- Locations & Hours:
- Redwood City 650.367.8181
Our Year End Clearance Sale means you save 20% to 70% off every item in the store now through December 31st. Plus, save more because we pay your sales tax on purchases over $1000!* Restrictions apply.
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Anthony Lauren, the manufacturers of fine arts and craft furniture, offer you the highest quality furniture. Every piece is 100% hand crafted and USA made to last you generations with a vast collection of the finest hand selected and hand stained woods.
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We weren't convinced by the shrug element of this dress, but
short-haired supermodel Coco Rocha can DO pretty
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number is by Canadian designers Greta Constantine.
From Mossy in sheer lace to Edie's London cool girl vibe, see the fashion campaigns currently making waves »
17 ways to dress like one of the brand's gorgeous girls without having to wear a pair of wings »


My name is Rick Redekop, I am from Swift Current, Saskatchewan and have pretty much lived in the area most of my life. I am married and have a blended family of 5 kids.
I have enjoyed working in many industries including construction, retail, and the hospitality industry. I have settled down in business and currently work as an accountant at Stark & Marsh CPA, LLP in Swift Current.
When I was in high school, I found that I enjoyed working with my hands and building projects, my favourite material being lumber. I have always seemed to have a knack for working with wood and have built many things including, shelves, above ground planters and even bunk beds. My brother-in-law introduced me to pen turning. I found I enjoyed it so much that I decided to make a hobby of it. I make pens, pencils, key-chains and various other items. I work with both local and exotic woods and am planning on expanding into acrylics and plastics.
To see some of my projects feel free to visit my webpage.


In the last while earth, more than usual, has been devastated with world wide natural disasters. It is very sad that these horrible natural disastrous phenomenons are not subject only to the silver screen but are here with us in real life Kissasian. Disasters such as tsunamis, volcanoes, tornadoes, earthquakes, forest fires, floods and global warming are only too real and in our back yards. In my opinion this is much more nerve-wracking than any horror movie with ghosts, zombies, vampires and aliens.
All these horrible world wide disasters has prompted me into delving into the cinematic world of natural disaster movies. The newer movies with computer enhanced technology absolutely puts you on the edge of your chair with its great movie effects. Whether flying a little airplane between falling sky scrappers or driving over a collapsing freeway off-ramp, you are moving left to right and ducking along with the terrified cast.
Let us not forget the older disaster movies where the quality of acting prevailed over there limited special effects. Nevertheless the natural disaster movies are well worth watching in movie theaters for their full effects in sight and sound compared to… I don’t know, a romance movie.
This is a great movie, it gets into the personal lives of the citizens of Pompeii in 79 AD only to be disrupted by a volcanic eruption of Mount Vesuvius. The actual sudden disaster occurs near the end of the movie, unlike Dante’s peak.
5:13 am on April 18, 1906 is when the devastating San Francisco earthquake occurred. A great movie, but of all the natural disaster movies from this era this one is a little too patriotic, a sign of the times. Yes, this movie is a musical, again a sign of the times.
In this classic movie three convicts end up on a secluded island of Talua, apparently about five hundred miles from Tahiti. The island is colonized with a children’s leper hospital run by two priests. Suddenly the islands fierce volcano erupts and eventually the three convicts rescue the hospital’s children and staff. A very gripping movie.
Lots of action and a little humor thrown into the mix of this great natural disaster movie. The movie is about a team of tornado storm chasers who are trying to perfect a tornado data gathering instrument to predict the onslaught of these devastating phenomenons. The movie magic effects are great.
A Mount St. Helen’s story where the town, Dante’s Peak is nestled on a mountainside in the scenic Washington state just below a dormant volcano. As this mountain starts to show signs of eruption, a volcanologist and the town’s mayor try to convince everyone in town that they are in trouble. Nobody believes them until the volcano erupts and its too late… then the big action packed escape.
Due to global warming a catastrophic effect onto earth occurs with extreme weather conditions such as a tsunamis and tornados. And, all these storms were backed up by global cooling in which everything instantly froze. The next Ice Age. This is a great movie with superb special effects.
If we are talking about superb special effects in movies, this one wins hands down. Working with the ideology of Mayanism, global cataclysmic events become real in 2012. Lots of destruction such as earthquakes and unusual volcanic eruptions. In my opinion this one is the best of all the natural disaster movies and well worth viewing in a theater.
I must have watched Dante’s Peak and Twister about a thousand times. The high intense thrill ride of natural disaster movies does get my heart pumping, probably more so than many horror movies. I guess that is why I admire these flicks just a little bit more.


Hahrper & the Thing: A Funny Dirty Horror Novel Horror Book Review
Featured Book Review: Darkbound
Darkbound is an amazing book. Michaelbrent Collings outdid himself with this book. It is not at all what I thought it would be. I took three nights to finish this book because I stayed up way past my bedtime. Darkbound was so suspenseful that I just kept on reading to…
Horror books Review
Steven Isaac Hahrper has devoted his life to the absurdly romantic pursuit of women he barely knows. What Hahrper doesn’t know, is that he is haunted by a terrible monster…an ancient Thing which feeds on Hahrper’s senseless, fathomless lust.
When Hahrper tires of hollow affairs—and meets a woman with whom he could share true love—the Thing refuses to let Hahrper go. True love contains no nourishment for the Thing. And It will not lose Its fantastic meal-ticket Hahrper.
And, oh, what high jinks ensue…Terrifying visions. Devastatingly erotic visions. A full-length [**]ographic, yet moralistic Dr.Seuss-style story. Trips to fully-realized personal hells for Hahrper and all his friends. More naked women than even Hahrper could shake a stick at. And, of course, a climactic battle fought atop a fifteen hundred foot replica of Hahrper’s own medium-sized pink [**].
All this pulse-pounding, boob-filled action is accompanied by such timeless Steve Hahrper-penned songs as: “Scrumdillyicious Poontang”, “Magnet Face”, “Why There Must Be Titty-bars In Heaven:”, “On The Slopes Of Sarah”, and “All Roads Lead To My Dick”...to name a few.
A modern fable about the triumph of true love…and the boundless idiocy of the human male.


She expels his darkness with her light,
She brings serenity to his scorched soul,
She has the missing piece of his whole,
His dormant passion, she would ignite,
So that he can burst forth like dynamite,
She tunes him to nature, his mind dissolves,
Little by little, his puzzle, she solves,
He never will stop dancing, to her tune.
Inside of me so deep, Burnt into my retina, When awake & when asleep. It's like a bad smell, That just won't go, It rattle...
Listen while you read Ever since I can remember I wanted a life out of the rat-race but was unsure how to make it a reality... I wrote ...
The Tiny House Movement is not just about lifestyle, it's about attitude. Over the past twelve months I have almost: married agai...
I'll be back soon with more news about the Tiny House Movement including natural health & beauty tips, simple/frugal & back to ...


And the winner of our One Watercolor A Day free book giveaway is…
Congratulations Melissa! Please send us an email to info[at]studio1482.com with your full mailing address, and your complimentary copy of One Watercolor A Day: A 6-Week Course Exploring Creativity Using Watercolor, Pattern, and Design will be on its way to you.
We hope you enjoy the book!
How we selected the winner: As each one of the participants sent us an email or request to join our One Watercolor A Day Facebook group, they were assigned a number, from 1 to 98. We asked James Betza, the five year old son of Studio 1482 members Greg Betza and Despina Georgiadis, to choose a number between 1 and 98. His choice? Lucky 13. 🙂
But there is still a chance to join our One Watercolor A Day group! Just go to our One Drawing A Day facebook page HERE and send us a message asking to be added to One Watercolor A Day, including your email address. Starting on January 1 and going for the next 42 weeks, we’ll post the art that inspired each of the 42 exercises in our book, and ask you to post your own versions of the exercises in the group page, for feedback from the Studio 1482 and other group members. Also there will be our weekly Sunday night ‘inspirational watercolor’ post, and postings of other watercolor work by the members.
It’s a fun group, and growing, so we hope you’ll join in, if you haven’t already.
Thank you to everyone who participated in our drawing,
and congratulations again to Melissa Bellantone!
from the artists of Studio 1482


2017 Classes and Workshops to be announced soon!
2016 Class and Workshop Opportunities
April 30, 2016 8 AM- 4:30 PM
Friends Thru Miniatures Fun Day
Greendale People's Church, 9 Francis Street
For Info & registration contact Julie Hagel, firstname.lastname@example.org
Learn to make silk ribbon roses to use in your miniature settings. Complete a flower bouquet.
June 11-18 INSTRUCTOR: Bill Studebaker
The Guild School, Castine, Maine
Selections for this Year’s Guild School is an 1800's Spinet.
August 5-7, 2016
INSTRUCTOR: Bill Studebaker
The Guild Show, Tea Neck New Jersey
Bill will teach a class in the Guild Study Program soon to be announced.
Barbara wuill teach
"IItty Bitty Hitty”
A Hitty for your Hitty Doll! Using a 1-1/2” wooden hand-carved Hitty doll made by Charlene Reynolds, students will paint the features and dress the doll using vintage materials and learn techniques for hand sewing and embroidering the word “Hitty” on the chemise just as Phoebe Preble did in the original book!
All tools and supplies will be provided by the instructor; however, it is recommended that students bring magnification, lighting, and sharp fine sewing scissors, as well as any favorite sewing implements and tiny paint brushes.
Time: 3 hours (time to be scheduled), Cost: $30 tuition and $55 for the doll ($85)


