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him those ten minutes were very long. It was then Albert, returning from his meeting with the count, perceived his father watching for his arrival behind a curtain, and turned aside. The count's eye expanded; he knew Albert had insulted the count dreadfully, and that in every country in the world such an insult would lead to a deadly duel. Albert returned safely — then the count was revenged. An indescribable ray of joy illumined that wretched countenance like the last ray of the sun before it disappears behind the clouds which bear the aspect, not of a downy couch, but of a tomb. But as we have said, he waited in vain for his son to come to his apartment with the account of his triumph. He easily understood why his son did not come to see him before he went to avenge his father's honor; but when that was done, why did not his son come and throw himself into his arms? It was then, when the count could not see Albert, that he sent for his servant, who he knew was authorized not to conceal anything from him. Ten minutes afterwards, General Morcerf was seen on the steps in a black coat with a military collar, black pantaloons, and black gloves. He had apparently given previous orders, for as he reached the bottom step his carriage came from the coach-house ready for him. The valet threw into the carriage his military cloak, in which two swords were wrapped, and, shutting the door, he took his seat by the side of the coachman. The coachman stooped down for his orders. "To the Champs Elysees," said the general; "the Count of Monte Cristo's. Hurry!" The horses bounded beneath the whip; and in five minutes they stopped before the count's door. M. de Morcerf opened the door himself, and as the carriage rolled away he passed up the walk, rang, and entered the open door with his servant. A moment afterwards, Baptistin announced the Count of Morcerf to Monte Cristo, and the latter, leading Haidee aside, ordered that Morcerf be asked into the drawing-room. The general was pacing theMorcerf be asked into the drawing-room. The general was pacing the room the third time when, in turning, he perceived Monte Cristo at the door. "Ah, it is M. de Morcerf," said Monte Cristo quietly; "I thought I had not heard aright." "Yes, it is I," said the count, whom a frightful contraction of the lips prevented from articulating freely. "May I know the cause which procures me the pleasure of seeing M. de Morcerf so early?" "Had you not a meeting with my son this morning?" asked the general. "I had," replied the count. "And I know my son had good reasons to wish to fight with you, and to endeavor to kill you." "Yes, sir, he had very good ones; but you see that in spite of them he has not killed me, and did not even fight." "Yet he considered you the cause of his father's dishonor, the cause of the fearful ruin which has fallen on my house." "It is true, sir," said Monte Cristo with his dreadful calmness; "a secondary cause, but not the principal." "Doubtless you made, then, some apology or explanation?" "I explained nothing, and it is he who apologized to me." "But to what do you attribute this conduct?" "To the conviction, probably, that there was one more guilty than I." "And who was that?" "His father." "That may be," said the count, turning pale; "but you know the guilty do not like to find themselves convicted." "I know it, and I expected this result." "You expected my son would be a coward?" cried the count. "M. Albert de Morcerf is no coward!" said Monte Cristo. "A man who holds a sword in his hand, and sees a mortal enemy within reach of that sword, and does not fight, is a coward! Why is he not here that I may tell him so?" "Sir." replied Monte Cristo coldly, "I did not expect that you had come here to relate to me your little family affairs. Go and tell M. Albert that, and he may know what to answer you." "Oh, no, no," said the general, smiling faintly, "I did not come for that purpose; you are right. I came to tell you that I also look upon you as my enemy. I came to tell you that I hate youlook upon you as my enemy. I came to tell you that I hate you instinctively; that it seems as if I had always known you, and always hated you; and, in short, since the young people of the present day will not fight, it remains for us to do so. Do you think so, sir?" "Certainly. And when I told you I had foreseen the result, it is the honor of your visit I alluded to." "So much the better. Are you prepared?" "Yes, sir." "You know that we shall fight till one of us is dead," said the general, whose teeth were clinched with rage. "Until one of us dies," repeated Monte Cristo, moving his head slightly up and down. "Let us start, then; we need no witnesses." "Very true," said Monte Cristo; "it is unnecessary, we know each other so well!" "On the contrary," said the count, "we know so little of each other." "Indeed?" said Monte Cristo, with the same indomitable coolness; "let us see. Are you not the soldier Fernand who deserted on the eve of the battle of Waterloo? Are you not the Lieutenant Fernand who served as guide and spy to the French army in Spain? Are you not the Captain Fernand who betrayed, sold, and murdered his benefactor, Ali? And have not all these Fernands, united, made Lieutenant-General, the Count of Morcerf, peer of France?" "Oh," cried the general, as it branded with a hot iron, "wretch, — to reproach me with my shame when about, perhaps, to kill me! No, I did not say I was a stranger to you. I know well, demon, that you have penetrated into the darkness of the past, and that you have read, by the light of what torch I know not, every page of my life; but perhaps I may be more honorable in my shame than you under your pompous coverings. No — no, I am aware you know me; but I know you only as an adventurer sewn up in gold and jewellery. You call yourself in Paris the Count of Monte Cristo; in Italy, Sinbad the Sailor; in Malta, I forget what. But it is your real name I want to know, in the midst of your hundred names, that I may pronounce it

know, in the midst of your hundred names, that I may pronounce it when we meet to fight, at the moment when I plunge my sword through your heart." The Count of Monte Cristo turned dreadfully pale; his eye seemed to burn with a devouring fire. He leaped towards a dressing-room near his bedroom, and in less than a moment, tearing off his cravat, his coat and waistcoat, he put on a sailor's jacket and hat, from beneath which rolled his long black hair. He returned thus, formidable and implacable, advancing with his arms crossed on his breast, towards the general, who could not understand why he had disappeared, but who on seeing him again, and feeling his teeth chatter and his legs sink under him, drew back, and only stopped when he found a table to support his clinched hand. "Fernand," cried he, "of my hundred names I need only tell you one, to overwhelm you! But you guess it now, do you not? — or, rather, you remember it? For, notwithstanding all my sorrows and my tortures, I show you to-day a face which the happiness of revenge makes young again — a face you must often have seen in your dreams since your marriage with Mercedes, my betrothed!" The general, with his head thrown back, hands extended, gaze fixed, looked silently at this dreadful apparition; then seeking the wall to support him, he glided along close to it until he reached the door, through which he went out backwards, uttering this single mournful, lamentable, distressing cry, — "Edmond Dantes!" Then, with sighs which were unlike any human sound, he dragged himself to the door, reeled across the court-yard, and falling into the arms of his valet, he said in a voice scarcely intelligible, — "Home, home." The fresh air and the shame he felt at having exposed himself before his servants, partly recalled his senses, but the ride was short, and as he drew near his house all his wretchedness revived. He stopped at a short distance from the house and alighted. The door was wide open, a hackney-coach was standing in thehouse and alighted. The door was wide open, a hackney-coach was standing in the middle of the yard — a strange sight before so noble a mansion; the count looked at it with terror, but without daring to inquire its meaning, he rushed towards his apartment. Two persons were coming down the stairs; he had only time to creep into an alcove to avoid them. It was Mercedes leaning on her son's arm and leaving the house. They passed close by the unhappy being, who, concealed behind the damask curtain, almost felt Mercedes dress brush past him, and his son's warm breath, pronouncing these words, — "Courage, mother! Come, this is no longer our home!" The words died away, the steps were lost in the distance. The general drew himself up, clinging to the curtain; he uttered the most dreadful sob which ever escaped from the bosom of a father abandoned at the same time by his wife and son. He soon heard the clatter of the iron step of the hackney-coach, then the coachman's voice, and then the rolling of the heavy vehicle shook the windows. He darted to his bedroom to see once more all he had loved in the world; but the hackney-coach drove on and the head of neither Mercedes nor her son appeared at the window to take a last look at the house or the deserted father and husband. And at the very moment when the wheels of that coach crossed the gateway a report was heard, and a thick smoke escaped through one of the panes of the window, which was broken by the explosion.We may easily conceive where Morrel's appointment was. On leaving Monte Cristo he walked slowly towards Villefort's; we say slowly, for Morrel had more than half an hour to spare to go five hundred steps, but he had hastened to take leave of Monte Cristo because he wished to be alone with his thoughts. He knew his time well — the hour when Valentine was giving Noirtier his breakfast, and was sure not to be disturbed in the performance of this pious duty. Noirtier and Valentine had given him leave to go twice a week, and he was now availing himself of that permission. He had arrived; Valentine was expecting him. Uneasy and almost crazed, she seized his hand and led him to her grandfather. This uneasiness, amounting almost to frenzy, arose from the report Morcerf's adventure had made in the world, for the affair at the opera was generally known. No one at Villefort's doubted that a duel would ensue from it. Valentine, with her woman's instinct, guessed that Morrel would be Monte Cristo's second, and from the young man's well-known courage and his great affection for the count, she feared that he would not content himself with the passive part assigned to him. We may easily understand how eagerly the particulars were asked for, given, and received; and Morrel could read an indescribable joy in the eyes of his beloved, when she knew that the termination of this affair was as happy as it was unexpected. "Now," said Valentine, motioning to Morrel to sit down near her grandfather, while she took her seat on his footstool, — "now let us talk about our own affairs. You know, Maximilian, grandpapa once thought of leaving this house, and taking an apartment away from M. de Villefort's." "Yes," said Maximilian, "I recollect the project, of which I highly approved." "Well," said Valentine, "you may approve again, for grandpapa is again thinking of it." "Bravo," said Maximilian. "And do you know," said Valentine, "what reason grandpapa gives for leaving this house." Noirtier looked at Valentine to imposefor leaving this house." Noirtier looked at Valentine to impose silence, but she did not notice him; her looks, her eyes, her smile, were all for Morrel. "Oh, whatever may be M. Noirtier's reason," answered Morrel, "I can readily believe it to be a good one." "An excellent one," said Valentine. "He pretends the air of the Faubourg St. Honore is not good for me." "Indeed?" said Morrel; "in that M. Noirtier may be right; you have not seemed to be well for the last fortnight." "Not very," said Valentine. "And grandpapa has become my physician, and I have the greatest confidence in him, because he knows everything." "Do you then really suffer?" asked Morrel quickly. "Oh, it must not be called suffering; I feel a general uneasiness, that is all. I have lost my appetite, and my stomach feels as if it were struggling to get accustomed to something." Noirtier did not lose a word of what Valentine said. "And what treatment do you adopt for this singular complaint?" "A very simple one," said Valentine. "I swallow every morning a spoonful of the mixture prepared for my grandfather. When I say one spoonful, I began by one — now I take four. Grandpapa says it is a panacea." Valentine smiled, but it was evident that she suffered. Maximilian, in his devotedness, gazed silently at her. She was very beautiful, but her usual pallor had increased; her eyes were more brilliant than ever, and her hands, which were generally white like mother-of-pearl, now more resembled wax, to which time was adding a yellowish hue. From Valentine the young man looked towards Noirtier. The latter watched with strange and deep interest the young girl, absorbed by her affection, and he also, like Morrel, followed those traces of inward suffering which was so little perceptible to a common observer that they escaped the notice of every one but the grandfather and the lover. "But," said Morrel, "I thought this mixture, of which you now take four spoonfuls, was prepared for M. Noirtier?" "I know it is very bitter," said Valentine; "so bitter, that all

"I know it is very bitter," said Valentine; "so bitter, that all I drink afterwards appears to have the same taste." Noirtier looked inquiringly at his granddaughter. "Yes, grandpapa," said Valentine; "it is so. Just now, before I came down to you, I drank a glass of sugared water; I left half, because it seemed so bitter." Noirtier turned pale, and made a sign that he wished to speak. Valentine rose to fetch the dictionary. Noirtier watched her with evident anguish. In fact, the blood was rushing to the young girl's head already, her cheeks were becoming red. "Oh," cried she, without losing any of her cheerfulness, "this is singular! I can't see! Did the sun shine in my eyes?" And she leaned against the window. "The sun is not shining," said Morrel, more alarmed by Noirtier's expression than by Valentine's indisposition. He ran towards her. The young girl smiled. "Cheer up," said she to Noirtier. "Do not be alarmed, Maximilian; it is nothing, and has already passed away. But listen! Do I not hear a carriage in the court-yard?" She opened Noirtier's door, ran to a window in the passage, and returned hastily. "Yes," said she, "it is Madame Danglars and her daughter, who have come to call on us. Good-by; — I must run away, for they would send here for me, or, rather, farewell till I see you again. Stay with grandpapa, Maximilian; I promise you not to persuade them to stay." Morrel watched her as she left the room; he heard her ascend the little staircase which led both to Madame de Villefort's apartments and to hers. As soon as she was gone, Noirtier made a sign to Morrel to take the dictionary. Morrel obeyed; guided by Valentine, he had learned how to understand the old man quickly. Accustomed, however, as he was to the work, he had to repeat most of the letters of the alphabet and to find every word in the dictionary, so that it was ten minutes before the thought of the old man was translated by these words, "Fetch the glass of water and the decanter from Valentine's room."translated by these words, "Fetch the glass of water and the decanter from Valentine's room." Morrel rang immediately for the servant who had taken Barrois's situation, and in Noirtier's name gave that order. The servant soon returned. The decanter and the glass were completely empty. Noirtier made a sign that he wished to speak. "Why are the glass and decanter empty?" asked he; "Valentine said she only drank half the glassful." The translation of this new question occupied another five minutes. "I do not know," said the servant, "but the housemaid is in Mademoiselle Valentine's room: perhaps she has emptied them." "Ask her," said Morrel, translating Noirtier's thought this time by his look. The servant went out, but returned almost immediately. "Mademoiselle Valentine passed through the room to go to Madame de Villefort's," said he; "and in passing, as she was thirsty, she drank what remained in the glass; as for the decanter, Master Edward had emptied that to make a pond for his ducks." Noirtier raised his eyes to heaven, as a gambler does who stakes his all on one stroke. From that moment the old man's eyes were fixed on the door, and did not quit it. It was indeed Madame Danglars and her daughter whom Valentine had seen; they had been ushered into Madame de Villefort's room, who had said she would receive them there. That is why Valentine passed through her room, which was on a level with Valentine's, and only separated from it by Edward's. The two ladies entered the drawing-room with that sort of official stiffness which preludes a formal communication. Among worldly people manner is contagious. Madame de Villefort received them with equal solemnity. Valentine entered at this moment, and the formalities were resumed. "My dear friend," said the baroness, while the two young people were shaking hands, "I and Eugenie are come to be the first to announce to you the approaching marriage of my daughter with Prince Cavalcanti." Danglars kept up the title of prince. The popular banker found thatDanglars kept up the title of prince. The popular banker found that it answered better than count. "Allow me to present you my sincere congratulations," replied Madame de Villefort. "Prince Cavalcanti appears to be a young man of rare qualities." "Listen," said the baroness, smiling; "speaking to you as a friend I can say that the prince does not yet appear all he will be. He has about him a little of that foreign manner by which French persons recognize, at first sight, the Italian or German nobleman. Besides, he gives evidence of great kindness of disposition, much keenness of wit, and as to suitability, M. Danglars assures me that his fortune is majestic — that is his word." "And then," said Eugenie, while turning over the leaves of Madame de Villefort's album, "add that you have taken a great fancy to the young man." "And," said Madame de Villefort, "I need not ask you if you share that fancy." "I?" replied Eugenie with her usual candor. "Oh, not the least in the world, madame! My wish was not to confine myself to domestic cares, or the caprices of any man, but to be an artist, and consequently free in heart, in person, and in thought." Eugenie pronounced these words with so firm a tone that the color mounted to Valentine's cheeks. The timid girl could not understand that vigorous nature which appeared to have none of the timidities of woman. "At any rate," said she, "since I am to be married whether I will or not, I ought to be thankful to providence for having released me from my engagement with M. Albert de Morcerf, or I should this day have been the wife of a dishonored man." "It is true," said the baroness, with that strange simplicity sometimes met with among fashionable ladies, and of which plebeian intercourse can never entirely deprive them, — "it is very true that had not the Morcerfs hesitated, my daughter would have married Monsieur Albert. The general depended much on it; he even came to force M. Danglars. We have had a narrow escape." "But," said Valentine, timidly, "does all the father's shame

"But," said Valentine, timidly, "does all the father's shame revert upon the son? Monsieur Albert appears to me quite innocent of the treason charged against the general." "Excuse me," said the implacable young girl, "Monsieur Albert claims and well deserves his share. It appears that after having challenged M. de Monte Cristo at the Opera yesterday, he apologized on the ground to-day." "Impossible," said Madame de Villefort. "Ah, my dear friend," said Madame Danglars, with the same simplicity we before noticed, "it is a fact. I heard it from M. Debray, who was present at the explanation." Valentine also knew the truth, but she did not answer. A single word had reminded her that Morrel was expecting her in M. Noirtier's room. Deeply engaged with a sort of inward contemplation, Valentine had ceased for a moment to join in the conversation. She would, indeed, have found it impossible to repeat what had been said the last few minutes, when suddenly Madame Danglars' hand, pressed on her arm, aroused her from her lethargy. "What is it?" said she, starting at Madame Danglars' touch as she would have done from an electric shock. "It is, my dear Valentine," said the baroness, "that you are, doubtless, suffering." "I?" said the young girl, passing her hand across her burning forehead. "Yes, look at yourself in that glass; you have turned pale and then red successively, three or four times in one minute." "Indeed," cried Eugenie, "you are very pale!" "Oh, do not be alarmed; I have been so for many days." Artless as she was, the young girl knew that this was an opportunity to leave, and besides, Madame de Villefort came to her assistance. "Retire, Valentine," said she; "you are really suffering, and these ladies will excuse you; drink a glass of pure water, it will restore you." Valentine kissed Eugenie, bowed to Madame Danglars, who had already risen to take her leave, and went out. "That poor child," said Madame de Villefort when Valentine was gone, "she makes me very uneasy, and I should not be astonished if she hadmakes me very uneasy, and I should not be astonished if she had some serious illness." Meanwhile, Valentine, in a sort of excitement which she could not quite understand, had crossed Edward's room without noticing some trick of the child, and through her own had reached the little staircase. She was within three steps of the bottom; she already heard Morrel's voice, when suddenly a cloud passed over her eyes, her stiffened foot missed the step, her hands had no power to hold the baluster, and falling against the wall she lost her balance wholly and toppled to the floor. Morrel bounded to the door, opened it, and found Valentine stretched out at the bottom of the stairs. Quick as a flash, he raised her in his arms and placed her in a chair. Valentine opened her eyes. "Oh, what a clumsy thing I am," said she with feverish volubility; "I don't know my way. I forgot there were three more steps before the landing." "You have hurt yourself, perhaps," said Morrel. "What can I do for you, Valentine?" Valentine looked around her; she saw the deepest terror depicted in Noirtier's eyes. "Don't worry, dear grandpapa," said she, endeavoring to smile; "it is nothing — it is nothing; I was giddy, that is all." "Another attack of giddiness," said Morrel, clasping his hands. "Oh, attend to it, Valentine, I entreat you." "But no," said Valentine, — "no, I tell you it is all past, and it was nothing. Now, let me tell you some news; Eugenie is to be married in a week, and in three days there is to be a grand feast, a betrothal festival. We are all invited, my father, Madame de Villefort, and I — at least, I understood it so." "When will it be our turn to think of these things? Oh, Valentine, you who have so much influence over your grandpapa, try to make him answer — Soon." "And do you," said Valentine, "depend on me to stimulate the tardiness and arouse the memory of grandpapa?" "Yes," cried Morrel, "make haste. So long as you are not mine, Valentine, I shall always think I may lose you."Valentine, I shall always think I may lose you." "Oh," replied Valentine with a convulsive movement, "oh, indeed, Maximilian, you are too timid for an officer, for a soldier who, they say, never knows fear. Ah, ha, ha!" she burst into a forced and melancholy laugh, her arms stiffened and twisted, her head fell back on her chair, and she remained motionless. The cry of terror which was stopped on Noirtier's lips, seemed to start from his eyes. Morrel understood it; he knew he must call assistance. The young man rang the bell violently; the housemaid who had been in Mademoiselle Valentine's room, and the servant who had replaced Barrois, ran in at the same moment. Valentine was so pale, so cold, so inanimate that without listening to what was said to them they were seized with the fear which pervaded that house, and they flew into the passage crying for help. Madame Danglars and Eugenie were going out at that moment; they heard the cause of the disturbance. "I told you so!" exclaimed Madame de Villefort. "Poor child!"We saw in a preceding chapter how Madame Danglars went formally to announce to Madame de Villefort the approaching marriage of Eugenie Danglars and M. Andrea Cavalcanti. This announcement, which implied or appeared to imply, the approval of all the persons concerned in this momentous affair, had been preceded by a scene to which our readers must be admitted. We beg them to take one step backward, and to transport themselves, the morning of that day of great catastrophes, into the showy, gilded salon we have before shown them, and which was the pride of its owner, Baron Danglars. In this room, at about ten o'clock in the morning, the banker himself had been walking to and fro for some minutes thoughtfully and in evident uneasiness, watching both doors, and listening to every sound. When his patience was exhausted, he called his valet. "Etienne," said he, "see why Mademoiselle Eugenie has asked me to meet her in the drawing-room, and why she makes me wait so long." Having given this vent to his ill-humor, the baron became more calm; Mademoiselle Danglars had that morning requested an interview with her father, and had fixed on the gilded drawing-room as the spot. The singularity of this step, and above all its formality, had not a little surprised the banker, who had immediately obeyed his daughter by repairing first to the drawing-room. Etienne soon returned from his errand. "Mademoiselle's lady's maid says, sir, that mademoiselle is finishing her toilette, and will be here shortly." Danglars nodded, to signify that he was satisfied. To the world and to his servants Danglars assumed the character of the good-natured man and the indulgent father. This was one of his parts in the popular comedy he was performing, — a make-up he had adopted and which suited him about as well as the masks worn on the classic stage by paternal actors, who seen from one side, were the image of geniality, and from the other showed lips drawn down in chronic ill-temper. Let us hasten to say that in private the genial

chronic ill-temper. Let us hasten to say that in private the genial side descended to the level of the other, so that generally the indulgent man disappeared to give place to the brutal husband and domineering father. "Why the devil does that foolish girl, who pretends to wish to speak to me, not come into my study? and why on earth does she want to speak to me at all?" He was turning this thought over in his brain for the twentieth time, when the door opened and Eugenie appeared, attired in a figured black satin dress, her hair dressed and gloves on, as if she were going to the Italian Opera. "Well, Eugenie, what is it you want with me? and why in this solemn drawing-room when the study is so comfortable?" "I quite understand why you ask, sir," said Eugenie, making a sign that her father might be seated, "and in fact your two questions suggest fully the theme of our conversation. I will answer them both, and contrary to the usual method, the last first, because it is the least difficult. I have chosen the drawing-room, sir, as our place of meeting, in order to avoid the disagreeable impressions and influences of a banker's study. Those gilded cashbooks, drawers locked like gates of fortresses, heaps of bank-bills, come from I know not where, and the quantities of letters from England, Holland, Spain, India, China, and Peru, have generally a strange influence on a father's mind, and make him forget that there is in the world an interest greater and more sacred than the good opinion of his correspondents. I have, therefore, chosen this drawing-room, where you see, smiling and happy in their magnificent frames, your portrait, mine, my mother's, and all sorts of rural landscapes and touching pastorals. I rely much on external impressions; perhaps, with regard to you, they are immaterial, but I should be no artist if I had not some fancies." "Very well," replied M. Danglars, who had listened to all this preamble with imperturbable coolness, but without understanding apreamble with imperturbable coolness, but without understanding a word, since like every man burdened with thoughts of the past, he was occupied with seeking the thread of his own ideas in those of the speaker. "There is, then, the second point cleared up, or nearly so," said Eugenie, without the least confusion, and with that masculine pointedness which distinguished her gesture and her language; "and you appear satisfied with the explanation. Now, let us return to the first. You ask me why I have requested this interview; I will tell you in two words, sir; I will not marry count Andrea Cavalcanti." Danglars leaped from his chair and raised his eyes and arms towards heaven. "Yes, indeed, sir," continued Eugenie, still quite calm; "you are astonished, I see; for since this little affair began, I have not manifested the slightest opposition, and yet I am always sure, when the opportunity arrives, to oppose a determined and absolute will to people who have not consulted me, and things which displease me. However, this time, my tranquillity, or passiveness as philosophers say, proceeded from another source; it proceeded from a wish, like a submissive and devoted daughter" (a slight smile was observable on the purple lips of the young girl), "to practice obedience." "Well?" asked Danglars. "Well, sir," replied Eugenie, "I have tried to the very last and now that the moment has come, I feel in spite of all my efforts that it is impossible." "But," said Danglars, whose weak mind was at first quite overwhelmed with the weight of this pitiless logic, marking evident premeditation and force of will, "what is your reason for this refusal, Eugenie? what reason do you assign?" "My reason?" replied the young girl. "Well, it is not that the man is more ugly, more foolish, or more disagreeable than any other; no, M. Andrea Cavalcanti may appear to those who look at men's faces and figures as a very good specimen of his kind. It is not, either, that my heart is less touched by him than any other;not, either, that my heart is less touched by him than any other; that would be a schoolgirl's reason, which I consider quite beneath me. I actually love no one, sir; you know it, do you not? I do not then see why, without real necessity, I should encumber my life with a perpetual companion. Has not some sage said, `Nothing too much'? and another, `I carry all my effects with me'? I have been taught these two aphorisms in Latin and in Greek; one is, I believe, from Phaedrus, and the other from Bias. Well, my dear father, in the shipwreck of life — for life is an eternal shipwreck of our hopes — I cast into the sea my useless encumbrance, that is all, and I remain with my own will, disposed to live perfectly alone, and consequently perfectly free." "Unhappy girl, unhappy girl!" murmured Danglars, turning pale, for he knew from long experience the solidity of the obstacle he had so suddenly encountered. "Unhappy girl," replied Eugenie, "unhappy girl, do you say, sir? No, indeed; the exclamation appears quite theatrical and affected. Happy, on the contrary, for what am I in want of! The world calls me beautiful. It is something to be well received. I like a favorable reception; it expands the countenance, and those around me do not then appear so ugly. I possess a share of wit, and a certain relative sensibility, which enables me to draw from life in general, for the support of mine, all I meet with that is good, like the monkey who cracks the nut to get at its contents. I am rich, for you have one of the first fortunes in France. I am your only daughter, and you are not so exacting as the fathers of the Porte Saint-Martin and Gaiete, who disinherit their daughters for not giving them grandchildren. Besides, the provident law has deprived you of the power to disinherit me, at least entirely, as it has also of the power to compel me to marry Monsieur This or Monsieur That. And so — being, beautiful, witty, somewhat talented, as the comic operas say, and rich — and that is happiness, sir —

as the comic operas say, and rich — and that is happiness, sir — why do you call me unhappy?" Danglars, seeing his daughter smiling, and proud even to insolence, could not entirely repress his brutal feelings, but they betrayed themselves only by an exclamation. Under the fixed and inquiring gaze levelled at him from under those beautiful black eyebrows, he prudently turned away, and calmed himself immediately, daunted by the power of a resolute mind. "Truly, my daughter," replied he with a smile, "you are all you boast of being, excepting one thing; I will not too hastily tell you which, but would rather leave you to guess it." Eugenie looked at Danglars, much surprised that one flower of her crown of pride, with which she had so superbly decked herself, should be disputed. "My daughter," continued the banker, "you have perfectly explained to me the sentiments which influence a girl like you, who is determined she will not marry; now it remains for me to tell you the motives of a father like me, who has decided that his daughter shall marry." Eugenie bowed, not as a submissive daughter, but as an adversary prepared for a discussion. "My daughter," continued Danglars, "when a father asks his daughter to choose a husband, he has always some reason for wishing her to marry. Some are affected with the mania of which you spoke just now, that of living again in their grandchildren. This is not my weakness, I tell you at once; family joys have no charm for me. I may acknowledge this to a daughter whom I know to be philosophical enough to understand my indifference, and not to impute it to me as a crime." "This is not to the purpose," said Eugenie; "let us speak candidly, sir; I admire candor." "Oh," said Danglars, "I can, when circumstances render it desirable, adopt your system, although it may not be my general practice. I will therefore proceed. I have proposed to you to marry, not for your sake, for indeed I did not think of you in the least at the moment (you admire candor, and will now be satisfied,least at the moment (you admire candor, and will now be satisfied, I hope); but because it suited me to marry you as soon as possible, on account of certain commercial speculations I am desirous of entering into." Eugenie became uneasy. "It is just as I tell you, I assure you, and you must not be angry with me, for you have sought this disclosure. I do not willingly enter into arithmetical explanations with an artist like you, who fears to enter my study lest she should imbibe disagreeable or anti-poetic impressions and sensations. But in that same banker's study, where you very willingly presented yourself yesterday to ask for the thousand francs I give you monthly for pocket-money, you must know, my dear young lady, that many things may be learned, useful even to a girl who will not marry. There one may learn, for instance, what, out of regard to your nervous susceptibility, I will inform you of in the drawing-room, namely, that the credit of a banker is his physical and moral life; that credit sustains him as breath animates the body; and M. de Monte Cristo once gave me a lecture on that subject, which I have never forgotten. There we may learn that as credit sinks, the body becomes a corpse, and this is what must happen very soon to the banker who is proud to own so good a logician as you for his daughter." But Eugenie, instead of stooping, drew herself up under the blow. "Ruined?" said she. "Exactly, my daughter; that is precisely what I mean," said Danglars, almost digging his nails into his breast, while he preserved on his harsh features the smile of the heartless though clever man; "ruined — yes, that is it." "Ah!" said Eugenie. "Yes, ruined! Now it is revealed, this secret so full of horror, as the tragic poet says. Now, my daughter, learn from my lips how you may alleviate this misfortune, so far as it will affect you." "Oh," cried Eugenie, "you are a bad physiognomist, if you imagine I deplore on my own account the catastrophe of which youimagine I deplore on my own account the catastrophe of which you warn me. I ruined? and what will that signify to me? Have I not my talent left? Can I not, like Pasta, Malibran, Grisi, acquire for myself what you would never have given me, whatever might have been your fortune, a hundred or a hundred and fifty thousand livres per annum, for which I shall be indebted to no one but myself; and which, instead of being given as you gave me those poor twelve thousand francs, with sour looks and reproaches for my prodigality, will be accompanied with acclamations, with bravos, and with flowers? And if I do not possess that talent, which your smiles prove to me you doubt, should I not still have that ardent love of independence, which will be a substitute for wealth, and which in my mind supersedes even the instinct of self-preservation? No, I grieve not on my own account, I shall always find a resource; my books, my pencils, my piano, all the things which cost but little, and which I shall be able to procure, will remain my own. "Do you think that I sorrow for Madame Danglars? Undeceive yourself again; either I am greatly mistaken, or she has provided against the catastrophe which threatens you, and, which will pass over without affecting her. She has taken care for herself, — at least I hope so, — for her attention has not been diverted from her projects by watching over me. She has fostered my independence by professedly indulging my love for liberty. Oh, no, sir; from my childhood I have seen too much, and understood too much, of what has passed around me, for misfortune to have an undue power over me. From my earliest recollections, I have been beloved by no one — so much the worse; that has naturally led me to love no one — so much the better — now you have my profession of faith." "Then," said Danglars, pale with anger, which was not at all due to offended paternal love, — "then, mademoiselle, you persist in your determination to accelerate my ruin?" "Your ruin? I accelerate your ruin? What do you mean? I do not

