Question: What sorts of films did American Movie Classics primarily show?

Answer: released prior to 1970

At the time of its launch, TCM was available to approximately one million cable television subscribers. <hl> The network originally served as a competitor to AMC – which at the time was known as "American Movie Classics" and maintained a virtually identical format to TCM, as both networks largely focused on films released prior to 1970 and aired them in an uncut, uncolorized, and commercial-free format. <hl> AMC had broadened its film content to feature colorized and more recent films by 2002 and abandoned its commercial-free format, leaving TCM as the only movie-oriented cable channel to devote its programming entirely to classic films without commercial interruption.

At the time of its launch, TCM was available to approximately one million cable television subscribers. The network originally served as a competitor to AMC – which at the time was known as "American Movie Classics" and maintained a virtually identical format to TCM, as both networks largely focused on films <hl> released prior to 1970 <hl> and aired them in an uncut, uncolorized, and commercial-free format. AMC had broadened its film content to feature colorized and more recent films by 2002 and abandoned its commercial-free format, leaving TCM as the only movie-oriented cable channel to devote its programming entirely to classic films without commercial interruption.


Question: By what year was AMC showing commercials?

At the time of its launch, TCM was available to approximately one million cable television subscribers. The network originally served as a competitor to AMC – which at the time was known as "American Movie Classics" and maintained a virtually identical format to TCM, as both networks largely focused on films released prior to 1970 and aired them in an uncut, uncolorized, and commercial-free format. AMC had broadened its film content to feature colorized and more recent films by 2002 and abandoned its commercial-free format, leaving TCM as the only movie-oriented cable channel to devote its programming entirely to classic films without commercial interruption.

Answer: 2002

At the time of its launch, TCM was available to approximately one million cable television subscribers. The network originally served as a competitor to AMC – which at the time was known as "American Movie Classics" and maintained a virtually identical format to TCM, as both networks largely focused on films released prior to 1970 and aired them in an uncut, uncolorized, and commercial-free format. <hl> AMC had broadened its film content to feature colorized and more recent films by 2002 and abandoned its commercial-free format, leaving TCM as the only movie-oriented cable channel to devote its programming entirely to classic films without commercial interruption. <hl>

At the time of its launch, TCM was available to approximately one million cable television subscribers. The network originally served as a competitor to AMC – which at the time was known as "American Movie Classics" and maintained a virtually identical format to TCM, as both networks largely focused on films released prior to 1970 and aired them in an uncut, uncolorized, and commercial-free format. AMC had broadened its film content to feature colorized and more recent films by <hl> 2002 <hl> and abandoned its commercial-free format, leaving TCM as the only movie-oriented cable channel to devote its programming entirely to classic films without commercial interruption.


Question: With what company did Turner Broadcasting Systems merge in 1996?

In 1996, Turner Broadcasting System merged with Time Warner, which besides placing Turner Classic Movies and Warner Bros. Entertainment under the same corporate umbrella, also gave TCM access to Warner Bros.' library of films released after 1949 (which itself includes other acquired entities such as the Lorimar, Saul Zaentz and National General Pictures libraries); incidentally, TCM had already been running select Warner Bros. film titles through a licensing agreement with the studio that was signed prior to the launch of the channel. In March 1999, MGM paid Warner Bros. and gave up the home video rights to the MGM/UA films owned by Turner to Warner Home Video.

Answer: Time Warner

<hl> In 1996, Turner Broadcasting System merged with Time Warner , which besides placing Turner Classic Movies and Warner Bros. Entertainment under the same corporate umbrella, also gave TCM access to Warner Bros.' library of films released after 1949 (which itself includes other acquired entities such as the Lorimar, Saul Zaentz and National General Pictures libraries); incidentally, TCM had already been running select Warner Bros. film titles through a licensing agreement with the studio that was signed prior to the launch of the channel. <hl> In March 1999, MGM paid Warner Bros. and gave up the home video rights to the MGM/UA films owned by Turner to Warner Home Video.

In 1996, Turner Broadcasting System merged with <hl> Time Warner <hl>, which besides placing Turner Classic Movies and Warner Bros. Entertainment under the same corporate umbrella, also gave TCM access to Warner Bros.' library of films released after 1949 (which itself includes other acquired entities such as the Lorimar, Saul Zaentz and National General Pictures libraries); incidentally, TCM had already been running select Warner Bros. film titles through a licensing agreement with the studio that was signed prior to the launch of the channel. In March 1999, MGM paid Warner Bros. and gave up the home video rights to the MGM/UA films owned by Turner to Warner Home Video.

In 1996, Turner Broadcasting System merged with <hl> Time Warner <hl> , which besides placing Turner Classic Movies and Warner Bros. Entertainment under the same corporate umbrella, also gave TCM access to Warner Bros.' library of films released after 1949 (which itself includes other acquired entities such as the Lorimar, Saul Zaentz and National General Pictures libraries); incidentally, TCM had already been running select Warner Bros. film titles through a licensing agreement with the studio that was signed prior to the launch of the channel.


Question: Along with Lorimar and National General Pictures, what library was included in the Warner Bros. library?

Answer: Saul Zaentz

<hl> In 1996, Turner Broadcasting System merged with Time Warner, which besides placing Turner Classic Movies and Warner Bros. Entertainment under the same corporate umbrella, also gave TCM access to Warner Bros.' library of films released after 1949 (which itself includes other acquired entities such as the Lorimar, Saul Zaentz and National General Pictures libraries); incidentally, TCM had already been running select Warner Bros. film titles through a licensing agreement with the studio that was signed prior to the launch of the channel. <hl> In March 1999, MGM paid Warner Bros. and gave up the home video rights to the MGM/UA films owned by Turner to Warner Home Video.

In 1996, Turner Broadcasting System merged with Time Warner, which besides placing Turner Classic Movies and Warner Bros. Entertainment under the same corporate umbrella, also gave TCM access to Warner Bros.' library of films released after 1949 (which itself includes other acquired entities such as the Lorimar, <hl> Saul Zaentz <hl> and National General Pictures libraries); incidentally, TCM had already been running select Warner Bros. film titles through a licensing agreement with the studio that was signed prior to the launch of the channel. In March 1999, MGM paid Warner Bros. and gave up the home video rights to the MGM/UA films owned by Turner to Warner Home Video.


Question: When did MGM give Warner Home Video the rights to MGM/UA's films on home video?

Answer: March 1999

In 1996, Turner Broadcasting System merged with Time Warner, which besides placing Turner Classic Movies and Warner Bros. Entertainment under the same corporate umbrella, also gave TCM access to Warner Bros.' library of films released after 1949 (which itself includes other acquired entities such as the Lorimar, Saul Zaentz and National General Pictures libraries); incidentally, TCM had already been running select Warner Bros. film titles through a licensing agreement with the studio that was signed prior to the launch of the channel. <hl> In March 1999 , MGM paid Warner Bros. and gave up the home video rights to the MGM/UA films owned by Turner to Warner Home Video. <hl>

In 1996, Turner Broadcasting System merged with Time Warner, which besides placing Turner Classic Movies and Warner Bros. Entertainment under the same corporate umbrella, also gave TCM access to Warner Bros.' library of films released after 1949 (which itself includes other acquired entities such as the Lorimar, Saul Zaentz and National General Pictures libraries); incidentally, TCM had already been running select Warner Bros. film titles through a licensing agreement with the studio that was signed prior to the launch of the channel. In <hl> March 1999 <hl>, MGM paid Warner Bros. and gave up the home video rights to the MGM/UA films owned by Turner to Warner Home Video.

In <hl> March 1999 <hl> , MGM paid Warner Bros. and gave up the home video rights to the MGM/UA films owned by Turner to Warner Home Video.


Question: In what year did TCM begin the Young Composers Film Competition?

In 2000, TCM started the annual Young Composers Film Competition, inviting aspiring composers to participate in a judged competition that offers the winner of each year's competition the opportunity to score a restored, feature-length silent film as a grand prize, mentored by a well-known composer, with the new work subsequently premiering on the network. As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and 1928's Laugh, Clown, Laugh, and Greta Garbo's 1926 film The Temptress.

Answer: 2000

<hl> In 2000 , TCM started the annual Young Composers Film Competition, inviting aspiring composers to participate in a judged competition that offers the winner of each year's competition the opportunity to score a restored, feature-length silent film as a grand prize, mentored by a well-known composer, with the new work subsequently premiering on the network. <hl> As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and 1928's Laugh, Clown, Laugh, and Greta Garbo's 1926 film The Temptress.

In <hl> 2000 <hl>, TCM started the annual Young Composers Film Competition, inviting aspiring composers to participate in a judged competition that offers the winner of each year's competition the opportunity to score a restored, feature-length silent film as a grand prize, mentored by a well-known composer, with the new work subsequently premiering on the network. As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and 1928's Laugh, Clown, Laugh, and Greta Garbo's 1926 film The Temptress.

In <hl> 2000 <hl> , TCM started the annual Young Composers Film Competition, inviting aspiring composers to participate in a judged competition that offers the winner of each year's competition the opportunity to score a restored, feature-length silent film as a grand prize, mentored by a well-known composer, with the new work subsequently premiering on the network.


Question: How often is the Young Composers Film Competition?

Answer: annual

<hl> In 2000, TCM started the annual Young Composers Film Competition, inviting aspiring composers to participate in a judged competition that offers the winner of each year's competition the opportunity to score a restored, feature-length silent film as a grand prize, mentored by a well-known composer, with the new work subsequently premiering on the network. <hl> As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and 1928's Laugh, Clown, Laugh, and Greta Garbo's 1926 film The Temptress.

