This framed 2021 limited edition print by Pure Evil titled 'Marilyn Classic - Pink & Purple' is a 3 colour screenprint on 330gsm Fedrigoni paper. It has been signed and numbered by the artist in a limited edition of only 100.
Ths image of Marilyn is taken from a publicity photo for the film Niagara, an American 1953 film noir thriller film directed by Henry Hathaway. It was one of 20th Century Fox's biggest box office hits of the year. Unlike other film noirs of the time that were filmed in black and white, Niagara was filmed in "three-strip" Technicolor .
Monroe was given first billing in Niagara, which elevated her to star status. Her following two films of that year, Gentlemen Prefer Blondes, with Jane Russell, and How to Marry a Millionaire, with Betty Grable and Lauren Bacall, were even bigger successes.
Framed Size: 960mm (W) x 1125mm (H)
About the artist:
Charles Uzzell-Edwards produces Pop-inspired prints and street art under the moniker Pure Evil. The U.K.-born and -based artist’s vibrant, stenciled, spray-paint figurations riff on distinctly American iconography such as the Statue of Liberty and on Andy Warhol subjects such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor. Many of his portraits feature a signature splotch of paint, which drips like a tear just below the character’s eye. Pure Evil’s path to artmaking was long and varied. As the son of Welsh painter John Uzzell Edwards, he grew up in a creative household. After studying fashion and graphics in college, he worked as a clothing designer and recorded electronic music. Pure Evil finally arrived at street art while living in California, where he honed his practice across freeways and storefronts. The artist has since exhibited in New York, Los Angeles, London, Paris, and elsewhere.


Iris Ng is recognized as a versatile cinematographer, who lends her patience, creativity, intuition, and skill to bring a director’s vision to the screen. For over a decade, Iris has collaborated with award-winning directors Sarah Polley, Min Sook Lee, Fredrik Gertten, Vikram Jayanti, Michelle Latimer, and Martha Burns on a variety of documentaries while shooting a wide variety of films for artists such as Chris Curreri, Oliver Husain, Bambitchell, and Richard Fung.
Iris was intrigued at an early age by the photos and Super 8 movies that were created and preserved by the image-makers in her family. That discovery – that it is possible to capture the essence of a moment – has become a lifelong influence in her creative work.
After obtaining her BFA in Film Production from York University, she has honed her craft shooting over sixty projects in many facets of the industry, from narrative, art and documentary films to commercials, music videos and episodic television. In the process, she has had the opportunity to work in Asia, Africa, Europe, and across North America.
Iris brings a visual arts background to the projects she works on – which allows her to approach the work abstractly and conceptually, before tapping into the technical skills required to bring a director’s vision to screen. Iris is known for her intuition and patience balanced by strong technique.
She is equally comfortable working in the latest digital formats as well as 35mm, 16mm and Super 8 film, according to the needs of the story or concept. While her work has been screened in festivals and installations around the world, Iris’ goal continues to be to capture the essence of the moment in the medium, regardless of the size of the project.


Kids Summer Movies - 2014
Cheap & Free Summer Movies for Kids
Cinemark Summer Movie Clubhouse
Cinemark Theatres across the country are showing their Summer Movie Clubhouse Shows again this year! Every theatre will carry a different line-up of movies, so check the master list to see what's showing near you.
Phoenix Theatres @ the Legends
The Legends 14 Theater will be hosting FREE movies this summer in Kansas city every Tuesday, Wednesday & Thursday in June and July. Doors open at 9 am and the movie begins at 10 am. Two movies are shown each week, one rated G and the second rated PG -- see the full movie list for the summer!
Movies begin on June 9th - July 31st with shows on Monday - Thursday @ 10 am & 12:30 pm. Check their full Summer Movie Schedule for all theaters in the Kansas City area.
FREE (or $1) Outdoor Summer Movies
North Kansas City Parks and Rec
FREE -- Head out to Macken Park on July 11th to see Ender's Game & August 8th for a free showing of Despicable Me 2 with the kids - more details in the North KC Parks catalog on their website!
Crown Center Outdoor Movies
Grab a chair or blanket and enjoy a FREE Friday Night outdoor movie at Crown Center! This year, they are mixing things up a bit with lots of great options for teens and adults. And the Friday night movies now include a live musical group performing before the show. For kids, July 11th is The Sandlot and August 1st is the Wizard of Oz. They are also showing Jaws on August 8th - good for teens.
Pharoh Theatre at Independence Square
Moonlight Movies on the Square will host free weekly every Thursday evening this summer! Lots of family favorites will be shown! Find all the times and details on their website.
Theater in the Park
Spend the evening seeing a movie on Tuesdays this summer (and a few weekends once the theater shows have concluded). Movies are $1 -- bring your own chairs and blankets. Many nights have double features too. They are showing a lot of the vintage Disney films (love those!) and will have an Ironman marathon. Check the website for which movies are showing!
Not in our area
2014 movies are now posted! Check their list of movies that will be showing in your area (they vary by state). Kansas City is not participating in the Summer Movie Express.
Unfortunately, AMC no longer hosts a summer movie camp.


Kudumbashree Kannur District Mission organizes Woman Film Fest Updated On 2022-07-04
Kudumbashree Kannur District Mission has organized Woman Film Fest for Kudumbashree NHG members and Auxiliary Group Members. The Woman Film Fest was officially inaugurated by Ms. K.M. Jamunarani, Municipal Chairperson, Thalassery Municipality at Municipal Town Hall, Thalassery, Kannur on 29 June 2022.
The 'Woman' Film Fest' opens up an opportunity for thousands of NHG members to immerse themselves in the magical world of films that have created wonder in the hearts of people like Children of Heaven, Heidi, Village Rockstar and discover new levels of enjoyment. The Film Fest is organized in collaboration with the Kerala State Chalachitra Academy, Government of Kerala. The film screenings as part of the film festival are being held for a period of three months starting from July 2022 to September 2022 in 81 CDSs of Kannur district. The Film Festival also aims at introducing films that have gained national and international attention to the inner villages.
The cinema screening in a CDS is from 10 AM to 5 PM, on a fixed day. The exhibition space will be determined according to the availability of school and panchayat auditoriums. It will be coordinated in such a way that upto 150 people can watch the movie at a time. Films such as Basanti, Freedom Fight, The Great Indian Kitchen, Manhole, Ottamuri Velicham and Ozhimuri will be screened at the festival. All NHG members and auxiliary group members can be a part of the film festival organized under the leadership of the CDS.


Director Katsumi Sakaguchi’s newest film “Walking with My Mother”
Official selection of Tokyo International Film Festival 2014
Director Katsumi Sakaguchi captures the life of his mother, Suchi, 78 through film, as she lives with dementia and depression, coping with the loss of her daughter and then her beloved husband. In the film Katsumi documents a life of distress, frustration and grief as his mother tries to remain resilient against all the trials and tribulations that life has hurl against her. He captures his own feelings and emotions as he tries to understand the needs of his mother and his own, and to cope with the changes that life has brought for both of them. The film also showcases their travel back to Suchi’s hometown and the positive improvements that such a change brings.


09 July 2014
“Behind the Score: The Art of the Film Composer”
“Gustavo Dudamel joins fellow composers Gustavo Santaolalla and John Williams on Monday, July 21 at the Academy of Motion Picture Arts and Sciences for “Behind the Score: The Art of the Film Composer” at the Bing Theater in Los Angeles.
In a conversation hosted by Tavis Smiley, the trio will discuss significant musical moments in film that have inspired their work as they examine the art and process of creating a film score as well as the director-composer collaboration.
Gustavo Dudamel made his first foray into composing for motion pictures with “The Liberator (Libertador),” a biopic about Simón Bolívar. The film was screened in June at the Los Angeles Film Festival and will be released in Venezuela on July 24. The score for the film was recorded with the Simón Bolívar Symphony Orchestra of Venezuela, and the soundtrack will be released by Deutsche Grammophon.
Gustavo Dudamel and the LA Phil perform the Suite from Libertador at the Hollywood Bowl on July 29, as part of Americas & Americans Festival Noche de Cine, which will also include Santaolalla’s Suite from The Motorcycle Diaries. Program and concert details here.


The much anticipated finale of season 10 C aired this week and it delivered. Fans of the show have waited years to see the comic storyline of ‘Here’s Negan’ on screen and the show delivered it excellently and was able to tie it into the current storyline of season 10.
The episode starts as Carol walks with Negan out of Alexandria to Leah’s cabin where she reveals the council voted to banish him after everything with the whisperers and Maggie’s return. Feeling emotionally battered and bruised as he reflects on the man he used to be both pre-outbreak and post-outbreak he hallucinates his former self sitting in a chair next to him taunting him saying he’s nothing without his bat Lucille. Knowing he’s been banished he thinks back to the day Rick slit his throat and arrives back at the scene where he finds an old and aged Lucille buried in the grass. A flashback then starts that shows Negan 12 years prior at the start of the outbreak and then to seven months before the outbreak.
Negan is a completely different man he’s a bum and a scared loser that can barely handle walkers. The flashbacks reveal like in the comics Negan was a PE teacher and did cheat on his wife Lucille that was until she was diagnosed with cancer. The outbreak begins while she is receiving treatment and Negan trains himself to give her chemotherapy and tracks down a unit of mobile doctors that have the drugs and treatments he needs.
Lucille is shown for the first time in the series in this episode as both a human and a bat. Lucille is a sturdy women that takes no nonsense and saves Negan from a walker he struggles to kill with their last bullet while connected to her chemo machine while also showing heart and is humorous.
Negan is a devoted and caring husband to Lucille during the outbreak and gets himself kidnapped and almost killed trying to secure the drugs she needs. In touching scenes you see Negan make her smile by reading to her, playing with her various wigs with her, singing to her, playing darts with her and showing genuine remorse for his previous sins. Lucille begs Negan to stop travelling as far and to stop searching for her treatments as she grows weaker in front of him. Negan repeatedly avoids killing walkers saying that he does so as he doesn’t want to get used to killing, he knows within him at this point he has a violent streak as he reveals that he battered a man to a pulp pre-outbreak and almost didn’t stop.
It’s only upon his return to his wife after being on the road looking for her treatments for six weeks that he discovers she had taken her own life the night he left her as he discovers a note she wrote on their bedroom door begging Negan to put her down after she turns. It destroys him and and he burns their house down as their favourite song plays in a scene that is as heartbreaking and devastating as when Daryl had to put down Merle in season three if not more gut wrenching. He leaves on his bike to get revenge on his kidnappers who had imprisoned the doctor that helped him and the doctor’s daughter Laura ( as in Laura the Saviour seen during all out war) with the bat Laura gave him in an earlier scene. As the house burns he bursts the door down with Lucille in her full barbed wire glory in a scene that can only be described as bad ass. Lucille’s death was Lucille’s and Negan’s birth.
It’s during these revenge scenes where the Negan fans know best is born as he says that before when he was angry he couldn’t inflict the damage he wanted to as there was consequences whereas in the apocalypse he won’t be put in jail, he won’t be sued whereas now he is able to embrace this side and see what he is capable of.
The episode ends as you see Negan kill a walker with Lucille and the bat shatters into pieces as does the rest of his spirit. He takes it back to Leah’s cabin wraps it in cloth says his goodbyes and burns it the same way Lucille was laid to rest by him as he says his goodbyes to his wife and the man he used to be. He then walks back into Alexandria to see Maggie give him a look that says ‘I’ll kill you’ to which he responds with a smile. He told the bat as it burned he would do Lucille’s fighting for her, it’s unknown if it’ll be the old violent Negan that returns or the soft soul Lucille seen him as.
This episode has became an instant fan favourite and has even been ranked as the fourth highest rating episode of the full series according to The Walking Dead’s official Twitter account. The episode was a mixture of moving, sadness and joy as viewers are able to see every layer there is to Negan and what caused him to become the infamous villain he is today. In an emotional rollercoaster of an episode that keeps you on the edge of your seat as every twist and turn is explored it makes you realise Negan is who he is today because of both Lucilles, the bat and his wife.
Overall rating 10/10


