Slimane from FranceSlimane is a popular French artist/band, better known with the songs: "De L'or" , "Changer" , "1,2,3" . Discover Slimane music videos, chart achievements, biography and facts. Net Worth. Explore the related singers collaborated with Slimane. Slimane Wiki, Facebook, Instagram, and socials. Slimane Height, Age, Bio and Real Name.
Slimane FactsSlimane is a popular artist from France. Popnable collects information about 41 songs by Slimane. The highest Slimane 's charting position is #1 , and the worst ranking place is #500 . Slimane's songs spent 45 weeks in the charts. Slimane appeared in Top Chart that measure the best French musicians/bands and the highest position noted by Slimane is 1. The worst result is 500.
Real name/birth name is Slimane and Slimane is famous as Musician/Singer.
Born Country is France
Born Country and City are France, -
Ethnicity is French
Citizenship is French
Height is - cm / - inches
Marital Status is Single/Married
- Slimane Popular Songs In this article, discover the best Slimane songs of all time. Explore the most famous songs from Slimane. These top hits are the most popular Slimane songs ever.
Latest Slimane Songs
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November 18th, kl 20:00–22:00
Hammersborggata 2, Oslo
(see map below)
Bohemia is now in collaboration with Kafésynk, the stage of Latin American music in Oslo.
WHERE: Hammersborggata 2, 0181 Oslo.
WHAT: Free entrance. Music event and Open Mic.
HOW: Bring your instrument, poem, or your favorite song. We provide stage and mic’s.
The concept is based on volunteering and the commitment has grown from a large network of non-professional musicians who perform music in Oslo. Bohemian Nights will gather and organize avid musicians and music enthusiasts for regular events.
A natural development of Bohemian Nights has led to many performances of American rock, Latino rock, and both folk songs and folk music from Mexico and South America.


2004-10-01 - WACHOVIA CENTER, PHILADELPHIA, PA
With R.E.M.: MAN ON THE MOON
THE STAR SPANGLED BANNER / BORN IN THE U.S.A. / BADLANDS / NO SURRENDER / LONESOME DAY / LOST IN THE FLOOD / JOHNNY 99 / YOUNGSTOWN / CENTERFIELD (with John Fogerty) / DEJA VU (ALL OVER AGAIN) (with John Fogerty) / FORTUNATE SON (with John Fogerty) / THE PROMISED LAND (with John Fogerty) / THE RISING / BECAUSE THE NIGHT (with Michael Stipe) / MARY'S PLACE / BORN TO RUN (with Mike Mills and Peter Buck) / PROUD MARY (with John Fogerty) / (WHAT'S SO FUNNY 'BOUT) PEACE LOVE AND UNDERSTANDING? (with R.E.M., John Fogerty, and Bright Eyes) / PEOPLE HAVE THE POWER (with R.E.M., John Fogerty, and Bright Eyes)
Audience tape. First in the "Vote For Change" concert series. The series is designed to encourage people to register and vote in the upcoming elections, with each concert held in swing states. Although the tour is not obviously partisan, the general tone of the performers is in support of Democrat candidate John Kerry. Bruce and the band perform along with R.E.M. and Bright Eyes. Bruce joins R.E.M. for "Man On The Moon". "The Star Spangled Banner" is played on a 12 string acoustic guitar. Michael Stipe guests on "Because The Night".
Download this bootleg here


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Dixieland Bands in Central Falls, RI
Jazz up your event with some Dixieland Music. This early style of jazz was born in the oh-so-jazzy city of New Orleans. Bring to your event the songs of musicians like Louis Armstrong and popular tunes "When the Saints Go Marching In" and "Tin Roof Blues." You can expect a harmonious mix of brass and string instruments as well with the trumpet, trombone, banjo, bass and more creating some great Dixieland sounds. Add the music of New Orleans to your event by booking one of these Dixieland Bands today! Search for Dixieland Bands in Central Falls, Rhode Island above.
Please note that these Dixieland Bands may also travel to Rumford, Seekonk, Albion, Manville, North Attleboro, Attleboro Falls, Rehoboth, Riverside, Greenville, Plainville, Chartley, North Smithfield, Sheldonville, Harmony, Blackstone, Slatersville, North Scituate, Wrentham, Hope, North Dighton, Warren, Fiskeville, Scituate, Glendale, Mapleville, Oakland, Millville, Dighton, Foxborough, and East Mansfield.


Pineapple Performing Arts School
Find out more about the cast and crew that have worked with Pineapple Performing Arts School. If you are interested in working with Pineapple Performing Arts School or similar companies, join The Mandy Network and get alerted of upcoming job opportunities.
We have something for everyone at PPAS! If you love performing arts, you will find everything you need to know about our courses and opportunities available to current and prospective students here on our website. Read about our top quality performing arts training sessions held every Sunday at Pineapple Dance Studios in London’s Covent Garden. We run classes for children aged three to teenagers and also adults of any age for beginners to advanced students!
Connected Mandy members:
Alternative Company Names
- Pineapple dance and drama school
- Pineapple Arts


The vinyl only release comes in a full colour cover containing 2x 12”, and a 30x30 insert with sleeve notes and photos. A limited edition of 50 copies contains a bonus original 7” and a sticker.
Drugstore is the self-produced debut album by the BrazilianBritish band Drugstore. It was released by Go Discs in 1995 and it entered the UK chart at Drugstore 1994-2000 is the first release of the Milan, Italy based record store Serendeepity run by Nicola Mazzetti. It features a collection of tracks formerly released on 7 vinyl only by Dance Drugstore Records in the Netherlands. All tracks have been recorded and restored from the original DAT-tapes and vinyls. This will be the first time the tracks are available on a larger format and in prestine sound quality. The compilation exclusively holds. Various's Album Dance Drugstore 1994-2000. Listen to all tracks of Dance Drugstore 1994-2000 for drugstore 1994-2000 2X12 lp. 12 Vinyl NL. Serendeepity, Ser 001. Miss Elke K. Zoofea - Untitled. Dimitri S. Filter Slide. Matko - Ellipse. Check out of stock. EUR . The Dance Drugstore label supported classic analog acid and techno sounds only. Their ambition was to spread music, adventure, fun, excitement. The vinyl only release comes in a full colour cover containing 2x 12 , and a 30x30 insert with sleeve notes and photos. Listen to online Various - Dance Drugstore 1994-2000, or download mp3 tracks: download here mp3 release album free and without registration. On this page you can not listen to mp3 music free or download album or mp3 track to your PC, phone or tablet. Buy Various - Dance Drugstore 1994-2000 from authorized sellers. Released at: This album was released on the label Serendeepity catalog number SER-001 LTD. This album was released in 2014-10-03 year. Date of Copyright . Performer: Various Album: Dance Drugstore 1994-2000 Country: Italy Released: 2014 Style: Techno, Acid, House Size MP3: 1813 mb. Size FLAC: 1347 mb. Size WMA: 1221 mb. Drugstore Rock'n'Roll. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Популярно у слушателей. Wild Rockin' Girls. Исполнитель: Various artists. 2013 pop. KICKIN' 3 - 'A Dance Compilation' 1994 CD Album VARIOUS ARTISTS. From Australia. Make offer - Various - It's The Ultimate Dance Album 1994 VGVG. The Sunday Times Music Collection - Solid Soul CD Compilation Album 1994. Make offer - The Sunday Times Music Collection - Solid Soul CD Compilation Album 1994. Essential Soul - Various Artists 1994 CD Album. Get the best deal for Various 1994 Album Music CDs from the largest online selection at . Various Artists VA Mo' Cookin' CD Album Ubiquity 1994. Was: Previous PriceC
Album correlati a Various - Dance Drugstore 1994-2000:


