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import gradio as gr | |
from transformers import pipeline | |
translater = pipeline("translation", model="VietAI/envit5-translation") | |
def translate(inp, direction): | |
if direction == 'en->vi': | |
text = "en: " + inp | |
else: | |
text = "vi: " + inp | |
res = translater( | |
text, | |
max_length=999999999, | |
early_stopping=True, | |
)[0]['translation_text'][3:] | |
return res | |
description = """ | |
<p> | |
<center> | |
Multi-domain Translation Between English and Vietnamese | |
</center> | |
</p> | |
""" | |
article = "<p style='text-align: center'><a href='http://translate.vietai.org' target='_blank'>by VietAI Research</a> | <a href='https://github.com/vietai/mTet' target='_blank'>Github</a> | Contact: <a href='mailto:heraclex12@gmail.com' target='_blank'>Hieu Tran</a></p></center></p>" | |
examples = [ | |
["Dear God, thank you for granting us the evergreen garden of this world", "en->vi"], | |
["Thuốc này đã bị cấm sử dụng trong ngành thú y tại Ấn Độ.", "vi->en"] | |
] | |
value = """ | |
1 | |
00:00:11,411 --> 00:00:14,481 | |
You're going to Tallinn. | |
UDC is going to be there. | |
2 | |
00:00:14,481 --> 00:00:16,883 | |
I'm announcing River | |
in four days | |
3 | |
00:00:16,883 --> 00:00:19,619 | |
and it will be released | |
on the 28th. | |
4 | |
00:00:19,619 --> 00:00:22,455 | |
WINTHROP: Where is he now? | |
He should be in Tallinn. | |
5 | |
00:00:22,455 --> 00:00:25,458 | |
You need to find him | |
and stay with him. | |
6 | |
00:00:25,458 --> 00:00:27,527 | |
JACKAL: | |
Distance to the target | |
is 75 meters. | |
7 | |
00:00:27,527 --> 00:00:29,863 | |
What are the obstacles? | |
JACKAL: A metal detector | |
8 | |
00:00:29,863 --> 00:00:33,366 | |
and an ultra-sensitive scanner | |
but I've got an idea for that. | |
9 | |
00:00:33,366 --> 00:00:36,269 | |
That's very clever. | |
The glass is bullet-resistant. | |
10 | |
00:00:36,269 --> 00:00:39,873 | |
It will stop five rounds | |
from a 7.62mm rifle. | |
11 | |
00:00:39,873 --> 00:00:42,609 | |
NORMAN: | |
That is a fucking work of art. | |
12 | |
00:00:42,609 --> 00:00:44,711 | |
[WHIRRING] | |
13 | |
00:00:44,711 --> 00:00:47,714 | |
Can you call them please? | |
I do not want her here, Paul. | |
14 | |
00:00:47,714 --> 00:00:50,316 | |
I'm trying to talk | |
to my husband and my child! | |
15 | |
00:00:50,316 --> 00:00:51,718 | |
You have good man face. | |
16 | |
00:00:52,952 --> 00:00:55,288 | |
NURIA: | |
Why do you need this disguise? | |
17 | |
00:00:55,288 --> 00:00:57,490 | |
JACKAL: | |
There are people | |
looking for me. | |
18 | |
00:00:57,490 --> 00:00:59,726 | |
[***] | |
19 | |
00:00:59,726 --> 00:01:02,162 | |
[DOORBELL BUZZES] | |
20 | |
00:01:02,162 --> 00:01:03,830 | |
Could I see some ID, please? | |
21 | |
00:01:03,830 --> 00:01:05,365 | |
Hi, is this Rasmus? | |
22 | |
00:01:05,365 --> 00:01:07,567 | |
I just wondered | |
if you wanted to grab a drink? | |
23 | |
00:01:07,567 --> 00:01:09,502 | |
What sort of vibe | |
would you say I have? | |
24 | |
00:01:09,502 --> 00:01:12,672 | |
RASMUS: | |
Kind of serious. | |
Also a bit dangerous. | |
25 | |
00:01:14,607 --> 00:01:18,378 | |
<i>♪ Some flowers | |
Never get to bloom ♪</i> | |
26 | |
00:01:18,378 --> 00:01:22,248 | |
<i>♪ And see the day ♪</i> | |
27 | |
00:01:22,882 --> 00:01:24,784 | |
<i>♪ Some flowers ♪</i> | |
28 | |
00:01:24,784 --> 00:01:30,924 | |
{\an8}<i>♪ Are content | |
To wish their lives away ♪</i> | |
29 | |
00:01:30,924 --> 00:01:35,428 | |
{\an8}<i>♪ Some may rise ♪</i> | |
30 | |
00:01:35,428 --> 00:01:39,466 | |
{\an8}<i>♪ And some may fall ♪</i> | |
31 | |
00:01:39,466 --> 00:01:43,570 | |
<i>♪ But only you may ♪</i> | |
32 | |
00:01:43,570 --> 00:01:47,440 | |
<i>♪ Ever see me true ♪</i> | |
33 | |
00:01:47,440 --> 00:01:53,947 | |
{\an8}<i>♪ So only you can tell that ♪</i> | |
34 | |
00:01:53,947 --> 00:01:59,452 | |
{\an8}<i>♪ This is who I am ♪</i> | |
35 | |
00:02:01,888 --> 00:02:05,525 | |
{\an8}<i>♪ This is who I am ♪</i> | |
36 | |
00:02:05,525 --> 00:02:10,330 | |
<i>♪ No lie, no lies ♪</i> | |
37 | |
00:02:10,330 --> 00:02:14,801 | |
<i>♪ This is who I am ♪</i> | |
38 | |
00:02:25,812 --> 00:02:29,516 | |
[***] | |
39 | |
00:02:39,626 --> 00:02:42,228 | |
So two British | |
Intelligence officers | |
40 | |
00:02:42,228 --> 00:02:44,364 | |
arrived here last night | |
from Budapest. | |
41 | |
00:02:48,535 --> 00:02:54,341 | |
{\an8}<i>Male, mid-30s, white, | |
about 5'10", brown hair.</i> | |
42 | |
00:02:54,341 --> 00:02:58,778 | |
<i>Female about the same age, | |
Black, first name, Bianca.</i> | |
43 | |
00:03:00,347 --> 00:03:01,581 | |
I was wondering | |
if your people | |
44 | |
00:03:01,581 --> 00:03:03,416 | |
might be able | |
to do something about them? | |
45 | |
00:03:03,416 --> 00:03:05,685 | |
Wait, are you asking me | |
for my help? | |
46 | |
00:03:09,055 --> 00:03:10,323 | |
Sure. | |
47 | |
00:03:11,591 --> 00:03:14,561 | |
On it. | |
Rodin's arriving on Friday. | |
48 | |
00:03:15,428 --> 00:03:17,364 | |
They're gonna ask me | |
if you're confident | |
49 | |
00:03:17,364 --> 00:03:18,698 | |
it can be done. | |
50 | |
00:03:18,698 --> 00:03:21,568 | |
Well, you can tell them | |
whatever they wanna hear. | |
51 | |
00:03:21,568 --> 00:03:24,537 | |
Well, I'm also asking | |
for myself. | |
52 | |
00:03:24,537 --> 00:03:26,606 | |
So, what would you | |
like me to tell you? | |
53 | |
00:03:28,441 --> 00:03:29,843 | |
That you'll deliver. | |
54 | |
00:03:31,511 --> 00:03:32,712 | |
[SCOFFS] | |
55 | |
00:03:36,016 --> 00:03:37,417 | |
I'm on your side. | |
56 | |
00:03:38,718 --> 00:03:41,388 | |
I was hoping that | |
would be clear by now. | |
57 | |
00:03:41,388 --> 00:03:44,057 | |
I was hoping this could be | |
even more of a collaboration. | |
58 | |
00:03:44,057 --> 00:03:45,358 | |
I don't collaborate. | |
59 | |
00:03:46,593 --> 00:03:48,695 | |
You won't hear from me | |
