After teasing the audiences with little sneak peeks of the movie here and there, the journalist turned scriptwriter, Ashish Ningurkar
has finally released the first poster of the much-awaited film 'Ek Hota Pani'
Taking to Instagram, Ashish shared the poster of his film, and it certainly seems worth the wait.
The poster features National award-winning actor Hansraj Jagtap
who is playing the lead in the film. Actor Hansraj can be seen on a bicycle carrying gallons of water selling it for Rs 5. Rohan Satghar’s directorial is based on a social cause where there is scarcity of water. In the film, Hansraj is portraying the role of Ranga, who will be seen in a unique role in the film.
The film, ‘Ek Hota Pani’ is produced by Vijay Tiwari and co-produced by Dr. Pravin Bhujbal. The film also stars, Shriya Mastekar
, Upendra Date
, Anant Jog
, and Jayraj Nayar
in the pivotal roles.
Although the makers did not reveal the releasing date of the film, the post was enough to create a huge buzz on social media.


Steadicam Battles Overtake the Wartorn Landscape of Molly.
DIRECTED BY COLINDA BONGERS, THIJS MEUWESE/2018 (U.S. Release Date)
BLU-RAY & DVD, VOD RELEASE DATE: OCTOBER 2, 2018/ARTSPLOITATION FILMS
Molly is a low-budget, post-apocalyptic action film that is long on fight scenes and short on story. Co-directed by Dutch filmmakers Colinda Bongers and Thijs Meuwese, the film tells the story of Molly (Julia Batelaan), a genetically-enhanced teenage girl who wanders the wasteland with her pet hawk, doing her best to avoid the rampaging marauders who show up to attack her with tiring regularity. Hearing of her great prowess, the ringmaster of the local fight club named Deacon (an over-the-top but decidedly non-menacing Joost Bolt) lays a trap for Molly, hoping that she would make a great addition to his gladiators who fight chemically-altered, animalistic humans (called “supplicants”) in the ring. Molly must storm Deacon’s offshore platform/fortress and fight… well, pretty much everyone.
With her red hair and ever-ready bow and arrow, Molly’s resemblance to Katniss from The Hunger Games is at times distracting, but Julia Batelaan’s performance is by far the best thing in the movie, managing to be strong and vulnerable at the same time. Despite her superhuman abilities, the fights are not standard Hollywood, over-the-top fare with fifty punches to the head causing only the slightest of bruises. These fights are marathons, with all participants receiving injuries and tiring as they go along. Bongers and Meuwese film these fight scenes in long, Steadicam takes, recalling the work of Alfonso Cuarón, a stylistic choice that feels more impressive than involving, especially the climactic “storming the castle” sequence which is an unbroken, one-shot sequence that lasts for half an hour.
…for all its brutal fighting, Molly is surprisingly tame.
Shot for $310,000, the film belies its minuscule budget in early crowd sequences in the gladiatorial ring, the audience of which resembles nothing so much as a community college performance of Mad Max, but otherwise is surprisingly solid in execution with decent HD videography and production design. Indeed, an unbroken 30-minute one-shot fight sequence would be remarkable in a film with five times the budget, that Bongers and Meuwese would even attempt such a sequence with their budgetary limitations is audacious; the fact that it succeeds at all is remarkable.
Where the film falls down is its lack of memorable supporting characters and world-building. Characters have the barest slivers of motivations and backstories, being there just to fight. And Molly’s entries into the post apocalypse craziness are disappointingly mundane – one wears a top hat, one has a robot arm, one wears a suit and is called “Bob” – they’re all okay, but none come close to the standard set by the masked guy in long underwear playing a flaming guitar from Mad Max: Fury Road, you know? And for all its brutal fighting, Molly is surprisingly tame: a scene where a topless Molly fights off a marauder with a bear trap to the head sounds like exploitation manna but is firmly PG-13 in its execution.
Molly is set to return in Kill Mode, this time directed by Meuwese solo, which has already wrapped filming and is in post-production. One can hope that Meuwese can better balance his filmmaking ambition with solid storytelling in this next chapter. For now, Molly impresses in execution but fails in fundamentals.


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Spoilers for Star Wars: Rogue One and Andor can be found in this article.
Episode 8 of Andor, Narkina 5 has two more well-known actors in addition to Andy Serki’s return to the Star Wars universe: Forest Whitaker as Partisan leader Saw Gerrera and Duncan Pow as Ruescott Melish. While Mel is a prisoner in Cassian Andor’s unit on Narkina 5, Saw meets with Lutheran Rael to discuss future Rebellion intentions on the planet Segra Milo. These characters are crucial for the following reasons.
Since the Clone Wars, when he led Onderonian forces against the Separatists to free his native planet of Onderon from their domination, Saw Gerrera has played a significant role in the Star Wars universe. Gerrera and his militia are sent to be killed by Clone Squad 99 in The Bad Batch when they reject the Empire, but they disobey the order and leave Gerrera and his group to carry on their operations.
The crew of the Ghost in Rebels oftentimes disagreed with Saw because of his severe actions, yet they occasionally collaborated to learn more about the Empire’s strategies.
However, Rogue One is probably how most people are familiar with Saw Gerrera. After her father was abducted by the Empire to build the Death Star, he raised Jyn Erso (Felicity Jones), the movie’s main character. Additionally, Bodhi Rook (Riz Ahmed) searches for Gerrera on Jedha after leaving the Empire. Gerrera’s relationship with Jyn draws her into the Rebellion and ultimately puts her on the path to saving the galaxy, even though Rogue One may be the end of his journey; he perishes after the Death Star’s destruction of Jedha City.
Prescott Melshi plays a significant role in Rogue One even though he may not have the same amount of on-screen experience as Gerrera. Melish is a member of the Rebel task team that rescues Jyn from the prison transport at the beginning of the movie and transports her to Yavin 4. Melish assists Jyn in putting together a team to accompany her and Cassian on their mission to steal the Death Star blueprints once she learns that they are being kept on Scarif. Mel, who perishes along with the other Rebels on the mission, plays a crucial role in preventing the Imperial soldiers from seizing the plans before Jyn can deliver them to the Rebel Alliance.
Knowing where and when Melshi and Cassian first meet will make it interesting to watch how their relationship progresses and whether or not they decide to join the Rebel Alliance simultaneously. Thanks to Rogue One, we know how their stories end, but we don’t yet know how they both came to be important Rebellion operatives.
It’s nice to see Gerrera and Melshi early on in the series as both the Rebellion and Cassian’s part in it are just getting started. Both of them will eventually play crucial roles in the Rebels’ plans to destroy the Death Star. Despite the fact that Gerrera will eventually operate independently from the real Rebel Alliance that Cassian and Melshi join, his background in combating repressive forces makes him an invaluable resource for the show’s expanding Rebel cause.


Back to the Future day!
It’s October 21, 2015, meaning that it’s Back to the Future day! Back to the Future accurately predicted that we would have flat screen tv’s, video calls and a strange sense of fashion. But what about the other things in Back to the Future? What’s happening to the flying cars and the cars that run on garbage. And most importantly what’s happening to the hover boards?! Alice Rennison reports.
More by Panorama
Saturday 11 marked the 99th anniversary of Remembrance Day. Vasiliki Raptis investigated the meaning behind the day and what Remembrance Day means […]


This official tie-in to the highly acclaimed film, The Birth of a Nation, surveys the history and legacy of Nat Turner, the leader of one of the most renowned slave rebellions on American soil, while also exploring Turner’s relevance to contemporary dialogues on race relations.
Based on astounding events in American history, The Birth of a Nation is the epic story of one man championing the spirit of resistance as he leads a rough-and-tumble group into a revolt against injustice and slavery.
Breathing new life into a story that has been rife with controversy and prejudice for over two centuries, the film follows the rise of the visionary Virginian slave, Nat Turner. Hired out by his owner to preach to and placate slaves on drought-plagued plantations, Turner eventually transforms into an inspired, impassioned, and fierce anti-slavery leader.
Beautifully illustrated with stills from the movie and original illustrations, the book also features an essay by writer/director, Nate Parker, contributions by members of the cast and crew, and commentary by educator Brian Favors and historians Erica Armstrong Dunbar and Daina Ramey Berry who place Nat Turner and the rebellion he led into historical context. The Birth of a Nation reframes the way we think about slavery and resistance as it explores the passion, determination, and faith that inspired Nat Turner to sacrifice everything for freedom.
Nate Parker is an actor, director, screenwriter, and producer. Since his breakout role in The Great Debaters, alongside Denzel Washington and Forrest Whitaker—all of whom received NAACP Image Awards for their respective roles—Parker has gone on to star in such films as American Skin, The Secret Life of Bees, Red Hook Summer, and Non-Stop while working with Hollywood greats such as Liam Neeson, Terrance Howard, Cuba Gooding, Jr., and Spike Lee. Parker also works with numerous charity organizations such as 100 Men of Excellence, Boys and Girls Club of America and Peace4Kids. His film The Birth of a Nation sold at the Sundance Film Festival for a record-shattering $17.5 million and is set to release in October 2016.


