins TREMBLING and the walls start to MUTATE.
|
|
|
|
MANTIS
|
|
He’s coming.
|
|
|
|
DRAX
|
|
Didn’t you say you could make him
|
|
sleep?
|
|
|
|
MANTIS
|
|
When he wants! He’s too powerful! I
|
|
can’t!
|
|
|
|
DRAX
|
|
You don’t have to believe in
|
|
yourself because I believe in you.
|
|
|
|
They look ahead. They see, on the enormous wall in front of
|
|
them, the LIGHT-FORM of a giant EGO SCREAMING ANGRILY.
|
|
|
|
His SCREAM becomes a TUNNEL OF ROCKS RUSHING TOWARDS THEM
|
|
like a train.
|
|
|
|
Mantis sees a nerve bundle on the ground coming from Ego’s
|
|
Core. Although afraid, she grabs it.
|
|
|
|
MANTIS
|
|
SLEEP!
|
|
116.
|
|
|
|
|
|
She SCREAMS with effort and some pain as energy travels
|
|
through the bundle and into the core, where it darkens.
|
|
|
|
The LIGHT LEAVES THE ROCK FORMATION and it SLAMS into the
|
|
ground in front of them, SPLASHING DIRT OVER THEM.
|
|
|
|
But they are safe, shivering. Drax and Gamora look at each
|
|
other.
|
|
|
|
DRAX
|
|
I never thought she’d be able to do
|
|
it. With as skinny and weak as she
|
|
appears to be.
|
|
|
|
Mantis’s arm is TREMBLING.
|
|
|
|
MANTIS
|
|
I don’t know how long I can hold
|
|
him!
|
|
|
|
GAMORA
|
|
You need to, girl. If you don’t
|
|
keep Ego at bay, we all die.
|
|
|
|
|
|
180 INT. OPENING OF BLAST HOLE - DAY 180
|
|
|
|
Rocket shines a powerful PEN-LIGHT inside the cavity,
|
|
exposing the interior, spattered with Swiss-cheese-like
|
|
holes glowing with light.
|
|
|
|
ROCKET
|
|
The metal is too thick! For the
|
|
bomb to work we’d actually need to
|
|
place it on Ego’s core. And our fat
|
|
butts ain’t gonna fit through those
|
|
tiny holes.
|
|
|
|
QUILL
|
|
Well...
|
|
|
|
Quill slowly eyes Groot, who is playing with a leaf on his
|
|
arm and thinking about something else entirely.
|
|
|
|
ROCKET
|
|
That’s a terrible idea.
|
|
|
|
QUILL
|
|
Which is the only kind of idea we
|
|
got left.
|
|
|
|
Rocket SIGHS. He puts Groot on his back and MOVES with
|
|
Groot deeper into the blast hole, mumbling to himself:
|
|
117.
|
|
|
|
|
|
ROCKET
|
|
Unbelievable. ‘Rocket, do this.
|
|
Rocket, do that.’
|
|
|
|
Quill turns toward the opening. PUSH UP AND IN ON QUILL.
|
|
|
|
QUILL
|
|
Uh, what a day.
|
|
|
|
He jumps out into the fray.
|
|
|
|
|
|
181 INT. PLANET’S HOLLOW - DAY 181
|
|
|
|
Quill FLIES UP as a ship FLIES in toward him BLASTING, and
|
|
he’s about to fire back. MAN VS. SPACESHIP. This is most
|
|
likely the beginning of the biggest, baddest fight scene
|
|
ever, but instead we CUT TO -
|
|
|
|
|
|
182 INT. INSIDE BLAST HOLE - DAY 182
|
|
|
|
Quiet. Blasts in the deep background. Rocket places a tiny
|
|
bomb in front of Groot. It is a small, simple device with
|
|
two switches and two buttons. He explains, very carefully:
|
|
|
|
ROCKET
|
|
All right. First you flick this
|
|
switch, then this switch. That
|
|
activates it. And then you push
|
|
this button, which will give you
|
|
five minutes to get out of there.
|
|
Whatever you do don’t push this
|
|
button, because that will set off
|
|
the bomb immediately, and we’ll all
|
|
be dead. Now repeat back what I
|
|
just said.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
ROCKET
|
|
Uh huh.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
ROCKET
|
|
That’s right.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
118.
|
|
|
|
|
|
ROCKET
|
|
No! That’s the button that will
|
|
kill everyone! Try again.
|
|
|
|
Groot thinks.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
Rocket nods.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
Rocket nods.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
ROCKET
|
|
No! That’s exactly what you just
|
|
said! How is that even possible?!
|
|
Which button is the button you’re
|
|
supposed to push?! Point to it.
|
|
|
|
Groot thinks. And he points to the one that will kill
|
|
everyone.
|
|
|
|
ROCKET
|
|
NO!!!
|
|
|
|
QUILL (O.S.)
|
|
Hey, you’re making him nervous!
|
|
|
|
Rocket runs to see, at the end of the hole, a sliver of the
|
|
outside as Quill peeks in while SHOOTING at envoys.
|
|
|
|
ROCKET
|
|
Shut up! And give me some tape!
|
|
Does anyone have any tape out
|
|
there!? I want to put some tape
|
|
over the death button!
|
|
|
|
QUILL
|
|
I don’t have any tape. Let me
|
|
check.
|
|
|
|
Quill disappears from the hole. As Rocket waits, he hears,
|
|
amongst the chaos, faintly -
|
|
|
|
QUILL (O.S.)
|
|
Yo, Yondu, do you have any - ow! -
|
|
do you have any tape?!
|
|
119.
|
|
|
|
|
|
O.S. GUN BLASTS.
|
|
|
|
We hear VOICES GRUMBLING.
|
|
|
|
Rocket and Groot look around, waiting. Rocket is impatient.
|
|
|
|
He coughs. Groot is like a bored kid in a waiting room. He
|
|
shifts around and plays with the wires on the bomb.
|
|
|
|
Quill reappears outside the hole, SHOOTING an envoy.
|
|
|
|
QUILL
|
|
No one has any tape.
|
|
|
|
ROCKET
|
|
Not a single person has tape?
|
|
|
|
QUILL
|
|
You have priceless batteries and an
|
|
atomic bomb in your bag! If anyone
|
|
had tape it would be you!
|
|
|
|
ROCKET
|
|
That’s exactly my point! I have to
|
|
do everything!
|
|
|
|
QUILL
|
|
Dude, you’re wasting time!
|
|
|
|
Rocket turns back to Groot, who has already taken the bomb
|
|
and is heading towards the hole.
|
|
|
|
He makes a “WHEEEEEE” sound and smiles brightly as he HOPS
|
|
into the hole and SLIDES down as if on a water slide.
|
|
|
|
Rocket, heavy-lidded, watches him go.
|
|
|
|
ROCKET
|
|
We’re all gonna die.
|
|
|
|
|
|
183 INT. PLANET'S HOLLOW/LASER DRILL - DAY 183
|
|
|
|
Yondu and Nebula, in the cockpit, are being overcome as
|
|
blasts come through the walls.
|
|
|
|
YONDU
|
|
We’re done for without the
|
|
generator.
|
|
|
|
Nebula MOANS, frustrated. She flips open a section of the
|
|
dashboard, then a part of her arm.
|
|
120.
|
|
|
|
|
|
184 INT. PLANET'S HOLLOW/LASER DRILL - DAY 184
|
|
|
|
The remaining Sovereign envoys have ENCIRCLED the battered
|
|
Laser Drill, BLASTING IT TO BITS.
