answer: image quality that will blow most consumer
paragraph_question: question: How quality is the photo pictures?, context: Have a Nikon DX DSLR?  Then you need this lens in your collection.  Period.  Don't debate it any longer, just do it.This is a wonderful little lens that will give you levels of sharpness, color, and image quality that will blow most consumer (non-f2.8) zooms out of the water.  If all you've ever used are f3.5-fwhatever zoom lenses, you're in for a real treat with this lens.  AF is as fast as any other Nikkor AF-S lens, and the fast f1.8 grabs shots in low light that will blow your mind.Of course, it's just a fixed 35mm.  A prime.  So if you've fallen into 'composure-apathy' that can come from owning a zoom lens, you're going to have to use to learn to to use your feet and actually think about composure a bit.  You've got to walk.  Get close.  Step back.  Think. Compose. Shoot.  It's more work, but the rewards can be magnificent.Lenses are tools.  'Kit' zooms are like a good folding pocket knife; a set of little screwdrivers, a couple of knives, maybe a saw, maybe some scissors, a nail file, etc.  Nice little tools that can come in handy in many situations.  Throw it in your pocket and go.  But when you need a good screwdriver to remove a stubborn screw, or you need to chop down a tree, or remove the engine from a '67 Mustang, that pocket knife isn't the best choice.  A prime lens is like a perfectly weighted and well-made single-purpose tool.  A solid screwdriver.  A perfectly balanced pair of pliers.  A well-engineered ratchet.  It's simple, it's basic, and it's a joy to use.And that's the simple elegance to using a prime lens.Lenses like this and the 50mm f1.8 are small and light.  They barely add anything to the weight and bulk of just the camera body itself, especially if it's a higher-level Nikkor DSLR (D90, D300s).  It's just effortless.  Compared to some of the heavier zooms (16-85, 18-105, 18-200), it'll make your camera feel weightless.  Fantastic for all-day wandering-around photography, assuming you don't need serious wide-angle or serious telephoto.However, this lens is a 'gateway drug'.  It and the 50mm f1.8 both fall into this category.  The low price and amazing IQ hooks you.  ;-)  Use it for a while, and you'll begin to want *all* of your glass to be fast f2.8 (or better), rather than the slow 'consumer' level variable aperture lenses.  And that can quickly become an expensive proposition. :) 
question: How quality is the photo pictures?
sentence: This is a wonderful little lens that will give you levels of sharpness, color, and image quality that will blow most consumer (non-f2.8) zooms out of the water.
paragraph: Have a Nikon DX DSLR?  Then you need this lens in your collection.  Period.  Don't debate it any longer, just do it.This is a wonderful little lens that will give you levels of sharpness, color, and image quality that will blow most consumer (non-f2.8) zooms out of the water.  If all you've ever used are f3.5-fwhatever zoom lenses, you're in for a real treat with this lens.  AF is as fast as any other Nikkor AF-S lens, and the fast f1.8 grabs shots in low light that will blow your mind.Of course, it's just a fixed 35mm.  A prime.  So if you've fallen into 'composure-apathy' that can come from owning a zoom lens, you're going to have to use to learn to to use your feet and actually think about composure a bit.  You've got to walk.  Get close.  Step back.  Think. Compose. Shoot.  It's more work, but the rewards can be magnificent.Lenses are tools.  'Kit' zooms are like a good folding pocket knife; a set of little screwdrivers, a couple of knives, maybe a saw, maybe some scissors, a nail file, etc.  Nice little tools that can come in handy in many situations.  Throw it in your pocket and go.  But when you need a good screwdriver to remove a stubborn screw, or you need to chop down a tree, or remove the engine from a '67 Mustang, that pocket knife isn't the best choice.  A prime lens is like a perfectly weighted and well-made single-purpose tool.  A solid screwdriver.  A perfectly balanced pair of pliers.  A well-engineered ratchet.  It's simple, it's basic, and it's a joy to use.And that's the simple elegance to using a prime lens.Lenses like this and the 50mm f1.8 are small and light.  They barely add anything to the weight and bulk of just the camera body itself, especially if it's a higher-level Nikkor DSLR (D90, D300s).  It's just effortless.  Compared to some of the heavier zooms (16-85, 18-105, 18-200), it'll make your camera feel weightless.  Fantastic for all-day wandering-around photography, assuming you don't need serious wide-angle or serious telephoto.However, this lens is a 'gateway drug'.  It and the 50mm f1.8 both fall into this category.  The low price and amazing IQ hooks you.  ;-)  Use it for a while, and you'll begin to want *all* of your glass to be fast f2.8 (or better), rather than the slow 'consumer' level variable aperture lenses.  And that can quickly become an expensive proposition. :) 
sentence_answer: This is a wonderful little lens that will give you levels of sharpness, color, and <hl> image quality that will blow most consumer <hl> (non-f2.8) zooms out of the water.