until after it's done. | |
60 | |
00:03:48,695 --> 00:03:51,598 | |
And I expect to be paid | |
promptly. | |
61 | |
00:03:55,735 --> 00:03:57,037 | |
ZINA: | |
It's me. | |
62 | |
00:03:57,037 --> 00:03:59,739 | |
Yeah, I need some | |
priority assistance on site. | |
63 | |
00:04:00,840 --> 00:04:03,777 | |
Sure, I'll have the details | |
sent to you right away. | |
64 | |
00:04:04,844 --> 00:04:08,515 | |
We've set you up in | |
the Cultural Attaché's office. | |
65 | |
00:04:11,618 --> 00:04:14,688 | |
Good morning. | |
Welcome to Operation Anubis. | |
66 | |
00:04:14,688 --> 00:04:16,456 | |
Someone's pulled | |
their finger out. | |
67 | |
00:04:16,456 --> 00:04:19,125 | |
The Foreign Secretary isn't | |
a particularly generous man. | |
68 | |
00:04:19,125 --> 00:04:20,927 | |
But he's personally very miffed | |
69 | |
00:04:20,927 --> 00:04:23,763 | |
about The Jackal killing | |
his friend, Manfred. | |
70 | |
00:04:23,763 --> 00:04:26,766 | |
Did we get any matches | |
from his DNA and prints? | |
71 | |
00:04:26,766 --> 00:04:28,034 | |
Nothing. | |
72 | |
00:04:28,034 --> 00:04:29,836 | |
This guy's a fucking ghost. | |
73 | |
00:04:29,836 --> 00:04:30,970 | |
Oskar Ilves | |
74 | |
00:04:30,970 --> 00:04:34,140 | |
of the Estonian Internal | |
Security Service is our liaison. | |
75 | |
00:04:34,140 --> 00:04:35,742 | |
His team | |
is going through hotels, | |
76 | |
00:04:35,742 --> 00:04:38,445 | |
hostels, Airbnb's | |
and private rentals. | |
77 | |
00:04:38,445 --> 00:04:40,547 | |
They're also asking | |
for a likeness, | |
78 | |
00:04:40,547 --> 00:04:43,616 | |
so I want you to meet Cole. | |
79 | |
00:04:43,616 --> 00:04:46,486 | |
Cole is going to help you | |
put a face to The Jackal. | |
80 | |
00:04:49,155 --> 00:04:50,557 | |
BIANCA: | |
Wider. | |
81 | |
00:04:50,557 --> 00:04:52,492 | |
It's a bit more-- | |
Yeah, just like that. | |
82 | |
00:04:52,492 --> 00:04:54,627 | |
Yep. Like that. | |
Don't do anything else. | |
83 | |
00:04:54,627 --> 00:04:56,396 | |
Right, okay. | |
What do you think? | |
84 | |
00:04:56,396 --> 00:04:58,798 | |
Vince, you saw him right? | |
85 | |
00:04:58,798 --> 00:05:02,102 | |
For a split second. | |
Well, what do you think? | |
86 | |
00:05:02,102 --> 00:05:04,671 | |
Uh... Yeah. Yeah, could be him. | |
87 | |
00:05:04,671 --> 00:05:08,641 | |
Osi, this is the best | |
it's gonna get it. | |
Okay. | |
88 | |
00:05:08,641 --> 00:05:12,045 | |
We'll share it with Oskar Ilves | |
and the Estonians. | |
89 | |
00:05:12,045 --> 00:05:13,346 | |
Thank you, Cole. | |
90 | |
00:05:14,414 --> 00:05:16,516 | |
[DRONE WHIRRING] | |
91 | |
00:05:19,652 --> 00:05:21,888 | |
[INDISTINCT RADIO CHATTER] | |
92 | |
00:05:21,888 --> 00:05:24,858 | |
[***] | |
93 | |
00:05:39,005 --> 00:05:42,175 | |
KEITH: | |
Sir, I've just heard | |
a British team | |
94 | |
00:05:42,175 --> 00:05:44,678 | |
tracked the assassin | |
to Hungary. | |
95 | |
00:05:44,678 --> 00:05:48,081 | |
Unfortunately, he got away. | |
He's resourceful and dangerous. | |
96 | |
00:05:48,081 --> 00:05:51,184 | |
You cannot go to Tallinn. | |
Do the launch from here. | |
97 | |
00:05:51,184 --> 00:05:54,888 | |
If I hide away, | |
River's enemies win. | |
98 | |
00:05:54,888 --> 00:05:57,657 | |
We've been planning this | |
for a year. | |
99 | |
00:05:57,657 --> 00:06:00,193 | |
The guests have been invited, | |
1000 of them. | |
100 | |
00:06:00,193 --> 00:06:02,696 | |
Ordinary people, | |
all randomly selected. | |
101 | |
00:06:02,696 --> 00:06:04,998 | |
They have no idea where they're | |
going till they get there, | |
102 | |
00:06:04,998 --> 00:06:06,733 | |
and they've all signed NDAs. | |
103 | |
00:06:06,733 --> 00:06:08,034 | |
People talk. | |
104 | |
00:06:09,636 --> 00:06:12,806 | |
If we cancel now, | |
UDC looks ridiculous. | |
105 | |
00:06:12,806 --> 00:06:15,408 | |
Better ridiculous than dead. | |
106 | |
00:06:16,076 --> 00:06:17,010 | |
Debatable. | |
107 | |
00:06:21,481 --> 00:06:22,782 | |
[GROANS] | |
108 | |
00:06:24,517 --> 00:06:25,919 | |
[DOOR OPENS] | |
109 | |
00:06:27,253 --> 00:06:28,822 | |
Morning. | |
RASMUS: Morning. | |
110 | |
00:06:28,822 --> 00:06:30,657 | |
There you are. | |
[CHUCKLES] | |
111 | |
00:06:30,657 --> 00:06:34,160 | |
Sorry, I had something early | |
and I didn't wanna wake you. | |
112 | |
00:06:34,160 --> 00:06:35,161 | |
RASMUS: | |
What's that? | |
113 | |
00:06:35,161 --> 00:06:37,464 | |
Oh, I managed to get my hands | |
114 | |
00:06:37,464 --> 00:06:40,166 | |
on these plans | |
for the <i>Konsterdisaal.</i> | |
115 | |
00:06:40,166 --> 00:06:44,137 | |
It's pretty astonishing what | |
these guys managed to achieved. | |
116 | |
00:06:44,137 --> 00:06:47,774 | |
Yeah, I thought last night | |
was pretty great too. | |
117 | |
00:06:50,643 --> 00:06:52,679 | |
You've got a very nice smile, | |
Rasmus. | |
118 | |
00:06:53,613 --> 00:06:54,881 | |
Wow. Thank you. | |
119 | |
00:06:54,881 --> 00:06:58,084 | |
No, you sort of | |
radiate kindness. | |
120 | |
00:06:58,084 --> 00:07:00,153 | |
Wow. | |
No, that's a good thing. | |
121 | |
00:07:00,153 --> 00:07:02,822 | |
You can't have | |
too much kindness these days. | |
122 | |
00:07:07,660 --> 00:07:09,896 | |
Uh... | |
If you're trying to compete, | |
123 | |
00:07:09,896 --> 00:07:11,765 | |
I should let you know | |
that nothing turns me on | |
124 | |
00:07:11,765 --> 00:07:13,266 | |
like a blueprint, so... | |
125 | |
00:07:13,266 --> 00:07:15,802 | |
Show me the hot bits. | |
[LAUGHS] | |
126 | |
00:07:15,802 --> 00:07:17,103 | |
You wanna know? | |
Yeah. | |
127 | |
00:07:17,103 --> 00:07:18,938 | |
Yeah? | |
Yeah. | |
128 | |
00:07:18,938 --> 00:07:20,073 | |
So that bit there... | |
129 | |
00:07:32,085 --> 00:07:34,020 | |
{\an8}MARISA [IN SPANISH]: | |
NURIA [IN SPANISH]: | |
130 | |
00:07:34,020 --> 00:07:35,889 | |
{\an8}MARISA: | |
NURIA: | |
131 | |
00:07:50,170 --> 00:07:51,805 | |
{\an8}MARISA: | |
132 | |
