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Tarzan Goes to IndiaTarzan Goes to India 01 July 1962
Summoned by an Indian princess, Tarzan travels to India where hundreds of wild elephants are in danger. A company is building a hydroelectric dam and the contractors have only a few weeks to finish the job. The building of the dam will flood the valley surrounded by mountains. There is one pass through which the elephant herd can escape but that is being closed. Tarzan comes up against an old nemesis, Bryce, the chief engineer. Bryce undertook a similar dam project in Africa and had a penchant for shooting elephants. It's up to Tarzan to organize the move before Bryce manages to close the pass.
The Legend of TarzanThe Legend of Tarzan 29 June 2016
Tarzan, having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.
TarzanTarzan 17 October 2013
One of the most classic and revered stories of all time, Edgar Rice Burroughs' Tarzan returns to the big screen for a new generation. Tarzan and Jane face a mercenary army dispatched by the evil CEO of Greystoke Energies, a man who took over the company from Tarzan's parents, after they died in a plane crash in the African jungle.
Greystoke: The Legend of Tarzan, Lord of the ApesGreystoke: The Legend of Tarzan, Lord of the Apes 30 March 1984
A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes stumble across the house and in the ensuing panic, both parents are killed. A female ape takes the tiny boy as a replacement for her own dead infant, and raises him as her son. Twenty years later, Captain Phillippe D'Arnot discovers the man who thinks he is an ape. Evidence in the tree house leads him to believe that he is the direct descendant of the Earl of Greystoke, and thus takes it upon himself to return the man to civilization.
TarzanTarzan 18 June 1999
Tarzan was a small orphan who was raised by an ape named Kala since he was a child. He believed that this was his family, but on an expedition Jane Porter is rescued by Tarzan. He then finds out that he's human. Now Tarzan must make the decision as to which family he should belong to...
InsideInside 12 October 2002
A teenage inmate's boxing skills land him in the middle of a turf war within prison walls.
Mowgli: Legend of the JungleMowgli: Legend of the Jungle 25 November 2018
A human child raised by wolves, must face off against a menacing tiger named Shere Khan, as well as his own origins.
Ghosts Can't Do ItGhosts Can't Do It 01 January 1989
Elderly Scott kills himself after a heart attack wrecks his body, but then comes back as a ghost and convinces his loving young hot wife Kate to pick and kill a young man in order for Scott to possess his body and be with her again.
Assassin's CreedAssassin's Creed 21 December 2016
Through unlocked genetic memories that allow him to relive the adventures of his ancestor in 15th century Spain, Callum Lynch discovers he's a descendant of the secret 'Assassins' society. After gaining incredible knowledge and skills, he is now poised to take on the oppressive Knights Templar in the present day.
King of the DancehallKing of the Dancehall 02 August 2017
Nick Cannon directs and stars in this high-energy musical about a young man from Brooklyn who gets caught up in the vibrant Kingston music scene during a visit to Jamaica.
MeteorMeteor 19 October 1979
After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading towards Earth. If it will hit it will cause a incredible catastrophe which will probably extinguish mankind. To stop the meteor NASA wants to use the illegal nuclear weapon satellite "Hercules" but discovers soon that it doesn't have enough fire power. Their only chance to save the world is to join forces with the USSR who have also launched such an illegal satellite. But will both governments agree?
HochelagaHochelaga 01 September 2000
After an unpleasant run-in with a group of bikers, a young convenience store robber (Marc) gets approached by the same bikers to help out with a picnic. After the picnic, seeing he has guts, the bikers propose him for membership. As the story unfolds, Marc winds up questioning his own morality and wondering whether he's going down the wrong path. The biggest problem, however, is that one of his friends got him into trouble, and he has little time to fix it...
MalenaMalena 27 October 2000
On the day in 1940 that Italy enters the war, two things happen to the 12-year-old Renato: he gets his first bike, and he gets his first look at Malèna. She is a beautiful, silent outsider who's moved to this Sicilian town to be with her husband, Nico. He promptly goes off to war, leaving her to the lustful eyes of the men and the sharp tongues of the women. During the next few years, as Renato grows toward manhood, he watches Malèna suffer and prove her mettle. He sees her loneliness, then grief when Nico is reported dead, the effects of slander on her relationship with her father, her poverty and search for work, and final humiliations. Will Renato learn courage from Malèna and stand up for her?


