You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the basic information of the Manchester's new arts centre Home.

Please summarize the above article based on the given requirement:

# Output (a):
Manchester's new £25m arts centre Home is a large curved glass wedge which contains two theatres, five cinemas, and an art gallery. It is located opposite the site of the old Hacienda nightclub and is part of a mini building boom in Manchester's cultural scene. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, and there are also plans for another new £78m venue called The Factory. Home provides more space to cater for Manchester's "hunger for new ideas" and will feature contemporary, intelligent, international-flavoured offerings. It is hoped that Home will boost the economy by attracting other businesses to its part of the city centre.

# Output (b):
The new arts centre Home in Manchester is billed as the city's answer to the Barbican or Southbank Centre in London. With big money also being spent on other venues in the city, Manchester is on course to become a cultural powerhouse to rival London. Home is a custom-built venue that replaces the Cornerhouse cinema and gallery and Library Theatre. It will provide more space to cater for Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (a)

Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the basic information of the Manchester's new arts centre Home.

Please summarize the above article based on the given requirement:

Manchester's new £25m arts centre Home is a large curved glass wedge which contains two theatres, five cinemas, and an art gallery. It is located opposite the site of the old Hacienda nightclub and is part of a mini building boom in Manchester's cultural scene. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, and there are also plans for another new £78m venue called The Factory. Home provides more space to cater for Manchester's "hunger for new ideas" and will feature contemporary, intelligent, international-flavoured offerings. It is hoped that Home will boost the economy by attracting other businesses to its part of the city centre.

The new arts centre Home in Manchester is billed as the city's answer to the Barbican or Southbank Centre in London. With big money also being spent on other venues in the city, Manchester is on course to become a cultural powerhouse to rival London. Home is a custom-built venue that replaces the Cornerhouse cinema and gallery and Library Theatre. It will provide more space to cater for Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the basic information of the Manchester's new arts centre Home.

Please summarize the above article based on the given requirement:

# Output (a):
Manchester's new £25m arts centre Home, located opposite the site of the old Hacienda nightclub, contains two theatres, five cinemas, an art gallery and an outdoor cafe seating area. It replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester.

# Output (b):
Manchester's new £25m arts centre Home is a large curved glass wedge which contains two theatres, five cinemas, and an art gallery. It is located opposite the site of the old Hacienda nightclub and is part of a mini building boom in Manchester's cultural scene. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, and there are also plans for another new £78m venue called The Factory. Home provides more space to cater for Manchester's "hunger for new ideas" and will feature contemporary, intelligent, international-flavoured offerings. It is hoped that Home will boost the economy by attracting other businesses to its part of the city centre.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (b)

Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the basic information of the Manchester's new arts centre Home.

Please summarize the above article based on the given requirement:

Manchester's new £25m arts centre Home, located opposite the site of the old Hacienda nightclub, contains two theatres, five cinemas, an art gallery and an outdoor cafe seating area. It replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester.

Manchester's new £25m arts centre Home is a large curved glass wedge which contains two theatres, five cinemas, and an art gallery. It is located opposite the site of the old Hacienda nightclub and is part of a mini building boom in Manchester's cultural scene. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, and there are also plans for another new £78m venue called The Factory. Home provides more space to cater for Manchester's "hunger for new ideas" and will feature contemporary, intelligent, international-flavoured offerings. It is hoped that Home will boost the economy by attracting other businesses to its part of the city centre.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the basic information of the Manchester's new arts centre Home.

Please summarize the above article based on the given requirement:

# Output (a):
Manchester's new £25m arts centre, Home, is a large curved glass wedge that houses two theatres, five cinemas, and an art gallery. It replaces the Cornerhouse cinema and gallery and Library Theatre, which have merged and been upgraded in the process. Home's launch follows the reopening of the Whitworth gallery after a £19m expansion and precedes plans for a new £78m venue called The Factory. The centre aims to boost the economy by attracting other businesses to its part of the city centre and serve as an example of how arts can be a catalyst for regeneration.