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Among the hundreds of critically acclaimed and award-winning titles to be featured on FilmStruck are Babette’s Feast, Blood Simple, Breaker Morant, The Apartment, A Hard Day’s Night, The Graduate, Modern Times, My Life as a Dog, The Player, A Room with a View, Seven Samurai, The Seventh Seal, This Is Spinal Tap and The Third Man and many more.
FilmStruck is also the exclusive home of The Criterion Channel. To learn more about the Criterion Channel, see that section in our Help Center.


Are you looking for a great movie-going experience in Austin? Look no further than the city's best movie theaters.
From classic venues with rich histories to modern theaters with state-of-the-art technology, Austin has a diverse range of options for movie lovers.
The best movie theaters in Austin offer more than just a place to watch a film. They provide an immersive experience that transports you to another world.
From the moment you enter the theater, you are transported to a different time and place, whether it's a classic movie palace or a modern multiplex.
Austin's movie theaters offer a variety of amenities that cater to movie-goers of all kinds. Some theaters offer luxury seating with comfortable recliners, while others provide food and drink options to enjoy during the movie.
The city's theaters also feature a variety of films, from the latest Hollywood blockbusters to independent and foreign films that you won't find anywhere else.
Whether you're a film buff or just looking for a fun night out, Austin's movie theaters have something for everyone.
So, grab some popcorn and settle in for a great movie at one of the city's best theaters.
1. Alamo Drafthouse Cinema Mueller
Alamo Drafthouse Cinema Mueller is a stylish and modern movie theater that offers a unique dining experience.
Customers can enjoy delicious food and drinks while watching new and classic films. The theater has comfortable reclining seating and a spacious 140-capacity room.
Each seat has a small table for eating, which is especially convenient for sharing meals with friends and family. The staff is friendly and professional, and the amenities are well-maintained.
The parking situation can be challenging, but the theater offers parking validation. Alamo Drafthouse Cinema Mueller is a great place to visit for a fun night out at the movies.
2. Bullock Museum IMAX Theatre
The Bullock Museum IMAX Theatre is the top movie theater in its area. Offering a one-of-a-kind experience, the theater boasts a massive screen with impeccable sound and visuals.
The theater is always clean and the chairs are comfortable. Although there is no assigned seating, the lines are short and move quickly.
The staff is perky and pleasant, making the experience even better. The theater specializes in presenting 3D films on a giant screen, including blockbusters.
If you are a movie enthusiast, the Bullock Museum IMAX Theatre is definitely worth checking out.
3. AFS Cinema
AFS Cinema is a modern and stylish movie theater that offers a unique cinema experience.
With a focus on independent and foreign films, this two-screen venue is perfect for movie lovers who want to see something different.
The theater also features a full bar and concessions, making it a great spot to enjoy a drink or snack before or after the show.
Whether you're a film buff or just looking for a fun night out, AFS Cinema is definitely worth a visit.
4. Moviehouse & Eatery by Cinepolis NW Austin
Moviehouse & Eatery by Cinepolis NW Austin is an exceptional movie theater. With plush chairs and tables, it's an ideal place to relax and watch a movie.
The service is quick, and the sound quality is top-notch. You can enjoy classic and current movies with ease.
The food is consistently good, and the staff is always helpful. The theater is always clean, and the seating is comfortable.
Moviehouse & Eatery by Cinepolis NW Austin is a must-visit for movie lovers who want a great movie experience.
5. Southwest Theaters Lake Creek 7
Southwest Theaters Lake Creek 7 is a first-run movie theater that offers recliners in all auditoriums. The theater has excellent audio and a great screen quality.
Customers can reserve their seats online in advance. The theater serves beer and wine, making it a perfect place to relax and enjoy a movie.
The best part is that the prices are affordable, making it a great value for money.
If you're looking for a comfortable and enjoyable movie experience, Southwest Theaters Lake Creek 7 is definitely worth checking out.
6. Violet Crown Cinema
Violet Crown Cinema is a locally owned movie theater that shows indie, documentary, and foreign films.
The cinema has small, comfortable theaters with high-quality picture and sound. The cafe and bar offer a diverse selection of food and drinks.
The seating is comfortable and clean, and there is no stale soda or popcorn smell. The cinema has reserved seating and an attached garage for free parking.
The employees are friendly and helpful. Violet Crown Cinema is a great place to watch unique films and enjoy good food and drinks.
7. Blue Starlite Mini Urban Drive-in – Austin Downtown ATX
If you're looking for a unique movie-going experience in the heart of the city, Blue Starlite Mini Urban Drive-in is worth checking out.
With a focus on privacy, you can enjoy a movie night with your own snacks and blankets from the comfort of your car.
The friendly staff is always prepared to help with any technical difficulties and the view of downtown Austin is a great backdrop for your movie.
While parking can be a bit tricky, it's worth arriving early to snag a good spot. Prices may be higher than a traditional theater, but the experience is worth it for a memorable night out.
8. EVO Cinemas Belterra
EVO Cinemas Belterra offers a comfortable and modern movie theater experience. With fully reclining lounge chairs and great viewing and sound quality, moviegoers can enjoy their favorite films in style.
The theater is typically not crowded, making it easy to find a good seat and enjoy the show.
The staff is friendly and helpful, and the food and drink selections are good.
The theater is also conveniently located near several restaurants, making it easy to grab a bite to eat before or after the movie. For a great cinema experience, EVO Cinemas Belterra is a top choice.
9. Galaxy Theatres Austin
Galaxy Theatres Austin is a top-notch movie theater that offers an exceptional viewing experience.
The upgraded theaters feature comfortable seating, awesome sound effects, and a good selection of craft beers. The concession stand offers elevated snacks, and the popcorn is delicious.
While the room temperature may be a bit warm and stuffy, the theater is clean, and the staff is friendly.
The seating is well spaced, providing a safe and enjoyable movie-going experience. Galaxy Theatres Austin is definitely worth a visit for anyone looking for a great place to watch a movie.
10. IPIC Theaters
IPIC Theaters is a luxury movie theater chain that offers a high-end cinematic experience.
The plush seating is incredibly comfortable, and each theater has a small number of seats, providing an intimate setting. The food and drink options are top-notch, with a full wine menu and gourmet light bites.
In-theater dining service is available, adding an element of convenience and luxury to the movie-watching experience.
The interior design is beautiful, and the staff is friendly and prompt. IPIC Theaters is a great choice for those looking for a more upscale movie experience.
11. Regal Metropolitan
Regal Metropolitan is a great movie theater option with a unique aesthetic. The lobby is spacious and the staff is customer-friendly.
The theater is clean and comfortable, with standard seating and no assigned seats. The sound and projection quality are good, and the temperature is usually just right.
The theater offers a variety of refreshments, including beer and wine. There are multiple screens featuring new release films.
Parking is ample and the theater is easily accessible. If you're looking for a solid movie-going experience, Regal Metropolitan is a great choice.
12. AMC DINE-IN Tech Ridge 10
AMC DINE-IN Tech Ridge 10 is a top-notch movie theater with comfortable seats that recline and leg rests. The sound and picture quality are excellent, making for an immersive movie-going experience.
The staff is friendly and attentive to customers' needs, and the theater is always clean and well-maintained.
The food and drink options are plentiful, including alcohol that can be consumed during the movie. The Dolby theater is a must-visit for movie buffs looking for the ultimate cinematic experience.
All in all, AMC DINE-IN Tech Ridge 10 is a great place to catch the latest blockbuster or enjoy a night out with friends and family.


