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Input:
A song that encourages listeners to evade a dangerous situation by running and hiding. [/INST]

Lyrics: (Blaow) Run nigga, run nigga
(Blaow) Duck nigga, duck nigga
(Blaow) Run, motherfucker, run
(Blaow) Run, motherfucker, run
(Blaow) Run nigga, run nigga
(Blaow) Duck nigga, duck nigga
(Blaow) Run, motherfucker, run
(Blaow) Run, motherfucker, run


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Input:
Blaow [/INST]

Lyrics: (Blaow) Run nigga, run nigga
(Blaow) Duck nigga, duck nigga
(Blaow) Run, motherfucker, run
(Blaow) Run, motherfucker, run
(Blaow) Run nigga, run nigga
(Blaow) Duck nigga, duck nigga
(Blaow) Run, motherfucker, run
(Blaow) Run, motherfucker, run
Snoop Dogg, him bust gunshots
Skateboard P, they say him bust gunshots
DPG, them bust gunshots
BBC, you know them bust gunshots, come again, now
Snoop Dogg, him bust gunshots
Skateboard P, you know him bust gunshots, come again, now
BBC, them bust gunshots
DPGC, you know them bust gunshots, come again, now
I'm tired of hearin' all that bullshit
When you gon' play some of that good shit? Damn
I mean, give me some like a—


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Input:
A conversation between Jim and another person about their unique friendship and experiences, with the other person urging Jim to share some of his stories and moments that people might not believe to be true, set to a remixed and energetic backdrop. [/INST]

Lyrics: Ayo, Jim, man, why don't ya...
Why don't you kick some of that, you know?
You-You know how you do it, man
It's a trip, people don't even believe we're together right now (Wow!)
Bu-, bu-, but tell your story
You know the one I like (Ride, ride, ride)
Say it for me


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Input:
A high-speed car chase through a dangerous neighborhood with Snoop Dogg and the Doors. The driver is warned to be cautious, as they're being chased by the police and there's a risk of crashing into obstacles. The driver is unfazed and keeps pushing the pedal to the metal, with the police hot on their tail. The car's tire leaves a trail of smoke, and the driver shows no signs of slowing down. The scene escalates to a dramatic standoff, with the Doors' song "Riders on the Storm" playing in the background as they [/INST]

Lyrics: Need for Speed, I'm tryin' to take the lead
Hold on, little homie, 'fore you run into the trees (Watch out!, watch out!)
I've seen things that I never would've saw before
Ayo, Jim, let 'em in, let 'em in
Open up, my back tire smokin' up
The whole street
And now the police wanna flash their lights (Wuuh, wuuh)
And chase the Dogg all night (Woof!)
But I won't pull over nor give up
'Cause I just don't give a (What?)
Yeah, I'm from the side, boy
Where we was born and raised
Straight up to ride, boy (West Side)
Continuously (Continuously)
We get to it expeditiously (Yeah)
Keep the light on, East side on
Snoop Dogg and The Doors and, yeah, we 'bout to ride on
Riders on the storm
Riders on the storm
Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out on loan
Riders on the storm


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Input:
Write a song about a group of adventurous individuals who fearlessly face a storm, embracing the excitement and challenge it brings. [/INST]

Lyrics: Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
And let's ride! (Wow! Yeah!)


[INST] <<SYS>>
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Input:
Imagine a scene where a rapper is out on the streets, thinking about wealth and success, while reflecting on past experiences and the importance of staying focused on their goals. This rapper is also accompanied by the help of a famous producer, and together they create music that impacts their community. Throughout this scene, the rapper also has to navigate through various challenges and possibly engage in confrontations with law enforcement. In the end, the rapper reminds everyone to stay vigilant and be mindful of their surroundings, while continuing to pursue their dreams and success. [/INST]

Lyrics: Poppin', stoppin', hoppin' like a rabbit
When I take the Nina Ross, ya know I gots to have it
I lay back in the cut, retain myself
Think about the shit, and I'm thinkin' wealth
How can I makes my grip
And how should I make that nigga straight slip
Set trip, gotta get him for his grip
As I dip around the corner, now I'm on another
Mission, wishin', upon a star
Snoop Doggy Dogg with the caviar
In the back of the limo, no demo, this is the real
Breakin' niggas down like Evander Holyfield, chill
'Til the next episode
I make money, and I really don't love hoes
Tell you the truth, I swoop in the Coupe
I used to sell loot, I used to shoot hoops
But now I make hits every single day
With that nigga, the diggy Dr. Dre
So lay back in the cut motherfucker 'fore you get shot
It's 1-8-7 on a motherfuckin' cop


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Input:
A group of musicians are celebrating their success in creating a beautiful song, and they're excited about the unique charm that each of the 47 contributors has brought to the track. [/INST]

Lyrics: Oh, oh, oh, oh
Yeah, yeah, yeah, yeah
(Yeah, oh yeah, there's something about you)
Oh, oh, oh, oh
Yeah, yeah, yeah, yeah
(Yeah, oh yeah, there's something about you)


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Input:
The narrator is expressing their admiration for a particular girl, emphasizing her beauty and uniqueness, while insisting that she is their favorite. [/INST]

Lyrics: Beautiful, I just want you to know
You're my favorite girl
(Yeah, oh yeah, there's something about you)
Beautiful, I just want you to know
You're my favorite girl
(Yeah, oh yeah, there's something about you)


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Input:
Write a song about a loyal and protective couple, who enjoy cruising in their classic car, enjoying their time together, and sharing their love for one another. [/INST]

Lyrics: When I see my baby boo, shit, I get foolish
Smack a nigga that tries to pursue it
Homeboy, she taken, just move it
I asked you nicely, don't make the Dogg lose it
We just blow dro and keep the flow movin'
In a '64, me and baby boo cruisin'
Body rag interior blue, and
Have them hydraulics squeakin' when we screwin'
Now she's yellin', hollerin' out "Snoop!" and
Hootin', hollerin'; hollerin', hootin'
Black and beautiful, you the one I'm choosin'
Hair long, thin, black and curly like you're Cuban
Keep groovin', that's what we doin'
And we gon' be together until your moms move in
(Yeah, oh yeah, there's something about you)


[INST] <<SYS>>
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Input:
Express appreciation and admiration for a special girl and emphasize her unique qualities. [/INST]

Lyrics: Beautiful, I just want you to know
You're my favorite girl
(Yeah, oh yeah, there's something about you)
Beautiful, I just want you to know
You're my favorite girl
(Yeah, oh yeah, there's something about you)
See, I just want you
To know that you are really special
(Yeah, oh yeah, there's something about you)
Oh my, oh my, oh my, oh my
See, I just want you
To know that you are really special
(Yeah, oh yeah, there's something about you)
Oh my, oh my, oh my, oh my
(Yeah, oh yeah, there's something about you)


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Input:
A young woman finds herself drawn to the Snoop Dogg lifestyle and is inspired by his clothing and music. Despite her conservative college background, she can't help but appreciate his swagger. This leads her to attend a Snoop Dogg concert in her area, where she meets up with his crew and enjoys the experience. As she interacts with the crew, she learns that the Eastside is where Snoop Dogg's true loyalty lies and that they all stand up for each other against outside criticism. Throughout this journey, she realizes just how much of a beautiful, unique individual she is and [/INST]

Lyrics: Snoop Dogg Clothing, that's what I'm groomed in
You got my pictures on the wall in your room, and
Girls be complaining you keep me boomin'
But girls like that wanna listen to Pat Boone
(Yeah, oh yeah, there's something about you)
You's a college girl, but that don't stop you from doin'
Come and see the Dogg in a hood near you, and
You don't ask why I roll with a crew, and
Twist up my fingers, and wear dark blue, and
(Yeah, oh yeah, there's something about you)
On the Eastside, that's the crew I choose
Nothing I do is new to you
I smack up the world if they rude to you
'Cause baby girl, you're so beautiful
Beautiful, I just want you to know
You're my favorite girl
Beautiful, I just want you to know
You're my favorite girl


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Input:
The lyrics should convey the singer's admiration and appreciation for someone's uniqueness, while repeating the phrase 'I just want you to know that you are really special' and emphasizing that 'there's something about you. [/INST]

Lyrics: See, I just want you
To know that you are really special
(Yeah, oh yeah, there's something about you)
Oh my, oh my, oh my, oh my
See, I just want you
To know that you are really special
(Yeah, oh yeah, there's something about you)
Oh my, oh my, oh my, oh my
See, I just want you
To know that you are really special
(Yeah, oh yeah, there's something about you)
Oh my, oh my, oh my, oh my
I just want you
To know that you are really special
(Yeah, oh yeah, there's something about you)
Oh my, oh my, oh my, oh my


[INST] <<SYS>>
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Input:
A catchy song describing the instant attraction between two people. [/INST]

Lyrics: Ehh... oh yeah, there's something about you... Oh-hooo!
Ehh... oh yeah, there's something about you... Oh-hooo!
Ehh... oh yeah, there's something about you... Oh-hooo!


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Input:
Imagine a world where the rappers perform in a place called 'Doggy Dogg World'. The rappers are addressing their haters and showing off their success and lifestyle. They are talking about treating women with respect and the importance of their music. They are also introducing themselves and their crew to the audience. The name of the place and the crew are 'Doggy Dogg World' and 'The Dogg Pound' and 'The fabulous Dramatics'. The rappers are also having fun, exchanging some light-hearted banter, and sharing a moment of silence to pay respect to [/INST]

Lyrics: Can we get a motherfuckin' moment of silence
For the small chronic break?
A-hah, niggas be brown-nosin' these hoes and shit
Takin' bitches out to eat, and spendin' money on these hoes
Know what I'm sayin'?
I treat a bitch like 7-Up — I never have, I never will
I tell a bitch like this:
"Bitch, you without me is like Harold Melvin without Blue Notes
You'll never go platinum!"
Hey Daz, give me a light, nigga
We’d like to welcome y'all to the fabulous Carolina West
I own this motherfucker, and my name is Taa-Dow
Y'all niggas know who I am, y'all niggas tearin' up shit
But we got somethin' old, and somethin' new for y'all tonight
Put yo' hands together for Snoop Doggy Dogg
The Dogg Pound, and the fabulous Dramatics


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Input:
Write a song about the Dogg Pound, a group that rocks parties, keeping them going all night long, and showcasing their unique music style. [/INST]

Lyrics: Tha Dogg Pound rocks the party (All night long)
Uh-huh, 'til when? (Till the early morn')
It don't stop, and uh... it don't quit for the...
Tha Dogg Pound clique to drop the cavi dope shit


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Input:
Write a song about a confident individual expressing their lifestyle and interests, including references to their gangster background and the importance of a good party with drinks and music. [/INST]

Lyrics: Diggity-Daz out of the motherfuckin' cut once mo'
So grab a seat and grab your gin and juice and check out the flow
I flip-flop and serve hoes with the fat dick
'Til I die, I'm still screamin' out ("Bitches ain't shit!")
Now, I'm the mack daddy, had he
Not known about the city where I'm from, dum-diddy-dum
As you groove to the gangster shit
The D-O-double G, the P-O-U-N-D, the gangster clique
Now as Tha Pound break it down with the gangster funk
I can see and I can tell that's what the fuck you want
So I blaze up the chronic so I can get high
I promise I'll smoke chronic 'til the day that I die


