The maze runner (2014) - imdb, Based on the best-selling ya novel, the maze runner is the newest, and one of largest adaptions to arrive in cinemas yet. comparable to the hunger games and twilight, it is in fairly good chances to be the next big franchise.. Maze runner: death cure (2018) - rotten tomatoes, The maze runner series was one of the best book series i've read in the last few years. i obviously get excited when something i've read hits the big screen, even though i know the film usually. Watch maze runner full movie online hd, streaming, Watch the maze runner full movie online instantly & ad-free in hd with premium membership on hotstar. enjoy this english action movie directed by wes ball starring thomas brodie-sangster, dylan o'brien, kaya scodelario, will poulter, ki hong lee, aml ameen, blake cooper, dexter darden, jacob latimore, joe adler, alexander flores, chris sheffield, patricia clarkson on hotstar..
Maze Runner The Death Cure 2018 Full Movie Watch Online or Download wes ball instant free on your Desktop, Laptop, notepad, smart phone, iPhone, Apple, all others..
In the epic finale to The Maze Runner Saga, Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary last city, a WCKD controlled labyrinth that may turn out to be the deadliest maze of all..
The Maze Runner is a 2014 American dystopian science fiction action thriller film directed by Wes Ball, in his directorial debut, based on James Dashner's 2009 novel of the same name.The film is the first installment in The Maze Runner film series and was produced by Ellen Goldsmith-Vein, Wyck Godfrey, Marty Bowen, and Lee Stollman with a screenplay by Noah Oppenheim, Grant Pierce Myers, and T.


Abattoir (2016) HDRip XViD-ETRG
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Bitrate..: 987 kb/s
Audio....: mp3, 48000 Hz, stereo, 128 kb/s
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Genre: Horror / Thriller
An investigative reporter works to solve the mystery of a haunted house constructed from rooms of the deceased.
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If you’ve already seen the teaser trailer for the upcoming Sony Marvel animated Spider-Man: Across the Spider-Verse, you probably think you know who the movie’s main baddie is. With his massive build, razor-sharp claws, and literally toxic bite, Miguel O’Hara aka Spider-Man 2099 is already leaving a swath of destruction behind him in the trailer and appears to be at odds with Miles and Gwen from the start. But looks can be deceiving.
“He’s not the villain of the movie, but he’s sort of an antagonist to Miles because they both think that what they’re doing is the right thing,” teases writer Christopher Miller in a recent Entertainment Weekly interview. The O’Hara character, played by Oscar Isaac, has already made a cameo in Into the Spider-Verse, the first installment of the franchise, and Miller and his writing partner Phil Lord say that while the two share similar power sets, Miles and Miguel have drastically different ways of dealing with the multiverse — but Lord and Miller state the movie’s real villain is much more sinister.
The real baddie of the film will be The Spot aka Dr. Jonathan Ohnn, a regular Spidey baddy since 1984. The Spot, voiced by art house regular Jason Schwartzman can create dark hole “space warps” that allow him to create portals to different realities. He can even punch and kick his opponents through the spots, often at unexpected and surprising angles. While the spot may not make the A-list of Spider-Man villains such as Doctor Octopus, The Green Goblin, or Venom, Lord and Miller believed the character’s look and combat style made him perfect for an animated universe. And his silly look makes him that much more believable according to the creators.
“I like the villains best when they reflect the journeys of the hero — sort of a dark mirror of the protagonist,” Lord tells EW. “And I think Spot’s no different. He wants to be seen as legitimate. He’s a character that has a silly costume and is not always seen as the top tier of Spider-Man foes, but like all of us, he wants to be taken seriously.”
Spider-Man: Across the Spider-Verse is currently slated for release on Jun. 2, 2023.


Sajid Nadiadwala was born on 18 February 1966 in New Delhi. His father's identify is Suleman Nadiawala. Sajid can also be Bollywood producer Feroz Nadiadwala Cajin. In 1992, Sajid Nadiadwala secretly married movie actress Divya Bharti.
Sajid Nadiadwala and Divya Bharti had been married for simply 11 months. <! –
The two fell in love with one another on the units of the movie 'Shola and Shabnam'. Though the movie had the lead star Govinda, Divya was in love with Sajid and shortly the 2 bought married.
However, after 11 months of marriage, Divya died after falling from her condo. This relationship additionally ended with Divya's dying. But solely after marriage, Divya died after falling from the condo underneath mysterious circumstances. However, how he died stays a thriller even today.
Sajid is married to former journalist Wardha Khan. They have two sons. Nadiadwala began his profession as an AC technician. After that he began working as a spot boy within the movie world.
Sajid then started to grasp the fundamentals of labor at his uncle's manufacturing home as an assistant producer. He then fashioned his personal manufacturing home Nadiadwala Grandson Entertainment. He produced a number of hit movies in Hindi cinema underneath his manufacturing.
In 2006, his greatest hit was Jaane-e-Mana. He then produced the multi-starrer movie Hey Baby, one in every of his greatest hits of all time.
He then produced Housefull and Housefull which went on to interrupt document information on the field workplace. At the identical time, critics additionally appreciated his movie.
In 2014, Sajid made his directorial debut in Hindi cinema with the movie Kick. The movie shocked folks by incomes over 100 crores on the field workplace.
In this movie, Salman Khan and Jacqueline had been seen within the lead roles.


SolarMovie.one -> + ( Favorite )
Morgan, a troubled, drug-addled teen, must deal with her crazy grandma and a psycho caller when her father leaves her home alone. As the calls keep coming in, a paranoid Morgan is forced to..
Directors: Richard Stringham
Country: United States
Duration: 128 min


Little Black Book
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BRITTANY MURPHY, HOLLY HUNTER and KATHY BATES star In this wicked comedy and social satire on love and trust set in the world of daytime TV. "An eccentric and boldly black romantic comedy" LITTLE BLACK BOOK will satisfy fans of HOW TO LOOSE A GUY IN 10 DAYS and JUST MARRIED.
Original Widescreen presentation
Live & On Air: behind-the-scenes feature on the making of the movie with cast and crew interviews
Be My Guest: feature looks into the world of daytime talk shows
Original movie trailer


Ranbir and Anushka have begun shooting for their next film together after Bombay Velvet
Karan Johar is currently shooting his next directorial venture - Ae Dil Hai Mushkil starring Ranbir Kapoor, Anushka Sharma and Aishwarya Rai Bachchan in London. Though Ash hasn't started shooting for the film yet, the Bombay Velvet actors have begun shooting for their parts.
Though RK was in Mumbai last week for the trailer launch of Tamasha, he left for London the same night as he had to resume shooting for ADHM and also for his ladylove. As soon as Jr Kapoor was back from Mumbai, Ms Kaif dropped on the sets of KJo's film to meet her beau. The two seem to have had a blast on the sets along with Karan. Though there were reports that things weren't fine between the two love birds, these pictures suggest otherwise.
Ranbir and Katrina have started shooting for their respective new films at the same time in Europe. While the Tamasha actor is in London for Ae Dil Hai Mushkil, the Bang Bang babe is shooting for Nitya Mehra's Baar Baar Dekho opposite Sidharth Malhotra in Scotland.
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Have you watched Norah Jones - BBC One Sessions yet? What did you think about it?


Alita: Battle Angel (2019)
When Alita awakens with no memory of who she is in a future world she does not recognize, she is taken in by Ido, a compassionate doctor who realizes that somewhere in this abandoned cyborg shell is the heart and soul of a young woman with an extraordinary past.
|Genre||Action, Adventure, Science Fiction|
|Production||20th Century Fox, Lightstorm Entertainment, Madhouse|
|Keywords||based on manga, bounty hunter, cyberpunk, dystopia, extreme sports|