On March 7, Canadian rock/pop artist, margø released her new single, “In Between”. This song is about becoming self-aware in a toxic situation and deciding to take back your power.
“In Between” is the first song of many that she plans to release in 2019, with two more singles set to release over the spring/summer months, and an EP to follow in the fall!
Check out the single below and find out more about margø in our newest segment of Five Questions With.
Care to introduce yourself to our readers?
My name is margø, and I’m an alternative rock/pop artist from Canada. I’m here to make loud, unapologetic music with the intent of providing a soundtrack for those who are finding their voice.
Tell us a bit about your music and writing style.
Growing up I was constantly surrounded by rock music, and I’ve always tried to incorporate that influence into my songs. I like to combine pop style beats with a heavier rock feel to create a unique, edgy sound. For writing style, this project has always been about reclaiming your power and finding your voice. My music aims to be unfiltered and honest, and the goal of my writing is to leave listeners feeling empowered.
Do you have any upcoming shows? For someone who has yet to see you live, how would you explain your live performance?
Yes! I have a show coming up Saturday, March 23rd at Bohemia in Edmonton, AB. I currently have a few shows over the summer in the works and am in the midst of planning a small tour of western Canada for the fall of 2019 as well. My shows are full of energy! We combine the electronic aspects of my music with live instruments to create a really full, danceable set. I love to get the crowd jumping and singing along, it’s really a lot of fun. Live performances are my favourite part of this project and I’m so excited to be playing lots of new music – you’ll definitely want to check my shows out!
If you were asked to suggest only one of your songs for someone to hear, which would it be?
I just released my debut single In Between on March 7th and it’s available on all streaming platforms for you to give it a listen! In Between hits you with powerful bass right from the beginning of the song, and combines melodic lyrics with a gritty rock twist. It’s the first of many songs I’m planning to release this year – stay tuned for a couple more singles over the spring/summer and my debut EP in the fall!
Canadian Beats is all about Canadian music, so who are your current favourite Canadian bands/artists?
I love how the Canadian music scene is full of such talented female musicians. I’m such a big fan of Jessie Reyez, Alessia Cara, Tegan and Sara, and Leah Fay (from July Talk) – they all are strong, outspoken women in the music industry who impress me so much, and they all really encompass the type of musician I strive to be. I also love bülow, her lyrics are fantastic and her music is so catchy – I definitely would love to see her play live.
I’m Jenna, and I am the founder and editor of Canadian Beats. I have had a strong love for Canadian music, which started many years ago. I have a passion for promoting these talented Canadian bands and artists, and that’s how Canadian Beats came to be. I am so proud of what it has become over the last few years, with many talented music lovers and writers coming together to spread the word of Canada’s music.


Member price $13.50
From the mind of artist Emily McDowell, this mug brings patriotism and pippin' hot beverages to the fore--there are a few things we’re just not willing to sacrifice. See also: facts.
• 11oz ceramic mug
• Dishwasher and microwave safe
• Comes in a sturdy box with a viewing window, for easy gift giving
• Design is printed on both sides of the mug


Stereohype.com is an online boutique and graphic art label based in London. For almost ten years, Stereohype has acted as an international platform for a new breed of artists and designers. Every year, Stereohype also hosts a design competition which is another channel for exceptional creatives to promote their talents as well as to get their work produced and published to the public. A wide range of products featured on the site includes T-shirts, button badges, rare publications and prints. Some of them are made as a limited edition to make sure the design is unique and stays appealing to its swish customers.


These many different design styles were developed by individuals such as room in a box interior design manufacturers and also various types of interior decoration, while some designs are likewise established based upon various historical periods and the area in which you currently live.
The very first thing we consider when creating room in a box interior design for an area in our home is specifically what particular room in a box interior design we must make use of to get one of the most amount of individual comfort. For instance, if a person values room in a box interior design that focuses on timeless lines, it’s difficult to encourage them to choose something that’s even more modern-day in nature. This is since that certain room in a box interior design may not be one that they are as well comfortable with.
The most effective method to select the ideal type of room in a box interior design for you is to think about just what you like more, especially if you are developing just on your own. You could partake in such activities as browsing magazines and also bookmarking anything as well as every little thing that captures your eye as well as draws even more of your rate of interest.


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If you’ve got fur balls, or your favorite sweaters are covered with cat hair, and a love for making quirky and one-of-a-kind crafting projects, you’ll love Crafting with Cat Hair: Cute Handicrafts to Make with Your Cat.
This playful and completely furrtastic guide shows you how to transform stray clumps of fur into soft and adorable handicrafts. From kitty tote bags and finger puppets to fluffy cat toys, picture frames, and more, these projects are cat-friendly, eco-friendly, and require no special equipment or training. You can make most of these projects in under an hour-with a little help, of course, from your feline friends!
About the Author
Kaori Tsutaya is a cat lover and freelance writer whose writings have been published in magazines and special-interest books. Many of her published works are based on the subject of cats and include articles, photography, and books on crafting. Her blogs The Laws of the Cat (nekono-okite.cocolog-nifty.com) and The Cat Hair Craft Room (nekoke.com) are popular in Japan.
Amy Hirschman is a translator, crafter, and pop-culture enthusiast living in California. She studied Japanese for four years at the University of Pittsburgh and has lived in Japan. Though she is not a cat owner, her friends will attest that she is the greatest cat sitter they have ever had. This is her first published translation.
See all items by Penguin Random House


