Question: How much money was donated for a new Biochemistry Department?

Answer: £350,000

Imperial acquired Silwood Park in 1947, to provide a site for research and teaching in those aspects of biology not well suited for the main London campus. Felix, Imperial's student newspaper, was launched on 9 December 1949. On 29 January 1950, the government announced that it was intended that Imperial should expand to meet the scientific and technological challenges of the 20th century and a major expansion of the College followed over the next decade. <hl> In 1959 the Wolfson Foundation donated £350,000 for the establishment of a new Biochemistry Department.[citation needed] A special relationship between Imperial and the Indian Institute of Technology Delhi was established in 1963.[citation needed] <hl>

Imperial acquired Silwood Park in 1947, to provide a site for research and teaching in those aspects of biology not well suited for the main London campus. Felix, Imperial's student newspaper, was launched on 9 December 1949. On 29 January 1950, the government announced that it was intended that Imperial should expand to meet the scientific and technological challenges of the 20th century and a major expansion of the College followed over the next decade. In 1959 the Wolfson Foundation donated <hl> £350,000 <hl> for the establishment of a new Biochemistry Department.[citation needed] A special relationship between Imperial and the Indian Institute of Technology Delhi was established in 1963.[citation needed]


Question: Who donated the large sum of money to help aid the establishement of the Biochemistry Department?

Imperial acquired Silwood Park in 1947, to provide a site for research and teaching in those aspects of biology not well suited for the main London campus. Felix, Imperial's student newspaper, was launched on 9 December 1949. On 29 January 1950, the government announced that it was intended that Imperial should expand to meet the scientific and technological challenges of the 20th century and a major expansion of the College followed over the next decade. In 1959 the Wolfson Foundation donated £350,000 for the establishment of a new Biochemistry Department.[citation needed] A special relationship between Imperial and the Indian Institute of Technology Delhi was established in 1963.[citation needed]

Answer: Wolfson Foundation

Imperial acquired Silwood Park in 1947, to provide a site for research and teaching in those aspects of biology not well suited for the main London campus. Felix, Imperial's student newspaper, was launched on 9 December 1949. On 29 January 1950, the government announced that it was intended that Imperial should expand to meet the scientific and technological challenges of the 20th century and a major expansion of the College followed over the next decade. <hl> In 1959 the Wolfson Foundation donated £350,000 for the establishment of a new Biochemistry Department.[citation needed] A special relationship between Imperial and the Indian Institute of Technology Delhi was established in 1963.[citation needed] <hl>

Imperial acquired Silwood Park in 1947, to provide a site for research and teaching in those aspects of biology not well suited for the main London campus. Felix, Imperial's student newspaper, was launched on 9 December 1949. On 29 January 1950, the government announced that it was intended that Imperial should expand to meet the scientific and technological challenges of the 20th century and a major expansion of the College followed over the next decade. In 1959 the <hl> Wolfson Foundation <hl> donated £350,000 for the establishment of a new Biochemistry Department.[citation needed] A special relationship between Imperial and the Indian Institute of Technology Delhi was established in 1963.[citation needed]


Question: Imperial formed a relationship with which other entity in 1963?

Answer: Indian Institute of Technology Delhi

Imperial acquired Silwood Park in 1947, to provide a site for research and teaching in those aspects of biology not well suited for the main London campus. Felix, Imperial's student newspaper, was launched on 9 December 1949. On 29 January 1950, the government announced that it was intended that Imperial should expand to meet the scientific and technological challenges of the 20th century and a major expansion of the College followed over the next decade. <hl> In 1959 the Wolfson Foundation donated £350,000 for the establishment of a new Biochemistry Department.[citation needed] A special relationship between Imperial and the Indian Institute of Technology Delhi was established in 1963.[citation needed] <hl>

Imperial acquired Silwood Park in 1947, to provide a site for research and teaching in those aspects of biology not well suited for the main London campus. Felix, Imperial's student newspaper, was launched on 9 December 1949. On 29 January 1950, the government announced that it was intended that Imperial should expand to meet the scientific and technological challenges of the 20th century and a major expansion of the College followed over the next decade. In 1959 the Wolfson Foundation donated £350,000 for the establishment of a new Biochemistry Department.[citation needed] A special relationship between Imperial and the <hl> Indian Institute of Technology Delhi <hl> was established in 1963.[citation needed]


Question: What is the maximum length of the runway gymnasts sprint down before hurdling onto a spring board?

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.

Answer: 25 meters

<hl> Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. <hl> The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.

Gymnasts sprint down a runway, which is a maximum of <hl> 25 meters <hl> in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.


Question: What is blocking using only a shoulder movement called?

Answer: punching

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. <hl> The body position is maintained while " punching " (blocking using only a shoulder movement) the vaulting platform. <hl> The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "<hl> punching <hl>" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.

The body position is maintained while " <hl> punching <hl> " (blocking using only a shoulder movement) the vaulting platform.


Question: What is one thing a successful vault depends on?

Answer: the length of the hurdle

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. <hl> Successful vaults depend on the speed of the run, the length of the hurdle , the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults. <hl>

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, <hl> the length of the hurdle <hl>, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.

Successful vaults depend on the speed of the run, <hl> the length of the hurdle <hl> , the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.


Question: What may be added to a vault before landing in advanced gymnastics?

Answer: multiple twists and somersaults

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. <hl> In advanced gymnastics, multiple twists and somersaults may be added before landing. <hl> Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, <hl> multiple twists and somersaults <hl> may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.


Question: What is the maximum length of a runway?

Answer: 25 meters

<hl> Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. <hl> The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.

Gymnasts sprint down a runway, which is a maximum of <hl> 25 meters <hl> in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.


Question: Who gets to chose where a gymnast starts to run on the runway?

Answer: The gymnast

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. <hl> The gymnast is allowed to choose where they start on the runway. <hl> The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. <hl> The gymnast <hl> is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.


Question: What position is the gymnast when in the air?

Answer: a standing position

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. <hl> The gymnast then rotates to a standing position . <hl> In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to <hl> a standing position <hl>. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.

The gymnast then rotates to <hl> a standing position <hl> .


Question: What are later added to the landing by advanced gymnasts?

Answer: multiple twists and somersaults

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. <hl> In advanced gymnastics, multiple twists and somersaults may be added before landing. <hl> Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, <hl> multiple twists and somersaults <hl> may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults.


Question: What do successful vaults depend on other than speed of the run?

Answer: the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. <hl> Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation in the case of more difficult and complex vaults. <hl>

Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a spring board. The gymnast is allowed to choose where they start on the runway. The body position is maintained while "punching" (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, <hl> the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, and the speed of rotation <hl> in the case of more difficult and complex vaults.


Question: Only women compete in rhythmic gymnastics according to what rules?

