“Utopia” is an electronic song performed by British group Goldfrapp. The song was written and produced by Alison Goldfrapp and Will Gregory for the duo’s debut album Felt Mountain (2000). It was released as the album’s second single in October 2000.
“Utopia (Genetically Enriched)” is an electronic remix of a song that was written and produced by Alison Goldfrapp and Will Gregory for the duo’s debut album Felt Mountain (2000). It was released as the album’s fourth single in June 2001.
“Utopia (Genetically Enriched)” became Goldfrapp’s first song to chart in their native United Kingdom. The song debuted on the UK singles chart in the week ending 23 June 2001 at number sixty-two.
“Twist” is an electronic–dance song written by British duo Goldfrapp for their second album Black Cherry (2003). It was produced by Goldfrapp, and received a positive reception from music critics. The song was released as the third single in the winter of 2003 (see 2003 in music) and was a minor hit in the United Kingdom, charting just outside the top thirty in the UK Singles Chart. In the United States the song was a hit on the Billboard Dance Sales chart, reaching number eighteen.
In an interview with New Beats, Alison Goldfrapp described the genesis of the song:
It’s a sort of sexual fantasy that I had about a boy who worked at the fairground, who I lusted after. He was in control and I wasn’t cause I was sat on the waltzer and he was the one that was spinning it around and–I don’t know–it’s sort of lust, adolescent, awakening, smells and noise and dirt. That’s what “Twist” is about.
“Train” is an electronic dance song written by British group Goldfrapp for their second album Black Cherry (2003). The song was produced by Goldfrapp and received a very positive reception from music critics. It was released as the lead single in the second quarter of 2003 and reached the top thirty in the United Kingdom, where it became Goldfrapp’s first top thirty single. The original title of the song was “Wolf Lady”, which makes reference to the lyrics in the second verse of the song. The lyrics of “Train” are based on Alison Goldfrapp’s observations while in Los Angeles, California. She stated that the song describes wealth, drugs, and sex with “a sort of disgust of it and at the same time a sort of need to indulge in these things.”
“This Is the New Shit” is the second single of Marilyn Manson’s album The Golden Age of Grotesque. It has several new industrial beats that Tim Sköld added when he joined the band as the bassist in 2002. It was the most successful song from The Golden Age of Grotesque following mOBSCENE. The UK release features the band’s cover of the Geto Boys’ “Mind of a Lunatic.” British band Goldfrapp created a remix of the song in 2003 called Marilyn Manson vs Goldfrapp. This featured as the second track on the UK release of “This Is the New Shit”, the CD also contained the video for the single.
For its music video counterpart, an alternate recording was used with the lyrics “This is the new ‘hit'” and the song title reading “This Is the New ‘Hit”. The word, “Motherfuckers”, is replaced by some jumpy beat noises.
This song was featured in an episode of CSI: Crime Scene Investigation titled “Suckers”. It was also included on the soundtrack for the film, The Matrix Reloaded, and used in the film, Hatchet. It was used in several trailers for Bioware’s 2009 RPG Dragon Age: Origins.
Between July 10 and August 7, 2007, the radio edit was used as the theme song for the WWE’s ECW brand. It replaced the long-standing theme, “Bodies” by Drowning Pool, and was replaced by “This Is Extreme!” by Harry Slash & The Slash tones and “Don’t Question My Heart”—an in house written track—the two times it was replaced.
“Strict Machine” is an electronic dance song written by British group Goldfrapp and Nick Batt for their second studio album Black Cherry (2003). It was produced by Goldfrapp and describes laboratory rats in neuroscience experiments. Alison Goldfrapp read in a newspaper about experiments in which scientists stimulated rats’ brains so that the rats would feel joy when following commands. She was inspired to write “Strict Machine” based on images of the experiment and “more human aspects of machines and sex and control.”
Wonderful Electric, Goldfrapp’s concert tour DVD in support of Black Cherry, was named after lyrics in the song.
“Satin Boys, Flaming Chic” is a limited edition 7″ vinyl picture single by British duo Goldfrapp. The single features a remix of the band’s song “Satin Chic” from their third album Supernature (2005) and a cover version of The Ordinary Boys’ “Boys Will Be Boys”, as performed on BBC Radio 1’s Live Lounge on the 27th of April 2006. The single was released in the United Kingdom on September 4, 2006.
These are the formats and track listings of major single releases of “Satin Boys, Flaming Chic”.
“Rocket” is a synthpop song by English duo Goldfrapp from their fifth studio album, Head First. Written and produced by Alison Goldfrapp and Will Gregory, with additional production by Pascal Gabriel, the song was released as the album’s lead single on 8 March 2010. To promote the single release, the duo performed the song on Friday Night with Jonathan Ross on 26 March 2010. The music video features Alison driving a truck hauling a rocket with someone entirely wrapped in duct tape who is then taped to the rocket when it is launched at the end.
The track was nominated for Best Dance Recording at the 2011 Grammy Awards, but lost to Rihanna’s “Only Girl (In the World)”.
“Ride a White Horse” is a song performed by English electronic music duo Goldfrapp. The song was written by Alison Goldfrapp, Will Gregory and Nick Batt for Goldfrapp’s third album Supernature (2005). The song was inspired by the disco era nightclub Studio 54.
The song was released as the album’s third single in February 2006 to positive reviews from music critics. It was a commercial success, reaching the top forty on the majority of the charts it entered. The song has been remixed a number of times and was featured in the American television program The L Word.
“Ride a White Horse” was also featured in Need for Speed: Carbon and The Sims 3.
“Pilots” is an electronic song written by British group Goldfrapp for their debut studio album Felt Mountain (2000). The song was produced by Goldfrapp and received a positive reception from music critics. It was released as a double A-side single with “Lovely Head” in the fourth quarter of 2001, and became the band’s second single to chart within the top seventy-five in the United Kingdom.
“A Pain That I’m Used To” is the second single and opening track of the album Playing the Angel by Depeche Mode, and the forty-second DM single overall. The single was released on 12 December 2005 by Mute Records. The single contains remixes by UK Mute label mates Goldfrapp, and Jacques Lu Cont (Stuart Price). There are also two radio versions. The first one is only a slight remix, whereas the second contains a completely different, more electronic introduction and instrumentation.
Although “Better Days” was mentioned to be the B-side for the single in its press release, it ended up being a track called “Newborn” when the track lists were released. “Better Days” went on to be the B-side to the following single, “Suffer Well”. “Newborn” is a slow song that transforms into a harder song during the chorus. It is a fan-favourite in terms of B-sides.
The single was only physically released in the UK. The US only had a digital release (i.e., iTunes). The song reached number 15 upon UK release. In the US, the song debuted at number 45 on the Hot Dance Music/Club Play chart on 14 January 2006. It eventually reached number 6.
The music video is directed by Uwe Flade, who also directed the “Precious” single. It features much more live action sequences (in a race track), than the “Precious” video and even David Gahan’s “Bottle Living” video. Depeche Mode’s live drummer Christian Eigner also appears in the video.
The song was featured on the Bones episode THE WOMAN IN THE TUNNEL. It is also featured in the first trailer for the 2010 film The Sorcerer’s Apprentice. The Jacques Lu Cont Remix also appears on the soundtrack to EA Sports’ 2006 FIFA World Cup video game.


Hi! Pro with motivational/inspiring tracks for commercial/corporate means. House music. Guitar player. Listen to my teaser to know my music.
I’m a musician, guitar player, music composer and producer with +20 years experience currently based in Buenos Aires, Argentina.
I specialize in composing and producing all kinds of genres, from house, pop/rock to cinematic/experimental music.
I am the music producer for the leading FM Radio (Metro 95.1) of Buenos Aires since year 2004, producing original tracks for promotion/incidental.
I produce music used for advertising, social media, conference, products launch for clients including, Peugeot, Ford, Citroen, Heineken, Movistar, Converse, among others.
I have produced music for many major electronic labels such as Global Underground, Renaissance, Balance, among others. I’ve also produced official remixes for some of the biggest progressive/house DJs in the world like Hernan Cattaneo and Nick Warren. These remixes have been released in a standalone & compilation albums.
As a guitar player, I performed at the Teatro Colón in Hernan Cattaneo’s symphonic concert, Connected. I am also the lead guitar for famous argentine soloist, Maxi Trusso.
I have my own studio where I work with Logic X and Ableton Live and different hardware synths.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
3 Reviews - 1 Repeat ClientEndorse mercuriomusic
Great job, very nice guitar playing!
Very nice guitar, definitively enhanced my track! Fast and friendly communication. Highly recommended!
Mercurio is one of the most experienced musicians and producers I know. He delivers fastly and efficiently. Is a pleasure to work with him!