"Your ruin? I accelerate your ruin? What do you mean? I do not understand you." "So much the better, I have a ray of hope left; listen." "I am all attention," said Eugenie, looking so earnestly at her father that it was an effort for the latter to endure her unrelenting gaze. "M. Cavalcanti," continued Danglars, "is about to marry you, and will place in my hands his fortune, amounting to three million livres." "That is admirable!" said Eugenie with sovereign contempt, smoothing her gloves out one upon the other. "You think I shall deprive you of those three millions," said Danglars; "but do not fear it. They are destined to produce at least ten. I and a brother banker have obtained a grant of a railway, the only industrial enterprise which in these days promises to make good the fabulous prospects that Law once held out to the eternally deluded Parisians, in the fantastic Mississippi scheme. As I look at it, a millionth part of a railway is worth fully as much as an acre of waste land on the banks of the Ohio. We make in our case a deposit, on a mortgage, which is an advance, as you see, since we gain at least ten, fifteen, twenty, or a hundred livres' worth of iron in exchange for our money. Well, within a week I am to deposit four millions for my share; the four millions, I promise you, will produce ten or twelve." "But during my visit to you the day before yesterday, sir, which you appear to recollect so well," replied Eugenie, "I saw you arranging a deposit — is not that the term? — of five millions and a half; you even pointed it out to me in two drafts on the treasury, and you were astonished that so valuable a paper did not dazzle my eyes like lightning." "Yes, but those five millions and a half are not mine, and are only a proof of the great confidence placed in me; my title of popular banker has gained me the confidence of charitable institutions, and the five millions and a half belong to them; at any other time I should not have hesitated to make use of them, butany other time I should not have hesitated to make use of them, but the great losses I have recently sustained are well known, and, as I told you, my credit is rather shaken. That deposit may be at any moment withdrawn, and if I had employed it for another purpose, I should bring on me a disgraceful bankruptcy. I do not despise bankruptcies, believe me, but they must be those which enrich, not those which ruin. Now, if you marry M. Cavalcanti, and I get the three millions, or even if it is thought I am going to get them, my credit will be restored, and my fortune, which for the last month or two has been swallowed up in gulfs which have been opened in my path by an inconceivable fatality, will revive. Do you understand me?" "Perfectly; you pledge me for three millions, do you not?" "The greater the amount, the more flattering it is to you; it gives you an idea of your value." "Thank you. One word more, sir; do you promise me to make what use you can of the report of the fortune M. Cavalcanti will bring without touching the money? This is no act of selfishness, but of delicacy. I am willing to help rebuild your fortune, but I will not be an accomplice in the ruin of others." "But since I tell you," cried Danglars, "that with these three million" — "Do you expect to recover your position, sir, without touching those three million?" "I hope so, if the marriage should take place and confirm my credit." "Shall you be able to pay M. Cavalcanti the five hundred thousand francs you promise for my dowry?" "He shall receive them on returning from the mayor's."* (* The performance of the civil marriage.) "Very well!" "What next? what more do you want?" "I wish to know if, in demanding my signature, you leave me entirely free in my person?" "Absolutely." "Then, as I said before, sir, — very well; I am ready to marry M. Cavalcanti." "But what are you up to?" "Ah, that is my affair. What advantage should I have over you, if knowing your secret I were to tell you mine?" Danglars bit hisif knowing your secret I were to tell you mine?" Danglars bit his lips. "Then," said he, "you are ready to pay the official visits, which are absolutely indispensable?" "Yes," replied Eugenie. "And to sign the contract in three days?" "Yes." "Then, in my turn, I also say, very well!" Danglars pressed his daughter's hand in his. But, extraordinary to relate, the father did not say, "Thank you, my child," nor did the daughter smile at her father. "Is the conference ended?" asked Eugenie, rising. Danglars motioned that he had nothing more to say. Five minutes afterwards the piano resounded to the touch of Mademoiselle d'Armilly's fingers, and Mademoiselle Danglars was singing Brabantio's malediction on Desdemona. At the end of the piece Etienne entered, and announced to Eugenie that the horses were in the carriage, and that the baroness was waiting for her to pay her visits. We have seen them at Villefort's; they proceeded then on their course.And now let us leave Mademoiselle Danglars and her friend pursuing their way to Brussels, and return to poor Andrea Cavalcanti, so inopportunely interrupted in his rise to fortune. Notwithstanding his youth, Master Andrea was a very skilful and intelligent boy. We have seen that on the first rumor which reached the salon he had gradually approached the door, and crossing two or three rooms at last disappeared. But we have forgotten to mention one circumstance, which nevertheless ought not to be omitted; in one of the rooms he crossed, the trousseau of the bride-elect was on exhibition. There were caskets of diamonds, cashmere shawls, Valenciennes lace, English veilings, and in fact all the tempting things, the bare mention of which makes the hearts of young girls bound with joy, and which is called the "corbeille."* Now, in passing through this room, Andrea proved himself not only to be clever and intelligent, but also provident, for he helped himself to the most valuable of the ornaments before him. (* Literally, "the basket," because wedding gifts were originally brought in such a receptacle.) Furnished with this plunder, Andrea leaped with a lighter heart from the window, intending to slip through the hands of the gendarmes. Tall and well proportioned as an ancient gladiator, and muscular as a Spartan, he walked for a quarter of an hour without knowing where to direct his steps, actuated by the sole idea of getting away from the spot where if he lingered he knew that he would surely be taken. Having passed through the Rue Mont Blanc, guided by the instinct which leads thieves always to take the safest path, he found himself at the end of the Rue Lafayette. There he stopped, breathless and panting. He was quite alone; on one side was the vast wilderness of the Saint-Lazare, on the other, Paris enshrouded in darkness. "Am I to be captured?" he cried; "no, not if I can use more activity than my enemies. My safety is now a mere question of speed." At this moment he saw a cab at the top of

mere question of speed." At this moment he saw a cab at the top of the Faubourg Poissonniere. The dull driver, smoking his pipe, was plodding along toward the limits of the Faubourg Saint-Denis, where no doubt he ordinarily had his station. "Ho, friend!" said Benedetto. "What do you want, sir?" asked the driver. "Is your horse tired?" "Tired? oh, yes, tired enough — he has done nothing the whole of this blessed day! Four wretched fares, and twenty sous over, making in all seven francs, are all that I have earned, and I ought to take ten to the owner." "Will you add these twenty francs to the seven you have?" "With pleasure, sir; twenty francs are not to be despised. Tell me what I am to do for this." "A very easy thing, if your horse isn't tired." "I tell you he'll go like the wind, — only tell me which way to drive." "Towards the Louvres." "Ah, I know the way — you get good sweetened rum over there." "Exactly so; I merely wish to overtake one of my friends, with whom I am going to hunt to-morrow at Chapelle-en-Serval. He should have waited for me here with a cabriolet till half-past eleven; it is twelve, and, tired of waiting, he must have gone on." "It is likely." "Well, will you try and overtake him?" "Nothing I should like better." "If you do not overtake him before we reach Bourget you shall have twenty francs; if not before Louvres, thirty." "And if we do overtake him?" "Forty," said Andrea, after a moment's hesitation, at the end of which he remembered that he might safely promise. "That's all right," said the man; "hop in, and we're off! Who-o-o-p, la!" Andrea got into the cab, which passed rapidly through the Faubourg Saint-Denis, along the Faubourg Saint-Martin, crossed the barrier, and threaded its way through the interminable Villette. They never overtook the chimerical friend, yet Andrea frequently inquired of people on foot whom he passed and at the inns which were not yet closed, for a green cabriolet and bay horse; and as there are a great many cabriolets to be seen on the road to the Lowthere are a great many cabriolets to be seen on the road to the Low Countries, and as nine-tenths of them are green, the inquiries increased at every step. Every one had just seen it pass; it was only five hundred, two hundred, one hundred steps in advance; at length they reached it, but it was not the friend. Once the cab was also passed by a calash rapidly whirled along by two post-horses. "Ah," said Cavalcanti to himself, "if I only had that britzska, those two good post-horses, and above all the passport that carries them on!" And he sighed deeply. The calash contained Mademoiselle Danglars and Mademoiselle d'Armilly. "Hurry, hurry!" said Andrea, "we must overtake him soon." And the poor horse resumed the desperate gallop it had kept up since leaving the barrier, and arrived steaming at Louvres. "Certainly," said Andrea, "I shall not overtake my friend, but I shall kill your horse, therefore I had better stop. Here are thirty francs; I will sleep at the Red Horse, and will secure a place in the first coach. Good-night, friend." And Andrea, after placing six pieces of five francs each in the man's hand, leaped lightly on to the pathway. The cabman joyfully pocketed the sum, and turned back on his road to Paris. Andrea pretended to go towards the Red Horse inn, but after leaning an instant against the door, and hearing the last sound of the cab, which was disappearing from view, he went on his road, and with a lusty stride soon traversed the space of two leagues. Then he rested; he must be near Chapelle-en-Serval, where he pretended to be going. It was not fatigue that stayed Andrea here; it was that he might form some resolution, adopt some plan. It would be impossible to make use of a diligence, equally so to engage post-horses; to travel either way a passport was necessary. It was still more impossible to remain in the department of the Oise, one of the most open and strictly guarded in France; this was quite out of the question, especially to a man like Andrea, perfectly conversant with criminal matters.perfectly conversant with criminal matters. He sat down by the side of the moat, buried his face in his hands and reflected. Ten minutes after he raised his head; his resolution was made. He threw some dust over the topcoat, which he had found time to unhook from the ante-chamber and button over his ball costume, and going to Chapelle-en-Serval he knocked loudly at the door of the only inn in the place. The host opened. "My friend," said Andrea, "I was coming from Montefontaine to Senlis, when my horse, which is a troublesome creature, stumbled and threw me. I must reach Compiegne to-night, or I shall cause deep anxiety to my family. Could you let me hire a horse of you?" An inn-keeper has always a horse to let, whether it be good or bad. The host called the stable-boy, and ordered him to saddle "Whitey," then he awoke his son, a child of seven years, whom he ordered to ride before the gentleman and bring back the horse. Andrea gave the inn-keeper twenty francs, and in taking them from his pocket dropped a visiting card. This belonged to one of his friends at the Cafe de Paris, so that the innkeeper, picking it up after Andrea had left, was convinced that he had let his horse to the Count of Mauleon, 25 Rue Saint-Dominique, that being the name and address on the card. "Whitey" was not a fast animal, but he kept up an easy, steady pace; in three hours and a half Andrea had traversed the nine leagues which separated him from Compiegne, and four o'clock struck as he reached the place where the coaches stop. There is an excellent tavern at Compiegne, well remembered by those who have ever been there. Andrea, who had often stayed there in his rides about Paris, recollected the Bell and Bottle inn; he turned around, saw the sign by the light of a reflected lamp, and having dismissed the child, giving him all the small coin he had about him, he began knocking at the door, very reasonably concluding that having now three or four hours before him he had best fortify

having now three or four hours before him he had best fortify himself against the fatigues of the morrow by a sound sleep and a good supper. A waiter opened the door. "My friend," said Andrea, "I have been dining at Saint-Jean-au-Bois, and expected to catch the coach which passes by at midnight, but like a fool I have lost my way, and have been walking for the last four hours in the forest. Show me into one of those pretty little rooms which overlook the court, and bring me a cold fowl and a bottle of Bordeaux." The waiter had no suspicions; Andrea spoke with perfect composure, he had a cigar in his mouth, and his hands in the pocket of his top coat; his clothes were fashionably made, his chin smooth, his boots irreproachable; he looked merely as if he had stayed out very late, that was all. While the waiter was preparing his room, the hostess arose; Andrea assumed his most charming smile, and asked if he could have No. 3, which he had occupied on his last stay at Compiegne. Unfortunately, No. 3 was engaged by a young man who was travelling with his sister. Andrea appeared in despair, but consoled himself when the hostess assured him that No. 7, prepared for him, was situated precisely the same as No. 3, and while warming his feet and chatting about the last races at Chantilly, he waited until they announced his room to be ready. Andrea had not spoken without cause of the pretty rooms looking out upon the court of the Bell Tavern, which with its triple galleries like those of a theatre, with the jessamine and clematis twining round the light columns, forms one of the prettiest entrances to an inn that you can imagine. The fowl was tender, the wine old, the fire clear and sparkling, and Andrea was surprised to find himself eating with as good an appetite as though nothing had happened. Then he went to bed and almost immediately fell into that deep sleep which is sure to visit men of twenty years of age, even when they are torn with remorse. Now, here we are obliged to ownwhen they are torn with remorse. Now, here we are obliged to own that Andrea ought to have felt remorse, but that he did not. This was the plan which had appealed to him to afford the best chance of his security. Before daybreak he would awake, leave the inn after rigorously paying his bill, and reaching the forest, he would, under pretence of making studies in painting, test the hospitality of some peasants, procure himself the dress of a woodcutter and a hatchet, casting off the lion's skin to assume that of the woodman; then, with his hands covered with dirt, his hair darkened by means of a leaden comb, his complexion embrowned with a preparation for which one of his old comrades had given him the recipe, he intended, by following the wooded districts, to reach the nearest frontier, walking by night and sleeping in the day in the forests and quarries, and only entering inhabited regions to buy a loaf from time to time. Once past the frontier, Andrea proposed making money of his diamonds; and by uniting the proceeds to ten bank-notes he always carried about with him in case of accident, he would then find himself possessor of about 50,000 livres, which he philosophically considered as no very deplorable condition after all. Moreover, he reckoned much on the interest of the Danglars to hush up the rumor of their own misadventures. These were the reasons which, added to the fatigue, caused Andrea to sleep so soundly. In order that he might awaken early he did not close the shutters, but contented himself with bolting the door and placing on the table an unclasped and long-pointed knife, whose temper he well knew, and which was never absent from him. About seven in the morning Andrea was awakened by a ray of sunlight, which played, warm and brilliant, upon his face. In all well-organized brains, the predominating idea — and there always is one — is sure to be the last thought before sleeping, and the first upon waking in the morning. Andrea had scarcely opened his eyes when his predominating idea presentedscarcely opened his eyes when his predominating idea presented itself, and whispered in his ear that he had slept too long. He jumped out of bed and ran to the window. A gendarme was crossing the court. A gendarme is one of the most striking objects in the world, even to a man void of uneasiness; but for one who has a timid conscience, and with good cause too, the yellow, blue, and white uniform is really very alarming. "Why is that gendarme there?" asked Andrea of himself. Then, all at once, he replied, with that logic which the reader has, doubtless, remarked in him, "There is nothing astonishing in seeing a gendarme at an inn; instead of being astonished, let me dress myself." And the youth dressed himself with a facility his valet de chambre had failed to rob him of during the two months of fashionable life he had led in Paris. "Now then," said Andrea, while dressing himself, "I'll wait till he leaves, and then I'll slip away." And, saying this, Andrea, who had now put on his boots and cravat, stole gently to the window, and a second time lifted up the muslin curtain. Not only was the first gendarme still there, but the young man now perceived a second yellow, blue, and white uniform at the foot of the staircase, the only one by which he could descend, while a third, on horseback, holding a musket in his fist, was posted as a sentinel at the great street door which alone afforded the means of egress. The appearance of the third gendarme settled the matter, for a crowd of curious loungers was extended before him, effectually blocking the entrance to the hotel. "They're after me!" was Andrea's first thought. "The devil!" A pallor overspread the young man's forehead, and he looked around him with anxiety. His room, like all those on the same floor, had but one outlet to the gallery in the sight of everybody. "I am lost!" was his second thought; and, indeed, for a man in Andrea's situation, an arrest meant the assizes, trial, and death, — death without mercy or delay. For a

assizes, trial, and death, — death without mercy or delay. For a moment he convulsively pressed his head within his hands, and during that brief period he became nearly mad with terror; but soon a ray of hope glimmered in the multitude of thoughts which bewildered his mind, and a faint smile played upon his white lips and pallid cheeks. He looked around and saw the objects of his search upon the chimney-piece; they were a pen, ink, and paper. With forced composure he dipped the pen in the ink, and wrote the following lines upon a sheet of paper: — "I have no money to pay my bill, but I am not a dishonest man; I leave behind me as a pledge this pin, worth ten times the amount. I shall be excused for leaving at daybreak, for I was ashamed." He then drew the pin from his cravat and placed it on the paper. This done, instead of leaving the door fastened, he drew back the bolts and even placed the door ajar, as though he had left the room, forgetting to close it, and slipping into the chimney like a man accustomed to that kind of gymnastic exercise, having effaced the marks of his feet upon the floor, he commenced climbing the only opening which afforded him the means of escape. At this precise time, the first gendarme Andrea had noticed walked up-stairs, preceded by the commissary of police, and supported by the second gendarme who guarded the staircase and was himself re-enforced by the one stationed at the door. Andrea was indebted for this visit to the following circumstances. At daybreak, the telegraphs were set at work in all directions, and almost immediately the authorities in every district had exerted their utmost endeavors to arrest the murderer of Caderousse. Compiegne, that royal residence and fortified town, is well furnished with authorities, gendarmes, and commissaries of police; they therefore began operations as soon as the telegraphic despatch arrived, and the Bell and Bottle being the best-known hotel in the town, they had naturally directed their first inquiries there.hotel in the town, they had naturally directed their first inquiries there. Now, besides the reports of the sentinels guarding the Hotel de Ville, which is next door to the Bell and Bottle, it had been stated by others that a number of travellers had arrived during the night. The sentinel who was relieved at six o'clock in the morning, remembered perfectly that just as he was taking his post a few minutes past four a young man arrived on horseback, with a little boy before him. The young man, having dismissed the boy and horse, knocked at the door of the hotel, which was opened, and again closed after his entrance. This late arrival had attracted much suspicion, and the young man being no other than Andrea, the commissary and gendarme, who was a brigadier, directed their steps towards his room. They found the door ajar. "Oh, ho," said the brigadier, who thoroughly understood the trick; "a bad sign to find the door open! I would rather find it triply bolted." And, indeed, the little note and pin upon the table confirmed, or rather corroborated, the sad truth. Andrea had fled. We say corroborated, because the brigadier was too experienced to be convinced by a single proof. He glanced around, looked in the bed, shook the curtains, opened the closets, and finally stopped at the chimney. Andrea had taken the precaution to leave no traces of his feet in the ashes, but still it was an outlet, and in this light was not to be passed over without serious investigation. The brigadier sent for some sticks and straw, and having filled the chimney with them, set a light to it. The fire crackled, and the smoke ascended like the dull vapor from a volcano; but still no prisoner fell down, as they expected. The fact was, that Andrea, at war with society ever since his youth, was quite as deep as a gendarme, even though he were advanced to the rank of brigadier, and quite prepared for the fire, he had climbed out on the roof and was crouching down against the chimney-pots. At one time he thoughtwas crouching down against the chimney-pots. At one time he thought he was saved, for he heard the brigadier exclaim in a loud voice, to the two gendarmes, "He is not here!" But venturing to peep, he perceived that the latter, instead of retiring, as might have been reasonably expected upon this announcement, were watching with increased attention. It was now his turn to look about him; the Hotel de Ville, a massive sixteenth century building, was on his right; any one could descend from the openings in the tower, and examine every corner of the roof below, and Andrea expected momentarily to see the head of a gendarme appear at one of these openings. If once discovered, he knew he would be lost, for the roof afforded no chance of escape; he therefore resolved to descend, not through the same chimney by which he had come up, but by a similar one conducting to another room. He looked around for a chimney from which no smoke issued, and having reached it, he disappeared through the orifice without being seen by any one. At the same minute, one of the little windows of the Hotel de Ville was thrown open, and the head of a gendarme appeared. For an instant it remained motionless as one of the stone decorations of the building, then after a long sigh of disappointment the head disappeared. The brigadier, calm and dignified as the law he represented, passed through the crowd, without answering the thousand questions addressed to him, and re-entered the hotel. "Well?" asked the two gendarmes. "Well, my boys," said the brigadier, "the brigand must really have escaped early this morning; but we will send to the Villers-Coterets and Noyon roads, and search the forest, when we shall catch him, no doubt." The honorable functionary had scarcely expressed himself thus, in that intonation which is peculiar to brigadiers of the gendarmerie, when a loud scream, accompanied by the violent ringing of a bell, resounded through the court of the hotel. "Ah, what is that?" cried the brigadier.

hotel. "Ah, what is that?" cried the brigadier. "Some traveller seems impatient," said the host. "What number was it that rang?" "Number 3." "Run, waiter!" At this moment the screams and ringing were redoubled. "Ah," said the brigadier, stopping the servant, "the person who is ringing appears to want something more than a waiter; we will attend upon him with a gendarme. Who occupies Number 3?" "The little fellow who arrived last night in a post-chaise with his sister, and who asked for an apartment with two beds." The bell here rang for the third time, with another shriek of anguish. "Follow me, Mr. Commissary!" said the brigadier; "tread in my steps." "Wait an instant," said the host; "Number 3 has two staircases, — inside and outside." "Good," said the brigadier. "I will take charge of the inside one. Are the carbines loaded?" "Yes, brigadier." "Well, you guard the exterior, and if he attempts to fly, fire upon him; he must be a great criminal, from what the telegraph says." The brigadier, followed by the commissary, disappeared by the inside staircase, accompanied by the noise which his assertions respecting Andrea had excited in the crowd. This is what had happened. Andrea had very cleverly managed to descend two-thirds of the chimney, but then his foot slipped, and notwithstanding his endeavors, he came into the room with more speed and noise than he intended. It would have signified little had the room been empty, but unfortunately it was occupied. Two ladies, sleeping in one bed, were awakened by the noise, and fixing their eyes upon the spot whence the sound proceeded, they saw a man. One of these ladies, the fair one, uttered those terrible shrieks which resounded through the house, while the other, rushing to the bell-rope, rang with all her strength. Andrea, as we can see, was surrounded by misfortune. "For pity's sake," he cried, pale and bewildered, without seeing whom he was addressing, — "for pity's sake do not call assistance! Save me! — I will not harm you."whom he was addressing, — "for pity's sake do not call assistance! Save me! — I will not harm you." "Andrea, the murderer!" cried one of the ladies. "Eugenie! Mademoiselle Danglars!" exclaimed Andrea, stupefied. "Help, help!" cried Mademoiselle d'Armilly, taking the bell from her companion's hand, and ringing it yet more violently. "Save me, I am pursued!" said Andrea, clasping his hands. "For pity, for mercy's sake do not deliver me up!" "It is too late, they are coming," said Eugenie. "Well, conceal me somewhere; you can say you were needlessly alarmed; you can turn their suspicions and save my life!" The two ladies, pressing closely to one another, and drawing the bedclothes tightly around them, remained silent to this supplicating voice, repugnance and fear taking possession of their minds. "Well, be it so," at length said Eugenie; "return by the same road you came, and we will say nothing about you, unhappy wretch." "Here he is, here he is!" cried a voice from the landing; "here he is! I see him!" The brigadier had put his eye to the keyhole, and had discovered Andrea in a posture of entreaty. A violent blow from the butt end of the musket burst open the lock, two more forced out the bolts, and the broken door fell in. Andrea ran to the other door, leading to the gallery, ready to rush out; but he was stopped short, and he stood with his body a little thrown back, pale, and with the useless knife in his clinched hand. "Fly, then!" cried Mademoiselle d'Armilly, whose pity returned as her fears diminished; "fly!" "Or kill yourself!" said Eugenie (in a tone which a Vestal in the amphitheatre would have used, when urging the victorious gladiator to finish his vanquished adversary). Andrea shuddered, and looked on the young girl with an expression which proved how little he understood such ferocious honor. "Kill myself?" he cried, throwing down his knife; "why should I do so?" "Why, you said," answered Mademoiselle Danglars, "that you would be condemned to die like the worst criminals."be condemned to die like the worst criminals." "Bah," said Cavalcanti, crossing his arms, "one has friends." The brigadier advanced to him, sword in hand. "Come, come," said Andrea, "sheathe your sword, my fine fellow; there is no occasion to make such a fuss, since I give myself up;" and he held out his hands to be manacled. The girls looked with horror upon this shameful metamorphosis, the man of the world shaking off his covering and appearing as a galley-slave. Andrea turned towards them, and with an impertinent smile asked, — "Have you any message for your father, Mademoiselle Danglars, for in all probability I shall return to Paris?" Eugenie covered her face with her hands. "Oh, ho!" said Andrea, "you need not be ashamed, even though you did post after me. Was I not nearly your husband?" And with this raillery Andrea went out, leaving the two girls a prey to their own feelings of shame, and to the comments of the crowd. An hour after they stepped into their calash, both dressed in feminine attire. The gate of the hotel had been closed to screen them from sight, but they were forced, when the door was open, to pass through a throng of curious glances and whispering voices. Eugenie closed her eyes; but though she could not see, she could hear, and the sneers of the crowd reached her in the carriage. "Oh, why is not the world a wilderness?" she exclaimed, throwing herself into the arms of Mademoiselle d'Armilly, her eyes sparkling with the same kind of rage which made Nero wish that the Roman world had but one neck, that he might sever it at a single blow. The next day they stopped at the Hotel de Flandre, at Brussels. The same evening Andrea was incarcerated in the Conciergerie.

As the procureur had told Madame Danglars, Valentine was not yet recovered. Bowed down with fatigue, she was indeed confined to her bed; and it was in her own room, and from the lips of Madame de Villefort, that she heard all the strange events we have related, — we mean the flight of Eugenie and the arrest of Andrea Cavalcanti, or rather Benedetto, together with the accusation of murder pronounced against him. But Valentine was so weak that this recital scarcely produced the same effect it would have done had she been in her usual state of health. Indeed, her brain was only the seat of vague ideas, and confused forms, mingled with strange fancies, alone presented themselves before her eyes. During the daytime Valentine's perceptions remained tolerably clear, owing to the constant presence of M. Noirtier, who caused himself to be carried to his granddaughter's room, and watched her with his paternal tenderness; Villefort also, on his return from the law courts, frequently passed an hour or two with his father and child. At six o'clock Villefort retired to his study, at eight M. d'Avrigny himself arrived, bringing the night draught prepared for the young girl, and then M. Noirtier was carried away. A nurse of the doctor's choice succeeded them, and never left till about ten or eleven o'clock, when Valentine was asleep. As she went down-stairs she gave the keys of Valentine's room to M. de Villefort, so that no one could reach the sick-room excepting through that of Madame de Villefort and little Edward. Every morning Morrel called on Noirtier to receive news of Valentine, and, extraordinary as it seemed, each day found him less uneasy. Certainly, though Valentine still labored under dreadful nervous excitement, she was better; and moreover, Monte Cristo had told him when, half distracted, he had rushed to the count's house, that if she were not dead in two hours she would be saved. Now four days had elapsed, and Valentine still lived. The nervous excitement of which we speak pursued Valentine evenThe nervous excitement of which we speak pursued Valentine even in her sleep, or rather in that state of somnolence which succeeded her waking hours; it was then, in the silence of night, in the dim light shed from the alabaster lamp on the chimney-piece, that she saw the shadows pass and repass which hover over the bed of sickness, and fan the fever with their trembling wings. First she fancied she saw her stepmother threatening her, then Morrel stretched his arms towards her; sometimes mere strangers, like the Count of Monte Cristo came to visit her; even the very furniture, in these moments of delirium, seemed to move, and this state lasted till about three o'clock in the morning, when a deep, heavy slumber overcame the young girl, from which she did not awake till daylight. On the evening of the day on which Valentine had learned of the flight of Eugenie and the arrest of Benedetto, — Villefort having retired as well as Noirtier and d'Avrigny, — her thoughts wandered in a confused maze, alternately reviewing her own situation and the events she had just heard. Eleven o'clock had struck. The nurse, having placed the beverage prepared by the doctor within reach of the patient, and locked the door, was listening with terror to the comments of the servants in the kitchen, and storing her memory with all the horrible stories which had for some months past amused the occupants of the ante-chambers in the house of the king's attorney. Meanwhile an unexpected scene was passing in the room which had been so carefully locked. Ten minutes had elapsed since the nurse had left; Valentine, who for the last hour had been suffering from the fever which returned nightly, incapable of controlling her ideas, was forced to yield to the excitement which exhausted itself in producing and reproducing a succession and recurrence of the same fancies and images. The night-lamp threw out countless rays, each resolving itself into some strange form to her disordered imagination, when suddenly by its flickering light Valentineimagination, when suddenly by its flickering light Valentine thought she saw the door of her library, which was in the recess by the chimney-piece, open slowly, though she in vain listened for the sound of the hinges on which it turned. At any other time Valentine would have seized the silken bell-pull and summoned assistance, but nothing astonished her in her present situation. Her reason told her that all the visions she beheld were but the children of her imagination, and the conviction was strengthened by the fact that in the morning no traces remained of the nocturnal phantoms, who disappeared with the coming of daylight. From behind the door a human figure appeared, but the girl was too familiar with such apparitions to be alarmed, and therefore only stared, hoping to recognize Morrel. The figure advanced towards the bed and appeared to listen with profound attention. At this moment a ray of light glanced across the face of the midnight visitor. "It is not he," she murmured, and waited, in the assurance that this was but a dream, for the man to disappear or assume some other form. Still, she felt her pulse, and finding it throb violently she remembered that the best method of dispelling such illusions was to drink, for a draught of the beverage prepared by the doctor to allay her fever seemed to cause a reaction of the brain, and for a short time she suffered less. Valentine therefore reached her hand towards the glass, but as soon as her trembling arm left the bed the apparition advanced more quickly towards her, and approached the young girl so closely that she fancied she heard his breath, and felt the pressure of his hand. This time the illusion, or rather the reality, surpassed anything Valentine had before experienced; she began to believe herself really alive and awake, and the belief that her reason was this time not deceived made her shudder. The pressure she felt was evidently intended to arrest her arm, and she slowly withdrew it. Then the figure, from whom she could not detach her eyes, and who

Then the figure, from whom she could not detach her eyes, and who appeared more protecting than menacing, took the glass, and walking towards the night-light held it up, as if to test its transparency. This did not seem sufficient; the man, or rather the ghost — for he trod so softly that no sound was heard — then poured out about a spoonful into the glass, and drank it. Valentine witnessed this scene with a sentiment of stupefaction. Every minute she had expected that it would vanish and give place to another vision; but the man, instead of dissolving like a shadow, again approached her, and said in an agitated voice, "Now you may drink." Valentine shuddered. It was the first time one of these visions had ever addressed her in a living voice, and she was about to utter an exclamation. The man placed his finger on her lips. "The Count of Monte Cristo!" she murmured. It was easy to see that no doubt now remained in the young girl's mind as to the reality of the scene; her eyes started with terror, her hands trembled, and she rapidly drew the bedclothes closer to her. Still, the presence of Monte Cristo at such an hour, his mysterious, fanciful, and extraordinary entrance into her room through the wall, might well seem impossibilities to her shattered reason. "Do not call any one — do not be alarmed," said the Count; "do not let a shade of suspicion or uneasiness remain in your breast; the man standing before you, Valentine (for this time it is no ghost), is nothing more than the tenderest father and the most respectful friend you could dream of." Valentine could not reply; the voice which indicated the real presence of a being in the room, alarmed her so much that she feared to utter a syllable; still the expression of her eyes seemed to inquire, "If your intentions are pure, why are you here?" The count's marvellous sagacity understood all that was passing in the young girl's mind. "Listen to me," he said, "or, rather, look upon me; look at my face, paler even than usual, and my eyes, red with weariness — forface, paler even than usual, and my eyes, red with weariness — for four days I have not closed them, for I have been constantly watching you, to protect and preserve you for Maximilian." The blood mounted rapidly to the cheeks of Valentine, for the name just announced by the count dispelled all the fear with which his presence had inspired her. "Maximilian!" she exclaimed, and so sweet did the sound appear to her, that she repeated it — "Maximilian! — has he then owned all to you?" "Everything. He told me your life was his, and I have promised him that you shall live." "You have promised him that I shall live?" "Yes." "But, sir, you spoke of vigilance and protection. Are you a doctor?" "Yes; the best you could have at the present time, believe me." "But you say you have watched?" said Valentine uneasily; "where have you been? — I have not seen you." The count extended his hand towards the library. "I was hidden behind that door," he said, "which leads into the next house, which I have rented." Valentine turned her eyes away, and, with an indignant expression of pride and modest fear, exclaimed: "Sir, I think you have been guilty of an unparalleled intrusion, and that what you call protection is more like an insult." "Valentine," he answered, "during my long watch over you, all I have observed has been what people visited you, what nourishment was prepared, and what beverage was served; then, when the latter appeared dangerous to me, I entered, as I have now done, and substituted, in the place of the poison, a healthful draught; which, instead of producing the death intended, caused life to circulate in your veins." "Poison — death!" exclaimed Valentine, half believing herself under the influence of some feverish hallucination; "what are you saying, sir?" "Hush, my child," said Monte Cristo, again placing his finger upon her lips, "I did say poison and death. But drink some of this;" and the count took a bottle from his pocket, containing a red liquid, of which he poured a few drops into the glass. "Drinkred liquid, of which he poured a few drops into the glass. "Drink this, and then take nothing more to-night." Valentine stretched out her hand, but scarcely had she touched the glass when she drew back in fear. Monte Cristo took the glass, drank half its contents, and then presented it to Valentine, who smiled and swallowed the rest. "Oh, yes," she exclaimed, "I recognize the flavor of my nocturnal beverage which refreshed me so much, and seemed to ease my aching brain. Thank you, sir, thank you!" "This is how you have lived during the last four nights, Valentine," said the count. "But, oh, how I passed that time! Oh, the wretched hours I have endured — the torture to which I have submitted when I saw the deadly poison poured into your glass, and how I trembled lest you should drink it before I could find time to throw it away!" "Sir," said Valentine, at the height of her terror, "you say you endured tortures when you saw the deadly poison poured into my glass; but if you saw this, you must also have seen the person who poured it?" "Yes." Valentine raised herself in bed, and drew over her chest, which appeared whiter than snow, the embroidered cambric, still moist with the cold dews of delirium, to which were now added those of terror. "You saw the person?" repeated the young girl. "Yes," repeated the count. "What you tell me is horrible, sir. You wish to make me believe something too dreadful. What? — attempt to murder me in my father's house, in my room, on my bed of sickness? Oh, leave me, sir; you are tempting me — you make me doubt the goodness of providence — it is impossible, it cannot be!" "Are you the first that this hand has stricken? Have you not seen M. de Saint-Meran, Madame de Saint-Meran, Barrois, all fall? would not M. Noirtier also have fallen a victim, had not the treatment he has been pursuing for the last three years neutralized the effects of the poison?" "Oh, heaven," said Valentine; "is this the reason why grandpapa has made me share all his beverages during the last month?"