# Output (b):
Manchester's new £25m arts centre Home is a large curved glass wedge which contains two theatres, five cinemas, and an art gallery. It is located opposite the site of the old Hacienda nightclub and is part of a mini building boom in Manchester's cultural scene. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, and there are also plans for another new £78m venue called The Factory. Home provides more space to cater for Manchester's "hunger for new ideas" and will feature contemporary, intelligent, international-flavoured offerings. It is hoped that Home will boost the economy by attracting other businesses to its part of the city centre.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (b)

Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the basic information of the Manchester's new arts centre Home.

Please summarize the above article based on the given requirement:

Manchester's new £25m arts centre, Home, is a large curved glass wedge that houses two theatres, five cinemas, and an art gallery. It replaces the Cornerhouse cinema and gallery and Library Theatre, which have merged and been upgraded in the process. Home's launch follows the reopening of the Whitworth gallery after a £19m expansion and precedes plans for a new £78m venue called The Factory. The centre aims to boost the economy by attracting other businesses to its part of the city centre and serve as an example of how arts can be a catalyst for regeneration.

Manchester's new £25m arts centre Home is a large curved glass wedge which contains two theatres, five cinemas, and an art gallery. It is located opposite the site of the old Hacienda nightclub and is part of a mini building boom in Manchester's cultural scene. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, and there are also plans for another new £78m venue called The Factory. Home provides more space to cater for Manchester's "hunger for new ideas" and will feature contemporary, intelligent, international-flavoured offerings. It is hoped that Home will boost the economy by attracting other businesses to its part of the city centre.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the basic information of the Manchester's new arts centre Home.

Please summarize the above article based on the given requirement:

# Output (a):
Manchester's new £25m arts centre Home, located opposite the site of the old Hacienda nightclub, contains two theatres, five cinemas, an art gallery and an outdoor cafe seating area. It replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester.

# Output (b):
Manchester's new £25m arts centre Home is a large curved glass wedge which contains two theatres, five cinemas, and an art gallery. It is located opposite the site of the old Hacienda nightclub and is part of a mini building boom in Manchester's cultural scene. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, and there are also plans for another new £78m venue called The Factory. Home provides more space to cater for Manchester's "hunger for new ideas" and will feature contemporary, intelligent, international-flavoured offerings. It is hoped that Home will boost the economy by attracting other businesses to its part of the city centre.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (b)

Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the basic information of the Manchester's new arts centre Home.

Please summarize the above article based on the given requirement:

Manchester's new £25m arts centre Home, located opposite the site of the old Hacienda nightclub, contains two theatres, five cinemas, an art gallery and an outdoor cafe seating area. It replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester.

Manchester's new £25m arts centre Home is a large curved glass wedge which contains two theatres, five cinemas, and an art gallery. It is located opposite the site of the old Hacienda nightclub and is part of a mini building boom in Manchester's cultural scene. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, and there are also plans for another new £78m venue called The Factory. Home provides more space to cater for Manchester's "hunger for new ideas" and will feature contemporary, intelligent, international-flavoured offerings. It is hoped that Home will boost the economy by attracting other businesses to its part of the city centre.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the basic information of the Manchester's new arts centre Home.

Please summarize the above article based on the given requirement:

# Output (a):
Manchester's new £25m arts centre, Home, is a large curved glass wedge that houses two theatres, five cinemas, and an art gallery. It replaces the Cornerhouse cinema and gallery and Library Theatre, which have merged and been upgraded in the process. Home's launch follows the reopening of the Whitworth gallery after a £19m expansion and precedes plans for a new £78m venue called The Factory. The centre aims to boost the economy by attracting other businesses to its part of the city centre and serve as an example of how arts can be a catalyst for regeneration.

# Output (b):
Manchester's new £25m arts centre Home is a large curved glass wedge which contains two theatres, five cinemas, and an art gallery. It is located opposite the site of the old Hacienda nightclub and is part of a mini building boom in Manchester's cultural scene. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, and there are also plans for another new £78m venue called The Factory. Home provides more space to cater for Manchester's "hunger for new ideas" and will feature contemporary, intelligent, international-flavoured offerings. It is hoped that Home will boost the economy by attracting other businesses to its part of the city centre.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (b)

Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the basic information of the Manchester's new arts centre Home.