Copyright ©1999-2094 ~ RanchORecords® ~ All Rights Reserved
Any unauthorized use of the name Smiley Burnette, his Image, likeness, music, songs or character relations, constitute a Copyright and Patent Infringement. Stephen Smiley Burnette is the Sole Beneficiary and Administrator for the Estate of Smiley Burnette and Successor in Interest to the Estate. Any and all authorization must be secured from him. Stephen Smiley Burnette, Smiley's son, can be contacted through the Smiley Burnette Web Site
Display the works of artists on contract with ©Smiley Burnette Interprises.
Display Smiley Burnette’s extensive song library, which includes all the songs composed by Smiley during his lifetime.
Our Featured Artist
Currently searching for Performing Artists and new Talent
can now be heard
singing his own musical compositions in his unique style on CD.
Available at Film, Poetry, and Western Festivals where
And if you find pleasure in an era gone by....
Tour our web site devoted
to one of the most lovable sidekicks, performer, composer, and musician, known
Thank you for your interest
Recent Acknowledgements And Our Thanks To:
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I earned MM in Jazz Performance, Bass Guitar Major, in 1993, and play/teach lessons for Bass Guitar since that time. My prospective students will receive rigorous training in both Bass Guitar performance and musicianship focused on the specifics of the subject of study. The level that we would begin lessons with will depend on the student's abilities and potentials. We will strive to create professional and friendly working atmosphere, and will begin lessons with careful assessment of the student's performing abilities; we will also set our goals, based on both individual expectations of students and on professional experience of the instructor. My teaching philosophy lies on three aspects; on patience with people; on love for the subject of teaching/study; and on rigorous training, offered to people, for their benefit and general musical development.
Hello, I am Vasiliy M, Boston University School of Music Alumnus (DMA in Composition). We dwell in Boston since Fall 2002; before that time , we lived in New York, where I studied Composition at Mannes College, The New School For Music. I received both BM, and MM degrees from Mannes in 1999, and 2001, respectively. Before an arrival to US, in 1994, I studied Jazz Performance, Electric Bass Major, and Classical Composition, at Moldova State Conservatory, from 1988 to 1993, respectively. I was raised in the family, where music is an essential part of its daily life; my father, Gr
igoriy, before his retirement, was a military band trombone player, and, quite naturally, I was exposed to music, and encouraged by my parents to learn playing an instrument of my choice, from my early childhood. My mother, Anisia Kondrat'ievna, possesses both beautiful vocal abilities and perfect pitch , although she has never had a chance to develop her natural gifts any further. But I have heard my mother singing, and these moments remain one of the most touching and impressive musical experiences, that I have ever received, and remember to this very day. Only after a considerable life experiences, abound of trials and mistakes, at the age of twenty five, I have come to a clear realization, that music remains my greatest passion, and that I would have to become a professional musician. With help and support of friends and colleagues, I have entered Community College in Soroki city, Moldova Republic, where I have studied Choral Conducting for Amateurs. I have graduated from school in May of 1988, having written a few instrumental and vocal compositions of my own, and, quite unexpectedly for myself, was invited, that summer, to visit Moldova State Conservatory, with the prospect of audition for the Composition Major. After the meeting with the Chair of the Department, I was offered an opportunity to be accepted to the Master Degree Program in Composition, provided I will have completed two years of preliminary studies of Music Theory, Music Harmony/Voice Leading, and many other related disciplines. Why do I bring all of these facts to this Essay? I know for the fact now, that I was not ready for what was awaiting ahead of me, back then. There was no way, that I could cope with the demands of Composition Program curriculum. But I have had love for music, that my parents have implemented in me throughout my childhood; I have had natural abilities, that Heavens supplied me with: and I have had a chance to make my dream a reality, providing I do everything that I will have to, during the following years of struggles and study. The decision was made, and my studies have begun. I have come through every mistake, defeat, and mind-barriers imaginable, and if it would not be a continuous stream of professional help and support, that I have received from my numerous teachers, mentors, and professors, along the years of study, my goals could never be attained to any modest, but real degree. Whenever I have a chance to teach, tutor, or assist other musicians with their study, my past experience always reminds me, that any person may experience some difficulties of various nature with the learning material, from time to time, and that those difficulties should be addressed by student's teacher with the highly individual approach, however time-and effort-consuming it may be. Patience and respect, in regard to the students, have become as important aspects of teaching to me, as those of discipline and professionalism. My studies have come to an end; I see now, that the world of music is an endless entity, for it has no boundaries, and we all have to maintain our further progress, in order to move to our chosen destinations, and to help others with their own advancements.
Sincerely Vasiliy M.
*** Lesson Details *** I would be more than willing to assist my prospective students with their various musical endeavors, and people's willingness to either play music instruments,take voice lessons, or to study Music Theory/ Musicianship disciplines will serve us as a starting point for our work. Through the diligent preliminary talk we will discuss various aspects of interest that my students have developed in relation to music, so we could plan and design our future lessons according to an initial discussion. My job and responsibility will be to make an intelligent assessment of my students' natural abilities for the given subject of study, to create vigorous learning atmosphere during our meetings, and to give my students professional instructions to the best of my humble abilities, for the benefits of their musical , aesthetic, and personal development. I will encourage my students to learn as much as they can, at the given moment, but I will not ever attempt to exceed people's natural capabilities. Participation in Music with love and fun should be as rewarding and valuable to the music amateur, as professional performing career ( with its highly demanding standards) stands for classically trained musicians. During our study sessions, we will work upon the goals and tasks that we have discussed at the beginning of our meetings. My ultimate goal as a teacher was and will always be to help my students discover and bring forward their best creative potentials through the intensive musical studies and practice, and, at the same time, to favor heir initial interest's transformation into a deep, serious passion.
*** Studio Equipment *** Living Room, Italian keyboard Real Piano PRO 2
*** Travel Equipment *** Honda Insight 2011
*** Specialties *** As a Bass - player, I have been performing in Big-Band Orchestras, Jazz Sextets, Quartets, Trios, Duos. I was also a Progressive-Rock Band Bass-Player. John Pretlor Band, (R&B style, Soft Jazz) hired me, as a Bass Player, before I went to Mannes College, to study Composition.
Music Theory - wise, I have taught Fundamentals of Music, Elementary Music, Music Theory I, II, Keyboard Harmony, Music Analysis, Post-Tonal Theory.
Jayshree April 20, 2016
My son, Siddarth has been learning Mr.Vasily for about 2 and half years now and I can tell that Mr.Vasily is a great teacher. He's dedicated and expresses a lot of patience when my son forgets or misses his notes. Mr.Vasily also encourages Siddarth to excel by being constructive and not in a negative way, which both my husband and I really appreciate. To excel in anything, it's important to have a good teacher, and we are very happy that our son's learning from one such teacher!
Priya S. March 23, 2016
In home Verified Student
Vasiliy has been working with my 7 year old for around six months now. He is a very patient and loving teacher with a strong work ethic. He takes effort to build the foundations of piano, both theory and practice. We have been very pleased with his guidance.
Juniper T. February 6, 2016
In home Verified Student
Vasily is a wonderful teacher. He is kind, patient, and relates very well to our shy daughter. He is teaching her to "know" the piano, in a delightful and disciplined way, and of course he is teaching her to play. Juniper leaves every session feeling accomplished and happy! We are very happy to have started lessons with him.
I've been a full time professional musician for 13+ years and have toured all over the world performing with music icons like Chacka Khan, Beyonce, and many more. I have a lot of experience with many different styles of music and I love sharing this gift with anyone who's interested. My teaching philosophy is simple: Get students playing music! It's much easier to understand the nuts and bolts of music when put into the context of the music you like.
*** Lesson Details *** I like to design a lesson plan for each individual student. The first lesson will begin with a basic assessment of skill
level. We will discuss goals for the lessons then get down to work! Students will learn: 1 Technique. the proper physicality to increase dexterity and avoid injury. 2 Music theory and comprehension. Usually through learning songs and analyzing different concepts they incorporate 3 Ear-training/pitch recognition. Strengthening the ability to "pick up" new material more quickly and translate ones Ideas to the instrument. 4 Music appreciation/Musicality. Listening to new and different types of music focusing on the different elements that make up a great performer/performance.
*** Studio Equipment *** Music Studio: piano, stereo system, no drum there! room to sit for parents A1: drum kit, whole performance set up with recording studio, room for parents to sit in on lesson
*** Travel Equipment *** amplifiers, cd/mp3 player
*** Specialties *** ear training, most musical styles (pop/rock, r&b, reggae, jazz , world)
Kirk April 4, 2016
Bass Guitar ·
I have been playing bass on and off for about 20 years. I went to Aaron for some help with technique and to better understand music theory for writing bass lines. After the first lesson, I'm very confident he can help me significantly improve my skill set.
Matt April 1, 2016
In studio Verified Student
Great first lesson - solid mix of higher level theory and the rudimentary skills I need.
Grace K. March 16, 2016
In home Verified Student
Aaron was a very patient teacher. He made the lesson exciting. He also tuned my guitar.
I have been playing bass for 10 years. In 10 years I have been working with bands from live shows and studio recording.
Albino was born in Maputo, the capital of Mozambique, a country in southern Africa known for its rich musical and cultural heritage. Fueled by the resourcefulness and determination that have always characterized Mozambicans, he built his first guitar at 16 from a 5-liter can of oil, scrap wood, and strings made out of electrical cords.
Drawn to the sounds of neighborhood street musicians in Maputo, Albino began to play in a number of local bands. As with his home-made guitar, Albino wanted to combine styles and incorporate diverse elements in his music. For his talents to grow, he knew he n
eeded experience new places, cultures, and sounds.
While studying music education and Performance at Universidade Eduardo Mondlane in Mozambique, he heard about the Berklee School of Music in Boston, USA, where he could expand his musical horizons. Soon after, he was one of the first students to receive a full scholarship to Berklee through the African Scholars program. In 2009, he settled in Boston, Massachusetts.
At Berklee, he was exposed to a variety of influences, but wanted to go deeper into the roots of jazz and expand his knowledge of music. He auditioned and was selected to participate in the Berklee Global Jazz Institute, which is directed by Danilo Perez and the residency teachers, including Joe Lovano John Patitucci, and Terri Lyne Carrington. The Institute emphasizes an artist's original vision in jazz, and has helped Albino find his own unique voice in the art form.
Albino still felt the absence of his own Mozambican traditions in his music. With the help of his mentors, Richard Bona and Lionel Loueke, two of the most prominent African musicians in the United States of America today, he began to bridge that gap.
Today, Albino's music succeeds in combining many disparate parts into an organic whole. It incorporates his musical experiences from Mozambique, the U.S., and many other places around the world, combining rhythmic patterns and musical concepts to create a unique Moz-Jazz sound. He will always continue to combine and capture the energies of different musical traditions to create a unified and original musical style.
Albino's original composition “Mozambique Dance” was recorded by Jazz Revelation Records, a student-run record label at the Berklee College of Music, for the 8th annual album released in 2011. He also recorded “Awusiwana,” his own composition, for the Berklee 2012 summer album. His debut album, also called Mozambique Dance, is to be released in Spring 2013.
Albino is an active musician, and has performed in several countries including Mozambique, Zimbabwe, South Africa, Italy, the U.S., and Mexico. He has also produced and recorded various projects in Mozambique and in the United States. In 2012, he will graduate from Berklee College with a degree in Music Production & Engineering and Performance, and a minor in Acoustics and Electronics.
*** Lesson Details *** My teaching method dependent on the type of student. All my students will be treated with care and commitment to help them archive the their goals in the lessons. We will be using book method as a way to follow a clear direction. Learn songs, chords, scales, phrase, theory and more material that is needed for better musical foundation.
I am open to what the student wants to achieve over short and long terms.
*** Studio Equipment *** Desk top and Laptop Mac Computers Protools, Logic Pro, reason Focusrite 56 Liquide, Focusrite Dual Mono Mic pre BBe Maximizer Bricasti, M7, sterreo reverb
*** Travel Equipment *** Guitar Guitar Amp Mic Laptop Mbox
*** Specialties *** Guitar Bass Guitar Voice Ukelele Song writing Production Audio Recording Mixing Mastering
Amalie April 3, 2016
In home Verified Student
Albino was great with my young daughter. She was really excited to practice what he taught. She was able to play a simple song after her first lesson. He connected with her.
As a guitarist I have been in many situations where a band needed me to pick up a bass. Aside from some experience playing it, I also have a solid understanding of the bass's role in music and am familiar with basic techniques.
Education: ---------------- Bachelor of Arts Degree in Music from Tufts University 2012
Masters of Arts Degrees in Composition and Modern American Music Guitar Performance from Longy School of Music of Bard College 2015
Teaching Experience ---------------------------- -2 years experience teaching private lessons. -Camp counselor, piano teacher, and recorder teacher at Tufts' Summer Community Music camp. Worked with an age rage of 5 - 12. -Tutored a local composer the music notation software Sibelius. -13 years experience with guitars.
Lesson Plan ----------------- I want t
o gear our lessons towards what the student is most interested in learning. We will talk about personal goals (ex. master a favorite song, write your own songs, learn to jam with other musicians, improve your site-reading). Those goals will be the primary focus of our lessons so you can accomplish your wildest musical dreams.
Ben October 3, 2015
In home Verified Student
It has only be a few lessons, but Phill seems great with our young kids who are just starting to learn ukulele and piano. He is very patient!
Erick G. September 16, 2015
In home Verified Student
Phillip has been providing guitar lessons for our family for 6 months now, and we could not be happier. We have a 6 yr. old and an 8 yr. old taking lessons, neither of which had any experience. He is also giving me lessons, and it had been years since I had played. He is very patient with my sons and keeps trying to keep the lessons fun and light to keep them enjoyable. I would definitely recommend taking lessons with him, across all skill levels.
Petra H. August 13, 2015
In studio Verified Student
Great guitar teacher, my son likes his lesson so much.
With over 15 years experience teaching guitar lessons full time and performing internationally, I have enjoyed working with students ranging from beginner to advanced in all styles whether it be Jazz, Rock , Heavy Metal, Folk, Blues and everything in between. It is my goal as a teacher to evaluate your existing level and work to inspire you and to help achieve your goals. Whether you want to study Jazz Improvisation, Van Halen, James Taylor, or Guns and Roses, I believe all styles are interconnected and your technique, theory, ear-training, and musicianship can be developed through any style t
hat interests you. Above all else, learning how to play the guitar should be FUN and INSPIRING! So, contact me on take lessons and lets get started!
Resume is available upon request.
Thanks for reading and I hope to hear from you soon. Sincerely, Phil S.
Phil's compositions showcase a variety of ideas and are quite effective at setting up the soloists to explore the various permutations suggested by his tunes. His compositional originality is matched by his incisive playing which ranges from "inside" lyricism to hard edged, riff based, screaming rock and satisfying surreal textures aided by his intelligent use of electronics." - David Kane, Cadence Music
"With demonstrative technique, Phil is cognizant of the tradition but thinks outside of the box." -Mark F. Turner, All About Jazz
Akhter April 25, 2016
Blues Guitar ·
Online Verified Student
My son likes the instructor a lot. He has been learning from him for close to a year now.
John F. January 8, 2015
Music Performance ·
Although I'm not technically a student of Phil's, I learn a lot from him every time I play and teach with him. We perform regularly at Berklee, where I'm a professor, and we give concerts and masterclasses all over the Northeast together (most recent was at Cornell). Phil's a warmhearted, patient, brilliant teacher and an outstanding and creative musician, seamlessly putting together everything he knows--jazz, shredding, classical--there's no boundaries for him! He's great at explaining things, and he never belittles a question, no matter how dumb you might have thought it was. Phil's a great friend and a great teacher. -John Funkhouser, Berklee College of Music, Boston
Mike W. December 23, 2014
In addition to being the most talented guitarist and musician I have ever had the opportunity to play with, Phil is an astoundingly good teacher. I've played guitar for 8 years and taken private lessons the entire time. Phil has been my teacher for the past 2 years and in that time I have progressed as a musician more than I could have ever imagined. Phil has been the biggest factor in my decision to major in music, due to his unrivaled musical talent, his kind, unassuming, (and funny) demeanor and his seemingly limitless knowledge of the fretboard. He is well versed in so many genres of music, and has such an effortless grasp on improvisation. Any guitarist, from immediate beginners to seasoned professionals, can learn so much from Phil. Need I say more?
Students are raving about their Bass Guitar instructors on TakeLessons.
Check out some of these recent reviews.
Review by Dylan
"Great mentor for a buding young bass enthusiast."
New York, NY teacher:
Review by Catherine
"Collin is an amazing teacher! I started taking lessons with him on the electric bass - I was a beginner on the instrument, but I had lots of previous musi
cal knowledge. Collin was incredibly patient with me from the get go, and had a lot of insight as to what tunes would be good for me to start with and what exercises and scales would suit my specific level of learning. He was patient and kind with me, and went at exactly the pace that I needed him to. Whenever I was struggling with a scale or bass line, he would immediately notice, slow down, and show me note for note what I was supposed to play. Conversely, whenever I was learning quickly and with ease, he would react accordingly and speed up the information a bit or move on to more difficult tasks. Collin a very skilled musician himself which makes it all the more inspiring to take lessons from him. He makes every lesson fun and informative. After each lesson, I felt pumped to practice and play during the week between our lessons. Collin is an incredible guy and a wonderful instructor - highly recommended!!!"
Philadelphia, PA teacher:
Review by Jason
"This dude is awesome. He really knows his theory and he definitely won't waste your time. Such a fun guy too. Highly recommended."
Detroit, MI teacher:
Review by Leonard Sgarlata
"Rick is a wonderful teacher. I already have some previous music experience, so he is working with me at my level instead of starting me from the beginning
. I would definitely recommend him as a teacher."
San Antonio, TX teacher:
Review by Doug
"Explains material and lessons clearly a great instructor."
Austin, TX teacher:
Review by Chad
"Jason is an amazing teacher very informative knows his stuff 100% would recomend him to anyone looking to learn to play AWESOME TEACHER"
San Diego, CA teacher:
Review by Pauline
"Dustin is a fabulous instructor. He is so very talented and yet that doesn't stop him from being super patient and understanding. He has a way of showing
students at their level what areas need improvement and how best to get there. His positive attitude and kindness makes him a great instructor. Thanks Dustin."
New York, NY teacher:
Review by Rocco
"I had the pleasure of studying with Jeff a few years ago and found him to be an excellent instructor; well versed in his knowledge of harmony, bass techni
que, soloing through complex changes, jazz, rock, funk, ext. He was instrumental in bringing my playing to a higher level. Not only is he a great musician/instructor but also a caring and patient individual who has deep insight and is able to craft lessons based on your level of musicianship. Did I fail to mention, he's one helluva nice person."
Los Angeles, CA teacher:
Review by david
"So glad to have Jonathan as my teacher
I am a busy professional in my 50s that wanted to learn how to play the electric bass. After searching the web for
in home lessons I found Jonathan Greenberg. Jonathan is an absolute professional with the ability to quickly connect with a student at their level. I have already learned an amazing amount in 4 weeks and have confidence that Jonathan will have me playing at a high level in a very short time period. He gives me "homework" and he follows up to determine if I am staying with it. A great mannerism and teaching style make Jonathan a teacher well worth asking for.
Richmond, VA teacher:
5955-Star Student Reviews in


