Arthur's post-presidency was the second shortest of all presidents who lived past their presidency.

(meta data) TITLE: James K. Polk: Life After the Presidency | Miller Center

## James K. Polk: Life After the Presidency

True to his word, in 1848 Polk reiterated his intention to retire at the end of his single term, although he could easily have been nominated for a second term.

He confided in his diary that he felt "exceedingly relieved" to be free from public duty.

Unfortunately, he was able to enjoy less than three months of retirement, the least of any former President.

After handing over the reins of government to his successor, Zachary Taylor, the Whig candidate whom he had correctly suspected of planning to use his Mexican War heroism to seek the presidency, Polk embarked on an extensive tour of the southern states.

His trip took him from the Atlantic seaboard, west along the Gulf states, and up the Mississippi River to Tennessee.

Everywhere he traveled, the crowds were large and festive, and he felt overjoyed with the proclamations of affection and thanks.

At the end of the trip, he moved into his recently purchased estate in Nashville, which the former President named "Polk Place."

He spent his final weeks there remodeling the estate and sorting through his presidential papers.

Seriously ill during the last days of his tour, possibly from cholera that had broken out in New Orleans while he was there, Polk cut short his trip because of fatigue and bouts of diarrhea.

At first he thought that it was just more of the same symptoms that had plagued him throughout his life, but his weakness grew progressively worse.

Polk left most of his estate to his wife, with the request that she free their slaves upon her death.

In 1893, Polk's body was transferred from the Polk Place cemetery to a tomb at the state capitol in Nashville.

###### Life After the Presidency (Current Essay)

He took on few assignments with the firm and was often too ill to leave his house. He managed a few public appearances, until the end of 1885.

After spending the summer of 1886 in New London, Connecticut, he returned home where he became seriously ill, and on November 16, ordered nearly all of his papers, both personal and official, burned. The next morning, Arthur suffered a cerebral hemorrhage and never regained consciousness; he died the following day, November 18, at the age of 57. On November 22, a private funeral was held at the Church of the Heavenly Rest in New York City, attended by President Cleveland and ex-President Hayes, among other notables. Arthur was buried with his family members and ancestors in the Albany Rural Cemetery in Menands, New York. He was laid beside his wife in a sarcophagus on a large corner of the plot. In 1889, a monument was placed on Arthur's burial plot by sculptor Ephraim Keyser of New York, consisting of a giant bronze female angel figure placing a bronze palm leaf on a granite sarcophagus.


Arthur's post-presidency was shorter than James K. Polk's brief three-month retirement.

He took on few assignments with the firm and was often too ill to leave his house. He managed a few public appearances, until the end of 1885.

After spending the summer of 1886 in New London, Connecticut, he returned home where he became seriously ill, and on November 16, ordered nearly all of his papers, both personal and official, burned. The next morning, Arthur suffered a cerebral hemorrhage and never regained consciousness; he died the following day, November 18, at the age of 57. On November 22, a private funeral was held at the Church of the Heavenly Rest in New York City, attended by President Cleveland and ex-President Hayes, among other notables. Arthur was buried with his family members and ancestors in the Albany Rural Cemetery in Menands, New York. He was laid beside his wife in a sarcophagus on a large corner of the plot. In 1889, a monument was placed on Arthur's burial plot by sculptor Ephraim Keyser of New York, consisting of a giant bronze female angel figure placing a bronze palm leaf on a granite sarcophagus. Arthur's post-presidency was the second shortest of all presidents who lived past their presidency.


James K. Polk died after his brief three-month retirement.

He took on few assignments with the firm and was often too ill to leave his house. He managed a few public appearances, until the end of 1885.

After spending the summer of 1886 in New London, Connecticut, he returned home where he became seriously ill, and on November 16, ordered nearly all of his papers, both personal and official, burned. The next morning, Arthur suffered a cerebral hemorrhage and never regained consciousness; he died the following day, November 18, at the age of 57. On November 22, a private funeral was held at the Church of the Heavenly Rest in New York City, attended by President Cleveland and ex-President Hayes, among other notables. Arthur was buried with his family members and ancestors in the Albany Rural Cemetery in Menands, New York. He was laid beside his wife in a sarcophagus on a large corner of the plot. In 1889, a monument was placed on Arthur's burial plot by sculptor Ephraim Keyser of New York, consisting of a giant bronze female angel figure placing a bronze palm leaf on a granite sarcophagus. Arthur's post-presidency was the second shortest of all presidents who lived past their presidency. Arthur's post-presidency was shorter than James K. Polk's brief three-month retirement.


It is currently one of the most important features of the Internet.

Sell Online » Developing An Ecommerce Strategy » What is Ecommerce?

Category: Sell Online , Developing An Ecommerce Strategy

Electronic commerce or ecommerce is a term for any type of business, or commercial transaction, that involves the transfer of information across the Internet.

It covers a range of different types of businesses, from consumer based retail sites, through auction or music sites, to business exchanges trading goods and services between corporations.

It is currently one of the most important aspects of the Internet to emerge.

Ecommerce allows consumers to electronically exchange goods and services with no barriers of time or distance.

Electronic commerce has expanded rapidly over the past five years and is predicted to continue at this rate, or even accelerate.

In the near future the boundaries between "conventional" and "electronic" commerce will become increasingly blurred as more and more businesses move sections of their operations onto the Internet.

Business to Business or B2B refers to electronic commerce between businesses rather than between a business and a consumer.

B2B businesses often deal with hundreds or even thousands of other businesses, either as customers or suppliers.

Carrying out these transactions electronically provides vast competitive advantages over traditional methods.

When implemented properly, ecommerce is often faster, cheaper and more convenient than the traditional methods of bartering goods and services.

Electronic transactions have been around for quite some time in the form of Electronic Data Interchange or EDI.

EDI requires each supplier and customer to set up a dedicated data link (between them), where ecommerce provides a cost-effective method for companies to set up multiple, ad-hoc links.

Electronic commerce has also led to the development of electronic marketplaces where suppliers and potential customers are brought together to conduct mutually beneficial trade.

The road to creating a successful online store can be a difficult if unaware of ecommerce principles and what ecommerce is supposed to do for your online business.

Researching and understanding the guidelines required to properly implement an e-business plan is a crucial part to becoming successful with online store building.

What do you need to have an online store and what exactly is a shopping cart?

Shopping cart software is an operating system used to allow consumers to purchase goods and or services, track customers, and tie together all aspects of ecommerce into one cohesive whole.

While there are many types of software that you can use, customizable, turnkey solutions are proven to be a cost effective method to build, edit and maintain an online store.

How do online shopping carts differ from those found in a grocery store?

The image is one of an invisible shopping cart.

You enter an online store, see a product that fulfills your demand and you place it into your virtual shopping basket.

When you are through browsing, you click checkout and complete the transaction by providing payment information.

To start an online business it is best to find a niche product that consumers have difficulty finding in malls or department stores.

Pets.com found out the hard way: dog food is expensive to ship FedEx!

Then you need an ecommerce enabled website.

This can either be a new site developed from scratch, or an existing site to which you can add ecommerce shopping cart capabilities.

The next step, you need a means of accepting online payments.

This usually entails obtaining a merchant account and accepting credit cards through an online payment gateway (some smaller sites stick with simpler methods of accepting payments such as PayPal).

Lastly, you need a marketing strategy for driving targeted traffic to your site and a means of enticing repeat customers.

If you are new to ecommerce keep things simple- know your limitations.