|
|
|
|
Quill FLIES into the Laser Drill, SLAMMING into the wall.
|
|
|
|
AYESHA (ON SHIP)
|
|
Guardians! Perhaps it will provide
|
|
you solace that your deaths are not
|
|
without purpose.
|
|
|
|
Nebula is feeding the wires from the craft into her
|
|
mechanical arm.
|
|
|
|
|
|
185 INT. SOVEREIGN PILOT BAY - DAY 185
|
|
|
|
The actual Ayesha, fitted with the pilot gear, looks at the
|
|
Laser Drill on the screen.
|
|
|
|
AYESHA
|
|
They will serve as a warning to all
|
|
of those tempted with betraying us;
|
|
don’t screw with the Sovereign.
|
|
|
|
|
|
186 INT. PLANET'S HOLLOW/LASER DRILL - DAY 186
|
|
|
|
Yondu works some switches: The LASERS slide back into the
|
|
slots all over the ship.
|
|
|
|
YONDU
|
|
This is gonna hurt.
|
|
|
|
NEBULA
|
|
Promises, promises.
|
|
|
|
Yondu flips ALL the switches; ALL THE POWER RUNS PAINFULLY
|
|
OUT OF NEBULA’S BODY INTO THE VEHICLE --
|
|
|
|
AND THE LASERS BEAM OUT OF THE SHIP IN ALL DIRECTIONS AT
|
|
ONCE, like a dangerous disco ball, slicing through almost
|
|
nearly every single ENVOY.
|
|
|
|
|
|
187 INT. BELOW SELF CHAMBER - DAY 187
|
|
|
|
A BEAM ALMOST HITS Drax, but he LEAPS out of the way. Smoke
|
|
rises from a hole in the ground between him and Mantis.
|
|
|
|
DRAX
|
|
Hey!
|
|
121.
|
|
|
|
|
|
188 INT. PLANET'S HOLLOW/LASER DRILL - DAY 188
|
|
|
|
With flair, Yondu spins the pilot’s wheel, so that the
|
|
whole rig REVOLVES.
|
|
|
|
Ayesha looks on, in horror as the BEAMS SLICE THROUGH the
|
|
remaining CRAFT - and one is COMING HER WAY.
|
|
|
|
AYESHA (ON SHIP)
|
|
NO!!
|
|
|
|
AYESHA’S ENVOY IS RIPPED APART.
|
|
|
|
|
|
189 INT. SOVEREIGN PILOT BAY - DAY 189
|
|
|
|
Ayesha SITS BACK. She looks around her at the other pods:
|
|
all of them are down.
|
|
|
|
AYESHA
|
|
NO! NOOOOO!!
|
|
|
|
|
|
190 INT. PLANET'S HOLLOW/LASER DRILL - DAY 190
|
|
|
|
Quill sees FLAMING CHUNKS FLY into the rig...
|
|
|
|
And FIRE SPILLING toward the ship’s engine, dripping fuel.
|
|
|
|
QUILL
|
|
We’re gonna blow!
|
|
|
|
Yondu WHISTLES as the FLAMES HIT THE FUEL -
|
|
|
|
|
|
191 INT. BELOW SELF CHAMBER - DAY 191
|
|
|
|
Gamora watches as the ENTIRE LASER DRILL EXPLODES. She is
|
|
stricken.
|
|
|
|
GAMORA
|
|
Peter?
|
|
|
|
She sees a tiny body flying from the ship - it’s Nebula,
|
|
who LANDS across from her on her feet.
|
|
|
|
Gamora looks at her, worried. Nebula gives her what might
|
|
be a little smile, and looks upward. Gamora follows her
|
|
line of sight.
|
|
122.
|
|
|
|
|
|
Quill is FLYING FROM THE EXPLOSION on his aero-rig. Yondu
|
|
is holding onto a flying arrow: his one arm up straight,
|
|
his heels touching. Quill looks at him and SNICKERS.
|
|
|
|
YONDU
|
|
What?
|
|
|
|
QUILL
|
|
You look like Mary Poppins.
|
|
|
|
YONDU
|
|
Is he cool?
|
|
|
|
Quill looks at the man who raised him. He smiles.
|
|
|
|
QUILL
|
|
Yeah. He’s cool.
|
|
|
|
Yondu looks out at the Guardians as he comes in for a
|
|
landing.
|
|
|
|
YONDU
|
|
I’m Mary Poppins, y’all!
|
|
|
|
Quill and Yondu LAND beside Nebula. Gamora sees Quill and
|
|
MARCHES TOWARD HIM.
|
|
|
|
The CAMERA CIRCLES GAMORA AND QUILL, FIERY SHIP FRAGMENTS
|
|
RAINING DOWN AROUND THEM IN SLOW-MOTION, as if this is the
|
|
greatest heavy metal video of all time.
|
|
|
|
The other Guardians enter, one by one - Nebula, Drax,
|
|
Yondu, Rocket FLYING DOWN on his aero-rig, and finally,
|
|
Mantis, staring forward with concentration until --
|
|
|
|
A HUGE CHUNK OF SPACESHIP FLIES IN FROM THE SIDE,
|
|
FLATTENING MANTIS. The others all look down at her in
|
|
shock.
|
|
|
|
QUILL
|
|
Oh. Wow.
|
|
|
|
Mantis, UNCONSCIOUS BENEATH a ship fragment, has lost hold
|
|
of Ego.
|
|
|
|
THE ENTIRE HOLLOW AROUND THEM BEGINS TO RUMBLE. THE GROUND
|
|
AND WALLS THEMSELVES SHIFT and WAVER.
|
|
|
|
The whole cavity is alive. Drax checks on Mantis.
|
|
|
|
DRAX
|
|
She’s just unconscious.
|
|
123.
|
|
|
|
|
|
192 INT. SELF CHAMBER TUNNELS - DAY 192
|
|
|
|
Groot RUNS and HOPS through the tunnels. He comes to a
|
|
crossroads.
|
|
|
|
He sees a COSMIC LIGHT emanating from one tunnel. He dashes
|
|
off toward it.
|
|
|
|
|
|
193 INT. BELOW SELF CHAMBER - DAY 193
|
|
|
|
QUILL
|
|
How long before the bomb goes off?
|
|
|
|
ROCKET
|
|
In the unlikely event Groot doesn’t
|
|
kill us all, about six minutes.
|
|
|
|
Yondu speaks into the comm on his lapel.
|
|
|
|
YONDU
|
|
Kraglin.
|
|
|
|
|
|
194 INT. QUADRANT FLIGHT DECK - DAY 194
|
|
|
|
Kraglin, NODDING OUT, abruptly wakes.
|
|
|
|
YONDU (O.S.)
|
|
We need the Quadrant for extraction
|
|
in T-minus five minutes.
|
|
|
|
KRAGLIN
|
|
Aye, Cap’n!
|
|
|
|
|
|
195 EXT. BELOW SELF CHAMBER - DAY 195
|
|
|
|
Our heroes peer up to see the SURFACE OF THE PLANET
|
|
UNFOLDING ABOVE THEM, so that THE BRIGHT SKY SHINES
|
|
THROUGH.
|
|
|
|
QUILL
|
|
Someone needs to be up top when
|
|
Kraglin arrives. Drax, take Mantis.
|
|
|
|
Drax nods. He picks up Mantis. Quill grabs the aero-rig off
|
|
himself and SLAPS it on Drax’s back, which AUTOMATICALLY
|
|
WRAPS around his upper body.
|
|
|
|
DRAX
|
|
Ahhh! My nipples!