NAMM issued the following recap of its Believe in Music event, which took place on Jan. 20 and Jan. 21. It is presented in its entirety.
On Thursday, January 20, NAMM’s Believe in Music opened to welcome a global contingent of professionals and music enthusiasts from more than 120 countries and territories for professional development, live interviews, networking opportunities, and performances. The event, which was billed as a preview of The 2022 NAMM Show and closed Sunday, January 23, saw participants engage with brands, a full suite of education spanning 11 tracks and 115 speakers, view new products at the NAMM 2022 gear sneak peek, and enjoy the Believe TV’s livestream of interviews with top artists and pro audio luminaries as a primer for The 2022 NAMM Show.
“This year’s Believe in Music event served as a bridge in bringing our global industry together as we make our way to The NAMM Show in June. The industry-enhancing education, quality content and valuable networking opportunities were important reminders of just some of what we experience at the show,” said Joe Lamond, NAMM President and CEO. “And while gathering virtual is a great way to experience aspects of The NAMM Show, in my opinion, there is no substitute for stepping onto the Anaheim campus, running into old friends, and discovering new products, strategies and tools to help propel your business forward.”
For the 15,000 registrants, the event created a social network of industry activity from members across the globe to network, learn, and be inspired. At press time, international registrants from Afghanistan to Zambia representing more than 120 countries and territories attended, and nearly 20,000 messages and contacts were exchanged or made.
With all eyes focused on the June reunion in Anaheim, Believe in Music served as a preview of the event to come.
Tom Sumner, President of Yamaha Corporation of America, shared, “For Yamaha, Believe in Music served as an important ‘road stop’ on the way to The NAMM Show. We’re grateful for the technology to connect us all, but nothing beats being together in person. We look forward to returning to The NAMM Show to launch new products, reconnect with global partners, meet with our dealers, and unite with the industry at large.”
“It has been two years, too long since gathering—manufacturers, retailers, and musicians alike—as one in the heart of Anaheim, California,” remarked John Powell, President of AlphaTheta Music Americas, Inc. “We are incredibly proud of the massive strides Pioneer DJ and its industry peers have made in transforming the music industry for the better during this time apart and look forward to driving this momentum forward together at NAMM in June.”
“We’re very excited to return to the June show. I am looking forward to the return to normal that only comes from meeting face-to-face with our vendors and manufacturers, the NAMM Idea Center sessions, and seeing and feeling the newest products in person that we can bring back to our customers…We always come back from the show energized and ready to grow,” noted Jeremy Chapman, owner of The Acoustic Shoppe.
“With the extra time manufacturers have to create new products and supply chain issues easing mid-year, the team at Full Compass and I are anxious to touch and hear new products, connect with industry friends, and recharge from the positive energy and enthusiasm that The NAMM Show has delivered for many decades. The NAMM Show is the foundation of our industry, and having it return this June makes it that much more special,” shared Chris Tso, Vice President of Merchandising and Marketing.
“For HARMAN, NAMM is more than the premier platform to showcase our products, it’s the soul of the industry where creators and builders converge to shape the future of music,” said Frank Joseph, Senior Director of Marketing, North America, HARMAN. “NAMM is engrained in the DNA of our JBL, AKG, and Soundcraft brands, and we very much look forward to seeing everyone back at the show.”
Tim Paul, owner of Piano Trends Music & Band Co., shared, “Not only am I looking forward to presenting at the NAMM Idea Center but the opportunity to reconnect with ‘Nammily’ friends and contacts as it will once again fill the valuable need for the music community to be together. We look forward to the energy and valuable information that can only be found by attending The NAMM Show, which will certainly brighten our outlook and create positive thinking this June.”
On Thursday, Believe TV, hosted by Lamond and Herb Trawick (Pensado’s Place), featured a day of industry updates and live keynote interviews with notable artists, including a special opening interview with Keb’ Mo’. When asked about the importance of gear and who influences the design of gear – the artists or the manufacturer – Keb’ Mo’ expressed his gratitude. “Any time I pick up any piece of gear, I know that there’s a bunch of people standing there who put that gear together… It really speaks to how much help you’re getting when you’re going for your dream. So, there’s a deep sense of gratitude so that I can play and have my dream, and hopefully, when they’re making the gear, they have their dream too.”
Other live interviews for the day included Elliot Easton (The Cars) and the super producing duo of Denzel Baptiste and David Biral, better known as Take A Daytrip (Lil Nas X, Juice WRLD, Sheck Wes, and others), and Lola Romero, the Chief Engineer at Aftermath Records (Dr. Dre, Snoop Dog, Kanye West, Travis Scott, and others).
Romero was asked about her career journey and responded, “I just set out to be a really good engineer. After a little bit of time at this, I realized I’m really touching people, giving a lot of young women the confidence to go into music and into roles in the industry in positions that maybe aren’t as common.” And on her advice for young professionals, she shared, “Immerse yourself in anything that’s a goal for you. Really, really learn about it and how you fit in, and how you can contribute to accomplishing your end goal.”
Other artist interviews included Brandon Boyd (Incubus), Brittney Spencer, Luke Spiller and Adam Slack (The Struts), Matthias Jabs (The Scorpions), and Steve Vai.
Education for Today and Tomorrow
Professionals accessed the strategies and tools to further their careers and businesses by connecting with top thought leaders on the platform to meet challenges and thrive in any climate. Believe in Music offered four tracks of education for professionals in the music products, pro audio, and live event production industries: Business, Audio Production and Music Technology, and Entertainment Technology. For music educators and advocates, non-profits and college-aged students and faculty, The NAMM Foundation presented sessions in GenNext, Music Education Days, Music & Social Justice, the Nonprofit Management Institute, and Music & Wellness.
The Business Track brought together the top minds in the industry to offer actionable strategies, tactics, and best practices for music retailers and brands to navigate to the next level. At the heart of the track were NAMM U sessions on pressing topics, including a keynote-style session from author, futurist, and “Retail Prophet” Doug Stephens, “The Customer of the Future.” Stephens shared key shifts in demographics, technology, economics, and media, all of which are changing the very essence of how customers buy as we emerge from the pandemic.
Other top-of-mind sessions included “How to Use Facebook Ads to Increase Your Lesson Students” from Ayana Webb of The Musical Webb; “Social Media, Video and Digital Ads: Keys to Online Marketing for 2022” with Tracy Hoeft of Amplify 11; and Dennis Stafford of Organiksol Marketing, who presented “Music Retail: How to Put Artist and Influencer Marketing to Work.”
Audio Production and Music Technology Track
Sessions for recording, live sound, and house of worship professionals, as well as music technologists, dove into the latest tools, tips, and innovations while also exploring the landscape of new technology. Programs included:
TEC Tracks offered big-picture sessions and high-profile topics in recording, live sound, and music business, featuring industry thought leaders. Highlights included interviews with top producers, engineers, and artists, including “The Future of Mastering” with GRAMMY Award winner and eight-time nominee Emily Lazar; “The Future of Music and Challenges in the Next 5 Years” with SoundExchange CEO Michael Huppe; and “Post-COVID Live Sound Tour Trends,” featuring industry touring vets Robert Scovill and Mark Frink.
A3E (Advanced Audio + Applications Exchange)
For the future-minded, A3E featured future-forward education on how next-generation content creation is reshaping the entertainment industry. In a special session, industry leaders Jack Joseph Puig, GRAMMY Award-winning producer, engineer and the vice president of creative innovation at Waves Consumer; Daniel Rowland, Oscar-winning engineer, producer and the head of strategy and partnerships at LANDR Audio; and Maya Ackerman, CEO and co-founder of WaveAI and a Woman of Influence in 2020, presented a robust discussion of “Artificial Intelligence, Artificial Creativity and Their Impact on Music and Content Creation: Deep Dive Data Analysis.”
Entertainment Technology Track
Entertainment Services and Technology Association (ESTA)
ESTA offered two in-depth educational sessions for entertainment technology and design professionals, as well as those responsible for their safety, including “50 Years of Show Technology Evolution: Have We Reached a Maturity Point?” Expert John Huntington of City Tech and author of Show Networks and Control Systems and Introduction to Show Networking presented his research via a detailed show technology history timeline documenting the trends, looking at where we are now and speculating about the future.
Pro Production Sessions
Front of House and Projection, Lights & Staging News magazines welcomed Chris Lose, live entertainment production expert, and Phay MacMahon of Phamous Productions to discuss how you can reduce stress on the road at “Take the Stress Out of Touring.” The duo explored how artists and their crew can work together more effectively to ensure their needs are being met and covered topics ranging from creating a well-laid-out rider to music breakdowns—vital elements of a successful tour.
“PLSN and FOH magazines were proud to participate in Believe in Music,” said publisher and producer of the Parnelli Awards, Terry Lowe. “We all logged on and enjoyed our columnist and lighting/video designer Chris Lose talking with production manager Phay MacMahon about crew members reducing stress on the road of a major tour. The entire Believe program was enlightening and entertaining and set the stage perfectly for the in-person NAMM Show and Parnelli Awards to be held in Anaheim in June. The live event and concert touring industry will all be there for that, and you should plan on being there, too.”
Event Safety Alliance (ESA)
The Event Safety Alliance (ESA) addressed safety in event design, risk management, and the importance of communication in “Stop the Show: The Who, When and How of Show-Stop Procedure.” In this session, Jim Digby of the Event Safety Alliance, along with Bryan Huneycutt and Tyler Scollon, discussed the importance of a pre-established show-stop procedure, including the important details of who needs to be involved in the decision, the circumstances when you would consider using it and how to manage crowd expectations to avoid even worse unintended consequences.
The NAMM Foundation Tracks
For attendees in music and arts advocacy, management and education, social justice, and emerging professionals, The NAMM Foundation presented a series of mini educational tracks, including:
A collaboration between The NAMM Foundation and The College Music Society (CMS), the education series offered college-aged students and faculty access to career—and professional development—opportunities. Program highlights included “Big Ideas to Improve Accessibility From Yamaha Master Educators,” “Finding Your Fit: Careers in the Music Industry,” “What’s It Like Out There? Insights From College Music Program Recent Graduates,” and “Preparing Music Students for a 21st Century Income.”
Music Education Days
School music teachers and administrators joined for a series of informative sessions, inspiring performances, and opportunities to preview the latest instruments, products, and tools relevant to today’s changing music classrooms. The track included “Music-Making for All: Ukulele Strings Attached!,” where specialists Peter Luongo and James Hill previewed the Teaching Ukulele Workshops to be offered at The 2022 NAMM Show and offered classroom-tested techniques to develop ear training, notation reading, vocal harmony, and theory. Other sessions included “Music Administrators Forum: Support Music Education,” where administrators and arts leaders discussed the challenges and opportunities to provide quality access to music and arts instruction during this time, and “TECHnically, It’s About the Individual and the Ensemble” where Technology In Music Education (TI:ME) offered strategies to engage students with technology in multiple ways.
Music and Social Justice & Nonprofit Management Institute
As part of the Nonprofit Management Institute, the Music and Social Justice track welcomed participants to an in-depth conversation about diversity and inclusion. In a special session, “Embracing Diversity, Equity and Opportunity: Building a Sustainable Ecosystem,” Anqwenique Kinsel, Arts Education Collaborative, Pittsburgh; Christie McKinney, Chorus America; David Dik, Young Audiences Arts for Learning; Habib Bako Independent Sector; and Mary Luehrsen (NAMM) discussed examples that illuminate diversity, equity, inclusion, opportunity, and access as key elements of sustainability of a 21st century non-profit.
Music and Wellness
For participants seeking health enrichment, Thursday and Friday offered an interactive session, “Start Your Day with Rhythm—A Wellness Experience with Drumming.” Author and music therapist Christine Stevens guided the audience on a live musical journey to release stress, connect with the heart and deepen the body’s healing potential.
Notable Believe in Music Moments
Twenty artists from twenty countries kicked off Thursday in the Believe in Music Global Livestream. Starting at 6:00 a.m. PT, the morning of performances kicked off with The Brass for Africa Teacher’s Band (Kampala, Uganda) and headed to New South Wales, Australia, for a special performance from the melodious epic folk band, The Heart Collectors. Shortly following, Tokyo-based Keisuke Ito performed original songs on the Shamisen, a traditional three-stringed Japanese guitar.
Other performers included Philippines-based alternative rock band Mayonnaise, a fan favorite from last year’s Global Livestream; At’ Adau, a fusion band from Sarawak, East Malaysia playing traditional and modern instruments; Kenyan recording artist, Apesi (Mnyama Mkali); classical and improvising accordionist Pawel Janas from Warsaw; Renegade Brass Band from the UK, combining raw hip-hop with brass instruments; Dutch pianist and composer Martin Fondse, the country’s 2021/2022 “Composer Laureate,” with violist Saskia Meijs; Chennai, India’s Mandolin U Rajesh and his band DHRUVA playing Carnatic classical music; contemporary Mexican jazz band Troker; Peruvian ukulele star Emanuel Rivera, Argentine soul singers Fémina; and Brazil’s supreme heavy metal bassist Felipe Andreoli.
Throughout the day, Daring Greatly shared their harmony-rich, rock ‘n’ roll folky sounds with the audience. The band, the brainchild of brothers Patrick Croome (vocals, acoustic guitar) and Liam Croome (vocals, keys), Brayden Tario (drums, vocals), and David Mills (electric guitar, pedal steel), recently released their latest, six-song EP, Give Myself to the World.
Closing out Thursday, the Women’s International Music Network presented the She Rocks Spotlight Series at Believe in Music. Hosted by Laura B. Whitmore, founder of The Women’s International Music Network and The She Rocks Awards, the She Rocks Spotlight featured performances from GRAMMY award-winning singer, songwriter and actress Laura Dreyfuss and New Zealand singer, songwriter and actress Jamie McDell.
The 2022 NAMM Show returns to Anaheim, California June 3-5 and registration will open in March. During The NAMM Show, Swapcard, the technology platform used to hold Believe in Music, will host NAMM Show+ — a digital extension of the Show.
To learn more about health and safety protocol and prevention measures, please visit NAMM’s Safe&Sound program online: https://www.namm.org/thenammshow/2022/safe-and-sound