I have often wondered, what are my favourite films of all time. I managed to get 55 of them. I would like to share this list with you.
Here’s the earlier lists:
So here we are, at the end of the list. The top five. I started to make this list about a year ago, and while I mostly agree on the final list, there are of course some movies, I’d like to add, reposition, or even delete, but what’s done is done. However, while my top five has always been the same, there is one movie I have mistakenly omitted from the list. So, before I reveal my five favorite films, I’m compelled to add one more film on this list. And that is:
TOY STORY 2 (1999)
Directors: John Lasseter, Ash Brannon & Lee Unkrich
Writers: Andrew Stanton, Rita Hsiao, Doug Chamberlin and Chris Webb
I know, you must be thinking: “It’s the sequel to a Pixar movie. What’s the big deal?” And yes, as a film, it’s not high art, it’s not as culturally important film as its predecessor, the first Toy Story (which was the first fully CGI-animated feature film) nor does it even have a particularly gripping story. Why is it here then? Because it’s so goddamn fun, that’s why. It’s ludicrously rewatchable, probably more so than any other film. This is film making in top form. Everything the first Toy Story did right, the sequel does even better. The animation is (still) awesome, the script is better (even without Joss Whedon this time) and Toy Story’s few pacing problems have been wiped out. The characters were the first movie’s greatest strength and that also applies here. Buzz and Woody make a great leading pair and the supporting toys give great backup. The new toys in this sequel are mostly from Woody’s playset, and they are very well-rounded characters that feel like a worthy addition to the film.
The comedy works very well in the film and the more serious beats also hit their mark. The movie has an intro that most films would kill for and that sequence is a perfect example of effective dialogue-free film making, and should be studied by aspiring film makers. It also makes this sci-fi fan geek out hard, because that intro throws an incredible amount of subtle nods to sci-fi classics like a boss (sound designer Gary Rydstrom is obviously having a time of his life here). When I saw that opening in the cinemas I fell madly in love with this thing. And the rest of the film did not let me down, not once. Also, the final act at the airport is marvelous. Even the score is better this time. Randy Newman has never outdone, before or since, his musical score here. Pixar has always had a good casting sense, and unlike Dreamworks, don’t feel compelled to cast the films with all the latest celebrities (A Shark’s Tale being the worst offender), and it doesn’t disappoint here. The biggest name in the cast is of course Tom Hanks and he is doing splendid work here. The casting of Tim Allen as Buzz Lightyear in the first Toy Story raised a few eyebrows, because the guy definitely is not the space hero / action man type (Dreamworks would have casted Bruce Willis, I’m sure). But, as usual, the Pixar folks knew their shit, because Tim Allen is spot on. Wallace Shawn, Don Rickles and John Ratzenberg also return and they bring the goods, especially John Ratzenberg as Hamm, who gets all the best lines in the film. The new characters are very cleverly casted. Kelsey Grammer as The Prospector brings genuine melodrama in his conflicted character, and Joan Cusack is superb as Jessie, the yodeling Cowgirl. She has manic energy which is balanced perfectly when more dramatic scenes with her character occurs.
See, I can blabber on and on about this film’s excellence, but I’ll stop now, because soon I’ll start talking about the third one, and when I do that, I feel I have to add that movie to this–
TOY STORY 3 (2010)
Director: Lee Unkrich
Writer: Michael Arndt
Now, see what you made me do. I can’t keep adding films on this list! I mustn’t…but Toy Story 3 is sooooo good…
I have a question for you, my dear reader. Name a third film in a trilogy that is actually really good. The Godfather part III? Not a great film. The Matrix Revolutions? Hideous. Blade Trinity? A piece of shit. Indiana Jones and The Last Crusade? Now you’re talking. Mission Impossible III? Go on. Before Midnight? Yes, you’re getting it. But then there’s Toy Story 3…
The thing with Toy Story 3 is that it is the best third film of any trilogy (or quadrilogy, pentalogy and so on so forth) of films. Usually the second sequels tend to severely descent in quality but not here. Toy Story is funny, exhilarating and even wise when it comes to the themes of the film. Toy Story 3 also does something that almost no (if any) family friendly film has done. And it has something to do with the film’s villain, Lotso. See, Lotso is given a tragic backstory that sort of justifies his sinister action later in the film. While he is an asshole toward Woody and the rest of the heroes, there’s always this glimmer of hope that twinkles in the corner of his eye. He is redeemable. And during the last action set piece he places himself in danger and without Woody’s helping hand (who does this from the kindness of his heart) he would’ve surely be destroyed. He gets saved and he gives a bewildered expression that only an act of pure selfishness can evoke. Moments later Woody and his friends are in great danger and will be burned in a trash incinerator. Lotso gets the chance to prove himself and grant himself a sorely needed catharsis for his selfish and dastardly deeds. He takes a deep breath and puts his paw on the lever that will rescue them.
And…he doesn’t pull it. That scene is one of the most brutal fuck you’s to the audiences in a long time, and it is happening in animated film for the whole family. So Woody and the toys are slowly descending in the fiery pit of death, and there is nothing the toys can do about it, other than silently accepting their fates. It’s one the saddest scenes I’ve ever seen in a film. For a moment I was honestly thinking, “is this really how the film’s going to end?” I felt my eyes flooding with tears and only with enormous effort I could hold it in. The scene is next to unbearable and only at the last moment the movie gives us relief. I got a chance to breathe again, If only for a minute, because then the film gives us…the ending. There, Andy must let go of his (and ours) childhood and hand over his beloved toys to his young neighbor. And when it’s time to hand over Woody and Buzz, he almost cannot do it, and we understand why. We too don’t want to grow old. We can’t let go. Not yet.
Those were the few reasons I felt compelled to add these two amazing films on the list, even if they don’t fit in the ranking. I just wanted you to know how much I care about these two films.
But enough stalling, let’s get on with, one last time.
The top five.
5. ALIEN (1979)
Director: Ridley Scott
Writer: Dan O’Bannon
I remember, when I was about ten, my mom told me about this film that was a space film (I was nuts about space films at that time) called Alien. She told me that there was this monster on a space ship giving all kinds of trouble to the crew. I was puzzled.
“How many monsters were there?”
“One”, she said.
I thought for a second. “Well that doesn’t sound too bad. What kind of guns do they have?”
“I think they didn’t have any”, mom replied.
“But how will they beat the monster then?”
Mom looked at me silently for a second and said: “What makes you so sure they will?”
That was my first introduction on the film. I think a year went by. My knowledge of the film had not increased during that time, but Alien was always there, somewhere behind my thoughts. My mom was very shrewd when talking about Alien. She mentioned that she saw it at the cinema and it blew her away. I’d already seen Star Wars at that time and I asked if it was like that. She gave a dry laugh and said: “honey, it’s nothing like Star Wars. Star Wars is for you kids, Alien is for us adults”. Damn it, I had to see that film now more than anything. A few months passed and one evening our national television channel had a commercial for Alien. It would air in one week. I got a glimpse of the film for the first time. In the commercial, Tom Skerrit climbed on the top of the platform and then there was that wide shot of The Space Jockey. I REALLY needed to see Alien now. I begged my mom for a permission to see that film. At first she declined, saying that I was too young for it (which I was, speaking the truth) but eventually she caved in due to my determination (a ten year-old kid whining for a week is not pleasant) and I got my permission. I would get to see Alien.
And then I saw it. Nothing could’ve prepared me for it. When the opening credits popped up and that terrifying Jerry Goldsmith anti-music started playing, I knew that -like Martin Lawrence said it 24 years later- shit got real. This was not a film for kids. This was not Star Wars. But I could handle my shit. I braved on. Everything went smooth, I was proud of me. “This movie’s not that bad”, I thought. I could handle Alien. And I did. Until that fucking thing came out of Kane’s stomach.
Even if it was a censored version, it was still the most terrifying thing I have ever seen after the werewolf scene in The Company of Wolves. And even there I had the good sense of quit watching that Neil Jordan film. But here was this film I have been waiting to see for over a year. I could not stop, not now. I had to see it the whole way through. And so I continued, even when every fiber in my body and spirit beckoned me to bail out. And so I continued. I saw the full-sized Alien kill Brett. I saw the Alien wiping out the hero of the film, Dallas (“what the fuck, movie? He can’t die!”). I saw Ash trying to rape Ripley’s mouth with a magazine (“mom, why is he stuffing that on her face?”). I saw headless head of a robot telling that there’s no hope and they’re all going to die. I saw Alien executing the toughest guy of the crew like it’s just another bug to be wiped out. And I heard the bone-chilling screams of Lambert, while the Alien was raping her with its sharp knife-tail (there was no need to ask mom to explain that, I figured that one out on my own…). Then I saw Ripley’s impossible feat of taking the Alien on her own in that small emergency pod, and I swear I heard my own heartbeat pounding away. Then, the end credits rolled.
I have just seen Alien. I was way too young to see it yet. It scared the hell out of me. It scarred my fragile little psyche. I had trouble for sleeping for weeks. Yep, I just saw Alien, and it was one of the biggest mistakes I willingly and purposefully made at that time.
And I couldn’t wait to see it again.
Thank you Ridley Scott, for making a little ten year-old kid to be scared and amazed at the same time. And thank you for making a film that still holds up incredibly well. The craft and love you and the crew gave to that film is astonishing. As I am writing this, I am already a grown up, well on my way into adulthood. But every time I put Alien on, I am a ten year-old kid once again, on board of the mining ship Nostromo, ready to be scared again and again. And loving every minute of it.
What I love about it: The deliberate slow pacing. The production values. H.R. Giger. Ridley Scott’s perfect direction. The guy is a million times better here than in Prometheus.
Best Quote: “Back in the ole freezerinos.”
4. SAVING PRIVATE RYAN (1998)
Director: Steven Spielberg
Writer: Robert Rodat
We’re now (almost) done with Steven Spielberg. Saving Private Ryan totally changed the way cinema portrayed war on film. Excluding Terence Malick’s Thin Red Line, almost every war movie since just had to absorb that gritty intensity this movie pioneered at. Ridley Scott’s Black Hawk Down, Jean-Jacques Annaud’s Enemy at the Gates, Clint Eastwood’s one-two-punch Flags of Our Fathers and Letters from Iwo Jima took lessons from Ryan. Hell, even directors with their own unique styles like John Woo and Michael Bay joined the bandwagon with their efforts that became Windtalkers and Pearl Harbor. But Saving Private Ryan, the film that started it all, is the best of them all.
After the brutal D-Day assault on the shores of Normandy, Captain Miller (Tom Hanks) is assigned to locate a soldier who is somewhere in the war-torn France. This soldier, Private Ryan, has lost two of his brothers in the battlefield, and the U.S. Public Relations decides that that is enough dead Ryans for now.
Miller grabs a half dozen soldiers with him and they venture off to find Ryan. During their travel some of Miller’s men question the logic in risking the lives of many for the life of one, and justifiably so. Captain Miller obviously agree what his men are saying, but his loyalty to his superiors keep them marching along, facing the horrifying consequences of war.
I remember that day in the cinemas, when the door of that landing craft fell down and the bullets started ripping holes in those soldiers. The washed out visuals combined with that aural experience that sound designer Gary Rydstrom and his team concocted left me breathless for the entire Omaha Beach assault scene. Sound design has never been that good and will never be that good ever again. This film reached authenticity that has rarely been replicated. Steven Spielberg understood that in order to make the war seem real, they’d have to slightly over-do it, just a tiny amount. And they succeeded gloriously. Every effect look and sound authentic and even today the CGI is universally unnoticeable, which very few films can do even today, let alone a 16-year old film.
The cast in this is outstanding. Tom Hanks brings the goods, which he does in almost everything (I suspect he didn’t bring his A-game to The Simpsons Movie) and he gets supported by a great roster of incredible actors: Tom Sizemore, Edward Burns, Jeremy Davies, Paul Giamatti, Ted Danson, Giovanni Ribisi, Dennis Farina, Nathan Fillion (go Browncoats!) and even fucking Vin Diesel. And once again we get that awesome Spielberg casting when he chose Matt Damon to play the missing Pt. James Francis Ryan from Iowa. The guy wasn’t a superstar yet, but when the movie came out, he was a serious up-and-comer, having skyrocketed from Good Will Hunting a year before. When the crew (well, what’s left of them) finally catches up with him, Damon portrays the guy in a way that even the most unyielding soldier amongst them (Edward Burns, nailing that Brooklyn nag) finally accepts the mission to save this kid.
The battle scenes are stupendously well crafted and the scenes in between are highly interesting. Having some rare R&R in a church, the crew opens up a little and give brief glimpses to their lives before the war. Robert Rodat’s writing gives solid material for the actors and they really give great performances, especially Giovanni Ribisi, whose monologue about his mother is simultaneously sad and creepy, and his character comes off as someone who really shouldn’t be witnessing the horrors of war. This guy’s homecoming would not be a successful one. Also, I kind of adore Matt Damon’s monologue about his brothers when they shared their last evening together. I heard that Matt Damon improvised that scene and that solidifies the fact that Matt Damon is one talented bastard.
