In addition to a complete range of pneumatic actuators for on/off and control applications, we also offer hydraulic and electro-hydraulic actuators, including fast or slow control, two stroke action, single or double action, with accumulators, redundant versions, etc.
Power Valves & Controls supplies both diaphragm and piston actuators, single or double action, standard open or standard closed.
Hydraulic actuators are often found in situations where 1 hydraulic group, HPU, operates more than one actuator.
Electro-hydraulic actuators are suitable for stand-alone use and in the absence of electricity, are powered by batteries or solar energy.
Our electro-hydraulic actuators are extremely high quality systems, designed for specific applications. They provide very stable control with adjustable speed, acceleration and power.
These actuators can also be equipped with a two-speed function: for example, you can set your valve to close very quickly and your actuator will slow down as the plug approaches the seat.
Both the hydraulic and electro-hydraulic actuators can be operated via Bluetooth and are compatible with all prevailing DCS systems.


Public art can go beyond the beautification of a space. When stakeholders and area residents unite to collaborate together, we build community pride, shared ownership, and a grounding sense of place.
With a scalable process honed through more than a decade of collaborations, Leslie Scott leads
community groups of all sizes and abilities in the creation of large-scale public art.
Through collaboration, we build connections across cultural, economic and generational perspectives
and enhance spaces where people want to belong, relate and return.
The opportunity to create art motivates us to act on curiosities, expand boundaries and challenge limitations in a positive and constructive manner. When given the chance to permanently install art, we are handed the responsibility for how we affect, communicate with, and contribute to our world.
The benefit of having public art in a space becomes exponential when those who live around that place come together to actively participate in the creation of the art. Community members are given a chance express their voice and make their mark. They take ownership of, responsibility for, and pride in their shared accomplishment.
The most impactful public art is possible when those of differing ages, backgrounds and experiences come together to produce something tangible, long-lasting and grand. Individuals and communities alike are enriched and the impact on collective culture resonates through time.
Together, we can capture the vibe of a community and make art that reflects lives, concerns, passions
and dreams. We can contribute in a meaningful way to the experience of a place.
By linking content to grade-level curriculum, and participation to student knowledge and expertise, we add depth and meaning to both process and outcome. In addition to beautiful new mosaics installed on campus, every youth involved learns valuable practical, collaborative, and leadership skills. Through the process, students develop a keen sense of belonging within their peer groups and to the space. They gain respect for the diversity of talents and abilities that contribute to their shared endeavor.
Corporate, non-profit, civic, social and neighborhood groups participate in each phase of mosaic making: from concept to final installation. Partnerships are encouraged between those of different backgrounds, experiences, and perspectives. Everyone has a chance to express their voice and make their mark. The results are a long-lasting connectedness between the art and those who frequent the space day-to-day. The art resonates with the community, creates value for stakeholders, and pride among participants.
Collaboration allows those with a common intent to reflect, share memories, and contribute to the building of a legacy. Through the mosaic making process, participants come together to celebrate and commemorate significant events, to honor lives and accomplishments, and to remember, rebuild, and heal communities that have suffered loss or tragedy. Mosaics are a fitting representation of the literal and figurative bringing together of many disconnected pieces into one cohesive and glorious whole.


Niece Equipment is a leading manufacturer of heavy-duty fuel trucks that are designed to provide exceptional performance and reliability in demanding industrial environments. Niece Fuel Trucks are well-known in the industry for their durability, thanks to the use of high-quality materials and advanced manufacturing techniques.
One of the key features that make Niece Fuel Trucks so durable is the use of high-strength steel in their construction. Niece Fuel Trucks also feature reinforced frames that are designed to withstand the stresses of heavy loads, rough roads, and extreme weather conditions. This results in a truck that is built to last for many years of service.
The fuel tanks on Niece Fuel Trucks are also designed with durability in mind. The tanks are made from high-quality materials. The tanks are also equipped with safety features, such as venting systems to ensure that the fuel is stored safely and securely.
In addition to the robust construction of the fuel tank, Niece Fuel Trucks are also designed with advanced fueling systems that help to ensure their durability. The fueling systems are designed to be efficient, precise, and reliable, and they are often equipped with advanced technology to prevent spills and leaks. This helps to keep the fuel contained and reduces the risk of damage to the truck's components or the environment.
Another important factor that contributes to the durability of Niece Fuel Trucks is their maintenance and repair programs. Niece Equipment offers a comprehensive range of maintenance and repair services for their trucks, including preventative maintenance, routine inspections, and emergency repairs. This ensures that the trucks are always in top condition, reducing the risk of breakdowns and ensuring that they are ready to tackle any job.
Niece Fuel Trucks are also designed with safety in mind, which is an important aspect of their durability. The trucks are equipped with advanced safety features, such as backup cameras. These features help to prevent accidents and reduce the risk of damage to the truck's components, ensuring that the truck remains in top condition for many years of service.
Niece Fuel Trucks are a durable and reliable choice for any business that needs a heavy-duty fuel truck for industrial applications. The use of high-quality materials, advanced manufacturing techniques, and advanced safety and fueling systems ensure that these trucks can handle the toughest conditions and provide exceptional performance and reliability for many years. If you are in the market for a durable and reliable fuel truck, Niece Fuel Trucks are the #1 solution!