00:07:59,679 --> 00:08:00,847 | |
[SIGHS SOFTLY] | |
133 | |
00:08:08,021 --> 00:08:09,856 | |
And how could you tell? | |
134 | |
00:08:09,856 --> 00:08:12,225 | |
Uh, probably by getting up there | |
and having a look. | |
135 | |
00:08:12,225 --> 00:08:14,994 | |
But this isn't even trying | |
to explain it, so... | |
136 | |
00:08:14,994 --> 00:08:16,663 | |
Well, I could take you. | |
137 | |
00:08:17,364 --> 00:08:19,032 | |
Have a look. | |
138 | |
00:08:19,032 --> 00:08:20,834 | |
Really? | |
Mm-hm. | |
139 | |
00:08:20,834 --> 00:08:23,670 | |
It would have to be | |
this afternoon though. | |
140 | |
00:08:23,670 --> 00:08:24,871 | |
There's a concert tonight. | |
141 | |
00:08:24,871 --> 00:08:26,806 | |
They're shutting | |
the whole place down. | |
142 | |
00:08:26,806 --> 00:08:28,942 | |
Like total lockdown. | |
What's that about? | |
143 | |
00:08:28,942 --> 00:08:32,178 | |
I don't know. They just told us | |
that after tonight, | |
144 | |
00:08:32,178 --> 00:08:35,548 | |
no one's getting in or out | |
without special permission. | |
145 | |
00:08:37,417 --> 00:08:39,052 | |
They've got me leaving | |
this evening now, | |
146 | |
00:08:39,052 --> 00:08:42,555 | |
so I could do this afternoon, | |
if that works? | |
147 | |
00:08:45,325 --> 00:08:47,193 | |
Would you make it | |
worth my while? | |
148 | |
00:08:50,063 --> 00:08:52,999 | |
[***] | |
149 | |
00:08:57,370 --> 00:08:59,339 | |
{\an8}ÁLVARO [IN SPANISH]: | |
150 | |
00:08:59,339 --> 00:09:00,974 | |
{\an8}NURIA: | |
151 | |
00:09:00,974 --> 00:09:03,610 | |
{\an8}MARISA: | |
152 | |
00:09:06,913 --> 00:09:07,881 | |
{\an8}[EXCLAIMS] | |
153 | |
00:09:08,882 --> 00:09:09,816 | |
{\an8}[SCOFFS] | |
154 | |
00:09:10,917 --> 00:09:14,087 | |
{\an8}ÁLVARO: | |
155 | |
00:09:36,443 --> 00:09:39,112 | |
{\an8}MARISA: | |
156 | |
00:09:43,717 --> 00:09:45,285 | |
Go ahead. | |
157 | |
00:10:01,935 --> 00:10:03,837 | |
{\an8}MARISA: | |
158 | |
00:10:05,138 --> 00:10:06,072 | |
{\an8}Sure. | |
159 | |
00:10:10,510 --> 00:10:12,145 | |
{\an8}MARISA: | |
160 | |
00:10:17,250 --> 00:10:18,985 | |
[NURIA SCOFFS] | |
161 | |
00:10:20,787 --> 00:10:23,857 | |
[***] | |
162 | |
00:10:31,164 --> 00:10:32,132 | |
Everything okay? | |
163 | |
00:10:34,034 --> 00:10:35,001 | |
Yeah. | |
164 | |
00:10:37,904 --> 00:10:39,005 | |
We're all good. | |
165 | |
00:10:41,808 --> 00:10:43,843 | |
[DRAWER CLOSES] | |
166 | |
00:11:19,346 --> 00:11:20,413 | |
{\an8}RASMUS [IN ESTONIAN]: | |
167 | |
00:11:20,413 --> 00:11:21,915 | |
Hey, Rasmus. | |
168 | |
00:11:21,915 --> 00:11:23,550 | |
[IN ENGLISH] | |
Fuck, I'm glad | |
I'm not working tonight. | |
169 | |
00:11:23,550 --> 00:11:27,120 | |
Imagine having to sit through | |
three hours of classical piano? | |
170 | |
00:11:27,120 --> 00:11:28,088 | |
Imagine. | |
171 | |
00:11:31,991 --> 00:11:35,128 | |
So, um... | |
I'll just wait for you. | |
172 | |
00:11:35,128 --> 00:11:38,198 | |
Use this to get back in here. | |
Knock yourself out. | |
173 | |
00:11:38,198 --> 00:11:39,733 | |
[CHUCKLES] | |
174 | |
00:11:46,272 --> 00:11:49,242 | |
[***] | |
175 | |
00:12:56,976 --> 00:12:58,478 | |
[SPEAKS INDISTINCTLY] | |
176 | |
00:12:58,478 --> 00:13:00,180 | |
JACKAL: | |
Rasmus? | |
177 | |
00:13:00,180 --> 00:13:01,581 | |
[IN ESTONIAN] | |
One moment. | |
178 | |
00:13:01,581 --> 00:13:02,949 | |
RASMUS: | |
Hey, how was that? | |
179 | |
00:13:02,949 --> 00:13:04,584 | |
You have no idea | |
what that was. | |
180 | |
00:13:04,584 --> 00:13:06,453 | |
That was, uh... | |
181 | |
00:13:06,453 --> 00:13:08,188 | |
That was | |
pretty extraordinary. | |
182 | |
00:13:08,188 --> 00:13:09,923 | |
[CHUCKLING] | |
183 | |
00:13:09,923 --> 00:13:12,625 | |
What? | |
No, you're just | |
so happy about it. | |
184 | |
00:13:12,625 --> 00:13:15,095 | |
It's hilarious. | |
That for me, that was-- | |
185 | |
00:13:15,095 --> 00:13:17,564 | |
That was a big thing. | |
Right. | |
186 | |
00:13:17,564 --> 00:13:18,965 | |
Thank you. | |
187 | |
00:13:18,965 --> 00:13:20,166 | |
No problem. | |
188 | |
00:13:20,166 --> 00:13:22,402 | |
Do you wanna | |
grab some food? | |
189 | |
00:13:22,402 --> 00:13:24,938 | |
I'd love that but I've got | |
a ton of things I've gotta do | |
190 | |
00:13:24,938 --> 00:13:26,206 | |
before I fly, so... | |
191 | |
00:13:26,206 --> 00:13:28,475 | |
But I'll see you when I | |
come and pick up my stuff? | |
192 | |
00:13:28,475 --> 00:13:29,876 | |
Sure. | |
Yeah? | |
193 | |
00:13:29,876 --> 00:13:31,177 | |
Yeah. | |
194 | |
00:13:31,177 --> 00:13:32,379 | |
Yeah? Yeah. | |
Yeah. | |
195 | |
00:13:34,447 --> 00:13:37,317 | |
[***] | |
196 | |
00:13:37,317 --> 00:13:39,252 | |
OSI: | |
<i>I've established | |
a line of communication</i> | |
197 | |
00:13:39,252 --> 00:13:42,122 | |
with Keith Canvey, | |
UDC's head of security. | |
198 | |
00:13:42,122 --> 00:13:43,490 | |
I've sent him | |
the facial composite. | |
199 | |
00:13:43,490 --> 00:13:46,126 | |
But basically, he won't share | |
anything with us. | |
200 | |
00:13:46,126 --> 00:13:49,496 | |
He's not even admitting | |
UDC's coming to Tallinn. | |
201 | |
00:13:49,496 --> 00:13:52,399 | |
I have Oskar Ilves for you, Osi. | |
Put him on speaker. | |
202 | |
00:13:53,533 --> 00:13:55,035 | |
Oskar, hi. It's Osi. | |
203 | |
00:13:55,035 --> 00:13:56,336 | |
OSKAR: | |
<i>Hi, we have a police officer</i> | |
204 | |
00:13:56,336 --> 00:13:58,204 | |
<i>who recognizes | |
the facial composite.</i> | |
205 | |
00:13:58,204 --> 00:14:01,207 | |
<i>She talked to the guy | |
last night at an Airbnb.</i> | |
206 | |
00:14:01,207 --> 00:14:02,575 | |
<i>British. Name of Peter Gibson.</i> | |
207 | |
00:14:02,575 --> 00:14:04,210 | |
<i>I'm on my way | |
to the location now.</i> | |
208 | |
00:14:04,210 --> 00:14:05,979 | |
Oskar, I'm sending you | |
one of our teams. | |
209 | |
00:14:05,979 --> 00:14:07,580 | |
Siobhan, get them transport | |
and armed escort. | |
210 | |