paragraph_answer: Have a Nikon DX DSLR? Then you need this lens in your collection. Period. Don't debate it any longer, just do it.This is a wonderful little lens that will give you levels of sharpness, color, and <hl> image quality that will blow most consumer <hl> (non-f2.8) zooms out of the water. If all you've ever used are f3.5-fwhatever zoom lenses, you're in for a real treat with this lens. AF is as fast as any other Nikkor AF-S lens, and the fast f1.8 grabs shots in low light that will blow your mind.Of course, it's just a fixed 35mm. A prime. So if you've fallen into 'composure-apathy' that can come from owning a zoom lens, you're going to have to use to learn to to use your feet and actually think about composure a bit. You've got to walk. Get close. Step back. Think. Compose. Shoot. It's more work, but the rewards can be magnificent.Lenses are tools. 'Kit' zooms are like a good folding pocket knife; a set of little screwdrivers, a couple of knives, maybe a saw, maybe some scissors, a nail file, etc. Nice little tools that can come in handy in many situations. Throw it in your pocket and go. But when you need a good screwdriver to remove a stubborn screw, or you need to chop down a tree, or remove the engine from a '67 Mustang, that pocket knife isn't the best choice. A prime lens is like a perfectly weighted and well-made single-purpose tool. A solid screwdriver. A perfectly balanced pair of pliers. A well-engineered ratchet. It's simple, it's basic, and it's a joy to use.And that's the simple elegance to using a prime lens.Lenses like this and the 50mm f1.8 are small and light. They barely add anything to the weight and bulk of just the camera body itself, especially if it's a higher-level Nikkor DSLR (D90, D300s). It's just effortless. Compared to some of the heavier zooms (16-85, 18-105, 18-200), it'll make your camera feel weightless. Fantastic for all-day wandering-around photography, assuming you don't need serious wide-angle or serious telephoto.However, this lens is a 'gateway drug'. It and the 50mm f1.8 both fall into this category. The low price and amazing IQ hooks you. ;-) Use it for a while, and you'll begin to want *all* of your glass to be fast f2.8 (or better), rather than the slow 'consumer' level variable aperture lenses. And that can quickly become an expensive proposition. :) 
paragraph_sentence: Have a Nikon DX DSLR? Then you need this lens in your collection. Period. Don't debate it any longer, just do it. <hl> This is a wonderful little lens that will give you levels of sharpness, color, and image quality that will blow most consumer (non-f2.8) zooms out of the water. <hl> If all you've ever used are f3.5-fwhatever zoom lenses, you're in for a real treat with this lens. AF is as fast as any other Nikkor AF-S lens, and the fast f1.8 grabs shots in low light that will blow your mind. Of course, it's just a fixed 35mm. A prime. So if you've fallen into 'composure-apathy' that can come from owning a zoom lens, you're going to have to use to learn to to use your feet and actually think about composure a bit. You've got to walk. Get close. Step back. Think. Compose. Shoot. It's more work, but the rewards can be magnificent. Lenses are tools. 'Kit' zooms are like a good folding pocket knife; a set of little screwdrivers, a couple of knives, maybe a saw, maybe some scissors, a nail file, etc. Nice little tools that can come in handy in many situations. Throw it in your pocket and go. But when you need a good screwdriver to remove a stubborn screw, or you need to chop down a tree, or remove the engine from a '67 Mustang, that pocket knife isn't the best choice. A prime lens is like a perfectly weighted and well-made single-purpose tool. A solid screwdriver. A perfectly balanced pair of pliers. A well-engineered ratchet. It's simple, it's basic, and it's a joy to use. And that's the simple elegance to using a prime lens. Lenses like this and the 50mm f1.8 are small and light. They barely add anything to the weight and bulk of just the camera body itself, especially if it's a higher-level Nikkor DSLR (D90, D300s). It's just effortless. Compared to some of the heavier zooms (16-85, 18-105, 18-200), it'll make your camera feel weightless. Fantastic for all-day wandering-around photography, assuming you don't need serious wide-angle or serious telephoto. However, this lens is a 'gateway drug'. It and the 50mm f1.8 both fall into this category. The low price and amazing IQ hooks you. ;-) Use it for a while, and you'll begin to want *all* of your glass to be fast f2.8 (or better), rather than the slow 'consumer' level variable aperture lenses. And that can quickly become an expensive proposition. :)