THE STORY - Suzy (Jessica Harper) travels to Germany to attend ballet school. When she arrives, late on a stormy night, no one lets her in, and she sees Pat (Eva Axén), another student, fleeing from the school. When Pat reaches her apartment, she is murdered. The next day, Suzy is admitted to her new school, but has a difficult time settling in. She hears noises, and often feels ill. As more people die, Suzy uncovers the terrifying secret history of the place.
THE CAST - Jessica Harper, Stefania Casini, Flavio Bucci, Miguel Bosé, Barbara Magnolfi, Susanna Javicoli, Eva Axén, Alida Valli & Joan Bennett
THE TEAM - Dario Argento (Director/Writer) & Daria Nicolodi (Writer)
THE RUNNING TIME - 98 Minutes
THE GOOD - Dario Argento crafts a sleek and inventive horror film that is downright visceral in its execution. The use of color and color theory is in a whole other playing field and few horror filmmakers have used color as well as Argento does here. The score is one of the greatest to appear within the horror genre. Jessica Harper's performance is one that should be closely examined and applauded.
THE BAD - Nothing
THE OSCARS - None
THE FINAL SCORE - 10/10
Read the FULL REVIEW
By Josh Williams
Films are an art form that can capture unique emotional experiences within their individual frames. Specific films will evoke certain emotions that you seemingly cannot escape, whether it connects with a specific moment in your life or if the simple execution of the film is so immaculate and masterful that you cannot help but be moved by what you are witnessing. Films are meant to get under our skin, into our veins and exist within our lives on a truly intimate level. A film that is on this level for me and continues to impact me after each repeat viewing is Dario Argento's magnum opus, "Suspiria."
After arriving at a prestigious ballet academy in Germany, American newcomer Suzy Bannion (Jessica Harper) comes to the realization that there may be something hidden beneath the surface of this acclaimed academy. Something that is not only ominous in nature but ferociously violent as well. After a slew of murders involving students who attend the academy the curtains slowly begin to peel back for Suzy as the dark secrets that are kept underneath the floorboards reveal themselves.
"Suspiria" is an art-house horror film through and through, blurring the line between a traditional horror film and a psychedelic avant-garde type film. Argento brilliantly collides the world that the protagonist Suzy thinks she is going to be living in and the world that the film truly takes place. Although "Suspiria" clocks in at a brisk hour and 32-minute run-time, the pacing is absolutely flawless. There is a never a moment that should be cut a little shorter or a moment that should have lasted a little longer. Everything plays out in full right before our eyes and we see everything we are meant to see within the moment. Never is there a time where we wish we would have been shown more, particularly within the murder scenes. Often times, the indulgence of violence and gore in horror films is sought after by horror fans, which is totally fine. But Argento finds a healthy middle ground in this specific region of the genre. One murder, for example, will never show a stabbing with a knife in a single take but it would rather cut between the stabbing motion and the actor's reaction to getting stabbed. But with another murder, every single cut in the scene is highlighting a different moment of the murder in its entirety. Argento is able to utilize both of these styles to great effect and he knows the exact moment to use them so that it will be the most effective.
Not only is the film paced in a genius manner but it is visually one of the most stunning horror movies to date. It would easily land a spot in the top five most visually appealing horror movies ever made. The shot composition is strikingly haunting but what sets the film apart from others of the same caliber is the use of color. There are other horror filmmakers who have a knack for how to utilize color in their films but Argento treats color like it's a character in the film. The color serves a clear and distinct purpose which is responsible for certain emotional shifts, power dynamic shifts, or even specific story cues within the film. An entire scene will be coated with an almost blinding shade of red and several different saturation levels of that same hue. But in the exact same scene, Argento will cut to a piercing green or a mellow blue and force our mindset to completely shift in tone and feel that the weight of the film is changing. There is a dedication to using color as a tool to advance not only the story but the emotional impact of it as well.
"Suspiria" is one of those films that has had a tremendous influence upon those who have seen it in the 41 years it has been with us. Some of it is indescribable and other times it comes across as crystal clear. But the biggest component that helps deliver the emotionally visceral experience of "Suspiria" is through Jessica Harper's performance. Harper takes on this confident, intelligent and curious character that resonates with just about all of us. There is typically a moment in everyone's life where you have suspected that something much larger has been happening in the background of what you are seeing. Whether it actually turns out to be that larger thing or not is case by case, but Harper's experience is a terrifying and an emotionally scarring one.
The character of Suzy Bannion wants nothing more than to dance at the most prestigious ballet academy in the entire world and that suddenly is ripped from her once the terror hidden within the walls of the school is revealed. It is clear that Suzy has dedicated her entire life to get to this one place and now, due to unfortunate circumstances, it is being taken away from her in one of the most terrifying ways possible. The character of Suzy and the subtle nuanced performance from Jessica Harper are what makes the film. Harper's ability to show the slightest bit of discourse or fear in a moment through a change in body language, her delivery of a line of dialogue, or even just the shift in her eyebrows or mouth is downright outstanding.
"Suspiria" is a horror film that is not only terrifying in every way imaginable but it also affects you on an incredibly deep emotional level. The character of Suzy Bannion is what sets "Suspiria" apart from other films of the same caliber. The deliberate and genius use of color from Argento and cinematographer Luciano Tovoli is not only a stunner to the eyes but also serves a purpose to the overall story and the emotional tone of the film. Auditorially, the iconic score by Argento and Goblin is also utilized in such a way that all of these combined elements make "Suspiria" an art-house horror film that will never lose its lasting effect on those who experience it. With every viewing, "Suspiria" gets more and more gut-wrenching, more and more emotionally devastating, and most of all, more and more brilliant.


Mom Blogging Goes Hollywood
I’ve always liked Uma Thurman, but when she emerged as the central muse in the twisted world of Quentin Tarantino she stole my heart once and for all. Mrs. Marsellus Wallace in Pulp Fiction? Swoon.
When I heard Uma was starring as a mom blogger in her next film, it was hard to shake the image of her as The Bride in the Kill Bill flicks — kick ass yellow jumpsuit, bloody sword, fiercely beautiful and totally lethal. Then I remembered that it was the ferocious drive to reclaim her lost daughter that drove her through the second film — so in addition to being a real-life mother, Uma knows how to play motherhood and then some.
Motherhood was written and directed by Katherine Dieckmann, who I got to spend some time with this afternoon on a conference call with a handful of other NYC-area bloggers. Couple of things you might want to know about Katherine and Motherhood:
The movie was made almost entirely by women. That rocks.
Katherine drew from her own life in creating it; in fact, the film was shot in the building where she lives. She said she awoke each morning to the sound of the crew setting up, got her kids fed and off to school, and went to work. Downstairs. Which also rocks.
Katherine’s kids loved the craft services. Anyone who’s been on a TV or film set knows what this is. It’s food, and lots of it. The kids called it “crafty” and apparently got obsessed with it because Katherine is not a “big snack giver.”
One of the reasons Katherine was inspired to make the movie is that she couldn’t find any authentic representations of motherhood on the big screen. She cites Baby Boom (Diane Keaton as J.C. Wiatt, amazing) as one of the last movies to treat motherhood as the complex juggling act it really is. (That was 22 years ago, by the way.)
I can’t wait to see this movie. I love Uma playing disheveled. She’s incredibly endearing, and with Minnie Driver as her BFF and Anthony Edwards as her hub, what’s not to love. I also love movies shot on location in this city. I can’t help but wonder if Motherhood won’t be just a little bit of a love letter to the West Village, since it’s where Katherine makes her home.
Finally, I love that blogging — mom blogging, specifically — is in the spotlight with nary a mention of FTC guidlines or brand shilling controversies. Maybe this film will put the focus back on what’s been true about mom bloggers from the beginning: they tell it like it is about motherhood. Authentically, unfiltered, with some of the most beautiful writing on the internet. They are raw, passionate, angry, joyful, supportive, frantic, serene, hilarious, loving. Some times all at once. I am not surprised — and eternally grateful — that it’s a woman bringing this glorious cacaphony to the silver screen.
Motherhood opens in select markets October 23rd. Get more info here.
[Disclosure: There are no material connections between the makers of Motherhood and me. All they did was invite me to participate in a conference call. I realize I’ve just set a dangerous precedent as a cheap date. What I really want but am too shy to request is to go on a playdate with Uma, Katherine and their kids. I might even remember to bring my kid. Katherine says it’s okay to drink wine during playdates, provided the children are not put in harm’s way. So clearly we were meant to be best friends.]


The Health For All Film Festival – inviting filmmakers to submit ‘Health For All’ short videos
24 October 2019 – 30 January 2020
In May 2020, on the occasion of the 73rd World Health Assembly, WHO will host the first-ever Health for All Film Festival in Geneva, Switzerland.
WHO is inviting filmmakers, both amateur and professional, to participate in the inaugural film festival by submitting short videos falling in one of 3 categories:
- short films showing human-interest stories and testimonies about health from individuals, communities, and/or healthcare workers navigating a personal, local or global health challenge, championing solutions, or driving change;
- animations showing testimonies, health messaging and/or challenges and solutions to achieving health and well-being for all, or to educate about a health issue; and
- videos celebrating the work of nurses and midwives, showing how they impact people’s lives and the daily realities of their work.
Closing date for entries is 30 January 2020.
Visit the WHO Health For All Film Festival website for more information.


Ethan Sisser, a young man with terminal brain cancer, sits alone in his hospital room. When he starts live streaming his death journey on social media, thousands of people around the world join to celebrate his courage. Still, Ethan envisions more – to teach the world how to die without fear. To do that, he needs to film his death.
Honoring Ethan’s wish, his doctor Aditi Sethi transports him to an idyllic house in the Blue Ridge Mountains of Asheville, North Carolina. What unfolds next is a story rarely glimpsed: how a community of strangers helps a young man die with grace.
A sensory immersion into leaving the body, “The Last Ecstatic Days” reveals a man who will not let us forget him – even after he’s taken his final breath.
The Last Ecstatic Days recently premiered at the Santa Fe International Film Festival to sold-out audiences and rave reviews. The film has since screened at Meow Wolf (Santa Fe), the Congressional Cemetery (D.C.), the Tibet House (NYC), the Psychedelic Assembly (NYC), and the Grief & Death Festival (Istanbul). The Boston Globe called the film a “…courageous end-of-life chronicle, which overflows with compassion and shows us how to live mindfully while embracing curiosity about what lies beyond.”


