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Best Paint For Exterior Wood Railings. This is why i recommend a good quality brush to minimize strokes. Our top 5 paint for porch railings.
It helps to preserve your wood longer and gives a clean and colorful appearance to wood railings. Ask a clerk at the hardware store to suggest a good wood caulk for exterior use. Best paint for wood 2021:
Valspar 1533 Porch And Floor Latex Satin Enamel.
We researched the top exterior paints available today, evaluating ease of application and maintenance, formulation, and value. Read until the end for tips on safely painting metal railings. What is the best paint for deck railings?
I Did Detach The Single Hand Rail On The Right Wall.
I mean, will really last and still look good after several years. You need to consider some factors before you begin, however. It makes your wood splinter proof, is easy to clean, and comes in 50 colors.
This Product Is The Best Especially For Exterior Wood Surfaces Above The Waterline, Such As Trim, Railings And Wood Furniture Kilz Exterior Siding, Fence, And Barn Paint.
You can apply hammerite to bare metal without the need of a separate primer. The best paint to use. Best paint for wood 2021:
By Karianne Wood, Featured On Thistlewood Farms.
Kilz exterior siding, fence, and barn paint. Wooden railings that have been improperly painted or painted long ago may be loose and have gaps between the spindles and railings. This is why i recommend a good quality brush to minimize strokes.
The Great Thing Is, It Won’t Cost You A Penny More!
However, in case, you choose a paint that does not include priming qualities, you should buy a separate primer and use it before painting. Your railings will last a long time because you must properly prep them. After living in the insane heat/sun of east texas, i have learned the hard way what paints are pretty much a waste of.


Saturday, June 27, 2009
"Cloudy Morning on a Ficus" and "Ficus on a Cloudy Morning"
These two paintings, each on approximately 20"x24" shellacked hardwood boards, are my two takes on the same morning scene. On the left, I painted the sky, then outlined the tree limbs. On the right, I painted the tree limbs. There are bits of green and glimmers of light in each, in honor of the courageous acts of those who speak out, everywhere, despite great peril to themselves.


3 Star of David ornaments with dove of peace
hand painted and one of a kind
note: each one is reversible (that is why there is a side-by-side view)
available through the holiday season in my Etsy shop
also available year-round in my Artfire shop (if they haven't sold)
I actually made these in 2011, but am listing them for the first time on-line.
They are painted with acrylic paints (each have a coating of poly to protect them).


How to paint wood, a guide.
This is a guide on how to paint wood. How to paint wood? It’s a straight forward question with a few different answers. It depends on the type of wood and where it is, for example wood on the outside of your home will be painted a little differently than wood on the inside of your home, with different paints. The reason for this is because exterior wood has to stand up to the elements. If you want to know how to paint wood that is new and unpainted or previously painted wood then keep reading!
First you’ll need some tools:
- Paint brushes, a good quality paint brush and a small cheap throw away brush
- Paint kettle/paint container
- Sanding block
- Sandpaper – grades 100, 120, 150, 220
- Dust brush
- Paint stirring stick
- Clean rag
- Caulk gun/mastic gun
- Filling knives
- Masking tape
- Drop sheets, paint sheets or newspapers
- Flat head screwdriver
Before you start to paint new wood, you should prepare the area for painting first. If you are painting skirting boards then use the masking tape to neatly cover the ground right beside the base the skirting board. The same goes for any other area where there is a chance you might get some paint on a wall, carpet or anything else you’d like to keep free from paint. Then place the paint sheet or newspapers on the ground to protect the floor from paint drops or spills.
Materials you will need:
- Bottle of knotting (or B-I-N primer)
- White spirits
- wood filler
- Wood primer
- Finish coat i.e. gloss, satinwood or eggshell finish.
If you want to use water based paint for your finish then its best to use water based primer and undercoat too. If you are using oil or spirit based paint for the finish then you can use either oil based undercoat or water based undercoat.
How to paint wood that is bare:
- Pour some knotting into a paint kettle/container and using the cheap brush apply the knotting to all the knots in the wood. Its best practice to give 2 coats of knotting. If you skip this step you will regret it later on. If you paint new wood without treating the knots, then the knots will start seeping sap through your finish. This can take a few months but will happen and will look like brown stains (alternatively you can use Zinsser B-I-N primer to cover the knots, this a more expensive option but has the benefit of drying out really quickly. If you are in a hurry and cost isn’t an issue then use the B-I-N primer as you can apply 2 coats of B-I-N, a water based undercoat and a water based topcoat in a single day!).
- Use the flat head screwdriver to open the tin of wood primer. Give the primer a good stir before pouring a small amount into a clean paint kettle/container. Using the good paint brush, apply the primer to the wood in small amounts and work the paint into the wood. It doesn’t really matter too much how the paint goes on but once on lay the paint off in the same direction as the grain in the wood. Laying off means to use one long light stroke on the paint to ensure that you don’t get stop start strokes once the paint has dried.
- When the primer has dried get some sandpaper and give the surface a rub down to make smooth. The roughness of the wood will dictate which grade of paper to use. If it’s quite hairy then uses the 100 grade, otherwise the 150 grade sandpaper will do.
- Use the wood filler and filling kives to fill any holes that you can find. Once the filler is dry sand it back smoth. Repeat this if you need to.
- Dust the wood down then wipe it with a damp cloth. If you are using an oil based paint then instead of a damp cloth use some white spirits on a clean rag.
- Open up the tin of undercoat and give it a stir before using. Use the same technique for applying the undercoat as you used with the primer.
- Once dry, give the undercoat a rub down with the 220 grade sandpaper before cleaning with the rag again. If you want a nice smooth finish then sand between each coat of paint. This is how to paint wood like a pro.
- Give the wood another undercoat. Repeat step 6.
- Use the caulk to fill and gaps between the wood and the wall e.g. the top of a skirting board or the side of a door fram should be caulked where the wood meets the wall. Caulk the lenght of the board then using a wet finger run the caulk in to the gap. Then wipe off any excess caulk with a damp rag
- Open up your tin of finish. If you are using a gloss then one coat should be fine for a finish. If using satinwood or eggshell then apply 2 coats for best results. Make sure to rub down between coats. The finish coat will take longer to dry than the undercoat or primer. Make sure not to use to much paint at this stage because it will drip or sag if there’s a lot applied. Just use a small amount of finish and really work it in before laying it off.
If you are using a water based paint instead oil based then you can apply more paint without it sagging. A good tip for using water based paints is to slightly dampen the surface you are about to paint with a damp rag. This helps the paint flow a lot better and keeps it wet a little longer which will help you get a nice finish
That’s how to paint wood that’s new or bare and if you follow these instructions then you should get a nice smooth finish.
If you are painting wood outside then keep an eye on the weather, if it rains on your finish coat you’ll have to redo it. If it’s too cold the paint won’t dry properly.
How to paint wood that has been previously painted:
This can be slightly easier or harder than new wood depending on how well it was painted previously.
Materials you will need:
- Bin primer
- White spirits
- Wood primer (aluminium wood primer for hard wood)
- wood filler or 2 pack wood filler for exterior wood
- Finish coat i.e. gloss, satinwood or eggshell finish
The process is the same as used for painting new wood. The only real difference is in the preparation.
- First give the paint a good clean & rub down with the sandpaper. Make sure to sand out any old drips
- Dust and wipe down the surface.
- If there are knots bleeding through the paint then apply a coat of bin primer. This will stop the knots bleeding again in the future.
- Touch up any bare wood with the wood primer
- Fill any holes with the wood filler and sand back.
- From this point on follow steps 5-10 of painting new wood
That’s how to paint wood that’s been painted before.
How to paint wood – Tips.
- Always start at the top and work your way down.
- When painting panel doors always paint the panels first.
- When painting doors, frames, window boards, skirting boards and any other type of wood at the same time make sure to separate the paint into 2 batches. 1 batch for the skirting boards and the other batch for everything else. The reason for this is because there’s a good chance when painting skirting boards your paint brush will pick up some dust and contaminate the paint. If you then use this paint on doors etc. the dust will ruin your finish.
- The better the brush the better the finish.
- For water based paints slightly dampen the surface first just before you paint.


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ArtMatters Presents . . . Marc Chagall (YP)
April 12, 2016 @ 2:00 PM - 3:00 PM
Marc Chagall merged traditional images from his Russian Jewish background with the modern styles of Cubism and Fauvism. His paintings portray fables of love, nightmares of war, and soul-refreshing humor. Join us for a look at the life and work of one of history’s most versatile artists.