this song is terrible. Why would you bitcrush the bassline to the point where it's not even a bassline anymore. I'm sorry, but i'm gonna rate this a 1
Make it longer! I really like it.
Thanks! I will make it longer though, just kind of testing the waters... No pun intended.
Sexy. Anger is forced, but that doesn't matter, 'cause it's awesome!
Sounds a bit generic, but it's still really really good. Keep making music :)
Okey, thanks. Yea ill keep making music :D
There's something missing
But I can't quite figure out what it is.
Btw, this isn't Dnb, so please don't post it in the dnb section :)
A FULL 5/5 10/10!
This made me laugh so hard ;)
Hey thanks ^_^. Would you believe me if I told you that I wrote this in my econ. class?
You thief ;D
I heard you got some inspiration from Jean Michelle Jarre ;)
It's a nice, relaxing tune, though. But please try not to steal other people's beats next time, okay? 3/5 5/10
The reason for the low score is simply because you stole the beat.
ever heard of a cover version?
nothing "stolen" here :)
also it's Michel, not Michelle
Fuck me in the butt and call me Rudy! Have you guys made a song about every damn thing on earth?!
I got an idea! Make a song about *Drumroll* Fish and/or old people!
Hahaha yeah pretty much, don't have a song about fish but do have a song about old people (Old People Crossing, Speed Up) but I didn't post it here cuz the recording sucks haha
I knew it!
Haha! I clicked the link to this song without knowing who made it.
As soon as the song started, I could hear it was, Gifted But Twisted!
GOD DAMN, I LOVE YOU GUYS! Now, go write a song about bitches and drugs.
What? You don't want to? YOU HAVE TO! DO IT!
Hahaha already have!
http://www.newgrounds.com/audio/liste n/204158 and http://www.newgrounds.com/audio/liste n/237398
I only have one thing to say, and this: I came!
lol hopefully not over your keyboard, that would be a mess.... o.O
newgrounds.com — Your #1 online entertainment & artist community! All your base are belong to us.


Dave Matthews and Tim Reynolds played “She’s a Woman” by the Beatles for the first time at last night’s concert in London.
“She’s a Woman” originally appeared as the B-side to the Beatles’ 1964 single “I Feel Fine,” and it was later included on the Beatles ’65 album. Watch the video of Dave and Tim’s cover:
Last night’s show at Eventim Apollo also featured the first Dave and Tim performances of “Dreamgirl” and “Sugar Will.” Here’s the “Dreamgirl” video:
And here’s the “Sugar Will” performance:
The Dave and Tim European tour continues tomorrow in Dublin.
The duo also announced the release of Live Trax Vol. 41, which captures their March 13, 1999 concert in Berkeley, California. Highlights of that show include covers of the Rolling Stones’ “Wild Horses” and Lyle Lovett’s “If I Had a Boat,” plus “The Last Stop” and a unique version of “Stay” in a different time signature.
Live Trax 41 is available for pre-order and will be released May 12.


Winter Roots Roundup is pleased to welcome Dr. Philip Bohlman to UAlberta as a guest speaker with the Department of Music‘s 2016-2017 colloquium. Dr. Bohlman is an ethnomusicologist and a Distinguished Service Professor of Music and the Humanities at the University of Chicago.
This academic presentation will explore the relationship between music and history, the growing interest in the field of ethnomusicology, and the meaning of folk song in today’s political and historical landscape.
This lecture is free and open to the public – we hope you will join us!
When: Friday, February 3rd, 2017
Where: BUS 1-05, Business Building
UAlberta North Campus
“Again, Folk Song: Herder, Voices of the People, and the Return to History”
By coining the term, “folk song,” and applied it to a class of global musical practices for the first time, Johann Gottfried Herder (1744–1803) established a new paradigm for recognizing and representing the relation of music to history. Folk song, Herder held, entered into history in counterpoint with history’s entry into folk song. The folk songs the philosopher, theologian, and anthropologist Herder gathered and published for the seminal volumes, Alte Volkslieder (1774), Volkslieder (1778/1779), Der Cid (1778), and Stimmen der Völker in Liedern (1807) formed at the confluence of time and space, hence accruing to a “moment of history in music.” Folk songs in these collections came from historical sources in the past and ethnographic encounter in the present, and in their common historical context they made possible new narrative paths in the future.
I turn to the Herderian moment of history in music, to which I have attempted to give narrative direction through my own recent translation of Herder’s writings on music and nationalism (Song Loves the Masses, California 2017), to ask several questions about the relation of music to history and history to music. At one level, I seek to contribute to the growing study of the intellectual history of ethnomusicology. I also search for the position of historical agency in the transformation from musical object to subject. Finally, I turn to the meaning of folk song in the global politics of the moment of history in music that is our own day, examining the ways in which we might turn, again, to folk song in order to return to history.


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As for the Jeremy and Richard being musicians, i remember JC saying Richard could play the guitar and he was learning to play the drums
Yes, I remember that Jeremy said somethink about that band thing in one of his Times articles. His going to play the drums he said."It'll feature performances from Supergrass and Travis, as well as a very special appearance from the Top Gear house band as our three presenters take to the stage accompanied by Justin Hawkins from The Darkness."
Top Gear house band?


Main / Lifestyle / Poweramp pro android
Poweramp pro android
Name: Poweramp pro android
File size: 631mb
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Poweramp is a powerful music player for Android. Download unlocked version of Poweramp Music Player apk from ApkMirror. 10 May Totally Redesigned Poweramp music player for Android. Download PowerAMP Full Version Unlocker menuiserie-pvc-fermeture-18.com and all version history for Android.
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I composed The Darkness Behind the Light last year and is meant to be an etude for a late-beginner/early-intermediate guitar student. The piece consists of a melody (top voice) and bass voice (bottom) with an occasional inner voice.
While composing this I imagined a creepy scene (Halloween-ish) with a dark doorway full of mystery.
I hope you enjoy this teaching video. You can find other videos like this at my guitar school found at my website.


Billy Keane's Album Release Party
Bousquet Mountain Ski Area (101 Dan Fox Dr, Pittsfield, MA , Pittsfield MA)
Billy Keane celebrates the release of his first solo album in over a decade, "Too Much To Let It Go", at the legendary Berkshire's ski mountain, Bousquet. This will also be the finale of the Bousquet mountain music series.
With super duper special guest Taylor Ashton.


The Blues – Part 2
Classes for Vocalists, Vocal Literature
Study and perform different elements and styles of the blues with such songs as “Bring It On Home”, “Everyday I Have the Blues” and “Come Back, Baby.” You will become familiar with the repertoire and learn how to get the right sound. At the end of the 12 weeks, you will perform with an instrumental ensemble.
Prerequisite: Permission of instructor


AUDIO: Tekno - DesignerBy KellyChi December 19, 2021, 11:43 am Comments
Are you here to Download AUDIO: Tekno - Designer mp3? then scroll below.
DOWNLOAD MP3: AUDIO: Tekno - Designer
Tekno Designer MP3 DOWNLOAD
As the Talented Inventive Nigerian singer and music magician, Tekno gear up for the pull of his debut album ascribed as “Old Romance” he let go this lead composition named “Designer.”
The new intriguing melody was built by Zaki, Listen below and share while we await the full project from Slim Daddy.
Have a listen below!
MUSIC FILE DETAILS
|Song:||AUDIO: Tekno - Designer|
|Audio Size:||12 Mb|
|Bit Rate:||179 kBit/s|
More For You: VIDEO: Niniola - Designer ft. Sarz


Pierre Pressure Podcast will be recommencing after along hiatus, with an interview with the legendary guru of punk bass, Mike Watt.
Watt got in touch with Pierre after playing Body Kite's song "Amazingishly Gracefulistical" on his fine "Watt From Pedro Show" on November 27. We could not be more stoked.
Stay tuned for Pierre's conversation with Mike Watt on Pierre Pressure Podcast.
Listen to THE WATT FROM PEDRO SHOW.
This song was a live improvisation recorded live at California Hill Studios on January 22, 2022, and features Gerald Menke on guitar and drums, Daniel Basiletti on keyboards, accordion, and trumpet, and Pierre de Gaillande on bass and trumpet.
You can hear more Body Kite music HERE:
And come see Body Kite live on Friday December 2 at 8:30pm at Quinn's in Beacon!


