Question: How did Steven Spielberg feel about being an Orhtodox Jew?

Answer: embarrassed

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. <hl> "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. <hl> I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg also said he suffered from acts of anti-Semitic prejudice and bullying: "In high school, I got smacked and kicked around. Two bloody noses. It was horrible."

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old, God forgive me, I was <hl> embarrassed <hl> because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg also said he suffered from acts of anti-Semitic prejudice and bullying: "In high school, I got smacked and kicked around. Two bloody noses. It was horrible."


Question: What kind of prejudice did Spielberg have to deal with in High school?

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg also said he suffered from acts of anti-Semitic prejudice and bullying: "In high school, I got smacked and kicked around. Two bloody noses. It was horrible."

Answer: anti-Semitic

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." <hl> Spielberg also said he suffered from acts of anti-Semitic prejudice and bullying: "In high school, I got smacked and kicked around. <hl> Two bloody noses. It was horrible."

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg also said he suffered from acts of <hl> anti-Semitic <hl> prejudice and bullying: "In high school, I got smacked and kicked around. Two bloody noses. It was horrible."


Question: How many bloody noses did Spielberg get in High School?

Answer: Two

Two bloody noses.

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg also said he suffered from acts of anti-Semitic prejudice and bullying: "In high school, I got smacked and kicked around. <hl> Two bloody noses. <hl> It was horrible."

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg also said he suffered from acts of anti-Semitic prejudice and bullying: "In high school, I got smacked and kicked around. <hl> Two <hl> bloody noses. It was horrible."


Question: At what age was Spielberg embarrassed by his family being Jewish?

Answer: seven, eight, nine years old

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. <hl> "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old , God forgive me, I was embarrassed because we were Orthodox Jews. <hl> I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg also said he suffered from acts of anti-Semitic prejudice and bullying: "In high school, I got smacked and kicked around. Two bloody noses. It was horrible."

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. "It isn't something I enjoy admitting," he once said, "but when I was <hl> seven, eight, nine years old <hl>, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg also said he suffered from acts of anti-Semitic prejudice and bullying: "In high school, I got smacked and kicked around. Two bloody noses. It was horrible."

"It isn't something I enjoy admitting," he once said, "but when I was <hl> seven, eight, nine years old <hl> , God forgive me, I was embarrassed because we were Orthodox Jews.


Question: What was Spielberg bullied because of?

Answer: anti-Semitic prejudice

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." <hl> Spielberg also said he suffered from acts of anti-Semitic prejudice and bullying: "In high school, I got smacked and kicked around. <hl> Two bloody noses. It was horrible."

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg also said he suffered from acts of <hl> anti-Semitic prejudice <hl> and bullying: "In high school, I got smacked and kicked around. Two bloody noses. It was horrible."


Question: How many bloody noses did Spielberg get in high school?

Answer: Two

Two bloody noses.

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg also said he suffered from acts of anti-Semitic prejudice and bullying: "In high school, I got smacked and kicked around. <hl> Two bloody noses. <hl> It was horrible."

As a child, Spielberg faced difficulty reconciling being an Orthodox Jew with the perception of him by other children he played with. "It isn't something I enjoy admitting," he once said, "but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg also said he suffered from acts of anti-Semitic prejudice and bullying: "In high school, I got smacked and kicked around. <hl> Two <hl> bloody noses. It was horrible."


Question: What was Spielberg's first indepenent film?

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

Answer: Firelight

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 <hl> In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight , which would later inspire Close Encounters. <hl> The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called <hl> Firelight <hl>, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called <hl> Firelight <hl> , which would later inspire Close Encounters.


Question: How long was Spielberg's film "Escape to Nowhere"?

Answer: 40-minute

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." <hl> At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. <hl> That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a <hl> 40-minute <hl> war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.


Question: How much money did Spielberg spend to film Close Encounters?

Answer: $500

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. <hl> The film was made for $500 , most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost. <hl>

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for <hl> $500 <hl>, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

The film was made for <hl> $500 <hl> , most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.


Question: Who did Spielberg get money from to film Close Encounters?

Answer: his father

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. <hl> The film was made for $500, most of which came from his father , and was shown in a local cinema for one evening, which earned back its cost. <hl>

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from <hl> his father <hl>, and was shown in a local cinema for one evening, which earned back its cost.

The film was made for $500, most of which came from <hl> his father <hl> , and was shown in a local cinema for one evening, which earned back its cost.


Question: What genre was Spielberg's first film "The Last Gunfight"

Answer: Western

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. <hl> He said yes, and I got an idea to do a Western . <hl> I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a <hl> Western <hl>. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

He said yes, and I got an idea to do a <hl> Western <hl> .


Question: When did Spielberg join the Boy Scouts?

Answer: 1958

<hl> In 1958 , he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. <hl> Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

In <hl> 1958 <hl>, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

In <hl> 1958 <hl> , he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight.


Question: What film did Spielberg make to earn a merit badge?