This week on the NewsHour we have been looking at how the urban heat island effect and climate change turn up the thermostat on U.S. cities, and how places like Chicago are trying to cool off with greener infrastructure.
Peter Calthorpe, urban designer and author of “Urbanism in the Age of Climate Change”, has worked on some of the biggest urban design projects in the United States over the last 20 years, in places including Portland, Salt Lake City, Los Angeles and post-hurricane southern Louisiana. He said the best thing cities can do to keep cool is plant trees.
“It’s that simple.” Calthorpe said. “Yeah, you can do white roofs and green roofs … but believe me, it’s that street canopy that makes all the difference.”


Stari Most, or Old Bridge in Mostar, Bosnia and Herzegovina, stands as a testament to the architectural and engineering prowess of the Ottoman Empire during the 16th century. This iconic bridge has not only connected the two sides of the Neretva River for centuries but has also become a symbol of resilience, having withstood the tests of time and conflict.
Construction and Design
Commissioned by the Ottoman Sultan Suleiman the Magnificent and completed in 1566, the Old Bridge was designed by the renowned Ottoman architect Mimar Hayruddin. The bridge spans 28 meters in length and arches gracefully over the Neretva River, reaching a height of 24 meters. Its single stone arch, an engineering marvel of the time, is characterized by a humpback shape that adds to the bridge’s stability and aesthetic appeal.
Constructed using local limestone known as tenelija, the Old Bridge reflects the Ottoman architectural style prevalent during the 16th century. The intricate carvings and ornamentation on the parapets showcase the skilled craftsmanship of the builders, making the bridge not just a functional structure but a work of art.
Throughout its existence, the Old Bridge has played a central role in the life of Mostar’s residents. It served as a crucial artery for trade, connecting the markets on either side of the river. Additionally, the bridge became a popular venue for the traditional diving competition known as “mostari,” where local daredevils showcase their acrobatic skills by leaping into the Neretva River from the bridge’s apex.
Destruction and Reconstruction
Tragically, the Old Bridge became a casualty of the Bosnian War in 1993 when it was targeted and destroyed by artillery fire. The international community recognized the cultural significance of the bridge, leading to extensive efforts to reconstruct it. The reconstruction project, completed in 2004, employed traditional building techniques and used stones retrieved from the riverbed, maintaining the authenticity of the original structure.
Symbol of Reconciliation
The rebuilding of the Old Bridge not only physically restored a historic landmark but also became a symbolic gesture of reconciliation in post-war Mostar. The bridge stands as a tangible reminder of the city’s ability to overcome the scars of conflict and rebuild its cultural heritage.
The Old Bridge in Mostar remains an exceptional example of Ottoman bridge engineering and a symbol of resilience and cultural identity. Its humpback arch and historical significance make it a must-see destination for tourists and a source of pride for the people of Mostar, embodying the spirit of endurance and unity.


There are several ways to improve a garden in Brisbane, a city in Queensland, Australia known for its subtropical climate. Some suggestions include:
- Choosing plants that are well-suited to the local climate, such as native plants and tropical varieties.
- Incorporating mulch into the garden to help retain moisture and suppress weeds.
- Using drought-tolerant plants and irrigation systems to conserve water.
- Creating shade structures or planting trees to provide protection from the sun.
- Building raised beds or using other techniques to improve drainage in areas prone to flooding.
- Incorporating compost or other organic matter into the soil to improve fertility.
- Planning your garden to ensure year-round color, with a mix of evergreen and deciduous plants.
- Adding a variety of garden elements like bird baths, sculptures or water feature to add visual interest.
- Regularly maintaining the garden, such as by pruning, weeding, and fertilizing.
- Considering hiring a professional gardener for regular maintenance or for a garden design.
Add a garden water feature to my garden
Adding a water feature to your garden can be a great way to add visual interest and create a relaxing environment. Some popular options include:
- Fountains: Fountains come in a wide range of sizes and styles, and can be powered by electricity or solar energy.
- Ponds: Ponds can be a great way to attract wildlife to your garden and can be home for fish or aquatic plants.
- Waterfalls: Waterfalls can be a great way to add a natural and rustic feel to your garden and can be built using rocks or other natural materials.
- Streams: Adding a stream to your garden can give the feeling of a natural watercourse and can be built using rocks or other natural materials.
- Pool: A pool can be a great way to add a focal point to your garden and can be used for swimming or as a decorative feature.
When adding a water feature, it is important to consider factors such as the size and style of your garden, your budget, and the amount of maintenance you’re willing to take on. Additionally, it’s important to consult local regulations and building codes, and to make sure that the water feature is installed and maintained properly to avoid any issues with water quality or safety.
It’s also worth to consider hiring a professional landscape designer or contractor to help you plan and install your water feature, as they will have the knowledge and experience to ensure that the water feature is properly designed and installed.
Eclipse Fountain to consider to add new life to your Brisbane garden and property
An eclipse fountain is a type of water feature that features a circular or semi-circular design with a central jet of water that shoots upwards, creating a circular curtain of water. The central jet of water is often illuminated, creating a striking visual effect, particularly at night.
Eclipse fountains Brisbane can be made from a variety of materials, including stone, stainless steel, or glass. They can be powered by electricity or solar energy, and can be designed to suit a wide range of garden styles, from traditional to modern.
Eclipse fountains can be installed in a variety of settings, including residential gardens, commercial spaces, and public parks. They can be used as a focal point in a garden, or incorporated into a larger water feature.
Eclipse fountains can be relatively low-maintenance, with regular cleaning and servicing to keep them running smoothly. However, it’s important to consult with a professional before installing an eclipse fountain, as they will be able to advise on factors such as the size and style of the fountain, the location, and any necessary permits or approvals.
It’s also worth to consider the water consumption of the fountain, and ways to conserve water, such as using recirculation systems.