£110.00 – £250.00
Taken during a time when tourist numbers in the Masaai Mara were extremely few due to Covid-19, at only one week old it is highly probable that we were the first tourist vehicle this baby giraffe had ever seen. The endearing curiosity was a joy to watch as he edged closer towards us. By positioning myself with a long lens as low in the grass as possible I was able to frame the young giraffe against the Mara skyline.
*Price is for print only. For more information on purchasing prints please visit our FAQ’s page.


|June 25, 2018||12:00 PM||Camelot Theatres (PS Cultural Center)|
A classic suburban tale of parenthood, bereavement and a mysterious pug.
While visiting her family in Jamaica, an American teenager becomes her cousin's confidant and changes the way she sees the people she loves.
To escape Auschwitz, she left her father to die. Decades later, she got a message from him.
Luna, a young Chinese-American girl, dreams of becoming an astronaut. Supported by her humble father, Luna endeavors to make her dreams come true.
Ilana believes herself to be a liberal Israeli woman until her regular eye doctor, who administers a crucial injection for her sight, is replaced by Dr. Khoury, an Arab. Faced with the very real possibility of losing her eyesight, Ilana will have to open her eyes to more than she expected.
An unassuming middle-aged accountant learns he has only weeks to live...


I took a break from writing about the dead
and drinking from writing about the dead
to walk around my childhood neighborhood.
Everything’s for rent. Or for sale, for ten
times the amount it’s worth.
Palm trees are planted in front of a mural
of palm trees under the Ocean Park Bridge.
In the painting, the metal horses of a carousel are breaking
free and running down the beach. Why didn’t I leave
my initials in cement
in front of my parent’s apartment in the eighties?
Nikki had the right idea in ’79.
I walk by a basketball court, where men play
under the florescent butts of night’s cigarette.
I could have been any of their wives,
at home, filling different rooms in different houses
with hopeful wombs. Agreeing on paint color
samples with their mothers in mind.
I’ll bet their wives let their cats go out
hunting at night like premonitions of future sons.
They will worry, stare out the front window,
pray that privilege doesn’t bring home bad news
like some wilted head of a black girl in nascent jaws.
To say nothing of the owl who’s been here for years. I hear him
when I’m trying to write about the deaths I’ve admired.
I hear him when the clothed me no longer recognizes
the naked. I hear him while writing and shitting and sleeping
where my mother’s seven guitars sleep.
I hear him in my parent’s house,
their walls covered in my many faces,
traces of decades of complacence.
My childhood neighborhood is a shrine to my success,
and I’m a car with a bomb inside, ready
to pull up in front of it and stop
Copyright © 2015 by Amber Tamblyn. Used with permission of the author.
but I remember sitting alone on the brown couch in my grandmother’s living room, couch whose cushion covers were of velvet and the color of dark rust, or dried blood —and sewn by the tailor from up the block, the same one who made me my first light blue suit two years earlier And I sat there running my hands back and forth over the short smooth hairs of the fabric and understanding what touch meant for the first time—not touch, the word, as in don’t touch the hot stove or don’t touch your grandfather’s hats but touch like Tom Jones was singing it right then on the television, with a magic that began in his hips, swiveled the word and pushed it out through his throat into some concert hall somewhere as a two-syllabled sprite, so that women moaned syllables back in return. And I knew I wanted to touch like that because Tom Jones stooped down at the edge of the stage and a woman from the audience in a leopard-print jumpsuit unfurled from her front row seat, walked like a promise of what I couldn’t quite discern up to him and pushed her mouth soft and fast up against his mouth and they both cooed into his microphone mouths still move-moaning together like that for an eternity. And then Tom Jones unlocks his mouth from hers while my breath is still caught in my throat, and moves to the other end of the stage, and squats there, and kisses another woman from the audience in a black jumpsuit, while the first woman looks on, swaying so slightly I almost can’t tell—to the band which is still vamping the chorus line— mesmerized and taut with expectation as I am, palms down on the velvet-haired cushions and Tom pauses, sensing the first woman’s impatient almost-mewling and says Easy Tiger while he moves his mouth against this woman’s, his cheeks working like tiny bellows, before returning to the first one and then the bridge or the chorus or whatever—at that point the song is an afterthought, and I knew there was a mission to be fulfilled—Tom Jones pointed to the women and said touch and the new color TV made everything shimmer with promise so my eight year old body preened and stretched itself against the ecstatic couch and dreamed of what tomorrow could be like if I could make touch mean so many things, if I could make a building or a body coo like this.
My pants could maybe fall down when I dive off the diving board. My nose could maybe keep growing and never quit. Miss Brearly could ask me to spell words like stomach and special. (Stumick and speshul?) I could play tag all day and always be "it." Jay Spievack, who's fourteen feet tall, could want to fight me. My mom and my dad—like Ted's—could want a divorce. Miss Brearly could ask me a question about Afghanistan. (Who's Afghanistan?) Somebody maybe could make me ride a horse. My mother could maybe decide that I needed more liver. My dad could decide that I needed less TV. Miss Brearly could say that I have to write script and stop printing. (I'm better at printing.) Chris could decide to stop being friends with me. The world could maybe come to an end on next Tuesday. The ceiling could maybe come crashing on my head. I maybe could run out of things for me to worry about. And then I'd have to do my homework instead.
From If I Were in Charge of the World and Other Worries . . ., published by Macmillan, 1981. Used with permission.
When I see birches bend to left and right
Across the lines of straighter darker trees,
I like to think some boy's been swinging them.
But swinging doesn't bend them down to stay
As ice-storms do. Often you must have seen them
Loaded with ice a sunny winter morning
After a rain. They click upon themselves
As the breeze rises, and turn many-colored
As the stir cracks and crazes their enamel.
Soon the sun's warmth makes them shed crystal shells
Shattering and avalanching on the snow-crust--
Such heaps of broken glass to sweep away
You'd think the inner dome of heaven had fallen.
They are dragged to the withered bracken by the load,
And they seem not to break; though once they are bowed
So low for long, they never right themselves:
You may see their trunks arching in the woods
Years afterwards, trailing their leaves on the ground
Like girls on hands and knees that throw their hair
Before them over their heads to dry in the sun.
But I was going to say when Truth broke in
With all her matter-of-fact about the ice-storm
I should prefer to have some boy bend them
As he went out and in to fetch the cows--
Some boy too far from town to learn baseball,
Whose only play was what he found himself,
Summer or winter, and could play alone.
One by one he subdued his father's trees
By riding them down over and over again
Until he took the stiffness out of them,
And not one but hung limp, not one was left
For him to conquer. He learned all there was
To learn about not launching out too soon
And so not carrying the tree away
Clear to the ground. He always kept his poise
To the top branches, climbing carefully
With the same pains you use to fill a cup
Up to the brim, and even above the brim.
Then he flung outward, feet first, with a swish,
Kicking his way down through the air to the ground.
So was I once myself a swinger of birches.
And so I dream of going back to be.
It's when I'm weary of considerations,
And life is too much like a pathless wood
Where your face burns and tickles with the cobwebs
Broken across it, and one eye is weeping
From a twig's having lashed across it open.
I'd like to get away from earth awhile
And then come back to it and begin over.
May no fate willfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth's the right place for love:
I don't know where it's likely to go better.
I'd like to go by climbing a birch tree,
And climb black branches up a snow-white trunk
Toward heaven, till the tree could bear no more,
But dipped its top and set me down again.
That would be good both going and coming back.
One could do worse than be a swinger of birches.
From The Poetry of Robert Frost by Robert Frost, edited by Edward Connery Lathem. Copyright 1916, 1923, 1928, 1930, 1934, 1939, 1947, 1949, © 1969 by Holt Rinehart and Winston, Inc. Copyright 1936, 1942, 1944, 1945, 1947, 1948, 1951, 1953, 1954, © 1956, 1958, 1959, 1961, 1962 by Robert Frost. Copyright © 1962, 1967, 1970 by Leslie Frost Ballantine.