In 2000, TCM started the <hl> annual <hl> Young Composers Film Competition, inviting aspiring composers to participate in a judged competition that offers the winner of each year's competition the opportunity to score a restored, feature-length silent film as a grand prize, mentored by a well-known composer, with the new work subsequently premiering on the network. As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and 1928's Laugh, Clown, Laugh, and Greta Garbo's 1926 film The Temptress.


Question: What is the grand prize in the Young Composers Film Competition?

Answer: score a restored, feature-length silent film

<hl> In 2000, TCM started the annual Young Composers Film Competition, inviting aspiring composers to participate in a judged competition that offers the winner of each year's competition the opportunity to score a restored, feature-length silent film as a grand prize, mentored by a well-known composer, with the new work subsequently premiering on the network. <hl> As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and 1928's Laugh, Clown, Laugh, and Greta Garbo's 1926 film The Temptress.

In 2000, TCM started the annual Young Composers Film Competition, inviting aspiring composers to participate in a judged competition that offers the winner of each year's competition the opportunity to <hl> score a restored, feature-length silent film <hl> as a grand prize, mentored by a well-known composer, with the new work subsequently premiering on the network. As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and 1928's Laugh, Clown, Laugh, and Greta Garbo's 1926 film The Temptress.


Question: In what year was Laugh, Clown, Laugh released?

Answer: 1928

In 2000, TCM started the annual Young Composers Film Competition, inviting aspiring composers to participate in a judged competition that offers the winner of each year's competition the opportunity to score a restored, feature-length silent film as a grand prize, mentored by a well-known composer, with the new work subsequently premiering on the network. <hl> As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and 1928 's Laugh, Clown, Laugh, and Greta Garbo's 1926 film The Temptress. <hl>

In 2000, TCM started the annual Young Composers Film Competition, inviting aspiring composers to participate in a judged competition that offers the winner of each year's competition the opportunity to score a restored, feature-length silent film as a grand prize, mentored by a well-known composer, with the new work subsequently premiering on the network. As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and <hl> 1928 <hl>'s Laugh, Clown, Laugh, and Greta Garbo's 1926 film The Temptress.

As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and <hl> 1928 <hl> 's Laugh, Clown, Laugh, and Greta Garbo's 1926 film The Temptress.


Question: Who starred in The Temptress?

Answer: Greta Garbo

In 2000, TCM started the annual Young Composers Film Competition, inviting aspiring composers to participate in a judged competition that offers the winner of each year's competition the opportunity to score a restored, feature-length silent film as a grand prize, mentored by a well-known composer, with the new work subsequently premiering on the network. <hl> As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and 1928's Laugh, Clown, Laugh, and Greta Garbo 's <hl> 1926 film The Temptress.

In 2000, TCM started the annual Young Composers Film Competition, inviting aspiring composers to participate in a judged competition that offers the winner of each year's competition the opportunity to score a restored, feature-length silent film as a grand prize, mentored by a well-known composer, with the new work subsequently premiering on the network. As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and 1928's Laugh, Clown, Laugh, and <hl> Greta Garbo <hl>'s 1926 film The Temptress.

As of 2006, films that have been rescored include the 1921 Rudolph Valentino film Camille, two Lon Chaney films: 1921's The Ace of Hearts and 1928's Laugh, Clown, Laugh, and <hl> Greta Garbo <hl> 's


Question: In what year did TCM receive a Peabody Award?

In 2008, TCM won a Peabody Award for excellence in broadcasting. In April 2010, Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the Grauman's Egyptian Theater in Hollywood. Hosted by Robert Osborne, the four-day long annual festival celebrates Hollywood and its movies, and features celebrity appearances, special events, and screenings of around 50 classic movies including several newly restored by the Film Foundation, an organization devoted to preserving Hollywood's classic film legacy.

Answer: 2008

<hl> In 2008 , TCM won a Peabody Award for excellence in broadcasting. <hl> In April 2010, Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the Grauman's Egyptian Theater in Hollywood. Hosted by Robert Osborne, the four-day long annual festival celebrates Hollywood and its movies, and features celebrity appearances, special events, and screenings of around 50 classic movies including several newly restored by the Film Foundation, an organization devoted to preserving Hollywood's classic film legacy.

In <hl> 2008 <hl>, TCM won a Peabody Award for excellence in broadcasting. In April 2010, Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the Grauman's Egyptian Theater in Hollywood. Hosted by Robert Osborne, the four-day long annual festival celebrates Hollywood and its movies, and features celebrity appearances, special events, and screenings of around 50 classic movies including several newly restored by the Film Foundation, an organization devoted to preserving Hollywood's classic film legacy.

In <hl> 2008 <hl> , TCM won a Peabody Award for excellence in broadcasting.


Question: For what reason is a Peabody Award granted?

Answer: excellence in broadcasting

<hl> In 2008, TCM won a Peabody Award for excellence in broadcasting . <hl> In April 2010, Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the Grauman's Egyptian Theater in Hollywood. Hosted by Robert Osborne, the four-day long annual festival celebrates Hollywood and its movies, and features celebrity appearances, special events, and screenings of around 50 classic movies including several newly restored by the Film Foundation, an organization devoted to preserving Hollywood's classic film legacy.

In 2008, TCM won a Peabody Award for <hl> excellence in broadcasting <hl>. In April 2010, Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the Grauman's Egyptian Theater in Hollywood. Hosted by Robert Osborne, the four-day long annual festival celebrates Hollywood and its movies, and features celebrity appearances, special events, and screenings of around 50 classic movies including several newly restored by the Film Foundation, an organization devoted to preserving Hollywood's classic film legacy.

In 2008, TCM won a Peabody Award for <hl> excellence in broadcasting <hl> .


Question: When did the inaugural TCM Classic Film Festival take place?

Answer: April 2010

In 2008, TCM won a Peabody Award for excellence in broadcasting. <hl> In April 2010 , Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the Grauman's Egyptian Theater in Hollywood. <hl> Hosted by Robert Osborne, the four-day long annual festival celebrates Hollywood and its movies, and features celebrity appearances, special events, and screenings of around 50 classic movies including several newly restored by the Film Foundation, an organization devoted to preserving Hollywood's classic film legacy.

In 2008, TCM won a Peabody Award for excellence in broadcasting. In <hl> April 2010 <hl>, Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the Grauman's Egyptian Theater in Hollywood. Hosted by Robert Osborne, the four-day long annual festival celebrates Hollywood and its movies, and features celebrity appearances, special events, and screenings of around 50 classic movies including several newly restored by the Film Foundation, an organization devoted to preserving Hollywood's classic film legacy.

In <hl> April 2010 <hl> , Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the Grauman's Egyptian Theater in Hollywood.


Question: In addition to the Grauman's Chinese Theater, where did the first TCM Classic Film Festival take place?

Answer: Grauman's Egyptian Theater

In 2008, TCM won a Peabody Award for excellence in broadcasting. <hl> In April 2010, Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the Grauman's Egyptian Theater in Hollywood. <hl> Hosted by Robert Osborne, the four-day long annual festival celebrates Hollywood and its movies, and features celebrity appearances, special events, and screenings of around 50 classic movies including several newly restored by the Film Foundation, an organization devoted to preserving Hollywood's classic film legacy.

In 2008, TCM won a Peabody Award for excellence in broadcasting. In April 2010, Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the <hl> Grauman's Egyptian Theater <hl> in Hollywood. Hosted by Robert Osborne, the four-day long annual festival celebrates Hollywood and its movies, and features celebrity appearances, special events, and screenings of around 50 classic movies including several newly restored by the Film Foundation, an organization devoted to preserving Hollywood's classic film legacy.


Question: Where is Grauman's Chinese Theater located?

Answer: Hollywood

In 2008, TCM won a Peabody Award for excellence in broadcasting. <hl> In April 2010, Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the Grauman's Egyptian Theater in Hollywood . <hl> Hosted by Robert Osborne, the four-day long annual festival celebrates Hollywood and its movies, and features celebrity appearances, special events, and screenings of around 50 classic movies including several newly restored by the Film Foundation, an organization devoted to preserving Hollywood's classic film legacy.

In 2008, TCM won a Peabody Award for excellence in broadcasting. In April 2010, Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the Grauman's Egyptian Theater in <hl> Hollywood <hl>. Hosted by Robert Osborne, the four-day long annual festival celebrates Hollywood and its movies, and features celebrity appearances, special events, and screenings of around 50 classic movies including several newly restored by the Film Foundation, an organization devoted to preserving Hollywood's classic film legacy.

In April 2010, Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Grauman's Chinese Theater and the Grauman's Egyptian Theater in <hl> Hollywood <hl> .


Question: What were TCM Extras previously known as?

Turner Classic Movies essentially operates as a commercial-free service, with the only advertisements on the network being shown between features – which advertise TCM products, network promotions for upcoming special programs and the original trailers for films that are scheduled to be broadcast on TCM (particularly those that will air during the primetime hours), and featurettes about classic film actors and actresses. In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and Robert Benchley – under the banner name TCM Extras (formerly One Reel Wonders). In 2007, some of the short films featured on TCM were made available for streaming on TCM's website. Partly to allow these interstitials, Turner Classic Movies schedules its feature films either at the top of the hour or at :15, :30 or :45 minutes past the hour, instead of in timeslots of varying five-minute increments.

