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Can you provide a summary of the storyline in Jack of No Trades? [SEP] <s>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep>III Oh, yes, and Jamieson had a feeble paper on what he calledindividualization in marine worms. Barr, have you ever thought muchabout the larger aspects of the problem of individuality? Jack jumped slightly. He had let his thoughts wander very far. Not especially, sir, he mumbled. The house was still. A few minutes after the professor's arrival,Mrs. Kesserich had gone off with an anxious glance at Jack. He knewwhy and wished he could reassure her that he would not mention theirconversation to the professor. Kesserich had spent perhaps a half hour briefing him on the moreimportant papers delivered at the conferences. Then, almost as ifit were a teacher's trick to show up a pupil's inattention, he hadsuddenly posed this question about individuality. You know what I mean, of course, Kesserich pressed. The factors thatmake you you, and me me. Heredity and environment, Jack parroted like a freshman. Kesserich nodded. Suppose—this is just speculation—that we couldcontrol heredity and environment. Then we could re-create the sameindividual at will. Jack felt a shiver go through him. To get exactly the same pattern ofhereditary traits. That'd be far beyond us. What about identical twins? Kesserich pointed out. And then there'sparthenogenesis to be considered. One might produce a duplicate of themother without the intervention of the male. Although his voice hadgrown more idly speculative, Kesserich seemed to Jack to be smilingsecretly. There are many examples in the lower animal forms, to saynothing of the technique by which Loeb caused a sea urchin to reproducewith no more stimulus than a salt solution. Jack felt the hair rising on his neck. Even then you wouldn't getexactly the same pattern of hereditary traits. Not if the parent were of very pure stock? Not if there were somespecial technique for selecting ova that would reproduce all themother's traits? But environment would change things, Jack objected. The duplicatewould be bound to develop differently. Is environment so important? Newman tells about a pair of identicaltwins separated from birth, unaware of each other's existence. They metby accident when they were twenty-one. Each was a telephone repairman.Each had a wife the same age. Each had a baby son. And each had a foxterrier called 'Trixie.' That's without trying to make environmentssimilar. But suppose you did try. Suppose you saw to it that each ofthem had exactly the same experiences at the same times.... For a moment it seemed to Jack that the room was dimming and wavering,becoming a dark pool in which the only motionless thing was Kesserich'ssphinx-like face. Well, we've escaped quite far enough from Jamieson's marine worms,the biologist said, all brisk again. He said it as if Jack were theone who had led the conversation down wild and unprofitable channels.Let's get on to your project. I want to talk it over now, because Iwon't have any time for it tomorrow. Jack looked at him blankly. Tomorrow I must attend to a very important matter, the biologistexplained. <doc-sep> Jack of No Trades By EVELYN E. SMITH Illustrated by CAVAT [Transcriber's Note: This etext was produced from Galaxy October 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I was psick of Psi powers, not having any. Or didn't I? Maybe they'dpsee otherwise psomeday! I walked into the dining room and collided with a floating mass offabric, which promptly draped itself over me like a sentient shroud. Oh, for God's sake, Kevin! my middle brother's voice came muffledthrough the folds. If you can't help, at least don't hinder! I managed to struggle out of the tablecloth, even though it seemed tobe trying to wrap itself around me. When Danny got excited, he lost hismental grip. I could help, I yelled as soon as I got my head free, if anybodywould let me and, what's more, I could set the table a damn sightfaster by hand than you do with 'kinesis. Just then Father appeared at the head of the table. He could as easilyhave walked downstairs as teleported, but I belonged to a family ofexhibitionists. And Father tended to show off as if he were still akid. Not that he looked his age—he was big and blond, like Danny andTim and me, and could have passed for our older brother. Boys, boys! he reproved us. Danny, you ought to be ashamed ofyourself—picking on poor Kev. Even if it hadn't been Danny's fault, he would still have been blamed. Nobody was ever supposed to raise a voice or a hand or a thought topoor afflicted Kev, because nature had picked on me enough. And thenicer everybody was to me, the nastier I became, since only when theylost their tempers could I get—or so I believed—their true attitudetoward me. How else could I tell? Sorry, fella, Dan apologized to me. The tablecloth spread itself outon the table. Wrinkles, he grumbled to himself. Wrinkles. And I hadit so nice and smooth before. Mother will be furious. If she were going to be furious, she'd be furious already, Fatherreminded him sadly. It must be tough to be married to a deep-probetelepath, I thought, and I felt a sudden wave of sympathy for him. Itwas so seldom I got the chance to feel sorry for anyone except myself.But I think you'll find she understands. She knows, all right, Danny remarked as he went on into the kitchen,but I'm not sure she always understands. I was surprised to find him so perceptive on the abstract level,because he wasn't what you might call an understanding person, either. <doc-sep></s> [SEP] Can you provide a summary of the storyline in Jack of No Trades?

This story takes place in the year 2102 and centers around a family with powers, including telekenisis and teleportation. The narrator is Kevin, one of the sons: he is the only person in the family without powers, a psi-deficient, so he stays at home to take care of the house. The story starts at the breakfast table, where the father teleports in, the mother probes the others' thoughts, and there is grumbling about the goings-on in the household. Timothy, the youngest brother, senses turmoil in the family but is also the most hopeful--he figures that Kevin has a gift they just haven't discovered yet, which is encouraging to Kevin. After everyone else in the family leaves for their jobs, Kevin is left to think about his situation, so he goes for a long walk. Reading is his only other real source of entertainment; he doesn't have many friends because nobody wanted to play sports with someone without telepathic abilities. He couldn't explore space because other planets weren't habitable, so he wondered what would make him stand out. The reader learns that the psi powers were latent in humans and developed with exposure to nuclear energy. When he gets home from his walk, Kevin's entire family is there, processing some news. There are two inhabited planets in Alpha Centauri, and the aliens there might be preparing for war. Kevin partly hoped there would be war for a change of pace, and his mom figured people should start learning first-aid, including Kevin. He had a benefit over his sister because he couldn't sense others' pain in the same way. He met a girl named Lucy in his first-aid class who he liked, and she was a low-grade telesensitive so he didn't have to worry about his thoughts being read. Once the aliens attacked, things got hard as Kevin had to face the injured people bought to his care. This was especially shocking because injury was not common in his world. This was where Kevin finally found his power: touching the injured people healed them almost instantly. It turned out he was the only human with this power, which was invaluable -- a hospital was even built just for Kevin to work in, where Lucy became his assistant. All at once, he became the most important human on the planet, but the humans had to hide this from their alien adversaries. Lucy was jealous of Kevin but also worried about what would happen to Kevin when the war ended, which it eventually did four months later. The story ends with Kevin returning home after the Vice President informed him that his services were no longer needed.

What is Tim's position within the family dynamic in Jack of No Trades? [SEP] <s>I smiled at him gratefully; he was the only member of my family whoreally seemed to like me in spite of my handicap. It won't work, Tim.I know you're trying to be kind, but— He's not saying it just to be kind, my mother put in. He means it.Not that I want to arouse false hopes, Kevin, she added with grimscrupulousness. Tim's awfully young yet and I wouldn't trust hisextracurricular prognostications too far. Nonetheless, I couldn't help feeling a feeble renewal of old hopes.After all, young or not, Tim was a hell of a good prognosticator; hewouldn't have risen so rapidly to the position he held in the WeatherBureau if he hadn't been pretty near tops in foreboding. Mother smiled sadly at my thoughts, but I didn't let that discourageme. As Danny had said, she knew but she didn't really understand .Nobody, for all of his or her psi power, really understood me. <doc-sep> Jack of No Trades By EVELYN E. SMITH Illustrated by CAVAT [Transcriber's Note: This etext was produced from Galaxy October 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I was psick of Psi powers, not having any. Or didn't I? Maybe they'dpsee otherwise psomeday! I walked into the dining room and collided with a floating mass offabric, which promptly draped itself over me like a sentient shroud. Oh, for God's sake, Kevin! my middle brother's voice came muffledthrough the folds. If you can't help, at least don't hinder! I managed to struggle out of the tablecloth, even though it seemed tobe trying to wrap itself around me. When Danny got excited, he lost hismental grip. I could help, I yelled as soon as I got my head free, if anybodywould let me and, what's more, I could set the table a damn sightfaster by hand than you do with 'kinesis. Just then Father appeared at the head of the table. He could as easilyhave walked downstairs as teleported, but I belonged to a family ofexhibitionists. And Father tended to show off as if he were still akid. Not that he looked his age—he was big and blond, like Danny andTim and me, and could have passed for our older brother. Boys, boys! he reproved us. Danny, you ought to be ashamed ofyourself—picking on poor Kev. Even if it hadn't been Danny's fault, he would still have been blamed. Nobody was ever supposed to raise a voice or a hand or a thought topoor afflicted Kev, because nature had picked on me enough. And thenicer everybody was to me, the nastier I became, since only when theylost their tempers could I get—or so I believed—their true attitudetoward me. How else could I tell? Sorry, fella, Dan apologized to me. The tablecloth spread itself outon the table. Wrinkles, he grumbled to himself. Wrinkles. And I hadit so nice and smooth before. Mother will be furious. If she were going to be furious, she'd be furious already, Fatherreminded him sadly. It must be tough to be married to a deep-probetelepath, I thought, and I felt a sudden wave of sympathy for him. Itwas so seldom I got the chance to feel sorry for anyone except myself.But I think you'll find she understands. She knows, all right, Danny remarked as he went on into the kitchen,but I'm not sure she always understands. I was surprised to find him so perceptive on the abstract level,because he wasn't what you might call an understanding person, either. <doc-sep>Now that the virus diseases had been licked, people hardly evergot sick any more and, when they did, it was mostly psychosomatic.Life was so well organized that there weren't even many accidentsthese days. It was a safe, orderly existence for those who fittedinto it—which accounted for more than ninety-five per cent of thepopulation. The only ones who didn't adjust were those who couldn't,like me—psi-deficients, throwbacks to an earlier era. There were nophysical cripples, because anybody could have a new arm or a new leggrafted on, but you couldn't graft psi powers onto an atavism or, ifyou could, the technique hadn't been developed yet. I feel a sense of impending doom brooding over this household, myyoungest brother remarked cheerfully as he vaulted into his chair. You always do, Timothy, my mother said, unfolding her napkin. And Imust say it's not in good taste, especially at breakfast. He reached for his juice. Guess this is a doomed household. And whatwas all that emotional uproar about? The usual, Sylvia said from the doorway before anyone else couldanswer. She slid warily into her chair. Hey, Dan, I'm here! shecalled. If anything else comes in, it comes in manually, understand? Oh, all right. Dan emerged from the kitchen with a tray of foodfloating ahead of him. The usual? Trouble with Kev? Tim looked at me narrowly. Somehow mysense of ominousness is connected with him. Well, that's perfectly natural— Sylvia began, then stopped as Mothercaught her eye. I didn't mean that, Tim said. I still say Kev's got something wecan't figure out. You've been saying that for years, Danny protested, and he's beentested for every faculty under the Sun. He can't telepath or teleportor telekinesthesize or even teletype. He can't precognize or prefix orprepossess. He can't— Strictly a bundle of no-talent, that's me, I interrupted, trying tokeep my animal feelings from getting the better of me. That was how myfamily thought of me, I knew—as an animal, and not a very lovable one,either. No, Tim said, he's just got something we haven't developed a testfor. It'll come out some day, you'll see. He smiled at me. <doc-sep></s> [SEP] What is Tim's position within the family dynamic in Jack of No Trades?

Tim is Kevin's youngest brother, and works as a meteorologist for the Weather Bureau. His ability is that of prognostication, meaning he is able to predict certain things about the future. This includes positive and negative things. For instance, at the beginning of the story, he feels a sense of impending doom. At the same time, he is the only one who has a positive outlook on Kevin's situation: he suspects that Kevin has a power that hasn't been discovered or isn't well-understood yet, but the rest of the family (including Kevin himself) figure that he doesn't have any special abilities at all. This is particularly contrasted with Kevin's mother, who doesn't ever speak highly of Kevin. Tim's encouragement gives Kevin hope for his own future regularly, and it helps him to know that someone is nice to him and doesn't think he is useless.

What were the events that resulted in Kevin's power remaining undiscovered until he reached the age of twenty-six in the story "Jack of No Trades"? [SEP] <s> Jack of No Trades By EVELYN E. SMITH Illustrated by CAVAT [Transcriber's Note: This etext was produced from Galaxy October 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I was psick of Psi powers, not having any. Or didn't I? Maybe they'dpsee otherwise psomeday! I walked into the dining room and collided with a floating mass offabric, which promptly draped itself over me like a sentient shroud. Oh, for God's sake, Kevin! my middle brother's voice came muffledthrough the folds. If you can't help, at least don't hinder! I managed to struggle out of the tablecloth, even though it seemed tobe trying to wrap itself around me. When Danny got excited, he lost hismental grip. I could help, I yelled as soon as I got my head free, if anybodywould let me and, what's more, I could set the table a damn sightfaster by hand than you do with 'kinesis. Just then Father appeared at the head of the table. He could as easilyhave walked downstairs as teleported, but I belonged to a family ofexhibitionists. And Father tended to show off as if he were still akid. Not that he looked his age—he was big and blond, like Danny andTim and me, and could have passed for our older brother. Boys, boys! he reproved us. Danny, you ought to be ashamed ofyourself—picking on poor Kev. Even if it hadn't been Danny's fault, he would still have been blamed. Nobody was ever supposed to raise a voice or a hand or a thought topoor afflicted Kev, because nature had picked on me enough. And thenicer everybody was to me, the nastier I became, since only when theylost their tempers could I get—or so I believed—their true attitudetoward me. How else could I tell? Sorry, fella, Dan apologized to me. The tablecloth spread itself outon the table. Wrinkles, he grumbled to himself. Wrinkles. And I hadit so nice and smooth before. Mother will be furious. If she were going to be furious, she'd be furious already, Fatherreminded him sadly. It must be tough to be married to a deep-probetelepath, I thought, and I felt a sudden wave of sympathy for him. Itwas so seldom I got the chance to feel sorry for anyone except myself.But I think you'll find she understands. She knows, all right, Danny remarked as he went on into the kitchen,but I'm not sure she always understands. I was surprised to find him so perceptive on the abstract level,because he wasn't what you might call an understanding person, either. <doc-sep>I wonder why we never thought of healing as a potential psi-power, mymother said to me later, when I was catching a snatch of rest and shewas lighting cigarettes and offering me cups of coffee in an attempt tomake up twenty-six years of indifference, perhaps dislike, all at once.The ability to heal is recorded in history, only we never paid muchattention to it. Recorded? I asked, a little jealously. Of course, she smiled. Remember the King's Evil? I should have known without her reminding me, after all the old books Ihad read. Scrofula, wasn't it? They called it that because the touchof certain kings was supposed to cure it ... and other diseases, too, Iguess. She nodded. Certain people must have had the healing power and that'sprobably why they originally got to be the rulers. In a very short time, I became a pretty important person. All the otherdeficients in the world were tested for the healing power and all ofthem turned out negative. I proved to be the only human healer alive,and not only that, I could work a thousand times more efficiently andeffectively than any of the machines. The government built a hospitaljust for my work! Wounded people were ferried there from all over theworld and I cured them. I could do practically everything except raisethe dead and sometimes I wondered whether, with a little practice, Iwouldn't be able to do even that. When I came to my new office, whom did I find waiting there for me butLucy, her trim figure enhanced by a snug blue and white uniform. I'myour assistant, Kev, she said shyly. I looked at her. You are? I—I hope you want me, she went on, coyness now mixing withapprehension. I gave her shoulder a squeeze. I do want you, Lucy. More than I cantell you now. After all this is over, there's something more I want tosay. But right now— I clapped her arm—there's a job to be done. Yes, Kevin, she said, glaring at me for some reason I didn't havetime to investigate or interpret at the moment. My patients werewaiting for me. They gave me everything else I could possibly need, except enoughsleep, and I myself didn't want that. I wanted to heal. I wanted toshow my fellow human beings that, though I couldn't receive or transmitthoughts or foretell the future or move things with my mind, all thosepowers were useless without life, and that was what I could give. I took pride in my work. It was good to stop pain and ugliness, to knowthat, if it weren't for me, these people would be dead or permanentlydisfigured. In a sense, they were—well, my children; I felt a warmglow of affection toward them. They felt the same way toward me. I knew because the secret of thehospital soon leaked out—during all those years of peace, thegovernment had lost whatever facility it had for keeping secrets—andpeople used to come in droves, hoping for a glimpse of me. <doc-sep>The blow shook the gun from my fingers. It almost fell into the thing on the floor, but at the last moment seemed to change direction andmiss it. I knew something. I don't wash because I drink coffee. It's all right to drink coffee, isn't it? he asked. Of course, I said, and added absurdly, That's why I don't wash. You mean, Andre said slowly, ploddingly, that if you bathed, youwould be admitting that drinking coffee was in the same class as anyother solitary vice that makes people wash frequently. I was knocked to my knees. Kevin, the Martian said, drinking coffee represents a major viceonly in Centurian humanoids, not Earth-norm human beings. Which areyou? Nothing came out of my gabbling mouth. What is Doc's full name? I almost fell in, but at the last instant I caught myself and said,Doctor Kevin O'Malley, Senior. From the bed, Doc said a word. Son. Then he disappeared. I looked at that which he had made. I wondered where he had gone, insearch of what. He didn't use that, Andre said. So I was an Earthman, Doc's son. So my addiction to coffee was all inmy mind. That didn't change anything. They say sex is all in your mind.I didn't want to be cured. I wouldn't be. Doc was gone. That was all Ihad now. That and the thing he left. The rest is simple, Andre said. Doc O'Malley bought up all the stockin a certain ancient metaphysical order and started supplying memberswith certain books. Can you imagine the effect of the Book of Dyzan or the Book of Thoth or the Seven Cryptical Books of Hsan or the Necronomican itself on human beings? But they don't exist, I said wearily. Exactly, Kevin, exactly. They have never existed any more than yourVictorian detective friend. But the unconscious racial mind has reachedback into time and created them. And that unconscious mind, deeper thanpsychology terms the subconscious, has always known about the powersof ESP, telepathy, telekinesis, precognition. Through these books,the human race can tell itself how to achieve a state of pure logic,without food, without sex, without conflict—just as Doc has achievedsuch a state—a little late, true. He had a powerful guilt complex,even stronger than your withdrawal, over releasing this blessing onthe inhabited universe, but reason finally prevailed. He had reached astate of pure thought. The North American government has to have this secret, Kevin, thegirl said. You can't let it fall into the hands of the Martians. <doc-sep></s> [SEP] What were the events that resulted in Kevin's power remaining undiscovered until he reached the age of twenty-six in the story "Jack of No Trades"?

n the year 2102, when this story takes place, 95% of the population has psi-powers. Because of the advancement of technology and medicine, physical ailments are easily and quickly remedied. There is even a cure-all that can heal most things, so it is not often that sickness or injury is relevant to life in the society that Kevin and his family live in. However, everything changes when an alien race from Alpha Centauri wages war on the humans. Unknown weapons mean unknown damage, and injury is out of the humans' control. Because Kevin does not have any psi-powers, he is encouraged to learn first aid so that he can be useful during the war. He is expected to be especially good at first aid because he does not feel the emotions of the injured in the way that telepaths do, and thus he should be able to stay more level-headed. However, he is even more effective in first aid that anyone imagined, because when he touches an injured person they heal almost instantaneously. What usually takes days with cure-all is achieved in mere seconds with a touch of Kevin's hand. It is not only the lack of violence that led to Kevin's power going unnoticed: he is the only person in the world with his powers, which makes it incredibly rare, instead of just being a power that nobody was looking for.