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

Answer: FIG

<hl> According to FIG rules, only women compete in rhythmic gymnastics. <hl> This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

According to <hl> FIG <hl> rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.


Question: What combines elements of ballet, gymnastics, dance, and apparatus manipulation?

Answer: rhythmic gymnastics

<hl> According to FIG rules, only women compete in rhythmic gymnastics . <hl> This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

According to FIG rules, only women compete in <hl> rhythmic gymnastics <hl>. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

According to FIG rules, only women compete in <hl> rhythmic gymnastics <hl> .


Question: What 5 items are used in rhythmic gymnastic routines?

Answer: ball, ribbon, hoop, clubs, rope

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. <hl> The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope —on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. <hl> There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; <hl> ball, ribbon, hoop, clubs, rope <hl>—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

The sport involves the performance of five separate routines with the use of five apparatus; <hl> ball, ribbon, hoop, clubs, rope <hl> —on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic.


Question: Rhythmic gymnastics places greater emphaises on aesthetics rather than what?

Answer: the acrobatic

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. <hl> The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic . <hl> There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than <hl> the acrobatic <hl>. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than <hl> the acrobatic <hl> .


Question: What is the maximum number of points possible for a rhythmic gymnastic routine?

Answer: 30

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. <hl> Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution. <hl>

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible <hl> 30 <hl> points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.


Question: What rules state that only women can compete in rhythmic gymastics?

Answer: FIG

<hl> According to FIG rules, only women compete in rhythmic gymnastics. <hl> This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

According to <hl> FIG <hl> rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.


Question: What does rhythmic gymastics combine together?

Answer: ballet, gymnastics, dance, and apparatus manipulation

According to FIG rules, only women compete in rhythmic gymnastics. <hl> This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation . <hl> The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of <hl> ballet, gymnastics, dance, and apparatus manipulation <hl>. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

This is a sport that combines elements of <hl> ballet, gymnastics, dance, and apparatus manipulation <hl> .


Question: What five seperate apparatuses are used in the five separate routines?

Answer: ball, ribbon, hoop, clubs, rope

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. <hl> The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope —on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. <hl> There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; <hl> ball, ribbon, hoop, clubs, rope <hl>—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

The sport involves the performance of five separate routines with the use of five apparatus; <hl> ball, ribbon, hoop, clubs, rope <hl> —on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic.


Question: Which is more focused on, aesthetics or acrobatics?

Answer: aesthetic

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. <hl> The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. <hl> There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the <hl> aesthetic <hl> rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible 30 points; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.


Question: How many possible points are there for rhythmic routines?

Answer: 30 points

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. <hl> Rhythmic routines are scored out of a possible 30 points ; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution. <hl>

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation. The sport involves the performance of five separate routines with the use of five apparatus; ball, ribbon, hoop, clubs, rope—on a floor area, with a much greater emphasis on the aesthetic rather than the acrobatic. There are also group routines consisting of 5 gymnasts and 5 apparatuses of their choice. Rhythmic routines are scored out of a possible <hl> 30 points <hl>; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.

Rhythmic routines are scored out of a possible <hl> 30 points <hl> ; the score for artistry (choreography and music) is averaged with the score for difficulty of the moves and then added to the score for execution.


Question: What does AGG stand for?

Aesthetic Group Gymnastics (AGG) was developed from the Finnish "naisvoimistelu". It differs from Rhythmic Gymnastics in that body movement is large and continuous and teams are larger' Athletes do not use apparatus in international AGG competitions compared to Rhythmic Gymnastics where ball, ribbon, hoop and clubs are used on the floor area. The sport requires physical qualities such as flexibility, balance, speed, strength, coordination and sense of rhythm where movements of the body are emphasized through the flow, expression and aesthetic appeal. A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in 2003.

Answer: Aesthetic Group Gymnastics

<hl> Aesthetic Group Gymnastics (AGG) was developed from the Finnish "naisvoimistelu". <hl> It differs from Rhythmic Gymnastics in that body movement is large and continuous and teams are larger' Athletes do not use apparatus in international AGG competitions compared to Rhythmic Gymnastics where ball, ribbon, hoop and clubs are used on the floor area. The sport requires physical qualities such as flexibility, balance, speed, strength, coordination and sense of rhythm where movements of the body are emphasized through the flow, expression and aesthetic appeal. A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in 2003.

<hl> Aesthetic Group Gymnastics <hl> (AGG) was developed from the Finnish "naisvoimistelu". It differs from Rhythmic Gymnastics in that body movement is large and continuous and teams are larger' Athletes do not use apparatus in international AGG competitions compared to Rhythmic Gymnastics where ball, ribbon, hoop and clubs are used on the floor area. The sport requires physical qualities such as flexibility, balance, speed, strength, coordination and sense of rhythm where movements of the body are emphasized through the flow, expression and aesthetic appeal. A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in 2003.


Question: Why is AGG different than Rhythmic Gymnastics?

Answer: body movement is large and continuous and teams are larger'

Aesthetic Group Gymnastics (AGG) was developed from the Finnish "naisvoimistelu". <hl> It differs from Rhythmic Gymnastics in that body movement is large and continuous and teams are larger' Athletes do not use apparatus in international AGG competitions compared to Rhythmic Gymnastics where ball, ribbon, hoop and clubs are used on the floor area. <hl> The sport requires physical qualities such as flexibility, balance, speed, strength, coordination and sense of rhythm where movements of the body are emphasized through the flow, expression and aesthetic appeal. A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in 2003.

Aesthetic Group Gymnastics (AGG) was developed from the Finnish "naisvoimistelu". It differs from Rhythmic Gymnastics in that <hl> body movement is large and continuous and teams are larger' <hl> Athletes do not use apparatus in international AGG competitions compared to Rhythmic Gymnastics where ball, ribbon, hoop and clubs are used on the floor area. The sport requires physical qualities such as flexibility, balance, speed, strength, coordination and sense of rhythm where movements of the body are emphasized through the flow, expression and aesthetic appeal. A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in 2003.


Question: Do athletes use apparatuses in the international AGG competitions?

Answer: do not use apparatus in international AGG competitions

Aesthetic Group Gymnastics (AGG) was developed from the Finnish "naisvoimistelu". <hl> It differs from Rhythmic Gymnastics in that body movement is large and continuous and teams are larger' Athletes do not use apparatus in international AGG competitions compared to Rhythmic Gymnastics where ball, ribbon, hoop and clubs are used on the floor area. <hl> The sport requires physical qualities such as flexibility, balance, speed, strength, coordination and sense of rhythm where movements of the body are emphasized through the flow, expression and aesthetic appeal. A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in 2003.