00:14:07,580 --> 00:14:09,983 | |
SIOBHAN: | |
Your escort | |
is Richard and Phil. | |
211 | |
00:14:09,983 --> 00:14:12,052 | |
They'll meet you | |
at the front in five. | |
212 | |
00:14:14,120 --> 00:14:17,223 | |
[***] | |
213 | |
00:14:28,535 --> 00:14:30,537 | |
I've got the Airbnb location. | |
214 | |
00:14:30,537 --> 00:14:32,906 | |
No! Down, down! | |
215 | |
00:14:46,986 --> 00:14:48,221 | |
On me. Now! | |
216 | |
00:14:58,098 --> 00:15:00,734 | |
He aimed straight at you. | |
That was a fucking hit. | |
217 | |
00:15:00,734 --> 00:15:02,235 | |
Are you okay? | |
Yeah. | |
218 | |
00:15:02,235 --> 00:15:04,137 | |
Do you need to come inside? | |
219 | |
00:15:05,138 --> 00:15:07,440 | |
No, no. We need to go. | |
We need to go. | |
220 | |
00:15:07,440 --> 00:15:09,342 | |
OSI: | |
Go. I'll deal with the police. | |
221 | |
00:15:09,342 --> 00:15:11,144 | |
Hey. Hey, hey. | |
222 | |
00:15:11,144 --> 00:15:13,146 | |
Be careful, yeah? | |
223 | |
00:15:25,725 --> 00:15:26,960 | |
VINCE: | |
You okay? | |
224 | |
00:15:29,262 --> 00:15:30,764 | |
He didn't miss by much. | |
225 | |
00:15:30,764 --> 00:15:33,066 | |
Yeah. Idiot. | |
226 | |
00:15:41,841 --> 00:15:43,309 | |
Oskar Ilves, | |
Internal Security. | |
227 | |
00:15:43,309 --> 00:15:44,811 | |
Do you know | |
if our guy's in there? | |
228 | |
00:15:44,811 --> 00:15:47,681 | |
We don't. But he was | |
definitely there last night. | |
229 | |
00:15:47,681 --> 00:15:50,050 | |
We've covered all the exits. | |
Okay. | |
230 | |
00:15:52,652 --> 00:15:55,655 | |
[***] | |
231 | |
00:16:01,194 --> 00:16:03,396 | |
OSKAR: | |
Internal Security. | |
Open the door! | |
232 | |
00:16:06,499 --> 00:16:07,434 | |
Go! | |
233 | |
00:16:08,768 --> 00:16:10,603 | |
[ALL SHOUTING IN ESTONIAN] | |
234 | |
00:16:12,539 --> 00:16:15,008 | |
OFFICER [IN ESTONIAN]: Clear! | |
Oh, shit. | |
235 | |
00:16:24,784 --> 00:16:26,119 | |
You okay? | |
236 | |
00:16:26,119 --> 00:16:28,188 | |
Uh, yeah, | |
I had some dodgy sushi. | |
237 | |
00:16:28,188 --> 00:16:30,724 | |
Hoping these are gonna | |
bung me up before the flight. | |
238 | |
00:16:30,724 --> 00:16:32,058 | |
Too much information. | |
239 | |
00:16:32,058 --> 00:16:33,560 | |
[CHUCKLES] | |
Mm-hm. | |
240 | |
00:16:37,364 --> 00:16:38,331 | |
Right. | |
241 | |
00:16:44,838 --> 00:16:46,206 | |
It's been fun. | |
242 | |
00:16:48,141 --> 00:16:49,542 | |
It's been more than fun. | |
243 | |
00:16:53,513 --> 00:16:56,182 | |
You got a good man's face, | |
Rasmus. | |
244 | |
00:16:56,182 --> 00:16:58,084 | |
[CHUCKLES] | |
What does that mean? | |
245 | |
00:17:00,520 --> 00:17:03,523 | |
This kindness just seems | |
to come off you naturally. | |
246 | |
00:17:05,825 --> 00:17:07,594 | |
I guess I'm just | |
a happy person. | |
247 | |
00:17:12,699 --> 00:17:15,702 | |
[***] | |
248 | |
00:17:23,209 --> 00:17:26,780 | |
NEWSCASTER [OVER COMPUTER]: | |
<i>Both UDC and DagHaus | |
have remained tight-lipped</i> | |
249 | |
00:17:26,780 --> 00:17:29,549 | |
<i>with regards to the upcoming | |
announcement of River.</i> | |
250 | |
00:17:29,549 --> 00:17:32,485 | |
<i>The venues in Dublin, | |
Dubai and Kuala Lumpur</i> | |
251 | |
00:17:32,485 --> 00:17:34,921 | |
<i>have all been rumored | |
as possible locations.</i> | |
252 | |
00:17:34,921 --> 00:17:37,924 | |
<i>UDC has created quite a stir | |
already with hints</i> | |
253 | |
00:17:37,924 --> 00:17:40,527 | |
<i>to what his latest invention, | |
River, can do.</i> | |
254 | |
00:17:41,961 --> 00:17:45,265 | |
REPORTER: | |
<i>UDC, bless his | |
pointy little head,</i> | |
255 | |
00:17:45,265 --> 00:17:47,767 | |
{\an8}<i>hasn't got the memo | |
that class hatred</i> | |
256 | |
00:17:47,767 --> 00:17:49,502 | |
{\an8}<i>makes no more sense now,</i> | |
257 | |
00:17:49,502 --> 00:17:51,905 | |
<i>just when the world | |
needs to pull together,</i> | |
258 | |
00:17:51,905 --> 00:17:53,907 | |
<i>than it ever did.</i> | |
[TV CLICKS] | |
259 | |
00:17:53,907 --> 00:17:55,241 | |
WOJACK: | |
It didn't happen. | |
260 | |
00:17:55,241 --> 00:17:57,744 | |
In Tallinn, | |
it was a couple of Russians. | |
261 | |
00:17:57,744 --> 00:17:58,912 | |
They botched it. | |
262 | |
00:17:58,912 --> 00:18:00,513 | |
WINTHROP: | |
Years after communism, | |
263 | |
00:18:00,513 --> 00:18:04,751 | |
Russians are still drunk, | |
lazy, inept, corrupt peasants. | |
264 | |
00:18:04,751 --> 00:18:08,355 | |
National characteristics | |
always outlive regime change. | |
265 | |
00:18:08,355 --> 00:18:09,923 | |
It was very | |
short notice, Tim. | |
266 | |
00:18:09,923 --> 00:18:11,424 | |
WINTHROP: | |
Do you know when the Romans | |
267 | |
00:18:11,424 --> 00:18:14,427 | |
could no longer find enough | |
Romans to run their empire, | |
268 | |
00:18:14,427 --> 00:18:16,930 | |
greatest empire | |
the world has ever known, | |
269 | |
00:18:16,930 --> 00:18:18,965 | |
they started hiring foreigners. | |
270 | |
00:18:18,965 --> 00:18:20,767 | |
The rest is history. | |
271 | |
00:18:20,767 --> 00:18:22,936 | |
Decline and fall. | |
272 | |
00:18:22,936 --> 00:18:25,338 | |
Do you understand | |
what I'm saying? | |
273 | |
00:18:25,338 --> 00:18:26,806 | |
No foreigners. | |
274 | |
00:18:26,806 --> 00:18:28,375 | |
Hm. | |
275 | |
00:18:29,909 --> 00:18:31,444 | |
You tell Leonora, | |
276 | |
00:18:31,444 --> 00:18:34,481 | |
we like Coughlin's | |
class hatred line. | |
277 | |
00:18:34,481 --> 00:18:35,615 | |
Hm. | |
278 | |
00:18:38,418 --> 00:18:39,719 | |
OSKAR: | |
This is Officer Kohver. | |
279 | |
00:18:39,719 --> 00:18:42,555 | |
She's sure she saw your man | |
last night. | |
280 | |
00:18:42,555 --> 00:18:45,258 | |
We were responding | |
to a burglary in the building. | |
281 | |
00:18:45,258 --> 00:18:47,861 | |
We spoke to a number | |
of tenants on this floor. | |
282 | |
00:18:47,861 --> 00:18:50,997 | |
And one man, | |
there was something about him, | |
283 | |
00:18:50,997 --> 00:18:53,266 | |