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Posted in India, Russia, Turkey, USA, tagged 3 Dev Adam, Blockbuster, Bollywood, Guardians, Hollywood, Koi... Mil Gaya, Kriish 4, Krrish, Russian cinema, Spider Man, Superhero, The Avengers on January 25, 2017|
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It’s difficult to avoid the influence of superheroes at the cinema today. The blockbuster comic book movies have become staples of not only the American box office, but international theatres as well. Despite the overwhelming visibility of comic book titans like Marvel and DC, many countries have put their own spin on the superhero movie. These are a few of the heroes that have had a lasting impact on the genre or are about to make their own splash.
Russia is not one to be slept on when it comes to film. When they finally decided to try their hand at superheroes, the results did not disappoint. Guardians features a gigantic, musclebound, shirtless man with the head of a bear that fires a gatling gun—and makes American superhero films look positively tame by comparison. The movie focuses on a team of Soviet superheroes made during the Cold War who represent the different nationalities of the former USSR. And it manages to tap into the rich culture of the nation while besting the Americans at their own game for superhero spectacle. A recent trailer has the movie looking better than ever and it’s hard not to be excited for this level of cinematic extravagance. It’s officially being released on February 23, 2017 and promises to become an immediate cult hit, proving there’s more to superheroes than The Avengers.
3 Dev Adam
Spider-Man might be an American hero by origin but his popularity has spawned more than a few imitators throughout the world. Notable among these is the 1973 Turkish action movie, 3 Dev Adam, where Spider-Man is actually the bad guy and fights against Captain America and legendary Mexican luchador, El Santo. Other notable foreign takes on the beloved wall-crawler include the Japanese Spider-Man show where the hero is given his own giant robot and would go on to influence the show that would eventually become Power Rangers. The heroes from Marvel comics are famous worldwide and have long been ripe for licensing through various media, as evidenced through the varying Marvel titles detailed online that are available at popular casino sites. Comic book heroes are frequently used in games like this throughout the world, which only speaks to their incredible appeal. The fan-favourite continues to delight fans
in international markets and his upcoming film, Spider-Man: Homecoming, is sure to be another success.
Of course Bollywood was eventually going to offer its own take on the superhero genre with its trademark flair—but it’s also amazing. The franchise has become the second-highest grossing film series in Bollywood (no small feat) with a fourth film set to come out in 2018. The series began with Koi…Mil Gaya in 2003 before going on to become the incredible franchise it is today. 2013’s Krrish 3 was praised for its spectacular visual effects and broke many box office records upon its release. Those records will likely be shattered upon the release of Krrish 4 as the series manages to combine the song and dance staples of Bollywood with the visual explosiveness of American superhero movies.
These are only a few of the heroes that have helped to showcase the international influence of superhero cinema, but there are many other countries that have offered their own unique spin on the genre. There’s far more to the genre than just what hits the American box office, and the trend of more films like this sprouting up around the world is likely to continue.
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Posted in India, tagged Bajirao Mastani, Battle, Bollywood, Deepika Padukone, Devdas, director, Filmmaker, Goliyon Ki Raasleela Ram-Leela, Kashibai, Love, Mastani, Peshwa Baji Rao, Priyanka Chopra, Ranveer Singh, Romance, Saloni Dhatrak, Sanjay Leela Bhansali, Sriram Iyengar, Sudeep Chatterjee, Sujeet Sawant, Sumptuous, war on November 29, 2015|
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Late in the day it may be, but one of the most visually sumptuous films to arrive in 2015 is surely Bajirao Mastani, by legendary Bollywood director Sanjay Leela Bhansali (Devdas, Goliyon Ki Raasleela Ram-Leela.)
The film features stunning visual work by Cinematographer Sudeep Chatterjee and three Production Designers: Saloni Dhatrak, Sriram Iyengar and Sujeet Sawant. It certainly looks like a herculean cinematic effort and is expected to break box office records this Christmas.
Set in Mughal India and based on the true story of Peshwa Baji Rao (Ranveer Singh), one of India’s greatest warriors, the film follows the fortunes of the ‘Warrior Prince’, his first wife Kashibai (Priyanka Chopra) and the love of his life, his second wife Mastani (Deepika Padukone).
For a look at the film, check out the trailer below:
And for more see the song Deewani Mastani:
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Posted in USA, tagged Armie Hammer, Bollywood, evil queen, Julia Roberts, Lilly Collins, Mirror Mirror, Snow White, Tarsem, Tarsem Singh on April 9, 2012|
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Few contemporary directors walk the line between the sublime and the ridiculous as closely as Tarsem. Mirror Mirror sees the artsy Indian director, whose previous credits include The Cell, The Fall and Immortals tackle the potent but unsettling fairy tale Snow White (which tells the story of a young princess, cast out by her vein stepmother only to be saved by a group of dwarfs and the prince she loves) with a campy sarcastic comedic style; a welcome approach given the story’s old fashioned subtext, hinging on the value of pale skinned youthfulness.
Combining laughs with Tarsem’s meticulous surrealistic aesthetic might seem a little odd, but it works surprisingly well. However, the film gets off to a something of an uneasy start with the narration by the evil Queen (Julia Roberts). Tarsem plays with the idea of whose story Mirror Mirror actually is, the Queen’s or Snow White’s (Lilly Collins). The Queen insists the story belongs to her, but we all know it is Snow White’s – this gives us a feeling akin to starting off on the wrong foot.
As soon as the Snow White character is established though Tarsem gets the storytelling on track. Lilly Collins, for what its worth, is charming as Snow White and refreshingly she doesn’t possess a sickly facade of innocence – this bolsters the film’s self-knowing irony. Collins also plays counterpoint to Roberts’ vein and frankly annoying Queen, giving the dynamic an essential sense of balance.
In line with his tongue in cheek interpretation Tarsem turns the ‘prince saves the princess’ cliche upside down; Collins’ Snow White becomes the motivating hero of the story, saving Prince Alcott (Armie Hammer). This is a significant choice as it undermines Snow White’s beatific innocence and makes her a much more robust female lead. This creates substantial laughs for the female section of the audience, at Armie Hammer’s expense.
Despite its sardonic modern wit Tarsem’s take on Snow White still leaves us feeling slightly uneasy, as we remember that the story’s ultimate horror is to become anything but youthful and pale skinned. It is strange to see that the film doesn’t tackle the plot conclusion with ridicule, while the majority of the film is gladly tongue in cheek. With this said the film does end on a slightly bizarre and unexpected high with a fun Bollywood-style credit sequence – a unmistakable nod to Tarsem’s Indian contemporaries.
Feeling like a mashup of slapstick comedy, Bollywood excess and surrealist pastiche Mirror Mirror is a film that just about comes together stylistically. However, in its treatment of the Brothers Grimm’s irrefutably dark story it would have still benefited from a more acidic kind of wit. It will be interesting to see how this film compares to Snow White and the Huntsman, Rupert Sanders’ darker cinematic take on the same story, due for release in the summer.
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This is my second year participating in the Rule, Britannia Blogathon. In 2020, I reviewed the 2002 adaptation of Nicholas Nickleby, a movie I ended up liking so much, I now want to read the source material. For the 8th annual event, I chose to write about another film from the 2000s; 2005’s Kingdom of Heaven. This is a movie I have heard about, but never got around to seeing. Until this blogathon, it had sat on my DVR for three years. Since the movie stars Orlando Bloom, a British actor, the Rule, Britannia Blogathon seemed like the perfect opportunity to finally check the film out. One of the few things I knew about this movie was that it had something to do with the Crusades. This is a time period I know very little about. However, this didn’t stop me from giving the film a fair chance. What did I think of this 2005 title? Keep reading if you want to find out!
Things I liked about the film:
The acting: As I said in the introduction, Orlando Bloom’s involvement in this project is one of the reasons why I chose to review Kingdom of Heaven. Prior to watching the film, I had seen the Pirates of the Caribbean trilogy, where Orlando consistently portrayed Will Turner. While the character of Balian is similar to Will, each role is distinct. To an extent, Orlando’s performance in Kingdom of Heaven reminded me of Vincent Perez’s portrayal of Yanko from Swept from the Sea. While Balian is a masculine character, he also displayed a gentle charm. A good example is when Balian arrives in Jerusalem. He gives his prize horse to the servant of his opponent. When the servant asks why Balian would make this decision, Balian replies how he doesn’t want the horse to suffer.
In Kingdom of Heaven, Eva Green portrayed a queen named Sibylla. Despite appearing in the movie for a limited amount of time, I did enjoy watching her performance! I noticed how fluid Eva’s emotions were. This allowed her to adapt to any situation her character faced. It also helps that she was able to excel, acting wise, alongside her co-stars. Another character I wish appeared in the film more was King Baldwin IV. Portrayed by Edward Norton, this character was a leper. Therefore, he was completely covered and wore a mask. Edward’s use of body movement and expressive eyes make up for the lack of facial expressions. His approach to his role made King Baldwin IV a compelling character to watch!
The scenery: “Sword and sandal” movies are known for featuring breath-taking scenery. Kingdom of Heaven also brings beautiful scenery to the table, showcasing desert, oceanic, and forest landscapes. Toward the beginning of the movie, Balian resided in the French countryside. This area was surrounded by deep green forestry, the ground and trees lightly covered in snow. As Balian travels to Messina, the city is met with a clear, blue ocean. The hue of the water beautifully complimented the warm sandstone of the nearby buildings. While Jerusalem is in the middle of a desert, palm trees brought a pop of color to the environment. These plants helped make Jerusalem appear as an oasis.
The historical accuracy: I’m not familiar with this particular period in history. But based on the limited information I do know, the movie appeared to be historically accurate. Throughout the film, knight’s armor could be seen. Helmets, swords, and other related gear adopted an older style. Some of the swords boasted jewels, with Balian’s sword displaying a giant ruby. Even the attack towers from one of the film’s battles looked as if it came directly from the time of the Crusades. As I’ve said about other period films, details like the ones I mentioned show how much the creative team cared about the presentation of their project!
What I didn’t like about film:
Sibylla’s unclear motives: During Balian’s time in Jerusalem, Sibylla becomes romantically interested in him. But she’s already married, a fact that Balian himself is aware of. Balian’s reason for going to Jerusalem was to seek forgiveness for his and his deceased wife’s sins. After meeting Sibylla, he, more often than not, doesn’t object to Sibylla’s romantic interest for him. I was left confused on what her motives were for wanting to be with Balian. At times, I wondered if Sibylla’s situation was similar to Rose’s from Titanic, simply stuck in a loveless relationship and desperately looking for a way out. Other times, I thought Sibylla was attempting to seduce Balian toward sin. I wish these motives were clarified in the script.
A limited incorporation of religion/faith: Because Kingdom of Heaven takes place around the time of the Crusades, I was expecting religion/faith to be one of the cornerstones of this story. While the topic is included in the film, its incorporation is very limited. Before watching this movie, I thought the story was going to be similar to 1959’s Ben-Hur, with the protagonist trying to live his life as a man of the people and of faith. But we never get to see Balian’s internal struggle with these responsibilities. Instead, the audience sees Balian resolve smaller non-religious conflicts which lead to a much bigger conflict. Even though people can be seen praying, there is more to religion/faith than prayer. The script relied more on who would rule Jerusalem than how religion/faith played a role within that world.
A more episodic story: When it comes to “sword and sandal” movies, there is usually an overarching conflict the characters work to resolve over the course of the story. But in Kingdom of Heaven, most of the story is episodic. As I said earlier, Balian wants to go to Jerusalem to seek forgiveness for his and his deceased wife’s sins. Once he has achieved his goal, he moves on to another conflict that is resolved within a short amount of time. This is how the story plays out for about the first half of the movie. There is a major conflict that receives a lot of attention in the film’s second half. However, it feels more like a climax than an event the characters are working towards.
My overall impression:
Two years ago, I reviewed 1959’s Ben-Hur, a classic “sword and sandal” film. Despite seeing it for the first time, I was over the moon by the strength of the movie’s quality. With Kingdom of Heaven, I didn’t feel the same way. Yes, the 2005 title is a fine, well-made production. But there were times I was confused as I followed along with the story. Like I mentioned in my review, Sibylla’s motives for being romantically interested in Balian were not made clear. However, this is one example of my confusion. Even though this movie was released over ten years ago, I won’t spoil it for anyone who hasn’t seen it. But I will say that something happens toward the end of the film that left me wondering if everything the characters worked for was worth it. As someone who knows very little about the Crusades, I was hoping to use my movie viewing experience as a learning opportunity. While I did learn some information, I feel there’s far more I need to discover. I’ve heard there is a director’s cut of Kingdom of Heaven. If this information is true, maybe I’ll check it out and see which version I like more.
Overall score: 7.2 out of 10
Have you seen Kingdom of Heaven? What is your favorite “sword and sandal” film? Tell me in the comment section!
Have fun at the movies!
2 thoughts on “Take 3: Kingdom of Heaven Review”
This is a very fine review. I have seen Kingdom of Heaven multiple times and I have enjoyed it. It does depart from history to a degree (for instance, the historical Bailan was a lord, not an blacksmith) and I have to agree that Sibylla’s motives aren’t very clear. One thing I really like about the movie is the portrayal of Saladin. As near as I can tell, it is very loyal to the historical figure. Anyway, thank you so much for taking part in the blogathon!
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You’re welcome and thanks for reading my review! Until I read your comment, I didn’t know ‘Kingdom of Heaven’ was based on actual history. I honestly believed it was a fictional story set within a historical event. Have you seen this film’s director’s cut? If you have, I’d like to hear your thoughts on it.


To this point we’ve really only had Man of Steel when it comes to DC Comics’ attempt to mimic Marvel’s universe-creating success with their collection of comic book superheroes. Come March 25, 2016 that will all change as a new Batman will be introduced in Zack Snyder‘s Batman v Superman: Dawn of Justice, a film that will not only feature both Batman and Superman, but introduce Gal Gadot as Wonder Woman and Jason Momoa as Aquaman, among many other possible surprise character cameos.
Following that film, however, won’t be another Superman movie or even a Wonder Woman movie, those will come, but first will be Suicide Squad from director David Ayer (Fury), but if it’s a universe we’re creating just how exactly will this film play with Batman v Superman?
Well, we already know there is hope Jesse Eisenberg will reprise his performance as Lex Luthor in Batman v Superman, but a new report from Latino Review suggests at least the presence of Batman will be felt, though it doesn’t sound like Ben Affleck will necessarily have much of a part as the Dark Knight in the film, if any at all.
According to Latino Review‘s sources, Batman will be seen as “some sort of big boogeyman that the government REALLY hates.” The source hints at Batman’s back-story in this new iteration of the character saying that prior to the events in Batman v Superman, The Joker (to be played by Jared Leto) is the only one to have really ever met or know Batman, which adds to The Joker’s importance to government agent Amanda Waller (to be played by Viola Davis).
The report hints at the direction the DC Cinematic Universe may go following Batman v Superman, should this prove true that the government is actually working with the Joker, who becomes part of the titular Suicide Squad, an antihero team of incarcerated supervillains who act as deniable assets for the United States government, undertaking high-risk black ops missions in exchange for commuted prison sentences.
The Latino Review report adds that Waller has footage of Batman in action and dialogue where they say Batman is the key to tracking down all “the supers”.
So, the government is working with villains to track down superheroes? Yeah, that could get a little darker than anything Marvel is working with. Suicide Squad arrives August 5, 2016.