David Thorpe has made his feature film with "Do I Sound Gay?," an incredibly thought-provoking, funny and layered documentary that we saw at last year’s Toronto Film Festival. It sees Thorpe take a journey of discovery to confront his own anxiety about "sounding gay," bringing along the likes of Dan Savage, David Sedaris, Margaret Cho and Tim Gunn for perspective. The result is an empowering film on a much more complex issue than we might think.
Go see "Do I Sound Gay?" in theaters on July 10th — and enjoy its first trailer below:


A beautifully shot film. These shots are during Production, off the coast of Carolina Beach 1 day before Hurricane Dorian closes in, September 2019. The Penthouse will be released through Lion's Gate Films.
The Myth of Mathew
Shooting slated to begin November, 2019
TeKnocentric has 3 films slated for production in 2020, including a sexy new Action/Thriller.


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The Whole Truth (2016)
The simple act of paying attention ...
can make this a movie enjoyable to watch. It's good; not without it flaws, but good. It needs patience, as it's quiet and slow-building. It delivers its first punch around the one hour mark. Then the second about 20 minutes later...then you're in the ropes (to borrow a metaphor from the movie). It's well acted... but that's all that's well about it. Directing, editing and script are the reason this is a passable but not 'good' movie. As with any old-fashioned whodunnit movie, it's all about attention to detail. And in hindsight, the trailer is pretty clever....especially the last line. Won't give away any spoilers, but the very first clue is in the trailer.
Knock Knock (2015)
This is no 'typical' Eli Roth fare. It builds slow (we're even warned about that in the beginning; both Roth and Evan like building up the anticipation). There's a lot said with images, not dialogue. Like any good film should do. Lots of subtext there - for those who can read it. It's contained. Minimalist. Almost restrained, for Roth. Twisted, dark comedy and underneath that, brilliant, biting satire. Roth and Lopez don't spare anything or anyone. And because of that, reading the audience's reaction in reviews and tweets is about as entertaining as the movie itself. It seems to have hit a few sore spots ;) Also, this movie features what is probably Keanu Reeves' best performance so far. He finally lets loose. So unrestrained, it's beautiful to watch.
Man of Tai Chi (2013)
I think I just found myself a new favorite director
It wasn't exactly a surprise, though. To paraphrase a character from the movie, I knew he had it in him. But knowing and actually seeing are two different things. The movie has an old school feel to it - and yet not. It builds slowly, maybe too slowly for most people's taste. Slowly, subtly, steadily; like the bass line of a Foo Fighters song. Like a lazy snake that uncoils in the sun. Like Chi in meditation. It picks up its pace only after 40 minutes or so. But until then, the audience is given plenty of details, hints and reference to work with - if so inclined. And when things do start happening, it's beautiful to watch. Yes, it does have a few stiff and/or formulaic moments but given the genre and it being a directorial debut, this was inevitable ;) Also, in spite of the genre and the references/homages to other movies,Reeves' directing style is original.He might have been inspired by the masters, but he doesn't borrow from any of them. Like Tiger, Reeves created his own style: ironic,realistic, minimalist, sharp, punctual, complex,subtle, multi-layered. Although being promoted as a 'kung-fu movie', Man of Tai Chi is much more than that. It's a meditation on many aspects and trappings of today's life. But none of them are spelled out in neon letters; it's up to the audience to recognize them. All in all, it's like... a Chinese menu: there's something in it for everyone, but some of the dishes are not everyone's favorites...
If there's one thing the movie fan in me wanted more of, it's real interaction between Reeves' and Karen Mok's characters. I would have wanted to see the sparks fly ;) But the more I think about it, the more I realize that by not including that element, the team made the right artistic decision which served the story, not the sheer entertainment factor. And that's a bold thing to do.
Well done, Mr.Reeves. very well done. Looking forward to the next one :)
Generation Um... (2012)
loved it, loved it, loved it.
an almost unexpected surprise in today's world focused only on feel-good movies. a multi-layered little gem. a story about loneliness, disappointment, pain, despair, and ways to cope with all that. a story about human connection and lack thereof. a story about games of power, seduction and domination. a meditation on how people behave in front and behind a camera. And the camera becomes a fourth character; a silent witness that's central to the plot; a fourth player that changes the rules of the game. it's a story about finding hope - or not. no,it's not everyone's cup of tea. yes, it will make most viewers uncomfortable. but those who have patience with this movie will be rewarded with a story that sticks with them for days. it's haunting. as long as such movies can still be made, there's still hope. it means the moviemakingmagic is still alive.
Side by Side (2012)
It's an ode to cinema,
this film is. It's about marking a turning point in the history of cinema and raising awareness about it. Yes, it's a subject that's been discussed and bitched about for what, 10 years now, ever since Lucas proclaimed that film is dead. But maybe for the first time it brings all the opposite opinions together. Side by side. (Loved the editing - it was just like watching a tennis match) And for people like myself, 'civilian' moviegoers who while watching a movie often found themselves forgetting about the popcorn and instead wondering 'how it's made?', this film is like Christmas in June :) I mean, I've read a bit about film making; I've come across some of the terms and looked up their definition; I knew what a DP does; I've scratched a bit the surface of the whole wide world of movie making. But to have the main processes explained clearly, precisely and in a language I could understand, all this in a one-and-a-half hour film, was like... like attending film school but without the (almost always compulsory) elitism and snobbery ;) :D
And watching the documentary at a film festival was a special experience per se. It was shown in a small old-fashioned theater, with creaking seats and wood floors and velvet curtains and no air conditioning; and old theater where once I used to go watch old cinematheque movies in black-and-white. There was a bitter-sweet irony about it. The audience was formed mainly by film festival guests and film students; people with technical background in movie making, and a few lost souls like myself, who just wanted to watch the documentary we read so much about. And it was a joy to see them react to the technical jokes; to hear a few of them hoot when on the screen someone was talking about the operator and the DP losing their god-like status on the set, or to hear them snicker when Cameron rhetorically asks Reeves 'you've been on a few sets in your life, haven't you?'
It's a film about nostalgia and inevitability, with a very light note of sadness.
But this was just the first date, and I'm quite taken with the film, so I'd really like to get to know it better. You know, take it on a second date, then a third. I'll take it to the movies, the old-fashioned way ;) I'll wine it, dine it, maybe even take it on the obligatory weekend to Paris. It could be the beginning of a long lasting relationship. So, when is the DVD gonna be released ? ;) :)
Lost in Translation all grown-up
Watched Sofia's 'Somewhere'. Loved it. Loved everything about it: the sarcasm of the Foos' 'Hero' playing in the background of the opening scene; the press conference scene; the white mask; and especially the minimalism of it. The way Sofia uses her camera as a detached, silent witness. The way she observes everything, without judging, without blinking, just like Cleo does.
'Somewhere' is Lost in Translation without the glitz and cliché's and the star treatment that made the Academy pay attention; without the 'classic' plot development; without any attempt at humor, except the involuntary moments. It's Lost in Translation all grown-up.
The Hurt Locker (2008)
for once I agree with the Academy... and it scares me ;)
Finally managed to watch 'The Hurt Locker'. And I say finally because I had to watch it in two 'sessions'. Taking a break of two days between the first hour and the second. Can't explain why. Maybe it was just too much. Too much of what? Sheer film, I suppose. There's something haunting and intense about Bigelow's minimalism - as opposed to you-know-who's pretentiousness and grandeur and megalomania. With Bigelow it's all about details. The bullet shell. The wind blowing the dirt. The hungry, dirty, three-legged cats. The Iraqi boys speaking rap slang. And then there's the mix of shaky camera images, documentary-style, and the 'classic film' shots... I also liked the way Ms.Bigelow teased us, bringing in Guy Pearce and Ralph Fiennes only to kill them 5 minutes after... ;) XD
There's probably a lot more to be said about this film, but I can't do it. Can't write about films I really like. Can't find my words. That's why I'll never be a film critic ( thank gods !)
Haven't watched the other nominees for 'best movie' , except for 'Avatar' and 'Inglorious Basterds', but I dare say that for once I happen to agree with the Academy.
And for those who said this film won the awards it did because it sort of glorifies war - opposed to what Cameron's extravaganza did ; WATCH both films, then think again. Most of Bigelow's films are about a certain part of the human psyche. About the need for the adrenaline fix. The way I see it, that's what 'The Hurt Locker' is about, not war per se.
The film had potential. Too bad the angels got to it first.
Just watched Legion (2010) It starts like Terminator. It ends like Terminator, Sarah Connor's bandanna included. And maybe even the guns in the back of the car. Several scenes cry out Matrix reference, but hey, it's almost a must. Besides, Matrix fan here, so I guess this could be a biased perception. The first half of the movie looks like an imitation of 'Constantine'. Francis Lawrence and his director of photography ( one Philippe Rousellot) should be proud. I guess. Heck, even Connie's lighter makes a cameo appearance in this film ! Then it's all a messed-up mix of various references. Matrix, The Seventh Sign (1988) Jet Li movies, you name it. Okay, I know it's a post-post-modern world out there. But there's a fine line between ( close) references or homage and heavy borrowing. And when I hear lines like " Why do you continue to fight? When you know all hope is lost?" and the hero's answer is 'Fuck you", my mind stops and then in a split second pulls out of the archive the 'Oh! In two hundred years we've gone from "I regret but I have one life to give for my country" to "Fuck you!"? I'm glad Neo isn't alive anymore to hear this. :(
And the above reaction/analysis could mean several things. One is that I should stop watching movies in Keanu Reeves movies terms. ( Although it's hard to see how this could be done, as, to quote a friend, I've got Connie engraved on my brain cells. ) . The other, far more disturbing , is that I've fallen into the (amateur) film critic's mind set. Which is something I promised myself ever since listening to the film critics' commentary to the Matrix movies ( shrewd, the Wachowskis are ) - to never let happen. Begone, Satan !
Stop. Replay. The movie, I mean.
and I still see all the above. But I like the idea of Michael being the rebellious one. To quote my friend ( again), "Gabriel is the decision maker, Michael the warrior.[ ] decision makers learn not to second guess themselves - warriors just carry out the judgments [ ] which means that the warrior can take a moment to think it over - and second guess.." I wish the moviemaker would have played with this idea more. Instead, we're given action scenes over action scenes and just a "You gave him what he asked. I gave him what he needed" line. And Michael's little chat with Jeep in the still of the night. But I wanted more talk and less fighting. More food for thought and less action scenes. In the same time, a comment on these pages says : "Jet Li movies have a lot more "kung fu". In fact, so does The Matrix, and that also has gun-fu." (KentaroK) I had to smile. Oh well, can't please everyone
Add to all the above the annoying, 'in-your-ears' too obvious score.
The film had potential. Too bad the angels got to it first.
entertainment ? yes. technical achievement ? yes . but...
*The first duty of a movie is to entertain.* someone said on a blog's commentary section. and by all gods, Cameron's Avatar does that. pity it stops there
It's a 3D special effects extravaganza. It's a movie written and directed by James Cameron, post-Titanic. 'nuff said.
But the characters are sketchy, the lines are clicheistic, and the only one who saves the day, in more ways than one, is Sam Worthington. ( Ribisi is great too, but his part is more of a cameo than a real part ) Strip away the effects and the score and the beautiful CGI scenery of Pandora, and there isn't much to the story. At least not what I ask of a 'good' movie. It's entrancing to watch in 3D on the big screen, yes. But when it ends, I yawned and stretched and felt the need for a coffee. And that was all. Didn't make me want to take a deep breath and reconsider the reality around me. Didn't make me want to buy a ticket for the next show, just to see it again. Didn't make me almost miss a traffic light. Other movie(s) did that. Not this one.
"He's designed it to bring people back to the cinema. [ ] Jim has always said to me that he wants to bring people back to the movies, and he's a smart enough man for that to be tactical." Worthington said about Avatar. Yes, the movie does that. It's a return to the glorious Hwood kind of movies. It does bring people back to the theater. But I'm missing that 'something' ... the 'splinter' the first two Terminator movies left in my mind... Roger Ebert likes it, the Academy will like it but it leaves me wanting more. More what ? Dunno. Maybe real quality storytelling over astonishing cinematography?
Okay, Cameron lured people back to the movies. Now it's time that someone uses this opportunity and gives them also some food for thought. Not only great visuals and popcorn.
great sound editing ;)
I'm watching the movie and I think 'darn, this guy (Snyder) really has an eye for translating graphic novels onto the screen ! he just makes the drawn panels come to life... ... and then I think better about it and realize I'm somehow disappointed. What he did with 300 and Watchmen was to film the drawings, frame by frame... guess I wanted more than that. guess I wanted a re-telling of the story, not just a translation... But it works. it catches the essence of the comics. Maybe Moore should watch the movie. Don't know what he'd think of it, but he should at least watch it.
And the sound editing is just brilliant!
oh, and people, get over the use of the "Hallelujah" song, it was a joke ;) :))