Please summarize the above article based on the given requirement:

Manchester's new £25m arts centre, Home, is a large curved glass wedge that houses two theatres, five cinemas, and an art gallery. It replaces the Cornerhouse cinema and gallery and Library Theatre, which have merged and been upgraded in the process. Home's launch follows the reopening of the Whitworth gallery after a £19m expansion and precedes plans for a new £78m venue called The Factory. The centre aims to boost the economy by attracting other businesses to its part of the city centre and serve as an example of how arts can be a catalyst for regeneration.

Manchester's new £25m arts centre Home is a large curved glass wedge which contains two theatres, five cinemas, and an art gallery. It is located opposite the site of the old Hacienda nightclub and is part of a mini building boom in Manchester's cultural scene. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, and there are also plans for another new £78m venue called The Factory. Home provides more space to cater for Manchester's "hunger for new ideas" and will feature contemporary, intelligent, international-flavoured offerings. It is hoped that Home will boost the economy by attracting other businesses to its part of the city centre.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Numbers of parents have kept their children off school for the day in a protest about primary tests in England. By Sean CoughlanEducation correspondent More than 40,000 parents have signed a petition calling for a boycott of primary school tests, which are due to be taken later this month. Parents supporting the Let Our Kids Be Kids campaign have complained of a damaging culture of over-testing. Education Secretary Nicky Morgan says taking pupils out of school "even for a day is harmful to their education". It remains uncertain how many primary school children were kept off school across the country, but a social media campaign had urged parents to take children on educational activities for the day. About 500 people gathered at Preston Park in Brighton, including children's laureate Chris Riddell. "We should be turning children into readers with the pleasure that gives, rather than relying on a testing culture," said Mr Riddell. Parents have handed in the petition at the headquarters of the Department for Education in London. Among the parents present was Caterina, with son and daughter in Ivydale school in Nunhead, south London. The campaign organisers say children are "over-tested, over-worked and in a school system that places more importance on test results and league tables than children's happiness and joy of learning". They have raised concerns about the impact of primary tests, so-called Sats tests, taken by seven-year-olds and 11-year-olds, which are being made more stretching with changes to the curriculum. They have challenged what they claim is a "dull, dry curriculum" based around tests. In an open letter to the education secretary, campaigners have warned of schools becoming "exam factories" and that testing causes stress and can make young children feel like "failures". Ofsted chief Sir Michael Wilshaw rejected these arguments, saying that improving social mobility depended on making sure that children are not falling behind at any early age. "The government is right to introduce greater structure and rigour into the assessment process. Those who oppose this testing need to consider England's mediocre position in the OECD education rankings," said Sir Michael. "As I have long argued, children who fall behind in the early years of their education struggle to catch up in later years." Education Minister Nick Gibb said tests improved standards and need not be stressful. "Schools should not be putting pressure on young people when taking these assessments. "I've been to many schools where the children don't even know they're taking the tests," said Mr Gibb. The importance of testing was emphasised by Chris McGovern, chairman of the Campaign for Real Education. He said that any short-term stress was worth it if in the longer term it meant that children finished school with better results. Schools minister Nick Gibb was asked a question on BBC Radio 4's World at One from a grammar test for 11 year olds Martha Kearney: Let me give you this sentence: "I went to the cinema, after I'd eaten my dinner." Is the word "after" there being used as a subordinating conjunction or a preposition? Nick Gibb: Well it's a preposition. Martha Kearney: I don't think it is. Nick Gibb: "After" is a preposition. It can be used in some contexts as a word that coordinates a sub-clause, but this isn't about me. Martha Kearney: But I think in this sentence it's being used as a subordinating conjunction. Nick Gibb: Fine, well this isn't about me, this is about ensuring that future generations of children - unlike me incidentally, who was not taught grammar at primary school... Martha Kearney: Perhaps not. Nick Gibb: ...We need to make sure that future generations of children are taught grammar properly." Mr McGovern said that tests in England's schools needed to be tougher to catch up with international competitors. "We're three years behind the Chinese at the age of 15. We are a bit of a basket case internationally. "We've got to do something, we've got to act early, and a health check at seven is a good idea." Ministers have already had problems with the administration of primary school tests this year. The baseline tests, which were intended to be a benchmark for measuring progress, were found to have unreliable results and have been postponed. Tests for seven-year-olds in spelling, punctuation and grammar also had to be called off when it was found that test questions had mistakenly been published on a Department for Education website. Labour's shadow education secretary Lucy Powell said she did not "condone children being taken out of school". But she accused the government of "creating chaos and confusion in primary assessment". Russell Hobby, leader of the National Association of Head Teachers, said: "I think the gap between the profession and the government has never been wider than it is at the moment." He warned of "an enormous number of mistakes, delays and confusions around testing". But Education Secretary Nicky Morgan has argued that raising standards will improve creativity and not restrict it. "How creative can a child be if they struggle to understand the words on the page in front of them?" Mrs Morgan told head teachers at the weekend. "That is why the campaign led by some of those who do not think we should set high expectations, who want to keep their children home for a day is so damaging. "Keeping children home, even for a day is harmful to their education."