First off, I put this in my top five favorite horror movies of all time! Ok all you smarty-pants out there, I know what you’re all exclaiming, “It’s not a horror movie!” Oh no, did it scare the dickens out of you the first time you saw it? When you went to the beach and got waist deep in the water, tell me you didn’t think twice? Not convinced yet? I guess you thought “Mars Attacks!” was a truer horror flick…
I will never forget the first time I saw Jaws. I was glued to the seat from start to finish. I jumped, I held my breath; this was one of the experiences that made me fall in love with movies. This was probably the first film where I completely forgot everything around me. I was there, in that boat, in that gloomy cabin, with those people – everything seemed so real (and alas, the sea never looked the same again). When I watch it these days I still marvel: the atmosphere and the performances in this film are simply magical.
Based on Peter Benchley’s bestselling novel, ‘Jaws’ centers around the fictional North Atlantic resort island of Amity, which finds itself terrorized by an enormous great white shark. The dynamics of Richard Dreyfuss, Roy Scheider and Robert Shaw’s relationship(s) work brilliantly. The differences in their characters persona’s is such that they rub each other up the wrong way, disrespect one another and wind each other up but in the end they are there for each other and develop a bond that I think surprises them all.
Jaws start off with one of the most terrifying scenes in horror movie cinema, a young pretty girl goes into the water and is brutally attacked and killed by an unknown creature in the water. The next day Chief Brody investigates suspecting a shark attack, and urges the mayor, Larry Vaughn, to shut down the beach, but afraid of a panic and fewer tourists, Larry ignores the chief’s suggestions and keeps the beach open leading to another attack on a young boy. Brody calls in Matt Hooper, a marine scientist to see if they can find the shark. But when another attack ensues and almost kills Brody’s young son, Michael, he, Matt, and a cocky man, Quint go out to find Jaws themselves.
This turns into several of the greatest cinematic scenes of all time, like the “Indianapolis” speech brilliantly given by Quint. Robert Shaw’s Quint is one of the greatest anti-heroes the movies have ever seen. He is funny and frightening all at once, and the famous soliloquy in which he recalls the tragic sinking of the USS Indianapolis–where, over the course of a week waiting for rescue, at least 90 US Navy personnel died from shark attack wounds–is one of the most chilling and unforgettable performances ever committed to film.
Then, one thing that is interesting about this movie, you do not see the shark until Brody is just chucking blood to attract the shark over his shoulder and Jaws appears roaring out of the water! “We’re gonna need a bigger boat!” he replies to Quint. And then the scene where Jaws jumps onto the boat and Quint is trapped sliding into Jaw’s, well, jaws! That’s the scene that nightmares are made out of! Jaws is one of my favorite films of all time. It’s one of those films that should never be missed because it is so important.
Always a joy to experience over and over again, this film is the ultimate scare show to end them all! Sometimes, a lot of us fans cannot seem to get enough of this instant classic!
My Halloween Horror Movie Rating!
My rating, out of five fangs, this one gets 5 bites, and if I could I would give it five more!
Next, I will review the film that scared you back to church!


ALEXANDRA AND EDWARD
Back in August, we had the pleasure of putting this short film together for our good friends wedding. Thank you to the Boyd and Lawson families for giving us the opportunity to capture your special day!
Production Company: Far North Visuals
Directed by: Ian Boyd
Executive Producer: Noah Vaton, Grady Robertson
Cinematography: Grady Robertson, Noah Vaton, Oscar Wolfgang
Edited by: Grady Robertson
© Far North Visuals 2023


09 Jun Harry Potter and the Cursed Child
So far, I have only had the experience of seeing Part Two of the Harry Potter play, currently showing at the Princess Theatre in Melbourne. It was absolutely brilliant. If you have tickets, or access to tickets, I don’t think you will regret it. The plot is compelling and the stage craft is amazing.
When we left they gave us badges with the hashtag #keepthesecrets so I am not sure how much I should tell about this marvellous production. I was given tickets by a friend, but had I known how amazing it would be, I would have paid.
The people responsible for the set design crafted a world which was as amazing as it was brilliant. I loved the story, of part two. However, people said that part one involved more magic, and more trickery. I certainly would suggest seeing both parts, especially if you can get discount tickets at other times of the year. I had an obstructed view, but it really made no difference to my enjoyment of this amazing production.
Three hours over two nights. It sounds like a lot but it goes fast. It is compelling and fun to be a part of the action. Great theatre and story telling.


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Roger Craig Smith is an American voice actor and former stand-up comedian. He is the voice actor for Bobby, Pinkeye, and Billy the Skunk.
He is best known as the former voice behind Chris Redfield in the Resident Evil series, Ezio Auditore da Firenze in the Assassin's Creed games, Deidara in the anime Naruto: Shippuden, Zhang Liao in the 6th-8th installments of Dynasty Warriors, the current voice of Steve Rogers/Captain America in Ultimate Spider-Man, Avengers Assemble, and Iron Man & Captain America: Heroes United, several characters, including Thomas/Nikolai in Regular Show, Shinji Hirako in Bleach, Martin Reest in Monster, Percy and Belson in Clarence, Batman in Batman: Arkham Origins and Batman Unlimited, Kyle Crane in Dying Light, and as the current voice of Sonic the Hedgehog in the Sonic the Hedgehog series since 2010.
Born in St. Joseph, Michigan, Smith graduated from Chapman University's Dodge College of film and media arts in 2003 also with a degree in screenwriting. In 2004, his screenplay "Modesto Rules" was a semi-finalist in the Nicholl Fellowships in Screenwriting competition. Out of a record-setting 6,073 screenplays submitted, Smith's was one of only 132 to make it to the semi-finals. Since then, Smith has worked on projects for both the small and big screens.


The Banff Mountain Film Festival, a program of The Banff Center, is the largest and one of the most prestigious mountain festivals in the world. Hot on the heels of the festival held every fall in Banff, Alberta, the Banff Mountain Film Festival World Tour hits the road. With stops planned in about 390 communities and 35 countries across the globe, this year’s tour features a collection of the most inspiring action and adventure films from the festival. From approximately 300 films entered into the annual festival, award winning films and audience favorites are among the films chosen to travel the globe.
March 3, 2017 @ 5:00 pm – 10:00 pm
$20 general admission | $75 private reception from 5pm to 6:30 (includes advanced seating, 2 drink tickets, dinner and dessert)


Telling the classic tale of Clark Kent/Kal-El, a Kryptonian orphaned by the destruction of his homeworld, Man of Steel brings a Superman for the 21st century to the big screen. Emulating producer Christopher Nolan’s epic Dark Knight trilogy, Zack Snyder’s superfilm is a much darker tale than we have previously seen.
Throughout the movie, there are some pretty epic battle scenes. If Superman Returns was criticised for its lack of action, then Man of Steel is exactly the opposite. In the opening act alone we get a magnificent school bus save and an exciting oil rig rescue, and that’s before he’s even gets around to donning the supersuit!
The cast throughout the film are superb. Henry Cavill seems born to play the role of Superman, and Amy Adams shines as a strong and confident Lois Lane. That she knows his secret identity from the off makes for an interesting change in the dynamic between them. Michael Shannon’s General Zod is perfectly pitched, and the supporting cast of Kevin Costner, Diane Lane, Russell Crowe and Laurence Fishburne are all strong.
The film is not without its flaws, however. The superfight set pieces drag on a bit; once you’ve seen a superpowered man crash through a dozen skyscrapers, the next dozen are a little tiring.
In the classic canon, too, Clark’s adoptive father Jonathan Kent instils in him a belief in hope and the goodness of humanity. While Kevin Costner’s take on the role is good, his paranoia leads to a different kind of Superman: one that is certainly more brutal. Superman is unlike Batman: his message is one of hope, as symbolised by the insignia on his chest. With that in mind, the tone of the film is very dark and the colours fairly muted; perhaps it would have benefited from being a little lighter in both respects.
Man of Steel, then, isn’t perfect, but it’s a step in the right direction. With the news of a sequel already on the horizon, we can but wait to see what the future will bring for the original superhero.


Escrita por Tom Stoppard, e transmitida pelas rádios BBC 2 e BBC 6 Music em um evento de multicast, a peça áudio-visual, que como visto anteriormente aqui no blog, conta a história de "Dark Side of the Moon" através de uma série de experimentos mentais envolvendo Emily como personagem principal, vai ganhar uma edição luxuosa nos moldes de um livro capa-dura, que incluí um CD (54 min) com a quase totalidade do álbum homenageado, e 56 páginas contendo a íntegra do roteiro da peça. O lançamento está previsto para 25 de novembro deste ano, pela editora Faber & Faber.
Abaixo o original da divulgação pelo site do "Pink Floyd" (pinkfloyd.news):
The 'Darkside' play, written by Sir Tom Stoppard for BBC Radio 2, to celebrate the 40th anniversary release of The Dark Side of the Moon is be released worldwide as a deluxe CD package on Monday 25 November. Distributed worldwide by ADA for Parlophone/Warner Music group, the play was an original commission by BBC Radio 2, and broadcast in the UK on 26 August 2013. It will now be available to fans outside the UK with its release on CD and digital download.
Produced in collaboration with Sir Tom Stoppard's publishers Faber and Faber, the package resembles a hard-backed book, including a CD carrying the 54-minute play, which includes the majority of the Dark Side of the Moon album, plus a 56-page bound insert of the play's script in English.
Sir Tom Stoppard said: "When 'The Dark Side of the Moon' was a new album in 1973, a friend of mine walked into my room where I was working with a copy in his hand and said 'You really have to do a play about this album'. So, when, roughly 39-and-a-half years later, Jeff Smith from Radio 2 asked me if I'd like to do some kind of play around the 40th birthday of the Pink Floyd album, it really wasn't a very difficult decision".
The cover features design and photography by StormStudios, in collaboration with Hipgnosis designer Aubrey 'Po' Powell, based on the specially-created Aardman Animations piece used to publicise the broadcast. The full play script includes all the dialogue and stage directions, plus Roger Waters' original lyrics from the album. The release also features a bonus disc with text translations in German, French, Spanish, Italian, Dutch, Portuguese, Japanese, Mandarin, and Russian.
'Darkside' is an abstract and compelling drama which follows Emily, a philosophy student, through a series of thought experiments, which are vividly brought to life. The play also ranges over a series of grand themes, which are both thought provoking and laced with Stoppard's characteristic wit and humour. The impressive cast includes Bill Nighy as Dr Antrobus/the Witch Finder, Rufus Sewell as Mr Baggott/Ethics Man, Adrian Scarborough as Fat Man, and Amaka Okafor as Emily.
Left to right: Rufus Sewell, Iwan Rheon, Sir Tom Stoppard, Amaka Okafor, Bill Nighy.
David Gilmour: "I found the script of Tom's play fascinating; I can't think of a better way to celebrate The Dark Side of The Moon's 40-year anniversary".
Nick Mason: "I love it. If anyone is going to mess with the crown jewel of albums, Tom is a very good choice".
Bill Nighy: "To get a combination of Tom Stoppard and Pink Floyd ... is a massive deal, a marriage made in radio heaven".
The radio play was produced and directed by James Robinson.


