answer: The Dark Knight is the sequel to director
paragraph_question: question: How is the act?, context: The Dark Knight is the sequel to director Christopher Nolan's outstanding and uplifting Batman Begins.  The depiction of the story in a gritty urban millieu gives it much greater gravitas than the standard superhero film. At times, it feels like one is watching a legal procedural drama like Law and Order. The Dark Knight acts chiefly as a showcase for the Joker character, played by the late Heath Ledger.  Ledger's performance is solid, but the other characters are ill-served by a script that places them firmly in supporting roles.  After awhile, the omnipotence (and omnipresence) of the Joker in this long film becomes truly annoying. He seems to be everywhere, planting hundreds of fifty-gallon drums of gasoline and fuses faster than Batman and the police can react.  The film also suffers the "two-villain syndrome" of most Batman features; attorney Harvey Dent is an integral part of the plot, but his Two-Face alter-ego is a late afterthought.  Two-Face's skeletal half-face is certain to traumatize impressionable children long afterwards. After the Joker has killed, corrupted, or defamed everyone in the film, one walks out of the theater numbly depressed; "Why did I pay to go through this?"  Good question. 
sentence: The Dark Knight is the sequel to director Christopher Nolan's outstanding and uplifting Batman Begins.
paragraph: The Dark Knight is the sequel to director Christopher Nolan's outstanding and uplifting Batman Begins.  The depiction of the story in a gritty urban millieu gives it much greater gravitas than the standard superhero film. At times, it feels like one is watching a legal procedural drama like Law and Order. The Dark Knight acts chiefly as a showcase for the Joker character, played by the late Heath Ledger.  Ledger's performance is solid, but the other characters are ill-served by a script that places them firmly in supporting roles.  After awhile, the omnipotence (and omnipresence) of the Joker in this long film becomes truly annoying. He seems to be everywhere, planting hundreds of fifty-gallon drums of gasoline and fuses faster than Batman and the police can react.  The film also suffers the "two-villain syndrome" of most Batman features; attorney Harvey Dent is an integral part of the plot, but his Two-Face alter-ego is a late afterthought.  Two-Face's skeletal half-face is certain to traumatize impressionable children long afterwards. After the Joker has killed, corrupted, or defamed everyone in the film, one walks out of the theater numbly depressed; "Why did I pay to go through this?"  Good question. 
sentence_answer: <hl> The Dark Knight is the sequel to director <hl> Christopher Nolan's outstanding and uplifting Batman Begins.
paragraph_answer: <hl> The Dark Knight is the sequel to director <hl> Christopher Nolan's outstanding and uplifting Batman Begins. The depiction of the story in a gritty urban millieu gives it much greater gravitas than the standard superhero film. At times, it feels like one is watching a legal procedural drama like Law and Order. The Dark Knight acts chiefly as a showcase for the Joker character, played by the late Heath Ledger. Ledger's performance is solid, but the other characters are ill-served by a script that places them firmly in supporting roles. After awhile, the omnipotence (and omnipresence) of the Joker in this long film becomes truly annoying. He seems to be everywhere, planting hundreds of fifty-gallon drums of gasoline and fuses faster than Batman and the police can react. The film also suffers the "two-villain syndrome" of most Batman features; attorney Harvey Dent is an integral part of the plot, but his Two-Face alter-ego is a late afterthought. Two-Face's skeletal half-face is certain to traumatize impressionable children long afterwards. After the Joker has killed, corrupted, or defamed everyone in the film, one walks out of the theater numbly depressed; "Why did I pay to go through this?" Good question. 
paragraph_sentence: <hl> The Dark Knight is the sequel to director Christopher Nolan's outstanding and uplifting Batman Begins. <hl> The depiction of the story in a gritty urban millieu gives it much greater gravitas than the standard superhero film. At times, it feels like one is watching a legal procedural drama like Law and Order. The Dark Knight acts chiefly as a showcase for the Joker character, played by the late Heath Ledger. Ledger's performance is solid, but the other characters are ill-served by a script that places them firmly in supporting roles. After awhile, the omnipotence (and omnipresence) of the Joker in this long film becomes truly annoying. He seems to be everywhere, planting hundreds of fifty-gallon drums of gasoline and fuses faster than Batman and the police can react. The film also suffers the "two-villain syndrome" of most Batman features; attorney Harvey Dent is an integral part of the plot, but his Two-Face alter-ego is a late afterthought. Two-Face's skeletal half-face is certain to traumatize impressionable children long afterwards. After the Joker has killed, corrupted, or defamed everyone in the film, one walks out of the theater numbly depressed; "Why did I pay to go through this?" Good question.