Aesthetic Group Gymnastics (AGG) was developed from the Finnish "naisvoimistelu". It differs from Rhythmic Gymnastics in that body movement is large and continuous and teams are larger' Athletes <hl> do not use apparatus in international AGG competitions <hl> compared to Rhythmic Gymnastics where ball, ribbon, hoop and clubs are used on the floor area. The sport requires physical qualities such as flexibility, balance, speed, strength, coordination and sense of rhythm where movements of the body are emphasized through the flow, expression and aesthetic appeal. A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in 2003.


Question: What physical qualities are needed for rhythmic gymastics?

Answer: flexibility, balance, speed, strength, coordination and sense of rhythm

Aesthetic Group Gymnastics (AGG) was developed from the Finnish "naisvoimistelu". It differs from Rhythmic Gymnastics in that body movement is large and continuous and teams are larger' Athletes do not use apparatus in international AGG competitions compared to Rhythmic Gymnastics where ball, ribbon, hoop and clubs are used on the floor area. <hl> The sport requires physical qualities such as flexibility, balance, speed, strength, coordination and sense of rhythm where movements of the body are emphasized through the flow, expression and aesthetic appeal. <hl> A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in 2003.

Aesthetic Group Gymnastics (AGG) was developed from the Finnish "naisvoimistelu". It differs from Rhythmic Gymnastics in that body movement is large and continuous and teams are larger' Athletes do not use apparatus in international AGG competitions compared to Rhythmic Gymnastics where ball, ribbon, hoop and clubs are used on the floor area. The sport requires physical qualities such as <hl> flexibility, balance, speed, strength, coordination and sense of rhythm <hl> where movements of the body are emphasized through the flow, expression and aesthetic appeal. A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in 2003.


Question: What year was the Federsation of Aesthetic Group Gymnastics established?

Answer: 2003

Aesthetic Group Gymnastics (AGG) was developed from the Finnish "naisvoimistelu". It differs from Rhythmic Gymnastics in that body movement is large and continuous and teams are larger' Athletes do not use apparatus in international AGG competitions compared to Rhythmic Gymnastics where ball, ribbon, hoop and clubs are used on the floor area. The sport requires physical qualities such as flexibility, balance, speed, strength, coordination and sense of rhythm where movements of the body are emphasized through the flow, expression and aesthetic appeal. A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. <hl> The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in 2003 . <hl>

Aesthetic Group Gymnastics (AGG) was developed from the Finnish "naisvoimistelu". It differs from Rhythmic Gymnastics in that body movement is large and continuous and teams are larger' Athletes do not use apparatus in international AGG competitions compared to Rhythmic Gymnastics where ball, ribbon, hoop and clubs are used on the floor area. The sport requires physical qualities such as flexibility, balance, speed, strength, coordination and sense of rhythm where movements of the body are emphasized through the flow, expression and aesthetic appeal. A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in <hl> 2003 <hl>.

The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in <hl> 2003 <hl> .


Question: What is the rope made out of that the gymnists uses in their routine?

This apparatus may be made of hemp or a synthetic material which retains the qualities of lightness and suppleness. Its length is in proportion to the size of the gymnast. The rope should, when held down by the feet, reach both of the gymnasts' armpits. One or two knots at each end are for keeping hold of the rope while doing the routine. At the ends (to the exclusion of all other parts of the rope) an anti-slip material, either coloured or neutral may cover a maximum of 10 cm (3.94 in). The rope must be coloured, either all or partially and may either be of a uniform diameter or be progressively thicker in the center provided that this thickening is of the same material as the rope. The fundamental requirements of a rope routine include leaps and skipping. Other elements include swings, throws, circles, rotations and figures of eight. In 2011, the FIG decided to nullify the use of rope in rhythmic gymnastic competitions.

Answer: hemp or a synthetic material

<hl> This apparatus may be made of hemp or a synthetic material which retains the qualities of lightness and suppleness. <hl> Its length is in proportion to the size of the gymnast. The rope should, when held down by the feet, reach both of the gymnasts' armpits. One or two knots at each end are for keeping hold of the rope while doing the routine. At the ends (to the exclusion of all other parts of the rope) an anti-slip material, either coloured or neutral may cover a maximum of 10 cm (3.94 in). The rope must be coloured, either all or partially and may either be of a uniform diameter or be progressively thicker in the center provided that this thickening is of the same material as the rope. The fundamental requirements of a rope routine include leaps and skipping. Other elements include swings, throws, circles, rotations and figures of eight. In 2011, the FIG decided to nullify the use of rope in rhythmic gymnastic competitions.

This apparatus may be made of <hl> hemp or a synthetic material <hl> which retains the qualities of lightness and suppleness. Its length is in proportion to the size of the gymnast. The rope should, when held down by the feet, reach both of the gymnasts' armpits. One or two knots at each end are for keeping hold of the rope while doing the routine. At the ends (to the exclusion of all other parts of the rope) an anti-slip material, either coloured or neutral may cover a maximum of 10 cm (3.94 in). The rope must be coloured, either all or partially and may either be of a uniform diameter or be progressively thicker in the center provided that this thickening is of the same material as the rope. The fundamental requirements of a rope routine include leaps and skipping. Other elements include swings, throws, circles, rotations and figures of eight. In 2011, the FIG decided to nullify the use of rope in rhythmic gymnastic competitions.


Question: How long is the rope?

Answer: Its length is in proportion to the size of the gymnast

This apparatus may be made of hemp or a synthetic material which retains the qualities of lightness and suppleness. <hl> Its length is in proportion to the size of the gymnast . <hl> The rope should, when held down by the feet, reach both of the gymnasts' armpits. One or two knots at each end are for keeping hold of the rope while doing the routine. At the ends (to the exclusion of all other parts of the rope) an anti-slip material, either coloured or neutral may cover a maximum of 10 cm (3.94 in). The rope must be coloured, either all or partially and may either be of a uniform diameter or be progressively thicker in the center provided that this thickening is of the same material as the rope. The fundamental requirements of a rope routine include leaps and skipping. Other elements include swings, throws, circles, rotations and figures of eight. In 2011, the FIG decided to nullify the use of rope in rhythmic gymnastic competitions.

This apparatus may be made of hemp or a synthetic material which retains the qualities of lightness and suppleness. <hl> Its length is in proportion to the size of the gymnast <hl>. The rope should, when held down by the feet, reach both of the gymnasts' armpits. One or two knots at each end are for keeping hold of the rope while doing the routine. At the ends (to the exclusion of all other parts of the rope) an anti-slip material, either coloured or neutral may cover a maximum of 10 cm (3.94 in). The rope must be coloured, either all or partially and may either be of a uniform diameter or be progressively thicker in the center provided that this thickening is of the same material as the rope. The fundamental requirements of a rope routine include leaps and skipping. Other elements include swings, throws, circles, rotations and figures of eight. In 2011, the FIG decided to nullify the use of rope in rhythmic gymnastic competitions.