Ecommerce can be a very rewarding venture, but you cannot make money overnight.

It is important to do a lot of research, ask questions, work hard and make on business decisions on facts learned from researching ecommerce.

We hope our online ecommerce tutorial has helped your business make a better decision in choosing an online shopping cart for your ecommerce store.

Watch this video to learn more on how Network Solutions can create a great ecommerce store for you!

Electronic commerce or e-commerce is a term for any type of business, or commercial transaction, which includes the transfer of information across the Internet. It covers a range of different types of businesses, from buyer based retail sites, through sale or music sites, to business exchanges trading goods and services among the companies.


Sell Online » Developing An Ecommerce Strategy » What is Ecommerce?

Category: Sell Online , Developing An Ecommerce Strategy

Electronic commerce or ecommerce is a term for any type of business, or commercial transaction, that involves the transfer of information across the Internet.

It covers a range of different types of businesses, from consumer based retail sites, through auction or music sites, to business exchanges trading goods and services between corporations.

It is currently one of the most important aspects of the Internet to emerge.

Ecommerce allows consumers to electronically exchange goods and services with no barriers of time or distance.

Electronic commerce has expanded rapidly over the past five years and is predicted to continue at this rate, or even accelerate.

In the near future the boundaries between "conventional" and "electronic" commerce will become increasingly blurred as more and more businesses move sections of their operations onto the Internet.

Business to Business or B2B refers to electronic commerce between businesses rather than between a business and a consumer.

B2B businesses often deal with hundreds or even thousands of other businesses, either as customers or suppliers.

Carrying out these transactions electronically provides vast competitive advantages over traditional methods.

When implemented properly, ecommerce is often faster, cheaper and more convenient than the traditional methods of bartering goods and services.

Electronic transactions have been around for quite some time in the form of Electronic Data Interchange or EDI.

EDI requires each supplier and customer to set up a dedicated data link (between them), where ecommerce provides a cost-effective method for companies to set up multiple, ad-hoc links.

Electronic commerce has also led to the development of electronic marketplaces where suppliers and potential customers are brought together to conduct mutually beneficial trade.

The road to creating a successful online store can be a difficult if unaware of ecommerce principles and what ecommerce is supposed to do for your online business.

Researching and understanding the guidelines required to properly implement an e-business plan is a crucial part to becoming successful with online store building.

What do you need to have an online store and what exactly is a shopping cart?

Shopping cart software is an operating system used to allow consumers to purchase goods and or services, track customers, and tie together all aspects of ecommerce into one cohesive whole.

While there are many types of software that you can use, customizable, turnkey solutions are proven to be a cost effective method to build, edit and maintain an online store.

How do online shopping carts differ from those found in a grocery store?

The image is one of an invisible shopping cart.

You enter an online store, see a product that fulfills your demand and you place it into your virtual shopping basket.

When you are through browsing, you click checkout and complete the transaction by providing payment information.

To start an online business it is best to find a niche product that consumers have difficulty finding in malls or department stores.

Pets.com found out the hard way: dog food is expensive to ship FedEx!

Then you need an ecommerce enabled website.

This can either be a new site developed from scratch, or an existing site to which you can add ecommerce shopping cart capabilities.

The next step, you need a means of accepting online payments.

This usually entails obtaining a merchant account and accepting credit cards through an online payment gateway (some smaller sites stick with simpler methods of accepting payments such as PayPal).

Lastly, you need a marketing strategy for driving targeted traffic to your site and a means of enticing repeat customers.

If you are new to ecommerce keep things simple- know your limitations.

Ecommerce can be a very rewarding venture, but you cannot make money overnight.

It is important to do a lot of research, ask questions, work hard and make on business decisions on facts learned from researching ecommerce.

We hope our online ecommerce tutorial has helped your business make a better decision in choosing an online shopping cart for your ecommerce store.

Watch this video to learn more on how Network Solutions can create a great ecommerce store for you!

Electronic commerce or e-commerce is a term for any type of business, or commercial transaction, which includes the transfer of information across the Internet. It covers a range of different types of businesses, from buyer based retail sites, through sale or music sites, to business exchanges trading goods and services among the companies. It is currently one of the most important features of the Internet.


The architect William Whitfield designed the building.

(meta data) TITLE: Sir William Whitfield obituary | Art and design | The Guardian

(meta data) AUTHOR: https://www.theguardian.com/profile/roland-jeffery

(meta data) PUBLISHER: https://www.facebook.com/theguardian

(meta data) PUBLISHED DATETIME: 2019-04-03T11:47:29-0400

Available for everyone, funded by readers

Architect who worked across boundaries to synthesise different styles

Last modified on Fri 12 Apr 2019 11.30 EDT

Whitfield's Department of Health building facing the Cenotaph in Whitehall, London.

It is under threat of demolition to make way for a temporary parliamentary debating chamber.

The architectural career of William Whitfield, who has died aged 98, ranged from the concrete assertiveness of new brutalism to a new Palladian mansion that won plaudits from traditionalists.

The office he founded in 1961 and led as principal developed a design approach that brought together different ideas and styles, not as compromise, but synthesis.

His extension to the Institute of Chartered Accountants in the City of London (1970) squeezed a tall concrete tower into a tight site and managed the joins to the baroque of John Belcher's 1892 original building with great finesse and wit.

The hammered concrete and elegant modernist facades alongside older work won round many to the gutsy beauty of brutalism.

Later came three schemes at cathedrals: a new chapter house for St Albans (1981), its beautiful structural brickwork giving more than a nod to Edwin Lutyens; an international study centre in the cathedral close at Canterbury, now Canterbury Cathedral Lodge (2000), setting Purbeck ragstone and stock brick alongside French limestone; and new buildings for the Mappa Mundi and chained library at Hereford (1996).

Whitfield's sensitivity to context served him well at a time when, to the relief of many, it had become a prized architectural skill.

Nevertheless, every kind of lay and ecclesiastical obstacle was encountered – from medieval burials unexpectedly discovered to outright opposition to anything newly built next to ancient cathedrals.

Whitfield and his always small office overcame them, to widespread acclaim and admiration once the buildings were finished.

He was the architect for the restoration of Hawksmoor's Christ Church Spitalfields for three decades from the early 1970s, surveyor of the fabric at St Paul's Cathedral (1985-90) and a trustee of the British Museum.

New offices for the Department of Health (1987) were built between New Scotland Yard (then being repurposed as offices for MPs), the Regency Richmond Terrace, which had lain empty for years while governments dithered about demolishing it, and a narrow frontage to Whitehall directly overlooking the Cenotaph.

On this fearsomely awkward and sensitive site a design of skill and complexity was achieved.

Richmond Terrace was refurbished by others, while Whitfield built against its rear substantial office accommodation that was layered and staggered so that every office had natural light.

Fine cast concrete staircases and ceilings gave it gravitas internally and beautiful detailing and leadwork outside did the same.

The stair towers were clad in red brick with stone dressings to pick up the "streaky bacon" facades of New Scotland Yard.

Facing the Cenotaph, Whitfield designed a recessed entrance in stone and yellow brick with a composition of bay windows and turrets that evokes, but at no point directly copies, Tudor precedent.

It is a building of great sophistication but the department left it in 2017, and a parliamentary committee is now considering demolishing it, to erect a temporary debating chamber.

Skill and patience with clients, planners and public opinion served the Whitfield office well at the redevelopment of Paternoster Square (2003), immediately north of St Paul's.