How are individuals lacking psi-powers perceived in the society depicted in Jack of No Trades? [SEP] <s>III Oh, yes, and Jamieson had a feeble paper on what he calledindividualization in marine worms. Barr, have you ever thought muchabout the larger aspects of the problem of individuality? Jack jumped slightly. He had let his thoughts wander very far. Not especially, sir, he mumbled. The house was still. A few minutes after the professor's arrival,Mrs. Kesserich had gone off with an anxious glance at Jack. He knewwhy and wished he could reassure her that he would not mention theirconversation to the professor. Kesserich had spent perhaps a half hour briefing him on the moreimportant papers delivered at the conferences. Then, almost as ifit were a teacher's trick to show up a pupil's inattention, he hadsuddenly posed this question about individuality. You know what I mean, of course, Kesserich pressed. The factors thatmake you you, and me me. Heredity and environment, Jack parroted like a freshman. Kesserich nodded. Suppose—this is just speculation—that we couldcontrol heredity and environment. Then we could re-create the sameindividual at will. Jack felt a shiver go through him. To get exactly the same pattern ofhereditary traits. That'd be far beyond us. What about identical twins? Kesserich pointed out. And then there'sparthenogenesis to be considered. One might produce a duplicate of themother without the intervention of the male. Although his voice hadgrown more idly speculative, Kesserich seemed to Jack to be smilingsecretly. There are many examples in the lower animal forms, to saynothing of the technique by which Loeb caused a sea urchin to reproducewith no more stimulus than a salt solution. Jack felt the hair rising on his neck. Even then you wouldn't getexactly the same pattern of hereditary traits. Not if the parent were of very pure stock? Not if there were somespecial technique for selecting ova that would reproduce all themother's traits? But environment would change things, Jack objected. The duplicatewould be bound to develop differently. Is environment so important? Newman tells about a pair of identicaltwins separated from birth, unaware of each other's existence. They metby accident when they were twenty-one. Each was a telephone repairman.Each had a wife the same age. Each had a baby son. And each had a foxterrier called 'Trixie.' That's without trying to make environmentssimilar. But suppose you did try. Suppose you saw to it that each ofthem had exactly the same experiences at the same times.... For a moment it seemed to Jack that the room was dimming and wavering,becoming a dark pool in which the only motionless thing was Kesserich'ssphinx-like face. Well, we've escaped quite far enough from Jamieson's marine worms,the biologist said, all brisk again. He said it as if Jack were theone who had led the conversation down wild and unprofitable channels.Let's get on to your project. I want to talk it over now, because Iwon't have any time for it tomorrow. Jack looked at him blankly. Tomorrow I must attend to a very important matter, the biologistexplained. <doc-sep>It isn't so much our defense that worries me, my mother muttered, aslack of adequate medical machinery. War is bound to mean casualtiesand there aren't enough cure-alls on the planet to take care of them.It's useless to expect the government to build more right now; they'llbe too busy producing weapons. Sylvia, you'd better take a leave ofabsence from your job and come down to Psycho Center to learn first-aidtechniques. And you too, Kevin, she added, obviously a littlesurprised herself at what she was saying. Probably you'd be evenbetter at it than Sylvia since you aren't sensitive to other people'spain. I looked at her. It is an ill wind, she agreed, smiling wryly, but don't let mecatch you thinking that way, Kevin. Can't you see it would be betterthat there should be no war and you should remain useless? I couldn't see it, of course, and she knew that, with her wretchedtalent for stripping away my feeble attempts at privacy. Psi-powersusually included some ability to form a mental shield; being withoutone, I was necessarily devoid of the other. My attitude didn't matter, though, because it was definitely war. Thealiens came back with a fleet clearly bent on our annihilation—eventhe 'paths couldn't figure out their motives, for the thought patternwas entirely different from ours—and the war was on. I had enjoyed learning first-aid; it was the first time I had everworked with people as an equal. And I was good at it because psi-powersaren't much of an advantage there. Telekinesis maybe a little, butI was big enough to lift anybody without needing any superhumanabilities—normal human abilities, rather. Gee, Mr. Faraday, one of the other students breathed, you're sostrong. And without 'kinesis or anything. I looked at her and liked what I saw. She was blonde and pretty. Myname's not Mr. Faraday, I said. It's Kevin. My name's Lucy, she giggled. No girl had ever giggled at me in that way before. Immediately Istarted to envision a beautiful future for the two of us, then flushedwhen I realized that she might be a telepath. But she was winding atourniquet around the arm of another member of the class with apparentunconcern. Hey, quit that! the windee yelled. You're making it too tight! I'llbe mortified! So Lucy was obviously not a telepath. Later I found out she was onlya low-grade telesensitive—just a poetess—so I had nothing to worryabout as far as having my thoughts read went. I was a little afraid ofSylvia's kidding me about my first romance, but, as it happened, shegot interested in one of the guys who was taking the class with us, andshe was not only too busy to be bothered with me, but in too vulnerablea position herself. However, when the actual bombs—or their alien equivalent—struck nearour town, I wasn't nearly so happy, especially after they startedcarrying the wounded into the Psycho Center, which had been turned intoa hospital for the duration. I took one look at the gory scene—I hadnever seen anybody really injured before; few people had, as a matterof fact—and started for the door. But Mother was already blocking theway. It was easy to see from which side of the family Tim had got histalent for prognostication. If the telepaths who can pick up all the pain can stand this, Kevin,she said, you certainly can. And there was no kindness at all inthe you . She gave me a shove toward the nearest stretcher. Go on—now's yourchance to show you're of some use in this world. <doc-sep>He was halfway across the lawn before he realized the terror into whichthe grating radio voice had thrown him. He leaped for the branch over-hanging the fence, vaulted up with therisky help of a foot on the barbed top. A surprised squirrel, lackingtime to make its escape up the trunk, sprang to the ground ahead ofhim. With terrible suddenness, two steel-jawed semicircles clankedtogether just over the squirrel's head. Jack landed with one foot toeither side of the sprung trap, while the squirrel darted off with asqueak. Jack plunged down the slope to the rocky spine and ran across it, sprayfrom the rising waves spattering him to the waist. Panting now, hestumbled up into the oaks and undergrowth of the first island, foughthis way through it, finally reached the silent cove. He loosed the lineof the Annie O. , dragged it as near to the cove's mouth as he could,plunged knee-deep in freezing water to give it a final shove, scrambledaboard, snatched up the boathook and punched at the rocks. As soon as the Annie O. was nosing out of the cove into the crosswaves, he yanked up the sail. The freshening wind filled it and sentthe sloop heeling over, with inches of white water over the lee rail,and plunging ahead. For a long while, Jack was satisfied to think of nothing but the windand the waves and the sail and speed and danger, to have all hisattention taken up balancing one against the other, so that he wouldn'thave to ask himself what year it was and whether time was an illusion,and wonder about flappers and hidden traps. When he finally looked back at the island, he was amazed to see howtiny it had grown, as distant as the mainland. Then he saw a gray motorboat astern. He watched it as it slowlyovertook him. It was built like a lifeboat, with a sturdy low cabin inthe bow and wheel amidship. Whoever was at the wheel had long gray hairthat whipped in the wind. The longer he looked, the surer he was thatit was a woman wearing a lace dress. Something that stuck up inchesover the cabin flashed darkly beside her. Only when she lifted it tothe roof of the cabin did it occur to him that it might be a rifle. But just then the motorboat swung around in a turn that sent wavesdrenching over it, and headed back toward the island. He watched it fora minute in wonder, then his attention was jolted by an angry hail. Three fishing smacks, also headed toward town, were about to crosshis bow. He came around into the wind and waited with shaking sail,watching a man in a lumpy sweater shake a fist at him. Then he turnedand gratefully followed the dark, wide, fanlike sterns and age-yellowedsails. <doc-sep></s> [SEP] How are individuals lacking psi-powers perceived in the society depicted in Jack of No Trades?

Kevin thinks he is one of the 5% of the population that does not have psi-powers, and we can learn a lot about how society sees this group of people by his interactions with his peers and his family. Before realizing he had powers, Kevin had to stay at home to take care of the house. His family knew that he would not be able to make much money in any kind of job without powers, and it would shame their family for him to be working one of those jobs. Even when he is at home, he's often referred to as slow or useless. He has never had many friends because his peers hated playing sports with him, since they couldn't communicate with their minds, and so Kevin was always at a disadvantage. Similarly, even though he was likeable, girls never wanted to date him. He was also left out of other aspects of society, because a lot of news was delivered via tellies which is received through psi-powers, so he often has to learn about the goings-on in the society from his family. Kevin learns firsthand how big of a difference it meant for how he was treated once he realized he did have powers after all.

What is the nature of the bond between Kevin and his mother in the story "Jack of No Trades"? [SEP] <s> Jack of No Trades By EVELYN E. SMITH Illustrated by CAVAT [Transcriber's Note: This etext was produced from Galaxy October 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I was psick of Psi powers, not having any. Or didn't I? Maybe they'dpsee otherwise psomeday! I walked into the dining room and collided with a floating mass offabric, which promptly draped itself over me like a sentient shroud. Oh, for God's sake, Kevin! my middle brother's voice came muffledthrough the folds. If you can't help, at least don't hinder! I managed to struggle out of the tablecloth, even though it seemed tobe trying to wrap itself around me. When Danny got excited, he lost hismental grip. I could help, I yelled as soon as I got my head free, if anybodywould let me and, what's more, I could set the table a damn sightfaster by hand than you do with 'kinesis. Just then Father appeared at the head of the table. He could as easilyhave walked downstairs as teleported, but I belonged to a family ofexhibitionists. And Father tended to show off as if he were still akid. Not that he looked his age—he was big and blond, like Danny andTim and me, and could have passed for our older brother. Boys, boys! he reproved us. Danny, you ought to be ashamed ofyourself—picking on poor Kev. Even if it hadn't been Danny's fault, he would still have been blamed. Nobody was ever supposed to raise a voice or a hand or a thought topoor afflicted Kev, because nature had picked on me enough. And thenicer everybody was to me, the nastier I became, since only when theylost their tempers could I get—or so I believed—their true attitudetoward me. How else could I tell? Sorry, fella, Dan apologized to me. The tablecloth spread itself outon the table. Wrinkles, he grumbled to himself. Wrinkles. And I hadit so nice and smooth before. Mother will be furious. If she were going to be furious, she'd be furious already, Fatherreminded him sadly. It must be tough to be married to a deep-probetelepath, I thought, and I felt a sudden wave of sympathy for him. Itwas so seldom I got the chance to feel sorry for anyone except myself.But I think you'll find she understands. She knows, all right, Danny remarked as he went on into the kitchen,but I'm not sure she always understands. I was surprised to find him so perceptive on the abstract level,because he wasn't what you might call an understanding person, either. <doc-sep>There are tensions in this room, my sister announced as she slouchedin, not quite awake yet, and hatred. I could feel them all the wayupstairs. And today I'm working on the Sleepsweet Mattress copy, so Imust feel absolutely tranquil. Everyone will think beautiful thoughts,please. She sat down just as a glass of orange juice was arriving at herplace; Danny apparently didn't know she'd come in already. The glassbumped into the back of her neck, tilted and poured its contents overher shoulder and down her very considerable decolletage. Being a mereprimitive, I couldn't help laughing. Danny, you fumbler! she screamed. Danny erupted from the kitchen. How many times have I asked all of younot to sit down until I've got everything on the table? Always a lot ofinterfering busybodies getting in the way. I don't see why you have to set the table at all, she retorted. Arobot could do it better and faster than you. Even Kev could. Sheturned quickly toward me. Oh, I am sorry, Kevin. I didn't say anything; I was too busy pressing my hands down on theback of the chair to make my knuckles turn white. Sylvia's face turned even whiter. Father, stop him— stop him! He'shating again! I can't stand it! Father looked at me, then at her. I don't think he can help it,Sylvia. I grinned. That's right—I'm just a poor atavism with no control overmyself a-tall. Finally my mother came in from the kitchen; she was an old-fashionedwoman and didn't hold with robocooks. One quick glance at me gave herthe complete details, even though I quickly protested, It's illegal toprobe anyone without permission. I used to probe you to find out when you needed your diapers changed,she said tartly, and I'll probe you now. You should watch yourself,Sylvia—poor Kevin isn't responsible. She didn't need to probe to get the blast of naked emotion that spurtedout from me. My sister screamed and even Father looked uncomfortable.Danny stomped back into the kitchen, muttering to himself. Mother's lips tightened. Sylvia, go upstairs and change your dress.Kevin, do I have to make an appointment for you at the clinic again?A psychiatrist never diagnosed members of his own family—that is, notofficially; they couldn't help offering thumbnail diagnoses any morethan they could help having thumbnails. No use, I said, deciding it was safe to drop into my chair. Who canadjust me to an environment to which I'm fundamentally unsuited? Maybe there is something physically wrong with him, Amy, my fathersuggested hopefully. Maybe you should make an appointment for him atthe cure-all? Mother shook her neatly coiffed head. He's been to it dozens of timesand he always checks out in splendid shape. None of us can spare thetime to go with him again, just on an off-chance, and he could hardlybe allowed to make such a long trip all by himself. Pity there isn't amachine in every community, but, then, we don't really need them. <doc-sep>III Oh, yes, and Jamieson had a feeble paper on what he calledindividualization in marine worms. Barr, have you ever thought muchabout the larger aspects of the problem of individuality? Jack jumped slightly. He had let his thoughts wander very far. Not especially, sir, he mumbled. The house was still. A few minutes after the professor's arrival,Mrs. Kesserich had gone off with an anxious glance at Jack. He knewwhy and wished he could reassure her that he would not mention theirconversation to the professor. Kesserich had spent perhaps a half hour briefing him on the moreimportant papers delivered at the conferences. Then, almost as ifit were a teacher's trick to show up a pupil's inattention, he hadsuddenly posed this question about individuality. You know what I mean, of course, Kesserich pressed. The factors thatmake you you, and me me. Heredity and environment, Jack parroted like a freshman. Kesserich nodded. Suppose—this is just speculation—that we couldcontrol heredity and environment. Then we could re-create the sameindividual at will. Jack felt a shiver go through him. To get exactly the same pattern ofhereditary traits. That'd be far beyond us. What about identical twins? Kesserich pointed out. And then there'sparthenogenesis to be considered. One might produce a duplicate of themother without the intervention of the male. Although his voice hadgrown more idly speculative, Kesserich seemed to Jack to be smilingsecretly. There are many examples in the lower animal forms, to saynothing of the technique by which Loeb caused a sea urchin to reproducewith no more stimulus than a salt solution. Jack felt the hair rising on his neck. Even then you wouldn't getexactly the same pattern of hereditary traits. Not if the parent were of very pure stock? Not if there were somespecial technique for selecting ova that would reproduce all themother's traits? But environment would change things, Jack objected. The duplicatewould be bound to develop differently. Is environment so important? Newman tells about a pair of identicaltwins separated from birth, unaware of each other's existence. They metby accident when they were twenty-one. Each was a telephone repairman.Each had a wife the same age. Each had a baby son. And each had a foxterrier called 'Trixie.' That's without trying to make environmentssimilar. But suppose you did try. Suppose you saw to it that each ofthem had exactly the same experiences at the same times.... For a moment it seemed to Jack that the room was dimming and wavering,becoming a dark pool in which the only motionless thing was Kesserich'ssphinx-like face. Well, we've escaped quite far enough from Jamieson's marine worms,the biologist said, all brisk again. He said it as if Jack were theone who had led the conversation down wild and unprofitable channels.Let's get on to your project. I want to talk it over now, because Iwon't have any time for it tomorrow. Jack looked at him blankly. Tomorrow I must attend to a very important matter, the biologistexplained. <doc-sep></s> [SEP] What is the nature of the bond between Kevin and his mother in the story "Jack of No Trades"?

Kevin's mother is a psychiatrist, but she does not want to diagnose her own family member, so she has to entrust Kevin's care to people outside the household. There is a lot of tension between Kevin and his mother at the beginning of the story, and she feels sorry for him whenever he feels hope for the future. It seems that the family knows she can feel the specific thoughts but they don't think she can necessarily where they're coming from, and doesn't have context for these feelings. Even though he is slower at some things than his siblings, his mom encourages him to get trained for first-aid once they know a war is coming; in some sense, he finally has a chance to directly contribute to society, according to his mom, and wouldn't be useless anymore. She also thinks he might have an advantage since he won't feel the others' pain as much. After Kevin finds out that he does have powers, his mom seems to be trying to make up for lost time, trying to bond with him, because she recognizes him as useful now, and is no longer indifferent (or even directly mean) towards him.

