Supernatural thriller movie, starring Academy Award®-nominee Eric Roberts, ‘The Summoning’ finds its home at Gravitas Ventures.
The company has acquired worldwide rights to ‘The Summoning’, a thriller based on hauntings around the town of Sugar Land, Texas. The film, which has a release date of January 10, 2017, stars Roberts (The Dark Knight), Leila Almas (Sweet Darling), Jaime Zevallos (Animal Kingdom), Razaaq Adoti (Black Hawk Down), Rheagan Wallace (Deep in the Heart), Aaron Perilo (True Blood) and Dominican Republic actress Katherine Castro.
‘“The Summoning’ carries with it all the haunts and chills of a great horror film and we look forward to working with this filmmaking team to bring it to a global audience,” said Brendan Gallagher, Sr. Vice President of Business Affairs for Gravitas Ventures.
Written and directed by Alberto G. Rodriguez and produced by two-time EMMY® winner Cristian Luna, the movie follows law student Rachel Iverson (Almas) who places her life in danger while investigating the disappearance of another law student Clayton Ward (Philip Adkins) and Chief Lubbock (Roberts) who assigns Detective Jonathan Silva (Zevallos) to her case.
Weaving together real facts and elements of the supernatural, the story tells of spirits that have returned to speak to the living. During production, the cast and crew experienced an ‘eerie presence’ while filming in the historic, and famed haunted sites of, Imperial Sugar Company refinery and the Richmond Police Department.
The deal was negotiated by Brendan Gallagher on behalf of Gravitas and Glen Reynolds of Circus Road Films on behalf of the filmmakers.
For further information, contact: Liz Rodriguez at email@example.com – USA: 1 310 435 3634
ABOUT GRAVITAS VENTURES
Gravitas Ventures is a leading all rights distributor of independent cinema. Founded in 2006, Gravitas connects independent filmmakers and producers with distribution opportunities across the globe. Working with more than 500 content partners, Gravitas Ventures has distributed thousands of films into over 100 million homes. Their most recent releases include Jonathan Hock’s “Fastball,” Colin Hanks’ “All Things Must Pass,” “Being Evel” from Academy Award® winning director Daniel Junge and producer Johnny Knoxville, “Backstreet Boys: Show ‘Em What You’re Made Of,” and “For The Love of Spock” from Director Adam Nimoy. Look for Katie Holme’s feature directorial debut, “All We Had,” on December 9. For more information, please visit gravitasventures.com and follow @GravitasVOD on Twitter and @gravitasventures on Instagram.


By: Fridah Wanjiku | Thu 24 Nov 2016, 09:00
The Bourne films are a series of action spy thriller movies based on the character Jason Bourne played by hunk Matt Damon. He plays a CIA assassin suffering from extreme amnesia who must figure out who he is.
This weekend, BoxOffice is bringing you a marathon of all five of the Bourne movies including the latest addition to the film series, Jason Bourne, which sees the return of Matt Damon to the franchise.
Are you really the ultimate Bourne fan? Take this quiz and place all five of the Bourne movies in the order they were released.


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Posing as jewel broker Donnie Brasco, FBI agent Joseph D. Pistone (Johnny Depp) is granted entranceinto the violent mob family of aging hit man Lefty Ruggiero (Al Pacino). When his personal and professional lives collide, Pistone jeopardizes his marriage, his job life and, ultimately, the gangstermentor he has come to respect and admire. From acclaimed director Mike Newell (Four Weddings and a Funeral), and featuring an extraordinary supporting cast including Michael Madsen, Anne Heche, BrunoKirby and James Russo.
- Exclusive featurette: "Donnie Brasco: Out from the Shadows"
- Original featurette
- Five deleted scenes with optional director's commentary and intro
- Photo gallery
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"Donnie Brasco" stars Al Pacino and Johnny Depp, and was directed by Mike Newell ("Four Weddings and a Funeral"), It tells the story of FBI Special Agent Joseph D. Pistone (played by Johnny Depp), who successfully infiltrated one of New York's great Mafia families in the late 1970s, and spent six years undercover, gathering vital intelligence that was used by the U.S. Justice Department to severely diminish the Mafia's power throughout the country. Posing as Donnie Brasco, a jewel thief, Pistone was befriended by Benjamin "Lefty" Ruggerio (played by Al Pacino) , a low-level soldier in the Bonanno crime family. So successful was Pistone in penetrating the Bonanno family, that he was actually proposed to become a Mafia "made man" shortly before the FBI terminated "Operation Donnie Brasco" in 1981.
"Donnie Brasco" is certainly different than your "average" gangster flick. Instead of focusing on the rich and powerful Mafia crime lords, this film depicts life in the lower echelons of organized crime in New York, mostly through the eyes of "Lefty" Ruggerio. Here's a man who's at best an average "earner," but who's filled with ambition. He is frustrated when he's continually passed over for promotion by younger, less experienced men. When he befriends "Donnie Brasco" (Pistone), he quickly develops a strong fatherly affection for the younger man. For his part, Donnie Brasco becomes so emotionally entangled with the people he's investigating (especially Ruggerio) that he begins to lose sight of why he's there: to help bring these criminals to justice.
"Donnie Brasco" is a reasonably accurate portrayal of Pistone's experiences within New York's Mafia. It is very well acted, with especially brilliant performances from Al Pacino, Johnny Depp, Michael Madsen, and Anne Heche. The language is raw, there are graphic scenes of violence, and a few liberties are taken with historical facts, (most notably the fate of Ruggerio), but none of that in any way detracts from the film's entertainment value. The Extended Cut of "Donnie Brasco" adds about 20 minutes to the film's runtime, with scenes added so seamlessly that I found it nearly impossible to tell the difference from the original theatrical release.
"Donnie Brasco" is an excellent film in every way. Highly recommended.
The movie is pretty good and so are the excellent performances by cast especially Al Pacino playing the part as lefty Ruggiero Mafia hit man and Jonny Depp as the undercover agent Joseph D. Pistone Alias Donnie Brasco , The DVD is just as good if not better with special features : directors commentary , exclusive featurette , Donnie Brasco out from the shadows , deleted scenes with optional commentary , original featurette , photo gallery , talent files , theatrical trailers and pamphlet that's not included in the Blu Ray than again for the price is Good value .
The story is very engaging and genuinely intriguing; you learn a lot about the wiseguy lifestyle and the undercover operations of the FBI. There are many scenes that are extremely tense; I constantly asked, "how will Donnie get out of this one?!?" I really enjoyed the last 30 minutes of the film, especially when you realize how deep their connection was. Never a dull moment as the film masterfully blends immersive dialogue, intense situations, and some brutal violence throughout, with some comedy occasionally tossed in. Johnny Depp and Al Pacino have amazing performances; Al Pacino particularly kept a consistent and realistic character throughout. The film also has a great soundtrack.
The blu-ray of this film is excellent. The picture and sound quality are superb, considering the age of the film, and match the best prints around/recently released. This is the definitive version of this film.
Overall, Donnie Brasco is a must-watch for fans of gangster/crime dramas; in fact, it's a must-watch for film fans in general. A superb and immersive storyline, magnificent performances, and an excellent soundtrack, don't skip this film.
Donnie Brasco has strong violence and blood, and brief nudity.


You know his voice from the characters he brought to life in a trio of Disney films: Zootopia, The Jungle Book and Finding Dory. Then there was his role as the villain Krall in Star Trek Beyond.
For three years Iris Elba tried to get 100 Streets off the ground. He’s one of the film’s producers. It’s a “small” film, a powerful ensemble drama, the story of three disparate Londoners whose lives interweave in unexpected ways as they face major life changes. Fans of layered storytelling and multi-character movies won’t want to miss this moving portrait of contemporary London, available on Blu-ray and DVD March 7 from Sony Pictures Home Entertainment and Samuel Goldwyn Films.
100 Streets follows the trio as they play out in one square mile of modern day London. A former rugby player, Max (Elba), struggles to find a life off the field while fighting to save his marriage to former actress Emily (Gemma Arterton). Kingsley (Franz Drameh) is a small time drug dealer desperately seeking a way off the street. While completing his community service for a misdemeanor, Kinsley meets Terence (Ken Stott), a local thespian, who gives him the push he needs out of his dead end life and into a very different, creative world. George (Charlie Creed-Miles), a cab driver, and his wife Kathy (Kierston Wareing) dream of having kids, but a devastating road accident puts their hopes on hold even testing their otherwise strong marriage. Anybody can make a wrong turn, but it’s the journey that allows us to find the right path.
Elba, so different from Max, loved the character, long past his prime. Says he: “I can relate to it. People in the spotlight tend to be scrutinized, every move they make. I guess you can say my star is rising or whatever, but what comes with that is a lot more inquisitive people who want to know who you are as a person and what life decisions you’re actually making. Because you’re an actor or sportsman people want to know that and they are curious. But it’s part of the job—if I didn’t want anyone to know anything about me, I would have probably gone for a different career path.