and he looked a lot like this. | |
284 | |
00:18:55,835 --> 00:18:58,438 | |
[PEOPLE CHATTERING INDISTINCTLY] | |
285 | |
00:19:15,522 --> 00:19:16,456 | |
Evening. | |
286 | |
00:19:22,395 --> 00:19:24,197 | |
Could I see your bag, sir? | |
287 | |
00:19:25,532 --> 00:19:27,334 | |
That's probably the boot. | |
288 | |
00:19:27,334 --> 00:19:28,501 | |
Yeah. | |
Yeah. | |
289 | |
00:19:28,501 --> 00:19:29,703 | |
Thank you, that's fine. | |
290 | |
00:19:31,037 --> 00:19:32,339 | |
Thank you. | |
291 | |
00:19:33,873 --> 00:19:36,743 | |
KOHVER: | |
He had a British passport | |
in the name of Peter Gibson. | |
292 | |
00:19:36,743 --> 00:19:38,878 | |
How did Gibson pay? | |
KOHVER: Credit card. | |
293 | |
00:19:38,878 --> 00:19:41,581 | |
We're checking to see | |
if the card has been used. | |
294 | |
00:19:41,581 --> 00:19:44,451 | |
I'll also get forensic team | |
in for prints and DNA. | |
295 | |
00:19:47,087 --> 00:19:49,756 | |
Hopefully we can match results | |
to what we found in Hungary. | |
296 | |
00:19:49,756 --> 00:19:52,058 | |
BIANCA: | |
And get Officer Kohver | |
in with the artist. | |
297 | |
00:19:52,058 --> 00:19:54,227 | |
See if we can get | |
a better likeness. | |
298 | |
00:19:55,929 --> 00:19:58,465 | |
Uh-- These please. | |
299 | |
00:19:58,465 --> 00:20:00,000 | |
And I'll get four of them nuts. | |
300 | |
00:20:00,000 --> 00:20:02,235 | |
And four of these | |
chocolate bars. | |
301 | |
00:20:05,105 --> 00:20:06,406 | |
How much will that be? | |
302 | |
00:20:06,406 --> 00:20:08,074 | |
Thirty euros, please. | |
Thirty? | |
303 | |
00:20:08,074 --> 00:20:10,243 | |
Thirty euros, Christ. | |
304 | |
00:20:12,412 --> 00:20:15,782 | |
[ANNOUNCEMENT OVER PA] | |
305 | |
00:20:15,782 --> 00:20:17,250 | |
Thank you. | |
306 | |
00:20:17,250 --> 00:20:20,687 | |
ANNOUNCER [OVER PA]: | |
<i>Ladies and gentlemen. | |
Please take your seats.</i> | |
307 | |
00:20:20,687 --> 00:20:23,356 | |
<i>The concert is about to begin.</i> | |
308 | |
00:20:23,356 --> 00:20:26,459 | |
[PIANIST PLAYING | |
CLASSICAL MUSIC] | |
309 | |
00:20:49,849 --> 00:20:52,318 | |
[APPLAUSE] | |
310 | |
00:20:52,318 --> 00:20:55,455 | |
[***] | |
311 | |
00:22:16,670 --> 00:22:19,372 | |
[PIANIST PLAYING | |
CLASSICAL MUSIC] | |
312 | |
00:22:54,074 --> 00:22:56,476 | |
[APPLAUSE] | |
313 | |
00:23:31,277 --> 00:23:32,846 | |
<i>[GUNFIRE]</i> | |
314 | |
00:23:34,948 --> 00:23:36,916 | |
[FLIES BUZZING] | |
315 | |
00:23:39,753 --> 00:23:40,787 | |
[GASPS] | |
316 | |
00:23:43,890 --> 00:23:46,826 | |
[***] | |
317 | |
00:24:01,207 --> 00:24:02,242 | |
NURIA: | |
<i>All good?</i> | |
318 | |
00:24:02,242 --> 00:24:04,511 | |
JACKAL: | |
Yeah. Good. Thank you. | |
319 | |
00:24:09,015 --> 00:24:11,751 | |
NURIA [IN SPANISH]: | |
Alberto, two glasses of wine. | |
320 | |
00:24:33,239 --> 00:24:34,607 | |
VINCE: | |
So they're Russian? | |
321 | |
00:24:34,607 --> 00:24:36,309 | |
The Estonians | |
are convinced they are. | |
322 | |
00:24:36,309 --> 00:24:37,577 | |
Have a look at this. | |
323 | |
00:24:43,283 --> 00:24:46,586 | |
Yeah, someone is going out | |
of their way to try and kill me. | |
324 | |
00:24:46,586 --> 00:24:47,954 | |
Okay, we get it, | |
you're a big deal. | |
325 | |
00:24:47,954 --> 00:24:50,924 | |
OSI: | |
Okay, we've updated | |
the facial composite. | |
326 | |
00:24:50,924 --> 00:24:53,760 | |
Ilves is distributing this | |
to every cop in Estonia, | |
327 | |
00:24:53,760 --> 00:24:55,962 | |
as well as airports, | |
ports, railway stations, | |
328 | |
00:24:55,962 --> 00:24:58,565 | |
car rental offices, | |
and the venue. | |
329 | |
00:24:58,565 --> 00:25:00,233 | |
What do you think? | |
330 | |
00:25:00,233 --> 00:25:03,303 | |
Well, The Jackal never looks | |
the same way twice, does he? | |
331 | |
00:25:03,303 --> 00:25:06,306 | |
OSI: | |
Ilves says Peter Gibson hasn't | |
used his credit card in Tallinn | |
332 | |
00:25:06,306 --> 00:25:08,074 | |
since he paid for the Airbnb. | |
333 | |
00:25:14,314 --> 00:25:17,550 | |
[FOOTSTEPS OVERHEAD] | |
334 | |
00:25:34,401 --> 00:25:35,869 | |
[DOOR CLOSES] | |
335 | |
00:25:37,404 --> 00:25:39,873 | |
{\an8}[IN ESTONIAN] | |
Yep. | |
336 | |
00:25:39,873 --> 00:25:41,841 | |
{\an8}[IN ESTONIAN] | |
Sure. | |
337 | |
00:25:43,843 --> 00:25:45,912 | |
Let's see what he's had | |
for breakfast. | |
338 | |
00:25:47,247 --> 00:25:49,916 | |
SOFIA: | |
The old system | |
was perfectly good. | |
339 | |
00:25:49,916 --> 00:25:51,718 | |
CHRIS: | |
But it couldn't do this. | |
340 | |
00:25:57,957 --> 00:25:59,626 | |
Keith? | |
341 | |
00:25:59,626 --> 00:26:01,327 | |
Bianca Pullman. | |
342 | |
00:26:01,327 --> 00:26:02,729 | |
Vince Pyne. | |
343 | |
00:26:02,729 --> 00:26:05,198 | |
We work for Osi Halcrow. | |
344 | |
00:26:05,198 --> 00:26:06,966 | |
All right. Uh-- | |
345 | |
00:26:06,966 --> 00:26:08,101 | |
Meet our guy. | |
346 | |
00:26:10,203 --> 00:26:10,970 | |
How accurate is this? | |
347 | |
00:26:10,970 --> 00:26:12,939 | |
A local policewoman | |
had eyes on him, | |
348 | |
00:26:12,939 --> 00:26:15,241 | |
as close as I am to you, | |
for a minute or two. | |
349 | |
00:26:16,776 --> 00:26:18,712 | |
Okay. | |
It's gonna be very helpful. | |
350 | |
00:26:18,712 --> 00:26:22,849 | |
Yeah. Uh... | |
There's also this. | |
351 | |
00:26:24,250 --> 00:26:25,685 | |
Who am I looking at? | |
352 | |
00:26:25,685 --> 00:26:28,288 | |
The Jackal | |
in one of his disguises. | |
353 | |
00:26:28,288 --> 00:26:29,856 | |
Seriously? | |
354 | |
00:26:29,856 --> 00:26:31,858 | |
Maybe not so helpful, eh? | |
355 | |
00:26:33,126 --> 00:26:34,194 | |
How do I look? | |
356 | |
00:26:37,163 --> 00:26:40,300 | |
I want everyone gone | |
by 1800 hours. | |
357 | |
00:26:40,300 --> 00:26:42,869 | |
From 1800, the entire building | |
is locked down. | |
358 | |
00:26:42,869 --> 00:26:46,940 | |
No one gets in or out without | |
my personal authorization. | |
359 | |