How to Get Rid of Old Paint in New York
Trying to dispose of your old paint? GreenSheen recycles paint for free.
You can drop your old paint off for free at:
1470 Rotterdam Industrial Park – Building 14 Bay 7
Rotterdam, NY 12306
Paint drop off is from 8 AM to 4:30 PM Monday – Friday. We can take any amount of paint from households and businesses. All New York state residents are welcome to use this drop off location.
We accept: oil-based, acrylic, latex, stains, shellacs, lacquers, sealers, varnishes, and urethanes.
We do not accept: spray paint, paint thinner, solvents, cleansing agents, adhesives, or roof patch.
Frequently Asked Questions:
What kind of paint can you recycle?
At this time we take oil-based, acrylic, latex, stains, shellacs, lacquers, sealers, varnishes, and urethanes.
How much paint can I drop off?
There is no limit to how much paint you can drop off.
What does GreenSheen do with my paint?
GreenSheen runs your old paint through a process that turns it into high-quality recycled paint, that can then be reused.
How much does it cost?
This program is 100% free.
When can I drop off my paint?
Paint can be dropped off from 8 AM to 4:30 PM Monday – Friday.


- Handmade item
- Materials: glass, oil pastel, vintage wooden frame, paper, ink, mounts
- Feedback: 17 reviews
- Ships worldwide from Newtown, Wales
Red cardinal bird sitting on a branch with snow-covered purple berries around, pine trees on background against light blue sky, all in low yellow winter sunlight. Original art in oil pastels on paper.
Perfect for a winter present.
Approximately 25 x 32 x 1.5 cm with the frame.


Seven Brush Assorted Set
Sable Hair Brushes
Product Code: MP-7SAB
These brushes are ideal for painting all types of miniature models.
Many of the Warhammer / Foundry / Army Painter etc use fine sable hair brushes to create the desired effects and the top quality finish required.
The sizes are equivalent to the general sizes known as FINE DETAIL / DETAIL / STANDARD / BASECOAT / LARGE BRUSH / WASH BRUSH.
These brushes are made of sable and are of very high quality and use Nickel plated Brass ferrules. They point wonderfully well.
THE ASSORTED SET NOW INCLUDES A SIZE 2/0 (Ultra Fine Detail) for no extra cost!


Houzz is the new way to design your home.
849,064 painted cabinets Home Design Photos
long is the wall the sinks and cabinet are on?
Would you tell me the trim color used with this wall paint?
What color is the paint on the walls?
The paint color is Benjamin Moore - Deep Ochre #1048.
Paint Benjamin Moore - Deep Ochre #1048.
Paint color for the tv room
Paint for one of the rooms
paint color. love it
cabinet between sinks
Color of paint and decor
Deep Ochre 1048 Paint
Paint color...Bathroom cabinets...Like the paint...Living room paint...Bathroom paint...like paint color...bathroom cabinet...storage cabinet
Sterling Wilson Design
Could you please let me know the type & color of the paint? It's lovely.
colour of the walls - Benjamin Moore's Newburg green paint?
Drape color to go with blue cabinets
Love this color of paint! Possibility for Dom's room.
green walls & robin egg blue cabinet
cabinet for all the cristals
Like the paint color
dining room paint and ceiling
Benjamin Moore rainy afternoon paint
love the paint and curtains
paint for dining area
Rainy Afternoon 1575 Paint
Paint Color...room paint...Cabinet matches...Dining rooom paint...display cabinets
The home of Stella and Joeri
What is the paint colour called? Thank you :)
hi, can you tell me where you got the cabinet pulls? love the cabinetry
hi ...love the cabinets! what kind of wood is used?
What is the brand and paint color on the wall? Love the color.
Hi there, the cabinets were done by a company based in the Netherlands called Koak Design, that specializes in customizing Ikea kitchen cupboard fronts. These are made from solid oak. ... Here is a link to the home tour so you can see more: ... ... Holly
Hi there, the paint was purchased here
that as well. Is the paint heat and water resistant?
Hi there, The paint was purchased here in
in the Netherlands. The manufacturer is Histor and the color is: Zorgvuldig 2010-G50Y, Histor Compleet. UK paint company Little Greene has an equally lovely shade of green called 'Cupboard Green': ... Farrow & Ball do a lovely one too, called 'Cooking Apple Green': ... All the best! Holly
Creative Design Construction, Inc.
Traditional Kitchen with Contrasting Island and Hood
This is very beautiful! Could you let me know what color the wood cabinets are and if cherry/maple or something else? Thanks so much!
The lighter cabinets are Decora Maple with an Antique Bronze Finish.
Unfortunately, painting was not apart of our agreement so I do not have the information pertaining to wall color. Best of Luck!
cabinet door design, dark wood island and hood, w lighter floors
The color of the paint on the wall
Combo of wood and white cabinets, granite
contrasting island and carry over cabinet color to hood/stove
style rather than cabinets like the other pictures.
Oak flooring, stained range surround and bar, white cabinets
Liz Levin Interiors
Palladian Blue Paint | Benjamin Moore
Hi, I am about to choose cabinet color for our vanity. Love this color! Can you tell me what it is? Thanks!
Who makes the crystal knobs on the cabinets? Perfect touch
We painted our bathroom a similar blue. What color white paint did you use for the cabinets and trim?
What is the calming paint color of the walls....lovely bathroom!!
where can i get cabinets like the ones used in the pic
Cabinet color. Beautiful room? What is the cabinet color? perfect white, not too creamy or too cool
designer says the paint color is Benjamin Moore Palladian Blue.
Would love to know paint colour!
what color and paint is on the walls
Simple beautiful! what color of paint/ brand are the walls? I want to try and copy this exact look for our Master Bath. Are the floors marble? And the shower tile? Thank you so much in advance :)
What color are the cream cabinets? We are using dark walnut stain and I love how the painted cabinets look w
What color of stain was used on cabinets?
Love the stain color on the cabinets. Can you tell me the color and brand? Thank you
from another post: Linda McDougald Design | Postcard from Paris Home The tile below the cabinets is Glazed District Tile by Waterworks. ... January 13, 2014
Can you please provide the stain color on the cabinets
I like the symmetry achieved by the two tone cabinets and the built in
Dark walnut colored floors with walnut colored wood stained cabinets and painted ivory accent cabinets
dark cabinets with a couple of cream cabinets
Dark kitchen cabinets with built ins the cream color
Jennifer Worts Design Inc.
What white color are the cabinets painted? What stain was used on the center island. Thank you.
Who makes the gray cabinets. . . Such a great accent next to the white cabinets
Love the two toned upper cabinets, are they custom or a from a cabinet company, if so which one?
Trim color is the same of cabinets?
Is the trim and ceiling color the same as the cabinet color?
Did you match the stain of the island wood to the floor or just to the cabinet frames? We would like to add a bit of dark/grey hardwood but we like the darker espresso of the island and cabinet frames. Please let us know!
I swear to you this "exact" kitchen is on pg. 78 of the Summer 2014 Kitchen + Bath Ideas Better Homes and Gardens magazine. They state cabinets are from Ultracraft.com Glass with Cherry Chestnut frames in Beach White.
Case Design/Remodeling, Inc.
Case Design/Remodeling, Inc.
Who is the cabinet manufacturer? They look great!
Same countertop and cabinet....looking for a paint color
I do not want a tan color paint..any suggestions?? I have a dark wood floor
What is the brand name of paint did you
what color are the cabinets? Chocolate? Espresso? Wenge?
I'm looking for a corner base cabinet kind of like the one in this picture. however I'm having trouble finding this type of cabinet ready made. Is this custom
This looks great! Does cabinet above make it difficult to use sink?
hello what are the dimensions of the sink and the cabinet underneath it I am very much interested in the depth of it
angled corner cabinet and most cabinet lines ought to have this as a stock option. This photo does look a little unusual in that the corner looks smaller than a 45º angle. Might just be the camera lens used for the photo. If you need anything you cannot find stock, then a good cabinet maker can make


View In A Room
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Painting: Gouache on Cardboard.
The Stade Hastings. Fishing boat high and dry on the shingle. Painting, gouache on watercolor board.
Size: 22 W x 15 H x 0.4 in
Ships in a Box
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Artist featured by Saatchi Art in a collection


Studio 71 Bright Yellow-Green Acrylic Paint: 6.75 ounces
Product ID: 97858
Give your canvas vibrancy with this Studio 71 bright yellow-green acrylic paint. This flip-top 6.75-ounce tube offers a sizable supply, making it ideal for restocking your studio or crafting space.
Product Type: Acrylic Paints
Our Price: $3.17
1 bottle of acrylic paint per package.