Answer: One Reel Wonders

Turner Classic Movies essentially operates as a commercial-free service, with the only advertisements on the network being shown between features – which advertise TCM products, network promotions for upcoming special programs and the original trailers for films that are scheduled to be broadcast on TCM (particularly those that will air during the primetime hours), and featurettes about classic film actors and actresses. <hl> In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and Robert Benchley – under the banner name TCM Extras (formerly One Reel Wonders ). <hl> In 2007, some of the short films featured on TCM were made available for streaming on TCM's website. Partly to allow these interstitials, Turner Classic Movies schedules its feature films either at the top of the hour or at :15, :30 or :45 minutes past the hour, instead of in timeslots of varying five-minute increments.

Turner Classic Movies essentially operates as a commercial-free service, with the only advertisements on the network being shown between features – which advertise TCM products, network promotions for upcoming special programs and the original trailers for films that are scheduled to be broadcast on TCM (particularly those that will air during the primetime hours), and featurettes about classic film actors and actresses. In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and Robert Benchley – under the banner name TCM Extras (formerly <hl> One Reel Wonders <hl>). In 2007, some of the short films featured on TCM were made available for streaming on TCM's website. Partly to allow these interstitials, Turner Classic Movies schedules its feature films either at the top of the hour or at :15, :30 or :45 minutes past the hour, instead of in timeslots of varying five-minute increments.

In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and Robert Benchley – under the banner name TCM Extras (formerly <hl> One Reel Wonders <hl> ).


Question: When did short films from TCM begin to stream on TCM's website?

Answer: 2007

Turner Classic Movies essentially operates as a commercial-free service, with the only advertisements on the network being shown between features – which advertise TCM products, network promotions for upcoming special programs and the original trailers for films that are scheduled to be broadcast on TCM (particularly those that will air during the primetime hours), and featurettes about classic film actors and actresses. In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and Robert Benchley – under the banner name TCM Extras (formerly One Reel Wonders). <hl> In 2007 , some of the short films featured on TCM were made available for streaming on TCM's website. <hl> Partly to allow these interstitials, Turner Classic Movies schedules its feature films either at the top of the hour or at :15, :30 or :45 minutes past the hour, instead of in timeslots of varying five-minute increments.

Turner Classic Movies essentially operates as a commercial-free service, with the only advertisements on the network being shown between features – which advertise TCM products, network promotions for upcoming special programs and the original trailers for films that are scheduled to be broadcast on TCM (particularly those that will air during the primetime hours), and featurettes about classic film actors and actresses. In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and Robert Benchley – under the banner name TCM Extras (formerly One Reel Wonders). In <hl> 2007 <hl>, some of the short films featured on TCM were made available for streaming on TCM's website. Partly to allow these interstitials, Turner Classic Movies schedules its feature films either at the top of the hour or at :15, :30 or :45 minutes past the hour, instead of in timeslots of varying five-minute increments.

In <hl> 2007 <hl> , some of the short films featured on TCM were made available for streaming on TCM's website.


Question: Along with The Passing Parade, Crime Does Not Pay and Pete Smith Specialties, what short subjects feature on TCM?

Answer: Robert Benchley

Turner Classic Movies essentially operates as a commercial-free service, with the only advertisements on the network being shown between features – which advertise TCM products, network promotions for upcoming special programs and the original trailers for films that are scheduled to be broadcast on TCM (particularly those that will air during the primetime hours), and featurettes about classic film actors and actresses. <hl> In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and Robert Benchley – under the banner name TCM Extras (formerly One Reel Wonders). <hl> In 2007, some of the short films featured on TCM were made available for streaming on TCM's website. Partly to allow these interstitials, Turner Classic Movies schedules its feature films either at the top of the hour or at :15, :30 or :45 minutes past the hour, instead of in timeslots of varying five-minute increments.

Turner Classic Movies essentially operates as a commercial-free service, with the only advertisements on the network being shown between features – which advertise TCM products, network promotions for upcoming special programs and the original trailers for films that are scheduled to be broadcast on TCM (particularly those that will air during the primetime hours), and featurettes about classic film actors and actresses. In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and <hl> Robert Benchley <hl> – under the banner name TCM Extras (formerly One Reel Wonders). In 2007, some of the short films featured on TCM were made available for streaming on TCM's website. Partly to allow these interstitials, Turner Classic Movies schedules its feature films either at the top of the hour or at :15, :30 or :45 minutes past the hour, instead of in timeslots of varying five-minute increments.


Question: Along with :45, :30 and :15 past the hour, at what time do TCM features begin?

Answer: top of the hour

Turner Classic Movies essentially operates as a commercial-free service, with the only advertisements on the network being shown between features – which advertise TCM products, network promotions for upcoming special programs and the original trailers for films that are scheduled to be broadcast on TCM (particularly those that will air during the primetime hours), and featurettes about classic film actors and actresses. In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and Robert Benchley – under the banner name TCM Extras (formerly One Reel Wonders). In 2007, some of the short films featured on TCM were made available for streaming on TCM's website. <hl> Partly to allow these interstitials, Turner Classic Movies schedules its feature films either at the top of the hour or at :15, :30 or :45 minutes past the hour, instead of in timeslots of varying five-minute increments. <hl>

Turner Classic Movies essentially operates as a commercial-free service, with the only advertisements on the network being shown between features – which advertise TCM products, network promotions for upcoming special programs and the original trailers for films that are scheduled to be broadcast on TCM (particularly those that will air during the primetime hours), and featurettes about classic film actors and actresses. In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and Robert Benchley – under the banner name TCM Extras (formerly One Reel Wonders). In 2007, some of the short films featured on TCM were made available for streaming on TCM's website. Partly to allow these interstitials, Turner Classic Movies schedules its feature films either at the <hl> top of the hour <hl> or at :15, :30 or :45 minutes past the hour, instead of in timeslots of varying five-minute increments.


Question: In what year did the Motion Picture Association of America introduce its rating system?

TCM's film content has remained mostly uncut and uncolorized (with films natively filmed or post-produced in the format being those only ones presented in color), depending upon the original content of movies, particularly movies released after the 1968 implementation of the Motion Picture Association of America's ratings system and the concurrent disestablishment of the Motion Picture Production Code. Because of this, TCM is formatted similarly to a premium channel with certain films – particularly those made from the 1960s onward – sometimes featuring nudity, sexual content, violence and/or strong profanity; the network also features rating bumpers prior to the start of a program (most programs on TCM, especially films, are rated for content using the TV Parental Guidelines, in lieu of the MPAA's rating system).

Answer: 1968

<hl> TCM's film content has remained mostly uncut and uncolorized (with films natively filmed or post-produced in the format being those only ones presented in color), depending upon the original content of movies, particularly movies released after the 1968 implementation of the Motion Picture Association of America's ratings system and the concurrent disestablishment of the Motion Picture Production Code. <hl> Because of this, TCM is formatted similarly to a premium channel with certain films – particularly those made from the 1960s onward – sometimes featuring nudity, sexual content, violence and/or strong profanity; the network also features rating bumpers prior to the start of a program (most programs on TCM, especially films, are rated for content using the TV Parental Guidelines, in lieu of the MPAA's rating system).

TCM's film content has remained mostly uncut and uncolorized (with films natively filmed or post-produced in the format being those only ones presented in color), depending upon the original content of movies, particularly movies released after the <hl> 1968 <hl> implementation of the Motion Picture Association of America's ratings system and the concurrent disestablishment of the Motion Picture Production Code. Because of this, TCM is formatted similarly to a premium channel with certain films – particularly those made from the 1960s onward – sometimes featuring nudity, sexual content, violence and/or strong profanity; the network also features rating bumpers prior to the start of a program (most programs on TCM, especially films, are rated for content using the TV Parental Guidelines, in lieu of the MPAA's rating system).


Question: In what year did the Motion Picture Production Code cease?

Answer: 1968

<hl> TCM's film content has remained mostly uncut and uncolorized (with films natively filmed or post-produced in the format being those only ones presented in color), depending upon the original content of movies, particularly movies released after the 1968 implementation of the Motion Picture Association of America's ratings system and the concurrent disestablishment of the Motion Picture Production Code. <hl> Because of this, TCM is formatted similarly to a premium channel with certain films – particularly those made from the 1960s onward – sometimes featuring nudity, sexual content, violence and/or strong profanity; the network also features rating bumpers prior to the start of a program (most programs on TCM, especially films, are rated for content using the TV Parental Guidelines, in lieu of the MPAA's rating system).

TCM's film content has remained mostly uncut and uncolorized (with films natively filmed or post-produced in the format being those only ones presented in color), depending upon the original content of movies, particularly movies released after the <hl> 1968 <hl> implementation of the Motion Picture Association of America's ratings system and the concurrent disestablishment of the Motion Picture Production Code. Because of this, TCM is formatted similarly to a premium channel with certain films – particularly those made from the 1960s onward – sometimes featuring nudity, sexual content, violence and/or strong profanity; the network also features rating bumpers prior to the start of a program (most programs on TCM, especially films, are rated for content using the TV Parental Guidelines, in lieu of the MPAA's rating system).


Question: What rating system is often used by TCM?