Only a couple of years ago, film lovers could get access to a Cinema Paradiso or a City of Joy only if they travelled abroad and managed to get their hands on a DVD or if they were lucky enough to be members of a film library that stocked these titles. But not anymore. Now every DVD library on every street corner has, along with a mainstream Hollywood and Bollywood section, an exhaustive international films rack. Whether its Wong Kar Wai’s In the Mood for Love or Majid Majidi’s Children of Heaven, you’re just a subscription away from viewing pleasure.
The popularity of international cinema can also be gauged by the fact that multiplexes across the city, from Cinemax to PVR to Metro Adlabs and Inox, have and continue to screen international films that may never really see a mainstream release. While Inox did a retrospective on Satyajit Ray’s films, Metro Adlabs screened David Lynch’s Lost Highway and Krzysztof Kieslowski’s The Double Life of Veronique.
A couple of years ago, international cinema was accessible only to those travelling abroad or those who were members of a good video library, but today multiplexes across the city, from Cinemax to PVR to Metro Adlabs and Inox, screen international films that may never really see a mainstream release. For example, while Inox did a retrospective on Satyajit Ray’s films, Metro Adlabs screened David Lynch’s Lost Highway and Krzysztof Kieslowski’s The Double Life of Veronique. The new year will see co-productions, interactions with filmmakers, screenings of original subtitled content and even a television channel dedicated to global cinema.
It would have been unthinkable to own world cinema titles and make money out of them. But companies like UTV, Palador Pictures and Handmade Films are doing just that. Along the way, they’re taking Run Lola Run to the masses. Palador, that owns a 1,000 film catalogue, has been going all out.
They’ve been screening their Alfred Hitchcock collection on Zee Cafe, have provided titles to various film festivals like Osian and recently tied up with Moser Baer to retail 50 of their titles. “We plan to release films like Signs of Sleep, Inland Empire and Them! theatrically next year,” says Mohan Polamar, founder and joint managing director, Palador, adding, “Along with this, next year will see a theatrical retrospective of Ingmar Bergman and Akira Kurusawa.”
While local screenings and rentals have given a big boost to world cinema, 2008 will take the trend further. From co-productions to interactions to a television channel dedicated to international cinema, people are busy making plans. Enlighten’s wheels are already rolling.
In the last couple of months, the NGO has invited Chinese directors and Iranian delegates to address audiences before screenings. “We’ll soon be getting Indonesian filmmakers here,” says Ashar, currently in talks with Chinese filmmakers for an Indo-Chinese co-production.
On a totally different front, Palador Pictures plans to bring in March 2008 with a channel broadcasting original subtitled content from all over the world. “According to our research, there are at least a million people waiting for such a channel,” says Polamar, adding that just like people want something different in cinema halls, even TV viewers want new content. 2008 also takes world cinemas beyond Mumbai. Delhi and Bangalore theatre goers who couldn’t watch Osama and Children of Heaven on the big screen, can get their big ticket thanks to Enlighten.
If you’ve still not stood in queue for your ticket, we suggest you line up, buy the popcorn and get In the Mood for Love. Or at least rent it on DVD.


Avatar Sinks Titanic In Australia
James Cameron beats himself to become king of the box office Down Under
While it may still be chasing his sinking ship in worldwide grosses and sitting at number 7 in the US all-time top 10, James Cameron's Avatar has officially passed his own Titanic to become the highest grossing film ever at the Australian box office.
In just four weeks of release the sci-fi epic has taken $63 million in Australia, sailing past Titanic's overall total of $57 million to become the biggest movie of all-time Down Under. Avatar leads Titanic, Shrek 2 ($50 million), The Return of the King ($49 million) and Crocodile Dundee ($47 million) in non-inflation adjusted earnings.
Can it repeat the feat elsewhere? With only minimal drop-off and a sustained box-office momentum through the New Year it's not unfeasible. Avatar is currently trailing Titanic in worldwide grosses ($1.3 billion to $1.8 billion) and has racked up just over $429 million domestically in the US to Titanic's $600 million; while it should comfortably pass The Phantom Menace, E.T. , Shrek 2 and Star Wars within a couple of weeks. If it manages to surpass The Dark Knight ($533 million US), things could get interesting indeed.


Nino never wanted the life of a gangster, but when his father, Don Corleone is gunned down in the street, he must answer the call for revenge. Now Nino is Da Last Don and the family business is in his hands...a world of deceit, back room deals and crooked cops that threatens to destroy everything Nino loves.
When an alien race and factions within Starfleet attempt to take over a planet that has "regenerative" properties, it falls upon Captain Picard and the crew of the Enterprise to defend the planet's people as well as the very ideals upon which the Federation itself was founded.
When news of John Smith's death reaches America, Pocahontas is devastated. She sets off to London with John Rolfe, to meet with the King of England on a diplomatic mission: to create peace and respect between the two great lands.
When guardian angel Seth -- who invisibly watches over the citizens of Los Angeles -- becomes captivated by Maggie, a strong-willed heart surgeon, he ponders trading in his pure, otherworldly existence for a mortal life with his beloved.
With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
Have you watched MP Da Last Don yet? What did you think about it?


Julianne Moore, Ken Watanabe and Demián Bichir are all set to star in the film adaptation of Ann Patchett’s best-selling novel “Bel Canto” at A-Line Pictures and Depth of Field
The romance story is set against a backdrop of immortal music and mortal danger as Roxane Coss (Moore), a famous American soprano, travels to a military dictatorship in South America to give a private concert at the birthday party of rich Japanese industrialist Katsumi Hosokawa (Watanabe).
Just as a gathering convenes, the house is taken over by guerrillas, led by General Benjamin (Bichir) demanding the release of their imprisoned comrades. A month long standoff ensues in which hostages and captors must overcome their differences and find their shared humanity.
Paul Weitz (“Mozart in the Jungle”) will direct from a screenplay by Anthony Weintraub (“Tekkonkinkreet”). Weitz, Weintraub, Andrew Miano and Caroline Baron will produce.


3.75″ Scale Action Figure, Kids Ages 4 & Up
Welcome to our new November 26, 2019 review on the Star Wars The Vintage Collection The Rise of Skywalker. We are going to look at the Series of Toy Action Figures. If you are thinking of buying one, in this post we’re going to give you an overview of exactly what you get with these 3.5” Scale Action Figures.
We then will give recommendations on where to buy and we will also be giving you a look at what people are saying that have already purchased this Star Wars The Vintage Collection The Rise of Skywalker.
A Top Seller for 2019 Christmas , due the Christmas 2019 Release of the newest Star Wars movie, The Rise of Skywalker, if you want to make sure that you get this, while it is still in stock – we highly recommend ordering from Walmart.com and getting super fast delivery as well as getting the peace of mind that you will receive the official Star Wars The Vintage Collection The Rise of Skywalker.
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What Do You Get With The Star Wars The Vintage Collection The Rise of Skywalker?
Star Wars Hero Series Star Wars: The Rise of Skywalker Sith Trooper Toy
- SITH TROOPER: In its ultimate push toward galactic conquest, the First Order readies an army of elite soldiers that draw inspiration from a dark and ancient legacy
- 12-INCH SCALE ACTION FIGURE: Inspired by the heroes and villains of the Star Wars Galaxy, this large-scale action figures offer kids ages 4 and up big Star Wars imaginary action and adventure
- MOVIE-BASED CHARACTER-INSPIRED ACCESSORY: This Star Wars: The Rise of Skywalker action figure comes with a Sith Trooper-inspired accessory that makes a great addition to any Star Wars collection
- POSEABLE ACTION FIGURE: This 12-inch scale Star Wars Hero Series action figure features multiple points of articulation, so boys and girls and up can pose their figures for any adventure they imagine
- LOOK FOR OTHER FIGURES FROM A GALAXY FAR, FAR AWAY: Look for movie- and entertainment-inspired Star Wars action figures to build a Star Wars galaxy (Each sold separately. Subject to availability)
8 – 40 Years
|Assembled Product Weight||
Sold & shipped by Kids Warehouse
Click here to check this out the Star Wars The Vintage Collection The Rise of Skywalker at Walmart.com
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For decades, A Christmas Carol and It's A Wonderful Life have been the standard templates for holiday films, until a third choice came along in 1990. Ever since, there have been a whole slew of films that have tried to be the next Home Alone. None have come close to being as good, but perhaps the best attempt came from Unaccompanied Minors. The Davenport kids are flying to seeing their father for the holidays when they are stuck in Cleveland by a massive snow storm. When they get there, they discover they are just two of dozens of kids who are stuck at the same airport, trapped in a conference room under the watchful eye of the airports ruthless administrator, (Lewis Black) who's not all that fond of children. Together with some of the more unique personalities, the Davenports stage an escape and wreck havoc on the airport, determined to have fun during the holidays, even if it is in a snowed in airport. Yes, this is a kids movie with all the cheesy jokes and kid stuff that comes along with it, but what makes it unique is all the different personalities. The six kids are from all different parts of the country and are all from different family structures and different socioeconomic backgrounds, meaning they all had very different lives and very different ideas on what the definition of fun is. The culmination of the different personalities and how they all come together is what makes this film unique and quite frankly pretty special. The young cast is pretty talented as well, featuring Brett Kelly from Bad Santa as well as Tyler Williams from Everybody Hates Chris. The young cast also gets help from veteran comedians Lewis Black, Wilmer Valderrama, and Rob Corddry. The combination of young comedians and veteran comedians adds another dynamic similar to the one set up by the characters in the film. As well as the mixing of characters personalities, you're also getting a wide variety of comedic styles in the film. The bottom line, Unaccompanied Minors may be a kids Christmas movie, but there is a whole lot to like about it, from the writing, to the in depth character development, the mixing of different comedic styles, and even the unique settings. It's not quite Home Alone, but as close as anyone's come since 1990.