House of Gucci
director: Ridley Scott
writer: Roberto Bentivegna, Becky Johnston
cast: Lady Gaga, Adam Driver, Jared Leto, Jeremy Irons, Jack Huston
release date: November 24th, 2021
House of Gucci is inspired by the true story of the family empire behind the Italian fashion house of Gucci. Spanning three decades of love, betrayal, decadence, revenge, and ultimately murder, we see what a name means, what it's worth, and how far a family will go for control.


Now available on Digital, DVD and On Demand from Uncork’d Entertainment, we have an exclusive clip from 3 Demons that you can watch right now!
"D.M Cunningham’s 3 Demons, a supernatural horror film headlined by Peter Tell, releases this summer from Uncork’d Entertainment. The film, hitting digital and physical platforms July 5, fixes on a Deputy that is tasked with watching over the body of a recently deceased woman until her family can arrive & claim her. As his curiosity gets the better of him, he inadvertently concludes an unfinished ritual. The conjuring now complete, strange & sinister forces begin to target him. As his past is unearthed, he’s forced to face his own demons with terrifying consequences. Haley Heslip, Laura Golinski, Jovonnah Nicholson, Zoë Cunningham, and Sherryl Despres also star."


The biggest question about the 2017 blockbuster Sombra has to do with its soundtrack, which is by none other than Kendrick Lamar.
According to the official synopsis, the film features “the music of legendary hip-hop artist and producer Lamar.”
But who is that producer?
Is this the same one who brought Kendrick Lamar’s album, DAMN.?
Lamar’s name is listed on the credits for this film’s release, but it’s not clear if that’s Lamar or his production company, A-Trak, who worked on the soundtrack.
So, is Lamar the one behind the music for the film?
Is he even the director of the film or is it someone else?
Or maybe it’s the other way around.
According the synopsis, Sombrra is a “story about two girls on a quest to find their own identity as they navigate the treacherous world of the underground rap game.”
So if this is Lamar, the “voice of a character,” then he’s definitely the one responsible for this soundtrack.
Lamar has been rumored to be involved in the production of Sombranas own music.
If this is the same producer who made Kendrick Lamars album, that could explain how Lamar could have possibly been involved.
And what if the movie is about the people on the other side of the game, like the drug dealers?
Or the rappers who use the game to their advantage?
Lamar may not be involved at all, but he could still be in the film.
The film’s trailer has Lamar as a character in it, so he may or may not actually be involved.
In addition, Kendrick Lamar recently posted a photo of himself with his wife, Kylie Jenner, which seems to confirm he’s involved in this film.
Lamar’s wife also recently made an appearance in a Snapchat video, so we’re not entirely sure what’s going on here.
Still, there’s no denying that Lamar is involved in Sombras music.
Lamar is the most well-known rapper in the world and his music is the soundtrack for countless films and television shows.
But is he the one who actually created the music?
It’s hard to tell.
It’s unclear whether or not Lamar’s production company is involved with the film’s soundtrack.
If Lamar is in the picture, then we might be looking at the same guy who created the film, or it could be someone else.
If we have to go back to the movie’s trailer, we can find some clues about this.
In the trailer, Lamar is seen dancing around on a balcony.
He also appears to be holding a guitar, which makes sense since his music has been featured on many other rap albums.
We know that Kendrick Lamar is a producer, so why not the production team behind this film?
Lamar has a reputation as one of the biggest rappers in the game.
It would be a huge surprise if he wasn’t involved in some way with the music in this movie.
The music in Sommras movie is also a huge part of the story, and it could explain why Lamar’s music is featured prominently.
Lamar also appears in a music video for the song “All the Way.”
That song, which was produced by The Weeknd, features an instrumental that sounds very much like the one that Lamar uses on Sombricas song “Pillowtalk.”
So why does Lamar make such a big deal about this soundtrack?
One thing we can be certain of is that this film is about two people on a journey to find themselves.
If the film is a tribute to the people who use Sombraneas music as their “voice,” then Lamar may have something to say about it.
And, as we’ve said before, that’s what makes Lamar one of rap’s most popular artists.
This could explain the film making process.
When the film was first announced, it was revealed that Lamar was in the middle of a music project.
We now know that Lamar did not direct the film at all.
And if Lamar was involved, it’s likely that he wasn: he could be the producer behind this movie, and the producers are always the most visible.
This is also the only film that’s been released so far that’s directed by an African American.
But the fact that Lamar’s musical career is the subject of this film may also be the reason he was not involved in its creation.
It also means that Lamar may be making a statement about the music industry by making a movie about it, and that’s something we don’t often see in the entertainment industry.
If we want to see more movies like this, we need to find more films that focus on the artists who make their music.
Theres always the possibility that Lamar does not even know who produced this film or even that this is his film.
But if he is, then the fact he has a connection to this film


Jeremy Renner lands Kill The Messenger
Story by Jack Foley
JEREMY Renner has landed the lead role in new thriller Kill The Messenger.
Based on the true story of Pulitzer Prize-winning journalist Gary Webb, who committed suicide after being denounced for exposing the CIA’s involvement in helping Nicaragua’s Contra rebels import cocaine into California in the 1980s, the film will be directed by Michael Cuesta.
Writing for the San Jose Mercury News at the time, Webb detailed how the CIA had allowed Contras to smuggle cocaine into the US in order to use the proceeds to fund their war against the Nicaraguan government in the 1980s.
The story proved massively controversial and the newspaper eventually backed down from the story, thereby bringing an end to Webb’s career. He was found dead in 2004.
Shooting on Kill The Messenger is due to begin this summer.
Next story: Zero Dark Thirty backed by 9/11 families