|
|
124.
|
|
|
|
|
|
He FLIES UPWARD.
|
|
|
|
The ground around them SPLITS INTO ENORMOUS CRACKS. Gamora
|
|
sees a CRACK IN THE EARTH RUSHING TOWARD her and Quill, and
|
|
she turns toward him.
|
|
|
|
And Gamora’s side CRUMBLES AWAY, GAMORA FALLING DOWN with
|
|
it.
|
|
|
|
QUILL
|
|
Gamora!!
|
|
|
|
HUGE BURSTS OF EARTH SHOOT UP all around Drax, Yondu,
|
|
Rocket, and Quill.
|
|
|
|
The planet has formed GIANT TENTACLES THAT HURTLE towards
|
|
our heroes.
|
|
|
|
|
|
196 EXT. LOWER RIFT - DAY 196
|
|
|
|
Gamora is PLUMMETING, seemingly to her death, when she
|
|
looks over and sees Nebula FALLING just behind her.
|
|
|
|
Nebula grabs Gamora’s arm and then grabs onto a passing
|
|
cliff.
|
|
|
|
They SNAP TO A STOP- OW! - hanging down off the side.
|
|
|
|
Nebula tosses Gamora up onto a flat surface.
|
|
|
|
As Nebula climbs up after her, Gamora looks at her, wary
|
|
but surprised by this beneficence.
|
|
|
|
NEBULA
|
|
Oh, get over it.
|
|
|
|
|
|
197 EXT. BELOW SELF CHAMBER - DAY 197
|
|
|
|
Quill BLASTS a tentacle.
|
|
|
|
Yondu WHISTLES, the ARROW WEAVING THROUGH TENTACLES around
|
|
them.
|
|
|
|
Rocket TOSSES a bunch of tiny bombs at some, which they
|
|
stick to and EXPLODE.
|
|
|
|
But they are by no means winning this fight.
|
|
|
|
|
|
198 EXT. PLANET SURFACE - DAY 198
|
|
125.
|
|
|
|
|
|
The giant Quadrant LOWERS toward the surface.
|
|
|
|
|
|
199 EXT. LOWER RIFT - DAY 199
|
|
|
|
Gamora looks at Nebula.
|
|
|
|
GAMORA
|
|
We have to get up to the extraction
|
|
point!
|
|
|
|
They look over the edge and see a huge RIFT OF LAND RISING
|
|
QUICKLY. They look at each other and JUMP -
|
|
|
|
They GRAB ONTO THE EDGE of the rising rift, CLUTCHING TO IT
|
|
as it FLIES upward toward the open space above them.
|
|
|
|
|
|
200 EXT. PLANET SURFACE - DAY 200
|
|
|
|
Drax FLIES UP onto the surface; he sees the Quadrant
|
|
waiting for him there. He DARTS for the ship.
|
|
|
|
|
|
201 INT. QUADRANT FLIGHT DECK - DAY 201
|
|
|
|
Kraglin opens the LOADING DOOR
|
|
|
|
|
|
202 EXT. PLANET SURFACE - DAY 202
|
|
|
|
But huge swatches of the planet reach up and GRAB onto the
|
|
Quadrant, YANKING IT DOWN.
|
|
|
|
|
|
203 INT. QUADRANT FLIGHT DECK - DAY 203
|
|
|
|
Kraglin, freaking out, throws the thrusters into high gear.
|
|
|
|
|
|
204 I/E. PLANET SURFACE/QUADRANT LOADING BAY - DAY 204
|
|
|
|
The thrusters FLARE as the massive ship STRUGGLES to free
|
|
itself from Ego’s tendrils.
|
|
|
|
And it does PULL ITSELF UP for a moment, but the tendrils
|
|
tighten, SLAMMING it back down.
|
|
|
|
The whole Quadrant starts to TIP OVER. Kraglin falls down
|
|
against the side of the ship.
|
|
126.
|
|
|
|
|
|
Drax sees the ship FALLING TOWARDS HIM and he RUNS away
|
|
from it in fear.
|
|
|
|
But he arrives a the edge of a cliff. He crouches as the
|
|
ship CONTINUES DOWN toward him, about to SQUASH both he and
|
|
Mantis --
|
|
|
|
But Kraglin heroically CRAWLS his way back up to the
|
|
controls as he dangles from them. He pushes on the
|
|
thrusters, so that the ship goes back upright.
|
|
|
|
Drax turns and again RUNS toward the Quadrant.
|
|
|
|
|
|
205 EXT. PLANET’S HOLLOW - DAY 205
|
|
|
|
Gamora and Nebula are still rising on the rift when they
|
|
SLAM into a wall near the opening in the surface of the
|
|
planet.
|
|
|
|
|
|
206 EXT. BELOW SELF CHAMBER - DAY 206
|
|
|
|
Quill turns and sees Ego, in his terrifying SKELETAL LIGHT
|
|
FORM, STROLLING DOWN TOWARDS HIM as the land around him
|
|
PARTS LIKE THE RED SEA.
|
|
|
|
As Ego walks, THE DIRT AND MOLECULES AROUND EGO FORM ORGANS
|
|
IN HIS BODY, piecing himself back together.
|
|
|
|
Quill sees a tentacle SLAM Yondu to the ground and COVER
|
|
HIS ENTIRE BODY.
|
|
|
|
He turns to see Rocket HOLLERING as he FIRES at tentacles,
|
|
but they OVERWHELM him.
|
|
|
|
|
|
207 EXT. PLANET SURFACE - DAY 207
|
|
|
|
The earth WRAPS AROUND Drax’s legs like quicksand, pulling
|
|
him and Mantis down into it.
|
|
|
|
|
|
208 EXT. PLANET’S HOLLOW - DAY 208
|
|
|
|
Gamora and Nebula scramble, trying to CLIMB BACK UP, when
|
|
TENDRILS WRAP AROUND THEM, stopping them from going
|
|
further.
|
|
|
|
|
|
209 INT. SELF CHAMBER TUNNELS - DAY 209
|
|
127.
|
|
|
|
|
|
The walls are tightening around Groot. He grows his
|
|
branches to try to stop them, but they aren’t working.
|
|
|
|
He begins to CRY, like an actual baby, terrified, on the
|
|
brink of suffocating.
|
|
|
|
|
|
210 EXT. BELOW SELF CHAMBER - DAY 210
|
|
|
|
Ego approaches his son. He is fully formed, and he is more
|
|
truly “himself.” Alien. Dark eyes and pale skin.
|
|
|
|
EGO
|
|
I told you I don’t want to do this
|
|
alone.
|
|
|
|
|
|
211 EXT. BELOW SELF CHAMBER - DAY 211
|
|
|
|
EGO
|
|
You cannot deny the purpose the
|
|
universe has bestowed upon you!
|
|
|
|
And once again, the LIGHT TENDRILS STAB THROUGH QUILL’S
|
|
BACK, thrusting him to his knees.
|
|
|
|
Smaller light tendrils stab into his face and body.
|
|
|
|
And we see the LIGHT being sucked out of Quill and up into
|
|
the Self Chamber once more as it BURSTS WITH LIGHT.
|
|
|
|
|
|
212 EARTH - EXT. STREET - DAY 212
|
|
|
|
POLICE OFFICERS and bystanders are in the streets, snapping
|
|
phone photos, etc, beside the HUGE, STILL SWATCH OF EGO’S
|
|
LIFEFORM.
|
|
|
|
OFFICER FITZGIBBON
|
|
Please, everyone. Step back. I need
|
|
you all to clear the -
|
|
|
|
WEIRD OLD MAN
|
|
What is that?