ENGLISH LANDSCAPE PAINTING
ENGLISH ART MUSEUMS
English Landscape Painting (1700-1900)
The modern attitude to nature is so different from that of the eighteenth century that it is not easy for us to understand the prejudices against which the early English landscape-painters had to struggle. At the beginning of the century the very idea that the genre of pure landscape could be a fit subject for art was little more than a hundred years old, and the idea still lingered among persons of 'taste' that a landscape-painting must be dignified by some ostensible figure-subject.
ENGLISH FIGURATIVE PAINTING
The feeling for landscape was strongest in the north of Europe, especially in Flanders, and before the middle of the fifteenth century Van Eyck had painted landscape backgrounds which were as true in their sense of space, lighting, and atmosphere as anything that was produced in the next three hundred years, and it was in Flanders that pictures which approached to pure landscape were first painted. With the decline of religious enthusiasm the interest in the background grew, and some painters, notably Joachim Patenier, and members of the Danube school (1490-1540) in Bavaria and Austria, as well as Pieter Brueghel the Elder, reduced the scale of their figures to insignificance in relation to their landscape backgrounds. But it was not till the seventeenth century that landscape pure and simple really came into its own. In Protestant Holland, painters, looking for new subject-matter to replace the old devotional subjects, turned their attention to landscape, and a school of artists arose numbering among them Meindert Hobbema (1638-1709), Salomon van Ruysdael (1603-70), Aelbert Cuyp (1620-90), and Jacob van Ruisdael (1628-82), whose work helped to form the conventional English taste in the next century.
TOP PAINTERS IN
WORLD'S TOP PAINTERS
MODERN BRITISH PAINTING
of Classical Landscape Art in Italy
The Two Styles
of 18th Century Landscape Art
Samuel Scott, Charles
Their historical interest is great, for even more perhaps than Wilson and Gainsborough they were the founders of the English landscape school. Thomas Malton (1748-1804), Paul Sandby (1725-1809), MA Rooker (1743-1804), Edward Dayes (1763-1804), Thomas Hearne (1744-1817) are among the masters of this school whose work has a personality and refinement which repays careful study. The most important artist of all was J.R. Cozens, the son of Alexander Cozens, a water-colour painter, drawing-master, and writer on art.
Cozens's subjects, unlike those of most
of his contemporaries, are usually continental and represent scenes in
France, Italy, Switzerland, Sicily, and other countries. His colour is
entirely conventional, but he has a largeness and poetry of vision and
a sense of the 'genius loci' which make his drawings much more than topographical
records. His journeys abroad were mostly made in the company of travellers
who wished to have a record made of places which impressed them, and so
we may assume that his work was topographically accurate, and that his
subjects were sometimes chosen for him, but these cramping limitations
have left no mark on his work which is as free and unhampered as if he
never worked but to please himself. No one, not even Turner, has ever
given the grandeur and vastness of mountain scenery better than Cozens.
No one, not even Girtin, had a larger and more simple vision or extracted
more beauty from the character of his medium.
At about the same date JMW Turner and Thomas Girtin were just beginning to attract attention as promising young water-colourists, and they were destined to enlarge the boundaries of water-colour far beyond anything of which Cozens had dreamed, though not to surpass him within his own limits. Of the two, Turner lived till the middle of the nineteenth century, and the epoch-making developments of his genius belong to a later date, but Girtin belongs to the early English water-colour school, which reached its culmination in his work. Except for a series of views of Paris, executed shortly before his death, Girtin's subjects are entirely English, and he began in the simple timid manner of the topographical draughtsmen. He was a pupil of Edward Dayes, and was employed by Dr. Monro along with Turner, Varley, and other promising young artists, to make copies of water-colours by Gainsborough, Cozens, and other painters. Dr. Monro gave these young artists half a crown and their supper for an evening's work, and the arrangement was a happy one for both parties. The doctor certainly got his money's worth, and the young men acquired a knowledge and experience worth far more than their pay.
Thomas Girtin (1775-1802)
Some vestiges of earlier convention remain even in his latest work, and, though the range of his colour was so much amplified, he never became entirely naturalistic in this respect. With his death in 1802 the first period of English watercolour comes to an end. And in the new century painters dared to set down the raw, fresh brillance of nature's colour.
History does not as a rule divide itself
into neat lengths exactly coincident with the centuries, and in a sense
the period from William Hogarth to the death of JMW Turner is a single
stage of development. But this period does fall, very naturally, into
two parts, which correspond roughly with the last seventy-five years of
the eighteenth century and the first fifty years of the nineteenth. In
the first part the figure-painters, especially the portrait-painters,
are dominant, and landscape-painters are struggling for recognition; in
the second, landscape comes into its own, and in figure-painting there
is a general decline from the standards of Joshua Reynolds and
Turner, in contrast, learned from all his
predecessors by frank imitation - Claude, Nicolas Poussin, Richard Wilson,
Titian, Van de Velde, Peter Paul Rubens, Thomas Girtin, and John Crome,
he imitated in turn. Ambitious and jealous by nature, it seems that he
could not bear to feel that another could render any beauty of nature
better than himself. Each one he tackled on his own ground till he had
mastered him. Disguise after disguise he assumed and discarded before
the real Turner at length appeared.
That he ultimately succeeded in preserving it in larger pictures painted in the studio was probably due to the example of Rubens's great landscape, "The Chateau de Steen", now in the National Gallery, but then in the possession of Constable's friend Sir George Beaumont, the connoisseur and amateur painter. From the foreground, which is painted in conventional browns, he had nothing to learn, but the distance and sky must have been a revelation to him of how the sense of light, air, and movement could be recorded on a large scale. For his later pictures he made a full-sized sketch in oils, and then laid in the main masses of the finished picture in transparent monochrome in the Flemish manner, thus establishing the general effect of his picture before destroying the fresh surface of his canvas with solid paint. On this preparation he could work with something of the freedom of his first sketch from nature, and add to the general effect of light and shade the glancing flicker and gleam of light on grass, leaf, and stream which gave his pictures their astonishing freshness. He had a method, known in his own day as 'Constable's snow', of putting on solid touches of pure white, which caught and broke up the light which fell on the pictures. These touches were then glazed with transparent greens and other colours, and a brilliance of broken colour was produced which would have been impossible in opaque paint. The effect when freshly painted must have been startling, but something of its original freshness has now gone. The oils with which his glazes were diluted have yellowed with time, and consequently these touches, having lost their sparkle, tend to give rather a fussy appearance to many of his finished pictures. His sketches from nature and the large preliminary studies for his finished pictures (a magnificent specimen of which is "The Leaping Horse" in the Victoria and Albert Museum) have stood the test of time better, and it is in these that his genius can be best appreciated.
Nearly all later nineteenth-century landscape-painting
derives something from Constable's example, but his outlook and methods
have been more intensely studied and developed in France than in England.
In 1824, his "Hay Wain" (National Gallery) was exhibited at
the Paris Salon, where it created an immediate sensation and was awarded
a gold medal. The ultimate extent of his influence on French painting
is difficult to estimate, but it was certainly great, as has been generously
acknowledged by French artists, especially Delacroix, who spoke of him
as 'le pere de notre ecole de paysage'. His work was the direct precursor
of the Barbizon
school of landscape, and it paved the way for Impressionism
by the luminosity of its colour and loose broken touch. (See also: Impressionist
William Turner (1775-1851)
The immediate result of Turner's influence was not great, and his few imitators are of small account. Indirectly his influence has been far-reaching. The general raising of the pitch of colour in modern painting owes perhaps even more to him than to Constable. The affinities between his work and that of the French impressionists are obvious, and their debt to his work has been acknowledged, but that the brilliance of colour in the English Pre-Raphaelites also derived to some extent from him is seldom realized, but is almost certainly a fact. Through these two movements, so unlike one another in many ways, his influence has become part of the general heritage of modern painting, and artists to whom the name of Turner is anathema only paint as they do because he painted as he did.
The historical importance of his work is likely to become increasingly recognized with the passage of time. Even now his work is comparatively little known on the Continent, though many of his finest works have found their way to America. His work is scarcely represented in the great European galleries, and to many the name of Turner stands only for rather gaudily coloured sunsets. But when the full range of his stupendous genius becomes generally known his position among the great masters will be assured.
Other 19th Century
The subjects of his landscapes are mostly
French coast and river scenes, but in 1822 he visited Italy and painted
a group of pictures in Venice. The characteristics of his landscapes are
bright tone and colour, great clarity of atmosphere, and a most refined
and delicate handling of paint.
John Crome (1768-1821)
- The Norwich School of Landscape
He was in no way a revolutionary, but without extending the technical limitations of his predecessors he evolved an unmistakable style of his own as the result of his sincere study of nature. Wilson, Gainsborough, and Hobbema were his inspiration. For the art of Hobbema in particular he had a profound admiration, but it was really always nature that he loved, and the beauties which he found in Hobbema were largely of his own making. The quality of his art is difficult to put into words. It was poetical but quite unliterary. No other painter, unless it be Jean-Francois Millet, has conveyed so well the friendly strength of the earth and the things that grow from it. Compared to Crome most other painters seem flimsy and unreal, but the reality of his pictures does not depend on an accurate description of externals and an exact rendering of visual truth. Rather his pictures are records of mental reaction. From the ephemeral vision of the world he extracts the permanent essentials, and seems to paint things in themselves rather than effects on things. His art is filled with as deep a love of nature as Constable's, but it is of a different order. It may be put in this way: that while Constable loved the beauty of nature Crome loved nature itself. The subject-matter of his pictures often has little sensuous charm, but from it he distils an austere spiritual beauty which enshrines the quiet forces of nature and leaves us with a sense of the divinity in common things. In the oaks which he loved it is not their fresh greenness but their strength which he gives us, as in "The Poringland Oak" (National Gallery). In the "Mousehold Heath" (National Gallery), and in the "Slate Quarries" (Tate Gallery), he gives us the very substance and being of the earth. In his night-piece, "Moonlight on the Marshes of the Yare" (National Gallery), he renders a spare and naked truth beyond anything which Van der Neer achieved. But Crome does not always rise to these heights, and occasionally his love of Hobbema led him into a pettiness in the treatment of foliage, which was copied by his followers who could not enter into the real spirit of his genius.
The only other member of the Norwich school who can in any way rank with Crome is John Sell Cotman. The son of a linen-draper, he was at first put into his father's business, but soon showed so marked a talent for painting that his father consented to his going to London to study, about the year 1800. In 1807, he returned to Norwich and was elected a member of the Norwich Society of Artists. Later he moved to Yarmouth, where he became associated with Dawson Turner, whose archeological publications he illustrated with etchings, and in 1834 he returned to London and was appointed teacher of drawing in King's College School.
Much of Cotman's life was spent in the
teaching of drawing and painting, and the paintings which he has left
us were produced in the intervals of this wearying work, but they show
little of the tiredness which might be expected. Drawing and water-colour
painting were fashionable accomplishments, and much though one may regret
that the time of artists like Crome and Cotman should have been wasted
in this way, it is yet a fact that this demand for drawing-masters provided
a livelihood for artists which they could not otherwise have found, and
that in consequence the richness of the English school of landscape-painters
owes much to these amateurs. It was an age of great drawing-masters, and
the very fact that their living depended on their teaching rather than
their painting may have given them independence of outlook.
WJ Muller (1812-45)
De Wint, though his reputation to-day rests mainly on his water-colours, which will be considered later, was a fine painter in oils. His work in this medium is too often overlooked, but though inclined to be a little sombre and heavy in tone it has a fine and masculine sincerity, and if he had not painted in water-colours at all his oil-paintings would be enough to ensure him a position among the leading painters of his time. This side of his art is well represented in the Victoria and Albert Museum.
Other early 19th
Century Landscape Artists
John Martin (1789-1854) has a place of his own. Starting life as an heraldic-painter, he later devoted himself to imaginative landscapes of which "The Plains of Heaven" is a typical example. His work has some likeness to the more fantastic and melodramatic side of Turner's art, but though he had high aims they often led him into exaggeration and absurdity, and he cannot be regarded as much more than an interesting oddity. John Linnell (1792-1882) sometimes painted subjects of the same kind, as in "The Eve of the Deluge" and "The Disobedient Prophet", but his subjects were usually rural, and painted in brilliant if sometimes rather hot and unpleasant colours. Whatever his faults he had a distinct personality, and with Samuel Palmer, the water-colour painter, carried on the peculiar feeling of early nineteenth-century romanticism almost to the end of the century.
English School of Landscape Watercolourists
For details of European collections containing works by painters of the English Landscape school, see: Art Museums in Europe.
For more about the evolution of scenic painting, see: Homepage.
ENCYCLOPEDIA OF ART HISTORY