|CLASSIC CARMEN - HBSO will perform ballet Carmen Suite at the HCM City Opera House on April 2. Photo courtesy of HBSO|
HCM CITY – The HCM City Ballet Symphony Orchestra and Opera (HBSO) will bring classical and contemporary ballet by Vietnamese and international choreographers to the Opera House’s stage on April 2.
The highlight of the performance will be the classic ballet Carmen Suite, created in 1967 by Cuban choreographer Alberto Alonso.
The work is based on the 19th-century opera by French composer Georges Bizet to music by Russian composer Rodion Shchedrin, depicting the tragedy of Carmen, a fiery gypsy, who falls in love with Don José.
The HBSO’s performance is staged by People’s Artist Kim Quy, one of the country’s leading choreographers and vice president of the Việt Nam Dancing Artists’ Association.
It will feature Nguyễn Thu Trang as Carmen, Hồ Phi Điệp as Don José, and dancers from HBSO’s ballet department.
|FRENCH BALLET - French choreographer Julien Guerin’s ballet Dépaysement will be featured at the performance on April 2. Photo courtesy of HBSO|
The show will also present French choreographer Julien Guerin’s ballet Dépaysement, based on music of Chopin, Satie, Faure, Beethoven and Albioni.
The work was created for HBSO in 2016.
It describes a spiritual journey of a lonely young woman who has a dream of sharing her feelings with other people.
The performance will feature eight of HBSO’s talented dancers - Đỗ Hoàng Khang Ninh, Nguyễn Thu Trang, Trần Thị Hồng Vân, La Mẫn Nhi, Thạch Hiểu Lăng, Phạm Thế Phương, Nguyễn Minh Tâm, and Meritorious Artist Đàm Đức Nhuận.
Guerin was a former dancer at the Ballets de Monte-Carlo. He has created and choreographed numerous ballets such as Le temps du Tendre (Heuristic of the feeling of love) for the Ballets de Monte-Carlo in 2021, and Dear Soaring Thoughts for the Czech National Ballet in 2020.
Vietnamese choreographer Nguyễn Phúc Hùng will bring to the stage his contemporary dance Falling Angels.
The performance aims to juxtapose the female dancer’s pristine innocence and the male dancer’s masculine toughness.
According to Hùng, purity itself can win over one’s heart and the dance moves thus explore this virtue with the understanding that contemplation, deep attention and sophistication are required to observe what is most valuable.
The work will be performed by two dancers, Đỗ Hoàng Khang Ninh and Sùng A Lùng, who won the Gold Medal at the 2016 National Young Choreographer Talent Competition and gave the concept for the dance.
Hùng, a graduate in choreography of Fontys Dance Academy in Netherlands, is general director in charge of HBSO's programmes.
He has choreographed several contemporary dances such as Những Mảnh Ghép Của Giấc Mơ (Dream Puzzles), Chạm Tay Vào Quá Khứ (Touching the Past), Đi Qua Tình Yêu (Gone Through Love), and Lub qhov rooj (The Door).
The dance show will begin at 8pm at 7 Lam Sơn Square in District 1. Tickets are available at the venue and at www.ticketbox.vn. VNS


The Radial USB-Pro is a high-resolution stereo direct box designed to convert sound files from a laptop computer and seamlessly transfer them to a pair of balanced audio outputs to feed a PA, recording or broadcast mixing console.
Radial USB Pro Features:
High performance 24bit/96k stereo direct box
Automatically installs without the need of a driver
Built-in headphone amplifier for monitoring
Balanced Lo-Z outputs with switchable isolation.
Radial USB Pro Specifications:
Audio circuit type: Custom decoder with analog line drive
USB compliance: USB 2.0 full speed
Bit depth: 24bit (16bit capable)
Sampling rate: 96kHz (44.1kHz / 48kHz auto sensing)
Sound file compatibility: WDM, MME, ASIO, CoreAudio and DirectSound
Software compatibility: Windows XP/Vista/Win7 and Mac OS
Frequency response: 5Hz ~ 40kHz (30Hz ~ 18kHz with isolation)


Samhain: A Celtic Halloween
A selection of 13 (the perfect number) songs and tunes recorded LIVE from the 2016 show. Proceeds will be used toward making this year's show (2018) even more amazing. We will have a larger stage and more seating, so get the word out!! Tickets will be on sale soon!
Padraic Conroy: guitar, vocals, flute. Zac Leger: Bodzouki, flute, bodhran, vocals. John McKenna: button accordion, vocals. Erin Esses: cello. Vito Gutilla: fiddle. Aedan MacDonnell: Celtic harp, piano accordion, vocals. Doreen Wiley: vocals. Ken O'Malley: narration. Michael Kelly: Recording and Mastering.
Songs that may be under copyright are not included on the album, but may be heard in the track list below and are listed as "Free."


Wishgrove in concert at TFAC
Published 3:31 pm Thursday, September 16, 2010
Wishgrove will be performing on Saturday, September 25, at Tryon Fine Arts Centers auditorium. The show begins at 8 p.m., with an opening set by singer/songwriter Cabell Brand. All proceeds benefit Tryon Fine Arts Center, which brings cultural enrichment to the Foothills community. Tickets can be purchased in advance at the box office.
Wishgrove is a rock band from the mountains of North Carolina that writes, records, and performs its own music. The band features Tony Bell on drums, Mark McCullough on bass and back-up vocals, and Rich Nelson on vocals, guitar, and keyboards.
The group recently released its first full-length CD, I Lost My Head, which can be found on iTunes, CDBaby, and Wishgrove.com. Listen at www.wishgrove.com/ or www.myspace.com/wishgrove. The August issue of Bold Life magazine reviewed Wishgroves debut CD. The review is available at www.boldlife.com/gyrobase/Content?oid=oid%3A15295.
Cabell Brand will open the show on solo guitar and vocals. Brand has played many shows&bsp; and his music can be heard at www.myspace.com/redcloudmusician.
Wishgrove and Cabell Brand performed at Rogers Park in July, and again in downtown Tryon to help celebrate the towns 125th birthday. The group says it is looking forward to the concert at TFAC. We are really excited to play such a beautiful venue, and help support Tryon Fine Art Centers mission, says Wishgroves Nelson.
The show will be filmed and recorded to generate material to enhance the bands video presence on the web. We want to play this and a few other shows and then focus on writing and recording our new material, some of which were already playing live, says Wishgroves McCullough.
The band recently put its first video on its new YouTube channel; a live version of the song Try from a recent show. Visit www.youtube.com/watch?v=xz2JUWqRIX4 to view the video.
There will be a casual supper at 6 p.m. in TFACs Farwell Garden hosted by the musicians. Tryon Fine Arts Center is located at 34 Melrose Avenue in Tryon. Call 828-859-8322 for more information or ticket sales.


While Big Deal Nashville offers a lot of great deals to local restaurants, businesses, performing arts groups and the like, this particular deal is so noteworthy Pith feels the need to grab our megaphone and shout it out. For $20, you get an $85 dollar ticket to the Thursday, March 10, Nashville Symphony performance, featuring world-renowned conductor (and former Nashville Symphony music advisor) Leonard Slatkin directing a performance of Philip Glass' Concerto for Violin No. 2 "American Four Seasons." Also on the agenda: Rossini's Overture to La gazza ladra (The Thieving Magpie) and Tchaikovsky's Symphony No. 2 in C minor, Op. 17, "Little Russian."
That's a savings of 77 percent! And to a concert that would be well worth the full price of admission. But hurry — you have until midnight tonight to purchase tickets. Multiple tickets purchased in one order will be seated together.


Elijah Rock is an example of a Negro Spiritual.
Slaves were the composers of Negro Spirituals, but white men written down and got some credit where credit was not due. The first book published of Negro spirituals was titled The First 100 Slave Songs of the United States. When Negro spirituals are performed on stage they are called concert spirituals. Some Negro Spirituals were sang with instruments. Some of these instruments include the djembe, which is an African drum, and the guitar. Many of the spirituals were sound a cappella.


Concert: The Blackheart Orchestra
Saturday 12th October, 19:30, St Endellion Church
Admission £10 (Free to accompanying carers. Free to under-16s accompanied by a paying adult)
The Blackheart Orchestra is one of the must-see bands of 2019, described by the Daily Express as “Ethereal”, BBC Radio 2 as “A great band” and by Genesis legend Steve Hackett as “Beautiful, powerful and inspiring”. Its members are award-winning British songwriters, composers and multi-instrumentalists Chrissy Mostyn and Rick Pilkington. Their songs defy classification. Their multi-instrumental sonic landscapes sound as though far more than two musicians are at work and half the thrill of their performances is watching them move from electric and acoustic guitars, bowed guitar, piano, organ, bass and electronic percussion to vintage synthesisers, omnichord and melodica in a complex choreographed weave of musical moods and textures. This will be a gig like nothing you’ve ever experienced.
Click hear to visit the band’s website, where you can hear their music and watch videos of them in performance.
Don’t forget you can book for a pre-concert supper on our events menu!


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Americana (Transcribed Scores). By The Offspring. For Bass, Drums, Guitar, Vocal. Hal Leonard Transcribed Scores. Punk Rock and Pop Rock. Difficulty: medium. Complete score songbook. Guitar tablature, standard notation, vocal melody, lyrics, chord names, bass tablature, drum notation, guitar notation legend and bass notation legend. 160 pages. Published by Hal Leonard (HL.672466).
ISBN 0634014986. With guitar tablature, standard notation, vocal melody, lyrics, chord names, bass tablature, drum notation, guitar notation legend and bass notation legend. Punk Rock and Pop Rock. 8.5x11 inches.
Features note-for-note transcriptions in score format for every instrument used on this hit album. Songs include: Americana * The End of the Line * Feelings * Have You Ever * The Kids Aren't Alright * No Brakes * Pay the Man * Pretty Fly (For a White Guy) * She's Got Issues * Staring at the Sun * Walla Walla * Why Don't You Get a Job?. Includes tab and a notation legend. Also available: 00690358 - Guitar Recorded Versions.
About Hal Leonard Transcribed Scores
Transcribed Scores are vocal and instrumental arrangements of music from some of the greatest groups in music. These excellent publications feature transcribed parts for lead vocals, backup vocals, lead guitar, rhythm guitar, bass, drums, and all of the various instruments used in each specific recording session. All songs are arranged exactly the way the artists recorded them.
- Staring At The Sun
- Pretty Fly (For A White Guy)
- Have You Ever
- The Kids Aren't Alright
- She's Got Issues
- Walla Walla
- The End Of The Line
- No Brakes
- Why Don't You Get A Job?
- Pay The Man
- Feelings (?Dime?)
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More by this Performer: The Offspring Sheet Music The Offspring Voice Sheet Music The Offspring Bass Guitar Tablature Sheet Music The Offspring Drums Sheet Music The Offspring Electric Guitar Sheet Music The Offspring Guitar Tablature Sheet Music The Offspring Percussion Sheet Music
Series: Hal Leonard Transcribed Scores


320 kbps|130 MB| UL | UA | HF | TB
“This band swings oh so soulfully! Traditional blues lovers listen up – your blues is here as fresh as ever” Jim Hynes
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Copyright © 2011-2018 It's only rock'n'roll All rights reserved.Made with the Ground Floor theme (v2.4) from BuyNowShop.com.