<hl> Its length is in proportion to the size of the gymnast <hl> .


Question: What are at the ends of the ropes to help the gymnists hold it?

Answer: One or two knots at each end are for keeping hold of the rope while doing the routine.

This apparatus may be made of hemp or a synthetic material which retains the qualities of lightness and suppleness. Its length is in proportion to the size of the gymnast. The rope should, when held down by the feet, reach both of the gymnasts' armpits. <hl> One or two knots at each end are for keeping hold of the rope while doing the routine. At the ends (to the exclusion of all other parts of the rope) an anti-slip material, either coloured or neutral may cover a maximum of 10 cm (3.94 in). <hl> The rope must be coloured, either all or partially and may either be of a uniform diameter or be progressively thicker in the center provided that this thickening is of the same material as the rope. The fundamental requirements of a rope routine include leaps and skipping. Other elements include swings, throws, circles, rotations and figures of eight. In 2011, the FIG decided to nullify the use of rope in rhythmic gymnastic competitions.

This apparatus may be made of hemp or a synthetic material which retains the qualities of lightness and suppleness. Its length is in proportion to the size of the gymnast. The rope should, when held down by the feet, reach both of the gymnasts' armpits. <hl> One or two knots at each end are for keeping hold of the rope while doing the routine. <hl> At the ends (to the exclusion of all other parts of the rope) an anti-slip material, either coloured or neutral may cover a maximum of 10 cm (3.94 in). The rope must be coloured, either all or partially and may either be of a uniform diameter or be progressively thicker in the center provided that this thickening is of the same material as the rope. The fundamental requirements of a rope routine include leaps and skipping. Other elements include swings, throws, circles, rotations and figures of eight. In 2011, the FIG decided to nullify the use of rope in rhythmic gymnastic competitions.


Question: What other requirement is there for the rope?

Answer: The rope must be coloured, either all or partially and may either be of a uniform diameter or be progressively thicker in the center

This apparatus may be made of hemp or a synthetic material which retains the qualities of lightness and suppleness. Its length is in proportion to the size of the gymnast. The rope should, when held down by the feet, reach both of the gymnasts' armpits. One or two knots at each end are for keeping hold of the rope while doing the routine. At the ends (to the exclusion of all other parts of the rope) an anti-slip material, either coloured or neutral may cover a maximum of 10 cm (3.94 in). <hl> The rope must be coloured, either all or partially and may either be of a uniform diameter or be progressively thicker in the center provided that this thickening is of the same material as the rope. <hl> The fundamental requirements of a rope routine include leaps and skipping. Other elements include swings, throws, circles, rotations and figures of eight. In 2011, the FIG decided to nullify the use of rope in rhythmic gymnastic competitions.

This apparatus may be made of hemp or a synthetic material which retains the qualities of lightness and suppleness. Its length is in proportion to the size of the gymnast. The rope should, when held down by the feet, reach both of the gymnasts' armpits. One or two knots at each end are for keeping hold of the rope while doing the routine. At the ends (to the exclusion of all other parts of the rope) an anti-slip material, either coloured or neutral may cover a maximum of 10 cm (3.94 in). <hl> The rope must be coloured, either all or partially and may either be of a uniform diameter or be progressively thicker in the center <hl> provided that this thickening is of the same material as the rope. The fundamental requirements of a rope routine include leaps and skipping. Other elements include swings, throws, circles, rotations and figures of eight. In 2011, the FIG decided to nullify the use of rope in rhythmic gymnastic competitions.


Question: When did FIG decide to nullify the use of ropes in competition?

Answer: 2011

This apparatus may be made of hemp or a synthetic material which retains the qualities of lightness and suppleness. Its length is in proportion to the size of the gymnast. The rope should, when held down by the feet, reach both of the gymnasts' armpits. One or two knots at each end are for keeping hold of the rope while doing the routine. At the ends (to the exclusion of all other parts of the rope) an anti-slip material, either coloured or neutral may cover a maximum of 10 cm (3.94 in). The rope must be coloured, either all or partially and may either be of a uniform diameter or be progressively thicker in the center provided that this thickening is of the same material as the rope. The fundamental requirements of a rope routine include leaps and skipping. Other elements include swings, throws, circles, rotations and figures of eight. <hl> In 2011 , the FIG decided to nullify the use of rope in rhythmic gymnastic competitions. <hl>

This apparatus may be made of hemp or a synthetic material which retains the qualities of lightness and suppleness. Its length is in proportion to the size of the gymnast. The rope should, when held down by the feet, reach both of the gymnasts' armpits. One or two knots at each end are for keeping hold of the rope while doing the routine. At the ends (to the exclusion of all other parts of the rope) an anti-slip material, either coloured or neutral may cover a maximum of 10 cm (3.94 in). The rope must be coloured, either all or partially and may either be of a uniform diameter or be progressively thicker in the center provided that this thickening is of the same material as the rope. The fundamental requirements of a rope routine include leaps and skipping. Other elements include swings, throws, circles, rotations and figures of eight. In <hl> 2011 <hl>, the FIG decided to nullify the use of rope in rhythmic gymnastic competitions.

In <hl> 2011 <hl> , the FIG decided to nullify the use of rope in rhythmic gymnastic competitions.


Question: Where was the FIG founded?

The Federation of International Gymnastics (FIG) was founded in Liege in 1881. By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in 1896. From then on until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric, gymnastics, that would seem strange to today's audiences and that included for example, synchronized team floor calisthenics, rope climbing, high jumping, running, and horizontal ladder. During the 1920s, women organized and participated in gymnastics events. The first women's Olympic competition was primitive, only involving synchronized calisthenics and track and field. These games were held in 1928, in Amsterdam.

Answer: Liege

<hl> The Federation of International Gymnastics (FIG) was founded in Liege in 1881. <hl> By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in 1896. From then on until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric, gymnastics, that would seem strange to today's audiences and that included for example, synchronized team floor calisthenics, rope climbing, high jumping, running, and horizontal ladder. During the 1920s, women organized and participated in gymnastics events. The first women's Olympic competition was primitive, only involving synchronized calisthenics and track and field. These games were held in 1928, in Amsterdam.

The Federation of International Gymnastics (FIG) was founded in <hl> Liege <hl> in 1881. By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in 1896. From then on until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric, gymnastics, that would seem strange to today's audiences and that included for example, synchronized team floor calisthenics, rope climbing, high jumping, running, and horizontal ladder. During the 1920s, women organized and participated in gymnastics events. The first women's Olympic competition was primitive, only involving synchronized calisthenics and track and field. These games were held in 1928, in Amsterdam.


Question: What year was FIG founded?