Here is a summary requirement:
Summarize what people have done to protest about primary tests in England.

Please summarize the above article based on the given requirement:

# Output (a):
Parents have kept their children out of school to protest against primary tests in England. They have complained of a damaging culture of over-testing and have called for a boycott of the tests. Education Secretary Nicky Morgan has said that taking pupils out of school for the day is harmful to their education. It remains uncertain how many primary school children were kept off school, but a social media campaign had urged parents to take their children on educational activities for the day.

# Output (b):
In protest of primary tests in England, more than 40,000 parents have signed a petition calling for a boycott of the tests and have kept their children off school for the day. A social media campaign was launched to encourage parents to take their children on educational activities for the day. 500 people, including children's laureate Chris Riddell, gathered at Preston Park in Brighton to support the Let Our Kids Be Kids campaign. The petition was handed in at the Department for Education in London. The campaign organisers have raised concerns about the impact of primary tests and have challenged what they claim is a "dull, dry curriculum" based around tests. Education Minister Nick Gibb and Ofsted chief Sir Michael Wilshaw have argued that tests improve standards and need not be stressful. Chris McGovern, chairman of the Campaign for Real Education, has said that any short-term stress is worth it if it means that children finish school with better results.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (a)

Instruction:
Here is an article:
Numbers of parents have kept their children off school for the day in a protest about primary tests in England. By Sean CoughlanEducation correspondent More than 40,000 parents have signed a petition calling for a boycott of primary school tests, which are due to be taken later this month. Parents supporting the Let Our Kids Be Kids campaign have complained of a damaging culture of over-testing. Education Secretary Nicky Morgan says taking pupils out of school "even for a day is harmful to their education". It remains uncertain how many primary school children were kept off school across the country, but a social media campaign had urged parents to take children on educational activities for the day. About 500 people gathered at Preston Park in Brighton, including children's laureate Chris Riddell. "We should be turning children into readers with the pleasure that gives, rather than relying on a testing culture," said Mr Riddell. Parents have handed in the petition at the headquarters of the Department for Education in London. Among the parents present was Caterina, with son and daughter in Ivydale school in Nunhead, south London. The campaign organisers say children are "over-tested, over-worked and in a school system that places more importance on test results and league tables than children's happiness and joy of learning". They have raised concerns about the impact of primary tests, so-called Sats tests, taken by seven-year-olds and 11-year-olds, which are being made more stretching with changes to the curriculum. They have challenged what they claim is a "dull, dry curriculum" based around tests. In an open letter to the education secretary, campaigners have warned of schools becoming "exam factories" and that testing causes stress and can make young children feel like "failures". Ofsted chief Sir Michael Wilshaw rejected these arguments, saying that improving social mobility depended on making sure that children are not falling behind at any early age. "The government is right to introduce greater structure and rigour into the assessment process. Those who oppose this testing need to consider England's mediocre position in the OECD education rankings," said Sir Michael. "As I have long argued, children who fall behind in the early years of their education struggle to catch up in later years." Education Minister Nick Gibb said tests improved standards and need not be stressful. "Schools should not be putting pressure on young people when taking these assessments. "I've been to many schools where the children don't even know they're taking the tests," said Mr Gibb. The importance of testing was emphasised by Chris