If there is one thing that needs to be mocked, it’s the entire Michael Bay “Transformers” film series. However, “Transformers: Revenge of the Fallen” is a special kind of stupid. It is 150 minutes of pure, unfiltered brain damage. It makes the first “Transformers” movie look like “Star Wars”. It even makes the animated 1986 “Transformers: The Movie” seem like an Oscar winning film of great importance.
Of course, that 1986 cartoon movie did have Orson Welles and Eric Idle and Robert Stack in it. So that’s something.
If you have time and need further research and evidence that these movies about brilliant, technologically advanced talking robots that can’t seem to figure anything out on Earth without the help of Shia Effing LeBouf, here’s a nice video for you.


The guys from Entourage seem to really love their DC Comics, as they’ve made another fake promotional poster for the Entourage movie, with the central character of the show Vincent Chase (Adrian Grenier), that reads at the top “From the same producers of Aquaman“.
The poster was tweeted by Calvin Harris who’s starring in the movie, then later retweeted by Warner Bros.
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Event: Bollywood stars Shahrukh Khan and Deepika Padukone were snapped together at Mumbai airport. SRK and Deepika will be seen together in Rohit Shetty's film CHENNAI EXPRESS.
Bollywood director Karan Johar was spotted at the hospital.
Bollywood actress Richa Chadha was spotted at Bandra.
MOHENJO DARO actress Pooja Hegde was spotted at PVR, Juhu.


Former Disney CEO Bob Iger recently discussed the lawsuit against Scarlett Johansson’s Black Widow.
In the entertainment industry, COVID has made a huge impact with studios now releasing movies on the streaming service and skipping theaters altogether. Black Widow is one of the biggest movies to be released at the same time. Bob Iger may have left Disney, but he still plays a role in the decision to submit it for streaming. This move notably led to a lawsuit from Scarlett Johansson than her salary.
“That is a very good question. Instead of talking specifically about her, who I personally like very much, and I think she is really talented. Everything is changing very quickly. It’s unbelievable what technology is doing to disrupt existing businesses, business models, business methods, including how people get paid. Suddenly, we come to a point where digital media is truly transforming the movie business. And many movies, at one point—and we can put Covid aside, but at one point will have to go through that process. Go to the big theater first, and then they immediately switch to streaming. They skip all those steps.”
Bob Iger goes on to explain more about Scarlett Johansson’s changing landscape and release decision Black Widow on Disney Plus with the theatrical release:
“So there, the digital streamer – Netflix or Disney – usually pays a flat fee for the movie, right? And then sometimes it stays on that foundation forever, meaning it doesn’t have any other life. So the revenue that comes with it is, for one, very different in its origins. But two, it’s not like having direct revenue from that movie… So the entire industry is currently struggling to argue over how people get paid in this new world order. And what’s happening with Scarlett is that there’s one – first of all, that Covid is really disrupting what is already a disrupted business. And so first the decision to delay, delay, delay, then finally the decision to skip the cinema, and then go directly to the service. And obviously, that created tension.”
This is the summary for Scarlett Johansson’s Black Widow:
In the Marvel Studios action spy thriller Black Widow, Natasha Romanoff aka Black Widow must face the darker parts of her ledger when a dangerous conspiracy is involved. to her past arose. Pursued by a force that cannot defeat her, Natasha must confront her history as a spy and the broken relationships left behind long before she became an Avenger.
Directed by Cate Shortland from a script written by Eric Pearson based on a story by Jac Schaeffer and Ned Benson, the Marvel film stars Scarlett Johansson, Florence Pugh, David Harbour, OT Fagbenle, Olga Kurylenko, Ray Winstone, Olivier Richters and Rachel Weisz.
Black Widow available on Disney Plus and home media formats. Follow Heroic Hollywood for all the latest news around Bob Iger and the future of the Marvel Cinematic Universe!
The source: New York Times
https://heroichollywood.com/scarlett-johansson-bob-iger-black-widow-lawsuit-addresses/ Bob Iger settles ‘Black Widow’ lawsuit Scarlett Johansson


Raja Natwarlal is a 2014 Hindi crime thriller movie directed by Kunal Deshmukh and starring Emraan Hashmi, Humaima Malik, Kay Kay Menon and Mohammed Zeeshan Ayyub. The movie follows the story of Raja (Hashmi), a small-time con man who seeks revenge from a powerful gangster Varda (Menon) who killed his friend and mentor Raghav (Deepak Tijori). Raja teams up with another con artist Yogi (Paresh Rawal) and his girlfriend Ziya (Malik) to execute a series of elaborate cons on Varda and his associates.
The movie was released on 29 August 2014 and received mixed reviews from critics and audiences. The movie was praised for its performances, especially by Hashmi and Menon, its music by Yuvan Shankar Raja and its cinematography by Aseem Mishra. However, the movie was also criticized for its predictable plot, lack of originality and logic loopholes. The movie was a moderate success at the box office, earning â46.04 crore worldwide against a budget of â36 crore.
If you are a fan of con movies and Emraan Hashmi's charm, you can watch Raja Natwarlal online or download it from various torrent sites. However, we advise you to use a VPN when downloading torrents as your ISP can see your online activity and may throttle your connection or take legal action against you. You can also use Guard VPN to protect your privacy and security online.
Here are some of the torrent sites where you can find Raja Natwarlal in Hindi:
YTS: This site offers high-quality torrents in 720p and 1080p resolutions with subtitles. You can download Raja Natwarlal from this site using this link: https://yts.mx/movie/raja-natwarlal-2014
IMDb: This site provides information about movies, TV shows, celebrities and more. You can also watch trailers, videos and photos of Raja Natwarlal on this site. You can download Raja Natwarlal from this site using this link: https://www.imdb.com/title/tt3483712/
We hope you enjoy watching Raja Natwarlal and let us know your feedback in the comments section below.
Raja Natwarlal is not the first con movie in Bollywood. There have been many movies in the past that have explored the theme of deception, fraud and trickery. Some of the popular con movies in Bollywood are:
Special 26: This movie is based on a real-life incident of a group of con men who posed as CBI officers and raided various places across India. The movie stars Akshay Kumar, Anupam Kher, Manoj Bajpayee and Kajal Aggarwal in the lead roles. The movie was directed by Neeraj Pandey and released in 2013.
Bunty Aur Babli: This movie is a comedy caper about two small-town dreamers who become partners in crime and travel across India conning people. The movie stars Abhishek Bachchan, Rani Mukerji, Amitabh Bachchan and Aishwarya Rai Bachchan in the lead roles. The movie was directed by Shaad Ali and released in 2005.
Bluffmaster: This movie is a remake of the 2000 Hollywood movie Nine Queens. The movie revolves around a professional con artist who teaches his protÃgÃ the tricks of the trade. However, things get complicated when he falls in love with a woman who is also a con artist. The movie stars Abhishek Bachchan, Priyanka Chopra, Riteish Deshmukh and Nana Patekar in the lead roles. The movie was directed by Rohan Sippy and released in 2005.
Oye Lucky! Lucky Oye!: This movie is inspired by the real-life exploits of Devinder Singh alias Bunty Chor, a notorious thief who robbed hundreds of houses across India. The movie follows the life and adventures of Lucky (Abhay Deol), a charismatic and daring thief who becomes a media sensation. The movie also stars Neetu Chandra, Paresh Rawal and Richa Chadda in the lead roles. The movie was directed by Dibakar Banerjee and released in 2008.
Ladies vs Ricky Bahl: This movie is about a charming con man who woos and cheats several women for money. However, he meets his match when three of his victims team up with a smart saleswoman to take revenge on him. The movie stars Ranveer Singh, Anushka Sharma, Parineeti Chopra, Dipannita Sharma and Aditi Sharma in the lead roles. The movie was directed by Maneesh Sharma and released in 2011.
These are some of the movies that you can watch if you like con movies like Raja Natwarlal. Do you have any other suggestions for con movies Let us know in the comments section below. a474f39169


Banjara Cinema Pvt Ltd is a premier organisation based in Mumbai, dealing into organising and establishing film festivals, film production and film promotions.
We are the proud organiser and promoter of the prestigious Banjara International Touring Film Festival-BITFF (formerly Navi Mumbai International Film Festival-NMIFF) which is now into its 5th successful running year and world's biggest travelling film festival spreading across the globe.
Thursday, 26 March 2015
NMIFF welcomes the entry of a short Film “A Matter of Love" from India, Directed By Arindam Mondal.
A boy becomes mad for a girl, and coincidentally finds a earring which he suspects to be of the girl. Strucken by cupid he goes to return the ring to win her love . . . what happens then ???its all about “A MATTER OF LOVE”.