Pristina, 15 April 2016/Independent Balkan News Agency
By Elton Tota
A theatrical piece premiered last night in the National Theater of Kosovo, has brought to the attention the post war period, when Kosovars welcomed the arrival of freedom with great joy and euphoria.
The piece “Graffiti” directed by Fadil Hysaj, is based on the playwright by Mehmet Kraja.
Through this drama, actors have not only reflected the post war enthusiasm, but also the fact that many people were disappointed by the following years.
The main character of this piece is played by Çun Lajci. Before the war started, “Kosovo is Serbia” was written on his door, but after the war, after being threatened by the war wing is forced to write “UÇK” and then “LDK”.
The play suggests that “politicians and those who profited from the war have never thought beyond their personal and family’s interests. On the other hand, with their power, they have constantly threatened the citizens by usurping their freedom”.
Kosovo was liberated from the Serb regime in 1999, but as this shows presents it, the new state has not yet been liberated by politicians and many people consider them to be the usurpers of freedom in the country. /balkaneu.com/


A Ludwig Mies van der Rohe masterpiece that has been studied by architects from across the globe for over six decades the offers a world of inspiration for experts and design aficionados alike. It is barely a surprise then that the owners of in Texas wanted a home that was modeled on the iconic construction after having fallen in love with it during one of their trips.
Large glass walls and windows along with a skylight ensure that there are no dark corners here. It is pendant lighting along with cleverly placed LED strip lighting in the ceiling that takes over after sunset to give the addition a cozy pleasing aura.
Transforming a home with a modern rear extension is definitely a hot trend that simply refuses to slow down. Not only does it give an old structure a new lease of life with simple refurbishment and a snazzy addition but also cuts down significantly on construction costs.
The presence of large wooden beams dark steel plates and polished finishes brings with it plenty of visual contrast even as large overhangs offer ample shade during hot summer days. With a view of the beach in the distance and a relaxing ambiance fashioned by a mature green landscape life at does seem like an absolute breeze!
The transition between the living area indoors and the outdoor hangout is seamless thanks to the use of large glass windows and sliding doors. On the inside it is a palette of wood and white that holds sway with color being used sparingly. Custom wooden shelves bring warmth to the living room while wooden cabinets and island in the kitchen offer both textural and visual contrast.
Complete with a relaxing rooftop hangout that contains a relaxing sitting area al fresco dining and built-in outdoor kitchen this Californian home combines comfort with practicality in an effortless manner. Add to this its unique blend of Scandinavian and contemporary styles and you have an instant hit!
This is Northern Norway and it is in this secluded backdrop that the fabulous designed by Vladimir Konovalov sits. A monochromatic masterpiece that keeps the focus on the mountainous landscape and endless tranquility outside the glass-walled home ensures you are never miss out on the sights and sounds outside.


I've always loved the colour blue but powder blue has to be my favourite, the colour of disney princess cinderella's ball gown and Alice in Wonderland's iconic dress.
Anyway, I was browsing the Barry M counter and amongst the other lovely vibrant colours that Barry M offers, I spotted it, a striking powder blue coloured nail varnish. I had to have it, especially at just £2.95!
Unlike some colours this nail varnish came out the same vivid colour that it appeared on the bottle, I was very impressed. Another bonus, I only had to do one coat.
I'll definately be buying more of these gorgeously coloured bargain varnishes, how about you?


Amsterdam based Dutch visual designer working on art direction, digital design and brand identity. I have worked with different designers and agencies in the past 5 years and gained experience being employed in several agencies as a freelancer and under contract at Joolz.
Art direction, graphic design, brand identity, UX/UI design, 3D visualisation, animation, typography
Out of love and necessity rather than profit and novelty, First Designs opened its doors in 2015. By creating corporate identities, print materials, web designs and 3D visualisations with passion it brought new excitement to the dutch design scene.
Why so quiet? Feel free to contact me via email on dennis [at] firstdesigns.nl
© 2019, First Designs


TABLE NAMES & NUMBERS
A MATCH MADE
It's important that your table numbers/names effortlessly blend in with your table centrepieces. This can be done by matching colours, or by using the same material as your other wedding stationery and signage.
Choosing table names is another great way to personalise your wedding day. Choose your favourite beverages, countries, films to share another part of your personality with your guests.
Table numbers/names can be created in a variety of materials to make sure they match your wedding vibe.
Materials that I've used so far are:
High quality card
Acrylic with painted backs
Naturally stained wood
Wax seals or silk ribbons can also be added to some materials for an extra finishing touch.
Want to make sure the stationery fits perfectly with the rest of your wedding reception vibe? Get in touch to request samples. Up to three small pieces of material of your choice can be posted free of charge. Really seeing the product will hopefully make your decision easier.
Lovely words from lovely couples...
"Rachel created beautiful stationary for our wedding. She created gorgeous, stylist highly professional signs and place settings for us which were perfect for our wedding. She was fabulous all the way through. She gave me great advice and guidance when I wasn't sure what I wanted and kept in contact whilst producing the stationary so I knew exactly what was going on running up to the day. I couldn't recommend her enough for a highly professional personal service. Thanks Rachel!"
Anna & Sam


Luxury logo design collection for branding, coporate identity
Light blue alcohol ink background collection. abstract fluid art painting design.
Different pastel colored ribbons labels banners collection. big set of ribbon stickers elements.
Golden circle flower frame for monogram logo design. gradient gold flower border.
Luxury logo design collection.
Pink alcohol ink background. abstract fluid art painting design.
Set of watercolor floral frame for wedding monogram logo and branding logo design
Set of watercolor flower and leaf. floral painted with watercolor for greeting and invitation card decoration.
Luxury logo design collection. rose gold emblems with initials and floral decorative for branding logo, corporate identity and wedding monogram design.
Set of watercolor flower and leaf for greeting and invitation card decoration.
Pastel tartan check plaid seamless pattern collection
Hand drawn round frame for logo design and calligraphy decorative
Tartan check plaid seamless pattern
Sweet pastel seamless pattern collection.
Gold brush stroke hand painted set isolated on white background
Set of happy birthday balloons on transparent background.
Merry christmas pattern seamless
Set of natural logo for branding, corporate identity, packaging and business card.
Online shopping concept for web landing page, digital marketing on website and mobile application.
Set of natural logo for branding in modern design
Alphabet collection in golden color
Set of 12 cute seamless patterns.
Merry christmas pattern seamless collection in red and white color
Beautiful alphabet collection decorated with floral watercolor style
Natural logo and packaging design template. mockup soap package in minimalist design.
Golden balloons on transparent background.
Rose gold luxury pattern seamless collection.
Coronavirus stamp in red color
Rose gold brush hand drawn set isolated on white background
Set of colorful realistic balloons on transparent background.
Golden alcohol ink background. abstract fluid art painting.
Hand drawn rose flowers arrangements in tattoo style
Golden circle flower frame
Beautiful golden alphabet collection
Star background in pastel color
Tartan check plaid seamless patterns
Natural logo design template for branding, corporate identity, packaging and business card.
Rose gold alphabet in modern style
Marble background rose gold
Golden geometric frame decorated with floral in watercolor style


When Elia Goat began arranging material for a solo album, he decided to take a different approach to instrumentation. Instead of stringed instruments traditionally used in folk and country, Goat wrote horn parts for his songs and began gathering players. The result is Elia Goat and the Natural Horns and their album, Acorns. The band visited the WYSO studios for a live set on Kaleidoscope and talked to host Juliet Fromholt about writing, recording and finding a sound all their own.
Thursday evening, the Springfield Museum of Art will hold an event called Members Matter. At the gathering, museum officials plan to announce a budget surplus and an increase in membership.
Last year, Springfield's Museum of Art adopted a best practices model used by other museums around the country. The move eliminated three positions including a curator, a membership coordinator and a security manager.
Named for an essay by Dr. Martin Luther King, the World House Choir made its debut performance in 2013 at Antioch College's Coretta Scott King Center.
WYSO Music Director Niki Dakota spoke with Dr. Cathy Roma, director of the World House Choir, before a rehearsal for their 2014 Dr. Martin Luther King Day performance at the Coretta Scott King Center. Roma shared her thoughts on why singing together as a community can affect change, and the choir shared some selections from its upcoming performance.