Main / Science / Cubase record what you hear sound
Cubase record what you hear sound
Im using cubase sx 3. What im trying to do is simply set it up to record what you can hear on an audio track in cubase. I used to have an audigy. I recorded a guitar track through my UR22MKII and I can see it in Cubase (piano roll is there and the levels move when I hit play), but there's no output. This is only my 2nd project, but I was able to play and hear my first. I have a few plugins that produce great sounds when I tweak their parameters a bit (i.e. junglist and energy pro). After trying many times to.
I am able to route audio into a Cubase track without a problem. I can see the meter moving and hear the guitar in my headphones. But when I. Once selected, you should be able to hear your microphone and/or guitar If this happens, it's imperative to go back and re-record the sound. You are recording MIDI data and not audio, right? By saying you can hear while you play, are you referring to sounds coming from Cubase and.
Did you try the monitor toggle button on the top right of the audio Make sure you select the input and output in Cubase settings and record. The place to start when exploring Cubase 's signal routing is getting audio into the an audio track that's been assigned to record from a particular input buss. First thing to do is to test your sound card and monitors by playing an MP3 in iTunes/Groove etc, just to check everything is working properly.


Great guitar sound is not as simple as tone or sonic timbre. To be described as great, guitar sound must have dynamics and be alive. It must also possess great articulation and definition and the strings must be highly touch sensitive. Only when a pickup possesses all of these attributes can it be said it's a great feeling and great sounding pickup. Kinmans also have Zero-Hum.
Here at Kinman that's what we strive for and achieve.
The worlds most technically advanced pickups and the best sounding too.
- First new generation Zero-Hum Stratocaster pickup -Patents 5,668,520 & 6,103,966
- First to package matched named sets
- First to engrave model ID etc onto baseplates
- First new generation Zero-Hum Telecaster pickups.
- First to eliminate soldering for pickup installs with our unique No-Soldering Harness
- First new generation Zero-Hum authentic P-90 pickups -Patent applied for
- First new generation side-by-side Humbuckers -Patent applied for
- Worlds first hum cancelling non-aged Alnico Strat pickup -Patent Applied for
- First new generation non-noiseless Single coils (Warriors brand, coming soon)
- First and only Jazzmaster pickups that have Zero-Hum


The French production talents of Habstrakt are on display yet again as the producer / DJ delivers an impressive body of work which follows up his original single "Listen". Known for crafting an unique style which spans the bass spectrum, Habstrakt's newest release "Datbooty" features a very unique trapped out rhythm fueled by various bass knocks, kick drum bursts, and an overall unique dungeon-esque aesthetic taking the listener on a ride you won't be forgetting. Shouts to Habstrakt for breaking 60k Facebook fans and to celebrate he has let us premiere a free download of this track, so don’t miss out on your copy! Enjoy
ThisSongIsSick.com is all about making it easier for you to discover sick new music that you've never heard before. We work with musicians and record labels from all over the world to showcase a variety of the freshest electronic, hip-hop, indie, and alternative music to a global following that is comprised of millions of music lovers in over 110 countries. So, make yourself at home while enjoying countless amazing musicians from a variety of genres and let the sick sounds fill your ears! Read more about our new site.
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|"Kiss You All Over"|
|Single by Exile|
|from the album Mixed Emotions|
|Label||Warner/Curb Records (US)|
RAK Records (UK)
"Kiss You All Over" is a 1978 song performed by the group Exile, written by Mike Chapman and Nicky Chinn. It was included on the band's album Mixed Emotions, and featured lead vocalist Jimmy Stokley and guitarist J.P. Pennington on vocals.
On the American Top 40 broadcast of May 26, 1979, Casey Kasem reported that Chapman stated his source of inspiration for "Kiss You All Over" was "It's Ecstasy When You Lay Down Next to Me" by Barry White.
The song was a number one single in the United States, but proved to be Exile's only big hit in the pop rock market (they would later have great success on the country music charts). It held the number one spot on the Billboard Hot 100 for four weeks (starting September 30), and Billboard ranked it as the No. 5 song for 1978. The song also reached number-one in at least three other nations.
In the United Kingdom, the song was released on Mickie Most's RAK Records, and peaked at number 6 in the UK Singles Chart. In this song, a string synthesizer is used. In 2010, Billboard ranked the song ninth on its list of "The 50 Sexiest Songs Of All Time".
Lead vocalist on the song Stokley was ousted from the band in 1979, his health declining thereafter until he died at the age of 41 in 1985. The band moved into country music following the synth-pop success of "Kiss You All Over" and the 1979 follow-up hit "You Thrill Me" (reaching #40 (UK No. 67)) and "How Could This Go Wrong", #88 on the charts. "Take Me Down" peaked at #3 on the Euro Hit 40 in the mid-1980s.
|Austria (Ö3 Austria Top 40)||9|
|Belgium (Ultratip Flanders)||7|
|Canada Adult Contemporary (RPM)||2|
|Canada Top Singles (RPM)||2|
|New Zealand (Recorded Music NZ)||1|
|Netherlands (Dutch Top 40)||4|
|Netherlands (Single Top 100)||7|
|Switzerland (Schweizer Hitparade)||3|
|UK Singles (Official Charts Company)||6|
|US Adult Contemporary (Billboard)||19|
|US Billboard Hot 100||1|
|West Germany (Official German Charts)||3|
|US Billboard Hot 100||163|
|"Kiss You All Over"|
|Single by No Mercy|
|Released||22 August 1997|
|Mike Chapman, Nicky Chinn|
|Johnny Vicious, Darrin "Spike" Friedman|
|No Mercy singles chronology|
The band No Mercy's 1997 remixed version by Johnny Vicious and Darrin "Spike" Friedman reached number-one on the Billboard Hot Dance Club Play chart. It also reached number 16 on the UK Singles Chart and number 47 in Australia.
Billboard wrote that "there's no denying that No Mercy's eponymous album is several notches above standard dance/pop fare-as evidenced by this Latin-spiced rendition of Exile's '70s-era hit." They noted further that "The song's hook thrives within FMP's arrangement of swirling house beats and flamenco guitars." They also added "Factor in the act's sweet harmonies".Music & Media commented that "This highly successful trio has given this song a poppy-flamenco treatment that is likely to mean it will chart all over the place once again, something that proves that good songs last a long while."
|Austria (Ö3 Austria Top 40)||13|
|Belgium (Ultratop 50 Flanders)||43|
|Europe (Eurochart Hot 100)||20|
|Germany (Official German Charts)||40|
|Netherlands (Single Top 100)||30|
|New Zealand (Recorded Music NZ)||44|
|Scotland (Official Charts Company)||10|
|Switzerland (Schweizer Hitparade)||33|
|UK Singles (Official Charts Company)||16|
|US Billboard Hot Dance Club Play||1|
The song was featured in the films Happy Gilmore, Wild Hogs, Man on the Moon, Employee of the Month, and Zookeeper. It was also used in 2007 on CBC's Hockey Night In Canada during a montage of Stanley Cup celebrations at the conclusion of the final game of the Stanley Cup Playoffs. The song closes out the finale of the first season of the Amazon Series Red Oaks. The Exile version of the song also closes episode seven of the Netflix series Mindhunter.


(b Galgócz, 1857; d Perchtoldsdorf, 1924). Austro-Hung. composér of ballets, notably Der Karneval in Venedig (Vienna, 1900), and operettas of which the best-known is Das Dreimäderlhaus (1916, Vienna) based on Schubert melodies and depicting (mainly fictitious) scenes from Schubert's life. Amer. version arr. Romberg prod. in 1921 as Blossom Time and Eng. version arr. G. H. Clutsam as Lilac Time (1922).
From The Concise Oxford Dictionary of Music in Oxford Reference.


