answer: movies are primarily visual works of art
paragraph_question: question: How is the script?, context: FARGO is a modern classic of cinema.  Period.  One of the things that I enjoy most about the Coen brothers' movies is that they both understand their art form: movies are primarily visual works of art.  Many films forget this fact.  While the plot of FARGO is, in many ways, simple and somewhat predictable, the cinematography is amazing.  The blanket white landscapes that the Coen brothers paint gives the film the elegance of a black & white film with the beauty of a work in color.  The white makes the colors "pop" on the screen.FARGO introduces us to another one of William H. Macy's masterful performances.  He plays the perfect Everyman, someone who is absolutely despicable and, yet, manages to win our sympathy.  It is perfect because we see a glimmer of something in his sad existence that reminds us of our own.  He has been pushed around all of his life and one gets the feeling that the world would little remember him if he just fell off the face of the earth.  In a surprising act of agency, he hatches a scheme to accomplish two goals: to gouge his father-in-law for a lot of money (a man whom he has never earned respect) and to gain the necessary funds to fuel a business plan of his own.  The plot is simple: hire two men to kidnap his wife, collect the ransom money from his father-in-law, and give the henchman a fraction of the ransom in exchange for his wife back.  But in FARGO, as in life, the best laid plans of mice and men often go awry.  One thing after another goes wrong and the body count rises.In the end, FARGO is about following normal, everyday characters (the type William H. Macy was born to play) and placing them in ordinary (yet, at the same time, extraordinary) circumstances and seeing how the haphazardness of life plays with them.  Watch this film.  It is unforgettable. 
sentence:  One of the things that I enjoy most about the Coen brothers' movies is that they both understand their art form: movies are primarily visual works of art .
paragraph: FARGO is a modern classic of cinema.  Period.  One of the things that I enjoy most about the Coen brothers' movies is that they both understand their art form: movies are primarily visual works of art.  Many films forget this fact.  While the plot of FARGO is, in many ways, simple and somewhat predictable, the cinematography is amazing.  The blanket white landscapes that the Coen brothers paint gives the film the elegance of a black & white film with the beauty of a work in color.  The white makes the colors "pop" on the screen.FARGO introduces us to another one of William H. Macy's masterful performances.  He plays the perfect Everyman, someone who is absolutely despicable and, yet, manages to win our sympathy.  It is perfect because we see a glimmer of something in his sad existence that reminds us of our own.  He has been pushed around all of his life and one gets the feeling that the world would little remember him if he just fell off the face of the earth.  In a surprising act of agency, he hatches a scheme to accomplish two goals: to gouge his father-in-law for a lot of money (a man whom he has never earned respect) and to gain the necessary funds to fuel a business plan of his own.  The plot is simple: hire two men to kidnap his wife, collect the ransom money from his father-in-law, and give the henchman a fraction of the ransom in exchange for his wife back.  But in FARGO, as in life, the best laid plans of mice and men often go awry.  One thing after another goes wrong and the body count rises.In the end, FARGO is about following normal, everyday characters (the type William H. Macy was born to play) and placing them in ordinary (yet, at the same time, extraordinary) circumstances and seeing how the haphazardness of life plays with them.  Watch this film.  It is unforgettable. 
sentence_answer:  One of the things that I enjoy most about the Coen brothers' movies is that they both understand their art form: <hl> movies are primarily visual works of art <hl> .
paragraph_answer: FARGO is a modern classic of cinema. Period. One of the things that I enjoy most about the Coen brothers' movies is that they both understand their art form: <hl> movies are primarily visual works of art <hl>. Many films forget this fact. While the plot of FARGO is, in many ways, simple and somewhat predictable, the cinematography is amazing. The blanket white landscapes that the Coen brothers paint gives the film the elegance of a black & white film with the beauty of a work in color. The white makes the colors "pop" on the screen.FARGO introduces us to another one of William H. Macy's masterful performances. He plays the perfect Everyman, someone who is absolutely despicable and, yet, manages to win our sympathy. It is perfect because we see a glimmer of something in his sad existence that reminds us of our own. He has been pushed around all of his life and one gets the feeling that the world would little remember him if he just fell off the face of the earth. In a surprising act of agency, he hatches a scheme to accomplish two goals: to gouge his father-in-law for a lot of money (a man whom he has never earned respect) and to gain the necessary funds to fuel a business plan of his own. The plot is simple: hire two men to kidnap his wife, collect the ransom money from his father-in-law, and give the henchman a fraction of the ransom in exchange for his wife back. But in FARGO, as in life, the best laid plans of mice and men often go awry. One thing after another goes wrong and the body count rises.In the end, FARGO is about following normal, everyday characters (the type William H. Macy was born to play) and placing them in ordinary (yet, at the same time, extraordinary) circumstances and seeing how the haphazardness of life plays with them. Watch this film. It is unforgettable. 
paragraph_sentence: FARGO is a modern classic of cinema. Period. <hl> One of the things that I enjoy most about the Coen brothers' movies is that they both understand their art form: movies are primarily visual works of art . <hl> Many films forget this fact. While the plot of FARGO is, in many ways, simple and somewhat predictable, the cinematography is amazing. The blanket white landscapes that the Coen brothers paint gives the film the elegance of a black & white film with the beauty of a work in color. The white makes the colors "pop" on the screen. FARGO introduces us to another one of William H. Macy's masterful performances. He plays the perfect Everyman, someone who is absolutely despicable and, yet, manages to win our sympathy. It is perfect because we see a glimmer of something in his sad existence that reminds us of our own. He has been pushed around all of his life and one gets the feeling that the world would little remember him if he just fell off the face of the earth. In a surprising act of agency, he hatches a scheme to accomplish two goals: to gouge his father-in-law for a lot of money (a man whom he has never earned respect) and to gain the necessary funds to fuel a business plan of his own. The plot is simple: hire two men to kidnap his wife, collect the ransom money from his father-in-law, and give the henchman a fraction of the ransom in exchange for his wife back. But in FARGO, as in life, the best laid plans of mice and men often go awry. One thing after another goes wrong and the body count rises. In the end, FARGO is about following normal, everyday characters (the type William H. Macy was born to play) and placing them in ordinary (yet, at the same time, extraordinary) circumstances and seeing how the haphazardness of life plays with them. Watch this film. It is unforgettable.