J. J. G. Alexander
Jonathan James Graham Alexander (born 1935), known in print as J. J. G. Alexander, is a medievalist and expert on manuscripts, "one of the most profound and wide-ranging of all historians of illuminated manuscripts".
Alexander edited the Survey of Manuscripts Illuminated in the British Isles from 1975 onwards. In 1988 he became Sherman Fairchild Professor of Fine Arts at the New York University Institute of Fine Arts.
- (ed. with Otto Pächt) Illuminated manuscripts in the Bodleian Library, Oxford, 1966
- Italian Renaissance illuminations, New York: Braziller, 1977
- Insular manuscripts, 6th to the 9th century, London: H. Miller, 1978. Survey of manuscripts illuminated in the British Isles vol. 1.
- The decorated letter, New York: Braziller, 1978
- (ed. with T. Julian Brown and Joan Gibbs) Collected writings of Francis Wormald. 2 vols, New York: Oxford University Press, 1984-88.
- (ed. with Paul Binski) Age of chivalry : art in Plantagenet England, 1200-1400, London: Royal Academy of Arts, 1987
- Medieval illuminators and their methods of work, New Haven: Yale University Press, 1994
- (ed.) The Painted page : Italian Renaissance book illumination, 1450-1550, New York: Prestel, 1994
- (ed. with James H. Marrow and Lucy Freeman Sandler) The splendor of the word: medieval and Renaissance illuminated manuscripts at the New York Public Library, New York: New York Public Library, 2005.
|This biography of an American historian is a stub. You can help Wikipedia by expanding it.|


Ingmar Round Antique Gold Glass Side Table
The Ingmar Round Side Table brings an elegant aesthetic to any room. Meticulously crafted metal is finished with antique gold gilding and topped with tempered glass, glamorously elevating any decor. Ingmar’s thin tapered legs make it ideal for artistic, minimalist spaces.
- Color: Antique Gold Gilt Contents: Metal / Tempered Glass Metal Type: Antique Gold Gilt Country: China Assembly Required: No
- 27" X 27" X 23"
- Weight: 37.4 lbs.


Offered for sale is a beautiful antique Art Deco era Czech Bohemian cranberry glass decanter set. The decanter set features bold cranberry areas with intaglio etched designs. The decanter features an additional element of decoration with a male deer in a forest etched within the front ruby stained area. The decanter stands approximately 10 1/8" tall with the stopper in place and the glasses stand 2 3/8" tall. The overall condition of the decanter set is excellent.
It has no chips, cracks, or broken areas with the exception of a small chip to the base of the stopper, a small fleabite to the top flat surface of the neck on the decanter and some small chips, flakes and nicks to four of the six glasses. The color is excellent and the inside is very clean. There are light exterior scratches and the decoration is strong with minor rubbing and loss.
The item "Art Deco Czech Bohemian Cranberry Intaglio Deer Stag Glass Decanter Set" is in sale since Sunday, December 22, 2019. This item is in the category "Pottery & Glass\Glass\Art Glass\Bohemian/Czech\Moser". The seller is "e-connoisseur" and is located in York, Pennsylvania. This item can be shipped worldwide.


PEN Podcast: Voices Against Torture—Writers and Lawyers on the Way Forward
In celebration of the signing of the Universal Declaration of Human Rights, PEN America features a panel of writers and lawyers speaking out against torture. More
2009 Annual Reading and Reception of PEN Women’s Literary Workshop
Neil Gaiman in Conversation with Joshua Wolf Shenk
Voices Against Torture: Writers and Lawyers on the Way Forward
Something to Hide: Writers and Artists Against the Surveillance State
Join PEN America Today
Defend free expression, support persecuted writers, and promote literary culture.
Get updates on events, literary awards, free expression issues, and global news.
@SuzanneNossel, CEO of @PENamerica, discusses book bans, educational gag orders, the First Amendment, and our democracy on the latest episode of @SideBarLTN.
You can listen to it on @LegalTalkNet or wherever you listen to podcasts.
Very excited to celebrate the release of @patricia_engel’s new story collection THE FARAWAY WORLD this Thursday✨✨✨✨✨✨✨✨✨ https://twitter.com/penamerica/status/1622002418035597314
Feb 9, 6:30PM at @DIESELBrentwood in #LosAngeles:
Join celebrated authors @patricia_engel and @jeanho for PEN Out Loud—an outdoor evening of readings and conversation exploring their latest works of fiction.
Details: https://pen.org/event/pen-out-loud-patricia-engel-jean-chen-ho/ #losangeles #authors #events


A servant and master from far off Syracuse arrive in Ephesus in search of their long-lost twin brothers. In no time at all they are trapped in a terrifying chain of chaotic events.
Tormented by a wild wife, a moody mistress, challenged by a crazy jeweler and damned by a demonic doctor the terrified twosome run headlong into a climactic happy ending which defies all probability.
A summer delight not to be missed!
Oddsocks Theatre Company
Oddsocks have over 20 years experience delighting audiences across the country with their inspired approach to Shakespeare's plays and their trademark family friendly, madcap style. Be prepared for belly laughs, slapstick comedy and lots of audience participation.
See 2 tour dates featuring Oddsocks Theatre Company
The Comedy Of Errors image © Oddsocks Theatre Company


Hi Lenny, welcome to VENTS! How have you been?
I am well! Just a bit anxious that the world is opening back up again and haven’t practiced my live set enough.
Can you talk to us more about your latest single “Party Animal”?
“Party Animal” is a song written by Julio Argueta (best friend and longtime music collaborator) Rannan Adler (instrumentalist) and I. We first recorded a demo of the song In 2009 and released it on MySpace. However, more recently, I reached out to Julio and Rannan and let them know that this song means more to me now than ever! I fell head over heels for a person who is repeatedly in some sort of party environment and under the influence. So I told them that I wanted to rewrite and re-record and they were cool about it.
Did any event in particular inspire you to write this song?
It didn’t have meaning back when we wrote the 09 demo. We were way young and just using our vast imagination to write songs. I just feel strongly about it now because the girl I want is a Party Animal.
Any plans to release any music video for the track?
I recently released the lyric video but when it comes to an official video I want it to
Be very much invested in. Some Sort of story line and a production company shooting with big cameras and I can’t do that unless I save some money.
The single comes off your new album Rokklenin – what’s the story behind the title?
ROKKLENIN means Lenin’s rock music. I’ve always wanted to do just rock or just an alt sound. I used to be kind of shy to use my singing (pop-rock-alt) voice and now I embrace it. Shouts out to hip hop music though! Love it just as much.
How was the recording and writing process?
Recording and writing the debut EP started about 2019. It was just me wanting to embrace this sort of rock sound of mine and so I would jam on an acoustic guitar and sing. Then I met the Party Animal girl that I want so bad and once I took the Rannan instrumental to a real studio, I absolutely connected with the engineer and loved the sound. I knew it could be huge and I have never been to a real studio in my life until I started recording for ROKKLENIN.
Then the songs just came almost back to back, really naturally; with most records being recorded at SIDE 3 STUDIOS in Denver.
Where did you find the inspiration for the songs and lyrics?
I got the inspiration for the EP from some old feelings and old situations that I had a hard time dealing with or a hard time letting go of. On “Waiting” I talk about an old lover and a bitter ending relationship but it led to me finding myself again and hitting the road to find a new life in a state 2300 miles away from home. “You Are Not Just Anybody” is another song on the record that brings up older feelings that have been hard to deal; addressing attachment issues I have and confusion/cloudiness while being in romantic relationships . All the events and feelings and soul aching emotions that hit me from 2017-current is what is mostly reflected on this EP. I remember driving state to state and each time as I entered a new state away from Florida I would become very emotional and knew I couldn’t go back home because hitting the road felt like it was healing me. It still does. This EP is also a ode to getting older. As I was recording it the the last couple years I kept telling myself “don’t slack off, you’re getting old Lenin” haha. So I’m glad this is coming out, finally. It’s nice to know that each song here on ROKKLENIN has helped me cope because once they were done recording I felt relieved and it was almost as if after each song was recorded that a negative feeling or bad chapter of my life was put to rest. By the way, the song BILLY THE PIRATE is about Billie Eilish. For Billie Eilish. I discovered her music and felt like I can be so myself and started doing so much local karaoke while recording the EP
What else is happening next in Lenny The Heart’s world?
Next in Lenny the Heart’s world is touring. I am saving for an RV and practicing my live set. I’d also like to create and sell merch. I want to build my personal and business credits so that I can get loans and put thousands into digital marketing for my music; airplane banners, billboards, online ads. Just really pushing Lenny out there. That’s all!
Thanks for listening.
CONNECT WITH LENNY THE HEART