The film Jigsaw, directed by Michael Spierig and Peter Spierig, takes the Saw franchise to new levels of stupidity and nonsense. What started as a thrilling, thought-provoking franchise in the original Saw has now been reduced to a shoddily thrown together movie that does not offer any scares or intensity of its predecessor.
The film introduces the audience to the game with a robber named Edgar Munsen(Josiah Black) who goads the police into shooting and injuring him while he activates a trigger to begin the game. The film then goes to a barn that has five captives in bucket helmets being dragged towards a wall with buzz saws rotating quickly. When the people are prompted to make a blood sacrifice to ensure survival to the next level, they each let the saws cut their skin, allowing them to advance, with the exception of one, who does not make it. After the body of the dead man is strung up for the public to see, it propagates the investigation into the copycat killer, using the same modus operandi as the deceased John Kramer (Tobin Bell), or Jigsaw. The investigation is led by Detective Halloran (Callum Keith Rennie) and Detective Hunt (Cle Bennett), who must invoke the help of forensic scientist Logan Nelson (Matt Passmore) and his assistant Eleanor Bonneville (Hannah Emily Anderson), who has a strange obsession with Jigsaw’s game.
As in the first film, the movie attempts to blur the line between what is right and wrong, and gives the prisoners an out with confessions of their sins. While the prisoners struggle to discover why they were captured, their stories are revealed more and more as the film drags on. The prisoners are Anna (Laura Vandervoort), drug-dealer Ryan (Paul Braunstein), petty robber Carly (Britney Allen), and Mitch (Mandela Van Peebles). The prisoners are very poorly developed and do not give the audience any reason to have sympathy for them.
The devices used by the Jigsaw character to get justice are not very interesting compared to the other films. There are no characters that have any redeeming characteristics in the movie and there are very few scenes that make the audience jump, or even have any sort of fear that the original installment elicits.
Halloran’s character gets much of the focus throughout the film, with his morally ambiguous investigative style. The character is at odds with Logan, as Logan has seen him botch or alter evidence and let people go. This mistrust and deceitfulness between the two attempt to make the viewer question who is right and who is wrong in the ongoing investigation.
After seeing the film, it is obvious that the film is more of a cash grab using the success of the previous Saw movies to make money and capitalize on a weak Halloween market. The film is poorly written, and eventually leads to a climax that is not even interesting. There is no real driving plot throughout the film, and the lack of character development greatly takes away from the final product. The concept of Jigsaw being the judge, jury, and executioner is an interesting concept, but when it is thrown together with no real plotline, the game is not as fun. Rather than seeing this film, I would recommend revisiting the first incarnation.


Ghanaian comedian and actor Richard Asante popularly known as Kalybos has refuted claims that the only role he can play very well in acting is comedy.
Kalybos, who brands himself as the only boss with one “s”, admitted that though comedy has brought him thus far in the industry, he was dynamic and flexible enough to act any role assigned to him and this he said has been evident in some movies he has acted like “A New Flame” which stars singer, Adina. To him, it is important to get your strength as a an actress or actor but you must be an around player so to stay relevant and last longer in the market.
He is on a media tour with fellow actors and actresses to promote the latest movie to hit our TV screens, Away Bus. On the promotion of movies, he was of the view that it is the responsibility of the cast as it is that of the producers to sell the movies to the audience. “If you won’t promote your movie, who should do that for you”, a serious Kalybos rhetorically asked.
Kalybos’ rise to prominence in the movie scenes owes much to CEO of Kofas Media, Kofi Asamoah who brought him into the limelight through his “Boys Kasa” and “Adventures of Kalybos” comic skits. He has gone on to star in movies like Kalybos in China, Amakye and Dede, A New Flame, and the latest yet to be screened, Away Bus.


8 August 2009 | MartinHafer
This is a documentary about the era following WWI and was included on a DVD with the silent film, THE CLINGING VINE. TGHE AGE OF BALLYHOO was narrated by Gloria Swanson and this is odd, as she wasn't even in THE CLINGING VINE, so the tie-in between the two films seems a bit tenuous. It would have seemed to have made a lot more sense to have this documentary bundled with one of Swanson's silent films.
The film is made up of lots of clips from newsreels as well as movies. This didn't work out completely well, as the films were often in terrible shape--grainy and washed out. This could be corrected, to an extent, today but back in 1973 it could not--though I do wonder why they didn't look for better quality film. Additionally, while I have enjoyed some of Ms. Swanson's films, here she is all wrong--with absolutely no energy in the narration--none. Frankly, the script she read and her narration together made me long for the film to end.


Everyone in the Land of Oz knows of The Great and Powerful Wizard of Oz, in fact, even those outside the Land of Oz have heard of the mighty ruler of the emerald city. It's safe to say you don't need to be no cowardly lion or lovable munchkin to know who he is, however, where did he come from and what is his story? Perhaps those who've read the Oz series by L. Frank Baum know, but us simple movie buffs, we have no clue.
Luckily for us, only a short seventy-four years after the release of The Wizard of Oz did Sam Raimi, Joe Roth, Mitchell Kapner and David Lindsay-Abaire create for us a breathtaking masterpiece of an origin story for the mighty wizard who sent Dorothy to receive the Wicked Witch's broomstick.
Oz the Great and Powerful follows the character Oscar Zoroaster Phadrig Isaac Norman Henkel Emmannuel Ambroise Diggs, also known as Oscar Diggs or Oz (played by James Franco), prior to his Wizard title. Oscar is a magician in a travelling circus and much like Dorothy; he gets himself pulled into a tornado in Kansas that transports him to the Land of Oz.
The prequel has us seeing Oscar landing not quite so gracefully in the Land of Oz via a hot air balloon, one that just so happens to have "OZ" detailed into it. It's once crash landing that Oscar meets Theodora (played by Mila Kunis) a beautiful witch in red who informs him that he is the wizard their king had prophesied coming and that he would be the one to save the Land of Oz from the Wicked Witch.
The movie is a warm and light hearted family film with outstanding special effects and equally impressive acting. One does not need to see The Wizard of Oz to understand this film, nor do you need to read any of the books to comprehend the story line. It's a film that teaches us that there is more to life then wealth and power. It teaches us that true greatness doesn't come from how much gold line's your pocket but rather the good that you do, the happiness that you bring and most importantly the happiness and pride you feel in yourself and for yourself.
In Oz the Great and Powerful we witness the wizard transform from a selfish, womanising con-man to the man we know from The Wizard of Oz. We see a man with many a fancy parlour trick to amaze and dazzle but also a man who has learned that all the goodness he has performed during his journey to rescue the Land of Oz has gotten him what he wanted all along, not the selfish path to fame and fortune.
Those who've read the Oz series or seen the original 1939 film, The Wizard of Oz will notice small hints of foreshadowing and references to the original film. You may also be surprised by a few new features added to the Oz world, things you never quite expected. Oz the Great and Powerful is part of an astounding series that amazes both young and old, it has a different feel from The Wizard of Oz but we get a true sense of the Land of Oz in this film. For those effects lovers also, nothing beats seeing the Emerald City and it's surrounding lands in the technology we have today.
If you didn't get a chance to see it in the cinemas, run out and rent a DVD, hire it on Netflix, just obtain the film because it's a spectacular start to what could be a fantastic set of films.
I really enjoyed your review. My 11 year old son & I watched "Oz - the Great and Powerful" on DVD last night. Sam Raimi did wonders containing his creative talents to a PG rating. There were elements of his Spider Man creativity (think Norman Osborne's Green Goblin vs Theodora's green witch). We're looking forward to the next adventure!