|
|
|
|
The LIFEFORM ALIGHTS WITH ENERGY and MOVES again, SPILLING
|
|
INCREDIBLY QUICKLY towards them.
|
|
|
|
People abandon their cars in traffic as it RUNS OVER THEM.
|
|
|
|
A WOMAN FALLS. People TRAMPLE around her.
|
|
128.
|
|
|
|
|
|
But an old man’s hands reach in, helping her up.
|
|
|
|
REVEAL GRANDPA QUILL, in his 70’s or 80’s now.
|
|
|
|
GRANDPA QUILL
|
|
Come on, ma’am.
|
|
|
|
He HELPS the woman into an SUV.
|
|
|
|
He SLAMS on the gas, SCREECHING AWAY from the enormous
|
|
tidal wave of organic light.
|
|
|
|
|
|
213 XANDAR - I/E. STARBLASTER/CITY - DAY 213
|
|
|
|
EGO’S LIFEFORM smashes down the PARK WALLS and into the
|
|
street.
|
|
|
|
EGO
|
|
(O.S)
|
|
It doesn’t need to be like this
|
|
Peter
|
|
|
|
|
|
214 EXT. BELOW SELF CHAMBER - DAY 214
|
|
|
|
Ego approaches his son.
|
|
|
|
EGO
|
|
Why are you destroying our chance?!
|
|
|
|
|
|
215 AAKON - EXT. AAKON CITY - NIGHT 215
|
|
|
|
AAKONS run from a giant wave behind them.
|
|
|
|
EGO
|
|
(O.S)
|
|
Stop pretending you aren’t, what
|
|
you are!
|
|
|
|
|
|
216 KREE HOMEWORLD - EXT. STEEP HILLSIDE - DAY 216
|
|
|
|
KREE MONKS run from the cosmic flesh as it pours down the
|
|
hillside behind them.
|
|
|
|
But it’s too fast, RUSHING OVER THEM.
|
|
|
|
|
|
217 PRIMITIVE PLANET - EXT. WETLANDS - DAY 217
|
|
129.
|
|
|
|
|
|
THOUSANDS OF ORLONI are darting in fear across this dusty
|
|
desert, as it WASHES OVER them.
|
|
|
|
EGO
|
|
(O.S)
|
|
One in billions..
|
|
|
|
|
|
218 ARAGO-7 - EXT. STONY LANDSCAPE - DAY 218
|
|
|
|
THREE HURCTARIANS run, SCREAMING.
|
|
|
|
EGO
|
|
(O.S)
|
|
Trillions, even more!
|
|
|
|
|
|
219 EASIK - EXT. FOREST - NIGHT 219
|
|
|
|
AN EASIK MOTHER clutches her BABY, covering it with her own
|
|
body, as the spreading lifeform LOOMS UP behind her.
|
|
|
|
She closes her eyes and waits for the worst.
|
|
|
|
|
|
220 EXT. BELOW SELF CHAMBER - DAY 220
|
|
|
|
Quill looks up at Ego, barely able to focus, as the
|
|
molecules form skin over the muscle and skeleton and
|
|
innards beneath.
|
|
|
|
EGO
|
|
What greater meaning could life
|
|
possibly have to offer?!
|
|
|
|
Yondu struggles beneath the tentacle beside Quill.
|
|
|
|
YONDU
|
|
I don’t use my head to fly the
|
|
arrow, boy! I use my h -
|
|
|
|
Quill hears this as the earth COVERS Yondu’s face.
|
|
|
|
Quill LOOKS INWARD. And suddenly, everything becomes...
|
|
|
|
QUIET.
|
|
|
|
Tears come to Peter Quill’s eyes as he remember those
|
|
around him and what they mean to him. And we see his
|
|
MEMORIES.
|
|
130.
|
|
|
|
|
|
- YOUNG PETER QUILL AND HIS MOTHER CUDDLED AND LISTENING TO
|
|
MUSIC ON THE WALKMAN TOGETHER, EACH WITH ONE EAR PIECE.
|
|
|
|
- QUILL AND DRAX LAUGHING HYSTERICALLY ON THE MILANO.
|
|
|
|
- GAMORA AND PETER LOOKING INTO EACH OTHER’S EYES AND
|
|
DANCING ON KNOWHERE.
|
|
|
|
- QUILL AND ROCKET FLYING THROUGH THE SKY ON AERO-RIGS FOR
|
|
THE FIRST TIME, SMILING AS THE AIR RUSHES THROUGH THEIR
|
|
HAIR. BABY GROOT CLUTCHES HAPPILY ONTO QUILL’S BACK.
|
|
|
|
- YONDU AND YOUNG QUILL IN THE FOREST. YONDU’S ARM IS ON
|
|
PETER’S ARM AS HE TEACHES HIM HOW TO SHOOT.
|
|
|
|
Quill looks back up at Ego as we HEAR the gentle chords of
|
|
FLEETWOOD MAC’S “THE CHAIN” starts echoing throughout the
|
|
hollow.
|
|
|
|
He clutches his fist and we see the light growing within
|
|
it.
|
|
|
|
Bits of earth begin to ROLL UP AND SCRAMBLE AND SWIRL
|
|
around Quill’s body, his arms, his legs, as if he’s pulling
|
|
them towards himself with magnets.
|
|
|
|
And Ego looks confused, as the GROUND QUAKES AROUND HIM.
|
|
|
|
Quill glares at his father, his voice distorting with
|
|
Celestial thunder.
|
|
|
|
QUILL
|
|
You shouldn’t have killed my mom
|
|
and squished my walkman.
|
|
|
|
Ahd a SOLID TORNADO OF EARTH PROPELS QUILL FORWARD. Ego
|
|
tries to protect himself as Quill SLAMS into him, FLYING
|
|
UPWARDS WITH HIM --
|
|
|
|
Quill raises his fist, NOW A GIANT CLUB. And he SMASHES
|
|
Ego.
|
|
|
|
As Ego loses his concentration --
|
|
|
|
|
|
221 EXT. PLANET’S SURFACE - DAY 221
|
|
|
|
A pair of arms are protruding from the surface of the
|
|
planet, still holding Mantis aloft.
|
|
|
|
The earth falls away, and Drax, who was entirely covered,
|
|
heaves for breath.
|
|
131.
|
|
|
|
|
|
222 EXT. CRACK IN PLANET - DAY 222
|
|
|
|
The TENDRILS FALL, freeing Gamora and Nebula as they GASP.
|
|
|
|
|
|
223 EXT. BELOW SELF CHAMBER - DAY 223
|
|
|
|
Yondu BREAKS THROUGH THE ROCKS around him, drawing in
|
|
breath.
|
|
|
|
The TENTACLES HOLDING ROCKET ALOFT CRUMBLE, and he looks
|
|
around, confused.
|
|
|
|
|
|
224 EARTH - EXT. ST. CHARLES, MISSOURI - DAY 224
|
|
|
|
The WAVE PUSHES UP against the back of Grandpa Quill’s
|
|
CAMARO and suddenly STOPS:
|
|
|
|
the mountainous plant, a hundred stories high, is up
|
|
against the back of the car.
|
|
|
|
|
|
225 EASIK - EXT. FOREST - NIGHT 225
|
|
|
|
The Easik Mother clutching her baby looks behind her; the
|
|
wave has stopped.
|
|
|
|
She clutches her baby to her chest, relieved.