As Black Friday approaches, many Hip Hop artists are set to release new music. Fabolous new album on Black Friday, ‘Summertime Shootout 3 Coldest Summer Ever’, will final be released.
Fabolous who recently dropped the first single ‘B.O.M.B.S’ off the new album, reminded everyone that he is back on his bull****. “Back on my bulls***, back to back on my bullsh**. Matter of fact that was bulls***, I’m going back-to-back-to-back on my bulls***. Do it one time, they gon think it’s luck. Got to hit them with the repeat. Do it two times they gon still doubt . Ay, now I gotta repeat.”
Revealing the back cover and track list for the new album, Fabolous has a star studded lineup on the project. All but three songs of the 16 have features. Two of the three that do not have features could very well be the intro and interlude for the album.
Fabolous who was featured on Meek Mill’s ‘Championships‘ album on the song ‘Uptown Vibes’, is returning the favor. Appearing on the third song of the album on ‘Talk To Me Nicely’, Meek Mill and Fab’s collaboration could very well be the second single for the new album.
Summertime Shootout 3 cover continues the theme from the two previous releases. Fabolous took to Instagram over the weekend to show fans the official cover.
Fabolous who celebrated his 42nd birthday last week, is currently continuing the celebration in Cuba with his partner Emily Bustamante. The celebrity stylist and shoe designer, has two children with Fab.


Music Pathways - Piano Discoveries C
(no longer available)
This item is no longer available.
Piano Discoveries C follows books A and B and provides a thorough and well-coordinated approach to beginning keyboard study. While experiencing a wide range of keyboard sounds, students develop reading skills, rhythmic response, and keyboard technique, insuring a smooth and easy progression to more difficult levels and laying the groundwork for practical musicianship. Piano Discoveries C is to be used with Piano Activities C (CFO5111) and Piano Solos C (CFO5112). All books are correlated by chapter. Upon the completion of the three C Books, the student is then ready for the three D Books. The D books complete the Elementary study. General MIDI orchestrations to Piano Discoveries C and Piano Solos C is also available on 3 disks with instructions provided (CFMD6003).
Publisher: Carl Fischer, Inc., Series: Music Pathways
Publisher Item #: O5110
Composer: Lynn Freeman Olson / Louise Bianchi
Instrument: Piano, Level: Not Graded, Format: Sheet Music
Ensemble: Piano Solo
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Mosaic Youth Theatre to hold auditions for 2013-14 season
To audition for singing, those interested must sing for a minute without musical accompaniment.
To audition for acting, those interested must prepare and memorize a one-minute monologue or read a monologue that they receive at the audition. There is a $5 audition fee per person.
Mosaic’s mission is to empower young people to maximize their potential through professional performing arts training and the creation of first-rate theatrical and musical art.
Auditions will be held at 7441 Second Ave., Detroit, on the corner of Bethune and Second, one block from the Fisher Building. For more information, visit www.mosaicdetroit.org


The Itsy Bitsy Spider lead sheet
No-C-Notes audio music description of The Itsy Bitsy Spider lead sheet. A children’s nursery rhyme. In the key of F major, 6 / 8 time, begins with a pickup measure, followed by 16 measures. Melody with chords. Lyrics is included in the text file. Download zipped file size 4.76 mb contains 3 MP3 tracks and text file.
This score is for instructional purposes only of No-C-Notes audio music description and may not be reproduced in any form. It is provided free with grant funding from the Minnesota State Arts Board and the Minnesota Arts & Cultural Heritage Fund.


When she was 11-years-old, Sinclair put together the award winning band All the Little Pieces that combined elements of roots country, rock and blues. Sinclair’s songs eventually headed more solidly into Country/ Americana territory. When the touring cycle wrapped up for the band’s prior release, Sinclair organized a tribute to the Trio album, which set the stage for Barnstormer.
17-year-old Sinclair co-produced the album with Sean Giovanni at The Record Shop in Nashville and Jason Groves at Sneak Attack in her hometown, Lexington, KY.
A wandering spirit is key to Sinclair’s musical perspective. “I definitely feel an overwhelming sense of home when I’m on the road. There’s such a sense of freedom in it and I think it’s where I feel most inspired.
“I hope people know that I can be counted on to share raw emotions, whether it’s heartbreak or joy,” she says. “I just want it to feel as real and intimate to someone listening to the album as it felt to me when I wrote it. My hope is that these songs will speak to people on a soul level. I think it is such a liberating thing when you hear a song that understands you and what you’re going through. That’s always my goal.”


Moldovan violinist Kopatchinskaja: 'Art should be alive'
By Michael Roddy
LONDON (Reuters) - Moldovan violinist Patricia Kopatchinskaja has already applied her virtuosity to a musical depiction of the Columbia shuttle disaster, down to the sounds of the rockets blasting the doomed craft into space and its disintegration on re-entry.
The stunning performance of Hungarian composer Peter Eotvos's 2006 concerto "seven" - so named for the seven astronauts who died in the 2003 disaster - was last year's Gramophone magazine recording of the year.
But performing a piece that at times seems to require the violin to disintegrate along with the shuttle is not enough for the restless and questing Kopatchinskaja. For her 37th birthday later this month, she will give the premiere of her first violin concerto in Berne, Switzerland.
It is dedicated to a friend, the Romanian pianist Mihaela Ursuleasa, who died suddenly a year and a half ago at the age of 33. Her death affected Kopatchinskaja so deeply that she said she got carried away composing the music and is not sure she can play it.
"It might be not very realistically written music, it's a utopia," Kopatchinskaja who has a penetrating gaze and is as spontaneous in an interview as she is in her concerts, told Reuters over coffee and biscuits at a London hotel. "It's something that ... shaped itself. It controlled me, I couldn't control what I wrote."
That intensity and spontaneity is very much a part of a phenomenon sometimes called "Patkop" by promoters seeking a shorthand for the unfamiliar Molodovan name of someone who is becoming ever more familiar in music circles.
During a recent visit to London, Kopatchinskaja added another arrow to her quiver by leading, as first violinist, the conductor-less Britten Sinfonia. She won thought-provoking reviews for performances of Brahms, Bartok, Janacek and the Armenian composer Tigran Mansurian.
"You can like or dislike her steely, confrontational timbre, her penchant for extremes, her almost pathological impulse to sway, jump, stamp or visually mirror every passing nuance," Richard Morrison wrote in The Times. Continued...


It’s Mothers’ Day! The program starts out with several songs dedicated to mothers and then continues with new music from France based on the theme of Prisoners of Love. These songs are about unrequited love, breaking up and others either sad, longing, angry or happy to be gone!
The first ½ hour is dedicated to songs about mothers and motherhood. The second ½ hour consists of Cuban songs inspired on cries that peddlers use to sell their merchandise. The last ½ hour presents music from Uruguay; the last 12 minutes include a short story by the Uruguayan Horacio Quiroga (1878-1937).


COUNTDOWN TO SHOWDOWN
In the 25 days leading up to college football's championship game between No. 1 Notre Dame and No. 2 Alabama at Sun Life Stadium in Miami, the Chattanooga Times Free Press is counting down the traditions and memorable moments involving the Irish and the Crimson Tide. Today is No. 12.
The most recognized fight song in college sports, the "Notre Dame Victory March," has been around for more than a century.
Written by two brothers who were Notre Dame graduates, Michael and John Shea, the song was copyrighted in 1908. That same year, a piano version complete with lyrics was published.
Notre Dame's fight song was performed by the university band for the first time on Easter Sunday in 1909 in the rotunda of the university's administrative building. It was first heard at a Notre Dame athletic event in 1919 and first appeared under the copyright of Notre Dame in 1928.
The most recited part of the fight song is as follows:
Cheer, cheer for old Notre Dame,
Wake up the echoes cheering her name,
Send a volley cheer on high,
Shake down the thunder from the sky.
What though the odds be great or small,
Old Notre Dame will win over all,
While her loyal sons are marching
Onward to victory.
In 1969, when college football celebrated its centennial, the "Notre Dame Victory March" was recognized as the greatest fight song. Among the other schools with popular fight songs are Michigan with "The Victors," Southern Cal with "Fight On" and Oklahoma with "Boomer Sooner."


Second round for #Missionmozart
At the tender age of nine, Felix Klieser dreamed of being able to play Mozart's horn concertos. While this dream had long since come true, he hesitated for a long time to record the four Horn Concertos in one recording. Only after releasing three successful albums and winning an ECHO Klassik award and the Leonard Bernstein Award did he go to Salzburg, in September 2018, to record them with the famous Camerata Salzburg ensemble. The album will be released on March 1, 2019.
But first there is the second foretaste of Klieser's upcoming album: Horn Concerto No. 3 in E-Flat Major, K. 447: II. Romance. Larghetto. Now available on all platforms.