This film is not riddled with Spielberg’s third act problems that he seems to struggle, especially in his later days. Some say that the epilogue is unnecessary, but I think it bookends the movie perfectly and underlines the importance of the sacrifices the men did in the battlefield. The film is the best war film ever made and has huge place in my heart. An audiovisual masterpiece, if there ever was one.
What I Love About It: Gary Rydstrom’s sound design. I think this is the first Spielberg film, where sound effects are taking the center stage over John Williams’ (appropriately) understated score. The visuals. The cast. Hell, goddamn everything in the film.
Best Quote: “The Statue of Liberty is kaput. That’s disconcerting.”
3. FIGHT CLUB (1999)
Director: David Fincher
Writer: Jim Uhls
I love Fight Club SOOO much. When I saw this film in the cinema I knew from the first 20 seconds that this film’s gonna make a lasting impression on me. And I wasn’t wrong. The film is smart, visually brilliant and beautifully acted. Fincher was on top of his game, and in my opinion, he never surpassed his work done here.
Edward Norton plays an unremarkable sleep-depraved employee for an insurance firm who gets his life twist-turned upside down, when his apartment blows up and burns to the ground, leaving him possession-free. His desperation leads him to call to his newly-found single-serving friend Tyler Durden (Brad Pitt) who agrees to offer him a place to stay, but not before luring Norton to an impromptu fisticuffs in the parking lot of a bar. Weirdly invigorated with the rush of violence, Norton and Tyler make the fighting into a habit, which quickly gathers interest from other men as well. Soon enough, they’ve formed a fight club, in which working men could let out some steam via punching other men in the face.
Norton is amazed at Tyler’s energy and unique view on life but is little taken back with some of the more far out ideas Tyler has planned. Misbehaving and chaos is Tyler’s game and he gets other men easily influenced by his actions. Only Norton seems to be sane enough to question Tyler’s action, but his conservative way of thinking goes to deaf ears. Tyler’s sex-filled relationship with Norton’s favorite hate power-animal Marla Singer (Helena Bonham-Carter) further bemuses Norton and he is finally forced to try stop Tyler Durden before his actions endanger innocent lives.
My feeble attempt to write down a synopsis for the film does a disservice for the film. The flick is so densely written and deals with so many subjects that I dare not try to cover them all here. Suffice to say the film has material for at least four different films, but still feels coherent and even breezy in the way the film delivers the story. It’s inconceivable that the screenwriter Jim Uhls’ filmography can be counted with one hand and his second biggest script is Jumper. How the hell is this guy not the biggest writer in Hollywood? Did he piss in some producer’s soup? But as good as job Jim Uhls does with the script, it’s the director David Fincher who knocks the film out of the park.
Fincher is furious in his methods, showing more creativity in this one single movie than many directors show in their entire filmographies. The acting is also uniformly great, spearheaded with the two awesome leads. Brad Pitt gets to chew scenery as the rebellious Tyler Durden (him doing those juvenile man-child roles seems to be where he excels at), but the film rests on the shoulders on Edward Norton, who pulls off his nervous and introverted character beautifully. It’s a pleasure to take a trip with him and the scene where he kicks his own ass in front his bewildered boss is an absolute highlight. Helena Bonham-Carter is also pretty good, although her accent gets a little funky every now and then. Also, Meat Loaf’s tits make quite a show. The score from the Dust Brothers is one of the best music written for a film and Jeff Cronenweth’s photography is perfect, every single frame a masterpiece in its own right.
After fifteen years, no other film has delighted, surprised or inspired me as much as Fight Club did. The violence aspect was incorrectly perceived at the times, but the message is clear and noteworthy: breaking out of the norm is healthy. Good films entertain, but great films entertain AND inspire. Thank you Fight Club for making me look outside the box, professionally as well as in personal life.
What I Love About It: James Haygood’s razor-sharp editing. The visual look. The flash-frames. The Dust Brothers’ dopey electronic score. The third-act twist. Fincher’s directing, which trumps all.
Best Quote: I could go over the rules of fight club, but for some reason I love this line that Brad Pitt delivers leaving his seat in the plane: “Now, a question of etiquette – as I pass, do I give you the ass or the crotch?” Never has a worthier question been asked.
2. JAWS (1975)
Director: Steven Spielberg
Writers: Peter Benchley & Carl Gottlieb
Well, it seems that Spielberg is a director that popped up on my list awfully lot. What can I say, the guy has mad skills and even when he’s not exactly making masterpieces, his still better at his craft than most directors. Hook, The Lost World or Always might not be great films, but their faults hardly lie in the directorial efforts of Steven Spielberg who speaks fluently the language of cinema. Yes, it might be unoriginal to say this, but I still think the guy is the best film director working today, closely followed by Robert Zemeckis. And there’s no other film that better encapsulates everything what makes Spielberg great than Jaws.
Based on novel by Peter Benchley, Jaws tells a heartwarming story about a great white shark that eats people and police chief who thinks that the shark shouldn’t. Roy Scheider (in the 70’s the guy was in everything) plays the good chief, Brody, who gets into a tight jam when people start dying in his small coast town. He wants to close the beaches, but the slimy Mayor (Murray Hamilton) wants to keep the tourists happy and keep them swimming. When people keep dying (including a little Kintner boy), Brody is forced to go out to the sea and hunt the shark down before it kills again. Thankfully he is not going alone, because he’s accompanied with two rather remarkable individuals: a good-spirited marine biologist Hooper (Richard Dreyfuss) and a grumpy sea hunter Quint (Robert Shaw). The three men need to try to get along on the hunting trip, but their nerves are twisted further by the shark who targets their rather inadequate fishing boat.
I want to do something a little unorthodox here. Rather than trying to do a comprehensive abbreviation of the things I love in this film, I’ll do a scattered and unfocused list of some of the things I love in Jaws. Here we go:
- Mimicking with Brody & son.
- The way Brody drinks wine.
- Hooper’s appetite.
- The reveal of Ben Gardener’s fate.
- Hooper’s autopsy examinations (both of them).
- “Spanish Ladies”-song.
- The shooting star, and John Williams referencing “Spanish Ladies” in his score.
- That John Williams score.
- “We’re gonna need a bigger boat”.
- Everything that happens in Orca, actually.
- The way the artist chick whimper-yells “shark!”
- The editing when Brody’s at the beach and he’s watching the ocean. Love the wipes with the passing people.
- The shark rattling the cage. Happy accidents make great moments in cinema.
- Hooper and Quint bickering; Quint’s can-crushing machismo and Hooper’s respond.
- Fulfilling the action cinema trifecta: boobs, helicopters and explosions.
- Comparing battle scars.
- Quint’s U.S.S. Indianapolis -story.
- The name of Bryan Singer’s production company, “Bad Hat Harry”, came from this movie. Hey, let’s be thankful it wasn’t “Stop Playing With Yourself, Hooper”.
- The guys bonding and singing “Show me the way to go home”, only to be cut off by the shark, who seems to hate Irving King songs.
There’s a lot to love. I don’t think I’ve ever seen a film that balances humor with sheer terror quite so well. Whenever the shark attacks, it’s brutal and terrifying. Spielberg is a master at making violence feel real, whenever he grants his films go fully R-rated. Jaws, Saving Private Ryan, Schindler’s list, Amistad and Munich are great examples. In Jaws, the kills feel extra brutal, because there’s pretty much no music when they happen.
The characters in Jaws are strong, really strong. The three men are very well written and are perfectly portrayed by the three men playing them. Scheider is a good lead, playing a regular small town cop, who’s in a situation that’s way over his head, and he’s trying to cover his insecurities up, rather unconvincingly. Robert Shaw IS Quint, in my book. Whenever I see him in another role, all I see is Quint. He’s that good. But my favorite performance in the movie is delivered by Richard Dreyfuss. His Hooper is the MVP in the film and an absolute joy whenever he’s onscreen. Rickie D in Jaws is everything I’d hope to be as a person. Thankfully his character is wildly different in the film than in the book. Which brings me to…
Peter Benchley’s novel of Jaws is not that good. The characters are pretty one-dimentional and the novel is awfully mean spirited. Dreyfuss’ Hooper is an asshole who gets into a relationship with Brody’s wife. And when Hooper gets eaten in the novel by the shark, Brody’s like: “good riddance, dickhead”. I don’t how the movie turned out how it did, but the decision to change the mood of the book was absolutely the correct one. I suspect Spielberg and writer Carl Gottlieb are to be thanked.
Adventure, humor, suspense. This film has it all. It’s has insane amounts of replay value and it never loses its charm, Jaws is film making at its finest and a strong testament of the capabilities of its ingenious director. I’m sure you’ve already seen this, but if you haven’t, let me know. I’ll screen it with you. Anytime.
What I Love About It: Read the list above.
Best Quote: “We’re gonna need a bigger boat!” I also love Hooper’s W.C. Fields imitation: “I don’t have to take this abuse much longer!”
1. BEFORE SUNRISE (1995)
Director: Richard Linklater
Writers: Richard Linklater & Kim Krizan
I was balancing the ranking between Jaws and Before Sunrise. Which one deserved the number one spot? For the longest time I think I preferred Jaws. That film is certainly makes an easy case for itself to be in the first place. Its masterful storytelling and excellent pacing makes easy to like among many. But one reason tipped the scale in favor of Before Sunrise, an underdog for sure, and that reason is my personal relationship with the film.
Like in everything, the taste in film, music or any other form of art is wholly subjective. Your favorite movie should be something that speaks to you personally. You form a personal connection with the material that sticks with you and you carry the experience for the rest of your life. This happened to me when I saw Before Sunrise in 1995.
A young American, Jesse (Ethan Hawke) meets a French girl Celine (Julie Delpy) in a train traveling through Europe. He is instantly interested in the girl and soon enough they start talking. They have a good chemistry together and they get along perfectly. They arrive in Vienna, which is Jesse’s stop. He enjoys Celine’s company and doesn’t want to let her go just yet, so he proposes that she’d get off the train with him and keep hanging out with him. She agrees and they spend an unforgettable night walking the streets of Vienna and forming a strong infatuation towards each other. But both of them know that in the morning they need to say goodbye to each other and face the fact they might never meet again.
What first attracted me to this film was the fact that the whole film happens during one day. I came in for the gimmick, but stayed for the characters, ambience and the dialogue. Both Jesse and Celine feel like real people and their repertoire feels genuine and honest. Their romance is refreshingly unforced and uncontrived. The scene where Jesse and Celine listen to record in a listening booth is delightfully awkward and exiting. Anyone who’s ever had a crush on somebody knows how it feels suddenly to be in an intimate space with their object of affection. And we’ve all been there, when you acknowledge the fact that your shared time will come to an end.
Why Before Sunrise is my favorite movie, above all else? Well, it comes down to this: no other movie has influenced my way of living and my outlook on life like this movie has. Every relationship, every romantic encounter I’ve ever had was reflected by this film. Don’t get me wrong, I don’t compare my relationships with the film, or try to duplicate the movie in my own life. But I share the views on romance and love with the film. Especially the idea of young love. The sequels dealt with more mature content and did it perfectly. My love for Before Sunset and Before Midnight is strong and unflinching, but Before Sunrise is like my first love, always holding a special place in my heart.
Cinematically Before Sunrise is superb and Richard Linklater directs the film confidently but keeps the film’s technical trickery inconspicuous. There’s long takes without editing, long Steadicam shots and remarkable lighting design. DOP Lee Daniel does marvelous work that the viewer probably won’t even notice. Ethan Hawke and Julie Delpy are effortlessly charming in their roles and it’s hard to imagine any other actors in these roles. These are career defining roles for them both and should be applauded from here to eternity. I love those guys. And I love this film, with all of my heart.
What I Love About It: I like nothing about it. I love everything about it.
Best Quote: ”Let me get my bag”.
This list was a chance for me to reflect myself through these amazing films and my choices tell a lot of me as a person. It seems I am a hopeless romantic at heart who appreciates adventure and other-wordly elements, yet also appreciating the stories grounded on reality. I appreciate the passion and brilliance of these spectacular film makers who make film that can inspire us all. We should celebrate them and keep talking about them. Learn from them, appreciate them and share them amongst each other. And if you feel like it, make your own. Inspire someone else and make it on their list of favorite movie. Or music. Or comic. Or any form of art. Whatever rocks your boat.
Thank you for reading my rambling. Please feel to share, comment or even make your own list for me to read. But most importantly, stay inspired, whatever way you can.