It was one of the great planning showdowns between traditionalists and modernists but was finally built to Whitfield's master plan.

Some of the buildings were to his own design, while others were awarded to selected practitioners, so that it reads as a piece of urban fabric rather than a through-designed development.

Paternoster Square has proved more popular with the public than with architectural opinion formers, and is wearing remarkably well.

Born in Stockton-on-Tees, Co Durham, William spent his early years in Newcastle upon Tyne and considered himself a proud Northumbrian (and therefore, he once said, "barely English").

He took the family name of his mother, Elsie Whitfield, when his father disappeared very early in his life, and was brought up in a household of formidable women of three generations from a coal-owning family whose business was taken over by the National Coal Board in 1946.

The young William cycled huge distances around Northumberland and the Borders, drawing prolifically and beautifully, and the resulting love of castles and towers never left him.

He was admitted to Newcastle School of Architecture (then part of the University of Durham) in 1935 at the age of 15 by special dispensation, on the basis of a portfolio of drawings, supported by a remarkable breadth of architectural knowledge.

Whitfield had a facility for vividly visualising plan-forms in three dimensions.

He later recalled that his "rough sketch" stage was an entirely cerebral process.

Only after thinking through configurations would he start to draw.

Graduating in 1941, he was qualified when the second world war call-up came, so exempt, and returned to take a planning degree under Tom Sharp immediately after the war.

He first came to notice as the junior of a team of three who in 1954 published plans for a "New Barbican" in bombed areas of the City of London.

Though unbuilt, these proposals, with towers of then record-breaking height, galvanised the City into a plan of its own, designed by others.

It is not fanciful to see the New Barbican megastructures – with ambitious scale, high density, and a new sense of urban form – grinning through today's Barbican.

Another unbuilt scheme came in 1960, when Whitfield won the competition for new government offices and a conference centre in Broad Sanctuary, directly opposite Westminster Abbey.

Slender towers for lifts and stairs clustered around blocks of accommodation, the towers breaking up the bulk of the building by their vertical emphasis.

Whitfield's facades had rectangular modules based on those found in both Westminster Abbey and the Palace of Westminster, a deft piece of contextualism before such a thing was commonplace.

The fact that it was not realised was down to indecision and the proposals announced in 1965 to bulldoze much of Whitehall.

Of three structures for the newly independent Newcastle University, just one survives, the Hadrian Building (formerly the King's Road Centre, 1964).

With it Whitfield ran a very long facade of beautifully detailed copper windows and daring cantilevers (apparently unsupported sections) against the quaint neo-Jacobean 1920s student union building.

His final building there (recently transformed beyond recognition) was the University Theatre (1970), a flexible performance space for teaching and experimental productions.

It included two bars within the auditorium itself and a third cafe-bar, open during the day in an attempt to bridge the town-gown gap.

At Glasgow University's new library (1968), on the expanding Hillhead campus, Whitfield created a cluster of thin towers at one of the highest points in the city.

The library has been miserably modified by recent alteration, but at the adjacent slightly later Hunterian Art Gallery his hammered concrete survives.

It also had a display space for fittings from Charles Rennie Mackintosh's former residence (which the university had controversially demolished).

The Mackintosh "house" in concrete did not attempt a full replica externally, but is powerful as a ghostly evocation in white-stained concrete: memory made real.

Andrew Lockwood was a partner in the practice from 1991; following its closure in 2002 they worked together as Whitfield Lockwood Architects, completing the classical mansion for Wafic Saïd at Tusmore, Oxfordshire, in 2004.

Set in an existing mature landscape park, the house has a two-storey frontage backing on to a three-storey one, to outstanding effect in the central circular hall.

The garden front might owe something to the English classicist Sir Robert Taylor in the way that it hints at the disposition of spaces within, and the entrance front refers to Palladio.

But Tusmore acknowledges precedents without being enslaved to them and was hailed in Country Life as the "finest postwar classical house in Britain".

Whitfield's accretive synthesis of form across boundaries of style and period lies at its heart.

As he once said in an interview: "Style is not an issue.

Whitfield died at St Helen Hall, St Helen Auckland, Co Durham, the lofty 18th-century Palladian house that he had purchased when it was at imminent risk of demolition and patiently restored.

Lockwood, who became his civil partner in 2006, survives him.

• William Whitfield, architect, born 21 October 1920; died 16 March 2019

• This article was amended on 10 April 2019.

These points concerning William Whitfield have been corrected: his birthplace, the business his family was engaged in, the date of his death, the year he founded his own office, the year it was succeeded by Whitfield Lockwood Architects, the materials used in Canterbury Cathedral Lodge, and the characters of the mansion at Tusmore and of St Helen Hall.

The building opened as the University Theatre in 1970 and provided a new home for the "Tyneside Theatre Company". The Company had been established in 1968 in the Flora Robson Playhouse in Jesmond, which was set to be demolished in a road-widening scheme.


The building is a flexible performance space.

(meta data) TITLE: Sir William Whitfield obituary | Art and design | The Guardian

(meta data) AUTHOR: https://www.theguardian.com/profile/roland-jeffery

(meta data) PUBLISHER: https://www.facebook.com/theguardian

(meta data) PUBLISHED DATETIME: 2019-04-03T11:47:29-0400

Available for everyone, funded by readers

Architect who worked across boundaries to synthesise different styles

Last modified on Fri 12 Apr 2019 11.30 EDT

Whitfield's Department of Health building facing the Cenotaph in Whitehall, London.

It is under threat of demolition to make way for a temporary parliamentary debating chamber.

The architectural career of William Whitfield, who has died aged 98, ranged from the concrete assertiveness of new brutalism to a new Palladian mansion that won plaudits from traditionalists.

The office he founded in 1961 and led as principal developed a design approach that brought together different ideas and styles, not as compromise, but synthesis.

His extension to the Institute of Chartered Accountants in the City of London (1970) squeezed a tall concrete tower into a tight site and managed the joins to the baroque of John Belcher's 1892 original building with great finesse and wit.

The hammered concrete and elegant modernist facades alongside older work won round many to the gutsy beauty of brutalism.

Later came three schemes at cathedrals: a new chapter house for St Albans (1981), its beautiful structural brickwork giving more than a nod to Edwin Lutyens; an international study centre in the cathedral close at Canterbury, now Canterbury Cathedral Lodge (2000), setting Purbeck ragstone and stock brick alongside French limestone; and new buildings for the Mappa Mundi and chained library at Hereford (1996).

Whitfield's sensitivity to context served him well at a time when, to the relief of many, it had become a prized architectural skill.

Nevertheless, every kind of lay and ecclesiastical obstacle was encountered – from medieval burials unexpectedly discovered to outright opposition to anything newly built next to ancient cathedrals.

Whitfield and his always small office overcame them, to widespread acclaim and admiration once the buildings were finished.

He was the architect for the restoration of Hawksmoor's Christ Church Spitalfields for three decades from the early 1970s, surveyor of the fabric at St Paul's Cathedral (1985-90) and a trustee of the British Museum.

New offices for the Department of Health (1987) were built between New Scotland Yard (then being repurposed as offices for MPs), the Regency Richmond Terrace, which had lain empty for years while governments dithered about demolishing it, and a narrow frontage to Whitehall directly overlooking the Cenotaph.

On this fearsomely awkward and sensitive site a design of skill and complexity was achieved.

Richmond Terrace was refurbished by others, while Whitfield built against its rear substantial office accommodation that was layered and staggered so that every office had natural light.