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Input:
Imagine if the Queen's royal penis needed cleaning and King Snoop Dogg and King Kendrick Lamar came to the rescue, using their street cred to make a joking statement about their friendship and influence. [/INST]

Lyrics: Yeah, that's right, I like that
The royal penis is clean your highness
Thank you, uh, uh
Snoop, Kells
You know how we get down


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Input:
Write a song about a confident man arriving at a club, drawing attention from the women, and enjoying himself while dancing and partying. [/INST]

Lyrics: I pull up, dip low in the Phantom with the wheels spinnin'
Ladies like "That's that shit"
I'm in the back of the club, blowin' trees
Hands up, head bobbin' like that's that shit
In the spot where the girls go wild
Dancing titty bar style, I'm like "That's that shit"
Snoop Dizzle (Hey) your boy Kells (Hey)
Let me hear you say "That's that shit"


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Input:
A talented rapper is talking about his cool lifestyle, including his fancy car and his confidence in his ability to charm women in clubs. He wants to know if others are feeling his swagger and if he can count on them to acknowledge it. [/INST]

Lyrics: So if you think you got the bomb shit
Holla at a playa
Holla at a playa
Holla at a playa
And if you lookin' for some good sex
Holla at a playa
Holla at a playa
Holla at a playa
Girl if you ever in the 3-1-2
Holla at a playa
Holla at a playa
Holla at a playa
And if you're ever in the 2-1-3
Holla at a playa
Holla at a playa
Holla at a playa
I pull up, dip low in the Phantom with the wheels spinnin'
Ladies like "That's that shit"
I'm in the back of the club, blowin' trees
Hands up, head bobbin' like that's that shit
In the spot where the girls go wild
Dancing titty bar style, I'm like "That's that shit"
Snoop Dizzle (Hey) your boy Kells (Hey)
Let me hear you say "That's that shit"


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Input:
In this song, a group of West Coast hip-hop artists collaborates to celebrate their unique style and influence. They call out various prominent artists and pay homage to their hometown of Los Angeles. The song is a celebration of unity, creativity, and the undeniable impact they've had on the music industry. [/INST]

Lyrics: Yeah, time to bring your ass to the table, y’all
It’s X to the Z, Xzibit, yeah
Snoop double D, uh, OG (Where you at? West Coast, Los Angeles)
What
Bringin' it live, Dr. Dre, what
Throwin' up a big ass W
Coverin' up the world, right
Yeah, ha
Listen, look


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Input:
A rapper expresses his confidence in his style, his friendship with Dr. Dre, and his desire to take a romantic and intimate approach with a woman he's attracted to, while also referencing their travels across the country. [/INST]

Lyrics: Oh, no, Big Snoop Dogg
Back up in the heezy, baby
You jockin' my style? You so crazy
Dre say, ain't no limit to this
As long as we drop gangsta shit
Look here, bitch, you fine and I dig your style
Come fuck with a nigga and do it doggy style
I'll be gentle, sentimental
Shit, we fucked in the rental
Lincoln Continental
Coast-to-coast, L.A. to Chicago


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Input:
Create a song that brags about one's ability to attract and please women, emphasizing the speaker's reputation and the influence they have on those around them. [/INST]

Lyrics: (Yeah, nigga, you know what's happenin', man) I get this pussy everywhere that I go
(These bitches know what time it is) Ask the bitches in your hood 'cause they know (Hell yeah)
(Hoes know about a nigga like me, man) I get this pussy everywhere that I go
(I pimp these hoes, nigga, ha-ha) Ask the bitches in your hood 'cause they know
Bitch, please!
Get down on your Goddamn knees
For this money, chronic, clothes and weed (Look)
Look, you fuckin' with some real O.G.'s, bitch please
Bitch, please!
Get down on your motherfuckin' knees
We came to get the motherfuckin' cheese
Yeah, you fuckin' wit' some real O.G.’s, you dick tease


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Input:
A song with repetitive phrases that emphasize the loyalty to a certain group and a warning to others not to mess with the singer. [/INST]

Lyrics: Ayo, ayo, ayo
You don't wanna step to me
Still claimin’ D.P.G. till the day I d-i-e
Ayo, ayo, ayo
You don't wanna step to me
Still claimin’ D.P.G. till the day I d-i-e
Ayo, ayo, ayo
You don't wanna step to me
Still claimin’ D.P.G. till the day I d-i-e
Ayo, ayo, ayo
You don't wanna step to me
Still claimin’ D.P.G. till the day I d-i-e


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Input:
Imagine a song that describes the experiences and lifestyle in Los Angeles, particularly emphasizing the unique California culture, including movie stars, medical marijuana, and the famous "finger-snapping" gesture popularized by Redd Foxx. [/INST]

Lyrics: Baby you could be a movie star, hey (L.A.; In Los Angeles)
Get yourself a medical card, yeah (L.A.; In Los Angeles)
‘Cause that's how California rolls
They do the fingers like Redd Foxx, hey (L.A.; In Los Angeles)
You can make it on the light blue box, yeah (L.A.; In Los Angeles)
‘Cause that's how California roll-olls, yeah


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Input:
A character in a song is lost and unsure of the direction they should take in life, surrounded by a cloud of smoke and surrounded by the possibility of death. They express the urgency of the situation while acknowledging the dangers they face in their environment. [/INST]

Lyrics: It's time to escape, but I don't know where the fuck I'm headed
Up or down, right or left, life or death
I see myself in a mist of smoke
Death becomes any nigga that takes me for a joke
We hit a five dollar stick, now we putting in work
Unaccountable amounts of dirt, death becomes all niggas
Anybody killer, you know what the deal is
Nigga, you know what the real is


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Input:
Imagine a twisted, eerie, and dark atmosphere where the main character engages in a violent and gruesome scene with deep, psychological undertones. [/INST]

Lyrics: Deep, deep like the mind of Minolta
Now picture this
Let's picnic inside a morgue
Not pic-a-nic baskets, pic-a-nic caskets!
And I got the machine to crack your fuckin chest plates
Open and release them guts
Then I release def cuts
Brutal, jagged edged, totally rough-neck!
Now everybody scream, 'nough respect to the X
'Nough respect given
Disrespect and you will not be living
Word to momma, Emma, drama, dilemma


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Input:
Write a song about a fictional serial killer who is being sought by the police, using catchy and repetitive lyrics to build tension and create an anthem for the character. [/INST]

Lyrics: Suicide, it's a suicide
Suicide, it's a suicide
Suicide, it's a suicide
Now tell me, what's my motherfuckin name?
Serial killa!
Serial killa!
Serial killa!
(Wake up in the morning eat your Lucky Charms cereal)


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Input:
Imagine a confident woman in a revealing dress and expensive accessories, captivating everyone in the room with her presence and dance moves, while a man tries to approach her and express his interest in getting close to her. [/INST]

Lyrics: She 'bout to go in
She likes that low end
Damn, her ass is so big
Just keep it bumpin'
Peaches and cream
Uh-oh, there she go
That's that look all on her face
Shorty dancin’ like she knows
She's the baddest in the place, hey, hey
I wanna get with you (Freak, don't fail me now, hey)
So what you wanna do?
Got her Freak-Um dress on
Them New Bs on her feet
And them bottles with the sparkles
So the other girls can see that she's paid
I wanna get with you (Freak, don't fail me now, hey!)
So what you wanna do?


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Input:
Write a song about a woman with a unique and seductive presence, dancing confidently at a party, attracting attention from others around her. [/INST]

Lyrics: She 'bout to go in
She likes that low end
Damn, her ass is so big
Just keep it bumpin'
Peaches and cream
Uh-oh, there she go
That's that look all on her face
Shorty dancin’ like she knows
She's the baddest in the place, hey, hey
I wanna get with you (Freak, don't fail me now, hey)
So what you wanna do?
Got her Freak-Um dress


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Input:
Write a song with lyrics that pay homage to Snoop Dogg and his "Crip-a-lat'n" style, while also incorporating the theme of leaving a message for someone who may or may not be a friend. [/INST]

Lyrics: Yo what's Crip-a-lat'n, this big Snoop Dogg
Leave your name and your number at the motherfucking beep
If this one of my hoes, two-way me


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Input:
A collaborative conversation between Snoop Dogg and Dr. Dre about the creation of their album, expressing their disregard for haters and continuing to enjoy their time smoking. [/INST]

Lyrics: Ay ay Snoop whattup, this your nigga Dre
Ay man I was thinking I ain't said shit on your whole motherfucking album
So check it out, put this on there:
All you motherfucking haters out there, can suck my motherfucking dick!
And we still smoking, what?!


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Input:
Consider the lyrics of a song about a person confronting those who claim to be a part of their community, warning them to lay low due to their false claims and boasting. The song also addresses those who make disrespectful and harmful comments, emphasizing the importance of respect and caution for one's words and actions. [/INST]

Lyrics: For the nigga who be talking loud and holding his dick, talking shit
He better lay low
For the bitch that said I shot some shit up out of my dick, now she sick
She better lay low
For the niggas who be claiming my hood
And really ain't from my gang, better lay low
I hope he don't be thinking I'm just talking
And I won't do a thing, really hope so


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Input:
Write a verse about confronting a rival who disrespected you, engaging in a sexual encounter with the rival's partner, and then encountering the rival in an unexpected situation. [/INST]

Lyrics: Where that nigga who be talking shit
He don't come around no more because I fucked his bitch
I made her suck my dick, while I was squeezing the tits
Then I hit it from the back, gripped tight on them hips
She tried to make me cum, but I was trying to take her home
Dropped her off and seen you fishing on your raggedy Brougham
Coulda thumped you in your dome (you little fag)
And don't sag too hard, you show everybody your thong


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Input:
Create a song that celebrates the power of the Top Dogg crew, their loyalty, and their experiences in the streets of Richmond, California. [/INST]

Lyrics: Booyaka booyaka, we bring it straight to ya
From 22's to Luger's the shit that shoot through ya
Who you motherfuckers think the Top Dogg bang with
The same clique he came with and made the game flip
Now niggas grow they hair, hold they stare and act hard
That's even tho' your CEO talk shit get slapped hard
The backyard is where we get our scrap on
The black car drive by then you get capped on
Whassup pimping, it's P and Snoop
With Dre on the beat, this ain't nothing but loot
They call me Jed Clampett for all the bread I got
But they call me Bill Clinton for all the head I got
I keeps it realer, cause I'm all about my scrilla
The ladies love me cause I'm a million dolla hitta
It's, No Limit til I D-I-E
C-P-3, or Richmond, Cali's where I be


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Input:
Create a song that addresses the consequences of bragging and false claims, while emphasizing the importance of self-awareness and respecting others' territories. [/INST]

Lyrics: For the nigga who be talking loud and holding his dick, talking shit
He better lay low
For the bitch that said I shot some shit up out of my dick, now she sick
She better lay low
For the niggas who be claiming my hood
And really ain't from my gang, better lay low
I hope he don't be thinking I'm just talking
And I won't do a thing, really hope so


