You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the opening line-ups of the Home centre and their impacts.

Please summarize the above article based on the given requirement:

# Output (a):
The Home centre in Manchester has a contemporary, international flavour with roots in Manchester. The opening line-up includes a play adapted by Simon Stephens, an art exhibition featuring artists from Egypt, Iceland, Kosovo and Manchester, and inventive screenings of funfair-themed films. The centre is expected to boost the economy by attracting other businesses to the area, and has already attracted new staff who were drawn to the funding and excitement of Manchester's cultural scene. The centre is being positioned as an alternative centre of gravity rather than a rival to London, and could become known in the same way as Barcelona.

# Output (b):
The Home centre in Manchester, a £25m arts venue, features an opening line-up that includes a play adaptation by Stockport playwright Simon Stephens, an art exhibition inspired by the play with artists from Egypt, Iceland, Kosovo, and Manchester, and inventive screenings of funfair-themed films. The opening line-ups showcase contemporary, intelligent works with a strong international flavour but rooted in Manchester. The Home centre aims to boost the economy by attracting other businesses to the city centre and serve as a catalyst for regeneration, with new restaurants, a hotel, and offices moving in due to its presence.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (b)

Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the opening line-ups of the Home centre and their impacts.

Please summarize the above article based on the given requirement:

The Home centre in Manchester has a contemporary, international flavour with roots in Manchester. The opening line-up includes a play adapted by Simon Stephens, an art exhibition featuring artists from Egypt, Iceland, Kosovo and Manchester, and inventive screenings of funfair-themed films. The centre is expected to boost the economy by attracting other businesses to the area, and has already attracted new staff who were drawn to the funding and excitement of Manchester's cultural scene. The centre is being positioned as an alternative centre of gravity rather than a rival to London, and could become known in the same way as Barcelona.

The Home centre in Manchester, a £25m arts venue, features an opening line-up that includes a play adaptation by Stockport playwright Simon Stephens, an art exhibition inspired by the play with artists from Egypt, Iceland, Kosovo, and Manchester, and inventive screenings of funfair-themed films. The opening line-ups showcase contemporary, intelligent works with a strong international flavour but rooted in Manchester. The Home centre aims to boost the economy by attracting other businesses to the city centre and serve as a catalyst for regeneration, with new restaurants, a hotel, and offices moving in due to its presence.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the opening line-ups of the Home centre and their impacts.

Please summarize the above article based on the given requirement:

# Output (a):
The Home centre in Manchester, a £25m arts venue, features an opening line-up that includes a play adaptation by Stockport playwright Simon Stephens, an art exhibition inspired by the play with artists from Egypt, Iceland, Kosovo, and Manchester, and inventive screenings of funfair-themed films. The opening line-ups showcase contemporary, intelligent works with a strong international flavour but rooted in Manchester. The Home centre aims to boost the economy by attracting other businesses to the city centre and serve as a catalyst for regeneration, with new restaurants, a hotel, and offices moving in due to its presence.

# Output (b):
The opening line-up of Manchester's new £25m arts centre Home includes Stockport playwright Simon Stephens' adaptation of Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline, renamed as The Funfair, and an art exhibition inspired by the play featuring artists from Egypt, Iceland and Kosovo as well as Manchester. The opening line-ups are expected to provide more space to cater for Manchester's "hunger for new ideas" and to boost the economy by attracting other businesses to its part of the city centre.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (b)

Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the opening line-ups of the Home centre and their impacts.

Please summarize the above article based on the given requirement:

The Home centre in Manchester, a £25m arts venue, features an opening line-up that includes a play adaptation by Stockport playwright Simon Stephens, an art exhibition inspired by the play with artists from Egypt, Iceland, Kosovo, and Manchester, and inventive screenings of funfair-themed films. The opening line-ups showcase contemporary, intelligent works with a strong international flavour but rooted in Manchester. The Home centre aims to boost the economy by attracting other businesses to the city centre and serve as a catalyst for regeneration, with new restaurants, a hotel, and offices moving in due to its presence.

The opening line-up of Manchester's new £25m arts centre Home includes Stockport playwright Simon Stephens' adaptation of Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline, renamed as The Funfair, and an art exhibition inspired by the play featuring artists from Egypt, Iceland and Kosovo as well as Manchester. The opening line-ups are expected to provide more space to cater for Manchester's "hunger for new ideas" and to boost the economy by attracting other businesses to its part of the city centre.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the opinion of Manchester City Council on the Home centre.

Please summarize the above article based on the given requirement:

# Output (a):
The Manchester City Council believes that the Home centre will be a boon to the city, attracting new businesses and boosting the economy. They feel that the centre will help put Manchester on the map as a cultural powerhouse, rivaling London.