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Big Daddy Kane, BrandonHardin, D.J. Naylor, Dominic L. Santana... more
Jul 08, 2007
I Am Legend
The Great Train Robbery
The '?' Motorist
Dead Heist is a Action, Horror english movie, directed by Bo Webb, starring Big Daddy Kane, BrandonHardin, D.J. Naylor, Dominic L. Santana along with others. Here, on the movie page, you will find every thing that you need to know. Check out what others are saying about the movie on twitter.
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Gulliver’s Travels LA Premiere
He sees small people…at least that’s what Jack Black’s shirt said at the rainy Los Angeles premiere of Gulliver’s Travels.
Well we’ll all get a chance to see small people, including Jason Segel and Emily Blunt’s characters in the 3D adventure fantasy movie when it hits cinemas next week!
At Grauman’s Chinese Theatre Emily was looking gorgeous in her blue and tan dress while co-star Jack was up to his goofy hijinks.
All joking aside though Jack has had some pretty clever things to say about his new movie, “We stay true to a lot of the elements of the original story and I think the spirit of the comedy. It’s a very funny book, but it’s got more politics…
…We didn’t delve too much into that. This is more about the fun adventure. It’s also an exploration of people’s need to be respected. It seems like everyone wants to be a big shot in this world we live in now. And there is so much insecurity about being a small potato.”


Camille Ghekiere is a Belgian director, cinematographer, and producer. She is best known for her work on the feature films Incendies (2010), The Girl (2012), and The White Knights (2015).
Ghekiere began her career as a director in television, directing and producing for shows such as RTBF’s Un Village Francais (2007-2008) and Belgium’s longest-running soap, On n'est pas des anges (2006-2009). She also directed several short films, including the award-winning Ici Pas Ailleurs (2004).
In 2010, Ghekiere made her feature film debut with Incendies, which was selected as Belgium’s entry for Best Foreign Language Film at the 83rd Academy Awards. The film was critically acclaimed, winning numerous awards and earning Ghekiere a nomination for Best New Director at the 2011 Magritte Awards.
In 2012, Ghekiere directed The Girl, a psychological thriller about a young girl struggling to cope with the death of her father. The film was selected for the Un Certain Regard section of the 2012 Cannes Film Festival, and won the Grand Prix at the 2012 Stockholm International Film Festival.
In 2015, Ghekiere directed The White Knights, a drama about a group of aid workers who travel to Africa to help local populations. The film was selected to compete for the Palme d'Or at the 2015 Cannes Film Festival, and won the Grand Prix at the 2016 Ghent International Film Festival.
Ghekiere has also worked as a producer on several projects, including the short film Les Petits Soldats (2009) and the feature films L’étranger (2014) and La Cage Dorée (2013).
Ghekiere is currently in pre-production on her next feature film, a drama set in modern-day Brussels. She is also developing a television series based on a novel by Belgian author Amélie Nothomb.
Ghekiere is a unique and talented director whose body of work showcases her skill in creating both thought-provoking and visually stunning films. Her innovative approach to storytelling has earned her international recognition and respect, and she continues to be an exciting force in the world of independent cinema.


*This review contains mild spoilers*
In the thirteen superhero films that have come out since the first Deadpool in 2016, there’s been talks of when “superhero fatigue” will set in. Apparently not for a while, seeing as in the past three weeks, Avengers: Infinity War has become the highest grossing superhero film of all time. So what better time to poke fun at the superhero genre once again? Deadpool 2 directed by David Leitch (John Wick, Atomic Blonde) is a proudly bloated action-comedy romp, which despite being bolder and in some aspects an improvement on its predecessor, it does lose the freshness that made the original as entertaining as it was.
Ryan Reynold once again stars as Deadpool. As irreverent and crude as ever and suffering from a bout of depression after a personal tragedy, stumbles upon a troubled mutant adolescent Russell (played by Hunt for the Wilderpeople’s breakout star Julian Dennison), who is being hunted down by powerful time-travelling cyborg Cable (Josh Brolin in his 2nd comic book role in less than a month). Deadpool ends up assembling his own superhero team X-Force (a gender-neutral team name Deadpool prides himself on) including luck-based superhero Domino (Zazie Beetz), Bedlam (Terry Crews), the invisible Vanisher and the powerless Peter (Rob Delaney), a character destined to become a cult favourite.
The film’s plot is messy and overstuffed (in lieu of the predecessor’s somewhat streamlined plot) which makes perfect sense for a character as obtuse as Deadpool. The films also tries to be more emotionally driven than the first, but the issue is that despite the filmmaker’s love for these characters, it seems that they are not confident enough in writing serious and legitimately emotional moments without forcing jokes that don’t feel natural.
Which leads to the main issue with the film, while there are truly great jokes and set pieces, Deadpool 2 feels too obvious in the end. Which for a character who’s whole schtick is to be random and obtuse, being obvious and predictable isn’t a good trait. While it tries to subvert many of the tropes within superhero films, some of which work very well, it does rely on way too many cliched conventions itself. Worst of which is the inclusion of the problematic comic book convention of “fridging” (when a female character is killed or injured off as a means to get the plot moving), which is Deadpool’s big driving force in the film.
The film has no shortage of jokes, many of which are based on superhero references. While a large amount of these jokes land exceptionally well, others just feel inserted into the film with no rhyme or reason other than to fill a certain joke quota. It also doesn’t help that many of these said jokes aim to do nothing more than shock. It’s understandable that if you’re going to make a film with a character like Deadpool, there needs to be a lot of jokes, but too many of them feel too artificially placed to really work.
However, while I do sound sour about this film, there is a lot to like about it. With former stunt coordinator turned director David Leitch on board, the action scenes are generally more well-choreographed and dynamic than the standard superhero fare, even if they aren’t as well done as Leitch’s previous outings. When the film’s humour and action scenes visually mesh, it makes for some truly brilliant moments. Most of the cast is charismatic, but unfortunately, a lot of the talent is unfortunately sidelined due to the overstuffed nature of the plot, namely Zazie Beetz as Domino, who feels like a mere supporting character despite Deadpool himself referring to her as a “main character”.
Overall, Deadpool 2 is a film that will have its fans and many of the audience around me were in hysterics throughout the film. While it is undeniably inventive and has many great jokes/sequences in it, it is bogged down by a lot of jokes that REALLY don’t land and awkward scriptwriting. It’s a film that truly misses as much as it hits.


Shawn Mendes: In Wonder full documentary movie available to watch or download on streaming service Netflix from Monday, 23 November 2020 at 1:30 PM IST in the United States. This documentary features Grammy-nominated artist Shawn Mendes with an appearance by fellow nominee Camila Cabello.
About Shawn Mendes in Wonder Movie Netflix
In Wonder follows Shawn Mendes’ journey toward self-discovery, after the physical and emotional demands of his rise, and his last world tour, pushed him towards a personal and musical reckoning.
The documentary is a heartfelt look at a songwriter and performer wrestling with the pressures of stardom and the emotional tolls of coming-of-age while the world watches.
Largely framed around his rise and recent tour, the film offers unprecedented access to Mendes’ private life both at home, and while travelling across North and South America, Europe, Asia and Australia, and features years of footage as he rose from precocious troubadour to global superstar.
This 1h 23min runtime music and concert documentary movie is Intimate, Heartfelt, Inspiring, Emotional, and Feel-Good to watch.
Instead of just watch, if you are a Netflix subscribed user then you can also download Shawn Mendes in wonder full movie, save it on your phone to watch offline later. All you need is a Netflix cheapest subscription plan. Just search the title after login into Netflix and click on the download button right there.
How And Where To Watch?
Watch Shawn Mendes In Wonder full movie, streaming only on Netflix from 23 November 2020 (premiere date) on Monday.


A young nurse is kidnapped by a group of violent teens who escape from a mental hospital and take her on the road trip from hell. Pursued by an equally deranged lawman out for revenge, one of these teens is destined for tragedy and horrors that will destroy his mind, molding him into the monster we now call Leatherface.
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In this grisly remake of the 2002 horror hit, five college chums rent an isolated woodland cabin for a party. But their fun quickly ends when the group is exposed to a hideous flesh-eating virus, and survival becomes the name of the game.
A group of teenage girls heading into the city hook up with a gang of drug-addled ne’er-do-wells and are brutally murdered. The killers find their way to the home of one of their victim’s parents, where both father and mother exact a horrible revenge.
With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family


A Conversation with Ron Bass
Season 10 Episode 13 | 26m 46s
This week on On Story, Academy Award-winning screenwriter Ron Bass discusses his prolific career writing box office mega-hits like Rain Man, My Best Friend’s Wedding, and Sleeping with the Enemy.
Aired: 07/04/20 |
S10 Ep13 | 26m 46s
S10 Ep12 | 26m 47s
S10 Ep11 | 26m 46s
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Independent Lens is America’s home for independent documentary film.
Independent filmmakers present unique stories and characters with a point of view.
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Brings to life compelling stories illuminating the contours of our ever-changing country.
- Local, USA
Local, USA features fascinating stories of diverse people, curated around a single theme.
- Asian American Stories of Resilience and Beyond
A series of seven shorts that reflect the complexities of Asian American experiences.
- REEL SOUTH
A documentary series reckoning with the South's past, present, and future.