Fine cast concrete staircases and ceilings gave it gravitas internally and beautiful detailing and leadwork outside did the same.

The stair towers were clad in red brick with stone dressings to pick up the "streaky bacon" facades of New Scotland Yard.

Facing the Cenotaph, Whitfield designed a recessed entrance in stone and yellow brick with a composition of bay windows and turrets that evokes, but at no point directly copies, Tudor precedent.

It is a building of great sophistication but the department left it in 2017, and a parliamentary committee is now considering demolishing it, to erect a temporary debating chamber.

Skill and patience with clients, planners and public opinion served the Whitfield office well at the redevelopment of Paternoster Square (2003), immediately north of St Paul's.

It was one of the great planning showdowns between traditionalists and modernists but was finally built to Whitfield's master plan.

Some of the buildings were to his own design, while others were awarded to selected practitioners, so that it reads as a piece of urban fabric rather than a through-designed development.

Paternoster Square has proved more popular with the public than with architectural opinion formers, and is wearing remarkably well.

Born in Stockton-on-Tees, Co Durham, William spent his early years in Newcastle upon Tyne and considered himself a proud Northumbrian (and therefore, he once said, "barely English").

He took the family name of his mother, Elsie Whitfield, when his father disappeared very early in his life, and was brought up in a household of formidable women of three generations from a coal-owning family whose business was taken over by the National Coal Board in 1946.

The young William cycled huge distances around Northumberland and the Borders, drawing prolifically and beautifully, and the resulting love of castles and towers never left him.

He was admitted to Newcastle School of Architecture (then part of the University of Durham) in 1935 at the age of 15 by special dispensation, on the basis of a portfolio of drawings, supported by a remarkable breadth of architectural knowledge.

Whitfield had a facility for vividly visualising plan-forms in three dimensions.

He later recalled that his "rough sketch" stage was an entirely cerebral process.

Only after thinking through configurations would he start to draw.

Graduating in 1941, he was qualified when the second world war call-up came, so exempt, and returned to take a planning degree under Tom Sharp immediately after the war.

He first came to notice as the junior of a team of three who in 1954 published plans for a "New Barbican" in bombed areas of the City of London.

Though unbuilt, these proposals, with towers of then record-breaking height, galvanised the City into a plan of its own, designed by others.

It is not fanciful to see the New Barbican megastructures – with ambitious scale, high density, and a new sense of urban form – grinning through today's Barbican.

Another unbuilt scheme came in 1960, when Whitfield won the competition for new government offices and a conference centre in Broad Sanctuary, directly opposite Westminster Abbey.

Slender towers for lifts and stairs clustered around blocks of accommodation, the towers breaking up the bulk of the building by their vertical emphasis.

Whitfield's facades had rectangular modules based on those found in both Westminster Abbey and the Palace of Westminster, a deft piece of contextualism before such a thing was commonplace.

The fact that it was not realised was down to indecision and the proposals announced in 1965 to bulldoze much of Whitehall.

Of three structures for the newly independent Newcastle University, just one survives, the Hadrian Building (formerly the King's Road Centre, 1964).

With it Whitfield ran a very long facade of beautifully detailed copper windows and daring cantilevers (apparently unsupported sections) against the quaint neo-Jacobean 1920s student union building.

His final building there (recently transformed beyond recognition) was the University Theatre (1970), a flexible performance space for teaching and experimental productions.

It included two bars within the auditorium itself and a third cafe-bar, open during the day in an attempt to bridge the town-gown gap.

At Glasgow University's new library (1968), on the expanding Hillhead campus, Whitfield created a cluster of thin towers at one of the highest points in the city.

The library has been miserably modified by recent alteration, but at the adjacent slightly later Hunterian Art Gallery his hammered concrete survives.

It also had a display space for fittings from Charles Rennie Mackintosh's former residence (which the university had controversially demolished).

The Mackintosh "house" in concrete did not attempt a full replica externally, but is powerful as a ghostly evocation in white-stained concrete: memory made real.

Andrew Lockwood was a partner in the practice from 1991; following its closure in 2002 they worked together as Whitfield Lockwood Architects, completing the classical mansion for Wafic Saïd at Tusmore, Oxfordshire, in 2004.

Set in an existing mature landscape park, the house has a two-storey frontage backing on to a three-storey one, to outstanding effect in the central circular hall.

The garden front might owe something to the English classicist Sir Robert Taylor in the way that it hints at the disposition of spaces within, and the entrance front refers to Palladio.

But Tusmore acknowledges precedents without being enslaved to them and was hailed in Country Life as the "finest postwar classical house in Britain".

Whitfield's accretive synthesis of form across boundaries of style and period lies at its heart.

As he once said in an interview: "Style is not an issue.

Whitfield died at St Helen Hall, St Helen Auckland, Co Durham, the lofty 18th-century Palladian house that he had purchased when it was at imminent risk of demolition and patiently restored.

Lockwood, who became his civil partner in 2006, survives him.

• William Whitfield, architect, born 21 October 1920; died 16 March 2019

• This article was amended on 10 April 2019.

These points concerning William Whitfield have been corrected: his birthplace, the business his family was engaged in, the date of his death, the year he founded his own office, the year it was succeeded by Whitfield Lockwood Architects, the materials used in Canterbury Cathedral Lodge, and the characters of the mansion at Tusmore and of St Helen Hall.

The building opened as the University Theatre in 1970 and provided a new home for the "Tyneside Theatre Company". The Company had been established in 1968 in the Flora Robson Playhouse in Jesmond, which was set to be demolished in a road-widening scheme. The architect William Whitfield designed the building.


(meta data) TITLE: Sir William Whitfield obituary | Art and design | The Guardian

(meta data) AUTHOR: https://www.theguardian.com/profile/roland-jeffery

(meta data) PUBLISHER: https://www.facebook.com/theguardian

(meta data) PUBLISHED DATETIME: 2019-04-03T11:47:29-0400

Available for everyone, funded by readers

Architect who worked across boundaries to synthesise different styles

Last modified on Fri 12 Apr 2019 11.30 EDT

Whitfield's Department of Health building facing the Cenotaph in Whitehall, London.

It is under threat of demolition to make way for a temporary parliamentary debating chamber.

The architectural career of William Whitfield, who has died aged 98, ranged from the concrete assertiveness of new brutalism to a new Palladian mansion that won plaudits from traditionalists.

The office he founded in 1961 and led as principal developed a design approach that brought together different ideas and styles, not as compromise, but synthesis.

His extension to the Institute of Chartered Accountants in the City of London (1970) squeezed a tall concrete tower into a tight site and managed the joins to the baroque of John Belcher's 1892 original building with great finesse and wit.

The hammered concrete and elegant modernist facades alongside older work won round many to the gutsy beauty of brutalism.

Later came three schemes at cathedrals: a new chapter house for St Albans (1981), its beautiful structural brickwork giving more than a nod to Edwin Lutyens; an international study centre in the cathedral close at Canterbury, now Canterbury Cathedral Lodge (2000), setting Purbeck ragstone and stock brick alongside French limestone; and new buildings for the Mappa Mundi and chained library at Hereford (1996).

Whitfield's sensitivity to context served him well at a time when, to the relief of many, it had become a prized architectural skill.

Nevertheless, every kind of lay and ecclesiastical obstacle was encountered – from medieval burials unexpectedly discovered to outright opposition to anything newly built next to ancient cathedrals.

Whitfield and his always small office overcame them, to widespread acclaim and admiration once the buildings were finished.