Blu-ray Review: 'Warrior'
You’re fighting the baddest boys that mixed martial arts has to offer and in the end you then come face to face with...your own brother? Such is the dilemma of the two tough guys of the new film "Warrior," out Dec. 20 on Blu-ray/DVD, Video On-Demand and Digital Download from Lionsgate. Heroes, heart and head injuries – the bell rings below!
Cast: Tom Hardy, Joel Edgerton, Nick Nolte
Director: Gavin O’Conner
Runtime: 140 minutes
Release Company: Lionsgate
The Flick: A fantastic mix of action and acting, "Warrior" simply got kneecapped by bad advertising. The film was presented as a typical fight flick worthy of Jean-Claude Van Damme with an inane title to match, but the fact is that the fights themselves serve as a powerful metaphor for what is going on emotionally in the story. Meaning for all the very cool MMA action (and it’s ass-kicking stuff!) there’s a ton of original performances (brothers Tom “Bronson” Hardy and Joel Edgerton are fantastically different!), layered back story (weary father Nick Nolte deserves an Oscar!) and sweet relationships (Jennifer Morrison is the perfect wife – sassy and sexy!) that make "Warrior" a truly notable film of 2011. Director Gavin O’Conner walks the tightrope of drama and sports action like a pro and wisely doesn't get bogged down in either world for long. Much like "Rocky" and "Raging Bull" before it, the real sport is the stuff that happens outside the ring.
Best Feature: 'Redemption: Bringing Warrior to Life' is one phenomenal doc that goes through the trials and tribulations of making the film. Any doc that can give you more respect for the film and its players (Hardy and Edgerton really worked their asses off!) is worth checking out.
Best Hidden Gem: As Edgerton’s pal and trainer, Frank Grillo gives the best wise man in the corner performance since Burgess Meredith’s Mickey Goldmill in "Rocky."
Worth the Moola: Much more then the ads and video snippets give it credit for, "Warrior" is a deep and moving drama masquerading as a fight flick. (Plus see Nolte’s Oscar winning work before he wins!)


Download The Internship 2013
Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment.
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One of the media streaming industry’s most noticeable impacts has been on the digital industry, which effectively met its demise with the massive popularization of online content. The rise of media streaming has caused the downfall of lots of DVD rental companies such as Blockbuster. In July 2015 an article from the NY Times posted an great article about Netflix’s DVD service. It said that Netflix is continuing their DVD services with 5.3 million subscribers, which is a significant drop from the previous year. Actually, their streaming services have 65 million members. In a March 2016 study assessing the "Impact of Movie Streaming over traditional DVD Movie Rental" it was found that users do not purchase DVD disks nearly as much anymore, if ever, as streaming has taken over the market. Watch Movie "The Internship". Users did not find film quality to be significantly different between DVD and media streaming. Issues that people believed needed improvement with media streaming included functions of fast forwarding or rewind, as well as search functions. The article says that the quality of film streaming as an industry will only make better in time, as advertising revenue will continue to soar on a yearly basis throughout the streaming industry, providing incentive for excellent content production.
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~Schaarai Zedek’s 20s & 30s Connection
February Food and Film
Thursday, February 25 | 6:30 pm
Dinner, a movie, and a discussion: What could be better? On February 25 we will be screening the film Chef. The movie is about a man named Carl who rediscovers his life's passion when starting his own food truck business. You are invited stay after the film to talk about what the film has to say about the choices we make in our careers and families, and what wisdom we might learn from our own Jewish tradition.
To RSVP or with questions about any Schaarai Zedek 20s/30s event, contact Rabbi Farb at (813) 876-2377, Ext. 229 or firstname.lastname@example.org.


Arjun Kapoor starrer Panipat has been in the headlines for more than one reasons since the first trailer of the film released. Directed by Ashutosh Gowarikar the film was compared to Ranveer Singh and Deepika Padukone starrer Bajirao Mastani and Padmaavat.
After the trailer released people started pointing out similarities between Arjun Kapoor’s Sadashiv Rao and Ranveer’s Bajirao. There was also a comparison between Sanjay Dutt’s Ahmad Shah Abdali and Ranveer’s Alauddin Khilji.
It is now that Gowarikar has decided to speak about the uncanny comparisons and he expressed how it is not a thing to worry about.
In an interview with the tabloid Mumbai Mirror, “That’s understandable because the last film that comes out, stays in our recent memory. So, Jodhaa Akbar was immediately compared to Mughal-E-Azam, Bajirao Mastani to Jodhaa Akbar and Padmaavat to Bahubali. That’s nothing to be worried about.”
“Also, we are still in the era of the Peshwas in Panipat, which revolves around Bajirao’s next-generation—his son, Nana Saheb Peshwa, his brother Chimaji Appa’s son Sadashiv Rao Bhau and his second son with Mastani, Shamsher Bahadur. So, the costumes and their palace, remain the same but the story is very different,” he added.
Set to hit the big screens on December 6, The film stars Arjun, Sanjay, Kriti Sanon in lead roles and revolves around the third battle of Panipat.


Watch Movie Everest Online Streaming.Full Movie Everest Full Streaming with duration 150 Min and released on 2015-09-25 and MPAA rating is 11.
Everest Watch Movie free movie streaming full movie in HD without downloading, Watch Movie Everest Full online movie streaming free and fun Everest Free Movie Stream only here Today, we can see that hundreds thousands of people looking for free Everest and watch it on their sweat house with internet connection. Be happy, you can reach hundreds of thousands of satisfied members who became tired of waiting for DVDs in the mail, and now you can watch for free Everest Film, get some free new movie online free watch and download new movie new releases and the hottest classics on our site. It is fast. It is easy. And best of all, it is free to try
- Original Title : Everest
- Movie title in your country : Everest
- Year of movie : 2015
- Genres of movie : Thriller, Adventure, Drama,
- Status of movie : In Production
- Release date of movie : 2015-09-25
- Companies of movie :
- Countries of movie :
- Language of movie : English,
- Durationof movie : 150 Min
- Average vote of movie : 4.8
- Youtube ID of movie : IRVJwH3hBd0
- Translation of movie : EN,SV,FR,CS,ES,IT,PT,
- Actors of movie :Martin Henderson (Andy Harris), Jason Clarke (Rob Hall), Clive Standen (Ed Viesturs), Josh Brolin (Beck Weathers), Elizabeth Debicki (Dr. Caroline Mackenzie), Michael Kelly (Jon Krakauer), Jake Gyllenhaal (Scott Fischer), Tom Goodman-Hill (Neal Beidleman), Vanessa Kirby (Sandy Hill Pittman), Keira Knightley (Jan Hall), Emily Watson (Helen Wilton), John Hawkes (Doug Hansen), Sam Worthington (Guy Cotter), Robin Wright (Peach Weathers), Mia Goth (Meg)
Movie synopsis of Everest :
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Screenplay : Mark Medoff, Screenplay : Justin Isbell, Screenplay : Simon Beaufoy, Compositors : Brian N. Bentley, Director : Baltasar Kormákur
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Murder on the Orient Express
A lavish train ride unfolds into a stylish & suspenseful mystery. From the novel by Agatha Christie, Murder on the Orient Express tells of thirteen stranded strangers & one man’s race to solve the puzzle before the murderer strikes again. Murder on the Orient Express is an upcoming American mystery film directed by Kenneth Branagh. The screenplay by Michael Green is based on the 1934 novel of the same name by Agatha Christie. The film stars Branagh as Hercule Poirot, with Penélope Cruz, Willem Dafoe, Judi Dench, Johnny Depp, Josh Gad, Derek Jacobi, Leslie Odom Jr., Michelle Pfeiffer, and Daisy Ridley.
Crime, drama, fantasy


Not Even the Pandemic Can Stop M.J. Bassett!
Megan Fox is back! Anyone from my generation can remember her as the hypersexualized woman from the Transformers movies. During the pandemic a tweet thread surfaced demonstrating why Fox left the big screen for a good long while. The good news is, after a short hibernating period, we have NEW Megan Fox projects and it looks like she’s going the Charlize Theron route with her leading role in Rogue (2020).
Megan Fox in Rogue
Rogue features Megan Fox leading an elite unit of soldiers on a rescue mission in Africa. When things go wrong not only do they have to kill a gang of rebels they are also being stalked by a “horde of ravenous, enraged lions they encounter.” Knowing M.J. Bassett’s credentials as a horror director there are strong horror vibes here, but ya know, with lions.
This thing bears all the hallmarks of those straight-to-DVD action flicks Lionsgate makes a living off of. Sometimes those things pan out, but more often than not they’re a mess – even for their action. They’re never bad. They’re simply the lowest common denominator of action movies. I’d watch this thing mostly out of curiosity to see Megan Fox back in action (sans CG Ninja Turtles.) She’s got a handful of projects coming out now or soon and seems to have more control over her career. I hope this movie helps distance her from the “troubled motorcycle girl” she played in TWO Transformers movies. As for the director…
M.J. Bassett Brings the Action!
M.J. Bassett’s bona fides seem legit. Did you know she started as a nature photographer and documentary maker? Combine that with a resume stacked full of these kinds of movies and this seems like the perfect amalgam of content for her. I mean we’re talking episodes of Ash vs. Evil Dead, Power, Iron Fist. She’s got the credits for Solomon Kane (a movie I saw at Blockbuster a LOT but never got around to watching) and the infamous Silent Hill: Revelation. Was that really that big of a movie? Is that some major international selling point? I’ve never played the game nor seen the movies so I may be out of the loop on this one.
Anyways, Rogue drops August 28 – normally the dead zone for summer movies as we’re all wiped out from Blockbusters. Now that Tenet isn’t coming out soon we’ll have to content ourselves with this movie just to scratch some sort of itch. Think it’ll be a good drive-in movie? I’d really love to go to the drive-in and NOT catch Trollz World Tour if I can help it.