Christine Bartlett is a highly sought-after writer for both film and television. She has written six seasons of the acclaimed television series Offspring and Party Tricks for Endemol Shine; The Wrong Girl for Playmaker Media; Mr & Mrs Murder for Fremantle Media; and the award-winning House Husbands for Playmaker Media. She is currently in development on a television comedy series with Endemol and writing and Script Producing a new drama in pre-production with Screentime, for Channel Ten.
Christine’s debut feature, The Wedding Party, screened as the Opening Night film of the Melbourne International Film Festival in 2010 and was voted the most popular Australian film of the festival. The Wedding Party went on to screen at more than 20 international film festivals, collecting numerous awards including Best Feature Film at New York City International Film Festival, Best International Feature at the Manhattan Film Festival, Best Film at the Los Angeles Movie Awards, and both Best Film and Best Screenplay at Los Angeles Comedy Festival.
Christine’s short film Tickler, directed by Clayton Jacobson (Kenny), picked up the Tropicana Award at Tropfest Short Film Festival in 2001 and went on to win numerous awards, screening in festivals worldwide including the Manhattan Film Festival and The Bradbury Festival, London.


Yaathisai Tamil Movie Download Filmyzilla HD 720p 1080p Yaathisai is a Tamil movie set in the 7th century that offers a unique perspective on the political and cultural landscape of ancient Tamil Nadu. The movie subverts audience expectations by focusing on a small group of people, a sub-clan called the Ainar, rather than the more well-known Cheras, Cholas, and Pandiyas. The story follows the rise and fall of Kothi, a member of the Ainar who aspires to lead his people to greatness but succumbs to the temptations of power and luxury when he moves into a palace.
Yaathisai Tamil Movie Download
This article will provide an SEO-friendly review of Yaathisai, discussing the film’s themes, visuals, and performances in depth. In particular, we will explore how the movie uses action scenes to highlight the universal desire for power and authority among men, and how it creates a vivid and immersive world through its cinematography and soundtrack.
Movie Review / Story
The Storyline and Subversion of Expectations
The broad storyline of Yaathisai is as narrow as possible, focusing on the Ainar sub-clan rather than the more well-known Cheras, Cholas, and Pandiyas. This approach subverts audience expectations and allows the movie to create a unique and immersive world. Kothi is the central character of the film, a man who dreams of leading his people to greatness but succumbs to the temptations of power and luxury when he moves into a palace. The movie’s first half is spent exploring the Ainar way of life, which is aboriginal, nomadic, and almost hunter-gatherer in nature.
Yaathisai is a carefully designed film, with a dramatic eye for framing and eye-catching colours. The opening credits list a person for “storyboard,” indicating the level of detail that went into planning the movie’s visuals. One of the loveliest images in the film is that of men climbing the walls of a palace, which is shot with just the right amount of closeness to create a sense of immersion. The use of both modern-sounding strings and tribal instruments in the soundtrack adds to the movie’s immersive quality.
Disclaimer: The below data are compiled from various sources and by our research. These data can be approximated and We do not make any claims about the authenticity of the data.
|Movie Name:||Yaathisai (2023)|
|Movie Director:||Dharani Rasendran|
|Lead Star cast:||Shakthi Mithran, Seyon, Rajalakshmi, Guru Somasundram, Chandrakumar|
|Movie IMDB Rating:||8.7/10|
|Movie Budget:||50 Crore INR (Approx)|
|Production company:||Six-star entertainment, Venus Infotainment|
|Movie Release Date:||April 21, 2023|
|Movie Genre:||Action, Drama, Period|
|Official Sites:||Youtube, Zee5|
|Movie Size:||481MB, 694MB & 1.5GB|
|Movie Format:||MP4, MOV, AVI, MKV|
|Movie Quality:||480p, 720p, 1080p, 1440p (estimated)|
Yaathisai’s action scenes are ferocious and gory, highlighting the universal desire for power and authority among men. The movie’s characters are minimal and functional, with the story essentially serving as a clothesline for a series of action set pieces. The men in the film are out to exert their authority over each other, and this desire for power corrupts and leads to violence. The second half of the movie focuses on the Pandiya king Ranadheera and his showdown with Kothi, which is brilliantly staged with minimalism.
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The actors in Yaathisai, including Seyon as Kothi and Shakti Mithran as Ranadheera, deliver strong performances that capture the brutality and savagery of their characters. The dialogue in the movie is in Tamil but not the Tamil we know, which adds to the film’s ethnographic feel. The use of subtitles in English and modern-day Tamil ensures that audiences can follow the story and understand the characters’ motivations.
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The comparisons between Yaathisai and Ponniyin Selvan are inevitable, but the two movies are quite different in tone and style. While Ponniyin Selvan is a stately and glorious epic, Yaathisai is a furious and gory graphic novel that offers a unique and immersive perspective on ancient Tamil Nadu.
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Disclaimer – Vishalkranti doesn’t aim to market or condone piracy in any way. Piracy is an act of crime and is taken into account as a significant offence under the Copyright Act of 1957. This page aims to tell the public about piracy and encourage them to be safe from such acts. We further request you not encourage or engage in piracy in any form.
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“Jojo Rabbit” stars Roman Griffin Davis, Thomasin McKenzie, Taika Waititi, Rebel Wilson, Stephen Merchant, Alfie Allen, Sam Rockwell, and Scarlett Johansson. Released on October 18, 2019, the film is about a German boy who discovers that his mother is hiding a Jewish girl in their attic.
The film is directed by Taika Waititi, who also directed films such as “Eagle vs Shark”, “What We Do in the Shadows”, “Hunt for the Wilderpeople”, and “Thor: Ragnarok”. It is based on the book Caging Skies by Christine Leunens. There are plenty of people in this world that are selfish and cruel, but none of them are comparable to the lowest of the low, the meanest of the mean, the kings of dread themselves: the Nazis. Lead by the notorious Adolf Hitler during World War II, the Nazis would stop at nothing to dominate our entire planet. Luckily for us, their plan failed and Hitler killed himself to avoid capture. It’s always fun for us to hate on the Nazis for their disgusting deeds, but do you know what’s more fun than hating on them? Making fun of them, of course. After successfully adding some comedic flavor to the “Thor” franchise with “Thor: Ragnarok”, Taika Waititi is returning to his usual low-budget oddball comedy routine with a new film that offers a unique and light-hearted perspective on the Nazis. With a concept like this, there’s no telling how it will turn out. It could turn out to be either oddly entertaining or painfully offensive. Based on the reviews it’s been getting since its premiere at the Toronto International Film Festival back in September, it fell somewhere down the middle, with some critics enjoying how it handled the satirical portrayal of the Nazis, while others think otherwise. This was another film that I was looking forward to since it was released last month, mostly because of Waititi’s involvement and its unusual concept. Now that I finally saw it for myself, does it live up to its hype?
Described as an “anti-hate satire”, the film takes place in Nazi Germany during World War II, where a young boy named Johannes “Jojo” Betzler (Davis) is attending a Hitler Youth training camp. He is supported by his idiotic imaginary friend Adolf Hitler (Waititi), his single mother Rosie (Johansson), and his best friend Yorki (Archie Yates). However, he begins to question his belief in the Nazi way when he finds out that his mother is hiding a Jewish girl named Elsa (McKenzie) in the attic. A plot like this could’ve gone in either direction based on how it was handled. I mean, who wants to see a light-hearted film about the Nazis? Fortunately for me, Waititi was able to make this concept work. By combining the film’s use of dark comedy with its familiar, yet inspiring, themes, it offered a distinctive and heartwarming satire that showcases the power of love over hate. The best way to describe Waititi’s style is that it provided a series of moments that were odd, upbeat, and charming. When he’s not in front of the camera dressing up as the childish Nazi leader, he displayed his own talent behind the scenes by envisioning an unusual fantasy that’s more engaging and delightful than the realistic, cold-hearted nature of the time period. Sure, it’s not as accurate as the history books, but for the sake of maintaining its tone, it hardly needs to. The entire cast was undeniably stunning in their roles, especially Roman Griffin Davis in his feature film debut as Jojo and Thomasin McKenzie as Elsa. Taika Waititi put on a really good show as Adolf Hitler, making him my personal highlight of the film. His satirical portrayal of the infamous Nazi leader was exactly what I wanted it to be: hilarious and somehow relatable. It’s almost as if Waititi read our minds as to what we really thought of Hitler. The humor in the film was well-balanced with a story that’s thoughtful and endearing, although I can clearly understand why it’s not for everyone. It’s full of jokes that poke fun of the Nazis’ personalities and their beliefs, which can be both cleverly funny for those who enjoy well-written black comedies and a bit offensive for those who are sensitive to this type of topic. There were some humorous parts that I thought were hysterical, but there were also some parts that didn’t hit their marks as well as others.
Overall, “Jojo Rabbit” has the right amount of oddities and charm to make fun of the Nazis in the most amusing way possible. It often falls into familiar territory and its portrayal of the Nazis can be a bit insulting for the sensitive ones when it comes to the jokes. Nonetheless, it’s a well-written and humorous satire that once again displays Waititi’s unique filmmaking talent. The cast was wonderful in their roles and the film’s mixture of comedy and heart was nicely executed in terms of Waititi’s direction and script. It’s far from perfect, but it has enough entertaining moments to make its strange concept fun for me. If you’re a fan of Waititi’s other works, you won’t be disappointed with his latest film.