Can you provide a brief summary of the storyline in Orphans of the Void? [SEP] <s>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep> Orphans of the Void By MICHAEL SHAARA Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction June 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Finding a cause worth dying for is no great trick—the Universe is full of them. Finding one worth living for is the genuine problem! In the region of the Coal Sack Nebula, on the dead fourth planet ofa star called Tyban, Captain Steffens of the Mapping Command stoodcounting buildings. Eleven. No, twelve. He wondered if there was anysignificance in the number. He had no idea. What do you make of it? he asked. Lieutenant Ball, the executive officer of the ship, almost tried toscratch his head before he remembered that he was wearing a spacesuit. Looks like a temporary camp, Ball said. Very few buildings, and allbuilt out of native materials, the only stuff available. Castaways,maybe? Steffens was silent as he walked up onto the rise. The flat weatheredstone jutted out of the sand before him. No inscriptions, he pointed out. They would have been worn away. See the wind grooves? Anyway, there'snot another building on the whole damn planet. You wouldn't call itmuch of a civilization. You don't think these are native? Ball said he didn't. Steffens nodded. Standing there and gazing at the stone, Steffens felt the awe of greatage. He had a hunch, deep and intuitive, that this was old— too old.He reached out a gloved hand, ran it gently over the smooth stoneridges of the wall. Although the atmosphere was very thin, he noticedthat the buildings had no airlocks. Ball's voice sounded in his helmet: Want to set up shop, Skipper? Steffens paused. All right, if you think it will do any good. You never can tell. Excavation probably won't be much use. Thesethings are on a raised rock foundation, swept clean by the wind. Andyou can see that the rock itself is native— he indicated the ledgebeneath their feet—and was cut out a long while back. How long? Ball toed the sand uncomfortably. I wouldn't like to say off-hand. Make a rough estimate. Ball looked at the captain, knowing what was in his mind. He smiledwryly and said: Five thousand years? Ten thousand? I don't know. Steffens whistled. Ball pointed again at the wall. Look at the striations. You can tellfrom that alone. It would take even a brisk Earth wind at least several thousand years to cut that deep, and the wind here has only afraction of that force. The two men stood for a long moment in silence. Man had been ininterstellar space for three hundred years and this was the firstuncovered evidence of an advanced, space-crossing, alien race. It wasan historic moment, but neither of them was thinking about history. Man had been in space for only three hundred years. Whatever had builtthese had been in space for thousands of years. Which ought to give them , thought Steffens uncomfortably, one hell ofa good head-start. <doc-sep>Lethla half-crouched in the midst of the smell of death and thechugging of blood-pumps below. In the silence he reached up with quickfingers, tapped a tiny crystal stud upon the back of his head, and thehalves of a microscopically thin chrysalis parted transparently offof his face. He shucked it off, trailing air-tendrils that had beeninserted, hidden in the uniform, ending in thin globules of oxygen. He spoke. Triumph warmed his crystal-thin voice. That's how I did it,Earthman. Glassite! said Rice. A face-moulded mask of glassite! Lethla nodded. His milk-blue eyes dilated. Very marvelously pared toan unbreakable thickness of one-thirtieth of an inch; worn only on thehead. You have to look quickly to notice it, and, unfortunately, viewedas you saw it, outside the ship, floating in the void, not discernibleat all. Prickles of sweat appeared on Rice's face. He swore at the Venusian andthe Venusian laughed like some sort of stringed instrument, high andquick. Burnett laughed, too. Ironically. First time in years a man ever cameaboard the Constellation alive. It's a welcome change. Lethla showed his needle-like teeth. I thought it might be. Where'syour radio? Go find it! snapped Rice, hotly. I will. One hand, blue-veined, on the ladder-rungs, Lethla paused.I know you're weaponless; Purple Cross regulations. And this air-lockis safe. Don't move. Whispering, his naked feet padded white up theladder. Two long breaths later something crashed; metal and glass andcoils. The radio. Burnett put his shoulder blades against the wall-metal, looking at hisfeet. When he glanced up, Rice's fresh, animated face was spoiled bythe new bitterness in it. Lethla came down. Like a breath of air on the rungs. He smiled. That's better. Now. We can talk— Rice said it, slow: Interplanetary law declares it straight, Lethla! Get out! Only deadmen belong here. Lethla's gun grip tightened. More talk of that nature, and only deadmen there will be. He blinked. But first—we must rescue Kriere.... Kriere! Rice acted as if he had been hit in the jaw. Burnett moved his tongue back and forth on his lips silently, his eyeslidded, listening to the two of them as if they were a radio drama.Lethla's voice came next: Rather unfortunately, yes. He's still alive, heading toward Venusat an orbital velocity of two thousand m.p.h., wearing one of theseair-chrysali. Enough air for two more hours. Our flag ship was attackedunexpectedly yesterday near Mars. We were forced to take to thelife-boats, scattering, Kriere and I in one, the others sacrificingtheir lives to cover our escape. We were lucky. We got through theEarth cordon unseen. But luck can't last forever. We saw your morgue ship an hour ago. It's a long, long way to Venus.We were running out of fuel, food, water. Radio was broken. Capturewas certain. You were coming our way; we took the chance. We set asmall time-bomb to destroy the life-rocket, and cast off, wearing ourchrysali-helmets. It was the first time we had ever tried using them totrick anyone. We knew you wouldn't know we were alive until it was toolate and we controlled your ship. We knew you picked up all bodies forbrief exams, returning alien corpses to space later. Rice's voice was sullen. A set-up for you, huh? Traveling under theprotection of the Purple Cross you can get your damned All-Mighty safeto Venus. Lethla bowed slightly. Who would suspect a Morgue Rocket of providingsafe hiding for precious Venusian cargo? Precious is the word for you, brother! said Rice. Enough! Lethla moved his gun several inches. Accelerate toward Venus, mote-detectors wide open. Kriere must bepicked up— now! <doc-sep></s> [SEP] Can you provide a brief summary of the storyline in Orphans of the Void?

Captain Steffens and his crew, including Lieutenant Ball, are exploring the dead (uninhabited) fourth planet of the star called Tybanon in the Coal Sack Nebula. They are on a Mapping Command sent from Earth to explore new planets, assess them for life-forms and evaluate the ability of human colonization.This planet is peculiar because it contains stone building structures that are over 15,000 years old. Steffens and Ball discuss the profound realization that to be that old, the alien race that erected them must be quite advanced, with interstellar travel while humans were still throwing spears around. They conclude there were castaways stranded on the planet that were then evacuated since they could find no other traces of civilization besides the structures.They begin mystery-solving, wondering if the race evacuated to a different planet. The readings from the system indicate that there are moons, and the Third planet has a suitable temperature range for life, but has a CO2 atmosphere. They take their ship down to cruising altitude on the Third planet and find cities that have all been obliterated into black craters at least three miles in diameter and very deep. They are shaken, and then Steffens spots the most perfect robots he has ever seen. They are black plastic, expertly crafted, have hanging arms and legs and move with a gliding motion. He is forbidden by League Law from contacting planet-bound races. He is not clear if robots are a race (sentient robots are banned on Earth) and thinks that he could be in trouble whether he contacts them or not. Contacting them if they are a race would be bad, and also he would be dismissed for not fulfilling his mapping duties if they aren’t a race. As he wonders, the robots contact the humans telepathically, urging them to land since their only desire is to serve and sending a visual of a robot extending a handshake.Steffens decides not to reach out to the Alien Contact branch, and makes contact and lands on the planet. The robots are disappointed when the humans land, but show examples of caring for them like cleaning up the radiation so that the humans can feel more comfortable, and spreading their robot bodies out across the planet because they themselves are radioactive.The humans spend three weeks gathering knowledge of the planet. Steffens begins to inquire about their origins and finds they were constructed by “Makers” who are no longer on the planet, but that the robots believe will return. They were disappointed when the humans landed because they did not communicate telepathically and so could not be the makers. The robots also have Factories on the planet where they are constructed. The story ends with Steffens feeling an irony that he wishes to discover who made the robots, but asking them who their Makers are would be like asking a human who created their god - an impossible question.

What is the backdrop of Orphans of the Void? [SEP] <s> Orphans of the Void By MICHAEL SHAARA Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction June 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Finding a cause worth dying for is no great trick—the Universe is full of them. Finding one worth living for is the genuine problem! In the region of the Coal Sack Nebula, on the dead fourth planet ofa star called Tyban, Captain Steffens of the Mapping Command stoodcounting buildings. Eleven. No, twelve. He wondered if there was anysignificance in the number. He had no idea. What do you make of it? he asked. Lieutenant Ball, the executive officer of the ship, almost tried toscratch his head before he remembered that he was wearing a spacesuit. Looks like a temporary camp, Ball said. Very few buildings, and allbuilt out of native materials, the only stuff available. Castaways,maybe? Steffens was silent as he walked up onto the rise. The flat weatheredstone jutted out of the sand before him. No inscriptions, he pointed out. They would have been worn away. See the wind grooves? Anyway, there'snot another building on the whole damn planet. You wouldn't call itmuch of a civilization. You don't think these are native? Ball said he didn't. Steffens nodded. Standing there and gazing at the stone, Steffens felt the awe of greatage. He had a hunch, deep and intuitive, that this was old— too old.He reached out a gloved hand, ran it gently over the smooth stoneridges of the wall. Although the atmosphere was very thin, he noticedthat the buildings had no airlocks. Ball's voice sounded in his helmet: Want to set up shop, Skipper? Steffens paused. All right, if you think it will do any good. You never can tell. Excavation probably won't be much use. Thesethings are on a raised rock foundation, swept clean by the wind. Andyou can see that the rock itself is native— he indicated the ledgebeneath their feet—and was cut out a long while back. How long? Ball toed the sand uncomfortably. I wouldn't like to say off-hand. Make a rough estimate. Ball looked at the captain, knowing what was in his mind. He smiledwryly and said: Five thousand years? Ten thousand? I don't know. Steffens whistled. Ball pointed again at the wall. Look at the striations. You can tellfrom that alone. It would take even a brisk Earth wind at least several thousand years to cut that deep, and the wind here has only afraction of that force. The two men stood for a long moment in silence. Man had been ininterstellar space for three hundred years and this was the firstuncovered evidence of an advanced, space-crossing, alien race. It wasan historic moment, but neither of them was thinking about history. Man had been in space for only three hundred years. Whatever had builtthese had been in space for thousands of years. Which ought to give them , thought Steffens uncomfortably, one hell ofa good head-start. <doc-sep>She shrugged. We have friends who can be bribed. A hiding place in thecity, the use of a small desert-taxi, a pass to leave the city—thesecan be had for a price. You'll tell me your name? Maggie. Why did you save me? Her eyes twinkled mischievously. Because you're a good astrogator. His own eyes widened. How did you know that? She sat on a plain chair beside his bed. I know everything about you,Lieutenant Curtis. How did you learn my name? I destroyed all my papers— I know that you're twenty-four. Born July 10, 1971. Orphaned at four,you attended Boys Town in the Catskills till you were 19. You graduatedfrom the Academy at White Sands last June with a major in Astrogation.Your rating for the five-year period was 3.8—the second highest in aclass of fifty-seven. Your only low mark in the five years was a 3.2 inHistory of Martian Civilization. Want me to go on? Fascinated, Ben nodded. You were accepted as junior astrogation officer aboard the Odyssey .You did well on your flight from Roswell to Luna City. In a barroomfight in Luna City, you struck and killed a man named Arthur Cobb, apre-fab salesman. You've been charged with second degree murder andescape. A reward of 5,000 credits has been offered for your capture.You came to Hoover City in the hope of finding a renegade group ofspacemen who operate beyond Mars. You were looking for them in theBlast Inn. He gaped incredulously, struggling to rise from his pillows. I—don'tget it. There are ways of finding out what we want to know. As I told you, wehave many friends. He fell back into his pillows, breathing hard. She rose quickly. I'm sorry, she said. I shouldn't have told you yet. I felt so happybecause you're alive. Rest now. We'll talk again soon. Maggie, you—you said I'd live. You didn't say I'd be able to walkagain. She lowered her gaze. I hope you'll be able to. But you don't think I will, do you? I don't know. We'll try walking tomorrow. Don't think about it now.Rest. He tried to relax, but his mind was a vortex of conjecture. Just one more question, he almost whispered. Yes? The man I killed—did he have a wife? She hesitated. He thought, Damn it, of all the questions, why did Iask that? Finally she said, He had a wife. Children? Two. I don't know their ages. She left the room. <doc-sep>The first thing about the derelict that struck us as we drew near washer size. No ship ever built in the Foundation Yards had ever attainedsuch gargantuan proportions. She must have stretched a full thousandfeet from bow to stern, a sleek torpedo shape of somehow unspeakablealienness. Against the backdrop of the Milky Way, she gleamed fitfullyin the light of the faraway sun, the metal of her flanks grained withsomething like tiny, glittering whorls. It was as though the stuffwere somehow unstable ... seeking balance ... maybe even alive in somestrange and alien way. It was readily apparent to all of us that she had never been built forinter-planetary flight. She was a starship. Origin unknown. An aura ofmystery surrounded her like a shroud, protecting the world that gaveher birth mutely but effectively. The distance she must have come wasunthinkable. And the time it had taken...? Aeons. Millennia. For shewas drifting, dead in space, slowly spinning end over end as she swungabout Sol in a hyperbolic orbit that would soon take her out and awayagain into the inter-stellar deeps. Something had wounded her ... perhaps ten million years ago ... perhapsyesterday. She was gashed deeply from stem to stern with a jagged ripthat bared her mangled innards. A wandering asteroid? A meteor? Wewould never know. It gave me an uncomfortable feeling of things beyondthe ken of men as I looked at her through the port. I would never knowwhat killed her, or where she was going, or whence she came. Yet shewas mine. It made me feel like an upstart. And it made me afraid ...but of what? We should have reported her to the nearest EMV base, but that wouldhave meant that we'd lose her. Scientists would be sent out. Men betterequipped than we to investigate the first extrasolar artifact found bymen. But I didn't report her. She was ours. She was money in the bank.Let the scientists take over after we'd put a prize crew aboard andbrought her into Callisto for salvage.... That's the way I had thingsfigured. The Maid hove to about a hundred yards from her and hung there, dwarfedby the mighty glistening ship. I called for volunteers and we prepareda boarding party. I was thinking that her drives alone would be worthmillions. Cohn took charge and he and three of the men suited up andcrossed to her. In an hour they were back, disappointment largely written on theirfaces. There's nothing left of her, Captain, Cohn reported, Whatever hither tore up the innards so badly we couldn't even find the drives.She's a mess inside. Nothing left but the hull and a few storagecompartments that are still unbroken. She was never built to carry humanoids he told us, and there wasnothing that could give us a hint of where she had come from. The hullalone was left. He dropped two chunks of metal on my desk. I brought back some samplesof her pressure hull, he said, The whole thing is made of thisstuff.... We'll still take her in, I said, hiding my disappointment. Thecarcass will be worth money in Callisto. Have Mister Marvin andZaleski assemble a spare pulse-jet. We'll jury-rig her and bring herdown under her own power. You take charge of provisioning her. Checkthose compartments you found and install oxy-generators aboard. Whenit's done report to me in my quarters. I picked up the two samples of gleaming metal and called for ametallurgical testing kit. I'm going to try and find out if this stuffis worth anything.... The metal was heavy—too heavy, it seemed to me, for spaceshipconstruction. But then, who was to say what conditions existed on thatdistant world where this metal was made? Under the bright fluorescent over my work-table, the chunks of metaltorn from a random bulkhead of the starship gleamed like pale silver;those strange little whorls that I had noticed on the outer hull werethere too, like tiny magnetic lines of force, making the surface ofthe metal seem to dance. I held the stuff in my bare hand. It had ayellowish tinge, and it was heavier .... Even as I watched, the metal grew yellower, and the hand that heldit grew bone weary, little tongues of fatigue licking up my forearm.Suddenly terrified, I dropped the chunk as though it were white hot. Itstruck the table with a dull thud and lay there, a rich yellow lump ofmetallic lustre. For a long while I just sat and stared. Then I began testing, tryingall the while to quiet the trembling of my hands. I weighed it on abalance. I tested it with acids. It had changed unquestionably. Itwas no longer the same as when I had carried it into my quarters. Thewhorls of force were gone. It was no longer alive with a questingvibrancy ... it was inert, stable. From somewhere, somehow, it haddrawn the energy necessary for transmutation. The unknown metal—thestuff of which that whole mammoth spaceship from the stars wasbuilt—was now.... Gold! I scarcely dared believe it, but there it was staring at me from mytable-top. Gold! I searched my mind for an explanation. Contra-terrene matter, perhaps,from some distant island universe where matter reacted differently ...drawing energy from somewhere, the energy it needed to find stabilityin its new environment. Stability as a terrene element—wonderfully,miraculously gold! And outside, in the void beyond the Maid's ports there were tons ofthis metal that could be turned into treasure. My laughter must havebeen a wild sound in those moments of discovery.... <doc-sep></s> [SEP] What is the backdrop of Orphans of the Void?

The story opens in the Coal Sack Nebula, on the uninhabited fourth planet of a star called Tyban. There are twelve 15,000 year old stone buildings on the dusty uninhabitable planet, the first evidence of another advanced space-crossing alien race.Steffens and his crew travel to the Third planet in the Tyban solar system which seems uninhabited as well, with the cities obliterated into black holes in the ground that are at least three miles wide. The Third planet is Earth-like, with continents, hills and deserts, and of a suitable temperature for life, but with absolutely no vegetation, deathly radiation for humans, and a CO2 atmosphere. They see splintered walls and wreckage, but no life - until their discovery of the robots. There are nine million black, plastic robots slightly shorter than humans on the planet, and they have a huge, grey block building Factory near the edge of the twilight zone in a valley between two mountains where they are produced. Their desire for their human-like Makers to return to them, and their use of telepathic communication and mind-probing sets an eerie vibe over the humans’ exploration of the planet.