New Orleans, LA
The New Orleans Planters Grove is located at 2047 Felicity Street in the historic Central City neighborhood. Designed with strong input from the local community, this Planters Grove was inspired with New Orleans influences.
A colorful windowpane display made of reclaimed windows from homes destroyed by Hurricane Katrina outlines the peanut-shaped park. The Planters Grove also features a boardwalk entrance, the city's iconic ceramic street tiles, a meadow growing a variety of local plants and flowers and a statue of Mr. Peanut sitting on a peanut-shaped bench to greet visitors.
Many thanks and congratulations go out to The Corps Network and its local member Corps – Limitless Vistas, Inc. and the Louisiana Green Corps/ARC of Greater New Orleans.
Here are some pictures of the Planters Grove's opening on March 23, 2011:


On many occasions over the years I have been honored to be chosen to design custom bears as family namesakes as well as bears to showcase family heirloom outfits. If you would love to have a special bear, family of bears, or one to honor a special person in your life, please contact me. I'll be happy to discuss a design, time frame and cost with you. Orders for commissioned pieces are accepted on a limited basis. Currently, I am running approximately 6 weeks to completion on custom work.


Porcelain fused to metal (PFM) is a tooth-colored bridge with high strength. Unlike an all-ceramic bridge, the metal core of the PFM makes it stronger. Tooth-colored porcelain of the highest quality is baked on the outside of the metal core. But because there is metal under the porcelain, it blocks natural tooth translucency and is not as pretty (aesthetically) as an all-ceramic bridge.
However, ceramic bridges do not enjoy the longevity of PFMs. There are many different marginal configurations (the area where the bridge meets the tooth) of a PFM. How well the margin of the bridge fits, affects the health of the gums and ultimately the longevity of the bridge. We choose to do a porcelain butt margin, which is the most aesthetic option (also the most challenging for the dentist and the laboratory technicians to perform well). A porcelain butt joint, when done well, is aesthetic, healthy for the gums, and durable.


Construction machinery, cranes and other types of mobile equipment require encoders with a unique set of technical requirements. Not only must encoders be able to thrive in harsh environments, but they should also feature an energy-harvesting electronic design that enables them to operate reliably—even in the event of a power failure.
An example of an encoder that fits this bill is our new Sendix M36. Let’s take a look at how its combination of electrical and mechanical features suits the demanding world of mobile equipment:
Rugged Bearing Construction Withstands Heavy-Duty Applications
Despite its compact, 36-mm size, the Sendix M36 multiturn encoder is sturdily constructed for tough environments. Its proprietary Safety-Lock™ design includes interlocked bearings, strengthened outer bearings and large bearing size relative to the size of the encoder. Thanks to these bearings and flexible mounting technology, this encoder can also tolerate large shaft loads and installation errors resulting from temperature expansion or vibration—making it a versatile choice for a wide range of heavy equipment motors.
In addition, the encoder’s high IP66, IP67 or IP69k protection levels ensure reliable outdoor operation even in the presence of dust or condensation. The Sendix M36 also resists high heat, which—when combined with high rotational speeds—makes it suitable for demanding, high-temperature environments up to 85°C.
Energy-Harvesting Tech Improves Encoder Reliability
Not only is the Sendix M36 ruggedly constructed; it is also efficient. For one, it integrates our unique Energy Harvesting Technology, which ensures the absolute position of the encoder will be stored even in the event of a power failure. The rotating magnetic field generates energy—eliminating the need for gears and batteries. In addition to enhancing the encoder’s compactness, longevity and reliability in the field, this energy-harvesting design is more cost-effective. Having less components also improves its magnetic insensitivity.
M36 encoders are available in variants that support various electrical interfaces, including programmable analog for greater versatility. Also in development for this series is a version that supports J1939, which is rapidly gaining traction in the transportation sector and enables real-time, closed-loop control functions between vehicle components in off-highway equipment.
To learn more about the Sendix M36 family of multiturn encoders, visit our product page.