NEW THIS WEEK
Letter grades are listed only when a review is available.
(A) AFTERSUN A woman named Sophie (Celia Rowlson-Hall) looks back on the last vacation she ever took with her father (Paul Mescal), 20 years earlier, in this evocative drama that embraces the inherent messiness and imperfection of memory. Frankie Corio shines as 11-year-old Sophie, dressing, looking and acting like a real kid and not an actor reading lines. R (for some language and brief sexual material). 96 mins. At the Angelika Dallas and AMC Stonebriar.
(B+) ARMAGEDDON TIME Filmmaker James Gray’s unvarnished coming-of-age story draws from his upbringing in 1980s Queens, N.Y. This nuanced exploration of race and class privilege is a refreshingly understated drama featuring strong performances by two young actors, Banks Repeta and Jaylin Webb. Also starring Anthony Hopkins, Anne Hathaway and Jeremy Strong. R (for language and some drug use involving minors). 115 mins. In wide release.
(A) THE BANSHEES OF INISHERIN In one of the best films of the year, a man (Brendan Gleeson) abruptly puts an end to a lifelong friendship with a fellow Irishman (Colin Farrell), leading to alarming consequences for both of them. Banshees is a rich, soulful journey full of agony, dry Irish wit and big, haunting questions. Also starring Kerry Condon and Barry Keoghan. R (for language throughout, some violent content and brief graphic nudity). 109 mins. In wide release.
DEAR ZOE A teen (Sadie Sink) seeks healing after the death of her little sister. Also starring Theo Rossi, Justin Bartha and Jessica Capshaw. R (for some teen marijuana use). 94 mins. At Studio Movie Grill Plano.
THE ESTATE In this dark comedy, two sisters (Toni Collette and Anna Faris) find that they have ample competition from relatives as they try to win the favor of their terminally ill aunt (Kathleen Turner) to inherit her wealth. Also starring David Duchovny, Rosemarie DeWitt and Ron Livingston. R (for pervasive language, brief drug use, graphic nudity and crude/sexual content). 96 mins. In wide release.
(B+) GOOD NIGHT OPPY This heartwarming documentary chronicles a rover that was sent to Mars on a 90-day mission and ended up lasting for 15 years. A lively celebration of unabashed nerdiness and enthusiastic problem-solving, it’s a glossy advertisement for NASA that nevertheless comes by its waves of emotion honestly. PG (for some mild language). 105 mins. In wide release.
I’M TOTALLY FINE In this sci-fi comedy, a woman (Jillian Bell) takes a solo vacation as she mourns the death of her best friend, Jennifer (Natalie Morales). But then Jennifer appears in her kitchen, claiming to be an extraterrestrial. Not rated. 83 mins. At Galaxy Theatres Grandscape in The Colony.
LOCKED-IN SOCIETY Teachers must contend with an out-of-control father in this German comedy. R (for sexual references and some language). 97 mins. In German with subtitles. At AMC Grapevine Mills.
(B-) MEET ME IN THE BATHROOM Inspired by Lizzy Goodman’s bestselling book, this documentary offers a vivid time capsule of New York’s rock music scene in the early 2000s and the rise of bands like the Strokes, LCD Soundsystem, Interpol and the Yeah Yeah Yeahs. If it’s sometimes a little rough around the edges and not always structurally coherent, well, the same was true of these bands. Not rated. 105 mins. In wide release.
NOCEBO A fashion designer (Eva Green) struggling with a mysterious illness turns to a Filipino folk healer (Chai Fonacier) who uses traditional techniques to reveal a horrific truth. Also starring Mark Strong. Not rated. 96 mins. At Look Dine-in Cinemas Northwest Highway.
ONE PIECE FILM: RED In this Japanese anime film — the 15th in the One Piece series — a mysterious pop singer decides to reveal herself to the world at a live show. PG-13 (for violence, suggestive material and language). 115 mins. In Japanese with subtitles. In wide release.
ON THE LINE A radio host (Mel Gibson) must try to learn the identity of a mysterious caller who is threatening to kill the host’s family on the air. Also starring Kevin Dillon and William Moseley. R (for language throughout and some violent content). 104 mins. At Studio Movie Grill Spring Valley.
SHADOW MASTER After being killed by criminals, a man is reborn with supernatural powers and vows to protect the innocent. Starring D.Y. Sao, Layton Matthews, Brian Le and Dominique Swain. R (for strong/bloody violence and language). 90 mins. At Studio Movie Grill Spring Valley.
(B+) SOFT AND QUIET In this tense thriller, a racist elementary school teacher (Stefanie Estes) conscripts a group of like-minded women to harass two mixed-race women. It’s a gripping and stomach-churning observation of contemporary white supremacy. R (for disturbing racial violence, including rape, and pervasive language, including offensive slurs). 92 mins. At the Texas Theatre.
A UNICORN FOR CHRISTMAS A young girl discovers a real-life unicorn at a Christmas carnival in this family drama. Starring Sunny Mabrey, Charlene Tilton, Christian Finlayson and Ed Marinaro. Not rated. 120 mins. At AMC Grapevine Mills and AMC Mesquite.
COMING NEXT WEEK
BARDO: FALSE CHRONICLE OF A HANDFUL OF TRUTHS An acclaimed journalist-turned-documentarian (Daniel Giménez Cacho) returns to his homeland of Mexico in this existential comedy-drama from Oscar-winning director Alejandro G. Iñárritu. R (for language throughout, strong sexual content and graphic nudity). 159 mins. In Spanish with subtitles.
BLACK PANTHER: WAKANDA FOREVER This sequel to the 2018 hit Marvel movie carries on the story of Wakanda after the death of star Chadwick Boseman. Starring Angela Bassett, Letitia Wright, Winston Duke, Danai Gurira and Lupita Nyong’o. PG-13 (for some language, sequences of strong violence and action). 161 mins.
PARADISE CITY Bruce Willis and John Travolta star in this action-thriller about a man seeking vengeance against a Hawaiian crime kingpin. R (for violence and language). 94 mins.
RESISTANCE: 1942 With France under Nazi control, dissident survivors struggle to remain hidden from the occupiers and use a radio to broadcast messages of hope. Starring Cary Elwes, Jason Patric and Judd Hirsch. Not rated. 110 mins.
SAM AND KATE A father and son (Dustin Hoffman and his real-life son Jake Hoffman) fall for a mother-daughter duo (Sissy Spacek and her real-life daughter Schuyler Fisk) in this romantic comedy-drama. R (for language and some drug use). 110 mins.
SPIRITED Will Ferrell and Ryan Reynolds star in this musical version of Charles Dickens’ A Christmas Carol that tells the story from the perspective of the ghosts of past, present and future. Also starring Octavia Spencer. PG-13 (for language, thematic elements and some suggestive material). 127 mins.
(D+) AMSTERDAM Director David O. Russell’s tedious romp centers on a 1930s murder mystery with an ensemble cast that includes Christian Bale, Margot Robbie, John David Washington, Chris Rock and Anya Taylor-Joy. The writing is dull, the acting is dinner-theater caliber and audiences will wonder why they should care about any of this. Amsterdam is dead on arrival. R (for brief violence and bloody images). 134 mins.
BARBARIAN In this horror thriller, a young woman (Georgina Campbell) arrives late at night at a rental home and finds that it’s double-booked, with a strange man already staying there. Also starring Bill Skarsgård and Justin Long. R (for some strong violence and gore, disturbing material, nudity, and language throughout). 102 mins.
(C+) BLACK ADAM This superhero flick isn’t bad; it’s just predictable, stealing from other films like an intellectual property supervillain. But Dwayne Johnson is a natural in the title role, mixing might with humor. PG-13 (for sequences of strong violence, intense action and some language). 124 mins.
(B) CALL JANE Elizabeth Banks delivers her best performance in years in this bracing and intimate drama about a 1960s housewife who joins the Jane Collective, an underground women’s rights movement that helped women obtain illegal abortions. Director Phyllis Nagy eloquently reminds us at every turn that what has been labeled a crime is also a deeply personal medical procedure. Also starring Sigourney Weaver, Wunmi Mosaku, Chris Messina and Kate Mara. R (for some language and brief drug use). 121 mins.
(B-) DC LEAGUE OF SUPER-PETS In this animated tale, Superman’s dog Krypto leads a team of other superpowered animals to save the Justice League after they’re captured by Lex Luthor. It’s a funny, sweet refresh on the DC lore that should please fans old and new. PG (for action, mild violence, language and rude humor). 106 mins.
(A) DECISION TO LEAVE In this sensual thriller, a detective (Park Hae-il) investigating a man’s mysterious death in the mountains begins to suspect the man’s widow (Tang Wei) — while also falling for her. With gorgeously staged scenes and creative camera shots, this is noir at its most nourishing. Not rated. 138 mins. In Korean and Mandarin, with subtitles.
(D-) DON’T WORRY DARLING Olivia Wilde directs and co-stars in this stale psychological thriller about a 1950s couple (Florence Pugh and Harry Styles) living in a strange, closed-off Palm Springs community. To really work, the film needed to reel us in slowly, to be insidious and surprising. Instead, it’s ominous in an obvious way. R (for language, violent content and sexuality). 122 mins.
(C) HALLOWEEN ENDS The Halloween franchise does end, not with a scream but with a whimper, as Laurie Strode (Jamie Lee Curtis) goes up against deranged killer Michael Myers (James Jude Courtney). The film has the feeling of dour obligation, and it’s clear that no one’s heart is really in this anymore. R (for bloody horror violence and gore, language throughout and some sexual references). 111 mins.
(C) LYLE, LYLE, CROCODILE Josh Gordon and Will Speck directed this choppy live-action/animation hybrid film adaptation of Bernard Waber’s 1965 children’s book of the same name about a singing crocodile (voiced by Shawn Mendes) who lives in New York City. The film is a strange beast that can’t decide whether it wants to be a warm and whimsical family adventure comedy or an ironic hallucinatory fever dream geared toward adult viewers. Also starring Javier Bardem, Constance Wu and Scoot McNairy. PG (for mild peril and thematic elements). 106 mins.
(B-) MINIONS: THE RISE OF GRU The fifth entry in the animated Despicable Me franchise offers a slight but satisfying origin story for 12-year-old Gru (voiced by Steve Carell) as he seeks to become the world’s greatest supervillain. This is a perfectly painless romp that should enthrall kids, entertain adults and keep Minions cosplayers employed for many a birthday party to come. PG (for some action/violence and rude humor). 87 mins.
(C) MY POLICEMAN Harry Styles stars as a gay policeman in 1950s Brighton, England, who embarks on a decades-long love affair with a museum curator (David Dawson) despite being happily married to a teacher (Emma Corrin). It’s a respectful drama, watchable enough but unable to build much emotional charge around its exploration of the mysterious lines of love and friendship. R (for sexual content). 113 mins.
PREY FOR THE DEVIL A nun (Jacqueline Byers) sets out to perform an exorcism to save the soul of a young girl (Posy Taylor) and comes up against a demonic force with ties to her past. PG-13 (for violent and disturbing content, terror, thematic elements and brief language). 93 mins.
(A) THE RETURN OF TANYA TUCKER: FEATURING BRANDI CARLILE This compelling, intimate documentary tracks the recording, release and reception of the country star’s first album in 17 years, with the help of singer-songwriter Carlile. It’s a fittingly unconventional portrait of a nonconformist. R (for language). 108 mins.
SMILE After witnessing a traumatic incident that results in a patient’s death, a doctor (Sosie Bacon) starts to experience frightening and unexplainable occurrences. R (for strong violent content and grisly images, and language). 115 mins.
THE SYSTEM After being caught in a drug bust, a military veteran (Tyrese Gibson) is recruited to go undercover in a dangerous prison. Also starring Terrence Howard and Jeremy Piven. R (for violence, language throughout and some drug material). 97 mins.
(A) TÁR Cate Blanchett stars as a groundbreaking German orchestra conductor whose reputation is shattered by revelations about her personal life in this seductive deep dive into a woman’s unraveling psyche. It’s a film about exploitation and self-loathing and compulsion, but with an extravagant eye for beauty and surface polish that makes it deeply pleasurable to watch. R (for some language and brief nudity). 158 mins.
TERRIFIER 2 In this horror sequel, a resurrected Art the Clown targets a pair of siblings on Halloween night. Not rated. 138 mins.
(B-) TICKET TO PARADISE George Clooney and Julia Roberts look like they had a grand time making this Bali-set comedy, starring as a bitterly divorced set of parents whose daughter (Kaitlyn Dever) is fresh out of law school. The familiar beats get played with sincerity, though there’s not nearly as much to laugh at here as you might expect. PG-13 (for some strong language and brief suggestive material). 104 mins.
(A) TILL Danielle Deadwyler delivers a powerful, career-making performance as the mother of 14-year-old lynching victim Emmett Till (Jalyn Hall). Director Chinonye Chukwu shows the brutality of Till’s slaying only obliquely and focuses instead on the aftermath, as the mother fights for justice and finds her voice as a civil rights activist. PG-13 (for thematic content involving racism, strong disturbing images and racial slurs). 130 mins.
(A) TOP GUN: MAVERICK In the long-delayed sequel to 1986′s Top Gun, Tom Cruise returns as Navy aviator Pete “Maverick” Mitchell, who has been trying not to advance in rank for 30 years so he can continue satiating his need for speed. There might be new pilots on deck, but make no mistake: This is a Maverick movie through and through, featuring the kind of nostalgia that delivers everything expected. PG-13 (for sequences of intense action and some strong language). 131 mins.
(B+) TRIANGLE OF SADNESS In this exceedingly uncomfortable and undeniably entertaining satire, which won the top prize at the Cannes Film Festival, a luxury cruise for the ultrawealthy sinks, leaving its survivors stranded on an island and fighting for survival. Starring Harris Dickinson, Charlbi Dean Kriek and Woody Harrelson. R (for language and some sexual content). 149 mins.
(A) THE WOMAN KING Energetic performances and technical precision come together to glorious effect in director Gina Prince- Bythewood’s rousing historical epic, with Viola Davis starring as the general of an all-female warrior army that protected the West African kingdom of Dahomey in the 19th century. It’s a lush, crowd-pleasing piece of entertainment. Also starring John Boyega. PG-13 (for sequences of strong violence, some disturbing material, thematic content, brief language and partial nudity). 126 mins.
Compiled from staff and wire reports