May the fourth be with you. No, I’m not a Star Wars fan with a horrible lisp, just a Star Wars fan who loves to celebrate arbitrary holidays. Happy Friday, but more importantly, happy Star Wars day!
I’d like to thank start off by thanking Star Wars for existing. As a kid, I never really understood the franchise, as I wasn’t wielding a lightsaber in the womb. Although I wasn’t raised on the ways of the force, like some, I grew an appreciation for the iconic movie series at the perfect time in my life. Late high school, where I could wear the “nerd card” on my sleeve and be proud of it. I mean I was already in marching band, so how much worse could my social suicide really get?
Fortunately, I didn’t care and was able to fall in love with Han Solo, Lando, and Chewbacca. I instantly took a liking towards the rebel alliance, and when Disney acquired Lucasfilm, I knew I was destined to be a Star Wars geek from here on out.
Thanks to a galaxy far far away, I’ve been able to bond with so many different people and create friendships to last a few light years. I’ve discovered that a Chewie hug can make any problem disappear. I even spent this past Christmas with my old roommate watching the Star Wars Holiday Special that we like to pretend doesn’t exist. And my newly acquired box set will always provide the perfect date night with my equally geeky boyfriend.
Proud to wear my love for Star Wars on my sleeve, and to be binging episodes one through eight today to celebrate the holiday.
Have a nerdy Friday, and may the force be with you, always.


One of my favorite movies is the 2003 "Luther," starring Joseph Fiennes. One of my favorite lines from the movie comes from Luther preaching in the Wittenburg church. I had assumed that the makers of the film may have taken some artisitic license in creating this sermon. But it turns out that some of the words come directly from a letter written by Martin Luther to his friend, Jerome Weller, in 1530. Here is the excellent quote for your edification:
When the devil throws our sins up to us and declares we deserve death and hell, we ought to speak thus:
“I admit that I deserve death and hell.
What of it?
Does this mean that I shall be sentenced to eternal damnation?
By no means.
For I know One who suffered and made a satisfaction in my behalf.
His name is Jesus Christ, the Son of God.
Where he is, there I shall be also.”
-Martin Luther, h/t Justin Taylor


Frozen, the Broadway Musical, is a captivating theatrical extravaganza that brings to life the enchanting tale of sisterhood, magic, and self-discovery. Inspired by Disney's beloved animated film, this stage adaptation weaves together the heartwarming narrative of Queen Elsa and Princess Anna from the 2013 blockbuster, Frozen. Packed with mesmerizing performances, innovative stagecraft, and soul-stirring music, this theatrical production has captured the hearts of audiences worldwide.
Unveiling the Magical Plot
The storyline of Frozen the Broadway Musical revolves around Queen Elsa of Arendelle, blessed with mystical ice powers that inadvertently plunge her kingdom into an eternal winter. Her sister, the adventurous Princess Anna, embarks on a courageous journey accompanied by the rugged iceman Kristoff, his loyal reindeer Sven, and the lovable snowman Olaf. Their quest? To reunite with Elsa and save their kingdom from the icy grip of eternal frost.
Fusion of Artistry: CGI and Hand-drawn Animation
What sets Frozen apart is its innovative fusion of computer-generated imagery (CGI) and traditional hand-drawn animation techniques. The masterful blend of these two artistic styles creates a visually stunning spectacle that transports audiences into a world where magic meets reality. The seamless integration of technology and classic animation techniques elevates the storytelling, captivating spectators young and old alike.
Visual Inspirations and Creative Endeavors
A hallmark of Frozen's creation was the meticulous research undertaken to infuse authenticity into its visual representation. Drawing inspiration from the enchanting landscapes of Scandinavia, particularly Norway, the creative team embarked on extensive research expeditions to locations like Quebec City, Wyoming, and Norway itself. These journeys enriched the film's visual tapestry, capturing the essence of the snowy landscapes and Nordic charm that define the movie's setting.
The Unforgettable Anthem: "Let It Go"
A cornerstone of Frozen's success is its iconic song, "Let It Go." Sung by the talented Idina Menzel, who voiced Elsa, this anthem resonated with audiences worldwide, earning accolades and becoming a cultural phenomenon. Its empowering message of self-acceptance and liberation struck a chord with fans, making it an enduring melody that continues to captivate hearts globally.
Awards and Acclaim
The accolades garnered by Frozen are a testament to its brilliance. The film secured prestigious awards such as the Academy Award and Golden Globe for Best Animated Feature Film. Idina Menzel's rendition of "Let It Go" received widespread acclaim, earning her the Radio Disney Music Award for Favorite Song from a Movie or TV Show and a Grammy Award for Best Compilation Soundtrack for Visual Media.
Broadway Spectacle: The Unveiling
The Broadway adaptation of Frozen preserves the essence of the beloved film while introducing fresh elements to captivate theater enthusiasts. Led by a stellar cast, including Kristen Bell as Anna, Idina Menzel as Elsa, and Josh Gad as Olaf, the stage production promises to enchant audiences with new songs, expanded storylines, and awe-inspiring performances.
Ticketing Insights and Show Details
For those eager to experience the magic of Frozen on Broadway, ticket prices may vary based on location, season, and day of the week. Understanding optimal times to purchase tickets can influence affordability, with September often offering lower prices compared to March. The runtime of the show spans approximately 2 hours and 30 minutes, featuring one intermission, providing a delightful experience for all ages 8 and above.
Frozen, the Broadway Musical, is a spellbinding journey that transcends the boundaries of imagination, embracing audiences with its magical narrative and breathtaking performances. With its seamless blend of technology and artistry, captivating storytelling, and unforgettable melodies, this theatrical masterpiece continues to enthral theatergoers, ensuring an unforgettable experience for all who embark on this enchanting adventure.
Explore More Broadway Adventures
Delve into other trending Broadway shows and embark on unforgettable theatrical adventures:
- Ain't Too Proud
- Come From Away
- Dear Evan Hansen
- Jagged Little Pill
- Mean Girls
- The Book of Mormon
- The Lion King
- The Phantom of the Opera
- To Kill a Mockingbird
For a magical experience at Frozen the Broadway Musical, browse available tickets through reputable platforms like SeatGeek to secure your front-row seat to this enchanting spectacle.
Please note that ticket prices, availability, and show details mentioned may vary and are subject to change. It's advisable to verify information and purchase tickets through trusted ticketing platforms for the most accurate and up-to-date details on Frozen the Broadway Musical.


In the vibrant tapestry of Midwest’s creative scene, Starseed Productions has emerged as a trailblazer in the realm of visual storytelling. Led by the dynamic Tannon Sweet, the company has become synonymous with cinematic craftsmanship, redefining how stories are told and emotions are captured through the lens. This article takes a deep dive into the Starseed journey, exploring its unique approach to storytelling, the artistry that defines its visuals, and the transformative impact it has had on the creative landscape.
Starseed’s Purpose Beyond the Ordinary:
At the core of Starseed Productions’ ethos lies a distinct purpose—to tell stories that transcend the ordinary. Unlike conventional production houses, Starseed blends art, purpose, and a profound understanding of human emotions to connect with the audience on a deeper level. Every project undertaken by Starseed is viewed as an opportunity to transform dreams into visual reality and evoke emotions through a meticulously crafted narrative. Tannon Sweet, the cinematic storyteller at the helm, emphasizes, “We are storytellers.” This driving force propels Starseed’s narratives beyond the realms of ordinary storytelling, creating a fascinating and immersive experience for the audience.
Artistry Beyond the Lens:
Starseed Productions sets itself apart through meticulous artistry. The team doesn’t merely capture moments; they translate them into timeless visual art. Each shot is carefully composed, every edit thoughtfully executed, and every frame tells a unique story. Tannon Sweet, a cinematic storyteller at heart, envisions a world where visuals transcend the ordinary. For him, this journey is about pushing boundaries, experimenting with angles and lighting, and infusing creativity into every aspect of the craft. The dedication to artistic excellence is what elevates Starseed Productions to higher levels of cinematic craftsmanship.
Challenging the Hollywood Norm:
One of the revolutionary aspects of Starseed Productions is its bold challenge to the conventional notion that success in the creative industry is tethered to Hollywood. Tannon Sweet passionately advocates, “You don’t move to Hollywood to become famous. You move to Hollywood because you BECAME famous.” This radical perspective signifies a paradigm shift, encouraging artists to believe in their potential, irrespective of their geographical location. Starseed Productions stands as a living example, proving that creative success is not limited to a specific place but is an outcome of dedication, skill, and an impassioned love for the craft.
Fostering a Creative Community:
Community building is the cornerstone of Starseed Production’s mission and vision policy. Tannon Sweet’s dedication to empowering local talent and providing sustainable creative jobs in the Midwest has set a new standard. By nurturing a community of artists, Starseed Productions thrives as a collaborative force, bringing together diverse talents to create cinematic marvels. This sense of community extends beyond the production house to the clients. Starseed Productions takes pride in its client-centric approach, where collaboration and communication are paramount. Each client is a partner in the storytelling journey, and their vision is brought to life with meticulous attention to detail and creativity.
Starseed Productions is not just a production company; it is a beacon of cinematic craftsmanship—a model of passion, perseverance, and artistry. Through its innovative approach to storytelling, Starseed redefines the boundaries of what is possible in the world of visual narratives. Tannon Sweet’s journey and the success of Starseed Productions illuminate the path for aspiring artists and creators, proving that greatness can be achieved from humble beginnings. Starseed Productions stands as a testament to the transformative power of passion and determination, leaving an indelible mark on the artistic landscape of the Midwest.