# Output (b):
Manchester City Council believes that the Home centre will be a catalyst for regeneration, attracting other businesses to the area and boosting the economy. They also hope that it will help Manchester become a cultural powerhouse to rival London, with a critical mass of culture that other cities outside London cannot match. They see Manchester as an "alternative centre of gravity" rather than a rival to the capital, and compare the relationship between Manchester and London to that of Barcelona and Madrid.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (b)

Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the opinion of Manchester City Council on the Home centre.

Please summarize the above article based on the given requirement:

The Manchester City Council believes that the Home centre will be a boon to the city, attracting new businesses and boosting the economy. They feel that the centre will help put Manchester on the map as a cultural powerhouse, rivaling London.

Manchester City Council believes that the Home centre will be a catalyst for regeneration, attracting other businesses to the area and boosting the economy. They also hope that it will help Manchester become a cultural powerhouse to rival London, with a critical mass of culture that other cities outside London cannot match. They see Manchester as an "alternative centre of gravity" rather than a rival to the capital, and compare the relationship between Manchester and London to that of Barcelona and Madrid.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the opinion of Manchester City Council on the Home centre.

Please summarize the above article based on the given requirement:

# Output (a):
Manchester City Council conceived the Home centre with the hope that it would boost the economy by attracting other businesses to its part of the city centre. They believe that arts can be a catalyst for regeneration and encourage people to live and work in the city.

# Output (b):
The Manchester City Council believes that the Home centre will be a boon to the city, attracting new businesses and boosting the economy. They feel that the centre will help put Manchester on the map as a cultural powerhouse, rivaling London.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (a)

Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the opinion of Manchester City Council on the Home centre.

Please summarize the above article based on the given requirement:

Manchester City Council conceived the Home centre with the hope that it would boost the economy by attracting other businesses to its part of the city centre. They believe that arts can be a catalyst for regeneration and encourage people to live and work in the city.

The Manchester City Council believes that the Home centre will be a boon to the city, attracting new businesses and boosting the economy. They feel that the centre will help put Manchester on the map as a cultural powerhouse, rivaling London.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the opinion of Manchester City Council on the Home centre.

Please summarize the above article based on the given requirement:

# Output (a):
Manchester City Council believes that the Home centre will be a catalyst for regeneration, attracting other businesses to the area and boosting the economy. They also hope that it will help Manchester become a cultural powerhouse to rival London, with a critical mass of culture that other cities outside London cannot match. They see Manchester as an "alternative centre of gravity" rather than a rival to the capital, and compare the relationship between Manchester and London to that of Barcelona and Madrid.

# Output (b):
The Manchester City Council believes that the Home centre will be a boon to the city, attracting new businesses and boosting the economy. They feel that the centre will help put Manchester on the map as a cultural powerhouse, rivaling London.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (a)

Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the opinion of Manchester City Council on the Home centre.

Please summarize the above article based on the given requirement:

Manchester City Council believes that the Home centre will be a catalyst for regeneration, attracting other businesses to the area and boosting the economy. They also hope that it will help Manchester become a cultural powerhouse to rival London, with a critical mass of culture that other cities outside London cannot match. They see Manchester as an "alternative centre of gravity" rather than a rival to the capital, and compare the relationship between Manchester and London to that of Barcelona and Madrid.

The Manchester City Council believes that the Home centre will be a boon to the city, attracting new businesses and boosting the economy. They feel that the centre will help put Manchester on the map as a cultural powerhouse, rivaling London.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the opinion of Manchester City Council on the Home centre.

Please summarize the above article based on the given requirement:

# Output (a):
Manchester City Council hopes that the new Home arts centre will boost the economy by attracting other businesses to its part of the city centre. The council sees Home as an example of how arts can be a catalyst for regeneration and people wanting to come and live and work in a city. The council's tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London.

# Output (b):
Manchester City Council believes that the Home centre will be a catalyst for regeneration, attracting other businesses to the area and boosting the economy. They also hope that it will help Manchester become a cultural powerhouse to rival London, with a critical mass of culture that other cities outside London cannot match. They see Manchester as an "alternative centre of gravity" rather than a rival to the capital, and compare the relationship between Manchester and London to that of Barcelona and Madrid.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (a)