In the spirit of celebrating tradition and innovation, we are delighted to share that we at the Biggar Gin Company have had the distinct pleasure of collaborating with the Scottish Opera for their 60th anniversary. This partnership, celebrating six decades of phenomenal opera performances, created a unique artisan gin named Suonare, Italian for 'to play'.
Crafted with meticulous attention to detail, Suonare is a symphony of carefully selected botanicals inspired by operas in the Scottish Opera's 60th Season. The gin features globally sourced ingredients, including oranges from Seville, lavender from France, bergamot from Calabria in Italy, pink peppercorn from South America, and nettles from the Scottish Borders. Each botanical represents the international repertoire of Scottish Opera's landmark season, encompassing pieces from Spain, South America, Italy, and France.
When approached by Scottish Opera to create a blend that would honour their remarkable 60-year history, we were immediately captivated by the idea. As a local craft distillery, we saw a unique opportunity to mirror the opera's dedication to artistry, tradition, and innovation. This partnership also exemplifies our mutual commitment to local communities, a cornerstone of our business philosophy.
The design of Suonare's bottle is as innovative and thoughtful as the gin itself. The label, adorned with die-cut holes, doubles as a music sheet for 'Un bel di' from Puccini's Madama Butterfly. This opera holds a special place in the Scottish Opera's history as it was first performed in its inaugural Season in 1962. This unique feature allows gin enthusiasts to savour a fine spirit and appreciate a piece of musical history, making Suonare the perfect Christmas gift or collector's item.
Our journey with Scottish Opera began with several tastings, where we provided a range of sample gins, each connecting botanicals with significant opera locations. After many sessions, we refined the gin to a perfect blend that could be described as a traditional London Dry Gin with a refreshing twist of citrus and a hint of spice.
In collaboration with the award-winning Glasgow-based creative design agency, Tangent, we ensured the Suonare bottle is as environmentally conscious as it is visually stunning. The label is made from FSC approved paper, and the cap has been hand-dipped in gold wax, eliminating the need for plastic.
We are incredibly proud of this collaboration with Scottish Opera and the creation of Suonare. Every bottle captures our mutual respect for tradition, innovation, and community. As co-founder Stuart McVicar aptly said, "We wanted to ensure we could make a product which would reflect this mix of tradition and innovation."
As we toast to Scottish Opera's impressive 60-year history, we invite you to join the celebration by experiencing Suonare. Whether you choose to raise a glass or keep this unique bottle as a memento, we hope it brings you as much joy as it brought us in its creation. Here's to many more years of creativity, craftsmanship, and community!


690 Main St S, Callander, ON
I just finished uploading this Single Family for sale, 690 Main St S, Callander, ON
Stunning contemporary home with a beautiful view of Callander Bay. On the south end of Main St in Callander and very close to Sunbeam Beach, this four level custom design features vaulted ceilings in open concept bi-level kitchen/living room, hardwood floors, remodelled and refaced kitchen with crown moulding, 3 newer decks, updated A/C, single attached garage, 3+1 bedroom, multiple entrances, refinished rec room and carpet down, large laundry/utility room, 2 bathrooms, eaves troughs replaced, and a wood/brick exterior. Water view, beach access, curb appeal and location makes this home truly a one of a kind.


Each and every Federal, State and Local government building, regardless of its function or purpose, has some requirement for security. Whether it is providing a remote video surveillance feed for a fleet services building or public works storage barn, to extremely high level, sophisticated IP/CCTV rotating digital video for a municipal detention center, government security managers will always need a professional security partner that they can trust. As business security camera systems have become increasingly more complex, it necessitates finding a knowledgeable, experienced security professional that can provide the custom design and installation that will meet your unique requirements.
Just as their need for a robust security solution increases, all governments are facing growing pressure to reduce spending, forcing them into the common situation of doing more with less. Perhaps the very best solution might be incorporating new technology within an existing video surveillance installation with older cameras. Integration of the new equipment into an older system can be very cost effective but must be done with a strategic plan in place, one that can scale to meet future needs and requirements.


Pitzhanger Manor & Gallery Spring Exhibition
Marking what would have been his 99th birthday, Sir Anthony Caro (1924–2013), widely regarded as one of the 20th century’s most influential sculptors, is the subject of the Pitzhanger Manor & Gallery spring exhibition which opened on 9 March.
Preparation for the Pitzhanger spring exhibition involved Mtec handling the transportation and installation of some significant Caro work. The exhibition focuses on the resurgence and development of architectural themes within Caro’s sculpture, exploring contained space in relation to human figure, architectural features such as doors, passages and steps, as well as specific materials including coloured Perspex, which echoes John Soane’s use of stained glass.
Highlighted work being exhibited includes The Child’s Tower Room (1983-1984), the earliest work on display and Autumn Rhapsody (2012–2013) created towards the end of Caro’s life.


The Christ Church banner though, presented much more complex problems! Dating from much earlier (from the style of stitching and the dyes used we estimate its date to be c1860 – 70) the blue background had perished beyond repair due to the corrosive nature of the blue dyes used at the time. However the beautiful embroidery of Our Lady with Child, the wording and the other decoration was salvageable.
The Christ Church Mothers Union banner before restoration
The lettering and applique, including the depiction of Our Lady was carefully cut away from the background and the stitching carefully repaired using a variety of sympathetic threads. Once all these had been removed, what was left of the original background was measured and a paper pattern made to the same size and shape . This was then transferred to new blue fabric, as near as possible to the original style.
The applique work was then attached to the new backing using a variety of techniques including stitching and gluing. The final phase of restoration was to line and weight the banner, and re attach the braid that had been salvaged. New ribbon (the original had perished) was also attached, and once hung, new gold rope was added.
The banner was placed in church on display for the first time since Christ Church had closed in 1974.
The latest addition is a choir banner, for processional use and for when the choir sing outside the church building. It depicts S. Cecilia, the Patron Saint of music and the name of the church.
The figure of S. Cecilia begins to take shape as of August 2015.
New altar frontals for the Lady Chapel and High Altar were created during summer 2016, and blessed in September.