R | | Comedy, Drama
A washed-up writer forms an unlikely friendship with a teenager from Long Island.
Emma Stone and Ryan Reynolds would later be voice actors for the movie The Croods (2013).
Pictures didn't do it justice.
Claire Dunn: Oh!
From the outside Abby's house has just the second floor with two windows, while in interior scenes Abby lives in an attic with one window. It also looks much bigger from the inside than from the outside.
Here With Me
Written by Justin Blockton & Adam Blockton
Performed by Cassidy Ladden
$8,613 (USA) (25 April 2010)
$15,388 (USA) (9 May 2010)
See what the IMDb editors are excited to watch in November, check out our guide to horror, streaming shows, superheroes, and more.


Movie Idealnyy muzh (1981) download free
Book Title: Idealnyy muzh|
Directors: Viktor Georgiyev
Release Date: 1981-06
Runtime: 93 min
Stars: Yuriy Yakovlev,Lyudmila Gurchenko,Anna Tvelenyova
IMDb Rating: 7.6
Country: Soviet Union
Full movie description "Idealnyy muzh":Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously.
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Movie Idealnyy muzh download free
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Want to watch horror movies online? Any fan of horror movies, from those who just love the Halloween movies and sequels to those who love all of the horror movies out there, can find numerous places to catch all their favorite flicks online. Many of these sites are a great resource to proliferate a list of horror movies you love or to find a new favorite.
Benefits of Watching Horror Movies Online
Even if you've been watching other types of movies online, you might not realize that watching horror movies online particularly have several benefits. There benefits include:
- Being able to stop and press pause. Sometimes horror movies can be crafty and leave little hints as to who the killer is. Stopping the movie or seeing it again for free whenever you feel means that you can take a second look and catch every little detail.
- Sometimes, horror movies can be really scary. Being able to take a minute to regroup before continuing to watch can make the experience even better.
- If you've ever seen a horror movie with someone who keeps trying to figure out why people like horror movies, you'll know they can sometimes ruin the movie. Watching online gives you a second chance to relive the experience.
- Love a particular scary scene? You can catch it again and again if you watch horror movies online.
Where to Watch Horror Movies Online
There are a few great sources online where you can watch horror movies online. A few of these sites include:
- Movies Found Online: Movies Found Online is a great resource for horror flicks, along with dozens of other genres. Find movies like Black Fog, Camp Blood 2, Horror Express, Vampire Bat, and The Thing from Another World.
- Watch Free: This site has a large collections of shockers, but you must register for a free account in order to watch them.
- Google Video: Google Videos is a great site for horror movies. The site features some of the rarest videos possible. Use the portal to search for the horror films that you can't find in stores or other places online.
- YouTube: Just like Google Video, you can find numerous clips, full-length movies and features of your favorite horror flicks on YouTube. Even more important, you can catch the latest previews of all the upcoming horror movies out there.
- Hulu.com: Everyone's favorite site for online TV and more, Hulu has a great selection of horror movies that you likely have never seen before!
A Final Thought
Any fan of watching horror movies online will tell you that the benefits of doing it outweigh the cons. Being able to do so is a great development in the history of horror movies. To get started, find an old favorite or a new movie you're interested in watching and sit down to relax!


The Birds (1963) / Horror-Drama
MPAA Rated: PG-13 for scary images
Running Time: 119 min.
Cast: Tippi Hedren, Rod Taylor, Jessica Tandy, Suzanne Pleshette, Veronica Cartwright, Alfred Hitchcock (cameo)
Director: Alfred Hitchcock
Screenplay: Evan Hunter (based on the short story by Daphne Du Maurier)
Review published January 26, 2007
The Birds is one of the best "creature features" ever made, possibly only rivaled by Jaws for best ever, though the latter does owe a debt of style to this film. Though not entirely realistic, the visual effects are still reasonably workable even by today's more discriminating special effects crowd, and it still manages to deliver a good deal of suspense and hair-raising tension. While most people probably won't view birds as scary before seeing this film, by the end, you will forever be reminded of this film when you find yourself surrounded by a large flock of our "feathered friends".
Tippi Hedren (Marnie, Citizen Ruth) plays Melanie Daniels, a spoiled, rich socialite who one day bumps into an attractive man named Mitch (Taylor, The Time Machine) in a pet store who is looking for a pair of lovebirds as a present for his younger sister (Cartwright, Goin' South). Melanie decides to surprise the man with the birds but finds she has to travel to Bodega Bay to leave them with him. After she gets there, strange occurrences abound when the birds in the town seem to attack the humans for no good reason, then all hell breaks loose.
With The Birds, Alfred Hitchcock (Vertigo, The Trouble with Harry) demonstrates here why he is a true master of his craft, though it is arguably the last of his great masterworks. One of the most striking elements of the film is Hitchcock's ability to create tension and terror without utilizing any traditional score. It seems that his early days making silent films paid off in his ability to create the proper mood through editing, montage, and proper story pacing. If you had never heard of the film, you'd probably think that there is no way such a ridiculous premise could be remotely entertaining. Credit Hitch; very few, if any at the time, could have taken such a laughable premise and made it work, and work so well.
The cast is solid, with Hitchcock going with a relative unknown in Tippi Hedren, a "find" from a diet soft drink commercial who caught his eye. Though a relative novice, Hitch guides her well enough through the more difficult spots with finesse, mostly utilizing her for reaction shots that don't require her to show a great deal of emotion other than romantic whimsy, until the trauma of the harrowing finale. Taylor, Pleshette, and Tandy (batteries not included, Driving Miss Daisy) round up the fine cast of supporting players, and a very young Veronica Cartwright holds her own in one of her earliest roles.
Watching the film today, one is struck by the fact that Hitchcock doesn't even unleash his horror film until the second half, which today would be almost unheard of. Perhaps this is why the film ends up working so well -- we actually get to know the characters before they are put into mortal peril, and the result is one truly disturbing scene after another. Most modern audiences will either grow impatient, or they will wonder why the film seems like a romance and horror film that somehow got mashed together, but, as it was in Psycho, this is Hitchcock toying with conventions. He lulls us into an altogether different kind of story, where everything seems to be going according to plan until nature decides otherwise, pulling the rug out from under us. Along with a very untraditional ending, Hitch coyly wipes the slate clean, as if to say that everything you came to know doesn't matter any more; the only thing that matters is the danger of the here and now.
-- Followed by a vastly inferior, 1994 made-for-TV, in-name-only sequel, Birds II: Land's End, which is only of note for having a small part for Tippi Hedren, though it isn't as Melanie Daniels.
©1998, 2007 Vince Leo


