answer: Amazon
paragraph_question: question: Where can I find book with excellent review?, context: Wow. I didn't intend to read Gillian Flynn's Gone Girl when I did. Two other books sat on the top of the reading pile, begging for a thorough read, the Amazon reader review thing, and so on. But one dark day, I needed a book with an edge to it, and having peeked at a sample page of Gone Girl already, I knew where to find that edge.Gone Girl is the story of Nick and Amy, a seemingly perfect couple to anyone looking in from the outside. But at the start of the book, on the couple's fifth anniversary, when Nick comes home to a ransacked living room and a missing wife, the marriage has already deteriorated to a far from perfect state. Talk about your love hate relationship. Nick and Amy have one in spades at this point - mostly hate, but with love so excruciatingly painted around the edges you can't imagine a better combination.Nick's clumsy handling of himself during the police investigation and an accumulating, increasingly-damning pile of evidence soon point the finger at him as the murderer. We, the readers, don't know whether he is one or not, even though we've been reading most passages from his first person point of view.So is he or isn't he? I won't spoil it. Let me instead touch on two compelling aspects of this novel. First, Gillian's voice is one that many writers would kill for (bad pun, I know). Through the first half of the book she alternates her passages from Nick's point of view (written in a Jess Walter voice, and you never think for one second that hmmm this is a woman trying to write from a man's POV), and Amy's point of view as found in diary entries written before the climactic murder or abduction or whatever actually happened (because I still refuse to tell). Amy's voice is much different than Nick's and I love that. She's brilliant and has a fascinating perceptiveness about each of those many people who just can't help but revolve around her irresistible gravitational force.The other can't-put-it-down aspect of this novel is the quick pacing both before and after a sudden switch in plot halfway through. By that point, as a reader, you think you know the whole story and how it will all end, and you can't imagine what the second half of the book will be for.  Why isn't this a novella? What's coming next?What's coming next is motive, and true circumstances, plans going awry, plans being reshaped, and a remarkable elevation of compromise to an art form.I loved this book.Joe 
sentence: Two other books sat on the top of the reading pile, begging for a thorough read, the Amazon reader review thing, and so on.
paragraph: Wow. I didn't intend to read Gillian Flynn's Gone Girl when I did. Two other books sat on the top of the reading pile, begging for a thorough read, the Amazon reader review thing, and so on. But one dark day, I needed a book with an edge to it, and having peeked at a sample page of Gone Girl already, I knew where to find that edge.Gone Girl is the story of Nick and Amy, a seemingly perfect couple to anyone looking in from the outside. But at the start of the book, on the couple's fifth anniversary, when Nick comes home to a ransacked living room and a missing wife, the marriage has already deteriorated to a far from perfect state. Talk about your love hate relationship. Nick and Amy have one in spades at this point - mostly hate, but with love so excruciatingly painted around the edges you can't imagine a better combination.Nick's clumsy handling of himself during the police investigation and an accumulating, increasingly-damning pile of evidence soon point the finger at him as the murderer. We, the readers, don't know whether he is one or not, even though we've been reading most passages from his first person point of view.So is he or isn't he? I won't spoil it. Let me instead touch on two compelling aspects of this novel. First, Gillian's voice is one that many writers would kill for (bad pun, I know). Through the first half of the book she alternates her passages from Nick's point of view (written in a Jess Walter voice, and you never think for one second that hmmm this is a woman trying to write from a man's POV), and Amy's point of view as found in diary entries written before the climactic murder or abduction or whatever actually happened (because I still refuse to tell). Amy's voice is much different than Nick's and I love that. She's brilliant and has a fascinating perceptiveness about each of those many people who just can't help but revolve around her irresistible gravitational force.The other can't-put-it-down aspect of this novel is the quick pacing both before and after a sudden switch in plot halfway through. By that point, as a reader, you think you know the whole story and how it will all end, and you can't imagine what the second half of the book will be for.  Why isn't this a novella? What's coming next?What's coming next is motive, and true circumstances, plans going awry, plans being reshaped, and a remarkable elevation of compromise to an art form.I loved this book.Joe 
sentence_answer: Two other books sat on the top of the reading pile, begging for a thorough read, the <hl> Amazon <hl> reader review thing, and so on.