1. Students to make several large yellow oil pastel circles of various sizes on a sheet of watercolor paper. Next they draw with a blue oil pastel lots of curvy lines that go around all the yellow circles.
2. Students use blue liquid watercolor paint to “wash” the entire paper with the blue paint.
3. Each student takes a matching sheet of black paper, and with a white oil pastel, draws a sky line that stairsteps up and down to make a building silhouette. Lots of details should be added, like windows and doors.
4. Lastly, the black silhouette should be cut out and glued to the sky background.


I delight in playing with colour and light which give me the motivation to paint the familiar from my personal perspective. The bold application of colour over an intense underpainting is my approach to each canvas.
I've been influenced by the Impressionists, who first interpreted the familiar by making subtle artistic suggestions. My favoured subject matters range from spectacular vistas of seas and skies, lakes, rolling foothills and rugged mountains, to more gentle images of reflective water, wildflowers and still life.
During my travels from sea to sea to sea in Canada, and beyond, I have sketched and photographed the places I have been and the colours I have seen. These images, from the farm landscapes of my youth to the magnificent colours and shapes of the wider world provide ongoing inspiration for my paintings.Phyllis Anderson


Painting in National Palace Museum, Ming dynasty part2
Welcome to the National Palace Museum's collection of paintings from the Ming dynasty! Here, you can explore some of the most beautiful and intricate works of art from this period. We have a variety of different paintings on display here, including T'ao Ku Presenting a Lyric to Ch'in Jo-lan, Spring Dawn in the Han Palace, Flowers and Bamboo, Shady Trees in a Summer Landscape, Ducks Sleeping on a Lotus Bank, After the Line "Idly Watching Children Catch Willow Flowers", Returning Late from a Spring Outing, Plum Blossoms and Wild Bird and Enjoying Antiquities. These are all masterpieces that will provide you with an insight into Chinese culture during this time period. Come take a look at these incredible works of art today!
1. T'ao Ku Presenting a Lyric to Ch'in Jo-lan
T'ang Yin was a painter who studied under Chou Ch'en and copied the works of Sung masters. He had a talent for painting and was able to create a distinct personal style.
2. Spring Dawn in the Han Palace
Ch'iu Ying was born in T'ai-ts'ang, China. He later moved to Soochow to study painting under Chou Ch'en. He eventually became successful in his craft, to the point where his copies were indistinguishable from originals.
3. Flowers and Bamboo
Hsu Wei was a painter from Shan-ying, China. He was good at painting landscapes, figures, flowers, insects, bamboo, and stones. He was also good at calligraphy, poetry, and prose. He attempted suicide several times. He is one of the most eccentric figures in Chinese art history.
4. Shady Trees in a Summer Landscape
Tung Ch'i-ch'ang was a Chinese artist and art theorist who lived in the late Ming period. He was born in Hua-t'ing, near Shanghai, and became a civil service degree candidate in 1588.
5. Ducks Sleeping on a Lotus Bank
The painting "Four Geese on a Sand Bar" by Lu Chi is of four geese on a sand bar. Some people question the painting because the brushwork is not as strong as in other paintings by Lu Chi.
6. After the Line "Idly Watching Children Catch Willow Flowers"
Chou Ch'en, also known as Shun-ch'ing, was a Chinese painter who was born in Wu-chun in the modern day city of Soochow, Kiangsu.
7. Returning Late from a Spring Outing
Tai Chin was a painter who was born in Ch'ien-t'ang (modern Hangchow). He is said to have studied under local artists as a youth, and specialized in landscapes and figures. During the Hsuan-te reign (1426-1435), he was recommended for service at
8. Plum Blossoms and Wild Bird
Ch'en Hung-shou was a painter and calligrapher who lived during the Ming and Ch'ing dynasties. He was known for his paintings of figures, but he was also skilled at painting birds and flowers, landscapes, and grasses and insects.
9. Enjoying Antiquities
Tu Chin was a native of Tan-t'u, but later resided in Nanking. His style name was Chu-nan and his sobriquets were Ch'eng-chu and Ku-k'uang.


Safari Goofy - Neon
Safari Goofy - Neon (2021)
Dick Duerrstein Original Acrylic Painting on Canvas
Hand Signed by Duerrstein in paint - front bottom left
Hand Signed and Stamped by Dick Duerrstein on back,
30" x 30" Stretched Canvas on Wood
Just Acquired - Only one available.
This is the second dental themed painting in this new "Neon Paint" style by Duerrstein.
The colors are just popping with energy, on this very cool remake of the popular Safari Goofy limited edition giclee on canvas by Duerrstein back in 2009.


An Homage to Pablo Picasso
Limited Edition Print sublimation on metal
Edition size: 28
Size 25 x 20.8
This painting by Vladimir Kush is a paraphrase of the well-known work by Pablo Picasso entitled “Girl on the Ball,” painted in his blue period. There is an athlete and a girl balancing on a ball on the foreground of the painting. The athlete, in Picasso’s painting, symbolizes motionlessness and stability, while the girl is a symbol of life and flexibility.
The painting by Picasso is built on contrasts. The bluish-pink light in the background signifies a specific period of Picasso’s creative life. In essence, Pablo Picasso was sure that any physical body could be represented with planes and facets. This assurance was proven by the fact that the painting is a 2 dimensional plane, and everything else is an illusion. The outline of the horse in a pasture and the figure of the woman bystander with the child are lacking any volume and are slipping off the painting.
Kush brings back the 3 dimensional reality of color and shape and their significance in the painting. He establishes that the contradiction between such opposites like hard-stone and flexible-life is going much further then the postmodernist trick. The artist introduces a dramatic element. The girl balancing on the edge of a blade is, in essence, a person balancing on the edge of the abyss, turning the dangerous stunt into a game. The powerful athlete on the foreground has turned into a monument with vines growing over him. The sun revives the landscape while its rays shine as sharp blades. The flower leaning over the blade is an important symbol of life glorification.