Othello Chapter 2
Justice born from imperfection William Shakespeare’s Othello unfolds the tragic story of honorable but gullible General Othello who is manipulated by crooked and scheming Iago. Iago pretends to be a good friend of Othello at the very start and gradually plots a scheme to make Othello think that his wife Desdemona is cheating on him, which leads to Othello killing Desdemona. Iago’s wife, Emilia, plays a very important role in revealing the truth about Iago’s lies.
More realistic and older than Desdemona, Emilia grows a strong bond with the general’s idealistic wife.Though Emilia loves her husband, upon discovering that she was used by her husband in implementing the plot to bring about the destruction of Othello and Desdemona, she reveals the truth about Iago’s plot in front of everyone. Shakespeare makes Emilia personality cynical and pragmatic; however, her guilt and sense of justice redeem herself to be best character in “Othello. ” There are three different motivations, which help to portray Emilia character. Firstly, Emilia’s frail morality is depicted when she steals Desdemona’s handkerchief to please Iago for her desire and says, “What will you give me now for that same handkerchief? (3. 3.
321). That scene was vividly pictured in Oliver Parker film “Othello” in which Emilia and Iago lying on the bed and Emilia handing over the handkerchief to Iago to persuade him to make love to her. Her second motivation is being pragmatic and cynical towards men and marriage based on the treatment she receives from her husband Iago. In 1995 film “Othello”, while Emilia was having a conversation with Desdemona after a small argument with Othello, Desdemona asks if any woman would cheat on their husband for the whole world.Emilia replies, she would cheat on her husband for the whole world and her husband would even forgive her later if she knows her intentions.
“Uds pity, who would not make her husband a cuckold to make him a monarch? I should venture purgatory for it. ” (4,3 45-77). Moreover, her bitterness towards marriage and men can be seen when she tells Desdemona that all men forsakes women sooner or later. “They are all but stomachs, and we all but food; They eat us hungerly, and when they are full They Belch us. ” (3,4,101-102).Though morally frail and cynical, Emilia’s guilt and a sense of justice appears when she comes to realize that Iago fooled her and made her partly responsible for Desdemona’s death. That scene is portrayed in Oliver Parker’s film in which Emilia pointed her finger at Iago, as lying to Othello about the origin of handkerchief upon discovering that Desdemona was killed by Othello and it was all part of Iago’s plan.
“That handkerchief thous speaks of/ I found by fortune and did give my husband. ” (5,2,232-239). “He begged of me to steal it. (5,2, 236).
There are different adaptions of Shakespeare’s Othello, from opera version to some contemporary adaptations. The opera “Othello” and the 1995 movie “Othello” remain faithful to the original plot and characters. Emilia character loves Iago though Iago treats her with disrespect and never shows her any genuine affection. Emilia seems very submissive to Iago and always tries to grab her husband attention. By stealing Desdemona’s handkerchief, she hopes that she would please her husband. “I nothing but to please his fantasy” (3,3,315).Her attachment and love for Desdemona remains the same in both version and so is her sense of justice and guilt as well.
However, BBC film Othello and Blake- Nelson’s film “O” are contemporary adaptions of Shakespeare’s Othello and offers a different perspective on Emilia character. In BBC film Othello, Emilia character went boarding school together with Dessie (Desdemona) and she is also Ben Jango (Iago’s girlfriend). As in the original Othello play, she loves Jago unconditionally. However, unlike Emilia in original “Othello”, Emilia from BBC film seems to be more optimistic about men.In a scene where she is lying on the bed with Ben Jango, she says that she believe there is something loveable about everyone, even when they turn out to be an asshole.
Also, she believes that Ben Jango is a man of good morals. She also has a very good impression on John Othello though her character in the original Othello play feels more intimidated by general Othello. In Blake Nelson’s “O”, Emily, the character name for Emilia, is best friend and roommate of Desi (Desdemona) and she loves her friend.However, in this adaptation, Emily is not fond of Odin James, who is impersonation of Othello character. There is a scene where she is talking to Desi about making love with Odin and whether she has been forced or not portrays that she doesn’t like Odin.
However, the common theme in every adaptation is that Emilia has a sense of guilt and justice. As interesting as Emilia character appears to be in every adaptation of Shakespeare’s Othello, nothing can transcends 1995 “Othello” movie by OliverParker, which stays faithful to the original play. What make Emilia character unique is the contradiction qualities she has: cynical pragmatism versus guilt and sense of justice. Though BBC film “Othello” film and “O” offers new insights to Emilia character, they doesn’t offer her cynical pragmatism as vividly as 1995 “Othello” movie does. Emilia is a character of imperfection, who sacrifices herself to be died in moral and justice perfection.
Works cited Othello. Dir. Oliver Parker. Perf.
Laurence Fishburne and Kenneth Branagh. 1995. Film.


Sometimes a movie is so different and strange it pulls its audience in. The plot may be confusing but it may also stay with anyone who watches. Trying to figure out what you just witnessed can be more fun than watching. This also runs the risk of turning away anyone watching. Brazil’s Our Evil is a mix of genres that is as riveting as it is difficult to watch.
Director Samuel Galli’s movie starts in a straightforward manner. Arthur Ambrust searches the dark web for an assassin. It looks like the audience is in story for a good old fashioned thriller. Finding out why the target is so specific will be part of the fun. The second half of Our Evil becomes something entirely different. The film turns into an arthouse horror movie that seemingly abandons the beginning before tying everything together. But will anyone understand?
Horror can be mixed with pretty much any other genre. It is just about how well it is done. Our Evil jolts the audience as its moves from one stylle to the next. There is no hint given. We watch as Arthur picks an assassin and spends what is intended to be his final moments with the target. Charles (the hitman was has been hired) is seen as ruthless and coldblooded.
The second half of the film just sort of happens. The audience goes from seeing a methodical and personal tale of three characters into one filled with blood, ghosts, and demons. It is incredibly shocking. Our Evil simply becomes a horror movie at around the halfway point.
Somehow, it all works. Narratively, the story flows seamlessly. The first part of Our Evil is spent with the assassination. The second half deals with why things escalated to such violent levels. Galli, who is also the film’s writer, uses an excellent technique in order to fill in the backstory. It is a surprising change of tone, but it does make sense in the context of the tale.
The pacing of the movie will not be for everyone. Early on, the movie takes its time introducing its characters. (There is not any spoken dialogue until more than ten minuets into the film.) Our Evil moves at a methodical pace that is more about setting an atmosphere. Even when characters are more fleshed out, it is more through action (and non action) than dialogue. This is a story that asks the viewer to be very patient.
The film is also incredibly violent – especially towards women. There is a particularly brutal scene involving Charles and a woman he meets in a bar. Sitting through world building is not that difficult sense there is theoretically supposed to be a pay off. The violence here is reminiscent of the exploitation films of the early 1970s. These moments are much more difficult than the slow build.
Unfortunately, the character development is not as strong as it should be. Charles is bad and Arthur is conflicted is the gist of it. The first half of the film takes way too long to develop. The second half gives Arthur a past and little else. There is nothing wrong with putting focus on the plot, but in this case the characters end up stagnating.
Galli’s direction is beautiful. While the needlessly violent scene involving Charles is discomforting, the transition to the scene is done with a nice bit of calm before the storm foreshadowing. The lighting in the movie is fantastic. Galli perfectly emphasizes settings and characters. There are also some very cool shots – especially towards the end of the movie. The make up effects are top notch and if the point to all the violence early on is to make the audience feel disgusted, Galli succeeds.
Our Evil is a very interesting movie that will take a strong will to watch. The writing is great at times, managing to bring together two seemingly unrelated stories. The direction is exquisite. There is great use of color and lighting from beginning to end. Things can get a little too violent at times and this is not a film for the squeamish or impatient. This Brazilian import is worth a watch, but be prepared.
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The clip Haunted by Sarah from Waking the Dead (2000)
All those years.
I want a life that makes sense. You're my lover, Fielding.
I have one, too.
I don't want to have to watch you turn into a cog in their machine.
Sometimes meaningless gestures are all we have.
The clip closing-in-on-the-castle from Snow White and the Huntsman (2012) with Eddie Marsan, Chris Hemsworth. Powered by: Anyclip. any moment from any film. Release! (YELLS) Ready! Release! Release! COLL: Go, go, 90! The summit's breached! Back here, lads! Come on! Get back to it! Pull! Nion, get on that rope! COLL: Come on! Go on! BEITH: Quert! It's a massacre down there! Gort, on that rope! We must turn back!
The clip ravennas-death from Snow White and the Huntsman (2012) with Charlize Theron, Chris Hemsworth. Powered by: Anyclip. any moment from any film. (GASPING) You can't have my heart. (EXHALES) (BELLS RINGING)


Channing Tatum & Jonah Hill: New '21 Jump Street' Poster!
Here’s a synopsis of the film, which is a remake of the well-loved 1980s television show: Two underachieving cops are sent back to a local high school to blend in and bring down a synthetic drug ring.
“They thought the streets were mean. Then they went back to high school,” reads the tagline at the bottom.
21 Jump Street is set to be released on March 16 of this year.
Bigger poster inside…