Here is the latest in a series of examinations into urban legends about movies and whether they are true or false. Click here to view an archive of the Movie urban legends featured so far.
MOVIE URBAN LEGEND: Vicki Vale was originally going to die at the end of the 1989 Batman.
One of the most difficult decisions that a filmmaker can make is whether or not to kill off major characters in their films. Quite often, characters who were originally meant to die have their lives “saved” later in the film-making process. We’ve spotlighted a few of them over the years, like Robin Williams’ character in Dead Poet’s Society, Duke in G.I. Joe the Movie and even Han Solo in Return of the Jedi. Was Vicki Vale, Batman’s love interest in Tim Burton’s 1989 blockbuster film, Batman (played by Kim Basinger), another example of this trend?
Was she originally going to be killed off in the film?
Read on to find out!
In the simplest of forms, the answer is no, since in Sam Hamm’s original draft of the script for Batman, Vicki survives the film. At the end of the film, it is Vicki’s co-worker, Alexander Knox (Robert Wuhl), who dies at the end at the hands of the Joker (Jack Nicholson).
Batman (Michael Keaton) is badly injured stopping the Joker and the film ends with Vicki helping him to rehabilitate his injuries. Here’s the scene from the script:
I don’t know why I’m doing this. I
half wish you’d stay a cripple.
Ohhhh… you don’t mean that.
(grasping for words)
I don’t, but… I do. It’s just… I
love you, Bruce. I —
(taking her hand)
Vicki. Do you love half of me? Or
all of me?
A hard question for VICKI to answer. She thinks it over for
several beats, then SMILES… SLOWLY, SADLY.
I guess you did it, didn’t you. You
For a moment he stares deeply into her eyes. Then he pulls
her over, takes her in a tight embrace.
I don’t know how to explain this so
it makes sense… but you saved
In addition, none of the other publicly available revisions to Hamm’s script involve Vale dying at the end of the movie. So the answer is a pretty clear no. Except it is worth noting that the film went through many revisions and some notable scenes were basically improvised as producer Jon Peters an director Tim Burton clashed over how to end the film, so I think it is very likely that at one point, they WERE planning on killing Vale off.
In his excellent book, Blockbuster: How Hollywood Learned to Stop Worrying and Love the Summer, Tom Shone wrote about the massive confusion surrounding the finale of the first Batman film…
Things finally came to a head at the climax of the movie, in which Vicki Vale (Kim Basinger) was to have been killed by the Joker, sending Batman into a vengeful fury. Peters decided that audiences wouldn’t accept Batman beating up a 50-year-old man, and so without telling Burton, he reworked it: the Joker would take Vale captive, and drag her up to the top of Gotham cathedral’s bell tower.
It would require an additional 38-foot model of the cathedral – costing $100,000, when they were already well over budget. Burton hated the idea, having no clue how the scene would end: “Here were Jack Nicholson and Kim Basinger walking up this cathedral, and halfway up Jack turns around and says, ‘Why am I walking up all these stairs? Where am I going?”‘ “We’ll talk about it when you get to the top!” Burton called back.
“I had to tell him that I didn’t know,” Burton recalled. “The most frightening experience of my life. I knew they had to go up to the bell tower and they better do something up there. That was always a given. But what? Help me! Help me! It was one of those nightmares where you’re feeling big and small at the same time. Here you’ve got this big production with all these people waiting around and you’re supposed to be shooting this sequence that suddenly goes wrong. I thought, ‘My God, why didn’t I see it to begin with? How did I let this happen?
Shone goes on to tell an amusing story about how frustrated Nicholson eventually got with the shoot, especially when he felt that Peters had reneged on a deal to foot the bill of special leather jackets for the crew. Go read his book!
In their book on Jon Peters (and Peters’ longtime production partner, Peter Guber), Hit and Run, Nancy Griffin and Kim Masters also wrote that Peters changed the ending of the film to keep Vale alive, as Peters presumed that audiences would be horrified at her dying (also, since the film suggests that the Joker killed Batman’s parents, did Batman really need extra motivation to hate the Joker?). So I tend to believe that yes, at one point, Vicki Vale was going to die in the film. However, I think things were in such flux that I doubt it was ever even firmly established in Burton’s mind that she was going to be killed off.
In either event, the legend is…
STATUS: False (with some truth mixed in there)
Thanks to Tom Shone, Nancy Griffin and Kim Masters for the information regarding the ending of the film.
Feel free (heck, I implore you!) to write in with your suggestions for future installments! My e-mail address is email@example.com.


The gang from Super Troopers are back and the long anticipated sequel to the monster comedy smash finally has a release date.
Fox Searchlight has unveiled the first teaser trailer for Super Troopers 2 that will appropriately land in theaters on April 20, 2018, i.e. 4/20, and give us a whole new level of hijinks for the Vermont State Troopers and their merry antics.
The entire cast is back, including Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter and Erik Stolhanske all returning to their roles originated in the 2001 original. Even Brian Cox is back as their trusty captain.
We still don’t know much about the sequel’s story, but one thing that we can glean from the teaser is that the tone has remained the same, thankfully.
Look for the sequel next April to also star Rob Lowe and Emmanuelle Chriqui.


A number of US outlets are reporting that the producers of "IT" have optioned another novel, "The Girl Who Loved Tom Gordan," by the master horror writer. Producers are still looking for a screenwriter for the movie version of the 1999 novel.
The works of Stephen King are enjoying a new wave of interest as of late. Besides the impending release of the "IT" sequel, another one of his novels, 1999's "The Girl Who Loved Tom Gordon," is set to get its own movie adaptation.
The project is helmed by Chris Romero, widow of famed horror director George A. Romero, who was involved in the first, shelved early-2000s adaptation. The filmmaker behind "Night of the Living Dead" had worked with King on 1982's "Creepshow," and then again on 1992's "The Dark Half."
"The Girl Who Loved Tom Gordon" tells the story of a little girl who gets lost in the woods during a hike with her brother and recently divorced mother. She then wanders the woods for several days, looking for a charitable soul, getting weaker and weaker by the day. Falling prey to dehydration, she begins hallucinating that her idol, baseball player Tom Gordon, is accompanying her on her trek. Despite consuming hunger, the young girl is convinced that she is being pursued by an evil creature.
"I'm thrilled that my book is being brought to the screen, and that George's company is involved. Chris has worked long and hard to make this project happen," said King in a statement released Wednesday.
The horror novelist continues to be a bottomless well of inspiration for American filmmakers, with the upcoming releases of "IT Chapter Two" and "Shining" sequel "Doctor Sleep" starring Ewan McGregor.


Bollywood Love Story
"For example, boy meets girl, they fall in love, they want to express their love for each other. So in the West, they would kiss, and they're in love. In India, we have a song," Abhi says. "You have this intimate moment, and suddenly—snap, cut—you're in the mountains singing and dancing!"
"It's so much fun," Ash says.
Hollywood and Bollywood also operate on different production schedules. Most American actors make one or two films a year, while Bollywood stars appear in five or six movies a year. "We're both working on, I think, four films currently," Abhi says. "So we're always busy."
When they do have a moment to themselves, Ash and Abhi don't travel to exotic locations or hit Mumbai's hottest clubs. Instead, they spend time at home. "It's just normal time," Ash says. "We like to hang at home, really spend time with each other, with family and friends."


In a time where the lack of ethnic representation in film is a growing topic of concern, more casting directors and producers have taken on the initiative for the inclusion of a culturally diverse cast. It is evident that there is much racial discrimination in this world and the film industry shows it. Filmmakers like Jordan Peele make it a priority to reveal the racial disparities in the current generation through their work. What’s unique about Producer Steven Grisales’ work, is he takes on racial discrimination from an interesting perspective. In his film We are the Heat, Grisales uses an ethnic cast to highlight the discrimination ethnic groups unfortunately often face within their own communities.
We are the Heat explores the powerful narrative of Harvey and his three friends who use Salsa Choke as a way to connect with their culture and escape a poverty-stricken Buenaventura, Colombia. It is the dance that allows the protagonist to connect to the other characters and not be afraid of his authentic self, despite feeling like an outsider in his own community because of the color of his skin.
When Harvey goes on stage, he is no longer in the shadows where his society hides him and expects him to stay. He is connecting with his culture and embracing who he is at free will. The significance in Harvey and his friends performing Salsa Choke is the fact that Salsa Choke is a Colombian rhythm and Harvey is an Afro-Colombian. Because Harvey and his friends are Afro-Colombian, they are often seen as lesser or having no connection to Latin roots despite speaking Spanish and residing in the same region as their critics. Dancing Salsa Choke allowed Harvey to implicitly denounce the discriminatory views of his critics.
In his film, Grisales explores another culture within the Latino community that is often overlooked. We are the Heat opens viewers to racism from another angle; an angle that is often disregarded. Grisales allows viewers to see colorism in full effect in the Afro-Colombian community. The National Conference for Community and Justice defines colorism as: “a practice of discrimination by which those with lighter skin are treated more favorably than those with darker skin.” From the start of the film, the audience is automatically introduced to colorism as they see Harvey being thrown overboard and insulted with racial slurs due to his skin color, by men within his own ethnic community. This is the same kind of colorism and lack of acceptance that many ethnic backgrounds face within their own communities. This is what the producer found important to emphasize in the making of this film.
In the making of We are the Heat, Grisales had a vision. He hoped for this film to not only display the accurate realities of colorism across the Afro-Latino community — but to have the characters in the film serve as a hero to many and represent the harsh realities the residents in the area faced. By using real dancers, it gave people a great figure to look up to. Grisales also explains how the goal as producers of the film was to open the eyes of the conditions in which these people lived.
“When we made the film, we wanted it to be a movie that could connect with the people, with everyone, we didn’t design it to be in festivals or to be in Cannes or to be in Berlin as our main goal. We wanted a movie that could connect with the audience,” Grisales noted.
Not many filmmakers consider the final product of their film in the way that Grisales does with We are the Heat. Grisales had a multifaceted vision for his film, bearing in mind the audience of the movie, the people of the land, the colorism and racial disparities of the Afro-Colombian community, and the obstacles that rose with film production. Altogether, Grisales produced an amazing result defying critics who believed that producing a film with Afro-Colombians as the main focus would equate to a lesser result.
Grisales proved critics wrong with an elaborate product delivered with such execution. This is a film to watch in an era where racial cognizance is a growing approach to society’s changing values.
“This is the best experience I’ve had in my life making this film. Making this film was an act of collaboration with a lot of people.” – Steven Grisales
We Are The Heat is currently available on Video On Demand.
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Beverly is a Technical Writer by profession who enjoys all things celebrity news and pop culture.