Miami-Dade County To Rename Street After ‘Moonlight’
Groundbreaking motion picture Moonlight continues to be celebrated. It was a box office success, won the Academy Award for Best Picture, and audiences everyone adored the film. However, the citizens of Miami, and Liberty City, specifically, view the film as a shining beacon on their life experiences .
To show how proud local residents are of the film, Miami-Dade County has announced that it will be renaming a Liberty City street “Moonlight Way,” according to The New Times.
“This movie — at least what I got from it — really depicts the life of how a lot of us were raised and what we had to go through and endure as children in the inner city,” says Commissioner Audrey Edmonson, who is sponsoring the item.
“This goes out to children still living here in the inner city that are told they will never amount to anything. It shows that it does not matter how you were raised or where you grew up; you can still turn out to be someone.”
Barry Jenkins, the director of Moonlight and a Liberty City native, was commended for formulating a realistic and beautiful representation of what life is like for in area.


Nanouk Leopold / BE, NL, 2007 / 93 min.
Nanouk Leopold made a deep impression with her portrait of a family whose already precarious balance is put to the test by a letter from the paterfamilias announcing he wants to die.
Nanouk Leopold’s third feature film once again focuses on existential questions and relationships. Konraad wants to end his life. The letter he sends to his family to announce his plan acts as a catalyst on the already strained family relations.
50 Years of IFFR, 75 Years of Filmmuseum
The anniversary programme Vive le cinéma! embraces film as the seventh art and offers a survey of films that have defined the history of the IFFR and Eye Filmmuseum.
Vive le cinéma!
To mark the 75th anniversary of the Filmmuseum and the 50th International Film Festival Rotterdam (IFFR), Eye and the IFFR have selected five film directors from five continents as a way of celebrating the unlimited power and diversity of world cinema, which is so vital for the programming.


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Streaming new movies from home has become more common as theaters were shuttered and moviegoers were socially distancing for over a year. Of course, this strategy hasn’t sat well with some in Hollywood, but at least people have been able to still see films at their convenience. Cruella was one of the films dealing with the film industry’s new hybrid model. Fortunately, the plan worked out, with Cruella 2 in the works. Now, word has come out the Disney origin story will be heading back to streaming sooner rather than later.
Disney has announced that Cruella will start streaming once again when it comes back to Disney+ on August 27. This is major news for Disney+ subscribers who didn’t get to catch the film on the streamer the first time around. Originally the Disney crime comedy was released exclusively through Disney+’s Premier Access for $29.99, in addition to its theatrical release. Just like the film’s first time on the streamer, Cruella will be exclusively available on Disney+, so if you want to catch the movie there, make sure you're subscribed to the Mouse House's streaming service.
Before coming back to Disney+, Cruella was already available in other countries to streams. The Disney origin story has been on other streaming platforms where Disney+ wasn’t available. International fans have been viewing the Disney film at their leisure for months, so it coming back to Disney+ was inevitable for all moviegoers to see.
While Disney+ will be its exclusive home, Cruella will be seen by more viewers. That will only be better for the news surrounding the upcoming sequel. As soon as the film started raking in huge box office returns, talks of Cruella 2 were already in motion. Of course, the sequel did hit a minor bump as Emma Stone paid attention to Scarlett Johansson’s current lawsuit against Disney. She reportedly spoke with Disney about returning for the sequel. Eventually things were worked out dealing with Stone’s compensation, as official news broke about Cruella 2 moving forward.
Outside of Emma Stone’s return for Cruella 2, the all-star cast has been advocating for the sequel. Cast members such as Kirby Howell-Baptiste have spoken on where they want to see their characters go in the upcoming sequel. Maybe Cruella de Vil will evolve the same way Maleficent did in her films (or maybe not). Hopefully, the actors will have the natural progression they all want when the sequel’s script is finalized.
Despite all the raging debate over theatrical versus streaming releases, Cruella is finally making its way back to Disney+. So film enthusiasts who couldn’t see the movie in theaters or didn't shell out for the Premier Access... access can now get ready to see the film from the comfort of their couch. That just proved the sequel news was more than reasonable despite Stone’s commitment to other films. Once again, Cruella will return to Disney+ on August 27, as well as arriving on DVD and Blu-ray on September 21.
A boy from Greenwood, South Carolina. CinemaBlend Contributor. An animation enthusiast (anime, US and international films, television). Freelance writer, designer and artist. Lover of music (US and international).
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How Marvel Heroes feel about Phase 4
We had to get Every Hero’s opinion about Marvel’s Phase 4.
While some people are glad to get some shine others had a few things to say.
What can audiences expect from Phase 4 of the MCU?
The Marvel Cinematic Universe (MCU) is one of the most successful franchises in the history of cinema. With 23 movies grossing over $22 billion worldwide, the MCU has become a cultural phenomenon. The MCU is known for its interconnected stories, engaging characters, and thrilling action sequences that have captured the hearts of millions of fans worldwide. With the conclusion of Phase 3 and the release of Spider-Man: Far From Home, the MCU has now entered its highly anticipated Phase 4. Here is what some Marvel heroes have to say about it:
Thor, the God of Thunder, played by Chris Hemsworth, has expressed his excitement for Phase 4. In an interview, he stated that “Thor: Love and Thunder” will be the best Marvel movie yet. He also expressed his love for the character Jane Foster (played by Natalie Portman) and the storyline for the upcoming movie.
Black Widow, played by Scarlett Johansson, is finally getting her own solo movie in Phase 4. In an interview, Johansson expressed her excitement for the movie and the opportunity to explore the character in more depth. Black Widow’s solo movie, set between Captain America: Civil War and Avengers: Infinity War, will delve into the character’s past and show audiences the events that made her who she is today.
Doctor Strange, played by Benedict Cumberbatch, has hinted at a darker tone for Phase 4. In an interview, he stated that “Doctor Strange in the Multiverse of Madness” will be a “unique film” that goes “into the scary and the horrific”. The movie is set to explore the multiverse, a concept that was first introduced in Spider-Man: Into the Spider-Verse.
Spider-Man, played by Tom Holland, has expressed his enthusiasm for the future of the MCU. Holland has stated that he’s excited to explore the relationship between Spider-Man and his mentor, Tony Stark, who met a tragic end in Avengers: Endgame. Holland has also hinted at the possibility of teaming up with other MCU characters in future movies.
Captain Marvel, played by Brie Larson, has stated that she’s excited to see where her character goes in Phase 4. Captain Marvel made her debut in the MCU in March 2019 and has quickly become a fan favorite. Larson has stated that she’s excited to explore the relationship between Captain Marvel and other female characters in the MCU, and hinted at the possibility of Captain Marvel leading a team of female superheroes in the future.
In conclusion, Phase 4 of the MCU is shaping up to be an exciting and innovative chapter in the franchise’s history. Marvel heroes are excited to explore their characters in more depth and tackle new challenges. With the introduction of new characters and storylines, Phase 4 promises to be a thrilling ride for fans of the MCU.


The first decade of the Marvel Cinematic Universe cannot be defined without mentioning the God Of Thunder aka Thor, Chris Hemsworth. The actor embodied the chiseled character so aptly that no longer do we know any difference between the real and the reel men. He has stayed with the studio for almost a decade and featured in numerous movies over the past years as the celestial character.
The actor started with Thor in 2011 and soon enough became one of the most favourite and strongest MCU characters. Chris soon made his way into the Avengers and the future looked glorious. But wait, that wasn’t the case always in his head. Hemsworth once thought that the Marvel bosses are writing him out of the Cinematic Universe after he was absent and unaware about Chris Evans’ Captain America: Civil War.
Captain America: Civil War was the most surprising of the Marvel movies. It did not have an antagonist but two Avengers fighting each other with the entire team divided into two. But what was more bothering was the absence of two of the strongest Superheroes of the team. Chris Hemsworth’s Thor and Mark Ruffalo’s Hulk.
Chris Hemsworth now reveals he was clueless about Captain America: Civil War being made. “I remember being on the ‘Age of Ultron’ press tour, and everyone was talking about ‘Civil War,'” Hemsworth said in a new behind-the-scenes book called “The Story of Marvel Studios: The Making of the Marvel Cinematic Universe” by Tara Bennett and Paul Terry.
Chris Hemsworth added: “I was like, ‘What’s ‘Civil War’?’ I asked, ‘Are you doing a side project or something?’ They’re like, ‘Oh no, Captain America, y’know? The next one is ‘Civil War.’ I’m like, ‘Wait … Iron Man’s in that?’ And it’s like, ‘Yeah, but there’s not just Iron Man. There’s Vision. There’s Spider-Man.'”
Chris Hemsworth said the shocking news had him wondering what he was doing there. He added, “What the hell am I doing? They said, ‘You’re doing your own thing,'” the actor said. “I thought, ‘This is it. I’m being written out.'”
Well, he wasn’t. Soon Chris Hemsworth was back on the sets and that was enough validation to leave behind the negative thoughts.
Stay tuned to Koimoi for more information.