What is the ironic situation surrounding the "Makers" in Orphans of the Void? [SEP] <s>What do you do ? Steffens asked. Elb replied quickly, with characteristic simplicity: We can do verylittle. A certain amount of physical knowledge was imparted to us atbirth by the Makers. We spend the main part of our time expanding thatknowledge wherever possible. We have made some progress in the naturalsciences, and some in mathematics. Our purpose in being, you see, isto serve the Makers. Any ability we can acquire will make us that muchmore fit to serve when the Makers return. When they return? It had not occurred to Steffens until now that therobots expected the Makers to do so. Elb regarded him out of the band of the circling eye. I see you hadsurmised that the Makers were not coming back. If the robot could have laughed, Steffens thought it would have, then.But it just stood there, motionless, its tone politely emphatic. It has always been our belief that the Makers would return. Why elsewould we have been built? Steffens thought the robot would go on, but it didn't. The question, toElb, was no question at all. Although Steffens knew already what the robot could not possibly haveknown—that the Makers were gone and would never come back—he was along time understanding. What he did was push this speculation into theback of his mind, to keep it from Elb. He had no desire to destroy afaith. But it created a problem in him. He had begun to picture for Elb thestructure of human society, and the robot—a machine which did not eator sleep—listened gravely and tried to understand. One day Steffensmentioned God. God? the robot repeated without comprehension. What is God? Steffens explained briefly, and the robot answered: It is a matter which has troubled us. We thought at first that youwere the Makers returning— Steffens remembered the brief lapse, theseeming disappointment he had sensed—but then we probed your mindsand found that you were not, that you were another kind of being,unlike either the Makers or ourselves. You were not even— Elb caughthimself—you did not happen to be telepaths. Therefore we troubledover who made you. We did detect the word 'Maker' in your theology,but it seemed to have a peculiar— Elb paused for a long while—anuntouchable, intangible meaning which varies among you. Steffens understood. He nodded. The Makers were the robots' God, were all the God they needed. TheMakers had built them, the planet, the universe. If he were to ask themwho made the Makers, it would be like their asking him who made God. It was an ironic parallel, and he smiled to himself. But on that planet, it was the last time he smiled. <doc-sep>After a while, convinced that there was no danger, Steffens had theship brought down. When the crew came out of the airlock, they were metby the robots, and each man found himself with a robot at his side,humbly requesting to be of service. There were literally thousands ofthe robots now, come from all over the barren horizon. The mass of themstood apart, immobile on a plain near the ship, glinting in the sunlike a vast, metallic field of black wheat. The robots had obviously been built to serve. Steffens began to feel their pleasure, to sense it in spite of the blank, expressionlessfaces. They were almost like children in their eagerness, yet they werestill reserved. Whoever had built them, Steffens thought in wonder, hadbuilt them well. Ball came to join Steffens, staring at the robots through the clearplastic of his helmet with baffledly widened eyes. A robot moved outfrom the mass in the field, allied itself to him. The first to speakhad remained with Steffens. Realizing that the robot could hear every word he was saying, Ballwas for a while apprehensive. But the sheer unreality of standing andtalking with a multi-limbed, intelligent hunk of dead metal upon thebare rock of a dead, ancient world, the unreality of it slowly died.It was impossible not to like the things. There was something in theirvery lines which was pleasant and relaxing. Their builders, Steffens thought, had probably thought of that, too. There's no harm in them, said Ball at last, openly, not minding ifthe robots heard. They seem actually glad we're here. My God, whoeverheard of a robot being glad? Steffens, embarrassed, spoke quickly to the nearest mechanical: I hopeyou will forgive us our curiosity, but—yours is a remarkable race. Wehave never before made contact with a race like yours. It was saidhaltingly, but it was the best he could do. The robot made a singularly human nodding motion of its head. I perceive that the nature of our construction is unfamiliar to you.Your question is whether or not we are entirely 'mechanical.' I amnot exactly certain as to what the word 'mechanical' is intended toconvey—I would have to examine your thought more fully—but I believethat there is fundamental similarity between our structures. The robot paused. Steffens had a distinct impression that it wasdisconcerted. I must tell you, the thing went on, that we ourselves are—curious.It stopped suddenly, struggling with a word it could not comprehend.Steffens waited, listening with absolute interest. It said at length: We know of only two types of living structure. Ours, which is largelymetallic, and that of the Makers , which would appear to be somewhatmore like yours. I am not a—doctor—and therefore cannot acquaint youwith the specific details of the Makers' composition, but if you areinterested I will have a doctor brought forward. It will be glad to beof assistance. It was Steffens' turn to struggle, and the robot waited patiently whileBall and the second robot looked on in silence. The Makers, obviously,were whoever or whatever had built the robots, and the doctors,Steffens decided, were probably just that—doctor-robots, designedspecifically to care for the apparently flesh-bodies of the Makers. The efficiency of the things continued to amaze him, but the questionhe had been waiting to ask came out now with a rush: Can you tell us where the Makers are? Both robots stood motionless. It occurred to Steffens that he couldn'treally be sure which was speaking. The voice that came to him spokewith difficulty. The Makers—are not here. Steffens stared in puzzlement. The robot detected his confusion andwent on: The Makers have gone away. They have been gone for a very long time. Could that be pain in its voice, Steffens wondered, and then thespectre of the ruined cities rose harsh in his mind. War. The Makers had all been killed in that war. And these had not beenkilled. He tried to grasp it, but he couldn't. There were robots here in themidst of a radiation so lethal that nothing , nothing could live;robots on a dead planet, living in an atmosphere of carbon dioxide. The carbon dioxide brought him up sharp. If there had been life here once, there would have been plant life aswell, and therefore oxygen. If the war had been so long ago that thefree oxygen had since gone out of the atmosphere—good God, how oldwere the robots? Steffens looked at Ball, then at the silent robots,then out across the field to where the rest of them stood. The blackwheat. Steffens felt a deep chill. Were they immortal? <doc-sep> Orphans of the Void By MICHAEL SHAARA Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction June 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Finding a cause worth dying for is no great trick—the Universe is full of them. Finding one worth living for is the genuine problem! In the region of the Coal Sack Nebula, on the dead fourth planet ofa star called Tyban, Captain Steffens of the Mapping Command stoodcounting buildings. Eleven. No, twelve. He wondered if there was anysignificance in the number. He had no idea. What do you make of it? he asked. Lieutenant Ball, the executive officer of the ship, almost tried toscratch his head before he remembered that he was wearing a spacesuit. Looks like a temporary camp, Ball said. Very few buildings, and allbuilt out of native materials, the only stuff available. Castaways,maybe? Steffens was silent as he walked up onto the rise. The flat weatheredstone jutted out of the sand before him. No inscriptions, he pointed out. They would have been worn away. See the wind grooves? Anyway, there'snot another building on the whole damn planet. You wouldn't call itmuch of a civilization. You don't think these are native? Ball said he didn't. Steffens nodded. Standing there and gazing at the stone, Steffens felt the awe of greatage. He had a hunch, deep and intuitive, that this was old— too old.He reached out a gloved hand, ran it gently over the smooth stoneridges of the wall. Although the atmosphere was very thin, he noticedthat the buildings had no airlocks. Ball's voice sounded in his helmet: Want to set up shop, Skipper? Steffens paused. All right, if you think it will do any good. You never can tell. Excavation probably won't be much use. Thesethings are on a raised rock foundation, swept clean by the wind. Andyou can see that the rock itself is native— he indicated the ledgebeneath their feet—and was cut out a long while back. How long? Ball toed the sand uncomfortably. I wouldn't like to say off-hand. Make a rough estimate. Ball looked at the captain, knowing what was in his mind. He smiledwryly and said: Five thousand years? Ten thousand? I don't know. Steffens whistled. Ball pointed again at the wall. Look at the striations. You can tellfrom that alone. It would take even a brisk Earth wind at least several thousand years to cut that deep, and the wind here has only afraction of that force. The two men stood for a long moment in silence. Man had been ininterstellar space for three hundred years and this was the firstuncovered evidence of an advanced, space-crossing, alien race. It wasan historic moment, but neither of them was thinking about history. Man had been in space for only three hundred years. Whatever had builtthese had been in space for thousands of years. Which ought to give them , thought Steffens uncomfortably, one hell ofa good head-start. <doc-sep></s> [SEP] What is the ironic situation surrounding the "Makers" in Orphans of the Void?

The “Makers” are to the robots as gods of creation are to humans. The robots believe that the Makers wouldn’t have created them if they wouldn’t return for them one day, and so steadfastly believe that the Makers will visit. They tell Steffens that the Makers were similar to his human form. This is evidenced by the disappointment the robots display when the humans land and the robots realize they do not communicate telepathically, thus cannot be the Makers they were expecting.Steffens states the “ironic parallel” of the Makers at the end of the story because the humans wish to understand who created the robots, but they can’t possibly answer that question because it would be like asking a human who created their god.

"What can be said about the robots in Orphans of the Void?" [SEP] <s> Orphans of the Void By MICHAEL SHAARA Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction June 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Finding a cause worth dying for is no great trick—the Universe is full of them. Finding one worth living for is the genuine problem! In the region of the Coal Sack Nebula, on the dead fourth planet ofa star called Tyban, Captain Steffens of the Mapping Command stoodcounting buildings. Eleven. No, twelve. He wondered if there was anysignificance in the number. He had no idea. What do you make of it? he asked. Lieutenant Ball, the executive officer of the ship, almost tried toscratch his head before he remembered that he was wearing a spacesuit. Looks like a temporary camp, Ball said. Very few buildings, and allbuilt out of native materials, the only stuff available. Castaways,maybe? Steffens was silent as he walked up onto the rise. The flat weatheredstone jutted out of the sand before him. No inscriptions, he pointed out. They would have been worn away. See the wind grooves? Anyway, there'snot another building on the whole damn planet. You wouldn't call itmuch of a civilization. You don't think these are native? Ball said he didn't. Steffens nodded. Standing there and gazing at the stone, Steffens felt the awe of greatage. He had a hunch, deep and intuitive, that this was old— too old.He reached out a gloved hand, ran it gently over the smooth stoneridges of the wall. Although the atmosphere was very thin, he noticedthat the buildings had no airlocks. Ball's voice sounded in his helmet: Want to set up shop, Skipper? Steffens paused. All right, if you think it will do any good. You never can tell. Excavation probably won't be much use. Thesethings are on a raised rock foundation, swept clean by the wind. Andyou can see that the rock itself is native— he indicated the ledgebeneath their feet—and was cut out a long while back. How long? Ball toed the sand uncomfortably. I wouldn't like to say off-hand. Make a rough estimate. Ball looked at the captain, knowing what was in his mind. He smiledwryly and said: Five thousand years? Ten thousand? I don't know. Steffens whistled. Ball pointed again at the wall. Look at the striations. You can tellfrom that alone. It would take even a brisk Earth wind at least several thousand years to cut that deep, and the wind here has only afraction of that force. The two men stood for a long moment in silence. Man had been ininterstellar space for three hundred years and this was the firstuncovered evidence of an advanced, space-crossing, alien race. It wasan historic moment, but neither of them was thinking about history. Man had been in space for only three hundred years. Whatever had builtthese had been in space for thousands of years. Which ought to give them , thought Steffens uncomfortably, one hell ofa good head-start. <doc-sep>Would you like to see a doctor? Steffens jumped at the familiar words, then realized to what the robotwas referring. No, not yet, he said, thank you. He swallowed hard as the robotscontinued waiting patiently. Could you tell me, he said at last, how old you are? Individually? By your reckoning, said his robot, and paused to make thecalculation, I am forty-four years, seven months, and eighteen days ofage, with ten years and approximately nine months yet to be alive. Steffens tried to understand that. It would perhaps simplify our conversations, said the robot, ifyou were to refer to me by a name, as is your custom. Using thefirst—letters—of my designation, my name would translate as Elb. Glad to meet you, Steffens mumbled. You are called 'Stef,' said the robot obligingly. Then it added,pointing an arm at the robot near Ball: The age of—Peb—is seventeenyears, one month and four days. Peb has therefore remaining somethirty-eight years. Steffens was trying to keep up. Then the life span was obviously aboutfifty-five years. But the cities, and the carbon dioxide? The robot,Elb, had said that the Makers were similar to him, and therefore oxygenand plant life would have been needed. Unless— He remembered the buildings on Tyban IV. Unless the Makers had not come from this planet at all. His mind helplessly began to revolve. It was Ball who restored order. Do you build yourselves? the exec asked. Peb answered quickly, that faint note of happiness again apparent, asif the robot was glad for the opportunity of answering. No, we do not build ourselves. We are made by the— another pause fora word—by the Factory . The Factory? Yes. It was built by the Makers. Would you care to see it? Both of the Earthmen nodded dumbly. Would you prefer to use your—skiff? It is quite a long way from here. It was indeed a long way, even by skiff. Some of the Aliencon crew wentalong with them. And near the edge of the twilight zone, on the otherside of the world, they saw the Factory outlined in the dim light ofdusk. A huge, fantastic block, wrought of gray and cloudy metal, lay ina valley between two worn mountains. Steffens went down low, circlingin the skiff, stared in awe at the size of the building. Robots movedoutside the thing, little black bugs in the distance—moving aroundtheir birthplace. <doc-sep>Greetings, it said! Greetings! Ball was mumbling incredulouslythrough shocked lips. Everyone on the ship had heard the voice. When it spoke again, Steffenswas not sure whether it was just one voice or many voices. We await your coming, it said gravely, and repeated: Our desire isonly to serve. And then the robots sent a picture . As perfect and as clear as a tridim movie, a rectangular plate tookshape in Steffens' mind. On the face of the plate, standing aloneagainst a background of red-brown, bare rocks, was one of the robots.With slow, perfect movement, the robot carefully lifted one of thehanging arms of its side, of its right side, and extended it towardSteffens, a graciously offered hand. Steffens felt a peculiar, compelling urge to take the hand, realizedright away that the urge to take the hand was not entirely his. Therobot mind had helped. When the picture vanished, he knew that the others had seen it. Hewaited for a while; there was no further contact, but the feeling ofthe robot's urging was still strong within him. He had an idea that, ifthey wanted to, the robots could control his mind. So when nothing morehappened, he began to lose his fear. While the crew watched in fascination, Steffens tried to talk back.He concentrated hard on what he was saying, said it aloud for goodmeasure, then held his own hand extended in the robot manner of shakinghands. Greetings, he said, because it was what they had said, andexplained: We have come from the stars. It was overly dramatic, but so was the whole situation. He wonderedbaffledly if he should have let the Alien Contact crew handle it. Ordersomeone to stand there, feeling like a fool, and think a message? No, it was his responsibility; he had to go on: We request—we respectfully request permission to land upon yourplanet. <doc-sep></s> [SEP] "What can be said about the robots in Orphans of the Void?"

The robots are the first evidence of an advanced alien race that man has discovered in 300 years of interstellar travel. They are at least a foot shorter than the humans, with an eye-band circling their entire head, bunches of hanging arms, and a gliding type of locomotion. Steffens remarks that they are some of the most well-built machinery he has ever seen. The robots are made of black plastic, and have rows of dense symbols engraved all over their torsos. Their communication comes to the humans telepathically, and they are fully sentient - aware of their life spans of ~55 years, and their time until death. They also have the ability to probe the minds of the humans and even urge them to make certain decisions, but they reveal they only use this to get the humans to land and will not use it further except when given permission.They claim to have been made by the Makers, and exhibit the Factory where they are built to Steffens and his crew while they are on the Third planet. There are more than nine million of them in total on the planet, which astonishes the humans, and they spend their time trying to expand their knowledge to better serve their Makers when they eventually return to the planet.