The Lost Prince (2003)
This historical drama from director Stephen Poliakoff was produced for and originally aired on the BBC. Miranda Richardson and Tom Hollander star as Queen Mary and King George V. After discovering that their son Prince John (Daniel Williams and Matthew Thomas) suffers from epilepsy and learning disabilities, the royals have the boy sent off to be raised in a rural farmhouse, lest he tarnish the family's image of superiority. Removed from the public eye and the attention of his parents, Prince John forms a loving bond with his nurse, Lalla (Gina McKee). ~ Matthew Tobey, Rovi … More
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Audience Reviews for The Lost Prince
Oh that BBC! Another wonderful production. Moving. Inspiring. All around really well done biodrama. Tissues a must by the time it all wraps up...More
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Not Rated | | Documentary
A documentary about typography, graphic design, and global visual culture.
Type is saying things to us all the time. Typefaces express a mood, an atmosphere. They give words a certain coloring.
Michael Bierut: Everywhere you look you see typefaces. But there's one you probably see more than any other one, and that's Helvetica. You know, ...
$16,614 (USA) (18 September 2007)
$204,000 (USA) (1 June 2008)
See what the IMDb editors are excited to watch in November, check out our guide to horror, streaming shows, superheroes, and more.


Laguna Acquires Two 3-D Films From Peruvian Animation House Alpamayo9 Feb, 2008 By: Angelique Flores
Laguna Productions has made more strides in diversifying its catalog. The latest addition comes from Peruvian animation house Alpamayo Entertainment.
Laguna will release on DVD Pirates March 18 (prebook Feb. 19) and Dragons April 8 (prebook March 7). Each title will be priced at $14.95.
These are the first 3-D animated features made in Peru, said Monica Ricardez, Laguna's director of business and market development.
Laguna has translated the films into English and recorded English-language voiceovers to reach a wider audience from the younger Latino generation, which may not speak Spanish as a primary language, to the non-Spanish-speaking cross market, Ricardez said. Laguna has brought these films to the United States for international distribution and will market them primarily as English-language films to make them more attractive in the U.S. market.
While the stories of each of the films are universal, Pirates has a Peruvian flavor in that it addresses a historical event in Peruvian history.
“These are great animated feature films that represent the diversification of our catalog,” Ricardez said. “They are proof of the talent and quality of Latin animators outside of the United States.”
The DVDs will contain both the new English-language track as well as the Spanish-language tracks from the original productions.
The original films Dragones: Destino de Fuego (2006) and Piratas en al Callao (2005) had limited theatrical releases in Mexico, South America and Central America. Piratas also screened at Chicago's International Children's Film Festival and garnered an estimated $500,000 at the box office.
The two films are the first animated films that Laguna will distribute, and the company expects they will appeal not only to kids, but also to the entire family.
Laguna's acquisition of these films demonstrates the company's expansion of its catalog in an effort to cater to a diverse Latino market. The company has acquired more films targeted at younger Latino audiences, from children to young adults, as well as more family-friendly fare. Such releases include the novelas “Las Juanas” and “Como en el Cine” as well as the films Cielo and La Sorpresa, which feature young, contemporary Mexican actors.


Born - January 08, 1931 in Bogra, Bangladesh
Tarun Majumdar is a popular Director. Latest movies which Tarun Majumdar has directed are Kancher Swarga, Nimantran, Path Bhola, Bhalobashar Bari and Sajani Go Sajani. Tarun Majumdar was born on January 08, 1931.
Last Updated : Mar 24, 2023, 12:58 PM IST
Friends, co-stars and fans remember actor Abhishek Chatterjee on his death anniversary
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KIFF to start with 1973 blockbuster 'Abhimaan'
Films from 42 countries to be screened at Kolkata International Film Festival
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Best Feature Film with Mass Appeal, Wholesome Entertainment and Aesthetic Value
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Tollywood Superstar Mahesh Babu and hattrick director Anil Ravipudi's first outing together 'Sarileru Neekevvaru' is one of the much-anticipated Sankranthi releases next year.
The makers have been busy with the promotions of the film and the recently released teaser and singles have received a decent response from the audience. Now, the makers have released the third single from the film 'He's so cute'. Music by Devi Sri Prasad is beautiful. It is a romantic single between Mahesh Babu and Rashmika Mandanna. The lyrical video also showcased some cute scenes between them. The high spirited voice of Madhu Priya is also too good. Lyrics by Srimani are impressive. It seems like DSP has given some good tunes for the film.
Sharing the song online, Mahesh Babu wrote, "Here it is... He's So Cute song for you :) #SarileruNeekevvaru @AnilRavipudi @iamRashmika @ThisIsDSP @RathnaveluDop @AnilSunkara1 @ShreeLyricist"
Prakash Raj, Subbaraju, Vennela Kishore and others are playing crucial roles in the film. Dil Raju and Ramabramham Sunkara are the producers of the film. The movie will hit the theatres for Sankranthi next year.


At first glance, horror and romance don’t seem to fit together very well, but you try telling that to to the all the zom-coms and sex allegories that litter the genre.
Horror is a great way to explore a variety of different themes, which is why it can be pushed in the direction of any calendar celebration and churn out a halfbreed monstrosity like only horror can. St Patrick’s Day? Try the Leprechaun films. Christmas? Practically its own disgustingly festive subcategory. New Year's Evil and April Fool's Day have a go at very specific celebrations as well. So it follows that horror would have a meaty stab at Valentine’s Day too.
With the genre being so versatile, we’ve included a wide variety of films to watch on Valentine’s Day, including cuteness, cheesiness, and cautionary tales surrounding relationships. Whether you’re celebrating Valentine’s Day with a partner, or want to remind yourself why you’re single, there’s a horror film for you to enjoy this February 14th.
10. My Bloody Valentine (1981 Or 2009)
A Valentine’s themed slasher with a love triangle central to its plot.
Both versions of the film deal with a mining uniform garbed killer who goes on a killing spree on the lead up to Valentine’s Day, and both are products of their time. The 1981 original sports campy acting and more of a focus on its February 14th theme, whereas the 2009 remake tries to add a little more plot, and packs its cast with unlikeable characters for us to cheer at their creative death scenes.
If 80s slasher cheese is your thing, the original is more suited. It fits the early slasher mold perfectly, with a cast of youths determined to hold a Valentine’s Day party, despite all that inconvenient death occurring around them. 80s slasher logic if ever we heard it.
Jensen Ackles stars in the 2009 remake, which narrows the Valentine’s Day focused theme of the 1981 film, and instead tries to delve a little deeper into the three psyches of the dreaded love triangle. It doesn’t exactly elevate the premise, but it does offer a bigger focus on relationships than the original.
The two films differ widely in their approach to their endings, so both can be watched in quick succession without feeling like you’re just watching the same film twice.


AceShowbiz - "Shang-Chi and the Legend of the Ten Rings" continued to impress on its second weekend. The latest Marvel movie holds atop the North American box office with an estimated $35.8 million, setting the record for the best second-weekend gross of the pandemic.
The Simu Liu-starring film has currently grossed $145.6 million domestically and is already the fourth-highest grossing film of 2021. With a 53% decrease from last week, it is holding up better than previous Marvel movie "Black Widow", which saw a significant 70% fall on its second weekend.
Internationally, "Shang-Chi" took in $112 million for a total global haul of $257.6 million, even before it opens in China, which is an important market for Marvel movies.
"Shang-Chi" faced little to no competition at the top spot as newcomer "Malignant" debuts softly with an estimated $5.6 million domestically. Overseas, the James Wan-directed horror pic added $6.3 million from 69 markets.
"This is a weak opening for a genre that's held up well during the pandemic," says David. A Gross, who runs the movie consulting firm Franchise Entertainment Research. "With the film available on HBO, this start is below average."
The film, which marks Wan's return to horror, generated mostly positive reviews from critics, with an average rating of 6.2/10 on Rotten Tomatoes. However, audiences seemed to disagree as they gave it an average grade of "C" on an A+ to F scale, according to CinemaScore.
"Free Guy", meanwhile, rises up one spot to reclaim the runner-up place with approximately $5.8 million. The Ryan Reynolds-starrer has crossed the $100M mark domestically, bringing its worldwide gross to $276.5 million so far.
Another horror movie, "Candyman", drops two spots to No. 4 with an estimated $4.8 million. Trailing behind in the fifth place is "Jungle Cruise", which adds an estimated $2.4 million on its second weekend.
Top 10 of North America Box Office (Sep. 10-12, 2021):