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Input:
A young man questions the signals he is receiving from a girl he is interested in. He feels like Cupid is playing a trick on him, but is also concerned about the lack of other guys around her. He is advised by an elder to leave the girl alone, but the young man remains convinced that she likes him due to the attention he garners from his charm and style. [/INST]

Lyrics: I'm not sure what I see
Cupid, don't fuck with me
Are you tellin' me this is a sign?
She's lookin' in my eyes, and I see no other guys
Are you tellin' me this is a sign? Uncle Charlie (Oh)
Don't think about it, boy, leave her alone (Ooh wee)
Nigga, you ain't no G
She likes my tone, my cologne and the way I roll
You ain't no G


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Input:
Imagine a song that celebrates a hit collaboration between The Neptunes and Snoop Dogg, discussing their musical chemistry and a potential reason for someone's departure. The song also references a shared love for weed and mentions exclusive VIP access, with a warning that things might get "Crippin'" if there's an issue. [/INST]

Lyrics: It's legit, you know it's a hit
When The Neptunes and the Doggy Dogg fin to spit
You know he's in tune with the season
Come here baby, tell me why you leavin'?
Tell me if it's weed that you need
If you wanna breathe, I got the best weed minus seeds
Ain't nobody trippin', VIP they can't get in
If somethin' go wrong then you know we get to Crippin'


[INST] <<SYS>>
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<</SYS>>

Input:
A guy is questioning Cupid's intentions and whether he's sending him signs about a girl he likes. He believes that the girl only likes him and is not into any other guys. However, a friend warns him not to take things too seriously, as the girl may be flirting with others too. The guy expresses his confidence in his charm and swagger, but his friend reminds him that he may not be as cool as he thinks he is. The song then touches on the idea of a girl's interest potentially being short-lived and easily swayed. [/INST]

Lyrics: I'm not sure what I see
Cupid, don't fuck with me
Are you tellin' me this is a sign?
She's lookin' in my eyes, and I see no other guys
Are you tellin' me this is a sign?
Don't think about it, boy, leave her alone (Oh, oh, yeah!)
Nigga, you ain't no G
She likes my tone, my cologne and the way I roll
(Do-do-do-do-do-do) You ain't no G
You might also like
Now you stepping with a G, from Los Angeles
Where the helicopters got cameras
Just to get a glimpse of our Chucks
And our Khakis and our bouncin' cars
You with your friend, right? (Yeah)
She ain't tryna bring over no men, right? (No)
Shit, she ain't gotta be in the distance
She could get high all in an instant


[INST] <<SYS>>
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<</SYS>>

Input:
In a song about a love interest and a potential suitor, the lyrics express the uncertainty of a situation and the confusion of the subject's feelings, while also suggesting that the would-be lover should not intervene in the matter. The song implies that the subject believes they are the right person for the love interest, but may not be the best person for them. [/INST]

Lyrics: I'm not sure what I see
Cupid, don't fuck with me
Are you tellin' me this is a sign?
She's lookin' in my eyes, and I see no other guys
Are you tellin' me this is a sign? (Oh-oh-ooh)
Don't think about it, boy, leave her alone (Oh, oh, yeah!)
Nigga, you ain't no G
She likes my tone, my cologne and the way I roll
(Do-do-do-do-do-do) You ain't no G


[INST] <<SYS>>
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<</SYS>>

Input:
Reflect on the luxurious experiences and relationships that could have been, such as flying on a G5 to Ibiza, enjoying cake, attending Wimbledon, and the loss of someone special. Mention the importance of not being young and foolish, and the impact of having Snoop Dogg's style in a relationship. [/INST]

Lyrics: Mami, Mamacita, have you ever flown on G5's
From London to Ibiza? You gotta have cake to
You'll have Sundays with chiquitas
You'll see Venus and Serena, in the Wimbledon Arena
And I can take you
(Uncle Charlie, preach)
Nigga, don't be young and foolish
You don't know what you're doin'
You don't know what you lost until she's gone (Til she's gone)
She got a pretty face, drove you wild
But you ain't have that Snoop Doggy Dogg Style


[INST] <<SYS>>
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<</SYS>>

Input:
A frustrated man is confused about the intentions of Cupid, questioning if a woman's interest in him is a sign from the god of love. Meanwhile, he receives advice not to pursue her from a friend who challenges his claims of being cool and attractive, emphasizing that the woman appreciates his tone, cologne, and demeanor. [/INST]

Lyrics: I'm not sure what I see
Cupid, don't fuck with me
Are you tellin' me this is a sign?
She's lookin' in my eyes, and I see no other guys
Are you tellin' me this is a sign? (Oh)
Don't think about it, boy, leave her alone (Ooh, wee!)
Nigga, you ain't no G
She likes my tone, my cologne and the way I roll (Hey! Haha!)
You ain't no G


[INST] <<SYS>>
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<</SYS>>

Input:
A fun, catchy, and energetic song about challenging someone's perceived coolness or status. [/INST]

Lyrics: Ooh, wee!! Heeeeeee (You ain't no G, G...)
Oh-woah, oh-oh
Ooh, wee!! Heeeeeee


[INST] <<SYS>>
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<</SYS>>

Input:
A humorous song about the trials and tribulations of owning a dog, specifically emphasizing the importance of responsible pet ownership and the consequences of not cleaning up after your furry friend. [/INST]

Lyrics: Yeah, this is another story about dogs
For the dog that don't pee on trees is a bitch
So says Snoop Dogg
So you better get your pooper scooper 'cause the nigga's talkin' shit
Roof! Roof! Roof! Roof! Roof!


[INST] <<SYS>>
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<</SYS>>

Input:
Doggy Style [/INST]

Lyrics: Foamin' at the mouth and waggin' his tail
Searchin through the yard with a keen sense of smell
Lookin' for the bitches in heat
And when he find it he'll be sniffin her seat
We travel in packs and we do it from the back
How else can you get to the booty?
We do it doggystyle
All the while we do it doggystyle
Yo motherfuckin' hoe!
He fucked the fleas off the bitch, he shaked the ticks off his dick
And in the booty, he buries his motherfuckin' bone
And if there's any left over, he'll roll over and take a doggy bag home
Damn, that Tanqueray is talkin' to a nigga
I ain't bullshittin', one of y'all niggas gotta get it
Man, I got to piss
Breath test?


[INST] <<SYS>>
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<</SYS>>

Input:
Considering the various reactions and conflicts that can arise within the hip-hop community when an artist takes a different approach, discuss the impact of individuality and creativity in the genre. [/INST]

Lyrics: Why is there suddenly a nigga trippin' when I do it?
Why do everybody else gon' have a war, have beef
Within the music, talkin' about differences and it's ok
It's music it's hip-hop it's groundbreaking
When I do it, it's war


[INST] <<SYS>>
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<</SYS>>

Input:
Imagine collaborating with Snoop Dogg on a song that discusses toning down the gangsta image while still maintaining authenticity and paying homage to previous contributors. [/INST]

Lyrics: Yo Doc, what up my nigga?
Snoop Dogg, this is what it is mane
This record is so motherfuckin' gangsta man
I think it's time for me and you to just, tone it down a bit
Come on


[INST] <<SYS>>
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<</SYS>>

Input:
Create a song that encourages listeners to use their imaginations and explore the limitless possibilities that exist in the world. [/INST]

Lyrics: Imagine, imagine
Yeah, yeah, oh yeah, ow
Can you imagine? Uh
Can you imagine? Hm, ah
Can you imagine?
Imagine, imagine, yeah, ooh


[INST] <<SYS>>
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<</SYS>>

Input:
Demonstrate unity and respect for different religious beliefs while emphasizing the importance of faith and communication with a higher power during difficult times. [/INST]

Lyrics: "In the name of Allah, in the name of God
The beneficent, the merciful
The one God to whom all praise is due
Regardless of land, labor, or title
No matter what name you call God by
Whenever life seems hard
Everybody know that you must talk to God"


[INST] <<SYS>>
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<</SYS>>

Input:
Gangsta rap lyrics in the style of Snoop Dogg, focusing on the G Funk family and their lifestyle, emphasizing the importance of loyalty and strength in the face of adversity, while also referencing the violence that may arise from such circumstances. [/INST]

Lyrics: Pump Pump, Pump Pump, Pump Pump, Pump Pump
Pump Pump
You might also like
Let the motion of your body be the key 'cause we
Be the motherfuckin G Funk family
Now, I'll play the G in this deadly game
Snoop Dogg is the name, Dogg Pound's the gang
If it ain't one thing, it's a motherfuckin' 'nother
Word to my granny and my daddy and my mother
Whether standin on the corner or bouncin in the six-deuce
When I was locked up, I couldn't wait to get loose
'Cause back in the days, on the side where it's at
A nigga had to have a fat stack
And I was a fool, don't make me have to grab my strap and go
Rat-tat-tat-tat, nigga slap to a motherfucker face he fall
Can't none of y'all niggas see the Doggy Dogg
'Cause I'm one rude bwoy comin with the wickedness
So shut the fuck up, and listen while I'm kickin this


[INST] <<SYS>>
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<</SYS>>

Input:
Write a song lyrics about a close friendship and loyalty, with a focus on the sounds of gunshots from a character named "Doggy Dogg. [/INST]

Lyrics: Blam blam, blam to dem all
Listen to the shots from my nigga Doggy Dogg (pump pump)
Blam blam, blam to dem all
Listen to the shots from my nigga Doggy Dogg (pump pump)
Di da, di di di da di da, di-di di da, di di di da di da (Blam!)
Di da, di di di da di da, di-di di da (Blam!) ba-da-bam! Ba-ba-ba-bam!


[INST] <<SYS>>
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<</SYS>>

Input:
A confident and skilled rapper describes their prowess in battle and how they handle themselves in a variety of situations, while warning others not to underestimate their abilities. [/INST]

Lyrics: Now just back up, don't act up, I pack up much heat
Any battle I'm in, I win, I can't be beat
Don't sleep while I creep peep out my technique
I forgot, I'm out of sight so you can't see the
MC of the year, you hear and you fear
I got somethin for them niggas in the front and the rear
I handle the sides, did a driveby in the who-ride
I'm satisfied now everything is really alright
You know when I come nigga I come wicked
Don't need no permission, motherfucker I'ma kick it
Niggas sweat my shit I wet 'em up with the biscuit
Lick 'em up shot, it don't stop, till dem all drop
Make up your mind, go pop or slang rocks
Just stop, ridin' on the next nigga's jock
I'm strapped with my Glock on your block
And ready to let loose on the first imitator that I spot


[INST] <<SYS>>
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<</SYS>>

Input:
A song about a close friendship between two people who enjoy firing guns together [/INST]

Lyrics: Blam blam, blam to dem all
Listen to the shots from my nigga Doggy Dogg (pump pump)


[INST] <<SYS>>
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<</SYS>>

Input:
Create a playful, upbeat song that tells the story of a performer calming down after a show. [/INST]

Lyrics: Di da, di di di da di da, di-di di da, di di di da di da da
Da di di da, da da da di di da da
Da di di da, da da da di di da-
Da di di da, da da da di di da da
Da di di da, da da da di di da da
Ba-da-bam! Calm down, the shows over...