has made me share all his beverages during the last month?" "And have they all tasted of a slightly bitter flavor, like that of dried orange-peel?" "Oh, yes, yes!" "Then that explains all," said Monte Cristo. "Your grandfather knows, then, that a poisoner lives here; perhaps he even suspects the person. He has been fortifying you, his beloved child, against the fatal effects of the poison, which has failed because your system was already impregnated with it. But even this would have availed little against a more deadly medium of death employed four days ago, which is generally but too fatal." "But who, then, is this assassin, this murderer?" "Let me also ask you a question. Have you never seen any one enter your room at night?" "Oh, yes; I have frequently seen shadows pass close to me, approach, and disappear; but I took them for visions raised by my feverish imagination, and indeed when you entered I thought I was under the influence of delirium." "Then you do not know who it is that attempts your life?" "No," said Valentine; "who could desire my death?" "You shall know it now, then," said Monte Cristo, listening. "How do you mean?" said Valentine, looking anxiously around. "Because you are not feverish or delirious to-night, but thoroughly awake; midnight is striking, which is the hour murderers choose." "Oh, heavens," exclaimed Valentine, wiping off the drops which ran down her forehead. Midnight struck slowly and sadly; every hour seemed to strike with leaden weight upon the heart of the poor girl. "Valentine," said the count, "summon up all your courage; still the beatings of your heart; do not let a sound escape you, and feign to be asleep; then you will see." Valentine seized the count's hand. "I think I hear a noise," she said; "leave me." "Good-by, for the present," replied the count, walking upon tiptoe towards the library door, and smiling with an expression so sad and paternal that the young girl's heart was filled with gratitude. Before closing the door he turned around once more, andgratitude. Before closing the door he turned around once more, and said, "Not a movement — not a word; let them think you asleep, or perhaps you may be killed before I have the power of helping you." And with this fearful injunction the count disappeared through the door, which noiselessly closed after him.Valentine was alone; two other clocks, slower than that of Saint-Philippe du Roule, struck the hour of midnight from different directions, and excepting the rumbling of a few carriages all was silent. Then Valentine's attention was engrossed by the clock in her room, which marked the seconds. She began counting them, remarking that they were much slower than the beatings of her heart; and still she doubted, — the inoffensive Valentine could not imagine that any one should desire her death. Why should they? To what end? What had she done to excite the malice of an enemy? There was no fear of her falling asleep. One terrible idea pressed upon her mind, — that some one existed in the world who had attempted to assassinate her, and who was about to endeavor to do so again. Supposing this person, wearied at the inefficacy of the poison, should, as Monte Cristo intimated, have recourse to steel! — What if the count should have no time to run to her rescue! — What if her last moments were approaching, and she should never again see Morrel! When this terrible chain of ideas presented itself, Valentine was nearly persuaded to ring the bell, and call for help. But through the door she fancied she saw the luminous eye of the count — that eye which lived in her memory, and the recollection overwhelmed her with so much shame that she asked herself whether any amount of gratitude could ever repay his adventurous and devoted friendship. Twenty minutes, twenty tedious minutes, passed thus, then ten more, and at last the clock struck the half-flour. Just then the sound of finger-nails slightly grating against the door of the library informed Valentine that the count was still watching, and recommended her to do the same; at the same time, on the opposite side, that is towards Edward's room, Valentine fancied that she heard the creaking of the floor; she listened attentively, holding her breath till she was nearly suffocated; the lock turned, and the door slowly opened. Valentine had raised herself upon her elbow,door slowly opened. Valentine had raised herself upon her elbow, and had scarcely time to throw herself down on the bed and shade her eyes with her arm; then, trembling, agitated, and her heart beating with indescribable terror, she awaited the event. Some one approached the bed and drew back the curtains. Valentine summoned every effort, and breathed with that regular respiration which announces tranquil sleep. "Valentine!" said a low voice. Still silent: Valentine had promised not to awake. Then everything was still, excepting that Valentine heard the almost noiseless sound of some liquid being poured into the glass she had just emptied. Then she ventured to open her eyelids, and glance over her extended arm. She saw a woman in a white dressing-gown pouring a liquor from a phial into her glass. During this short time Valentine must have held her breath, or moved in some slight degree, for the woman, disturbed, stopped and leaned over the bed, in order the better to ascertain whether Valentine slept — it was Madame de Villefort. On recognizing her step-mother, Valentine could not repress a shudder, which caused a vibration in the bed. Madame de Villefort instantly stepped back close to the wall, and there, shaded by the bed-curtains, she silently and attentively watched the slightest movement of Valentine. The latter recollected the terrible caution of Monte Cristo; she fancied that the hand not holding the phial clasped a long sharp knife. Then collecting all her remaining strength, she forced herself to close her eyes; but this simple operation upon the most delicate organs of our frame, generally so easy to accomplish, became almost impossible at this moment, so much did curiosity struggle to retain the eyelid open and learn the truth. Madame de Villefort, however, reassured by the silence, which was alone disturbed by the regular breathing of Valentine, again extended her hand, and half hidden by the curtains succeeded in emptying the contents of the phial into the glass. Then she

in emptying the contents of the phial into the glass. Then she retired so gently that Valentine did not know she had left the room. She only witnessed the withdrawal of the arm — the fair round arm of a woman but twenty-five years old, and who yet spread death around her. It is impossible to describe the sensations experienced by Valentine during the minute and a half Madame de Villefort remained in the room. The grating against the library-door aroused the young girl from the stupor in which she was plunged, and which almost amounted to insensibility. She raised her head with an effort. The noiseless door again turned on its hinges, and the Count of Monte Cristo reappeared. "Well," said he, "do you still doubt?" "Oh," murmured the young girl. "Have you seen?" "Alas!" "Did you recognize?" Valentine groaned. "Oh, yes;" she said, "I saw, but I cannot believe!" "Would you rather die, then, and cause Maximilian's death?" "Oh," repeated the young girl, almost bewildered, "can I not leave the house? — can I not escape?" "Valentine, the hand which now threatens you will pursue you everywhere; your servants will be seduced with gold, and death will be offered to you disguised in every shape. You will find it in the water you drink from the spring, in the fruit you pluck from the tree." "But did you not say that my kind grandfather's precaution had neutralized the poison?" "Yes, but not against a strong dose; the poison will be changed, and the quantity increased." He took the glass and raised it to his lips. "It is already done," he said; "brucine is no longer employed, but a simple narcotic! I can recognize the flavor of the alcohol in which it has been dissolved. If you had taken what Madame de Villefort has poured into your glass, Valentine — Valentine — you would have been doomed!" "But," exclaimed the young girl, "why am I thus pursued?" "Why? — are you so kind — so good — so unsuspicious of ill, that you cannot understand, Valentine?" "No, I have never injured her."you cannot understand, Valentine?" "No, I have never injured her." "But you are rich, Valentine; you have 200,000 livres a year, and you prevent her son from enjoying these 200,000 livres." "How so? The fortune is not her gift, but is inherited from my relations." "Certainly; and that is why M. and Madame de Saint-Meran have died; that is why M. Noirtier was sentenced the day he made you his heir; that is why you, in your turn, are to die — it is because your father would inherit your property, and your brother, his only son, succeed to his." "Edward? Poor child! Are all these crimes committed on his account?" "Ah, then you at length understand?" "Heaven grant that this may not be visited upon him!" "Valentine, you are an angel!" "But why is my grandfather allowed to live?" "It was considered, that you dead, the fortune would naturally revert to your brother, unless he were disinherited; and besides, the crime appearing useless, it would be folly to commit it." "And is it possible that this frightful combination of crimes has been invented by a woman?" "Do you recollect in the arbor of the Hotel des Postes, at Perugia, seeing a man in a brown cloak, whom your stepmother was questioning upon aqua tofana? Well, ever since then, the infernal project has been ripening in her brain." "Ah, then, indeed, sir," said the sweet girl, bathed in tears, "I see that I am condemned to die!" "No, Valentine, for I have foreseen all their plots; no, your enemy is conquered since we know her, and you will live, Valentine — live to be happy yourself, and to confer happiness upon a noble heart; but to insure this you must rely on me." "Command me, sir — what am I to do?" "You must blindly take what I give you." "Alas, were it only for my own sake, I should prefer to die!" "You must not confide in any one — not even in your father." "My father is not engaged in this fearful plot, is he, sir?" asked Valentine, clasping her hands. "No; and yet your father, a man accustomed to judicialasked Valentine, clasping her hands. "No; and yet your father, a man accustomed to judicial accusations, ought to have known that all these deaths have not happened naturally; it is he who should have watched over you — he should have occupied my place — he should have emptied that glass — he should have risen against the assassin. Spectre against spectre!" he murmured in a low voice, as he concluded his sentence. "Sir," said Valentine, "I will do all I can to live. for there are two beings whose existence depends upon mine — my grandfather and Maximilian." "I will watch over them as I have over you." "Well, sir, do as you will with me;" and then she added, in a low voice, "oh, heavens, what will befall me?" "Whatever may happen, Valentine, do not be alarmed; though you suffer; though you lose sight, hearing, consciousness, fear nothing; though you should awake and be ignorant where you are, still do not fear; even though you should find yourself in a sepulchral vault or coffin. Reassure yourself, then, and say to yourself: `At this moment, a friend, a father, who lives for my happiness and that of Maximilian, watches over me!'" "Alas, alas, what a fearful extremity!" "Valentine, would you rather denounce your stepmother?" "I would rather die a hundred times — oh, yes, die!" "No, you will not die; but will you promise me, whatever happens, that you will not complain, but hope?" "I will think of Maximilian!" "You are my own darling child, Valentine! I alone can save you, and I will." Valentine in the extremity of her terror joined her hands, — for she felt that the moment had arrived to ask for courage, — and began to pray, and while uttering little more than incoherent words, she forgot that her white shoulders had no other covering than her long hair, and that the pulsations of her heart could he seen through the lace of her nightdress. Monte Cristo gently laid his hand on the young girl's arm, drew the velvet coverlet close to her throat, and said with a paternal smile, — "Mycoverlet close to her throat, and said with a paternal smile, — "My child, believe in my devotion to you as you believe in the goodness of providence and the love of Maximilian." Then he drew from his waistcoat-pocket the little emerald box, raised the golden lid, and took from it a pastille about the size of a pea, which he placed in her hand. She took it, and looked attentively on the count; there was an expression on the face of her intrepid protector which commanded her veneration. She evidently interrogated him by her look. "Yes," said he. Valentine carried the pastille to her mouth, and swallowed it. "And now, my dear child, adieu for the present. I will try and gain a little sleep, for you are saved." "Go," said Valentine, "whatever happens, I promise you not to fear." Monte Cristo for some time kept his eyes fixed on the young girl, who gradually fell asleep, yielding to the effects of the narcotic the count had given her. Then he took the glass, emptied three parts of the contents in the fireplace, that it might be supposed Valentine had taken it, and replaced it on the table; then he disappeared, after throwing a farewell glance on Valentine, who slept with the confidence and innocence of an angel.

The night-light continued to burn on the chimney-piece, exhausting the last drops of oil which floated on the surface of the water. The globe of the lamp appeared of a reddish hue, and the flame, brightening before it expired, threw out the last flickerings which in an inanimate object have been so often compared with the convulsions of a human creature in its final agonies. A dull and dismal light was shed over the bedclothes and curtains surrounding the young girl. All noise in the streets had ceased, and the silence was frightful. It was then that the door of Edward's room opened, and a head we have before noticed appeared in the glass opposite; it was Madame de Villefort, who came to witness the effects of the drink she had prepared. She stopped in the doorway, listened for a moment to the flickering of the lamp, the only sound in that deserted room, and then advanced to the table to see if Valentine's glass were empty. It was still about a quarter full, as we before stated. Madame de Villefort emptied the contents into the ashes, which she disturbed that they might the more readily absorb the liquid; then she carefully rinsed the glass, and wiping it with her handkerchief replaced it on the table. If any one could have looked into the room just then he would have noticed the hesitation with which Madame de Villefort approached the bed and looked fixedly on Valentine. The dim light, the profound silence, and the gloomy thoughts inspired by the hour, and still more by her own conscience, all combined to produce a sensation of fear; the poisoner was terrified at the contemplation of her own work. At length she rallied, drew aside the curtain, and leaning over the pillow gazed intently on Valentine. The young girl no longer breathed, no breath issued through the half-closed teeth; the white lips no longer quivered — the eyes were suffused with a bluish vapor, and the long black lashes rested on a cheek white as wax. Madame de Villefort gazed upon the face so expressive even inwax. Madame de Villefort gazed upon the face so expressive even in its stillness; then she ventured to raise the coverlet and press her hand upon the young girl's heart. It was cold and motionless. She only felt the pulsation in her own fingers, and withdrew her hand with a shudder. One arm was hanging out of the bed; from shoulder to elbow it was moulded after the arms of Germain Pillon's "Graces,"* but the fore-arm seemed to be slightly distorted by convulsion, and the hand, so delicately formed, was resting with stiff outstretched fingers on the framework of the bed. The nails, too, were turning blue. (* Germain Pillon was a famous French sculptor (1535-1598). His best known work is "The Three Graces," now in the Louvre.) Madame de Villefort had no longer any doubt; all was over — she had consummated the last terrible work she had to accomplish. There was no more to do in the room, so the poisoner retired stealthily, as though fearing to hear the sound of her own footsteps; but as she withdrew she still held aside the curtain, absorbed in the irresistible attraction always exerted by the picture of death, so long as it is merely mysterious and does not excite disgust. Just then the lamp again flickered; the noise startled Madame de Villefort, who shuddered and dropped the curtain. Immediately afterwards the light expired, and the room was plunged in frightful obscurity, while the clock at that minute struck half-past four. Overpowered with agitation, the poisoner succeeded in groping her way to the door, and reached her room in an agony of fear. The darkness lasted two hours longer; then by degrees a cold light crept through the Venetian blinds, until at length it revealed the objects in the room. About this time the nurse's cough was heard on the stairs and the woman entered the room with a cup in her hand. To the tender eye of a father or a lover, the first glance would have sufficed to reveal Valentine's condition; but to this hireling, Valentine only appeared to sleep. "Good," shethis hireling, Valentine only appeared to sleep. "Good," she exclaimed, approaching the table, "she has taken part of her draught; the glass is three-quarters empty." Then she went to the fireplace and lit the fire, and although she had just left her bed, she could not resist the temptation offered by Valentine's sleep, so she threw herself into an arm-chair to snatch a little more rest. The clock striking eight awoke her. Astonished at the prolonged slumber of the patient, and frightened to see that the arm was still hanging out of the bed, she advanced towards Valentine, and for the first time noticed the white lips. She tried to replace the arm, but it moved with a frightful rigidity which could not deceive a sick-nurse. She screamed aloud; then running to the door exclaimed, — "Help, help!" "What is the matter?" asked M. d'Avrigny, at the foot of the stairs, it being the hour he usually visited her. "What is it?" asked Villefort, rushing from his room. "Doctor, do you hear them call for help?" "Yes, yes; let us hasten up; it was in Valentine's room." But before the doctor and the father could reach the room, the servants who were on the same floor had entered, and seeing Valentine pale and motionless on her bed, they lifted up their hands towards heaven and stood transfixed, as though struck by lightening. "Call Madame de Villefort! — wake Madame de Villefort!" cried the procureur from the door of his chamber, which apparently he scarcely dared to leave. But instead of obeying him, the servants stood watching M. d'Avrigny, who ran to Valentine, and raised her in his arms. "What? — this one, too?" he exclaimed. "Oh, where will be the end?" Villefort rushed into the room. "What are you saying, doctor?" he exclaimed, raising his hands to heaven. "I say that Valentine is dead!" replied d'Avrigny, in a voice terrible in its solemn calm. M. de Villefort staggered and buried his head in the bed. On the exclamation of the doctor and the cry of the father, the servants

exclamation of the doctor and the cry of the father, the servants all fled with muttered imprecations; they were heard running down the stairs and through the long passages, then there was a rush in the court, afterwards all was still; they had, one and all, deserted the accursed house. Just then, Madame de Villefort, in the act of slipping on her dressing-gown, threw aside the drapery and for a moment stood motionless, as though interrogating the occupants of the room, while she endeavored to call up some rebellious tears. On a sudden she stepped, or rather bounded, with outstretched arms, towards the table. She saw d'Avrigny curiously examining the glass, which she felt certain of having emptied during the night. It was now a third full, just as it was when she threw the contents into the ashes. The spectre of Valentine rising before the poisoner would have alarmed her less. It was, indeed, the same color as the draught she had poured into the glass, and which Valentine had drank; it was indeed the poison, which could not deceive M. d'Avrigny, which he now examined so closely; it was doubtless a miracle from heaven, that, notwithstanding her precautions, there should be some trace, some proof remaining to reveal the crime. While Madame de Villefort remained rooted to the spot like a statue of terror, and Villefort, with his head hidden in the bedclothes, saw nothing around him, d'Avrigny approached the window, that he might the better examine the contents of the glass, and dipping the tip of his finger in, tasted it. "Ah," he exclaimed, "it is no longer brucine that is used; let me see what it is!" Then he ran to one of the cupboards in Valentine's room, which had been transformed into a medicine closet, and taking from its silver case a small bottle of nitric acid, dropped a little of it into the liquor, which immediately changed to a blood-red color. "Ah," exclaimed d'Avrigny, in a voice in which the horror of a judge unveiling the truth was mingled with the delight of a studentjudge unveiling the truth was mingled with the delight of a student making a discovery. Madame de Villefort was overpowered, her eyes first flashed and then swam, she staggered towards the door and disappeared. Directly afterwards the distant sound of a heavy weight falling on the ground was heard, but no one paid any attention to it; the nurse was engaged in watching the chemical analysis, and Villefort was still absorbed in grief. M. d'Avrigny alone had followed Madame de Villefort with his eyes, and watched her hurried retreat. He lifted up the drapery over the entrance to Edward's room, and his eye reaching as far as Madame de Villefort's apartment, he beheld her extended lifeless on the floor. "Go to the assistance of Madame de Villefort," he said to the nurse. "Madame de Villefort is ill." "But Mademoiselle de Villefort" — stammered the nurse. "Mademoiselle de Villefort no longer requires help," said d'Avrigny, "since she is dead." "Dead, — dead!" groaned forth Villefort, in a paroxysm of grief, which was the more terrible from the novelty of the sensation in the iron heart of that man. "Dead!" repeated a third voice. "Who said Valentine was dead?" The two men turned round, and saw Morrel standing at the door, pale and terror-stricken. This is what had happened. At the usual time, Morrel had presented himself at the little door leading to Noirtier's room. Contrary to custom, the door was open, and having no occasion to ring he entered. He waited for a moment in the hall and called for a servant to conduct him to M. Noirtier; but no one answered, the servants having, as we know, deserted the house. Morrel had no particular reason for uneasiness; Monte Cristo had promised him that Valentine should live, and so far he had always fulfilled his word. Every night the count had given him news, which was the next morning confirmed by Noirtier. Still this extraordinary silence appeared strange to him, and he called a second and third time; still no answer. Then he determined to gosecond and third time; still no answer. Then he determined to go up. Noirtier's room was opened, like all the rest. The first thing he saw was the old man sitting in his arm-chair in his usual place, but his eyes expressed alarm, which was confirmed by the pallor which overspread his features. "How are you, sir?" asked Morrel, with a sickness of heart. "Well," answered the old man, by closing his eyes; but his appearance manifested increasing uneasiness. "You are thoughtful, sir," continued Morrel; "you want something; shall I call one of the servants?" "Yes," replied Noirtier. Morrel pulled the bell, but though he nearly broke the cord no one answered. He turned towards Noirtier; the pallor and anguish expressed on his countenance momentarily increased. "Oh," exclaimed Morrel, "why do they not come? Is any one ill in the house?" The eyes of Noirtier seemed as though they would start from their sockets. "What is the matter? You alarm me. Valentine? Valentine?" "Yes, yes," signed Noirtier. Maximilian tried to speak, but he could articulate nothing; he staggered, and supported himself against the wainscot. Then he pointed to the door. "Yes, yes, yes!" continued the old man. Maximilian rushed up the little staircase, while Noirtier's eyes seemed to say, — "Quicker, quicker!" In a minute the young man darted through several rooms, till at length he reached Valentine's. There was no occasion to push the door, it was wide open. A sob was the only sound he heard. He saw as though in a mist, a black figure kneeling and buried in a confused mass of white drapery. A terrible fear transfixed him. It was then he heard a voice exclaim "Valentine is dead!" and another voice which, like an echo repeated, — "Dead, — dead!"

Villefort rose, half ashamed of being surprised in such a paroxysm of grief. The terrible office he had held for twenty-five years had succeeded in making him more or less than man. His glance, at first wandering, fixed itself upon Morrel. "Who are you, sir," he asked, "that forget that this is not the manner to enter a house stricken with death? Go, sir, go!" But Morrel remained motionless; he could not detach his eyes from that disordered bed, and the pale corpse of the young girl who was lying on it. "Go! — do you hear?" said Villefort, while d'Avrigny advanced to lead Morrel out. Maximilian stared for a moment at the corpse, gazed all around the room, then upon the two men; he opened his mouth to speak, but finding it impossible to give utterance to the innumerable ideas that occupied his brain, he went out, thrusting his hands through his hair in such a manner that Villefort and d'Avrigny, for a moment diverted from the engrossing topic, exchanged glances, which seemed to say, — "He is mad!" But in less than five minutes the staircase groaned beneath an extraordinary weight. Morrel was seen carrying, with superhuman strength, the arm-chair containing Noirtier up-stairs. When he reached the landing he placed the arm-chair on the floor and rapidly rolled it into Valentine's room. This could only have been accomplished by means of unnatural strength supplied by powerful excitement. But the most fearful spectacle was Noirtier being pushed towards the bed, his face expressing all his meaning, and his eyes supplying the want of every other faculty. That pale face and flaming glance appeared to Villefort like a frightful apparition. Each time he had been brought into contact with his father, something terrible had happened. "See what they have done!" cried Morrel, with one hand leaning on the back of the chair, and the other extended towards Valentine. "See, my father, see!" Villefort drew back and looked with astonishment on the young man, who, almost a stranger to him, called Noirtier his father. Atman, who, almost a stranger to him, called Noirtier his father. At this moment the whole soul of the old man seemed centred in his eyes which became bloodshot; the veins of the throat swelled; his cheeks and temples became purple, as though he was struck with epilepsy; nothing was wanting to complete this but the utterance of a cry. And the cry issued from his pores, if we may thus speak — a cry frightful in its silence. D'Avrigny rushed towards the old man and made him inhale a powerful restorative. "Sir," cried Morrel, seizing the moist hand of the paralytic, "they ask me who I am, and what right I have to be here. Oh, you know it, tell them, tell them!" And the young man's voice was choked by sobs. As for the old man, his chest heaved with his panting respiration. One could have thought that he was undergoing the agonies preceding death. At length, happier than the young man, who sobbed without weeping, tears glistened in the eyes of Noirtier. "Tell them," said Morrel in a hoarse voice, "tell them that I am her betrothed. Tell them she was my beloved, my noble girl, my only blessing in the world. Tell them — oh, tell them, that corpse belongs to me!" The young man overwhelmed by the weight of his anguish, fell heavily on his knees before the bed, which his fingers grasped with convulsive energy. D'Avrigny, unable to bear the sight of this touching emotion, turned away; and Villefort, without seeking any further explanation, and attracted towards him by the irresistible magnetism which draws us towards those who have loved the people for whom we mourn, extended his hand towards the young man. But Morrel saw nothing; he had grasped the hand of Valentine, and unable to weep vented his agony in groans as he bit the sheets. For some time nothing was heard in that chamber but sobs, exclamations, and prayers. At length Villefort, the most composed of all, spoke: "Sir," said he to Maximilian, "you say you loved Valentine, that you were betrothed to her. I knew nothing of this engagement, ofyou were betrothed to her. I knew nothing of this engagement, of this love, yet I, her father, forgive you, for I see that your grief is real and deep; and besides my own sorrow is too great for anger to find a place in my heart. But you see that the angel whom you hoped for has left this earth — she has nothing more to do with the adoration of men. Take a last farewell, sir, of her sad remains; take the hand you expected to possess once more within your own, and then separate yourself from her forever. Valentine now requires only the ministrations of the priest." "You are mistaken, sir," exclaimed Morrel, raising himself on one knee, his heart pierced by a more acute pang than any he had yet felt — "you are mistaken; Valentine, dying as she has, not only requires a priest, but an avenger. You, M. de Villefort, send for the priest; I will be the avenger." "What do you mean, sir?" asked Villefort, trembling at the new idea inspired by the delirium of Morrel. "I tell you, sir, that two persons exist in you; the father has mourned sufficiently, now let the procureur fulfil his office." The eyes of Noirtier glistened, and d'Avrigny approached. "Gentlemen," said Morrel, reading all that passed through the minds of the witnesses to the scene, "I know what I am saying, and you know as well as I do what I am about to say — Valentine has been assassinated!" Villefort hung his head, d'Avrigny approached nearer, and Noirtier said "Yes" with his eyes. "Now, sir," continued Morrel, "in these days no one can disappear by violent means without some inquiries being made as to the cause of her disappearance, even were she not a young, beautiful, and adorable creature like Valentine. Mr. Procureur," said Morrel with increasing vehemence, "no mercy is allowed; I denounce the crime; it is your place to seek the assassin." The young man's implacable eyes interrogated Villefort, who, on his side, glanced from Noirtier to d'Avrigny. But instead of finding sympathy in the eyes of the doctor and his father, he only saw an expression as

of the doctor and his father, he only saw an expression as inflexible as that of Maximilian. "Yes," indicated the old man. "Assuredly," said d'Avrigny. "Sir," said Villefort, striving to struggle against this triple force and his own emotion, — "sir, you are deceived; no one commits crimes here. I am stricken by fate. It is horrible, indeed, but no one assassinates." The eyes of Noirtier lighted up with rage, and d'Avrigny prepared to speak. Morrel, however, extended his arm, and commanded silence. "And I say that murders are committed here," said Morrel, whose voice, though lower in tone, lost none of its terrible distinctness: "I tell you that this is the fourth victim within the last four months. I tell you, Valentine's life was attempted by poison four days ago, though she escaped, owing to the precautions of M. Noirtier. I tell you that the dose has been double, the poison changed, and that this time it has succeeded. I tell you that you know these things as well as I do, since this gentleman has forewarned you, both as a doctor and as a friend." "Oh, you rave, sir," exclaimed Villefort, in vain endeavoring to escape the net in which he was taken. "I rave?" said Morrel; "well, then, I appeal to M. d'Avrigny himself. Ask him, sir, if he recollects the words he uttered in the garden of this house on the night of Madame de Saint-Meran's death. You thought yourselves alone, and talked about that tragical death, and the fatality you mentioned then is the same which has caused the murder of Valentine." Villefort and d'Avrigny exchanged looks. "Yes, yes," continued Morrel; "recall the scene, for the words you thought were only given to silence and solitude fell into my ears. Certainly, after witnessing the culpable indolence manifested by M. de Villefort towards his own relations, I ought to have denounced him to the authorities; then I should not have been an accomplice to thy death, as I now am, sweet, beloved Valentine; but the accomplice shall become the avenger. This fourth murder is apparentaccomplice shall become the avenger. This fourth murder is apparent to all, and if thy father abandon thee, Valentine, it is I, and I swear it, that shall pursue the assassin." And this time, as though nature had at least taken compassion on the vigorous frame, nearly bursting with its own strength, the words of Morrel were stifled in his throat; his breast heaved; the tears, so long rebellious, gushed from his eyes; and he threw himself weeping on his knees by the side of the bed. Then d'Avrigny spoke. "And I, too," he exclaimed in a low voice, "I unite with M. Morrel in demanding justice for crime; my blood boils at the idea of having encouraged a murderer by my cowardly concession." "Oh, merciful heavens!" murmured Villefort. Morrel raised his head, and reading the eyes of the old man, which gleamed with unnatural lustre, — "Stay," he said, "M. Noirtier wishes to speak." "Yes," indicated Noirtier, with an expression the more terrible, from all his faculties being centred in his glance. "Do you know the assassin?" asked Morrel. "Yes," replied Noirtier. "And will you direct us?" exclaimed the young man. "Listen, M. d'Avrigny, listen!" Noirtier looked upon Morrel with one of those melancholy smiles which had so often made Valentine happy, and thus fixed his attention. Then, having riveted the eyes of his interlocutor on his own, he glanced towards the door. "Do you wish me to leave?" said Morrel, sadly. "Yes," replied Noirtier. "Alas, alas, sir, have pity on me!" The old man's eyes remained fixed on the door. "May I, at least, return?" asked Morrel. "Yes." "Must I leave alone?" "No." "Whom am I to take with me? The procureur?" "No." "The doctor?" "Yes." "You wish to remain alone with M. de Villefort?" "Yes." "But can he understand you?" "Yes." "Oh," said Villefort, inexpressibly delighted to think that the inquiries were to be made by him alone, — "oh, be satisfied, I can understand my father." D'Avrigny took the young man's arm, and led him out of the room. A more than deathlike silence then reigned inhim out of the room. A more than deathlike silence then reigned in the house. At the end of a quarter of an hour a faltering footstep was heard, and Villefort appeared at the door of the apartment where d'Avrigny and Morrel had been staying, one absorbed in meditation, the other in grief. "You can come," he said, and led them back to Noirtier. Morrel looked attentively on Villefort. His face was livid, large drops rolled down his face, and in his fingers he held the fragments of a quill pen which he had torn to atoms. "Gentlemen," he said in a hoarse voice, "give me your word of honor that this horrible secret shall forever remain buried amongst ourselves!" The two men drew back. "I entreat you." — continued Villefort. "But," said Morrel, "the culprit — the murderer — the assassin." "Do not alarm yourself, sir; justice will be done," said Villefort. "My father has revealed the culprit's name; my father thirsts for revenge as much as you do, yet even he conjures you as I do to keep this secret. Do you not, father?" "Yes," resolutely replied Noirtier. Morrel suffered an exclamation of horror and surprise to escape him. "Oh, sir," said Villefort, arresting Maximilian by the arm, "if my father, the inflexible man, makes this request, it is because he knows, be assured, that Valentine will be terribly revenged. Is it not so, father?" The old man made a sign in the affirmative. Villefort continued: "He knows me, and I have pledged my word to him. Rest assured, gentlemen, that within three days, in a less time than justice would demand, the revenge I shall have taken for the murder of my child will be such as to make the boldest heart tremble;" and as he spoke these words he ground his teeth, and grasped the old man's senseless hand. "Will this promise be fulfilled, M. Noirtier?" asked Morrel, while d'Avrigny looked inquiringly. "Yes," replied Noirtier with an expression of sinister joy. "Swear, then," said Villefort, joining the hands of Morrel and d'Avrigny, "swear that you will spare the honor of my house, and