V.27 No.10 | 3/8/2018
Festival Ballet Albuquerque Arts Interview The Story of a Dance Dance phenom Jock Soto collaborates with legendary musician World-renowned ballet dancer and choreographer Jock Soto's work will premiere during the Festival Ballet Albuquerque's Sacred Journeys, which will not only feature the legendary Soto, but the live music of another luminary, Robert Mirabal. Film Sunday Movie: Adrift Sunday, Dec 9: 1:30-3:30pm Central & Unser Library
See a screening of the film for free, rated PG-13.
Wellness Circling Hands Qigong Sunday, Dec 9: 2-3:30pm Albuquerque Open Space Visitor Center
Doing a circle both with the hands and the body, the movements are designed to move fluids and Qi in the body which can help with the effects of aging and energy. Registration recommended.
Words Anella and Childs Signing Event Sunday, Dec 9: 3-4:35pm Page One Bookstore
Anthony Anella and Mark C. Childs, conservationists and architects, talk about and sign their latest N.M.-centered effort,
Imagine a City That Remembers: The Albuquerque Rephotography Project. Song & Dance That Holie Eve Sunday, Dec 9: 4:30-6pm St. Michael & All Angels Episcopal Church
Música Antigua de Albuquerque performs a concert of rarely heard Christmas music from the middle ages and renaissance. The program features both vocal and instrumental works.
Image via Pixabay Wellness The Cuddle Revolution Sunday, Dec 9: 7pm Source
This is a completely platonic experience for adults only. Please arrive on time. Use a series of exercises to practice consensual and safe touch, as well as authentic connection.
Stage It's A Wonderful Life Sunday, Dec 9: 7:30-9:30pm Albuquerque Little Theatre
The saga of the everyman whose dreams of adventure have been quashed by family obligation and civic duty, whose guardian angel descends on Christmas Eve to save him from despair.
Stage In the Blood Sunday, Dec 9: 8pm Aux Dog Theatre
A contemporary urban satire inspired by Nathaniel Hawthorne’s
The Scarlet Letter.


Liberate Your Voice.
with Rebekka Goldsmith
I believe in the power of the voice, and I trust that anyone who can speak can sing. I have worked with people of all ages to find their true voice and let it out.
I support pre-beginner through advanced singers to explore breath work, melody, harmony, improvisation, rhythm and song as a means to deepen their connection to their own voices. All voices are welcome in my studio.
Join me for individual lessons or hire me to work with your group.
VOICE LESSONS - individuals and groups
I have been singing since I was three years old. It is one of the things I love the most.
What I’ve discovered over the years, however, is that most people have a complicated relationship with singing. When they learn that I am a singer, people tell me their stories — they wish they could sing, they were told to mouth the words in choir, friends advised them, “not to quit their day job”. Yet often, they confide, their desire to sing is still with them.
When people sing together they lose track of themselves as individuals. Singing together is a courageous act — and when met by other voices there is an uplifting that we can’t achieve on our own. Together we can raise our level of connection and our vision of what is possible.
I work with existing choirs to develop vocal confidence, improve blend and build community.
I am available for half day, full day and multi-session programs. Please contact me to discuss your interests.
“Rebekka is one of those teachers that you always wished for. She digs deep and works on many levels of musical knowledge, intuition and communication and provides openings for transformation both personally and vocally. She is attentive, caring and highly skilled. She has a way of seeing your best potential and helping you get there. She is joyful and enthusiastic about music and her students in a way that makes learning fun and playful."
vocal coach, NBC's "The Voice"
I offer individual lessons in vocal expression and exploration, improvisation, technique, phrasing and performance. That said, there are many ways to find your unique voice and deepen your creative intuition. I am committed to working with you in ways that best meet your individual interests and goals. I accept students ages 7 and up and offer most lessons in my home. To schedule a lesson, please contact me.
$90 - 60 minute session
$120 - 90 minute session
$150 - 2 hour session


Sunday, October 10, 2010
Born this day in 1959, Kirsty MacColl was a different kind of pop star; foregoing the glamour trap, she preferred to be known for her solid musicianship, and was. Likewise, her unwillingness to conform to genre - she performed in whatever oeuvre struck her, from punk to torch to Latin - meant that the narrow-minded record industry had nowhere to put her.
Beginning with this song - A New England - which was written by Billy Bragg, MacColl became known as a 'cover queen'; whether she was covering other people's songs, or they were covering hers (most famously, Tracey Ullman with They Don't Know and, more recently, Bette Midler, whose version of In These Shoes appears on her album Bathhouse Betty and was featured on Sex and the City), spoke of MacColl's lack of ego. Arguably her biggest hit is a duet with the Pogues called Fairytale of New York which reappears every Christmas.
Her tragic death in December 2000 at the hands of Mexican millionaire Guillermo González Nova has never been satisfactorily resolved; nevertheless, a memorial bench in London's Soho Square has given her friends and fans alike a place to congregate on the Sunday nearest this date to sing her songs in remembrance.
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The smooth voice of James Ross can be heard as he drops his debut EP, Clouds. Clouds is a collection of four songs that shows such a distinct sound in each melody. From the hard-hitting rock feel of his single “Mama” and an alt-rock endeavor on “Lovin You” you are transfixed on his magnetism and energy he introduces into each piece of music. My personal favorite is the single “Nasty Girl”, a slow tempo brought into light with a violin and his vocals. Fans of Ed Sheeran should take note. James Ross will be touring after the release of this EP and can be seen performing with YouTube star Andie Case. Check out his title track below, “Clouds”.
Photo Cred: Innovo Management


Contact me at firstname.lastname@example.org
This is my first year at Benson West, and I have been enjoying getting to know the staff and students of the BW family. I grew up in the Kansas City area then graduated from Grace University in Omaha. I am thankful to spend my time outside school with my husband and twin daughters. Music has been part of my life since beginning piano lessons at age 6, and it is a joy to encourage our students to continue developing a love for and understanding of music as they grow into well-rounded, respectful young people!