Most Popular "Ecstasy" Titles
- Movies or TV
- IMDb Rating
- Instant Watch Options
- In Theaters
- On TV
- Release Year
1. Black Swan (2010)
R | 108 min | Drama, Thriller
A committed dancer wins the lead role in a production of Tchaikovsky's "Swan Lake" only to find herself struggling to maintain her sanity.
Votes: 556,455 | Gross: $106.95M
2. This Is the End (2013)
R | 107 min | Comedy, Fantasy
While attending a party at James Franco's house, Seth Rogen, Jay Baruchel and many other celebrities are faced with the apocalypse.
Votes: 313,861 | Gross: $101.47M
3. Magic Mike XXL (2015)
R | 115 min | Comedy, Drama, Music
Three years after Mike bowed out of the stripper life at the top of his game, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance.
Votes: 39,316 | Gross: $66.01M
5. Entourage (2015)
R | 104 min | Comedy
Movie star Vincent Chase, together with his boys Eric, Turtle, and Johnny, are back - and back in business with super agent-turned-studio head Ari Gold on a risky project that will serve as Vince's directorial debut.
Votes: 60,578 | Gross: $32.36M
8. The Interview (II) (2014)
R | 112 min | Comedy
Dave Skylark and his producer Aaron Rapoport run the celebrity tabloid show "Skylark Tonight". When they land an interview with a surprise fan, North Korean dictator Kim Jong-un, they are recruited by the CIA to turn their trip to Pyongyang into an assassination mission.
Votes: 250,104 | Gross: $6.11M
9. We Are Your Friends (2015)
R | 96 min | Drama, Music, Romance
Caught between a forbidden romance and the expectations of his friends, aspiring DJ Cole Carter attempts to find the path in life that leads to fame and fortune.
Votes: 22,125 | Gross: $3.59M
10. Martyrs (2008)
R | 99 min | Horror
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
11. Original Sin (2001)
R | 116 min | Drama, Mystery, Romance
A woman along with her lover, plan to con a rich man by marrying him and on earning his trust running away with all his money. Everything goes as planned until she actually begins to fall in love with him.
Votes: 45,248 | Gross: $16.25M
12. Project X (2012)
R | 88 min | Comedy, Crime
3 high school seniors throw a birthday party to make a name for themselves. As the night progresses, things spiral out of control as word of the party spreads.
Votes: 158,352 | Gross: $54.72M
13. Filth (I) (2013)
R | 97 min | Comedy, Crime, Drama
A corrupt, junkie cop with Borderline Personality Disorder attempts to manipulate his way through a promotion in order to win back his wife and daughter while also fighting his own borderline-fueled inner demons.
Votes: 74,550 | Gross: $0.03M
15. 25th Hour (2002)
R | 135 min | Drama
Cornered by the DEA, convicted New York drug dealer Montgomery Brogan reevaluates his life in the 24 remaining hours before facing a seven-year jail term.
Votes: 150,624 | Gross: $13.06M
16. Charlie Countryman (2013)
R | 103 min | Comedy, Drama, Romance
While traveling abroad, a guy falls for a Romanian beauty whose unreachable heart has its origins in her violent, charismatic ex.
Votes: 21,594 | Gross: $0.01M
17. The Sessions (2012)
R | 95 min | Biography, Comedy, Drama
A man in an iron lung who wishes to lose his virginity contacts a professional sex surrogate with the help of his therapist and priest.
Votes: 36,588 | Gross: $6.00M
18. Diary of a Nymphomaniac (2008)
Unrated | 102 min | Drama, Romance
A chronicle of the life of a middle-class French girl's sexual adventures, her then fall into prostitution, and her ultimate redemption.
19. Candy (2006)
R | 108 min | Drama, Romance
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
Votes: 36,150 | Gross: $0.04M
20. Bringing Out the Dead (1999)
R | 121 min | Drama, Thriller
Haunted by the patients he failed to save, an extremely burned-out Manhattan ambulance paramedic fights to maintain his sanity over three fraught and turbulent nights.
Votes: 53,364 | Gross: $16.64M
22. Romance & Cigarettes (2005)
R | 105 min | Comedy, Musical, Romance
A down-and-dirty musical set in the world of working-class New York, tells a story of a husband's journey into infidelity and redemption when he must choose between his seductive mistress and his beleaguered wife.
Votes: 10,115 | Gross: $0.54M
24. Dangerous Beauty (1998)
R | 111 min | Biography, Drama, Romance
A Venetian courtesan becomes a hero to her city, but later becomes the target of an inquisition by the Church for witchcraft.
Votes: 12,487 | Gross: $4.53M
25. Club Dread (2004)
R | 104 min | Comedy, Horror, Thriller
When a serial killer interrupts the fun at the swanky Coconut Pete's Coconut Beach Resort--a hedonistic island paradise for swingers--it's up to the club's staff to stop the violence...or at least hide it.
Votes: 23,931 | Gross: $4.99M
26. A Very Harold & Kumar 3D Christmas (2011)
R | 90 min | Adventure, Comedy
Six years after their Guantanamo Bay adventure, stoner buds Harold Lee and Kumar Patel cause a holiday fracas by inadvertently burning down Harold's father-in-law's prize Christmas tree.
Votes: 55,448 | Gross: $35.03M
27. Broken Embraces (2009)
R | 127 min | Drama, Romance, Thriller
Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.
Votes: 31,505 | Gross: $5.01M
28. Formula 51 (2001)
R | 93 min | Action, Comedy, Crime
An American master chemist plans to score big on a once in a lifetime drug deal. All does not go as planned and he is soon entangled in a web of deceit.
Votes: 43,053 | Gross: $5.20M
30. Monamour (2006)
94 min | Drama
Dario is a little publisher from Milano. He is joining the Mantova Festival Letteratura (Book fair) 2004. Marta, his unsatisfied wife, accompanies him. Leon is a French ... See full summary »
31. All Ladies Do It (1992)
Unrated | 93 min | Comedy, Drama
Diana is happily married to Paolo, but due to her wild passion for sex, she regularly winds up in short lived erotic adventures. She doesn't hide from Paolo, in contrast, she tells him, in order to add fresh impulses in their own sex life.
34. Dead End (I) (2003)
R | 85 min | Horror, Mystery, Thriller
Christmas Eve. On his way to his in-laws with his family, Frank Harrington decides to try a shortcut, for the first time in 20 years. It turns out to be the biggest mistake of his life.
35. Wish You Were Here (I) (2012)
R | 89 min | Drama, Mystery
Four friends lose themselves in a carefree South-East Asian holiday. Only three come back. Dave and Alice return home to their young family desperate for answers about Jeremy's mysterious ... See full summary »
Votes: 4,303 | Gross: $0.05M
36. The Beast (1975)
X | 93 min | Drama, Fantasy, Horror
A late businessman's daughter is heading with her aunt to the estate of her soon-to-be husband, unaware of the strange rumors that cloud the family's name.
39. I'm the Angel of Death: Pusher III (2005)
Not Rated | 90 min | Crime, Drama, Thriller
In this third installment of the 'Pusher' trilogy, we follow Milo (Zlatko Buric), the drug lord from the two first films. He is aging, he is planning his daughter's 25th birthday and his ... See full summary »
40. The Murder Pact (2015)
TV-14 | 85 min | Thriller
Revolves around four friends at a prestigious university whose promising futures are jeopardized when they become connected to the accidental death of a classmate. When another student says... See full summary »
43. Bliss (1997)
R | 103 min | Drama, Romance
A newly married happy couple visits a sex therapist to determine why the wife can't achieve an orgasm with her husband. This causes a horrific suppressed memory to emerge and she becomes more and more distant.
Votes: 1,632 | Gross: $0.21M
44. Dirty Love (2005)
R | 91 min | Comedy, Romance
A jilted photographer sets off on a mission to get back at her philandering model boyfriend and along the way discovers that not all love is created equal.
Votes: 6,102 | Gross: $0.04M
45. Holy Rollers (2010)
R | 89 min | Biography, Crime, Drama
In Brooklyn, a youth from an Orthodox Jewish community is lured into becoming an Ecstasy dealer by his pal who has ties to an Israeli drug cartel.
Votes: 4,281 | Gross: $0.30M
46. Zebra Lounge (2001 TV Movie)
R | 93 min | Thriller
A husband and wife, dissatisfied with their banal suburban existence, take a walk on the wild side one night with a couple they meet at the Zebra Lounge.
47. The Bubble (2006)
Unrated | 117 min | Comedy, Drama, Romance
The movie follows a group of young friends in the city of Tel Aviv and is as much a love song to the city as it is an exploration of the claim that people in Tel Aviv are isolated from the ... See full summary »
Votes: 4,731 | Gross: $0.16M
48. Eat with Me (2014)
95 min | Comedy, Drama, Romance
When Emma moves in with her estranged, gay son, the pair must learn to reconnect through food where words fail, and face the foreclosure of the family's Chinese restaurant and a stubborn fear of intimacy.
49. The Skinny (I) (2012)
103 min | Comedy, Drama, Romance
Director Patrik-Ian Polk provides exciting character developments, brilliant cinematography and life lessons for all, particularly for black LGBT members. Cameo appearances of key actors of the Noah Arc series are visual delights.
50. Ecstasy (II) (2011)
99 min | Drama, Romance
Small drug smuggler from Scotland is trying to figure out his way through life until he meets beautiful girl from Canada who seeks a change after bad relationship she just got out of it.