[INST] <<SYS>>
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<</SYS>>

Input:
Write a song about someone who has been away for a while but is now returning with a newfound determination and an improved attitude, urging others to raise their game as well. [/INST]

Lyrics: Yeah man what's going on man it's really really pimpin' up in here man
I know you ain't seen pimpin' in a long time man, I've been MIA
You know what I'm sayin' missin' in action
I ain't been on no milk carton box
But I've been milking and boxing these bitches
Cause they got to step they game up, you know what I mean?


[INST] <<SYS>>
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<</SYS>>

Input:
Create a song that encourages people to elevate their skills and actions in various aspects of life, emphasizing the importance of self-improvement and not being afraid to take risks or step outside their comfort zone. [/INST]

Lyrics: What you lookin' at? (step yo game up!)
What you waitin' for? (step yo game up!)
Go on, come on in the door (step yo game up!)
Drop it to the floor and just (step yo game up!)
You a kid (step yo game up!)
You drink gin (step yo game up!)
Is that your friend? (step yo game up!)
Tell a nigga you with you finna (step yo game up!)


[INST] <<SYS>>
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<</SYS>>

Input:
A song about a deeply devoted individual attending church services, where the pastor delivers powerful sermons, and the atmosphere is filled with a sense of spiritual connection and community. [/INST]

Lyrics: Chuuuch, Preach, Tabernacle
Chuuuch, Preach, Tabernacle
Chuuuch, Preach, Tabernacle
Chuuuch, Preach, Tabernacle
Chuuuch, Preach, Tabernacle
Chuuuch, Preach, Tabernacle
Chuuuch, Preach, Tabernacle
Chuuuch, Preach, Tabernacle


[INST] <<SYS>>
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<</SYS>>

Input:
Rap lyrics encouraging someone to step up their game in various aspects of life, emphasizing confidence and taking control of their actions. [/INST]

Lyrics: What you lookin' at? (step yo game up!)
What you waitin' for? (step yo game up!)
Go on, come on in the door (step yo game up!)
Drop it to the floor and just (step yo game up!)
You a kid (step yo game up!)
You drink gin (step yo game up!)
Is that your friend? (step yo game up!)
Tell a nigga you with you finna (step yo game up!)


[INST] <<SYS>>
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<</SYS>>

Input:
A rapper, DJ E-Z Dick, is excited to release another hit song, inspired by the trends and conversations happening in the streets. He teams up with his close friend Mr. Doggy Dogg for a live performance, aiming to engage and entertain their audience with the song's unique energy and catchy lyrics. [/INST]

Lyrics: W-Balls, it's your main man DJ E-Z Dick
About to unleash another one of those platnum plus hits
And the word is on the streets, and the word is the streets
We gon go to a live remote, licking wit my main man Mr Doggy Dogg


[INST] <<SYS>>
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<</SYS>>

Input:
Write a song about celebrating loyalty and camaraderie among friends, while addressing disrespectful behavior towards women. [/INST]

Lyrics: Yeah, what's happening?
This one is dedicated to my niggas
All my niggas out there, G's up, hoes down


[INST] <<SYS>>
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<</SYS>>

Input:
Write a song about a suave undercover agent named Snoop Doggy Dogg, who goes on a mission to find his DJ Warren G while wearing a khaki suit, wielding a gun, and seeking cognac and love at a picturesque lake where doves gather. [/INST]

Lyrics: Ladies and gents, playas and pimps listen
Snoop Doggy Dogg on the mic, pay attention
One, two, oh what shall I do?
I'm slipping on my khaki suit (Which one?)
The blue one, gun by my side as I mob to the beach
On a mission and I'm fishing for my DJ Warren G
Now as I look for the bud sack
And see where my loves at on the lake where the doves at
Cognac is the drink that's drank by G's
Sagging like a mothafucka, khakis to they knees
Bitch please, you know how we do the undercover
I'm Snoop Doggy Dogg, not your average motherfucka, see


[INST] <<SYS>>
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<</SYS>>

Input:
A rapper is teaching his listeners about the "G thang" and describing the seductive nature of his music. [/INST]

Lyrics: Some of you don't know about the G thang, baby
It's the smooth gangsta shit that be driving ya crazy
Now as ya groove to the beat and ya move to the sound
I'mma hit ya up with the Pound, G's up, hoes down


[INST] <<SYS>>
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<</SYS>>

Input:
Write a song about a group of friends who consider themselves "real G's" and celebrate their fly and high lifestyle. [/INST]

Lyrics: Will all the real G's, please stand up
And let all be accounted for
And if you don't give a fuck about a bitch
Then you're rolling with the Row
You might also like
Back with the one, two, three, and to the fo'
It's the S-N, O and to the O, P
(Why am I so fly?) I don't know, but
(Why am I so high?) It's the Indo


[INST] <<SYS>>
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<</SYS>>

Input:
Describe the attitude and lifestyle of someone who rejects supernatural influences and prefers to embrace the realness and power of The Chronic (a reference to Dr. Dre's famous album). [/INST]

Lyrics: I don't fuck with the pocus, everbody knows this
Fucking with The Chronic cause The Chronic gives me dopeness
Now focus your eyes on these, follow me
As I take ya rolling with the real OG's
East Side is the motherfuckin' place, known as home
Doggy Dogg with my bone in my hand, twenty grand and


[INST] <<SYS>>
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<</SYS>>

Input:
Imagine a song where the artist is introducing a unique genre of music called "G thang" and its influence on people's lives. The lyrics should contain references to the smooth, gangsta vibe of the music and the impact it has on the listeners, while also mentioning a famous phrase from the song "G's up, hoes down. [/INST]

Lyrics: Some of you don't know about the G thang, baby
It's the smooth gangsta shit that be driving ya crazy
Now as ya groove to the G-funk and ya move to the sound
I'mma hit ya up with the Pound, G's up, hoes down


[INST] <<SYS>>
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<</SYS>>

Input:
A song where the artist addresses their peers and wants them to show their loyalty and authenticity. The song also emphasizes that the artist doesn't care about certain drama, only focused on their friends, money, and staying true to themselves. [/INST]

Lyrics: Will all the real G's, please stand up
And let all be accounted for
And if you don't give a fuck about a bitch
Then you're rolling with the Row
Hell yeah, you know what I'm saying?
This is stricly for the G's, you know I'm saying? Fuck that, bitch
Niggas always handcuffing that ho
When a nigga like me steps in the place
I don't want that ho, I don't love that ho
I'm caught up with my greens
Collard greens, Indo and the cash flow
You know what I'm saying? Peace, G's up, hoes down


[INST] <<SYS>>
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<</SYS>>

Input:
The singer, feeling the excitement from their recent encounter, seeks to relive the exhilarating experience and is inviting the other person to join them. The repetition of the phrases creates a sense of urgency and enthusiasm, highlighting the intensity of the emotions shared. [/INST]

Lyrics: Can I get more thrills?
You know you want some more girl, so come on, yeah
Can I get more thrills?
You know you want some more girl, so come on
Let's get blooooooown!
Let's get blooooooown!


[INST] <<SYS>>
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<</SYS>>

Input:
A guy is trying to decide which woman to approach or pursue, but he's having a hard time deciding because they all seem so attractive to him. [/INST]

Lyrics: I'm just looking, mm-mm-mm
Looking at the ladies
All of them fly
I don't know which one I want, dawg
I can't make up my mind, girl


[INST] <<SYS>>
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<</SYS>>

Input:
Write a song about a carefree night out at the club, dancing and enjoying each other's company, with the desire to get closer and create special moments together. [/INST]

Lyrics: So won't you make it easy on me?
And take this drink, then hit this weed
Two step wit me, let's slip to the dance floor
On and on and on and on we go
I'll dip you if you want me to
You see I really wanna get a little front with you
Biggidy bump with you
A nigga wanna hump you, and then just comfort you
And then I'll pop the top
And lay you on the cot, and get you nice and hot
Yeah yeah, it's all to the real
We could do it like Guy, come on girl, let's chill
You might also like
Can I get more thrills?
You know you want some more girl, so come on, yeah
Can I get more thrills?
You know you want some more girl, so come on
Let's get blooooooown!
Let's get blooooooown!


[INST] <<SYS>>
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<</SYS>>

Input:
A man playfully expresses his attraction to a woman, singing about how she's been on his mind and how she makes him want to pursue her. [/INST]

Lyrics: Come here baby, lemme holla at you real quick
I've been looking at you, from the corner of my eyes
Checking out your hips, lips, tips and your thighs
I've been wanting to do you, for a mighty long time
You make a pimp wanna sing "I-I-I"


[INST] <<SYS>>
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<</SYS>>

Input:
In a song, a rapper is expressing their dedication and loyalty to a special someone, while also mentioning famous collaborators and alluding to a secret rendezvous. [/INST]

Lyrics: We'll head to the hills, your dreams I'll fulfill
We could do it how you want cause I'm oh so real
Tell me you, naw I won't squeal
You wit Da Big Boss Dogg so seal the deal
Pharrell got the Babyface
And Dogg got the Whip Appeal, so name the place
This love I bring to you, on the real baby girl
Won't you do me a favor and sing for Snoop?


[INST] <<SYS>>
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<</SYS>>

Input:
A fun, flirtatious song about the excitement and temptation of taking risks and pursuing thrilling experiences, especially when it involves a romantic interest who wants to experience the thrill together. [/INST]

Lyrics: Can I get more thrills?
You know you want some more girl, so come on, yeah
Can I get more thrills?
You know you want some more girl, so come on
Let's get blooooooown!
Let's get blooooooown!
Damn, you know you want it (if I got it, I'ma give it to you)
So come and get it (if I got it, I'ma give it to you)
If I got it (If I got it, I'ma give it to you)
Then you can get it (ya know)
Hey! Ohh
Can I get more thrills? Can I get more thrills


[INST] <<SYS>>
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<</SYS>>

Input:
A song describing the anticipation and enjoyment of a sensual experience, with a focus on taking things slow and savoring every moment. [/INST]

Lyrics: I'm gonna take my time
She gon' get hers before I
I'm gonna take it slow
I'm not gonna rush the stroke


[INST] <<SYS>>
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<</SYS>>

Input:
Imagine a song that encourages two people to experience a passionate, sensual connection, emphasizing the shared pleasure of seduction. [/INST]

Lyrics: So she can get a sensual seduction
So I can get a sensual seduction
So we can get a sensual seduction
Sensual seduction, woah, woah


[INST] <<SYS>>
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<</SYS>>

Input:
Imagine two people who only engage in one specific activity together and think about each other while doing it. [/INST]

Lyrics: She might be with him but she's thinking 'bout me, me, me
We don't go to the mall, we don't go out to eat, eat, eat
All that we ever do is play in the sheets, sheets, sheets
Smoke us a cigarette, then go back to sleep, sleep, sleep
'Cause we done got a


[INST] <<SYS>>
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<</SYS>>

Input:
A night full of allure and passion. [/INST]

Lyrics: Sensual seduction
Sensual seduction, woah, woah
Sensual seduction
Sensual seduction, woah


[INST] <<SYS>>
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<</SYS>>

Input:
Song about enjoying a good relationship with a partner, taking things slow, and finding happiness in simple activities together. [/INST]