d'Avrigny, "swear that you will spare the honor of my house, and leave me to avenge my child." D'Avrigny turned round and uttered a very feeble "Yes," but Morrel, disengaging his hand, rushed to the bed, and after having pressed the cold lips of Valentine with his own, hurriedly left, uttering a long, deep groan of despair and anguish. We have before stated that all the servants had fled. M. de Villefort was therefore obliged to request M. d'Avrigny to superintend all the arrangements consequent upon a death in a large city, more especially a death under such suspicious circumstances. It was something terrible to witness the silent agony, the mute despair of Noirtier, whose tears silently rolled down his cheeks. Villefort retired to his study, and d'Avrigny left to summon the doctor of the mayoralty, whose office it is to examine bodies after decease, and who is expressly named "the doctor of the dead." M. Noirtier could not be persuaded to quit his grandchild. At the end of a quarter of an hour M. d'Avrigny returned with his associate; they found the outer gate closed, and not a servant remaining in the house; Villefort himself was obliged to open to them. But he stopped on the landing; he had not the courage to again visit the death chamber. The two doctors, therefore, entered the room alone. Noirtier was near the bed, pale, motionless, and silent as the corpse. The district doctor approached with the indifference of a man accustomed to spend half his time amongst the dead; he then lifted the sheet which was placed over the face, and just unclosed the lips. "Alas," said d'Avrigny, "she is indeed dead, poor child!" "Yes," answered the doctor laconically, dropping the sheet he had raised. Noirtier uttered a kind of hoarse, rattling sound; the old man's eyes sparkled, and the good doctor understood that he wished to behold his child. He therefore approached the bed, and while his companion was dipping the fingers with which he had touched the lips of the corpse in chloride of lime, he uncoveredtouched the lips of the corpse in chloride of lime, he uncovered the calm and pale face, which looked like that of a sleeping angel. A tear, which appeared in the old man's eye, expressed his thanks to the doctor. The doctor of the dead then laid his permit on the corner of the table, and having fulfilled his duty, was conducted out by d'Avrigny. Villefort met them at the door of his study; having in a few words thanked the district doctor, he turned to d'Avrigny, and said, — "And now the priest." "Is there any particular priest you wish to pray with Valentine?" asked d'Avrigny. "No." said Villefort; "fetch the nearest." "The nearest," said the district doctor, "is a good Italian abbe, who lives next door to you. Shall I call on him as I pass?" "D'Avrigny," said Villefort, "be so kind, I beseech you, as to accompany this gentleman. Here is the key of the door, so that you can go in and out as you please; you will bring the priest with you, and will oblige me by introducing him into my child's room." "Do you wish to see him?" "I only wish to be alone. You will excuse me, will you not? A priest can understand a father's grief." And M. de Villefort, giving the key to d'Avrigny, again bade farewell to the strange doctor, and retired to his study, where he began to work. For some temperaments work is a remedy for all afflictions. As the doctors entered the street, they saw a man in a cassock standing on the threshold of the next door. "This is the abbe of whom I spoke," said the doctor to d'Avrigny. D'Avrigny accosted the priest. "Sir," he said, "are you disposed to confer a great obligation on an unhappy father who has just lost his daughter? I mean M. de Villefort, the king's attorney." "Ah," said the priest, in a marked Italian accent; "yes, I have heard that death is in that house." "Then I need not tell you what kind of service he requires of you." "I was about to offer myself, sir," said the priest; "it is our mission to forestall our duties." "It is a young girl."mission to forestall our duties." "It is a young girl." "I know it, sir; the servants who fled from the house informed me. I also know that her name is Valentine, and I have already prayed for her." "Thank you, sir," said d'Avrigny; "since you have commenced your sacred office, deign to continue it. Come and watch by the dead, and all the wretched family will be grateful to you." "I am going, sir; and I do not hesitate to say that no prayers will be more fervent than mine." D'Avrigny took the priest's hand, and without meeting Villefort, who was engaged in his study, they reached Valentine's room, which on the following night was to be occupied by the undertakers. On entering the room, Noirtier's eyes met those of the abbe, and no doubt he read some particular expression in them, for he remained in the room. D'Avrigny recommended the attention of the priest to the living as well as to the dead, and the abbe promised to devote his prayers to Valentine and his attentions to Noirtier. In order, doubtless, that he might not be disturbed while fulfilling his sacred mission, the priest rose as soon as d'Avrigny departed, and not only bolted the door through which the doctor had just left, but also that leading to Madame de Villefort's room.M. de Boville had indeed met the funeral procession which was taking Valentine to her last home on earth. The weather was dull and stormy, a cold wind shook the few remaining yellow leaves from the boughs of the trees, and scattered them among the crowd which filled the boulevards. M. de Villefort, a true Parisian, considered the cemetery of Pere-la-Chaise alone worthy of receiving the mortal remains of a Parisian family; there alone the corpses belonging to him would be surrounded by worthy associates. He had therefore purchased a vault, which was quickly occupied by members of his family. On the front of the monument was inscribed: "The families of Saint-Meran and Villefort," for such had been the last wish expressed by poor Renee, Valentine's mother. The pompous procession therefore wended its way towards Pere-la-Chaise from the Faubourg Saint-Honore. Having crossed Paris, it passed through the Faubourg du Temple, then leaving the exterior boulevards, it reached the cemetery. More than fifty private carriages followed the twenty mourning-coaches, and behind them more than five hundred persons joined in the procession on foot. These last consisted of all the young people whom Valentine's death had struck like a thunderbolt, and who, notwithstanding the raw chilliness of the season, could not refrain from paying a last tribute to the memory of the beautiful, chaste, and adorable girl, thus cut off in the flower of her youth. As they left Paris, an equipage with four horses, at full speed, was seen to draw up suddenly; it contained Monte Cristo. The count left the carriage and mingled in the crowd who followed on foot. Chateau-Renaud perceived him and immediately alighting from his coupe, joined him. The count looked attentively through every opening in the crowd; he was evidently watching for some one, but his search ended in disappointment. "Where is Morrel?" he asked; "do either of these gentlemen know where he is?" "We have already asked that question," said Chateau-Renaud, "for

gentlemen know where he is?" "We have already asked that question," said Chateau-Renaud, "for none of us has seen him." The count was silent, but continued to gaze around him. At length they arrived at the cemetery. The piercing eye of Monte Cristo glanced through clusters of bushes and trees, and was soon relieved from all anxiety, for seeing a shadow glide between the yew-trees, Monte Cristo recognized him whom he sought. One funeral is generally very much like another in this magnificent metropolis. Black figures are seen scattered over the long white avenues; the silence of earth and heaven is alone broken by the noise made by the crackling branches of hedges planted around the monuments; then follows the melancholy chant of the priests, mingled now and then with a sob of anguish, escaping from some woman concealed behind a mass of flowers. The shadow Monte Cristo had noticed passed rapidly behind the tomb of Abelard and Heloise, placed itself close to the heads of the horses belonging to the hearse, and following the undertaker's men, arrived with them at the spot appointed for the burial. Each person's attention was occupied. Monte Cristo saw nothing but the shadow, which no one else observed. Twice the count left the ranks to see whether the object of his interest had any concealed weapon beneath his clothes. When the procession stopped, this shadow was recognized as Morrel, who, with his coat buttoned up to his throat, his face livid, and convulsively crushing his hat between his fingers, leaned against a tree, situated on an elevation commanding the mausoleum, so that none of the funeral details could escape his observation. Everything was conducted in the usual manner. A few men, the least impressed of all by the scene, pronounced a discourse, some deploring this premature death, others expatiating on the grief of the father, and one very ingenious person quoting the fact that Valentine had solicited pardon of her father for criminals on whom the arm of justice was ready to fall — until atcriminals on whom the arm of justice was ready to fall — until at length they exhausted their stores of metaphor and mournful speeches. Monte Cristo heard and saw nothing, or rather he only saw Morrel, whose calmness had a frightful effect on those who knew what was passing in his heart. "See," said Beauchamp, pointing out Morrel to Debray. "What is he doing up there?" And they called Chateau-Renaud's attention to him. "How pale he is!" said Chateau-Renaud, shuddering. "He is cold," said Debray. "Not at all," said Chateau-Renaud, slowly; "I think he is violently agitated. He is very susceptible." "Bah," said Debray; "he scarcely knew Mademoiselle de Villefort; you said so yourself." "True. Still I remember he danced three times with her at Madame de Morcerf's. Do you recollect that ball, count, where you produced such an effect?" "No, I do not," replied Monte Cristo, without even knowing of what or to whom he was speaking, so much was he occupied in watching Morrel, who was holding his breath with emotion. "The discourse is over; farewell, gentlemen," said the count. And he disappeared without anyone seeing whither he went. The funeral being over, the guests returned to Paris. Chateau-Renaud looked for a moment for Morrel; but while they were watching the departure of the count, Morrel had quitted his post, and Chateau-Renaud, failing in his search, joined Debray and Beauchamp. Monte Cristo concealed himself behind a large tomb and awaited the arrival of Morrel, who by degrees approached the tomb now abandoned by spectators and workmen. Morrel threw a glance around, but before it reached the spot occupied by Monte Cristo the latter had advanced yet nearer, still unperceived. The young man knelt down. The count, with outstretched neck and glaring eyes, stood in an attitude ready to pounce upon Morrel upon the first occasion. Morrel bent his head till it touched the stone, then clutching the grating with both hands, he murmured, — "Oh, Valentine!" Thegrating with both hands, he murmured, — "Oh, Valentine!" The count's heart was pierced by the utterance of these two words; he stepped forward, and touching the young man's shoulder, said, — "I was looking for you, my friend." Monte Cristo expected a burst of passion, but he was deceived, for Morrel turning round, said calmly, — "You see I was praying." The scrutinizing glance of the count searched the young man from head to foot. He then seemed more easy. "Shall I drive you back to Paris?" he asked. "No, thank you." "Do you wish anything?" "Leave me to pray." The count withdrew without opposition, but it was only to place himself in a situation where he could watch every movement of Morrel, who at length arose, brushed the dust from his knees, and turned towards Paris, without once looking back. He walked slowly down the Rue de la Roquette. The count, dismissing his carriage, followed him about a hundred paces behind. Maximilian crossed the canal and entered the Rue Meslay by the boulevards. Five minutes after the door had been closed on Morrel's entrance, it was again opened for the count. Julie was at the entrance of the garden, where she was attentively watching Penelon, who, entering with zeal into his profession of gardener, was very busy grafting some Bengal roses. "Ah, count," she exclaimed, with the delight manifested by every member of the family whenever he visited the Rue Meslay. "Maximilian has just returned, has he not, madame?" asked the count. "Yes, I think I saw him pass; but pray, call Emmanuel." "Excuse me, madame, but I must go up to Maximilian's room this instant," replied Monte Cristo, "I have something of the greatest importance to tell him." "Go, then," she said with a charming smile, which accompanied him until he had disappeared. Monte Cristo soon ran up the staircase conducting from the ground-floor to Maximilian's room; when he reached the landing he listened attentively, but all was still. Like many old houses occupied by a single family, the room

still. Like many old houses occupied by a single family, the room door was panelled with glass; but it was locked, Maximilian was shut in, and it was impossible to see what was passing in the room, because a red curtain was drawn before the glass. The count's anxiety was manifested by a bright color which seldom appeared on the face of that imperturbable man. "What shall I do!" he uttered, and reflected for a moment; "shall I ring? No, the sound of a bell, announcing a visitor, will but accelerate the resolution of one in Maximilian's situation, and then the bell would be followed by a louder noise." Monte Cristo trembled from head to foot and as if his determination had been taken with the rapidity of lightning, he struck one of the panes of glass with his elbow; the glass was shivered to atoms, then withdrawing the curtain he saw Morrel, who had been writing at his desk, bound from his seat at the noise of the broken window. "I beg a thousand pardons," said the count, "there is nothing the matter, but I slipped down and broke one of your panes of glass with my elbow. Since it is opened, I will take advantage of it to enter your room; do not disturb yourself — do not disturb yourself!" And passing his hand through the broken glass, the count opened the door. Morrel, evidently discomposed, came to meet Monte Cristo less with the intention of receiving him than to exclude his entry. "Ma foi," said Monte Cristo, rubbing his elbow, "it's all your servant's fault; your stairs are so polished, it is like walking on glass." "Are you hurt, sir?" coldly asked Morrel. "I believe not. But what are you about there? You were writing." "I?" "Your fingers are stained with ink." "Ah, true, I was writing. I do sometimes, soldier though I am." Monte Cristo advanced into the room; Maximilian was obliged to let him pass, but he followed him. "You were writing?" said Monte Cristo with a searching look. "I have already had the honor of telling you I was," said Morrel. The count looked around him. "Your pistols are beside yourMorrel. The count looked around him. "Your pistols are beside your desk," said Monte Cristo, pointing with his finger to the pistols on the table. "I am on the point of starting on a journey," replied Morrel disdainfully. "My friend," exclaimed Monte Cristo in a tone of exquisite sweetness. "Sir?" "My friend, my dear Maximilian, do not make a hasty resolution, I entreat you." "I make a hasty resolution?" said Morrel, shrugging his shoulders; "is there anything extraordinary in a journey?" "Maximilian," said the count, "let us both lay aside the mask we have assumed. You no more deceive me with that false calmness than I impose upon you with my frivolous solicitude. You can understand, can you not, that to have acted as I have done, to have broken that glass, to have intruded on the solitude of a friend — you can understand that, to have done all this, I must have been actuated by real uneasiness, or rather by a terrible conviction. Morrel, you are going to destroy yourself!" "Indeed, count," said Morrel, shuddering; "what has put this into your head?" "I tell you that you are about to destroy yourself," continued the count, "and here is proof of what I say;" and, approaching the desk, he removed the sheet of paper which Morrel had placed over the letter he had begun, and took the latter in his hands. Morrel rushed forward to tear it from him, but Monte Cristo perceiving his intention, seized his wrist with his iron grasp. "You wish to destroy yourself," said the count; "you have written it." "Well," said Morrel, changing his expression of calmness for one of violence — "well, and if I do intend to turn this pistol against myself, who shall prevent me — who will dare prevent me? All my hopes are blighted, my heart is broken, my life a burden, everything around me is sad and mournful; earth has become distasteful to me, and human voices distract me. It is a mercy to let me die, for if I live I shall lose my reason and become mad. When, sir, I tell you all this with tears of heartfelt anguish, canWhen, sir, I tell you all this with tears of heartfelt anguish, can you reply that I am wrong, can you prevent my putting an end to my miserable existence? Tell me, sir, could you have the courage to do so?" "Yes, Morrel," said Monte Cristo, with a calmness which contrasted strangely with the young man's excitement; "yes, I would do so." "You?" exclaimed Morrel, with increasing anger and reproach — "you, who have deceived me with false hopes, who have cheered and soothed me with vain promises, when I might, if not have saved her, at least have seen her die in my arms! You, who pretend to understand everything, even the hidden sources of knowledge, — and who enact the part of a guardian angel upon earth, and could not even find an antidote to a poison administered to a young girl! Ah, sir, indeed you would inspire me with pity, were you not hateful in my eyes." "Morrel" — "Yes; you tell me to lay aside the mask, and I will do so, be satisfied! When you spoke to me at the cemetery, I answered you — my heart was softened; when you arrived here, I allowed you to enter. But since you abuse my confidence, since you have devised a new torture after I thought I had exhausted them all, then, Count of Monte Cristo my pretended benefactor — then, Count of Monte Cristo, the universal guardian, be satisfied, you shall witness the death of your friend;" and Morrel, with a maniacal laugh, again rushed towards the pistols. "And I again repeat, you shall not commit suicide." "Prevent me, then!" replied Morrel, with another struggle, which, like the first, failed in releasing him from the count's iron grasp. "I will prevent you." "And who are you, then, that arrogate to yourself this tyrannical right over free and rational beings?" "Who am I?" repeated Monte Cristo. "Listen; I am the only man in the world having the right to say to you, `Morrel, your father's son shall not die to-day;'" and Monte Cristo, with an expression of majesty and sublimity, advanced with arms folded toward the young

majesty and sublimity, advanced with arms folded toward the young man, who, involuntarily overcome by the commanding manner of this man, recoiled a step. "Why do you mention my father?" stammered he; "why do you mingle a recollection of him with the affairs of today?" "Because I am he who saved your father's life when he wished to destroy himself, as you do to-day — because I am the man who sent the purse to your young sister, and the Pharaon to old Morrel — because I am the Edmond Dantes who nursed you, a child, on my knees." Morrel made another step back, staggering, breathless, crushed; then all his strength give way, and he fell prostrate at the feet of Monte Cristo. Then his admirable nature underwent a complete and sudden revulsion; he arose, rushed out of the room and to the stairs, exclaiming energetically, "Julie, Julie — Emmanuel, Emmanuel!" Monte Cristo endeavored also to leave, but Maximilian would have died rather than relax his hold of the handle of the door, which he closed upon the count. Julie, Emmanuel, and some of the servants, ran up in alarm on hearing the cries of Maximilian. Morrel seized their hands, and opening the door exclaimed in a voice choked with sobs, "On your knees — on your knees — he is our benefactor — the saviour of our father! He is" — He would have added "Edmond Dantes," but the count seized his arm and prevented him. Julie threw herself into the arms of the count; Emmanuel embraced him as a guardian angel; Morrel again fell on his knees, and struck the ground with his forehead. Then the iron-hearted man felt his heart swell in his breast; a flame seemed to rush from his throat to his eyes, he bent his head and wept. For a while nothing was heard in the room but a succession of sobs, while the incense from their grateful hearts mounted to heaven. Julie had scarcely recovered from her deep emotion when she rushed out of the room, descended to the next floor, ran into the drawing-room with childlike joy and raised the crystal globe whichdrawing-room with childlike joy and raised the crystal globe which covered the purse given by the unknown of the Allees de Meillan. Meanwhile, Emmanuel in a broken voice said to the count, "Oh, count, how could you, hearing us so often speak of our unknown benefactor, seeing us pay such homage of gratitude and adoration to his memory, — how could you continue so long without discovering yourself to us? Oh, it was cruel to us, and — dare I say it? — to you also." "Listen, my friends," said the count — "I may call you so since we have really been friends for the last eleven years — the discovery of this secret has been occasioned by a great event which you must never know. I wish to bury it during my whole life in my own bosom, but your brother Maximilian wrested it from me by a violence he repents of now, I am sure." Then turning around, and seeing that Morrel, still on his knees, had thrown himself into an arm-chair, be added in a low voice, pressing Emmanuel's hand significantly, "Watch over him." "Why so?" asked the young man, surprised. "I cannot explain myself; but watch over him." Emmanuel looked around the room and caught sight of the pistols; his eyes rested on the weapons, and he pointed to them. Monte Cristo bent his head. Emmanuel went towards the pistols. "Leave them," said Monte Cristo. Then walking towards Morrel, he took his hand; the tumultuous agitation of the young man was succeeded by a profound stupor. Julie returned, holding the silken purse in her hands, while tears of joy rolled down her cheeks, like dewdrops on the rose. "Here is the relic," she said; "do not think it will be less dear to us now we are acquainted with our benefactor!" "My child," said Monte Cristo, coloring, "allow me to take back that purse? Since you now know my face, I wish to be remembered alone through the affection I hope you will grant me. "Oh," said Julie, pressing the purse to her heart, "no, no, I beseech you do not take it, for some unhappy day you will leave us, will you not?"beseech you do not take it, for some unhappy day you will leave us, will you not?" "You have guessed rightly, madame," replied Monte Cristo, smiling; "in a week I shall have left this country, where so many persons who merit the vengeance of heaven lived happily, while my father perished of hunger and grief." While announcing his departure, the count fixed his eyes on Morrel, and remarked that the words, "I shall have left this country," had failed to rouse him from his lethargy. He then saw that he must make another struggle against the grief of his friend, and taking the hands of Emmanuel and Julie, which he pressed within his own, he said with the mild authority of a father, "My kind friends, leave me alone with Maximilian." Julie saw the means offered of carrying off her precious relic, which Monte Cristo had forgotten. She drew her husband to the door. "Let us leave them," she said. The count was alone with Morrel, who remained motionless as a statue. "Come," said Monte-Cristo, touching his shoulder with his finger, "are you a man again, Maximilian?" "Yes; for I begin to suffer again." The count frowned, apparently in gloomy hesitation. "Maximilian, Maximilian," he said, "the ideas you yield to are unworthy of a Christian." "Oh, do not fear, my friend," said Morrel, raising his head, and smiling with a sweet expression on the count; "I shall no longer attempt my life." "Then we are to have no more pistols — no more despair?" "No; I have found a better remedy for my grief than either a bullet or a knife." "Poor fellow, what is it?" "My grief will kill me of itself." "My friend," said Monte Cristo, with an expression of melancholy equal to his own, "listen to me. One day, in a moment of despair like yours, since it led to a similar resolution, I also wished to kill myself; one day your father, equally desperate, wished to kill himself too. If any one had said to your father, at the moment he raised the pistol to his head — if any one had told me, when in my

raised the pistol to his head — if any one had told me, when in my prison I pushed back the food I had not tasted for three days — if anyone had said to either of us then, `Live — the day will come when you will be happy, and will bless life!' — no matter whose voice had spoken, we should have heard him with the smile of doubt, or the anguish of incredulity, — and yet how many times has your father blessed life while embracing you — how often have I myself" — "Ah," exclaimed Morrel, interrupting the count, "you had only lost your liberty, my father had only lost his fortune, but I have lost Valentine." "Look at me," said Monte Cristo, with that expression which sometimes made him so eloquent and persuasive — "look at me. There are no tears in my eyes, nor is there fever in my veins, yet I see you suffer — you, Maximilian, whom I love as my own son. Well, does not this tell you that in grief, as in life, there is always something to look forward to beyond? Now, if I entreat, if I order you to live, Morrel, it is in the conviction that one day you will thank me for having preserved your life." "Oh, heavens," said the young man, "oh, heavens — what are you saying, count? Take care. But perhaps you have never loved!" "Child!" replied the count. "I mean, as I love. You see, I have been a soldier ever since I attained manhood. I reached the age of twenty-nine without loving, for none of the feelings I before then experienced merit the appellation of love. Well, at twenty-nine I saw Valentine; for two years I have loved her, for two years I have seen written in her heart, as in a book, all the virtues of a daughter and wife. Count, to possess Valentine would have been a happiness too infinite, too ecstatic, too complete, too divine for this world, since it has been denied me; but without Valentine the earth is desolate." "I have told you to hope," said the count. "Then have a care, I repeat, for you seek to persuade me, and if you succeed I should lose my reason, for I should hope that I couldyou succeed I should lose my reason, for I should hope that I could again behold Valentine." The count smiled. "My friend, my father," said Morrel with excitement, "have a care, I again repeat, for the power you wield over me alarms me. Weigh your words before you speak, for my eyes have already become brighter, and my heart beats strongly; be cautious, or you will make me believe in supernatural agencies. I must obey you, though you bade me call forth the dead or walk upon the water." "Hope, my friend," repeated the count. "Ah," said Morrel, falling from the height of excitement to the abyss of despair — "ah, you are playing with me, like those good, or rather selfish mothers who soothe their children with honeyed words, because their screams annoy them. No, my friend, I was wrong to caution you; do not fear, I will bury my grief so deep in my heart, I will disguise it so, that you shall not even care to sympathize with me. Adieu, my friend, adieu!" "On the contrary," said the count, "after this time you must live with me — you must not leave me, and in a week we shall have left France behind us." "And you still bid me hope?" "I tell you to hope, because I have a method of curing you." "Count, you render me sadder than before, if it be possible. You think the result of this blow has been to produce an ordinary grief, and you would cure it by an ordinary remedy — change of scene." And Morrel dropped his head with disdainful incredulity. "What can I say more?" asked Monte Cristo. "I have confidence in the remedy I propose, and only ask you to permit me to assure you of its efficacy." "Count, you prolong my agony." "Then," said the count, "your feeble spirit will not even grant me the trial I request? Come — do you know of what the Count of Monte Cristo is capable? do you know that he holds terrestrial beings under his control? nay, that he can almost work a miracle? Well, wait for the miracle I hope to accomplish, or" — "Or?" repeated Morrel. "Or, take care, Morrel, lest I call you ungrateful.""Or?" repeated Morrel. "Or, take care, Morrel, lest I call you ungrateful." "Have pity on me, count!" "I feel so much pity towards you, Maximilian, that — listen to me attentively — if I do not cure you in a month, to the day, to the very hour, mark my words, Morrel, I will place loaded pistols before you, and a cup of the deadliest Italian poison — a poison more sure and prompt than that which has killed Valentine." "Will you promise me?" "Yes; for I am a man, and have suffered like yourself, and also contemplated suicide; indeed, often since misfortune has left me I have longed for the delights of an eternal sleep." "But you are sure you will promise me this?" said Morrel, intoxicated. "I not only promise, but swear it!" said Monte Cristo extending his hand. "In a month, then, on your honor, if I am not consoled, you will let me take my life into my own hands, and whatever may happen you will not call me ungrateful?" "In a month, to the day, the very hour and the date are sacred, Maximilian. I do not know whether you remember that this is the 5th of September; it is ten years to-day since I saved your father's life, who wished to die." Morrel seized the count's hand and kissed it; the count allowed him to pay the homage he felt due to him. "In a month you will find on the table, at which we shall be then sitting, good pistols and a delicious draught; but, on the other hand, you must promise me not to attempt your life before that time." "Oh, I also swear it!" Monte Cristo drew the young man towards him, and pressed him for some time to his heart. "And now," he said, "after to-day, you will come and live with me; you can occupy Haidee's apartment, and my daughter will at least be replaced by my son." "Haidee?" said Morrel, "what has become of her?" "She departed last night." "To leave you?" "To wait for me. Hold yourself ready then to join me at the Champs Elysees, and lead me out of this house without any one seeing my departure." Maximilian hung his head, and obeyed with childlike reverence.

The apartment on the second floor of the house in the Rue Saint-Germain-des-Pres, where Albert de Morcerf had selected a home for his mother, was let to a very mysterious person. This was a man whose face the concierge himself had never seen, for in the winter his chin was buried in one of the large red handkerchiefs worn by gentlemen's coachmen on a cold night, and in the summer he made a point of always blowing his nose just as he approached the door. Contrary to custom, this gentleman had not been watched, for as the report ran that he was a person of high rank, and one who would allow no impertinent interference, his incognito was strictly respected. His visits were tolerably regular, though occasionally he appeared a little before or after his time, but generally, both in summer and winter, he took possession of his apartment about four o'clock, though he never spent the night there. At half-past three in the winter the fire was lighted by the discreet servant, who had the superintendence of the little apartment, and in the summer ices were placed on the table at the same hour. At four o'clock, as we have already stated, the mysterious personage arrived. Twenty minutes afterwards a carriage stopped at the house, a lady alighted in a black or dark blue dress, and always thickly veiled; she passed like a shadow through the lodge, and ran up-stairs without a sound escaping under the touch of her light foot. No one ever asked her where she was going. Her face, therefore, like that of the gentleman, was perfectly unknown to the two concierges, who were perhaps unequalled throughout the capital for discretion. We need not say she stopped at the second floor. Then she tapped in a peculiar manner at a door, which after being opened to admit her was again fastened, and curiosity penetrated no farther. They used the same precautions in leaving as in entering the house. The lady always left first, and as soon as she had stepped into her carriage, it drove away, sometimes towards the right hand,carriage, it drove away, sometimes towards the right hand, sometimes to the left; then about twenty minutes afterwards the gentleman would also leave, buried in his cravat or concealed by his handkerchief. The day after Monte Cristo had called upon Danglars, the mysterious lodger entered at ten o'clock in the morning instead of four in the afternoon. Almost directly afterwards, without the usual interval of time, a cab arrived, and the veiled lady ran hastily up-stairs. The door opened, but before it could be closed, the lady exclaimed: "Oh, Lucien — oh, my friend!" The concierge therefore heard for the first time that the lodger's name was Lucien; still, as he was the very perfection of a door-keeper, he made up his mind not to tell his wife. "Well, what is the matter, my dear?" asked the gentleman whose name the lady's agitation revealed; "tell me what is the matter." "Oh, Lucien, can I confide in you?" "Of course, you know you can do so. But what can be the matter? Your note of this morning has completely bewildered me. This precipitation — this unusual appointment. Come, ease me of my anxiety, or else frighten me at once." "Lucien, a great event has happened!" said the lady, glancing inquiringly at Lucien, — "M. Danglars left last night!" "Left? — M. Danglars left? Where has he gone?" "I do not know." "What do you mean? Has he gone intending not to return?" "Undoubtedly; — at ten o'clock at night his horses took him to the barrier of Charenton; there a post-chaise was waiting for him — he entered it with his valet de chambre, saying that he was going to Fontainebleau." "Then what did you mean" — "Stay — he left a letter for me." "A letter?" "Yes; read it." And the baroness took from her pocket a letter which she gave to Debray. Debray paused a moment before reading, as if trying to guess its contents, or perhaps while making up his mind how to act, whatever it might contain. No doubt his ideas were arranged in a few minutes, for he began reading the letter whicharranged in a few minutes, for he began reading the letter which caused so much uneasiness in the heart of the baroness, and which ran as follows: — "Madame and most faithful wife." Debray mechanically stopped and looked at the baroness, whose face became covered with blushes. "Read," she said. Debray continued: — "When you receive this, you will no longer have a husband. Oh, you need not be alarmed, you will only have lost him as you have lost your daughter; I mean that I shall be travelling on one of the thirty or forty roads leading out of France. I owe you some explanations for my conduct, and as you are a woman that can perfectly understand me, I will give them. Listen, then. I received this morning five millions which I paid away; almost directly afterwards another demand for the same sum was presented to me; I put this creditor off till to-morrow and I intend leaving to-day, to escape that to-morrow, which would be rather too unpleasant for me to endure. You understand this, do you not, my most precious wife? I say you understand this, because you are as conversant with my affairs as I am; indeed, I think you understand them better, since I am ignorant of what has become of a considerable portion of my fortune, once very tolerable, while I am sure, madame, that you know perfectly well. For women have infallible instincts; they can even explain the marvellous by an algebraic calculation they have invented; but I, who only understand my own figures, know nothing more than that one day these figures deceived me. Have you admired the rapidity of my fall? Have you been slightly dazzled at the sudden fusion of my ingots? I confess I have seen nothing but the fire; let us hope you have found some gold among the ashes. With this consoling idea, I leave you, madame, and most prudent wife, without any conscientious reproach for abandoning you; you have friends left, and the ashes I have already mentioned, and above all the liberty I hasten to restore to you. And here, madame, I must

the liberty I hasten to restore to you. And here, madame, I must add another word of explanation. So long as I hoped you were working for the good of our house and for the fortune of our daughter, I philosophically closed my eyes; but as you have transformed that house into a vast ruin I will not be the foundation of another man's fortune. You were rich when I married you, but little respected. Excuse me for speaking so very candidly, but as this is intended only for ourselves, I do not see why I should weigh my words. I have augmented our fortune, and it has continued to increase during the last fifteen years, till extraordinary and unexpected catastrophes have suddenly overturned it, — without any fault of mine, I can honestly declare. You, madame, have only sought to increase your own, and I am convinced that you have succeeded. I leave you, therefore, as I took you, — rich, but little respected. Adieu! I also intend from this time to work on my own account. Accept my acknowledgments for the example you have set me, and which I intend following. "Your very devoted husband, "Baron Danglars." The baroness had watched Debray while he read this long and painful letter, and saw him, notwithstanding his self-control, change color once or twice. When he had ended the perusal, he folded the letter and resumed his pensive attitude. "Well?" asked Madame Danglars, with an anxiety easy to be understood. "Well, madame?" unhesitatingly repeated Debray. "With what ideas does that letter inspire you?" "Oh, it is simple enough, madame; it inspires me with the idea that M. Danglars has left suspiciously." "Certainly; but is this all you have to say to me?" "I do not understand you," said Debray with freezing coldness. "He is gone! Gone, never to return!" "Oh, madame, do not think that!" "I tell you he will never return. I know his character; he is inflexible in any resolutions formed for his own interests. If he could have made any use of me, he would have taken me with him; hecould have made any use of me, he would have taken me with him; he leaves me in Paris, as our separation will conduce to his benefit; — therefore he has gone, and I am free forever," added Madame Danglars, in the same supplicating tone. Debray, instead of answering, allowed her to remain in an attitude of nervous inquiry. "Well?" she said at length, "do you not answer me?" "I have but one question to ask you, — what do you intend to do?" "I was going to ask you," replied the baroness with a beating heart. "Ah, then, you wish to ask advice of me?" "Yes; I do wish to ask your advice," said Madame Danglars with anxious expectation. "Then if you wish to take my advice," said the young man coldly, "I would recommend you to travel." "To travel!" she murmured. "Certainly; as M. Danglars says, you are rich, and perfectly free. In my opinion, a withdrawal from Paris is absolutely necessary after the double catastrophe of Mademoiselle Danglars' broken contract and M. Danglars' disappearance. The world will think you abandoned and poor, for the wife of a bankrupt would never be forgiven, were she to keep up an appearance of opulence. You have only to remain in Paris for about a fortnight, telling the world you are abandoned, and relating the details of this desertion to your best friends, who will soon spread the report. Then you can quit your house, leaving your jewels and giving up your jointure, and every one's mouth will be filled with praises of your disinterestedness. They will know you are deserted, and think you also poor, for I alone know your real financial position, and am quite ready to give up my accounts as an honest partner." The dread with which the pale and motionless baroness listened to this, was equalled by the calm indifference with which Debray had spoken. "Deserted?" she repeated; "ah, yes, I am, indeed, deserted! You are right, sir, and no one can doubt my position." These were the only words that this proud and violently enamoured woman could utter in response to Debray.words that this proud and violently enamoured woman could utter in response to Debray. "But then you are rich, — very rich, indeed," continued Debray, taking out some papers from his pocket-book, which he spread upon the table. Madame Danglars did not see them; she was engaged in stilling the beatings of her heart, and restraining the tears which were ready to gush forth. At length a sense of dignity prevailed, and if she did not entirely master her agitation, she at least succeeded in preventing the fall of a single tear. "Madame," said Debray, "it is nearly six months since we have been associated. You furnished a principal of 100,000 francs. Our partnership began in the month of April. In May we commenced operations, and in the course of the month gained 450,000 francs. In June the profit amounted to 900,000. In July we added 1,700,000 francs, — it was, you know, the month of the Spanish bonds. In August we lost 300,000 francs at the beginning of the month, but on the 13th we made up for it, and we now find that our accounts, reckoning from the first day of partnership up to yesterday, when I closed them, showed a capital of 2,400,000 francs, that is, 1,200,000 for each of us. Now, madame," said Debray, delivering up his accounts in the methodical manner of a stockbroker, "there are still 80,000 francs, the interest of this money, in my hands." "But," said the baroness, "I thought you never put the money out to interest." "Excuse me, madame," said Debray coldly, "I had your permission to do so, and I have made use of it. There are, then, 40,000 francs for your share, besides the 100,000 you furnished me to begin with, making in all 1,340,000 francs for your portion. Now, madame, I took the precaution of drawing out your money the day before yesterday; it is not long ago, you see, and I was in continual expectation of being called on to deliver up my accounts. There is your money, — half in bank-notes, the other half in checks payable to bearer. I say there, for as I did not consider my house safe