Instruction:
Here is an article:
Manchester's new £25m arts centre Home is billed as the city's answer to the Barbican or Southbank Centre. With big money also being spent on other venues in the city, is Manchester on course to become a cultural powerhouse to rival London? By Ian YoungsArts reporter The large curved glass wedge that has appeared opposite the site of the old Hacienda nightclub, and which will later have its opening ceremony - led by London 2012 supremo Danny Boyle - is the latest evidence of a mini building boom in Manchester's cultural scene. The wedge - which contains two theatres, five cinemas, an art gallery - replaces the much-loved Cornerhouse cinema and gallery and Library Theatre, which have merged and been given an upgrade in the process. Home's launch comes three months after the Whitworth gallery reopened after a £19m expansion, while there are also plans for another new £78m venue called The Factory, less than a mile from Home. Austerity? What austerity? If it happens, The Factory will be a 5,000-capacity permanent home for the Manchester International Festival. These projects, taken with the city's existing activities, seem to have given Manchester optimism that its cultural future can be as bright as its illustrious past. At Home, chief executive Dave Moutrey is relishing having a custom-built venue to replace the Cornerhouse. He boasts that they now have ample toilets and enthuses about the outdoor cafe seating (weather permitting) and smoother layout. "It's going to be quite a novel experience for our customers to be able to read the subtitles on a film without having to dodge somebody's head," he says. As well as improving the facilities, Home will provide more space to cater for what Moutrey describes as Manchester's "hunger for new ideas". The theatre, visual art and film offerings will all be roughly on the same wavelength - contemporary, intelligent, with a strong international flavour but with roots in Manchester. The opening line-up gives a taste of what to expect. Stockport playwright Simon Stephens - who put The Curious Incident of the Dog in the Night-Time on stage for the National Theatre - has adapted Hungarian writer Odon von Horvath's 1932 play Kasimir and Karoline and renamed it The Funfair. The play has also inspired the opening art exhibition, which features artists from Egypt, Iceland and Kosovo as well as Manchester. And there will be inventive screenings of funfair-themed films like Big, Carnival of Souls and Freaks. "There is no superior art form here," Moutrey says. "There's no art form that calls the shots over the others. They're all in dialogue with each other." Home may be a culture vulture's dream, but it was conceived by Manchester City Council in the hope that it would boost the economy by attracting other businesses to its part of the city centre. Now, Moutrey points out restaurants, a hotel and offices that he says would not have moved in if Home were not there. "I think we're an example for how arts can be a catalyst for regeneration and people wanting to come and live and work in a city," he says. The tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London. Wood says he moved because the independent film scene in the capital was becoming "quite stagnant". "I was looking at a lot of the activity that was going on in Manchester - just the funding, the excitement, and the notion of a city in a really good space culturally," he says. "That was something that was really exciting and something I was happy to respond to. "I really was beginning to feel that London was becoming the second city in terms of how it responded to film culture. I was finding it was becoming more and more difficult to get audiences to come." Home's artistic director of theatre, Walter Meierjohann, has also arrived from London, where he worked for three years at the in-form Young Vic. He is originally from Germany, where a more federal system exists, he explains. "So the idea that in a country you can have five or six big cities... you can say Berlin, Hamburg, Frankfurt, Munich are all on an equal level culturally, which they are, [and that] is a good thing. "I still think London will always be number one, but I think Manchester's on a really good journey." 'The new Barcelona' Other UK cities have also seen recent cultural developments - Birmingham has its library, Liverpool has the new Everyman theatre, and a new arts centre in Bangor, north Wales, will cost twice as much as Home. But still, the current expansion in Greater Manchester - coupled with its existing world-class venues - suggests it will have a critical mass of culture that other cities outside London cannot match. And on top of that, it is being positioned as the de facto capital of the fabled "Northern Powerhouse" that the last government was so keen to promote. Home's third artistic director is Sarah Perks, who is continuing the visual art work she did at Cornerhouse. There is no need to compare Manchester with London, she says. "Manchester shouldn't look to become a mini-London or emulate London," she says. "It's about becoming Manchester and being known for that, and looking acrossways and upwards. It doesn't always have to be this weird colonial relationship with London." Dave Moutrey echoes that, describing the city as an "an alternative centre of gravity" rather than a rival to the capital. He compares the relationship between Manchester and London with that of Barcelona and Madrid. "If we continue to make great culture here I don't think it's too big a shock for people to start talking about Manchester in the same way as they talk about Barcelona," he says.

Here is a summary requirement:
Summarize the opinion of Manchester City Council on the Home centre.

Please summarize the above article based on the given requirement:

Manchester City Council hopes that the new Home arts centre will boost the economy by attracting other businesses to its part of the city centre. The council sees Home as an example of how arts can be a catalyst for regeneration and people wanting to come and live and work in a city. The council's tactic has already worked on one person - the organisation's new artistic director for film, Jason Wood, who has moved from Curzon Cinemas in London.

Manchester City Council believes that the Home centre will be a catalyst for regeneration, attracting other businesses to the area and boosting the economy. They also hope that it will help Manchester become a cultural powerhouse to rival London, with a critical mass of culture that other cities outside London cannot match. They see Manchester as an "alternative centre of gravity" rather than a rival to the capital, and compare the relationship between Manchester and London to that of Barcelona and Madrid.