He was the architect for the restoration of Hawksmoor's Christ Church Spitalfields for three decades from the early 1970s, surveyor of the fabric at St Paul's Cathedral (1985-90) and a trustee of the British Museum.

New offices for the Department of Health (1987) were built between New Scotland Yard (then being repurposed as offices for MPs), the Regency Richmond Terrace, which had lain empty for years while governments dithered about demolishing it, and a narrow frontage to Whitehall directly overlooking the Cenotaph.

On this fearsomely awkward and sensitive site a design of skill and complexity was achieved.

Richmond Terrace was refurbished by others, while Whitfield built against its rear substantial office accommodation that was layered and staggered so that every office had natural light.

Fine cast concrete staircases and ceilings gave it gravitas internally and beautiful detailing and leadwork outside did the same.

The stair towers were clad in red brick with stone dressings to pick up the "streaky bacon" facades of New Scotland Yard.

Facing the Cenotaph, Whitfield designed a recessed entrance in stone and yellow brick with a composition of bay windows and turrets that evokes, but at no point directly copies, Tudor precedent.

It is a building of great sophistication but the department left it in 2017, and a parliamentary committee is now considering demolishing it, to erect a temporary debating chamber.

Skill and patience with clients, planners and public opinion served the Whitfield office well at the redevelopment of Paternoster Square (2003), immediately north of St Paul's.

It was one of the great planning showdowns between traditionalists and modernists but was finally built to Whitfield's master plan.

Some of the buildings were to his own design, while others were awarded to selected practitioners, so that it reads as a piece of urban fabric rather than a through-designed development.

Paternoster Square has proved more popular with the public than with architectural opinion formers, and is wearing remarkably well.

Born in Stockton-on-Tees, Co Durham, William spent his early years in Newcastle upon Tyne and considered himself a proud Northumbrian (and therefore, he once said, "barely English").

He took the family name of his mother, Elsie Whitfield, when his father disappeared very early in his life, and was brought up in a household of formidable women of three generations from a coal-owning family whose business was taken over by the National Coal Board in 1946.

The young William cycled huge distances around Northumberland and the Borders, drawing prolifically and beautifully, and the resulting love of castles and towers never left him.

He was admitted to Newcastle School of Architecture (then part of the University of Durham) in 1935 at the age of 15 by special dispensation, on the basis of a portfolio of drawings, supported by a remarkable breadth of architectural knowledge.

Whitfield had a facility for vividly visualising plan-forms in three dimensions.

He later recalled that his "rough sketch" stage was an entirely cerebral process.

Only after thinking through configurations would he start to draw.

Graduating in 1941, he was qualified when the second world war call-up came, so exempt, and returned to take a planning degree under Tom Sharp immediately after the war.

He first came to notice as the junior of a team of three who in 1954 published plans for a "New Barbican" in bombed areas of the City of London.

Though unbuilt, these proposals, with towers of then record-breaking height, galvanised the City into a plan of its own, designed by others.

It is not fanciful to see the New Barbican megastructures – with ambitious scale, high density, and a new sense of urban form – grinning through today's Barbican.

Another unbuilt scheme came in 1960, when Whitfield won the competition for new government offices and a conference centre in Broad Sanctuary, directly opposite Westminster Abbey.

Slender towers for lifts and stairs clustered around blocks of accommodation, the towers breaking up the bulk of the building by their vertical emphasis.

Whitfield's facades had rectangular modules based on those found in both Westminster Abbey and the Palace of Westminster, a deft piece of contextualism before such a thing was commonplace.

The fact that it was not realised was down to indecision and the proposals announced in 1965 to bulldoze much of Whitehall.

Of three structures for the newly independent Newcastle University, just one survives, the Hadrian Building (formerly the King's Road Centre, 1964).

With it Whitfield ran a very long facade of beautifully detailed copper windows and daring cantilevers (apparently unsupported sections) against the quaint neo-Jacobean 1920s student union building.

His final building there (recently transformed beyond recognition) was the University Theatre (1970), a flexible performance space for teaching and experimental productions.

It included two bars within the auditorium itself and a third cafe-bar, open during the day in an attempt to bridge the town-gown gap.

At Glasgow University's new library (1968), on the expanding Hillhead campus, Whitfield created a cluster of thin towers at one of the highest points in the city.

The library has been miserably modified by recent alteration, but at the adjacent slightly later Hunterian Art Gallery his hammered concrete survives.

It also had a display space for fittings from Charles Rennie Mackintosh's former residence (which the university had controversially demolished).

The Mackintosh "house" in concrete did not attempt a full replica externally, but is powerful as a ghostly evocation in white-stained concrete: memory made real.

Andrew Lockwood was a partner in the practice from 1991; following its closure in 2002 they worked together as Whitfield Lockwood Architects, completing the classical mansion for Wafic Saïd at Tusmore, Oxfordshire, in 2004.

Set in an existing mature landscape park, the house has a two-storey frontage backing on to a three-storey one, to outstanding effect in the central circular hall.

The garden front might owe something to the English classicist Sir Robert Taylor in the way that it hints at the disposition of spaces within, and the entrance front refers to Palladio.

But Tusmore acknowledges precedents without being enslaved to them and was hailed in Country Life as the "finest postwar classical house in Britain".

Whitfield's accretive synthesis of form across boundaries of style and period lies at its heart.

As he once said in an interview: "Style is not an issue.

Whitfield died at St Helen Hall, St Helen Auckland, Co Durham, the lofty 18th-century Palladian house that he had purchased when it was at imminent risk of demolition and patiently restored.

Lockwood, who became his civil partner in 2006, survives him.

• William Whitfield, architect, born 21 October 1920; died 16 March 2019

• This article was amended on 10 April 2019.

These points concerning William Whitfield have been corrected: his birthplace, the business his family was engaged in, the date of his death, the year he founded his own office, the year it was succeeded by Whitfield Lockwood Architects, the materials used in Canterbury Cathedral Lodge, and the characters of the mansion at Tusmore and of St Helen Hall.

The building opened as the University Theatre in 1970 and provided a new home for the "Tyneside Theatre Company". The Company had been established in 1968 in the Flora Robson Playhouse in Jesmond, which was set to be demolished in a road-widening scheme. The architect William Whitfield designed the building. The building is a flexible performance space.


On 9 July, a sculpture was unveiled by the middle-distance runner Steve Cram.

(meta data) TITLE: BBC Manchester 2002 - Commonwealth Games sculpture unveiled

MBE was joined by local schoolchildren as a new sculpture, depicting

an athlete on a globe, was unveiled outside the new national headquarters

of the English Institute of Sport at Sportcity

created by sculptor Colin Spofforth, was commissioned to celebrate

sculpture is 30 feet high and weighs seven tonnes making it the

largest bronze sculpture dedicated to sport in the UK.

in a little over eight weeks and cast and finished in three months.

from local schools in the East Manchester Education Action Zone

also took part in the ceremony by starting the countdown to the

They were specially chosen to attend after winning a

competition held among 720 children to design their own sculpture.

said: "Everyone involved has done everything possible and more to

make this sculpture happen in time for the Games - it's fantastic

to see it here in this amazing setting."

National Festival director at Manchester 2002, said: "The Runner

is a lasting legacy for the people of Manchester created by an extraordinarily

About the BBC | Help | Terms of Use | Privacy & Cookies Policy

Between 11 March (Commonwealth Day) and 10 August 2002, as part of the preparations for the upcoming Commonwealth Games and to celebrate Her Majesty the Queen's Golden Jubilee, a national Spirit of Friendship Festival was organised.