Our residential custom aluminium awning and casement windows are a great choice.
Awning windows hinge at the top, opening out from the bottom of the window with a winder. Whilst casement windows hinge on one side, swinging open and out from the other. Similar to a hinged door.
Awning windows provide excellent protection from the elements.
You can leave them open during rain showers, whilst fresh air circulates. Safe in the knowledge your furniture, carpet or wooden floors won’t get wet and damaged.
Based on their structure awning and casement windows are airtight when closed. This means you won’t have any drafts coming in during winter. And it will reduce any noise coming in or out of your home too.
If you want extra comfort and energy efficiency we recommend choosing double glazing.
For the ultimate operation, electric winders and rain sensors are available too.


Sputnik Returned 2
Presented by Third Shift & Art in the Open
123 Grafton St.
August 24 - September 24, 2017
ABOUT THE PROJECT
“Sputnik Returned 2” is an exact rendering of Sputnik, a 20 inch diameter steel sphere with four eight foot antennas, installed as if it has crashed back to earth, its impact crunching a parked sedan. The sleek futuristic design of the satellite, resting lifelessly in car sized crater, recalls a modern day Icarus whose faith in technology lead to hubris and his imminent demise as he fell back to earth. Sputnik Returned 2 has a simple design, both streamlined and reflective, alluding to the space race of the 1950s. Today this design appears as a wonderfully crude relic of the period, a potential unmanned doomsday weapon mirroring the excesses of the cold war while also recalling the proto-modernist sculptures of Brancusi.
Sputnik plummeted into the earth’s atmosphere exactly four months after its launch, where it was incinerated - any individual with a passing knowledge of the atmosphere is aware that it would be impossible for a satellite remain intact upon re-entry. However, the narrative content of Sputnik Returned 2 asks the viewer to suspend their disbelief and engage in the metaphor presented by the object.
Sally Cole, “Art in the Open moves into every nook and cranny of Charlottetown,” The Guardian, August 26, 2017.
Kevin Yarr, “Art in the impound: Sculpture almost towed,” CBC News, August 21, 2017.


Wow! I can now say that I have had the privilege to shop at Harrods, the largest department store in the world…need I say more?! It was AWESOME!! I felt like a little kid in a candy shop! Designer this, designer that, and all in one place!! You can get pretty much anything your little heart desires at this store. Whether it’s that pair of killer Louis Vuitton heels you’ve been eyeing, or a Burberry coat, or even that Hermes bag you’ve always dreamed of; Harrods has them all! This massive store can eat up buckets of time if you’re not careful with all of the different fabulous departments! There’s even a “food court” there, which in actuality is a lot more like a giant food market, which consists of four departments. Who would have thought you could get a designer gown, a mink coat, and a lobster for dinner all in one place?! It was definitely an experience, and I would certainly recommend it to everyone!


Whether you are a startup or a large organization, hiring a Manchester web design agency can help you achieve your business goals. A local designer understands the market dynamics and the demographics of the region, which can help you design a website that works for your business. URL : https://www.candymarketing.co.uk/web-design/manchester/
Hire A Web Designer In Manchester
Choosing a web design Manchester agency is a key decision that will have a huge impact on your business. For this reason, it is important to find an agency with the experience to handle your project.
A good web design Manchester agency should be able to provide evidence of the impact they have had on your business. This can be in the form of client testimonials or a list of insights and metrics on how well your website performs.
When looking for a Manchester web design agency, it’s important to make sure that the company has a robust development process. The right Manchester web design agency will also provide services for your web site security. Whether your website needs a secure database call, namespacing functions for local use or encryption sensitive data storage, they can do it all.
The first impression a website makes on a visitor is often based on the layout and design. A well-designed interface creates a positive impression and a feeling of identification with the brand. It also helps the public to gather information and contact the company.
It is also a good idea to choose a web design Manchester agency that has a wide range of services to choose from. For example, you might need to have your website redesigned for mobile and tablet users.


In response to the growing popularity of Koh Samui as both a holiday and property investment destination, IVL Property has been expanding its range of services, supported by the launch of a new visual identity and advertising campaign.
IVL Property’s internal team of local and international professionals have worked together to refine the positioning of the business, create a new corporate identity and develop a range of sales and marketing materials. The process has helped focus the team and encourage them tore-shape the company’s image to represent not only the team themselves but the future of the business.
The fresh, new visual identity reflects the personable nature of the team and their attitude to customer service; the IVL Property logo can be seen in a number of colours across different applications, representing the proactive nature of the business.
The new adverting campaign is featured in local magazines Samui Phangan and Discover Samui, together with international presence in One Coast Magazine.