Answer: 1881

<hl> The Federation of International Gymnastics (FIG) was founded in Liege in 1881 . <hl> By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in 1896. From then on until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric, gymnastics, that would seem strange to today's audiences and that included for example, synchronized team floor calisthenics, rope climbing, high jumping, running, and horizontal ladder. During the 1920s, women organized and participated in gymnastics events. The first women's Olympic competition was primitive, only involving synchronized calisthenics and track and field. These games were held in 1928, in Amsterdam.

The Federation of International Gymnastics (FIG) was founded in Liege in <hl> 1881 <hl>. By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in 1896. From then on until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric, gymnastics, that would seem strange to today's audiences and that included for example, synchronized team floor calisthenics, rope climbing, high jumping, running, and horizontal ladder. During the 1920s, women organized and participated in gymnastics events. The first women's Olympic competition was primitive, only involving synchronized calisthenics and track and field. These games were held in 1928, in Amsterdam.

The Federation of International Gymnastics (FIG) was founded in Liege in <hl> 1881 <hl> .


Question: When was gymnastics included in the Olympics?

Answer: 1896

The Federation of International Gymnastics (FIG) was founded in Liege in 1881. <hl> By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in 1896 . <hl> From then on until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric, gymnastics, that would seem strange to today's audiences and that included for example, synchronized team floor calisthenics, rope climbing, high jumping, running, and horizontal ladder. During the 1920s, women organized and participated in gymnastics events. The first women's Olympic competition was primitive, only involving synchronized calisthenics and track and field. These games were held in 1928, in Amsterdam.

The Federation of International Gymnastics (FIG) was founded in Liege in 1881. By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in <hl> 1896 <hl>. From then on until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric, gymnastics, that would seem strange to today's audiences and that included for example, synchronized team floor calisthenics, rope climbing, high jumping, running, and horizontal ladder. During the 1920s, women organized and participated in gymnastics events. The first women's Olympic competition was primitive, only involving synchronized calisthenics and track and field. These games were held in 1928, in Amsterdam.

By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in <hl> 1896 <hl> .


Question: When were the first women's Olympic competitions held?

Answer: 1928

The Federation of International Gymnastics (FIG) was founded in Liege in 1881. By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in 1896. From then on until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric, gymnastics, that would seem strange to today's audiences and that included for example, synchronized team floor calisthenics, rope climbing, high jumping, running, and horizontal ladder. During the 1920s, women organized and participated in gymnastics events. The first women's Olympic competition was primitive, only involving synchronized calisthenics and track and field. <hl> These games were held in 1928 , in Amsterdam. <hl>

The Federation of International Gymnastics (FIG) was founded in Liege in 1881. By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in 1896. From then on until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric, gymnastics, that would seem strange to today's audiences and that included for example, synchronized team floor calisthenics, rope climbing, high jumping, running, and horizontal ladder. During the 1920s, women organized and participated in gymnastics events. The first women's Olympic competition was primitive, only involving synchronized calisthenics and track and field. These games were held in <hl> 1928 <hl>, in Amsterdam.

These games were held in <hl> 1928 <hl> , in Amsterdam.


Question: Where were the first women's Olympic competitions held?

Answer: in Amsterdam

The Federation of International Gymnastics (FIG) was founded in Liege in 1881. By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in 1896. From then on until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric, gymnastics, that would seem strange to today's audiences and that included for example, synchronized team floor calisthenics, rope climbing, high jumping, running, and horizontal ladder. During the 1920s, women organized and participated in gymnastics events. The first women's Olympic competition was primitive, only involving synchronized calisthenics and track and field. <hl> These games were held in 1928, in Amsterdam . <hl>

The Federation of International Gymnastics (FIG) was founded in Liege in 1881. By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in 1896. From then on until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric, gymnastics, that would seem strange to today's audiences and that included for example, synchronized team floor calisthenics, rope climbing, high jumping, running, and horizontal ladder. During the 1920s, women organized and participated in gymnastics events. The first women's Olympic competition was primitive, only involving synchronized calisthenics and track and field. These games were held in 1928, <hl> in Amsterdam <hl>.

These games were held in 1928, <hl> in Amsterdam <hl> .


Question: How long is the run way in vaulting?

In the vaulting events, gymnasts sprint down a 25 metres (82 ft) runway, jump onto a spring filled board or perform a roundoff, or handspring entry onto a springboard (run/ take-off segment), land momentarily, inverted on the hands on the vaulting horse, or vaulting table (pre flight segment), then propel themselves forward or backward, off of this platform to a two footed landing (post flight segment). Every gymnast starts at a different point on the vault runway depending on their height and strength. The post flight segment may include one or more multiple saltos or somersaults, and/or twisting movements. A round-off entry vault, called a Yurchenko, is the most common vault in elite level gymnastics. When performing a yurchenko, gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard). From the roundoff position the gymnast travels backwards and executes a backhandspring so that the hands land on the vaulting table. The gymnast then blocks off the vaulting platform into various twisting and/or somersaulting combinations. The post flight segment brings the gymnast to her feet.

Answer: 25 metres (82 ft)

<hl> In the vaulting events, gymnasts sprint down a 25 metres (82 ft) runway, jump onto a spring filled board or perform a roundoff, or handspring entry onto a springboard (run/ take-off segment), land momentarily, inverted on the hands on the vaulting horse, or vaulting table (pre flight segment), then propel themselves forward or backward, off of this platform to a two footed landing (post flight segment). <hl> Every gymnast starts at a different point on the vault runway depending on their height and strength. The post flight segment may include one or more multiple saltos or somersaults, and/or twisting movements. A round-off entry vault, called a Yurchenko, is the most common vault in elite level gymnastics. When performing a yurchenko, gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard). From the roundoff position the gymnast travels backwards and executes a backhandspring so that the hands land on the vaulting table. The gymnast then blocks off the vaulting platform into various twisting and/or somersaulting combinations. The post flight segment brings the gymnast to her feet.

In the vaulting events, gymnasts sprint down a <hl> 25 metres (82 ft) <hl> runway, jump onto a spring filled board or perform a roundoff, or handspring entry onto a springboard (run/ take-off segment), land momentarily, inverted on the hands on the vaulting horse, or vaulting table (pre flight segment), then propel themselves forward or backward, off of this platform to a two footed landing (post flight segment). Every gymnast starts at a different point on the vault runway depending on their height and strength. The post flight segment may include one or more multiple saltos or somersaults, and/or twisting movements. A round-off entry vault, called a Yurchenko, is the most common vault in elite level gymnastics. When performing a yurchenko, gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard). From the roundoff position the gymnast travels backwards and executes a backhandspring so that the hands land on the vaulting table. The gymnast then blocks off the vaulting platform into various twisting and/or somersaulting combinations. The post flight segment brings the gymnast to her feet.


Question: How man feet do vaulters land on?