Lyrics: I'm gonna take my time
She gon' get hers before I
I'm gonna take it slow
I'm not gonna rush the stroke
You might also like
If ya don't know by now, Doggy Dogg is a freak, freak, freak
I keep a bad bitch with me, seven days out the week, week, week
And all that we ever do is play in the sheets, sheets, sheets
Then smoke us a cigarette, and go back to sleep, sleep, sleep
'Cause we done got a


[INST] <<SYS>>
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<</SYS>>

Input:
Imagine a song that emphasizes the power of seduction through its lyrics and rhythm, with a focus on sensuality and desire. [/INST]

Lyrics: Sensual seduction
Sensual seduction, woah, woah
Sensual seduction
Sensual seduction, woah


[INST] <<SYS>>
Use the Input to provide related rap lyrics.
<</SYS>>

Input:
A man in a club sees a beautiful woman and becomes intrigued, eventually approaching her and seducing her with his charm and flirtation. They return to his place, where their intimate connection leads to a sensual and fulfilling experience for both parties involved. [/INST]

Lyrics: I was all in da club, havin' a drink, blowin' on a sweet
When I peeped this little freak out
I was all in the bar, wind drift up, Shawty Redd came on
Then she hit the floor, now
With a see through dress, long hair, light brown eyes
Lookin' like Miss Bo Peep
And a playa know if I take her home, with them real big hips
You so right I'm gon' beat
So I approached the chick with the real pretty face
Nice curves on her with a little bitty waist
I whispered in her ear, "Lil' mama, what you drink?
I know that you're a freak but you know that I ain't gon' say shh"
See my game is outrageous
I got her to the crib and exchanged some love faces
But it was no need for me to rush to bust one
'Cause I wanted her to have an eruption
Sensual seduction
Sensual seduction, woah
Sensual seduction
Sensual seduction, woah, woah


[INST] <<SYS>>
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<</SYS>>

Input:
A song encouraging West Coast gang members to unite and prove their loyalty, calling all real Crips and Bloods to join them in this real gangsta guerrilla movement. [/INST]

Lyrics: West Coast, it's time to stand up nigga
We gon' unite 'round this motherfucker one time
I'm callin' every real Crip nigga
And every real B-Dogg, to the table right now
Yeah, we gon' push a real line right now
See if y'all with this real gangsta guerrilla shit


[INST] <<SYS>>
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<</SYS>>

Input:
A rapper shares a humorous anecdote about getting stuck in Long Beach, California, with no gas in his car, surrounded by a mix of people from different gang affiliations. He manages to get assistance from Snoop Dogg in a Pittsburgh Steelers-themed vehicle, and they proceed to find common ground among the Bloods and Crips, comparing themselves to Michael Jordan's Chicago Bulls basketball team and discussing their gang-related preferences. The moral of the story is to support the Westside if you're not a Crip or a Blood. [/INST]

Lyrics: I ran outta gas in Long Beach, I'm stuck
Ain't no Bloods and all I see is blue Chuck's
Hopped out the '6-trey, nowhere to go
Til' Snoop pulled up in that Pittsburgh Steeler '6-4
We just dippin', one Bloodin' one Crippin'
I'm on that Bulls shit, throwback Scott' Pippen
Moral is, my bandana hangin' from the left side
So if you ain't a Crip or a Blood, just throw up Westside


[INST] <<SYS>>
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<</SYS>>

Input:
Two friends, one on Bloods, the other on Crips, decide to go on a dangerous adventure together through the streets of Los Angeles, starting from the Eastside LBC and ending at the Thunderdome. [/INST]

Lyrics: (What up Blood?) Yeah cuz, we just tippin'
Me and Game doin' thangs, switchin' lanes, Hurricanes on my feet
Stop, and C-Walk to the beat
Game, take the wheel and turn on 21st Street
Eastside LBC, gun in my hand
It's the turf by the surf but we don't play in the sand
We just - slip and slide out, we rip and ride out
Let it C known, nigga welcome to the Thunderdome
Ca-rip, Ca-rip, Ca-rip, Ca-rip
Su-whoop, su-whoop, su-whoop, su-whoop
Ca-rip, Ca-rip, Ca-rip, Ca-rip
Su-whoop, su-whoop, su-whoop, su-whoop
Su-whoop, su-whoop, su-whoop, su-whoop


[INST] <<SYS>>
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<</SYS>>

Input:
Imagine a radio station with an unforgettable name, W Balls, known for playing only the best hits and featuring a wild cast of characters. The station is home to a notorious duo called the Dogg Pound and the infamous DJ Saul T. Nuts. Tonight, they're set to premiere a new song called "Tha Shiznit" by a superstar named Snoop Doggy Dogg. The station also offers a Jackoff Hour hosted by a character named EZ Dicc. The entire experience revolves around the catchy slogan, "You [/INST]

Lyrics: (Radio Static)
That was the Dogg Pound here right on W Balls
187.4 on your FM dial
You're tuned in to the biggest balls of them all: DJ Saul T. Nuts
Aye, don't forget about my homeboy EZ Dicc and the Jackoff Hour
That's happening at twelve o'clock tonight
Right now we got some new Snoop Doggy Dogg for that ass
This one is called "Tha Shiznit"
You're about to go downtown bitch
Right here on the station that plays only platinum hits
That's 187.4 on your FM dial
If you're licking, that's W Balls
(Radio Static)
Everybody's got to hear the shit, on W Balls, W Balls, W BallsYou might also like


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Input:
Celebrate a friend's success and continue a playful banter while referencing a popular catchphrase and slang term. [/INST]

Lyrics: Shit ya did it again my nigga
For shizzle dizzle


[INST] <<SYS>>
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Input:
A rap artist is bragging about their fame and success, emphasizing their local roots and international recognition, as well as playfully referencing their name. [/INST]

Lyrics: F-I-F-T-Y C-E-N-T and S-N double O-P
We internationally known and locally respected
Now I know you done heard about me
F-I-F-T-Y C-E-N-T and S-N double O-P
We internationally known and locally respected
Now I know you done heard about me
I'm a P-I-M-P


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Input:
Write a lyric about a confident, strong woman who drives a Cadillac, wears a perm, and is a G (short for gangsta or boss). [/INST]

Lyrics: I don't know what you heard about me
But a bitch can't get a blunt up outta me
I drive a Cadillac, wear a perm cause I'm a G
And I'm a motherfuckin' C-R-I-P
I don't know what you heard about me
But a bitch can't get a crumb up outta me
I drive a Cadillac, wear a perm and I'm a G
And I'm a motherfuckin' P-I-M-P


[INST] <<SYS>>
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Input:
Write a rap verse showcasing the artist's unique skills, popularity, and local recognition, while emphasizing their status as a PIMP. [/INST]

Lyrics: Yo that shit is crazy Whoo Kid
Rewind that, play that back
You might also like
F-I-F-T-Y C-E-N-T and S-N double O-P
We internationally known and locally respected
Now I know you done heard about me
F-I-F-T-Y C-E-N-T and S-N double O-P
We internationally known and locally respected
Now I know you done heard about me
I'm a P-I-M-P


[INST] <<SYS>>
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<</SYS>>

Input:
Write lyrics for a rap song where the artist is defending their reputation and lifestyle, emphasizing their cool and unique style. [/INST]

Lyrics: I don't know what you heard about me
But a bitch can't get a blunt up outta me
I drive a Cadillac, wear a perm cause I'm a G
And I'm a motherfuckin' C-R-I-P
I don't know what you heard about me
But a bitch can't get a crumb up outta me
I drive a Cadillac, wear a perm and I'm a G
And I'm a motherfuckin' P-I-M-P


[INST] <<SYS>>
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Input:
Imagine a song featuring Fifty, Big Snoop Dogg, and other famous hip-hop artists at a church service where they perform a pimp-themed song, while also incorporating elements of pimp culture, slang, and humor. [/INST]

Lyrics: It's goin' down now with Fifty and Big Snoop Dogg
And the archbishop, Don 'Magic' Juan
Ridin' shotgun with WhooKid
The straight up pimp is crack-a-lackin'
It's pimps up, you know it's hoes down
It's green for the money, gold for the honey
We off and we runnin'
With Fifty and Snoop Dogg and the mackelineum
Keepin' it down playa
Pimps up, you know the rest
Church


[INST] <<SYS>>
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Input:
Create a song that critiques materialistic and superficial relationships while emphasizing the importance of genuine connections. [/INST]

Lyrics: Can we get a motherfuckin moment of silence
For this small chronic break?
A-hah, yeah, niggas be brown-nosing these hoes and shit
Takin' bitches out to eat, and spendin' money on these hoes, YouknowhatI'msayin?
I treat a bitch like 7-Up, I never have, I never will
I tell a bitch like this
"Bitch, you without me is like Harold Melvin without the Bluenotes;
You'll never go platinum"
Hey Daz, give me a light, niggaYou might also like


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Input:
Write a song about taking things slow in a relationship, valuing patience, and ensuring both partners are satisfied in the process. [/INST]

Lyrics: I'm gonna take my time
She gon' get hers before I
I'm gonna take it slow
I'm not gon' rush the stroke


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Input:
Write a song about the mutual satisfaction and pleasure experienced during a romantic encounter. [/INST]

Lyrics: So she can get a sexual eruption
So I can get a sexual eruption
So we can get a sexual eruption
Sexual eruption, whoa, whoa


[INST] <<SYS>>
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<</SYS>>

Input:
She's seeing someone else, but she always has me on her mind. We never leave the bedroom, but there's a connection that can't be denied. We spend our nights smoking and cuddling, then drifting off into a blissful slumber. [/INST]

Lyrics: She might be with him, but she's thinking 'bout me, me, me
We don't go to the mall, we don't go out to eat, eat, eat
All that we ever do is play in the sheets, sheets, sheets
Smoke us a cigarette, then go back to sleep, sleep, sleep
'Cause we done got a


[INST] <<SYS>>
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Input:
Write a song about a man who is patient with his partner, not rushing their relationship, and enjoying their time together, while also emphasizing their unique qualities and shared experiences. [/INST]

Lyrics: I'm gonna take my time
She gon' get hers before I
I'm gonna take it slow
I'm not gon' rush the stroke
You might also like
If you don't know by now, Doggy Dogg is a freak, freak, freak
I keep a bad bitch with me seven days out the week, week, week
And all that we ever do is play in the sheets, sheets, sheets
Then smoke us a cigarette, then go back to sleep, sleep, sleep
'Cause we done got a


[INST] <<SYS>>
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<</SYS>>

Input:
In a nightclub, the narrator notices an attractive woman, and they share a flirtatious interaction. He takes her home, hoping for a passionate encounter. [/INST]

Lyrics: I was all in the club, sippin' some Hen, smokin' on a blunt of 'dro
When I peeped this lil' ho out
I was all in the bar, when, drift up, Shawty Redd came on,
Then she hit the floor now
With a see-through dress, long hair, light-brown eyes
Lookin' like Ms. Bo Peep
And a nigga know if I take her home, with them wide-ass hips
You damn right, I'm gon' beep
So I approached the chick with the real pretty face
Big-ass booty with a little-bitty waist
I whispered in her ear, "Lil' mama, what you drink?
I know that you a freak, but you know I ain't gon' say shit"
See, my game is outrageous
I got her to the crib and exchanged some fuck-faces
But it wasn't no use for me to rush to bust one
'Cause I wanted her to have a eruption
Sexual eruption (A sexual eruption... yeah)
Sexual eruption, whoa (Orgasms)
Sexual eruption
Sexual eruption, whoa, whoa