The sculpture was outside the new national headquarters of the English Institute of Sport at SportCity.

(meta data) TITLE: BBC Manchester 2002 - Commonwealth Games sculpture unveiled

MBE was joined by local schoolchildren as a new sculpture, depicting

an athlete on a globe, was unveiled outside the new national headquarters

of the English Institute of Sport at Sportcity

created by sculptor Colin Spofforth, was commissioned to celebrate

sculpture is 30 feet high and weighs seven tonnes making it the

largest bronze sculpture dedicated to sport in the UK.

in a little over eight weeks and cast and finished in three months.

from local schools in the East Manchester Education Action Zone

also took part in the ceremony by starting the countdown to the

They were specially chosen to attend after winning a

competition held among 720 children to design their own sculpture.

said: "Everyone involved has done everything possible and more to

make this sculpture happen in time for the Games - it's fantastic

to see it here in this amazing setting."

National Festival director at Manchester 2002, said: "The Runner

is a lasting legacy for the people of Manchester created by an extraordinarily

About the BBC | Help | Terms of Use | Privacy & Cookies Policy

Between 11 March (Commonwealth Day) and 10 August 2002, as part of the preparations for the upcoming Commonwealth Games and to celebrate Her Majesty the Queen's Golden Jubilee, a national Spirit of Friendship Festival was organised. On 9 July, a sculpture was unveiled by the middle-distance runner Steve Cram.


The sculpture was unveiled a few weeks before the Games began.

(meta data) TITLE: BBC Manchester 2002 - Commonwealth Games sculpture unveiled

MBE was joined by local schoolchildren as a new sculpture, depicting

an athlete on a globe, was unveiled outside the new national headquarters

of the English Institute of Sport at Sportcity

created by sculptor Colin Spofforth, was commissioned to celebrate

sculpture is 30 feet high and weighs seven tonnes making it the

largest bronze sculpture dedicated to sport in the UK.

in a little over eight weeks and cast and finished in three months.

from local schools in the East Manchester Education Action Zone

also took part in the ceremony by starting the countdown to the

They were specially chosen to attend after winning a

competition held among 720 children to design their own sculpture.

said: "Everyone involved has done everything possible and more to

make this sculpture happen in time for the Games - it's fantastic

to see it here in this amazing setting."

National Festival director at Manchester 2002, said: "The Runner

is a lasting legacy for the people of Manchester created by an extraordinarily

About the BBC | Help | Terms of Use | Privacy & Cookies Policy

Between 11 March (Commonwealth Day) and 10 August 2002, as part of the preparations for the upcoming Commonwealth Games and to celebrate Her Majesty the Queen's Golden Jubilee, a national Spirit of Friendship Festival was organised. On 9 July, a sculpture was unveiled by the middle-distance runner Steve Cram. The sculpture was outside the new national headquarters of the English Institute of Sport at SportCity.


Phillip Noyce is an executive producer for the series.

(meta data) TITLE: Phillip Noyce Sets First Look Deal With 20th Century Fox Television – Variety

Read Next: Kirsten Dunst Talks 'Little Women,' 'Interview With a Vampire' Reboots

# Phillip Noyce Sets First-Look Deal With 20th Century Fox Television, Hires New VP of Production

Director Phillip Noyce has signed a first look deal with 20th Century Fox Television, the studio announced Thursday.

Noyce recently directed the pilot for the Fox medical drama "The Resident," which is set to air at midseason.

He is also an EP on the show and directed the second episode of the season order as well.

Noyce's other projects with the studio include the literary soap "800 Grapes", sold as a put pilot to ABC in partnership with writer and executive producer Julia Brownell and Temple Hill, as well as thriller "Green-Lit" from writer and executive producer Kevin O'Hare and Milo Ventimiglia's Divide Pictures.

Noyce has previously directed pilots for NBC, Fox, Showtime, and ABC.

Initiated before his deal with Fox, Noyce is also developing the classic Erich Von Daniken non-fiction book "Chariots of The Gods" from writer Joe Ahearne in partnership with Sonar and Unique Features for BBC America.

He is currently finishing post-production on the film "Above Suspicion", starring Emelia Clarke and Jack Huston, and is developing "Killer 10," an action-adventure Australia/China co-production written by Paul Staheli, David Schickler, and Justin Monjo.

"Killer 10" will be produced in partnership with Arclight Films and Thunder Road.

In addition, Kimberly Hunt has been hired as vice president of production for Noyce's Rumbalara Films Inc.

A graduate of Purdue University Film and Video Studies, Hunt is shepherding development on cinema features "Alive Day," written by Kathleen McLaughlin and produced in partnership with Phoenix Pictures, as well as "Rats Of Tobruk," a World War II saga being written by Michael Petroni.

"Phillip has been one of our most trusted pilot directors for more than a decade, and this year he directed both the brilliant pilot of our midseason series 'The Resident' as well as its second episode," said Jonnie Davis, president of creative affairs for 20th TV.

"He brings out the best in his actors and his crew and he always elevates strong material into undeniable television.

We're happy to have the first look at any project he and Kimberly put together, as well as continue to utilize his services on 'The Resident' as an executive producer."

Noyce is repped by WME, Fineman Entertainment, and attorney Wendy Kirk.

### Ninja Thyberg's Female POV Porn Industry Portrait Seduces Buyers (EXCLUSIVE)

### Kirsten Dunst Talks 'Little Women,' 'Interview With a Vampire' Reboots

### Sony 'Disappointed' by Disney's Divorce on 'Spider-Man' Projects

### 'Matrix 4' Officially a Go With Keanu Reeves, Carrie-Anne Moss

### Disney Delays 'Cruella,' 'Woman in the Window'

### Sign Up for Daily Insider Newsletter

Please fill out this field with valid email address.

### BBC Studios to Explore 'The Edge of Science' for YouTube Originals

The BBC's production division, BBC Studios, has won its first YouTube Originals commission, "The Edge of Science."

Starring presenter and science enthusiast Rick Edwards and YouTuber Colin Furze, "The Edge of Science" will carry out a range of stunts and experiments to explore if it's possible to levitate.

The presenters will meet the scientists behind [...]

Kirsten Dunst was just 11 years old when she skyrocketed into stardom as Claudia in "Interview with a Vampire," but now Dunst says her age is the only thing keeping her from reprising the role in a hypothetical reboot.

"I mean I'm too old, right?," she told Variety at the premiere of "On Becoming a God [...]

### Variety to Forgo Annual Emmy Party for Donation to Planned Parenthood

Variety has decided to make a donation to Planned Parenthood in lieu of hosting this year's annual Emmy Awards nominees party in partnership with Women In Film.

The decision comes in response to Planned Parenthood's Aug. 19 announcement that it will drop funding over the current administration's "unethical" rule blocking the organization from discussing its [...]

### Taking a Cue From Black Counterparts, Asian American Women Writers Brunch and Bond

The doors to the dining room of a private home in West Los Angeles are swung wide open so that the 30 or so women sitting at folding banquet tables and on couches can take in some fresh air.

Some crowd around the kitchen, where open boxes of donuts [...

### TV News Roundup: Rebel Wilson to Host First Australian Amazon Original Series

In today's TV news roundup, the NFL and Pluto TV announce the launch of a new channel, and Rebel Wilson is named as the host of the first Amazon original series to come out of Australia.