00:26:50,810 --> 00:26:52,812 | |
KEITH: | |
We'll keep these | |
upper levels empty | |
360 | |
00:26:52,812 --> 00:26:55,682 | |
with just armed guards up here | |
covering the audience. | |
361 | |
00:26:58,985 --> 00:27:01,955 | |
Keith, I've got a present | |
for your dogs. | |
362 | |
00:27:01,955 --> 00:27:03,757 | |
The Jackal left this behind. | |
363 | |
00:27:04,991 --> 00:27:07,160 | |
Hm. | |
It could have his scent on it. | |
364 | |
00:27:09,496 --> 00:27:12,766 | |
[***] | |
365 | |
00:27:30,850 --> 00:27:32,385 | |
UDC will arrive | |
in the green room | |
366 | |
00:27:32,385 --> 00:27:34,287 | |
20 minutes | |
before the presentation. | |
367 | |
00:27:35,822 --> 00:27:36,890 | |
It's sterile. | |
368 | |
00:27:47,000 --> 00:27:50,904 | |
When the lights go off, Rima | |
will make a short introduction. | |
369 | |
00:27:50,904 --> 00:27:52,505 | |
And UDC will | |
make his announcement | |
370 | |
00:27:52,505 --> 00:27:54,341 | |
behind that | |
bulletproof glass. | |
371 | |
00:27:54,341 --> 00:27:58,178 | |
The entire media crew's | |
under DagHaus direction. | |
372 | |
00:27:58,178 --> 00:28:01,915 | |
They have the exclusive feed | |
going to all the networks. | |
373 | |
00:28:06,219 --> 00:28:08,154 | |
[BREATHES SHAKILY] | |
374 | |
00:28:17,097 --> 00:28:18,832 | |
NURIA: | |
<i>Is this worth it?</i> | |
375 | |
00:28:27,574 --> 00:28:29,843 | |
NURIA: | |
<i>Always alone, Mr. Calthrop.</i> | |
376 | |
00:28:29,843 --> 00:28:30,877 | |
JACKAL: | |
<i>Always.</i> | |
377 | |
00:28:30,877 --> 00:28:32,345 | |
To eat alone is sad. | |
378 | |
00:28:33,413 --> 00:28:35,215 | |
Yeah, it is pretty sad. | |
379 | |
00:28:35,215 --> 00:28:37,817 | |
[SPEAKS IN SPANISH] | |
380 | |
00:28:37,817 --> 00:28:39,219 | |
Now what does that mean? | |
381 | |
00:28:39,219 --> 00:28:41,554 | |
We say in Spain, "better alone | |
than in bad company." | |
382 | |
00:28:41,554 --> 00:28:43,223 | |
[IN SPANISH] Don't you think? | |
Yeah. | |
383 | |
00:28:43,223 --> 00:28:45,158 | |
There you go. | |
[CHUCKLES] | |
384 | |
00:28:45,158 --> 00:28:48,995 | |
Look at this card. | |
This card is worthless. | |
385 | |
00:28:48,995 --> 00:28:50,864 | |
Look at the card | |
they're trying to use. | |
386 | |
00:29:08,648 --> 00:29:09,916 | |
Fucking hell. | |
387 | |
00:29:21,961 --> 00:29:24,297 | |
ALBERTO: Hey, Charlie. | |
JACKAL: Evening, Alberto. | |
388 | |
00:29:26,366 --> 00:29:27,200 | |
Evening. | |
389 | |
00:29:27,200 --> 00:29:29,636 | |
[IN SPANISH] | |
Good evening, Mr. Calthrop. | |
390 | |
00:29:29,636 --> 00:29:31,838 | |
Please, will you | |
call me Charles? | |
391 | |
00:29:31,838 --> 00:29:32,906 | |
[WITH ACCENT] | |
Charles. | |
392 | |
00:29:32,906 --> 00:29:34,307 | |
[CHUCKLES] | |
393 | |
00:29:34,307 --> 00:29:36,576 | |
Charles. | |
394 | |
00:29:36,576 --> 00:29:37,844 | |
Good, that was perfect. | |
395 | |
00:29:37,844 --> 00:29:39,112 | |
Oh, thank you. | |
396 | |
00:29:39,112 --> 00:29:40,547 | |
Um... | |
I get your table ready. | |
397 | |
00:29:40,547 --> 00:29:43,116 | |
No, it's not-- | |
Actually, I was... | |
398 | |
00:29:43,116 --> 00:29:45,985 | |
I was wondering. | |
Do you ever get a night off? | |
399 | |
00:29:47,354 --> 00:29:49,356 | |
Yes. I'm not a slave. | |
400 | |
00:29:49,356 --> 00:29:51,391 | |
[CHUCKLES] | |
401 | |
00:29:51,391 --> 00:29:53,660 | |
Well I-- If-- | |
402 | |
00:29:53,660 --> 00:29:55,362 | |
When you get a night off, | |
403 | |
00:29:55,362 --> 00:29:57,097 | |
I was wondering | |
if I could persuade you | |
404 | |
00:29:57,097 --> 00:29:58,865 | |
to go to dinner with me? | |
405 | |
00:30:00,667 --> 00:30:02,102 | |
Yes. Of course. | |
406 | |
00:30:21,287 --> 00:30:23,390 | |
[BELL TOLLING] | |
407 | |
00:30:28,061 --> 00:30:31,164 | |
[***] | |
408 | |
00:30:46,212 --> 00:30:49,649 | |
[REPORTER 1 SPEAKING IN GERMAN] | |
409 | |
00:30:49,649 --> 00:30:54,988 | |
[REPORTER 2 SPEAKING IN ARABIC] | |
410 | |
00:30:54,988 --> 00:30:57,657 | |
REPORTER 3 [IN ENGLISH]: | |
<i>Speculation's at fever | |
pitch here in Estonia,</i> | |
411 | |
00:30:57,657 --> 00:31:00,427 | |
<i>where a massive security | |
operation is already underway</i> | |
412 | |
00:31:00,427 --> 00:31:03,063 | |
<i>at the world renowned | |
Tallinna Kontserdisaal.</i> | |
413 | |
00:31:09,602 --> 00:31:11,371 | |
REPORTER 4: | |
<i>At last an answer | |
to the questions</i> | |
414 | |
00:31:11,371 --> 00:31:13,673 | |
<i>that have been on | |
everyone's lips for months,</i> | |
415 | |
00:31:13,673 --> 00:31:15,041 | |
<i>what exactly is River,</i> | |
416 | |
00:31:15,041 --> 00:31:17,077 | |
<i>and how will it | |
change the world?</i> | |
417 | |
00:31:25,318 --> 00:31:28,955 | |
<i>Markets and trading floors | |
across the world in chaos.</i> | |
418 | |
00:31:28,955 --> 00:31:30,223 | |
<i>One source said, "It's like</i> | |
419 | |
00:31:30,223 --> 00:31:31,725 | |
<i>we're preparing | |
for judgment day."</i> | |
420 | |
00:31:31,725 --> 00:31:33,293 | |
REPORTER 3: | |
<i>Only time will tell.</i> | |
421 | |
00:31:33,293 --> 00:31:34,961 | |
Chris. | |
422 | |
00:31:34,961 --> 00:31:37,230 | |
I want one last sweep | |
of the entire building. | |
423 | |
00:31:47,173 --> 00:31:48,341 | |
Thank you, ma'am. | |
424 | |
00:32:37,457 --> 00:32:38,591 | |
[DOOR CLOSES] | |
425 | |
00:32:38,591 --> 00:32:40,393 | |
[EXHALES] | |
426 | |
00:32:50,503 --> 00:32:53,006 | |
[PRESS CLAMORING] | |
427 | |
00:32:54,441 --> 00:32:57,477 | |
Ah, Rima Buttons. | |
Hi. | |
428 | |
00:32:57,477 --> 00:32:59,412 | |
BIANCA: | |
God, Jasmine loves this woman. | |
429 | |
00:32:59,412 --> 00:33:02,482 | |
Yeah? Ask her for a selfie. | |
Oh, I'm not doing that. | |
430 | |
00:33:02,482 --> 00:33:05,685 | |
I'm Rima. | |
Hello, it's so good to meet you. | |
431 | |
00:33:05,685 --> 00:33:08,254 | |
Come. Come this way. | |
I'll take you to the green room. | |
432 | |
00:33:09,356 --> 00:33:12,359 | |
Plane just landed. | |