Growing Up Girl
Published on September 30, 2015
In this short VR film made in partnership between Bono’s ONE Campaign and RYOT, experience a day in the life of a young girl who lives on the border of Tanzania and Kenya. Narrated by the ten year old girl, the film is a visceral and sensory experience that takes the viewer with her – as she treks to collect water, as she walk miles to school, and as she embarks on her nightly pilgrimage to the nearest light source to study. The film uses a personal narrative as a window into the global issue of poverty’s effect on women and girls.
Director & Editor: David Darg
Producers: Molly DeWolf Swenson, Hayley Pappas
Executive Producer: Bryn Mooser


Samuel Veal is a New York based videographer and audio storyteller, combining technical pragmatism with lofty creative aspiration. He has worked on Oscar-nominated full lengths, collaborated with Grammy Award-winning artists, and has work being featured in upcoming film festivals.
Samuel earned a video journalism degree at the esteemed Grady College of Journalism. Upon graduation, he moved to contribute to Atlanta's booming film industry, working with Paramount Pictures, Lionsgate, Disney-Buena Vista, Tyler Perry Studios, Fortress Features, and several others. He continued his education at the Schools for Public Engagement at the New School located in Manhattan, focusing on documentary storytelling across several media forms.
Taking this big production background into videography, Samuel has produced and directed a number of documentary pieces. Some of his clients have included Capitol Records, Harvard University, BeLoved-Atlanta, Soccer in the Streets, HHBTM Records, John Jay College of Criminal Justice, and ACT UP - New York.
His festival premiere, In The Wake: A Record of Direct Action, focuses on how people of marginalized backgrounds organize after the 2016 United States General Election. The film premiered to rave reviews.
When not working with media, Samuel enjoys studying human geography, playing soccer, and finding the best Korean food in New York.


Click above to view a short film on our Professional Qualifications produced by Northern Gas Networks (NGN).
Steve Dacre, Customer Experience Development Manager at NGN, created this in-house film to help promote and drive the up take of the Qualifications. As a result of this film he had a further 28 people sign up for a Qualification. Steve was happy for us to share his film and NGN's experience of undertaking a Professional Qualifications programme.
For more information, visit https://www.instituteofcustomerservice.com/qualifications-training/professional-qualifications


Batavia Performing Arts Studio presented a tale as old as time, Beauty and the Beast, on February 3-5, 2023, at the Butler Succop Theater.
Based on the smash hit 1991 Disney animated feature and dating back to a late 18th-century classic French fairy tale, Beauty and the Beast tells the story of Belle, a beautiful and intelligent young woman who feels out of place in her provincial French village. When her father is imprisoned in a mysterious castle, Belle’s attempt to rescue him leads to her capture by the Beast, a grisly and fearsome monster who was long ago trapped in his gruesome form by an enchantress. The only way for the Beast to become human once again is if he learns to love and be loved in return. There is a time limit, too: once a magical rose loses all of its petals, all hope will be lost, and he will stay a Beast forever. The Beast’s enchanted household–populated by such beloved characters as Mrs. Potts, Lumiere, Cogsworth, and Chip–watch anxiously as Belle and the Beast grow to understand and befriend one another. Their feelings grow ever deeper as the clock ticks and petals continue to fall off the enchanted rose–will they confess their love for one another before it is too late?


Tampa Theatre: A Historic Gem in Downtown Tampa
Photo by: photonews247
The Tampa Theatre is a beautifully restored historic theater located in downtown Tampa, Florida. Built in 1926, the theater is a stunning example of the ornate movie palaces of the era. Today, the theater is a cultural landmark and a beloved destination for movie lovers, performing arts enthusiasts, and visitors to the Tampa Bay area.
The Tampa Theatre was built by architect John Eberson and opened to the public on October 15, 1926. The theater’s design was inspired by the Mediterranean Revival style, with a façade that features a mix of Spanish, Italian, and Byzantine elements. The interior of the theater is even more elaborate, with ornate plasterwork, hand-painted ceiling murals, and a stunning 1,400-pipe Wurlitzer organ.
In its early years, the Tampa Theatre was one of the premier movie theaters in the southeastern United States, hosting lavish premieres and celebrity appearances. Over time, the theater fell into disrepair and was almost demolished in the 1970s. However, a group of concerned citizens formed the Tampa Theatre Foundation and raised the funds necessary to restore the theater to its former glory.
Today, the Tampa Theatre is a thriving cultural institution, hosting a variety of events and performances throughout the year. The theater is best known for its film screenings, which include both classic and contemporary movies. The theater also hosts special events, such as the annual “A Nightmare on Franklin Street” Halloween festival and the “Holiday Classics” series of Christmas movies.
In addition to its film screenings, the Tampa Theatre also hosts live performances, including concerts, comedy shows, and theatrical productions. The theater’s stage has hosted a variety of performers over the years, including Ella Fitzgerald, Louis Armstrong, and B.B. King.
The Tampa Theatre is also a popular destination for tours and special events. The theater offers daily tours that take visitors behind the scenes to learn about the theater’s history, architecture, and technical systems. The theater is also available for private events, such as weddings, corporate events, and film premieres.
In addition to its entertainment offerings, the Tampa Theatre is also committed to serving the community. The theater partners with local nonprofit organizations to host fundraising events and raise awareness about important causes.
In conclusion, the Tampa Theatre is a treasured landmark and a must-visit destination for anyone interested in history, architecture, or the arts. With its stunning design, impressive programming, and commitment to community, the theater is a shining example of the role that cultural institutions can play in enriching the lives of residents and visitors alike.
READ: Exploring Tampa Bay


Event Announcement: Illegally Alive – Trailer Premiere Party
Thanks to cannabis oil, Coltyn Turner just celebrated the 22nd month of remission from his debilitating Crohn’s Disease. Turner’s recovery has been nothing less than miraculous, as he was so ill from his Crohn’s, he had been confined to a wheelchair. He was on many medications and the prognosis was nothing short of abysmal until he discovered and began using cannabis oil. Yet he and his family feared for their safety and freedom because of the laws currently in place in many states around the country. Faced with these circumstances, what would you do?
Please join 5700 Consulting, Coltyn, his family, and the Directors of the film “Illegally Alive”, Mike Wise and Dale DiMassi for a celebration of life, love and the amazing power of cannabis. We will view the premier screening of the trailer for the film and participate in a Q&A with Coltyn and his mom along with Mike, Dale and the team from 5700 Consulting where we try to unpack some of the issues facing us in the fight for this life saving medicine.
There will be presentations by representatives of local cannabis not for profits and time for networking. This event is FREE. We will be taking donations to support the film and the wonderful organizations participating in the event. So, bring your kleenex and your checkbooks and join us for an amazing evening.
Wednesday July 20th 7PM – 10PM The Oriental Theater


Hollywood's Rule of Pairs
Anyone watching the recent glut of sequels and remakes pouring out of Hollywood lately doesn’t need to be reminded that the movie-making capital of the country is sometimes a little starved of original movie ideas. It’s so bad that the rare idea gets immediately snapped up — snapped up, I’ve observed, by more than one studio.
It’s what I call the “Rule of Pairs.” Inevitably, Hollywood will take two bites at the same apple if it looks good enough.
I think I first noticed the Rule in 1998, when “Deep Impact” and “Armaggedon” hit theaters within months of each other, both about giant space rocks on collision courses with Earth. That same year, Pixar’s “A Bug’s Life” and Dreamworks’ “Antz” were each released, both computer-animated films about insects.
In 2001 Hollywood made the move into epic fantasy with two simultaneous franchises: “The Lord of the Rings” and “Harry Potter.” In 2004 the ancient Greeks were on the menu, with “Alexander” and “Troy.” Flash forward a few years and there were two movies about, of all things, author Truman Capote (“Capote” and “Infamous”).
(I just briefly skimmed over the past two decades here, and I know there’s movie pairs I’m missing. Chime in in the comments!)
EDIT: Additions to the list, courtesy of my own memory and other people’s suggestions:
“Finding Nemo” (2003) and “Shark Tale” (2004), animated films about fish
“The Prestige” (2006) and “The Illusionist” (2006), about early-20th-Century magicians
“Tombstone” (1993) and “Wyatt Earp” (1994), about Wyatt Earp
“Chasing Liberty” (2004) and “First Daughter” (2004), about president’s daughters’ romantic hijinks with undercover Secret Service agents
Now, just this past week, we’ve seen trailers for two movies based on the story of Snow White. Like some but not all of the above movie pairs, the two take different approaches — very different approaches — to the identical subject.
First out was Snow White and the Huntsman, starring Kristen Stewart (“Twilight”) and Chris Hemsworth (“Thor”) alongside Charlize Theron as the Evil Queen:
This, you can see, is a fantasy epic, with stylized action but a grim tone.
That’s not the case with the second Snow White film, “Mirror Mirror,” starring Lily Collins (“Priest”), Armie Hammer (“The Social Network”) and Julie Roberts as the Evil Queen:
Other than the fact that the two movies include the characters of Snow White and a dashing leading man and include a famous Hollywood actress as the Evil Queen, not a lot in common. “Mirror Mirror” is comic, almost farcical. Whereas the violence and magic in “Snow White and the Huntsman” had dark edges to them, in “Mirror Mirror” they’re played for laughs.
My biased opinion is that “Snow White and the Huntsman” looks like a much better movie. That’s not to say it’ll be a good movie — we don’t see that much of it, and don’t even get to see Kristen Stewart’s Snow White speak a single line of dialogue, moreso that “Mirror Mirror” looks awful. It has its moments — Julia Roberts enjoying herself as a villain, lavish costumes, a few good one-liners — but counters them with moments of plain low-brow comedy. There’s all sorts of potential humor in the idea of a love-potion-gone-wrong, but “Mirror Mirror” goes with a “puppy love potion” that makes the prince imitate a puppy? And the worst sin of all: winking anachronistic humor, as one of the dwarfs quotes “Scarface” with “Say hello to my little friend” and cartoonishly pummels the prince in the face. The movie certainly has its audience and should do well, but the two trailers so far would seem to put “Snow White and the Huntsman” in the front of this movie pair.