Answer: TV Parental Guidelines

TCM's film content has remained mostly uncut and uncolorized (with films natively filmed or post-produced in the format being those only ones presented in color), depending upon the original content of movies, particularly movies released after the 1968 implementation of the Motion Picture Association of America's ratings system and the concurrent disestablishment of the Motion Picture Production Code. <hl> Because of this, TCM is formatted similarly to a premium channel with certain films – particularly those made from the 1960s onward – sometimes featuring nudity, sexual content, violence and/or strong profanity; the network also features rating bumpers prior to the start of a program (most programs on TCM, especially films, are rated for content using the TV Parental Guidelines , in lieu of the MPAA's rating system). <hl>

TCM's film content has remained mostly uncut and uncolorized (with films natively filmed or post-produced in the format being those only ones presented in color), depending upon the original content of movies, particularly movies released after the 1968 implementation of the Motion Picture Association of America's ratings system and the concurrent disestablishment of the Motion Picture Production Code. Because of this, TCM is formatted similarly to a premium channel with certain films – particularly those made from the 1960s onward – sometimes featuring nudity, sexual content, violence and/or strong profanity; the network also features rating bumpers prior to the start of a program (most programs on TCM, especially films, are rated for content using the <hl> TV Parental Guidelines <hl>, in lieu of the MPAA's rating system).

Because of this, TCM is formatted similarly to a premium channel with certain films – particularly those made from the 1960s onward – sometimes featuring nudity, sexual content, violence and/or strong profanity; the network also features rating bumpers prior to the start of a program (most programs on TCM, especially films, are rated for content using the <hl> TV Parental Guidelines <hl> , in lieu of the MPAA's rating system).


Question: What retrospective of the Oscars is shown yearly on TCM?

The network's programming season runs from February until the following March of each year when a retrospective of Oscar-winning and Oscar-nominated movies is shown, called 31 Days of Oscar. As a result of its devoted format to classic feature films, viewers that are interested in tracing the career development of actresses such as Barbara Stanwyck or Greta Garbo or actors like Cary Grant or Humphrey Bogart have the unique opportunity to see most of the films that were made during their careers, from beginning to end. Turner Classic Movies presents many of its features in their original aspect ratio (widescreen or full screen) whenever possible – widescreen films broadcast on TCM are letterboxed on the network's standard definition feed. TCM also regularly presents widescreen presentations of films not available in the format on any home video release.

Answer: 31 Days of Oscar

<hl> The network's programming season runs from February until the following March of each year when a retrospective of Oscar-winning and Oscar-nominated movies is shown, called 31 Days of Oscar . <hl> As a result of its devoted format to classic feature films, viewers that are interested in tracing the career development of actresses such as Barbara Stanwyck or Greta Garbo or actors like Cary Grant or Humphrey Bogart have the unique opportunity to see most of the films that were made during their careers, from beginning to end. Turner Classic Movies presents many of its features in their original aspect ratio (widescreen or full screen) whenever possible – widescreen films broadcast on TCM are letterboxed on the network's standard definition feed. TCM also regularly presents widescreen presentations of films not available in the format on any home video release.

The network's programming season runs from February until the following March of each year when a retrospective of Oscar-winning and Oscar-nominated movies is shown, called <hl> 31 Days of Oscar <hl>. As a result of its devoted format to classic feature films, viewers that are interested in tracing the career development of actresses such as Barbara Stanwyck or Greta Garbo or actors like Cary Grant or Humphrey Bogart have the unique opportunity to see most of the films that were made during their careers, from beginning to end. Turner Classic Movies presents many of its features in their original aspect ratio (widescreen or full screen) whenever possible – widescreen films broadcast on TCM are letterboxed on the network's standard definition feed. TCM also regularly presents widescreen presentations of films not available in the format on any home video release.

The network's programming season runs from February until the following March of each year when a retrospective of Oscar-winning and Oscar-nominated movies is shown, called <hl> 31 Days of Oscar <hl> .


Question: When does TCM's programming season begin?

Answer: February

<hl> The network's programming season runs from February until the following March of each year when a retrospective of Oscar-winning and Oscar-nominated movies is shown, called 31 Days of Oscar. <hl> As a result of its devoted format to classic feature films, viewers that are interested in tracing the career development of actresses such as Barbara Stanwyck or Greta Garbo or actors like Cary Grant or Humphrey Bogart have the unique opportunity to see most of the films that were made during their careers, from beginning to end. Turner Classic Movies presents many of its features in their original aspect ratio (widescreen or full screen) whenever possible – widescreen films broadcast on TCM are letterboxed on the network's standard definition feed. TCM also regularly presents widescreen presentations of films not available in the format on any home video release.

The network's programming season runs from <hl> February <hl> until the following March of each year when a retrospective of Oscar-winning and Oscar-nominated movies is shown, called 31 Days of Oscar. As a result of its devoted format to classic feature films, viewers that are interested in tracing the career development of actresses such as Barbara Stanwyck or Greta Garbo or actors like Cary Grant or Humphrey Bogart have the unique opportunity to see most of the films that were made during their careers, from beginning to end. Turner Classic Movies presents many of its features in their original aspect ratio (widescreen or full screen) whenever possible – widescreen films broadcast on TCM are letterboxed on the network's standard definition feed. TCM also regularly presents widescreen presentations of films not available in the format on any home video release.


Question: On its standard definition broadcast, what format does TCM use to preserve the original aspect ratio?

Answer: letterboxed

The network's programming season runs from February until the following March of each year when a retrospective of Oscar-winning and Oscar-nominated movies is shown, called 31 Days of Oscar. As a result of its devoted format to classic feature films, viewers that are interested in tracing the career development of actresses such as Barbara Stanwyck or Greta Garbo or actors like Cary Grant or Humphrey Bogart have the unique opportunity to see most of the films that were made during their careers, from beginning to end. <hl> Turner Classic Movies presents many of its features in their original aspect ratio (widescreen or full screen) whenever possible – widescreen films broadcast on TCM are letterboxed on the network's standard definition feed. <hl> TCM also regularly presents widescreen presentations of films not available in the format on any home video release.

The network's programming season runs from February until the following March of each year when a retrospective of Oscar-winning and Oscar-nominated movies is shown, called 31 Days of Oscar. As a result of its devoted format to classic feature films, viewers that are interested in tracing the career development of actresses such as Barbara Stanwyck or Greta Garbo or actors like Cary Grant or Humphrey Bogart have the unique opportunity to see most of the films that were made during their careers, from beginning to end. Turner Classic Movies presents many of its features in their original aspect ratio (widescreen or full screen) whenever possible – widescreen films broadcast on TCM are <hl> letterboxed <hl> on the network's standard definition feed. TCM also regularly presents widescreen presentations of films not available in the format on any home video release.


Question: Along with Cary Grant, who is a notable actor whose career a viewer might follow on TCM?

Answer: Humphrey Bogart

The network's programming season runs from February until the following March of each year when a retrospective of Oscar-winning and Oscar-nominated movies is shown, called 31 Days of Oscar. <hl> As a result of its devoted format to classic feature films, viewers that are interested in tracing the career development of actresses such as Barbara Stanwyck or Greta Garbo or actors like Cary Grant or Humphrey Bogart have the unique opportunity to see most of the films that were made during their careers, from beginning to end. <hl> Turner Classic Movies presents many of its features in their original aspect ratio (widescreen or full screen) whenever possible – widescreen films broadcast on TCM are letterboxed on the network's standard definition feed. TCM also regularly presents widescreen presentations of films not available in the format on any home video release.

The network's programming season runs from February until the following March of each year when a retrospective of Oscar-winning and Oscar-nominated movies is shown, called 31 Days of Oscar. As a result of its devoted format to classic feature films, viewers that are interested in tracing the career development of actresses such as Barbara Stanwyck or Greta Garbo or actors like Cary Grant or <hl> Humphrey Bogart <hl> have the unique opportunity to see most of the films that were made during their careers, from beginning to end. Turner Classic Movies presents many of its features in their original aspect ratio (widescreen or full screen) whenever possible – widescreen films broadcast on TCM are letterboxed on the network's standard definition feed. TCM also regularly presents widescreen presentations of films not available in the format on any home video release.


Question: Who owns the Selznick International Pictures library?

TCM's library of films spans several decades of cinema and includes thousands of film titles. Besides its deals to broadcast film releases from Metro-Goldwyn-Mayer and Warner Bros. Entertainment, Turner Classic Movies also maintains movie licensing rights agreements with Universal Studios, Paramount Pictures, 20th Century Fox, Walt Disney Studios (primarily film content from Walt Disney Pictures, as well as most of the Selznick International Pictures library), Sony Pictures Entertainment (primarily film content from Columbia Pictures), StudioCanal, and Janus Films.

Answer: Walt Disney Studios

TCM's library of films spans several decades of cinema and includes thousands of film titles. <hl> Besides its deals to broadcast film releases from Metro-Goldwyn-Mayer and Warner Bros. Entertainment, Turner Classic Movies also maintains movie licensing rights agreements with Universal Studios, Paramount Pictures, 20th Century Fox, Walt Disney Studios (primarily film content from Walt Disney Pictures, as well as most of the Selznick International Pictures library), Sony Pictures Entertainment (primarily film content from Columbia Pictures), StudioCanal, and Janus Films. <hl>

TCM's library of films spans several decades of cinema and includes thousands of film titles. Besides its deals to broadcast film releases from Metro-Goldwyn-Mayer and Warner Bros. Entertainment, Turner Classic Movies also maintains movie licensing rights agreements with Universal Studios, Paramount Pictures, 20th Century Fox, <hl> Walt Disney Studios <hl> (primarily film content from Walt Disney Pictures, as well as most of the Selznick International Pictures library), Sony Pictures Entertainment (primarily film content from Columbia Pictures), StudioCanal, and Janus Films.


Question: Who is the owner of Columbia Pictures content?