University choir sings Christmas classics
The unique atmosphere of the University of St Andrews’ traditional Carol Service is now available on a new CD of Christmas favourites sung by St Salvator’s Chapel Choir.
Released on Sanctiandree Records, the album features the world premiere of Philip Stopford’s setting of Ave Maris Stella, commissioned for Voces8 by the St Andrews Voices festival in 2015, and captures the very special atmosphere of the University’s annual Christmas Carol Service when staff, students and members of the St Andrews community join together to celebrate Christmas.
Classics on the new album, entitled A Nativity Sequence, include perennial favourites by the late Sir David Willcocks (Ding dong! Merrily on high, Sussex Carol), John Gardner (Tomorrow shall be my dancing day) and Harold Darke (In the bleak mid-winter). The CD also includes festive chorale preludes for organ by Bach, Brahms and Karg-Elert performed by organ scholars George Barrett and Sean Heath.
University Organist and Choir Director, Tom Wilkinson, said: “St Salvator’s Chapel Choir takes great joy in singing Christmas carols for the annual University Carol Service, an event which has a unique atmosphere.
“For that reason I think it was relatively easy to give this CD a certain magical touch. The singers warmed especially to Philip Stopford’s sublime Ave maris stella, which receives its world premiere recording on this disc.”
Choral singing has been a key feature of student life at the University since its foundation in 1413, with early sources referring to the ‘Choristi Sanctiandree’, when all students were obliged to sing in the chapel.
Today’s chapel choir members are all supported by choral scholarships, allowing them free access to weekly singing lessons and touring activities. The choir are also important ambassadors for the University, touring internationally on an annual basis in addition to their extensive ceremonial and liturgical duties in St Andrews.
Recent performances include appearances with Dame Emma Kirkby at the Thueringer Bachwochen and with the Kammerchor Josquin des Prez and the Leipziger Barockorchester at St Thomas’s Church, Leipzig. They are the only University choir in Scotland to sing three services each week during semester.
Notes to news editors
Sanctiandree, the University of St Andrews’ CD label, is distributed in the UK by Proper Note.
The CD is available to buy online now but will be formally launched at the University of St Andrews Christmas Carol Service on Saturday 10 December at 8pm in Holy Trinity Church, St Andrews.
If press would like to attend rehearsal for photographs earlier in the day between 2 and 4.30pm, please contact the press office on the number below. Photo opportunities of the choir in red gowns will be available from 2pm and a brass band accompaniment from 4pm.
Issued by the University of St Andrews Communications Office, contactable on 01334 462530 or [email protected].
Category Student experience


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Whether a seasoned dancer, new beginner, or returning student, The Tallahassee Ballet School provides Adult/Teen Ballet classes for all! Beginner/Intermediate level classes utilize a slower pace throughout class to introduce and/or reinforce Ballet terminology and technique. Intermediate/Advanced level classes build on the foundations of Ballet terminology and technique while moving through a faster-paced class.
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For mega fans of Carrie Underwood, the Grammy-Award winning, multi-platinum recording artist has sure come a long way since her days as a timid country gal who could barely move to a beat on American Idol. Since then she's come out of her shell like a roaring lioness, and her signature big voice has taken the country music world by storm with hits like "Before He Cheats," "An All-American Girl," and "Blown Away." (And yes, these days she also has no problem showing off her cowgirl rhythm on stage.)
Alongside Brad Paisley on Wednesday night, Underwood took on her sixth stint as co-host of the Country Music Awards (CMAs) with some eyebrow raising wardrobe changes and performed a medley of hits off of her new album Blown Away.
In celebration of all things Carrie, check out her musical beginnings take flight with this awesome mini bio!


Rosie Hodgson at Colindale Folk Club
Rosie Hodgson at the Colindale Folk Club Monday 8th Oct
Rosie has a strong, pure voice that beautifully delivers traditional folk songs. Many fine examples can be heard on her website. http://www.rosiehodgson.com
"Rosie brings a ruby-richness to lyrics new and old..." – Folk Radio UK
"Fresh and forthright..." – FATEA Magazine
"...Rosie has firmly established herself as one of the finest folk artists...her live sets are intimate and unorthodox, and her voice is very much a dreamlike thing; emollient and charming..." – Chi Live
Floor spots start at 8:30. Free entry, good food and a friendly pub - the Chandos Arms, 31 Colindale Avenue, Colindale, NW9 5DS.
Upcoming acts for 2018/2019 ======================= November 12th - Iona Fyfe December 10th - Anna Tam January 14th - Bernard Hoskins


By Arielle Goldman
Music is the universal language. It is the one, beautiful thing that brings all of humanity together because it does not judge. It does not stereotype. It does not hate. It simply provokes joy and community for all while always permitting every person to bask in its wonderful and pure beauty. Music speaks to an internal place inside, traveling down to the soul and engulfing the body in a feeling of fascination and love; it places the listener into a utopian world of complete serenity where pain and suffering is no longer something to hide, but something to express to let others know that they are not alone. Music is curved lips, a tapping foot, a clapping hand, and a boasting tongue. It is the medicine of the mind, and the pandemic has taken its full potential away. Therefore, what has the Byram Hills community done to overcome this issue?
The arts department at the High School has always been spectacular. The students are immensely talented as evidenced by the work displayed in the art show (which was online this year) and the performances at the numerous shows, including those of musical theatre and those put on by the band, choir, and orchestra. Before the pandemic hit, these displays of work would happen very frequently, and the talented kids could share what they had worked on with a large audience, something they really enjoyed doing. Now, not only is it hard or against the COVID-19 restrictions to practice music in school, but these kids are missing out on the opportunity to perform and express their hard work and talent. Nevertheless, the students have continued to play and/or sing music in a whole new way with optimistic minds. They refused to let the pandemic fully stop them from doing what they love, so adjustments were made. Although it is not what it could have been, the students and teachers of the arts have done a fantastic job of changing the curriculum and practicing music in a way that complies with the guidelines, and the results have been very interesting.
For example, Bailey Goldstein, a senior who has been in the band since freshman year expressed, “Because we aren’t able to play inside the school, we started to play outside on the bleachers, which has some inconveniences. For example, we have to move the instruments and stands each day we play, which is a major limiting factor to getting maximal playing time. Also, the wind makes it extremely difficult to keep music in place. Because many people knew that band would be very difficult this year, a lot of members didn’t return and took a different elective instead, and along with only having half the band, losing members has created a considerable gap in the full sound we normally produce. However, although the conditions for normal band class are not the same, we still persevere and do the best we can to intertwine a non-stressful period with musical talent. I am really happy that we still have the opportunity to pursue our musical talents, something that is very important to everyone involved.” While struggling to adapt and persevere through the difficult time, Bailey and the rest of the band have remained appreciative that they can play at all and hopeful that they will be able to continue making music in the future. These struggles may force students to realize that they truly can overcome anything that comes their way and come back even stronger.
Additionally, the choir and jazz choir had to readjust the way they were making music, especially since the COVID-19 guidelines entailed that there would be no singing indoors, even while wearing masks. Ben Goldman, a junior that has been in the choir for three years and a new jazz choir member claimed, “I think that Mr. Piali has done as good of a job as possible in terms of keeping the choir experience during the pandemic. Obviously, it’s not the same as pre-pandemic choir, but we are still able to sing as a large group outside on the fields. Of course the fall weather is nice, but I am worried about what happens in the winter. As for jazz choir, we’ve been singing via Zoom, and it’s been good, but jazz is a small group so why not take advantage of the good weather and meet up outside? Overall though, it’s been a smooth transition to socially distanced choir.” While singing outside is a great opportunity, it can also be very hard to hear others while singing, which is very important in choir since the four different parts (sometimes more) are supposed to balance and blend with one another. Also, like many other things now, the choir is taking things day by day since no one knows how plans will change in the winter.
Along different lines, the orchestra has been able to play in school since it does not involve excessive blowing or singing, which can spread the virus more quickly. However, it has been a challenging experience; the whole orchestra is not there at the same time since the school is in a hybrid schedule. Playing in a small group can be intimidating while also difficult. Sydni Shamus, a sophomore, stated that being in the orchestra has made her realize that “more than ever before, we have to appreciate and use the time we have in school because it is so scarce. We are so lucky that we are even allowed to be playing as an ensemble in the school because of COVID.” COVID-19, while having terrible and horrifying consequences, has also made students realize how lucky they have been to go to school, sit in a classroom with their friends, eat lunch in the cafeteria, and more importantly, do music.
During these hard times, teachers and students in the arts have remained positive and have worked through challenges that have kept them from making music in extraordinary ways. Byram Hills has and will continue to fight! Students have been immensely strong and cooperative, and teachers have been extremely creative while adapting to the new way of teaching. Music is the universal language that provokes joy and community, no matter what comes in its way!


Limited Class Sizes - Fewer students in the dance classes means each child will receive more personalized attention and learn more. Our studio limits all regular classes to maximize learning.
Our 5500 sq. ft. facility features 3 dance rooms, the largest room is over 2100 sq. ft., both with "floating" dance floors, high ceilings, full-length mirrors, a "state of the art" sound system, and viewing windows for parent observation. Our raised, "floating" dance floors help reduce fatigue and prevent injuries.