UDC is ten minutes away. | |
433 | |
00:33:12,359 --> 00:33:14,260 | |
Guess that means | |
he's not canceling then. | |
434 | |
00:33:14,260 --> 00:33:15,829 | |
He won't be | |
turning back now. | |
435 | |
00:33:15,829 --> 00:33:19,132 | |
[***] | |
436 | |
00:33:24,537 --> 00:33:27,273 | |
[SIREN WAILS] | |
437 | |
00:34:22,729 --> 00:34:25,331 | |
KEITH: | |
Remember to stay close | |
to the glass, sir. | |
438 | |
00:34:26,433 --> 00:34:28,601 | |
Oh, my God, there he is. | |
439 | |
00:34:28,601 --> 00:34:31,638 | |
Rima! Hey! How are you? | |
440 | |
00:34:31,638 --> 00:34:33,306 | |
Oh, I'm good. | |
441 | |
00:34:34,474 --> 00:34:35,875 | |
Thank you for doing this. | |
442 | |
00:34:35,875 --> 00:34:37,510 | |
Are you kidding? | |
It's an honor. | |
443 | |
00:34:37,510 --> 00:34:40,680 | |
If only River would show me | |
how my ex is spending | |
444 | |
00:34:40,680 --> 00:34:42,549 | |
the $40,000 a month | |
445 | |
00:34:42,549 --> 00:34:44,784 | |
I pay him in alimony, | |
that motherfucker. | |
446 | |
00:34:44,784 --> 00:34:48,655 | |
Sorry. I'm bitching | |
about my ex, and you... | |
447 | |
00:34:48,655 --> 00:34:50,490 | |
you're saving the world. | |
448 | |
00:35:08,241 --> 00:35:09,275 | |
Thank you. | |
449 | |
00:35:13,880 --> 00:35:17,984 | |
[ZBIGNIEW PREISNER'S | |
"SONG FOR THE UNIFICATION | |
OF EUROPE" PLAYING] | |
450 | |
00:35:17,984 --> 00:35:19,285 | |
Here we go. | |
451 | |
00:35:34,734 --> 00:35:35,669 | |
Thank you. | |
452 | |
00:35:44,477 --> 00:35:46,246 | |
Stay close | |
to the glass. | |
453 | |
00:35:50,717 --> 00:35:52,552 | |
ANNOUCER: | |
<i>Ladies and gentlemen.</i> | |
454 | |
00:35:52,552 --> 00:35:54,821 | |
<i>Please welcome your host | |
for this evening.</i> | |
455 | |
00:35:54,821 --> 00:36:00,527 | |
<i>The activist, satirist | |
and provocateur, Rima Buttons.</i> | |
456 | |
00:36:00,527 --> 00:36:03,296 | |
[AUDIENCE CHEERING | |
AND APPLAUDING] | |
457 | |
00:36:06,866 --> 00:36:10,203 | |
Rima! Hey! | |
458 | |
00:36:16,843 --> 00:36:20,747 | |
Am I looking at the luckiest | |
people on the planet, or what? | |
459 | |
00:36:20,747 --> 00:36:22,849 | |
[AUDIENCE LAUGHS] | |
460 | |
00:36:22,849 --> 00:36:26,519 | |
Not only the most intelligent, | |
the best dressed | |
461 | |
00:36:26,519 --> 00:36:29,689 | |
and possibly even | |
the best looking. | |
462 | |
00:36:31,391 --> 00:36:33,960 | |
But definitely the luckiest. | |
463 | |
00:36:33,960 --> 00:36:36,796 | |
Because you are | |
witnessing history. | |
464 | |
00:36:36,796 --> 00:36:38,765 | |
Right here. Right now! | |
465 | |
00:36:38,765 --> 00:36:41,668 | |
[APPLAUSE] | |
466 | |
00:36:43,737 --> 00:36:46,306 | |
[***] | |
467 | |
00:37:22,142 --> 00:37:24,644 | |
I'll let you in | |
on a little secret. | |
468 | |
00:37:24,644 --> 00:37:28,081 | |
The world as we know it | |
is doomed. | |
469 | |
00:37:28,081 --> 00:37:30,517 | |
Yep. | |
Apparently we're doomed. | |
470 | |
00:37:30,517 --> 00:37:32,552 | |
[CHUCKLES] I heard. | |
RIMA: <i>Yeah, I know.</i> | |
471 | |
00:37:32,552 --> 00:37:34,754 | |
<i>The warm-up act | |
is supposed to warm you up.</i> | |
472 | |
00:37:34,754 --> 00:37:38,324 | |
<i>Not scare the shit out of you. | |
But come on, I flattered you.</i> | |
473 | |
00:37:38,324 --> 00:37:39,959 | |
She's so cool. | |
474 | |
00:37:39,959 --> 00:37:43,096 | |
<i>We need to have a serious talk. | |
I mean you, and--</i> | |
475 | |
00:37:43,096 --> 00:37:46,332 | |
<i>I mean the millions of people | |
watching this on their phones</i> | |
476 | |
00:37:46,332 --> 00:37:48,435 | |
<i>and TVs around the world.</i> | |
477 | |
00:37:48,435 --> 00:37:50,103 | |
Some of us... | |
478 | |
00:37:50,103 --> 00:37:53,306 | |
No most of us, | |
have loads of stuff. | |
479 | |
00:37:54,541 --> 00:37:56,142 | |
Well, we're not exactly | |
lining up | |
480 | |
00:37:56,142 --> 00:37:57,711 | |
at the soup kitchens, are we? | |
481 | |
00:37:57,711 --> 00:37:59,112 | |
Don't be embarrassed about it. | |
482 | |
00:37:59,112 --> 00:38:01,081 | |
But just because we have stuff, | |
483 | |
00:38:01,081 --> 00:38:02,949 | |
doesn't mean we're not fucked. | |
484 | |
00:38:02,949 --> 00:38:04,451 | |
[MAN GRUNTS, CHOKING] | |
485 | |
00:38:04,451 --> 00:38:05,952 | |
RIMA: | |
We're in denial. | |
486 | |
00:38:05,952 --> 00:38:10,857 | |
We keep pretending nothing bad | |
is happening when we know it is. | |
487 | |
00:38:10,857 --> 00:38:12,792 | |
Come on, repeat after me. | |
488 | |
00:38:12,792 --> 00:38:13,960 | |
We're fucked. | |
489 | |
00:38:13,960 --> 00:38:15,362 | |
AUDIENCE: | |
We're fucked. | |
490 | |
00:38:15,362 --> 00:38:17,364 | |
We have to change | |
and we know it. | |
491 | |
00:38:17,364 --> 00:38:19,699 | |
And that change | |
has to start with money | |
492 | |
00:38:19,699 --> 00:38:21,468 | |
because money equals power. | |
493 | |
00:38:21,468 --> 00:38:24,804 | |
And when has power | |
ever wanted change? | |
494 | |
00:38:24,804 --> 00:38:28,141 | |
Change is like kryptonite | |
for people with power. | |
495 | |
00:38:28,141 --> 00:38:29,142 | |
They go all... | |
496 | |
00:38:29,142 --> 00:38:30,844 | |
<i>[GROANING DISGUSTEDLY]</i> | |
497 | |
00:38:30,844 --> 00:38:31,911 | |
<i>[AUDIENCE LAUGHS]</i> | |
498 | |
00:38:31,911 --> 00:38:33,813 | |
Who is this? | |
499 | |
00:38:33,813 --> 00:38:35,382 | |
She's nobody. | |
500 | |
00:38:35,382 --> 00:38:39,619 | |
<i>A hundred years ago, | |
women said give us the vote.</i> | |
501 | |
00:38:39,619 --> 00:38:43,189 | |
Power went, no, that would be | |
the end of the world. | |
502 | |
00:38:43,189 --> 00:38:44,591 | |
Feed the poor. | |
503 | |
00:38:44,591 --> 00:38:46,159 | |
No, you can't do that, | |
504 | |
00:38:46,159 --> 00:38:48,828 | |
the poor will always | |
be with us. | |
505 | |
00:38:48,828 --> 00:38:50,864 | |
Power won't give up. | |
506 | |
00:38:50,864 --> 00:38:53,566 | |
It will never surrender. | |
507 | |