Answer: Sony Pictures Entertainment

TCM's library of films spans several decades of cinema and includes thousands of film titles. <hl> Besides its deals to broadcast film releases from Metro-Goldwyn-Mayer and Warner Bros. Entertainment, Turner Classic Movies also maintains movie licensing rights agreements with Universal Studios, Paramount Pictures, 20th Century Fox, Walt Disney Studios (primarily film content from Walt Disney Pictures, as well as most of the Selznick International Pictures library), Sony Pictures Entertainment (primarily film content from Columbia Pictures), StudioCanal, and Janus Films. <hl>

TCM's library of films spans several decades of cinema and includes thousands of film titles. Besides its deals to broadcast film releases from Metro-Goldwyn-Mayer and Warner Bros. Entertainment, Turner Classic Movies also maintains movie licensing rights agreements with Universal Studios, Paramount Pictures, 20th Century Fox, Walt Disney Studios (primarily film content from Walt Disney Pictures, as well as most of the Selznick International Pictures library), <hl> Sony Pictures Entertainment <hl> (primarily film content from Columbia Pictures), StudioCanal, and Janus Films.


Question: How many films are present in the TCM library?

Answer: thousands

<hl> TCM's library of films spans several decades of cinema and includes thousands of film titles. <hl> Besides its deals to broadcast film releases from Metro-Goldwyn-Mayer and Warner Bros. Entertainment, Turner Classic Movies also maintains movie licensing rights agreements with Universal Studios, Paramount Pictures, 20th Century Fox, Walt Disney Studios (primarily film content from Walt Disney Pictures, as well as most of the Selznick International Pictures library), Sony Pictures Entertainment (primarily film content from Columbia Pictures), StudioCanal, and Janus Films.

TCM's library of films spans several decades of cinema and includes <hl> thousands <hl> of film titles. Besides its deals to broadcast film releases from Metro-Goldwyn-Mayer and Warner Bros. Entertainment, Turner Classic Movies also maintains movie licensing rights agreements with Universal Studios, Paramount Pictures, 20th Century Fox, Walt Disney Studios (primarily film content from Walt Disney Pictures, as well as most of the Selznick International Pictures library), Sony Pictures Entertainment (primarily film content from Columbia Pictures), StudioCanal, and Janus Films.


Question: Who owns the majority of pre-1950 Paramount sound releases?

Most Paramount sound releases made prior to 1950 are owned by EMKA, Ltd./NBCUniversal Television Distribution, while Paramount (currently owned by Viacom) holds on to most of its post-1949 releases, which are distributed for television by Trifecta Entertainment & Media. Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by The Walt Disney Company) has its library film output handled for television by Disney-ABC Domestic Television. Classic films released by 20th Century Fox, Paramount Pictures, Universal Studios, and Columbia Pictures are licensed individually for broadcast on Turner Classic Movies.

Answer: EMKA, Ltd./NBCUniversal Television Distribution

<hl> Most Paramount sound releases made prior to 1950 are owned by EMKA, Ltd./NBCUniversal Television Distribution , while Paramount (currently owned by Viacom) holds on to most of its post-1949 releases, which are distributed for television by Trifecta Entertainment & Media. <hl> Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by The Walt Disney Company) has its library film output handled for television by Disney-ABC Domestic Television. Classic films released by 20th Century Fox, Paramount Pictures, Universal Studios, and Columbia Pictures are licensed individually for broadcast on Turner Classic Movies.

Most Paramount sound releases made prior to 1950 are owned by <hl> EMKA, Ltd./NBCUniversal Television Distribution <hl>, while Paramount (currently owned by Viacom) holds on to most of its post-1949 releases, which are distributed for television by Trifecta Entertainment & Media. Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by The Walt Disney Company) has its library film output handled for television by Disney-ABC Domestic Television. Classic films released by 20th Century Fox, Paramount Pictures, Universal Studios, and Columbia Pictures are licensed individually for broadcast on Turner Classic Movies.

Most Paramount sound releases made prior to 1950 are owned by <hl> EMKA, Ltd./NBCUniversal Television Distribution <hl> , while Paramount (currently owned by Viacom) holds on to most of its post-1949 releases, which are distributed for television by Trifecta Entertainment & Media.


Question: Who owns Paramount?

Answer: Viacom

<hl> Most Paramount sound releases made prior to 1950 are owned by EMKA, Ltd./NBCUniversal Television Distribution, while Paramount (currently owned by Viacom ) holds on to most of its post-1949 releases, which are distributed for television by Trifecta Entertainment & Media. <hl> Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by The Walt Disney Company) has its library film output handled for television by Disney-ABC Domestic Television. Classic films released by 20th Century Fox, Paramount Pictures, Universal Studios, and Columbia Pictures are licensed individually for broadcast on Turner Classic Movies.

Most Paramount sound releases made prior to 1950 are owned by EMKA, Ltd./NBCUniversal Television Distribution, while Paramount (currently owned by <hl> Viacom <hl>) holds on to most of its post-1949 releases, which are distributed for television by Trifecta Entertainment & Media. Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by The Walt Disney Company) has its library film output handled for television by Disney-ABC Domestic Television. Classic films released by 20th Century Fox, Paramount Pictures, Universal Studios, and Columbia Pictures are licensed individually for broadcast on Turner Classic Movies.

Most Paramount sound releases made prior to 1950 are owned by EMKA, Ltd./NBCUniversal Television Distribution, while Paramount (currently owned by <hl> Viacom <hl> ) holds on to most of its post-1949 releases, which are distributed for television by Trifecta Entertainment & Media.


Question: Who holds TV distribution rights to Paramount's post-1949 releases?

Answer: Trifecta Entertainment & Media

<hl> Most Paramount sound releases made prior to 1950 are owned by EMKA, Ltd./NBCUniversal Television Distribution, while Paramount (currently owned by Viacom) holds on to most of its post-1949 releases, which are distributed for television by Trifecta Entertainment & Media . <hl> Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by The Walt Disney Company) has its library film output handled for television by Disney-ABC Domestic Television. Classic films released by 20th Century Fox, Paramount Pictures, Universal Studios, and Columbia Pictures are licensed individually for broadcast on Turner Classic Movies.

Most Paramount sound releases made prior to 1950 are owned by EMKA, Ltd./NBCUniversal Television Distribution, while Paramount (currently owned by Viacom) holds on to most of its post-1949 releases, which are distributed for television by <hl> Trifecta Entertainment & Media <hl>. Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by The Walt Disney Company) has its library film output handled for television by Disney-ABC Domestic Television. Classic films released by 20th Century Fox, Paramount Pictures, Universal Studios, and Columbia Pictures are licensed individually for broadcast on Turner Classic Movies.

Most Paramount sound releases made prior to 1950 are owned by EMKA, Ltd./NBCUniversal Television Distribution, while Paramount (currently owned by Viacom) holds on to most of its post-1949 releases, which are distributed for television by <hl> Trifecta Entertainment & Media <hl> .


Question: Who owns Walt Disney Studios?

Answer: The Walt Disney Company

Most Paramount sound releases made prior to 1950 are owned by EMKA, Ltd./NBCUniversal Television Distribution, while Paramount (currently owned by Viacom) holds on to most of its post-1949 releases, which are distributed for television by Trifecta Entertainment & Media. <hl> Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by The Walt Disney Company ) has its library film output handled for television by Disney-ABC Domestic Television. <hl> Classic films released by 20th Century Fox, Paramount Pictures, Universal Studios, and Columbia Pictures are licensed individually for broadcast on Turner Classic Movies.

Most Paramount sound releases made prior to 1950 are owned by EMKA, Ltd./NBCUniversal Television Distribution, while Paramount (currently owned by Viacom) holds on to most of its post-1949 releases, which are distributed for television by Trifecta Entertainment & Media. Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by <hl> The Walt Disney Company <hl>) has its library film output handled for television by Disney-ABC Domestic Television. Classic films released by 20th Century Fox, Paramount Pictures, Universal Studios, and Columbia Pictures are licensed individually for broadcast on Turner Classic Movies.

Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by <hl> The Walt Disney Company <hl> ) has its library film output handled for television by Disney-ABC Domestic Television.


Question: Who manages the TV distribution of Walt Disney Studios?

Answer: Disney-ABC Domestic Television

Most Paramount sound releases made prior to 1950 are owned by EMKA, Ltd./NBCUniversal Television Distribution, while Paramount (currently owned by Viacom) holds on to most of its post-1949 releases, which are distributed for television by Trifecta Entertainment & Media. <hl> Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by The Walt Disney Company) has its library film output handled for television by Disney-ABC Domestic Television . <hl> Classic films released by 20th Century Fox, Paramount Pictures, Universal Studios, and Columbia Pictures are licensed individually for broadcast on Turner Classic Movies.

Most Paramount sound releases made prior to 1950 are owned by EMKA, Ltd./NBCUniversal Television Distribution, while Paramount (currently owned by Viacom) holds on to most of its post-1949 releases, which are distributed for television by Trifecta Entertainment & Media. Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by The Walt Disney Company) has its library film output handled for television by <hl> Disney-ABC Domestic Television <hl>. Classic films released by 20th Century Fox, Paramount Pictures, Universal Studios, and Columbia Pictures are licensed individually for broadcast on Turner Classic Movies.

Columbia's film output is owned by Sony (through Sony Pictures Television); distribution of 20th Century Fox's film library is handled for television by its 21st Century Fox subsidiary 20th Television, and the Walt Disney Studios (owned by The Walt Disney Company) has its library film output handled for television by <hl> Disney-ABC Domestic Television <hl> .