10 years ago, Africa chiefly relied on cars built to consume ozone-depleting fuel for propulsion (otherwise known as Internal Combustion Engines, ICEs) despite Africa’s richness in both human and natural resources.
Perhaps, at that time, not a single car running with electric facility would be found on the continent which homes over 1.4bn people, an equivalent of 16.72% of the total world population.
This narrative, factual as it is, sold Africa as a dump ground for used cars or simply as an archaic engineering adopters.
Recently, however, the vision to see Africa transit from the use of cars with internal combustion engines (ICEs) to electrical alternatives (EVs) fast become a reality.
Thanks to Jet Motor Company, a Lagos-based automobile assembly and design company daring to trail a seemingly forsaken EV path that could bring Africa unimaginable fortune and place the continent alongside others leading technology advancement on a global scale.
Since its incorporation in 2018, the company has invested and led some industry innovations in design and engineering, going on to position its team as an authority in the African automobile space, especially on the design and development of future-ready electrical vehicles.
Beyond producing and distributing EVs built “with unique features specifically designed to withstand the rigors of the African terrain,” the company ensures it allays common fears of people regarding the use of EVs such as the case with high upfront cost and lack of infrastructure which have transmogrified into major challenges overlaying EV commercialization in Nigeria, and Africa by extension.
Quite commendable, with less than 5 years into the operation of the company, the JET brand, like no other African company, has constantly seized every opportunity to help the populace see the beauty in switching from ICEs to EVs through the participation and hosting of fora, seminars and workshops.
Recently, in March 2022, the automobile company hosted a webinar where experts from the field appraised the adoption of e-mobility to combat climate change.
Interestingly, as the Jet Motor Company continues to drive this mission from the private sector end, Nigeria’s Jelani Aliyu-led agency, National Automotive Design and Development Council, NADDC, has been another key enabler in the “EV” scheme of things.
With Jelani Aliyu, a Nigerian automotive designer who once worked with the American car company General Motors, at the centre of the agency as Director General after his appointment in 2017; the development and advocacy to promote the use of EVs have seen no little contribution.
Rising to the status of a senior creative designer at his former company seems to have fortified him with the right drive and orientation to see Nigeria, a significant part of Africa, join the EV conversation while contributing adequately through design, research, development, and investment.
While JET, as a private sector player, is committed to building mobility for the future -relying on innovative and disruptive technology; NADDC as a government organ is supporting this ambition, opening its windows to collaborations that may drive the vision.
On collaborating with bodies and organisations running with the EV mission, NADDC, in a recent development, partnered with UNDP, a United Nations-arm that carries out development programs across countries, on setting up Electric Vehicle charging stations for EVs.
Should this pull through, the agency will take a step closer to establish a robust framework for EV growth backed by a government policy.
Meanwhile, ahead of this, the Jet Motor Company has developed an EV Fast Charger facility, a product that is currently being used to power the company’s EV van, which if carefully under-studied can serve as a prototype for future designs by other companies.
As this Joseph Osanipin-led indigenous automotive company, alongside an agency as NADDC, continues to pilot EV developments and record breakthroughs in the space, Africa, at the centre, is, no doubt, at a point to witness sustainable economic growth and human development.


The vast geographical region and diverse range of civilizations that made up the Islamic Empire are reflected in the great diversity of forms and styles found in the art produced there. Below, we go over some of the most well-known characteristics of Islamic art.
Islamic art has a distinctive style in many areas. Islamic artists frequently used a variety of elaborate designs and patterns rather than using animals or people in their designs. The Islamic religion had a direct impact on the art through this practise. Artists believed that depicting depictions of people and animals could lead to idolatry—the worship of objects other than Allah.
Arabesque is a style that Islamic artists frequently employ. Arabesque makes use of elaborate floral and leaf designs. These designs were frequently used in fabrics, books with decorations, stone reliefs on buildings, and wooden carvings.
Islamic designers often included beautiful writing known as “calligraphy” and geometric patterns known as “tessellation” into their creations.
Ceramics was a significant aspect of Islamic art. Ceramic glazes and styles by early Islamic painters range widely. While some developed their own distinctive techniques for glazing ceramics, others were influenced by Chinese porcelain. Ceramic tiles were also used by Islamic artisans to create stunning works of art in addition to lovely ceramics. These tiles were occasionally used to decorate religious buildings’ outside walls or the whole thing with vibrant patterns and designs.
The carpet was one of the most useful examples of Islamic art. Although carpets were frequently used as wall hangings, prayer mats, floor coverings, and cushions, they were also stunning works of art. These carpets frequently featured arabesque or colourful geometric repeat patterns. They developed into a significant export from the Arab realm to other continents, particularly Europe.
Complex carvings were another well-liked kind of art. They incorporated the same geometric and arabesque designs found in other Islamic art. Wood was frequently used for carving, although other materials like ivory, stone, and plaster were also used. They were used to adorn the ceiling, doors, and wall panels of significant buildings like mosques. Stands for the Quran, the holy book of Islam, were frequently works of art made of wood.
“Miniature painting” was the most widely used style of painting in the early Islamic world. These miniature paintings were included in decorative books known as “illuminated manuscripts.” These paintings stood apart from other works of Islamic art because they frequently featured images of both people and animals. This was as a result of the scenes being taken from the book’s stories.
In Islamic art, calligraphy—or decorative writing—was quite common. Often, calligraphy was used to make designs. The writing would frequently be a religious proverb or verse from the Quran. It was common to see calligraphy blended with arabesque and geometric motifs.
Interesting Information about Islamic Golden Age Art
Battle-related weapons were occasionally adorned with calligraphy or designs.
Glass and metal were other media used by Islamic painters.
As the Islamic kingdom grew, the fashion and patterns utilised in Islamic art were widely adopted.
In mosques, the minbar, which serves as the leader of the prayers, is frequently adorned with intricate carvings.


Construction progress continues on the Kenco Communities at Avenir Estate Home Models. Currently under construction are three model homes: Antigua Coastal Modern, Cozumel Contemporary Florida and Dominica Modern.
The roofs were recently added to the Antigua and Cozumel marking a construction milestone for these models. The team is now focusing on the electrical and plumbing installation which will be followed by drywall.
The mix on one- and two-story models will provide new homebuyers the opportunity to see the variety of estate homes Kenco Communities is offering in Avenir. The collection offers homes over 3,000 to over 5,000 square feet of living space and buyers the ability to personalize their home.