Lily Allen Olivia Rodrigo US Supreme Court
During her performance on Saturday at the Glastonbury Festival, Olivia Rodrigo actually threw
the Supreme Court justices a giant "f-k you." The artist invited Lily Allen to the stage to perform
her popular song "F-k you," which she then dedicated to the five Supreme Court justices who on
Friday voted to overturn Roe v. Wade. "The song is for the justices: We hate you," the former Disney
Channel star continued. We hate you. Following that, they sang the British singer's 2009 single, which
has the lyrics "F-k you." Lily Allen appeared with the singer as a special guest.
The former Disney employee referred to the Supreme Court's ruling as "devastating."


Comments: I Fall Down debuts at this concert; no more of the main set is known. I Will Follow is known to have closed the concert, but any other songs played in the encore are not known. Setlist and comment provided by U2gigs.com.
Was one of these songs performed outstandingly during this show? Click on the name of the song to mark it as such!
We would like to know which shows you attended and which shows you are going to attend. On this page you can see which members attended or are going to attend this show. Maybe you can send some of them a private message to meet up or talk about this show.
No U2start users attended this show.
Here you can find and post reviews of this show. We encourage everyone that either attended or listened to this show to write a review. Currently we have 0 reviews for you to read.
Welcome to our audio page, on this page you can download lossy (MP3) and sometimes even the lossless (mostly FLAC) audio recordings (also known as bootlegs) of this show. The available recordings are sorted on the type of recording and the quality of the recording.
"I'm really enjoying changing the odd lyric. "I first saw her face high on a desert plane." That's a beautiful change. In "New Year's Day" I sing, "It's true, it's true, the people break through." Little tiny little things that keep me close to the songs."
- Bono on changing lyrics in live performances, 2017
did you know
U2 were first called Feedback when they started out in 1976, in 1977 they changed their name to The Hype and in 1978 they became U2.


Your wedding day is one of the most important days of your life, and you want it to be perfect. Choosing the right songs for your wedding playlist is a key element in creating the perfect atmosphere. A great wedding DJ in Mississauga can help you choose the perfect songs to make your wedding night unforgettable. Here are 8 must-have songs for your wedding DJ playlist in Mississauga.
The First Dance
The first dance is one of the most memorable moments of your wedding day. It’s the moment when you and your partner get to show off your moves to all of your guests. Here are some great songs to consider for your first dance:
– “At Last” by Etta James
– “Can’t Help Falling In Love” by Elvis Presley
– “I Don’t Want to Miss a Thing” by Aerosmith
– “Never Stop” by SafetySuit
Once everyone has finished dinner, it’s time to get the party started. Here are some songs that are sure to get your guests on the dance floor:
– “Uptown Funk” by Mark Ronson ft. Bruno Mars
– “Don’t Stop the Music” by Rihanna
– “Get Lucky” by Daft Punk ft. Pharrell Williams
Slow dances provide an intimate moment for you and your partner, and for your guests as well. Here are some great songs that will set the mood for a romantic slow dance:
– “All of Me” by John Legend
– “Say You Won’t Let Go” by James Arthur
– “Perfect” by Ed Sheeran
Best Group Songs
Group songs are always a great way to get the crowd involved and dancing together. Here are some of the best group songs for your wedding playlist:
– “I Gotta Feeling” by Black Eyed Peas
– “Shut Up and Dance” by Walk the Moon
– “Livin’ on a Prayer” by Bon Jovi
Classic rock songs are always a hit at weddings, and for good reason. Here are some classic rock songs that are perfect for your wedding playlist:
– “Sweet Child O’ Mine” by Guns N’ Roses
– “Don’t Stop Believin'” by Journey
– “You Shook Me All Night Long” by AC/DC
H3: Pop Favorites
Pop music is always great for getting the party started. Here are some pop favorites that will make your wedding night unforgettable:
– “Shape of You” by Ed Sheeran
– “Cheap Thrills” by Sia
– “All About That Bass” by Meghan Trainor
Country music is great for creating a relaxed and fun atmosphere. Here are some country hits that are perfect for your wedding playlist:
– “From the Ground Up” by Dan + Shay
– “Die a Happy Man” by Thomas Rhett
– “My Girl” by Dylan Scott
80s and 90s Throwbacks
Throwback songs from the 80s and 90s will get everyone singing and dancing along. Here are some great throwback songs for your wedding DJ playlist:
– “I Will Always Love You” by Whitney Houston
– “I Want to Dance with Somebody” by Whitney Houston
– “Livin’ La Vida Loca” by Ricky Martin
In conclusion, choosing the right songs for your wedding DJ playlist is an important part of creating the perfect atmosphere for your special day. Whether you prefer classic rock, country or pop music, selecting a mix of these songs will make your wedding night unforgettable. EliteDJ.ca is a professional DJ service in Mississauga that can help you create the perfect playlist for your special day.
How many songs should be on my wedding DJ playlist?
– The number of songs depends on the length of your reception, but a typical wedding playlist includes around 60-80 songs.
Can I request specific songs to be played at my wedding?
– Yes, you can always request specific songs to be played at your wedding. Make sure to communicate with your DJ well in advance to ensure all your requests are included in the playlist.
Can I ask my wedding DJ to create a custom mashup for my first dance?
– Yes, many wedding DJs are skilled in creating custom mashups for first dances. Make sure to communicate your desires with your DJ.
What types of music do wedding DJs typically play?
– Wedding DJs typically play a variety of genres, including pop, rock, country, and oldies. They will work with you to create a playlist that fits your personal preferences.
How can I ensure my guests will enjoy the music at my wedding?
– Communicate with your wedding DJ, create your playlist in advance, and include a mix of songs that everyone will enjoy. It’s impossible to please everyone, but a good mix of music that includes something for everyone will ensure everyone has a great time.
– Choosing the right songs for your wedding DJ playlist is an important part of creating the perfect atmosphere for your special day.
– The first dance, party starters, slow dances, best group songs, classic rock, pop favorites, country hits, and 80s and 90s throwbacks are some of the must-have songs for your wedding DJ playlist.
– Communicating with your wedding DJ, creating your playlist in advance, and including a mix of songs that everyone will enjoy will ensure everyone has a great time.
#WeddingDJ #TorontoDJ #weddingdj #BridalShower #WeddingEntertainment #GuelphWeddingDJ #torontoweddingdj #gtadj #GuelphDJ


Aimee Mann who used to sing in Til Tuesday gained some well earned success with the music from the Magnolia soundtrack a few years back. And on his new album she continues to deliver beautiful thoughtful singer songwriter pop with a folk edge. All in a modern sounding production with a popedge. Its a nice album and if you have her other albums in the collection this is sure a must. If you havent got stuff by her I could say that you have missed something. Imagine a mix between Chrissie Hynde and Shawn Colvin and were quite ahead of the girl and her music. Solid release without getting exceptional.


Have you ever seen an oboe up close? How does it produce a sound? How do you play a trombone? The Calgary Civic Symphony debunks all of these questions and more at its yearly “Build and Orchestra” event this Sunday at the National Music Centre. Meet the musicians, see and hear the instruments up close and partake in a scavenger hunt to find all the orchestral instruments. The National Music Centre will be open to the public to explore the building with interactive activities. With your regular admission to NMC/Studio Bell, families are encouraged to find all the musicians, receive a sticker to “Build an Orchestra” one instrument at a time, and place their stickers on their map of the orchestra. “Build an Orchestra” will run from 11 am to 12 pm.
The Civic Symphony invites you to enjoy a free concert from 1 pm to 2 pm in Studio Bell. You’ll enjoy a couple of movements or sections from Dvorak’s Symphony No. 4 in G Major. The star of the show, however, is Thomas Yu. Mr. Yu, or should we say, Dr. Yu, is a local periodontist who won the Seventh Cliburn International Amateur Piano Competition, crowning him the best Amateur concert pianist in the world! He’ll be performing the first movement of Rachmaninoff 3rd piano concerto.
Come and join us this Sunday, September 29th at The National Music Centre/Studio Bell – fun for the entire family!


All Aboard as we embark upon a musical journey along London’s great river and enjoy music associated with the city’s iconic sites situated along her banks.
Your musical experience will be further enhanced by a compilation of historic film footage – collected by the London Film Museum
The London Chamber Orchestra will be playing the Westminster Waltz, Handel’s Water Music, Eton Boating Song, Yeomen of the Guard Overture, Lambeth Walk, Boyce Symphony No. 1, Holst’s St. Paul’s Suite and Old Father Thames.
This is an opportunity to compare the past with the present as you pass the impressive construction sites of the Tideway project, which will ecologically preserve every aspect of the Thames for the benefit of future generations.


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COME ENJOY LI G H T S & M U S I C, LI V E P E R F O R M A N C E S, V I S I T W I T H S A N T A, F O O D & R E T A I L V E N D O R S, KIDS CRAFTS, HOT AIR BALLOON GLOW
5:30 PM Event Opens
5:30 PM Live performances
6:00 PM Mayors Remarks and Tree Lighting
6:15 PM Santa Arrives
6:25 PM Blue Ridge School Choir, Balloon Glow, Santa Pictures, and more.
7:30 PM Balloon Glow Ends
8:00 PM Event Ends


not agree Yes, really. agree with told..
CD A Woman s Soul, vocals, was My Intuition - Carl Beluga And His Orchestra - Starswinger (CD the despotism claimed by Professor C. Metaphorically, it was different than any other type of music that was being made at the time.
Brendan Moneghan, many of which have one of the bassists mentioned above playing bass. Blige and Kendrick Lamar cover Bruce Springsteen s 41 Shots listen. Unrelenting Blues bends, and decided to release the song and premiere it on Willie Nelson s exclusive SiriusXM channel Willie s Roadhouse Ch.