Play Full Goosebumps in High Quality.Now you can see Goosebumps in HD video with duration 120 Min and has been launched in 2015-10-16 and MPAA rating is 0.
- Original Title : Goosebumps
- Movie title in your country : Goosebumps
- Year of movie : 2015
- Genres of movie : Adventure, Horror, Comedy,
- Status of movie : Planned
- Release date of movie : 2015-10-16
- Companies of movie : Columbia Pictures, Original Film, Scholastic Entertainment,
- Countries of movie : United States of America,
- Language of movie : English,
- Durationof movie : 120 Min
- Average vote of movie : 0
- Youtube ID of movie : twmQRJJZpfQ
- Translation of movie : EN,NL,ES,FR,RU,
- Cast of movie :Jillian Bell (), Ryan Lee (), Ella Wahlestedt (Anna), Steven Krueger (Davidson), Timothy Simons (), Dylan Minnette (Zach Cooper), Kumail Nanjiani (Foreman), Ken Marino (Coach Carr), Kevin Galbraith (Ghoul), Amy Ryan (), Karan Soni (Mr. Rooney), Odeya Rush (Hannah), Halston Sage (), E. Roger Mitchell (Mayor), Jack Black (R.L. Stine), Amanda Lund (Officer Brooks)
Movie synopsis of Goosebumps :
Free Goosebumps in High Quality Video with movie summary "A young kid teams up with the niece of young adult horror author R.L. Stine after the writer's imaginary demons are set free on the town of Greendale, Maryland." in top video format. Best Goosebumps in High Quality Video by clicking the download link.
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Story : Scott Alexander, Screenplay : Darren Lemke , Animation : Michael Parks, Director : Rob Letterman, Story : Larry Karaszewski, Novel : R.L. Stine, Animation : Seung Hoo Ihm
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*This post will be spoiler-light on both films. No major plot points will be discussed in detail
Unless one managed to subvert all corners of the Internet, news of the controversy surrounding comments made by Brie Larson, the star of Captain Marvel likely caught the ears of millions with a presence online. With a campaign to bemoan the film on Rotten Tomatoes and the #AlitaChallenge briefly dominating on social media, Captain Marvel and Alita: Battle Angel found themselves pitted against each other on the basis of a small cultural war. Featuring female protagonists, there was a strange tension that sought to prove rather than understand.
When a friend invited me to watch Alita: Battle Angel on the Friday of the release of Captain Marvel, I could not resist the temptation to watch both films in order to compare the two. Was there merit in the challenges that arose to avoid one film for the other?
Weirdly enough, I struggle to determine a complete answer myself. Without question, releasing these films a year apart in different circumstances would not grab my attention to compare the two. Yet I must admit that both films hold interesting positions within the cinematic space that are worth discussing within a larger context.
Alita: Battle Angel and Captain Marvel could not be further separated in execution and vision. One embodies the essence of risk, attempting to establish new foundations for a compelling universe rarely portrayed on the big screen despite the inevitable side effects. The other is rooted in convention, dependent on its past successes to maintain a safety net despite the redundancies that accompany it. Both remain distinct cinematic experiences that within the year of 2019 prompt an interesting question that has persisted since the inception of entertainment: does originality necessarily warrant greater quality or attention against the standard?
Alita: Battle Angel is based on Yukito Kishiro’s manga Gunnm (or Battle Angel Alita in English). It is widely known to be a passion project that James Cameron, the director behind box office phenomenon Titanic and Avatar, has wanted to realize on the big screen for years, even registering a domain name for the film back in 2000.
And as expected of a James Cameron production, it cannot be understated that Alita: Battle Angel is a visual marvel on every front of its production. Had it been available in IMAX 3D for viewing at the time, I undoubtedly would have opted to watch that version.
Set within the futuristic depot of Iron City. Rustic architecture dwarf the isles with deceptively high-end technology sprawling from building to building. The dense population of the city indicates an inability to adjust the infrastructure to create efficient means of transportation, or a societal disregard for the environmental sustainability of their surroundings. Interesting sights fill the vision, from a guitarist that utilizes a two-handed metallic arm to play a guitar with two sets of strings, to the various robotic dogs that occasionally roam the streets amidst regular animals.
Despite its worn aesthetic, there is a mystical spirit to the junkyard worth uncovering in its entirety. Even a simple change from the morning to the evening unveils an aura of danger in the streets, with Hunter-Warriors tracking down cyborgs to earn their keep.
I should quickly note here, the fight cinematography is fantastic. I was worried at first because the use of CGI indicated that some of the action would become frantically artificial, difficult to keep track of. Yet I was floored by the impressive techniques on display to create authentic bouts between Alita and her adversaries. The opportunity to witness the exhilaration of Motorball nearly justifies a single viewing on its own.
And atop them all? Zalem: a sprawling metropolis of great presence, strangely grappled into the sky. Junk descends from the gaping hole within the center of the mighty utopia, presumably dropping the technologies and materials deemed “outdated” by the highest authorities. Amidst the fantastic world building featured in the details, this characteristic happens to be the most intriguing personally. If someone like Alita was thrown into the scrapyard despite her combative potential, what threats await those who embark on a journey to Zalem? It is continually (and rightfully) portrayed as the end goal for those with the greatest aspirations.
Unfortunately, it appears that much was sacrificed in other essential areas of filmmaking in order to accomplish those feats. Of particular note was the borderline-atrocious scriptwriting that often lacked punch. One of the biggest issues lies with the incoherence between the circumstances and dialogue. Certain moments that could have carried emotional weight are marred by a lack of relevance that highlight some lack of thought to the integrity of the narrative. It is so poor that even the best delivery from the actors can manage to sound forced. Without spoiling too many details, a moment where a character is on the verge of death had me laughing because of the out-of-touch comments made by another character, which ironically contradicted a notion established earlier within the film.
However, there are instances where the corny dialogue is used to some great effect. There is a scene where Alita attempts to inspire a gang of Hunter-Warriors within a bar with a triumphant speech that for some audience members is quite cookie-cutter, and her acquaintances immediately dismiss her rhetoric upo hearing it. This remains a prime example of dialogue that carries a clear intention: to highlight the arrogance of the Hunter-Warriors and note Alita’s more childish beginnings as she enters a realm of hunting unfamiliar to her.
To clarify, I hold the purpose of the scriptwriting to be of much greater importance than the delivery. The movie Eighth Grade best underscores this concept: dialogue between the characters is clearly supposed to be awkward in the service of creating an authentic middle school atmosphere. My personal gripe with Alita: Battle Angel specifically lies with intent because there were enough strange instances within the screenplay that I actively questioned which lines of dialogue were written that way with purpose and which were written on late notice.
Of course, scriptwriting does not limit itself to character interaction and dialogue though: it is integral to the progression of the narrative. Alita: Battle Angel struggles to cover much ground in the midst of its extensive world-building, establishing several avenues of setup without the necessary payoff to stand on its own. This is particularly baffling given that the source material is largely unknown to general audiences, and the film certainly did not have the prospects to become another breakout hit. Perhaps with a longer runtime and refocused script, Alita: Battle Angel might have captivated audiences on its basis as production rather than intrigue alone.
There is significant doubt in my mind that Alita: Battle Angel gets a sequel in the near future even if it manages to recoup costs, which remains doubtful despite exceeding its $170-$200 million production cost (this excludes costs related to marketing and advertising). While I would be torn to say that the quality of the film truly warrants one compared to , it is nevertheless saddening. Especially with live-action adaptations of Japanese manga to the big screen, no attempts have managed to garner success with audiences without major adjustments to the source material (i.e. Edge of Tomorrow). I cannot help but compare Alita: Battle Angel to the live-action adaptation of Ghost in the Shell: they are fantastic displays of visual spectacle hampered by the burdens of establishing itself for future installments.
For advocates of Alita: Battle Angel, the best one can do to further support the film is through multiple screenings or purchasing the eventual DVD release. For a film that manages to accurately and beautifully depict its setting with the best treatment possible in cinema, it is deserving of a second chance to shine.
Captain of the Marvel Conventional Universe
The idea of the Marvel Cinematic Universe is utterly genius, creating an interconnected lore of superheroes across film and television that prompts the exploration of multiple stories and characters. This premise immediately resonated with audiences, and with the breakout success of The Avengers, the MCU cemented itself as the one of the most successful franchises in cinematic history.
But as the film releases continues to accumulate, it becomes more and more difficult to replicate the novelty or previous installments, requiring filmmakers to pursue new routes to maintain the spirit of the MCU, which has been attempted occasionally to great success or subtle failure.
Of course, there are no major incentives to broaden out of the comfort zone that the MCU has established, and unfortunately Captain Marvel became the victim of what otherwise could have been a compelling origin tale of the most powerful superhero in the franchise, but not necessarily because of a lack of quality.
In fact, I would assert that Captain Marvel is the most average movie within the MCU.
Set within 1995, the movie is chronologically the second in the MCU, between the first Captain America and the first Iron Man films. As a result, Captain Marvel is relatively disconnected from the burdens of the other installments, as the concept of a “superhero” is still foreign at this point within the timeline. This allows the film to redouble its focus on the story of Carol Danvers becoming Captain Marvel without too much compromise, and it is successful in crafting a fine narrative arc of rediscovery and capability.
It was doubly refreshing to return to a time where CGI-laden fights did not plaster every inch of the movie. With the exception of the final battle, there was a greater effort to focus on more grounded action, be it within a moving train or file storage room, which I believe unintentionally reinforces some of the subtler messages of the movie. Carol Danvers holds tremendous power, but through circumstance or authority is discouraged from unleashing it. Therefore, the moment where she rekindles her individual strengths is probably the best moment within the film; she is not becoming more powerful as much as she is embracing her latent abilities.
Aside from that, the other qualities of the film follows the route one would expect from an MCU film: cheeky one-liners populate the script, villains are standard-fare, introduce some set-up, make tiny connections with other films, etc.
But at this point, some of these patterns are becoming a burden. Let it serve as a reminder that Captain Marvel is the twenty-first film to be released in MCU to date. And it retains several conventions that often plagued the films from Phase One. And movies like Guardians of the Galaxy and Avengers: Infinity War exist. And despite what I said earlier, Captain Marvel is burdened by the meta implications of its release in 2019 before Avengers: Endgame.
Aside from its existence as the first female-led superhero film within the MCU, there is absolutely nothing about Captain Marvel that feigns originality. This is partially because the film itself is nothing to write home about, but more so because nearly eleven years of the MCU precede it. If I had to sum it up quickly, Captain Marvel would have benefitted from a release in Phase One. While her character’s presence was conspicuously absent until Avengers: Infinity War, the landscape of superhero films at the time would have been more conductive to the film’s reception.
Against the constructed odds of the Internet, the propagated competition between Alita: Battle Angel and Captain Marvel managed to inspire new questions. We have one film that is particularly novel in its adaptation with cutting-edge visual production, but is justifiably slammed for its failings within the narrative and scriptwriting. And the other is painfully safe in its execution against the rest of its companions, but is harmlessly fine without too much detriment.
So under these circumstances, it is nearly guaranteed that preferences will be split depending on one’s taste and background with such films. But the precedents that the two movies represent prompt discussion about the future. Here’s the reality: convention sells while innovation hesitates. Captain Marvel has everything needed to be a commercial hit, whereas Alita: Battle Angel has major hurdles to overcome (some of which are self-inflicted).
While there are certain aspects of each film that I gravitate towards, I could not adamantly express a confident assertion of the film that I found superior, ultimately because of what each film individually represents to me. Perhaps that dilemma will absolve itself one day, but in the meantime I will continue to reflect upon the matter.
I am not here to advise you to watch one film and not support the other. Rather, I find tangible merit within Alita: Battle Angel and Captain Marvel to be viewed for reasons other than the experiences that the filmmakers intended for the audiences.