|
|
|
|
|
|
226 INT. SELF CHAMBER TUNNELS - DAY 226
|
|
|
|
The tunnel around Groot SNAPS BACK to what it was. Once
|
|
more he can see the light at the tunnel’s end, and one
|
|
looks like a GIANT BRAIN composed of prismatic light.
|
|
|
|
He RUNS forward.
|
|
|
|
|
|
227 INT. INSIDE BLAST HOLE - DAY 227
|
|
|
|
Rocket flies up and yells at Groot.
|
|
|
|
ROCKET
|
|
Groot! Groot, if you can can hear
|
|
me, hurry up - I’m not sure how
|
|
long Quill can keep him distracted!
|
|
|
|
|
|
228 INT. SELF CHAMBER CORE - DAY 228
|
|
132.
|
|
|
|
|
|
Groot ARRIVES at the end of the tunnel, and stops there.
|
|
|
|
The center of the core holds a huge cosmic placenta, and,
|
|
within that, EGO’S TRUE SELF, the COSMIC BRAIN. It ROILS
|
|
FURIOUSLY, the reflection of its fight with Quill,
|
|
thrashing around within this womb.
|
|
|
|
Although afraid, Groot places the bomb on the placenta.
|
|
|
|
Groot stares at both buttons, scared - he doesn’t know
|
|
which one to pick.
|
|
|
|
Groot makes a decision on which button to press. He goes to
|
|
push the death button.
|
|
|
|
Then his finger STOPS just millimeters from the button,
|
|
TREMBLING. He thinks...
|
|
|
|
And then changes the course of his finger, PUSHING THE
|
|
CORRECT BUTTON.
|
|
|
|
THE COUNTDOWN CLOCK COMMENCES.
|
|
|
|
Baby Groot turns, terrified, and RUNS.
|
|
|
|
|
|
229 I/E. PLANET SURFACE/QUADRANT LOADING BAY - DAY 229
|
|
|
|
Drax moves with Mantis into the loading bay. He throws her
|
|
down and climbs up a ladder.
|
|
|
|
THE CAMERA SWINGS TO GAMORA AND NEBULA, climbing up to the
|
|
surface in the dirt storm.
|
|
|
|
|
|
230 INT. PLANETS HOLLOW - DAY 230
|
|
|
|
Ego RISES on his own MOLECULAR TORNADO and STRIKES BACK at
|
|
Quill. He YELLS as he SLAMS Quill against the wall,
|
|
DRAGGING his face along the wall.
|
|
|
|
He TOSSES Quill into a another wall.
|
|
|
|
|
|
231 EXT. BELOW SELF CHAMBER/PLANET’S HOLLOW - DAY 231
|
|
|
|
QUILL brings his ARM FILLED WITH LIGHT away from the wall,
|
|
so that he causes a WAVE OF LIGHT AND ROCK around the
|
|
interior of the hollow, FLYING TO EGO and knocking him
|
|
aside.
|
|
133.
|
|
|
|
|
|
Yondu protects his face as DIRT SWIRLS in the wake of the
|
|
Quill/Ego battle.
|
|
|
|
Rocket, carrying Groot, FLIES BACK DOWN beside him.
|
|
|
|
ROCKET
|
|
Yondu! We’re about to blow!
|
|
|
|
YONDU
|
|
Get to the ship.
|
|
|
|
ROCKET
|
|
Not without Quill.
|
|
|
|
YONDU
|
|
You gotta take care of the twig.
|
|
|
|
ROCKET
|
|
Not without you.
|
|
|
|
YONDU
|
|
I ain’t done nothing right my whole
|
|
damn life, rat. You need to give me
|
|
this.
|
|
|
|
Rocket, hesitantly, nods. He grabs some things from his
|
|
bag.
|
|
|
|
He hands them to Yondu.
|
|
|
|
ROCKET
|
|
A space suit and an aero rig. I
|
|
only have one of each.
|
|
|
|
Yondu nods. Rocket nods too.
|
|
|
|
Rocket starts to go, but STOPS and looks at Yondu.
|
|
|
|
He wants to say something, but he doesn’t know what. Baby
|
|
Groot does.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
YONDU
|
|
What’s that?
|
|
|
|
ROCKET
|
|
He says welcome to the frickin’
|
|
Guardians of the Galaxy... only he
|
|
didn’t use ‘frickin’.
|
|
134.
|
|
|
|
|
|
YONDU
|
|
Bye, twig.
|
|
|
|
Groot waves.
|
|
|
|
And Rocket FLIES UP toward the surface. Rocket mutters to
|
|
Groot.
|
|
|
|
ROCKET
|
|
We’re gonna need to have a
|
|
discussion about your language.
|
|
|
|
|
|
232 EXT. BELOW SELF CHAMBER/PLANET’S HOLLOW - DAY 232
|
|
|
|
Ego SLAMS Quill back against a wall. Ego pulls the huge
|
|
rocks away from the wall, FLYING THEM TOWARDS HIM and
|
|
BATTERING HIM THERE.
|
|
|
|
Ego and Quill FLY TOWARDS each other.
|
|
|
|
Ego uses the LIGHT TO BRING ROCKS TO HIS BODY, forming a
|
|
giant AVATAR OF HIMSELF.
|
|
|
|
Quill brings YELLOW ROCKS to his body, forming a GIANT PAC-
|
|
MAN.
|
|
|
|
Ego’s form flies into Pac-Man’s mouth, so hard there’s a
|
|
SONIC BOOM.
|
|
|
|
They fall, TUMBLING, still striking one another on the way
|
|
down.
|
|
|
|
They LAND HARD.
|
|
|
|
|
|
233 INT. SELF CHAMBER CORE - DAY 233
|
|
|
|
The timer counts down. A minute left.
|
|
|
|
|
|
234 I/E. PLANET SURFACE/QUADRANT LOADING BAY - DAY 234
|
|
|
|
Gamora and Nebula are caring for Mantis as Rocket and Groot
|
|
ARRIVE.
|
|
|
|
GAMORA
|
|
Where’s Peter?
|
|
|
|
Rocket doesn’t answer. Or he can’t answer.
|
|
|
|
GAMORA
|
|
135.
|
|
|
|
|
|
Rocket, where is he?!
|
|
|
|
Rocket looks down at a timer in his hand. The time is
|
|
almost there.
|
|
|
|
GAMORA
|
|
Rocket?! Rocket, look at me! Where
|
|
is he?!
|
|
|
|
Rocket just shakes his head a little.
|
|
|
|
But Groot points sadly outside.
|
|
|
|
GAMORA
|
|
I’m not leaving without him.
|
|
|
|
Gamora hardens. She stands and SNATCHES A RIFLE off the
|
|
wall.
|
|
|
|
She COCKS IT.
|
|
|
|
She STARTS OUT the bay door --
|
|
|
|
When AN ELECTRICAL BLAST HITS HER from behind.
|
|
|
|
She FALLS OVER, unconscious, REVEALING Rocket with his gun.
|
|
|
|
ROCKET
|
|
I’m sorry. I can only afford to
|
|
lose one friend today.
|
|
(into comm)
|
|
Kraglin, GO!
|
|
|
|
|
|
235 INT. QUADRANT FLIGHT DECK - DAY 235
|
|
|
|
Drax looks uncertain as Kraglin presses thrust.
|
|
|
|
DRAX
|
|
Wait. Is Quill back?
|
|
(into comm)
|
|
Rocket, where’s Quill?!
|
|
|
|
|
|
236 I/E. PLANET SURFACE/QUADRANT LOADING BAY - DAY 236
|
|
|
|
Rocket looks sadly out the bay door as it CLOSES; Drax’s
|
|
voice echoes on his comm.