Malayalam Cinema 2014: Top 10 Movies of the Year. With this movie, Malayalam cinema got yet. Though the concept of romantic comedy was not new to Malayalam.Mollywood saw many hits and flops of movies in the industry. Read to know the biggest Malayalam hits for 2013 till now. Biggest Malayalam Hits Of The Year 2013.Top 20 Best Comedy Movies 2015. that the new zealand low budget comedy “what we do in the shadows” is the only REALLY interesing and truly creative comedy.Upcoming malayalam movies in 2013 full list are updated here. The list of malayalam movies to get released in 2013 include movies of Mohanlal, Mammotty, Prithviraj.
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An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a... See full summary »
Mr. Lazarescu, a 63 year old lonely man feels sick and calls the ambulance. When it arrives, the paramedic decides he should take him to the hospital but once there they decide to send him ... See full summary »
At the Bucharest Circus, the new young manager is trying to solve the major financial issues of the company by selling its only bear (old and about to die soon) to German hunters. But the ... See full summary »
It's the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas ... See full summary »
Three films based on Three Conversations by Russian writer and philosopher Vladimir Solovyov.The actors' 'exercises' develop into a minimalistic trilogy on cinema and literature, social and spiritual life, acting in film and in real life.
"Offset" was probably one of the worst movies I've ever seen. It starts of not to bad, and issues like interculturality and integration are no doubt interesting and promising. But the movie fails completely in dealing with these topics in a decent way. It was not the shallow plot, nor the average acting that displeased me, I could deal with that. But this movie reviews all the clichés about Germany, as well as about Romania, in a way that made me really angry. The moral of the story seems to be that "cultural barriers" can not be crossed, Romanians tend to be irrational and violent, etc. etc.
Watching "Offset" was not only a loss of time, it also reproduces racist stereotypes and clichés. If it was meant to be a political statement too, it's totally irresponsible.
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Changanassery, Kerala, India
|Occupation||screenwriter, film director|
|Years active||1990 - present|
|Children||Neelima Baburaj,Niranjan Baburaj|
He was born at Changanassery, Kerala, as the son of Mr. Janardanan and Mrs. Pankajakshi. Babu Janardhanan did his schooling at Madappally Govt. LPS and Govt. Higher Secondary School, Thrikkodithaanam and Pursued higher studies at AP School of Arts, Kottayam. He began his career as a school teacher at CPPHMHS, Ozhur, Tirur in Malappuram district. He is married to Sheeba. The couple have two children, Neelima and Niranjan.
His debut movie was Anandavruthantham directed by P. Anil in 1990.
In 2005, Achanurangatha Veedu collected the best second movie award in the Kerala State Film Awards. Salim Kumar, who played the protagonist in the movie won the best supporting actor award. In 2006, Vaasthavam brought Prithiviraj the state award for the best actor. In 2008, Thalappavu won Lal the state award for the best actor in the Kerala State Film Awards.
Babu Janardhanan directed a documentary, in 1994, named "Sahanangalude Amma". The documentary was based on the life of Alphonsamma.
As screenwriter only
|1992||Oru Kochu Bhoomikulukkam|
|2007||Avan Chandiyude Makan|
|2011||City of God|
As Director and writer
|2011||Bombay March 12||Mammootty, Roma, Unni Mukundan|
|2013||Lisammayude Veedu||Meera Jasmine, Rahul Madhav, Salim Kumar|
|2013||God for Sale||Kunchacko Boban, Suraj Venjaramoodu, Anumol|
|Kallan: Thaskaran Maniyan Pillayude Athmakadha||Jayasurya, Biju Menon, Salim Kumar||Announced|
- "Babu Janardhanan turns to director". Filmreviews.bizhat.com. 2010-11-11. Retrieved 2011-11-24.
- "Babu Janardhanan calls the shots | Film Reviews". Filmreviews.bizhat.com. 2011-03-15. Retrieved 2011-11-24.
- "Review: Bombay March 12 is hard-hitting - Rediff.com Movies". Rediff.com. 2011-07-01. Retrieved 2011-11-24.
- "Bombay March 12 Malayalam Movie Preview, Synopsis - Malayalam movie Bombay March 12 Preview, Synopsis". Nowrunning.com. Retrieved 2011-11-24.
- "'Bombay, march12' for June 24 - Malayalam Movie News". IndiaGlitz. Retrieved 2011-11-24.
- "Babu Janardhanan.:Profile And Biography, Malayalam Movie Dialogue Babu Janardhanan.". Metromatinee.com. Retrieved 2011-11-24.
- "Babu Janardhanan". Facebook.com. Retrieved 2011-11-24.


The currently director-less project, The Tomb has already signed Sylvester Stallone and is looking to bring on Arnold Schwarzenegger to play a key role. Antoine Fuqua was previously attached to direct.
Sylvester Stallone will still play the lead Ray Breslin. The film surrounds the expert prison designer who has to escape from the very structure that he helped create.
Both veteran action stars will soon come together for The Expendables 2 alongside Bruce Willis who was also interested in The Tomb's lead role, but passed.
The project is still in development.


Thanks to Entertainment Weekly the first official photo from WB/DC’s upcoming live action Shazam! is finally here, and you can see it below!
The pic features Zachary Levi in his full Shazam costume chugging down some generic cola with It’s Jack Dylan Grazer, who pays Freddy Freeman, best friend of Shazam!’s alter ego Billy Batson (played by Andi Mack’s Asher Angel).
Here’s what the film’s director, David Sandberg, had to say about the costume:
“I wanted to keep the shorter cape as a throwback to the original because that’s something that sets him apart from Superman or Batman. It makes him feel a bit more Golden Age superhero, which is the vibe I’m going for.”
Sandberg has discussed the costume before, having tweaked it all the way through filming for the comfort of Levi.
And here’s EW’s plot synopsis:
Billy is assigned to a new foster home where he befriends comic book superfan Freddy. One day, Billy’s subway ride is interrupted by a mysterious Wizard (Djimon Hounsou) whose been searching for ages to find the right successor to inherit his powers. He reveals the teen’s been selected to gain an assortment of abilities, and all it takes is for Billy to say “SHAZAM!”
It was recently announced that Djimon Hounsou would play the Wizard, a role thought to have been taken by Ron Cephas Jones who stars in This Is Us. It is even announced that Cephas Jones had the role in the official press release from Warner Bros when filming started, which you can read below.
The vibe of this movie has been pretty consistent in the marketing, and it seems like we will get a Guardians of the Galaxy type of comedic tone for the movie. Maybe something like Thor: Ragnarok would be an apt comparison as well.
With DC bringing this movie to San Diego Comic Con next week, this could be the first of a barrage of new material we get for Shazam!
Shazam! is scheduled to hit theaters April 5, 2019.
We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson’s (Angel) case, by shouting out one word—SHAZAM!—this streetwise 14-year-old foster kid can turn into the adult Super Hero Shazam (Levi), courtesy of an ancient wizard.Still a kid at heart—inside a ripped, godlike body—Shazam revels in this adult version of himself by doing what any teen would do with superpowers: have fun with them! Can he fly? Does he have X-ray vision? Can he shoot lightning out of his hands? Can he skip his social studies test? Shazam sets out to test the limits of his abilities with the joyful recklessness of a child. But he’ll need to master these powers quickly in order to fight the deadly forces of evil controlled by Dr. Thaddeus Sivana (Strong).
“Shazam!” also stars Jack Dylan Grazer (“IT”) as Billy’s best friend and ultimate superhero enthusiast, Freddy, part of the foster family that includes Mary, played by Grace Fulton (“Annabelle: Creation”); Darla, played by Faithe Herman (TV’s “This is Us”); Eugene, played by Ian Chen (TV’s “Fresh Off the Boat”); and Pedro, played by Jovan Armand (TV’s “Hawaii Five-O”). Cooper Andrews (TV’s “The Walking Dead”) and Marta Milans (TV’s “Killer Women”) play foster parents Victor and Rosa Vasquez,
with Ron Cephas Jones (“This is Us”) as the Wizard.
SOURCE: Entertainment Weekly


Gravity - Vudu HD (Digital Code)
Cast: Sandra Bullock, George Clooney, Ed Harris, Orto Ignatiussen
A medical engineer and an astronaut work together to survive after an accident leaves them adrift in space.
Product VideosGravity - Official Teaser Trailer [HD] 01:31
http://www.gravitymovie.com https://www.facebook.com/gravitymovie In theaters October 4th. Academy Award® winners Sandra Bullock ("The Blind Side," "The Proposal") and George Clooney ("Up in the Air," "Syriana") star in "Gravity," a heart-pounding thriller that pulls you into the infinite and unforgiving realm of deep space. The film was directed by Oscar® nominee Alfonso Cuarón ("Children of Men").
Gravity - Offi...http://www.gravitymovie.com https://www.facebook.com/gravitymo...
Other DetailsStudio:WB (Vudu)
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Mr. Freeze turns Killer Croc and Bane into super-sized monsters, and they bash their way through downtown Gotham until the Caped Crusader and his team of heroes join the fight in their giant robot mechs.
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7 years on from the original Fortress movie, Brennick and his family are still on the run. Finally, they give in, and surrender, only to find themselves imprisoned in a new, more sophisticated fortress prison in outer space. But Brennick’s not a man to give in easily, and with a 10 year old son waiting for him back on earth, he’s going to pack some serious assault on the evil corporation.
Mild-mannered Clark Kent works as a reporter at the Daily Planet alongside his crush, Lois Lane − who’s in love with Superman. Clark must summon his superhero alter ego when the nefarious Lex Luthor launches a plan to take over the world.
Shaft is the next chapter in the film franchise featuring the coolest private eye on any New York City block. JJ, aka John Shaft Jr. (Usher), may be a cyber security expert with a degree from MIT, but to uncover the truth behind his best friend’s untimely death, he needs an education only his dad can provide. Absent throughout JJ’s youth, the legendary locked-and-loaded John Shaft (Jackson) agrees to help his progeny navigate Harlem’s heroin-infested underbelly. And while JJ’s own FBI analyst’s badge may clash with his dad’s trademark leather coat, there’s no denying family. Besides, Shaft’s got an agenda of his own, and a score to settle that’s professional and personal.
The film follows Nishi, a loser who has a crush on his childhood girlfriend. After an encounter with the Japanese mafia, the film follows Nishi as he journeys to heaven and back, and ends up trapped in an even more unlikely place.
On Christmas Eve at Tower Sky, an ultra-luxurious building complex, a White Christmas party is held to dazzle its equally high-end tenants and VIP guests. Dae-ho, the manager of the building and single father, is forced to cancel plans with his daughter Hana to work the event. His Christmas is saved when Yoon-hee, the food mall manager with a secret crush on Dae-ho, offers to babysit Hana during the party. Meanwhile, Young-ki the legendary fire chief of Yoido Station has finally promised his first holiday date night to his long suffering wife. The party is in full swing with the spectacular sight of two helicopters flying overhead just to spray snow on the partygoers and make everything perfect. When unthinkable disaster strikes, Dae-ho and Young-ki must summon all their strength and courage to save the lives of thousands but at what cost to themselves and their loved ones?