What motivates Steffens to interact with the robots in Orphans of the Void? [SEP] <s> Orphans of the Void By MICHAEL SHAARA Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction June 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Finding a cause worth dying for is no great trick—the Universe is full of them. Finding one worth living for is the genuine problem! In the region of the Coal Sack Nebula, on the dead fourth planet ofa star called Tyban, Captain Steffens of the Mapping Command stoodcounting buildings. Eleven. No, twelve. He wondered if there was anysignificance in the number. He had no idea. What do you make of it? he asked. Lieutenant Ball, the executive officer of the ship, almost tried toscratch his head before he remembered that he was wearing a spacesuit. Looks like a temporary camp, Ball said. Very few buildings, and allbuilt out of native materials, the only stuff available. Castaways,maybe? Steffens was silent as he walked up onto the rise. The flat weatheredstone jutted out of the sand before him. No inscriptions, he pointed out. They would have been worn away. See the wind grooves? Anyway, there'snot another building on the whole damn planet. You wouldn't call itmuch of a civilization. You don't think these are native? Ball said he didn't. Steffens nodded. Standing there and gazing at the stone, Steffens felt the awe of greatage. He had a hunch, deep and intuitive, that this was old— too old.He reached out a gloved hand, ran it gently over the smooth stoneridges of the wall. Although the atmosphere was very thin, he noticedthat the buildings had no airlocks. Ball's voice sounded in his helmet: Want to set up shop, Skipper? Steffens paused. All right, if you think it will do any good. You never can tell. Excavation probably won't be much use. Thesethings are on a raised rock foundation, swept clean by the wind. Andyou can see that the rock itself is native— he indicated the ledgebeneath their feet—and was cut out a long while back. How long? Ball toed the sand uncomfortably. I wouldn't like to say off-hand. Make a rough estimate. Ball looked at the captain, knowing what was in his mind. He smiledwryly and said: Five thousand years? Ten thousand? I don't know. Steffens whistled. Ball pointed again at the wall. Look at the striations. You can tellfrom that alone. It would take even a brisk Earth wind at least several thousand years to cut that deep, and the wind here has only afraction of that force. The two men stood for a long moment in silence. Man had been ininterstellar space for three hundred years and this was the firstuncovered evidence of an advanced, space-crossing, alien race. It wasan historic moment, but neither of them was thinking about history. Man had been in space for only three hundred years. Whatever had builtthese had been in space for thousands of years. Which ought to give them , thought Steffens uncomfortably, one hell ofa good head-start. <doc-sep>Steffens had not realized that there were so many. They had been gathering since his ship was first seen, and now therewere hundreds of them clustered upon the hill. Others were arrivingeven as the skiff landed; they glided in over the rocky hills withfantastic ease and power, so that Steffens felt a momentary anxiety.Most of the robots were standing with the silent immobility of metal.Others threaded their way to the fore and came near the skiff, but nonetouched it, and a circle was cleared for Steffens when he came out. One of the near robots came forward alone, moving, as Steffens nowsaw, on a number of short, incredibly strong and agile legs. The blackthing paused before him, extended a hand as it had done in the picture.Steffens took it, he hoped, warmly; felt the power of the metal throughthe glove of his suit. Welcome, the robot said, speaking again to his mind, and nowSteffens detected a peculiar alteration in the robot's tone. It wasless friendly now, less—Steffens could not understand—somehow less interested , as if the robot had been—expecting someone else. Thank you, Steffens said. We are deeply grateful for your permissionto land. Our desire, the robot repeated mechanically, is only to serve. Suddenly, Steffens began to feel alone, surrounded by machines. Hetried to push the thought out of his mind, because he knew that they should seem inhuman. But.... Will the others come down? asked the robot, still mechanically. Steffens felt his embarrassment. The ship lay high in the mist above,jets throbbing gently. They must remain with the ship, Steffens said aloud, trusting to therobot's formality not to ask him why. Although, if they could read hismind, there was no need to ask. For a long while, neither spoke, long enough for Steffens to grow tenseand uncomfortable. He could not think of a thing to say, the robot wasobviously waiting, and so, in desperation, he signaled the Aliencon mento come on out of the skiff. They came, wonderingly, and the ring of robots widened. Steffens heardthe one robot speak again. The voice was now much more friendly. We hope you will forgive us for intruding upon your thought. It isour—custom—not to communicate unless we are called upon. But when weobserved that you were in ignorance of our real—nature—and were aboutto leave our planet, we decided to put aside our custom, so that youmight base your decision upon sufficient data. Steffens replied haltingly that he appreciated their action. We perceive, the robot went on, that you are unaware of our completeaccess to your mind, and would perhaps be—dismayed—to learn thatwe have been gathering information from you. We must—apologize.Our only purpose was so that we could communicate with you. Onlythat information was taken which is necessary for communicationand—understanding. We will enter your minds henceforth only at yourrequest. Steffens did not react to the news that his mind was being probedas violently as he might have. Nevertheless it was a shock, and heretreated into observant silence as the Aliencon men went to work. The robot which seemed to have been doing the speaking was in no waydifferent from any of the others in the group. Since each of the robotswas immediately aware of all that was being said or thought, Steffensguessed that they had sent one forward just for appearance's sake,because they perceived that the Earthmen would feel more at home. Thepicture of the extended hand, the characteristic handshake of Earthmen,had probably been borrowed, too, for the same purpose of making him andthe others feel at ease. The one jarring note was the robot's momentarylapse, those unexplainable few seconds when the things had seemedalmost disappointed. Steffens gave up wondering about that and began toexamine the first robot in detail. It was not very tall, being at least a foot shorter than the Earthmen.The most peculiar thing about it, except for the circling eye-band ofthe head, was a mass of symbols which were apparently engraved upon themetal chest. Symbols in row upon row—numbers, perhaps—were upon thechest, and repeated again below the level of the arms, and continuedin orderly rows across the front of the robot, all the way down to thebase of the trunk. If they were numbers, Steffens thought, then it wasa remarkably complicated system. But he noticed the same pattern onthe nearer robots, all apparently identical. He was forced to concludethat the symbols were merely decoration and let it go tentatively atthat, although the answer seemed illogical. It wasn't until he was on his way home that Steffens remembered thesymbols again. And only then did he realized what they were. <doc-sep>After a while, convinced that there was no danger, Steffens had theship brought down. When the crew came out of the airlock, they were metby the robots, and each man found himself with a robot at his side,humbly requesting to be of service. There were literally thousands ofthe robots now, come from all over the barren horizon. The mass of themstood apart, immobile on a plain near the ship, glinting in the sunlike a vast, metallic field of black wheat. The robots had obviously been built to serve. Steffens began to feel their pleasure, to sense it in spite of the blank, expressionlessfaces. They were almost like children in their eagerness, yet they werestill reserved. Whoever had built them, Steffens thought in wonder, hadbuilt them well. Ball came to join Steffens, staring at the robots through the clearplastic of his helmet with baffledly widened eyes. A robot moved outfrom the mass in the field, allied itself to him. The first to speakhad remained with Steffens. Realizing that the robot could hear every word he was saying, Ballwas for a while apprehensive. But the sheer unreality of standing andtalking with a multi-limbed, intelligent hunk of dead metal upon thebare rock of a dead, ancient world, the unreality of it slowly died.It was impossible not to like the things. There was something in theirvery lines which was pleasant and relaxing. Their builders, Steffens thought, had probably thought of that, too. There's no harm in them, said Ball at last, openly, not minding ifthe robots heard. They seem actually glad we're here. My God, whoeverheard of a robot being glad? Steffens, embarrassed, spoke quickly to the nearest mechanical: I hopeyou will forgive us our curiosity, but—yours is a remarkable race. Wehave never before made contact with a race like yours. It was saidhaltingly, but it was the best he could do. The robot made a singularly human nodding motion of its head. I perceive that the nature of our construction is unfamiliar to you.Your question is whether or not we are entirely 'mechanical.' I amnot exactly certain as to what the word 'mechanical' is intended toconvey—I would have to examine your thought more fully—but I believethat there is fundamental similarity between our structures. The robot paused. Steffens had a distinct impression that it wasdisconcerted. I must tell you, the thing went on, that we ourselves are—curious.It stopped suddenly, struggling with a word it could not comprehend.Steffens waited, listening with absolute interest. It said at length: We know of only two types of living structure. Ours, which is largelymetallic, and that of the Makers , which would appear to be somewhatmore like yours. I am not a—doctor—and therefore cannot acquaint youwith the specific details of the Makers' composition, but if you areinterested I will have a doctor brought forward. It will be glad to beof assistance. It was Steffens' turn to struggle, and the robot waited patiently whileBall and the second robot looked on in silence. The Makers, obviously,were whoever or whatever had built the robots, and the doctors,Steffens decided, were probably just that—doctor-robots, designedspecifically to care for the apparently flesh-bodies of the Makers. The efficiency of the things continued to amaze him, but the questionhe had been waiting to ask came out now with a rush: Can you tell us where the Makers are? Both robots stood motionless. It occurred to Steffens that he couldn'treally be sure which was speaking. The voice that came to him spokewith difficulty. The Makers—are not here. Steffens stared in puzzlement. The robot detected his confusion andwent on: The Makers have gone away. They have been gone for a very long time. Could that be pain in its voice, Steffens wondered, and then thespectre of the ruined cities rose harsh in his mind. War. The Makers had all been killed in that war. And these had not beenkilled. He tried to grasp it, but he couldn't. There were robots here in themidst of a radiation so lethal that nothing , nothing could live;robots on a dead planet, living in an atmosphere of carbon dioxide. The carbon dioxide brought him up sharp. If there had been life here once, there would have been plant life aswell, and therefore oxygen. If the war had been so long ago that thefree oxygen had since gone out of the atmosphere—good God, how oldwere the robots? Steffens looked at Ball, then at the silent robots,then out across the field to where the rest of them stood. The blackwheat. Steffens felt a deep chill. Were they immortal? <doc-sep></s> [SEP] What motivates Steffens to interact with the robots in Orphans of the Void?

Steffens was stumped as to what to do when they visually discovered robots on the Third planet. He proactively sounded an alert and put defense screens on the ship, but wondered about what his governing League Law would have him do.Contact with races on foreign planets was forbidden, but he was unsure if robots could be called a race. Earth didn’t have robots because imaginative robots were expressly forbidden to build. Steffens thought it was possible the robots were the brains of natives encased in metal.Since Steffens is under “The Mapping Command”, he is supposed to go no further than examining unexplored systems, checking for life-forms and the possibilities of human colonization. His conundrum was that, “if he returned to Sirius base without investigating this robot situation, he could very well be court-martialed one way or the other, either for breaking the Law of Contact or for dereliction of duty.”The robots reach out telepathically, saying in words that they are only here to serve, and communicating a photo to the minds of the crew of a robot extending a hand for a handshake. Although Steffens wonders about letting the Alien Contact crew handle the situation, he ultimately decides it is his responsibility - and he goes on to initiate contact by requesting to land. He is encouraged to stay and explore by the kind nature of the robots.

Can you provide a summary of the storyline in A CITY NEAR CENTAURUS? [SEP] <s> A CITY NEAR CENTAURUS By BILL DOEDE Illustrated by WEST [Transcriber's Note: This etext was produced from Galaxy Magazine October 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The city was sacred, but not to its gods. Michaelson was a god—but far from sacred! Crouched in the ancient doorway like an animal peering out from hisburrow, Mr. Michaelson saw the native. At first he was startled, thinking it might be someone else from theEarth settlement who had discovered the old city before him. Then hesaw the glint of sun against the metallic skirt, and relaxed. He chuckled to himself, wondering with amusement what a webfooted manwas doing in an old dead city so far from his people. Some facts wereknown about the people of Alpha Centaurus II. They were not actuallynatives, he recalled. They were a colony from the fifth planet ofthe system. They were a curious people. Some were highly intelligent,though uneducated. He decided to ignore the man for the moment. He was far down theancient street, a mere speck against the sand. There would be plenty oftime to wonder about him. He gazed out from his position at the complex variety of buildingsbefore him. Some were small, obviously homes. Others were hugewith tall, frail spires standing against the pale blue sky. Squarebuildings, ellipsoid, spheroid. Beautiful, dream-stuff bridgesconnected tall, conical towers, bridges that still swung in the windafter half a million years. Late afternoon sunlight shone against ebonysurfaces. The sands of many centuries had blown down the wide streetsand filled the doorways. Desert plants grew from roofs of smallerbuildings. Ignoring the native, Mr. Michaelson poked about among the ruinshappily, exclaiming to himself about some particular artifact,marveling at its state of preservation, holding it this way and that tocatch the late afternoon sun, smiling, clucking gleefully. He crawledover the rubble through old doorways half filled with the accumulationof ages. He dug experimentally in the sand with his hands, like a dog,under a roof that had weathered half a million years of rain and sun.Then he crawled out again, covered with dust and cobwebs. <doc-sep>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep>He turned and walked off, not looking back. Michaelson stood in the ancient street, tall, gaunt, feet planted wide,hands in pockets, watching the webfoot until he was out of sight beyonda huge circular building. There was a man to watch. There was one ofthe intelligent ones. One look into the alert old eyes had told himthat. Michaelson shook his head, and went about satisfying his curiosity.He entered buildings without thought of roofs falling in, or decayedfloors dropping from under his weight. He began to collect small items,making a pile of them in the street. An ancient bowl, metal untouchedby the ages. A statue of a man, one foot high, correct to the minutestdetail, showing how identical they had been to Earthmen. He found booksstill standing on ancient shelves but was afraid to touch them withouttools. Darkness came swiftly and he was forced out into the street. He stood there alone feeling the age of the place. Even the smellof age was in the air. Silver moonlight from the two moons filteredthrough clear air down upon the ruins. The city lay now in darkness,dead and still, waiting for morning so it could lie dead and still inthe sun. There was no hurry to be going home, although he was alone, althoughthis was Alpha Centaurus II with many unknowns, many dangers ...although home was a very great distance away. There was no one backthere to worry about him. His wife had died many years ago back on Earth. No children. Hisfriends in the settlement would not look for him for another day atleast. Anyway, the tiny cylinder, buried in flesh behind his ear, athing of mystery and immense power, could take him home instantly,without effort save a flicker of thought. You did not leave, as I asked you. Michaelson whirled around at the sound of the native's voice. Then herelaxed. He said, You shouldn't sneak up on a man like that. You must leave, or I will be forced to kill you. I do not want to killyou, but if I must.... He made a clucking sound deep in the throat.The spirits are angry. Nonsense. Superstition! But never mind. You have been here longerthan I. Tell me, what are those instruments in the rooms? It looks likea clock but I'm certain it had some other function. What rooms? Oh, come now. The small rooms back there. Look like they werebedrooms. I do not know. The webfoot drew closer. Michaelson decided he wassixty or seventy years old, at least. You've been here a long time. You are intelligent, and you must beeducated, the way you talk. That gadget looks like a time-piece of somesort. What is it? What does it measure? I insist that you go. The webfoot held something in his hand. No. Michaelson looked off down the street, trying to ignore thenative, trying to feel the life of the city as it might have been. <doc-sep></s> [SEP] Can you provide a summary of the storyline in A CITY NEAR CENTAURUS?

Stationed on the Earth base of Alpha Centaurus II, Mr. Michaelson, a tall, gaunt archeologist, explores the planet for historical artifacts. He is human, but has a special cylinder embedded in the flesh behind his ear that teleports him to a different location when touched.He comes across an empty city in the desert, with the old buildings filling with blown sand, though he is not alone. He is approached by a short, gray-haired native with webbed bare feet (aka webfoot or Maota) that he spotted in a doorway, who introduces himself as the keeper of the city and implores him to leave because he angers the gods. Michaelson brushes aside that spirits exist, but notes that he must keep an eye on this intelligent native.As Michaelson continues to explore the city and disobey what he was told, the native again demands he leave, calling him “Mr. Earthgod.” Michaelson learns his name is Maota, and tries to negotiate to preserve the artifacts and build a museum. Maota does not succumb to Michaelson’s tactics, and whacks him unconscious with a metal book.Michaelson awakes and teleports to a creek 500 miles away to clean his wound, then returns and opens the book to find voices talking to him. He is mystified that the civilization here said to have disappeared half a million years ago was communicating with him. In his wonder, he picks up another clock-like artifact he has been curious about, and is shocked to feel it is radiating heat.The next day, Michaelson awakes in the dead city to find Maota pointing a gun-like weapon at him - apologizing for causing him pain instead of killing him. Maota reads from the talking poetry book, at Michaelson’s request. It moves them both, Michaelson feeling the humanity of the civilization, and Maota feeling the gentle spirits. Maota becomes furious that Michaelson wants to move things into a museum and begins to fire the weapon. Michaelson teleports behind him and in their struggle to take possession they discharge it - destroying the book. Maota has disgraced himself and the gods and becomes inconsolable. He has been wanting to try the “clock” device for some time - now with renewed determination because he doesn’t care if it kills him. He explains that he thinks the race of the dead city entered a fourth dimension. Pushing the button, Maota’s body collapses in death. Michaelson tries to bury him, but has the sense that his soul is elsewhere. Michaelson desperately studies the artifacts to understand the clock, then radically decides to just press the button too. Afterwards, he sees his dead body below him and communicates with Maota’s consciousness in a spiritual dimension. He discovers that he can will his cylinder with his mind to return to his physical body, traversing between the physical and spiritual realms. This infuriates Maota who can never return to his body and feels pushed and tricked by Michaelson.

What is the location of the story "A City Near Centaurus"? [SEP] <s> A CITY NEAR CENTAURUS By BILL DOEDE Illustrated by WEST [Transcriber's Note: This etext was produced from Galaxy Magazine October 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The city was sacred, but not to its gods. Michaelson was a god—but far from sacred! Crouched in the ancient doorway like an animal peering out from hisburrow, Mr. Michaelson saw the native. At first he was startled, thinking it might be someone else from theEarth settlement who had discovered the old city before him. Then hesaw the glint of sun against the metallic skirt, and relaxed. He chuckled to himself, wondering with amusement what a webfooted manwas doing in an old dead city so far from his people. Some facts wereknown about the people of Alpha Centaurus II. They were not actuallynatives, he recalled. They were a colony from the fifth planet ofthe system. They were a curious people. Some were highly intelligent,though uneducated. He decided to ignore the man for the moment. He was far down theancient street, a mere speck against the sand. There would be plenty oftime to wonder about him. He gazed out from his position at the complex variety of buildingsbefore him. Some were small, obviously homes. Others were hugewith tall, frail spires standing against the pale blue sky. Squarebuildings, ellipsoid, spheroid. Beautiful, dream-stuff bridgesconnected tall, conical towers, bridges that still swung in the windafter half a million years. Late afternoon sunlight shone against ebonysurfaces. The sands of many centuries had blown down the wide streetsand filled the doorways. Desert plants grew from roofs of smallerbuildings. Ignoring the native, Mr. Michaelson poked about among the ruinshappily, exclaiming to himself about some particular artifact,marveling at its state of preservation, holding it this way and that tocatch the late afternoon sun, smiling, clucking gleefully. He crawledover the rubble through old doorways half filled with the accumulationof ages. He dug experimentally in the sand with his hands, like a dog,under a roof that had weathered half a million years of rain and sun.Then he crawled out again, covered with dust and cobwebs. <doc-sep> IT WAS A DULL, ROUTINE LITTLE WORLD. IT DIDN'T EVEN HAVE A CITY. EVERYTHING IT HAD WAS IN THE GARDEN BY R. A. LAFFERTY [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, March 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The protozoic recorder chirped like a bird. Not only would there belife traces on that little moon, but it would be a lively place. Sothey skipped several steps in the procedure. The chordata discerner read Positive over most of the surface. Therewas spinal fluid on that orb, rivers of it. So again they omittedseveral tests and went to the cognition scanner. Would it show Thoughton the body? Naturally they did not get results at once, nor did they expect to; itrequired a fine adjustment. But they were disappointed that they foundnothing for several hours as they hovered high over the rotation. Thenit came—clearly and definitely, but from quite a small location only. Limited, said Steiner, as though within a pale. As though there werebut one city, if that is its form. Shall we follow the rest of thesurface to find another, or concentrate on this? It'll be twelve hoursbefore it's back in our ken if we let it go now. Let's lock on this one and finish the scan. Then we can do the rest ofthe world to make sure we've missed nothing, said Stark. There was one more test to run, one very tricky and difficult ofanalysis, that with the Extraordinary Perception Locator. This wasdesigned simply to locate a source of superior thought. But this mightbe so varied or so unfamiliar that often both the machine and thedesigner of it were puzzled as to how to read the results. The E. P. Locator had been designed by Glaser. But when the Locatorhad refused to read Positive when turned on the inventor himself,bad blood developed between machine and man. Glaser knew that he hadextraordinary perception. He was a much honored man in his field. Hetold the machine so heatedly. The machine replied, with such warmth that its relays chattered, thatGlaser did not have extraordinary perception; he had only ordinaryperception to an extraordinary degree. There is a difference , themachine insisted. It was for this reason that Glaser used that model no more, but builtothers more amenable. And it was for this reason also that the ownersof Little Probe had acquired the original machine so cheaply. And there was no denying that the Extraordinary Perception Locator (orEppel) was a contrary machine. On Earth it had read Positive on anumber of crack-pots, including Waxey Sax, a jazz tootler who could noteven read music. But it had also read Positive on ninety per cent ofthe acknowledged superior minds of the Earth. In space it had been asound guide to the unusual intelligences encountered. Yet on Suzuki-Miit had read Positive on a two-inch-long worm, only one of them out ofbillions. For the countless identical worms no trace of anything at allwas shown by the test. So it was with mixed expectations that Steiner locked onto the areaand got a flick. He then narrowed to a smaller area (apparently oneindividual, though this could not be certain) and got very definiteaction. Eppel was busy. The machine had a touch of the ham in it, andassumed an air of importance when it ran these tests. Finally it signaled the result, the most exasperating result it everproduces: the single orange light. It was the equivalent of the shrugof the shoulders in a man. They called it the You tell me light. So among the intelligences there was at least one that might beextraordinary, though possibly in a crackpot way. It is good to beforewarned. <doc-sep>He turned and walked off, not looking back. Michaelson stood in the ancient street, tall, gaunt, feet planted wide,hands in pockets, watching the webfoot until he was out of sight beyonda huge circular building. There was a man to watch. There was one ofthe intelligent ones. One look into the alert old eyes had told himthat. Michaelson shook his head, and went about satisfying his curiosity.He entered buildings without thought of roofs falling in, or decayedfloors dropping from under his weight. He began to collect small items,making a pile of them in the street. An ancient bowl, metal untouchedby the ages. A statue of a man, one foot high, correct to the minutestdetail, showing how identical they had been to Earthmen. He found booksstill standing on ancient shelves but was afraid to touch them withouttools. Darkness came swiftly and he was forced out into the street. He stood there alone feeling the age of the place. Even the smellof age was in the air. Silver moonlight from the two moons filteredthrough clear air down upon the ruins. The city lay now in darkness,dead and still, waiting for morning so it could lie dead and still inthe sun. There was no hurry to be going home, although he was alone, althoughthis was Alpha Centaurus II with many unknowns, many dangers ...although home was a very great distance away. There was no one backthere to worry about him. His wife had died many years ago back on Earth. No children. Hisfriends in the settlement would not look for him for another day atleast. Anyway, the tiny cylinder, buried in flesh behind his ear, athing of mystery and immense power, could take him home instantly,without effort save a flicker of thought. You did not leave, as I asked you. Michaelson whirled around at the sound of the native's voice. Then herelaxed. He said, You shouldn't sneak up on a man like that. You must leave, or I will be forced to kill you. I do not want to killyou, but if I must.... He made a clucking sound deep in the throat.The spirits are angry. Nonsense. Superstition! But never mind. You have been here longerthan I. Tell me, what are those instruments in the rooms? It looks likea clock but I'm certain it had some other function. What rooms? Oh, come now. The small rooms back there. Look like they werebedrooms. I do not know. The webfoot drew closer. Michaelson decided he wassixty or seventy years old, at least. You've been here a long time. You are intelligent, and you must beeducated, the way you talk. That gadget looks like a time-piece of somesort. What is it? What does it measure? I insist that you go. The webfoot held something in his hand. No. Michaelson looked off down the street, trying to ignore thenative, trying to feel the life of the city as it might have been. <doc-sep></s> [SEP] What is the location of the story "A City Near Centaurus"?