00:38:53,566 --> 00:38:56,036 | |
It has to be forced. | |
508 | |
00:38:56,036 --> 00:38:59,072 | |
And here is the man to do it. | |
509 | |
00:38:59,072 --> 00:39:03,410 | |
Ladies, gentlemen, | |
and all of you in between. | |
510 | |
00:39:03,410 --> 00:39:06,012 | |
I give you, Ulle... | |
511 | |
00:39:06,012 --> 00:39:07,814 | |
<i>Dag Charles.</i> | |
Dag Charles. | |
512 | |
00:39:07,814 --> 00:39:09,382 | |
Whoo! | |
513 | |
00:39:21,027 --> 00:39:23,496 | |
[AUDIENCE APPLAUDING] | |
514 | |
00:39:23,496 --> 00:39:26,599 | |
[***] | |
515 | |
00:39:28,535 --> 00:39:31,504 | |
[CHEERING] | |
516 | |
00:39:43,016 --> 00:39:45,719 | |
Yeah! Yeah! | |
517 | |
00:39:45,719 --> 00:39:48,555 | |
That is like the main stage | |
at Glastonbury. | |
518 | |
00:39:48,555 --> 00:39:50,490 | |
[CHUCKLES] | |
Mmm! | |
519 | |
00:39:50,490 --> 00:39:51,891 | |
Stop it. | |
520 | |
00:39:51,891 --> 00:39:55,228 | |
<i>They said we'd never make it | |
but we're here!</i> | |
521 | |
00:39:55,228 --> 00:39:57,464 | |
Tallinn! | |
522 | |
00:39:57,464 --> 00:40:00,133 | |
The time is now! | |
523 | |
00:40:00,133 --> 00:40:01,501 | |
Whoo! | |
524 | |
00:40:04,771 --> 00:40:08,475 | |
Friends, thank you | |
for joining me here tonight. | |
525 | |
00:40:09,709 --> 00:40:11,778 | |
I know you've all come | |
a long way. | |
526 | |
00:40:13,113 --> 00:40:17,484 | |
I'm gonna ask you now | |
to come even further. | |
527 | |
00:40:19,019 --> 00:40:20,120 | |
I want you... | |
528 | |
00:40:22,288 --> 00:40:26,292 | |
<i>to come on a journey with me.</i> | |
529 | |
00:40:26,292 --> 00:40:27,594 | |
I'll come. | |
530 | |
00:40:27,594 --> 00:40:28,862 | |
UDC: | |
I won't lie to you. | |
531 | |
00:40:28,862 --> 00:40:31,798 | |
The journey will not be | |
an easy one to make. | |
532 | |
00:40:31,798 --> 00:40:36,569 | |
For some, it will involve | |
giving up stuff, like Rima said. | |
533 | |
00:40:39,539 --> 00:40:42,108 | |
But it has to be done. | |
534 | |
00:40:43,209 --> 00:40:45,779 | |
It has to be done. | |
535 | |
00:40:45,779 --> 00:40:48,114 | |
[AUDIENCE APPLAUDING] | |
536 | |
00:40:48,114 --> 00:40:51,051 | |
The rich have become so rich. | |
537 | |
00:40:51,051 --> 00:40:52,519 | |
He's nauseating. | |
538 | |
00:40:52,519 --> 00:40:55,622 | |
<i>The powerful | |
have become so powerful.</i> | |
539 | |
00:40:55,622 --> 00:40:59,693 | |
<i>The corrupt | |
have become so corrupt.</i> | |
540 | |
00:40:59,693 --> 00:41:02,729 | |
<i>The rich, corrupt, | |
and powerful...</i> | |
541 | |
00:41:04,164 --> 00:41:07,667 | |
have taken away | |
what belongs to the many... | |
542 | |
00:41:09,669 --> 00:41:10,904 | |
and hidden it... | |
543 | |
00:41:12,238 --> 00:41:14,107 | |
where only a few can find it. | |
544 | |
00:41:19,012 --> 00:41:20,980 | |
And River... | |
545 | |
00:41:20,980 --> 00:41:23,616 | |
is gonna lead you | |
to where it is, | |
546 | |
00:41:23,616 --> 00:41:29,322 | |
so you can come | |
and take back what's yours! | |
547 | |
00:41:29,322 --> 00:41:32,192 | |
[AUDIENCE CHEERING] | |
548 | |
00:41:32,192 --> 00:41:33,760 | |
Fuck you, you tyrant! | |
549 | |
00:41:44,170 --> 00:41:45,138 | |
JACKAL: | |
Come on. | |
550 | |
00:41:51,244 --> 00:41:53,780 | |
There were two shooters. | |
He's in here somewhere. | |
551 | |
00:41:53,780 --> 00:41:55,215 | |
Lock all the exits. | |
552 | |
00:41:55,215 --> 00:41:56,549 | |
Let's go. | |
Okay. | |
553 | |
00:42:02,822 --> 00:42:04,891 | |
[AUDIENCE CLAMORING] | |
554 | |
00:42:10,897 --> 00:42:12,732 | |
WOJACK: | |
What the fuck was that? | |
555 | |
00:42:14,834 --> 00:42:17,904 | |
What the fuck just happened? | |
Is the motherfucker dead? | |
556 | |
00:42:19,039 --> 00:42:21,207 | |
Okay, give me the remote. | |
OLLIE: No. | |
557 | |
00:42:21,207 --> 00:42:22,709 | |
Give me the remote. | |
No. | |
558 | |
00:42:22,709 --> 00:42:24,077 | |
Give me the fucking remote. | |
559 | |
00:42:25,145 --> 00:42:26,079 | |
[TV CLICKS] | |
560 | |
00:42:29,849 --> 00:42:31,084 | |
{\an8}GUARD [IN ESTONIAN]: | |
561 | |
00:42:34,320 --> 00:42:35,655 | |
{\an8}VINCE: | |
Close the doors! | |
562 | |
00:42:36,423 --> 00:42:37,991 | |
{\an8}Close the fucking doors! | |
563 | |
00:42:39,659 --> 00:42:42,662 | |
Here! | |
Close the doors! | |
564 | |
00:42:42,662 --> 00:42:45,265 | |
[IN ENGLISH] | |
No, we won't | |
close the doors. | |
565 | |
00:42:45,265 --> 00:42:48,435 | |
GUARD [IN ESTONIAN]: | |
Please follow the exit signs! | |
566 | |
00:42:48,435 --> 00:42:50,036 | |
Use both doors! | |
567 | |
00:43:21,101 --> 00:43:22,202 | |
RASMUS: | |
Peter? | |
568 | |
00:43:24,304 --> 00:43:26,806 | |
Hey! Peter? Is that you? | |
569 | |
00:43:29,142 --> 00:43:30,110 | |
Peter? | |
570 | |
00:43:33,046 --> 00:43:33,980 | |
Hey! | |
571 | |
00:43:37,217 --> 00:43:38,151 | |
Peter? | |
572 | |
00:43:46,292 --> 00:43:47,293 | |
Hi. | |
Hey. | |
573 | |
00:43:49,229 --> 00:43:50,663 | |
I thought you left. | |
574 | |
00:43:55,935 --> 00:43:58,004 | |
[GAGS, GASPING] | |
575 | |
00:44:18,324 --> 00:44:20,994 | |
[SIRENS WAILING IN DISTANCE] | |
576 | |
00:44:20,994 --> 00:44:24,330 | |
[ANDRE BRATTEN | |
& SUSANNE SUNDFØR'S | |
"CASCADE OF EVENTS" PLAYING] | |
577 | |
00:44:24,330 --> 00:44:27,067 | |
<i>♪ If only ♪</i> | |
578 | |
00:44:28,835 --> 00:44:31,771 | |
<i>♪ If only ♪</i> | |
579 | |
00:44:34,374 --> 00:44:41,348 | |
<i>♪ If only it was easy ♪</i> | |
580 | |
00:44:46,119 --> 00:44:53,226 | |
<i>♪ If only it was easy ♪</i> | |
581 | |
00:45:00,000 --> 00:45:03,737 | |
["CASCADE OF EVENTS" | |
CONTINUES PLAYING] | |
""" | |
iface = gr.Interface( | |
fn=translate, | |
title="🌸MTet Translation🌸", | |
description=description, | |
article=article, | |
examples=examples, | |
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gr.inputs.Textbox(placeholder="Enter text (maximum 100 lines)", label="Input",value=value), | |
gr.inputs.Radio( | |
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