to bearer. I say there, for as I did not consider my house safe enough, or lawyers sufficiently discreet, and as landed property carries evidence with it, and moreover since you have no right to possess anything independent of your husband, I have kept this sum, now your whole fortune, in a chest concealed under that closet, and for greater security I myself concealed it there. "Now, madame," continued Debray, first opening the closet, then the chest; — "now, madame, here are 800 notes of 1,000 francs each, resembling, as you see, a large book bound in iron; to this I add a certificate in the funds of 25,000 francs; then, for the odd cash, making I think about 110,000 francs, here is a check upon my banker, who, not being M. Danglars, will pay you the amount, you may rest assured." Madame Danglars mechanically took the check, the bond, and the heap of bank-notes. This enormous fortune made no great appearance on the table. Madame Danglars, with tearless eyes, but with her breast heaving with concealed emotion, placed the bank-notes in her bag, put the certificate and check into her pocket-book, and then, standing pale and mute, awaited one kind word of consolation. But she waited in vain. "Now, madame," said Debray, "you have a splendid fortune, an income of about 60,000 livres a year, which is enormous for a woman who cannot keep an establishment here for a year, at least. You will be able to indulge all your fancies; besides, should you find your income insufficient, you can, for the sake of the past, madame, make use of mine; and I am ready to offer you all I possess, on loan." "Thank you, sir — thank you," replied the baroness; "you forget that what you have just paid me is much more than a poor woman requires, who intends for some time, at least, to retire from the world." Debray was, for a moment, surprised, but immediately recovering himself, he bowed with an air which seemed to say, "As you please, madame." Madame Danglars had until then, perhaps, hoped for something;madame." Madame Danglars had until then, perhaps, hoped for something; but when she saw the careless bow of Debray, and the glance by which it was accompanied, together with his significant silence, she raised her head, and without passion or violence or even hesitation, ran down-stairs, disdaining to address a last farewell to one who could thus part from her. "Bah," said Debray, when she had left, "these are fine projects! She will remain at home, read novels, and speculate at cards, since she can no longer do so on the Bourse." Then taking up his account book, he cancelled with the greatest care all the entries of the amounts he had just paid away. "I have 1,060,000 francs remaining," he said. "What a pity Mademoiselle de Villefort is dead! She suited me in every respect, and I would have married her." And he calmly waited until the twenty minutes had elapsed after Madame Danglars' departure before he left the house. During this time he occupied himself in making figures, with his watch by his side. Asmodeus — that diabolical personage, who would have been created by every fertile imagination if Le Sage had not acquired the priority in his great masterpiece — would have enjoyed a singular spectacle, if he had lifted up the roof of the little house in the Rue Saint-Germain-des-Pres, while Debray was casting up his figures. Above the room in which Debray had been dividing two millions and a half with Madame Danglars was another, inhabited by persons who have played too prominent a part in the incidents we have related for their appearance not to create some interest. Mercedes and Albert were in that room. Mercedes was much changed within the last few days; not that even in her days of fortune she had ever dressed with the magnificent display which makes us no longer able to recognize a woman when she appears in a plain and simple attire; nor indeed, had she fallen into that state of depression where it is impossible to conceal the garb of misery;depression where it is impossible to conceal the garb of misery; no, the change in Mercedes was that her eye no longer sparkled, her lips no longer smiled, and there was now a hesitation in uttering the words which formerly sprang so fluently from her ready wit. It was not poverty which had broken her spirit; it was not a want of courage which rendered her poverty burdensome. Mercedes, although deposed from the exalted position she had occupied, lost in the sphere she had now chosen, like a person passing from a room splendidly lighted into utter darkness, appeared like a queen, fallen from her palace to a hovel, and who, reduced to strict necessity, could neither become reconciled to the earthen vessels she was herself forced to place upon the table, nor to the humble pallet which had become her bed. The beautiful Catalane and noble countess had lost both her proud glance and charming smile, because she saw nothing but misery around her; the walls were hung with one of the gray papers which economical landlords choose as not likely to show the dirt; the floor was uncarpeted; the furniture attracted the attention to the poor attempt at luxury; indeed, everything offended eyes accustomed to refinement and elegance. Madame de Morcerf had lived there since leaving her house; the continual silence of the spot oppressed her; still, seeing that Albert continually watched her countenance to judge the state of her feelings, she constrained herself to assume a monotonous smile of the lips alone, which, contrasted with the sweet and beaming expression that usually shone from her eyes, seemed like "moonlight on a statue," — yielding light without warmth. Albert, too, was ill at ease; the remains of luxury prevented him from sinking into his actual position. If he wished to go out without gloves, his hands appeared too white; if he wished to walk through the town, his boots seemed too highly polished. Yet these two noble and intelligent creatures, united by the indissoluble ties of maternal

intelligent creatures, united by the indissoluble ties of maternal and filial love, had succeeded in tacitly understanding one another, and economizing their stores, and Albert had been able to tell his mother without extorting a change of countenance, — "Mother, we have no more money." Mercedes had never known misery; she had often, in her youth, spoken of poverty, but between want and necessity, those synonymous words, there is a wide difference. Amongst the Catalans, Mercedes wished for a thousand things, but still she never really wanted any. So long as the nets were good, they caught fish; and so long as they sold their fish, they were able to buy twine for new nets. And then, shut out from friendship, having but one affection, which could not be mixed up with her ordinary pursuits, she thought of herself — of no one but herself. Upon the little she earned she lived as well as she could; now there were two to be supported, and nothing to live upon. Winter approached. Mercedes had no fire in that cold and naked room — she, who was accustomed to stoves which heated the house from the hall to the boudoir; she had not even one little flower — she whose apartment had been a conservatory of costly exotics. But she had her son. Hitherto the excitement of fulfilling a duty had sustained them. Excitement, like enthusiasm, sometimes renders us unconscious to the things of earth. But the excitement had calmed down, and they felt themselves obliged to descend from dreams to reality; after having exhausted the ideal, they found they must talk of the actual. "Mother," exclaimed Albert, just as Madame Danglars was descending the stairs, "let us reckon our riches, if you please; I want capital to build my plans upon." "Capital — nothing!" replied Mercedes with a mournful smile. "No, mother, — capital 3,000 francs. And I have an idea of our leading a delightful life upon this 3,000 francs." "Child!" sighed Mercedes. "Alas, dear mother," said the young man, "I have unhappily spent"Child!" sighed Mercedes. "Alas, dear mother," said the young man, "I have unhappily spent too much of your money not to know the value of it. These 3,000 francs are enormous, and I intend building upon this foundation a miraculous certainty for the future." "You say this, my dear boy; but do you think we ought to accept these 3,000 francs?" said Mercedes, coloring. "I think so," answered Albert in a firm tone. "We will accept them the more readily, since we have them not here; you know they are buried in the garden of the little house in the Allees de Meillan, at Marseilles. With 200 francs we can reach Marseilles." "With 200 francs? — are you sure, Albert?" "Oh, as for that, I have made inquiries respecting the diligences and steamboats, and my calculations are made. You will take your place in the coupe to Chalons. You see, mother, I treat you handsomely for thirty-five francs." Albert then took a pen, and wrote: — Frs. Coupe, thirty-five francs … … … … … … … … … . 35 From Chalons to Lyons you will go on by the steamboat — six francs … … … … … … … … … … … … … .. 6 From Lyons to Avignon (still by steamboat), sixteen francs … … … … … … … … … … … … … 16 From Avignon to Marseilles, seven franc… … … … … . 7 Expenses on the road, about fifty francs … … … … . 50 Total… … … … … … … … … … … … … … … … 114 frs. "Let us put down 120," added Albert, smiling. "You see I am generous, am I not, mother?" "But you, my poor child?" "I? do you not see that I reserve eighty francs for myself? A young man does not require luxuries; besides, I know what travelling is." "With a post-chaise and valet de chambre?" "Any way, mother." "Well, be it so. But these 200 francs?" "Here they are, and 200 more besides. See, I have sold my watch for 100 francs, and the guard and seals for 300. How fortunate that the ornaments were worth more than the watch. Still the same story of superfluities! Now I think we are rich, since instead of the 114 francs we require for the journey we find ourselves in possession of 250."francs we require for the journey we find ourselves in possession of 250." "But we owe something in this house?" "Thirty francs; but I pay that out of my 150 francs, — that is understood, — and as I require only eighty francs for my journey, you see I am overwhelmed with luxury. But that is not all. What do you say to this, mother?" And Albert took out of a little pocket-book with golden clasps, a remnant of his old fancies, or perhaps a tender souvenir from one of the mysterious and veiled ladies who used to knock at his little door, — Albert took out of this pocket-book a note of 1,000 francs. "What is this?" asked Mercedes. "A thousand francs." "But whence have you obtained them?" "Listen to me, mother, and do not yield too much to agitation." And Albert, rising, kissed his mother on both cheeks, then stood looking at her. "You cannot imagine, mother, how beautiful I think you!" said the young man, impressed with a profound feeling of filial love. "You are, indeed, the most beautiful and most noble woman I ever saw!" "Dear child!" said Mercedes, endeavoring in vain to restrain a tear which glistened in the corner of her eye. "Indeed, you only wanted misfortune to change my love for you to admiration. I am not unhappy while I possess my son!" "Ah, just so," said Albert; "here begins the trial. Do you know the decision we have come to, mother?" "Have we come to any?" "Yes; it is decided that you are to live at Marseilles, and that I am to leave for Africa, where I will earn for myself the right to use the name I now bear, instead of the one I have thrown aside." Mercedes sighed. "Well, mother, I yesterday engaged myself as substitute in the Spahis,"* added the young man, lowering his eyes with a certain feeling of shame, for even he was unconscious of the sublimity of his self-abasement. "I thought my body was my own, and that I might sell it. I yesterday took the place of another. I sold myself for more than I thought I was worth," he added, attempting to smile; "I fetched 2,000 francs."

to smile; "I fetched 2,000 francs." (* The Spahis are French cavalry reserved for service in Africa.) "Then these 1,000 francs" — said Mercedes, shuddering — "Are the half of the sum, mother; the other will be paid in a year." Mercedes raised her eyes to heaven with an expression it would be impossible to describe, and tears, which had hitherto been restrained, now yielded to her emotion, and ran down her cheeks. "The price of his blood!" she murmured. "Yes, if I am killed," said Albert, laughing. "But I assure you, mother, I have a strong intention of defending my person, and I never felt half so strong an inclination to live as I do now." "Merciful heavens!" "Besides, mother, why should you make up your mind that I am to be killed? Has Lamoriciere, that Ney of the South, been killed? Has Changarnier been killed? Has Bedeau been killed? Has Morrel, whom we know, been killed? Think of your joy, mother, when you see me return with an embroidered uniform! I declare, I expect to look magnificent in it, and chose that regiment only from vanity." Mercedes sighed while endeavoring to smile; the devoted mother felt that she ought not to allow the whole weight of the sacrifice to fall upon her son. "Well, now you understand, mother!" continued Albert; "here are more than 4,000 francs settled on you; upon these you can live at least two years." "Do you think so?" said Mercedes. These words were uttered in so mournful a tone that their real meaning did not escape Albert; he felt his heart beat, and taking his mother's hand within his own he said, tenderly, — "Yes, you will live!" "I shall live! — then you will not leave me, Albert?" "Mother, I must go," said Albert in a firm, calm voice; "you love me too well to wish me to remain useless and idle with you; besides, I have signed." "You will obey your own wish and the will of heaven!" "Not my own wish, mother, but reason — necessity. Are we not two despairing creatures? What is life to you? — Nothing. What is lifedespairing creatures? What is life to you? — Nothing. What is life to me? — Very little without you, mother; for believe me, but for you I should have ceased to live on the day I doubted my father and renounced his name. Well, I will live, if you promise me still to hope; and if you grant me the care of your future prospects, you will redouble my strength. Then I will go to the governor of Algeria; he has a royal heart, and is essentially a soldier; I will tell him my gloomy story. I will beg him to turn his eyes now and then towards me, and if he keep his word and interest himself for me, in six months I shall be an officer, or dead. If I am an officer, your fortune is certain, for I shall have money enough for both, and, moreover, a name we shall both be proud of, since it will be our own. If I am killed — well then mother, you can also die, and there will be an end of our misfortunes." "It is well," replied Mercedes, with her eloquent glance; "you are right, my love; let us prove to those who are watching our actions that we are worthy of compassion." "But let us not yield to gloomy apprehensions," said the young man; "I assure you we are, or rather we shall be, very happy. You are a woman at once full of spirit and resignation; I have become simple in my tastes, and am without passion, I hope. Once in service, I shall be rich — once in M. Dantes' house, you will be at rest. Let us strive, I beseech you, — let us strive to be cheerful." "Yes, let us strive, for you ought to live, and to be happy, Albert." "And so our division is made, mother," said the young man, affecting ease of mind. "We can now part; come, I shall engage your passage." "And you, my dear boy?" "I shall stay here for a few days longer; we must accustom ourselves to parting. I want recommendations and some information relative to Africa. I will join you again at Marseilles." "Well, be it so — let us part," said Mercedes, folding around her shoulders the only shawl she had taken away, and whichher shoulders the only shawl she had taken away, and which accidentally happened to be a valuable black cashmere. Albert gathered up his papers hastily, rang the bell to pay the thirty francs he owed to the landlord, and offering his arm to his mother, they descended the stairs. Some one was walking down before them, and this person, hearing the rustling of a silk dress, turned around. "Debray!" muttered Albert. "You, Morcerf?" replied the secretary, resting on the stairs. Curiosity had vanquished the desire of preserving his incognito, and he was recognized. It was, indeed, strange in this unknown spot to find the young man whose misfortunes had made so much noise in Paris. "Morcerf!" repeated Debray. Then noticing in the dim light the still youthful and veiled figure of Madame de Morcerf: — "Pardon me," he added with a smile, "I leave you, Albert." Albert understood his thoughts. "Mother," he said, turning towards Mercedes, "this is M. Debray, secretary of the minister for the interior, once a friend of mine." "How once?" stammered Debray; "what do you mean?" "I say so, M. Debray, because I have no friends now, and I ought not to have any. I thank you for having recognized me, sir." Debray stepped forward, and cordially pressed the hand of his interlocutor. "Believe me, dear Albert," he said, with all the emotion he was capable of feeling, — "believe me, I feel deeply for your misfortunes, and if in any way I can serve you, I am yours." "Thank you, sir," said Albert, smiling. "In the midst of our misfortunes, we are still rich enough not to require assistance from any one. We are leaving Paris, and when our journey is paid, we shall have 5,000 francs left." The blood mounted to the temples of Debray, who held a million in his pocket-book, and unimaginative as he was he could not help reflecting that the same house had contained two women, one of whom, justly dishonored, had left it poor with 1,500,000 francs under her cloak, while the other, unjustly stricken, but sublime in her misfortune, was yet rich withunjustly stricken, but sublime in her misfortune, was yet rich with a few deniers. This parallel disturbed his usual politeness, the philosophy he witnessed appalled him, he muttered a few words of general civility and ran down-stairs. That day the minister's clerks and the subordinates had a great deal to put up with from his ill-humor. But that same night, he found himself the possessor of a fine house, situated on the Boulevard de la Madeleine, and an income of 50,000 livres. The next day, just as Debray was signing the deed, that is about five o'clock in the afternoon, Madame de Morcerf, after having affectionately embraced her son, entered the coupe of the diligence, which closed upon her. A man was hidden in Lafitte's banking-house, behind one of the little arched windows which are placed above each desk; he saw Mercedes enter the diligence, and he also saw Albert withdraw. Then he passed his hand across his forehead, which was clouded with doubt. "Alas," he exclaimed, "how can I restore the happiness I have taken away from these poor innocent creatures? God help me!"

We remember that the Abbe Busoni remained alone with Noirtier in the chamber of death, and that the old man and the priest were the sole guardians of the young girl's body. Perhaps it was the Christian exhortations of the abbe, perhaps his kind charity, perhaps his persuasive words, which had restored the courage of Noirtier, for ever since he had conversed with the priest his violent despair had yielded to a calm resignation which surprised all who knew his excessive affection for Valentine. M. de Villefort had not seen his father since the morning of the death. The whole establishment had been changed; another valet was engaged for himself, a new servant for Noirtier, two women had entered Madame de Villefort's service, — in fact, everywhere, to the concierge and coachmen, new faces were presented to the different masters of the house, thus widening the division which had always existed between the members of the same family. The assizes, also, were about to begin, and Villefort, shut up in his room, exerted himself with feverish anxiety in drawing up the case against the murderer of Caderousse. This affair, like all those in which the Count of Monte Cristo had interfered, caused a great sensation in Paris. The proofs were certainly not convincing, since they rested upon a few words written by an escaped galley-slave on his death-bed, and who might have been actuated by hatred or revenge in accusing his companion. But the mind of the procureur was made up; he felt assured that Benedetto was guilty, and he hoped by his skill in conducting this aggravated case to flatter his self-love, which was about the only vulnerable point left in his frozen heart. The case was therefore prepared owing to the incessant labor of Villefort, who wished it to be the first on the list in the coming assizes. He had been obliged to seclude himself more than ever, to evade the enormous number of applications presented to him for the purpose of obtaining tickets of admission to the court on the daypurpose of obtaining tickets of admission to the court on the day of trial. And then so short a time had elapsed since the death of poor Valentine, and the gloom which overshadowed the house was so recent, that no one wondered to see the father so absorbed in his professional duties, which were the only means he had of dissipating his grief. Once only had Villefort seen his father; it was the day after that upon which Bertuccio had paid his second visit to Benedetto, when the latter was to learn his father's name. The magistrate, harassed and fatigued, had descended to the garden of his house, and in a gloomy mood, similar to that in which Tarquin lopped off the tallest poppies, he began knocking off with his cane the long and dying branches of the rose-trees, which, placed along the avenue, seemed like the spectres of the brilliant flowers which had bloomed in the past season. More than once he had reached that part of the garden where the famous boarded gate stood overlooking the deserted enclosure, always returning by the same path, to begin his walk again, at the same pace and with the same gesture, when he accidentally turned his eyes towards the house, whence he heard the noisy play of his son, who had returned from school to spend the Sunday and Monday with his mother. While doing so, he observed M. Noirtier at one of the open windows, where the old man had been placed that he might enjoy the last rays of the sun which yet yielded some heat, and was now shining upon the dying flowers and red leaves of the creeper which twined around the balcony. The eye of the old man was riveted upon a spot which Villefort could scarcely distinguish. His glance was so full of hate, of ferocity, and savage impatience, that Villefort turned out of the path he had been pursuing, to see upon what person this dark look was directed. Then he saw beneath a thick clump of linden-trees, which were nearly divested of foliage, Madame de Villefort sitting with a book in her hand, the perusal of which she frequentlywith a book in her hand, the perusal of which she frequently interrupted to smile upon her son, or to throw back his elastic ball, which he obstinately threw from the drawing-room into the garden. Villefort became pale; he understood the old man's meaning. Noirtier continued to look at the same object, but suddenly his glance was transferred from the wife to the husband, and Villefort himself had to submit to the searching investigation of eyes, which, while changing their direction and even their language, had lost none of their menacing expression. Madame de Villefort, unconscious of the passions that exhausted their fire over her head, at that moment held her son's ball, and was making signs to him to reclaim it with a kiss. Edward begged for a long while, the maternal kiss probably not offering sufficient recompense for the trouble he must take to obtain it; however at length he decided, leaped out of the window into a cluster of heliotropes and daisies, and ran to his mother, his forehead streaming with perspiration. Madame de Villefort wiped his forehead, pressed her lips upon it, and sent him back with the ball in one hand and some bonbons in the other. Villefort, drawn by an irresistible attraction, like that of the bird to the serpent, walked towards the house. As he approached it, Noirtier's gaze followed him, and his eyes appeared of such a fiery brightness that Villefort felt them pierce to the depths of his heart. In that earnest look might be read a deep reproach, as well as a terrible menace. Then Noirtier raised his eyes to heaven, as though to remind his son of a forgotten oath. "It is well, sir," replied Villefort from below, — "it is well; have patience but one day longer; what I have said I will do." Noirtier seemed to be calmed by these words, and turned his eyes with indifference to the other side. Villefort violently unbuttoned his great-coat, which seemed to strangle him, and passing his livid hand across his forehead, entered his study.

seemed to strangle him, and passing his livid hand across his forehead, entered his study. The night was cold and still; the family had all retired to rest but Villefort, who alone remained up, and worked till five o'clock in the morning, reviewing the last interrogatories made the night before by the examining magistrates, compiling the depositions of the witnesses, and putting the finishing stroke to the deed of accusation, which was one of the most energetic and best conceived of any he had yet delivered. The next day, Monday, was the first sitting of the assizes. The morning dawned dull and gloomy, and Villefort saw the dim gray light shine upon the lines he had traced in red ink. The magistrate had slept for a short time while the lamp sent forth its final struggles; its flickerings awoke him, and he found his fingers as damp and purple as though they had been dipped in blood. He opened the window; a bright yellow streak crossed the sky, and seemed to divide in half the poplars, which stood out in black relief on the horizon. In the clover-fields beyond the chestnut-trees, a lark was mounting up to heaven, while pouring out her clear morning song. The damps of the dew bathed the head of Villefort, and refreshed his memory. "To-day," he said with an effort, — "to-day the man who holds the blade of justice must strike wherever there is guilt." Involuntarily his eyes wandered towards the window of Noirtier's room, where he had seen him the preceding night. The curtain was drawn, and yet the image of his father was so vivid to his mind that he addressed the closed window as though it had been open, and as if through the opening he had beheld the menacing old man. "Yes," he murmured, — "yes, be satisfied." His head dropped upon his chest, and in this position he paced his study; then he threw himself, dressed as he was, upon a sofa, less to sleep than to rest his limbs, cramped with cold and study. By degrees every one awoke. Villefort, from his study, heard theBy degrees every one awoke. Villefort, from his study, heard the successive noises which accompany the life of a house, — the opening and shutting of doors, the ringing of Madame de Villefort's bell, to summon the waiting-maid, mingled with the first shouts of the child, who rose full of the enjoyment of his age. Villefort also rang; his new valet brought him the papers, and with them a cup of chocolate. "What are you bringing me?" said he. "A cup of chocolate." "I did not ask for it. Who has paid me this attention?" "My mistress, sir. She said you would have to speak a great deal in the murder case, and that you should take something to keep up your strength;" and the valet placed the cup on the table nearest to the sofa, which was, like all the rest, covered with papers. The valet then left the room. Villefort looked for an instant with a gloomy expression, then, suddenly, taking it up with a nervous motion, he swallowed its contents at one draught. It might have been thought that he hoped the beverage would be mortal, and that he sought for death to deliver him from a duty which he would rather die than fulfil. He then rose, and paced his room with a smile it would have been terrible to witness. The chocolate was inoffensive, for M. de Villefort felt no effects. The breakfast-hour arrived, but M. de Villefort was not at table. The valet re-entered. "Madame de Villefort wishes to remind you, sir," he said, "that eleven o'clock has just struck, and that the trial commences at twelve." "Well," said Villefort, "what then?" "Madame de Villefort is dressed; she is quite ready, and wishes to know if she is to accompany you, sir?" "Where to?" "To the Palais." "What to do?" "My mistress wishes much to be present at the trial." "Ah," said Villefort, with a startling accent; "does she wish that?" — The man drew back and said, "If you wish to go alone, sir, I will go and tell my mistress." Villefort remained silent for a moment, and dented his pale cheeks with his nails. "Tell yourmoment, and dented his pale cheeks with his nails. "Tell your mistress," he at length answered, "that I wish to speak to her, and I beg she will wait for me in her own room." "Yes, sir." "Then come to dress and shave me." "Directly, sir." The valet re-appeared almost instantly, and, having shaved his master, assisted him to dress entirely in black. When he had finished, he said, — "My mistress said she should expect you, sir, as soon as you had finished dressing." "I am going to her." And Villefort, with his papers under his arm and hat in hand, directed his steps toward the apartment of his wife. At the door he paused for a moment to wipe his damp, pale brow. He then entered the room. Madame de Villefort was sitting on an ottoman and impatiently turning over the leaves of some newspapers and pamphlets which young Edward, by way of amusing himself, was tearing to pieces before his mother could finish reading them. She was dressed to go out, her bonnet was placed beside her on a chair, and her gloves were on her hands. "Ah, here you are, monsieur," she said in her naturally calm voice; "but how pale you are! Have you been working all night? Why did you not come down to breakfast? Well, will you take me, or shall I take Edward?" Madame de Villefort had multiplied her questions in order to gain one answer, but to all her inquiries M. de Villefort remained mute and cold as a statue. "Edward," said Villefort, fixing an imperious glance on the child, "go and play in the drawing-room, my dear; I wish to speak to your mamma." Madame de Villefort shuddered at the sight of that cold countenance, that resolute tone, and the awfully strange preliminaries. Edward raised his head, looked at his mother, and then, finding that she did not confirm the order, began cutting off the heads of his leaden soldiers. "Edward," cried M. de Villefort, so harshly that the child started up from the floor, "do you hear me? — Go!" The child, unaccustomed to such treatment, arose, pale and trembling; it would

unaccustomed to such treatment, arose, pale and trembling; it would be difficult to say whether his emotion were caused by fear or passion. His father went up to him, took him in his arms, and kissed his forehead. "Go," he said: "go, my child." Edward ran out. M. de Villefort went to the door, which he closed behind the child, and bolted. "Dear me!" said the young woman, endeavoring to read her husband's inmost thoughts, while a smile passed over her countenance which froze the impassibility of Villefort; "what is the matter?" "Madame, where do you keep the poison you generally use?" said the magistrate, without any introduction, placing himself between his wife and the door. Madame de Villefort must have experienced something of the sensation of a bird which, looking up, sees the murderous trap closing over its head. A hoarse, broken tone, which was neither a cry nor a sigh, escaped from her, while she became deadly pale. "Monsieur," she said, "I — I do not understand you." And, in her first paroxysm of terror, she had raised herself from the sofa, in the next, stronger very likely than the other, she fell down again on the cushions. "I asked you," continued Villefort, in a perfectly calm tone, "where you conceal the poison by the aid of which you have killed my father-in-law, M. de Saint-Meran, my mother-in-law, Madame de Saint-Meran, Barrois, and my daughter Valentine." "Ah, sir," exclaimed Madame de Villefort, clasping her hands, "what do you say?" "It is not for you to interrogate, but to answer." "Is it to the judge or to the husband?" stammered Madame de Villefort. "To the judge — to the judge, madame!" It was terrible to behold the frightful pallor of that woman, the anguish of her look, the trembling of her whole frame. "Ah, sir," she muttered, "ah, sir," and this was all. "You do not answer, madame!" exclaimed the terrible interrogator. Then he added, with a smile yet more terrible than his anger, "It is true, then; you do not deny it!" She movedhis anger, "It is true, then; you do not deny it!" She moved forward. "And you cannot deny it!" added Villefort, extending his hand toward her, as though to seize her in the name of justice. "You have accomplished these different crimes with impudent address, but which could only deceive those whose affections for you blinded them. Since the death of Madame de Saint-Meran, I have known that a poisoner lived in my house. M. d'Avrigny warned me of it. After the death of Barrois my suspicions were directed towards an angel, — those suspicions which, even when there is no crime, are always alive in my heart; but after the death of Valentine, there has been no doubt in my mind, madame, and not only in mine, but in those of others; thus your crime, known by two persons, suspected by many, will soon become public, and, as I told you just now, you no longer speak to the husband, but to the judge." The young woman hid her face in her hands. "Oh, sir," she stammered, "I beseech you, do not believe appearances." "Are you, then, a coward?" cried Villefort, in a contemptuous voice. "But I have always observed that poisoners were cowards. Can you be a coward, — you who have had the courage to witness the death of two old men and a young girl murdered by you?" "Sir! sir!" "Can you be a coward?" continued Villefort, with increasing excitement, "you, who could count, one by one, the minutes of four death agonies? You, who have arranged your infernal plans, and removed the beverages with a talent and precision almost miraculous? Have you, then, who have calculated everything with such nicety, have you forgotten to calculate one thing — I mean where the revelation of your crimes will lead you to? Oh, it is impossible — you must have saved some surer, more subtle and deadly poison than any other, that you might escape the punishment that you deserve. You have done this — I hope so, at least." Madame de Villefort stretched out her hands, and fell on her knees. "I understand," he said, "you confess; but a confession made to"I understand," he said, "you confess; but a confession made to the judges, a confession made at the last moment, extorted when the crime cannot be denied, diminishes not the punishment inflicted on the guilty!" "The punishment?" exclaimed Madame de Villefort, "the punishment, monsieur? Twice you have pronounced that word!" "Certainly. Did you hope to escape it because you were four times guilty? Did you think the punishment would be withheld because you are the wife of him who pronounces it? — No, madame, no; the scaffold awaits the poisoner, whoever she may be, unless, as I just said, the poisoner has taken the precaution of keeping for herself a few drops of her deadliest potion." Madame de Villefort uttered a wild cry, and a hideous and uncontrollable terror spread over her distorted features. "Oh, do not fear the scaffold, madame," said the magistrate; "I will not dishonor you, since that would be dishonor to myself; no, if you have heard me distinctly, you will understand that you are not to die on the scaffold." "No, I do not understand; what do you mean?" stammered the unhappy woman, completely overwhelmed. "I mean that the wife of the first magistrate in the capital shall not, by her infamy, soil an unblemished name; that she shall not, with one blow, dishonor her husband and her child." "No, no — oh, no!" "Well, madame, it will be a laudable action on your part, and I will thank you for it!" "You will thank me — for what?" "For what you have just said." "What did I say? Oh, my brain whirls; I no longer understand anything. Oh, my God, my God!" And she rose, with her hair dishevelled, and her lips foaming. "Have you answered the question I put to you on entering the room? — where do you keep the poison you generally use, madame?" Madame de Villefort raised her arms to heaven, and convulsively struck one hand against the other. "No, no," she vociferated, "no, you cannot wish that!" "What I do not wish, madame, is that you should perish on the scaffold. Do you understand?" asked Villefort.

scaffold. Do you understand?" asked Villefort. "Oh, mercy, mercy, monsieur!" "What I require is, that justice be done. I am on the earth to punish, madame," he added, with a flaming glance; "any other woman, were it the queen herself, I would send to the executioner; but to you I shall be merciful. To you I will say, `Have you not, madame, put aside some of the surest, deadliest, most speedy poison?'" "Oh, pardon me, sir; let me live!" "She is cowardly," said Villefort. "Reflect that I am your wife!" "You are a poisoner." "In the name of heaven!" "No!" "In the name of the love you once bore me!" "No, no!" "In the name of our child! Ah, for the sake of our child, let me live!" "No, no, no, I tell you; one day, if I allow you to live, you will perhaps kill him, as you have the others!" "I? — I kill my boy?" cried the distracted mother, rushing toward Villefort; "I kill my son? Ha, ha, ha!" and a frightful, demoniac laugh finished the sentence, which was lost in a hoarse rattle. Madame de Villefort fell at her husband's feet. He approached her. "Think of it, madame," he said; "if, on my return, justice his not been satisfied, I will denounce you with my own mouth, and arrest you with my own hands!" She listened, panting, overwhelmed, crushed; her eye alone lived, and glared horribly. "Do you understand me?" he said. "I am going down there to pronounce the sentence of death against a murderer. If I find you alive on my return, you shall sleep to-night in the conciergerie." Madame de Villefort sighed; her nerves gave way, and she sunk on the carpet. The king's attorney seemed to experience a sensation of pity; he looked upon her less severely, and, bowing to her, said slowly, "Farewell, madame, farewell!" That farewell struck Madame de Villefort like the executioner's knife. She fainted. The procureur went out, after having double-locked the door.The judges took their places in the midst of the most profound silence; the jury took their seats; M. de Villefort, the object of unusual attention, and we had almost said of general admiration, sat in the arm-chair and cast a tranquil glance around him. Every one looked with astonishment on that grave and severe face, whose calm expression personal griefs had been unable to disturb, and the aspect of a man who was a stranger to all human emotions excited something very like terror. "Gendarmes," said the president, "lead in the accused." At these words the public attention became more intense, and all eyes were turned towards the door through which Benedetto was to enter. The door soon opened and the accused appeared. The same impression was experienced by all present, and no one was deceived by the expression of his countenance. His features bore no sign of that deep emotion which stops the beating of the heart and blanches the cheek. His hands, gracefully placed, one upon his hat, the other in the opening of his white waistcoat, were not at all tremulous; his eye was calm and even brilliant. Scarcely had he entered the hall when he glanced at the whole body of magistrates and assistants; his eye rested longer on the president, and still more so on the king's attorney. By the side of Andrea was stationed the lawyer who was to conduct his defence, and who had been appointed by the court, for Andrea disdained to pay any attention to those details, to which he appeared to attach no importance. The lawyer was a young man with light hair whose face expressed a hundred times more emotion than that which characterized the prisoner. The president called for the indictment, revised as we know, by the clever and implacable pen of Villefort. During the reading of this, which was long, the public attention was continually drawn towards Andrea, who bore the inspection with Spartan unconcern. Villefort had never been so concise and eloquent. The crime was depicted in the most vivid colors; the former life of the prisoner,depicted in the most vivid colors; the former life of the prisoner, his transformation, a review of his life from the earliest period, were set forth with all the talent that a knowledge of human life could furnish to a mind like that of the procureur. Benedetto was thus forever condemned in public opinion before the sentence of the law could be pronounced. Andrea paid no attention to the successive charges which were brought against him. M. de Villefort, who examined him attentively, and who no doubt practiced upon him all the psychological studies he was accustomed to use, in vain endeavored to make him lower his eyes, notwithstanding the depth and profundity of his gaze. At length the reading of the indictment was ended. "Accused," said the president, "your name and surname?" Andrea arose. "Excuse me, Mr. President," he said, in a clear voice, "but I see you are going to adopt a course of questions through which I cannot follow you. I have an idea, which I will explain by and by, of making an exception to the usual form of accusation. Allow me, then, if you please, to answer in different order, or I will not do so at all." The astonished president looked at the jury, who in turn looked at Villefort. The whole assembly manifested great surprise, but Andrea appeared quite unmoved. "Your age?" said the president; "will you answer that question?" "I will answer that question, as well as the rest, Mr. President, but in its turn." "Your age?" repeated the president. "I am twenty-one years old, or rather I shall be in a few days, as I was born the night of the 27th of September, 1817." M. de Villefort, who was busy taking down some notes, raised his head at the mention of this date. "Where were you born?" continued the president. "At Auteuil, near Paris." M. de Villefort a second time raised his head, looked at Benedetto as if he had been gazing at the head of Medusa, and became livid. As for Benedetto, he gracefully wiped his lips with a fine cambric pocket-handkerchief. "Your profession?"