CASTING Rebel Wilson is set to host and executive produce the Australian Amazon original series "LOL: Last One Laughing," the [...]

### U.K.'s Channel 4 Takes British Family to Africa in New Reality Show

U.K. broadcaster Channel 4 has greenlit new factual entertainment format "The British Tribe Next Door," which will see a British family spend four weeks with a remote tribe in Namibia.

The twist in this format is that, unlike most adventurers, the participants don't say goodbye to the comforts of their home — instead, they take them with [

### 'Walking Dead' Star Christian Serratos in Talks for Selena Series at Netflix

Christian Serratos is in negotiations to star in the upcoming Netflix series based on the life of Tejano music star Selena Quintanilla, Variety has confirmed with sources.

The series was announced back in December and is described as a coming of age story following Selena (Serratos) as her dreams come true and all the heart-wrenching [...]

### 'Angel Has Fallen' Review: A Deranged Nick Nolte Meets Hollywood's Laziest Action Franchise

### BTS' RM Shares Photos Of Himself Bike Riding, Going To The Museum & More On Band's Break

### This leak might be our first look at the PlayStation 5's crazy new design

### WWD Report Card: The Dog Days of Summer Style

### Improve Your Kitchen Lighting With These Under-Cabinet Light Panels

"The City" a dark medical drama centers around an idealistic young doctor who begins his first day of residency under the supervision of a senior resident who appears tough and brilliant, but turns out to be a cunning and deadly psychopath.
 —Showtime about early development of the series.[54]
 On August 5, 2016, it was announced that Showtime was developing a new original series, known as "The City", pitched by executive producer Antoine Fuqua. It was also announced that Amy Holden Jones would produce the series and co-write the pilot episode along with Hayley Schore and Roshan Sethi. The series, however, was never produced and on January 20, 2017, it was reported that Fox purchased the series from Showtime and ordered a pilot episode under the name "The Resident". On May 10, 2017, the series received a full-season order of 14 episodes.


Phillip Noyce directed the first two episodes of the season.

(meta data) TITLE: Phillip Noyce Sets First Look Deal With 20th Century Fox Television – Variety

Read Next: Kirsten Dunst Talks 'Little Women,' 'Interview With a Vampire' Reboots

# Phillip Noyce Sets First-Look Deal With 20th Century Fox Television, Hires New VP of Production

Director Phillip Noyce has signed a first look deal with 20th Century Fox Television, the studio announced Thursday.

Noyce recently directed the pilot for the Fox medical drama "The Resident," which is set to air at midseason.

He is also an EP on the show and directed the second episode of the season order as well.

Noyce's other projects with the studio include the literary soap "800 Grapes", sold as a put pilot to ABC in partnership with writer and executive producer Julia Brownell and Temple Hill, as well as thriller "Green-Lit" from writer and executive producer Kevin O'Hare and Milo Ventimiglia's Divide Pictures.

Noyce has previously directed pilots for NBC, Fox, Showtime, and ABC.

Initiated before his deal with Fox, Noyce is also developing the classic Erich Von Daniken non-fiction book "Chariots of The Gods" from writer Joe Ahearne in partnership with Sonar and Unique Features for BBC America.

He is currently finishing post-production on the film "Above Suspicion", starring Emelia Clarke and Jack Huston, and is developing "Killer 10," an action-adventure Australia/China co-production written by Paul Staheli, David Schickler, and Justin Monjo.

"Killer 10" will be produced in partnership with Arclight Films and Thunder Road.

In addition, Kimberly Hunt has been hired as vice president of production for Noyce's Rumbalara Films Inc.

A graduate of Purdue University Film and Video Studies, Hunt is shepherding development on cinema features "Alive Day," written by Kathleen McLaughlin and produced in partnership with Phoenix Pictures, as well as "Rats Of Tobruk," a World War II saga being written by Michael Petroni.

"Phillip has been one of our most trusted pilot directors for more than a decade, and this year he directed both the brilliant pilot of our midseason series 'The Resident' as well as its second episode," said Jonnie Davis, president of creative affairs for 20th TV.

"He brings out the best in his actors and his crew and he always elevates strong material into undeniable television.

We're happy to have the first look at any project he and Kimberly put together, as well as continue to utilize his services on 'The Resident' as an executive producer."

Noyce is repped by WME, Fineman Entertainment, and attorney Wendy Kirk.

### Ninja Thyberg's Female POV Porn Industry Portrait Seduces Buyers (EXCLUSIVE)

### Kirsten Dunst Talks 'Little Women,' 'Interview With a Vampire' Reboots

### Sony 'Disappointed' by Disney's Divorce on 'Spider-Man' Projects

### 'Matrix 4' Officially a Go With Keanu Reeves, Carrie-Anne Moss

### Disney Delays 'Cruella,' 'Woman in the Window'

### Sign Up for Daily Insider Newsletter

Please fill out this field with valid email address.

### BBC Studios to Explore 'The Edge of Science' for YouTube Originals

The BBC's production division, BBC Studios, has won its first YouTube Originals commission, "The Edge of Science."

Starring presenter and science enthusiast Rick Edwards and YouTuber Colin Furze, "The Edge of Science" will carry out a range of stunts and experiments to explore if it's possible to levitate.

The presenters will meet the scientists behind [...]

Kirsten Dunst was just 11 years old when she skyrocketed into stardom as Claudia in "Interview with a Vampire," but now Dunst says her age is the only thing keeping her from reprising the role in a hypothetical reboot.

"I mean I'm too old, right?," she told Variety at the premiere of "On Becoming a God [...]

### Variety to Forgo Annual Emmy Party for Donation to Planned Parenthood

Variety has decided to make a donation to Planned Parenthood in lieu of hosting this year's annual Emmy Awards nominees party in partnership with Women In Film.

The decision comes in response to Planned Parenthood's Aug. 19 announcement that it will drop funding over the current administration's "unethical" rule blocking the organization from discussing its [...]

### Taking a Cue From Black Counterparts, Asian American Women Writers Brunch and Bond

The doors to the dining room of a private home in West Los Angeles are swung wide open so that the 30 or so women sitting at folding banquet tables and on couches can take in some fresh air.

Some crowd around the kitchen, where open boxes of donuts [...

### TV News Roundup: Rebel Wilson to Host First Australian Amazon Original Series

In today's TV news roundup, the NFL and Pluto TV announce the launch of a new channel, and Rebel Wilson is named as the host of the first Amazon original series to come out of Australia.

CASTING Rebel Wilson is set to host and executive produce the Australian Amazon original series "LOL: Last One Laughing," the [...]

### U.K.'s Channel 4 Takes British Family to Africa in New Reality Show

U.K. broadcaster Channel 4 has greenlit new factual entertainment format "The British Tribe Next Door," which will see a British family spend four weeks with a remote tribe in Namibia.

The twist in this format is that, unlike most adventurers, the participants don't say goodbye to the comforts of their home — instead, they take them with [

### 'Walking Dead' Star Christian Serratos in Talks for Selena Series at Netflix

Christian Serratos is in negotiations to star in the upcoming Netflix series based on the life of Tejano music star Selena Quintanilla, Variety has confirmed with sources.

The series was announced back in December and is described as a coming of age story following Selena (Serratos) as her dreams come true and all the heart-wrenching [...]