Answer: The Last Gunfight

<hl> In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight . <hl> Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled <hl> The Last Gunfight <hl>. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled <hl> The Last Gunfight <hl> .


Question: Why did Spielberg make a movie instead of taking still photos for the photography merit badge?

Answer: dad's still-camera was broken

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. <hl> Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken , so I asked the scoutmaster if I could tell a story with my father's movie camera. <hl> He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My <hl> dad's still-camera was broken <hl>, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

Years later, Spielberg recalled to a magazine interviewer, "My <hl> dad's still-camera was broken <hl> , so I asked the scoutmaster if I could tell a story with my father's movie camera.


Question: At what age did Spielberg make 'Escape to Nowhere'?

Answer: thirteen

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." <hl> At age thirteen , while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. <hl> That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age <hl> thirteen <hl>, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

At age <hl> thirteen <hl> , while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends.


Question: What film led to Close Encounters?

Answer: Firelight

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 <hl> In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called Firelight , which would later inspire Close Encounters. <hl> The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

In 1958, he became a Boy Scout and fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm film entitled The Last Gunfight. Years later, Spielberg recalled to a magazine interviewer, "My dad's still-camera was broken, so I asked the scoutmaster if I could tell a story with my father's movie camera. He said yes, and I got an idea to do a Western. I made it and got my merit badge. That was how it all started." At age thirteen, while living in Phoenix, Spielberg won a prize for a 40-minute war film he titled Escape to Nowhere, using a cast composed of other high school friends. That motivated him to make 15 more amateur 8mm films.:548 In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called <hl> Firelight <hl>, which would later inspire Close Encounters. The film was made for $500, most of which came from his father, and was shown in a local cinema for one evening, which earned back its cost.

In 1963, at age sixteen, Spielberg wrote and directed his first independent film, a 140-minute science fiction adventure called <hl> Firelight <hl> , which would later inspire Close Encounters.


Question: What job was SPielberg offered when he was a student?

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.

Answer: Universal Studios

<hl> While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. <hl> He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.

While still a student, he was offered a small unpaid intern job at <hl> Universal Studios <hl> with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.


Question: Who offered Spielberg a contract at Universal Studios?

Answer: Sidney Sheinberg

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. <hl> Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. <hl> It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president <hl> Sidney Sheinberg <hl> was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.


Question: What short film did Spielberg make for theatrical release?

Answer: Amblin

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. <hl> He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin ', which he wrote and directed. <hl> Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, <hl> Amblin <hl>', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.

He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, <hl> Amblin <hl> ', which he wrote and directed.


Question: What did Steven Spielberg do to begin directing TV prouctions for Universal?

Answer: dropped out of college

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He <hl> subsequently dropped out of college to begin professionally directing TV productions with Universal. <hl>

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently <hl> dropped out of college <hl> to begin professionally directing TV productions with Universal.


Question: How did Sidney Sheinberg feel about the film "Amblin'"

Answer: impressed

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. <hl> Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. <hl> It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was <hl> impressed <hl> by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.


Question: What studio gave Spielberg an unpaid internship?

Answer: Universal Studios

<hl> While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. <hl> He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.

While still a student, he was offered a small unpaid intern job at <hl> Universal Studios <hl> with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.


Question: What department did Spielberg have an unpaid internship with?

Answer: editing

<hl> While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. <hl> He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.

While still a student, he was offered a small unpaid intern job at Universal Studios with the <hl> editing <hl> department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.


Question: How long was 'Amblin'?

Answer: 26-minute

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. <hl> He was later given the opportunity to make a short film for theatrical release, the 26-minute , 35mm, Amblin', which he wrote and directed. <hl> Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the <hl> 26-minute <hl>, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.

He was later given the opportunity to make a short film for theatrical release, the <hl> 26-minute <hl> , 35mm, Amblin', which he wrote and directed.


Question: What was Sidney Sheinberg's position with Universal?

Answer: vice president

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. <hl> Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. <hl> It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio <hl> vice president <hl> Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.


Question: How long of a contract did Sheinberg give Spielberg?

Answer: seven-year

a seven-year directing contract.

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg <hl> a seven-year directing contract. <hl> It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.

While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a <hl> seven-year <hl> directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal.


Question: Who starred in the TV show segment "Eyes"

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

Answer: Joan Crawford

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. <hl> The segment, "Eyes," starred Joan Crawford ; she and Spielberg were reportedly close friends until her death. <hl> The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred <hl> Joan Crawford <hl>; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

The segment, "Eyes," starred <hl> Joan Crawford <hl> ; she and Spielberg were reportedly close friends until her death.


Question: What genre was Steven Spielberg's episode of "The Name of the Game"?

Answer: science fiction

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". <hl> This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. <hl> He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic <hl> science fiction <hl> episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).


Question: What was Steven Spielberg's first feature-length assignment?

Answer: an episode of The Name of the Game called "L.A. 2017".

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. <hl> After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. <hl> He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: <hl> an episode of The Name of the Game called "L.A. 2017". <hl> This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).