|
|
|
|
DRAX (O.S.)
|
|
Where’s Quill?! WHERE’S QUILL?!
|
|
136.
|
|
|
|
|
|
237 EXT. BELOW SELF CHAMBER - DAY 237
|
|
|
|
Quill and Ego are exhausted, on their knees and leaning
|
|
against one another like boxers after too many rounds.
|
|
|
|
|
|
238 INT. SELF CHAMBER CORE - DAY 238
|
|
|
|
The timer reads 00:26 seconds
|
|
|
|
|
|
239 EXT. BELOW SELF CHAMBER - DAY 239
|
|
|
|
Ego reaches for the core..
|
|
|
|
EGO
|
|
No, we need to stop it!
|
|
|
|
Quill throws him to the ground. But Ego comes back up,
|
|
grasping his son’s jacket, pleading with him now.
|
|
|
|
EGO
|
|
Listen to me! You are a god! If you
|
|
kill me, you’ll just be like
|
|
everyone else!
|
|
|
|
QUILL
|
|
What’s so wrong with that?
|
|
|
|
Ego looks at his son, scared.
|
|
|
|
EGO
|
|
NO -
|
|
|
|
|
|
240 INT. SELF CHAMBER CORE - DAY 240
|
|
|
|
The countdown reaches zero. The brain EXPLODES.
|
|
|
|
|
|
241 I/E. EGO’S NERVOUS SYSTEM - DAY 241
|
|
|
|
The explosion causes the life forces to BURST THROUGH THE
|
|
ENTIRE PLANET.
|
|
|
|
|
|
242 EXT. BELOW SELF CHAMBER - DAY 242
|
|
|
|
Everything around Quill is EXPLODING.
|
|
|
|
He looks down at his hands, where the glow FADES and
|
|
DISAPPEARS.
|
|
137.
|
|
|
|
|
|
He gazes up at the mammoth walls around him as they BLOW UP
|
|
and COLLAPSE.
|
|
|
|
He lowers at head, at peace with the death that’s coming,
|
|
when, from the side, through the debris --
|
|
|
|
|
|
243 YONDU IS FLYING TOWARDS HIM ON AN AERO-RIG. 243
|
|
|
|
Yondu GRABS him, almost a tackle, really, LIFTING HIM up
|
|
and FLYING AWAY.
|
|
|
|
|
|
244 EXT. PLANET'S HOLLOW - DAY 244
|
|
|
|
As Yondu and Quill FLY UPWARD, the planet EXPLODES behind
|
|
them, flames licking their heels, huge stretches of the
|
|
planet caving in.
|
|
|
|
|
|
245 EXT. SKY - DAY 245
|
|
|
|
Yondu holds a surprised Quill as they SOAR up into the sky,
|
|
|
|
YONDU
|
|
He may have been your father, boy.
|
|
But he wasn’t your daddy.
|
|
|
|
QUILL
|
|
What?
|
|
|
|
YONDU
|
|
I’m sorry I didn’t do it right. I’m
|
|
damn lucky you’re my boy.
|
|
|
|
Quill is touched.
|
|
|
|
Yondu SLAPS the SPACESUIT disk onto Quill; THE SHIMMERY
|
|
SHEATHE COVERS HIM.
|
|
|
|
QUILL
|
|
What?
|
|
|
|
Yondu breathes out as completely as he can, emptying his
|
|
lungs. And they EXIT THE PLANET’S ATMOSPHERE, bursting into
|
|
-
|
|
|
|
|
|
246 EXT. SPACE - OUTER SPACE 246
|
|
|
|
Quill struggles to get free, but Yondu holds him there,
|
|
trapping him, but it is also an embrace. The ENTIRE PLANET
|
|
is COLLAPSING BEHIND THEM.
|
|
138.
|
|
|
|
|
|
QUILL
|
|
Yondu, you can’t! What are you
|
|
doing? What are you doing?!
|
|
|
|
Yondu’s jet pack expires its supply of fuel, and they STOP
|
|
THERE, in space, FLOATING.
|
|
|
|
Yondu’s grip weakens. Quill turns to face him.
|
|
|
|
QUILL
|
|
Yondu. Yondu, no!
|
|
|
|
Yondu grabs his son’s face with both hands, looking and
|
|
touching him with love.
|
|
|
|
QUILL
|
|
No.
|
|
|
|
And Yondu’s FACE EXPANDS and his BODY GOES LIMP as he DIES
|
|
there. And he starts to DRIFT AWAY. Quill grabs onto his
|
|
shirt. He is CRYING.
|
|
|
|
QUILL
|
|
No!
|
|
|
|
And, suddenly, behind Quill, Rocket and Drax PROPEL
|
|
themselves toward him in aero-rigs, GRABBING him.
|
|
|
|
FADE TO BLACK
|
|
|
|
|
|
247 INT. ECLECTOR CREMATORY - LATER 247
|
|
|
|
Yondu’s body lies on a plank here: Various colored cloths
|
|
are laid in strips over his body and face, yaro lilies
|
|
beneath him, red-fired pyres and Yondu’s toys all around.
|
|
|
|
Rocket, Groot, Drax, Gamora, Mantis, and Kraglin surround
|
|
the table. Quill is at the head. He has to say a few words.
|
|
But it is not easy.
|
|
|
|
QUILL
|
|
The other day I told Gamora how I
|
|
used to pretend my dad was David
|
|
Hasselhoff.
|
|
|
|
Rocket and Drax exchange a look.
|
|
|
|
QUILL
|
|
He’s a singer and actor from
|
|
earth... a really famous guy.
|
|
|
|
Drax nods.
|
|
139.
|
|
|
|
|
|
QUILL
|
|
And, you know, today it struck me.
|
|
Yondu didn’t have a talking car,
|
|
but he did have a flying arrow. And
|
|
he didn’t have the voice of an
|
|
angel, but he did have the whistle
|
|
of one. And both David Hasselhoff
|
|
and Yondu went on kickass
|
|
adventures, and hooked up with hot
|
|
women, and fought robots. So, the
|
|
thing is, David Hasselhoff kinda
|
|
did end up being my Dad after all,
|
|
only he was Yondu. I had a pretty
|
|
cool Dad.
|
|
|
|
Quill starts to break down.
|
|
|
|
QUILL
|
|
And what I’m trying to say here is,
|
|
that thing you’re searching for
|
|
your whole life, sometimes it’s
|
|
right there by your side all along
|
|
and you don’t even know it.
|
|
|
|
Gamora sees Nebula, watching from a darkened doorway,
|
|
before she turns and walks away. She moves after her.
|
|
|
|
Groot looks up at an upset Rocket.
|
|
|
|
GROOT
|
|
I am Groot?
|
|
|
|
ROCKET
|
|
Yeah. That’s the friend I was
|
|
talking about.
|
|
|
|
GROOT
|
|
I am Groot.
|
|
|
|
ROCKET
|
|
He did call you ‘twig.’
|
|
|
|
|
|
248 INT. QUADRANT SMALL HALLWAY - MOMENTS LATER 248
|
|
|
|
Gamora catches up to Nebula in the hall.
|
|
|
|
GAMORA
|
|
Nebula.
|
|
|
|
Nebula turns toward her, but she doesn’t look her in the
|
|
eye.
|
|
140.
|
|
|
|
|
|
GAMORA
|
|
I was just a child. Like you. I was
|
|
concerned with staying alive until
|
|
the next day - every day. And I
|
|
never considered what Thanos was
|
|
doing to you. I am sorry.