Ableton is proud to announce a new member to the Live family, Live 6 LE. Step into computer based music with more fun and less hassle. Live 6 LE provides a simple interface and the pro-level features you need for recording, songwriting, producing, remixing and DJing.
The Live Concept – Live offers two main views—the Session View and the Arrangement View—that interact in a powerful and unique way, allowing you to create, produce and perform your music all in a single application. Here is the principle behind each view:
Live’s Session View acts as a musical sketch and launch pad, encouraging you to try out new ideas and improvise freely. Each cell in the Session View grid can hold a loop, recording, MIDI file, complete song or any other musical element. These ideas can be recorded on the fly or dragged in from the Browser, combined and played in any order you wish.
The Arrangement View offers a timeline-based approach for traditional recording, MIDI sequencing, arranging, editing and other musical production tasks. And when you improvise in the Session View, all of your actions can be recorded into the Arrangement View, where they can be edited and perfected whenever you like.
Live 6 LE Features:
* Studio-quality recording up to 32-bit/192 kHz
* Sixty-four audio tracks and unlimited MIDI tracks per project
* Powerful and creative MIDI sequencing for software instruments
* More than twenty built-in audio effects, including a host of creative delays, filters, distortions, studio compressors and EQs*
* Includes two software instruments—Simpler for creative sample-based synthesis, and Impulse for dynamic, sampled drums*
* Supports VST and AU effects and instruments*
* Real-time time-stretching and warping of AIFF, WAV, Ogg Vorbis, FLAC and MP3 files for DJing and instant remixing
* Tweak Live’s controls in real time with any MIDI controller—just MIDI-map it or choose from a list of popular supported controllers for instant mapping
* Multicore and multiprocessor support
* All editing of your musical creations is nondestructive, so you can experiment without worries
* Single-screen user interface for simple, creativity-focused operation
* Sampled Instruments: Essential Instruments Collection LE Edition by SONiVOX (boxed version only)
* Loops and construction kits: Unnatural Selection by Puremagnetik (boxed version only)
* A wide selection of presets for Live 6 LE’s instruments and effects
* Extensive built-in step-by-step tutorials
* Printed reference manual in English, Spanish, French, German or Japanese (boxed version only)
* Localized software menus, tutorials, and PDF reference manuals available in English, Spanish, French, German and Japanese
* Live LE is limited to twelve simultaneous built-in audio effects, eight built-in instruments, two AU/VST effects and two AU/VST instruments per project.
Live 6 LE is available as a download for 129 EUR/149 USD and boxed versions for 169 EUR/199 USD.


D'Addario EJ60+ 5-String Banjo Strings, Nickel, Light Plus, 9.5-20
D'Addario 9.5-20 Banjo Nickel Light Plus
The D'Addario 9.5-20 Banjo Nickel Light Plus string set is designed for 5-string banjos and offers a balanced tone and comfortable playability. These strings are made with high-quality materials and precise winding techniques, resulting in a clear and articulate sound.
The 9.5-20 gauges of these strings are designed to provide a light and comfortable feel, making them ideal for players who want to play for extended periods without experiencing fatigue. The plain steel and nickel-plated steel construction provides a bright and lively tone that cuts through the mix without being harsh or brittle.
The plain strings are made with high-carbon steel wire, which provides excellent intonation and tuning stability. The wound strings are made with nickel-plated steel wire, which offers a warm and balanced tone with plenty of projection.
Overall, the D'Addario 9.5-20 Banjo Nickel Light Plus string set is an excellent choice for banjo players who want a set of strings that provides a balanced tone, comfortable playability, and excellent tuning stability.


Diplomatic Celebration of Independence Day of Kazakhstan in The Hague, The Netherlands
Lovely music, pleasant atmosphere, interesting people….
A reception on the occasion of the Independence Day of the Republic of Kazakhstan was held at the theater Diligentia in The Hague, on November 29th.
The state ensemble of classical music Camerata of Kazakhstan gave a concert and our company Intercatering served great variation of canape’s and amuse’s.
Unforgettable music of the great composer Kurmangazy was performed for the sophisticated audience. They also enjoyed the Beatles tunes arranged in baroque style.
Prominent politicians, business leaders and the diplomatic corps, as well as Kazakh citizens and students attended the concert.


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Future bass is a music genre that arose around 2006 in the United Kingdom, United States, Japan, China and Australia. It is a broad genre of music, offering a wide variety of sounds and rhythms normally produced by a synthesizer.
© DiscoTekClub 2018 “Feel the Vibe”


Eddie Dridi had the opportunity to play his first concert in Toronto’s prestigious, 3000-seat Massey Music Hall, But instead, Dridi, the young, one-man-band recording artist star, chose to debut at the House of Jazz, an obscure venue house in his hometown of Montreal.
Backed by five other young, local musicians, Eddie gave an encouraging debut performance Friday before about 300 people.
Jon Serrney introduced the 26-year-old prodigy – who had produced, composed, arranged, and played all the instruments on his debut coming album.
He Strutted across the stage, He was cool, he was cocky and he was sexy. Eddie Dridi is a real showman. He reached out to the audience, and the fans, especially the teen-aged girls, embraced him.
His thirty-minute show had a smooth and soulful vocal. Onstage, Dridi tore into an uproarious, Fresh Pop hard-funk sound.
At times, it sounded like kind of a youthful mixture of Michael Jackson (if he had Jimi Hendrix as his guitarist) combined with Larry Graham.
Eddie Dridi’s singing was more thoroughly professional and quite convincing. He demonstrated a fascinating, female-sounding falsetto with uncommon range.
Unfortunately, several times his voice was swallowed by the feedback and clutter of the inferior sound system. Even the pretty acoustic ballad he did was marred by an annoying buzz in the sound system.
Despite delays for technical problems, the pacing of the show was effective. Eddie Dridi, who played several different instruments during the concert, opened with catchy moving songs, he then moved into a pop-rock-funk and Latin guitar instrumental and his dance-oriented moves.
Eddie’s contagious, talent should appeal to soul, pop, and disco house audiences alike.
As a whole, Eddie Dridi’s performance clearly indicated he has extraordinary talent. Combined with careful direction, time, experience, and refinement, that should spell a royal future for Eddie Dridi.


Write this down lyrics george strait
Lyrics to write this down by george strait: write this down / write this down / i never saw the end in sight / fools are kind of blind. Write this down chords by george strait learn to play guitar by chord and tabs and use our crd diagrams, transpose the key and more. Important: the song above is not stored on the chordie server the original song is hosted at wwwallcountrytabscom chordie works as a search engine and provides on. Write this down (song), a single by american country-music singer george strait this disambiguation page lists articles associated with the title write this down. Write this down by george strait listen ad-free with youtube red show more show less garth brooks song lyrics 24,523,300 views 3:55 alan jackson.
Write this down lyrics by george strait at lyrics on demand. Lyrics to 'write this down' by george strait: take my words and read them everyday keep them close by, don't you let them fade away so you'll remember what i. Capo i / [intro] / g g a a d d g d / [verse] / d g i never saw the end in sight a fools are kind of blind d thought everything was going alright g d but i was running. Song - write this down artist - george strait album - 50 number ones all rights belong to george strait and his record label i. George strait write this down lyrics & video : i never saw the end in sight fools are kind of blind thought everything was going alright but i was running out of time. Write this down lyrics and chords are intended for your personal use only, it's an outstanding country song recorded by george strait.
Lyrics for write this down by george strait i never saw the end in sight, fools are kinda blind thought everything was going all right. Letra 'write this down' enviar letra write this down de george strait por e-mail:: lyrics licensed by lyricfind: ayuda.
I never saw the end in sight fools are kind of blind thought everything was going alright, but i was running out of time 'cause you had one foot out the door, i. Sing write this down by george strait with lyrics on karafun professional quality try it free. Write this down lyrics: i never saw the end in sight, fools are kinda blind thought everything was going all right, but i was running out of time 'cause you have one.
Write this down george strait, lyrics, chords and tabs archive with over 1 million lyrics with tabs and chord for guitar, ukulele, bass, drums and many others.
The official music video for write this down premiered on youtube at the end of march 1999 listen to george strait's song above write this down lyrics. Write this down song lyrics by george strait find the accurate lyrics from sing365com. Write this down lyrics: i never saw the end in sight fools are kind of blind / thought everything was going alright, but i was running out of time.
Watch the video, get the download or listen to george strait – write this down for free write this down appears on the album 50 number ones discover more music. Lyrics of write this down by george strait: chorus, baby write this down take a little note, to remind you in case you didn't know, tell yourself i love you. Write this down this song is by george strait and appears on the album always never the same. Write this down - george strait - free chords and lyrics learn this song on jellynote with our interactive sheet music and tabs play along with youtube video covers.


Kate Upton the American model known for her appearance in the 2011 Sports Illustrated Swimsuit Issue for which she was named Rookie of the Year, recently decided to join in the “dougie craze”.
Whats is Dougie?
“Teach Me How to Dougie” is a song recorded by American hip hop group Cali Swag District. The track was produced by Runway Star for Cali Swag District’s debut studio album, The Kickback (2011). The song was written by Chanti Glee, Charon Childs, and Corey Fowler. The song was released digitally on April 12, 2010 as the first single from the album through Capitol Records.
The song refers to the Dougie dance, which is similar to the jerkin’ movement. The song is referenced in the 2011 Bruno Mars single “The Lazy Song”.
“Teach Me How to Dougie” was a commercial success, and peaked at number 28 on the Billboard Hot 100, peaked at number number 9 on the Hot R&B/Hip-Hop Songs, and peaked at number 6 on the Hot Rap Songs. It was certified platinum in the United States.


The VanderCook College of Music undergraduate Jazz and Percussion Ensembles will present their fall concert on Thursday, November 8 at 7:30 p.m. at 3125 South Federal Street. The concert will feature works by Stanley Turrentine, Leonard Bernstein, Robert Johnson, Hoagy Carmichael, Gordon Goodwin, and others. Special guests the Plainfield Central Percussion Ensemble will also perform. Admission is free. The National Band Association at VanderCook College of Music is also holding a food drive for St. James Food Pantry. There will be a bin at the entrance for anyone to place boxed or canned goods. All support is greatly appreciated during this wonderful time of giving.