Dhrupad is the most ancient style of Hindustani classical music that has survived until today in its original form. The Dhrupad tradition is a major tradition of Indian culture. The nature of Dhrupad music is spiritual. Seeking not to entertain, but to induce feelings of peace and contemplation in the listener. The word Dhrupad is derived from DHRUVA the steadfast evening star that moves through our galaxy and PADA meaning poetry. It is a form of devotional music that traces its origin to the ancient text of Sam Veda. The SAM VEDA was chanted with the help of melody and rhythm called Samgana. Gradually this developed into other vocal style called 'Chhanda' and 'Prabandha' with introduction of verse and meter. The fusion of these two elements led to the emergence of Dhrupad.
By the eleventh century Dhrupad music had crystallised into a perfect form which has retained its original structure and purity through to the present day. One significant characteristic of Dhrupad is the emphasis on maintaining purity of the Ragas and the Swaras. According to some accounts, Dhrupad was sung in the temples, the singer facing the deity. From this early chanting, Dhrupad evolved into a sophisticated classical form of music.
The language of Dhrupad changed from Sanskrit Brij Bhasha some time between the 12th and the 16th century. About six centuries ago, Dhrupad came to be patronised by the royal courts and its complex rendering became intended for highly sophisticated royal audiences. Some were written in praise of the emperors; others described the music itself. However the pristine nature of Dhrupad survived and even today we hear this majestic form of music performed like it was more that 500 years ago in the royal courts of the emperors and kings of India.
In the conception of Indian classical music, Dhrupad has been an important point of departure. Normally, Dhrupad is known only by its literary meaning from the words Dhruva and Pada. Conceptually, however, it has a different meaning: it refers to and emphasizes the circulatory construction of our music. Dhruva means unmoving. It implies the return of the Swara (tonal), Kala (time) and Shabda (textual) trajectories to a fixed point.
All music existent today has attained this stature of construction because of Dhrupad. Perhaps this is the reason Dhrupad is considered the soul of Indian music. In the old compositions, they contain an indication to repeat the initial text phrases.
The word ‘Dhruva’ is as old as the Natya Shastra itself in which we find a separate chapter on Dhruva-Geeta. In the Natya Shastra, Bharata Muni describes Dhruvas as the songs which are referential in their structure. Dhruva means a pole, a standpoint, a locus of reference, primarily The other meaning is that it has certain fixed rules for execution.


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Q ‘Can’t Get You Out Of My Head’ Sagi Kariv Remix: 14th April 2017
“Q’s cover doesn't show what ability he has in his range. Get ready for Q in 2017” Andy Galea, Producer (Rihanna, Maroon 5)
German born chart topping singer/songwriter Q is releasing an edgy club version of Kylie’s ‘Can’t Get You Out Of My Head’ as a tribute to the iconic artist. The single is remixed by Sagi Kariv from Tel Aviv. Sagi is famous for making club bangers, winning him a huge fanbase, particularly in the gay scene. He debuted his remix of Q’s Can’t Get You Out Of My Head’ to 1500 hundred people at a gay club in Tel Aviv and the response was explosive.
The remix package also includes versions from chart topping producer Andy Galea (Rihanna, Maroon 5) so it is no wonder the track is already climbing up the Music Week Club Charts.
The first song Q recorded was Can’t Get You Out of My Head, which he used as a demo for labels and media. The demo proved so popular, Q was asked to officially release his version and the campaign quickly snowballed. The release follows on from Q’s debut single Ready or Not, which reached #8 in the American Top 10 Breakout Charts top and was #10 most clicked singles in Germany.
Q is a born entrepreneur, running an entertainment agency at the age of just 19. This led him to work on live dates and tours for international artists, gaining inspiration for his own blossoming performance career.
“Kylie’s hit Can’t Get You Out of My Head is a tribute to an amazing and influential artist, for giving me the inspiration to work and believe in my career.” Q
Q moved to London in 2015 and is studying music at one of its top universities. Q is currently in the studio working on an album of original songs, due for release later this year.
|Management / Booking|
|Telephone: +44 7482 852840||E-Mail contact|
|2017-03-06||Music Week Charts (UK): #19 Commercial Pop Club Chart - #26 Upfront Club Chart|
|2017-02-27||Entry Music Week Charts (UK): #37 Commercial Pop Club Chart - #48 Upfront Club Chart|


After what seemed to many to be four excruciatingly long years, Canadian pop rock quartet Marianas Trench are back! After the release of their last album, Ever After, the group went on extensive tours, released five extremely popular singles, and even helped out a fellow canuck (as is the Canadian way), Carly Rae Jepsen rise to fame with Marianas vocalist providing his songwriting abilities for the track “Call Me Maybe”. With Jepsen’s track topping all charts, record labels took notice of Josh Ramsay’s writing and producing abilities which lead to them signing with American label Cherrytree Records. In 2013 the polite musical hosers went back into the studio and after what could only be assumed to be many long nights of sticky instruments (due to copious amounts of maple syrup consumption) being played and replayed, they finally created the masterpiece Astoria. The title of the album, the artwork were directly inspired by the 1985 cult hit The Goonies. The band even went as for to call their 2015 tour “Hey You Guys!!” (as hollered by the ever lovable Sloth in the flick). Let me tell you there’s plenty of ditties on this record that’ll have you doing the “Truffle Shuffle”
The album starts of with the eponymous title track, “Astoria”. Clocking in at 6 minutes and 58 seconds, it’s quite the monster of a song to begin with. These Canadian lads know how to do it big though. The song has a myriad of effects and elements to it with the usage of soothing synthesizers, uplifting guitars and perfectly plucked bass, drums played with such precision, and even a hint of orchestral touches added in for perfect measure. The song starts off as what one would consider a pop driven alternative rock song, but a few minutes it has an almost R&B tinge to it with Ramsay even singing in a falsetto like tone, and then switches genres again to what sounds like an outro to a 1980’s Eagles rock ballad with keyboards, continuous group singing, and some epic rock’n’roll yells. Lyrically the song pertains to the subject of love. It can be the “wind beneath your wings”, it can beat you down, and you can find it in all the wrong places. Ramsay even relates to it in a tongue-and-cheek manner with the words “I shoulda known you’re not alone when you take somebody home, and the little deaths are a little less even if just for a moment. On a good day I’m the bad news for the wrong girl with the right wounds. Hey, lets all say fuck it. I’m gonna make my mother so proud of it”
“Burning Up” is a song that almost sounds like it could make Prince proud. The groovy guitar riffs, a rhythmic 1-2 drum pattern, low and (very) high-pitched vocals literally had me bobbing my head and swaying my shoulders in rhythmic euphoria. The lyrical content which eludes to Ramsay knowing an ex may still carry some red-hot feelin’s is something most could relate to, which just adds to the fun value this track carries so well.
“Yesterday” can be simply summed up like this: it could have fit perfectly in the opening credits for any 70’s or 80’s family friendly comedy movie. It is intoxicatingly danceable. The lyrics “Could be a party, let’s dance” excite and thrill me because I LOVE to party AND dance! For these three simple yet important reasons, this song is one of the most lively and enjoyable on the entire LP.
“One Love” was the initial single and for good reason. This song shows a different side of the band, delving further into the emotion of love than ever before. This song is the truest form of a rock ballad with its grandiose structuring of the instruments and the poetic words put forth by Ramsay (some of his best writing yet). “Now I wake up and I forget that you were gone. A phantom limb is all that I am hanging on. So don’t stop, no stopping it yet. What if the one true love’s the only one that you get? And you’ve been wishing but you don’t know how to stay, and I’ve been broken but I’m better every day. So don’t stop, no stoppin’ it yet. What if the one true love’s the only one that you get?” Upon hearing that chorus for the first time I almost felt a catch in my throat and a tear fall down my cheek all because I realized this is a reflection I’ve had myself. Vocally this song has some of the sweetest tones and sounds to ever leave the lips of Josh Ramsay.
Music video by Marianas Trench performing One Love. (C) 2015 Interscope Records (Cherrytree Records) http://vevo.ly/xFDgOz #MarianasTrench #OneLove #Vevo #Pop #VevoOfficial #lyricvideo
“This Means War” continues the poppy, radio-friendly, dance rock as the previous tracks through the verses, but brings a more alternative element to the chorus. Instrumental wise they add something new to the mix with a xylophone. Simplistic in nature, but integral to the overall feel of the song.
The album is a long one. This is NOT a bad thing. With seventeen tracks (four of which being interludes that actually feel perfectly placed and entirely appropriate) it’s a whopping 54 minutes and 44 seconds, so there’s no fears of the enjoyment ending before it even begins. Overall it feels like the boys from up north we’re aiming to have people shakin’ their groove thang with this release. They have the sad ballads, the wishful pop rock tunes, and even an acoustic track, but for the most part it’s dance floor ready songs that seem to be the heart and soul. I am not ashamed to say I believe this is their best work yet for multiple reasons. Lyrically and vocally Josh Ramsay has never been better. You can tell the pen to paper process was not rushed and in actuality he poured blood, sweat, and tears into every written word. Matt Webb (lead Guitar), Mike Ayley (bass), and Ian Casselman (drums) couldn’t get any better. With perfect timing, sound, and feel coming from all the instruments, you can tell they all wanted to take it to a whole new level. Go pick up this record, press play and get ready to laugh, cry, and dance till your legs and lungs give out. Astoria is a must listen from the maple leaf representing boys in Marianas Trench.
Music video by Marianas Trench performing The Making Of Astoria. (C) 2015 Interscope Records (Cherrytree Records) http://vevo.ly/v4qI34 #MarianasTrench #TheM…


SELEUKID KINGS OF SYRIA. Antiochos IV Epiphanes, 175-164 BC. Tetradrachm (Silver, 32 mm, 17.08 g, 12 h), Ake-Ptolemais, circa 170-168. Diademed head of Antiochos IV to right; above, star. Rev. BAΣIΛEΩΣ - ANTIOXOY Apollo seated left on omphalos, holding arrow in his right hand and resting his left on grounded bow; to outer left, palm frond; to inner left, monogram of AB; in exergue, monogram. SC 1472b. Very rare. A beautiful coin with a spectacularly lifelike portrait. Minor die rust on the obverse and with light marks and scratches, otherwise, very fine.
This portrait ranks among the most realistic and lifelike in the entire Seleukid series. It is, in fact, the very same obverse die as on the magnificent cover piece of the second volume of the SC monograph.