Question: Who presents films on TCM on Wednesday nights?

Most feature movies shown during the prime time and early overnight hours (8:00 p.m. to 2:30 a.m. Eastern Time) are presented by film historian Robert Osborne (who has been with the network since its 1994 launch, except for a five-month medical leave from July to December 2011, when guest hosts presented each night's films) on Sunday through Wednesday evenings – with Osborne only presenting primetime films on weekends – and Ben Mankiewicz presenting only late evening films on Thursdays, and the "Silent Sunday Nights" and "TCM Imports" blocks on Sundays.

Answer: Robert Osborne

Most feature movies shown during the prime time and early overnight hours (8:00 p.m. to 2:30 a.m. <hl> Eastern Time) are presented by film historian Robert Osborne (who has been with the network since its 1994 launch, except for a five-month medical leave from July to December 2011, when guest hosts presented each night's films) on Sunday through Wednesday evenings – with Osborne only presenting primetime films on weekends – and Ben Mankiewicz presenting only late evening films on Thursdays, and the "Silent Sunday Nights" and "TCM Imports" blocks on Sundays. <hl>

Most feature movies shown during the prime time and early overnight hours (8:00 p.m. to 2:30 a.m. Eastern Time) are presented by film historian <hl> Robert Osborne <hl> (who has been with the network since its 1994 launch, except for a five-month medical leave from July to December 2011, when guest hosts presented each night's films) on Sunday through Wednesday evenings – with Osborne only presenting primetime films on weekends – and Ben Mankiewicz presenting only late evening films on Thursdays, and the "Silent Sunday Nights" and "TCM Imports" blocks on Sundays.


Question: What is Robert Osborne by profession?

Answer: film historian

Most feature movies shown during the prime time and early overnight hours (8:00 p.m. to 2:30 a.m. <hl> Eastern Time) are presented by film historian Robert Osborne (who has been with the network since its 1994 launch, except for a five-month medical leave from July to December 2011, when guest hosts presented each night's films) on Sunday through Wednesday evenings – with Osborne only presenting primetime films on weekends – and Ben Mankiewicz presenting only late evening films on Thursdays, and the "Silent Sunday Nights" and "TCM Imports" blocks on Sundays. <hl>

Most feature movies shown during the prime time and early overnight hours (8:00 p.m. to 2:30 a.m. Eastern Time) are presented by <hl> film historian <hl> Robert Osborne (who has been with the network since its 1994 launch, except for a five-month medical leave from July to December 2011, when guest hosts presented each night's films) on Sunday through Wednesday evenings – with Osborne only presenting primetime films on weekends – and Ben Mankiewicz presenting only late evening films on Thursdays, and the "Silent Sunday Nights" and "TCM Imports" blocks on Sundays.


Question: Why did Robert Osborne stop presenting films on TCM for several months?

Answer: medical leave

Most feature movies shown during the prime time and early overnight hours (8:00 p.m. to 2:30 a.m. <hl> Eastern Time) are presented by film historian Robert Osborne (who has been with the network since its 1994 launch, except for a five-month medical leave from July to December 2011, when guest hosts presented each night's films) on Sunday through Wednesday evenings – with Osborne only presenting primetime films on weekends – and Ben Mankiewicz presenting only late evening films on Thursdays, and the "Silent Sunday Nights" and "TCM Imports" blocks on Sundays. <hl>

Most feature movies shown during the prime time and early overnight hours (8:00 p.m. to 2:30 a.m. Eastern Time) are presented by film historian Robert Osborne (who has been with the network since its 1994 launch, except for a five-month <hl> medical leave <hl> from July to December 2011, when guest hosts presented each night's films) on Sunday through Wednesday evenings – with Osborne only presenting primetime films on weekends – and Ben Mankiewicz presenting only late evening films on Thursdays, and the "Silent Sunday Nights" and "TCM Imports" blocks on Sundays.


Question: Who presents Silent Sunday Nights?

Answer: Ben Mankiewicz

Most feature movies shown during the prime time and early overnight hours (8:00 p.m. to 2:30 a.m. <hl> Eastern Time) are presented by film historian Robert Osborne (who has been with the network since its 1994 launch, except for a five-month medical leave from July to December 2011, when guest hosts presented each night's films) on Sunday through Wednesday evenings – with Osborne only presenting primetime films on weekends – and Ben Mankiewicz presenting only late evening films on Thursdays, and the "Silent Sunday Nights" and "TCM Imports" blocks on Sundays. <hl>

Most feature movies shown during the prime time and early overnight hours (8:00 p.m. to 2:30 a.m. Eastern Time) are presented by film historian Robert Osborne (who has been with the network since its 1994 launch, except for a five-month medical leave from July to December 2011, when guest hosts presented each night's films) on Sunday through Wednesday evenings – with Osborne only presenting primetime films on weekends – and <hl> Ben Mankiewicz <hl> presenting only late evening films on Thursdays, and the "Silent Sunday Nights" and "TCM Imports" blocks on Sundays.


Question: What is the time period covered by prime time and the early overnight?

Answer: 8:00 p.m. to 2:30 a.m. Eastern Time

<hl> Most feature movies shown during the prime time and early overnight hours ( 8:00 p.m. to 2:30 a.m. Eastern Time ) are presented by film historian Robert Osborne (who has been with the network since its 1994 launch, except for a five-month medical leave from July to December 2011, when guest hosts presented each night's films) on Sunday through Wednesday evenings – with Osborne only presenting primetime films on weekends – and Ben Mankiewicz presenting only late evening films on Thursdays, and the "Silent Sunday Nights" and "TCM Imports" blocks on Sundays. <hl>

Most feature movies shown during the prime time and early overnight hours (<hl> 8:00 p.m. to 2:30 a.m. Eastern Time <hl>) are presented by film historian Robert Osborne (who has been with the network since its 1994 launch, except for a five-month medical leave from July to December 2011, when guest hosts presented each night's films) on Sunday through Wednesday evenings – with Osborne only presenting primetime films on weekends – and Ben Mankiewicz presenting only late evening films on Thursdays, and the "Silent Sunday Nights" and "TCM Imports" blocks on Sundays.

Most feature movies shown during the prime time and early overnight hours ( <hl> 8:00 p.m. to 2:30 a.m. Eastern Time <hl> ) are presented by film historian Robert Osborne (who has been with the network since its 1994 launch, except for a five-month medical leave from July to December 2011, when guest hosts presented each night's films) on Sunday through Wednesday evenings – with Osborne only presenting primetime films on weekends – and Ben Mankiewicz presenting only late evening films on Thursdays, and the "Silent Sunday Nights" and "TCM Imports" blocks on Sundays.


Question: On what day of the week are Star of the Month films aired?

TCM regularly airs a "Star of the Month" throughout the year on Wednesdays starting at 8:00 p.m. Eastern Time, in which most, if not all, feature films from a classic film star are shown during that night's schedule. Hosted by Robert Osbourne, the network also marks the occurrence of a film actor's birthday (either antemortem or posthumously) or recent death with day- or evening-long festivals showcasting several of that artist's best, earliest or least-known pictures; by effect, marathons scheduled in honor of an actor's passing (which are scheduled within a month after their death) pre-empt films originally scheduled to air on that date. TCM also features a monthly program block called the "TCM Guest Programmer", in which Osborne is joined by celebrity guests responsible for choosing that evening's films (examples of such programmers during 2012 include Jules Feiffer, Anthony Bourdain, Debra Winger, Ellen Barkin, Spike Lee, Regis Philbin and Jim Lehrer); an offshoot of this block featuring Turner Classic Movies employees aired during February 2011.

Answer: Wednesdays

<hl> TCM regularly airs a "Star of the Month" throughout the year on Wednesdays starting at 8:00 p.m. Eastern Time, in which most, if not all, feature films from a classic film star are shown during that night's schedule. <hl> Hosted by Robert Osbourne, the network also marks the occurrence of a film actor's birthday (either antemortem or posthumously) or recent death with day- or evening-long festivals showcasting several of that artist's best, earliest or least-known pictures; by effect, marathons scheduled in honor of an actor's passing (which are scheduled within a month after their death) pre-empt films originally scheduled to air on that date. TCM also features a monthly program block called the "TCM Guest Programmer", in which Osborne is joined by celebrity guests responsible for choosing that evening's films (examples of such programmers during 2012 include Jules Feiffer, Anthony Bourdain, Debra Winger, Ellen Barkin, Spike Lee, Regis Philbin and Jim Lehrer); an offshoot of this block featuring Turner Classic Movies employees aired during February 2011.

TCM regularly airs a "Star of the Month" throughout the year on <hl> Wednesdays <hl> starting at 8:00 p.m. Eastern Time, in which most, if not all, feature films from a classic film star are shown during that night's schedule. Hosted by Robert Osbourne, the network also marks the occurrence of a film actor's birthday (either antemortem or posthumously) or recent death with day- or evening-long festivals showcasting several of that artist's best, earliest or least-known pictures; by effect, marathons scheduled in honor of an actor's passing (which are scheduled within a month after their death) pre-empt films originally scheduled to air on that date. TCM also features a monthly program block called the "TCM Guest Programmer", in which Osborne is joined by celebrity guests responsible for choosing that evening's films (examples of such programmers during 2012 include Jules Feiffer, Anthony Bourdain, Debra Winger, Ellen Barkin, Spike Lee, Regis Philbin and Jim Lehrer); an offshoot of this block featuring Turner Classic Movies employees aired during February 2011.