Uma - The Moth & The Dove
A passionate, swirling sound of a romance between Lucy Lu and Uma over their lockdown in Spain. Recorded where Uma spent her teenage years making music with Puma Blue & Nilufiya Yanner, the affinity of her peers bleeds into her music. Delicate & moody vocals of lovers yearning & pulsating beats skip between the duo’s ballad, recalling trip-hop drenched in humanity and vulnerability.
"meditations on honesty and vulnerability"
Line Of Best Fit
Julia Sophie - I Wish
“I Wish” by Julia Sophie, an introspective but propulsive track that will be the first of her second EP, ‘</3’ (heart-broken). The intricate electronics and ricocheting, engine-like beats are balanced by mesmerising spectral vocals that are delicately embroidered together. As an artist whose solo career is informed by her experiences in rock band Little Fish and dream pop collective Candy Says, supporting Debbie Harry, Idles and The Japanese House, she has found her own voice in the click of a vintage drum machine and the unlimited freedom of self-production. Earning her place in the avant-pop sisterhood of FKA Twigs, Grimes, Half-Waif and Natasha Kahn, Julia-Sophie’s palette is a mix of the hot, liquid, cool and electric: she sings of desire and loss, control and release. With praise from BBC Radio 6’s Lauren Lavene, Mary-Anne Hobbs and Nemone and Huw Stephens on Radio 1, Julia Sophie promises to be one of the most hotly-tipped new artists for 2021.
A new arts and music space from slow dance.
1 week a month we invite artists and collaborators to the space for projects and events, a curated experience from slow dance.
Slow Space welcomes people of all backgrounds, ethnicities and genders - intolerance will not be welcome here. No-one will be turned away for lack of funds.
Over the last half a decade, indie label Slow Dance has been a creative powerhouse in London DIY music circles - The Quietus
Slow Dance, a series of events that developed into one of the capital’s most distinctive underground arts collectives- NME
Slow Dance: the collective at the cutting edge of London’s live music scene
South London collective Slow Dance, an early supporter of futuristic prog rockers . -PITCHFORK
SLOW DANCE '19
Slow Dance ‘19 is the London music collective and record label’s fourth annual compilation, featuring tracks from collaborating or admired musicians and producers from the past year. It is the longest and most varied one yet, with 18 tracks by incredible new artists, who are asked to submit a track that they feel wouldn’t fit in a standard release. In previous years, the compilations have provided a platform for artists from bands such as Black Midi, Black Country, New Road, Sorry and Goat Girl to release more experimental solo projects as well as giving an opportunity to completely new, unsigned artists. Throughout the year, Slow Dance put an enormous effort into finding the most interesting and promising new acts and the compilation is an opportunity to highlight and provide a platform for this. It acts as a summary of the label’s highlights from artists and tracks of 2019 and things to watch for 2020 - from both within and outside of the label’s own roster.
Circa 2000 - The Echoing Green
Cajm - I'm Going To Take You Home
Saint Jude - Elementi
Vanity Fairy - All Night Baby
Lynks Afrikka - How To Make a Béschmel Sauce
Uncle Tesco - Blind
Waterbaby - i don't want to sing, i don't want to look
Khazali - Stories
Felix Raman - penshawdelay
Fran Lobo - Give Me Something
Merlin Nova - oooooeeeeeyeah!
Glows - Turn Fast
Pablo Drexler - Weightless/Sinking
Thyrsis - House Of Dust
Aga Ujma - In the ocean
Avice Caro - Tiny Table
one-four - zen for tv
James Martin - Van Gock
Slow Dance is a London based music collective, label, radio and promotions company started in 2015.
Please send any demos to email@example.com, please note we recieve a lot of emails so may take some time to get back to you.


The 12 contestants taking part in next Saturday’s Miss Seychelles … Another World beauty pageant displayed a high level of artistic skills through dances, singing and other performing arts during their Miss Seychelles Talent Show last weekend.
A panel of jury comprising arts, culture and dance instructors, radio programme producers on arts and music and media columnists writing on arts and culture assessed the 12 contestants during a half-day judging session.
The panel of jury looked at stage performance, costumes, talent presentations, personality during performance, originality and creativity and overall performance.
Each contestant received ratings on stage appearances while presenting themselves neatly and clean in character with confidence, personality and originality.
The use of the appropriate costumes contributing to their performance and presentation of their talent was focused upon by the judges.
The personality of each contestant during the performance based on facial expressions and how much the contestant puts her own heart and character into their performance was another criteria used to assess them.
Their originality and creativity defined as a creative piece of work that is distinctive from other performers was also taken into consideration. This was based on creativity, ingenuity, confidence and personality in presenting an original piece of artistic expression.
The contestants’ overall ability to perform and to present an original artistic expression that draws a positive response from the audience made up of family and friends, STB officials, groomers and the organisers was another criteria looked out for by the judges.
The winner of Miss Seychelles Talent will be announced on the night of the Miss Seychelles … Another World beauty pageant which will be held on Saturday May 28, 2016 at the ICCS starting at 6.30pm.
Tickets are being sold at R700 each at the STB head office at Espace Building and the STB Tourist Information Office at Independence House.


New/sealed, presumed mint.
Sarah Vaughan, Clifford Brown – Sarah Vaughan with Clifford Brown
Label: Jazz Images – 37109
Series: William Claxton Collection
Format: 180gm Vinyl, gatefold LP, Album, Limited Edition, Reissue, Mono
A1 September Song 5:46
A2 Lullaby of Birdland 4:00
A3 I’m Glad There is You 5:10
A4 You’re Not the Kind 4:43
A5 Jim 5:51
B1 He's My Guy 4:12
B2 April in Paris 6:21
B3 It's Crazy 4:57
B4 Embraceable You 4:50
Phonographic Copyright ℗ – Jazz Images
Copyright © – Jazz Images
Arranged By, Conductor – Ernie Wilkins
Bass – Joe Benjamin
Drums – Roy Haynes
Flute – Herbie Mann
Photography By – William Claxton
Piano – Jimmy Jones (3)
Producer – Bob Shad
Tenor Saxophone – Paul Quinichette
Trumpet – Clifford Brown
Vocals – Sarah Vaughan
New York, December 16 (A1-A4) & December 18 (A5 & B1-B4), 1954
Original sessions produced by Bob Shad
Originally released as Sarah Vaughan (EmArcy MG-36004)
37109 2018 Jazz Images. Made in the E.U.
On the cover: Sarah Vaughan backstage at the Brooklyn Paramount Theatre, New York 1960
Photos by William Claxton.
All photos courtesy of Demont Photo Management.


Dive into the rhythmic world of “No Competition,” a dynamic Trap Instrumental crafted by Freed. This Hiphop Freestyle-type beat, resonating with US-style rap vibes, offers an immersive experience for aspiring artists.
What makes it even more enticing is that it’s available for free download, providing a platform for musicians to unleash their creativity.
“No Competition” encapsulates Freed’s unique production style, inviting freestylers to ride the beat with confidence.
Aspiring rappers and enthusiasts alike can access this energetic instrumental, amplifying the beatscape for those who appreciate the fusion of Trap and Hiphop in the realm of music creation.
Listen to the 🔥 Now


Theme and incidental music for the British sci-fi series "Doctor Who". Songs for the new series revival are composed by Murray Gold.
Noisecontrollers consists of 2 fulltime producers: Bas Oskam and Arjan Terpstra. Founded in 2005 both with a totally different musical background but with a great preference for Hardstyle (in every shape that is). Their First release was on DJS-Records called “Wanna Freak You” and their second release “Creatures” already on the big Fusion Records. In 2007 their popularity grew strong and they started to perform their live act (including their own MC.
“ Noisy electro-rock! HKBO are my new favourite Mexican band”
Keytars & Violins
"The Hong Kong Blood Opera is a mind-blowing, ear-melting, blast-furnace, band from Hermosillo, Mexico." "The Hong Kong Blood Opera are the new ÜBER-band from Mexico."
Reeperbahn Festival 08 (Hamburg Germany) "HYPE: It's what's next: HONG KONG BLOOD OPERA.
THERE WILL BE BLOOD
Synth-punks fight their way out of the Mexican
Meanstreet Magazine (CA) Aug,08 Hong Kong Blood Opera: Favorite SXSW'08 band by KVRX Student Radio
Paul Blackout (Paul Rayner) Paul started going to 'raves' in 1993, and after collecting many recordings of various radio shows, he started buying records, and a little while later, his first set of decks. First he played old school techno and breaks, stuff like early Moving Shadow and Formation, along with Edge Records, Rabbit City, Bonzai etc etc. After hearing Wedlock's "Acid Rain" on Ruffneck, he got the bug for hardcore, and went on to play hardcore techno, such as Ruffneck, Twisted Vinyl, Rotterdam etc until he got into some harder traxx too.
There are at least four Victims: 1)The first were a seminal punk band from Perth, Western Australia, in 1977-79. The band's members were Dave Flick (Dave Faulkner) on guitar and vocals, James Baker (drums) and Rudolph V (real name Dave Cardwell; bass). Baker and Cardwell had both been members of The Geeks, formed in early 1977 with Ross Buncle on guitar and a vocalist known as Lloyd. That band had soon folded, but with Faulkner on guitar and vocals, some Geeks songs were revived by a new band, The Victims. Faulkner, while in The Victims, referred to himself as Dave Flick.
Still Breathing's music draws liberally from the hardcore elements of Turmoil and Vision of Disorder, the moody atmospherics of Deftones and the precision, ten-ton-hammer metallic fury of Sepultura, Meshuggah and labelmates Living Sacrifice while retaining an identity that is remarkably unique. The just-over-one-year-old band has crafted an album worthy of a band that's been around ten times as long. Vocalist Dacey's growl is far more formidable than one could fathom by merely looking at her.
Random Conflict began life in late 2005 and started the long process of writing, rehearsing, recording and working as hard as possible to play the music they love. Throughout these two years, countless shows across the length of the UK, including two full UK tours, have seen Random Conflict sharing the stage with the likes of All Shall Perish (USA), The Chariot (USA), Becoming The Archetype (USA), MyChildren MyBride (USA), Knights of the Abyss (USA), An Albatross (USA), Eternal Lord, Azriel, Centurion...
Born and bred in Dallas, Texas, the members of Slowride compose an infectious punk sound similar to the likes of Jawbreaker and Pennywise. They're also rockers with a sweet side, deriving catchy fun melodies. The band — which is composed of Dan Phillips (guitar/vocals), Rob Marchant (bass), and Steve Visneau (drums) — hooked up with famed indie producer Ed Rose (Appleseed Cast, Brandtson, Get Up Kids) to record some songs for their Deep Elm debut in late 2001. The fruit of those sessions was As I Survive the Suicide Bomber, issued in February 2002.
#1 - Rock band from Virginia Beach. #2 - Italo Disco group which released the 'Magic Electronic' 12" on Harlekin Records in 1984. #3 - Canadian synthpop band from the '80s. #4 - New Zealand Electro-dance band from 80's whose single ‘Pulsing’ spent four months in the local charts.


Did Luther Vandross sing with a group called Change?
Change1980 – 1981
Luther Vandross/Music groups
What happened to Jocelyn Brown?
Since 1990, she has lived in London.
Who was the lead singer of the group change?
What age is Jocelyn Brown?
70 years (November 25, 1950)
Why did Luther Vandross leave change?
Due to contractual differences, Vandross refused to sing lead vocals on any of the album’s tracks and was only featured on backing vocals on selected songs. After Miracles, Vandross continued to provide backup vocals for the group until 1981, when he left Change to pursue his solo career.
What Barry White died of?
Barry White/Cause of death
Barry White, whose deep voice and lushly orchestrated songs added up to soundtracks for seduction, died yesterday in Los Angeles. He was 58. A statement released by his manager, Ned Shankman, said the cause was kidney failure caused by hypertension.
When was somebody else’s guy released?
Somebody Else’s Guy (Stanton Warrior’s Crosstep Silky vocal)/Released
Did Jocelyn Brown sing with Incognito?
Incognito and Jocelyn Brown version. On 17 June 1991, the song was covered and released by British acid jazz band Incognito and American R&B and dance singer Jocelyn Brown, whose version was the biggest version in the UK. The song was released as the second single from their second album, Inside Life.
Why did Luther Vandross leave Change?
What is Change music?
In music, modulation is the change from one tonality (tonic, or tonal center) to another. Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Modulation is the essential part of the art.
How old is Mica Paris?
52 years (April 27, 1969)
Did Patti LaBelle marry Luther Vandross?
Vandross was never married and had no children. In December 2017, 12 years after his death, Vandross’s friend Patti LaBelle confirmed that he was gay.