his lips with a fine cambric pocket-handkerchief. "Your profession?" "First I was a forger," answered Andrea, as calmly as possible; "then I became a thief, and lately have become an assassin." A murmur, or rather storm, of indignation burst from all parts of the assembly. The judges themselves appeared to be stupefied, and the jury manifested tokens of disgust for cynicism so unexpected in a man of fashion. M. de Villefort pressed his hand upon his brow, which, at first pale, had become red and burning; then he suddenly arose and looked around as though he had lost his senses — he wanted air. "Are you looking for anything, Mr. Procureur?" asked Benedetto, with his most ingratiating smile. M. de Villefort answered nothing, but sat, or rather threw himself down again upon his chair. "And now, prisoner, will you consent to tell your name?" said the president. "The brutal affectation with which you have enumerated and classified your crimes calls for a severe reprimand on the part of the court, both in the name of morality, and for the respect due to humanity. You appear to consider this a point of honor, and it may be for this reason, that you have delayed acknowledging your name. You wished it to be preceded by all these titles." "It is quite wonderful, Mr. President, how entirely you have read my thoughts," said Benedetto, in his softest voice and most polite manner. "This is, indeed, the reason why I begged you to alter the order of the questions." The public astonishment had reached its height. There was no longer any deceit or bravado in the manner of the accused. The audience felt that a startling revelation was to follow this ominous prelude. "Well," said the president; "your name?" "I cannot tell you my name, since I do not know it; but I know my father's, and can tell it to you." A painful giddiness overwhelmed Villefort; great drops of acrid sweat fell from his face upon the papers which he held in his convulsed hand. "Repeat your father's name," said the president. Not a whisper,convulsed hand. "Repeat your father's name," said the president. Not a whisper, not a breath, was heard in that vast assembly; every one waited anxiously. "My father is king's attorney," replied Andrea calmly. "King's attorney?" said the president, stupefied, and without noticing the agitation which spread over the face of M. de Villefort; "king's attorney?" "Yes; and if you wish to know his name, I will tell it, — he is named Villefort." The explosion, which had been so long restrained from a feeling of respect to the court of justice, now burst forth like thunder from the breasts of all present; the court itself did not seek to restrain the feelings of the audience. The exclamations, the insults addressed to Benedetto, who remained perfectly unconcerned, the energetic gestures, the movement of the gendarmes, the sneers of the scum of the crowd always sure to rise to the surface in case of any disturbance — all this lasted five minutes, before the door-keepers and magistrates were able to restore silence. In the midst of this tumult the voice of the president was heard to exclaim, — "Are you playing with justice, accused, and do you dare set your fellow-citizens an example of disorder which even in these times has never been equalled?" Several persons hurried up to M. de Villefort, who sat half bowed over in his chair, offering him consolation, encouragement, and protestations of zeal and sympathy. Order was re-established in the hall, except that a few people still moved about and whispered to one another. A lady, it was said, had just fainted; they had supplied her with a smelling-bottle, and she had recovered. During the scene of tumult, Andrea had turned his smiling face towards the assembly; then, leaning with one hand on the oaken rail of the dock, in the most graceful attitude possible, he said: "Gentlemen, I assure you I had no idea of insulting the court, or of making a useless disturbance in the presence of this honorable assembly. They ask my age; I tell it. They ask where I was born; I answer.They ask my age; I tell it. They ask where I was born; I answer. They ask my name, I cannot give it, since my parents abandoned me. But though I cannot give my own name, not possessing one, I can tell them my father's. Now I repeat, my father is named M. de Villefort, and I am ready to prove it." There was an energy, a conviction, and a sincerity in the manner of the young man, which silenced the tumult. All eyes were turned for a moment towards the procureur, who sat as motionless as though a thunderbolt had changed him into a corpse. "Gentlemen," said Andrea, commanding silence by his voice and manner; "I owe you the proofs and explanations of what I have said." "But," said the irritated president, "you called yourself Benedetto, declared yourself an orphan, and claimed Corsica as your country." "I said anything I pleased, in order that the solemn declaration I have just made should not be withheld, which otherwise would certainly have been the case. I now repeat that I was born at Auteuil on the night of the 27th of September, 1817, and that I am the son of the procureur, M. de Villefort. Do you wish for any further details? I will give them. I was born in No. 28, Rue de la Fontaine, in a room hung with red damask; my father took me in his arms, telling my mother I was dead, wrapped me in a napkin marked with an H and an N, and carried me into a garden, where he buried me alive." A shudder ran through the assembly when they saw that the confidence of the prisoner increased in proportion to the terror of M. de Villefort. "But how have you become acquainted with all these details?" asked the president. "I will tell you, Mr. President. A man who had sworn vengeance against my father, and had long watched his opportunity to kill him, had introduced himself that night into the garden in which my father buried me. He was concealed in a thicket; he saw my father bury something in the ground, and stabbed him; then thinking the deposit might contain some treasure he turned up the ground, and

deposit might contain some treasure he turned up the ground, and found me still living. The man carried me to the foundling asylum, where I was registered under the number 37. Three months afterwards, a woman travelled from Rogliano to Paris to fetch me, and having claimed me as her son, carried me away. Thus, you see, though born in Paris, I was brought up in Corsica." There was a moment's silence, during which one could have fancied the hall empty, so profound was the stillness. "Proceed," said the president. "Certainly, I might have lived happily amongst those good people, who adored me, but my perverse disposition prevailed over the virtues which my adopted mother endeavored to instil into my heart. I increased in wickedness till I committed crime. One day when I cursed providence for making me so wicked, and ordaining me to such a fate, my adopted father said to me, `Do not blaspheme, unhappy child, the crime is that of your father, not yours, — of your father, who consigned you to hell if you died, and to misery if a miracle preserved you alive.' After that I ceased to blaspheme, but I cursed my father. That is why I have uttered the words for which you blame me; that is why I have filled this whole assembly with horror. If I have committed an additional crime, punish me, but if you will allow that ever since the day of my birth my fate has been sad, bitter, and lamentable, then pity me." "But your mother?" asked the president. "My mother thought me dead; she is not guilty. I did not even wish to know her name, nor do I know it." Just then a piercing cry, ending in a sob, burst from the centre of the crowd, who encircled the lady who had before fainted, and who now fell into a violent fit of hysterics. She was carried out of the hall, the thick veil which concealed her face dropped off, and Madame Danglars was recognized. Notwithstanding his shattered nerves, the ringing sensation in his ears, and the madness which turned his brain, Villefort rose as he perceived her. "The proofs, the proofs!" saidVillefort rose as he perceived her. "The proofs, the proofs!" said the president; "remember this tissue of horrors must be supported by the clearest proofs " "The proofs?" said Benedetto, laughing; "do you want proofs?" "Yes." "Well, then, look at M. de Villefort, and then ask me for proofs." Every one turned towards the procureur, who, unable to bear the universal gaze now riveted on him alone, advanced staggering into the midst of the tribunal, with his hair dishevelled and his face indented with the mark of his nails. The whole assembly uttered a long murmur of astonishment. "Father," said Benedetto, "I am asked for proofs, do you wish me to give them?" "No, no, it is useless," stammered M. de Villefort in a hoarse voice; "no, it is useless!" "How useless?" cried the president, "what do you mean?" "I mean that I feel it impossible to struggle against this deadly weight which crushes me. Gentlemen, I know I am in the hands of an avenging God! We need no proofs; everything relating to this young man is true." A dull, gloomy silence, like that which precedes some awful phenomenon of nature, pervaded the assembly, who shuddered in dismay. "What, M. de Villefort," cried the president, "do you yield to an hallucination? What, are you no longer in possession of your senses? This strange, unexpected, terrible accusation has disordered your reason. Come, recover." The procureur dropped his head; his teeth chattered like those of a man under a violent attack of fever, and yet he was deadly pale. "I am in possession of all my senses, sir," he said; "my body alone suffers, as you may suppose. I acknowledge myself guilty of all the young man has brought against me, and from this hour hold myself under the authority of the procureur who will succeed me." And as he spoke these words with a hoarse, choking voice, he staggered towards the door, which was mechanically opened by a door-keeper. The whole assembly were dumb with astonishment at the revelation and confession which had produced a catastrophe sorevelation and confession which had produced a catastrophe so different from that which had been expected during the last fortnight by the Parisian world. "Well," said Beauchamp, "let them now say that drama is unnatural!" "Ma foi!" said Chateau-Renaud, "I would rather end my career like M. de Morcerf; a pistol-shot seems quite delightful compared with this catastrophe." "And moreover, it kills," said Beauchamp. "And to think that I had an idea of marrying his daughter," said Debray. "She did well to die, poor girl!" "The sitting is adjourned, gentlemen," said the president; "fresh inquiries will be made, and the case will be tried next session by another magistrate." As for Andrea, who was calm and more interesting than ever, he left the hall, escorted by gendarmes, who involuntarily paid him some attention. "Well, what do you think of this, my fine fellow?" asked Debray of the sergeant-at-arms, slipping a louis into his hand. "There will be extenuating circumstances," he replied.Notwithstanding the density of the crowd, M. de Villefort saw it open before him. There is something so awe-inspiring in great afflictions that even in the worst times the first emotion of a crowd has generally been to sympathize with the sufferer in a great catastrophe. Many people have been assassinated in a tumult, but even criminals have rarely been insulted during trial. Thus Villefort passed through the mass of spectators and officers of the Palais, and withdrew. Though he had acknowledged his guilt, he was protected by his grief. There are some situations which men understand by instinct, but which reason is powerless to explain; in such cases the greatest poet is he who gives utterance to the most natural and vehement outburst of sorrow. Those who hear the bitter cry are as much impressed as if they listened to an entire poem, and when the sufferer is sincere they are right in regarding his outburst as sublime. It would be difficult to describe the state of stupor in which Villefort left the Palais. Every pulse beat with feverish excitement, every nerve was strained, every vein swollen, and every part of his body seemed to suffer distinctly from the rest, thus multiplying his agony a thousand-fold. He made his way along the corridors through force of habit; he threw aside his magisterial robe, not out of deference to etiquette, but because it was an unbearable burden, a veritable garb of Nessus, insatiate in torture. Having staggered as far as the Rue Dauphine, he perceived his carriage, awoke his sleeping coachman by opening the door himself, threw himself on the cushions, and pointed towards the Faubourg Saint-Honore; the carriage drove on. The weight of his fallen fortunes seemed suddenly to crush him; he could not foresee the consequences; he could not contemplate the future with the indifference of the hardened criminal who merely faces a contingency already familiar. God was still in his heart. "God," he murmured, not knowing what he said, — "God — God!" Behind the event

murmured, not knowing what he said, — "God — God!" Behind the event that had overwhelmed him he saw the hand of God. The carriage rolled rapidly onward. Villefort, while turning restlessly on the cushions, felt something press against him. He put out his hand to remove the object; it was a fan which Madame de Villefort had left in the carriage; this fan awakened a recollection which darted through his mind like lightning. He thought of his wife. "Oh!" he exclaimed, as though a redhot iron were piercing his heart. During the last hour his own crime had alone been presented to his mind; now another object, not less terrible, suddenly presented itself. His wife! He had just acted the inexorable judge with her, he had condemned her to death, and she, crushed by remorse, struck with terror, covered with the shame inspired by the eloquence of his irreproachable virtue, — she, a poor, weak woman, without help or the power of defending herself against his absolute and supreme will, — she might at that very moment, perhaps, be preparing to die! An hour had elapsed since her condemnation; at that moment, doubtless, she was recalling all her crimes to her memory; she was asking pardon for her sins; perhaps she was even writing a letter imploring forgiveness from her virtuous husband — a forgiveness she was purchasing with her death! Villefort again groaned with anguish and despair. "Ah," he exclaimed, "that woman became criminal only from associating with me! I carried the infection of crime with me, and she has caught it as she would the typhus fever, the cholera, the plague! And yet I have punished her — I have dared to tell her — I have — `Repent and die!' But no, she must not die; she shall live, and with me. We will flee from Paris and go as far as the earth reaches. I told her of the scaffold; oh, heavens, I forgot that it awaits me also! How could I pronounce that word? Yes, we will fly; I will confess all to her, — I will tell her daily that I also have committed a crime! — Oh, what antell her daily that I also have committed a crime! — Oh, what an alliance — the tiger and the serpent; worthy wife of such as I am! She must live that my infamy may diminish hers." And Villefort dashed open the window in front of the carriage. "Faster, faster!" he cried, in a tone which electrified the coachman. The horses, impelled by fear, flew towards the house. "Yes, yes," repeated Villefort, as he approached his home — "yes, that woman must live; she must repent, and educate my son, the sole survivor, with the exception of the indestructible old man, of the wreck of my house. She loves him; it was for his sake she has committed these crimes. We ought never to despair of softening the heart of a mother who loves her child. She will repent, and no one will know that she has been guilty. The events which have taken place in my house, though they now occupy the public mind, will be forgotten in time, or if, indeed, a few enemies should persist in remembering them, why then I will add them to my list of crimes. What will it signify if one, two, or three more are added? My wife and child shall escape from this gulf, carrying treasures with them; she will live and may yet be happy, since her child, in whom all her love is centred, will be with her. I shall have performed a good action, and my heart will be lighter." And the procureur breathed more freely than he had done for some time. The carriage stopped at the door of the house. Villefort leaped out of the carriage, and saw that his servants were surprised at his early return; he could read no other expression on their features. Neither of them spoke to him; they merely stood aside to let him pass by, as usual, nothing more. As he passed by M. Noirtier's room, he perceived two figures through the half-open door; but he experienced no curiosity to know who was visiting his father: anxiety carried him on further. "Come," he said, as he ascended the stairs leading to his wife's room, "nothing is changed here." He then closed the door of theroom, "nothing is changed here." He then closed the door of the landing. "No one must disturb us," he said; "I must speak freely to her, accuse myself, and say" — he approached the door, touched the crystal handle, which yielded to his hand. "Not locked," he cried; "that is well." And he entered the little room in which Edward slept; for though the child went to school during the day, his mother could not allow him to be separated from her at night. With a single glance Villefort's eye ran through the room. "Not here," he said; "doubtless she is in her bedroom." He rushed towards the door, found it bolted, and stopped, shuddering. "Heloise!" he cried. He fancied he heard the sound of a piece of furniture being removed. "Heloise!" he repeated. "Who is there?" answered the voice of her he sought. He thought that voice more feeble than usual. "Open the door!" cried Villefort. "Open; it is I." But notwithstanding this request, notwithstanding the tone of anguish in which it was uttered, the door remained closed. Villefort burst it open with a violent blow. At the entrance of the room which led to her boudoir, Madame de Villefort was standing erect, pale, her features contracted, and her eyes glaring horribly. "Heloise, Heloise!" he said, "what is the matter? Speak!" The young woman extended her stiff white hands towards him. "It is done, monsieur," she said with a rattling noise which seemed to tear her throat. "What more do you want?" and she fell full length on the floor. Villefort ran to her and seized her hand, which convulsively clasped a crystal bottle with a golden stopper. Madame de Villefort was dead. Villefort, maddened with horror, stepped back to the threshhold of the door, fixing his eyes on the corpse: "My son!" he exclaimed suddenly, "where is my son? — Edward, Edward!" and he rushed out of the room, still crying, "Edward, Edward!" The name was pronounced in such a tone of anguish that the servants ran up. "Where is my son?" asked Villefort; "let him be removed from the house, that he may not see" —

up. "Where is my son?" asked Villefort; "let him be removed from the house, that he may not see" — "Master Edward is not down-stairs, sir," replied the valet. "Then he must be playing in the garden; go and see." "No, sir; Madame de Villefort sent for him half an hour ago; he went into her room, and has not been down-stairs since." A cold perspiration burst out on Villefort's brow; his legs trembled, and his thoughts flew about madly in his brain like the wheels of a disordered watch. "In Madame de Villefort's room?" he murmured and slowly returned, with one hand wiping his forehead, and with the other supporting himself against the wall. To enter the room he must again see the body of his unfortunate wife. To call Edward he must reawaken the echo of that room which now appeared like a sepulchre; to speak seemed like violating the silence of the tomb. His tongue was paralyzed in his mouth. "Edward!" he stammered — "Edward!" The child did not answer. Where, then, could he be, if he had entered his mother's room and not since returned? He stepped forward. The corpse of Madame de Villefort was stretched across the doorway leading to the room in which Edward must be; those glaring eyes seemed to watch over the threshold, and the lips bore the stamp of a terrible and mysterious irony. Through the open door was visible a portion of the boudoir, containing an upright piano and a blue satin couch. Villefort stepped forward two or three paces, and beheld his child lying — no doubt asleep — on the sofa. The unhappy man uttered an exclamation of joy; a ray of light seemed to penetrate the abyss of despair and darkness. He had only to step over the corpse, enter the boudoir, take the child in his arms, and flee far, far away. Villefort was no longer the civilized man; he was a tiger hurt unto death, gnashing his teeth in his wound. He no longer feared realities, but phantoms. He leaped over the corpse as if it had been a burning brazier. He took the child in his arms, embracedbeen a burning brazier. He took the child in his arms, embraced him, shook him, called him, but the child made no response. He pressed his burning lips to the cheeks, but they were icy cold and pale; he felt the stiffened limbs; he pressed his hand upon the heart, but it no longer beat, — the child was dead. A folded paper fell from Edward's breast. Villefort, thunderstruck, fell upon his knees; the child dropped from his arms, and rolled on the floor by the side of its mother. He picked up the paper, and, recognizing his wife's writing, ran his eyes rapidly over its contents; it ran as follows: — "You know that I was a good mother, since it was for my son's sake I became criminal. A good mother cannot depart without her son." Villefort could not believe his eyes, — he could not believe his reason; he dragged himself towards the child's body, and examined it as a lioness contemplates its dead cub. Then a piercing cry escaped from his breast, and he cried, "Still the hand of God." The presence of the two victims alarmed him; he could not bear solitude shared only by two corpses. Until then he had been sustained by rage, by his strength of mind, by despair, by the supreme agony which led the Titans to scale the heavens, and Ajax to defy the gods. He now arose, his head bowed beneath the weight of grief, and, shaking his damp, dishevelled hair, he who had never felt compassion for any one determined to seek his father, that he might have some one to whom he could relate his misfortunes, — some one by whose side he might weep. He descended the little staircase with which we are acquainted, and entered Noirtier's room. The old man appeared to be listening attentively and as affectionately as his infirmities would allow to the Abbe Busoni, who looked cold and calm, as usual. Villefort, perceiving the abbe, passed his hand across his brow. He recollected the call he had made upon him after the dinner at Auteuil, and then the visit the abbe had himself paidthe dinner at Auteuil, and then the visit the abbe had himself paid to his house on the day of Valentine's death. "You here, sir!" he exclaimed; "do you, then, never appear but to act as an escort to death?" Busoni turned around, and, perceiving the excitement depicted on the magistrate's face, the savage lustre of his eyes, he understood that the revelation had been made at the assizes; but beyond this he was ignorant. "I came to pray over the body of your daughter." "And now why are you here?" "I come to tell you that you have sufficiently repaid your debt, and that from this moment I will pray to God to forgive you, as I do." "Good heavens!" exclaimed Villefort, stepping back fearfully, "surely that is not the voice of the Abbe Busoni!" "No!" The abbe threw off his wig, shook his head, and his hair, no longer confined, fell in black masses around his manly face. "It is the face of the Count of Monte Cristo!" exclaimed the procureur, with a haggard expression. "You are not exactly right, M. Procureur; you must go farther back." "That voice, that voice! — where did I first hear it?" "You heard it for the first time at Marseilles, twenty-three years ago, the day of your marriage with Mademoiselle de Saint-Meran. Refer to your papers." "You are not Busoni? — you are not Monte Cristo? Oh, heavens — you are, then, some secret, implacable, and mortal enemy! I must have wronged you in some way at Marseilles. Oh, woe to me!" "Yes; you are now on the right path," said the count, crossing his arms over his broad chest; "search — search!" "But what have I done to you?" exclaimed Villefort, whose mind was balancing between reason and insanity, in that cloud which is neither a dream nor reality; "what have I done to you? Tell me, then! Speak!" "You condemned me to a horrible, tedious death; you killed my father; you deprived me of liberty, of love, and happiness." "Who are you, then? Who are you?" "I am the spectre of a wretch you buried in the dungeons of the

"Who are you, then? Who are you?" "I am the spectre of a wretch you buried in the dungeons of the Chateau d'If. God gave that spectre the form of the Count of Monte Cristo when he at length issued from his tomb, enriched him with gold and diamonds, and led him to you!" "Ah, I recognize you — I recognize you!" exclaimed the king's attorney; "you are" — "I am Edmond Dantes!" "You are Edmond Dantes," cried Villefort, seizing the count by the wrist; "then come here!" And up the stairs he dragged Monte Cristo; who, ignorant of what had happened, followed him in astonishment, foreseeing some new catastrophe. "There, Edmond Dantes!" he said, pointing to the bodies of his wife and child, "see, are you well avenged?" Monte Cristo became pale at this horrible sight; he felt that he had passed beyond the bounds of vengeance, and that he could no longer say, "God is for and with me." With an expression of indescribable anguish he threw himself upon the body of the child, reopened its eyes, felt its pulse, and then rushed with him into Valentine's room, of which he double-locked the door. "My child," cried Villefort, "he carries away the body of my child! Oh, curses, woe, death to you!" and he tried to follow Monte Cristo; but as though in a dream he was transfixed to the spot, — his eyes glared as though they were starting through the sockets; he griped the flesh on his chest until his nails were stained with blood; the veins of his temples swelled and boiled as though they would burst their narrow boundary, and deluge his brain with living fire. This lasted several minutes, until the frightful overturn of reason was accomplished; then uttering a loud cry followed by a burst of laughter, he rushed down the stairs. A quarter of an hour afterwards the door of Valentine's room opened, and Monte Cristo reappeared. Pale, with a dull eye and heavy heart, all the noble features of that face, usually so calm and serene, were overcast by grief. In his arms he held the child,and serene, were overcast by grief. In his arms he held the child, whom no skill had been able to recall to life. Bending on one knee, he placed it reverently by the side of its mother, with its head upon her breast. Then, rising, he went out, and meeting a servant on the stairs, he asked, "Where is M. de Villefort?" The servant, instead of answering, pointed to the garden. Monte Cristo ran down the steps, and advancing towards the spot designated beheld Villefort, encircled by his servants, with a spade in his hand, and digging the earth with fury. "It is not here!" he cried. "It is not here!" And then he moved farther on, and began again to dig. Monte Cristo approached him, and said in a low voice, with an expression almost humble, "Sir, you have indeed lost a son; but" — Villefort interrupted him; he had neither listened nor heard. "Oh, I will find it," he cried; "you may pretend he is not here, but I will find him, though I dig forever!" Monte Cristo drew back in horror. "Oh," he said, "he is mad!" And as though he feared that the walls of the accursed house would crumble around him, he rushed into the street, for the first time doubting whether he had the right to do as he had done. "Oh, enough of this, — enough of this," he cried; "let me save the last." On entering his house, he met Morrel, who wandered about like a ghost awaiting the heavenly mandate for return to the tomb. "Prepare yourself, Maximilian," he said with a smile; "we leave Paris to-morrow." "Have you nothing more to do there?" asked Morrel. "No," replied Monte Cristo; "God grant I may not have done too much already." The next day they indeed left, accompanied only by Baptistin. Haidee had taken away Ali, and Bertuccio remained with Noirtier.The recent event formed the theme of conversation throughout all Paris. Emmanuel and his wife conversed with natural astonishment in their little apartment in the Rue Meslay upon the three successive, sudden, and most unexpected catastrophes of Morcerf, Danglars, and Villefort. Maximilian, who was paying them a visit, listened to their conversation, or rather was present at it, plunged in his accustomed state of apathy. "Indeed," said Julie, "might we not almost fancy, Emmanuel, that those people, so rich, so happy but yesterday, had forgotten in their prosperity that an evil genius — like the wicked fairies in Perrault's stories who present themselves unbidden at a wedding or baptism — hovered over them, and appeared all at once to revenge himself for their fatal neglect?" "What a dire misfortune!" said Emmanuel, thinking of Morcerf and Danglars. "What dreadful sufferings!" said Julie, remembering Valentine, but whom, with a delicacy natural to women, she did not name before her brother. "If the Supreme Being has directed the fatal blow," said Emmanuel, "it must be that he in his great goodness has perceived nothing in the past lives of these people to merit mitigation of their awful punishment." "Do you not form a very rash judgment, Emmanuel?" said Julie. "When my father, with a pistol in his hand, was once on the point of committing suicide, had any one then said, `This man deserves his misery,' would not that person have been deceived?" "Yes; but your father was not allowed to fall. A being was commissioned to arrest the fatal hand of death about to descend on him." Emmanuel had scarcely uttered these words when the sound of the bell was heard, the well-known signal given by the porter that a visitor had arrived. Nearly at the same instant the door was opened and the Count of Monte Cristo appeared on the threshold. The young people uttered a cry of joy, while Maximilian raised his head, but let it fall again immediately. "Maximilian," said the count,

let it fall again immediately. "Maximilian," said the count, without appearing to notice the different impressions which his presence produced on the little circle, "I come to seek you." "To seek me?" repeated Morrel, as if awakening from a dream. "Yes," said Monte Cristo; "has it not been agreed that I should take you with me, and did I not tell you yesterday to prepare for departure?" "I am ready," said Maximilian; "I came expressly to wish them farewell." "Whither are you going, count?" asked Julie. "In the first instance to Marseilles, madame." "To Marseilles!" exclaimed the young couple. "Yes, and I take your brother with me." "Oh, count." said Julie, "will you restore him to us cured of his melancholy?" — Morrel turned away to conceal the confusion of his countenance. "You perceive, then, that he is not happy?" said the count. "Yes," replied the young woman; "and fear much that he finds our home but a dull one." "I will undertake to divert him," replied the count. "I am ready to accompany you, sir," said Maximilian. "Adieu, my kind friends! Emmanuel — Julie — farewell!" "How farewell?" exclaimed Julie; "do you leave us thus, so suddenly, without any preparations for your journey, without even a passport?" "Needless delays but increase the grief of parting," said Monte Cristo, "and Maximilian has doubtless provided himself with everything requisite; at least, I advised him to do so." "I have a passport, and my clothes are ready packed," said Morrel in his tranquil but mournful manner. "Good," said Monte Cristo, smiling; "in these prompt arrangements we recognize the order of a well-disciplined soldier." "And you leave us," said Julie, "at a moment's warning? you do not give us a day — no, not even an hour before your departure?" "My carriage is at the door, madame, and I must be in Rome in five days." "But does Maximilian go to Rome?" exclaimed Emmanuel. "I am going wherever it may please the count to take me," said Morrel, with a smile full of grief; "I am under his orders for the next month."Morrel, with a smile full of grief; "I am under his orders for the next month." "Oh, heavens, how strangely he expresses himself, count!" said Julie. "Maximilian goes with me," said the count, in his kindest and most persuasive manner; "therefore do not make yourself uneasy on your brother's account." "Once more farewell, my dear sister; Emmanuel, adieu!" Morrel repeated. "His carelessness and indifference touch me to the heart," said Julie. "Oh, Maximilian, Maximilian, you are certainly concealing something from us." "Pshaw!" said Monte Cristo, "you will see him return to you gay, smiling, and joyful." Maximilian cast a look of disdain, almost of anger, on the count. "We must leave you," said Monte Cristo. "Before you quit us, count," said Julie, "will you permit us to express to you all that the other day" — "Madame," interrupted the count, taking her two hands in his, "all that you could say in words would never express what I read in your eyes; the thoughts of your heart are fully understood by mine. Like benefactors in romances, I should have left you without seeing you again, but that would have been a virtue beyond my strength, because I am a weak and vain man, fond of the tender, kind, and thankful glances of my fellow-creatures. On the eve of departure I carry my egotism so far as to say, `Do not forget me, my kind friends, for probably you will never see me again.'" "Never see you again?" exclaimed Emmanuel, while two large tears rolled down Julie's cheeks, "never behold you again? It is not a man, then, but some angel that leaves us, and this angel is on the point of returning to heaven after having appeared on earth to do good." "Say not so," quickly returned Monte Cristo — "say not so, my friends; angels never err, celestial beings remain where they wish to be. Fate is not more powerful than they; it is they who, on the contrary, overcome fate. No, Emmanuel, I am but a man, and your admiration is as unmerited as your words are sacrilegious." Andadmiration is as unmerited as your words are sacrilegious." And pressing his lips on the hand of Julie, who rushed into his arms, he extended his other hand to Emmanuel; then tearing himself from this abode of peace and happiness, he made a sign to Maximilian, who followed him passively, with the indifference which had been perceptible in him ever since the death of Valentine had so stunned him. "Restore my brother to peace and happiness," whispered Julie to Monte Cristo. And the count pressed her hand in reply, as he had done eleven years before on the staircase leading to Morrel's study. "You still confide, then, in Sinbad the Sailor?" asked he, smiling. "Oh, yes," was the ready answer. "Well, then, sleep in peace, and put your trust in heaven." As we have before said, the postchaise was waiting; four powerful horses were already pawing the ground with impatience, while Ali, apparently just arrived from a long walk, was standing at the foot of the steps, his face bathed in perspiration. "Well," asked the count in Arabic, "have you been to see the old man?" Ali made a sign in the affirmative. "And have you placed the letter before him, as I ordered you to do?" The slave respectfully signalized that he had. "And what did he say, or rather do?" Ali placed himself in the light, so that his master might see him distinctly, and then imitating in his intelligent manner the countenance of the old man, he closed his eyes, as Noirtier was in the custom of doing when saying "Yes." "Good; he accepts," said Monte Cristo. "Now let us go." These words had scarcely escaped him, when the carriage was on its way, and the feet of the horses struck a shower of sparks from the pavement. Maximilian settled himself in his corner without uttering a word. Half an hour had passed when the carriage stopped suddenly; the count had just pulled the silken check-string, which was fastened to Ali's finger. The Nubian immediately descended and opened the carriage door. It was a lovely starlight night — they