Here’s an alternate take of Keola Beamer’s Mino’aka (Smile), from his awesome Soliloquy album. Soliloquy is one of my favorite Dancing Cat era albums from Keola and a highly recommended listen. Keola’s book is one of the first I picked up when I really delved into the slack key style years ago, and this was one of my favorite songs featured in the book. In fact, I also recommend Keola’s book for beginner to intermediate fingerstyle players who are looking to learn some slack key. Although the version I recorded here is at a slightly faster tempo, I hope it still captures the original’s relaxed feel. Hope you enjoy.
Here is an early version of my song “Fair Wind,” recorded not long after I wrote it.There is a boat of the same name that ran snorkel / dive cruises to Kealakekua Bay out of Keauhou Bay – still does – and my parents took me and my friends for a cruise on it for a number of my birthdays.
For your listening pleasure here is a collection of Ki Ho’alu a/k/a Hawaiian Slack Key guitar instrumentals. This compilation includes both energetic and relaxed tunes, though I’d say the overall vibe is relaxing.I like to listen tosome of those longer “relaxing music” videos while working on the computer and became inspired to produce some videos featuring my own performances.Hope you enjoy.
Here is a remix of my fingerstyle rendition of Eric Clapton’s Wonderful Tonight.Eric wrote the song about his then-wife Pattie Boyd, who had already inspired great songs from Eric and previous husband George Harrison.This song has been the theme to many a high school prom, and its simple yet tasteful melody has held up over the years.In keeping with that, my arrangement here is fairly straight forward: it doesn’t move around the neck very much or have any unusual chord voicings.Hope you enjoy it.
Here is an alternate take of my fingerstyle arrangement of Harvest Moon, the titular song from the great early 90’s Neil Young album. In era when some of his peers were merely coasting along, Neil was doing some of his best work. Hope you enjoy.
Momentum is an original I’ve been playing for a while.Over the years, I have added different bridges and changed the intro at times, but at its core the song remains the same. This version has a new bridge and was recorded on my Taylor K22ce.
Bron-Yr-Aur is probably my favorite Led Zeppelin acoustic song.Written about a tranquil cottage in the Welsh countryside, the song is meditative and bucolic; it always puts me in a different place whenever I hear it or play it.This version was recorded on my Taylor 912ce.
Momentum is an original I’ve been playing for a while. Over the years, I have added different bridges and changed the intro at times, but at its core the song remains the same. This version has a new bridge and was recorded on my Taylor 912ce.


|MOD Features||Premium Unlocked|
Do you love listening to music? If you do, there’s a good chance that you use YouTube to do so. After all, it’s one of the most popular platforms for streaming music. Did you know that there’s an APK available that makes using YouTube even better? Keep reading to learn more about it!
About YouTube Music APK:
Youtube-Music-v5.9.7r48-Unlimited is an APK for downloading YouTube music. This app allows you to listen to YouTube songs offline, no internet is needed!
It has a ton of different changes that make using the application even better than just streaming it online! One of the most notable features is that it allows you to use your phone’s memory (instead of the sd card) as storage, which speeds up music playback.
If you’re looking for an APK for YouTube music, there are several choices to choose from. However, not all of them are good sources for music. The reason is that some don’t have enough songs or they cost money to download. For that reason, it’s important that you choose a good one.
That being said, there are some choices out there that are excellent sources for music. One of them is this YouTube music APK. It can be downloaded for free and its songs are all legal (meaning they’re not pirated). That makes it an excellent option for those of you looking to download music from YouTube.
Once you get the APK, it’s easy to install. In fact, most people can do so without any problems. Since this app is a third-party application, it might be blocked by your antivirus (and in some cases, phones). If that happens, you might have to move it to your phone before you’re able to install it.
This app does require internet access in order for it to work. That means that songs can’t be downloaded without an internet connection. However, once the song is downloaded, you’ll be able to listen offline!
If this sounds like something you’d want on your Android device, all you have to do is follow the link below. Once there, either make a free account or download it for free. After that, you’ll be able to install the APK and start listening!
The YouTube music APK has a lot of features that make it excellent for listening to YouTube music. One of these is the ability to download songs, so you can listen to them offline. This is particularly useful if you want to listen without an internet connection!
On top of that, this app can be installed on external memory (or sd card). This can help speed up the app’s performance. I also enjoy the fact that it has a free download option for songs.
The features of the YouTube music app also include:
- The ability to listen to music without ads
- The ability to save music for offline playback
- The ability to control the volume of music playback
- The ability to see the lyrics for songs while they are playing
I’ve been using this app to listen to YouTube for a while now and I have no complaints! In fact, it works even better than other apps I’ve used in the past. That’s why I think you should download the YouTube music APK today!
Advantages of YouTube music APK:
- It’s very easy to use. You don’t need any technical skills or knowledge to play the videos. Just tap on the video, and it will start playing automatically in full screen mode with no ads popping up all over your screen!
- You can save songs for offline playback anytime you want by downloading them first before closing down the app or playing it again later from where you left off. This is really helpful when there isn’t enough data connection for streaming videos but still wants to enjoy listening to music offline at its fullest potential.
- You get notified when a song ends so that you won’t miss anything important happening in the live broadcast (if applicable).
There are a few disadvantages to the YouTube music app. First, the app can be glitchy and crash frequently. Second, it can be difficult to find specific songs or albums on the app. And third, the app’s interface is not as user-friendly as other music streaming apps like Spotify or Apple Music.
However, despite these disadvantages, the YouTube music app does have some advantages over other music streaming apps. First, it is free to use. Second, it has a massive library of songs and albums. And third, it allows users to listen to music offline without using any data. So overall, the pros outweigh the cons for most people.
The mod intro of YouTube music APK is a modification that allows you to customize your app’s interface.
You can change the background image, choose from different themes, and much more! There are over 100+ themes available for download on Google Play. Themes come with screenshots as examples so it should be easy enough for anyone to use them without any trouble..
You can make this app however you want it to be, which is great for people who enjoy customizing their apps! Why not try something new today?
The mod features of YouTube music APK are as follows:
1. Unlimited Coins and Cash; 2. No Waiting Time for Adverts; 3. Remove The waiting time for the next video in the playlist; 4. Change The sound quality to Normal or Low Quality (Only available on some devices); 5. Unlimited Subscriptions for Premium Accounts; 6 . Add Chromecast functionality to the app – Cast videos from mobile device screen onto large TV screen via Chromecast plugged into HDMI port on the TV, works with Android 4+ & iOS 7+.
YouTube Music is a music streaming service developed by Google. It allows users to upload their own songs or listen to curated playlists created by professional DJs and musicians. Users can also download songs for offline listening, share tracks via social media, and more.
The app has two main features: song searching that provides information about the song such as duration, artist name, etc., along with radio stations where you can choose any track from your collection to play continuously.”


] [Thread Prev
Re: OT: Hiromi -
Sounds like a female version of Liberace.
---- Kevin <kevin@TheNettles.com> wrote:
> Folks wrote:
> | <stuff>
> Hiromi's the most technically accomplished jazz pianist since Oscar
> Peterson and she plays faster (and cleaner) than Art Tatum. When she
> was 17 she jammed with Chick Corea. And she's the number one jazz
> artist in Japan. Here's her doing straight jazz piano:
> About her influences:
> "I love Bach, I love Oscar Peterson, I love Franz Liszt, I love Ahmad
> Jamal," she says. "I also love people like Sly and the Family Stone,
> Dream Theatre and King Crimson. Also, I'm so much inspired by sports
> players like Carl Lewis and Michael Jordan. Basically, I'm inspired
> by anyone who has big, big energy. They really come straight to my
> That Kung-Fu World Champion piece is just a little karate kata of the
> keys, if you will. If you play keys you know that you couldn't play
> that. Ever.
> Her English website is at:
> I just found out about her a couple of days ago but she's definitely
> someone to keep track of. Someone with that much skill, enthusiasm
> and openness doesn't come around more than a couple of times a century.
> The Nettles: Progressive and Exciting Celtic Music


When Bruce Springsteen asked Patti Scialfa to sing on the E Street Band's world tour, she lost it completely -- her voice, that is.
"I had nodes. I went to specialists in New York who told me I could only handle folk music! It was a literal 'You'll never sing again.' But I found a special voice teacher and learned his method. I had to stop talking on the telephone; forget drinking or smoking. When Bruce hired me, I was still in a very bad state and getting hoarse. He didn't know it -- when he heard me, my voice was fine. I didn't talk at the beginning of the tour; I'd go home after shows; I'd sleep all day. And it worked. I got it back, better than ever."
Patti started singing with her brother's band when she was 15, in Oakhurst, N.J. Later she sang on the streets of New York with two girlfriends. "On a good night we made a hundred apiece." Then Patti sang lead vocals for David Sancious, and in 1980 the three girls toured with the Asbury Jukes. She also sang on David Johansen albums. One night, Bruce heard her sing at the Stone Pony.
"He came up to me afterward and told me he thought I sang nicely. It was a great moment for me, because I'd had so many disappointments. About a year later he called up and said, 'C'mon over.' I just sat around with Bruce and Roy Bittan and Nils Lofgren and sang casually.
"He asked me back a few days later and just said, 'Wanna come out?' The great thing about working with Bruce is, he gives you such acceptance. Inside that, you can regain all your faith." Now that the tour is over, Patti has sung backup on the new Rolling Stones record, and she is about to record her first solo album. "I was 18, taking demos around. I wasn't ready -- then."


Sep 29, 2021
Now we’ve made it to the part of the song where things really start taking off. The figurative “launch pad” that Paco uses to boost the tempo and rhythmic intensity is a technique called alzapúa. With this technique, you will be using your thumb exclusively.
Watch the lesson video to see in detail how it’s...
Sep 20, 2021
In this video lesson for the flamenco guitar, one of our supporters, Yolanda, asks a really good question about the pulgar (thumb), and what to do with it when you are playing in E major.
Quite often, we tend to rest our thumb on the E string (sixth string) when playing falsetas and chords, but sometimes our thumb can...
Sep 4, 2021
For this second lesson of “Danza Mora” for the flamenco guitar, you will be doing an upward arpeggio; it’s called an “upward” arpeggio because the plucking pattern runs toward you (the player).
The arpeggio pattern is as follows: a&p-m-i, a-m-i, a-m, with a consistent accent on the a&p.
The third and fourth...