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Input:
Write a song about a dedicated, loyal companion who will always be there for their owner, no matter what they ask or need. [/INST]

Lyrics: Baby, I come running
Baby, I come running
Just keep me coming (Keep me coming)
And I come running (Running)
Cause I'm your dog
Baby I'm your dog
So whenever you call
I come running
Baby, I come running
Baby, I come running
Just keep me coming (Keep me coming)
And I come running
Cause I'm your dog (I'm your dog)
Baby I'm your dog (Oh, oh, oh)
So whenever you call (Whenever you call)
I come running (Baby, baby, baby)


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Input:
Write a song that captures the excitement of a new, passionate relationship where the lover becomes a dog and is always eager to please and be with their partner. [/INST]

Lyrics: He ain't listenin'
So you can talk to me, don't listen to him (No)
A body like that ain't hard to feed
'Cause girl, I'll eat you up
All in a couple of seconds
Girl, I'll eat you up (Eat you up)
It's when you realize you're in Heaven
Like how'd you get there?
Baby, what you doin' in this chair? (Ugh)
Couldn't let you sit there
You need help, somebody should get there
You see, girl, time is like money
Both of which men love
Spend them both with me
And then for sure, you'll know
You might also like
Baby, I come running
Baby, I come running
Just keep me coming
And I come running
Cause I'm your dog
Baby I'm your dog
So whenever you call
I come running
Baby, I come running
Baby, I come running
Just keep me coming
And I come running
Cause I'm your dog
Baby I'm your dog
So whenever you call
I come running


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<</SYS>>

Input:
A couple is enjoying a bath together and discuss their preferences for music and handling an unexpected doorbell. [/INST]

Lyrics: (Water Trickling)
Uh, that felt good
Does it baby?
Yeah, rub my back for me
Where do you want me to rub it baby?
Right here
Okay
Oh
Turn around
Aight, check it out though
Why don't you put me on some music?
What you wanna hear baby?
Put me on some of that old gangsta shit
Aight then
(Door Bell, Needle Scratch, "Give Me Your Love" Plays)
Damn, the fuck is that?
Every time I'm chilling someone ringing my motherfucking doorbell
You want me to get that for you?
Yeah, handle that shit for me
Aight, I'll be right back


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Input:
Imagine that you're in a high-stakes situation where you need to focus and perform at your best. What's the most intense, fiery, and determined thing you can say to yourself to kickstart your energy and motivation? [/INST]

Lyrics: (Smoke inhale)
It's time to get busy in this motherfucker
Like we always do about this time


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Input:
Imagine a rapper reflecting on their life, discussing their fame and success, and addressing their responsibilities as a parent and partner. They also consider their relationships with friends and fans, and ponder the importance of their impact on the world. [/INST]

Lyrics: Snoopy
Is what they say as if they knew me
Groupies, on my head like a cufi
My nigga Kid Cudi, that's my little buddy
Call some hoes up, and get some cutty cutty
What's your life like? Mine's is kinda tight
A long way from hustlin', that china white
My people love me, the fans love me, I'm all go
If you ain't showin' love, then what you call for?
I don't need it in my life, my kids pay the price
So alike and in need of my wife
Smoke 'til I'm gone, Dogg on the throne
I'm world-wide known, I'm a boss in the zone
I get it how I get it 'cause I can, I earn my spot
You see the plan, I'm just fuckin' with my fans
I turned out to be the better man, important to life
You understand while I'm puffin' on this gram


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Input:
Write a song that addresses the idea that success doesn't define a person and the importance of staying true to one's roots and family. [/INST]

Lyrics: Everything I'm havin', no there ain't necessity
Though I'm shining, keep on grindin'
What you see ain't all of me
Though I keep them ho's, don't love them ho's
The code in which y'all roll
It's so simple what I need
You know I keep my fam and I can't forget that tree
You might also like
Nah nah nah, nah nah nah
I can't forget that tree
Nah nah nah, nah nah nah
I can't forget that tree
Nah nah nah, nah nah nah
I can't forget that tree
Nah nah nah, nah nah nah
Nah nah, nah nah nah
(Nah nah nah, nah nah nah)


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Input:
Write a song about a memorable experience tied to a tree. [/INST]

Lyrics: Nah nah nah, nah nah nah
I can't forget that tree
Nah nah nah, nah nah nah
I can't forget that tree
Nah nah nah, nah nah nah
I can't forget that tree
Nah nah nah, nah nah nah
Nah nah, nah nah nah
(Nah nah nah, nah nah nah)


[INST] <<SYS>>
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<</SYS>>

Input:
Describe a nostalgic memory involving a tree that has a significant meaning in your life. [/INST]

Lyrics: Nah nah nah, nah nah nah
I can't forget that tree
Nah nah nah, nah nah nah
I can't forget that tree
Nah nah nah, nah nah nah
I can't forget that tree
Nah nah nah, nah nah nah
Nah nah, nah nah nah


[INST] <<SYS>>
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Input:
Snoop Dogg and Kid Cudi collaborating for a night of smoking Laker purp and enjoying each other's company. [/INST]

Lyrics: Snoop Dogg in the house tonight blowing that Laker purp that I know you like, right?
Kid Cudi, my nephew, blaze that shit right now would you, would you, right?
Snoop Dogg in the house tonight blazing that Laker purp that I know you like, right?
Kid Cudi, my nephew, blaze that shit right now my nigga, right?


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Input:
The 17 Contributors are gathered in the studio, brainstorming ideas for a song that will showcase their unique styles and impress listeners. They decide to create a track that samples some of their favorite beats, while also incorporating catchy melodies and lyrics that appeal to a wide audience. They want the song to be about a special connection between the artist and the fans, and to give a nod to their hip-hop influences. [/INST]

Lyrics: Radio Killa, Big Snoop D-O-dub
The-American-Dream...
Aiyyo nephew, why don't come up off them keys
And sing a 'lil somethin for the ladies
Yanuhtalkinbot? Let 'em know how we feelin right now


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Input:
Write a song about the excitement and allure of a charming yet dangerous individual who captivates a person's attention. [/INST]

Lyrics: Every time I come around, shawty love me down
Run up on me like click-clack, the gun out like take that
She make it do what it do
When we doing what we doing in the back of the 'Llac
I'm like come up off of that
And every night her body get stacked
I got that gangsta, gang-gangsta
That gangsta, gang-gangsta
That gangsta, gang-gangsta
That gangsta luv


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Input:
A song about the excitement of having a reliable weed supplier, the joy of smoking big joints, and the challenge of doing "kush ups," which is a slang term for doing push-ups while high. The lyrics describe the lifestyle and activities of someone who loves smoking and the fun they have while doing so. [/INST]

Lyrics: My weed man got the hook up
Rolling up another pound every time you look up
Big ass joints, them ones that leave you shook up
So much weight that now I'm doing kush ups
Kush ups, 'bout to roll a whole book up
Looking for me, I was at the crib doing kush ups
Kush ups, 'bout to roll a whole book up
Looking for me, I was at the crib doing
Don't stop!


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Input:
Create a song introduction that features a popular West Coast rapper, emphasizing their uniqueness and using repetitive phrases to highlight their iconic name. [/INST]

Lyrics: Aw yeah, coming to you live and direct from the LBC
We have the one and only, Snoop D-O double G
Yeah, yeah, drop it
(*scratching*)
It's the one and only D-O double G
Big Snoop Dogg, it's the one and only
The one and only, D-O double-double-double G


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Input:
Reflect on your rise to fame as a local artist, and how the world now recognizes your talent and success. [/INST]

Lyrics: Local boy made good over night shit
Not only am I getting righteous but wise see
I paid the price, with consecutive platinum hits
I up my status, ain't no more Calvin Broadus
World on my shoulder, but I can handle it
Now that I'm older, I'm sharper and colder
Can you remember when I slid in Deep Cover
And made niggas in the Beach love eachother
A street hustler, but I'm all set for the come up
Best kept secret so I'm want up
I've been acquitted up for 1-8-7
Yes I'm blessed thank God in Heaven
Now all I need is a push in the right direction
Weed and a mic now I'm writing checks
And now the game ain't stopping
And can't nobody say my name ain't popping
Started off young as a little-bitty buck
Now I'm ready for the world, and I got to give it up


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Input:
Despite the challenges and haters, I have achieved success and now focus on providing for my family and embracing my role as a provider and leader. [/INST]

Lyrics: You in the presence of a motherfucking millionaire
Stop, look, listen, feel, yeah I ain't tripping on shit
I worked hard as a motherfucker
Fuck Cuzz, and him too cause all y'all suckas
Now with the savvy of a business man
I gave, new niggas a chance, to see what they was saying
And kept a spot on hot, West Coast on lock
Big Dizzel knocking down your block
Never looking back uh uh, a steady process
And leaving that way, cause see I'm blessed
It's like I'm happy now, cause I'm a family man
I fell in love with my kids and my wife again
And these here are the files of a classic
It's my throne till I choose to pass it
Worldwide and the sun shine so bright
That's why I wear my L-O-C's at night nigga


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Input:
Imagine a substitute teacher in a classroom full of enthusiastic students, each sharing their aspirations for the future. [/INST]

Lyrics: Good Morning boys and girls, I'm your substitute teacher
My name is Mr. Buckwort
The topic fo' today is, what you would like to be when you grow up
You, over there in the jean shirt
What you wanna be when you grow up?
"I wanna be a police officer"
Alright, that's a pretty good profession
You over there in that black shirt
What you wanna be when you grow up?
"I would like to be a fire man"
Alright, that's a pretty good profession too
Hey, you in the back with those French braids, what's yo name?
"My name is Snoop"
Hi, Snoop, what you wanna be when you grow up?
"I wanna be a motherfuckin hustla, ya betta ask somebody"You might also like


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Input:
A group of 10 young men from the Eastside are involved in a potentially dangerous situation. [/INST]

Lyrics: Ten little Crip niggas runnin' outside
All from the turf and they bangin' out lives
Far from a scrub cuzz from the Eastside
Where they don't die they just multiply
So.. don't give them niggas a reason
To turn it into spray season
Don't give them niggas a reason
Because they'll turn it into Crip season


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Input:
A song that describes the challenges and realities of living in a tough urban environment, specifically focusing on the Eastside and the culture surrounding it. [/INST]

Lyrics: It's a whole lot of fillin when you on the Eastside
On the Eastside, nigga we ride
And it's a whole lot of dealin when you on the Eastside
On the Eastside, nigga we ride
And it's a whole lot of stealin when you on the Eastside
On the Eastside, nigga we ride
And it's a whole lot of killin when you on the Eastside
Eastside, yeah nigga we ride


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Input:
A group of young men from the Eastside are involved in dangerous activities and life in their neighborhood is chaotic, with violence being a normal part of life. The song's lyrics suggest that tensions and confrontations could easily escalate into gunfire, especially if there is provocation. The speaker in the song is aware of the constant threat of violence and is on high alert at all times, even while walking the streets. [/INST]