Download Film First They Killed My Father (2017) Sub Indo Full HD Movie Download BluRay 360p, 480p, 720p, 1080p English Subtitle, Subtitle Indonesia Nonton Online Free Streaming Film First They Killed My Father 2017 Full HD Movie Download via Google Drive, Openload, Upfile, torrent. free download film box office terbaru nonton online film First They Killed My Father 2017 Sub Indo full hd movies download with direct link easy download in hindi – Sinopsis film First They Killed My Father (2017) : In the 70’s, a Cambodian middle-class girl sees the lives of her family and her turning upside-down when the Khmer Rouge invades the Cambodia. They leave their comfortable apartment and lifestyle to live in a primitive working camp. Her father, a former officer, is killed and the family splits to survive.
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Time is short so we’ll make this quick. Here’s another new episode of The Flickcast.
In this one the second episode of 2014, Chris and Joe spare to expense and pull no punches discussing the reboot of Point Break, the latest Man of Steel 2 casting rumors, the return of Justified, Sons of Anarchy, Brooklyn Nine Nine, the slow death of Agents of S.H.I.E.L.D., and a whole lot of the more you’ve come to expect from a quality program like this.
This week’s picks include Chris’ pick of the TV show Brooklyn Nine Nine and Joe’s pick of the X-Files Season 10 comic from IDW.
As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.
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It’s been 23 years since the original Wall Street, and Michael Douglas reprises his role as corporate raider Gordon Gekko, freshly released from prison and ready to ascend right back to the top from which he fell. The role of Gordon’s protégé, played by Charlie Sheen in the first film, is filled by current hot-property Shia LeBeouf, the kid who’s been popping up in every big-budget production from Transformers to Indiana Jones and the Kingdom of the Crystal Skull. I’m not entirely sure why.
Here he plays Jacob Moore, a clean-air advocate and propriety trader for the crashing firm of Keller Zabel, headed by his mentor Lewis Zabel (Frank Langella). The reason Zabel’s headed down the tubes is because of a bogus rumor spread by hedge-fund manager Bretton James (Josh Brolin), who purportedly also had a hand in bringing Gekko down. James offers to buy the dying firm for a pittance, which leads Zabel to commit suicide and sets Jake out for revenge.
Jake’s also engaged to Winnie (Carey Mulligan), owner of a fledgling environmental blog and Gekko’s daughter, whose relationship with her father has been estranged ever since the suicide of her brother Rudy. At a signing for Gekko’s new book, Jake meets up with his soon-to-be father-in-law and two form a pact: Gekko will help Jake bring down James if Jake helps Gekko reconnect with his daughter. And all the while Jake struggles to get his pet project, a clean, fusion (I believe)-based energy company, off the ground.
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Welcome to this week’s On the Radar where we delve into all corners of the entertainment, tech and geek Internets for news, views and whatnot that may have escaped our regular coverage this week. Let is know if we missed something interesting. Otherwise, on to the links!
• Remember that guy who reviewed the Star Wars movies? Well, he’s back and reviewing Star Trek now. Still funny.
• Old Spice spokesman Isaiah Mustafa wants to be Luke Cage so badly that he even did a photo shoot to show to studio executives. We think this needs to happen.
• Like fights? Of course you do. So, here’s five classic action hero fights that need to happen.
• Love Glee? Hate Glee? Seriously don’t give a crap either way? If you’re that first one, here’s a preview of next season. The rest of you go watch something else.
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Apparently, the reports of friction between director Michael Bay and hot actress Megan Fox are true as, according to various reports, the actress will not be returning to star in Transformers 3. The studio supposedly did not pick up her option for the third film, which starts shooting this week in Los Angeles. Although, if you believe Fox, the decision to not to appear in the film was actually her’s.
If the studio really did make the decision and Fox is just covering, then I agree it still seems like an unusual move for the studio and director Bay to make, especially as the film has just begun production. To eliminate an actress from a franchise where she plays a pretty large part and is also the love interest is somewhat risky. In addition, previous reports had indicated that writer Ehren Kruger and Bay were planning on creating a ‘female nemesis’ for Fox’s character.
I guess you can forget about that as Bay and company now plan to take the story “in another direction,” and will cast a new love interest. Perhaps said love interest will be a female bad guy? Could be interesting.
But really, the stars of any Transformers film are the robots so what actors star in the film, even though the list has impressively grown for this film with the additions of John Malkovich, Frances McDormand and Patrick Dempsey, are not as important. To be honest, you could probably replace the entire cast with new people and as long as the robots were cool, which let’s face it they are, the movie would still make a ton of money.
Transformers 3 is filming now and will hit theaters, sans Megan Fox, on July 1st 2011.
Things have been pretty quiet for the upcoming sequel to Wall Street since we caught a glimpse of some set photos with Shia LeBeouf and Frank Langella a few months ago. Since then, production has finished up and we finally have a trailer to enjoy.
The film follows almost real-time after the events of the original 1987 film. Gordon Gecko is getting out of prison, and wants back in the game, except everything is different now. Douglas joins in with newcomer LeBeouf, as well as some old friends including Charlie Sheen, Susan Sarandon, and Frank Langella.
Given where the economy and Wall Street is today, compared to 1987, you can expect this film to take an interesting turn and border on didactic. Oliver Stone is returning to helm the sequel, who’s best known for his topical films such as World Trade Center and W, so expect to see some potshots taken at the financial climate.
Check out the first new trailer after the jump, and catch Wall Street 2: Money Never Sleeps in theaters on April 23rd.
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8 of 10 people found the following review helpful
This review is from: Groundhog Day (Collector's Edition) [DVD]  (DVD)
This film can be best described as Family man meets (pursuing his career, to find out he really misses loved ones) Ghostbusters (comical ghost chasing adventure film). Which is perhaps why this is one of the best films I have seen, as it is very funny and a movie which can make light of any situation which makes this movie a worthwhile purchase if you like humour and romance mixed into one.
If you liked Ghostbusters then you will love this, Bill Murray returns in this film as a weather broadcaster and has much the same attitude as in Ghostbusters.
The film is also directed by Harold Ramis, who if you do not know as the director of Ghostbusters then will be more familiar as the Ghostbusters Igon.
The story is about a weather broadcaster (Bill Murray) who has to go to the annual ground hog event, which he hates and has to do every year. However this year is different to all of the rest, as he keeps on reliving the same day with comical, romantic and heroic results.
However if you did not like the comical way of which Bill Murray was associated in Ghostbusters then this film is not for you.
This is a must see film, a classic, in which Bill Murray must find his true self before being able to continue with his life. However whether it is a worthwhile DVD has yet to be seen, as there are no extra features, which give DVD’s in my opinion the added value that you don’t get from tapes.