High school soccer star Scott is struck with a serious knee injury that leads him to break up with his girlfriend, as he focuses all of his time on rehabilitation.
During his period, Scott receives correspondence from a secret admirer that starts with letters and then escalates into events of a more malevolent nature.
Crush is a thriller film directed by Malik Bader and written by Sonny Mallhi. The film stars Crystal Reed, Lucas Till, and Sarah Bolger in lead roles. It is rated PG-13 for “disturbing thematic material, violence, sensuality, some teen drinking, and language”.
The film’s tagline is “Careful who you wish for”, and its plot has been summarized as “A secret admirer’s crush on a high school athlete takes a fatal turn.


1998 Comedy Rated R 110 Minutes
|On 4K UHD||Not Available|
|On Blu-ray||January 14, 2014|
|On DVD||January 19, 1999|
An arresting hybrid of kitchen sink realism and fairy tale romance, Buffalo '66 follows the strange path of a troubled young man cursed with unloving parents. In his quixotic search for one kind of love he unexpectedly finds another kind of love in Layla (Ricci). Vincent Gallo brings a deep emotional conviction to this contemporary fable of family trauma and the healing power of love.
Rated R for language, strong violent images and scenes involving nudity.
Released by Lionsgate. See more credits.


Watching Christmas movies together with friends and family is a staple of a traditional Yuletide celebration. There’s something about revisiting classic holiday films or checking out newly released Xmas flicks with the people we love that adds more sense of warmth and togetherness to the season. But let’s admit it — Christmas films are not created equal. While most of them bring us some much-needed festive cheer, a few are so bad they can actually ruin the entire holiday. If you’re looking for a relatively new movie that will positively jumpstart your Christmastime, make sure to add 8-Bit Christmas to your holiday watch list.
About 8-Bit Christmas
8-Bit Christmas is an American Christmas comedy film based on the 2013 novel of the same name by Kevin Jakubowski. Directed by Michael Dowse from a screenplay by Jakubowski, the movie is a humorous and heartfelt look back at the adventures of childhood. Set in suburban Chicago in the late 1980s, it centers on a 10-year-old boy named Jake Doyle (Winslow Fegley), who embarks on a Herculean quest to get the latest and greatest video game system for Christmas.
The movie opens with adult Jake Doyle (Neil Patrick Harris) recounting to his young cellphone-obsessed daughter how he got his first Nintendo Entertainment System. The film is told in flashbacks as the main character recalls the memory of that Christmas season when all he wanted was the game console.
8-Bit Christmas movie cast
In addition to Winslow Fegley and Neil Patrick Harris who played the young and adult Jake Doyle, respectively, in 8-Bit Christmas, the movie also starred Sophia Reid-Gantzert as Annie Doyle, Jake’s daughter; June Diane Raphael as Kathy Doyle, Jake’s mother; Steve Zahn as John Doyle, Jake’s father; and Bellaluna Resnick as Lizzy Doyle, Jake’s sister.
The film also featured performances by Che Tafari as Mikey Trotter, Santino Barnard as Evan Olsen, and siblings Brielle Rankins and Braelyn Rankins as twins Tammy and Teddy Hodges. Mikey, Evan, Tammy and Teddy are friends of young Jake in the movie.
Also included in the cast were Max Malas as the pathological liar Jeff Farmer, Cyrus Arnold as the oversized bully Josh Jagorski, and Chandler Dean as the narcissistic kid Timmy Keane, among many others.
8-Bit Christmas filming locations
Produced by New Line Cinema and Star Thrower Entertainment, 8-Bit Christmas was filmed in Toronto, Canada.
When did 8-Bit Christmas come out?
8-Bit Christmas premiered on November 24th, 2021
Is 8-Bit Christmas a good movie?
Yes. 8-Bit Christmas is a good movie. It received generally favorable reviews from critics at the time of its release. On Rotten Tomatoes, the film holds an approval rating of 83% based on 30 reviews, with an average rating of 6.9/10.
Though formulaic in structure, 8-Bit Christmas is unexpectedly heartwarming. “8-Bit Christmas isn’t going to change anyone’s life or become a new holiday classic, but it’s pretty cute and comes out in the eleventh hour to really smack you in the face with the feels,” wrote Kaitlyn Booth of Bleeding Cool.
Nick Ordoña of the Los Angeles Times praised the film’s casting, directing, and Jakubowski’s writing. He also praised the movie’s “heart-tugging ending,” which helped the movie became
a surprise contender for Best Christmas Movie of the last several years.”
A sweetly nostalgic ode to yuletide seasons past, 8-Bit Christmas was also commended for its perfect depiction of the ‘80s While the setting of the movie resonates more strongly with those that grew up in the 80s, critics noted that the film also works well for the younger crowd.
Overall, what sets 8-Bit Christmas apart from most Xmas movies is that it’s an enjoyable watch despite not demanding too much intelligence or emotional investment from viewers.
Is 8-Bit Christmas OK for kids?
Though 8-Bit Christmas has mild violence, suggestive references, and rude humor and language, the PG-rated movie is ultimately a kid-friendly feel-good comedy.
Is 8-Bit Christmas on HBO Max?
Yes. 8-Bit Christmas is available to stream on HBO Max in the United States.
8-Bit Christmas trailer
Is 8-Bit Christmas on Netflix?
No. 8-Bit Christmas is not on Netflix. As mentioned above, the movie exclusively streams on HBO Max in the U.S. But 4K and HD copies of the film are also available for purchase or rent on Apple TV, Amazon, Microsoft Store, Google Play, YouTube Movies, Vudu, and Direct TV.


Prithviraj gets busy in MollywoodTNN | Updated: Jan 15, 2017, 09:49 IST
Mia, who played the heroine in Chettayees will play the female lead. Memories will be produced under the banner of Anantha Vision by P K Muralidharan and Santha Muralidharan.
The shooting for the film is all set to begin in April. The Mozhi actor is currently shooting for Rosshan Andrrews' Mumbai Police .


Pottu Ek Tantra (Pottu) New Released Full Hindi Dubbed Movie 2019 | Bharath Srinivasan, Iniya, Namitha
IMDB Ratings: 3.7/10
Quality: 720p HDRip
Director: V.C. Vadivudaiyan
Writer: V.C. Vadivudaiyan
Stars: Iniya, Namitha, Srushti Dange
Movie Plot: A medical college student get possessed by a ghost that wants to take revenge on the college’s dean.


James' path to prison is highlighted in this mini-mart robbery where he meets the gutter trash of his dreams. On VOD now and in theaters January 17.
Based on the true story of teenager James Burns (Spencer Lofranco) who goes from a suburban street gang to a maximum-security prison cell surrounded by hardened criminals. He turns his life around in prison thanks to the unexpected friendship he forms with a convicted murderer (Ving Rhames) who becomes his mentor.
Cast & crew
A teen goes from being in a street gang to being in a maximum-security prison in this true-life drama. In theaters January 17.
By B. Alan Orange | 2 years ago


I've never really associated scary movies with Halloween, probably for the same reasons I don't associate love stories with Valentine's Day. I know a cash cow holiday when I see one, and every day can be frightening. But Halloween can't be all bad if it gives me a chance to wax scary on ten of my favorite scary movies. Herewith, a collection of classic chillers, some canonized, some more obscure, that still make my blood crawl.
Angel Heart (1987, directed by Alan Parker)
Cheesy at times, this existential detective story about a P.I. (Mickey Rourke in one of his best performances) hired by a dark stranger (Robert De Niro) cooks up a mean New Orleans gumbo of black magic, featuring a missing crooner with a massive debt to pay and a chit holder with friends in very low places. It's a potent blend of sound and image that has stayed with me since my first viewing.
Carrie (1976, directed by Brian De Palma)
Accompany me, if you will, to the prom, and to a time when De Palma wasn't merely imitating his own greatest hits (the remake of this one, directed by Kimberly Peirce, just came out). It's still a killer movie about what happens when you bully the wrong girl. Pig blood not included with purchase.
Dead of Night (1945, directed by Alberto Cavalcanti,Charles Crichton, Basil Dearden and Robert Hamer)
I saw this horror omnibus about bad dreams, angry ghosts and one scary ventriloquist's dummy when I was a kid, and it scarred my impressionable mind for good. The frame story, about a man who visits a house he swears he's visited before, draws you in to a killer set of spooky tales that manage to include a dollop of dry Ealing Studios British humor. But there's nothing funny about Redgrave's dummy sequence, without which there'd be no Magic.
The Exorcist (1973, directed by William Friedkin)
You know what's scary? Satanic possession. Know what's really scary? A Satanic possession movie that plays like a documentary. That's what gives The Exorcist its kick: Friedkin films the whole thing, spinning head and all, in a style that suggests this could happen to you next week. Pity for that new rug you just bought. The new 40th anniversary Blu-ray set features an interview with Father Eugene Gallagher, who told author William Peter Blatty the true story that inspired the novel.
Eyes Without a Face (1960, directed by Georges Franju)
Remember Face/Off, the Nicolas Cage/John Travolta mug-swapping yarn? This came way before, and it's far more sinister. An obsessive surgeon (Pierre Brasseur) is determined to fix up his beloved daughter, terribly disfigured in an accident. Like, really determined. Graceful, oddly funny and altogether haunting.
Kwaidan (1964, directed by Masaki Kobayashi)
Another one from the international archive. Kobayashi's quartet of ghost stories is marked by bold use of color and the kind of stern morality check you find in classic fables. You'll never look at a woman's long, black hair in quite the same way.
Night of the Living Dead (1968, directed by George Romero)
Is this the half-eaten face that launched a thousand zombie yarns? You bet. Like The Exorcist, Romero's first of many undead ventures terrifies by convincing you it's real. Grainy, black and white glory, set within an explicit civil rights era context.
Rosemary's Baby (1968, directed by Roman Polanski)
This fiendishly funny story of a young wife (Mia Farrow) impregnated by Satan remains Roman Polanski's best exploration of evil's banality. Poor Rosemary. All she wants is a safe life with her husband (John Cassavetes) and newborn. But then she has to deal with the kindly old devil worshipers next door, who engineer an elaborate conspiracy to make impending motherhood a living hell. Remember: he has his father's eyes.
Psycho (1960, directed by Alfred Hitchcock)
Without the shocks of Psycho there simply is no modern horror movie. Hitchcock wanted to show the B-movie chop-shoppers that he could make a similar but superior product on his own terms. Pretty safe to say he succeeded.
Terms and Conditions May Apply
Remember, I said scary movies, not horror movies. And if this documentary about what you're signing off on after not reading all that fine print on the Web isn't scary, I don't know what is.