The story is set on Alpha Centaurus II, a planet with two moons and many unknowns and dangers. There is an Earth settlement on the planet, and the archeologist, Mr. Michaelson traverses around a sandy, desert-like area under a pale blue sky come to be referred to as the dead city which was last populated half a million years ago.The dead city is a complex variety of buildings, including small homes, huge ones with spires, and all varieties of square and spherical shapes. Suspension bridges connected conical towers. Desert plants grew from rooftops and sand had blown down the streets and filled the doorways. Despite not believing in the spiritual, Mr. Michaelson experiences waves of energy communicating with him from the artifacts he finds in the dead city, giving it the feel of not being deserted at all.Through the discovery of an important artifact (the “clock) that is radiating heat. The two characters Maota and Mr. Michaelson also discover that they can travel into a spiritual dimension setting where they look down on the planet, or anywhere in the universe, and communicate with their thoughts.

What kind of person is Mr. Michaelson and can you tell me more about him? [SEP] <s>When he awoke dawn was red against thin clouds in the east. Old Maota stood in the street with webbed feet planted far apart inthe sand, a weapon in the crook of his arm. It was a long tube affair,familiar to Michaelson. Michaelson asked, Did you sleep well? No. I'm sorry to hear that. How do you feel? Fine, but my head aches a little. Sorry, Maota said. For what? For hitting you. Pain is not for gods like you. Michaelson relaxed somewhat. What kind of man are you? First you tryto break my skull, then you apologize. I abhor pain. I should have killed you outright. He thought about that for a moment, eyeing the weapon. It looked in good working order. Slim and shiny and innocent, it lookedlike a glorified African blowgun. But he was not deceived by itsappearance. It was a deadly weapon. Well, he said, before you kill me, tell me about the book. He heldit up for Maota to see. What about the book? What kind of book is it? What does Mr. Earthgod mean, what kind of book? You have seen it. Itis like any other book, except for the material and the fact that ittalks. No, no. I mean, what's in it? Poetry. Poetry? For God's sake, why poetry? Why not mathematics or history?Why not tell how to make the metal of the book itself? Now there is asubject worthy of a book. Maota shook his head. One does not study a dead culture to learn howthey made things, but how they thought. But we are wasting time. I mustkill you now, so I can get some rest. The old man raised the gun. <doc-sep>Maota laughed, then sobered quickly. You lie. No. If I had this machine, could I travel as you? Yes. Then I'll kill you and take yours. It would not work for you. Why? Each machine is tailored for each person. The old man hung his head. He looked down into the black, charredhole. He walked all around the hole. He kicked at the sand, lookinghalf-heartedly again for the book. Look, Michaelson said. I'm sure I've convinced you that I'm human.Why not have a try at negotiating our differences? He looked up. His expressive eyes, deep, resigned, studied Michaelson'sface. Finally he shook his head sadly. When we first met I hoped wecould think the ancient thoughts together. But our paths diverge. Wehave finished, you and I. He turned and started off, shoulders slumped dejectedly. Michaelson caught up to him. Are you leaving the city? No. Where are you going? Away. Far away. Maota looked off toward the hills, eyes distant. Don't be stupid, old man. How can you go far away and not leave thecity? There are many directions. You would not understand. East. West. North. South. Up. Down. No, no. There is another direction. Come, if you must see. Michaelson followed him far down the street. They came to a section ofthe city he had not seen before. Buildings were smaller, spires dwarfedagainst larger structures. Here a path was packed in the sand, leadingto a particular building. Michaelson said, This is where you live? Yes. Maota went inside. Michaelson stood in the entrance and looked around.The room was clean, furnished with hand made chairs and a bed. Who isthis old man, he thought, far from his people, living alone, choosinga life of solitude among ancient ruins but not touching them? Abovethe bed a clock was fastened to the wall, Michaelson remembered hisfright—thinking of the warmth where warmth should not be. Maota pointed to it. You asked about this machine, he said. Now I will tell you. He laidhis hand against it. Here is power to follow another direction. <doc-sep>No! Maota's thought was prickled with fear and anger. Michaelson did not know how to try, but he remembered the cylinder andgathered all the force of his mind in spite of Maota's protests, andgave his most violent command. At first he thought it didn't work. He got up and looked around, thenit struck him. He was standing up! The cylinder. He knew it was the cylinder. That was the differencebetween himself and Maota. When he used the cylinder, that was wherehe went, the place where Maota was now. It was a door of some kind,leading to a path of some kind where distance was non-existent. But theclock was a mechanism to transport only the mind to that place. To be certain of it, he pressed the button again, with the same resultas before. He saw his own body fall down. He felt Maota's presence. You devil! Maota's thought-scream was a sword of hate and anger,irrational suddenly, like a person who knows his loss is irrevocable.I said you were a god. I said you were a god. I said you were agod...! <doc-sep></s> [SEP] What kind of person is Mr. Michaelson and can you tell me more about him?

Mr. Michaelson is a determined, tall, gaunt archeologist who enjoys finding artifacts and methodically undergoes the process of discovering and unearthing things, like this dead city on Alpha Centaurus II. His wife died many years ago back on Earth, and he has no children and no friends in the Earth settlement. He has a tiny cylinder in the flesh behind his ear that allows him to teleport instantly to a different location when touched.He does not believe in the spiritual, and rejects that the dead city he stumbles across even needs a keeper, offending Maota greatly who refers to him as “Mr. Earthgod.”Mr. Michaelson is ignorant and pushy towards Maota, not heeding his warnings or respecting his appeals to leave because it is angering the gods. Instead, Mr. Michaelson can’t understand why Maota won’t negotiate with him, almost as if he is entitled to take possession of the secrets and artifacts of the dead city

What kind of personality does the webfoot have and who is he in A City Near Centaurus? [SEP] <s> A CITY NEAR CENTAURUS By BILL DOEDE Illustrated by WEST [Transcriber's Note: This etext was produced from Galaxy Magazine October 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The city was sacred, but not to its gods. Michaelson was a god—but far from sacred! Crouched in the ancient doorway like an animal peering out from hisburrow, Mr. Michaelson saw the native. At first he was startled, thinking it might be someone else from theEarth settlement who had discovered the old city before him. Then hesaw the glint of sun against the metallic skirt, and relaxed. He chuckled to himself, wondering with amusement what a webfooted manwas doing in an old dead city so far from his people. Some facts wereknown about the people of Alpha Centaurus II. They were not actuallynatives, he recalled. They were a colony from the fifth planet ofthe system. They were a curious people. Some were highly intelligent,though uneducated. He decided to ignore the man for the moment. He was far down theancient street, a mere speck against the sand. There would be plenty oftime to wonder about him. He gazed out from his position at the complex variety of buildingsbefore him. Some were small, obviously homes. Others were hugewith tall, frail spires standing against the pale blue sky. Squarebuildings, ellipsoid, spheroid. Beautiful, dream-stuff bridgesconnected tall, conical towers, bridges that still swung in the windafter half a million years. Late afternoon sunlight shone against ebonysurfaces. The sands of many centuries had blown down the wide streetsand filled the doorways. Desert plants grew from roofs of smallerbuildings. Ignoring the native, Mr. Michaelson poked about among the ruinshappily, exclaiming to himself about some particular artifact,marveling at its state of preservation, holding it this way and that tocatch the late afternoon sun, smiling, clucking gleefully. He crawledover the rubble through old doorways half filled with the accumulationof ages. He dug experimentally in the sand with his hands, like a dog,under a roof that had weathered half a million years of rain and sun.Then he crawled out again, covered with dust and cobwebs. <doc-sep>He turned and walked off, not looking back. Michaelson stood in the ancient street, tall, gaunt, feet planted wide,hands in pockets, watching the webfoot until he was out of sight beyonda huge circular building. There was a man to watch. There was one ofthe intelligent ones. One look into the alert old eyes had told himthat. Michaelson shook his head, and went about satisfying his curiosity.He entered buildings without thought of roofs falling in, or decayedfloors dropping from under his weight. He began to collect small items,making a pile of them in the street. An ancient bowl, metal untouchedby the ages. A statue of a man, one foot high, correct to the minutestdetail, showing how identical they had been to Earthmen. He found booksstill standing on ancient shelves but was afraid to touch them withouttools. Darkness came swiftly and he was forced out into the street. He stood there alone feeling the age of the place. Even the smellof age was in the air. Silver moonlight from the two moons filteredthrough clear air down upon the ruins. The city lay now in darkness,dead and still, waiting for morning so it could lie dead and still inthe sun. There was no hurry to be going home, although he was alone, althoughthis was Alpha Centaurus II with many unknowns, many dangers ...although home was a very great distance away. There was no one backthere to worry about him. His wife had died many years ago back on Earth. No children. Hisfriends in the settlement would not look for him for another day atleast. Anyway, the tiny cylinder, buried in flesh behind his ear, athing of mystery and immense power, could take him home instantly,without effort save a flicker of thought. You did not leave, as I asked you. Michaelson whirled around at the sound of the native's voice. Then herelaxed. He said, You shouldn't sneak up on a man like that. You must leave, or I will be forced to kill you. I do not want to killyou, but if I must.... He made a clucking sound deep in the throat.The spirits are angry. Nonsense. Superstition! But never mind. You have been here longerthan I. Tell me, what are those instruments in the rooms? It looks likea clock but I'm certain it had some other function. What rooms? Oh, come now. The small rooms back there. Look like they werebedrooms. I do not know. The webfoot drew closer. Michaelson decided he wassixty or seventy years old, at least. You've been here a long time. You are intelligent, and you must beeducated, the way you talk. That gadget looks like a time-piece of somesort. What is it? What does it measure? I insist that you go. The webfoot held something in his hand. No. Michaelson looked off down the street, trying to ignore thenative, trying to feel the life of the city as it might have been. <doc-sep>The native stood in the street less than a hundred feet away, wavinghis arms madly. Mr. Earthgod, he cried. It is sacred ground whereyou are trespassing! The archeologist smiled, watching the man hurry closer. He was short,even for a native. Long gray hair hung to his shoulders, bobbing upand down as he walked. He wore no shoes. The toes of his webbed feetdragged in the sand, making a deep trail behind him. He was an old man. You never told us about this old dead city, Michaelson said,chidingly. Shame on you. But never mind. I've found it now. Isn't itbeautiful? Yes, beautiful. You will leave now. Leave? Michaelson asked, acting surprised as if the man were achild. I just got here a few hours ago. You must go. Why? Who are you? I am keeper of the city. You? Michaelson laughed. Then, seeing how serious the native was,said, What makes you think a dead city needs a keeper? The spirits may return. Michaelson crawled out of the doorway and stood up. He brushed histrousers. He pointed. See that wall? Built of some metal, I'd say,some alloy impervious to rust and wear. The spirits are angry. Notice the inscriptions? Wind has blown sand against them for eons,and rain and sleet. But their story is there, once we decipher it. Leave! The native's lined, weathered old face was working around the mouth inanger. Michaelson was almost sorry he had mocked him. He was deadlyserious. Look, he said. No spirits are ever coming back here. Don't you knowthat? And even if they did, spirits care nothing for old cities halfcovered with sand and dirt. He walked away from the old man, heading for another building. Thesun had already gone below the horizon, coloring the high clouds. Heglanced backward. The webfoot was following. Mr. Earthgod! the webfoot cried, so sharply that Michaelson stopped.You must not touch, not walk upon, not handle. Your step may destroythe home of some ancient spirit. Your breath may cause one iota ofchange and a spirit may lose his way in the darkness. Go quickly now,or be killed. <doc-sep></s> [SEP] What kind of personality does the webfoot have and who is he in A City Near Centaurus?

The webfoot, real name Maota (also referred to as “the native” by Mr. Michaelson), is the self-proclaimed keeper of the dead city on Alpha Centaurus II. He is an older man of at least sixty or seventy years, short in stature with long gray hair to his shoulders. The toes of his webbed, bare feet drag in the sand as he walks making a trail behind him. Maota is sturdy in his beliefs that the dead city needs to be protected, and that the gods are being disrupted by Mr. Michaelson. He feels strongly enough about it that he resorts to physical violence on two occasions - hitting Mr. Michaelson with a book over the head, and firing a gun-like weapon at him. Although he is angry and violent with Mr. Michaelson, he also shows remarkable tolerance for him. Maota’s ultimate duty, he believes, is to the gods. This brings him turmoil when he thinks he missed the chance the gods gave him to kill Mr. Michaelson, and even apologized to him directly for instead letting him suffer with a head wound instead of killing him. There is a reference to them perhaps having met before when Michaelson says tauntingly to Maota, “You never told us about this old dead city… Shame on you. But never mind. I've found it now. Isn't it beautiful?” Thus, Maota is also motivated to protect the dead city at all costs, perhaps even concealing its location.