opened the carriage door. It was a lovely starlight night — they had just reached the top of the hill Villejuif, from whence Paris appears like a sombre sea tossing its millions of phosphoric waves into light — waves indeed more noisy, more passionate, more changeable, more furious, more greedy, than those of the tempestuous ocean, — waves which never rest as those of the sea sometimes do, — waves ever dashing, ever foaming, ever ingulfing what falls within their grasp. The count stood alone, and at a sign from his hand, the carriage went on for a short distance. With folded arms, he gazed for some time upon the great city. When he had fixed his piercing look on this modern Babylon, which equally engages the contemplation of the religious enthusiast, the materialist, and the scoffer, — "Great city," murmured he, inclining his head, and joining his hands as if in prayer, "less than six months have elapsed since first I entered thy gates. I believe that the Spirit of God led my steps to thee and that he also enables me to quit thee in triumph; the secret cause of my presence within thy walls I have confided alone to him who only has had the power to read my heart. God only knows that I retire from thee without pride or hatred, but not without many regrets; he only knows that the power confided to me has never been made subservient to my personal good or to any useless cause. Oh, great city, it is in thy palpitating bosom that I have found that which I sought; like a patient miner, I have dug deep into thy very entrails to root out evil thence. Now my work is accomplished, my mission is terminated, now thou canst neither afford me pain nor pleasure. Adieu, Paris, adieu!" His look wandered over the vast plain like that of some genius of the night; he passed his hand over his brow, got into the carriage, the door was closed on him, and the vehicle quickly disappeared down the other side of the hill in a whirlwind of noise and dust. Ten leagues were passed and not a single word was uttered.and dust. Ten leagues were passed and not a single word was uttered. Morrel was dreaming, and Monte Cristo was looking at the dreamer. "Morrel," said the count to him at length, "do you repent having followed me?" "No, count; but to leave Paris" — "If I thought happiness might await you in Paris, Morrel, I would have left you there." "Valentine reposes within the walls of Paris, and to leave Paris is like losing her a second time." "Maximilian," said the count, "the friends that we have lost do not repose in the bosom of the earth, but are buried deep in our hearts, and it has been thus ordained that we may always be accompanied by them. I have two friends, who in this way never depart from me; the one who gave me being, and the other who conferred knowledge and intelligence on me. Their spirits live in me. I consult them when doubtful, and if I ever do any good, it is due to their beneficent counsels. Listen to the voice of your heart, Morrel, and ask it whether you ought to preserve this melancholy exterior towards me." "My friend," said Maximilian, "the voice of my heart is very sorrowful, and promises me nothing but misfortune." "It is the way of weakened minds to see everything through a black cloud. The soul forms its own horizons; your soul is darkened, and consequently the sky of the future appears stormy and unpromising." "That may possibly be true," said Maximilian, and he again subsided into his thoughtful mood. The journey was performed with that marvellous rapidity which the unlimited power of the count ever commanded. Towns fled from them like shadows on their path, and trees shaken by the first winds of autumn seemed like giants madly rushing on to meet them, and retreating as rapidly when once reached. The following morning they arrived at Chalons, where the count's steamboat waited for them. Without the loss of an instant, the carriage was placed on board and the two travellers embarked without delay. The boat was built for speed; her two paddle-wheels were like two wings withbuilt for speed; her two paddle-wheels were like two wings with which she skimmed the water like a bird. Morrel was not insensible to that sensation of delight which is generally experienced in passing rapidly through the air, and the wind which occasionally raised the hair from his forehead seemed on the point of dispelling momentarily the clouds collected there. As the distance increased between the travellers and Paris, almost superhuman serenity appeared to surround the count; he might have been taken for an exile about to revisit his native land. Ere long Marseilles presented herself to view, — Marseilles, white, fervid, full of life and energy, — Marseilles, the younger sister of Tyre and Carthage, the successor to them in the empire of the Mediterranean, — Marseilles, old, yet always young. Powerful memories were stirred within them by the sight of the round tower, Fort Saint-Nicolas, the City Hall designed by Puget,* the port with its brick quays, where they had both played in childhood, and it was with one accord that they stopped on the Cannebiere. A vessel was setting sail for Algiers, on board of which the bustle usually attending departure prevailed. The passengers and their relations crowded on the deck, friends taking a tender but sorrowful leave of each other, some weeping, others noisy in their grief, the whole forming a spectacle that might be exciting even to those who witnessed similar sights daily, but which had no power to disturb the current of thought that had taken possession of the mind of Maximilian from the moment he had set foot on the broad pavement of the quay. (* Pierre Puget, the sculptor-architect, was born at Marseilles in 1622.) "Here," said he, leaning heavily on the arm of Monte Cristo, — "here is the spot where my father stopped, when the Pharaon entered the port; it was here that the good old man, whom you saved from death and dishonor, threw himself into my arms. I yet feel his warm tears on my face, and his were not the only tears shed, for many

tears on my face, and his were not the only tears shed, for many who witnessed our meeting wept also." Monte Cristo gently smiled and said, — "I was there;" at the same time pointing to the corner of a street. As he spoke, and in the very direction he indicated, a groan, expressive of bitter grief, was heard, and a woman was seen waving her hand to a passenger on board the vessel about to sail. Monte Cristo looked at her with an emotion that must have been remarked by Morrel had not his eyes been fixed on the vessel. "Oh, heavens!" exclaimed Morrel, "I do not deceive myself — that young man who is waving his hat, that youth in the uniform of a lieutenant, is Albert de Morcerf!" "Yes," said Monte Cristo, "I recognized him." "How so? — you were looking the other way." the count smiled, as he was in the habit of doing when he did not want to make any reply, and he again turned towards the veiled woman, who soon disappeared at the corner of the street. Turning to his friend, — "Dear Maximilian," said the count, "have you nothing to do in this land?" "I have to weep over the grave of my father," replied Morrel in a broken voice. "Well, then, go, — wait for me there, and I will soon join you." "You leave me, then?" "Yes; I also have a pious visit to pay." Morrel allowed his hand to fall into that which the count extended to him; then with an inexpressibly sorrowful inclination of the head he quitted the count and bent his steps to the east of the city. Monte Cristo remained on the same spot until Maximilian was out of sight; he then walked slowly towards the Allees de Meillan to seek out a small house with which our readers were made familiar at the beginning of this story. It yet stood, under the shade of the fine avenue of lime-trees, which forms one of the most frequent walks of the idlers of Marseilles, covered by an immense vine, which spreads its aged and blackened branches over the stone front, burnt yellow by the ardent sun of the south. Two stone stepsfront, burnt yellow by the ardent sun of the south. Two stone steps worn away by the friction of many feet led to the door, which was made of three planks; the door had never been painted or varnished, so great cracks yawned in it during the dry season to close again when the rains came on. The house, with all its crumbling antiquity and apparent misery, was yet cheerful and picturesque, and was the same that old Dantes formerly inhabited — the only difference being that the old man occupied merely the garret, while the whole house was now placed at the command of Mercedes by the count. The woman whom the count had seen leave the ship with so much regret entered this house; she had scarcely closed the door after her when Monte Cristo appeared at the corner of a street, so that he found and lost her again almost at the same instant. The worn out steps were old acquaintances of his; he knew better than any one else how to open that weather-beaten door with the large headed nail which served to raise the latch within. He entered without knocking, or giving any other intimation of his presence, as if he had been a friend or the master of the place. At the end of a passage paved with bricks, was a little garden, bathed in sunshine, and rich in warmth and light. In this garden Mercedes had found, at the place indicated by the count, the sum of money which he, through a sense of delicacy, had described as having been placed there twenty-four years previously. The trees of the garden were easily seen from the steps of the street-door. Monte Cristo, on stepping into the house, heard a sigh that was almost a deep sob; he looked in the direction whence it came, and there under an arbor of Virginia jessamine,* with its thick foliage and beautiful long purple flowers, he saw Mercedes seated, with her head bowed, and weeping bitterly. She had raised her veil, and with her face hidden by her hands was giving free scope to the sighs and tears which had been so long restrained by the presence of her son. Monte Cristobeen so long restrained by the presence of her son. Monte Cristo advanced a few steps, which were heard on the gravel. Mercedes raised her head, and uttered a cry of terror on beholding a man before her. (* The Carolina — not Virginia — jessamine, gelsemium sempervirens (properly speaking not a jessamine at all) has yellow blossoms. The reference is no doubt to the Wistaria frutescens. — Ed.) "Madame," said the count, "it is no longer in my power to restore you to happiness, but I offer you consolation; will you deign to accept it as coming from a friend?" "I am, indeed, most wretched," replied Mercedes. "Alone in the world, I had but my son, and he has left me!" "He possesses a noble heart, madame," replied the count, "and he has acted rightly. He feels that every man owes a tribute to his country; some contribute their talents, others their industry; these devote their blood, those their nightly labors, to the same cause. Had he remained with you, his life must have become a hateful burden, nor would he have participated in your griefs. He will increase in strength and honor by struggling with adversity, which he will convert into prosperity. Leave him to build up the future for you, and I venture to say you will confide it to safe hands." "Oh," replied the wretched woman, mournfully shaking her head, "the prosperity of which you speak, and which, from the bottom of my heart, I pray God in his mercy to grant him, I can never enjoy. The bitter cup of adversity has been drained by me to the very dregs, and I feel that the grave is not far distant. You have acted kindly, count, in bringing me back to the place where I have enjoyed so much bliss. I ought to meet death on the same spot where happiness was once all my own." "Alas," said Monte Cristo, "your words sear and embitter my heart, the more so as you have every reason to hate me. I have been the cause of all your misfortunes; but why do you pity, instead of blaming me? You render me still more unhappy" —

blaming me? You render me still more unhappy" — "Hate you, blame you — you, Edmond! Hate, reproach, the man that has spared my son's life! For was it not your fatal and sanguinary intention to destroy that son of whom M. de Morcerf was so proud? Oh, look at me closely, and discover if you can even the semblance of a reproach in me." The count looked up and fixed his eyes on Mercedes, who arose partly from her seat and extended both her hands towards him. "Oh, look at me," continued she, with a feeling of profound melancholy, "my eyes no longer dazzle by their brilliancy, for the time has long fled since I used to smile on Edmond Dantes, who anxiously looked out for me from the window of yonder garret, then inhabited by his old father. Years of grief have created an abyss between those days and the present. I neither reproach you nor hate you, my friend. Oh, no, Edmond, it is myself that I blame, myself that I hate! Oh, miserable creature that I am!" cried she, clasping her hands, and raising her eyes to heaven. "I once possessed piety, innocence, and love, the three ingredients of the happiness of angels, and now what am I?" Monte Cristo approached her, and silently took her hand. "No," said she, withdrawing it gently — "no, my friend, touch me not. You have spared me, yet of all those who have fallen under your vengeance I was the most guilty. They were influenced by hatred, by avarice, and by self-love; but I was base, and for want of courage acted against my judgment. Nay, do not press my hand, Edmond; you are thinking, I am sure, of some kind speech to console me, but do not utter it to me, reserve it for others more worthy of your kindness. See" (and she exposed her face completely to view) — "see, misfortune has silvered my hair, my eyes have shed so many tears that they are encircled by a rim of purple, and my brow is wrinkled. You, Edmond, on the contrary, — you are still young, handsome, dignified; it is because you have had faith; because youhandsome, dignified; it is because you have had faith; because you have had strength, because you have had trust in God, and God has sustained you. But as for me, I have been a coward; I have denied God and he has abandoned me." Mercedes burst into tears; her woman's heart was breaking under its load of memories. Monte Cristo took her hand and imprinted a kiss on it; but she herself felt that it was a kiss of no greater warmth than he would have bestowed on the hand of some marble statue of a saint. "It often happens," continued she, "that a first fault destroys the prospects of a whole life. I believed you dead; why did I survive you? What good has it done me to mourn for you eternally in the secret recesses of my heart? — only to make a woman of thirty-nine look like a woman of fifty. Why, having recognized you, and I the only one to do so — why was I able to save my son alone? Ought I not also to have rescued the man that I had accepted for a husband, guilty though he were? Yet I let him die! What do I say? Oh, merciful heavens, was I not accessory to his death by my supine insensibility, by my contempt for him, not remembering, or not willing to remember, that it was for my sake he had become a traitor and a perjurer? In what am I benefited by accompanying my son so far, since I now abandon him, and allow him to depart alone to the baneful climate of Africa? Oh, I have been base, cowardly, I tell you; I have abjured my affections, and like all renegades I am of evil omen to those who surround me!" "No, Mercedes," said Monte Cristo, "no; you judge yourself with too much severity. You are a noble-minded woman, and it was your grief that disarmed me. Still I was but an agent, led on by an invisible and offended Deity, who chose not to withhold the fatal blow that I was destined to hurl. I take that God to witness, at whose feet I have prostrated myself daily for the last ten years, that I would have sacrificed my life to you, and with my life thethat I would have sacrificed my life to you, and with my life the projects that were indissolubly linked with it. But — and I say it with some pride, Mercedes — God needed me, and I lived. Examine the past and the present, and endeavor to dive into futurity, and then say whether I am not a divine instrument. The most dreadful misfortunes, the most frightful sufferings, the abandonment of all those who loved me, the persecution of those who did not know me, formed the trials of my youth; when suddenly, from captivity, solitude, misery, I was restored to light and liberty, and became the possessor of a fortune so brilliant, so unbounded, so unheard-of, that I must have been blind not to be conscious that God had endowed me with it to work out his own great designs. From that time I looked upon this fortune as something confided to me for an especial purpose. Not a thought was given to a life which you once, Mercedes, had the power to render blissful; not one hour of peaceful calm was mine; but I felt myself driven on like an exterminating angel. Like adventurous captains about to embark on some enterprise full of danger, I laid in my provisions, I loaded my weapons, I collected every means of attack and defence; I inured my body to the most violent exercises, my soul to the bitterest trials; I taught my arm to slay, my eyes to behold excruciating sufferings, and my mouth to smile at the most horrid spectacles. Good-natured, confiding, and forgiving as I had been, I became revengeful, cunning, and wicked, or rather, immovable as fate. Then I launched out into the path that was opened to me. I overcame every obstacle, and reached the goal; but woe to those who stood in my pathway!" "Enough," said Mercedes; "enough, Edmond! Believe me, that she who alone recognized you has been the only one to comprehend you; and had she crossed your path, and you had crushed her like glass, still, Edmond, still she must have admired you! Like the gulf between me and the past, there is an abyss between you, Edmond, and

between me and the past, there is an abyss between you, Edmond, and the rest of mankind; and I tell you freely that the comparison I draw between you and other men will ever be one of my greatest tortures. No, there is nothing in the world to resemble you in worth and goodness! But we must say farewell, Edmond, and let us part." "Before I leave you, Mercedes, have you no request to make?" said the count. "I desire but one thing in this world, Edmond, — the happiness of my son." "Pray to the Almighty to spare his life, and I will take upon myself to promote his happiness." "Thank you, Edmond." "But have you no request to make for yourself, Mercedes?" "For myself I want nothing. I live, as it were, between two graves. One is that of Edmond Dantes, lost to me long, long since. He had my love! That word ill becomes my faded lip now, but it is a memory dear to my heart, and one that I would not lose for all that the world contains. The other grave is that of the man who met his death from the hand of Edmond Dantes. I approve of the deed, but I must pray for the dead." "Your son shall be happy, Mercedes," repeated the count. "Then I shall enjoy as much happiness as this world can possibly confer." "But what are your intentions?" "To say that I shall live here, like the Mercedes of other times, gaining my bread by labor, would not be true, nor would you believe me. I have no longer the strength to do anything but to spend my days in prayer. However, I shall have no occasion to work, for the little sum of money buried by you, and which I found in the place you mentioned, will be sufficient to maintain me. Rumor will probably be busy respecting me, my occupations, my manner of living — that will signify but little." "Mercedes," said the count, "I do not say it to blame you, but you made an unnecessary sacrifice in relinquishing the whole of the fortune amassed by M. de Morcerf; half of it at least by right belonged to you, in virtue of your vigilance and economy."belonged to you, in virtue of your vigilance and economy." "I perceive what you are intending to propose to me; but I cannot accept it, Edmond — my son would not permit it." "Nothing shall be done without the full approbation of Albert de Morcerf. I will make myself acquainted with his intentions and will submit to them. But if he be willing to accept my offers, will you oppose them?" "You well know, Edmond, that I am no longer a reasoning creature; I have no will, unless it be the will never to decide. I have been so overwhelmed by the many storms that have broken over my head, that I am become passive in the hands of the Almighty, like a sparrow in the talons of an eagle. I live, because it is not ordained for me to die. If succor be sent to me, I will accept it." "Ah, madame," said Monte Cristo, "you should not talk thus! It is not so we should evince our resignation to the will of heaven; on the contrary, we are all free agents." "Alas!" exclaimed Mercedes, "if it were so, if I possessed free-will, but without the power to render that will efficacious, it would drive me to despair." Monte Cristo dropped his head and shrank from the vehemence of her grief. "Will you not even say you will see me again?" he asked. "On the contrary, we shall meet again," said Mercedes, pointing to heaven with solemnity. "I tell you so to prove to you that I still hope." And after pressing her own trembling hand upon that of the count, Mercedes rushed up the stairs and disappeared. Monte Cristo slowly left the house and turned towards the quay. But Mercedes did not witness his departure, although she was seated at the little window of the room which had been occupied by old Dantes. Her eyes were straining to see the ship which was carrying her son over the vast sea; but still her voice involuntarily murmured softly, "Edmond, Edmond, Edmond!"At the same time that the steamer disappeared behind Cape Morgion, a man travelling post on the road from Florence to Rome had just passed the little town of Aquapendente. He was travelling fast enough to cover a great deal of ground without exciting suspicion. This man was dressed in a greatcoat, or rather a surtout, a little worse for the journey, but which exhibited the ribbon of the Legion of Honor still fresh and brilliant, a decoration which also ornamented the under coat. He might be recognized, not only by these signs, but also from the accent with which he spoke to the postilion, as a Frenchman. Another proof that he was a native of the universal country was apparent in the fact of his knowing no other Italian words than the terms used in music, and which like the "goddam" of Figaro, served all possible linguistic requirements. "Allegro!" he called out to the postilions at every ascent. "Moderato!" he cried as they descended. And heaven knows there are hills enough between Rome and Florence by the way of Aquapendente! These two words greatly amused the men to whom they were addressed. On reaching La Storta, the point from whence Rome is first visible, the traveller evinced none of the enthusiastic curiosity which usually leads strangers to stand up and endeavor to catch sight of the dome of St. Peter's, which may be seen long before any other object is distinguishable. No, he merely drew a pocketbook from his pocket, and took from it a paper folded in four, and after having examined it in a manner almost reverential, he said — "Good! I have it still!" The carriage entered by the Porto del Popolo, turned to the left, and stopped at the Hotel d'Espagne. Old Pastrini, our former acquaintance, received the traveller at the door, hat in hand. The traveller alighted, ordered a good dinner, and inquired the address of the house of Thomson & French, which was immediately given to him, as it was one of the most celebrated in Rome. It was situated in the Via dei Banchi, near St. Peter's. In Rome, as

situated in the Via dei Banchi, near St. Peter's. In Rome, as everywhere else, the arrival of a post-chaise is an event. Ten young descendants of Marius and the Gracchi, barefooted and out at elbows, with one hand resting on the hip and the other gracefully curved above the head, stared at the traveller, the post-chaise, and the horses; to these were added about fifty little vagabonds from the Papal States, who earned a pittance by diving into the Tiber at high water from the bridge of St. Angelo. Now, as these street Arabs of Rome, more fortunate than those of Paris, understand every language, more especially the French, they heard the traveller order an apartment, a dinner, and finally inquire the way to the house of Thomson & French. The result was that when the new-comer left the hotel with the cicerone, a man detached himself from the rest of the idlers, and without having been seen by the traveller, and appearing to excite no attention from the guide, followed the stranger with as much skill as a Parisian police agent would have used. The Frenchman had been so impatient to reach the house of Thomson & French that he would not wait for the horses to be harnessed, but left word for the carriage to overtake him on the road, or to wait for him at the bankers' door. He reached it before the carriage arrived. The Frenchman entered, leaving in the anteroom his guide, who immediately entered into conversation with two or three of the industrious idlers who are always to be found in Rome at the doors of banking-houses, churches, museums, or theatres. With the Frenchman, the man who had followed him entered too; the Frenchman knocked at the inner door, and entered the first room; his shadow did the same. "Messrs. Thomson & French?" inquired the stranger. An attendant arose at a sign from a confidential clerk at the first desk. "Whom shall I announce?" said the attendant. "Baron Danglars." "Follow me," said the man. A door opened, through which the attendant and the baron disappeared. The man who had followedattendant and the baron disappeared. The man who had followed Danglars sat down on a bench. The clerk continued to write for the next five minutes; the man preserved profound silence, and remained perfectly motionless. Then the pen of the clerk ceased to move over the paper; he raised his head, and appearing to be perfectly sure of privacy, — "Ah, ha," he said, "here you are, Peppino!" "Yes," was the laconic reply. "You have found out that there is something worth having about this large gentleman?" "There is no great merit due to me, for we were informed of it." "You know his business here, then." "Pardieu, he has come to draw, but I don't know how much!" "You will know presently, my friend." "Very well, only do not give me false information as you did the other day." "What do you mean? — of whom do you speak? Was it the Englishman who carried off 3,000 crowns from here the other day?" "No; he really had 3,000 crowns, and we found them. I mean the Russian prince, who you said had 30,000 livres, and we only found 22,000." "You must have searched badly." "Luigi Vampa himself searched." "Indeed? But you must let me make my observations, or the Frenchman will transact his business without my knowing the sum." Peppino nodded, and taking a rosary from his pocket began to mutter a few prayers while the clerk disappeared through the same door by which Danglars and the attendant had gone out. At the expiration of ten minutes the clerk returned with a beaming countenance. "Well?" asked Peppino of his friend. "Joy, joy — the sum is large!" "Five or six millions, is it not?" "Yes, you know the amount." "On the receipt of the Count of Monte Cristo?" "Why, how came you to be so well acquainted with all this?" "I told you we were informed beforehand." "Then why do you apply to me?" "That I may be sure I have the right man." "Yes, it is indeed he. Five millions — a pretty sum, eh, Peppino?" "Hush — here is our man!" The clerk seized his pen, and Peppino his beads; one was writing and the other praying when the doorhis beads; one was writing and the other praying when the door opened. Danglars looked radiant with joy; the banker accompanied him to the door. Peppino followed Danglars. According to the arrangements, the carriage was waiting at the door. The guide held the door open. Guides are useful people, who will turn their hands to anything. Danglars leaped into the carriage like a young man of twenty. The cicerone reclosed the door, and sprang up by the side of the coachman. Peppino mounted the seat behind. "Will your excellency visit St. Peter's?" asked the cicerone. "I did not come to Rome to see," said Danglars aloud; then he added softly, with an avaricious smile, "I came to touch!" and he rapped his pocket-book, in which he had just placed a letter. "Then your excellency is going" — "To the hotel." "Casa Pastrini!" said the cicerone to the coachman, and the carriage drove rapidly on. Ten minutes afterwards the baron entered his apartment, and Peppino stationed himself on the bench outside the door of the hotel, after having whispered something in the ear of one of the descendants of Marius and the Gracchi whom we noticed at the beginning of the chapter, who immediately ran down the road leading to the Capitol at his fullest speed. Danglars was tired and sleepy; he therefore went to bed, placing his pocketbook under his pillow. Peppino had a little spare time, so he had a game of mora with the facchini, lost three crowns, and then to console himself drank a bottle of Orvieto. The next morning Danglars awoke late, though he went to bed so early; he had not slept well for five or six nights, even if he had slept at all. He breakfasted heartily, and caring little, as he said, for the beauties of the Eternal City, ordered post-horses at noon. But Danglars had not reckoned upon the formalities of the police and the idleness of the posting-master. The horses only arrived at two o'clock, and the cicerone did not bring the passport till three. All these preparations had collected a number of idlers

till three. All these preparations had collected a number of idlers round the door of Signor Pastrini's; the descendants of Marius and the Gracchi were also not wanting. The baron walked triumphantly through the crowd, who for the sake of gain styled him "your excellency." As Danglars had hitherto contented himself with being called a baron, he felt rather flattered at the title of excellency, and distributed a dozen silver coins among the beggars, who were ready, for twelve more, to call him "your highness." "Which road?" asked the postilion in Italian. "The Ancona road," replied the baron. Signor Pastrini interpreted the question and answer, and the horses galloped off. Danglars intended travelling to Venice, where he would receive one part of his fortune, and then proceeding to Vienna, where he would find the rest, he meant to take up his residence in the latter town, which he had been told was a city of pleasure. He had scarcely advanced three leagues out of Rome when daylight began to disappear. Danglars had not intended starting so late, or he would have remained; he put his head out and asked the postilion how long it would be before they reached the next town. "Non capisco" (do not understand), was the reply. Danglars bent his head, which he meant to imply, "Very well." The carriage again moved on. "I will stop at the first posting-house," said Danglars to himself. He still felt the same self-satisfaction which he had experienced the previous evening, and which had procured him so good a night's rest. He was luxuriously stretched in a good English calash, with double springs; he was drawn by four good horses, at full gallop; he knew the relay to be at a distance of seven leagues. What subject of meditation could present itself to the banker, so fortunately become bankrupt? Danglars thought for ten minutes about his wife in Paris; another ten minutes about his daughter travelling with Mademoiselle d'Armilly; the same period was given to his creditors, and thed'Armilly; the same period was given to his creditors, and the manner in which he intended spending their money; and then, having no subject left for contemplation, he shut his eyes, and fell asleep. Now and then a jolt more violent than the rest caused him to open his eyes; then he felt that he was still being carried with great rapidity over the same country, thickly strewn with broken aqueducts, which looked like granite giants petrified while running a race. But the night was cold, dull, and rainy, and it was much more pleasant for a traveller to remain in the warm carriage than to put his head out of the window to make inquiries of a postilion whose only answer was "Non capisco." Danglars therefore continued to sleep, saying to himself that he would be sure to awake at the posting-house. The carriage stopped. Danglars fancied that they had reached the long-desired point; he opened his eyes and looked through the window, expecting to find himself in the midst of some town, or at least village; but he saw nothing except what seemed like a ruin, where three or four men went and came like shadows. Danglars waited a moment, expecting the postilion to come and demand payment with the termination of his stage. He intended taking advantage of the opportunity to make fresh inquiries of the new conductor; but the horses were unharnessed, and others put in their places, without any one claiming money from the traveller. Danglars, astonished, opened the door; but a strong hand pushed him back, and the carriage rolled on. The baron was completely roused. "Eh?" he said to the postilion, "eh, mio caro?" This was another little piece of Italian the baron had learned from hearing his daughter sing Italian duets with Cavalcanti. But mio caro did not reply. Danglars then opened the window. "Come, my friend," he said, thrusting his hand through the opening, "where are we going?" "Dentro la testa!" answered a solemn and imperious voice, accompanied by a menacing gesture. Danglars thought dentro la testaaccompanied by a menacing gesture. Danglars thought dentro la testa meant, "Put in your head!" He was making rapid progress in Italian. He obeyed, not without some uneasiness, which, momentarily increasing, caused his mind, instead of being as unoccupied as it was when he began his journey, to fill with ideas which were very likely to keep a traveller awake, more especially one in such a situation as Danglars. His eyes acquired that quality which in the first moment of strong emotion enables them to see distinctly, and which afterwards fails from being too much taxed. Before we are alarmed, we see correctly; when we are alarmed, we see double; and when we have been alarmed, we see nothing but trouble. Danglars observed a man in a cloak galloping at the right hand of the carriage. "Some gendarme!" he exclaimed. "Can I have been intercepted by French telegrams to the pontifical authorities?" He resolved to end his anxiety. "Where are you taking me?" he asked. "Dentro la testa," replied the same voice, with the same menacing accent. Danglars turned to the left; another man on horseback was galloping on that side. "Decidedly," said Danglars, with the perspiration on his forehead, "I must be under arrest." And he threw himself back in the calash, not this time to sleep, but to think. Directly afterwards the moon rose. He then saw the great aqueducts, those stone phantoms which he had before remarked, only then they were on the right hand, now they were on the left. He understood that they had described a circle, and were bringing him back to Rome. "Oh, unfortunate!" he cried, "they must have obtained my arrest." The carriage continued to roll on with frightful speed. An hour of terror elapsed, for every spot they passed showed that they were on the road back. At length he saw a dark mass, against which it seemed as if the carriage was about to dash; but the vehicle turned to one side, leaving the barrier behind and Danglars saw that it was one of the ramparts encircling Rome.

saw that it was one of the ramparts encircling Rome. "Mon dieu!" cried Danglars, "we are not returning to Rome; then it is not justice which is pursuing me! Gracious heavens; another idea presents itself — what if they should be" — His hair stood on end. He remembered those interesting stories, so little believed in Paris, respecting Roman bandits; he remembered the adventures that Albert de Morcerf had related when it was intended that he should marry Mademoiselle Eugenie. "They are robbers, perhaps," he muttered. Just then the carriage rolled on something harder than gravel road. Danglars hazarded a look on both sides of the road, and perceived monuments of a singular form, and his mind now recalled all the details Morcerf had related, and comparing them with his own situation, he felt sure that he must be on the Appian Way. On the left, in a sort of valley, he perceived a circular excavation. It was Caracalla's circus. On a word from the man who rode at the side of the carriage, it stopped. At the same time the door was opened. "Scendi!" exclaimed a commanding voice. Danglars instantly descended; although he did not yet speak Italian, he understood it very well. More dead than alive, he looked around him. Four men surrounded him, besides the postilion. "Di qua," said one of the men, descending a little path leading out of the Appian Way. Danglars followed his guide without opposition, and had no occasion to turn around to see whether the three others were following him. Still it appeared as though they were stationed at equal distances from one another, like sentinels. After walking for about ten minutes, during which Danglars did not exchange a single word with his guide, he found himself between a hillock and a clump of high weeds; three men, standing silent, formed a triangle, of which he was the centre. He wished to speak, but his tongue refused to move. "Avanti!" said the same sharp and imperative voice. This time Danglars had double reason to understand, for if theimperative voice. This time Danglars had double reason to understand, for if the word and gesture had not explained the speaker's meaning, it was clearly expressed by the man walking behind him, who pushed him so rudely that he struck against the guide. This guide was our friend Peppino, who dashed into the thicket of high weeds, through a path which none but lizards or polecats could have imagined to be an open road. Peppino stopped before a pit overhung by thick hedges; the pit, half open, afforded a passage to the young man, who disappeared like the evil spirits in the fairy tales. The voice and gesture of the man who followed Danglars ordered him to do the same. There was no longer any doubt, the bankrupt was in the hands of Roman banditti. Danglars acquitted himself like a man placed between two dangerous positions, and who is rendered brave by fear. Notwithstanding his large stomach, certainly not intended to penetrate the fissures of the Campagna, he slid down like Peppino, and closing his eyes fell upon his feet. As he touched the ground, he opened his eyes. The path was wide, but dark. Peppino, who cared little for being recognized now that he was in his own territories, struck a light and lit a torch. Two other men descended after Danglars forming the rearguard, and pushing Danglars whenever he happened to stop, they came by a gentle declivity to the intersection of two corridors. The walls were hollowed out in sepulchres, one above the other, and which seemed in contrast with the white stones to open their large dark eyes, like those which we see on the faces of the dead. A sentinel struck the rings of his carbine against his left hand. "Who comes there?" he cried. "A friend, a friend!" said Peppino; "but where is the captain?" "There," said the sentinel, pointing over his shoulder to a spacious crypt, hollowed out of the rock, the lights from which shone into the passage through the large arched openings. "Fine spoil, captain, fine spoil!" said Peppino in Italian, and takingspoil, captain, fine spoil!" said Peppino in Italian, and taking Danglars by the collar of his coat he dragged him to an opening resembling a door, through which they entered the apartment which the captain appeared to have made his dwelling-place. "Is this the man?" asked the captain, who was attentively reading Plutarch's "Life of Alexander." "Himself, captain — himself." "Very well, show him to me." At this rather impertinent order, Peppino raised his torch to the face of Danglars, who hastily withdrew that he might not have his eyelashes burnt. His agitated features presented the appearance of pale and hideous terror. "The man is tired," said the captain, "conduct him to his bed." "Oh," murmured Danglars," that bed is probably one of the coffins hollowed in the wall, and the sleep I shall enjoy will be death from one of the poniards I see glistening in the darkness." From their beds of dried leaves or wolf-skins at the back of the chamber now arose the companions of the man who had been found by Albert de Morcerf reading "Caesar's Commentaries," and by Danglars studying the "Life of Alexander." The banker uttered a groan and followed his guide; he neither supplicated nor exclaimed. He no longer possessed strength, will, power, or feeling; he followed where they led him. At length he found himself at the foot of a staircase, and he mechanically lifted his foot five or six times. Then a low door was opened before him, and bending his head to avoid striking his forehead he entered a small room cut out of the rock. The cell was clean, though empty, and dry, though situated at an immeasurable distance under the earth. A bed of dried grass covered with goat-skins was placed in one corner. Danglars brightened up on beholding it, fancying that it gave some promise of safety. "Oh, God be praised," he said; "it is a real bed!" "Ecco!" said the guide, and pushing Danglars into the cell, he closed the door upon him. A bolt grated and Danglars was a prisoner. If there had been no bolt, it would have been impossible