The Super Bowl LI consisted of an all-out brawl between the New England Patriots and Atlanta Falcons, a dazzling halftime performance from Lady Gaga and impressive ads in-between. APM Music is proud to play a key role in some of your favorite commercials by providing the perfect musical backdrop.
- 31 Jan 2017
The Sundance Institute concluded it’s ten-day Film Festival, unveiling an exhibition of groundbreaking and trend-setting films.
- 25 Jan 2017
APM Music is proud to have a played a key role in many of the Academy Award-nominated films from 2016.
- 17 Jan 2017
The people have decided and the results for 2017 People's Choice Award winners are in. We are overjoyed that a number of the People's Choice Awards nominees and winners include tracks from APM Music!
See below for the list of the nominees and winners featuring music from APM.
- 06 Jan 2017
2016 gave way to an unprecedented amount of entertainment in film and television. We are thrilled that a number of the Golden Globe nominees include tracks from APM Music!
See below for a list of the winners and nominees featuring music from APM and click the names to hear some of the scene-setting APM tracks in these productions.
Best Motion Picture - Drama
- 19 Dec 2016
This year's Realscreen Summit is once again taking place at the Marriott Marquis Washington D.C., from January 23rd-26th where attendees from the factual entertainment TV & film industries will meet! APM Music, which offers award-winning custom music and 500,000 production music tracks, will sponsor each of the coffee stations throughout the week to help keep everyone charged throughout the conference.
- 16 Dec 2016
Earlier this month, the New York Times published an article highlighting The Best TV Shows of 2016 and many of these feature scene-setting tracks from APM Music!
The shows in this article featuring APM Music tracks include:


Any way you slice it, music is in Will Pate’s DNA. His mother was a piano teacher; his dad, a talented guitar player with a voice to match. Pate hails from Tupelo, a birthplace he shares with a fellow Mississippian with a modicum of talent – Elvis Presley.
With that background, it does indeed seem inevitable that music was, as Pate puts it, “something I was going to experience along the way.”
In August, Pate’s path led him to the Music & Music Education program at Teachers College, where he balances a full load of courses with a 27-hour per week work schedule – seven as an office assistant in his department and 20 more in the capacity of department instrument manager, overseeing instrument loans, inventory and the scheduling of practice rooms.
By ninth grade, marching in an all-state band with a “huge sound,” Pate chose his career. “I wanted to create an experience like that for people who came through band programs after me.” The best way to do that, he realized, was to become a music teacher.
As if his plate isn’t full enough, Pate also sets aside time for trumpet lessons and rehearsals with two Columbia University ensembles.
“I’m deeply involved in the TC community and feel like I’m soaking up as much as I possibly can,” he says.
Pate’s parents waited until he was in the third grade before acceding to his persistent requests for piano lessons.
Three years later, Pate followed his older brother’s lead by picking up the trumpet. By ninth grade, marching in an all-state band with a “huge sound,” he chose his career.
“I wanted to create an experience like that for people who came through band programs after me,” he says. The best way to do that, he realized, was to become a music teacher.
With that goal in mind, Pate took his trumpet to Oxford and the University of Mississippi, where he majored in music and joined the 315-member marching band.
At his first “Pride of the South” appearance before 66,000 Ole Miss football fans at Vaught-Hemingway Stadium, Pate focused on staying in formation. “I was so nervous I’m not sure I played a single note. But each week after that it became less terrifying and more exciting.”
In the meantime, he was developing an appreciation for another genre, musical theater, and dreaming of one day seeing performances on the grand stages of Broadway. The opportunity came toward the end of his senior year, when he was invited to watch a favorite professor perform at Carnegie Hall. Pate convinced his parents to make the trip an early graduation present. Three Broadway shows and one recital later, he was vowing to one day settle in the city that “has so much to offer for not only what you can do here, but for the people you can meet here.”
But New York is also the city of the $20 hamburger, and it was only after Harold Abeles, Professor of Music Education, offered him the instrument manager position in the department that he decided to enroll.
The schedule has proven demanding, but Pate has still found time to enjoy the city – for example, by using a TC student perk to score an $18 ticket to a New York Philharmonic opening weekend concert.
As the audience rose to its feet at the conclusion of that performance, Pate giddily pulled out his phone and snapped a picture of the trumpet section.
Not the subtlest move, perhaps – but he had to do it.
It’s in his DNA.


Starting this punchy mix as if they were actually playing in front of a crowd, house and techno duo OdD surely knows how to get the dance floor moving. Playing one fantastic record after the other, Damian Daley and Danny Dixon show off todays budding musical landscape of young and modern producers. Playing B2B as they have always been accustomed to since they started playing and producing music as long term friends, they curate this special mix as one. It is not clear who is playing what record, which explains a special synergy that is indeed quite hard to locate in many artists who usually play B2B. Super producers too, their musical experience and partnership goes way back to their fathers, who were once reggae musicians. Musical kids, brought up in London, their future looks bright indeed.
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SPIN Singles Mix: 9 Juggernaut DJs, Warbling Spitters, and Lo-Fi Eccentrics
The week's finest tracks, featuring Calvin Harris, Kid Ink, Ariel Pink, and more
Welcome to SPIN’s Singles Mix! Every Friday, the SPIN staff will pick its favorite must-hear tracks from the week for your weekend playlists. From chilly piano-pop to smooth rap to hook-friendly punk, these are the songs you need to hear right now.


http://www.texasaccordionnet.ning.com - FOR ACCORDIONIST
international music and dance
The Spanish song De Colores is played on the violin and sung by the MECCA performer5m2nmn11s at the National Accordion Convention 2013 on March 9, 2013. It i...
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Preview Crazy Like Me by Billy Burnette.
Crazy Like Me by Billy Burnette
Well as they say ‘there’s many a good tune played on an old fiddle’ and, judging by this cracking release, Billy Burnette is still on top form. He started his recording career in 1972 and his lineage makes him the possible father of Rockabilly. However, if you want to debate that then when it comes to name-dropping he’s peerless. He’s played with Bob Dylan, John Fogerty, Roger Miller and was a member of Fleetwood Mac for nine years. Amongst his song writing credits he’s earned royalties from George Strait, Rod Stewart, Cher, Faith Hill, Greg Allman and an icon called Ray Charles. He still remains in demand playing live in Europe and the USA. Such is his musical odyssey that he’s published a book detailing his journey. This is the accompanying record that includes many of the songs on his timeline.
“Tear It Up”, performed by his father, has been a staple of his live set, it is classic Rockabilly with a drum pattern that places you in Memphis in the mid 1950’s. Against a rocking electric guitar Burnette hollers his stuff as swirling teenage girls attempt to keep their petticoats in place. A roaring start. Next a composition for the Big O roars out – “(All I Can Do Is) Dream You”. It’s here that Burnette’s guitar skills start to become evident. You don’t sit in alongside the people he has unless you know your way around a fret board and so it is here that he strums and picks with fluency and melody.
As the journey continues we take in the Fleetwood Mac years and his take on Peter Green’s “Oh Well”. It is sublime with a beautiful 1970’s guitar sound against an insurgent rhythm. The guitar picks, reverbs and soars. In the meanwhile an upright bass stays in step beside the Rockabilly drums. Riveting.
Some new compositions make the cut including “Ghost Town” with a haunting guitar motif leading us through his tale of a bereft lover. Think John Hiatt meets Tom Petty.
Ray Charles had a hit in 1985 with “Do I Ever Crossed Your Mind”. He reprised this with Bonnie Raitt in 2004. Here he sings this superb ballad against a piano melody and some refined guitar licks. “She’s Going To Win Your Heart” keeps us in the 1980’s with a hit for Billy Raven who took this to #9 on the Billboard Country charts. The pace falls and this piece of Country pop happens around a large dose of Duane Eddy like twang.
Burnette has produced an album of original Rockabilly albeit with 2017 production values. Where it differs to some of the latest purveyors is that the Country influence is never far away with melody hooks, trilling female back up singers and that spellbinding perfect musicianship. Never do you wait for the chorus to come around or a guitar break to relieve the tedium of earnest young men trying too hard.


With First Tutors: Music you can search for a Ashford flugel horn teacher. Flugel Horn lessons are an excellent method to begin an entertaining new hobby, acquire a new skill and gain confidence with flugel horn. Try our service to search for Ashford flugel horn teachers and choose which best suits your requirements so you can begin your flugel horn tuition in Ashford immediately!
This is the best way to find Ashford flugel horn tutors in the UK, helping you discover Ashford flugel horn lessons close to home and Ashford tutors to assist with any instrument like piano, violin or guitar. We can help you find Ashford flugel horn lessons or a one-to-one Ashford flugel horn tutor to prepare for flugel horn grades and improve your flugel horn skills! Our search will order Ashford flugel horn teachers near you according to their hourly prices and proximity to you.
If you are a flugel horn tutor wishing to offer your flugel horn tuition services in Ashford or throughout the UK, please register with First Tutors: Music or learn about us here. Becoming a Ashford flugel horn tutor is a wonderful way to improve your own knowledge through providing flugel horn lessons while helping someone else, all in your local Ashford area!


Drummer, percussionist, and musicologist Galen DeGraf is doctoral fellow in music theory at Columbia University. He is a teaching assistant in music theory and music humanities, as well as a member of the editorial board for the journal Current Musicology.
He graduated Phi Beta Kappa from Wesleyan University in 2009, where he received high honors in music for his thesis "Situating Salsa through Tito Puente's Life and Music," as well as the Leavell Memorial Prize from the World Music Program. His current interests include music analysis, rhythm, improvisation, jazz, Afro-caribbean ("salsa") music, and non-Western music (esp. solkattu, the spoken rhythms of South India).


Posted by MasterdeBater774 at ip68-227-28-57.lv.lv.cox.net on January 16, 2004 at 22:00:58:
In Reply to: My new favorite song of the moment..... posted by GTJDorris on January 16, 2004 at 21:20:13:
my friend kept playing it at his house... isn't it outkast? i'm not a big fan but they got some awesome songs.
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