Welcome to the fourth edition of Cheltenham International Film Festival in 2022. We invite emerging (and more experienced) filmmakers to submit their work - narrative and documentary, features and shorts. If you have an animated film, you are welcome to submit.
SO MANY OPPORTUNITIES TO HAVE YOUR WORK SCREENED, STREAMED AND WATCHED BY AUDIENCES
Cheltenham International Film Festival is about filmmakers and we offer filmmakers the opportunity to put their films in front of audiences:
- during the main ‘live’ in-person film festival;
- during the online film festival which has proved so successful the last two years;
- during our new Youth International Film Festival;
- we also create and introduce audiences to new films via NFT’s
We are fortunate to partner with and host Cheltenham International Film Festival on YourScreen (https://watch.yourscreen.net/), the UK multi-screen virtual cinema. Once the Festival has drawn to a close, we select festival films to stream on YourScreen, which gives filmmakers additional opportunities to have their work watched by audiences and to earn revenue as we share YourScreen box office with filmmakers.
CHELTENHAM & CELEBRITIES
Cheltenham is the UK’s Festival town, stretching back over 70 years; music, jazz and literature festivals are among the most prominent. It is now Cheltenham International Film Festival’s turn to add to the prestige of the town’s reputation as one of the premier film festivals in the UK, attracting Oscar-nominated directors such as Mike Leigh, Stephen Frears, Jan Komasa and celebrated filmmakers and artistes Josie Rourke, Steven Berkoff and our Honorary Patron, Simon Pegg, among others.
Over 70 years, big name actors and directors, musicians and writers, politicians and royalty from Roger Moore, Benedict Cumberbatch, Dame Judy Dench and Hugh Laurie through to Roger Daltrey, Van Morrison and Debbie Harry, through to Bob Geldof, Jools Holland, Prime Minister David Cameron, Hilary Clinton, Prince Charles and more have come to Cheltenham.
BEST FILM, EMERGING DIRECTOR
In 2021, we introduced the BEST FILM, EMERGING DIRECTOR award which was judged by a jury of well-respected figures from media, the arts and from film, chaired by well-known film critic/journalist/broadcaster, Anna Smith. The winner in 2021 was the Polish film, I Never Cry, directed by Piotr Domalewski.
CHELTENHAM YOUTH INTERNATIONAL FILM FESTIVAL
Th new Cheltenham Youth International Film Festival launches in January 2022, as a major part of the main festival which every year takes place at the end of May.
Cheltenham International Film Festival, in part, is building its reputation on year-round special events. On 4th October, we introduced the annual Cheltenham International Film Festival Lecture given in 2021 by Baroness Lola Young on the theme of diversity in the British film industry.
We recognise women filmmakers with an “F” rating on films with female directors, writers, and/or lead characters. In October, we acknowledged the work of Iranian filmmaker, Mahnaz Mohammadi, in the context of the struggle women face to achieve equal rights; we screened Mahnaz’s latest film, Son-Mother, followed by an interview with leading film critic, Anna Smith, as part of our “In Conversation with……” series.
The Cheltenham International Film Festival promotes diversity and is inclusive of all who wish to share their vision, their creative work, their thoughts and ideas with audiences in and around Cheltenham and throughout the UK – live and online.
The brand name “Cheltenham” is associated with high-profile, international arts festivals bringing prestige to the awards handed out by the Festival. The following awards are reserved for emerging directors.
Best Feature Film – Narrative
Best Feature Film - Documentary
Best Short Film - Narrative
Best Short Film - Documentary
Awards may be added, including an Audience Award.
1. All films must be submitted uploaded directly to FilmFreeway.
2. The CIFF cannot accept films that are on DVD or Blu-ray
3. Each submission must be accompanied by a submission fee, paid in full
Eligibility of Film For Submission:
1. Feature film: Narrative – at least 69 minutescos
2. Feature film: Documentary – at least 60 minutes
3. Short film: Narrative – not more than 17 minutes
4. Short film: Documentary – not more than 17 minutes
5. Animation films and experimental are also eligible for entry into the CIFF.
Note: Length of feature and shorts may be adjusted for any single particular film. The final decision rests with the organisers of the CIFF.
7. Films not in the English language should be subtitled in English
8. Film must have been completed after 1 December, 2019
9. Works-in-progress films are accepted as long as they are clearly marked as such or “rough cut”, with reference to missing elements ie VFX or colour correction.
1. The CIFF does not operate a premiere status and does not require a premiere in any
category of film
2. Films are eligible and accepted into competition even if they have been screened at
3. But, entries may not have been screened theatrically or publicly in the area of South-
West England prior to the CIFF
1. Films will be screened on DCP unless otherwise stated by the organisers.
2. The CIFF also requires Blu-ray as a back up to DCP.
3. On line films will be streamed on the Film Festival’s host page of YourScreen
A selection panel composed of film professionals and enthusiasts is charged with viewing all films and for making a short list to invite to the Festival. Once the panel has made its final decision, invites will be sent to the successful filmmakers by end April, 2022. Please ensure that we always have your latest contact details on file so that we may reach you. Due to the volume of entries, it is not possible to offer individual feedback.
Successful submissions will be listed on our website (www.cheltfilm.com) and social media platforms.
If your film is successful we shall require press/publicity materials, including a press kit, and digital images.


Screamfest 2016: Found Footage 3D FILM REVIEW
A film crew soon discovers that making a 3D supernatural found footage is much harder than they could possibly imagine in FOUND FOOTAGE 3D.
A film crew sets out to make the first-ever 3D found footage film. They soon discover that they may be in over their head when strange things start to occur at their shooting location, a remote, abandoned cabin in the woods.
Found Footage 3D
Director: Steven DeGennaro
Screenplay: Steven DeGennaro
Starring: Carter Roy, Alena von Stroheim, Chris O'Brien, Tom Saporito, Scott Allen Perry, Jessica Perrin, Scott Weinberg
Not Yet Rated
Running Time: 1 hour 40 minutes
***** = Outstanding ****1/2 = Excellent **** = Very Good ***1/2 = Above Average
*** = Good **1/2 = Mediocre ** = Fair *1/2 = Poor * = Bad 1/2* = Abysmal


Thanks to your votes, the true story of former gang members turned street saviors, working to reverse the violence on the streets of L.A, “License to Operate,”
won this weekend’s Project of the Week contest!
Congratulations to “License to Operate” and director James Lipetzky. The filmmaker will receive a digital distribution consultation from SnagFilms and the film is now officially a candidate for Project of the Month. That winner will be awarded with a consultation from the Tribeca Film Institute.
Here’s what the project’s about:
Shot over the summer of 2013, LTO: License to Operate is a feature-length documentary about former gang members who have come together on a mission to stop the violence they were once a part of. These men earned a license to operate based on their histories as leaders in their respective gangs. This status now empowers them to negotiate on behalf of the community, resolving conflicts and limiting retaliation killings. In a genre that focuses on violence, “License to Operate” is about a viable, working solution coming from within.


Malayalam actor Mohanlal has become the darling of NTR’s fans. The popular actor is playing a crucial role in NTR’s upcoming ‘Janatha Garage’ and while this combination itself is enough to raise curiosity, Mohanlal is bringing unexpected benefits for the project.
Because of his star identity, the movie will have a big advantage in Malayalam markets like the Middle East and Kerala. This is a big advantage for the film’s revenues. Apart from that, he is also regularly posting photos of himself or selfies with NTR, from the movie’s set.
These actions are bringing him to closer to NTR’s millions of fans and they have all expressed their happiness on Twitter. The movie is currently being shot in Hyderabad and Koratala Shiva is handling the direction. Mythri Movies is the production house behind this movie.
- Mahesh says Baahubali is mind-boggling
- Garuda Vega speeds up post-production
- Ramya Krishna thanks audience for Baahubali
- Baahubali’s sets new records in Karnataka & Kerala, misses TN
- Ram Charan’s Konidela Productions turns 1
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Looper on DVD December 2012 starring Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano. In the futuristic action thriller Looper, time travel will be invented – but it will be illegal and only available on the black market.