Question: What year was Spielberg hired to direct one of the segments for "Night Gallery"?

Answer: 1969

<hl> His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. <hl> The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

His first professional TV job came when he was hired to direct one of the segments for the <hl> 1969 <hl> pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).


Question: What was the relatioship between Joan Crawford and Steven Spielberg?

Answer: reportedly close friends

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. <hl> The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. <hl> The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were <hl> reportedly close friends <hl> until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).


Question: What was the first TV episode Spielberg directed part of?

Answer: 1969 pilot episode of Night Gallery

<hl> His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery . <hl> The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

His first professional TV job came when he was hired to direct one of the segments for the <hl> 1969 pilot episode of Night Gallery <hl>. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

His first professional TV job came when he was hired to direct one of the segments for the <hl> 1969 pilot episode of Night Gallery <hl> .


Question: What was Spielberg's first full TV episode to direct?

Answer: an episode of The Name of the Game called "L.A. 2017"

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. <hl> After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017" . <hl> This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: <hl> an episode of The Name of the Game called "L.A. 2017" <hl>. This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: <hl> an episode of The Name of the Game called "L.A. 2017" <hl> .


Question: Who starred in Spielberg's TV debut?

Answer: Joan Crawford

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. <hl> The segment, "Eyes," starred Joan Crawford ; she and Spielberg were reportedly close friends until her death. <hl> The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred <hl> Joan Crawford <hl>; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

The segment, "Eyes," starred <hl> Joan Crawford <hl> ; she and Spielberg were reportedly close friends until her death.


Question: What law show did Spielberg work on?

Answer: Owen Marshall: Counselor at Law

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. <hl> He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films). <hl>

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as <hl> Owen Marshall: Counselor at Law <hl> and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).


Question: What genre was 'LA 2017'?

Answer: futuristic science fiction

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". <hl> This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. <hl> He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).

His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This <hl> futuristic science fiction <hl> episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films).


Question: How many TV films did Universal sign Spielbergo to direct?

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

Answer: four

<hl> Based on the strength of his work, Universal signed Spielberg to do four TV films. <hl> The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

Based on the strength of his work, Universal signed Spielberg to do <hl> four <hl> TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.


Question: What British critic helped boost Steven Spielberg's career?

Answer: Dilys Powell

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. <hl> Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. <hl> Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic <hl> Dilys Powell <hl> was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.


Question: Who starred in the TV show "Savage"?

Answer: Martin Landau

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. <hl> He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau . <hl> Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring <hl> Martin Landau <hl>. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring <hl> Martin Landau <hl> .


Question: How did Steven Spielberg's film "The Sugarland Express" do in the box office?

Answer: poorly

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 <hl> However, the film fared poorly at the box office and received a limited release. <hl>

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared <hl> poorly <hl> at the box office and received a limited release.


Question: What were the married couple in Steven Spielberg's film "The Sugarland Express" trying to regain?

Answer: custody of their baby

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. <hl> Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby . <hl> Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain <hl> custody of their baby <hl>. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain <hl> custody of their baby <hl> .


Question: How many TV movies was Spielberg signed to direct?

Answer: four

<hl> Based on the strength of his work, Universal signed Spielberg to do four TV films. <hl> The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

Based on the strength of his work, Universal signed Spielberg to do <hl> four <hl> TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.


Question: What kind of truck was 'Duel' about?

Answer: Peterbilt 281 tanker

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. <hl> The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. <hl> Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic <hl> Peterbilt 281 tanker <hl> truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.


Question: Which British critic praised 'Duel'?

Answer: Dilys Powell

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. <hl> Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. <hl> Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic <hl> Dilys Powell <hl> was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.


Question: Which TV film Spielberg directed played off 'The Exorcist'?

Answer: Something Evil

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. <hl> Another TV film ( Something Evil ) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. <hl> He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (<hl> Something Evil <hl>) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

Another TV film ( <hl> Something Evil <hl> ) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film.


Question: Who starred in 'Savage'/

Answer: Martin Landau

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. <hl> He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau . <hl> Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring <hl> Martin Landau <hl>. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release.

He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring <hl> Martin Landau <hl> .


Question: What film did Richard D. Zanuck and David Brown offer Steven Spielberg to direct?

Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss.

Answer: Jaws

<hl> Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws , a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. <hl> Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss.

Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for <hl> Jaws <hl>, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss.

Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for <hl> Jaws <hl> , a thriller-horror film based on the Peter Benchley novel about an enormous killer shark.


Question: Why was Jaws nearly shut down?

Answer: delays and budget over-runs

Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. <hl> Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs . <hl> But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss.

Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to <hl> delays and budget over-runs <hl>. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss.

Despite the film's ultimate, enormous success, it was nearly shut down due to <hl> delays and budget over-runs <hl> .


Question: How many Academy Awards did the film "Jaws" win?

Answer: three

Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. <hl> It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. <hl> It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss.

Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning <hl> three <hl> Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss.