From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, and he's accompanied by a dog. His ...
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A man, accompanied by a dog, struggles through snow on a mountain side. We see film stock blister; drawn square shapes appear. Then, we see an infant's face. The images of struggling ... See full summary »
A man is supine on a mountain side. Images rush past of nature and a stained glass saint. An infant is born. We see a lactating nipple. Images include a mountain peak, farm buildings, a ... See full summary »
Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face ... See full summary »
Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. ... See full summary »
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the ... See full summary »
We see a film negative of a nude couple embracing in bed. Then, back in regular black and white images, we see them alone and together, clothed, at home. It's night, she sees his reflection... See full summary »
From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, and he's accompanied by a dog. His labors continue. There is no soundtrack. Images rush past - water, trees, and surfaces too close up to distinguish. He struggles. A fire burns. Nature, in long shots and magnified, is formidable and silent. It's tough going; he carries on. In a capillary, blood flows. Written by
The trouble with Brakhage, and most avant-garde film, is that, while experimentation is valuable to the artist, it isn't necessarily art in itself. This 60's film is simply an experiment in visual manipulation, which occasionally has some interesting ideas that go nowhere in particular. The division of the film into sections seems unnecessary and, as far as I can tell, follows no particular reasoning. If you're on acid, you might love this film. If you're a filmmaker, you might find it interesting here and there. In general, however, it's not worth the time.
21 of 32 people found this review helpful.
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By Noah Browning
CAIRO (Reuters) - Three Arab countries have banned the Hollywood film "Noah" on religious grounds even before its worldwide premiere and several others are expected to follow suit, a representative of Paramount Pictures told Reuters on Saturday.
Islam frowns upon representing holy figures in art and depictions of the Prophet Mohammad in European and North American media have repeatedly sparked deadly protests in Islamic countries over the last decade, fanning cultural tensions with the West.
"Censors for Qatar, Bahrain and the UAE (United Arab Emirates) officially confirmed this week that the film will not release in their countries," a representative of Paramount Pictures, which produced the $125 million film starring Oscar-winners Russell Crowe and Anthony Hopkins, told Reuters.
"The official statement they offered in confirming this news is because 'it contradicts the teachings of Islam'," the representative said, adding the studio expected a similar ban in Egypt, Jordan and Kuwait.
[Painting of Noah and Ark by Shutterstock]


Welcome to MuggleNet’s weekly Casting News column, where we explore all the happenings with the cast and crew of the “Potter” films! This week, we get the inside scoop on what it feels like to play a spy, find out that Sirius Black is really a vampire, and celebrate with the Tenth Doctor as he becomes a Doctor again! All that and more in MuggleNet’s Role Call!
Tagged: Ex Machina
While here in the US we’re anticipating the upcoming Oscars, awards season is already underway here and around the globe. Just yesterday evening, the winners of the Evening Standard Film Awards were announced in London, and more than one “Potter” veteran was honored.
The Oscar nominations yesterday were rather overshadowed by the sad news that actor Alan Rickman had passed away. Nonetheless, despite the sad day, we were glad to see that there were some familiar names among the nominations.
We’re certainly in the thick of awards season at the moment – just yesterday, we learned about the Producers Award nominees, and today it’s the turn of BAFTA, the British Academy Film and Television Awards. The nominations were announced this morning by Stephen Fry (British audiobooks) and actress Gugu Mbatha-Raw (“Belle”, featuring Tom Felton).
It’s a new year, which brings new roles and new beginnings for many of our favorite “Harry Potter” cast members. This week, see how Domhnall Gleeson’s career has blossomed over the past couple of years, what David Tennant is up to this January, and fangirl over the confirmed cast for “Bridget Jones’s Baby”. All of this and more in MuggleNet’s weekly Role Call!
The Producers Guild Awards are fast approaching. We learned last year that David Heyman (the producer of “Harry Potter” and “Fantastic Beasts and Where to Find Them”) would be receiving a special honor at the awards.
In an interview with the “Daily Beast”, Domhnall Gleeson (Bill Weasley) talks about the philosophy of acting, his character in “Star Wars: The Force Awakens”, and how 2015 turned out to be a dazzling year in his career, among other things.
Great news for the TV adaptation of “The Casual Vacancy” – it’s been nominated for a Writers’ Guild Award.
It’s good news for “Fantastic Beasts and Where to Find Them” actor Colin Farrell (Graves), who’s been nominated for Best Actor at the British Independent Film Awards for his role in “The Lobster”. The film, which was released last month, is nominated in a total of seven categories at the awards.


Back in the 2000s, ‘The Matrix‘ franchise was at the peak of its popularity. The sci-fi cyberpunk film series is the brainchild of The Wachowskis and catapulted actors such as Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, and Hugo Weaving to superstardom. Set in a dystopian world where most of humanity resides in a simulated reality, Neo, aka The One, joins the rebellion against the Machine Empire. The first trilogy ends with Neo effectively rebooting the Matrix and sacrificing himself in the process.
Now nearly 20 years later, Neo is back! Fans have been eagerly awaiting the fourth installment in the franchise that was officially announced in 2019. After impatiently waiting for over two years, fans were treated with a glimpse of the movie’s footage at CinemaCon, followed by an online release of a teaser which you can check out here. As we inch closer to feasting on this new action spectacle, fans must be looking to learn more about the upcoming film, such as when and where you can watch it online. Here’s everything you need to know in that regard!
Will The Matrix 4 Release on Netflix or HBO Max?
The fourth part of the franchise is officially titled ‘The Matrix Resurrections.’ It is written and directed by Lana Wachowski. While her sister, Lilly Wachowski, could not participate due to other commitments, she gave the project her blessing. With a heavy amount of characters returning from the previous installments and the addition of exciting new faces, ‘The Matrix Resurrections’ is already shaping up to be a blockbuster.
Therefore, ardent fans must be wondering whether the movie will drop on Netflix, which is arguably the most used streaming platform across the globe. However, ‘The Matrix Resurrections’ isn’t expected to drop on the service. Instead, the film is slated for a theatrical and digital hybrid release. ‘The Matrix Resurrections’ will be streaming on HBO Max. Subscribers of the service can also rewatch or check out the first three parts of the trilogy (‘The Matrix,’ ‘The Matrix Reloaded,’ and’ ‘The Matrix Revolutions‘).
When Will The Matrix 4 Release?
‘The Matrix Resurrections’ began production on February 4, 2020, under the working title ‘Project Ice Cream.’ Production on the film had to be halted on March 16, 2020, due to the effects of the Covid-19 pandemic. Filming later resumed in August and wrapped up by November 2020.
The delay in production affected the film’s release, with the studio postponing it from the original May 21, 2021, release date to April 1, 2022. However, the studio later pushed up the film’s release date. Fans should expect the holidays to arrive early this year as ‘The Matrix Resurrections’ is slated to release on December 22, 2021, just around Christmas! The film will be released in theaters and also become available on HBO Max at the same time but only for a limited period (31 days to be precise).
Read More: The Matrix, Explained


Latino and LATAM Films at Toronto International Film Festival
Latino and Latin American films were well-represented at the Toronto International Film Festival ("TIFF"). Asides from well-established films that already garnered mainstream hype, complex and insightful films like Sergio & Sergei by Ernesto and Marta Daranas and Tigre by Silvina Schnicer and Ulises Porra Guardiola.
Daranas' film focuses on the real life rescue of Russian cosmonaut stranded in space after the collapse of the Soviet Union. You can read more about the film on Deadline. Schnicer and Guardiola's film Tigre touches on the such themes like female loneliness and burdens of the past. Both films fit perfectly in the lineup with other quality films like the following:
Shape of Water - Guillermo del Toro - Vox Review
The Summit - Santiago Mitre - IndieWire Review
The Future Ahead (El futuro que viene) - Constanza Novick - Variety Exclusive
Cocote - Nelson Carlo de los Santos Arias
Cocaine Prison (Los Burritos) - Violeta Ayala - The Film Stage Review
Killing Jesus (Matar a Jesús) - Laura Mora - Variety Review
Princesita - Marialy Rivas - Variety Review
Zama - Lucrecia Martel - Screendaily Review
April's Daughter - Michel Franco - Variety Review
Alanis - Anahí Berneri
We are excited to see these filmmakers make headlines in the future, be it the continued success of their films or future projects.


When you hit your golden celebration you get noticed. Last week's 50th Ann Arbor Film Fest gets some love... along with the experimental films they feature.
"Leighton Pierce, a filmmaker and installation artist, calls the Ann Arbor Film Festival his favorite, in part because the films are screened in the Michigan Theater, a "gorgeous" space with nice seats and an organ player.
"Normally experimental film is shown in dark, basement-like places," explains Pierce.
He first entered the festival in 1981 with his 16mm film "He Likes to Chop Down Trees."
Read / Listen to the rest here
Also, check out the videos/story in Huffington Post


Taylor speaks of how he has made a film about teenagers by teenagers, encountering young people and giving them the platform to make a movie based on their own stories with them forming the narrative flow and thrust without pandering or patronising their role in society.
Using improvisation, Taylor follows his young cast and this enables him to tell a film that is in their own language engaging in several social groups from goths to punks to those who hang out in the YMCA.
Lucidia is a teenage cyber-goth, who fakes her own alien abduction, forcing her father Gabriel to search for her in a kaleidoscopic world of parallel universes, black holes and unicorns.
Enthused with the power of youth, bristling with colour and energy, Spaceship is unlike anything you have ever seen before nor probably see again. Touching on how teenagers search for a sense of belonging in an ever-changing, frustrating world this touches on the boundaries of fact and fiction, control and chaos, normality and hallucinatory.
Featuring a strong ensemble cast, wonderful sound design and a soundtrack featuring Appaloosa, Best Coast and East India Youth, Spaceship could well be one of the most unsung films of 2017
Spaceship is released on 19th May from Trinity Media


Moviescounter allows users to download films at no cost. If you want to download films and then download them through the counters for Movies.
Today, about 80% of people living in India are watching movies during their free time. It is likely that you are one of the people who would like to stream movies and download movies on the internet.
However, I’d like to give you some information regarding online movie downloading in this article, similar to the movies counter. Therefore, I recommend that you read this article to the very end for useful information about this website.
- What’s the Moviescounter?
- What is piracy? And what is the relationship between it and Moviescounter?
- What is the reason why Moviescounter been shut down?
- What happens if I want to get movies to download from Moviescounter?
- Why is it that the Moviescounter website is damaging to you?
- What are the latest movies Moviescounter is uploading?
- Bollywood Movies on Movies Counter
- Hollywood films on Moviescounter to download
- South Hindi Movies on Moviescounter to download
- Legal Alternative Movies Portal of Moviescounter
- To stream south Hindi films and Bollywood movies , follow these top movie YouTube channels.
- Alternate movie website for Moviescounter
What’s the Moviescounter?
If you’re looking at the Moviecounter website, then you have a good idea about this website. It’s a movie download and online streaming movie site that you are aware about. This is why you’re trying to download your favorite movies from Moviescounter.
You should also be aware of the website. You must be aware on this Movies Counter website that all the films available on that website are illegal.
They begin by stealing movies from someplace and then upload them to their website. They commit piracy-related crimes on their site and you’re unknowingly providing your backing to them.
Furthermore, they host every HD as well as all the regional Indian films on their website. They also release Hollywood Hindi dubbed movies.
This website can be very dangerous to your health because lots of illegal activities go through it, which is why the federal government opposed to these activities. Learn more about this website in the following sections.
What is piracy? And what is the relationship between it and Moviescounter?
Moviescounter is a piracy film website that does not have legal status in India. If someone commits the crime of piratery in India the person is penalized. If you are not aware about the crime of piracy, then you can study the following paragraph.
Movie piracy happens when an individual steals films from someplace and uses that film to earn money for his business, and also make rent from the film that was stolen. They also share the movie with others to download or view the movies that were stolen. All of these activities fall under the category of piracy crime. It is also known as the crime of piracy.
Then Moviescounter is also doing this, they are stealing films from somewhere and putting movies to its website. They are also earning profits by doing it. Because of this, the film’s makers are enduring a lot of losses on the box office collections for the movie.
It is a crime to steal films and distribute them to others. Its consequences can be extremely dangerous and people are punished by the courts of justice for this crime of piracy.
What is the reason why Moviescounter been shut down?
As you have learned in the section above, the website for movie counters is a streaming and downloading site. On this piracy film website only legal movies are shared with individuals.
You are aware that the piracy of films is not a crime that is an offense in law. The website that hosts this movie commits similar things, which is why authorities took action on the website and shut it down for a long time.
Producers endure a lot because of an illegal share and leaks of their films. When a movie releases through Cinema House, that movie website steals the movie and publishes it through its website.
To stop these crimes, the government shut down their website. They also declared that website to be an illegal site in India. The government has also set up a task force to capture the website’s team right away.
What happens if I want to get movies to download from Moviescounter?
It is an essential factor to be aware of because you’re downloading films from Moviescounter as well. You are aware that the movie websites are not legally legal in India therefore you must be aware of what might occur if you download films from this site.
These days, millions of people download movies from online platforms. The majority of them download movies from websites that are illegal to download. Furthermore, India is the second most population-based country, meaning that millions of people can’t be controlled by one person.
After announcing that downloading movies via illegal movie websites is not legal, users download movies from these websites that are not legal to download movies from. That’s why the government has been locking up all those committed to piracy crime. However, the government has determined to only punish those who have committed criminal acts of piracy will face action against them.
Therefore, the government has shut down websites committed to committing piracy crime. The website is also restricted which you are unable to access and if you’re in a position to access any film site on the internet, users can visit that website and avail the services of the website.
So the best method to download a film from any pirate or other website is to check if the website is available, then you are able to download the movie from the website. Since it is the responsibility for the authorities to stop and remove the blockage.
Why is it that the Moviescounter website is damaging to you?
Movies counter’s website is extremely dangerous for visitors since only illegal activities are conducted on the site. This includes hacking someone’s device, or using their Google Drive storage, harassing users with sexually explicit notifications or other notifications.
If you’re an everyday user of this site and you download films from the website, you’re not protected. Because everything mentioned in the previous paragraph could happen to you when you download the film from the website.
It is a shady movie site, which is why Google does not show advertisements on its website. In order to make cash, this website has fake advertisements on its site, which is extremely risky. It is a proof that your device could be compromised by these advertisements that I’ve included in the video below that you can view.
In addition, malware and viruses may infiltrate your device and your device will perform slower. Sexually inappropriate and disturbing messages will be delivered to your device repeatedly.
If you download films via your Google Drive storage download link , the Google Drive storage may also run out.
If you’re using the risky website to download or view films online, you are also able to watch films without cost legally. In the following section, I’ve provided everything you need to know about how you can view any movie at no cost.
What are the latest movies Moviescounter is uploading?
Moviescounter uploads many Indian regional films as well as Hollywood Hindi dubbed movies and series on its website. You can download these films at no cost.
Below, there are categorised movies that you can download them from Movies Counter –
- Dual Audio Movies
- South Hindi Movies
- Hindi Web Series
Films Qualities –
- HD Rip
- HD PC
- DVD Rip
Bollywood Movies on Movies Counter
Moviescounter is among the most popular film websites where users have the ability to obtain HD print Bollywood films at no cost.
If you’re seeking for a way to Download New Bollywood Movies then you can download them on the website. Millions of people download movies from this website.
The thing is, every one of these movies is pirated and are illegal to watch. If you wish to watch these films from legitimate sites. In order to do this, you’ll need be aware of the movie streaming sites that are free below.
|Bhuj the pride of India
Hollywood films on Moviescounter to download
Hollywood films are the most popular films that can be downloaded from MoviesCounter. The website for movies allows users to download Hollywood films without cost.
All Hollywood old and new movies are available for download. Additionally, you can submit requests for specific movies to them. They will upload the films you request via their web site in less than 24 hours.
However, as you are aware, that all of these are illegal since they are pirated films. Therefore, I recommend that you go to the official site that is safe.
The movie download website recently released the following films The following movies have been leaked:
|Suicide Squad Suicide Squad
|Raya as well as the Dragon that is the Last Dragon
|Venom It’s time to let there be Carnage
|Shang-Chi along with The Legend of The Ten Rings
South Hindi Movies on Moviescounter to download
South Indian Hindi dubbed movies are the most watched films in India. Since everyone in India is directing their attention for watching South Hindi movies because of the plot and acting in these films.
If you are looking download South Hindi Movies then you can download them on this website for movies. They download all kinds of South Hindi movies illegally on their website.
Recently, they leaked a lot of South Movies as follows –
|the Great Indian Kitchen
Legal Alternative Movies Portal of Moviescounter
There are a variety of legal alternatives film portals that are free online. If you’re looking for movies on Moviescounter I recommend you to watch the movies on the following movie portals. Since they are risk-free and legal.
The legal sites I have listed here are the Android applications that are available for download on the Google play store. It is easy to access these film portals with the Android application.
Legal film portals
- MP player
- Jio tv
- Airtel Xstream
- VI Movies
- Tubi tv
- Hungama Play
To stream south Hindi films and Bollywood movies , follow these top movie YouTube channels.
- Goldmines Telefilms
- Ad-Wise Media Action Movie
- Plex Aditya Movies
- Films As Multiplex
- RKD Filmplex
- The Latest Cinema
- Best Hindi Movies
- Primetime Action Movies
- Pen TV (for Bollywood movies only)
- Ultra Movie Parlour
- Shemaroo Films (Bollywood only)
- Premium Digiplex Movies
Alternate movie website for Moviescounter
If you’re looking for alternative sites for movies counter , then I have listed them, however all of them are unlawful. I would suggest that you not choose them, use the official portal that I have explained in detail earlier.
These are the pirated movie portals you can download pirated films only –
How do I download movies via Movies Counter?
To download a film from this site first, visit this website and choose the film. After that, scroll down to the download button for the movie. You will and then create the download link and download the film.
Can I stream movies without cost at Movies Counter?
Yes, you can stream films for free on Moviescounter with no advertisements.
Does it violate the law to stream a film at Moviescounter? Moviescounter?
Yes. It is not legal to watch films on this website.
How do I access movies online for free?
There are a variety of OTT movie streaming platforms on which you can stream any film without cost. Check out the article until the end to learn more.
Is Movies Counter a Piracy Movie Site?
Absolutely, Movies Counter is a online site for pirated movies and is illegal.


Johnny English Reborn
Rowan Atkinson, Rosamund Pike, Dominic West. The unorthodox secret agent has been in hiding honing his skills when the agency decides they need him to track down a would-be assassin who tried to knock off the Chinese premier. 2011/color/102 min/PG/widescreen.
|Title:||Johnny English Reborn|
|Starring:||Rosamund Pike, Dominic West|
|Attributes:||Ultraviolet Digital Copy, Snap Case, Digital Copy, Digitally Mastered in HD|
|Run Time:||102 minutes|


Celebrate Star Wars Day with us at the Library! We’ll be screening the original Star Wars movies – Star Wars: a New Hope, The Empire Strikes Back, and The Return of the Jedi. Come for one, or stay for them all. Refreshments, including fresh popped popcorn, will be provided. May the 4th be with you!


A battle-scarred War on Terror bounty hunter is forced to go to London on a manhunt for a disavowed CIA operative, which leads him into a deadly running battle with a former military comrade and his private army.
Jack Collins (Milo Gibson) is a war-junkie and former Navy SEAL turned bounty hunter who tracks down terrorists as part of the CIA's outsourcing to private companies. Battling personal demons, the powers that be think he is becoming a liability so his CIA handler Leigh (Sylvia Hoeks) offers him one last chance to keep fighting, sending him to London for a job. There, he finds himself part of a three-man team tasked with hunting down a disavowed CIA Operative called McKnight (Elliot Cowan) before he procures a WMD from Russian gangsters and disappears. Together, Collins, Brennan (William Fichtner) and Samuelson (Gbenga Akinnagbe) find themselves locked in urban tactical combat with a former colleague, Deighton (Joseph Millson), and his private army, hired by McKnight as protection. Both sides fight smart and as casualties and betrayal mounts on both sides, Collins refuses to be defeated as he battles his way to an explosive climax.Written by
When headed to "let's go get paid" a sign is seen out the window with '666' on it. Mark of the beast in All the Devil's Men. See more »
After the ambush on John Deighton goes wrong, they break into a BMW by smashing the side window, later on in the next scene it can be clearly seen that all windows are intact when they are driving through London. See more »
Realistic Action with small budget
I like the movies with realism in their action scenes. It makes you to get in to the film more. I have to give credits for John Street and his amazing team. From holding the gun to the preparing for battle, you definitely feel that actors got trainings. Director got an excellent job to allow the actors to use the militaristic atmosphere. The simplicity of scenario and gives the message to the audience what the movie is about. When it is about mercenaries, it is every men is for himself. Even Milo Gibson shows his characters dark side with the ideology.
I enjoyed the movie overall. Gun battles reminded me Den of Thieves realism. And the general concept of the movie reminded me Ronin. I would recommend to every action movie lover.
38 of 47 people found this review helpful.
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Best Kidnapped: The Hannah Anderson Story in Best QualityNow you can enjoy Kidnapped: The Hannah Anderson Story in top quality with duration 87 Min and was published in 2015-05-23 with MPAA rating is 1.
- Original Title : Kidnapped: The Hannah Anderson Story
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- Year of movie : 2015
- Genres of movie : Thriller, Crime, Drama,
- Status of movie : Released
- Release date of movie : 2015-05-23
- Companies of movie : Hybrid Productions Inc.,
- Countries of movie : United States of America,
- Language of movie : English,
- Durationof movie : 87 Min
- Average vote of movie : 7
- Youtube ID of movie :
- Translation of movie : EN,
- Actors of movie :Jessica Amlee (Hannah Anderson), Scott Patterson (James DiMaggio), Brian McNamara (Brett Anderson), Jay Pickett (Agent McKinnon), Jay Pickett (Cassie), Susie Castillo (Colleen Ryan)
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Director : Peter Sullivan, Writer : Jeffrey Schenck, Writer : Peter Sullivan, Writer : Hanz Wasserburger
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Tags: true crime,


Following the current vampire hype, director Tim Burton ("Big Fish", "Alice in Wonderland") is doing an adaption of the original popular Dark Shadows series (1966-1971), a gothic-horror tale centering on the life of vampire Barnabas Collins and his run-ins with various monsters, witches, werewolves and ghosts.
As usual, Burton works with some of his favorite actors and actresses: Johnny Depp (who also co-produces the movie) will play Barnabas Collins, Burton's wife Helena Bonham Carter ("Harry Potter") stars as Dr. Julia Hoffman and Michele Pfeiffer will be Elizabeth Collins Stoddard.
The music will be composed by Danny Elfman, who scored most of Burton's films.
In the original series, David Selby played the role of Quentin Collins from 1968 until 1971.
Besides David Selby, some other cast members from the original series will appear in cameos: Jonathan Frid, Lara Parker and Kathryn Leigh Scott.
The movie is scheduled to come to cinemas in May 2012.
|David Selby with former Dark Shadows cast members at a convention|


5 December 2014
Two more festivals for THE TRIBE: Rotterdam and Sundance announced their line-ups.
Rotterdam’s program Limelight focuses on new works by attractive names from contemporary cinema that have been big art-house successes during the past year at other international film festivals.
At Sundance Film Festival THE TRIBE will be shown along with nine films of Spotlight section. Check out Indiewire’s review of the program and save your time in January to watch THE TRIBE!
Identifying Features, winner of two prizes at the Sundance Film Festival, has been selected as one of only 16 films […]
Fernanda Valadez and Astrid Rondero went up on stage Saturday night to be presented with two Sundance World Competition awards: […]
Three Alpha Violet films will be screening at the upcoming Göteborg Film Festival in Sweden, starting January 24th. UNCLE, directed […]
Tomas Vengris’ MOTHERLAND has just won the award of Best Baltic Feature Film at the Tallinn Black Nights Film Festival. […]


The Harry Potter Universe is one that I was very sad to leave behind. The books are a defining moment on my pathway to becoming a writer. J.K. Rowlings is still an inspiration to me – but this is not Harry Potter. It is an expansion of the world that J.K. Rowling has created, many years before Harry, his parents, and even Voldemort existed. Instead, the audience is treated to some wonderful additions to an already rich lore in Fantastic Beasts and Where to Find Them. The movie is a blend of fresh ideas mixed with the familiar, allowing newcomers and fans to immerse themselves in a magical world that I’ve definitely missed. With an excellent cast and an invigorating soundtrack, it is a welcome return to the Wizarding World.
Welcome to the United States of America
Our movie begins in 1926 New York City as wizard, Newt Scamander (Eddie Redmayne) makes his way through customs. The wizard world is much different in America, and it becomes abundantly clear that Newt is carrying a number of things he shouldn’t. Unfortunately for him, he has a run in with a No-Maj, or muggle to the English Wizards, by the name of Jacob Kowalski. Shenanigans ensue after the two inadvertently switch cases and some of Newt’s magical creatures escape.
Unfortunately for Mr. Kowalski and Newt, this is the worst time for it. It seems that magical beasts are supposedly destroying the No-Maj’s world causing a resurgence in witch hunters and tightened security by the Magical Congress of the USA (MACUSA.) Little do they all know, a much more sinister plot is underway and not everything is as it seems. Together with the help of a demoted Auror, Tina Goldstein, and her sister Queenie, Newt and Jacob must rescue the escaped animals before the MACUSA or other No-Majs find them.
Where to Find Them
Fantastic Beasts and Where to Find Them had a difficult job. It had to be a movie that felt like the Harry Potter series without being it. There had to be a balance between both worlds and the movie does a great job. The film draws it’s audience in with the fantastic 1920s look with a magical twist. The fantasy world melds nicely with the world as we know it. Another exciting addition to the Potter Universe is a look into American Wizardy. Up until now, there wasn’t too much information, but what the movie displays it was very refreshing take on something fans know and love.
Our hero is not a young boy learning magic and facing off against a dark lord. Newt Scamander is already an accomplished wizard and the cast surrounding him is much different than what we’ve seen. The subject matter and the characters manage to remain separate but familiar at the same time. The plot pacing was slow at points, but that allowed for a good foundation for the series to follow.
Unlike other ‘origin’ films, Fantastic Beasts and Where to Find Them does little to explain the characters and their motivations. The audience gets a feel for the characters on their own merit – and the actors bring them to life. Also, though the film is lovely to look at, it doesn’t rely on special effects for a good story; they enhance it. Frankly, the only other complaint I have with the film has to be with the ‘main’ villain, but even then, it’s something the film builds on. It’s clever, there are a few interesting twists, and it is a very enjoyable movie.


Synopsis by Hal Erickson
Can there actually have once been a film in which an IRS agent is the hero? Yes, and it was titled Revenue Agent. Douglas Kennedy is your friendly tax man, here attempting to to trap a clever smuggler (Onslow Stevens), who plans to sneak $1,000,000 worth of duty-free gold dust into Mexico. Kennedy also finds time to solve a murder case, as revenue agents often do in the fantasyland of Hollywood B-pictures. And, while resting between audits, Kennedy romances Columbia starlet Jean Willes (late of the studio's Three Stooges comedies). Revenue Agent is another sausage from quick-turnover producer Sam Katzman--one of his few Columbia efforts without gunslingers or harem girls.
IRS (Internal Revenue Service), murder, smuggling, Mexico


Hasbro CEO Brian Goldner caught up with the Hollywood Reporter to talk about their many toy-to-film franchises, one of which was an update to Universal Pictures’ Ouija that was to be directed by McG.
On Ouija, he drew a comparison to Walt Disney’s recent decision to restructure the budget for The Lone Ranger. That is “the same process we have gone through on the Ouija brand,” although at a lower level of spending, he said. Goldner added that the script is in good shape and is being polished now, meaning that the film could be back with a studio shortly.
Simon Kinberg, Evan Spiliotopoulos and Edward Kitsis has previously been working on the screenplay with a November 2012 release planned. That will change. Michael Bay’s Platinum Dunes produces the action-adventure horror story in which a group of twenty-somethings violate all the mythic “don’ts” of the Ouija board and unleash a Pandora’s Box type of evil spirit bent on revenge.
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Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
When podcaster Wallace Bryton goes missing in the backwoods of Manitoba while interviewing a mysterious seafarer named Howard Howe, his best friend Teddy and girlfriend Allison team with an ex-cop to look for him.
Haley Joel Osment
A comedy about a veteran NYPD cop whose rare baseball card is stolen. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his partner to track down the thief, a memorabilia-obsessed gangster.
Juan Carlos Hernández
A calamity at Dante and Randall's shops sends them looking for new horizons - but they ultimately settle at Mooby's, a fictional fast-food restaurant. Free from his dead-end job (and lodged in a new one), Dante begins to break free of his rut, planning to move away with his clingy fiancé. Dante is ready to leave the horrors of minimum-wage New Jersey behind, but Randal - always the more hostile of the two - starts to become overwhelmed by his own rancor. Written by
One of the things that most prompted Kevin Smith to make the film was a promise he made to friend Jason Mewes. If Mewes managed to stay off drugs he would be able to play the character of "Jay" one more time. Smith kept his promise. See more »
When Elias is being driven to work, an OCTA (Orange County Transit Authority) bus is clearly visible. See more »
[on his cellphone]
Yeah, I got a fire at the Quick Stop. Yeah.
See more »
After the regular credits roll, an animated View Askew logo plays, followed by a list of the Clerks II MySpace friends. See more »
You'll like Clerks 2. If you liked the original Clerks, this is Kevin's Smith's masterpiece. It mirrors the original Clerks, but it shows how much he's grown as a writer and a director. From the black and white/color shots, to the crane shot (a *beep* crane shot), to just the placement of people in the Camera shots...everyone one of these things contributed to the overall enjoyment of this movie.
The script is crisp and tense, with just the right amount of reality and joy. There is no long monologues or actors stumbling over lines. There's this freedom in Smith's work that doesn't feel forced or attempting to impress anyone...but he impresses everyone with just the beautiful way of putting together his scenes.
I wholeheartedly recommend this movie to anyone and everyone, but especially those who are on the verge of 30 and the rest of your life. It definitely impressed me and touched me in a way that I didn't expect. It's a fitting end to the Jersey Viewaskewverse.
Hopefully, in 10 years, they do another Clerks movie. I'd love to see these guys in their 40s. Randal and Dante are the most engaging of couples and Smith writes such an engaging story about friends in their 30s without pandering or compromising the vision of their piece.
You will love it. Even if you hated all his other movies past Clerks, you will love it.
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Last night, Tuesday 3rd February, Portsmouth Film Society opened its doors at the University of Portsmouth to launch Hampshire’s first ever LGBT Film Festival with a screening of 2014 hit Pride (Matthew Warchus). Joining the screening were Mike Jackson and David Lewis, original members of LGSM (Lesbians and Gays Support the Miners) along with the Lord Mayor of Portsmouth Steven Wylie, and Senior Equality Champion at the University Pal Ahluwali.
Preceding the screening was a drinks reception where audience members were treated to free glasses of wine and sandwiches whilst they mingled with other film fans and browsed the LGSM merchandise that David Lewis and Mike Jackson had brought along. Merchandise for LGSM included the Pits and Perverts t-shirt (pictured below) that features in the film, along with LGSM pin badges (also below) and Lesbians Benefit for the Miners bags with profits split between the Mark Ashton Red Ribbon Trust charity (in support of AIDs) and the Turkish SOMA Miners Relief Fund.
As the audience settled down, excited about being the first people to experience the opening of Hampshire’s LGBT Film Festival, Mike Jackson gave a brief introduction to the film along with Steven Wylie and Portsmouth Film Society members. Pride was my favourite film of 2014, and so it was very exciting to see it again on the big screen before the DVD and Bluray release on 2nd March.
It was evident from the audible laughs throughout the film that the audience enjoyed it. There were people of all ages there, demonstrating the wide and universal appeal that the film has. After the film was a Q+A with Mike Jackson. He spoke to the audience about his experiences in LGSM during the miner’s strike, and about how factually accurate Pride was to the events that really happened. It is easy to guess that the member of LGSM in Pride that did not really exist was Joe. Some elements of the film needed to be fictitious however as Pride is a film meant for entertainment. It isn’t a documentary about the miner’s strike as Still the Enemy Within was (another film I highly recommend you watch).
Stephen Beresford, who is nominated for a BAFTA for Outstanding Debut, did a truly brilliant job of conveying the story of LGSM and the miner’s strike without sugaring the pill too much to make it pure comedy. Instead, he created a story about real people and their “battle against an enemy so much bigger and stronger than [them]”, and it is a film which is entertaining to watch, but educational to those, as one member of the audience pointed out about a friend, have to ask what a miner was because before the film, they did not know.
I thoroughly enjoyed every minute of the event. Mike Jackson, along with other members of LGSM are the heroes of Pride that still continue to fight for socialism and worker’s rights.
I was fortunate enough to meet the brilliant Mike Jackson and David Lewis and chat to them about Pride and their role in LGSM, and here is a photo of me with Mike as we shouted “VICTORY TO THE MINERS!”
To find out more about LGSM, follow their Twitter HERE.
Pride was the first screening of Portsmouth’s first ever LGBT film festival, run by Portsmouth Film Society.
Other upcoming screenings include:
Strangers by the Lake – Thursday 5th February 7pm
Before Stonewall – Thursday 12th February 7pm
XXY – Tuesday 17th February 7pm
Tomboy – Thursday 19th February 7pm
The Way he Looks – Tuesday 24th February 7pm
SURPRISE FILM to close the LGBT Film Festival – Thursday 26th February 6:30pm


In addition to Free app of the week, every Thursday Apple chooses a Movie of the week, whose purchase is for $ 3. The title selected this time was Jackie, with Natalie Portman.
Check out his trailer:
Here's what Apple says about the movie:
A masterful portrait of how a cone responds to tragedy. This is the essence on which Pablo Larrain's drama is based to relate the days of Jacqueline Kennedy, after the murder of her husband and President of the United States, John F. Kennedy. The film establishes the image of a woman in shock, but who struggles to preserve her companion's legacy. Performance that earned Natalie Portman an Oscar nomination for Best Actress. The work also has a moving soundtrack by Mica Levi that weaves a new layer of emotion in a plot full of sensitivity.
As usual, our reader Renato Alan Promenzio (@tripalavra), who is a cardholder, also sent us a personalized comment about the film:
O Movie of the week melanclical, direct and assembled for an actress to win the Oscar. However, the theme has already been explored in droves, even if by another approach; the cold script didn?t help, so the film didn?t take off. Natalie Portman, as always, a show apart! His performance was dignified, direct and deserving. But Oscar didn?t come, the review didn?t give much attention and the film will stay in the session of those who could have achieved something bigger. For those who like the topic or are interested in getting to know the other side of the JFK tragedy, here's the tip. Now, for those who don't like it, there is always another movie next week.
Note on the iTunes Store: N / A
in Jackie Productions / Wild Bunch / Fabula / LD Entertainment / Protozoa Pictures / Bliss Media / Why Not Productions
Rating: 14 yearsGender: dramaRelease: 2017Duration: 1h39Size: 4.76 GB (Full HD) or 1.91 GB (SD)
More information about the operation of movie rentals in the iTunes Store at this link.


After his last film 6 Underground being a Netflix exclusive, director Michael Bay returns to the theater with a more-centered cast and premise. Which, judging by the new trailer, Ambulance is Bay at his best...or at least his better form.
The upcoming thriller sees Jake Gyllenhaal going from his similar "against the clock" film The Guilty earlier this year to this new tale where he plays Danny, a criminal friend who convinces his desperate friend Will Sharp (Played by Yahya Abdul-Mateen II) to take part in a $32 million bank heist. With Will needing $231,000 for his wife's surgery, he takes part only for the robbery to go wrong when the two shoot an LAPD officer. The pair soon find themselves on the run in an ambulance with EMT Cam Thompson (Played by Eiza González) and the dying officer as their hostages.
The film will take place over a single day in Los Angeles and that sort of time restraint could work in Bay's favor. As the trailer shows, it's quite possible this could be Bay's best film in years:
Ambulance is set to land in theaters on February 18th, 2022.


During World War I, a French girl is romanced by an American doughboy even though she is promised to a French soldier who is fighting at the front. She falls in love with the Yank however ... See full summary »
Robert Z. Leonard
Graham Weir is an alcoholic schoolteacher whose criminal record for refusing to fight during the Second World War has prevented him from progressing further in his teaching career. He is ... See full summary »
Deprived of a normal childhood by her ambitious mother, Katie, Lillian Roth becomes a star of Broadway and Hollywood before she is twenty. Shortly before her marriage to her childhood ... See full summary »
Jane, a young French woman, pregnant and unmarried, takes a room in a seedy London boarding house, which is inhabited by an assortment of misfits. She considers getting an abortion, but is unhappy with this solution. She falls into a relationship with Toby, a struggling young writer who lives on the first floor. Eventually she comes to like her odd room, and makes friends with all the strange people in the house. But she still faces two problems: what to do with her baby, and what to do with Toby. Written by
John Oswalt <email@example.com>
Forlorn Frenchie Leslie Caron--a pregnant twenty-seven year old, unwed and alone--takes a room in a British boarding house bustling with funny, mercurial people. Next-door to her is a black jazz musician, downstairs is a handsome writer (who hasn't sold anything in months); down from him is a lesbian shut-in, the man-hungry landlady, and two prostitutes. Bryan Forbes directed and adapted Lynne Reid Banks' book, taking careful steps to let this humanistic tale unfold as naturally as possible (when Caron upsets the horn-player, she talks so sensibly to him at his door that his initial anger suddenly seems unfounded and embarrassing). Certainly the dramatic and romantic predicaments which transpire are familiar, and Caron's insistence on keeping her condition a secret is a little bit nutty no matter how afraid she is. However, the dignified film has a bittersweet tinge to it that draws one in, and the cast is uniformly strong (especially Caron, doing Oscar-nominated work). A few of the arguments become repetitive, though Forbes handles the characters very sensitively. It's a happy/sad, lovely piece which says that people come and go, people change, and the rooms they occupy and leave change with and without them. *** from ****
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VideOdyssey at Toxteth TV
£5 / Pay What You Can Book Tickets
Ibrahim, Manar, Suleiman and Altayeb are the members of the Sudanese Film Club founded in 1989. Unable to make films for years, they have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old films and draw attention to Sudanese film history once more, but also by the fact that they all enjoyed a film education outside Sudan.
Their plans to renovate the outdoor cinema come up against bureaucracy, lack of cash and a general fear of upsetting “he who cannot be named.” (The film was made before the recent overthrow of Omar al-Bashir).
In the meantime, they sit together and talk about the past and the history of Sudanese cinema, including their experiences of persecution and even torture as oppositional artists. They recall their times of exile and dream of a Sudan in which art and intellectual thought can be free. Â‘We are smarter than them, but not as strong, is the conclusion.
Even if their plans may be unfulfilled, the strong solidarity and humour of the four no longer young men, and their new recruit, Hana, do give hope for the future.
Premiered at the Berlin International Film Festival (Panorama) 2019
Winner Berlin International Film Festival Panorama Audience Award and Glashutte Original Documentary Award 2019
Winner Istanbul International Film Festival FIPRESCI Prize (International Competition) 2019
2019 / 94 min / Cert PG
Sudan / France / Germany / Chad / Qatar
This film is rated at PG. Read the full BBFC ratings information (which may contain spoilers) here.
37-45 Windsor St, Toxteth, Liverpool L8 1XEBook Tickets


There are many horror movies that didn’t need a sequel. Horror movies that didn’t need an origin story for its villain. Candyman is one of those films.
Candyman: Farewell to the Flesh is a sequel to the phenomenally brilliant 1992 horror movie, Candyman. Adapted from a short story by Clive Barker, the first movie is a stellar piece of horror film making & is rightfully considered a classic. You can read our review here.
The very first thing you’ll notice about this sequel is that the events at the finale of the first film are not important. Although the actual plot is mentioned by Professor Philip Purcell (Michael Culkin) who has used the story to sell his book.
Even though he has sold his book based on the myth of the Candyman, Purcell doesn’t believe it. So much so that he demonstrates this in front of a crowd.
On his way home after the event he runs into Ethan Tarrant (William O’Leary) who accuses him of causing his father’s death. Purcell was approached by Ethan’s father convinced that the Candyman was real so Purcell told him to face his fear & say Candyman’s name 5 times.
Ethan’s father ended up dead & his son now blames Purcell. He openly makes an off the cuff remark about Purcell being next in a busy bar. So when the Professor is murdered it’s Ethan who gets the blame.
Arrested, he confesses to the murder & others, something that confuses his family, in particular is sister, Annie (Kelly Rowan). She doesn’t believe he is guilty so sets about proving his innocence by calling forth the Candyman on the eve of Mardi Gras!
Blood will spill…for what is it for if not for spilling?
There can be few complaints about Tony Todd’s portrayal of the hook-handed killer, he is as sinister & mysterious as always…that is until we get a ham-fisted backstory told in flashbacks that attempt to make him a sympathetic character. While it fits within the story, it just feels so wrong. It removes so much of this mystique & gives him motivation that falls flat in a disappointing finale.
Whatever message it may have been trying to tell regarding racism & the treatment of slaves is lost in a wave of blood & guts. Perfectly fine for a horror movie but the message is completely forgotten & pointless by time the credits roll.
It’s not a terrible sequel even with some bland & cheesy acting but doesn’t come close to touching the absolute quality of the original. A movie that was needed or wanted.
Candyman: Farewell to the Flesh
The Final Score - 4/10


When their car breaks down at a small Texan town, two sisters must do everything in their power to survive a sadistic pagan cult.
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The passenger ship Aurora mysteriously collides into the rocky sea threatening an entire island. A young woman and her sister must both survive by finding the missing dead for a bounty.
A twisted horror about a dinner party gone wrong. Set against an 80s backdrop, the good time takes a dark turn when one in the group hijacks the evening in an attempt to help the others come clean about their secret betrayals against one another–and is willing to cut through the bone in order to expose the truth.
A man finds himself alone and lost after a horrifying encounter with a monster during a backpacking trip into the Adirondack High Peaks. Now, he must fight for his life, and sanity, as he battles the evil Native American legend, The Wendigo.
In February 2007, ten people went to the remote mountains of Northern California to shoot an adult movie. What happened next was something no one expected, but everyone saw coming. Amber Benson, Charles Napier, and Ron Jeremy star in an homage to “Alien”, “The Thing”, and porn.
An action-packed horror comedy, BLOODSUCKING BASTARDS stars Fran Kranz as Evan, a dutiful and overworked employee stuck at a soul-killing corporation with his beautiful co-worker and girlfriend Amanda (Emma Fitzpatrick) and his slacker best friend Tim (Joey Kern). Evans world begins to crumble when Amanda dumps him and his boss Ted (Joel Murray) hands his coveted promotion to his nemesis Max (Pedro Pascal). When his office mates start going through disturbing changes, Evan must find a way to stop the evil brewing admist the cubicles, and rescue his workplace pals before his life and career go from dead-end… to just dead.
Horror gets Super Sized when Horny The Clown, the demonic mascot of “Hella-Burger,” starts slashing Orange County teenagers with his meat cleaver from Hell.
While shooting a documentary on the suspicious disappearances within the homeless community, a filmmaker and his crew go missing while uncovering a terrifying and vicious secret below the city’s surface.
A costumer designer is sent to the Catskills for an interactive theatre piece set in the 1920s. When she arrives things seem dark, strange and off. She soon realizes she is part of a student film.
Adaptated from the cult graphic novel, Rottentail is the story of geeky fertility researcher Peter Cotton who, when bitten by a mutant rabbit, transforms into a vengeance-seeking half-man/half-bunny. What’s a boy to do? Why, take a hippity, hoppity trip home of course! Peter begins a bloody killing spree of revenge that culminates in his childhood hometown of Easter Falls.
After moving to Los Angeles to start anew, Adam, an out of the closet single father of a yeti baby, is dragged into the underground sex trade when his child is kidnapped; Now with the help of his two new friends, a heroin-addicted yeti prostitute and a sexy stripper, they must fight the forces of evil to save the world.
A new mother discovers a lullaby in an ancient book and soon regards the song as a blessing. But her world transforms into a nightmare when the lullaby brings forth the ancient demon Lilith.


Sienna Miller to star in The Burning Woman
- Bang Showbiz
- 7 February 2017
Sienna Miller is to star with Jacki Weaver, Aaron Paul and Christina Hendricks in new family drama 'The Burning Woman'
Sienna Miller is to star with Christina Hendricks in 'The Burning Woman'.
The two actresses have been cast alongside Jacki Weaver and Aaron Paul in the family drama written by Brad Ingelsby.
The plot focuses on a woman who has to raise her young grandson after her teenage daughter mysteriously goes missing.
'Welcome to the Rileys' director Jake Scott is set to helm the project, which is being produced by Sir Ridley Scott, along with Kevin Walsh and Mike Pruss for Scott Free, while Erika Olde is acting as the executive producer.
In a statement announcing the project, director Scott said in a statement: "An excellent script by Brad Inglesby has drawn a truly excellent cast. For me, a dream come true.
It is the latest dramatic role for Miller, following her appearance as crime boss' mistress in Ben Affleck's 'Live by Night' and parts in 'Burnt', 'American Sniper' and 'Foxcatcher'.
The 35-year-old star can next be seen in James Gray's 'The Lost City of Z' which will hit cinemas in April.
Hendricks, 41, last big screen outings were in 'The Neon Demon' and 'Bad Santa 2' and she will soon be seen in comedy 'Fist Fight' - which is based on 1987 teen film 'Three O'Clock High' - alongside Ice Cube, Charlie Day, Dennis Haysbert and Tracy Morgan.


Chestnut: Hero of Central Park
|Release Date: December 19, 2006|
|Genre: Comedy, Family|
All Cast & Crew >>
Summary:Orphaned sisters Sal and Rae think their dreams have come true when they find an adorable, Great Dane puppy and learn that they've been adopted. But, when the girls arrive at their posh new Manhattan apartment, they discover the building has one strict rule: NO DOGS ALLOWED! Sal and Rae must use every trick in the book to hide their mischievous pup, survive in the big city and create the family of their dreams.


Disney is planning a lot of exclusive content for its streaming service, titled Disney+. Among the new projects are two original shows set in the Star Wars universe. One, titled The Mandalorian, follows a lone gunfighter after the events of Return of the Jedi. The other focuses on Cassian Andor, and it takes place before Rogue One. While Disney will be expanding the saga with new shows, there won’t be any exclusive movies.
Disney CEO Bob Iger recently spoke with Barron’s, detailing Disney+ and its approach to original content. He explains that the studio won’t be making exclusive Star Wars movies for this platform; rather, they (and any other films with $100 million+ budgets) will go to theaters. “Almost every movie the studio makes is a $100 million-plus movie, and we’re not looking to make movies at that level for the service. We’re looking to invest significantly in television series on a per-episode business, and we’re looking to make movies that are higher budget, but nothing like that. We wouldn’t make a Star Wars movie for this platform. When everybody goes out on the weekend and you have a movie that opens up to $200 million, there’s a buzz that creates that enhances value. We like that. And eventually the movies we’re making are going to [end up on] the service.”
Iger adds that The Mandalorian could’ve been aired on ABC, but the studio opted to have it spearhead Disney+. This was based on its high budget, among other factors.
Last year, it was rumored that Lucasfilm’s planned Obi-Wan Kenobi movie would be released on Disney+ rather than in theaters. It was never officially addressed, and based on Iger’s comments here, it sounds like that isn’t an option.
For Barron’s full interview with Iger, where he discusses Disney’s 2019 slate and box office, be sure to click the source link below.
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There are epic movies, and then there's Avengers: Infinity War. The climatic chapter in the Marvel Cinematic Universe delivered in every sense of the word and then some.
After building up a franchise with minor and, at times, insignificant villains, Marvel finally delivered an antagonist who could stand toe to toe with the Avengers. But Thanos did more than just defeat them; he embarrassed them, slamming Hulk around like he was a rag doll before obliterating half of the universe with the snap of his fingers.
This is part of our "Best of" series. For more, check out our Best Videos Games of 2018 and Best Movies of 2018.
This was all the more impressive as he took on every single one of the heroes we've grown to love. Iron Man, Star-Lord, Black Panther—they all faced Thanos. The sheer magnitude of this movie is colossal. Kudos to directors Joe and Anthony Russo for bringing it all together in a cohesive movie that isn't just good, it's great.
Thanos' mission to attain all six Infinity Stones races from location to location and as they are collected, the stakes are raised as are the forces standing against him. This comes together in impressive action sequences.
Some of the action pieces truly left us awed. From the menacing introduction of Thanos via an eloquent monologue to his epic use of weaponizing a moon, the movie did not pull any punches with its magnitude.
From the start, Infinity War made it clear that this wasn't going to be like past MCU movies, giving it a unique identity. You'd be hard pressed to find a fan of the MCU who wouldn't lament the lack of viable antagonists in the franchise, and this movie turned that notion completely on its head by making the antagonist the main character.
This is Thanos' movie, through and through, and as such it delivered a careful and delicate portrait of his warped reasoning. That surprising depth was reached by exploring his unwavering love of Gamora and telling the unfortunate story of his dilapidated home planet Titan.
It did such a masterful job, by the end of the movie it was hard not to find sympathy with his mission to "save" the universe, even if it was through truly horrifying measures.
This was not without a cost for Thanos. The mission took its toll on him, both physically and emotionally. At the very end of the movie, a young Gamora asks Thanos what it cost to achieve his mission, and he solemnly replies, "Everything." Not exactly the response you'd expect from a villain.
Now the stage is set for an epic finale in Avengers: Endgame. We pretty much expect the Avengers to regroup and take down Thanos with the help of some new cosmic friends, but he already bested them once and he won't go down easily the next time they meet.
- Release Date: April 27, 2018
- Box Office: $2.049 billion
- Rotten Tomatoes score: 84%
- Director(s): Joe and Anthony Russo
- Starring: Robert Downey Jr, Chris Evans, Chris Hemsworth, Scarlett Johansson, Mark Ruffalo, Chris Pratt


Two weeks ago, we participated in a documentary UNDERMINED: TALES FROM THE KIMBERLEY showcase at the Melbourne International Film Festival. This is my first contact with the film festival after the 2017 Beijing International Film Festival. Before the film began, the director and the writer explained their ideas about the film, followed by live performances by the actors in the film. After singing the songs in the movie, the movie began. The film is a documentary about how the indigenous people of KIMBERLEY fought with the state government to preserve their resources and the environmental protection of their homes. In the face of fierce foreign capital, the indigenous people have always adhered to their beliefs, to protect resources as the first goal. This kind of movie is the first time I met at film festivals.
In the past, Films that I could reach and wanted to see at the festival were mostly art films. Such films have a certain story, but compared with commercial films and ordinary documentaries, the stories of art films are more profound, and some stories are not even happening under the guidance of the mainstream values. At the same time, in the use of the lens, the use of art film lens more obscure, the emotions are “hidden” in the implicit lens. If the mainstream art film at the festival is a long-lasting cup of coffee, then UNDERMINED: TALES FROM THE KIMBERLEY is a cool mint tea, can make people sober quickly.
The language of this documentary film is straightforward and simple. It objectively documented how the indigenous people of KIMBERLEY saw the government allowing foreign investment to enter the region for resource extraction. At the same time, in the natural environment shooting, this movie also strives for objectivity. Like the rough aborigines, the film is also filthy and wild. The technique of this kind of shooting makes me feel very strange. I’ve seen the rest of the Melbourne Film Festival movies, including traditional art films like Burning, Big Fish, and movies about aborigines, but only this one calls for conservation through aborigines.
However, thinking about the property of the Melbourne International Film Festival, we can also understand why the film was exhibited and received attention. Melbourne International Film Festival is a relatively “young” Film Festival which attracts great attention from Australian locals. Aboriginal themes are an indispensable element in choosing films to cater to the interests of Australian residents. Australia as a big immigrant country, Melbourne as Australia’s most cultural city, foreign culture makes the city and the country more diversified, but the aboriginal culture is the root of the whole diversity. The promotion of KIMBERLEY’s aboriginal culture at the Melbourne International Film Festival is a way to arouse the feelings of Australians towards the whole Aboriginal culture. At the same time, in the protection of environmental resources, Aborigines have begun to demonstrate the damage to the environment caused by the over-exploitation of natural resources in recent years, and this objective statement by credible people can be more convincing. It is more convincing for the audience to pay attention to the protection of the environment. It is gratifying to see this film at the Melbourne International Film Festival. Although I am not a citizen of Australia, I am still shocked by this primitive feeling. And in the future work, we can learn from this experience and pick out the movie that people are in need of.


Mini budget film Paranormal Activity, was produced with a measly $15,000. But after only five weeks Paramount Films' new thriller has already raked in over $62 million and was last weekend's top ranked film. It's based on a true story about a couple who think their house is haunted and sets up a video camera to capture whatever the presence is. Critics say the movie is more frightening because of what it doesn't show you rather than what it does. Director, Oren Peli. OREN PELI, DIRECTOR OF "PARANORMAL ACTIVITY," SAYS: "Well, I was first of all just trying to make sure that the movie is good, and my goal was to make movie that would scare me, the kind of movie that would be effective on me. So after that, I thought, if the movie has done well, and with a history of other movies that were done for no budget, like 'Blair Witch' and 'Open Water,' I thought there is the possibility that maybe it'll get picked up and you know, go out commercially and do well." Unlike most Hollywood hits the fright flicks debuted first to sellout crowds at midnight-only screenings in a handful of markets. And Paramount's marketing strategy was to let hype on social networking sites---not multimillion dollar blow out advertising--do the heavy lifting. Mike Monello, producer of the 1999 film hit "The Blair Witch Project", is now partner and creative director at New York based marketing firm, Campfire. "Because of the origin of this movie you know, it doesn't have any stars, it has a small budget, it's something that people will naturally want to champion. We love underdog stories and this is a great underdog story as Blair Witch you know 10 years ago. And when you have an underdog story you can ask people to do a little bit of work to get the movie out there." Monello says Paranormal is a genuinely good film. Yet its that underdog status and support of the social netowkring world that has really ignited its success--a formula he believes could work well for other genres.


This year, we're finally being introduced to a sequel to Blade Runner, a mere thirty years or so after it's original release date. Wildfire Reviews explores why this film is the best science fiction film ever made.
When you watch Blade Runner for the first time, it's as if somebody literally put a corkscrew in your brain and started turning it. It's one of those movies that has so many ideas, twists, turns and hidden messages that it's almost impossible to understand it all in your first take watching it. However, after the second or third time, you truly begin to understand why the 1982 film is considered to be by many, even Wildfire Reviews, as the best science fiction film of all time.
Above: Harrison Ford in 1982's Blade RunnerBlade Runner was one of those films that when it came out, it was largely misunderstood for it's time. It was one of Ridley Scott's very first movies as a director, right after Alien. It also had the privilege of staring a young Harrison Ford in one of the best roles of his career so far. Back then, not too many people knew who Ridley Scott was because he had only released one film previously. However, Harrison Ford was a huge household name especially after doing the first Star Wars trilogy.
Despite this, Blade Runner didn't have anywhere near the success as Star Wars did or Harrison Ford's other baby, Indiana Jones. Hardly anyone actually watched Blade Runner when it was released, it only made a surprising $33 million on a mere $28 million budget. It was one of those films that came and went and people forgot about it for a while.
However, Blade Runner is a sole example of a film that gets so much better as it ages. Year by year, more and more people began to truly appreciate the movie for what it was, and by the 1990s, the movie gained a huge cult following.
Blade Runner was just so different when it first came out that it might have actually shocked many people who did go to theaters to watch it. Even now when you watch it, the film acts like it was made just yesterday, with amazing special effects and visuals that will make any modern day sci-fi film jealous.
Below: Downtown L.A. in 1982's Blade Runner
Ridley Scott's Blade Runner isn't just another science fiction movie, though. It's the ultimate science fiction film, a perfect example of how mythology and symbolism can be powerful when used correctly.
Another thing that might have scared people off at the time was the overall tone of the movie. Set in a futuristic L.A, the film has a very neo centric lure to it . The haunting music, although perfect for the type of movie it is, may have unsettled some science fiction films that originally went and saw it.
All of these things however, and much more, is why this movie is perhaps the best science fiction film of all time.
The tone of the movie is incredible, completely matching up perfectly with it's set pieces. Speaking of set pieces, this is another reason why Blade Runner is such a masterpiece.
Each set of the film has a mind of it's own. From the very first scene to the last, it's simply beautiful to look at. At the same time, Blade Runner is one of those films you have to pay attention to from beginning to end or you'll be lost in it as quickly as you started it.
Even with paying attention, you won't be able to pick up everything this film has to watch. By the third or fourth time you watch it, you'll finally begin to understand the amazing power it has and why it truly is a masterpiece.
The looks of the film, the set pieces, Harrison Ford's amazing performance and the way Ridley Scott managed to create a new fascinating world is why Blade Runner is the best science fiction movie of all time.
Above all else though, it's the story of the replicas and the movement of the movie is what makes it so spectacular and worthwhile to watch even today. This is what makes Blade Runner pure Science Fiction and what modern day sci fi is all about.
Above: Harrison Ford in 1982's Blade RunnerEven today, there's not really another film like it. You might be able to argue that A.I. Artificial Intelligence might be the only other film similar to it, but even those two movies are so different to each other it's a very vague comparison.
Do yourself a favor this year and watch Blade Runner for yourself. Especially because after thirty years, we're finally being introduced to a sequel to a film. What's amazing is that Harrison Forde, like he did with Star Wars, will be reprising his original roll as well.
Like the first film, Blade Runner 2049 has a stellar cast including newcomer Ryan Gosling. It will be out in theaters this October.
Meanwhile, Blade Runner is available to stream on Hulu, Amazon Prime and Netflix.


(Netflix Streaming, May 2017) It says much about today’s Hollywood that we’ve come to crave solid crime thrillers as an alternative to the usually undistinguishable dreck that has come to dominate multiplexes. Hell or High Water is a throwback to the time when this kind of crime drama, solidly acted, put together with skill, eschewing formula and taking on social issues, was a fixture rather than an exception. Here, Chris Pine and Ben Foster star as brothers trying to stop a bank’s takeover of their family farm by robbing branches of that very same bank. The populist anger runs raw in this film, which only heightens the drama when an affable veteran policeman (Jeff Bridges, gritty as ever) chases them across the state. The result is very much like a modern western, with SUVs replacing horses as our antiheroes go rob banks in small cities. It’s a solid script by Taylor Sheridan (who’s improving from movie to movie), and David Mackenzie’s direction effectively manages to portray East Texas in a credible fashion. It’s also, refreshingly, a movie that cares for even its minor characters: There are two waitress characters in the film, for instance, and both of them (Katy Mixon and Margaret Bowman) get a few memorable moments well beyond the usual “here’s your food, sweetheart”. There are no clear good or bad guys here, as viewers’ loyalties are tested and the film refuses a conventionally uplifting resolution. This being said, Hell or High Water does ends leaving a sense of satisfaction at the way the story is wrapped up, having taken us on a ride unlike most other big-budget movies out there. As a standalone movie, it’s crunchy good viewing. As an antidote to the current Hollywood orthodoxy, though, it’s nothing short of delicious.


With just under three months until its release, a new teaser for Disney/Pixar’s Lightyear debuted at the 2022 Oscars introduced by none other than Buzz himself, Chris Evans.
The film will follow the origins of the beloved Buzz Lightyear toy from the 1995 classic, Toy Story. It’s been described as the film Andy would have seen to make him want that Buzz action figure in the first place. Whether Buzz is a fictional character or a real-life astronaut still remains to be seen.
Evans will be voicing the titular character and joined by Uzo Aduba, Taika Waititi, James Brolin, Mary McDonald-Lewis, Efren Ramirez, Keke Palmer, Dale Soules, Isiah Whitlock Jr., and Peter Sohn as Buzz’s robotic cat companion, Sox. Michael Giacchino, the composer of recent box office sensations The Batman and Spider-Man: No Way Home, will score the film.
Lightyear premieres exclusively in theaters June 17, 2022.


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Academy Award winner Matt Damon stars in a dark comedy espionage thriller from Oscar-winning director Steven Soderbergh and producer George Clooney based on a true story of the highest-ranking whistle-blower in U.S. corporate history--The Informant! What was Mark Whitacre thinking? A rising star at agri-industry giant Archer Daniels Midland (ADM), Whitacre (Damon--The Departed) suddenly turns whistleblower. Even as he exposes his company's multinational price-fixing conspiracy to the FBI, Whitacre envisions himself being hailed as a hero of the common man and handed a promotion. But before all that can happen, the FBI needs evidence, so Whitacre eagerly agrees to wear a wire and carry a hidden tape recorder in his briefcase, imagining himself as a kind of de facto secret agent.
© 2009 Warner Bros. Entertainment Inc. All Rights Reserved.
Rotten Tomatoes® Score
Critics Consensus: A charismatic turn by star Matt Damon and a consistently ironic tone boost this quietly funny satire about a corporate whistle-blower.
More on Rotten Tomatoes
Common Sense Media
Common Sense Says
Playful tale of corporate misdeeds may interest some teens.
What Parents Need to Know
Parents need to know that this engaging Steven Soderbergh comedy received an R rating principally for language. The actual subject matter -- corporate misdeeds -- may only appeal to teens, however, because it stars Matt Damon. The movie is based on a true story and sends some mixed messages about corporate ethics; ethical breaches are treated somewhat lightly, which may make the crimes seem less serious. And the main character isn't exactly a role model himself. That said, teens old enough to understand the movie's tone won't miss the message about the importance of questioning greed and its place in today's society. While there's little sex or violence, you can expect some drinking and plenty of cursing (including "f--k," "s--t," and more), plus frank, sometimes complicated discussions about certain criminal activities.
A Lot or A Little?
The parents’ guide to what’s in this movie.
Positive Role Models
Drinking, Drugs & Smoking
More on Common Sense Media
- Genre:Comedy, Drama
- Release Date:September 18, 2009
- Audio Format:5.1
- Screen Pass Eligible:Yes
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I’m spoiling everything because we need to talk about some lore. Enter at your own risk.
Tag: Han Solo
Star Wars: The Rise of Skywalker – Review
Disney’s trilogy concludes in a lore-heavy film that once again features a ridiculous performance from Adam Driver.
The Hot Seat – J.J. Abrams
Very few directors have had the kind of career that J.J. Abrams has had. Rocketed onto the main stage from … More
Rick O’Connell and the Han Solo Problem
Star Wars, as a franchise, has been responsible for a lot of ridiculous trends in cinema and film. Every dark … More
Solo: A Halfway Decent Star Wars Story
One of the most vague, fascinating, and headache-inducing franchise tentpoles of all time has finally stopped being built up to … More
Rian Johnson has Legitimately Delivered the Most Fascinating Entry in the Star Wars Series
Welp, all that just happened. So we’re forty years into the existence of Star Wars and this is the latest … More


nice film. not entirely sure what it’s all supposed to mean – is it an allegory of some sort? is there some social commentary i was missing? but i liked it nonetheless. the violence seemed senseless and inexplicable, but perhaps that was the point. it was around this time that violence in cinema was going new places with films like bonnie and clyde so i think bogdanovich was riding that wave to a certain extent. he’s always been hyper aware of hollywood and has parlayed that into a good career as a critic which is what he’s more suited to if you ask me. i also think this is his best film that i’ve seen. very good film overall which grabs you out of the box. slows a bit in the middle with his love affair with some old 30s pic that is featured in the film, but solid overall.


Here's an early trailer for Transformers: Dark of the Moon, hitting theaters July 2011. Director Michael Bay returns for this third entry of the Transformers franchise, as do Shia LaBeouf and Megan Fox. The supporting cast includes John Malkovich and Frances McDormand.
Giant Monster Movies: Robots
Robot-13 in Italy!
Dream Project: SHOGUN WARRIORS
VOLTRON headed to screens big and small
Johnny Sokko and Giant Robot on DVD (kind of)
Spawn: Don't you remember me? You had me burned alive. - From The Playlist Todd McFarlane has certainly shown he knows how to talk up his directorial debut, “Spawn,” before a frame has even been shot. The comic...
1 day ago


The legend of Red Eye was a story that Gage Barker used to be told when he was a kid. When he finds out that there could be some truth behind the tale, he decides to film a documentary about the killer. He gathers a group of his friends together and, with film equipment in tow, they go hiking into the backwoods of Black Creek, West Virginia. But, to what extent will they go to make this project a reality...?
Cast & Crew
- Terror Films
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Pedro Almodóvar’s “Parallel Mothers” has been tapped as the closing night selection of the 59th New York Film Festival.
The melodrama, which reunites the Spanish auteur with one of his greatest cinematic muses, Penélope Cruz, will make its North American premiere October 8 at Alice Tully Hall. “Parallel Mothers” is making its world debut as the opening night film of this year’s Venice Film Festival. Almodóvar and Cruz previously collaborated on the likes of “All About My Mother” and “Volver.”
The New York Film Festival is returning to in-person screenings after going entirely digital in 2020 due to COVID-19 concerns. It has yet to unveil its full lineup, but has landed some starry films for its prime slots. Joel Coen’s “The Tragedy of MacBeth” will kick off the festival as its opening-night feature, while Jane Campion’s “The Power of the Dog” will serve as its centerpiece selection.
Sony Pictures Classics is planning an awards run for “Parallel Mothers,” which it will release in theaters on December 24. The movie centers on two women, a generation apart, who find themselves inextricably linked by their brief time together in a maternity ward.
“It is always a privilege and an honor to feel that I am part of the most significant films of the season,” said Almodóvar. “After more than 30 years, the NYFF has become my second home. It is the best reason to visit New York and to see the best films of the year.”
“Spanish filmmaker Pedro Almodóvar’s long relationship with the New York Film Festival spans more than three decades and a dozen films,” said New York Film Festival Director Eugene Hernandez. “He returns this year with ‘Parallel Mothers,’ a stirring and somber exploration of secrets and hidden histories—those sometimes found in families and often buried by societies—and how those skeletons can shape the course of individual lives and entire cultures. We’re thrilled to have Pedro back at NYFF to conclude this 59th edition!”
The festival is presented by Film at Lincoln Center and takes place Sept. 24 – Oct. 10. As a concession to the the changing public health situation, the festival will also host virtual and outdoor screenings.
Variety's Brett Lang contributed to this post.


In what can only be described as a match made in Black movie heaven comes a romantic film starring two of our favourite contemporary actors in a touching love story, The Photograph.
Both Issa Rae (HBO’s Insecure, Little) and Lakeith Stanfield (FX’s Atlanta, Sorry to Bother You) look incredible in the film’s trailer (watch below) and we can’t wait to watch this depiction of Black love on the big screen.
Rae, who also served as one of the film’s executive producer plays Mae Morton, connects with Stanfield’s character Michael Block in a romance where Rae’s character must learn from the secrets in her mother’s past if she is to move forward and allow herself to love and be loved.
When famed photographer Christina Eames unexpectedly dies, she leaves her estranged daughter Mae Morton hurt, angry and full of questions. When a photograph tucked away in a safe-deposit box is found, Mae finds herself on a journey delving into her mother’s early life and ignites a powerful, unexpected romance with a rising-star journalist, Michael Block.
The film is directed by Stella Meghie (The Weekend, Jean of the Joneses) and is from her original screenplay, a sweeping love story about forgiveness and finding the courage to seek the truth, no matter where it may lead you.
The Photograph is produced by Will Packer, blockbuster producer of Girls Trip, the Ride Along franchise, Think Like a Man among many other top 10 movies and by James Lopez, president of Will Packer Productions.
The film also stars Chanté Adams (Roxanne Roxanne) as Mae’s young mother Christina, Y’lan Noel (HBO’s Insecure) as Christina’s secret love, and Rob Morgan (Mudbound) as Isaac Jefferson, a New Orleans fisherman with a mysterious connection to Mae’s mother.
We’ve heard whispers that the film could be this generation’s Love Jones! Those are some pretty big shoes to fill. Either way, we’re looking forward to seeing beautiful Black folk falling in love, a great storyline and excellent lighting!
The UK release can’t come soon enough.
The Photograph is released in UK theatres on 6 March 2020.


29 wins & 28 nominations.
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Constantin Costa-Gavras | Konstantinos Costa-Gavras | Constantin Gavras | Costa Gavras | Kostas Gavras
Did You Know?
The best way to become crazy completely is to say, Okay we'll do a movie to change society.
Member of jury at the Cannes Film Festival in 1976
His Films Often Examine A Political Situation Or Theme


Last Friday, we have two movies releasing, which include both Baadshaho and Shubh Mangal Saavdhan. Let’s check how these two films have performed over the box office. Now, let’s check about Baadshaho the Ajay Devgn starrer movie along with others in it. Well, as per the reports, the film seemed moving smooth over the box office. After collection 10.10 crore over the box office on the first day, the film continued to do better over the box office on the second and the third day as well. The film scored 13 crore on the second day along with the third day as well.
As per reports, the 1st weekend box office collection for Baadshaho tolled to around 36.50 crore, which is actually a decent collection for sure. The film now with this figure happens to be the eight highest opening weekend collection of the year and it soon raised to the highest collection for the Ajay Devgn starrer movie like ‘Singham Returns‘ and ‘Bol Bachchan’. Even for the serial kisser, Emraan Hashmi, it was his highest opening weekend collection film which has beaten up ‘Raaz 3’ by around Rs 2 crore. Ajay & Emraan have worked together in films like ‘Dil Toh Baccha Hai Ji’ and ‘Once Upon A Time In Mumbaai’.
Now, let’s talk about the other film called ‘Shubh Mangal Saavdhan‘ which has the actors together who have worked earlier. Though both Bhumi and Ayushmann and their charismatic chemistry seemed okay but their movie failed to impress the audience in a big way. The film though seemed opening up with the collection of Rs. 2.64 crore on Friday and it tolled to around 5.50 crore INR on Saturday, which has given a meager collection at the end of the 1st weekend. As per the reports, the 1st weekend box office collection tolled to around 10.10 crore.


Europe's toughest and most beautiful canoeing marathon
Festive concert, attractions and surprises for children, Christmas fairs.
Feature, documentary, feature-length and short films of Lithuanian Film Directors created in 2017–2018 will be presented. From student to professional works!
The project invites all the admirers to look at the city through the object lens of film camera, to create short films about what surrounds us and what we live with.
The participants of the festival are all all who wish it (there are no profession, age, gender, sexual orientation, nationality or number limits).


Actor Shahid Kapoor has clarified that his film ‘Bull’ is not being made at the moment. The film was touted to be a big deal, however, the actor clarified that it was almost impossible to make it due to the Covid-19 situation and the makers are not working on it as of now.
In an interview with Pinkvilla, Kapoor said that the makers are yet to make the official announcement of the same. He said that a certain amount was needed to make the film but with the pandemic, this was getting very difficult. He said that he is yet to sit down with the makers to decide on how to go about the situation. “I don’t think it has been officially announced. Bull is not happening right now as we were not even able to start it. It was a logistical nightmare due to Covid. There are a lot of things that need to be figured out since the film warrants a certain scale. So, we got to sit down and see if it’s possible to make Bull right now, or not,” said Kapoor.
Talking about the film, Kapoor was eagerly waiting for the shoot. He had said, “Bull is a full-blown action film inspired by real events from the life of Brigadier Bulsara. It is a privilege to play a paratrooper who leads his boys through a historic and selfless mission that has now become iconic for its precision and bravado. The opportunity to play a paratrooper is exhilarating and truly an honour.”
Meanwhile, the actor is currently busy promoting his upcoming film ‘Jersey’. Besides this, the actor is also being considered for the remake of the film ‘Shyam Singha Roy’ alongside actor Ajay Devgn. The film is being remade in Hindi and, according to reports, a top production house is planning to back it.


Pixar Studios returns to the Cars franchise, however, it doesn’t look good for Lightning McQueen!
As a father of two young boys, I’ve seen the first two Cars films from Pixar many, many, times over. When you see the films that many times, I found it interesting how my opinions of the two films changed.
In a complete reversal, I now find the second film with its spy plot more entertaining that the original film which feels slow in comparison.
Very little is known about this third film except that Lightning McQueen, voiced again by Owen Wilson, is now a veteran racer who participates in different contests around the country with his friend, Cruz Ramirez. A voice artist for Ramirez has yet to be revealed.
This first teaser shows us very little but yet the animation looks more realistic than previous entries in the franchise. Also, you can’t deny the overall tone of the piece which comes across as rather grim. Maybe this is a clever bait and switch piece of marketing by Disney?
Title: Cars 3
Release | US: 16th June | UK: 14th July | World: IMDb


Eric Allan Kramer (1962 - )
- Murder, She Wrote: Snow White, Blood Red (1988) [Gunnar Tilstrom]: Shot in the chest with a crossbow by Barry Newman.
- Surviving Gilligan's Island: The Incredibly True Story of the Longest Three Hour Tour in History (2001) [[[Alan Hale Jr.]]]: Dies off-screen of cancer. His death is mentioned (as the real-life one did). His ashes are shown being scattered into the ocean with Dawn Wells participating (a re-enactment of the actual event).
Video Game DeathsEdit
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What is love? The heroes of the film try to answer this question. A series of the most different characters and their stories are woven together. Small stories about various things, all about love: a young pair who prefer to live through images of Japanese anime-heroes; a secretary who receives an obscene offer from her boss; a Japanese woman who arrives in Moscow in search of a Russian man; a graffiti artist in search of beauty; an ex-wife employed by her husband for an unusual task; and many other things...
The first story is about a couple who is into cosplaying. The boy asks the girl why she is cheating on him. She says that her sexy character requires it. He says how come she can tell him that she loves him when she fucks everyone. She answers, "I always use a condom with everyone but you."
No cheating sex scenes.
Lisa lives with her boyfriend who is a kind of a loser and just plays a lot of online games all day. One day, she is propositioned by her boss whom she works for as a secretary. Her boss tells her that he wants to see her boobs and fuck her. In exchange, he will cover her expenses and buy her an apartment. Lisa thinks it over. One of the justifications she comes up with is that she won't be cheating on her boyfriend because she is doing it for him too (because of the money).
Eventually, Lisa decides to do it. She goes to her boss' office and takes her top and her bra off in front of him. He comes towards her, caresses her breasts and unbuckles her belt. She turns around away from him. He takes off her skirt, then hugs her from behind. He inserts his hand into her white panties then takes them off. The scene cuts off here, but they most likely have sex.
When Lisa comes home, her boyfriend proposes to her. Lisa happily says yes, even though her pussy is still probably tingling from the sex she had with her boss earlier that day.
There are several other stories in the film but they don't involve cheating women anymore.
Watch Full Movie Online: Vimeo.com
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British ex-con seeks revenge against the man involved in his daughter’s death.
The Full Review
Frankly, I had expected more from this small film that stars Terence Stamp (Priscilla, Queen of the Desert) as a British ex-con named Wilson, who travels from England to Los Angeles seeking revenge against the people responsible for the recent untimely death of his daughter, Jenny. The Limey, tightly written by Lem Dobbs (Dark City) and well directed by Steven Soderbergh (Out of Sight and Sex, Lies, and Videotape), is generating rave reviews from the professional critics, who, in describing this film have been using such words as “dazzling,” “original,” and “slyly funny.” While there are some amusing moments in this film, The Limey is far from dazzling and hardly original.
Borrowing loosely from the Pulp Fiction school of non-linear storytelling, The Limey‘s plot unfolds in a somewhat disjointed manner and is continuously interrupted by flashforwards and the recurrence of several of the film’s sequences. Used sparingly, this technique could have proven effective. Instead, I began to feel that maybe the script had been too tightly written, resulting in the film’s editors having to stretch barely an hour’s worth of footage into a full-length movie. Further, brief exchanges of witty dialogue emerge throughout the film, only to be sacrificed for the sake of preserving the succinctness of the script, leaving the audience teased.
Along with Stamp, The Limey features another well cast film veteran, Peter Fonda (Ulee’s Gold and Easy Rider). He plays a made-in-the-60’s music honcho named Terry Valentine, who becomes the target of Wilson’s vengeance. In addition, there are several surprisingly strong performances from supporting members of the cast: the omnipresent and always-great Luis Guzman (Carlito’s Way, Boogie Nights) plays Ed, a companion of Jenny’s who is befriended by Wilson; Amelia Heinle (Liar’s Poker) plays Adhara, Valentine’s trophy girlfriend; and Nicky Katt (Dazed and Confused and A Time to Kill) plays a terrifically cynical lowlife hired gun.
By: Craig Ettinger
- If his small parts as General Zod (Superman II) and Sir Larry Wildman (Wall Street) left you wanting to see more of Terrance Stamp in a “tough guy” role, then The Limey will at least partially satisfy you.
- A small, but nonetheless well-acted part played by the aforementioned Amelia Heinle (a Denise Richards and Rebecca Geyhart hybrid). She can also be seen in the Everclear video “I Will Buy You a New World.”
- An overall intelligent script.
- A purposeless, forgettable character played by Lesley Ann Warren.
- Not enough of the clever dialogue.
- Not enough of Amelia Heinle.
- The pace of the film was deceptively slow (if that makes sense).