Tooth Fairy follows Carla who has recently taken care of her sister's son Corey after her death. When visiting Nana to collect Corey's birth certificate, Nana starts to tell the legend of the evil tooth fairy who rips out teeth. Carla is sick of her crazy alcoholic stories and tries to leave, however, a power outage suggests something is amiss, something much more sinister than Carla could imagine.
For the Little Monsters
ChannelOn NowUp Next
- Ch 271The Deeper You DigWhen a girl is senselessly murdered, she proves that love won't stay buried.BodyA group of college co-eds break into a secluded house on Xmas Eve and find themselves entangled in a nightmare steeped in tension, suspicion, double-crossing, and murder where no one is to be trusted.


Morbius was released this week to — shall we say — little fanfare. It dains to be a film about a character few regular cinema-goers knew much about, and attached itself to Spider-man: No Way Home‘s thunder much like its predecessor Venom: Let there be Carnage. I still have not yet seen the latter.
“Wanna go watch Morbius for the lolz?” I texted Joe — a good friend of mine.
And ever dutiful to his movie critiques, he responds, “I had been intending to give it a chance anyway.”
A lesson of intense regret
In an attempt to cure his condition, Michael Morbius creates vampirism. He then regrets that creation and ends up having to correct it. This is the core plot of Morbius.
Perhaps it is poetic Morbuis centres around Morbius’ regret for creating something too horrific for the general populace. Or, at least, utterly laughable considering Morbius‘ reception. On April 5 2022, its critic score on Rotten Tomatoes sits at a measly 16% — remarkably low. To be fair, it is not the only Marvel movie in history to sit so low on the scale, and chances are, it will not be the last. But as its production studio dares to create a Marvel Cinematic Universe of its own (again!), such a score may prove fatal to its efforts.
According to Twitter, Morbius is a bad film worthy of its bad run of empty cinemas and projector crashes.
According to Joe, Morbius is outright dreadful. In fact, when I looked at him as the credits rolled, his hands were pulling his bottom eyelids down to his cheeks, the red of his sockets attempting to pop his eyeballs out of his skull. Perhaps the intention was to destroy his eyes, the trauma being enough to overpower the memory of the movie itself. Quite the scene, to be sure. He was so livid, when we conversed during the wait for the post-credits scenes he strongly disagreed I compared to what I consider the equally flawed Uncharted that was released not long ago. Regular readers of mine may recall I watched The Batman with Joe. He loves that film, and considers it a cinematic masterpiece. Meanwhile, I hate it with a passion. We have different tastes in movies.
Our opinions on Morbius, while not drastically different, continue the tradition of our contending opinions.
For a film in its own right, I hate to admit that I didn’t mind Morbius. On the surface, it is not good, but neither is it the absolute catastrophe many have made it out to be. “Think Iron Man but instead of flying around in an armoured suit he turns into a bat,” was the summary I gave my mother. Perhaps this film was meant to be Jared Leto’s redemption like Iron Man worked for Robert Downey Jr.
It’s when you think back on the events of the film and take into consideration the supposed “character arcs” that things start to crack. You remember certain things or scenes, sit back in your chair and think “hey wait a minute…?” For example, for a story that features a lot of regret, it fails to lean hard into this aspect. The actions within this film don’t have many consequences.
- Sure, Morbius gets stuck hiding away from police, but it appears as nothing more than a mild inconvenience for someone who’s never done much hiding before (or at least, has never done so without significant financial support from a certain backer).
- A trusted colleague of his is killed, but save for a “I didn’t kill her” comment by Morbius, she appears to have only existed for Milo’s transformation’s sake.
- Morbius’ bat-like hearing has no consequence whatsoever. See Daredevil on how that can potentially mess up your protagonist during their training montage. (Were they trying to avoid comparisons?)
- The trailers include scenes that are not in the film. Michael Keaton doesn’t show up until the post-credits.
- The promotional material describes Morbius as an anti-hero. This is inaccurate. There is no “anti” necessary if the events of this film are to be believed.
- Do you know what happened to Morbius’ patient? Neither do I. For someone so important to the first thirty minutes of the film, she gets no resolution. (Why wasn’t she the one killed instead of the nurse?)
- Tyrese Gibson’s character had some kind of contraption on his arm in his final scene of the film (and goes to suspicious lengths to hide it in his pocket throughout the movie) yet nothing ever comes of it.
- Morbius and Martine go from being colleagues to kissing on a roof-top with no build-up. In fact, Leto has more romantic chemistry with Matt Smith than with Adria Arjona, I was suspicious of attempted queer-baiting…
Milo (actually “Lucien”) has a villain arc that left me baffled. What was the plan here? We know the plan is “make Morbius drink human blood, make him accept being a vampire!”, but then he goes ahead and keeps trying to kill him. What was the end-game here? Was his character supposed to be insane in such a childlike way? Why wasn’t this explored earlier? The most we see of him prior to his own ‘affliction’ is that he’s a rich-kid (not that we really see this, either) and got beat up by bullies once about 20 years ago.
And then the film just ends. “As if someone got near to the end of their presentation, turned it off and said ‘alright, I’m done’,” Joe mused, feigning to walk away.
Despite my (and those I know personally) dislike for Jared Leto as an individual, his portrayal of Michael Morbius is entirely respectable. There was a brief moment where a shirtless Leto walks around his lab when I had to think to myself “Why him? Surely many others auditioned for this role, so why him?” His portrayal, while respectable, is not at all unique and I can personally imagine many other people as this character. Unfortunately I was not able to forget that it is the intense “weirds his co-stars out with rats” Jared Leto making me feel pity for Michael Morbius. Damn.
None of this addresses the post-credit scenes that have many online enraged. I can see why. Not only is one of them so hastily patched together, it’s clear Michael Keaton could not be brought back to film a total of three shots in a conversation (instead, the studio having to resort to ADR), but it appears as if Sony’s intention is to keep throwing things at the wall in hopes something sticks.
The Disney Marvel formula continues to elude Sony. Have they not learned their lesson from The Amazing Spider-man? Must we be forced to endure this torture again? Sony certainly wants us to. Morbuis could, and should, be considered its own outing, but it desperately grasps onto other Sony movies through minute references.
Morbius is neither good nor bad. It just is. And maybe that’s the most disappointing thing about it.


“California Dreamin'” by the Mamas and the Papas. You will fall in love with that song (if you haven’t already) after watching this movie. Two stories, entangling into one; both about Hong Kong policemen falling in love with mysterious women. It was recommended by my friend after I said I loved Frances Ha. I don’t know whether you can call this as offbeat romance.. but to me it was, and it’s well worth the watch.
What did you think? Who should watch it?


One of the end credits scenes in this summer's blockbuster Ant-Man featured Captain America (Chris Evans) and The Falcon (Anthony Mackie) finally tracking down The Winter Soldier (Sebastian Stan), whose metal arm was trapped in some sort of vice. We saw a bit more of this scene in the first trailer for Captain America: Civil War, Marvel's first Phase Three movie, which also revealed that The Winter Soldier is starting to get some of his memories back from his childhood with Steve Rogers. While doing press for the international release of The Martian, Sebastian Stan teased that Captain America: Civil War will shed new light on The Winter Soldier's story.
"Where we find him after Captain America: The Winter Soldier, he's in a place where he is learning about himself, and he's discovering - as you saw in the last scene of The Winter Soldier, at the museum - he's starting to put the pieces together, starting to learn about the past. Where he's been. What he's done. And as you'll see in the next movie, it doesn't come without a huge price: emotionally, mentally and... yeah, it's not easy for him to learn about what he's done."
The Winter Soldier, a.k.a. Bucky Barnes, was first revealed in 2011's Captain America: The First Avenger, and he returned in last year's Captain America: The Winter Soldier, where we learned that he was captured by Hydra and turned into The Winter Soldier. While his memories of his childhood friend Steve Rogers were presumably erased by Hydra, we did see at the end of Captain America: The Winter Soldier that he is finally starting to remember who he really was before his transformation. The actor also revealed that he may always have some relationship with Hydra.
"You have to remember it is the same Hydra in a sense that is responsible for him still being alive. And what happened before the movie Winter Soldier - and there will be a lot of things sort of made more clear in Civil War about what happened with him - kind of set up this relationship that he may always have with Hydra, one way or another. Because in a way they are like his second family. If that makes sense."
Anthony Russo and Joe Russo are directing Captain America: Civil War from a script by Christopher Markus and Stephen McFeely, who have written all three Captain America movies. We know from the trailer and promo art revealed earlier this year that The Winter Soldier will be fighting alongside Captain America, as he squares off against Iron Man's team of heroes. Are you looking forward to learning more about The Winter Soldier in Captain America: Civil War?