Lyrics: Ten little Crip niggas runnin' outside
All from the turf and they bangin' out lives
Far from a scrub cuzz from the Eastside
Where they don't die they just multiply
So.. don't give them niggas a reason
To turn it into spray season
Don't give them niggas a reason
Because they'll turn it into Crip season
They say it's crazy out here, it ain't no more fun
I can't walk down the street without my gun, gun


[INST] <<SYS>>
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Input:
Imagine a song where Snoop Dogg encourages listeners to sing along with him, praising his unique style and the powerful thumping bass in his music. This song is meant to empower underachievers and non-believers, uplifting them with the catchy beat and Snoop's signature rap flow. [/INST]

Lyrics: (Snoop talking)
Yeah! You know how we do
A lil' something for the non-believers
For the underachievers
Ya'll know what time it is
Big Snoop Dogg up in this motherfucka one time
I want ya'll to sing this shit wit me
It go like this, check it out
 2x
Snoop D.O. Double G, the way you rip so love-ely
It sound so visciously
When the thump in the trunk go, bump, bump, bump


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Input:
In a song, describe returning to the scene with a group of friends and expressing dominance in the neighborhood, while warning potential rivals. [/INST]

Lyrics: Everybody put your hands to the motherfucking center
Baby girl go on an' pull ya weave back, D-O-G, oh yeah, he back
And I'm steppin' out the all-blue Lee-zac
Word on the streets, yeah nigga, I got the feedback
I don't trip off, I get the tip off
Befo' it rip off, yeah homie, I'm the Biz-oss
I got them finger-lickin' chickens wit the siz-auce
And one of my hoes known to cut ya dick off
Leave ya stuck in the land of the liz-ost
I'm back at the mayn-sion, cold as the friz-ost
Seventeen acres, dawg, what it kiz-ost
A whole lot to you, but a lil' nothing to me
That's what you get, for fuckin' wit me
Ain't that right, Sha Money from the D-P-C
G-Unit!
You know I'm down with them boys
I clown wit them boys
Don't fuck around wit them boys, cause they down wit the
You might also like


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Input:
The lyrics discuss a rapper's journey, longevity in the music industry, staying true to one's roots, and handling challenges while maintaining success. [/INST]

Lyrics: STOP! Wait! Now let me give it to ya
This is the proper hip-hopper, it get into ya
I know you liking it, loving it, or you feelin' it
D.O. Double Gizzel, oh yeah, Cuh/Cuzz be killin' it
Who the only nigga that you can call on?
When ya favorite rapper fall off, the Big Dogg, fall on
10, 11, 12, or was it 13?
How many years a nigga been in the game, and I'm still so clean
I'm flippin' up the game and shit
I maintain my thang wit this
And I, never hesitate to bang a bitch
I'm having millions, and I'm still banging Crip
Um, um, wouldn't you believe it?
Even after achievin', gotta deal wit the heathens
But, as long as I'm breathing
I'mma keep walking like Jesus
My name is


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Input:
Imagine a conversation between two close friends, one who is about to release an album, and the other offering words of encouragement and excitement about supporting their friend's work. [/INST]

Lyrics: "Whatchu gone do next, how you gone say it
When yo album come out dawg, I can't wait to play it
Tell the truth, my nigga, I love all ya work"
Well, from me to you loc, welcome to the Church
Mi casa, su casa
So, get ya drank on and smoke on nigga, go on an' boss up
You can holla at baby, it's ok to me
Damn, I love it when them motherfuckers say to me


[INST] <<SYS>>
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<</SYS>>

Input:
Create a song featuring Snoop Dogg, Sha Money, and DPG-Unit, addressing non-believers and underachievers. [/INST]

Lyrics: (Snoop talking)
Yeah! Sha Money, representin' G-Unit, good lookin' my nigga
As usual, it's a DPG-Unit connection
You know how we do it
A lil' something for the non-believers
For the underachievers
*echoes*
Snoop D.O. Double GEmbed


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<</SYS>>

Input:
Imagine a group of friends trying to decide whether to go to a club together, with one friend trying to convince the others about the potential benefits of going, using the metaphor of "pros" growing on trees. [/INST]

Lyrics: Meet me out, can you make it?
Please don’t make me lie to you, lady
I’m in it, I’m not in it
But poochie say there's women
At the club we finna go
Sip some drink and hit some dro
It’s okay if you don’t go
I’ll make sure to tell you 'bout these pros
It’s like somebody’s growin’ them on trees
So many pros
It’s like somebody’s growin’ them on trees
So many pros
It's like somebody’s growin’ them on trees
So many pros
It’s like somebody’s growin’ them on trees
So many—


[INST] <<SYS>>
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<</SYS>>

Input:
The singer is experiencing an unusual situation where they are surrounded by unattractive individuals, and they are suddenly surprised to see a beautiful person in the mix. The singer is excited by this rare sight, and decides to approach the attractive person to interact with them. [/INST]

Lyrics: I keep seeing all the ugly people, hold on
I can see all the pretty people, on
Not saying that I’ve never been wrong
But tonight I got me a hot, come on
Now let me talk to ya, girl


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<</SYS>>

Input:
A song about being a winner and the excitement of meeting someone at the club, with references to the abundance of 'pros' and the importance of honest communication. [/INST]

Lyrics: For your own, for your information, baby
I’m that winner, you need to go and ask somebody
For your own, for your information, baby
I’m that winner, you need to go and ask somebody
You might also like
Meet me out, can you make it?
Please don’t make me lie to you, lady
I’m in it, I’m not in it
But poochie say there's women
At the club we finna go
Sip some drink and hit some dro
It’s okay if you don’t go
I’ll make sure to tell you 'bout these pros
It’s like somebody’s growin’ them on trees
So many pros
It’s like somebody’s growin’ them on trees
So many pros
It's like somebody’s growin’ them on trees
So many pros
It’s like somebody’s growin’ them on trees
So many—


[INST] <<SYS>>
Use the Input to provide related rap lyrics.
<</SYS>>

Input:
Describe a wild and carefree night where everyone is partying until the sun comes up, and girls are dancing without a care, completely uninhibited. [/INST]

Lyrics: We party to the break of dawn
Every girl just dance with nothin’ on
Where we at, they don’t see nothin’ wrong
Well you know we were outside on the lawn
Now let me talk to ya, girl


[INST] <<SYS>>
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<</SYS>>

Input:
Write a song about going to a club, meeting a mysterious person, and discussing the pros and cons of a situation while emphasizing the presence of multiple 'pros' in life. [/INST]

Lyrics: For your own, for your information, baby
I’m that winner, you need to go and ask  somebody
For your own, for your information, baby
I’m that winner, you need to go and ask somebody
Meet me out, can you make it?
Please don’t make me lie to you, lady
I’m in it, I’m not in it
But poochie say there's women
At the club we finna go
Sip some drink and hit some dro
It’s okay if you don’t go
I’ll make sure to tell you 'bout these pros
It’s like somebody’s growin’ them on trees
So many pros
It’s like somebody’s growin’ them on trees
So many pros
It's like somebody’s growin’ them on trees
So many pros
It’s like somebody’s growin’ them on trees
So many—


[INST] <<SYS>>
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<</SYS>>

Input:
A song that compares the effect of good music on a person to the effect of adult content, while also highlighting the sensuality and enjoyment in the listening experience. [/INST]

Lyrics: When good music come on
It can get inside your head like porn
By yourself like what you grabbin’ on?
Then look down, it was so much fun
Now let me talk to ya, girl


[INST] <<SYS>>
Use the Input to provide related rap lyrics.
<</SYS>>

Input:
Imagine a conversation between a confident person and a curious individual about attending a club night, where the confident person reassures them about the pros of going to the club, while also playfully insinuating the abundance of pros available. [/INST]

Lyrics: For your own, for your information, baby
I’m that winner, you need to go and ask  somebody
For your own, for your information, baby
I’m that winner, you need to go and ask somebody
Meet me out, can you make it?
Please don’t make me lie to you, lady
I’m in it, I’m not in it
But poochie say there's women
At the club we finna go
Sip some drink and hit some dro
It’s okay if you don’t go
I’ll make sure to tell you 'bout these pros
It’s like somebody’s growin’ them on trees
So many pros
It’s like somebody’s growin’ them on trees
So many pros
It's like somebody’s growin’ them on trees
So many pros
It’s like somebody’s growin’ them on trees
So many—


[INST] <<SYS>>
Use the Input to provide related rap lyrics.
<</SYS>>

Input:
A song about the excitement and anticipation of a countdown, featuring Snoop Dogg as a guest artist. [/INST]

Lyrics: 10, 9, 8, 7, 6, 5, 4, 3, 2, 1
Snoop Dogg
Here we go


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<</SYS>>

Input:
Write a song expressing the West Coast gangsta lifestyle, paying tribute to fellow rappers and reminding listeners that it's a dangerous game, but it's the life they live and embrace. [/INST]

Lyrics: Nigga, understand, West Coast Son of Sam
Drumming wit' a hunnid bands
'Cause that ain't shit to a real Crip, cuz
You'll swallow every clip before a nigga slip, cuz
LBC, yeah, we gets love
213, rest in peace, Nate
It's real in the field, keep your cleats laced
Crack a bitch, hit the switch and make the back scrape down
Smoke a pound when I move around, yeah
The world is my lounge chair
Real sharks turn guppies, y'all drown here
When everyday to me is New Year's Eve, Swizzy the countdown (Snoop)


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<</SYS>>

Input:
Imagine a countdown to an epic performance by Snoop Dogg. [/INST]

Lyrics: 10, 9, 8, 7, 6, 5, 4, 3, 2, 1
Snoop Dogg


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<</SYS>>

Input:
Emphasizing personal growth and resilience while navigating the challenges of life and maintaining loyalty within a tight-knit community. [/INST]

Lyrics: Now I'm back getting another bag
Clocking the grip, never gon' slip, I put the "R" in Crip
C's up, G's up, B's up, aw
He's up, we's up, East up
Get a real woman, don't trust these slu-
And when you're around the cops don't say three much
It gets cold for a winner in the winter
For a rich Crip shit can get, Big Dogg, pick of the litter
Stopped drinking cause my liver act up
But now I bring back the savage like a rental
Gold and black flannel, grip gripping on a handle
Selling weed, selling songs, got shows on four channels like
You might also like
10, 9, 8, 7, 6, 5, 4, 3, 2, countdown, 1
Snoop Dogg


[INST] <<SYS>>
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Input:
Create a song that encourages listeners to embrace the present and let loose, while also paying homage to a famous rapper who was part of the Crips. [/INST]

Lyrics: Go crazy in this mothafucka right now
Go crazy in this bitch, mothafuckin' now
Go crazy in this bitch, right, right now
Go crazy in this bitch, right, right (Snoop Dogg)
C-R-I-P, y'all ain't gon ever see a G like me again
So get a glimpse of a winner
A rich Crip, shit can get-a
Swizzy the countdown


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<</SYS>>

Input:
A song that counts down from 10 to 1 with a catchy rhythm, featuring Snoop Dogg's signature style. [/INST]