Produced by John-Michael Queant
Nathaniel Burmeister - Vocals
Keenan Dorn - Guitar
Elijah Hansen - Bass Guitar (Electric)
Nathan Hansen - Drums, Percussion Instruments
August King - Keyboards
John-Michael Queant - Guitar, Keyboards, Vocals
Tracking Engineer - John-Michael Queant
Mixing Engineer - Matt Huber
Mastering Engineer - Thaddeus Moore
Artwork by Brad Phillips
Photography by Oliver King
With an E Street-inspired saxophone lead and an arrangement straight out of Quincy Jones' playbook, "Cooler" is The Graduating Class leaning into the nostalgia of the 80s. The track features punchy drums, cascading synths, crisp rhythm guitar, and the aforementioned blazing sax line. "Cooler" also marks the Graduating Class' first foray into production, as the band recorded the song themselves in the basement of a shuttered music venue.
Lyrically, "Cooler" tells an all-too-universal story about working up the courage to ask someone out; the song's setting is reminiscent of a scene from a John Hughes movie. According to songwriter/producer John Queant: "'Cooler' is about the inner monologue in a person's head as they're trying to ask someone out. I imagined a scene from a cheesy movie, where a total bombshell walks into the club, everyone's jaws hit the floor, and the record skips a beat. The song's narrator is just trying to work up the courage to ask them to dance."


Wed., Nov. 13th, 2013, 7:30 p.m.
The Addams Family, Broadway’s smash hit musical comedy, brings the deliriously delightful world of Gomez, Morticia, Uncle Fester, Grandma, Wednesday, Pugsley and Lurch to spooky and spectacular life. Based on the bizarre and beloved family of characters created by legendary cartoonist Charles Addams, The Addams Family features an original story and it’s every father’s nightmare. Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family. A man her parents have never met. And if that weren’t upsetting enough, she confides in her father and begs him not to tell her mother.


The rules for citing a TV show in MLA format are different from other style guides’ rules. The MLA style guide (the 9th) recommends that citations on the works cited page mention the series name, episode name, season/episode numbers, production company, original air date, and at least one contributor, typically the creator, director, or host.
If you’re unsure about which format to use, simply follow this formula for how to cite TV shows in MLA format:
“Episode title.” Series title, created by First name Last name of show creator,
season #, episode #, Production company, Day Month Year of original air
If you’re writing a research paper, your works cited citation for a TV show should look like this:
“White Christmas.” Black Mirror, created by Charlie Brooker, season 2, episode 4,
House of Tomorrow, 16 Dec. 2014.
Note that if there are multiple production companies, they should be separated with a forward slash and spaces:
House of Tomorrow / Zeppotron
In addition to learning the format for a works cited entry, you also need to know how to write an in-text citation for a TV show in MLA style. In parentheses, simply write the episode title in quotations followed by a relevant time stamp. If you’re watching a TV show and find a scene or dialogue you’d like to use in your paper, note the time stamp in your essay outline so you don’t have to track it down later.
(“Episode title” time stamp)
(“White Christmas” 24:43)
That’s the basic formula for how to cite TV shows in MLA format, and it applies to both primary and secondary sources. However, MLA format has a few variations on this formula if you’re citing a show on Netflix or another streaming platform or a DVD. There are also style variations if you’re citing an entire series rather than a single episode and a special style for highlighting other contributors, such as actors or music composers. We discuss these specific citation guidelines below.
How to cite a Netflix show in MLA (or other streaming platforms)
There are special guidelines for citing a TV show in MLA when it’s viewed on a streaming platform. In short, you need to include the name of the source and the URL if applicable. Follow this formula:
“Episode title.” Series title, created by First name Last name, season #, episode
#, Production company, Day Month Year of original air date. Name of source,
URL of source if applicable.
If you are citing a TV show from a website, your entry should appear like this:
“Whenever You’re Ready.” The Good Place, created by Michael Schur, season 4,
episode 13, Fremulon / 3 Arts Entertainment / Universal Television, 30 Jan.
2020. Netflix, www.netflix.com.
Note that you don’t need the URL of the specific episode or show; it’s enough to use the homepage of the source.
If you’re citing a TV show from an app, just add the word “app,” without italics, after the source name.
[ . . . ] Netflix app.
In-text citations follow the standard formula given above.
How to cite a TV show on a DVD in MLA format
There are also variations for citing a TV show from physical media like a DVD or Blu-ray Disc. You cite the name of the media collection or box set instead of the series and include the disc number and format, as in this formula:
“Episode title.” Year of original air date. Media collection name, created by First
name Last name, season #, episode #, Production company, copyright
year for media set, disc #. Format.
If the season number is in the media set title (as is often the case with DVD sets), you can leave out the second mention of the season number. In practice it should look like this:
“Hush.” 1999. Buffy the Vampire Slayer: The Complete Fourth Season, created by
Joss Whedon, episode 10, Mutant Enemy / Twentieth Century Fox, 2003,
disc 3. DVD.
Again, the in-text citations follow the standard formula given earlier.
How to cite an entire TV series in MLA format
If you’re citing an entire TV series instead of a single episode in MLA format, you use a simplified citation on the works cited page. The simplified citation contains the series title, creators’ names, production company, and years the show was active, as in this formula:
Series title. Created by First name Last name, Production company, Year–Year
Your complete simplified citation should look like this:
Westworld. Created by Lisa Joy and Jonathan Nolan, HBO Entertainment / Bad
Robot Productions / Warner Bros. Television, 2016–present.
In-text citations use only the series title in italics within parentheses.
How to cite a TV show in MLA format for specific contributors
One of the main advantages of the MLA format is that it allows you to credit any contributor involved in a work, not just the key creators. This means that if you’re writing a paper on acting performances, you can cite a TV show with an actor as the author. This is more convenient for readers since it allows them to see the name most relevant to the topic, especially in in-text citations.
To credit an alternative author for a TV show, MLA format uses this formula:
Last name, First name of contributor, role. “Episode title.” Series title, season #,
episode #, Production company, Year of original air date.
The completed works cited citation should appear like this:
Hamm, Jon, performer. “White Christmas.” Black Mirror, season 2, episode 4,
House of Tomorrow, 2014.
When citing specific contributors, the in-text citation uses the last name of the contributor, along with a time stamp if necessary.


Award-winning film Sound of Metal to be released in cinemas
**Warning: This article may contain spoilers**
Sound of Metal, which recently picked up two Oscars, will be released in UK cinemas from Monday (17th May 2021).
Darius Marder’s directional debut follows the first-person perspective of a heavy metal drummer, Ruben (Riz Ahmed), whose hearing suddenly begins to deteriorate.
After four years of sobriety, girlfriend and bandmate Lou (Olivia Cooke) fears that Ruben will relapse as he begins to struggle with the reality of his permanent hearing loss. Ruben and Lou leave in their ramshackle caravan to seek help at a rural recovery facility for Deaf addicts, where they meet Joe (Paul Raci), a recovering alcoholic who lost his hearing during the Vietnam War.
Ruben’s life is turned upside down as he grapples with rage, identity, and acceptance over three acts. The film’s entwining of
senses and perspective creates a new kind of audience participation, with sound design acting as a vehicle for the film’s thematic delivery. Sound of Metal’s interaction between pacing and audio enables both Ruben and the audience to find stillness in silence.
This story portrays a unique perspective of deafness, Deaf culture, and the spectrum of deaf identity, embodying a breakthrough in d/Deaf representation on the silver screen, both in storytelling and access.
Sound of Metal is shown with open captions; an executive decision that signifies the importance of access for the communities whose stories are being told. This dedication to accessible cinema not only cements the film’s narrative but also ignites a conversation on inaccessibility within film exhibition and filmmaking.
Sound of Metal isn’t afraid to explore the nuances of deafness and adaptation, and the film’s authentic feel is born out of the consultation and inclusion of Deaf talent (including Lauren Ridloff, Marvel’s first Deaf superhero).
The film’s substance is a direct result of genuine research and consultation. Marder worked intimately with Deaf people, hard of hearing people, and CODA (Children of Deaf Adults) both before and during filming, creating a rich and authentic atmosphere for scenes that highlight Deaf culture.
In addition to Lauren Ridloff, a large portion of the cast are Deaf actors. Before filming, Ahmed learnt American Sign Language by working closely with the Brooklyn Deaf community, wearing custom devices in his ears to simulate progressive
deafness. He also spent four months learning the drums. Sound of Metal symbolises a pivotal moment for on-screen Deaf representation.
Watch the subtitled trailer here…
(Please note: This trailer contains explicit language.)
The film will be released in cinemas nationwide from Monday (17th May) check your local venue for times.
Sound of Metal recently won two Oscars for Best Sound and Best Achievement in Film Editing. It was also nominated for four further Oscars – Best Actor, Best Supporting Actor, Best Film and Best Original Screenplay.


-Toyin Aimakhu denies ‘her engagement’ with Nollywood actor
YBTC NEWS-Popular Nollywood actress, Toyin Aimakhu, has denied reports of her engagement to a colleague in the industry.
The actress, while making a clarification in her Instagram page, described the reports as fallacious and should be disregarded.
Toyin wrote: “It has come to my attention reports from some quarters saying that I am about to get married to a fellow actor.
“This assertion, insinuation, and report are false and fallacious.
“I have respect for actors but I am not about to get married to anyone who is an actor.
“I have been busy with my work as an actor, working tirelessly on my TV, my lipstick launch and other businesses.
“The only relationship I have with any man in the industry is purely professional and it is high time we stop insinuating and spreading false rumors when we see two colleagues of opposite sex working together.
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Tickets are now on sale for a special screening of 'The Unknown Torres' which will be shown at the club next month.
The 93-minute film follows former Reds' favourite Sergio Torres from his early days in his native Argentina as he chases his dream of becoming a professional footballer in England. And, of course, after his successful four-year spell with the Reds, there are plenty of moments for Crawley fans to enjoy!
You can come and watch 'The Unknown Torres' in the Mayo Wynne Baxter Suite on Wednesday April 10 at 7pm. Doors open at 6.30pm.
After watching the film, fans can question Sergio and the director Jasper Spanjaart.
Tickets are on sale from the Box Office and cost £20, which includes a DVD, or £10 if you don't want the DVD. The Box Office is open 9am-4.30pm weekdays, except Wednesday.
This ticketed event is limited to 150 people and tickets are now on sale so make sure you book your place for what should be a great night.
VIEW THE FILM TRAILER HERE


Patty Jenkins will return to direct Wonder Woman 2, becomes highest-paid female director ever
Patty Jenkins, who directed the blockbuster hit Wonder Woman, is all set to return for the superhero film’s highly-anticipated sequel, ending months of speculation. Jenkins has closed a deal with Warner Bros. to helm, co-write and produce the movie, reports The Hollywood Reporter. It makes her the highest paid female director in Hollywood history. Jenkins will reportedly receive directing and writing fees in the high seven figures (somewhere in the $7 million to $9 million range, according to the Hollywood Reporter).