A Russian painting possibly worth millions of dollars will be auctioned off April 13 in Moscow. Called the Black Square, the painting was created by one of Russia's most famous artists, Kasimir Malevich.
The Black Square looks exactly as the name describes it. A black square painted on a white canvas. A thin white frame holds the painting.
The square is an example of abstract art, which is characterized by shapes that do not necessarily look like anything recognizable. But to the painter, the objects represent something. The Russian artist Kasimir Malevich, who painted the Black Square, was at the forefront of this movement.
The painting was the centerpiece of a collection created during the early nineties by the Russian Inkombank. The bank later went bust, and the art collection is being auctioned off to pay bills.
But while someone may pay millions of dollars for the painting, many people just do not understand it. Georgy Nikich is a Moscow-based art critic who helped Inkombank acquire the painting. He describes a Russian security guard who worked at Inkombank and asked to see the much-talked about painting when it was first brought to the bank.
Mr. Nikich says the guard opened the specially-made carrying case holding the Black Square and gasped. His stunned expression seemed to say: "Who would want to steal this?"
Most of Malevich's work was done during the 1910s and 1920s before he died in 1935. Many of his pieces hang in Russian and international museums, including four other Black Square paintings almost identical to the one slated for auction.
Mr. Nikich suspects there are other Black Squares still to be discovered in Russia. And he says the bank nearly missed the opportunity to purchase this one.
Someone in the town of Samara called him and said he had a Kasimir Malevich painting called the Black Square. He simply laughed, thinking it was a joke. It was not until the second phone call that a group of experts went to Samara to look at the painting.
A man wearing a track suit walked in, holding a gym bag. The student did not look like a man who owned a million dollar painting. But when he pulled out the canvas and unrolled it, Mr. Nikich says he felt he was in the presence of greatness.
Relatives of Mr. Malevich hide it for years from thieves and from the Soviet authorities who hated his work.
Now finally out of hiding, it is expected to go for as much as six to seven million dollars. A lot of money, but less than it is probably worth.
This is because after the painting is purchased it must remain in Russia. According to Russian law, works of art that are culturally and historically important are usually not allowed to permanently leave the country.


Collin is a young boy with Autism who loves to draw. He explores different ways to paint and differentiate mediums of drawing. He follows different art activities with the support of his mother. Collins love for art can be seen in his drawings.
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Exterior Painting in Conshohocken, Pennsylvania
With the somewhat unpredictable and frequently humid climate in the Philadelphia area, understanding the weather is what makes Affordable Painting and Papering LLC stand out as a top painter in Conshohocken. It's important to choose a painting company that is familiar with the unique local weather conditions and will tailor their techniques accordingly. Affordable Painting and Papering LLC paints all types of exterior surfaces including siding, decks, and wood trim. Affordable Painting and Papering LLC employs experienced and skilled painters to paint exteriors in Conshohocken, Pennsylvania. We have over 48 years of experience providing beautiful, long-lasting results. Give us a call today for a free estimate.
Call for a Free Quote
Call Conshohocken's Exterior Painting Pros
Being a trusted and experienced painting contractor in Conshohocken, PA just isn't enough. You've also got to be part weatherman! One of the biggest challenges for Conshohocken painters is monitoring the weather conditions. Why? Because the Philadelphia area experiences high humidity and frequent rainfall, especially in the summertime.
What does this mean for house painters? To ensure that exterior paint jobs will withstand these harsh weather conditions, Affordable Painting and Papering LLC considers the timing and invests in high-quality paints and primers that are uniquely designed to resist moisture.
It's important to choose a painting company like Affordable Painting and Papering LLC that is familiar with the unique weather conditions in Conshohocken. Our goal is to get the job done right so that your house will look newly painted for many years.
Types of exterior surfaces we paint in Conshohocken include:
- Wood and other types of siding
- Trim, accents and shutters
- Exterior doors and garage doors
Professional Exterior Conshohocken Painting Prep
Painting a house in humid climates requires some special considerations to ensure that the paint adheres well and lasts for a long time. Affordable Painting and Papering LLC is a trusted painting contractor in Conshohocken that follows best practices for the best results. The first part of an exterior painting job is often the most important. Preparation is key to a smooth and even painted surface.
These are the steps Affordable Painting and Papering LLC takes to ensure that the exterior painting job is done properly:
Choosing the right paint: Affordable Painting and Papering LLC chooses exterior paints that are designed for use in humid environments. These paints are known to resist moisture penetration and mold growth.
Preparing the surface: It seems basic, but preparing the surface is fundamental. Affordable Painting and Papering LLC cleans the surface and removes any dirt or flaking paint so that the new paint will adhere well and last longer.
Prime the exterior: Affordable Painting and Papering LLC applies a high-quality exterior latex primer before painting, which helps to seal and smooth the surface for best adhering. Affordable Painting and Papering LLC invests in primer for use in humid climates help to resist moisture.
Waiting for the right conditions: When painting in humid environments like Conshohocken, painters must await the right conditions. It's best to paint on a day with lower temperatures and humidity. During summer months, Affordable Painting and Papering LLC tries to paint in the mornings or late afternoons when the sun is not directly overhead.
Satisfaction Guaranteed with Affordable Painting and Papering LLC
Affordable Painting and Papering LLC guarantees that you will be satisfied with your exterior painting job. We strive to complete all work to your specifications and will go the extra mile to make sure you are not just satisfied but ecstatic with your newly painted exterior! Call (215) 550-1132 today.
Call for FREE Exterior Painting Quote
WHAT CUSTOMERS ARE SAYING:
★★★★★ - "Gary and his team did an excellent job painting the entire exterior of my house as well as power-washing the patio and awnings. Quality work, fair price - even ended up coming in below the original quote, and easy communication. I'll definitely be going back for work in the future. Highly recommended."
★★★★★ - "Gary and his son were recommended by our contractor and they did a fantastic job painting the entire downstairs of our house. Great communication and flexibility working with us. Very happy and highly recommend!"
Stephanie T., Interior Painting in Philadelphia, PA2022-11-04
★★★★★ - "Gary did an excellent job removing wallpaper in our entryway, stairway and hallway. The job took less time than expected and the final price came in under his estimate. I would recommend him for anyone looking for painting, wallpapering and/or removal. And I would hire him again."
Bethany C., Wallpaper Removal in Hatboro, PA2022-11-04
★★★★★ - "Excellent job was done on time and within budget."
John W., Painting in Jamison, PA2022-11-04
★★★★★ - "Perfect scores for this company on quality, professionalism, value, cleanliness, communication and timeliness. Gary was a lifesaver. He did interior paint and trim, new bathroom floor, power washing, refinished my deck and cleaned the gutters. I simply could not be happier. Thank you! PS they also found and fixed minor things around the house and didn't even bother to tell me :)"
Michael F., Interior Painting in Willow Grove, PA2021-05-11
★★★★★ - "Gary and his son did a wonderful job painting and papering my office and bathroom. I would highly recommend them. They were very professional."
Anonymous in Hatboro, PA2021-01-20
★★★★★ - "Had the entire house painted, every wall and every ceiling. Great price and the work was excellent. Work was done professionally and with great care to the furnishings. Everything was moved, covered and put back. Very easy to work with. There was a lot of wallpaper to be removed and after painting you'd never know it was there. I would recommend Gary very highly."
Anonymous in Jamison, PA2020-01-27
★★★★★ - "We have been working with Gary from Affordable Painting and Papering for over four years. He is dependable and always professional. We highly recommend his painting services."
★★★★★ - "Gary and his son did a phenomenal job!! They painted the entire interior of my father's house including the kitchen cabinets. The house looks like new again! Great work and communication and a pleasure to do business with. Highly recommend!!! 5 stars all day!"
Vinny R. in Philadelphia, PA2019-09-23
★★★★★ - "Gary & his son did an awesome job !!! Clean & professional !!!!!"
★★★★★ - "I have had Gary over the past 10 months for exterior and interior painting and wallpapering in both bathroom and den. Each job was exceptional . Recently I had him paint my garage and epoxy my garage floor. I love the way my garage looks and especially the new floor. I highly recommend Affordable Painting & Papering to all my friends."
Linda in Willow Grove, PA2019-08-26
★★★★★ - "Excellent job painting my home. Gary was friendly, knowledgeable, and extremely professional. Will definitely use Affordable Paint and Papering again"
★★★★★ - "I usually remove snow from my driveway with my trusty gas powered snow blower. Not this time. Didn't know who to call. Called 4 companies and didn't hear back an hour later. Then I found Affordable and I spoke to Gary, he gave a reasonable price and within an hour Gary and Gary Jr. came out and did the job. Very nice guys to deal with. They also do paper and painting so I will not hesitate to call them for those services."
Brad O., Snow Plowing in Jenkintown, PA2019-06-26
★★★★★ - "Very courteous, professional and reasonable price. Great work."
Julia McCole, Painting in Auburndale, NY2018-12-26
★★★★★ - "I can't recommend Gary and his crew enough! They have done quite a bit of work for us and have completely exceeded our expectations every time. They have stuck to their quoted price even when the job became much more involved than anyone anticipated, even coming on Sat and Sundays. This is now my go-to company for any job we need done!!"
Shannon L, Painting in Belleville, NJ2018-12-26
★★★★★ - "Gary provided excellent service and did a beautiful job painting the inside of our home. He has been great to work with and we are so pleased with how everything turned out, we would highly recommend him and his team and would use them again for sure."
Lee Anne and John LaRosa in Oreland, PA2018-08-20
★★★★★ - "Gary and his team are stellar examples of professionalism and craftsmanship. My stucco house was gray and covered with mold. Gary assessed the problem, cleaned the gutters, power washed the house and painted. I love that my house looks new and bright. Thank you Gary and the Affordable Paint and Paper Crew!"
Karen in Bensalem, PA
★★★★★ - "I absolutely love the the work Gary did for our home. It is beautiful! He works in a timely matter and made sure I was happy before the job was complete. I would definitely recommend Affordable Paint and Paper to my friends. Thanks Gary!!"
Kelly, Painting in Glenside, PA2017-03-27
★★★★★ - "Very pleased with their work. Professional and very pleasant to deal with. Great work done for competitive prices. I will definitely be using their services again in the future."
Anonymous, Painting in Glenside, PA2017-03-13
★★★★★ - "very professional at all times"
Anonymous, Painting in Glenside, PA2016-12-28
★★★★★ - "Gary removed wallpaper in 2 rooms, repapered the same 2 rooms and constructed a chair rail in the dining room. Very please with the workmanship demonstrated. Always on time, there everyday until the job was complete, and price was competitive. Very satisfied."
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★★★★★ - "He did a wonderful job and we are very pleased with him. He was very professional."
Ms. Patinto, Painting in Glenside, PA2015-09-10