What is the significance of the cylinder in the story "A City Near Centaurus"? [SEP] <s> A CITY NEAR CENTAURUS By BILL DOEDE Illustrated by WEST [Transcriber's Note: This etext was produced from Galaxy Magazine October 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The city was sacred, but not to its gods. Michaelson was a god—but far from sacred! Crouched in the ancient doorway like an animal peering out from hisburrow, Mr. Michaelson saw the native. At first he was startled, thinking it might be someone else from theEarth settlement who had discovered the old city before him. Then hesaw the glint of sun against the metallic skirt, and relaxed. He chuckled to himself, wondering with amusement what a webfooted manwas doing in an old dead city so far from his people. Some facts wereknown about the people of Alpha Centaurus II. They were not actuallynatives, he recalled. They were a colony from the fifth planet ofthe system. They were a curious people. Some were highly intelligent,though uneducated. He decided to ignore the man for the moment. He was far down theancient street, a mere speck against the sand. There would be plenty oftime to wonder about him. He gazed out from his position at the complex variety of buildingsbefore him. Some were small, obviously homes. Others were hugewith tall, frail spires standing against the pale blue sky. Squarebuildings, ellipsoid, spheroid. Beautiful, dream-stuff bridgesconnected tall, conical towers, bridges that still swung in the windafter half a million years. Late afternoon sunlight shone against ebonysurfaces. The sands of many centuries had blown down the wide streetsand filled the doorways. Desert plants grew from roofs of smallerbuildings. Ignoring the native, Mr. Michaelson poked about among the ruinshappily, exclaiming to himself about some particular artifact,marveling at its state of preservation, holding it this way and that tocatch the late afternoon sun, smiling, clucking gleefully. He crawledover the rubble through old doorways half filled with the accumulationof ages. He dug experimentally in the sand with his hands, like a dog,under a roof that had weathered half a million years of rain and sun.Then he crawled out again, covered with dust and cobwebs. <doc-sep>He turned and walked off, not looking back. Michaelson stood in the ancient street, tall, gaunt, feet planted wide,hands in pockets, watching the webfoot until he was out of sight beyonda huge circular building. There was a man to watch. There was one ofthe intelligent ones. One look into the alert old eyes had told himthat. Michaelson shook his head, and went about satisfying his curiosity.He entered buildings without thought of roofs falling in, or decayedfloors dropping from under his weight. He began to collect small items,making a pile of them in the street. An ancient bowl, metal untouchedby the ages. A statue of a man, one foot high, correct to the minutestdetail, showing how identical they had been to Earthmen. He found booksstill standing on ancient shelves but was afraid to touch them withouttools. Darkness came swiftly and he was forced out into the street. He stood there alone feeling the age of the place. Even the smellof age was in the air. Silver moonlight from the two moons filteredthrough clear air down upon the ruins. The city lay now in darkness,dead and still, waiting for morning so it could lie dead and still inthe sun. There was no hurry to be going home, although he was alone, althoughthis was Alpha Centaurus II with many unknowns, many dangers ...although home was a very great distance away. There was no one backthere to worry about him. His wife had died many years ago back on Earth. No children. Hisfriends in the settlement would not look for him for another day atleast. Anyway, the tiny cylinder, buried in flesh behind his ear, athing of mystery and immense power, could take him home instantly,without effort save a flicker of thought. You did not leave, as I asked you. Michaelson whirled around at the sound of the native's voice. Then herelaxed. He said, You shouldn't sneak up on a man like that. You must leave, or I will be forced to kill you. I do not want to killyou, but if I must.... He made a clucking sound deep in the throat.The spirits are angry. Nonsense. Superstition! But never mind. You have been here longerthan I. Tell me, what are those instruments in the rooms? It looks likea clock but I'm certain it had some other function. What rooms? Oh, come now. The small rooms back there. Look like they werebedrooms. I do not know. The webfoot drew closer. Michaelson decided he wassixty or seventy years old, at least. You've been here a long time. You are intelligent, and you must beeducated, the way you talk. That gadget looks like a time-piece of somesort. What is it? What does it measure? I insist that you go. The webfoot held something in his hand. No. Michaelson looked off down the street, trying to ignore thenative, trying to feel the life of the city as it might have been. <doc-sep>When he regained consciousness the two moons, bright sentinel orbs inthe night sky, had moved to a new position down their sliding path. OldMaota's absence took some of the weirdness and fantasy away. It seemeda more practical place now. The gash in his head was painful, throbbing with quick, shorthammer-blows synchronized with his heart beats. But there was a newdetermination in him. If it was a fight that the old webfooted foolwanted, a fight he would get. The cylinder flicked him, at his command,across five hundred miles of desert and rocks to a small creek heremembered. Here he bathed his head in cool water until all the cakedblood was dissolved from his hair. Feeling better, he went back. The wind had turned cool. Michaelson shivered, wishing he had broughta coat. The city was absolutely still except for small gusts of windsighing through the frail spires. The ancient book still lay in thesand beside the dark spot of blood. He stooped over and picked it up. It was light, much lighter than most Earth books. He ran a hand overthe binding. Smooth it was, untouched by time or climate. He squintedat the pages, tilting the book to catch the bright moonlight, but thewriting was alien. He touched the page, ran his forefinger over thewriting. Suddenly he sprang back. The book fell from his hands. God in heaven! he exclaimed. He had heard a voice. He looked around at the old buildings, down thelength of the ancient street. Something strange about the voice. NotMaota. Not his tones. Not his words. Satisfied that no one was near, hestooped and picked up the book again. Good God! he said aloud. It was the book talking. His fingers hadtouched the writing again. It was not a voice, exactly, but a stirringin his mind, like a strange language heard for the first time. A talking book. What other surprises were in the city? Tall,fragile buildings laughing at time and weather. A clock measuringGod-knows-what. If such wonders remained, what about those alreadydestroyed? One could only guess at the machines, the gadgets, theartistry already decayed and blown away to mix forever with the sand. I must preserve it, he thought, whether Maota likes it or not. Theysay these people lived half a million years ago. A long time. Let'ssee, now. A man lives one hundred years on the average. Five thousandlifetimes. And all you do is touch a book, and a voice jumps across all thoseyears! He started off toward the tall building he had examined upon discoveryof the city. His left eyelid began to twitch and he laid his forefingeragainst the eye, pressing until it stopped. Then he stooped and enteredthe building. He laid the book down and tried to take the clockoff the wall. It was dark in the building and his fingers felt alongthe wall, looking for it. Then he touched it. His fingers moved overits smooth surface. Then suddenly he jerked his hand back with anexclamation of amazement. Fear ran up his spine. The clock was warm. He felt like running, like flicking back to the settlement where therewere people and familiar voices, for here was a thing that should notbe. Half a million years—and here was warmth! He touched it again, curiosity overwhelming his fear. It was warm. Nomistake. And there was a faint vibration, a suggestion of power. Hestood there in the darkness staring off into the darkness, trembling.Fear built up in him until it was a monstrous thing, drowning reason.He forgot the power of the cylinder behind his ear. He scrambledthrough the doorway. He got up and ran down the ancient sandy streetuntil he came to the edge of the city. Here he stopped, gasping forair, feeling the pain throb in his head. Common sense said that he should go home, that nothing worthwhile couldbe accomplished at night, that he was tired, that he was weak from lossof blood and fright and running. But when Michaelson was on the trailof important discoveries he had no common sense. He sat down in the darkness, meaning to rest a moment. <doc-sep></s> [SEP] What is the significance of the cylinder in the story "A City Near Centaurus"?

The cylinder is an implement tailored to Mr. Michaelson that is tucked behind his ear and will allow him to go anywhere that he desires when it is pressed. He uses it several times in the story to travel to physical places, disappearing immediately and reappearing in a new location. Once, to travel to a cold stream to wash his bleeding wounds after being hit on the head with a book by Maota, and a second time to avoid being killed by Maota firing a weapon to kill him.After Maota presses the button of the “clock” in the dead city and appears to drop dead. Mr. Michaelson desperately attempts to gain the knowledge to understand what the clock device does. Rather radically, he decides that he must press the button to fully understand, not completely knowing that he won’t die when he does. When Mr. Michaelson sees his dead body below him in the city and communicates wordlessly with Maota in this spiritual dimension he begins to panic and search for ways to get back into his body. This is how he discovers that he can will the cylinder with his mind, and return into his physical body by doing so. Through this act he can traverse between the physical and spiritual realms, which ultimately makes him considered a god by Maota (greatly angering him).

Can you provide a summary of the storyline in THE LOST TRIBES OF VENUS? [SEP] <s> THE LOST TRIBES OF VENUS By ERIK FENNEL On mist-shrouded Venus, where hostile swamp meets hostile sea ... there did Barry Barr—Earthman transmuted—swap his Terran heritage for the deep dark waters of Tana; for the strangely beautiful Xintel of the blue-brown skin. [Transcriber's Note: This etext was produced from Planet Stories May 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Evil luck brought the meteorite to those particular space-timecoordinates as Number Four rode the downhill spiral toward Venus. Thefootball-sized chunk of nickel-iron and rock overtook the ship at arelative speed of only a few hundred miles per hour and passed closeenough to come within the tremendous pseudo-gravatic fields of theidling drivers. It swerved into a paraboloid course, following the flux lines, and wasdragged directly against one of the three projecting nozzles. Energyof motion was converted to heat and a few meteoric fragments fusedthemselves to the nonmetallic tube casing. In the jet room the positronic line accelerator for that particulardriver fouled under the intolerable overload, and the backsurge sentsearing heat and deadly radiation blasting through the compartmentbefore the main circuit breakers could clack open. The bellow of the alarm horn brought Barry Barr fully awake, shatteringa delightfully intimate dream of the dark haired girl he hoped to seeagain soon in Venus Colony. As he unbuckled his bunk straps and startedaft at a floating, bounding run his weightlessness told him instantlythat Number Four was in free fall with dead drivers. Red warning lights gleamed wickedly above the safety-locked jetroom door, and Nick Podtiaguine, the air machines specialist, wasmanipulating the emergency controls with Captain Reno at his elbow. Oneby one the crew crowded into the corridor and watched in tense silence. The automatic lock clicked off as the jet room returned to habitableconditions, and at Captain Reno's gesture two men swung the door open.Quickly the commander entered the blasted jet room. Barry Barr wasclose behind him. Robson Hind, jet chief of Four and electronics expert for Venus Colony,hung back until others had gone in first. His handsome, heavy face hadlost its usual ruddiness. Captain Reno surveyed the havoc. Young Ryan's body floated eerily inthe zero gravity, charred into instant death by the back-blast. Theline accelerator was a shapeless ruin, but except for broken meterglasses and scorched control handles other mechanical damage appearedminor. They had been lucky. Turnover starts in six hours twelve minutes, the captain saidmeaningfully. Robson Hind cleared his throat. We can change accelerators in twohours, he declared. With a quick reassumption of authority he began toorder his crew into action. It took nearer three hours than two to change accelerators despiteHind's shouted orders. At last the job was completed. Hind made a final check, floated over tothe control panel and started the fuel feed. With a confident smile hethrew in the accelerator switch. The meter needles climbed, soared past the red lines without pausing,and just in time to prevent a second blowback, Hind cut the power. There's metal in the field! His voice was high and unsteady. <doc-sep>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep>Lethla half-crouched in the midst of the smell of death and thechugging of blood-pumps below. In the silence he reached up with quickfingers, tapped a tiny crystal stud upon the back of his head, and thehalves of a microscopically thin chrysalis parted transparently offof his face. He shucked it off, trailing air-tendrils that had beeninserted, hidden in the uniform, ending in thin globules of oxygen. He spoke. Triumph warmed his crystal-thin voice. That's how I did it,Earthman. Glassite! said Rice. A face-moulded mask of glassite! Lethla nodded. His milk-blue eyes dilated. Very marvelously pared toan unbreakable thickness of one-thirtieth of an inch; worn only on thehead. You have to look quickly to notice it, and, unfortunately, viewedas you saw it, outside the ship, floating in the void, not discernibleat all. Prickles of sweat appeared on Rice's face. He swore at the Venusian andthe Venusian laughed like some sort of stringed instrument, high andquick. Burnett laughed, too. Ironically. First time in years a man ever cameaboard the Constellation alive. It's a welcome change. Lethla showed his needle-like teeth. I thought it might be. Where'syour radio? Go find it! snapped Rice, hotly. I will. One hand, blue-veined, on the ladder-rungs, Lethla paused.I know you're weaponless; Purple Cross regulations. And this air-lockis safe. Don't move. Whispering, his naked feet padded white up theladder. Two long breaths later something crashed; metal and glass andcoils. The radio. Burnett put his shoulder blades against the wall-metal, looking at hisfeet. When he glanced up, Rice's fresh, animated face was spoiled bythe new bitterness in it. Lethla came down. Like a breath of air on the rungs. He smiled. That's better. Now. We can talk— Rice said it, slow: Interplanetary law declares it straight, Lethla! Get out! Only deadmen belong here. Lethla's gun grip tightened. More talk of that nature, and only deadmen there will be. He blinked. But first—we must rescue Kriere.... Kriere! Rice acted as if he had been hit in the jaw. Burnett moved his tongue back and forth on his lips silently, his eyeslidded, listening to the two of them as if they were a radio drama.Lethla's voice came next: Rather unfortunately, yes. He's still alive, heading toward Venusat an orbital velocity of two thousand m.p.h., wearing one of theseair-chrysali. Enough air for two more hours. Our flag ship was attackedunexpectedly yesterday near Mars. We were forced to take to thelife-boats, scattering, Kriere and I in one, the others sacrificingtheir lives to cover our escape. We were lucky. We got through theEarth cordon unseen. But luck can't last forever. We saw your morgue ship an hour ago. It's a long, long way to Venus.We were running out of fuel, food, water. Radio was broken. Capturewas certain. You were coming our way; we took the chance. We set asmall time-bomb to destroy the life-rocket, and cast off, wearing ourchrysali-helmets. It was the first time we had ever tried using them totrick anyone. We knew you wouldn't know we were alive until it was toolate and we controlled your ship. We knew you picked up all bodies forbrief exams, returning alien corpses to space later. Rice's voice was sullen. A set-up for you, huh? Traveling under theprotection of the Purple Cross you can get your damned All-Mighty safeto Venus. Lethla bowed slightly. Who would suspect a Morgue Rocket of providingsafe hiding for precious Venusian cargo? Precious is the word for you, brother! said Rice. Enough! Lethla moved his gun several inches. Accelerate toward Venus, mote-detectors wide open. Kriere must bepicked up— now! <doc-sep></s> [SEP] Can you provide a summary of the storyline in THE LOST TRIBES OF VENUS?

Engineer Barry Barr is one of the chosen few to ride on Number Three to Venus. His beloved Dorothy Voorhees would have been riding with him, but Barry had a piece of scaffolding drop on his ankle. Unable to make the first flight, Barry hops onto Number Four instead. On the journey to Venus, a small meteor crashes into their hull at several hundreds of miles an hour. The effect is immediate: Ryan is killed in the jet room and traces of the meteor are stuck in the field. Barry wakes up when the alarm bells are sounded, and rushes to join the rest of the crew to figure out what’s going on. Nick Podtaguine is steering the ship with emergency controls while Captain Reno looks on. Once the jet room stabilized, Captain Reno opens the doors to find Ryan’s body and ruin. After fixing all that they could, Reno hit the accelerator, only to watch in dismay at it soared out of proportions. Captain Reno cut off the power, realizing that the meteor had left metal particles in the cylinder of force. He asks for volunteers to work outside of the ship and remove all traces of the meteor. No one volunteers at first because of how dangerous a task it is; Sigma radiation affects man in ways still unknown and incurable. After Robson Hind turns the task down, Barry volunteers. He steps outside in his spacesuit equipped to block radiation and removes them with the chisel. Once he returns inside, he falls asleep and wakes a day later already feeling the effects of the radiation. His symptoms only increase: dryness, heat, and breathing difficulties. He faints upon standing and realizes that the Sigma radiation had seeped into his spacesuit. Four heads toward Venus while Barry suffers from an insatiable thirst. Finally, upon landing, they throw open the doors to let in the muggy Venusian air, and Barry feels like he can breathe again. Two and Three welcome them, and Barry throws his arms around Dorothy before fainting. Dr. Carl Jensen gives him water which Barry inhales. He’s growing gills on the sides of his neck, and dry air is becoming more intolerable. Barry asks Nick to build him a machine to let in moisture, allowing him to breathe better. He grows webbed fingers and toes. Dorothy doesn’t visit him while in hospital until she can’t bear it anymore. She bursts open the door and reveals she still loves him even though he has a wife and family back in Philadelphia. Barry reveals the falsehood and believes that Hind sent her a letter detailing this lie. One night, he wakes up to realize his moisture machine was broken and the door locked. He escapes by breaking the window and runs to the water. He dives in and inhales the water. Worms attack him, but he swims away to the ocean. He battles humanoid Venusians and kills one of them. He rescues a girl from being robbed.