Chak De India: A Movie That Inspires and Entertains
Chak De India is a 2007 Bollywood sports drama film starring Shahrukh Khan as Kabir Khan, a former captain of the Indian men's hockey team who becomes the coach of the women's national hockey team. The film follows his journey of overcoming his past failures and leading a rag-tag bunch of girls from diverse backgrounds to victory in the World Cup.
The film was a critical and commercial success, earning praise for its realistic portrayal of women's empowerment, patriotism, and hockey. It also won several awards, including the National Film Award for Best Popular Film Providing Wholesome Entertainment and eight Filmfare Awards.
If you are looking for a movie that will inspire you to chase your dreams and overcome your challenges, Chak De India is a perfect choice. You can watch it online on Prime Video[^1^] or download it in high quality from MovieSpyHD[^2^]. However, we do not endorse or support any illegal or pirated sources of downloading movies. Please watch movies from legal and authorized platforms only.
Chak De India is a movie that will make you cheer, cry, and celebrate with its memorable characters, thrilling matches, and powerful dialogues. It is a movie that will make you proud to be an Indian. Chak De India!
Chak De India is not just a sports movie, but a social commentary on the issues of gender discrimination, regionalism, and communalism in India. The film shows how the women hockey players face various challenges and prejudices from their families, society, and media. It also depicts how they overcome their differences and stereotypes to form a united and strong team.
The film also explores the theme of redemption and forgiveness through the character of Kabir Khan, who was accused of match-fixing and disgraced by the nation. He returns to coach the women's team and prove his loyalty and patriotism. He also mentors and motivates the players to overcome their fears and insecurities and play with passion and pride.
Chak De India is a movie that has inspired many people, especially women, to pursue their dreams and passions. The film has also popularized hockey as a sport in India and increased its awareness and recognition. The film's title song, \"Chak De India\", has become an anthem of sorts for many sports teams and events in India.
In conclusion, Chak De India is a movie that celebrates the spirit of sportsmanship, teamwork, and patriotism. It is a movie that showcases the talent and potential of Indian women in hockey and other fields. It is a movie that inspires and entertains with its gripping story, brilliant performances, and catchy music. It is a movie that you should not miss. 061ffe29dd


This year’s school show “Blood Brothers” was a veritable tour de force. The entire production was so polished and professional that the “line” between cast and audience was completely erased and everyone in the auditorium became a participant in this powerful and poignant story.
“Blood Brothers” is the story of twins Mickey and Edward Johnston whose birth mother was forced to make a life-changing decision. This resulted in one of the boys being raised by the childless, but wealthy, Mrs. Lyons while the other remained with his birth mother. However, both women’s lives are overshadowed by the legend that warns of the fatality that would result in the boy’s discovery of the reality of their birth - immediate death! The boys, inevitably, meet during their boyhood years and are magnetically drawn to each other. They decide to cement their friendship by becoming “blood brothers”! And thus, their story unfolded.....
Oisín Mc Hugh (Transition Year) and Eoin Farrell (Fifth Year) portrayed the brothers in an utterly convincing fashion and the audience was held spellbound by the sequence of events that saw them change from childhood friends to bitter enemies. Grace Byrne’s portrayal of the bereft mother was heartbreakingly-authentic while Shannon Doogue’s portrayal of the ruthless Mrs. Lyons was quite chilling. These fine actors and singers were superbly supported by an outstanding cast. The narrator’s black clothing and sombre tones were beautifully complimented by the childish antics of Sammy and Linda, the sheer snobbery of the suit-clad Mr. Lyons, and the perfectly-timed interaction of the neighbours, policemen and school children. Therefore, the sense of imminent tragedy, even in the midst of myriad moments of hilarity, was always palpable.
This production which filled the school hall to capacity on three consecutive nights (plus three matinee performances for primary school students) would not have been possible without the absolute conviction and commitment of two past pupils - David Doyle (Director) and Maeve Lyons (Musical Director). This was David’s directorial debut and his talent, evident in every aspect of the show, is immeasurable. And, even before the curtain ascended, the road for this moving tale was created by the haunting instrumental music performed by the orchestra. We salute you both.
The indefatigable production team of Ann Delahunty, Orla O’Driscoll, Claire Mc Hugh, Declan O’Connor and Gillian Ward facilitated after school and weekend rehearsals, sourced costumes and props, nourished and nurtured their young charges to ensure that the show reached the standard that Presentation College has become renowned for. It must also be acknowledged that this production would not have come to fruition without the initiative, enthusiasm and commitment of the principal, the teachers, the whole school community and the support of the parents. For anyone who helped in any way, we extend our gratitude.
The school show provides an opportunity for all Second, Fourth and Fifth Year students to experience a very different facet of school life. All have a contribution to make. It may be small, but it may also be vital. Students are thus encouraged to participate in some aspect of the production - acting, singing, stage painting, props, costumes, make-up, lighting etc. There is literally a role for everyone. It is an unmissable, unforgettable experience. This fact is endorsed, year after year, by the number of past pupils in the audience. Until next year.....!


Why do I feel this film was so good? I did a bit of History at school and have seen many films and documentaries on the second world war but Woman in Gold seemed to portray how the war impacted people personally. It moves from war time to current day and focuses on one family during the war, a wealthy family, with many valuable possessions. You get a feel for how the family lived and their relationships with each other. In the current day parts it focuses on the now elderly Maria and her relationship with her young lawyer and his family.
When this film was released in 2015 the usual critics didn’t give it very glowing reviews, if I had listened to them I would not have watched this film. I am so glad I didn’t! I found it to be absorbing and very moving at times. Beautifully portraying the effects the invasion of the Nazi’s had on families but also the ongoing impact the Holocaust had on families on both sides.
Woman in Gold also shows you are never too old to take on new challenges, Maria Altmann is absolute proof of that in this film and I found her truly inspirational. A remarkable woman who deserved to have this very touching film made about her. It made me laugh and cry, which all the best films should and interestingly Mr Perfect also thoroughly enjoyed it, so one for everyone. Highly recommended.
Where can you find it: Amazon DVD, Sky Movies, NowTV, Netflix, Sky Movies


Sandra Martin & Isaac Alongi
In their first feature film, Trust Fund, co-producers and husband and wife team, Sandra Martin and Isaac Alongi, felt passionate about filming most of the movie right here in KC. Sandra, a Lee’s Summit native, and Isaac, who grew up in Prairie Village, both believed that KC was perfect for showcasing their first film. In the movie, Kansas City successfully doubles as Chicago and Italy, and, although some areal shots were filmed in Italy, the majority of the movie was filmed in various locations right here. Trust Fund was such a success that it was picked up by AMC Independent and premiered in Kansas City, with a successful run, which they credit to the support of the city.
This visually stunning film led by an incredible cast, takes you on a visionary experience. It explores issues of betrayal, feeling alone, and left with the choice of surrendering your identity to please someone else, or break free to discover who you were truly meant to be.
The couple has been working together for over 15 years, and each have talents that compliment each other. Isaac was the director of photography, while Sandra wrote and directed the film, and they both shared the duties of producing. “It’s not often a husband and wife work so closely together as director and cinematographer, but it worked out really well for us, because we were already on the same page. There were times when things got stressful and intense, so it was nice to be there for each other,” says Alongi.
They are working on their next film, HOW TO PICK YOUR SECOND HUSBAND FIRST. “It’s a romantic comedy that pokes fun about delicate issues every one faces in marriage and no one wants to talk about. The film shows how difficult marriage can be at times, and how we live in a culture of giving up and starting over, which is not always the best answer. Faced with the possibility that the problem, that you assume is the other person, just might follow you to the next relationship,” said Sandra.
Filmmaking is a relatively new endeavor for the couple, but they feel very passionate about what they are doing, and they love working together. “It’s like a hobby to us,” Martin adds, “because we love it!”
“We want to make films that are entertaining, that you can take your whole family to, and not worry that they’ll be awkward moments where you regret bringing the kids to. We want to create movies that give plenty of opportunity for discussion later, that raise questions and don’t give all the answers. Films that are based on subject matters that are common, but not always talked about,” Sandra says.
Today more than ever, our world has become reachable, and movies are such an important medium to do that. Movies are invitations to live with people whose lives you may never even have imagined, to be faced with their choices and enter into unimagined worlds. Films help shape the culture in which we live, and they see it as a huge responsibility and great opportunity.
“Our core beliefs are seen in the stories that we choose to tell, and everything that we do. Knowing that we have the opportunity to influence a generation is exciting. We want to show an audience how hope, love, and our faith in God makes a difference,” Sandra said.
For more about the film Trust Fund and the cast visit trustfundmovie.com.


TIM HIGHAM FILMMAKER
firstname.lastname@example.org +44 (0) 7814 604724
Tim Higham is a freelance filmmaker, producer and director with over 15 years experience in shooting high quality promotional films, short-form branded content, music videos and feature length documentaries.
Tim's recent clients include Peugeot, Suzuki, The Seafarers' Charity, PepsiCo, Royal Mail, McArthurGlen, eCourier, Yamaha Music, The Creative Consultancy, Vineta Sayer, Coutts, Hachette and the British Truck Racing Association.
Please feel free to get in touch anytime for filming enquiries, or just a chat...
EXCERPT FROM A 4K 32:9 PROMO FILMED EARLIER THIS YEAR FOR A LIVE EVENT
DIRECTED, FILMED & EDITED BY TIM HIGHAM FOR VINETA SAYER
24 PEAKS CHALLENGE FILMED & EDITED BY TIM HIGHAM FOR THE SEAFARERS' CHARITY