|
|
|
|
Nebula nods.
|
|
|
|
GAMORA
|
|
I’m trying to make it right,
|
|
everything I did.
|
|
|
|
GAMORA
|
|
There are little girls like you
|
|
were - little boys - all over the
|
|
universe - who are in danger. You
|
|
can stay with us, and help them.
|
|
|
|
NEBULA
|
|
I’ll help them by killing Thanos.
|
|
|
|
GAMORA
|
|
I don’t know if that’s possible.
|
|
|
|
Nebula shrugs: maybe. She turns to leave. But Gamora grabs
|
|
her, perhaps too roughly. Nebula turns, ready to snap.
|
|
|
|
And Gamora EMBRACES her. Nebula does not know how to react.
|
|
|
|
GAMORA
|
|
You’ll always be my sister.
|
|
|
|
Tears well in Nebula’s eyes and, for just a moment, she
|
|
embraces her sister back with one hand...
|
|
|
|
Before pushing her away and leaving.
|
|
|
|
|
|
249 INT. ECLECTOR CREMATORY - MOMENTS LATER 249
|
|
|
|
The Guardians lift Yondu on the plank. A bulbous and rusty
|
|
crematory is at the center of the room. It doesn’t burn
|
|
with fire, but a SWIRLING, VIBRANT COSMIC ENERGY.
|
|
|
|
They SLIDE YONDU IN as they watch with sadness and respect
|
|
as his body is enveloped by the sparkling colors. Quill
|
|
closes the door on the crematory.
|
|
|
|
As Quill moves away, Kraglin approaches.
|
|
|
|
KRAGLIN
|
|
Pete.
|
|
141.
|
|
|
|
|
|
Quill turns toward him. He’s holding something.
|
|
|
|
KRAGLIN
|
|
Cap’n found this for you in a
|
|
junker shop. Said someday you’d
|
|
come back to the fold.
|
|
|
|
Kraglin puts an MP3 player in his hand.
|
|
|
|
KRAGLIN
|
|
It’s called a Zune - what everyone
|
|
listens to on earth nowadays. It’s
|
|
got three hundred songs.
|
|
|
|
Quill nods, touched.
|
|
|
|
QUILL
|
|
Wait.
|
|
|
|
Quill holds out Yondu’s arrow. Kraglin’s lip trembles.
|
|
|
|
QUILL
|
|
Rocket grabbed the pieces and
|
|
reassembled them. I think Yondu
|
|
would want you to have it.
|
|
|
|
KRAGLIN
|
|
Thank you... Cap’n.
|
|
|
|
|
|
250 EXT. QUADRANT - OUTER SPACE 250
|
|
|
|
Yondu’s SPARKLING ASHES ARE BLOWN OUT IN SPURTS FROM THE
|
|
CREMATORY INTO SPACE.
|
|
|
|
|
|
251 INT. QUADRANT FLIGHT DECK - OUTER SPACE 251
|
|
|
|
Rocket, Drax, and Mantis are here, watching Yondu’s ashes
|
|
in the vacuum of space, SWIRLING almost magically.
|
|
|
|
|
|
252 INT. CAPTAIN’S QUARTERS - OUTER SPACE 252
|
|
|
|
Quill sits down on the bed in Yondu’s quarters. He scrolls
|
|
through selections on the Zune.
|
|
|
|
He comes to “FATHER AND SON” by CAT STEVENS.
|
|
|
|
He PRESSES PLAY.
|
|
142.
|
|
|
|
|
|
He listens. As he does, Groot crawls up onto the bed, and
|
|
then onto his lap.
|
|
|
|
Quill offers him one of the ear buds.
|
|
|
|
Groot holds it against his ear, amazed by the clarity of
|
|
sound. Quill watches him, hearing the beauty of the song
|
|
more through Groot’s face than the music itself.
|
|
|
|
And they sit there together, listening to the music, a new
|
|
father and son.
|
|
|
|
|
|
253 INT. M-SHIP - OUTER SPACE 253
|
|
|
|
Nebula FLIES AWAY, sad, perhaps regretful, but forcing her
|
|
chin up to brace against what’s to come.
|
|
|
|
|
|
254 INT. QUADRANT SMALL HALLWAY - OUTER SPACE 254
|
|
|
|
Gamora watches, THROUGH A WINDOW, as Nebula leaves.
|
|
|
|
|
|
255 INT. QUADRANT FLIGHT DECK - OUTER SPACE 255
|
|
|
|
Rocket sees something by the ashes. His eyes alight.
|
|
|
|
ROCKET
|
|
They came.
|
|
|
|
|
|
256 INT. CAPTAIN’S QUARTERS - OUTER SPACE 256
|
|
|
|
Groot sees COLORFUL FLASHING LIGHTS out of the window. He
|
|
pulls on Quill’s shirt to show him.
|
|
|
|
They go to get a better view.
|
|
|
|
|
|
257 INT. QUADRANT FLIGHT DECK - OUTER SPACE 257
|
|
|
|
Drax and Rocket see Yondu’s COSMIC ASHES PULSING AND
|
|
SWIRLING out in space as, one by one, enormous RAVAGER
|
|
SHIPS arrive around them.
|
|
|
|
They each FLASH SPECIFIC LIGHT SEQUENCES - and, with all
|
|
the ships together - it looks like fireworks.
|
|
|
|
DRAX
|
|
What is it?
|
|
143.
|
|
|
|
|
|
ROCKET
|
|
I sent word to Yondu’s old Ravager
|
|
buddies and told them what he did.
|
|
|
|
Quill comes up behind them with Groot, just as Gamora
|
|
enters.
|
|
|
|
Quill smiles.
|
|
|
|
QUILL
|
|
It’s a Ravager funeral.
|
|
|
|
|
|
258 INT. HALLWAY - OUTER SPACE 258
|
|
|
|
Kraglin sees it from here. He SCREAMS with joy, and he
|
|
slams his fist twice against his chest, a Ravager salute.
|
|
|
|
|
|
259 I/E. RAVAGER FLIGHT DECK 1 - OUTER SPACE 259
|
|
|
|
STAKAR and Martinex watch him there, moved.
|
|
|
|
MARTINEX
|
|
He didn’t let us down after all,
|
|
Cap’n.
|
|
|
|
STAKAR
|
|
No, he did not, son. He did not.
|
|
|
|
|
|
260 I/E. RAVAGER FLIGHT DECK 2 - OUTER SPACE 260
|
|
|
|
CHARLIE-27, an enormous man, is wistful as he salutes.
|
|
|
|
CHARLIE-27
|
|
Fare thee well, old friend.
|
|
|
|
|
|
261 I/E. RAVAGER FLIGHT DECK 3 - OUTER SPACE 261
|
|
|
|
ALETA is here, tears in her eyes, alcohol in her hand, an
|
|
ALL-FEMALE RAVAGER CREW around her.
|
|
|
|
ALETA
|
|
See you in the stars, Yondu Udonta.
|
|
|
|
|
|
262 INT. QUADRANT FLIGHT DECK - OUTER SPACE 262
|
|
|
|
And the Guardians all watch, enchanted by the majesty.
|
|
144.
|
|
|
|
|
|
ROCKET
|
|
He didn’t chase ‘em away.
|
|
|
|
QUILL
|
|
No.
|
|
|
|
ROCKET
|
|
Even though he yelled at ‘em.
|
|
|
|
Quill shakes his head.
|
|
|
|
ROCKET
|
|
And was always mean.
|
|
|
|
Quill shakes his head.