Answer: a two footed landing

<hl> In the vaulting events, gymnasts sprint down a 25 metres (82 ft) runway, jump onto a spring filled board or perform a roundoff, or handspring entry onto a springboard (run/ take-off segment), land momentarily, inverted on the hands on the vaulting horse, or vaulting table (pre flight segment), then propel themselves forward or backward, off of this platform to a two footed landing (post flight segment). <hl> Every gymnast starts at a different point on the vault runway depending on their height and strength. The post flight segment may include one or more multiple saltos or somersaults, and/or twisting movements. A round-off entry vault, called a Yurchenko, is the most common vault in elite level gymnastics. When performing a yurchenko, gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard). From the roundoff position the gymnast travels backwards and executes a backhandspring so that the hands land on the vaulting table. The gymnast then blocks off the vaulting platform into various twisting and/or somersaulting combinations. The post flight segment brings the gymnast to her feet.

In the vaulting events, gymnasts sprint down a 25 metres (82 ft) runway, jump onto a spring filled board or perform a roundoff, or handspring entry onto a springboard (run/ take-off segment), land momentarily, inverted on the hands on the vaulting horse, or vaulting table (pre flight segment), then propel themselves forward or backward, off of this platform to <hl> a two footed landing <hl> (post flight segment). Every gymnast starts at a different point on the vault runway depending on their height and strength. The post flight segment may include one or more multiple saltos or somersaults, and/or twisting movements. A round-off entry vault, called a Yurchenko, is the most common vault in elite level gymnastics. When performing a yurchenko, gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard). From the roundoff position the gymnast travels backwards and executes a backhandspring so that the hands land on the vaulting table. The gymnast then blocks off the vaulting platform into various twisting and/or somersaulting combinations. The post flight segment brings the gymnast to her feet.


Question: What determines where a vaulter starts on the runway?

Answer: their height and strength

In the vaulting events, gymnasts sprint down a 25 metres (82 ft) runway, jump onto a spring filled board or perform a roundoff, or handspring entry onto a springboard (run/ take-off segment), land momentarily, inverted on the hands on the vaulting horse, or vaulting table (pre flight segment), then propel themselves forward or backward, off of this platform to a two footed landing (post flight segment). <hl> Every gymnast starts at a different point on the vault runway depending on their height and strength . <hl> The post flight segment may include one or more multiple saltos or somersaults, and/or twisting movements. A round-off entry vault, called a Yurchenko, is the most common vault in elite level gymnastics. When performing a yurchenko, gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard). From the roundoff position the gymnast travels backwards and executes a backhandspring so that the hands land on the vaulting table. The gymnast then blocks off the vaulting platform into various twisting and/or somersaulting combinations. The post flight segment brings the gymnast to her feet.

In the vaulting events, gymnasts sprint down a 25 metres (82 ft) runway, jump onto a spring filled board or perform a roundoff, or handspring entry onto a springboard (run/ take-off segment), land momentarily, inverted on the hands on the vaulting horse, or vaulting table (pre flight segment), then propel themselves forward or backward, off of this platform to a two footed landing (post flight segment). Every gymnast starts at a different point on the vault runway depending on <hl> their height and strength <hl>. The post flight segment may include one or more multiple saltos or somersaults, and/or twisting movements. A round-off entry vault, called a Yurchenko, is the most common vault in elite level gymnastics. When performing a yurchenko, gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard). From the roundoff position the gymnast travels backwards and executes a backhandspring so that the hands land on the vaulting table. The gymnast then blocks off the vaulting platform into various twisting and/or somersaulting combinations. The post flight segment brings the gymnast to her feet.

Every gymnast starts at a different point on the vault runway depending on <hl> their height and strength <hl> .


Question: What is a round-off entry vault called?

Answer: Yurchenko

In the vaulting events, gymnasts sprint down a 25 metres (82 ft) runway, jump onto a spring filled board or perform a roundoff, or handspring entry onto a springboard (run/ take-off segment), land momentarily, inverted on the hands on the vaulting horse, or vaulting table (pre flight segment), then propel themselves forward or backward, off of this platform to a two footed landing (post flight segment). Every gymnast starts at a different point on the vault runway depending on their height and strength. The post flight segment may include one or more multiple saltos or somersaults, and/or twisting movements. <hl> A round-off entry vault, called a Yurchenko , is the most common vault in elite level gymnastics. <hl> When performing a yurchenko, gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard). From the roundoff position the gymnast travels backwards and executes a backhandspring so that the hands land on the vaulting table. The gymnast then blocks off the vaulting platform into various twisting and/or somersaulting combinations. The post flight segment brings the gymnast to her feet.

In the vaulting events, gymnasts sprint down a 25 metres (82 ft) runway, jump onto a spring filled board or perform a roundoff, or handspring entry onto a springboard (run/ take-off segment), land momentarily, inverted on the hands on the vaulting horse, or vaulting table (pre flight segment), then propel themselves forward or backward, off of this platform to a two footed landing (post flight segment). Every gymnast starts at a different point on the vault runway depending on their height and strength. The post flight segment may include one or more multiple saltos or somersaults, and/or twisting movements. A round-off entry vault, called a <hl> Yurchenko <hl>, is the most common vault in elite level gymnastics. When performing a yurchenko, gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard). From the roundoff position the gymnast travels backwards and executes a backhandspring so that the hands land on the vaulting table. The gymnast then blocks off the vaulting platform into various twisting and/or somersaulting combinations. The post flight segment brings the gymnast to her feet.

A round-off entry vault, called a <hl> Yurchenko <hl> , is the most common vault in elite level gymnastics.


Question: What is the most common vault in elite level gymnastics?

Answer: yurchenko

In the vaulting events, gymnasts sprint down a 25 metres (82 ft) runway, jump onto a spring filled board or perform a roundoff, or handspring entry onto a springboard (run/ take-off segment), land momentarily, inverted on the hands on the vaulting horse, or vaulting table (pre flight segment), then propel themselves forward or backward, off of this platform to a two footed landing (post flight segment). Every gymnast starts at a different point on the vault runway depending on their height and strength. The post flight segment may include one or more multiple saltos or somersaults, and/or twisting movements. A round-off entry vault, called a Yurchenko, is the most common vault in elite level gymnastics. <hl> When performing a yurchenko , gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard). <hl> From the roundoff position the gymnast travels backwards and executes a backhandspring so that the hands land on the vaulting table. The gymnast then blocks off the vaulting platform into various twisting and/or somersaulting combinations. The post flight segment brings the gymnast to her feet.