Wakefield Poole – Bijou (1972)
Acclaimed director Wakefield Poole’s second feature, the surreal and trippy Bijou 1972 , set a new standard for explicit cinema when it opened in 1972.
The film concerns a construction worker (Bill Harrison) who witnesses a car accident and pockets the female victim’s purse in which he discovers her invitation to a club named Bijou. There he enters a strange erotic world where dark fantasies becomes reality. A fever dream blending the erotic and the divine in equal parts, Bijou is a psychosexual puzzle that rewards multiple viewings.
Scanned at 2K from the original 16mm elements and fully restored, this new version of Bijou finally allows the film to be seen in all its original visual splendor.
A straight construction worker witnesses a woman being hit by a car in New York City. On a whim, he steals her purse and finds an invitation to a strange club named Bijou. When he sets off to find the club, Harrison plunges into a world of erotic fantasy fulfilment.
It’s no secret that Vinegar Syndrome has quickly become the gold standard in next generation releases of vintage hardcore films that nobody else would touch with a ten inch dildo. Over the past several months, they’ve brought new life to the works of Bob Chinn, Walt Davis, Roberta Findlay and others, bringing the smut of our forefathers to a new generation of flesh-crazed fiends.
But one thing all of the previous Vinegar Syndrome releases have had in common is the rather standard gender relations component – they’re all films intended for a solely heterosexual audience, save for the Walt Davis films, which were clearly just meant for an insane one. The sex depicted in them is virtually all guy/girl with some girl/girl stuff thrown in for good measure. Lacking in their catalog are any releases geared towards all-male eyes, an audience that grew quite large during the golden age of porn and one with several classics that rank among the best of the era’s hardcore cinema.


Baikal International Film Festival in Russia has awarded Iranian movie ‘Simin’.
Directed by Morteza Atash-Zamzam, the film won the special jury award at the 18th edition of the festival.
‘Simin’ was screened at the event in three separate time slots.
The social drama is about the reasons behind the drying up of Zayandeh Rood, the largest river of the Iranian Plateau in central Iran, and its impacts on people, especially the farmers.
The film has also participated at the 10th edition of the Jagran Film Festival in India.
Established in 2007, the Baikal International Film Festival was founded by the Union of Filmmakers of the Russian Federation and its Irkutsk regional branch and is held with the support of the ministry of culture and the government of Irkutsk region.
The 2019 edition of the festival was held on September 19-23, 2019.


Just like his film, ‘The Last Color’ that is all about promises, director Vikas Khanna sure knows how to keep his word. A few years back, he’d made one to Neena Gupta, the actress of his film, saying that a poster of her from the film will be up on billboards at The Times Square in Manhattan. With posters donning the iconic billboard of one of the most-prominent locations in the world, posters of the film will also be present on buses in the city.
The Last Color, which premiered at the 30th Palm Springs International Film Festival, USA, in January 2019, is finally getting its India release across PVR Cinemas.
Speaking about the film’s release in India, an elated Vikas Khanna said, “I had promised Neena ji that when The Last Color comes out, her picture in the beautiful pink color will be on New York Times Square billboards.
Today, as we release the film for everyone to witness this story of hope and promise, I, too, am going back to fulfil my promises and share with everyone this story with the ever-talented Neena ji.”


In Vijay Sethupathi's upcoming political satire film Tughlaq Durbar, Manjima Mohan plays his sister.
"I was shocked when they asked me to play Vijay Sethupathi's sister. I even asked myself why they even approached me to play sister roles. Later, my manager convinced me to listen to the script and I immediately gave my nod. The role I play is unique and has good scope. I don't have many dialogues but it was challengong", said Manjima in her interview with Vikatan.
Besides Tughlaq Durbar, Manjima also has Vishnu Vishal's FIR. "I play a lawyer in the film and it's a quite powerful role. The film's director Manu Anand is a close friend of mine because he assisted Gautham sir in Achcham Yenbathu Madamaiyada", added the actress


Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Noyce was born in Griffith, New South Wales, attended Barker College, Sydney, and began making short films at the age of 18, starting with Better to Reign in Hell, using his friends as the cast. He joined the Australian Film & Television School in 1973, and released his first professional film in 1977. After his debut feature, the medium-length Backroads, Noyce achieved commercial and critical success with Newsfront , which won Australian Film Institute awards for Best Film, Director, and Screenplay. Noyce worked on two miniseries for Australian television with fellow Australian filmmaker George Miller: The Dismissal and The Cowra Breakout. Miller also produced the film that brought Noyce his greatest acclaim in the United States the thriller Dead Calm which turned Nicole Kidman into a star. His greatest commercial success to date has been the Tom Clancy spy thriller Clear and Present Danger starring Harrison Ford. Noyce achieved great acclaim in Australia for the "stolen generation" picture, Rabbit-Proof Fence, which won the Australian Film Institute Award for Best Film in 2002.


Given the trailers and the pictures, we've been very curious about Ant-Man, Paul Rudd's foray into Marvel's universe of superheroes. The first teaser was itty-bitty, but the trailers and TV spots since have given us a really good look at Rudd as this very different kind of superhero. We've also gotten to see Michael Douglas as Hank Pym, the man who invents the shrinking technology, and Evangeline Lilly as the love interest. Take a look at the new TV spot and trailers below to see more costars, including Corey Stoll as villain Yellowjacket. The movie is out on July 17!
Here's the full trailer:
The last teaser:
And the teaser before that:
And that same teaser in tiny form, as it was first released:


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Directed by: Donovan Marsh
Written by: Don Keith, George Wallace
Starring: Gerard Butler, Gary Oldman, Billy Bob Thornton, Willem Dafoe, Common
Release Date: 2017
Watch the movie trailer of Hunter Killer below:
No Trailer available yet.
An untested American submarine captain teams with U.S. Navy Seals to rescue the Russian president, who has been kidnapped by a rogue general.


123telugu had already reported that Akkineni Nagarjuna will next be seen in the direction of debutante Kalyan. Latest update is that the shooting of this flick is going on a brisk pace and some comedy scenes featuring Brahmanandam and Nagarjuna are currently being shot in Ramoji Film City.
Nagarjuna will be seen in a double role in this film which has ‘Andhala Rakshashi’ fame Lavanya Tripati and Ramya Krishna as the female leads. Radha Mohan has written the story and screenplay for this film which is titled ‘Soggade Chinni Naayana’.
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There's A GUARDIANS OF THE GALAXY VOL. 2 Deleted Scene Featuring Nathan Fillion
Set photos from Guardians of the Galaxy Vol. 2 previously revealed that Nathan Fillion is actually playing Simon Williams aka Wonder Man in the film. Specifically, posters and movie theater marquee signs confirmed that Fillion is playing the actor-version (as oppossed to the engineer or industrialist versions) of the powerful Avenger.
Was Nathan Fillion's [SPOILER] originally meant to actually appear in the film and not just on a background poster? That just might have been the plan if Fillion's Instagram post is any indication.
However, it looks as if Williams doesn't have any of the special abilities that his comic book counterpart received from Baron Zemo and Enchantress- unless Marvel's playing the long game and laying seeds for an incredible payoff down the line.
In an Instagram post, Fillion revealed a behind-the-scenes snap of what was going to be an actual on-screen appearance in Vol. 2 but was ultimately cut from the final edit. Was Fillion also going to play a Ravager? Or were were we going to have a meta-scene in the film with Fillion's Simon Williams playing a human space explorer in one of his movies?
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