Hello! I'm Amy. Thanks for stopping by!
I'm an artist, a designer and an illustrator with over 2 decades of experience in a variety of creative roles.
My illustrations have been published by Chronicle Books, the NY Times, Harper Collins, and Random House (to name a few), and I have partnered with Target, Costco, Walmart, and Michaels during my 8 year tenure as Senior Designer for a proprietary gift packaging company.
My current design contracts include GBH Boston, Science for the People, and a variety of clients in the non-profit and educational sectors, including Children's Museum of Houston, the American Museum of Natural History, and Community Action Southold Town. I also support small businesses with logo and brand development and marketing assets.
I hold a BFA in Painting from Rhode Island School of Design, and since everything is ever-evolving, I continue to enrich my design education regularly through classes. Never stop learning!
I am open to freelance & contract design roles, as well as commissions, partnerships, consulting and licensing opportunities for art and illustration. I especially enjoy working with food-centric subjects and portraits. Let's collaborate!


All Cat Collars made by Dream N' Design are 100% Handmade From Start to Finish.
Dream n' Design is happy and proud to officially offer handmade Cat Collars!!
We are proud owners of two rescued indoor cats who are as sassy as they are beautiful. What better way to compliment their beauty than with a handmade Dream n' Design collar! We wanted to expand our offering to share the love with our feline loving friends.
[HOW TO ORDER]
- Add this listing to your cart.
- Choose from any current print you see on our shop. Please note your choice on the "Note to Seller" upon check out.
*All cat collars will go home with a break-away buckle, small D-ring and a bell.*
SIZES WE OFFER: (Fully Adjustable)
- X-Small: 6" - 9"
- Small: 7" - 10"
- Medium: 8" - 11"
** We welcome custom sizes. If theres a size you don't see above, feel free to message me -or- let us know on "Note to Seller" upon check out.
WANT ADDITIONAL INFO
Please always feel free to contact me with any questions or concerns you may have and check out our FAQ page for more info(shipping, refunds etc..).
Please be a responsible pet owner and check your pets collar regularly for signs of wear and tear. Dream N' Design shall not be liable or responsible for any injury or loss caused directly or indirectly by our products.


14K Gold Two-Stone .80 CTW Round Diamond Engagement Ring
Trending now are two-stone diamond engagement rings. This two-stone engagement ring has filigree sides enhancing the swirls of sparkling diamonds surrounding two 4.4mm SI1 clarity, G-H color, .66 CTW round full cut diamonds, giving this engagement ring a soft, feminine and rich look. It contains twenty (20) 1.00mm full cut SI1 clarity , G-H color full cut diamonds, two (2) 0.90mm, SI1 clarity, G-H color full cut diamonds, and two (2) 0.80mm SI1 clarity, G-H color full cut diamonds. Choose from sizes 5 to 9, and choose from 14k Yellow Gold, 14k White Gold, 14k Rose Gold, or Platinum.


This is my new Yixing Teapot. It is sort of a novelty what with the pig theme and all, but the workmanship is pretty nice, the lid fits very well, pours well, and I find it quite attractive in composition. It is made of black zisha clay, and the pig on the top has 'fu' characters on it. I am using it for Shou Pu-erh, and I find it really brings out the flavors in a tea I had previously only brewed in a gaiwan. I can't wait to go to Yixing!


March 3rd, 2013
I am very excited to announce that “The Secret Garden – Necklace” has received the 2013 NICHE Award in the Jewelry, Gold with Stone category.
The NICHE Awards program recognizes the creative achievements of professional and student artists based in the U.S. and Canada. From close to 1,000 entries, the judges selected 40 artworks made by the professionals and 18 by students to receive top honors.
The Secret Garden – Necklace
The geometric shapes with the rough surfaced black Tourmaline create a stone pathway in the secret garden. The diamonds are the treasures that can be found along the journey.
18k yellow gold, black Tourmaline, diamonds
7.25 x 6.5 x 0.5 inch
March 24th, 2012
I am thrilled to announce that “The garden” Brooch/pendant has received the 2012 MJSA Vision awards 2nd place in the Gold Distinction.
“The Garden” Brooch/Pendant. Comprising 18k gold, brown and white diamonds, pearls, and steel, this brooch/pendant is like a secret garden with its own rhythm in mind. It features a group of scattered elements—pods, pearls, concave discs with cut-outs—that are linked together by linear elements. The pod elements are loosely attached, creating sounds when worn.
January 30th, 2008
I am always interested in reading comic books and watching movies. The similarity of them is that they both consist of frames. Each frame can be seen as a fragment of the movie. By connecting all the fragments together, the story has unfolded. I always have a picture in my mind after seeing a movie. I remember the silhouettes of children riding bicycles across the sky with ET in the basket. I also remember “Don” Vito Corleone sitting in a chair with a cat in his hand and listening to people’s requests in God Father. These pictures in my mind provide me memories of the stories and the movie going experiences.
I am also drawn to the daily objects that have been used by people. Usage presents the history of the object as well as the trademark of the people who used it. I have always liked a teapot that belongs to my father. It has a lotus root shape body with a vine like handle and pourer. There are a couple of lotus seeds on the lid that make jingling sounds while pouring the tea. Every time I see this teapot it reminds me of the life style and culture I am living in. With this teapot also come memories of teatime with my family. By connecting all the experiences, I have my own story with the teapot.
I think of my jewelry as fragments, carrying stories by using metaphor in my design, expressing the desire, wit or sensuality. I also see it as small sculptures, documenting the time and the emotion in which I live. Each piece, in a technical way, is an exploration of line and pattern; creating structure, form and motion. It also presents the imagination of the mind as well as the story and history of the making process. The work is not meant to isolate specific meanings, rather suggest a moment of thought where stillness, beauty and illumination can peacefully coexist. I believe that, while Art allows artists to understand themselves better, it also improves communication between human beings and can express a concern and love for society.