I've had this problem since yesterday morning.
There are split second bits of other songs randomly disturbing the sound in Spotify - on top of my songs as well when I am not playing anything, just keeping Spotify open.
They're too short to even tell which kind of music, just enough to disturb the listening experience. It's a bit like when you used to listen to a badly tuned radio station and other signals tuned in. As much as I value a bit of nostalgia, that's one listening experience I didn't miss.
It happens with local data as well as songs streamed via Spotify.
I've got Spotify free. I've deleted Spotify and re-installed it, no change.
No other program's open. I've also made sure it really is a Spotify program - as soon as I log off, it's gone for sure.


Jérôme Laran & Michaël Ertzscheid
Alain Crepin is a Belgian saxophonist, conductor and composer. He did most of his career working for the Belgian army until he reached the rank of Music Chief-Major. "Céline Mandarine" was composed for Alain Crepin's daughter, Céline, for her first public audition.
Choose an instrument
- Céline Mandarine3:31


Photo by Michael Mendoza
Producer and all-around dance music hero Todd Edwards (whose credits include a guest spot on Random Access Memories) has shared a new track called "Nite Noise"—his edit of "White Noise" which he made as a "thank you" to Disclosure. Listen to it above via Brooklyn Vegan.
He wrote, "I made this while traveling by train in the UK on my way to a warehouse party I was playing with Disclosure. It was a personal thank you to them for having me on their lineup."
Read our "5-10-15-20" with Edwards.
Watch Disclosure's full set at Pitchfork Music Festival Paris:


Heather Christie is an American singer-song writer, producer, and dancer. Described as indie-R&B or neo-soul, Heather's sound is likened to artists like Alicia Keys, Erykah Badu, and Norah Jones. Vir grew up in Venice, California. From an early age he was exposed to eclectic musical instruments. In addition to playing guitar, bass, and keyboard, Vir plays world instruments including the sintir and guimbri from Morocco, Djeli Ngoni from Mali, Yali Tanbur from Turkey, a self-created camel-skinned instrument call the "Arkbass" and many others. "Stars That Fall" is the first collaborative work of Heather Christie and Vir McCoy. It showcases the eclecticism that each of their musical backgrounds brings to the table.


The most beautiful “Ballo in Maschera” I have ever seen!
This was a wonderful event. I will attend the entire season.
I was deeply moved by the setting and cast and intimacy of the venue.
I highly recommend it.
I LOVED “The Magic Flute.” I saw it two times.
An amazing show yesterday. This company puts on dynamic, thrilling performances that are 100% accessible and engaging. Top quality talent having the time of their lives, and bringing the audience right along with them. I had no idea I loved opera so much!
Thanks, Linda Jackson, for doing all you do.
Linda, I don’t know if we’ll ever get out to see you on stage again since we live so far away, but our HS concert band’s trip to your show Die Fledermaus ala Salsa (the one that you scheduled specifically for us because there was nothing else going on in Southern California on that night of our trip) is to this day still a vivid memory for the kids in the band! The boy who got up and danced the salsa with you will never live it down – even though he’s a senior this year. The kids all have fond memories and thoughts about opera because they saw a great performance live and up close.
Thank you so much for your commitment to the arts!
Abraham Fabella is a performer, composer, and conductor who is at home in many styles of music from opera and Renaissance motets to jazz and contemporary art music.
He is in high demand as a vocal coach and collaborative pianist for singers, choruses, and instrumentalists in the Greater Los Angeles and San Diego areas. He made his debut with Los Angeles Metropolitan Opera conducting Strauss’s Die Fledermaus. Currently the Music Director for both LA Met and Black Tie Opera, he has also worked with various groups including Riverside Lyric Opera, Repertory Opera Company, Celestial Opera Company, Pacific Lyric Association, Casa Italiana Opera, and Opera Wednesdays La Jolla. Among the many shows he has directed are Le Nozze di Figaro, Don Giovanni, Un ballo in maschera, Don Carlo, Aida, Madama Butterfly, La Bohéme, Hansel and Gretel and a concert reading of the musical play, Limberlost, by Helen Slayton-Hughes and Dana Howell.
As both composer and performer, Mr. Fabella has won many accolades. His compositions have been performed by Vox Novus New York, Schola Cantorum San Francisco, the UCR Orchestra, and the SFCM New Music Ensemble. His music is published by Yelton Rhodes and can be heard on the CD “In the City at the Night,” music for solo English Horn. As a pianist, he has won top prizes at the Redlands Bowl Young Artist Auditions and the Vera Yin Sheng Piano Competition, and, in 1996, was invited to play Gershwin’s Rhapsody in Blue with the Beijing Symphony Orchestra in Beijing, China.
A church musician with twenty years of experience, Mr. Fabella is in his eighth year as organist and choirmaster of All Saints’ Episcopal Church in Riverside. Previously, he has served Episcopal, Methodist, and Lutheran churches throughout California.
Mr. Fabella received a M.Mus. in Music Composition from the San Francisco Conservatory of Music and a M.A. in Music from the University of California, Riverside. He received his undergraduate degree from La Sierra University. He has studied composition with Byron Adams and Conrad Susa, and piano with Kimo Smith and Hellen Juman. He is a member of the American Guild of Organists, ASCAP, the College Music Society, the Music Teachers’ Association of California, and AFM Local 47.
Mr. Fabella lives and maintains a teaching studio in the city of Moreno Valley. In his spare time, he enjoys traveling, meditation, poetry and collecting musical instruments.


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It Is very difficult to define jazz because It has so many varieties. Almost all Jazz styles have improvisations and swing feeling. Improvisation means compose and perform at the same time. Four ingredients that help music swing are steady beat, syncopation, lilting quality, and rising and falling of the melodic line. Charles Mining was a jazz bassist known for his composing and improvising. Dizzy Gillespie was a modern Jazz trumpeter who devised a highly syncopated style of improvising. Jazz musicians usually begin laying a tune they all know and then they make up their own music.
Chapter 2 Jazz musicians follow common practices while performing tunes such as the 12-bar blues and the A-A-B-A construction. The melody In a tone Is played before and after the Improvisation Is played. Rhythm section Is the part of a jazz combo that provides the accompaniment for the soloist. Chorus: Single paying through of the structure being used to organize the music In an Improvisation. Bridge: The B part of and A-A- composition. Walking bass: A bass note per beat. Coming: Syncopated chording accompaniment for an improvised solo. Chapter 3 New Orleans was the ideal site for the birth of Jazz because it was an intensely musical city.
African American music such as blues and ragtime blended with European dance music and church music. Ragtime: A popular turn of the 20th century style of written piano music involving pronounced syncopation. Blues: A style of African American song, originally consisting of a vocal with guitar accompaniment that often expresses a lonesome or sad feeling. Creole of color: A person who has mixed French and African ancestry and was born In the New World. Scott Joplin was he most Important ragtime composer. Chapter 4 Collective improvisation: Simultaneous improvisation by all members of a group together.
Stride: Left hand style used by early Jazz pianist. Front line: Musicians appearing directly in front of the audience. James P Johnson was the greatest of all stride style pianists. Fats Waller was the most popular Jazz pianists-composes of the 1 sass and ass. Louis Armstrong was one of the first great soloist in Jazz history. He played trumpet. Big Bedecked was the first cool Jazz musician. Bessie Smith was the empress of the Blues. Chapter 5 Call and response: A technique In which one section states a theme as a question and another answer It. Rhythm guitar style: Guitarist strumming one chord on each beat.
Break: Portion of a piece in which all band members stop plying except the one extemporaneously that wasn’t written down. Roy Elderly was the most daring trumpeter of the sass. Coleman Hawkins was the father of the Jazz tenor saxophone. Scat singing: Improvisation using the human voice. Billie Holiday was the most influential singer in Jazz after sass. Chapter 6 Bebop differed from swing by using smaller bands, richer chords, and faster playing. Asymmetrical accent: An accent that falls in an unexpected Bomb: A pronounced accent played by the drummer, often dropped in an unexpected place.
Max Roach was the leading bebop drummer. Charlie Parker was the most significant saxophonist of the twentieth century and an inventor of bebop. Theologies Monk was the first bebop composer and pianist. Bud Powell was the most influential bebop pianist. Dexter Gordon was the first bebop tenor saxophonist. Chapter 7 West Coast Jazz: The Jazz style associated with Dave Bruce, Paul Despond, Gerry Mulligan, and Chew Baker during the sass, often applied to classify cool Jazz by California-based white musicians. Progressive Jazz: A term coined by Stan Kenton to describe his own music.
Leonie Tristan was a pianist-composer who invented a modern Jazz alternative to the bebop style of Bud Powell. Baritone saxophonist Gerry Mulligan and trumpeter Chest Baker were distinguished for their dry, subdued approach to modern Jazz. Count Basis and Lester Young were important influences on the cool Jazz style. Chapter 8 Hard bebop evolved directly from bebop during sass, mainly among East Coast and Midwest musicians. Hard bebop differs from bebop by having more variety in accompaniment patterns, fewer pop tune chord progressions, and more emphasis on hard swinging.
Horace Silver was the leading pianist-composer bandleader in hard bebop. Clifford Brown was the favorite trumpeter for most Jazz musicians of the sass. Freddie Hubbard was the most imitated trumpeter of the sass. John Coloration was the most influential saxophonist since Charlie Parker. West Montgomery was the most influential guitarist in modern Jazz. Chapter 9 Free Jazz: An approach associated with Ornate Coleman and Cecil Taylor, in which the music contains improvised solos which are free of preset chord progressions, and moieties also free of preset meter.
Modal Jazz: Jazz improvisation based on a mode (or scale) rather than on chord changes. Floating pulse: A method of improvising that avoids stressing the most obvious beats, while extending phrases across several beats, pioneered by Bill Evans; also called non-obvious pulse. Ornate Coleman was the best-known free Jazz musician. Bill Evans was the most influential pianist of the sass. Chapter 10 Jazz-rock: A variety of styles beginning in the late sass that use Jazz improvisation, electric instruments, funk rhythm section accompaniments; also known as fusion music.