McGovern, chairman of the Campaign for Real Education. He said that any short-term stress was worth it if in the longer term it meant that children finished school with better results. Schools minister Nick Gibb was asked a question on BBC Radio 4's World at One from a grammar test for 11 year olds Martha Kearney: Let me give you this sentence: "I went to the cinema, after I'd eaten my dinner." Is the word "after" there being used as a subordinating conjunction or a preposition? Nick Gibb: Well it's a preposition. Martha Kearney: I don't think it is. Nick Gibb: "After" is a preposition. It can be used in some contexts as a word that coordinates a sub-clause, but this isn't about me. Martha Kearney: But I think in this sentence it's being used as a subordinating conjunction. Nick Gibb: Fine, well this isn't about me, this is about ensuring that future generations of children - unlike me incidentally, who was not taught grammar at primary school... Martha Kearney: Perhaps not. Nick Gibb: ...We need to make sure that future generations of children are taught grammar properly." Mr McGovern said that tests in England's schools needed to be tougher to catch up with international competitors. "We're three years behind the Chinese at the age of 15. We are a bit of a basket case internationally. "We've got to do something, we've got to act early, and a health check at seven is a good idea." Ministers have already had problems with the administration of primary school tests this year. The baseline tests, which were intended to be a benchmark for measuring progress, were found to have unreliable results and have been postponed. Tests for seven-year-olds in spelling, punctuation and grammar also had to be called off when it was found that test questions had mistakenly been published on a Department for Education website. Labour's shadow education secretary Lucy Powell said she did not "condone children being taken out of school". But she accused the government of "creating chaos and confusion in primary assessment". Russell Hobby, leader of the National Association of Head Teachers, said: "I think the gap between the profession and the government has never been wider than it is at the moment." He warned of "an enormous number of mistakes, delays and confusions around testing". But Education Secretary Nicky Morgan has argued that raising standards will improve creativity and not restrict it. "How creative can a child be if they struggle to understand the words on the page in front of them?" Mrs Morgan told head teachers at the weekend. "That is why the campaign led by some of those who do not think we should set high expectations, who want to keep their children home for a day is so damaging. "Keeping children home, even for a day is harmful to their education."

Here is a summary requirement:
Summarize what people have done to protest about primary tests in England.

Please summarize the above article based on the given requirement:

Parents have kept their children out of school to protest against primary tests in England. They have complained of a damaging culture of over-testing and have called for a boycott of the tests. Education Secretary Nicky Morgan has said that taking pupils out of school for the day is harmful to their education. It remains uncertain how many primary school children were kept off school, but a social media campaign had urged parents to take their children on educational activities for the day.

In protest of primary tests in England, more than 40,000 parents have signed a petition calling for a boycott of the tests and have kept their children off school for the day. A social media campaign was launched to encourage parents to take their children on educational activities for the day. 500 people, including children's laureate Chris Riddell, gathered at Preston Park in Brighton to support the Let Our Kids Be Kids campaign. The petition was handed in at the Department for Education in London. The campaign organisers have raised concerns about the impact of primary tests and have challenged what they claim is a "dull, dry curriculum" based around tests. Education Minister Nick Gibb and Ofsted chief Sir Michael Wilshaw have argued that tests improve standards and need not be stressful. Chris McGovern, chairman of the Campaign for Real Education, has said that any short-term stress is worth it if it means that children finish school with better results.