Question: Who hosts the Star of the Month films?

Answer: Robert Osbourne

TCM regularly airs a "Star of the Month" throughout the year on Wednesdays starting at 8:00 p.m. Eastern Time, in which most, if not all, feature films from a classic film star are shown during that night's schedule. <hl> Hosted by Robert Osbourne , the network also marks the occurrence of a film actor's birthday (either antemortem or posthumously) or recent death with day- or evening-long festivals showcasting several of that artist's best, earliest or least-known pictures; by effect, marathons scheduled in honor of an actor's passing (which are scheduled within a month after their death) pre-empt films originally scheduled to air on that date. <hl> TCM also features a monthly program block called the "TCM Guest Programmer", in which Osborne is joined by celebrity guests responsible for choosing that evening's films (examples of such programmers during 2012 include Jules Feiffer, Anthony Bourdain, Debra Winger, Ellen Barkin, Spike Lee, Regis Philbin and Jim Lehrer); an offshoot of this block featuring Turner Classic Movies employees aired during February 2011.

TCM regularly airs a "Star of the Month" throughout the year on Wednesdays starting at 8:00 p.m. Eastern Time, in which most, if not all, feature films from a classic film star are shown during that night's schedule. Hosted by <hl> Robert Osbourne <hl>, the network also marks the occurrence of a film actor's birthday (either antemortem or posthumously) or recent death with day- or evening-long festivals showcasting several of that artist's best, earliest or least-known pictures; by effect, marathons scheduled in honor of an actor's passing (which are scheduled within a month after their death) pre-empt films originally scheduled to air on that date. TCM also features a monthly program block called the "TCM Guest Programmer", in which Osborne is joined by celebrity guests responsible for choosing that evening's films (examples of such programmers during 2012 include Jules Feiffer, Anthony Bourdain, Debra Winger, Ellen Barkin, Spike Lee, Regis Philbin and Jim Lehrer); an offshoot of this block featuring Turner Classic Movies employees aired during February 2011.

Hosted by <hl> Robert Osbourne <hl> , the network also marks the occurrence of a film actor's birthday (either antemortem or posthumously) or recent death with day- or evening-long festivals showcasting several of that artist's best, earliest or least-known pictures; by effect, marathons scheduled in honor of an actor's passing (which are scheduled within a month after their death) pre-empt films originally scheduled to air on that date.


Question: During what month and year did TCM Guest Programmer feature TCM employees as guests?

Answer: February 2011

TCM regularly airs a "Star of the Month" throughout the year on Wednesdays starting at 8:00 p.m. Eastern Time, in which most, if not all, feature films from a classic film star are shown during that night's schedule. Hosted by Robert Osbourne, the network also marks the occurrence of a film actor's birthday (either antemortem or posthumously) or recent death with day- or evening-long festivals showcasting several of that artist's best, earliest or least-known pictures; by effect, marathons scheduled in honor of an actor's passing (which are scheduled within a month after their death) pre-empt films originally scheduled to air on that date. <hl> TCM also features a monthly program block called the "TCM Guest Programmer", in which Osborne is joined by celebrity guests responsible for choosing that evening's films (examples of such programmers during 2012 include Jules Feiffer, Anthony Bourdain, Debra Winger, Ellen Barkin, Spike Lee, Regis Philbin and Jim Lehrer); an offshoot of this block featuring Turner Classic Movies employees aired during February 2011 . <hl>

TCM regularly airs a "Star of the Month" throughout the year on Wednesdays starting at 8:00 p.m. Eastern Time, in which most, if not all, feature films from a classic film star are shown during that night's schedule. Hosted by Robert Osbourne, the network also marks the occurrence of a film actor's birthday (either antemortem or posthumously) or recent death with day- or evening-long festivals showcasting several of that artist's best, earliest or least-known pictures; by effect, marathons scheduled in honor of an actor's passing (which are scheduled within a month after their death) pre-empt films originally scheduled to air on that date. TCM also features a monthly program block called the "TCM Guest Programmer", in which Osborne is joined by celebrity guests responsible for choosing that evening's films (examples of such programmers during 2012 include Jules Feiffer, Anthony Bourdain, Debra Winger, Ellen Barkin, Spike Lee, Regis Philbin and Jim Lehrer); an offshoot of this block featuring Turner Classic Movies employees aired during <hl> February 2011 <hl>.

TCM also features a monthly program block called the "TCM Guest Programmer", in which Osborne is joined by celebrity guests responsible for choosing that evening's films (examples of such programmers during 2012 include Jules Feiffer, Anthony Bourdain, Debra Winger, Ellen Barkin, Spike Lee, Regis Philbin and Jim Lehrer); an offshoot of this block featuring Turner Classic Movies employees aired during <hl> February 2011 <hl> .


Question: In what year did Spike Lee appear as a TCM Guest Programmer?

Answer: 2012

TCM regularly airs a "Star of the Month" throughout the year on Wednesdays starting at 8:00 p.m. Eastern Time, in which most, if not all, feature films from a classic film star are shown during that night's schedule. Hosted by Robert Osbourne, the network also marks the occurrence of a film actor's birthday (either antemortem or posthumously) or recent death with day- or evening-long festivals showcasting several of that artist's best, earliest or least-known pictures; by effect, marathons scheduled in honor of an actor's passing (which are scheduled within a month after their death) pre-empt films originally scheduled to air on that date. <hl> TCM also features a monthly program block called the "TCM Guest Programmer", in which Osborne is joined by celebrity guests responsible for choosing that evening's films (examples of such programmers during 2012 include Jules Feiffer, Anthony Bourdain, Debra Winger, Ellen Barkin, Spike Lee, Regis Philbin and Jim Lehrer); an offshoot of this block featuring Turner Classic Movies employees aired during February 2011. <hl>

TCM regularly airs a "Star of the Month" throughout the year on Wednesdays starting at 8:00 p.m. Eastern Time, in which most, if not all, feature films from a classic film star are shown during that night's schedule. Hosted by Robert Osbourne, the network also marks the occurrence of a film actor's birthday (either antemortem or posthumously) or recent death with day- or evening-long festivals showcasting several of that artist's best, earliest or least-known pictures; by effect, marathons scheduled in honor of an actor's passing (which are scheduled within a month after their death) pre-empt films originally scheduled to air on that date. TCM also features a monthly program block called the "TCM Guest Programmer", in which Osborne is joined by celebrity guests responsible for choosing that evening's films (examples of such programmers during <hl> 2012 <hl> include Jules Feiffer, Anthony Bourdain, Debra Winger, Ellen Barkin, Spike Lee, Regis Philbin and Jim Lehrer); an offshoot of this block featuring Turner Classic Movies employees aired during February 2011.


Question: When does 31 Days of Oscar occur?

Turner Classic Movies also airs regularly scheduled weekly film blocks, which are periodically preempted for special themed month-long or seasonal scheduling events, such as the "31 Days of Oscar" film series in the month preceding the Academy Awards and the month-long "Summer Under the Stars" in August; all featured programming has their own distinctive feature presentation bumper for the particular scheduled presentation. The Essentials, currently hosted by Osborne and Sally Field as of 2015[update], is a weekly film showcase airing on Saturday evenings (with a replay on the following Sunday at 6:00 p.m. Eastern Time), which spotlights a different movie and contains a special introduction and post-movie discussion.

Answer: month preceding the Academy Awards

<hl> Turner Classic Movies also airs regularly scheduled weekly film blocks, which are periodically preempted for special themed month-long or seasonal scheduling events, such as the "31 Days of Oscar" film series in the month preceding the Academy Awards and the month-long "Summer Under the Stars" in August; all featured programming has their own distinctive feature presentation bumper for the particular scheduled presentation. <hl> The Essentials, currently hosted by Osborne and Sally Field as of 2015[update], is a weekly film showcase airing on Saturday evenings (with a replay on the following Sunday at 6:00 p.m. Eastern Time), which spotlights a different movie and contains a special introduction and post-movie discussion.

Turner Classic Movies also airs regularly scheduled weekly film blocks, which are periodically preempted for special themed month-long or seasonal scheduling events, such as the "31 Days of Oscar" film series in the <hl> month preceding the Academy Awards <hl> and the month-long "Summer Under the Stars" in August; all featured programming has their own distinctive feature presentation bumper for the particular scheduled presentation. The Essentials, currently hosted by Osborne and Sally Field as of 2015[update], is a weekly film showcase airing on Saturday evenings (with a replay on the following Sunday at 6:00 p.m. Eastern Time), which spotlights a different movie and contains a special introduction and post-movie discussion.


Question: When does the Summer Under the Stars event take place?

Answer: August

<hl> Turner Classic Movies also airs regularly scheduled weekly film blocks, which are periodically preempted for special themed month-long or seasonal scheduling events, such as the "31 Days of Oscar" film series in the month preceding the Academy Awards and the month-long "Summer Under the Stars" in August ; all featured programming has their own distinctive feature presentation bumper for the particular scheduled presentation. <hl> The Essentials, currently hosted by Osborne and Sally Field as of 2015[update], is a weekly film showcase airing on Saturday evenings (with a replay on the following Sunday at 6:00 p.m. Eastern Time), which spotlights a different movie and contains a special introduction and post-movie discussion.