### 'Angel Has Fallen' Review: A Deranged Nick Nolte Meets Hollywood's Laziest Action Franchise

### BTS' RM Shares Photos Of Himself Bike Riding, Going To The Museum & More On Band's Break

### This leak might be our first look at the PlayStation 5's crazy new design

### WWD Report Card: The Dog Days of Summer Style

### Improve Your Kitchen Lighting With These Under-Cabinet Light Panels

"The City" a dark medical drama centers around an idealistic young doctor who begins his first day of residency under the supervision of a senior resident who appears tough and brilliant, but turns out to be a cunning and deadly psychopath.
 —Showtime about early development of the series.[54]
 On August 5, 2016, it was announced that Showtime was developing a new original series, known as "The City", pitched by executive producer Antoine Fuqua. It was also announced that Amy Holden Jones would produce the series and co-write the pilot episode along with Hayley Schore and Roshan Sethi. The series, however, was never produced and on January 20, 2017, it was reported that Fox purchased the series from Showtime and ordered a pilot episode under the name "The Resident". On May 10, 2017, the series received a full-season order of 14 episodes. Phillip Noyce is an executive producer for the series.


Phillip Noyce signed a multi-year deal with 20th Century Fox Television.

(meta data) TITLE: Phillip Noyce Sets First Look Deal With 20th Century Fox Television – Variety

Read Next: Kirsten Dunst Talks 'Little Women,' 'Interview With a Vampire' Reboots

# Phillip Noyce Sets First-Look Deal With 20th Century Fox Television, Hires New VP of Production

Director Phillip Noyce has signed a first look deal with 20th Century Fox Television, the studio announced Thursday.

Noyce recently directed the pilot for the Fox medical drama "The Resident," which is set to air at midseason.

He is also an EP on the show and directed the second episode of the season order as well.

Noyce's other projects with the studio include the literary soap "800 Grapes", sold as a put pilot to ABC in partnership with writer and executive producer Julia Brownell and Temple Hill, as well as thriller "Green-Lit" from writer and executive producer Kevin O'Hare and Milo Ventimiglia's Divide Pictures.

Noyce has previously directed pilots for NBC, Fox, Showtime, and ABC.

Initiated before his deal with Fox, Noyce is also developing the classic Erich Von Daniken non-fiction book "Chariots of The Gods" from writer Joe Ahearne in partnership with Sonar and Unique Features for BBC America.

He is currently finishing post-production on the film "Above Suspicion", starring Emelia Clarke and Jack Huston, and is developing "Killer 10," an action-adventure Australia/China co-production written by Paul Staheli, David Schickler, and Justin Monjo.

"Killer 10" will be produced in partnership with Arclight Films and Thunder Road.

In addition, Kimberly Hunt has been hired as vice president of production for Noyce's Rumbalara Films Inc.

A graduate of Purdue University Film and Video Studies, Hunt is shepherding development on cinema features "Alive Day," written by Kathleen McLaughlin and produced in partnership with Phoenix Pictures, as well as "Rats Of Tobruk," a World War II saga being written by Michael Petroni.

"Phillip has been one of our most trusted pilot directors for more than a decade, and this year he directed both the brilliant pilot of our midseason series 'The Resident' as well as its second episode," said Jonnie Davis, president of creative affairs for 20th TV.

"He brings out the best in his actors and his crew and he always elevates strong material into undeniable television.

We're happy to have the first look at any project he and Kimberly put together, as well as continue to utilize his services on 'The Resident' as an executive producer."

Noyce is repped by WME, Fineman Entertainment, and attorney Wendy Kirk.

### Ninja Thyberg's Female POV Porn Industry Portrait Seduces Buyers (EXCLUSIVE)

### Kirsten Dunst Talks 'Little Women,' 'Interview With a Vampire' Reboots

### Sony 'Disappointed' by Disney's Divorce on 'Spider-Man' Projects

### 'Matrix 4' Officially a Go With Keanu Reeves, Carrie-Anne Moss

### Disney Delays 'Cruella,' 'Woman in the Window'

### Sign Up for Daily Insider Newsletter

Please fill out this field with valid email address.

### BBC Studios to Explore 'The Edge of Science' for YouTube Originals

The BBC's production division, BBC Studios, has won its first YouTube Originals commission, "The Edge of Science."

Starring presenter and science enthusiast Rick Edwards and YouTuber Colin Furze, "The Edge of Science" will carry out a range of stunts and experiments to explore if it's possible to levitate.

The presenters will meet the scientists behind [...]

Kirsten Dunst was just 11 years old when she skyrocketed into stardom as Claudia in "Interview with a Vampire," but now Dunst says her age is the only thing keeping her from reprising the role in a hypothetical reboot.

"I mean I'm too old, right?," she told Variety at the premiere of "On Becoming a God [...]

### Variety to Forgo Annual Emmy Party for Donation to Planned Parenthood

Variety has decided to make a donation to Planned Parenthood in lieu of hosting this year's annual Emmy Awards nominees party in partnership with Women In Film.

The decision comes in response to Planned Parenthood's Aug. 19 announcement that it will drop funding over the current administration's "unethical" rule blocking the organization from discussing its [...]

### Taking a Cue From Black Counterparts, Asian American Women Writers Brunch and Bond

The doors to the dining room of a private home in West Los Angeles are swung wide open so that the 30 or so women sitting at folding banquet tables and on couches can take in some fresh air.

Some crowd around the kitchen, where open boxes of donuts [...

### TV News Roundup: Rebel Wilson to Host First Australian Amazon Original Series

In today's TV news roundup, the NFL and Pluto TV announce the launch of a new channel, and Rebel Wilson is named as the host of the first Amazon original series to come out of Australia.

CASTING Rebel Wilson is set to host and executive produce the Australian Amazon original series "LOL: Last One Laughing," the [...]

### U.K.'s Channel 4 Takes British Family to Africa in New Reality Show

U.K. broadcaster Channel 4 has greenlit new factual entertainment format "The British Tribe Next Door," which will see a British family spend four weeks with a remote tribe in Namibia.

The twist in this format is that, unlike most adventurers, the participants don't say goodbye to the comforts of their home — instead, they take them with [

### 'Walking Dead' Star Christian Serratos in Talks for Selena Series at Netflix

Christian Serratos is in negotiations to star in the upcoming Netflix series based on the life of Tejano music star Selena Quintanilla, Variety has confirmed with sources.

The series was announced back in December and is described as a coming of age story following Selena (Serratos) as her dreams come true and all the heart-wrenching [...]

### 'Angel Has Fallen' Review: A Deranged Nick Nolte Meets Hollywood's Laziest Action Franchise

### BTS' RM Shares Photos Of Himself Bike Riding, Going To The Museum & More On Band's Break

### This leak might be our first look at the PlayStation 5's crazy new design

### WWD Report Card: The Dog Days of Summer Style

### Improve Your Kitchen Lighting With These Under-Cabinet Light Panels

"The City" a dark medical drama centers around an idealistic young doctor who begins his first day of residency under the supervision of a senior resident who appears tough and brilliant, but turns out to be a cunning and deadly psychopath.
 —Showtime about early development of the series.[54]
 On August 5, 2016, it was announced that Showtime was developing a new original series, known as "The City", pitched by executive producer Antoine Fuqua. It was also announced that Amy Holden Jones would produce the series and co-write the pilot episode along with Hayley Schore and Roshan Sethi. The series, however, was never produced and on January 20, 2017, it was reported that Fox purchased the series from Showtime and ordered a pilot episode under the name "The Resident". On May 10, 2017, the series received a full-season order of 14 episodes. Phillip Noyce is an executive producer for the series. Phillip Noyce directed the first two episodes of the season.