Deputy Minister of Investment Planning in the interim government
Born on August 4, 1963.
Master of Architecture from the University of Architecture, Civil Engineering and Geodesy, Sofia.
From April 1994 he is founder and partner in the "A-Three Architecture and performances" LTD. The company deals with the management of investment projects in the field of construction.
From 2003 he is also a manager of architectural and design studio "Vamos" LTD.
He has participated in the implementation of a number of administrative, industrial and residential buildings, hotels and structural works.
Member of the Chamber of Architects in Bulgaria and of the Union of Architects in Bulgaria, member of the Bulgarian Association of Consulting Engineers and Architects, of the FIDIC and EFCA.
Fluent in English and Russian.


Following the success of the accelerometer project, and the games which resulted from it, more ideas came about other kinds of sensor which could be connected to the pi. But we're not really interested in 'passive' sensors like temperature sensors, light sensors or soil moisture sensors. We're looking for ways to interact with the pi, especially for game-playing, and when possible in unexpected ways, like for example the stick from the forest controlling a video game.
One of the original ideas was to have one or more ultrasound distance sensors, perhaps hidden or disguised in some way, so that just by holding one's hand in the air in particular positions makes the pi do something, perhaps making a kind of theremin or whack-a-mole game.
However, these ultrasound sensors work by necessity in a pulsed mode, so the control cannot be continuous. Plus the volume which can be covered by these little transmitters is very restricted, and the measurement is only one-dimensional. So this idea was dropped for a while, until I found out about the Pimoroni skywriter "3D Gesture Sensor".
So what is it? It's just a flat, black rectangle which, through some kind of electric field, can tell what's in the space above it. If you hold your finger above the rectangle, this sensor outputs the (x, y, z) coordinates of where your finger is in that space, and also reacts to gestures like swipes and taps. One attractive feature is that the sensor is really thin and so could be easily hidden, especially if you cover it with a sheet of something non-conductive. So you've then got a "magic space" in 3D which does stuff even without you touching anything.
It comes in two different sizes, firstly the "HAT" version which fits directly on top of the pi (but only if the pi is a version B+ or 2), and secondly an "XL" version which as the name suggests is larger. I've got a Raspberry pi version 1B, so mine doesn't support the "HAT" interface anyway, and so I got the XL so that I've got a bigger volume in which to play.
As with the accelerometer, the pi communicates with this sensor using I2C, so that means as well as power, it uses the SDA and SCL pins of the Pi. Plus it uses another two GPIO pins for "TRFR" and "RESET". So that's 6 connections in all. For the "HAT" version of the skywriter, these connections are done for you just by putting the board on top of the pi, but for the XL version there's a little bit of soldering to be done.
The board just has 6 holes for the connections, to which you can choose to solder the included 6-pin header rail. But then you'd have headers sticking out vertically from the board, and then plugs attached to the top of those, and then wires coming out the top of those, which for me would intrude too much into the invisible magic space I'm trying to create. So I decided to take some flat ribbon cable and solder this directly onto the holes, meaning that everything stays flat and there is nothing to accidentally snag with your finger gestures.
The next question is, which side is up? That is, on which side of the board does the detection happen? The board doesn't give any clues, and there aren't any instructions included either. But some experimentation showed that the sensor side is the mostly black side with the chip on it, not the side with the large "Skywriter" logo and the "Tech specs". Which is a little odd, because most of the pictures one sees of the "HAT" version show that the sensor side for that one has a large "Skywriter" logo and no chip.
In any case, we need to connect the pins, and most of them are obvious. The pi's 3V3 goes to the sensor's VCC. The pi's 0V goes to the sensor's GND. SDA goes to SDA, and SCL goes to SCL. The only difficulty is with TRFR and RESET. But thanks to the ever-excellent MagPi, we find out that TRFR goes to pin 13, and RESET goes to pin 11. And that's the same also for the model 1B.
Because we're again using I2C for the communication with the pi, this sensor also needs the pi to be set up to enable I2C. But because we've already done this for the accelerometer, it's already done. If you haven't already done this, then you'd need to follow the instructions on the accelerometer page to set things up properly.
Now we just need some software on the pi to operate the sensor, and fortunately there is a bunch of python programs provided by Pimoroni at github.com/pimoroni/skywriter-hat.
For example, just run
python3 test.py to see the (x, y, z) coordinates printed on the screen. It looks like it's doing nothing (or taking ages to start) but actually it's just waiting for your finger. Put your finger over the sensor, and it'll scroll the coordinates (all x,y,z scaled from 0.0 to 1.0) up the terminal. Swipe quickly over the whole sensor and it'll register a "swipe" gesture with the direction (eg east -> west). Draw horizontal circles in the air over the sensor and it'll register an "airwheel" gesture with a value which is increased or decreased depending on the direction of the circle.
So now it's tested and working, and it's time to try out our own ideas.