Because it’s all about me and my family of course and not about the actual star of the music video, Georgia Fields.
Georgia is a local lass with a beautiful voice and is a pretty bloody nice person as well (you can tell her I said that). And tall. I feel like Tyrian Lannister standing next to her and I’m not exactly short.
Scout and I were stoked to be involved in Georgia’s new music video, “The Hood and the Hunter”, a pop culture retelling of the classic Little Red Riding Hood tale. Georgia wanted to get a whole gamut of women on set for the video, from young through to old, but what she ended up with were a few kids, an older person, a legion of Gen Ys and 2 Gen X’s (that would be me and my friend Ren).
[yours truly is at 2:46, and little Scout is at 3:11 and 3:35. Don’t miss the last 5 seconds of the video—a stunning beauty to behold. Not biased, hell no.]
The video, by local director Rohan Spong is brilliant, I just love it—the imagery, the mood, the cinematography, the mise-en-scène (ooooooh, sorry, wanky posh french film theory term there). Rohan and Georgia were patient with all of us, particularly Scout. I was ever so proud of my little Gen Z actress. Scout is a real chip off the old block and loves everything theatrical, but suffers (as one might expect from a child) from shyness and stage fright, so I wasn’t sure she was going to go through with it, even though Georgia was so encouraging. But come on, Scout got to be Little Red Freaking Riding Hood for 5 blissful minutes, that was too good an opportunity for her to pass up (bragging rights for LIFE, biatches!).
It felt so good to be acting again, even in a teeny tiny way. I got shivers while we were filming because I miss it so much and felt like I was home. Like my writing, it’s only taken me 20 years to work out what it really is that I love doing. Bloody people, I dunno, so set in their ways. Pardon, third-person meta-brainfart there.
So go watch the video, would you, and check out Georgia’s other wonderful music vids on Youtube while you’re there. She is a talent, that one.
How much do you love that red hood?


I'm Beatriz, a Multidisciplinary Designer based in Lisbon, Portugal with a functional, minimalistic approach.
Over the course of 6 years, I've worked for agencies, startups and as a freelance designer for clients around the world, and helped build timeless design solutions. Today I am dedicated full-time to Automattic where I design themes and contribute to the WordPress open source project.
Although I keep an eye on trends, I'm more into timeless designs and I aim for a balanced and purposeful life. I'm driven by great aesthetics and ancient wisdom.
Designed with WordPress


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Java Draw Created Dec 16, 2012 640 x 460px Unless noted Copyright 2012 SPIDER 08.
We encourage you to submit a comment and let the artist know what you think of this drawing. Please log in or join to post a comment.
Looks quite peaceful yet cold!
Love the Blurred feature
now i want some hot coco.. she needs a hot coco too
HOT RUM TODDY! ;0
very pretty drawing, nice work 5/5
looks so lovely wish i could go on a ski holiday lol, i luv da snowy landscape n mountains-fav
a beautiful landscape!
very nice draw !
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One of my collages—previously posted under “Let’s Make Magic”—has been selected to help promote Kansas SCBWI’s fall conference! It will be featured alongside illustrations by Lissa Sloan and Karen B. Jones. I am honored to share the experience with these talented ladies.
You can preview the conference art (and sneak a peek at the faculty line-up) here in the summer newsletter. My illustration is on page three. Hooray!
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Wild Orchid Creations
Our wedding photography style is modern, fine art, documentary and creative. This means that you will always get a mixture of photojournalistic and candid wedding photographs, artistic, fun and unique shots as well as some classic and traditional wedding pictures. All packages include a fully edited DVD of all wedding images. The images are unmarked and ready for print. The editing also includes artistically edited images. A six month online gallery is included with all of our photography shoots.
Our wedding videos are innovative and cinematic. We produce a mix of documentary and movie style editing in most of our videos. We always shoot with a high definition video cameras, wireless microphones and professional lighting. All videos are edited in HD. There are four primary wedding photographers and five primary wedding videographers at Wild Orchid Creations. Nika is the only photo editor and Dusan is the only video editor, so if you like our samples, you’ll know that it’s similar to the product we will be creating for you. We only book a limited number of weddings to ensure you get the highest quality service.


three pendants earrings
A timeless theme that sees its colors change with the seasons. Each rock crystal stone is hand-dyed with beautiful shades. As each stone is unique, the intensity and depth of the color depends on the particularity of the stone. Brass earrings dipped in a 24 carat gold bath, featuring rock crystal cabochons tinted multicolor, the emblematic stone of the House.


Jazz age! Hot Sounds of the 20s and 30s
Jazz age! Hot Sounds of the 20s and 30s by Past Perfect at Your Free Album. MPN: 5026554201316. Hurry! Limited time offer. Offer valid only while supplies last. The 50 tracks on this fine album are prime monuments of the Jazz Age and arguably, some of Americas finest jazz performances. '' .. the best introduction to early jazz music I have come across and features a huge variety of artists from Jelly Roll Morton and Bix Beiderbecke to Basie, Ellington and the splendid Muggsy Spanier. For recordings this antique, the sound quality is amazing'' Charles Spencer, The Spectator Jelly Roll Morton - Black Bottom Stomp Miff Mole - The New Twister Bessie Smith -
Product Description & Reviews
The 50 tracks on this fine album are prime monuments of the Jazz Age and arguably, some of Americas finest jazz performances. " .. the best introduction to early jazz music I have come across and features a huge variety of artists from Jelly Roll Morton and Bix Beiderbecke to Basie, Ellington and the splendid Muggsy Spanier. For recordings this antique, the sound quality is amazing" Charles Spencer, The Spectator Jelly Roll Morton - Black Bottom Stomp Miff Mole - The New Twister Bessie Smith - Trombone Cholly Bix Beiderbecke - Royal Garden Blues Beale Street Washboard Band - Forty And Tight Louis Armstrong & Kid Ory - Ory's Creole Trombone Red Nichols - Whispering Mckinneys Cotton Pickers - Milenberg Joys Boyd Senter & His Senterpedes - Sweetheart Blues Louis Armstrong & Earl Hines - Weather Bird Fats Waller - Won't You Get Off It, Please? Hoagy Carmichael - Rockin' Chair Duke Ellington - Old Man Blues J C Higginbotham - Give Me Your Telephone Number Mamie Smith - Jenny's Ball King Oliver - Dont You Think I Love You? Cab Calloway - Trickeration Mills Blue Rhythm Band - Snake Hips Boswell Sisters/Dorsey Brothers - There'll Be Some Changes Made Joe Venuti & Eddie Lang - Farewell Blues The Chocolate Dandies - I Never Knew Art Tatum - The Shout Fletcher Henderson - Tidal Wave Duke Ellington - Sump'n' 'bout Rhythm Jack Teagarden - Junk Man Earl Hines - Copenhagen Louis Prima - Sing It Way Down Low Benny Goodman Trio - After You've Gone Henry Red Allen - Whose Honey Are You? Benny Goodman - If I Could Be With You Billie Holiday / Teddy Wilson - What A Little Moonlight Can Do Bud Freeman - The Buzzard Artie Shaw - Sweet Lorraine Benny Carter - Swingin' At Maida Vale Dick Mcdonough - Dardanella and more..
Features & Highlights
- hese selections are prime monuments of the Jazz Age and arguably, some of America's finest jazz performances.
- It is no exaggeration to say that the fusion of several vital strands in American popular culture - the emergence of jazz on record and the upsurge in social dancing - brought an outpouring of individual creativity that was without precedent. As one jazz master after another came to maturity and triumphed, so others, influenced and inspired by their predecessors, followed on.
- All of these giants are here - enduring legends every one: Louis Armstrong, Count Basie, Cab Calloway, Johnny Dodds, Duke Ellington - the alphabetical litany goes on.
- The best in Twenties and Thirties hot jazz. Small groups and big bands, vocalists and instrumental stars, blues and swing, technical virtuosity and simple statements. No wonder Jelly Roll wanted more!
4.97 x 0.54 x 5.55 inches
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Deck the halls, trim the tree and don’t forget to write to Santa. With Christmas fast approaching, we wanted to share a little secret with you: face paints are even more fun than party hats. You can be a penguin, a holly wreathe, an ice fairy or even good old Saint Nick himself. We’ve created some festive face paint designs to get you started and why not let the kids have a go at making our tasty Strawberry Santas?
These clever little treats are easy to make with your children and perfect for parties!