Lyrics: 10, 9, 8, 7, 6, 5, 4, 3, 2, countdown, 1
Snoop Dogg


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<</SYS>>

Input:
A rapper expressing frustration and dismissal towards gossip and negativity, while emphasizing the importance of staying focused and taking action. [/INST]

Lyrics: Yeah fuck that, fuck what they talkin' bout nigga
Rack them motherfuckin' dominoes up nigga


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<</SYS>>

Input:
A song about someone getting brutally outperformed or criticized in a situation, and the impact it has on them. [/INST]

Lyrics: That nigga up there gettin' his socks blown the fuck off
You might also like
Gettin' his ass chewed out


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Input:
A song with repetitive lyrics about providing something, which is described as 'drippin' like water. [/INST]

Lyrics: You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water


[INST] <<SYS>>
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<</SYS>>

Input:
A confident and cool individual expresses their fondness for their unique style, the impact they have on people, their loyalty towards their one and only, and how they manage to stand out among the haters. [/INST]

Lyrics: I'm in the hood with the six-trey candy paint
Lil' somethin to chunk, make the hoes all faint
If you know when to beep, jump my baby rate
When I grip round her butt, I hold her steady
G-yeah.. she my one and only
Quick to keep back haters who don't know me
I... feel... good about candy (Candy!)
My gangstas understand me


[INST] <<SYS>>
Use the Input to provide related rap lyrics.
<</SYS>>

Input:
Describe a fictional character's carefree approach to life and the excitement of cruising around in a customized car, using exaggerated and metaphorical language. [/INST]

Lyrics: "It's like candy, candy!" Get it how you want it
Whip it, twist it, pop your whip up on the corner
Voila, taadow, check out this bizarre
The D-A-T the N-I double G, the D-A-Z
Again it's up in the wind, feel the breeze for sheez
God damn! You already know who I am
Chrome on chrome, blue on blue, frost colors switches
Hit the gas, hit the brake, yea I really burn rubber
Dip, drop, drop, dip
Stop, dip, ghost ride the whip!
Yeah, nigga, shot caller
It's America's number one baller
Man I don't give a fuck, like, "Fuck it"
Hi, bye, slide in the bucket
Little momma all up on a nigga like a coat
I got the perfect thang that'll coat her throat (Candy!)


[INST] <<SYS>>
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<</SYS>>

Input:
In a song where the singer is trying to prove their abundance and readiness to provide something, what could be the subject of their repeated assertion? [/INST]

Lyrics: You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water
You want 'em? I got 'em, drippin' like water


[INST] <<SYS>>
Use the Input to provide related rap lyrics.
<</SYS>>

Input:
Write a song about a child asking their mother about the Black Santa Claus and their desire for video games and toys as presents during the holiday season. [/INST]

Lyrics: Is that the Black Santa Claus? (Ho ho ho ho)
I want a Super 'Intendo (Merry Christmas!), yeah
Sega Genesis (Mommy, mommy), yeah
Street Fighter 2 (Mommy, is that the Black Santa Claus?)
And a gang of toys (That is the Black Santa Claus!), uh
Mommy, mommy, mommy


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<</SYS>>

Input:
On the first day of Christmas, a friend gave me a surprise present, while the second day brought a unique gift, and by the third day, they revealed a hidden talent or secret. [/INST]

Lyrics: Now on the first day of Christmas, my homeboy gave to me
A sack of the Krazy Glue and told me to smoke it up slowly
Now on the second day of Christmas, my homeboy gave to me
A fifth of Henn-dawg and told me to take my mind off that weed
Now by the third day of Christmas, my big homeboy gave to me
A whole lot of everything, and it wasn't nothin' but game to me


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<</SYS>>

Input:
The story of a child on Christmas Eve trying to uncover the truth behind a mysterious figure in a blue bandana who seems to be tampering with the presents under the tree, while struggling with the realization that their family's situation has worsened as the holiday approaches. [/INST]

Lyrics: Christmas Eve, I believe '76 was the year
Girls and boys full off joy with the season cheer
Smell the sky, hella pies and cakes gettin' baked
To be ate after everything gone off your plate
But wait, not tonight it's straight beans and rice
On the table, are we able to proceed tonight?
I wonder what the morn bringin' so it's hard to doze off
Three 'o clock in my socks I crack the door soft
Hopin' when I open the door I'll see Santa
Now who the hell is this in this blue bandana?
Messin' with the boxes that's up under the tree
Look like Santa Claus done crossed into a woman to me
Now I'm comin' to see the whole picture gettin' clearer
How we have less as X-Mas get nearer
Mirror, mirror, please, it's seemed I've been deceived
And thank you, Saint Trick, for the gifts I received
So I creep back, and act like I ain't even peeped it
This'll be me and mom's private secret


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Input:
Santa Claus, a symbol of joy and generosity, is traditionally associated with Christmas celebrations, but what if he made a special appearance in an underprivileged urban neighborhood? [/INST]

Lyrics: Santa Claus (Ooh-ooh-ooh)
Is coming straight to the ghetto
Santa Claus (Ooh-ooh-ooh)
Is coming straight to the ghetto


[INST] <<SYS>>
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<</SYS>>

Input:
In a joyful celebration, people express their well-wishes for the upcoming year to their loved ones in a heartfelt chorus. [/INST]

Lyrics: We wish you a happy new year
We wish you a happy new year
We wish you a happy new year
We wish you a happy new year


[INST] <<SYS>>
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<</SYS>>

Input:
A song celebrating the joy and magic of Christmas in an urban neighborhood, emphasizing that even in difficult circumstances, Santa Claus visits everyone, regardless of their living conditions. [/INST]

Lyrics: Santa Claus (Ooh-ooh-ooh)
Is coming straight to the ghetto
Santa Claus (Ooh-ooh-ooh)
Is coming straight to the ghetto


[INST] <<SYS>>
Use the Input to provide related rap lyrics.
<</SYS>>

Input:
A bitter ex-lover expresses their contempt for their former partner who has undergone a nose job and now wears a Jheri Curl, while also revealing their disdain for a particular accessory the ex-lover used to wear. [/INST]

Lyrics: Motherfuckin' nosejob havin'-ass
Motherfuckin' Jheri Curl light, Ambi wearing motherfuckin' bitch


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Input:
Imagine a world where gangsta rap music was responsible for introducing violence and crime to previously peaceful communities, and the transformation of a once-idyllic neighborhood into a dangerous, crime-ridden area. [/INST]

Lyrics: - Prior to gangsta rap music, the world was a peaceful place. And then all of that changed: violence, rape, murder, arson, theft, war. These are all things that came about as a result of gangsta rap music- But wasn't Compton dangerous before gangsta rap ?
- Wrong! Compton was a nature preserve for bunny rabbits. When gangsta rap came along, they tore down the country clubs and put up housing projects!
(Maestro!!!) Blame me!
You niggas know my pyroclastic flow
You niggas know my pyroclastic flow flow
You niggas know my pyroclastic flow
It's R-A-W, R-A-W


[INST] <<SYS>>
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<</SYS>>

Input:
A rap artist is describing their powerful, explosive presence and style, using the metaphor of a pyroclastic flow (a rapid moving, super-heated cloud of gas and volcanic matter) to emphasize their impact and strength. [/INST]

Lyrics: You niggas know my pyroclastic flow
You niggas know my pyroclastic flow-flow
You niggas know my pyroclastic flow
It's R-A-W, R-A-W


[INST] <<SYS>>
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Input:
In response to the growing trend of non-gangsta rappers discussing and critiquing gangsta rap on mainstream media, the song's artist offers a cautionary message to those who may not fully understand the genre or its challenges. [/INST]

Lyrics: Oh yeah, and another thing
For all y'all niggas that don't do gangsta rap
Don't get on TV talkin' about gangsta rap
‘Cause 9 times out of 10
You don't know the fuck you talkin' about
Talk about that bullshit rap you do
Stay the fuck out of mine


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<</SYS>>

Input:
A group of hip-hop artists collaborate on a track, combining their unique styles and expressing camaraderie, while emphasizing the importance of solidarity and trust with phrases like "word is bond. [/INST]

Lyrics: Yeah, word is bond
Das EFX in this, you know what I'm sayin'?
Straight from the sewer, word is bond
Yeah, yah, ah, yeah
We doing this with my nigga
Where my nigga Ice Cube in the motherfucker?
Word is bond, yeah


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Input:
A rapper preparing to record their song, ensuring that the microphone is functioning properly before beginning. [/INST]

Lyrics: Mic-mic-microphone check (One, two! Check it!)
Mic-mic-microphone check (One, two! Check it!)


[INST] <<SYS>>
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Input:
A rapper confronts those who underestimate his skills and threaten him, addressing their weak attempts to show off and using humor and exaggeration to emphasize the consequences of stepping to the rapper. [/INST]

Lyrics: Tricks wanna step to Cube and then they get played
'Cause they bitchmade, pulling out a switchblade
That's kinda trifle 'cause that's a knife, ho
AK-47, Assault Rifle
Hold the fifty, I'm nifty, pow!
I got a new style... (Watch out now!)
I hate motherfuckers claiming that they folding bank
But steady talking shit in the holding tank
First, you wanna step to me?
Now your ass screaming for the deputy
They send you to Charlie-Baker-Denver row
Now they runnin' up in you slow
You're gone, used to be the Don Juan (Check that shit out!)
Now your name is just Twan
Switchin', snappin', rollin' your eyes and neck
You better run a check
So chickity-check yo' self before you wreck yo' self
Come on and check yo' self before you wrickity-wreck yo' self
So chickity-check yo' self before you wreck yo' self
'Cause big dicks up yo' ass is bad for ya health


[INST] <<SYS>>
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<</SYS>>

Input:
The artist prepares to perform a song, ensuring that the microphone is properly adjusted and functioning before starting the show. [/INST]

Lyrics: Mic-mic-microphone check (One, two! Check it!)
Mic-mic-microphone check (One, two! Check it!)


[INST] <<SYS>>
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<</SYS>>

Input:
Imagine a scene where a confrontation between two characters takes place, one of them being a promiscuous woman with a rough reputation, known as "Lips & Lungs". The other character warns her to watch out for the consequences of her actions, using a combination of threats and sarcasm. The lyrics are a reflection of the situation, with references to violence, sex, and the impact of her behavior on others. [/INST]

Lyrics: If you're foul, you better run a make on that license plate
You coulda had a V8
Instead of a tre-eight slug to the cranium (Pow!)
I got six and I'm aimin' 'em
Will I shoot or keep you guessing?
'Cause fuck you and that shit you're stressing
Bitch, get off the wood, you're no good
There goes the neighborhood hooker (Slut!)
Go ahead and keep your drawers
Giving up the claps and who needs applause
At a time like this, pop the coochie and you dead
The bitch is a Miami Hurricane head
Sprung, niggas call her 'Lips & Lungs'
Nappy dugout, get the fuck out!
'Cause women like you gets no respect
Bitch, you better run a check
So chickity-check yo' self before you wreck yo' self
So chickity-check yo' self before you wreck yo' self (Yeah)
Come on and check yo' self before you wrickity-wreck yo' self
'Cause bitches like you is bad for my health