Re-painting Two Portraits: Shen Zhou and Mona Lisa
Workshop with Zhang Hongtu, Fellow in The Council of the Humanities and the Tang Center for East Asian Art
This three-session workshop focuses on the issue of boundaries between cultures, understanding them at the same time as deconstructing them. Students will be encouraged to overcome the limitations of “East” and “West” as a means of stimulating new artistic ideas. The first session will begin with a discussion of two portraits done in the same period: a portrait of the famous Chinese artist Shen Zhou, painted anonymously in 1507, and the Mona Lisa, painted by Leonardo da Vinci in 1506. The discussion will focus on similarities and differences between these two portraits and a variety of questions related to them. By the end of the first session, students will select one of the portraits to “repaint” and perhaps even begin painting. They will repaint the portrait by reversing style and medium: oil on canvas for Shen Zhou, ink on rice paper for the Mona Lisa. In the second session, students will continue to work on their portraits. In the third session, all of the repainted works will be displayed, and students will examine and discuss their own works as well as comment on each others’ work.


This unfinished oil painting is an early work by Leonardo Da Vinci done in 1481, as a commission to the monks of San Donato from the Scopeto monastery. It was left unfinished because Leonardo Da Vinci departed to Milan the following year before finishing the crowded scene. The fact that this piece was left unfinished allows us to look deeper into Da Vinci’s construction process. This piece would be, basically, the first stage of an oil painting where some sections of it are properly built and have some color details, light, shadow and volume, and other parts are only structural sketches. Now it’s part of the collection of Uffizi Gallery in Florence.
In the foreground, precisely in the center, there are Mary and Christ as a child on her arms and the Magi kneeling to her feet. It’s possible to trace the pyramidal shape Da Vinci and other Renaissance artists used as a guideline to build his works including the famous The Last Supper. The Magi work as a perfect frame for Mary and draw her as the center and the most important section of the piece.
This painting has several situations happening, so the pyramidal shape sets apart Mary and Christ from the rest of the subject matter. To the right, it’s possible to observe a group of men usually referred as “the philosophers.” Occupying the upper right corner is a sketch of some battle or conflict, which slowly merges onto the upper middle of the painting into a classical piece of architecture, lighter and more geometrical. It’s speculated that these ruins would be a possible reference to the Basilica of Maxentius.
There is a set of preparatory sketches for this painting where it’s possible to look further into the detail of this painting.
Around Mary, the three submissive Magi are offering gifts. Christ’s arm is stretched, reaching for the first gift coming from the Magi on the bottom right. It’s possible to trace a line from Mary’s head, from the line of her nose through Christ’s stretched arms all the way to the Magi’s offering.
Even though this is only an underpainting, it is possible to observe Leonardo Da Vinci’s technique of sfumato, where he would harmonize the shapes and the colors within the painting, creating a hazy atmosphere through a blurry effect.
Real Oil Paints, Real Brushes, Real Artists, Real Art. The Certificate of Authenticity which arrives with every painting provides an assurance and verifies the authenticity of the hand painted fine art reproduction you purchased. Each oil painting is created by hand using only the finest canvas and oil paints available.
Important Notes About Your Painting:
If you have any request to alter your reproduction of Adoration of the Magi, you must email us after placing your order and we'll have an artist contact you. If you have another image of Adoration of the Magi that you would like the artist to work from, please include it as an attachment. Otherwise, we will reproduce the above image for you exactly as it is.
Free shipping is included in the price of the painting. Once the painting is ready and dry enough to ship, we will roll it and ship it in a sturdy cardboard tube.
We always ship express via courier to ensure your order reaches you as soon as possible - normally within three business days. The total delivery time from the moment you place your order until the package is delivered to your door is normally between three to four weeks.
If, in the unlikely event you were dissatisfied with the painting after reviewing it in person, it can be returned for a full refund for up to 365 days after delivery.
When you receive the painting; you are free to return it for more revisions or else for a full refund minus our actual shipping cost -- which is, on average, $25 per painting.
1st Art Gallery provides a full warranty covering manufacturing and material defects for paintings purchased from our website. The warranty covers damage for normal use. Damage caused by incidents such as accidents or inappropriate use are not covered.
Depending on the degree of damage to the warranted painting, it will either be repaired or replaced. This warranty service is provided free of charge.


From painters to graphic designers, all sorts of creators use color theory for their work. It’s how we determine how colors match, blend, and complement one another. The entire field of color theory could fill several books, but it’s always best to start with the basics in order to truly understand the concept.
Chances are that you learned at least a bit about the color wheel while you were attending art classes in elementary and middle school. First created by Sir Isaac Newton in 1666, the color wheel has gone through several variations but nevertheless accomplishes the same goal—informing us how colors relate to one another.
The Types of Color
The color wheel is a representation of the three main types of color—primary, secondary, and tertiary.
Red, yellow, and blue. These are the basis of which all other colors are derived. As such, they cannot be created by any combination of other colors.
Green, orange, and purple. These colors are formed by mixing primary colors.
Yellow-orange, red-orange, red-purple, blue-purple, blue-green, and yellow-green. These are formed by mixing primary colors with secondary colors.
The color wheel can also help is determine how colors harmonize with one another to create a color scheme. There are many color schemes that can be created, but these are the basic ones:
Analogous colors are three colors that are side by side on a color wheel.
Complementary colors are two colors that are directly opposite each other on the color wheel, such as red and green.
A triadic color scheme is formed by three colors that are equidistant (of equal distance) from one another on the color wheel.
Tetradic is similar to triadic, except it includes four colors that are equidistant from one another rather than just three.
While this blog post covers the basics of color theory, there is certainly much more to learn. At Creative Ventures Gallery, we offer color theory workshops where you can learn everything there is to know about color theory. Give us a call today at 603-672-2500 to learn more.


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The guy with the paint shop that’s a record shop but sells lots of thing: Rogues Gallery. 8A. Glastonbury High St. A part of the management running the Styles Of Somerset paint event in Glastonbury & paints in MOAuk crew. Also runs a youtube channel: RGtv Avalon. Commissions welcome.