prisoner. If there had been no bolt, it would have been impossible for him to pass through the midst of the garrison who held the catacombs of St. Sebastian, encamped round a master whom our readers must have recognized as the famous Luigi Vampa. Danglars, too, had recognized the bandit, whose existence he would not believe when Albert de Morcerf mentioned him in Paris; and not only did he recognize him, but the cell in which Albert had been confined, and which was probably kept for the accommodation of strangers. These recollections were dwelt upon with some pleasure by Danglars, and restored him to some degree of tranquillity. Since the bandits had not despatched him at once, he felt that they would not kill him at all. They had arrested him for the purpose of robbery, and as he had only a few louis about him, he doubted not he would be ransomed. He remembered that Morcerf had been taxed at 4,000 crowns, and as he considered himself of much greater importance than Morcerf he fixed his own price at 8,000 crowns. Eight thousand crowns amounted to 48,000 livres; he would then have about 5,050,000 francs left. With this sum he could manage to keep out of difficulties. Therefore, tolerably secure in being able to extricate himself from his position, provided he were not rated at the unreasonable sum of 5,050,000 francs, he stretched himself on his bed, and after turning over two or three times, fell asleep with the tranquillity of the hero whose life Luigi Vampa was studying.We awake from every sleep except the one dreaded by Danglars. He awoke. To a Parisian accustomed to silken curtains, walls hung with velvet drapery, and the soft perfume of burning wood, the white smoke of which diffuses itself in graceful curves around the room, the appearance of the whitewashed cell which greeted his eyes on awakening seemed like the continuation of some disagreeable dream. But in such a situation a single moment suffices to change the strongest doubt into certainty. "Yes, yes," he murmured, "I am in the hands of the brigands of whom Albert de Morcerf spoke." His first idea was to breathe, that he might know whether he was wounded. He borrowed this from "Don Quixote," the only book he had ever read, but which he still slightly remembered. "No," he cried, "they have not wounded, but perhaps they have robbed me!" and he thrust his hands into his pockets. They were untouched; the hundred louis he had reserved for his journey from Rome to Venice were in his trousers pocket, and in that of his great-coat he found the little note-case containing his letter of credit for 5,050,000 francs. "Singular bandits!" he exclaimed; "they have left me my purse and pocket-book. As I was saying last night, they intend me to be ransomed. Hallo, here is my watch! Let me see what time it is." Danglars' watch, one of Breguet's repeaters, which he had carefully wound up on the previous night, struck half past five. Without this, Danglars would have been quite ignorant of the time, for daylight did not reach his cell. Should he demand an explanation from the bandits, or should he wait patiently for them to propose it? The last alternative seemed the most prudent, so he waited until twelve o'clock. During all this time a sentinel, who had been relieved at eight o'clock, had been watching his door. Danglars suddenly felt a strong inclination to see the person who kept watch over him. He had noticed that a few rays, not of daylight, but from a lamp, penetrated through therays, not of daylight, but from a lamp, penetrated through the ill-joined planks of the door; he approached just as the brigand was refreshing himself with a mouthful of brandy, which, owing to the leathern bottle containing it, sent forth an odor which was extremely unpleasant to Danglars. "Faugh!" he exclaimed, retreating to the farther corner of his cell. At twelve this man was replaced by another functionary, and Danglars, wishing to catch sight of his new guardian, approached the door again. He was an athletic, gigantic bandit, with large eyes, thick lips, and a flat nose; his red hair fell in dishevelled masses like snakes around his shoulders. "Ah, ha," cried Danglars, "this fellow is more like an ogre than anything else; however, I am rather too old and tough to be very good eating!" We see that Danglars was collected enough to jest; at the same time, as though to disprove the ogreish propensities, the man took some black bread, cheese, and onions from his wallet, which he began devouring voraciously. "May I be hanged," said Danglars, glancing at the bandit's dinner through the crevices of the door, — "may I be hanged if I can understand how people can eat such filth!" and he withdrew to seat himself upon his goat-skin, which reminded him of the smell of the brandy. But the mysteries of nature are incomprehensible, and there are certain invitations contained in even the coarsest food which appeal very irresistibly to a fasting stomach. Danglars felt his own not to be very well supplied just then, and gradually the man appeared less ugly, the bread less black, and the cheese more fresh, while those dreadful vulgar onions recalled to his mind certain sauces and side-dishes, which his cook prepared in a very superior manner whenever he said, "Monsieur Deniseau, let me have a nice little fricassee to-day." He got up and knocked on the door; the bandit raised his head. Danglars knew that he was heard, so he redoubled his blows. "Che cosa?" asked the bandit. "Come, come,"

redoubled his blows. "Che cosa?" asked the bandit. "Come, come," said Danglars, tapping his fingers against the door, "I think it is quite time to think of giving me something to eat!" But whether he did not understand him, or whether he had received no orders respecting the nourishment of Danglars, the giant, without answering, went on with his dinner. Danglars' feelings were hurt, and not wishing to put himself under obligations to the brute, the banker threw himself down again on his goat-skin and did not breathe another word. Four hours passed by and the giant was replaced by another bandit. Danglars, who really began to experience sundry gnawings at the stomach, arose softly, again applied his eye to the crack of the door, and recognized the intelligent countenance of his guide. It was, indeed, Peppino who was preparing to mount guard as comfortably as possible by seating himself opposite to the door, and placing between his legs an earthen pan, containing chick-pease stewed with bacon. Near the pan he also placed a pretty little basket of Villetri grapes and a flask of Orvieto. Peppino was decidedly an epicure. Danglars watched these preparations and his mouth watered. "Come," he said to himself, "let me try if he will be more tractable than the other;" and he tapped gently at the door. "On y va," (coming) exclaimed Peppino, who from frequenting the house of Signor Pastrini understood French perfectly in all its idioms. Danglars immediately recognized him as the man who had called out in such a furious manner, "Put in your head!" But this was not the time for recrimination, so he assumed his most agreeable manner and said with a gracious smile, — "Excuse me, sir, but are they not going to give me any dinner?" "Does your excellency happen to be hungry?" "Happen to be hungry, — that's pretty good, when I haven't eaten for twenty-four hours!" muttered Danglars. Then he added aloud, "Yes, sir, I am hungry — very hungry." "What would your excellency like?" and Peppino placed his pan on"What would your excellency like?" and Peppino placed his pan on the ground, so that the steam rose directly under the nostrils of Danglars. "Give your orders." "Have you kitchens here?" "Kitchens? — of course — complete ones." "And cooks?" "Excellent!" "Well, a fowl, fish, game, — it signifies little, so that I eat." "As your excellency pleases. You mentioned a fowl, I think?" "Yes, a fowl." Peppino, turning around, shouted, "A fowl for his excellency!" His voice yet echoed in the archway when a handsome, graceful, and half-naked young man appeared, bearing a fowl in a silver dish on his head, without the assistance of his hands. "I could almost believe myself at the Cafe de Paris," murmured Danglars. "Here, your excellency," said Peppino, taking the fowl from the young bandit and placing it on the worm-eaten table, which with the stool and the goat-skin bed formed the entire furniture of the cell. Danglars asked for a knife and fork. "Here, excellency," said Peppino, offering him a little blunt knife and a boxwood fork. Danglars took the knife in one hand and the fork in the other, and was about to cut up the fowl. "Pardon me, excellency," said Peppino, placing his hand on the banker's shoulder; "people pay here before they eat. They might not be satisfied, and" — "Ah, ha," thought Danglars, "this is not so much like Paris, except that I shall probably be skinned! Never mind, I'll fix that all right. I have always heard how cheap poultry is in Italy; I should think a fowl is worth about twelve sous at Rome. — There," he said, throwing a louis down. Peppino picked up the louis, and Danglars again prepared to carve the fowl. "Stay a moment, your excellency," said Peppino, rising; "you still owe me something." "I said they would skin me," thought Danglars; but resolving to resist the extortion, he said, "Come, how much do I owe you for this fowl?" "Your excellency has given me a louis on account." "A louis on account for a fowl?" "Certainly; and your excellency now owes me 4,999 louis.""A louis on account for a fowl?" "Certainly; and your excellency now owes me 4,999 louis." Danglars opened his enormous eyes on hearing this gigantic joke. "Come, come, this is very droll — very amusing — I allow; but, as I am very hungry, pray allow me to eat. Stay, here is another louis for you." "Then that will make only 4,998 louis more," said Peppino with the same indifference. "I shall get them all in time." "Oh, as for that," said Danglars, angry at this prolongation of the jest, — "as for that you won't get them at all. Go to the devil! You do not know with whom you have to deal!" Peppino made a sign, and the youth hastily removed the fowl. Danglars threw himself upon his goat-skin, and Peppino, reclosing the door, again began eating his pease and bacon. Though Danglars could not see Peppino, the noise of his teeth allowed no doubt as to his occupation. He was certainly eating, and noisily too, like an ill-bred man. "Brute!" said Danglars. Peppino pretended not to hear him, and without even turning his head continued to eat slowly. Danglars' stomach felt so empty, that it seemed as if it would be impossible ever to fill it again; still he had patience for another half-hour, which appeared to him like a century. He again arose and went to the door. "Come, sir, do not keep me starving here any longer, but tell me what they want." "Nay, your excellency, it is you who should tell us what you want. Give your orders, and we will execute them." "Then open the door directly." Peppino obeyed. "Now look here, I want something to eat! To eat — do you hear?" "Are you hungry?" "Come, you understand me." "What would your excellency like to eat?" "A piece of dry bread, since the fowls are beyond all price in this accursed place." "Bread? Very well. Hallo, there, some bread!" he called. The youth brought a small loaf. "How much?" asked Danglars. "Four thousand nine hundred and ninety-eight louis," said Peppino; "You have paid two louis in advance." "What? One hundred thousand francs for a loaf?"

Peppino; "You have paid two louis in advance." "What? One hundred thousand francs for a loaf?" "One hundred thousand francs," repeated Peppino. "But you only asked 100,000 francs for a fowl!" "We have a fixed price for all our provisions. It signifies nothing whether you eat much or little — whether you have ten dishes or one — it is always the same price." "What, still keeping up this silly jest? My dear fellow, it is perfectly ridiculous — stupid! You had better tell me at once that you intend starving me to death." "Oh, dear, no, your excellency, unless you intend to commit suicide. Pay and eat." "And what am I to pay with, brute?" said Danglars, enraged. "Do you suppose I carry 100,000 francs in my pocket?" "Your excellency has 5,050,000 francs in your pocket; that will be fifty fowls at 100,000 francs apiece, and half a fowl for the 50,000." Danglars shuddered. The bandage fell from his eyes, and he understood the joke, which he did not think quite so stupid as he had done just before. "Come," he said, "if I pay you the 100,000 francs, will you be satisfied, and allow me to eat at my ease?" "Certainly," said Peppino. "But how can I pay them?" "Oh, nothing easier; you have an account open with Messrs. Thomson & French, Via dei Banchi, Rome; give me a draft for 4,998 louis on these gentlemen, and our banker shall take it." Danglars thought it as well to comply with a good grace, so he took the pen, ink, and paper Peppino offered him, wrote the draft, and signed it. "Here," he said, "here is a draft at sight." "And here is your fowl." Danglars sighed while he carved the fowl; it appeared very thin for the price it had cost. As for Peppino, he examined the paper attentively, put it into his pocket, and continued eating his pease.It was about six o'clock in the evening; an opal-colored light, through which an autumnal sun shed its golden rays, descended on the blue ocean. The heat of the day had gradually decreased, and a light breeze arose, seeming like the respiration of nature on awakening from the burning siesta of the south. A delicious zephyr played along the coasts of the Mediterranean, and wafted from shore to shore the sweet perfume of plants, mingled with the fresh smell of the sea. A light yacht, chaste and elegant in its form, was gliding amidst the first dews of night over the immense lake, extending from Gibraltar to the Dardanelles, and from Tunis to Venice. The vessel resembled a swan with its wings opened towards the wind, gliding on the water. It advanced swiftly and gracefully, leaving behind it a glittering stretch of foam. By degrees the sun disappeared behind the western horizon; but as though to prove the truth of the fanciful ideas in heathen mythology, its indiscreet rays reappeared on the summit of every wave, as if the god of fire had just sunk upon the bosom of Amphitrite, who in vain endeavored to hide her lover beneath her azure mantle. The yacht moved rapidly on, though there did not appear to be sufficient wind to ruffle the curls on the head of a young girl. Standing on the prow was a tall man, of a dark complexion, who saw with dilating eyes that they were approaching a dark mass of land in the shape of a cone, which rose from the midst of the waves like the hat of a Catalan. "Is that Monte Cristo?" asked the traveller, to whose orders the yacht was for the time submitted, in a melancholy voice. "Yes, your excellency," said the captain, "we have reached it." "We have reached it!" repeated the traveller in an accent of indescribable sadness. Then he added, in a low tone, "Yes; that is the haven." And then he again plunged into a train of thought, the character of which was better revealed by a sad smile, than it would have been by tears. A few minutes afterwards a flash ofwould have been by tears. A few minutes afterwards a flash of light, which was extinguished instantly, was seen on the land, and the sound of firearms reached the yacht. "Your excellency," said the captain, "that was the land signal, will you answer yourself?" "What signal?" The captain pointed towards the island, up the side of which ascended a volume of smoke, increasing as it rose. "Ah, yes," he said, as if awaking from a dream. "Give it to me." The captain gave him a loaded carbine; the traveller slowly raised it, and fired in the air. Ten minutes afterwards, the sails were furled, and they cast anchor about a hundred fathoms from the little harbor. The gig was already lowered, and in it were four oarsmen and a coxswain. The traveller descended, and instead of sitting down at the stern of the boat, which had been decorated with a blue carpet for his accommodation, stood up with his arms crossed. The rowers waited, their oars half lifted out of the water, like birds drying their wings. "Give way," said the traveller. The eight oars fell into the sea simultaneously without splashing a drop of water, and the boat, yielding to the impulsion, glided forward. In an instant they found themselves in a little harbor, formed in a natural creek; the boat grounded on the fine sand. "Will your excellency be so good as to mount the shoulders of two of our men, they will carry you ashore?" The young man answered this invitation with a gesture of indifference, and stepped out of the boat; the sea immediately rose to his waist. "Ah, your excellency," murmured the pilot, "you should not have done so; our master will scold us for it." The young man continued to advance, following the sailors, who chose a firm footing. Thirty strides brought them to dry land; the young man stamped on the ground to shake off the wet, and looked around for some one to show him his road, for it was quite dark. Just as he turned, a hand rested on his shoulder, and a voice which made him shudder exclaimed, —

his shoulder, and a voice which made him shudder exclaimed, — "Good-evening, Maximilian; you are punctual, thank you!" "Ah, is it you, count?" said the young man, in an almost joyful accent, pressing Monte Cristo's hand with both his own. "Yes; you see I am as exact as you are. But you are dripping, my dear fellow; you must change your clothes, as Calypso said to Telemachus. Come, I have a habitation prepared for you in which you will soon forget fatigue and cold." Monte Cristo perceived that the young man had turned around; indeed, Morrel saw with surprise that the men who had brought him had left without being paid, or uttering a word. Already the sound of their oars might be heard as they returned to the yacht. "Oh, yes," said the count, "you are looking for the sailors." "Yes, I paid them nothing, and yet they are gone." "Never mind that, Maximilian," said Monte Cristo, smiling. "I have made an agreement with the navy, that the access to my island shall be free of all charge. I have made a bargain." Morrel looked at the count with surprise. "Count," he said, "you are not the same here as in Paris." "How so?" "Here you laugh." The count's brow became clouded. "You are right to recall me to myself, Maximilian," he said; "I was delighted to see you again, and forgot for the moment that all happiness is fleeting." "Oh, no, no, count," cried Maximilian, seizing the count's hands, "pray laugh; be happy, and prove to me, by your indifference, that life is endurable to sufferers. Oh, how charitable, kind, and good you are; you affect this gayety to inspire me with courage." "You are wrong, Morrel; I was really happy." "Then you forget me, so much the better." "How so?" "Yes; for as the gladiator said to the emperor, when he entered the arena, `He who is about to die salutes you.'" "Then you are not consoled?" asked the count, surprised. "Oh," exclaimed Morrel, with a glance full of bitter reproach, "do you think it possible that I could be?" "Listen," said the count. "Do you understand the meaning of my"Listen," said the count. "Do you understand the meaning of my words? You cannot take me for a commonplace man, a mere rattle, emitting a vague and senseless noise. When I ask you if you are consoled, I speak to you as a man for whom the human heart has no secrets. Well, Morrel, let us both examine the depths of your heart. Do you still feel the same feverish impatience of grief which made you start like a wounded lion? Have you still that devouring thirst which can only be appeased in the grave? Are you still actuated by the regret which drags the living to the pursuit of death; or are you only suffering from the prostration of fatigue and the weariness of hope deferred? Has the loss of memory rendered it impossible for you to weep? Oh, my dear friend, if this be the case, — if you can no longer weep, if your frozen heart be dead, if you put all your trust in God, then, Maximilian, you are consoled — do not complain." "Count," said Morrel, in a firm and at the same time soft voice, "listen to me, as to a man whose thoughts are raised to heaven, though he remains on earth; I come to die in the arms of a friend. Certainly, there are people whom I love. I love my sister Julie, — I love her husband Emmanuel; but I require a strong mind to smile on my last moments. My sister would be bathed in tears and fainting; I could not bear to see her suffer. Emmanuel would tear the weapon from my hand, and alarm the house with his cries. You, count, who are more than mortal, will, I am sure, lead me to death by a pleasant path, will you not?" "My friend," said the count, "I have still one doubt, — are you weak enough to pride yourself upon your sufferings?" "No, indeed, — I am calm," said Morrel, giving his hand to the count; "my pulse does not beat slower or faster than usual. No, I feel that I have reached the goal, and I will go no farther. You told me to wait and hope; do you know what you did, unfortunate adviser? I waited a month, or rather I suffered for a month! I didadviser? I waited a month, or rather I suffered for a month! I did hope (man is a poor wretched creature), I did hope. What I cannot tell, — something wonderful, an absurdity, a miracle, — of what nature he alone can tell who has mingled with our reason that folly we call hope. Yes, I did wait — yes, I did hope, count, and during this quarter of an hour we have been talking together, you have unconsciously wounded, tortured my heart, for every word you have uttered proved that there was no hope for me. Oh, count, I shall sleep calmly, deliciously in the arms of death." Morrel uttered these words with an energy which made the count shudder. "My friend," continued Morrel, "you named the fifth of October as the end of the period of waiting, — to-day is the fifth of October," he took out his watch, "it is now nine o'clock, — I have yet three hours to live." "Be it so," said the count, "come." Morrel mechanically followed the count, and they had entered the grotto before he perceived it. He felt a carpet under his feet, a door opened, perfumes surrounded him, and a brilliant light dazzled his eyes. Morrel hesitated to advance; he dreaded the enervating effect of all that he saw. Monte Cristo drew him in gently. "Why should we not spend the last three hours remaining to us of life, like those ancient Romans, who when condemned by Nero, their emperor and heir, sat down at a table covered with flowers, and gently glided into death, amid the perfume of heliotropes and roses?" Morrel smiled. "As you please," he said; "death is always death, — that is forgetfulness, repose, exclusion from life, and therefore from grief." He sat down, and Monte Cristo placed himself opposite to him. They were in the marvellous dining-room before described, where the statues had baskets on their heads always filled with fruits and flowers. Morrel had looked carelessly around, and had probably noticed nothing. "Let us talk like men," he said, looking at the count. "Go on!" "Count," said Morrel, "you are the epitome of all human

"Go on!" "Count," said Morrel, "you are the epitome of all human knowledge, and you seem like a being descended from a wiser and more advanced world than ours." "There is something true in what you say," said the count, with that smile which made him so handsome; "I have descended from a planet called grief." "I believe all you tell me without questioning its meaning; for instance, you told me to live, and I did live; you told me to hope, and I almost did so. I am almost inclined to ask you, as though you had experienced death, `is it painful to die?'" Monte Cristo looked upon Morrel with indescribable tenderness. "Yes," he said, "yes, doubtless it is painful, if you violently break the outer covering which obstinately begs for life. If you plunge a dagger into your flesh, if you insinuate a bullet into your brain, which the least shock disorders, — then certainly, you will suffer pain, and you will repent quitting a life for a repose you have bought at so dear a price." "Yes; I know that there is a secret of luxury and pain in death, as well as in life; the only thing is to understand it." "You have spoken truly, Maximilian; according to the care we bestow upon it, death is either a friend who rocks us gently as a nurse, or an enemy who violently drags the soul from the body. Some day, when the world is much older, and when mankind will be masters of all the destructive powers in nature, to serve for the general good of humanity; when mankind, as you were just saying, have discovered the secrets of death, then that death will become as sweet and voluptuous as a slumber in the arms of your beloved." "And if you wished to die, you would choose this death, count?" "Yes." Morrel extended his hand. "Now I understand," he said, "why you had me brought here to this desolate spot, in the midst of the ocean, to this subterranean palace; it was because you loved me, was it not, count? It was because you loved me well enough to give me one of those sweet means of death of which we were speaking; ame one of those sweet means of death of which we were speaking; a death without agony, a death which allows me to fade away while pronouncing Valentine's name and pressing your hand." "Yes, you have guessed rightly, Morrel," said the count, "that is what I intended." "Thanks; the idea that tomorrow I shall no longer suffer, is sweet to my heart." "Do you then regret nothing?" "No," replied Morrel. "Not even me?" asked the count with deep emotion. Morrel's clear eye was for the moment clouded, then it shone with unusual lustre, and a large tear rolled down his cheek. "What," said the count, "do you still regret anything in the world, and yet die?" "Oh, I entreat you," exclaimed Morrel in a low voice, "do not speak another word, count; do not prolong my punishment." The count fancied that he was yielding, and this belief revived the horrible doubt that had overwhelmed him at the Chateau d'If. "I am endeavoring," he thought, "to make this man happy; I look upon this restitution as a weight thrown into the scale to balance the evil I have wrought. Now, supposing I am deceived, supposing this man has not been unhappy enough to merit happiness. Alas, what would become of me who can only atone for evil by doing good?" Then he said aloud: "Listen, Morrel, I see your grief is great, but still you do not like to risk your soul." Morrel smiled sadly. "Count," he said, "I swear to you my soul is no longer my own." "Maximilian, you know I have no relation in the world. I have accustomed myself to regard you as my son: well, then, to save my son, I will sacrifice my life, nay, even my fortune." "What do you mean?" "I mean, that you wish to quit life because you do not understand all the enjoyments which are the fruits of a large fortune. Morrel, I possess nearly a hundred millions and I give them to you; with such a fortune you can attain every wish. Are you ambitious? Every career is open to you. Overturn the world, change its character, yield to mad ideas, be even criminal — but live."its character, yield to mad ideas, be even criminal — but live." "Count, I have your word," said Morrel coldly; then taking out his watch, he added, "It is half-past eleven." "Morrel, can you intend it in my house, under my very eyes?" "Then let me go," said Maximilian, "or I shall think you did not love me for my own sake, but for yours;" and he arose. "It is well," said Monte Cristo whose countenance brightened at these words; "you wish — you are inflexible. Yes, as you said, you are indeed wretched and a miracle alone can cure you. Sit down, Morrel, and wait." Morrel obeyed; the count arose, and unlocking a closet with a key suspended from his gold chain, took from it a little silver casket, beautifully carved and chased, the corners of which represented four bending figures, similar to the Caryatides, the forms of women, symbols of the angels aspiring to heaven. He placed the casket on the table; then opening it took out a little golden box, the top of which flew open when touched by a secret spring. This box contained an unctuous substance partly solid, of which it was impossible to discover the color, owing to the reflection of the polished gold, sapphires, rubies, emeralds, which ornamented the box. It was a mixed mass of blue, red, and gold. The count took out a small quantity of this with a gilt spoon, and offered it to Morrel, fixing a long steadfast glance upon him. It was then observable that the substance was greenish. "This is what you asked for," he said, "and what I promised to give you." "I thank you from the depths of my heart," said the young man, taking the spoon from the hands of Monte Cristo. The count took another spoon, and again dipped it into the golden box. "What are you going to do, my friend?" asked Morrel, arresting his hand. "Well, the fact is, Morrel, I was thinking that I too am weary of life, and since an opportunity presents itself" — "Stay!" said the young man. "You who love, and are beloved; you, who have faith and hope, — oh, do not follow my example. In your

who have faith and hope, — oh, do not follow my example. In your case it would be a crime. Adieu, my noble and generous friend, adieu; I will go and tell Valentine what you have done for me." And slowly, though without any hesitation, only waiting to press the count's hand fervently, he swallowed the mysterious substance offered by Monte Cristo. Then they were both silent. Ali, mute and attentive, brought the pipes and coffee, and disappeared. By degrees, the light of the lamps gradually faded in the hands of the marble statues which held them, and the perfumes appeared less powerful to Morrel. Seated opposite to him, Monte Cristo watched him in the shadow, and Morrel saw nothing but the bright eyes of the count. An overpowering sadness took possession of the young man, his hands relaxed their hold, the objects in the room gradually lost their form and color, and his disturbed vision seemed to perceive doors and curtains open in the walls. "Friend," he cried, "I feel that I am dying; thanks!" He made a last effort to extend his hand, but it fell powerless beside him. Then it appeared to him that Monte Cristo smiled, not with the strange and fearful expression which had sometimes revealed to him the secrets of his heart, but with the benevolent kindness of a father for a child. At the same time the count appeared to increase in stature, his form, nearly double its usual height, stood out in relief against the red tapestry, his black hair was thrown back, and he stood in the attitude of an avenging angel. Morrel, overpowered, turned around in the arm-chair; a delicious torpor permeated every vein. A change of ideas presented themselves to his brain, like a new design on the kaleidoscope. Enervated, prostrate, and breathless, he became unconscious of outward objects; he seemed to be entering that vague delirium preceding death. He wished once again to press the count's hand, but his own was immovable. He wished to articulate a last farewell, but his tongue lay motionlesswished to articulate a last farewell, but his tongue lay motionless and heavy in his throat, like a stone at the mouth of a sepulchre. Involuntarily his languid eyes closed, and still through his eyelashes a well-known form seemed to move amid the obscurity with which he thought himself enveloped. The count had just opened a door. Immediately a brilliant light from the next room, or rather from the palace adjoining, shone upon the room in which he was gently gliding into his last sleep. Then he saw a woman of marvellous beauty appear on the threshold of the door separating the two rooms. Pale, and sweetly smiling, she looked like an angel of mercy conjuring the angel of vengeance. "Is it heaven that opens before me?" thought the dying man; "that angel resembles the one I have lost." Monte Cristo pointed out Morrel to the young woman, who advanced towards him with clasped hands and a smile upon her lips. "Valentine, Valentine!" he mentally ejaculated; but his lips uttered no sound, and as though all his strength were centred in that internal emotion, he sighed and closed his eyes. Valentine rushed towards him; his lips again moved. "He is calling you," said the count; "he to whom you have confided your destiny — he from whom death would have separated you, calls you to him. Happily, I vanquished death. Henceforth, Valentine, you will never again be separated on earth, since he has rushed into death to find you. Without me, you would both have died. May God accept my atonement in the preservation of these two existences!" Valentine seized the count's hand, and in her irresistible impulse of joy carried it to her lips. "Oh, thank me again!" said the count; "tell me till you are weary, that I have restored you to happiness; you do not know how much I require this assurance." "Oh, yes, yes, I thank you with all my heart," said Valentine; "and if you doubt the sincerity of my gratitude, oh, then, ask Haidee! ask my beloved sister Haidee, who ever since our departureHaidee! ask my beloved sister Haidee, who ever since our departure from France, has caused me to wait patiently for this happy day, while talking to me of you." "You then love Haidee?" asked Monte Cristo with an emotion he in vain endeavored to dissimulate. "Oh, yes, with all my soul." "Well, then, listen, Valentine," said the count; "I have a favor to ask of you." "Of me? Oh, am I happy enough for that?" "Yes; you have called Haidee your sister, — let her become so indeed, Valentine; render her all the gratitude you fancy that you owe to me; protect her, for" (the count's voice was thick with emotion) "henceforth she will be alone in the world." "Alone in the world!" repeated a voice behind the count, "and why?" Monte Cristo turned around; Haidee was standing pale, motionless, looking at the count with an expression of fearful amazement. "Because to-morrow, Haidee, you will be free; you will then assume your proper position in society, for I will not allow my destiny to overshadow yours. Daughter of a prince, I restore to you the riches and name of your father." Haidee became pale, and lifting her transparent hands to heaven, exclaimed in a voice stifled with tears, "Then you leave me, my lord?" "Haidee, Haidee, you are young and beautiful; forget even my name, and be happy." "It is well," said Haidee; "your order shall be executed, my lord; I will forget even your name, and be happy." And she stepped back to retire. "Oh, heavens," exclaimed Valentine, who was supporting the head of Morrel on her shoulder, "do you not see how pale she is? Do you not see how she suffers?" Haidee answered with a heartrending expression, "Why should he understand this, my sister? He is my master, and I am his slave; he has the right to notice nothing." The count shuddered at the tones of a voice which penetrated the inmost recesses of his heart; his eyes met those of the young girl and he could not bear their brilliancy. "Oh, heavens," exclaimed Monte Cristo, "can my suspicions be correct? Haidee, would it

Monte Cristo, "can my suspicions be correct? Haidee, would it please you not to leave me?" "I am young," gently replied Haidee; "I love the life you have made so sweet to me, and I should be sorry to die." "You mean, then, that if I leave you, Haidee" — "I should die; yes, my lord." "Do you then love me?" "Oh, Valentine, he asks if I love him. Valentine, tell him if you love Maximilian." The count felt his heart dilate and throb; he opened his arms, and Haidee, uttering a cry, sprang into them. "Oh, yes," she cried, "I do love you! I love you as one loves a father, brother, husband! I love you as my life, for you are the best, the noblest of created beings!" "Let it be, then, as you wish, sweet angel; God has sustained me in my struggle with my enemies, and has given me this reward; he will not let me end my triumph in suffering; I wished to punish myself, but he has pardoned me. Love me then, Haidee! Who knows? perhaps your love will make me forget all that I do not wish to remember." "What do you mean, my lord?" "I mean that one word from you has enlightened me more than twenty years of slow experience; I have but you in the world, Haidee; through you I again take hold on life, through you I shall suffer, through you rejoice." "Do you hear him, Valentine?" exclaimed Haidee; "he says that through me he will suffer — through me, who would yield my life for his." The count withdrew for a moment. "Have I discovered the truth?" he said; "but whether it be for recompense or punishment, I accept my fate. Come, Haidee, come!" and throwing his arm around the young girl's waist, he pressed the hand of Valentine, and disappeared. An hour had nearly passed, during which Valentine, breathless and motionless, watched steadfastly over Morrel. At length she felt his heart beat, a faint breath played upon his lips, a slight shudder, announcing the return of life, passed through the young man's frame. At length his eyes opened, but they were at first fixed and expressionless; then sight returned, and with it feelingfixed and expressionless; then sight returned, and with it feeling and grief. "Oh," he cried, in an accent of despair, "the count has deceived me; I am yet living;" and extending his hand towards the table, he seized a knife. "Dearest," exclaimed Valentine, with her adorable smile, "awake, and look at me!" Morrel uttered a loud exclamation, and frantic, doubtful, dazzled, as though by a celestial vision, he fell upon his knees. The next morning at daybreak, Valentine and Morrel were walking arm-in-arm on the sea-shore, Valentine relating how Monte Cristo had appeared in her room, explained everything, revealed the crime, and, finally, how he had saved her life by enabling her to simulate death. They had found the door of the grotto opened, and gone forth; on the azure dome of heaven still glittered a few remaining stars. Morrel soon perceived a man standing among the rocks, apparently awaiting a sign from them to advance, and pointed him out to Valentine. "Ah, it is Jacopo," she said, "the captain of the yacht;" and she beckoned him towards them. "Do you wish to speak to us?" asked Morrel. "I have a letter to give you from the count." "From the count!" murmured the two young people. "Yes; read it." Morrel opened the letter, and read: — "My Dear Maximilian, — "There is a felucca for you at anchor. Jacopo will carry you to Leghorn, where Monsieur Noirtier awaits his granddaughter, whom he wishes to bless before you lead her to the altar. All that is in this grotto, my friend, my house in the Champs Elysees, and my chateau at Treport, are the marriage gifts bestowed by Edmond Dantes upon the son of his old master, Morrel. Mademoiselle de Villefort will share them with you; for I entreat her to give to the poor the immense fortune reverting to her from her father, now a madman, and her brother who died last September with his mother. Tell the angel who will watch over your future destiny, Morrel, to pray sometimes for a man, who like Satan thought himself for anpray sometimes for a man, who like Satan thought himself for an instant equal to God, but who now acknowledges with Christian humility that God alone possesses supreme power and infinite wisdom. Perhaps those prayers may soften the remorse he feels in his heart. As for you, Morrel, this is the secret of my conduct towards you. There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness. We must have felt what it is to die, Morrel, that we may appreciate the enjoyments of living. "Live, then, and be happy, beloved children of my heart, and never forget that until the day when God shall deign to reveal the future to man, all human wisdom is summed up in these two words, — `Wait and hope.' Your friend, "Edmond Dantes, Count of Monte Cristo." During the perusal of this letter, which informed Valentine for the first time of the madness of her father and the death of her brother, she became pale, a heavy sigh escaped from her bosom, and tears, not the less painful because they were silent, ran down her cheeks; her happiness cost her very dear. Morrel looked around uneasily. "But," he said, "the count's generosity is too overwhelming; Valentine will be satisfied with my humble fortune. Where is the count, friend? Lead me to him." Jacopo pointed towards the horizon. "What do you mean?" asked Valentine. "Where is the count? — where is Haidee?" "Look!" said Jacopo. The eyes of both were fixed upon the spot indicated by the sailor, and on the blue line separating the sky from the Mediterranean Sea, they perceived a large white sail. "Gone," said Morrel; "gone! — adieu, my friend — adieu, my father!" "Gone," murmured Valentine; "adieu, my sweet Haidee — adieu, my sister!" "Who can say whether we shall ever see them again?" said Morrel with tearful eyes. "Darling," replied Valentine, "has not the count just told us that all human wisdom is summed up in two words? — `Wait and hope.'"