In the vaulting events, gymnasts sprint down a 25 metres (82 ft) runway, jump onto a spring filled board or perform a roundoff, or handspring entry onto a springboard (run/ take-off segment), land momentarily, inverted on the hands on the vaulting horse, or vaulting table (pre flight segment), then propel themselves forward or backward, off of this platform to a two footed landing (post flight segment). Every gymnast starts at a different point on the vault runway depending on their height and strength. The post flight segment may include one or more multiple saltos or somersaults, and/or twisting movements. A round-off entry vault, called a Yurchenko, is the most common vault in elite level gymnastics. When performing a <hl> yurchenko <hl>, gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard). From the roundoff position the gymnast travels backwards and executes a backhandspring so that the hands land on the vaulting table. The gymnast then blocks off the vaulting platform into various twisting and/or somersaulting combinations. The post flight segment brings the gymnast to her feet.

When performing a <hl> yurchenko <hl> , gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard).


Question: How are gymnasts scored?

A gymnast's score comes from deductions taken from their start value. The start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements. The composition requirements are different for each apparatus; this score is called the D score. Deductions in execution and artistry are taken from 10.0. This score is called the E score. The final score is calculated by taking deductions from the E score, and adding the result to the D score. Since 2007, the scoring system has changed by adding bonus plus the execution and then adding those two together to get the final score.

Answer: from deductions taken from their start value

<hl> A gymnast's score comes from deductions taken from their start value . <hl> The start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements. The composition requirements are different for each apparatus; this score is called the D score. Deductions in execution and artistry are taken from 10.0. This score is called the E score. The final score is calculated by taking deductions from the E score, and adding the result to the D score. Since 2007, the scoring system has changed by adding bonus plus the execution and then adding those two together to get the final score.

A gymnast's score comes <hl> from deductions taken from their start value <hl>. The start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements. The composition requirements are different for each apparatus; this score is called the D score. Deductions in execution and artistry are taken from 10.0. This score is called the E score. The final score is calculated by taking deductions from the E score, and adding the result to the D score. Since 2007, the scoring system has changed by adding bonus plus the execution and then adding those two together to get the final score.

A gymnast's score comes <hl> from deductions taken from their start value <hl> .


Question: How is the start vaule determined?

Answer: e start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements

A gymnast's score comes from deductions taken from their start value. <hl> Th e start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements . <hl> The composition requirements are different for each apparatus; this score is called the D score. Deductions in execution and artistry are taken from 10.0. This score is called the E score. The final score is calculated by taking deductions from the E score, and adding the result to the D score. Since 2007, the scoring system has changed by adding bonus plus the execution and then adding those two together to get the final score.

A gymnast's score comes from deductions taken from their start value. Th<hl> e start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements <hl>. The composition requirements are different for each apparatus; this score is called the D score. Deductions in execution and artistry are taken from 10.0. This score is called the E score. The final score is calculated by taking deductions from the E score, and adding the result to the D score. Since 2007, the scoring system has changed by adding bonus plus the execution and then adding those two together to get the final score.

Th <hl> e start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements <hl> .


Question: What is this score called?

Answer: D score

A gymnast's score comes from deductions taken from their start value. The start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements. <hl> The composition requirements are different for each apparatus; this score is called the D score . <hl> Deductions in execution and artistry are taken from 10.0. This score is called the E score. The final score is calculated by taking deductions from the E score, and adding the result to the D score. Since 2007, the scoring system has changed by adding bonus plus the execution and then adding those two together to get the final score.

A gymnast's score comes from deductions taken from their start value. The start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements. The composition requirements are different for each apparatus; this score is called the <hl> D score <hl>. Deductions in execution and artistry are taken from 10.0. This score is called the E score. The final score is calculated by taking deductions from the E score, and adding the result to the D score. Since 2007, the scoring system has changed by adding bonus plus the execution and then adding those two together to get the final score.

The composition requirements are different for each apparatus; this score is called the <hl> D score <hl> .


Question: Deductions in execution and artistry are taken from what score?

Answer: 10.0

A gymnast's score comes from deductions taken from their start value. The start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements. The composition requirements are different for each apparatus; this score is called the D score. <hl> Deductions in execution and artistry are taken from 10.0 . <hl> This score is called the E score. The final score is calculated by taking deductions from the E score, and adding the result to the D score. Since 2007, the scoring system has changed by adding bonus plus the execution and then adding those two together to get the final score.

A gymnast's score comes from deductions taken from their start value. The start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements. The composition requirements are different for each apparatus; this score is called the D score. Deductions in execution and artistry are taken from <hl> 10.0 <hl>. This score is called the E score. The final score is calculated by taking deductions from the E score, and adding the result to the D score. Since 2007, the scoring system has changed by adding bonus plus the execution and then adding those two together to get the final score.

Deductions in execution and artistry are taken from <hl> 10.0 <hl> .


Question: What were added to scoring in 2007?

Answer: adding bonus plus the execution and then adding those two together to get the final score

A gymnast's score comes from deductions taken from their start value. The start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements. The composition requirements are different for each apparatus; this score is called the D score. Deductions in execution and artistry are taken from 10.0. This score is called the E score. The final score is calculated by taking deductions from the E score, and adding the result to the D score. <hl> Since 2007, the scoring system has changed by adding bonus plus the execution and then adding those two together to get the final score . <hl>

A gymnast's score comes from deductions taken from their start value. The start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements. The composition requirements are different for each apparatus; this score is called the D score. Deductions in execution and artistry are taken from 10.0. This score is called the E score. The final score is calculated by taking deductions from the E score, and adding the result to the D score. Since 2007, the scoring system has changed by <hl> adding bonus plus the execution and then adding those two together to get the final score <hl>.

Since 2007, the scoring system has changed by <hl> adding bonus plus the execution and then adding those two together to get the final score <hl> .


Question: When were the technical rules for the Japanses version of men's rhythmic gymnastics formed?

The technical rules for the Japanese version of men's rhythmic gymnastics came around the 1970s. For individuals, only four types of apparatus are used: the double rings, the stick, the rope, and the clubs. Groups do not use any apparatus. The Japanese version includes tumbling performed on a spring floor. Points are awarded based a 10-point scale that measures the level of difficulty of the tumbling and apparatus handling. On November 27–29, 2003, Japan hosted first edition of the Men's Rhythmic Gymnastics World Championship.

Answer: 1970s

<hl> The technical rules for the Japanese version of men's rhythmic gymnastics came around the 1970s . <hl> For individuals, only four types of apparatus are used: the double rings, the stick, the rope, and the clubs. Groups do not use any apparatus. The Japanese version includes tumbling performed on a spring floor. Points are awarded based a 10-point scale that measures the level of difficulty of the tumbling and apparatus handling. On November 27–29, 2003, Japan hosted first edition of the Men's Rhythmic Gymnastics World Championship.