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camera of the serial killer by bionic7
Lights camera action
Some fat empryo killer
killer whale looks at camera
going in for the killer kiss
Killer at the Met
Killer Camera Rigs that you can build
Watch Out for the Catorgory 5 Bit of a killer drink
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The March 9th Zodiac sign represents the zodiac signs of our planet. The zodiac sign of our planet is known as the sign of the zodiac, which is a symbol that represents a person’s personality. The zodiac sign represents the nature of our souls, and the nature of our actions. It also represents what type of person we are as a person.
In ancient times, the zodiac was thought to be the path people would take to an afterlife. It’s actually more of a metaphor than a literal path. The zodiac sign is a symbol that people associate with a person’s personality. The main symbol of the zodiac is the scorpion, which is a symbol for anger, hatred, and violence.
This is an excellent, if somewhat subjective, comment. It’s not a very clear and concise way to draw a conclusion. For example, Colt may be trying to kill people, but he’s not sure how to do that in the final scene, so he’s just trying to make sense of it. In fact, he doesn’t know what to make of it, so he’s just trying to explain what he means.
A number of the other characters in the film have some very interesting, interesting ideas about how to make sure that the characters are on point. While being able to easily tell how to get the character off of the screen, it’s very easy to get the character off of the screen, because he’s in an instant-message bubble.
This is a great point. It was a little unclear how you could do something like that in a movie, because everyone thinks they’re on the same page. In fact, a certain character in the movie was actually the first to say “I just need to get my thoughts out of my head for a second, I need to think of something else.
In the movie, the character who was the first one to say I just need to get my thoughts out of my head for a second, got interrupted. It wasn’t that he was thinking of something else, it was that he was thinking of getting away from the character he was on the screen with.
This is one of the few things that people who are still feeling the same way about the movie may not be. Because everyone thinks they are on the same page. This could be because everyone is still on the same page as everything else, and the movie is a very different story.
While I feel that it is important to have a clear character in a story, I think that the movie is much better if this is not the case. There is so much more going on in this story, like the fact that the movie is set in a country of the same name.
It is important to mention that the movie is set in a country in the same way that the movie was set in a country. It is important to understand that the movie is not the same as the movie. It will be great if the movie becomes what is known as a “zodiac movie.” This would be a movie that is set in a specific year and a specific country that is the same as the movie. This way the movie can be more about the characters, not the story.
I know this is a general topic, but is it really that hard to understand what we’re talking about? To me, it doesn’t seem so much harder than the movie where we’re watching the stars.
The world of the zodiac is not built from one star to the next, and the zodiac sign is not a good sign for sure. It is very common that it is a zodiac sign, whereas those who call themselves a zodiac do not have the same experience. As a result, the Zodiac signs are very similar to the zodiac signs in the story.


(The Summary of “Noli Me Tangere”)
Basilio returns to San Diego to look for his insane mother. Upon seeing her in the town, he runs after her until they enter the forest owned by the Ibarras. Sisa dies, after eventually recognizing her son. When Basilio regains consciousness, Elias orders him to cremate his him and his mother.


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5-08: Nothing Human
B’Elanna’s live hinges on the controversial help of the holographic version of Dr. Crell Moset, an imfamous Cardassian scientist who performed heinous experiments during the Bajoran Occupation.
5-03: Extreme Risk
The crew is concerned about a disenchanted B’Elanna while they engage in a space race against the Malon to retrieve a valuable probe.
Seven of Nine is recruited by the 29th-century starship Relativity to save Voyager from destruction.
5-16: Dark Frontier, Part II
The Borg Queen tempts Seven of Nine while the crew hatches a plan to rescue her.


As the title suggests, The Bad Guy is about a bad guy, ironically. This is an Italian web series. It was released on the streaming platform, Amazon Prime Video on 8 December 2022. The writers of The Bad Guy are Ludovica Rampoldi, Davide Serino, and Giuseppe G. Stasi.
The directors are Guancarlo Fontana and Giuseppe G. Stasi. The production companies are Amazon Studios and Indigo Film. The producers are Fabiomassimo Dell’Orco and Andrea Passalacqua. The Bad Guy has six episodes ranging from around 47 to 57 minutes.
It follows the genres of crime, drama, and comedy. This Italian web show has received a rating of 7.2 from IMDb, 6.3 from Film Affinity, 93% from Rotten Tomatoes, and 94% from Google users. Since the first season was so popular, the audience is curious about The Bad Guy Season 2 release date.
The Bad Guy Season 2 Release Date
This may be sad news to the fans of this show. Unfortunately, the showrunners have said nothing about The Bad Guy. They have not renewed it. However, they did not cancel it either. The fate of The Bad Guy Season 2 is hanging in the balance. The first season has positive reviews and ratings.
This can act as a factor for the show getting renewed for its second season. But without the official confirmation by the creators, we do not know what will happen. As of September 2023, The Bad Guy Season 2 release date is unknown. If it gets renewed, The Bad Guy Season 2 release date can be as late as 2025.
The Bad Guy Season 2 Plot
We do not know what will happen in The Bad Guy Season 2. If the creators renew it, we can have an idea. The first season of The Bad Guy focused on Nino Scotellaro. He was a magistrate in Palermo, Sicily. He was against the Mafia and worked hard to bring them down. One of his targets was Mariano Suno. Mariano Suno has lots of ties with the Scotellaro family.
He has done them nothing, but wrong. To bring Suno down, Nino Scotellaro takes the help of his sister, Leonarda Scotellaro. She is a Special Forces Agent. One day while trying to bring Mariano Suno down, Nino is trapped in a web. His wife, Luvi is a defense attorney. She tried her best to rid him of the fake accusations, but she failed. Nino gets 15 years in jail. However, he escapes. What follows is his story of getting revenge and trying to bring the truth to light.
The Bad Guy Season 2 Cast
In the first season of The Bad Guy, we have Luigi Lo Cascio in the role of Nino Scotellaro; Claudia Pandolfi in the role of Luvi Bray; Vincenzo Pirrotta in the role of Salvatore Tracina; Selene Caramazza in the role of Leonarda Scotellaro; Giulia Maenza in the role of Teresa Suro; Antonio Catania in the role of Mariano Suro; Fabrizio Ferracane in the role of Cataldo Silvio Maria Palamita; and Ivano Calafato in the role of Vincenzuccio Tracina.
We also see Alessandro Lui playing the character of Matteo Boccanera; Antonio Zavatteri playing the character of Gianfranco Costardello; Francesco Zenzola playing the character of Nicola Pizzilli; Enrico Lo Verso playing the character of Ernesto Lanzardo; Souleymane Seye Ndiaye playing the character of Mario; and Guia Jelo playing the character of Giusy Corifena. There is no cast for The Bad Guy season 2.
The Bad Guy Season 2 Trailer
You will find no trailer for The Bad Guy Season 2 anywhere online. The show has not been renewed yet. But, the trailer for the first season of The Bad Guy is available on sites like IMDb and YouTube. You may also find more previews and teaser trailers.
Where Can You Watch The Bad Guy Season 2 Online?
The first season of The Bad Guy was released on the streaming platform, Amazon Prime Video. This channel holds exclusive streaming rights over the six episodes. The Bad Guy Season 2 is unreleased and not renewed. If the creators took The Bad Guy Season 2 up, we can watch the new episodes on Amazon Prime Video.
Frequently Asked Questions
The Bad Guy Season 2 release date can be as late as 2025. This is because the showrunners have not yet renewed the second season.
The Bad Guy is about a man named Nino Scotellaro who wants justice after his enemies wrongfully convicted him.
There are no episodes for The Bad Guy Season 2, but the first season has six.


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One castaway divides the group of 19 into two tribes. One tribe gets a well-stocked camp, while the other only gets the basics. In the end, the first Survivor is voted off the island.
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Young Jack and the Witch (Dub)
Plot Summary: Jack is a boy who lives with his animal friends Barnaby Bear, Dinah Dog, Squeeker Mouse and Phineas Fox. He's challenged to a race with Allegra, who turns out to be a witch. She takes Jack to the queen witch, Auriana. She plans on turning all her slaves into evil harpies.
Other name: Shounen Jack to Mahou Tsukai; 少年ジャックと魔法使い


The last time she showed up on screen was in 2014's X-Men: Days of Future Past, played by Chinese actress Bingbing Fan.
Chung is the first actor cast in the highly anticipated project.
The Gotham actress has signed on to play the famed character Blink in Fox's Marvel drama pilot, The Hollywood Reporter has confirmed. Deadline has reported that the studio has brought in Gotham Star Jamie Chung as Blink, the mutant whos' main power is teleportation. After being traumatized from having to leave the life she knows, she slowly regains her confidence, and adapts to her new life. Chung will joins Blair Redford (Switched At Birth) as a series regular. Blink's real name is Clarice Fong (Ferguson in the comics), and she has the ability to teleport great distances, and can also focus her powers into blade-like energy.
With FX's Legion out there enthralling and confusing audiences from week to week, that other X-Men-related TV show is starting to pull itself together. Marvel announced the Fox Marvel Jamie Chung casting, and describes her character as a "sarcastic and lively tomboy". Now it appears that Chung's Blink will not be connected to the Blink introduced in the cinematic X-Men universe - though there is always the possibility that could change as additional details emerge.
Fox's untitled X-Men show has Burn Notice's Matt Nix as showrunner, with long-time X-Men movie director Bryan Singer helming the pilot. The character is killed in the film, but she was part of an alternative future that characters like Patrick Stewart's Professor X and Ian McKellen's Magneto were trying to stop. After they are forced to flee from a hostile government, the family join an underground mutant network in order to survive.


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