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Jennifer Lawrence-"In Hollywood I'm considered a fat actress. I'm never going to starve myself for a part. I don't want little girls to be like 'Oh I want to look like Katniss, so I'm going to skip dinner.
The notebook Movies and Series Graphics. Free Animated The notebook Gifs. Movies and Series Gifs. The notebook Graphics and Gifs. The notebook Animations and Pictures. The notebook Movies and Series Gif Images and Graphics.


Short movie project made for D.E.S.I.C.A. 14, contest for 24-hours-made short movies, promoted by Cremonapalloza.
This is a refined version, we polished after the contest.
The original “24 hour version”, can be seen on Cremonapalloza’s website
The movie was made in Blender, using Eevee real-time render engine.
Final compositing in Davinci Resolve and After Effects.


January 31st, 7:00PM at the AMC Boston Common! While vacationing at a remote cabin, a young girl and her parents are taken hostage by four armed strangers who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost.
January 4th, 7:00PM at the AMC Boston Common! From the most prolific minds in horror—James Wan, the filmmaker behind the Saw, Insidious and The Conjuring franchises, and Blumhouse, the producer of the Halloween films, The Black Phone and The Invisible Man—comes a fresh new face in terror.
World's 50 Best Genre Festivals 2021
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Sorry, we can't find the movie trailer you're looking for.
Either a trailer for this movie has not been released yet, or it
was removed following a request from the copyright holder.
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Although Jason works as a department store clerk, he is also a reincarnated prince. Long ago, his beloved Jessie was snatched away from him by an evil wizard who used his powers to transform her into wooden statue.
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Fragancia is arrested for the attempted murder of Richard Persson, the son of a powerful factory owner.
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A story of two love affairs. A father's love for his five sons. And one son's love for his father, a love so strong it compels him to live a lie.
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An is-she-or-isn't-she gay comedy focused on a Taiwanese teen, the boy she might like, and the girl she may love.
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Silent Youth is a film for misfits, dreamers and lovers. It's the classic story of a coming out, but it focuses on the moments one tends to quickly forget: the first approach, the creaking of the chair while sitting across from each other, not knowing what to say.
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The King's Speech tells the story of the man who became King George VI, the father of Queen Elizabeth II.
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A family discovers that dark spirits have invaded their home after their son inexplicably falls into an endless sleep.
13 August 2010
During a summer stay on the mainland, TinkerBell is accidentally discovered while investigating a little girl's fairy house.
10 June 2010
A group of Iraq War veterans goes on the run from U.S. military forces while they try to clear their names after being framed for a crime they didn't commit.
30 September 2010
On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea.
05 November 2010
127 Hours is the true story of mountain climber Aron Ralston's remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah.
13 August 2010
This time around Edmund and Lucy Pevensie, along with their pesky cousin Eustace Scrubb find themselves swallowed into a painting and on to a fantastic Narnian ship headed for the very edges of the world.
21 December 2010
It has taken 10 years, two little Fockers with wife Pam and countless hurdles for Greg to finally get in with his tightly wound father-in-law, Jack.
14 May 2010
An American girl on vacation in Italy finds an unanswered "letter to Juliet" -- one of thousands of missives left at the fictional lover's Verona courtyard, which are typically answered by a the "secretaries of Juliet" -- and she goes on a quest to find the lovers referenced in the letter.
16 May 2010
A bored and domesticated Shrek pacts with deal-maker Rumpelstiltskin to get back to feeling like a real ogre again, but when he's duped and sent to a twisted version of Far Far Away—where Rumpelstiltskin is king, ogres are hunted, and he and Fiona have never met—he sets out to restore his world and reclaim his true love.
18 February 2010
World War II soldier-turned-U.S. marshal Teddy Daniels investigates the disappearance of a patient from a hospital for the criminally insane, but his efforts are compromised by his own troubling visions and by Dr.
17 October 2010
The end begins as Harry, Ron, and Hermione walk away from their last year at Hogwarts to find and destroy the remaining Horcruxes, putting an end to Voldemort's bid for immortality.
Have you watched Des/Esperando yet? What did you think about it?
Artwork, screen shots, trailers and other imagery is
© 2010 Ariztical Entertainment.


'24: Live Another Day' Releases Theatrical-Style Trailer
"24: Live Another Day" has got a full-length movie trailer treatment. The dramatic preview sheds more light on the storyline, showing Kiefer Sutherland's Jack Bauer as a wanted man. He's labeled as a terrorist with the CIA hunting him.
When he senses that there's a plot to frame the assassination of President James Heller, no one believes him and the CIA wants to stop him. But they may understimate Bauer and his skill as he manages to escape and, with the help of Mary Lynn Rajskub's Chloe, tries to prevent another global disaster.
"Why are you doing this Jack?" Chloe asks. "Some fantasy if you stop this attack, all will be forgiven?" But a hero as he's always been, Jack doesn't risk his life to seek redemption, saying, "There's no going back for me."
Set in London, the 12-episode miniseries brings back William Devane as James Heller who is now POTUS. Benjamin Bratt stars as CIA head Steve Harries, Yvonne Strahovski plays CIA agent Kate Morgan, Giles Matthey is CIA computer tech Jordan Reed, and Gbenga Akinnagbe is cast as a strong and arrogant field operative named Erik Ritter. Michelle Fairley also stars as the villainous Margot, a British national and widow of a notorious terrorist.
The show will premiere Monday, May 5 at 8 P.M. on FOX.
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Vivek Agnihotri is one of the famous directors of Bollywood. Vivek Agnihotri often stays in the headlines because of his films and impeccable style. Recently, Vivek Agnihotri blamed SRK and Salman Khan for the bad image of Bollywood.
Bollywood director Vivek Agnihotri has now tweeted about it. People are no longer interested in the films of these actors, but in good stories. Among the films released in the recent past, “Kashmir Files” is the only Bollywood movie to make it to the top 5 most popular movies list on IMDb. This is why Vivek Agnihotri, director of ‘The Kashmir Files’, took the example of SRK and Salman Khan’s film and criticized them. The director gave reasons for the failure of a Bollywood movie without naming both actors.
As long as Bollywood has Kings, Badshahs, Sultans, it will keep sinking. Make it people’s industry with people’s stories, it will lead the global film industry. #FACT https://t.co/msqfrb7gS3— Vivek Ranjan Agnihotri (@vivekagnihotri) July 14, 2022
The director tweeted on his social media account, “As long as these kings, emperors, and sultans stay in Bollywood, Indian cinema will continue to sink. Only if people make films based on their favorite stories can Bollywood lead the global film industry.
Recently, IMDB released the list of Top 10 Hindi Movies of 2022 and Anupam Kher starrer The Kashmir Files were among the other films to be included in the list.
Read Also: After The Kashmir Files, Vivek Agnihotri will now make ‘The Delhi Files’
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Chronicles of Riddick: Director's Cut, The (UK - DVD R2)
Disc two of the Director's Cut set houses a brief, on-set Easter egg...
If you choose to fight, then press left from the 'Bonus' item to highlight the blade.
Pressing enter on either of these will take you to a short piece (47s) with Colm Feore on set and complaining about his armour... all in good humour of course.
Easter Egg by Stephen Cowgill
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Lee Gates is a TV personality whose insider tips have made him the money guru of Wall Street. When Kyle loses all of his family's money on a bad tip, he holds Lee and his entire show hostage on air threatening to kill Lee if he does not get the stock up 24 and a half points before the bell.
Have you watched The Apology yet? What did you think about it?
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Venkatesh-Varun Tej’s multi-starrer was announced recently. This interesting film coming up under Dil Raju’s Sri Venkateswara Creations banner, F2 - Fun and Frustration, that will star actors Venkatesh and Varun Tej as the leads is set to go on floors from the first week of June. While Venkatesh is a star known for his varied roles over different genres in his long innings in the industry, Varun has slowly been making a mark for himself through different genres of films, receiving acclaim for his choice of work. And the team is quite excited to bring the duo together.
To be produced by a leading production house like Sri Venkateswara Creations and to be directed by Anil Ravipudi, who has created a name for himself as a commercial director after back-to-back hits like Pataas, Supreme and Raja The Great, the film will go on floors in June and it touted to be an out and out commercial flick.
Director Anil Ravipudi is set to make the film a treat for family audiences too. As for the additional star cast, Tamannaah has been roped in to pair with Venkatesh while Mehreen will be seen romancing Varun Tej. Details about other technicians will be announced soon.