Queen will rock the Royal Arena - Copenhagen on 01 Jul 2020
Tickets for Queen concerts are traditionally in high demand among fans. Do you want to visit Queen concert in Copenhagen, ?
We provide a unique opportunity to purchase Queen tickets for the concert in Copenhagen, at Royal Arena - Copenhagen. Queen Copenhagen concert is one of the brightest events of the year!Queen Copenhagen concert will give you a lot of emotions and unforgettable impressions. We will help you realize this dream, see Queen live, giving you a great chance to buy best Queen concert tickets.
Queen concert will take place on 01 Jul 2020 in Denmark, Copenhagen, at Royal Arena - Copenhagen. Do not miss your chance to get Queen Copenhagen tickets for concert, which will take place at Royal Arena - Copenhagen


Release Date: April 1, 2010
BUFFALO, N.Y. -- The Center for the Arts at the University at Buffalo will present Chita Rivera: My Broadway on May 4 at 8 p.m. in the Mainstage Theatre, Center for the Arts, UB North Campus.
The two-Time Tony Award-winner will perform songs from her legendary Broadway career, accompanied by an 11-piece orchestra, led by musical director Michael Croiter, including numbers from West Side Story ("America"), Sweet Charity ("Where Am I Going?" and "Big Spender"), Chicago ("All That Jazz" and "Nowadays"), Kiss of the Spider Woman, Bye, Bye, Birdie and The Rink, and featuring the music of Leonard Bernstein, John Kander and Fred Ebb, Charles Strouse, Stephen Sondheim and Cy Coleman.
An accomplished and versatile actress, singer and dancer who has won two Tony Awards as best leading actress in a musical (Kiss of the Spider Woman, The Rink), she has received seven additional Tony nominations. Rivera has performed her critically acclaimed concert dates in major cities worldwide. In 2009, she released a new solo studio CD titled And Now I Swing (Yellow Sound label), which pays homage to her stage legacy while also displaying her passion for jazz. From classic theater songs to jazz standards, all tracks featured on this new album have received new arrangements recorded by New York's finest musicians, reimagining some of Chita's favorite tunes.
She recently starred in the Broadway and touring productions of The Dancer's Life, a dazzling new musical celebrating her spectacular career, written by Terence McNally and directed by Graciela Daniele. Last year she recreated her starring role in The Visit, the new Kander/Ebb/McNally musical at the Signature Theatre in Arlington, Va., (originally done at the Goodman Theatre, Chicago in 2001) for which she received the 2009 Helen Hayes Award for Outstanding Lead Actress. Rivera received The Presidential Medal of Freedom from President Obama in 2009 and also received the coveted Kennedy Center Honor in Washington, DC, in 2002, and was the first Hispanic ever chosen to receive this award.
She also starred in the revival of the Broadway musical Nine with Antonio Banderas. She trained as a ballerina from age 11 before receiving a scholarship to the American School of Ballet from legendary George Balanchine. Rivera's first appearance, at age 17, was as a principal dancer in Call Me Madam. Her electric performance as Anita in the Broadway premiere of West Side Story (1957) brought her stardom, which she repeated in London. Her career is highlighted by starring roles in Bye Bye Birdie, Chicago, Jerry's Girls and (original Broadway casts) Guys and Dolls, Can-Can, Seventh Heaven and Mr. Wonderful. On tour: Born Yesterday, The Rose Tattoo, Call Me Madam, Threepenny Opera, Sweet Charity, Kiss Me Kate, Zorba, Can-Can with The Rockettes.
Broadway programming at the Center for the Arts is sponsored in part by Center for Plastic Surgery.
Tickets for Chita Rivera: My Broadway are $39.50, $31.50 general admission and $25 for students (any school). Tickets are available at the Center for the Arts Box Office from 10 a.m. to 6 p.m. Monday through Friday and at all Ticketmaster locations, including ticketmaster.com. To charge tickets, call 1-800-745-3000; in Canada, call 416-870-8000. For group sales, call 716-645-6771. For more information call 716-645-2787.


It is said that every person has a special gift to share with the world and it’s each person’s job to find their gift.
Amber Yholeata knows her gift, she has no doubt that her purpose is music and she’s on a mission to share her voice with the world.
Yholeata, a Chester transplant, is a native of the area and grew up in Petersburg. “Lived here all my life and I’ve been singing just about the whole time,” she shared. “I could practically sing before I could talk.”
She believes that “music means everything.” Yholeata believes music is a language unto itself and points out all the music that guides people and teaches them about life.
“Music is therapy, it’s a connection,” she said. “Music is like a smile understood in any language and it breaks down barriers.” It’s the reason she feels so strongly that making music is her calling.
“I do it my way,” she added. “I want to inspire change through music and be remembered for what I’ve shared.” She believes music makes a positive impact and while she wants to be a star alongside the likes of Madonna or Lady Gaga, Yholeata wants her lasting impact to be remembered in the mission of the music. “I’d like to make an impact on children, help end world hunger and stay true to myself, just stay humble,” she mused.
Yholeata strives to be unique to present a fascinating and entertaining show. While looking for her own unique brand, she struck upon a white headpiece in keeping with the showmanship of Lady Gaga and Cher. She hopes the white hair will “represent enlightenment and brightness in my music.” As a big fan of the ‘80s music styles, she thinks the wild light hair is fitting her happy, optimistic outlook on her music. Her belief is that all artists “have their own theme — I want to establish my look as the girl with the two tone hair and remembering the white hair for light and brightness.”
Music offers have been coming. Yholeata has been scouted and had an offer from a major recording label. She spent some time out on the coast working with a label and hopes the perfect offer is just around the corner. She admits, “I still have lots to learn about my voice and my range and what I can do.”
She writes her own lyrics and has composed at least 20 songs. She has produced one album, Forever, featuring an original score, Thursday Mornings, a song about striving to be better. The song she recounts is about “everyone’s yearning to grow and to escape their boredom and wanting to be more.” Forever is available on Amazon at http://www.amazon.com/Forever/dp/B0050S96PM/ref=sr_1_5?ie=UTF8&qid=13210... .
She’s toured in states including North Carolina, DC, New York, California and Maryland.
The next big project on Yholeata’s plate is her second album. She’s already in the studio recording her pieces to include on the album and she’s very excited about her newest piece, So What. Yholeata thinks this might be her biggest breakout song.
Her style is a little bit rock, a little bit rhythm and blues and a bit of jazz — Yholeata says it’s alternative rock but her smoky, natural voice has a unique, deeply touching magical element, one that gives her that star talent. She says her music is a little bit “pop and blues.” When she belts out a tune the room can feel her natural energy and her upbeat messages of hope, determination and sheer love of the music. “Singing is such a good feeling — it’s all-encompassing,” she gushed. She feels as an artist it’s her job to transform people’s lives and works hard to do that with her music.
“Life in general is creative,” Yholeata said. “I’m on a mission to be your musical storyteller and hoping everyone looks at music in a different way.” She’s bringing her own brand to music and sharing a soulful sound. She is well aware, at her young tender age, that she’s got lots to learn and dues to pay. “I know it’s going to take hard work, determination, dedication and sacrifice,” she said. When she smiles her sweet Virginia girl smile and adds, “It’s all possible.”
Yholeata can be seen belting out the tunes Saturday night at The Martini Lounge at 1911 W. Main Street in Richmond. She currently performs with the band there every Saturday night.
Performances of some of Yholeata’s pieces can be viewed on YouTube.com, keyword Amber Yholeata, purchased at iTunes, CD Baby at http://www.cdbaby.com/cd/AmberYholeata , Amazon. She has a fan page on Facebook at http://www.facebook.com/OfficialAmberYholeata  and her Website is www.AmberYholeata.com . To help the artist with donations, go to Feed the Muse at http://www.feedthemuse.net/artistsearch.php?txtsearch=amber+yholeata&sea... .
Yholeata keeps her goals humble. She knows she’s going to have to work hard for her art and she wants “to have a positive impact and inspire others.” Her plan is to stay grounded through her music. Her advice, “Shine your light; don’t dim your light.”