Yellow Abstract Wall Art. ( 3.0 ) out of 5 stars 3 ratings , based on 3 reviews current price $9.99 $ 9. 11% ($10.00) hand painted canvas in a range of yellow color creating and abstract design.
24w x 1.5d x 48h. 3d abstract canvas print, grey modern abstract panoramic canvas wall art, beautiful yellow elegant abstract wide canvas.
Abstract 47882 Yellow Brown Abstract Art Wall Decor
80 l x 50 h x 5 d weight: A common thread to the artwork is the color yellow.
Yellow Abstract Wall Art
< p align='justify'>Abstract floral, animal, beach and colours canvas wall art from only $29.Abstract wall art print collection.Accentuate your space with classy wall art.All art prints sizes are standard uk and european frame sizes that are available either on the high street or on line.
At direct art australia, we have a vast collection of abstract prints which you can explore and choose from to match the overall design of your space or simply to add an artpiece that has made an impact on you.Beautify your home or office with classical, vintage, abstract art on canvas, metal, woodBeautify your home or office with classical, vintage, abstract art on canvas, metal, woodBrighten your décor with yellow wall art, and let the light shine in.
Choose your favorite yellow abstract designs and purchase them as wall art, home decor, phone cases, tote bags, and more!Choose your favorite yellow abstract paintings from 75,344 available designs.Do you love this amazing canvas wall art home decor?Each piece under 7lbsby alisa r tarpleyhand painted in layered abstract quality artist acrylics in red, black, white.
Enjoy pretty canvas prints of yellow flowers and the morning sun, or take a different view with abstract art in hues of yellow.Explore more unique gifts in our curated marketplace.Gorgeous canvases and framed prints make a striking addition, while large pieces.Her abstract paintings reflect her view on the importance of colour.
If needed i can advice on where to purchase affordable frames.In this collection, you can find bright, colorful paintings or pieces more muted and serene.It will also perfectly suits kitchen room.Julia balfour is an abstract painter who uses form as a trace of her experiences that are influenced by color.
Large abstract 895 canvas prints.Leave the literal world behind and challenge your visual senses with this powerful and popular style of art.Leave the literal world behind and challenge your visual senses with this powerful and popular style of art.Let your space look like a unique art gallery with large abstract canvas art that your guests and family are sure to appreciate!
Made in australia and ready to hang, shop our range of abstract.Original abstract flower wall art in butter yellow and brown presents on cotton ragg paper in this modern floral art painting.Our large selection of abstract wall prints are available as canvas & framed canvas prints.Our oversized abstract canvas art collection was specially.
Oversized abstract wall art is one decor element that easily gives your home or office an immediate uplift.Product title blush rhizome pink abstract art print wall art by ann marie coolick average rating:Shop for yellow abstract wall art from the world’s greatest living artists.Size:12×16 inches each set of 2 paintings brand:
Swallart.com is the leading source/destination for the highest quality of canvas photography prints and canvas oil paintings, with over 22+ years of experience, we are committed to customer satisfaction, our goal is to bring.The yellow abstracts exude warmth and would add a nice pop of color to your home or office.Then, it is perfect gift for you!Touch of yellow modern abstract wood metal wall sculpture huge 80x50detailsnew huge set of 2 geometric and abstract art wall sculpture hangingshandmade, hand painted, acrylic on wood with metal accents and high gloss finishdimensions:
We will immediately email the gift voucher to the recipient’s email address, as provided by the customer.Yellow abstract canvas wall art.Yellow abstract canvas wall art;Yellow, gray, black, white paint type:
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Giclee print of an original acrylic painting on gray linen. Printed on smooth archival fine art paper with archival inks. Signed and numbered. Limited edition of 100. Dimensions refer to image size. There is a 2” border on each edge of the print.
small- image size 20″ x 20″
large- image size 30″ x 30″


I created a meditative space and energy before starting these blue ink Ensos. They were painted mindfully, connecting the movement with breath and allowing the ink to naturally flow, to make unique organic markings.
The mixture of blue ink and its fluid motion, I felt, gave this Enso a liquid form.
Embodying calming, meditative energy, perfect for creating a peaceful space in your home.
Blue ink painting on 300gsm Fabriano paper,
Mounted on 30.5cm X 30.5cm (12") white mount card with backing board with 19cm X 19cm aperture.


P.32 Title: " Still Life With Four Pears". Size: 24" X 20",oil paint and 24 karats gold on canvas.Made 2009.By Nicolae Vasilescu senior. For sale.
P.34 Title: "City That Can See".Size: 24" X 20",oil paint on canvas. Made 2009 . By Nicolae Vasilescu senior. For sale.
Modern Paintings Page 4
Original oil and acrylic paintings for sale, on canvas or wood . We have a great selection of abstract art, modern art ,nudes,still life ,landscapes and more .


Get quotations from several painting businesses so you can compare costs and services. But remember that the cheapest alternative may not necessarily result in the finest outcomes. Getting many quotations from several painting businesses while looking for painting services for your Rochdale house is crucial.
You may compare prices and the services provided by requesting different estimates, which will help you better grasp the entire market worth of your project.
Getting many quotations enables you to evaluate costs and services, but remember that the lowest choice cannot always result in the greatest conclusion. Your Rochdale house may be transformed into a gorgeous work of art that oozes beauty, elegance, and a feeling of belonging within the lovely town by carefully considering all factors before starting your exterior painting Rochdale adventure.
Improving the exterior of your property with new paint may increase its value and appeal. The correct color choices, such as traditional whites, earthy greens, coastal blues, or contemporary grays, will help you create a gorgeous and welcoming look that matches Rochdale’s distinctive style. To guarantee a successful and satisfactory project conclusion while looking for expert painting services, depend on local recommendations, internet evaluations, and experienced firms. You are well on your way to changing your house into a stunning work of art in Rochdale with the help of these suggestions and ideas.
The appearance of your Rochdale house may be considerably increased by using the correct exterior paint color. Every color scheme throughout the town, from time-honored whites to earthy greens, marine blues, warm browns, contemporary grays, and vivid highlights, has a special appeal and harmonizes with the town’s varied architectural environment. Make a decision that represents the beauty of Rochdale when starting an exterior painting job by considering the neighborhood aesthetics, your property’s surroundings, and your unique style.
Finding the right painting services is essential to a project’s success. WC Painting Services have reputable and skilled painters providing painting services in your local area ,like Rochdale. To evaluate the reputation and client satisfaction of possible painting firms, such as WC Painting Services, examine internet reviews and testimonies as well. We provide best painting services in Rochdale to our customers.


arthea Gallery, Mannheim
Nordflügel A 11!
"The Mannheim artist Dietmar Brixy (*1961) is one of the most well known and successful artists in the Rhein-Neckar Metropolitan Region. In his sensual, almost forbiddenly beautiful paintings, Brixy moves between abstract action painting and fi gurative gestures. A graduate of the National Academy of Art, Karlsruhe, Brixy works not only with a brush, moreover with his bare hands directly on the canvas, sculpting thick oils into organic motifs. The results are dynamic, baroque, dancing yet contained color sensations that call to mind ginkgo, fi g, olive and lemon trees as well as bamboo and grapevines."
Dr. Dietmar Schuth, Mannheimer Kunstverein


Awesome, love this work!
Beautiful work. Very well done.
Beautiful landscape and colors!
Very nice work.
Amazing! This reminds me a little bit of something you might see in Ireland, and the scene from LOTR when Frodo is stabbed by the Nazgul. I adore this!
this is beautiful!


Prompt: Black and white algorithms evolve, push us aside and render us obsolete, biomechanic steampunk artificial inteligenz, space punk, blue and black blueprint, alien skull is hanging at golden electrical cables, colorful flashes, mind-blowing artwork by Kuno Veeber, H.R. Giger
Prompt: Tomorrow a piece of paper, today a masterpiece
Elaborately crafted 3D paper patchwork of a smiling woman with bright big sharp blue eyes, adorned with a hat, flowers and feathers. The style reflects the influences of Catherine Abel, Stephen Gibb and Ernst Haeckel. The artwork shows crisp high definition quality, intricate details and precision.
Prompt: Mystic fantasy, A girl with flowers on her head, big bright green sharp eyes, 1980s japanese anime style, Creepy Kawaii, Fantasy, Lace embellishments, Bow with satin ribbon, detailed color pen & ink, Forest green tone, S-shaped composition
I have to close my Art-Shop, with so few Likes ...
1714 X 1024
Prompt: An angry, unkempt old man, almost bald, with big wide eyes, a cigarette in the corner of his mouth, leans out of the window of his run-down kiosk, surrounded by his colorful art paintings, newspapers, picture frames, paint tubes, brushes, old small framed pictures for sale


- Kids Art with Nicole Miyuki -
Sand Castle Project
Let your kids' imaginations run free as Nicole shows your Little Artist how to draw and paint their very own sandcastle. We start with a blank paper in this project but end with a magnificent strong sandcastle that is built to last.
In this video tutorial, Nicole breaks this project down into simple steps drawing simple lines and shapes together. Nicole uses the magical white crayon technique along with the wet-on-wet technique to draw the clouds, waves, white foam, and to write on the flag, waving loud and proud! They will also learn how to mix their paints and Nicole also teaches how to use darker colors to make the sandcastle look 3D.
Shop all of our artist-quality supplies so you can create this project again and again!