The technical rules for the Japanese version of men's rhythmic gymnastics came around the <hl> 1970s <hl>. For individuals, only four types of apparatus are used: the double rings, the stick, the rope, and the clubs. Groups do not use any apparatus. The Japanese version includes tumbling performed on a spring floor. Points are awarded based a 10-point scale that measures the level of difficulty of the tumbling and apparatus handling. On November 27–29, 2003, Japan hosted first edition of the Men's Rhythmic Gymnastics World Championship.

The technical rules for the Japanese version of men's rhythmic gymnastics came around the <hl> 1970s <hl> .


Question: How many apparatuses are used?

Answer: only four types

The technical rules for the Japanese version of men's rhythmic gymnastics came around the 1970s. <hl> For individuals, only four types of apparatus are used: the double rings, the stick, the rope, and the clubs. <hl> Groups do not use any apparatus. The Japanese version includes tumbling performed on a spring floor. Points are awarded based a 10-point scale that measures the level of difficulty of the tumbling and apparatus handling. On November 27–29, 2003, Japan hosted first edition of the Men's Rhythmic Gymnastics World Championship.

The technical rules for the Japanese version of men's rhythmic gymnastics came around the 1970s. For individuals, <hl> only four types <hl> of apparatus are used: the double rings, the stick, the rope, and the clubs. Groups do not use any apparatus. The Japanese version includes tumbling performed on a spring floor. Points are awarded based a 10-point scale that measures the level of difficulty of the tumbling and apparatus handling. On November 27–29, 2003, Japan hosted first edition of the Men's Rhythmic Gymnastics World Championship.


Question: What are the types of apparatuses used?

Answer: the double rings, the stick, the rope, and the clubs

The technical rules for the Japanese version of men's rhythmic gymnastics came around the 1970s. <hl> For individuals, only four types of apparatus are used: the double rings, the stick, the rope, and the clubs . <hl> Groups do not use any apparatus. The Japanese version includes tumbling performed on a spring floor. Points are awarded based a 10-point scale that measures the level of difficulty of the tumbling and apparatus handling. On November 27–29, 2003, Japan hosted first edition of the Men's Rhythmic Gymnastics World Championship.

The technical rules for the Japanese version of men's rhythmic gymnastics came around the 1970s. For individuals, only four types of apparatus are used: <hl> the double rings, the stick, the rope, and the clubs <hl>. Groups do not use any apparatus. The Japanese version includes tumbling performed on a spring floor. Points are awarded based a 10-point scale that measures the level of difficulty of the tumbling and apparatus handling. On November 27–29, 2003, Japan hosted first edition of the Men's Rhythmic Gymnastics World Championship.

For individuals, only four types of apparatus are used: <hl> the double rings, the stick, the rope, and the clubs <hl> .


Question: What apparatuses do groups use?

Answer: Groups do not use any apparatus

Groups do not use any apparatus .

The technical rules for the Japanese version of men's rhythmic gymnastics came around the 1970s. For individuals, only four types of apparatus are used: the double rings, the stick, the rope, and the clubs. <hl> Groups do not use any apparatus . <hl> The Japanese version includes tumbling performed on a spring floor. Points are awarded based a 10-point scale that measures the level of difficulty of the tumbling and apparatus handling. On November 27–29, 2003, Japan hosted first edition of the Men's Rhythmic Gymnastics World Championship.

The technical rules for the Japanese version of men's rhythmic gymnastics came around the 1970s. For individuals, only four types of apparatus are used: the double rings, the stick, the rope, and the clubs. <hl> Groups do not use any apparatus <hl>. The Japanese version includes tumbling performed on a spring floor. Points are awarded based a 10-point scale that measures the level of difficulty of the tumbling and apparatus handling. On November 27–29, 2003, Japan hosted first edition of the Men's Rhythmic Gymnastics World Championship.

<hl> Groups do not use any apparatus <hl> .


Question: When did Japan hold the first of the Men's Rhythmic Gymnastics World Champtionship?

Answer: November 27–29, 2003

The technical rules for the Japanese version of men's rhythmic gymnastics came around the 1970s. For individuals, only four types of apparatus are used: the double rings, the stick, the rope, and the clubs. Groups do not use any apparatus. The Japanese version includes tumbling performed on a spring floor. Points are awarded based a 10-point scale that measures the level of difficulty of the tumbling and apparatus handling. <hl> On November 27–29, 2003 , Japan hosted first edition of the Men's Rhythmic Gymnastics World Championship. <hl>

The technical rules for the Japanese version of men's rhythmic gymnastics came around the 1970s. For individuals, only four types of apparatus are used: the double rings, the stick, the rope, and the clubs. Groups do not use any apparatus. The Japanese version includes tumbling performed on a spring floor. Points are awarded based a 10-point scale that measures the level of difficulty of the tumbling and apparatus handling. On <hl> November 27–29, 2003 <hl>, Japan hosted first edition of the Men's Rhythmic Gymnastics World Championship.

On <hl> November 27–29, 2003 <hl> , Japan hosted first edition of the Men's Rhythmic Gymnastics World Championship.


Question: What Greek word did gymnastics derive from?

The word gymnastics derives from the common Greek adjective γυμνός (gymnos) meaning "naked", by way of the related verb γυμνάζω (gymnazo), whose meaning is to train naked", "train in gymnastic exercise", generally "to train, to exercise". The verb had this meaning, because athletes in ancient times exercised and competed without clothing. It came into use in the 1570s, from Latin gymnasticus, from Greek gymnastikos "fond of or skilled in bodily exercise," from gymnazein "to exercise or train" (see gymnasium).

Answer: γυμνός (gymnos) meaning "naked"

<hl> The word gymnastics derives from the common Greek adjective γυμνός (gymnos) meaning "naked" , by way of the related verb γυμνάζω (gymnazo), whose meaning is to train naked", "train in gymnastic exercise", generally "to train, to exercise". <hl> The verb had this meaning, because athletes in ancient times exercised and competed without clothing. It came into use in the 1570s, from Latin gymnasticus, from Greek gymnastikos "fond of or skilled in bodily exercise," from gymnazein "to exercise or train" (see gymnasium).

The word gymnastics derives from the common Greek adjective <hl> γυμνός (gymnos) meaning "naked" <hl>, by way of the related verb γυμνάζω (gymnazo), whose meaning is to train naked", "train in gymnastic exercise", generally "to train, to exercise". The verb had this meaning, because athletes in ancient times exercised and competed without clothing. It came into use in the 1570s, from Latin gymnasticus, from Greek gymnastikos "fond of or skilled in bodily exercise," from gymnazein "to exercise or train" (see gymnasium).

The word gymnastics derives from the common Greek adjective <hl> γυμνός (gymnos) meaning "naked" <hl> , by way of the related verb γυμνάζω (gymnazo), whose meaning is to train naked", "train in gymnastic exercise", generally "to train, to exercise".