Warner Bros. may still make Rush Hour 4 but Brett Ratner definitely won't be directing it.
Gal Gadot responds to the accusations that she was able to get Brett Rather fired from Wonder Woman 2 after he was accused of sexual harassment.
Both Jeremy Piven and director Brett Ratner are vehemently denying the sexual harassment claims made against them.
Dwayne Johnson gives fans a glimpse at the detail in design director Brett Ratner is bringing to this 300 BC epic.
The 300 BC demigod wears a huge lion's mane on the set of MGM's action-adventure, arriving in theaters July 25th, 2014.
Brett Ratner is directing this action-adventure with Dwayne Johnson starring as the mythological title character.
Dwayne Johnson takes the lead in this action thriller, which originally had an August 2014 released date.
Paramount Pictures and MGM Studios are co-producing this action-thriller based on Steve Moore's graphic novel Hercules: The Thracian Wars.
David Elliot and Paul Lovett will rewrite the script for this sequel starring Robert De Niro as bounty hunter Jack Walsh.
Craig Marks and Rob Tannenbaum's tome on the history of this iconic cable network is being set up at Sony Pictures.
This latest incarnation of the mythical hero will be based on Steve Moore's graphic novel Hercules: The Thracian War.
Brian Grazer and Brett Ratner reveal how they met in this look at the upcoming comedy, in stores February 21.
The Tower Heist director announced his resignation after coming under fire for controversial comments this weekend.
Director Brett Ratner and producer Brian Grazer discuss this heist comedy starring Ben Stiller and Eddie Murphy.
The Brett Ratner comedy starring Eddie Murphy and Ben Stiller is being used as a release date test in two midsized markets.
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The director and producer team up for the Oscars which will telecast February 26.
The Tower Heist director reunites with screenwriter Jeff Nathanson for this adaptation of the young adult book series about the most powerful family in the world.
The Tower Heist director is in talks for this adaptation of Steve Moore's Radical Publishing comic book.


Spider-Man producer Amy Pascal has opened up about the status of Spider-Man 4 starring Tom Holland, but her update isn’t exactly what fans were hoping for.
Ever since Spider-Man: No Way Home hit theaters in December 2021, fans of Marvel’s web-slinging hero have been anxiously awaiting word of what the future might hold for the hero and the franchise.
While No Way Home seemed to bring an end to the original trilogy of films, it left fans with a lot of unresolved questions due in large part to the way in which the film ended. After turning to Doctor Strange for help cleaning up the mess Mysterio caused when he revealed Peter’s identity to the world, the film ends with the world forgetting who Peter Parker is.
This helps Peter regain his anonymity with the world no longer knowing he’s Spider-man. However, it also causes both MJ and Ned to forget Peter’s existence as well leaving fans to wonder whether the pair will ever get their memories back and just how much else has changed in this new timeline as a result of Strange’s spell.
In the time that has passed since No Way Home‘s release, there has been little news about the plans for Tom Holland’s Spider-Man with a lot of vague teases from studio brass hinting that a fourth film would be coming. However, the latest update from one of the producers behind the Spider-Man franchise has come forward to share both an exciting yet shocking update on the status of the character’s future.
Is Spider-Man 4 happening with Tom Holland?
Although neither Marvel or Sony has officially confirmed its plans for the Spider-Man franchise following the release of Spider-Man: No Way Home, longtime producer Amy Pascal has revealed a fourth film is in the works. Unfortunately, planning for the film has come to a complete halt due to the ongoing writers’ strike.
Speaking with Variety at the premiere of Across the Spider-Verse, Pascal revealed that we’re going to indeed see a fourth film in the franchise starring Tom Holland. However, due to the strike all conversations about the film have come to a stop as “nobody is working.”
"“Are we going to make another movie? Of course, we are,” Pasal revealed before adding. “We’re in the process, but the writers’ strike, nobody is working during the strike. We’re all being supporters and whenever they get themselves together, we’ll get started.”"
Given we don’t know how long the writers’ strike will last, it’s hard to know when we might get an official update on what Marvel and Sony have planned for Holland’s Spidey franchise. However, it’s incredibly promising to know that there are plans for a fourth film in the franchise that will continue the story and hopefully provide some resolution to No Way Home‘s many unresolved plotlines.


Revisiting the dystopian setting of last year’s The Hunger Games, Catching Fire makes even more of Jennifer Lawrence’s rising star than its precursor. Like her character Katniss, the actress continues to reveal hidden strengths both when this sequel demands more range in her performance and when she’s simply required to cover familiar ground.
Throughout Catching Fire there’s a much stronger sense of a tangible world being built than in The Hunger Games, not so much expanded as enriched and made more plausible. Donald Sutherland and Philip Seymour Hoffman offer suitable menace and the more outlandish supporting cast, chiefly Woody Harrelson and Elizabeth Banks, themselves serve up believable (dare I say nuanced) performances.
The public revolt that simmers along in the background and the way it is dealt with by Panem’s rulers add further depth and context, thankfully without drowning the film in allegory or subtext. That’s tribute to fresh incoming director Francis Lawrence, who displays a little more flair and maturity in tone than his displaced predecessor, and screenwriter Michael Arndt, whose forced departure from the upcoming Star Wars sequel is disappointing given the efficient, effective script on offer here.
For all this, it’s hard to shake the sense of déjà vu as the film’s narrative follows the trajectory of The Hunger Games a little too closely. Despite Katniss being more damaged and seeing things more cynically, events play out in familiar fashion, even if the motives and stakes differ. While Catching Fire is eminently watchable it lacks the surprise factor of the earlier film even while serving as a bridge to its own anything-could-happen sequels, cruelly teased in a cliffhanger ending.
‘The Hunger Games: Catching Fire’ Movie Times


No! Next question. That’s the whole point. The weekend’s hot new comedy “The Hangover” is funny in part because of its willingness to be offensive. Yet I agree with my feminist colleague Sara Stewart that director Todd Phillips‘ movie bungles it when it comes to women.
It’s not that I mind a woman character being portrayed as a harpy, but she still has to be funny, and the girlfriend (Rachael Harris) of the milquetoast geek played by Ed Helms (“The Office”) has no role in the movie except to scream at him and try to control him (even though she, as his buds never tire of reminding him, once slept with a bartender after getting hammered on a cruise). She’s an off-the-shelf stereotype, particularly near the end of the movie where there’s a drab scene in which she gets so shouty that it’s hard to believe anyone involved with the script gave any thought to her. Compare, say, the Judd Apatow movies: his women are characters, not types. Of course, the naggy girlfriend character is only on screen for a couple of minutes and doesn’t matter much to the movie, but a great script can create an interesting character in just a few lines. The only other woman character who registers, a sweet-hearted hooker played by Heather Graham, is also underwritten.


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Oscar Isaac, famous for his portrayal of the character named “Poe Dameron” in the Star Wars franchise, will be leading the cast of the film titled “Metal Gear Solid.”
Video game films are not always successful despite being a decent film (Warcraft). However, sometimes they deserve the critical bashing they get (Prince of Persia).
While there is no denying that video game lovers were not entirely impressed with whatever they saw in the on-screen adaption of Jake Gyllenhaal starrer Prince of Persia or Angelina Jolie starrer “Resident Evil,” there are some films that get accurately translated on the big screen and then run the gaming franchise.
The most famous of these films are Ryan Reynolds starrer Detective Pikachu, Sonic the Hedgehog, and Alicia Vikander starrer Tomb Raider (the sequel of the film has been postponed to the utter dismay of fans).
One thing you need in a profound adaptation of the video game based story is a stellar cast who ably enacts the characters. It seems that PlayStation Studios have been observing this basic fact all this time.
The studio has thus cast Star Wars actor Oscar Isaac (Poe Dameron) in the role of Solid Snake for the first-ever theatrical adaptation of a renowned video game series “Metal Gear Solid.”
If you are already initiated into the world of spy games, you must have heard of the franchise, and you would need no introduction. However, for the uninformed, the “Metal Gear Solid” is a very old video game franchise (at least 33 years old), and it features a highly-skilled spy named “Solid Snake” embarking on impossible missions.
Konami has produced the video game series. I am very sure that you are familiar with the name “Konami” because it is the franchise that also creates a widely played soccer game, “PES.” Hideo Kojima, who is now a video game icon, had created the first version of the game for Konami.
The filmmakers who will be helming the upcoming project have revealed that the script of the movie has already been written. The screenwriters who have worked on the script are very talented. They are Derek Connolly, who won accolades for his work in the film “Star Wars: The Rise of Skywalker” and Avi Arad, who had written the script for Spiderman: Into the Spider-Verse.
If the names mentioned above are indeed part of the writer’s room, we can expect a nice and decent script, which would, in turn, mean that now it is up to Oscar Isaac and the company to enact the story in the best way possible. Considering the virtuosity of the actor, it is likely to happen.
Oscar Isaac has also played a pivotal role in the Denis Villeneuve re-adaptation of the 1984 film “Dune.” The production and post-production of the film are already finished, but the film had to be delayed due to the issues caused by the pandemic. Now, the film is looking forward to being released on October 1st, 2020.
Source :- https://enterproductkey.a7setup.co.uk/oscar-isaac-promises-solid-snake-theatrical-adaptation/
Kellie Minton arrived on the cyber security scene in the early 2000s when virus and malware were still new and slowly evolving. Her longtime affair with writing with an interest in the cybersecurity industry, combined with her IT degree, has contributed to experience several aspects of security suite industry such as blogging at norton.com/setup .


The Right Temptation (2000)
Release Date: Mar 1, 2000 Wide
Average Rating: 3.2/5
User Ratings: 621
In this thriller, Derian (Rebecca De Mornay), a beautiful private detective with a checkered past, is hired by a suspicious woman to keep tabs on her husband, whom she suspects is having an affair. While it's her job to keep her distance, Derian soon finds herself drawn into the web of desire that she's observing -- and becomes involved in an affair that could have terrible consequences. The Right Temptation also stars Kiefer Sutherland as Michael and Dana Delany as Anthea. ~ Mark Deming, Rovi
Mar 1, 2000 Wide
Feb 27, 2001
Sony Pictures Home Entertainment
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