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Winter Trading: 9am-5pm Mon-Sat and 10am-4pm Sundays
A specialist paint store in the heart of Worthing.
We are delighted to introduce a new Paint Pot team led by Caroline Cundall.
The shop continues to stock paints and wallpapers from three excellent British brands: Farrow & Ball, Little Greene and Mylands.
Pop in with your paint questions, we’re here to help you choose the right colour and finish.
Open Monday to Saturday, Paint Pot sits proudly on the corner of Montague Street and Crescent Road in Worthing town centre. The store is also open Sunday's throughout Autumn, Winter and Spring.


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Lot 25: Chinese Scroll Painting
December 9, 2016
Toronto, ON, CanadaLive Auction
Description: Chinese scroll painting, ink color on paper, signed Fu Bao Shi (1904-1965); depicting figure in a house; the right with colophon and seal; L: 105 cm, W: 35 cm


Ha Chong-Hyun Retrospective: National Museum of Contemporary Art (NMOCA), Gwacheon, Korea
The National Museum of Contemporary Art, Korea (NMOCA) presents the exhibition Ha, Chong-Hyun Retrospective from 15th June - 12th August, 2012. To help establish a comprehensive history of contemporary art in Korea, the National Museum of Contemporary Art, Korea organizes ehibitions that explore the original art worlds of pioneering senior artists. This year, the museum will host an exhibition to look back on the art and life of Ha Chong-Hyun, one of Korea's respresentative abstract artists.
This retrospective covers all periods of Ha Chong-Hyun's artistic career, starting from his early years in the 1960s and AG (Korean Avant-Garde Society) years in the 1970s, to his prime years characterized by the development and establishment of his unique abstact painting series Conjunction and recent Post-Conjunction years.
Ha Chong-Hyun's Conjunction series, created by the coalescence of paint and hemp cloth, started in 1974 and continued through 2009 for over 35 years, becoming the most representative work of Ha Chong-Hyun's practice. Conjunction casts aside the preconceived notion that painting should be done by applying paint on the surface of a picture. By coming up with an original method of painting by pushing pigment from behind the picture, Ha broke new ground in abstract painting. When the paint is pressed down from the backside of hemp cloth woven with thick threads, the paint comes out to the front of the cloth through is coarse weave.
Critics would liken Ha's Conjunction to the earthen wall of a country house made with clay and rough straws or to the thickly condensed solution that drips through a hemp cloth when twisting the cloth to squeeze liquid out of boiled medicinal herbs. In Conjunction, Ha Chong-Hyun's interest lies in the conservation with materials. In order to reveal the expressions the paint and the canvas make on their own, pocesses utilizing not only eyesight but tactile sense are also repeatedly carried out.
It is hoped that this retrospective, in which Ha Chong-Hyun's representative works are displayed, will be an opportunity to shed new light on artist Ha Chong-Hyun's art world that has been rigorously cultivated in Korea's contemporary art field over the past 50-odd years, and also to retrace the history of the half-century of abstract painting in Korea.


Karie-Ann is an award winning artist -Society for All Artists Amateur Animal Artist 2013, Finalist Artist and Illustrators Artist of the Year 2013.
She uses pastels to create highly detailed paintings of animals, both wild and domestic.
Karie-Ann can be commissioned to paint bespoke pet portraits, providing a unique gift for that someone special. She works from her home studio in The Forest of Dean and you can see her at work there by appointment.
Web: www.artbykarie-ann.co.uk and www.portraitpainter.co.uk
Tel. 07708 900946
Facebook: Pet Portraits and Wildlife Art by Karie-Ann


Canaletto: Master of Venetian Cityscapes and European Urban Elegance in the 18th Century
Giovanni Antonio Canal, better known as Canaletto, was an Italian painter of the 18th century, renowned for his exquisite and detailed paintings of the cityscapes of Venice. Born on October 28, 1697, in Venice, Canaletto’s artistic talent emerged early in his life, likely influenced by his father, Bernardo Canal, who was a scenic painter.
Canaletto’s artistic career took off in the early 18th century, and he quickly gained recognition for his exceptional ability to capture the architectural beauty and atmospheric effects of Venice. His paintings often depicted the city’s iconic canals, grand buildings, and bustling public spaces with remarkable precision.
One of Canaletto’s distinctive features was his use of the camera obscura, a device that projected images onto a surface, aiding him in achieving unparalleled accuracy in his architectural details and perspectives. This technique, combined with his keen sense of composition, gave his works a realistic and almost photographic quality.
Canaletto’s popularity soared, and he attracted a diverse clientele, including European aristocrats on the Grand Tour. His patrons commissioned paintings not only of Venice but also of other European cities, including Rome, London, and Dresden. His depictions of these cities showcased his ability to capture the unique character of each locale.
In the 1740s, Canaletto spent several years in England, where he continued to produce paintings of urban landscapes. His time in England marked a significant phase in his career, as he adapted his style to suit the English taste, incorporating more naturalistic elements into his works.
Despite his success, Canaletto faced financial difficulties, and in 1756, he moved to London. There, he struggled to compete with the rising popularity of English landscape painters, and his work experienced a decline in demand. However, he continued to paint until his death in 1768.
Canaletto’s legacy endures through his impact on the veduta (view painting) genre and his influence on subsequent generations of artists. His meticulous attention to detail, use of light and shadow, and ability to capture the spirit of a place have left an indelible mark on the history of art. Today, his paintings are highly sought after, and many are housed in prestigious museums and private collections around the world, allowing audiences to marvel at the beauty of Venice and other cities through the eyes of this masterful artist.
Canaletto: A Master of Venetian Vedutismo
Giovanni Antonio Canal, better known as Canaletto, was an Italian painter from the Republic of Venice who is considered one of the most important figures in the 18th-century Venetian school. He was renowned for his meticulous and highly detailed topographical paintings of Venice, known as vedute. These paintings captured the city’s unique architectural beauty and bustling atmosphere, and they continue to be prized by collectors and art lovers around the world.
Early Life and Artistic Training
Canaletto was born in Venice on October 28, 1697, to Bernardo Canal, a scene painter for the opera. His father, who was also his first teacher, instilled in him a deep understanding of perspective and composition, which would later prove to be essential skills for his vedute paintings. Canaletto also studied with Luca Carlevaris, a Venetian landscape painter who was one of the pioneers of vedutismo.
Rise to Prominence
Canaletto began painting vedute in the early 1720s, and he quickly gained a reputation for his accuracy and attention to detail. His paintings were highly sought after by wealthy patrons, both in Venice and abroad. In 1746, Canaletto traveled to England, where he spent the next decade painting landscapes and country houses for the English aristocracy. He was a great success in England, and his work had a lasting influence on the development of English landscape painting.
Canaletto’s vedute paintings are characterized by their precise perspective, their meticulous attention to detail, and their ability to capture the atmosphere of a city. He often used a camera obscura to help him achieve his desired level of accuracy, and he would often spend months working on a single painting. His paintings are also notable for their use of light and shadow, which creates a sense of depth and dimensionality.
Canaletto died in Venice in 1768, at the age of 70. He is considered one of the most important landscape painters of all time, and his work continues to be admired and collected by people around the world. His vedute paintings provide a unique and valuable record of 18th-century Venice, and they continue to inspire artists and art lovers alike.
Some of Canaletto’s most famous paintings include:
- The Stonemason’s Yard (1725)
- The Old Rialto Bridge (1730)
- Piazza San Marco (1733)
- Regatta on the Grand Canal (1732)
- Warwick Castle (1748)
- Eton College (1747)


Well, since it is sooo hot out I stayed in the basement and painted my chipboard. This is the layout I came up with. The photo does not do these chipboard pieces justice. the colors are really pretty. i used 4 different colors blue, aqua, pale green and then decided I needed a darker green so mixed up a new color. I used the folk Art paint and Stampin Up!s Old Olive re-inker.
thanks for looking


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by Ariadna Zierold
Yis “Nosego” Goodwin is a Philadelphia-based artist with a passion for illustration and media arts. His art combines patterns, bright colors and imaginary characters, which stem from his imagination and his environment. His artistic career started in 2004, during the last year of high school. In the previous years he followed traditional painting lessons that allowed him to immediately combine murals to graffiti.
Nosego’s works are dreamlike visions that lead us to the realm of the unconscious, which he transports into reality to ennoble space and matter. The viewers are first captured by the colors that animate subjects, then they notice the thriving of details and their meanings and are carried in a thousand crevices of a timeless world that combines observation with deep reflection.


Artist: Wei Yuhang
Title: Voice 9
Size: 12cm x 29cm
Paper Size: 28cm x 39cm
Price: 270 € +35% import/tax fees for EU customers
Wei Yuhang is a young Chinese artist. In his works, Wei uses several layers of color and mesh-like patterns to create impressions of a microscopic emotional atmosphere. The sensible colors, delicate textures and composition invite the viewer into an ongoing thread of conversations or impulsive thoughts. These mental landscapes allow us to empathize, for we can all relate to a feeling of overthinking or trying to find some peace of mind.