Turner Classic Movies also airs regularly scheduled weekly film blocks, which are periodically preempted for special themed month-long or seasonal scheduling events, such as the "31 Days of Oscar" film series in the month preceding the Academy Awards and the month-long "Summer Under the Stars" in <hl> August <hl>; all featured programming has their own distinctive feature presentation bumper for the particular scheduled presentation. The Essentials, currently hosted by Osborne and Sally Field as of 2015[update], is a weekly film showcase airing on Saturday evenings (with a replay on the following Sunday at 6:00 p.m. Eastern Time), which spotlights a different movie and contains a special introduction and post-movie discussion.

Turner Classic Movies also airs regularly scheduled weekly film blocks, which are periodically preempted for special themed month-long or seasonal scheduling events, such as the "31 Days of Oscar" film series in the month preceding the Academy Awards and the month-long "Summer Under the Stars" in <hl> August <hl> ; all featured programming has their own distinctive feature presentation bumper for the particular scheduled presentation.


Question: As of 2015, who hosted The Essentials along with Robert Osborne?

Answer: Sally Field

Turner Classic Movies also airs regularly scheduled weekly film blocks, which are periodically preempted for special themed month-long or seasonal scheduling events, such as the "31 Days of Oscar" film series in the month preceding the Academy Awards and the month-long "Summer Under the Stars" in August; all featured programming has their own distinctive feature presentation bumper for the particular scheduled presentation. <hl> The Essentials, currently hosted by Osborne and Sally Field as of 2015[update], is a weekly film showcase airing on Saturday evenings (with a replay on the following Sunday at 6:00 p.m. Eastern Time), which spotlights a different movie and contains a special introduction and post-movie discussion. <hl>

Turner Classic Movies also airs regularly scheduled weekly film blocks, which are periodically preempted for special themed month-long or seasonal scheduling events, such as the "31 Days of Oscar" film series in the month preceding the Academy Awards and the month-long "Summer Under the Stars" in August; all featured programming has their own distinctive feature presentation bumper for the particular scheduled presentation. The Essentials, currently hosted by Osborne and <hl> Sally Field <hl> as of 2015[update], is a weekly film showcase airing on Saturday evenings (with a replay on the following Sunday at 6:00 p.m. Eastern Time), which spotlights a different movie and contains a special introduction and post-movie discussion.


Question: On what day does The Essentials have its first airing each week?

Answer: Saturday

Turner Classic Movies also airs regularly scheduled weekly film blocks, which are periodically preempted for special themed month-long or seasonal scheduling events, such as the "31 Days of Oscar" film series in the month preceding the Academy Awards and the month-long "Summer Under the Stars" in August; all featured programming has their own distinctive feature presentation bumper for the particular scheduled presentation. <hl> The Essentials, currently hosted by Osborne and Sally Field as of 2015[update], is a weekly film showcase airing on Saturday evenings (with a replay on the following Sunday at 6:00 p.m. Eastern Time), which spotlights a different movie and contains a special introduction and post-movie discussion. <hl>

Turner Classic Movies also airs regularly scheduled weekly film blocks, which are periodically preempted for special themed month-long or seasonal scheduling events, such as the "31 Days of Oscar" film series in the month preceding the Academy Awards and the month-long "Summer Under the Stars" in August; all featured programming has their own distinctive feature presentation bumper for the particular scheduled presentation. The Essentials, currently hosted by Osborne and Sally Field as of 2015[update], is a weekly film showcase airing on <hl> Saturday <hl> evenings (with a replay on the following Sunday at 6:00 p.m. Eastern Time), which spotlights a different movie and contains a special introduction and post-movie discussion.


Question: On what day are repeats of The Essentials shown?

Answer: Sunday

Turner Classic Movies also airs regularly scheduled weekly film blocks, which are periodically preempted for special themed month-long or seasonal scheduling events, such as the "31 Days of Oscar" film series in the month preceding the Academy Awards and the month-long "Summer Under the Stars" in August; all featured programming has their own distinctive feature presentation bumper for the particular scheduled presentation. <hl> The Essentials, currently hosted by Osborne and Sally Field as of 2015[update], is a weekly film showcase airing on Saturday evenings (with a replay on the following Sunday at 6:00 p.m. Eastern Time), which spotlights a different movie and contains a special introduction and post-movie discussion. <hl>

Turner Classic Movies also airs regularly scheduled weekly film blocks, which are periodically preempted for special themed month-long or seasonal scheduling events, such as the "31 Days of Oscar" film series in the month preceding the Academy Awards and the month-long "Summer Under the Stars" in August; all featured programming has their own distinctive feature presentation bumper for the particular scheduled presentation. The Essentials, currently hosted by Osborne and Sally Field as of 2015[update], is a weekly film showcase airing on Saturday evenings (with a replay on the following <hl> Sunday <hl> at 6:00 p.m. Eastern Time), which spotlights a different movie and contains a special introduction and post-movie discussion.


Question: What movie block shows silent films?

The channel also broadcasts two movie blocks during the late evening hours each Sunday: "Silent Sunday Nights", which features silent films from the United States and abroad, usually in the latest restored version and often with new musical scores; and "TCM Imports" (which previously ran on Saturdays until the early 2000s[specify]), a weekly presentation of films originally released in foreign countries. TCM Underground – which debuted in October 2006 – is a Friday late night block which focuses on cult films, the block was originally hosted by rocker/filmmaker Rob Zombie until December 2006 (though as of 2014[update], it is the only regular film presentation block on the channel that does not have a host).

Answer: Silent Sunday Nights

<hl> The channel also broadcasts two movie blocks during the late evening hours each Sunday: " Silent Sunday Nights ", which features silent films from the United States and abroad, usually in the latest restored version and often with new musical scores; and "TCM Imports" (which previously ran on Saturdays until the early 2000s[specify]), a weekly presentation of films originally released in foreign countries. <hl> TCM Underground – which debuted in October 2006 – is a Friday late night block which focuses on cult films, the block was originally hosted by rocker/filmmaker Rob Zombie until December 2006 (though as of 2014[update], it is the only regular film presentation block on the channel that does not have a host).

The channel also broadcasts two movie blocks during the late evening hours each Sunday: "<hl> Silent Sunday Nights <hl>", which features silent films from the United States and abroad, usually in the latest restored version and often with new musical scores; and "TCM Imports" (which previously ran on Saturdays until the early 2000s[specify]), a weekly presentation of films originally released in foreign countries. TCM Underground – which debuted in October 2006 – is a Friday late night block which focuses on cult films, the block was originally hosted by rocker/filmmaker Rob Zombie until December 2006 (though as of 2014[update], it is the only regular film presentation block on the channel that does not have a host).

The channel also broadcasts two movie blocks during the late evening hours each Sunday: " <hl> Silent Sunday Nights <hl> ", which features silent films from the United States and abroad, usually in the latest restored version and often with new musical scores; and "TCM Imports" (which previously ran on Saturdays until the early 2000s[specify]), a weekly presentation of films originally released in foreign countries.


Question: What movie block shows foreign films?

Answer: TCM Imports

<hl> The channel also broadcasts two movie blocks during the late evening hours each Sunday: "Silent Sunday Nights", which features silent films from the United States and abroad, usually in the latest restored version and often with new musical scores; and " TCM Imports " (which previously ran on Saturdays until the early 2000s[specify]), a weekly presentation of films originally released in foreign countries. <hl> TCM Underground – which debuted in October 2006 – is a Friday late night block which focuses on cult films, the block was originally hosted by rocker/filmmaker Rob Zombie until December 2006 (though as of 2014[update], it is the only regular film presentation block on the channel that does not have a host).

The channel also broadcasts two movie blocks during the late evening hours each Sunday: "Silent Sunday Nights", which features silent films from the United States and abroad, usually in the latest restored version and often with new musical scores; and "<hl> TCM Imports <hl>" (which previously ran on Saturdays until the early 2000s[specify]), a weekly presentation of films originally released in foreign countries. TCM Underground – which debuted in October 2006 – is a Friday late night block which focuses on cult films, the block was originally hosted by rocker/filmmaker Rob Zombie until December 2006 (though as of 2014[update], it is the only regular film presentation block on the channel that does not have a host).

The channel also broadcasts two movie blocks during the late evening hours each Sunday: "Silent Sunday Nights", which features silent films from the United States and abroad, usually in the latest restored version and often with new musical scores; and " <hl> TCM Imports <hl> " (which previously ran on Saturdays until the early 2000s[specify]), a weekly presentation of films originally released in foreign countries.


Question: When did TCM Underground first appear?

Answer: October 2006

The channel also broadcasts two movie blocks during the late evening hours each Sunday: "Silent Sunday Nights", which features silent films from the United States and abroad, usually in the latest restored version and often with new musical scores; and "TCM Imports" (which previously ran on Saturdays until the early 2000s[specify]), a weekly presentation of films originally released in foreign countries. <hl> TCM Underground – which debuted in October 2006 – is a Friday late night block which focuses on cult films, the block was originally hosted by rocker/filmmaker Rob Zombie until December 2006 (though as of 2014[update], it is the only regular film presentation block on the channel that does not have a host). <hl>

The channel also broadcasts two movie blocks during the late evening hours each Sunday: "Silent Sunday Nights", which features silent films from the United States and abroad, usually in the latest restored version and often with new musical scores; and "TCM Imports" (which previously ran on Saturdays until the early 2000s[specify]), a weekly presentation of films originally released in foreign countries. TCM Underground – which debuted in <hl> October 2006 <hl> – is a Friday late night block which focuses on cult films, the block was originally hosted by rocker/filmmaker Rob Zombie until December 2006 (though as of 2014[update], it is the only regular film presentation block on the channel that does not have a host).