paragraph_answer: Wow. I didn't intend to read Gillian Flynn's Gone Girl when I did. Two other books sat on the top of the reading pile, begging for a thorough read, the <hl> Amazon <hl> reader review thing, and so on. But one dark day, I needed a book with an edge to it, and having peeked at a sample page of Gone Girl already, I knew where to find that edge.Gone Girl is the story of Nick and Amy, a seemingly perfect couple to anyone looking in from the outside. But at the start of the book, on the couple's fifth anniversary, when Nick comes home to a ransacked living room and a missing wife, the marriage has already deteriorated to a far from perfect state. Talk about your love hate relationship. Nick and Amy have one in spades at this point - mostly hate, but with love so excruciatingly painted around the edges you can't imagine a better combination.Nick's clumsy handling of himself during the police investigation and an accumulating, increasingly-damning pile of evidence soon point the finger at him as the murderer. We, the readers, don't know whether he is one or not, even though we've been reading most passages from his first person point of view.So is he or isn't he? I won't spoil it. Let me instead touch on two compelling aspects of this novel. First, Gillian's voice is one that many writers would kill for (bad pun, I know). Through the first half of the book she alternates her passages from Nick's point of view (written in a Jess Walter voice, and you never think for one second that hmmm this is a woman trying to write from a man's POV), and Amy's point of view as found in diary entries written before the climactic murder or abduction or whatever actually happened (because I still refuse to tell). Amy's voice is much different than Nick's and I love that. She's brilliant and has a fascinating perceptiveness about each of those many people who just can't help but revolve around her irresistible gravitational force.The other can't-put-it-down aspect of this novel is the quick pacing both before and after a sudden switch in plot halfway through. By that point, as a reader, you think you know the whole story and how it will all end, and you can't imagine what the second half of the book will be for. Why isn't this a novella? What's coming next?What's coming next is motive, and true circumstances, plans going awry, plans being reshaped, and a remarkable elevation of compromise to an art form.I loved this book.Joe 
paragraph_sentence: Wow. I didn't intend to read Gillian Flynn's Gone Girl when I did. <hl> Two other books sat on the top of the reading pile, begging for a thorough read, the Amazon reader review thing, and so on. <hl> But one dark day, I needed a book with an edge to it, and having peeked at a sample page of Gone Girl already, I knew where to find that edge. Gone Girl is the story of Nick and Amy, a seemingly perfect couple to anyone looking in from the outside. But at the start of the book, on the couple's fifth anniversary, when Nick comes home to a ransacked living room and a missing wife, the marriage has already deteriorated to a far from perfect state. Talk about your love hate relationship. Nick and Amy have one in spades at this point - mostly hate, but with love so excruciatingly painted around the edges you can't imagine a better combination. Nick's clumsy handling of himself during the police investigation and an accumulating, increasingly-damning pile of evidence soon point the finger at him as the murderer. We, the readers, don't know whether he is one or not, even though we've been reading most passages from his first person point of view. So is he or isn't he? I won't spoil it. Let me instead touch on two compelling aspects of this novel. First, Gillian's voice is one that many writers would kill for (bad pun, I know). Through the first half of the book she alternates her passages from Nick's point of view (written in a Jess Walter voice, and you never think for one second that hmmm this is a woman trying to write from a man's POV), and Amy's point of view as found in diary entries written before the climactic murder or abduction or whatever actually happened (because I still refuse to tell). Amy's voice is much different than Nick's and I love that. She's brilliant and has a fascinating perceptiveness about each of those many people who just can't help but revolve around her irresistible gravitational force. The other can't-put-it-down aspect of this novel is the quick pacing both before and after a sudden switch in plot halfway through. By that point, as a reader, you think you know the whole story and how it will all end, and you can't imagine what the second half of the book will be for. Why isn't this a novella? What's coming next?What's coming next is motive, and true circumstances, plans going awry, plans being reshaped, and a remarkable elevation of compromise to an art form. I loved this book. Joe