|
|
|
|
ROCKET
|
|
And he stole batteries he didn’t
|
|
need.
|
|
|
|
Quill is surprised - what? And then he looks at Rocket, a
|
|
little animal who doesn’t know the rules of how to be any
|
|
more than a young boy whose tribe sold him into slavery.
|
|
|
|
QUILL
|
|
Of course not.
|
|
|
|
Baby Groot is on Gamora’s shoulder. He reaches for Drax,
|
|
who takes him. Baby Groot YAWNS and nuzzles into Drax’s
|
|
shoulder, falling asleep. Drax lovingly pats his back.
|
|
|
|
Gamora looks at Drax and Groot, and Rocket, and Mantis,
|
|
taking it all in, this strange family of hers. She turns to
|
|
Quill, staring at him with love.
|
|
|
|
QUILL
|
|
What?
|
|
|
|
GAMORA
|
|
It’s just some unspoken thing.
|
|
|
|
Quill wraps his arm around her and she sinks into him.
|
|
|
|
Mantis smiles and becomes teary and GASPS, overwhelmed, as
|
|
she looks out the window.
|
|
|
|
MANTIS
|
|
It’s beautiful.
|
|
|
|
DRAX
|
|
It is. And so are you.
|
|
(beat)
|
|
On the inside.
|
|
145.
|
|
|
|
|
|
They turn back to the window and they stand there together,
|
|
our Guardians of the Galaxy, watching the Ravager funeral
|
|
and the colorful dust of an old friend dance.
|
|
|
|
And the shape of the dust seems to form something very
|
|
close to an ARROW.
|
|
|
|
Rocket sees this and he cries.
|
|
|
|
THE END (NOT REALLY)
|
|
|
|
RUN CREDITS.
|
|
|
|
“SURRENDER” BY CHEAP TRICK PLAYS.
|
|
|
|
|
|
263 CREDIT BREAK 1 - INT. ECLECTOR HALLWAY - OUTER SPACE 263
|
|
|
|
SURRENDER is PLAYING HERE. Kraglin has had a version of
|
|
Yondu’s fin implanted in his head. He looks nervously down
|
|
at the arrow on the floor.
|
|
|
|
He tries to WHISTLE. It just flips around like a dead fish.
|
|
|
|
He WHISTLES again, and it FLIES UP, hitting a wall, and
|
|
falls back down again.
|
|
|
|
He WHISTLES again, and it ZIPS AWAY. We HEAR A SCREAM.
|
|
|
|
Kraglin looks around the corner where Drax is sitting, the
|
|
ARROW IMPALED in his chest, yelling in agony.
|
|
|
|
Kraglin looks around, hoping no one saw him there, and he
|
|
tries to slink away.
|
|
|
|
MORE CREDITS as SURRENDER CHORUS KICKS IN: Mommy’s all
|
|
right, Daddy’s all right, they just seem a little weird.
|
|
|
|
|
|
264 END CREDITS - INT. STAKAR’S SHIP - OUTER SPACE 264
|
|
|
|
Stakar looks sad, serious.
|
|
|
|
STAKAR
|
|
It’s a shame it takes a tragedy
|
|
like losing Yondu to bring us all
|
|
back together. But I think he’d be
|
|
proud if he knew we were working as
|
|
a team again.
|
|
146.
|
|
|
|
|
|
Over Stakar we see this incredibly motley crew - MARTINEX,
|
|
CHARLIE-27, ALETA, who is holding MAINFRAME (a robotic head
|
|
in a cage), and the mouthless, wormlike KRUGARR,
|
|
|
|
STAKAR
|
|
What say we steal some shit?
|
|
|
|
CHARLIE-27
|
|
In.
|
|
|
|
MARTINEX
|
|
Dope.
|
|
|
|
MAINFRAME
|
|
I MISSED you guys!
|
|
|
|
Krugarr makes a hex symbol and TWO COLORFUL THUMBS-UP BURST
|
|
in front of him.
|
|
|
|
ALETA
|
|
Hell. Yes.
|
|
|
|
|
|
265 END CREDITS - INT. BIRTHING PODS CHAMBER - DAY 265
|
|
|
|
Ayesha sits on a bench, brooding, disheveled and still
|
|
furious. The Chambermaid cautiously approaches.
|
|
|
|
CHAMBERMAID
|
|
High Priestess, the Council is
|
|
waiting.
|
|
|
|
AYESHA
|
|
They are perturbed I have wasted
|
|
our resources.
|
|
|
|
The Chambermaid smiles politely, nods slightly, agreeing in
|
|
a circumspect manner. Ayesha stares across the way.
|
|
|
|
AYESHA
|
|
When they see what I have created
|
|
here, their wrath will dissipate,
|
|
though it will be some time.
|
|
|
|
The Chambermaid looks where Ayesha is looking.
|
|
|
|
CHAMBERMAID
|
|
That is not just another birthing
|
|
pod, ma’am?
|
|
|
|
AYESHA
|
|
147.
|
|
|
|
|
|
That, my child, is the next step in
|
|
our evolution: more powerful, more
|
|
beautiful, and more capable of
|
|
destroying the Guardians of the
|
|
Galaxy.
|
|
|
|
A large, human-sized cocoon stands where Ayesha stares.
|
|
|
|
AYESHA
|
|
I think I shall call him... ‘Adam’.
|
|
|
|
|
|
266 BOX OVER CREDITS - INT. GROOT’S BEDROOM - OUTER SPACE 266
|
|
|
|
Quill is standing in the bedroom doorway, looking down.
|
|
|
|
QUILL
|
|
Dude, seriously, you got to clean
|
|
up your room. It’s a complete mess.
|
|
|
|
We REVEAL a gawky ADOLESCENT GROOT, hunched over, playing a
|
|
video game, in this very messy room.
|
|
|
|
ADOLESCENT GROOT
|
|
I am Groot.
|
|
|
|
QUILL
|
|
I’m not boring, man. You’re boring.
|
|
Once I got stuck on a planet where
|
|
everyone was just lines and dots. I
|
|
had to use geometry to get out of
|
|
prison. Is that boring?
|
|
|
|
Adolescent Groot shakes his head in disdain.
|
|
|
|
QUILL
|
|
You know what’s boring? Not doing
|
|
the dishes. What’s boring is me
|
|
tripping over your vines
|
|
everywhere.
|
|
|
|
Adolescent Groot SIGHS.
|
|
|
|
QUILL
|
|
Drax and I switched pants in the
|
|
middle of that party last weekend.
|
|
For no reason other than we’re
|
|
awesome and very much not boring.
|
|
|
|
Quill starts to walk away then comes back.
|
|
|
|
QUILL
|
|
148.
|
|
|
|
|
|
Once I got a venereal disease that
|
|
made me float for three days...
|
|
Don’t tell Gamora... it’s dormant,
|
|
but... If that’s boring then, I
|
|
guess I’m boring.
|
|
|
|
He looks at him.
|
|
|
|
QUILL
|
|
I’m not boring.
|
|
|
|
Groot ROLLS HIS EYES and makes an exasperated sound.
|
|
|
|
QUILL
|
|
What’s boring is when you roll your
|
|
eyes like that at me and make an
|
|
exasperated sound like I’m an old,
|
|
boring, stupid idiot.
|
|
|
|
Quill thinks.
|
|
|
|
QUILL
|
|
Now I know how Yondu felt.
|
|
|
|
Quill begins to CRY.
|
|
|
|
QUILL
|
|
Yondu.
|
|
|
|
CUT TO BLACK.
|
|
|
|
THE END
|
|
|