How does Barry Barr's character develop throughout THE LOST TRIBES OF VENUS? [SEP] <s> THE LOST TRIBES OF VENUS By ERIK FENNEL On mist-shrouded Venus, where hostile swamp meets hostile sea ... there did Barry Barr—Earthman transmuted—swap his Terran heritage for the deep dark waters of Tana; for the strangely beautiful Xintel of the blue-brown skin. [Transcriber's Note: This etext was produced from Planet Stories May 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Evil luck brought the meteorite to those particular space-timecoordinates as Number Four rode the downhill spiral toward Venus. Thefootball-sized chunk of nickel-iron and rock overtook the ship at arelative speed of only a few hundred miles per hour and passed closeenough to come within the tremendous pseudo-gravatic fields of theidling drivers. It swerved into a paraboloid course, following the flux lines, and wasdragged directly against one of the three projecting nozzles. Energyof motion was converted to heat and a few meteoric fragments fusedthemselves to the nonmetallic tube casing. In the jet room the positronic line accelerator for that particulardriver fouled under the intolerable overload, and the backsurge sentsearing heat and deadly radiation blasting through the compartmentbefore the main circuit breakers could clack open. The bellow of the alarm horn brought Barry Barr fully awake, shatteringa delightfully intimate dream of the dark haired girl he hoped to seeagain soon in Venus Colony. As he unbuckled his bunk straps and startedaft at a floating, bounding run his weightlessness told him instantlythat Number Four was in free fall with dead drivers. Red warning lights gleamed wickedly above the safety-locked jetroom door, and Nick Podtiaguine, the air machines specialist, wasmanipulating the emergency controls with Captain Reno at his elbow. Oneby one the crew crowded into the corridor and watched in tense silence. The automatic lock clicked off as the jet room returned to habitableconditions, and at Captain Reno's gesture two men swung the door open.Quickly the commander entered the blasted jet room. Barry Barr wasclose behind him. Robson Hind, jet chief of Four and electronics expert for Venus Colony,hung back until others had gone in first. His handsome, heavy face hadlost its usual ruddiness. Captain Reno surveyed the havoc. Young Ryan's body floated eerily inthe zero gravity, charred into instant death by the back-blast. Theline accelerator was a shapeless ruin, but except for broken meterglasses and scorched control handles other mechanical damage appearedminor. They had been lucky. Turnover starts in six hours twelve minutes, the captain saidmeaningfully. Robson Hind cleared his throat. We can change accelerators in twohours, he declared. With a quick reassumption of authority he began toorder his crew into action. It took nearer three hours than two to change accelerators despiteHind's shouted orders. At last the job was completed. Hind made a final check, floated over tothe control panel and started the fuel feed. With a confident smile hethrew in the accelerator switch. The meter needles climbed, soared past the red lines without pausing,and just in time to prevent a second blowback, Hind cut the power. There's metal in the field! His voice was high and unsteady. <doc-sep>The blazing disc of Sol, the minor globes of the planets, the unwinkingpinpoints of the stars, all stared with cosmic disinterest at the tinyfigure crawling along the hull. His spacesuit trapped and amplifiedbreathing and heartbeats into a roaring chaos that was an invitationto blind panic, and all the while there was consciousness of theinsidiously deadly Sigma radiations. Barry found the debris of the meteorite, an ugly shining splotchagainst the dull superceramic tube, readied his power chisel, startedcutting. Soon it became a tedious, torturingly strenuous manual taskrequiring little conscious thought, and Barry's mind touched briefly onthe events that had brought him here. First Luna, and that had been murderous. Man had encountered Sigmafor the first time, and many had died before the Kendall-shield wasperfected. And the chemical-fueled rockets of those days had beeninherently poor. Hoskins semi-atomics had made possible the next step—to Mars. But menhad found Mars barren, swept clear of all life in the cataclysm thathad shattered the trans-Martian planet to form the Asteroid Belt. Venus, its true surface forever hidden by enshrouding mists, had beenwell within one-way range. But Hoskins fuel requirements for a roundtrip added up to something beyond critical mass. Impossible. But the Five Ship Plan had evolved, a joint enterprise of governmentand various private groups. Five vessels were to go out, each fueledto within a whiskered neutron of spontaneous detonation, manned byspecialists who, it was hoped, could maintain themselves under alienconditions. On Venus the leftover fuel from all five would be transferred towhichever ship had survived the outbound voyage in best condition.That one would return to Earth. Permanent base or homeward voyage withcolonists crowded aboard like defeated sardines? Only time would tell. Barry Barr had volunteered, and because the enlightened guesses of theexperts called for men and women familiar with tropical conditions,he had survived the rigorous weeding-out process. His duties in VenusColony would be to refabricate the discarded ships into whatever formwas most needed—most particularly a launching ramp—and to studynative Venusian materials. Dorothy Voorhees had signed on as toxicologist and dietician. When thelimited supply of Earth food ran out the Colony would be forced torely upon Venusian plants and animals. She would guard against subtledelayed-action poisons, meanwhile devising ways of preparing Venusianmaterials to suit Earth tastes and digestions. Barry had met her at Training Base and known at once that his years ofloneliness had come to an end. She seemed utterly independent, self-contained, completely intellectualdespite her beauty, but Barry had not been deceived. From the momentof first meeting he had sensed within her deep springs of suppressedemotion, and he had understood. He too had come up the hard way, alone,and been forced to develop a shell of hardness and cold, single-mindeddevotion to his work. Gradually, often unwillingly under hisinsistence, her aloofness had begun to melt. But Robson Hind too had been attracted. He was the only son of thebusiness manager of the great Hoskins Corporation which carrieda considerable share in the Five Ship Plan. Dorothy's failure tovirtually fall into his arms had only piqued his desires. The man's smooth charm had fascinated the girl and his money had openedto her an entirely new world of lavish nightclubs and extravagantlyexpensive entertainments, but her inborn shrewdness had sensed somefactor in his personality that had made her hesitate. Barry had felt a distrust of Hind apart from the normal dislike ofrivalry. He had looked forward to being with Dorothy aboard Three, andhad made no secret of his satisfaction when Hind's efforts to havehimself transferred to Three also or the girl to Four had failed. But then a scaffold had slipped while Three was being readied, and witha fractured ankle he had been forced to miss the ship. He unclipped the magnetic detector from his belt and ran it inch byinch over the nozzle. He found one spot of metal, pinhead-sized, butenough to cause trouble, and once more swung his power chisel intostuttering action. Then it was done. As quickly as possible he inched back to the airlock. Turnover had tostart according to calculations. <doc-sep>Barry developed definite external signs of what the Sigma radiation haddone to him. The skin between his fingers and toes spread, grew intomembranous webs. The swellings in his neck became more pronounced anddark parallel lines appeared. But despite the doctor's pessimistic reports that the changes had notstopped, Barry continued to tell himself he was recovering. He hadto believe and keep on believing to retain sanity in the face of theweird, unclassifiable feelings that surged through his body. Stillhe was subject to fits of almost suicidal depression, and Dorothy'sfailure to visit him did not help his mental condition. Then one day he woke from a nap and thought he was still dreaming.Dorothy was leaning over him. Barry! Barry! she whispered. I can't help it. I love you even if youdo have a wife and child in Philadelphia. I know it's wrong but allthat seems so far away it doesn't matter any more. Tears glistened inher eyes. Huh? he grunted. Who? Me? Please, Barry, don't lie. She wrote to me before Three blastedoff—oh, the most piteous letter! Barry was fully awake now. I'm not married. I have no child.I've never been in Philadelphia, he shouted. His lips thinned.I—think—I—know—who—wrote—that—letter! he declared grimly. Robson wouldn't! she objected, shocked, but there was a note of doubtin her voice. Then she was in his arms, sobbing openly. I believe you, Barry. She stayed with him for hours, and she had changed since the daysat Training Base. Long months away from the patterned restraints ofcivilization, living each day on the edge of unknown perils, hadawakened in her the realization that she was a human being and awoman, as well as a toxicologist. When the water-mist finally forced her departure she left Barry joyousand confident of his eventual recovery. For a few minutes angersimmered in his brain as he contemplated the pleasure of rearrangingRobson Hind's features. The accident with the scaffold had been remarkably convenient, butthis time the ruthless, restless, probably psychopathic drive that hadmade Robson Hind more than just another rich man's spoiled son hadcarried him too far. Barry wondered whether it had been inefficiency orjudiciously distributed money that had made the psychometrists overlooksome undesirable traits in Hind's personality in accepting him for theFive Ship Plan. But even with his trickery Hind had lost. He slept, and woke with a feeling of doom. The slow Venusian twilight had ended in blackness and the overheadtubelight was off. He sat up, and apprehension gave way to burning torture in his chest. Silence! He fumbled for the light switch, then knelt beside the mistmachine that no longer hummed. Power and water supplies were both dead,cut off outside his room. Floating droplets were merging and falling to the floor. Soon the airwould be dry, and he would be choking and strangling. He turned to callfor help. The door was locked! He tugged and the knob came away in his hand. The retaining screw hadbeen removed. He beat upon the panel, first with his fists and then with the metaldoorknob, but the insulation between the double alloy sheets wasefficient soundproofing. Furiously he hurled himself upon it, only tobounce back with a bruised shoulder. He was trapped. Working against time and eventual death he snatched a metal chairand swung with all his force at the window, again, again, yet again.A small crack appeared in the transparent plastic, branched undercontinued hammering, became a rough star. He gathered his waningstrength, then swung once more. The tough plastic shattered. He tugged at the jagged pieces still clinging to the frame. Fog-ladenVenusian air poured in—but it was not enough! He dragged himself head first through the narrow opening, landedsprawling on hands and knees in the darkness. In his ears a confusedrustling drone from the alien swamp mingled with the roar ofapproaching unconsciousness. There was a smell in his nostrils. The smell of water. He lurchedforward at a shambling run, stumbling over the uneven ground. Then he plunged from the rocky ledge into the slough. Flashes ofcolored light flickered before his eyes as he went under. But Earthhabits were still strong; instinctively he held his breath. Then he fainted. Voluntary control of his body vanished. His mouth hungslack and the breathing reflex that had been an integral part of hislife since the moment of birth forced him to inhale. Bubbles floated upward and burst. Then Barry Barr was lying in the oozeof the bottom. And he was breathing, extracting vital oxygen from thebrackish, silt-clouded water. III Slowly his racing heartbeat returned to normal. Gradually he becameaware of the stench of decaying plants and of musky taints he knewinstinctively were the scents of underwater animals. Then with a shockthe meaning became clear. He had become a water-breather, cut off fromall other Earthmen, no longer entirely human. His fellows in the colonywere separated from him now by a gulf more absolute than the airlessvoid between Earth and Venus. Something slippery and alive touched him near one armpit. He openedhis eyes in the black water and his groping hand clutched somethingburrowing into his skin. With a shudder of revulsion he crushed a fatworm between his fingers. Then dozens of them—hundreds—were upon him from all sides. He waswearing only a pair of khaki pants but the worms ignored his chest tocongregate around his face, intent on attacking the tender skin of hiseyelids. For a minute his flailing hands fought them off, but they came inincreasing numbers and clung like leeches. Pain spread as they bit andburrowed, and blindly he began to swim. Faster and faster. He could sense the winding banks of the slough andkept to midchannel, swimming with his eyes tightly closed. One by onethe worms dropped off. He stopped, opened his eyes, not on complete darkness this time but ona faint blue-green luminescence from far below. The water was saltierhere, and clearer. He had swum down the slough and out into the ocean. He tried to turnback, obsessed by a desire to be near the colony even though hecould not go ashore without strangling, but he had lost all sense ofdirection. He was still weak and his lungs were not completely adjusted tounderwater life. Again he grew dizzy and faint. The slow movements ofhands and feet that held him just below the surface grew feeble andceased. He sank. Down into dimly luminous water he dropped, and with his respiratorysystem completely water-filled there was no sensation of pressure. Atlast he floated gently to the bottom and lay motionless. Shouting voices awakened him, an exultant battle cry cutting through agasping scream of anguish. Streaks of bright orange light were movingtoward him in a twisting pattern. At the head of each trail was afigure. A human figure that weaved and swam in deadly moving combat.One figure drifted limply bottomward. Hallucination, Barry told himself. Then one of the figures broke fromthe group. Almost overhead it turned sharply downward and the feetmoved in a powerful flutter-kick. A slender spear aimed directly at theEarthman. Barry threw himself aside. The spear point plunged deep into thesticky, yielding bottom and Barry grappled with its wielder. Pointed fingernails raked his cheek. Barry's balled fist swungin a roundhouse blow but water resistance slowed the punch toineffectiveness. The creature only shook its head and came in kickingand clawing. Barry braced his feet against the bottom and leaped. His head buttedthe attacker's chest and at the same instant he lashed a short jab tothe creature's belly. It slumped momentarily, its face working. Human—or nearly so—the thing was, with a stocky, powerful body andwebbed hands and feet. A few scraps of clothing, seemingly worn morefor ornament than covering, clung to the fishbelly-white skin. The facewas coarse and savage. It shook off the effects of Barry's punch and one webbed hand snatcheda short tube from its belt. Barry remembered the spring-opening knife in his pocket, and even ashe flicked the blade out the tube-weapon fired. Sound thrummed in thewater and the water grew milky with a myriad of bubbles. Somethingzipped past his head, uncomfortably close. Then Barry struck, felt his knife slice flesh and grate against bone.He struck again even as the undersea being screamed and went limp. Barry stared through the reddening water. Another figure plunged toward him. Barry jerked the dead Venusian'sspear from the mud and raised it defensively. But the figure paid no attention. This one was a female who fleddesperately from two men closing in from opposite sides. One threw hisspear, using an odd pushing motion, and as she checked and dodged, theother was upon her from behind. One arm went around her neck in a strangler's hold, bending her slenderbody backward. Together captor and struggling captive sank toward thebottom. The other recovered his thrown spear and moved in to helpsecure her arms and legs with lengths of cord. One scooped up the crossbow the girl had dropped. The other ripped ather brief skirt and from her belt took a pair of tubes like the one thedead Venusian had fired at Barry, handling them as though they wereloot of the greatest value. He jerked cruelly at the slender metallicnecklace the girl wore but it did not break. He punched the helpless girl in the abdomen with the butt of his spear.The girl writhed but she did not attempt to cry out. Barry bounded toward them in a series of soaring leaps, knife and spearready. One Venusian turned to meet him, grinning maliciously. Barry dug one foot into the bottom and sidestepped a spear thrust. Hisown lunge missed completely. Then he and the Venusian were inside eachother's spear points, chest to chest. A pointed hook strapped to theinside of the creature's wrist just missed Barry's throat. The Earthmanarched his body backward and his knife flashed upward. The creaturegasped and pulled away, clutching with both hands at a gaping wound inits belly. The other one turned too late as Barry leaped. Barry's hilt cracked against its jawbone. <doc-sep></s> [SEP] How does Barry Barr's character develop throughout THE LOST TRIBES OF VENUS?

Barry Barr transforms from a regular human male to a creature that breathes underwater and requires moisture to survive. After being exposed to Sigma radiation while removing particles from the outer hull of Four, Barry began to feel changes in his body. Air felt dry and hot in his lungs and he quickly developed shortness of breath. Fainting spells ensued and breathing difficulties. Once they arrived on Venus, Dr. Carl Jensen gave a grave diagnosis of the unknown. Barry developed dark marks on both sides of his neck, which soon transformed into gills. Webbing grew between his fingers and toes, and his revulsion to dry air only grew. He built a moisture machine to keep in his room so he could breathe comfortably. But it still wasn’t enough. On the night he was trapped inside of the dry room, he broke out and escaped to the water. Although his lungs weren’t fully adjusted to breathing water, he took off like a rocket and battled several Venusian creatures with ease. Barry goes from completely human to a humanoid merman of sorts.

What is known about the life forms inhabiting the surface of Venus, as described in THE LOST TRIBES OF VENUS? [SEP] <s> THE LOST TRIBES OF VENUS By ERIK FENNEL On mist-shrouded Venus, where hostile swamp meets hostile sea ... there did Barry Barr—Earthman transmuted—swap his Terran heritage for the deep dark waters of Tana; for the strangely beautiful Xintel of the blue-brown skin. [Transcriber's Note: This etext was produced from Planet Stories May 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Evil luck brought the meteorite to those particular space-timecoordinates as Number Four rode the downhill spiral toward Venus. Thefootball-sized chunk of nickel-iron and rock overtook the ship at arelative speed of only a few hundred miles per hour and passed closeenough to come within the tremendous pseudo-gravatic fields of theidling drivers. It swerved into a paraboloid course, following the flux lines, and wasdragged directly against one of the three projecting nozzles. Energyof motion was converted to heat and a few meteoric fragments fusedthemselves to the nonmetallic tube casing. In the jet room the positronic line accelerator for that particulardriver fouled under the intolerable overload, and the backsurge sentsearing heat and deadly radiation blasting through the compartmentbefore the main circuit breakers could clack open. The bellow of the alarm horn brought Barry Barr fully awake, shatteringa delightfully intimate dream of the dark haired girl he hoped to seeagain soon in Venus Colony. As he unbuckled his bunk straps and startedaft at a floating, bounding run his weightlessness told him instantlythat Number Four was in free fall with dead drivers. Red warning lights gleamed wickedly above the safety-locked jetroom door, and Nick Podtiaguine, the air machines specialist, wasmanipulating the emergency controls with Captain Reno at his elbow. Oneby one the crew crowded into the corridor and watched in tense silence. The automatic lock clicked off as the jet room returned to habitableconditions, and at Captain Reno's gesture two men swung the door open.Quickly the commander entered the blasted jet room. Barry Barr wasclose behind him. Robson Hind, jet chief of Four and electronics expert for Venus Colony,hung back until others had gone in first. His handsome, heavy face hadlost its usual ruddiness. Captain Reno surveyed the havoc. Young Ryan's body floated eerily inthe zero gravity, charred into instant death by the back-blast. Theline accelerator was a shapeless ruin, but except for broken meterglasses and scorched control handles other mechanical damage appearedminor. They had been lucky. Turnover starts in six hours twelve minutes, the captain saidmeaningfully. Robson Hind cleared his throat. We can change accelerators in twohours, he declared. With a quick reassumption of authority he began toorder his crew into action. It took nearer three hours than two to change accelerators despiteHind's shouted orders. At last the job was completed. Hind made a final check, floated over tothe control panel and started the fuel feed. With a confident smile hethrew in the accelerator switch. The meter needles climbed, soared past the red lines without pausing,and just in time to prevent a second blowback, Hind cut the power. There's metal in the field! His voice was high and unsteady. <doc-sep>The following day was our seventh in the swamp. The water hereresembled a vast mosaic, striped and cross-striped with long windingribbons of yellowish substance that floated a few inches below thesurface. The mold balls coming into contact with the evonium water ofthe swamp had undergone a chemical change and evolved into a cohesivemulti-celled marine life that lived and died within a space of hours.The Venusians paddled with extreme care. Had one of them dipped hishand into one of those yellow streaks, he would have been devoured ina matter of seconds. At high noon by my Earth watch I sighted a low white structure on oneof the distant islands. Moments later we made a landing at a rudejetty, and Grannie Annie was introducing me to Ezra Karn. He was not as old a man as I had expected, but he was ragged andunkempt with iron gray hair falling almost to his shoulders. He wasdressed in varpa cloth, the Venus equivalent of buckskin, and on hishead was an enormous flop-brimmed hat. Glad to meet you, he said, shaking my hand. Any friend of MissFlowers is a friend of mine. He ushered us down the catwalk into hishut. The place was a two room affair, small but comfortable. The latesttype of visi set in one corner showed that Karn was not isolated fromcivilization entirely. Grannie Annie came to the point abruptly. When she had explained theobject of our trip, the prospector became thoughtful. Green Flames, eh? he repeated slowly. Well yes, I suppose I couldfind that space ship again. That is, if I wanted to. What do you mean? Grannie paused in the act of rolling herself acigarette. You know where it is, don't you? Ye-s, Karn nodded. But like I told you before, that ship lies inVarsoom country, and that isn't exactly a summer vacation spot. What are the Varsoom? I asked. A native tribe? Karn shook his head. They're a form of life that's never been seen byEarthmen. Strictly speaking, they're no more than a form of energy. Dangerous? Yes and no. Only man I ever heard of who escaped their country outsideof myself was the explorer, Darthier, three years ago. I got awaybecause I was alone, and they didn't notice me, and Darthier escapedbecause he made 'em laugh. Laugh? A scowl crossed Grannie's face. That's right, Karn said. The Varsoom have a strange nervous reactionthat's manifested by laughing. But just what it is that makes themlaugh, I don't know. Food supplies and fresh drinking water were replenished at the hut.Several mold guns were borrowed from the prospector's supply to arm theVenusians. And then as we were about to leave, Karn suddenly turned. The Doctor Universe program, he said. I ain't missed one in months.You gotta wait 'til I hear it. Grannie frowned in annoyance, but the prospector was adamant. Heflipped a stud, twisted a dial and a moment later was leaning back in achair, listening with avid interest. It was the same show I had witnessed back in Swamp City. Once again Iheard questions filter in from the far outposts of the System. Onceagain I saw the commanding figure of the quiz master as he strode backand forth across the stage. And as I sat there, looking into the visiscreen, a curious numbing drowsiness seemed to steal over me and leadmy thoughts far away. <doc-sep>The stern, white haired I.S.P. Commander behind the immense Aluminildesk, frowned slightly as Dennis Brooke entered. He eyed the six footfour frame of the Captain before him with a mixture of feelings, asif uncertain how to begin. Finally, he sighed as if, having come to adecision, he were forcing himself to speak: Sit down, Dennis. I've sent for you, despite your grounding, fortwo reasons. The first one you already know—your capture of one ofKoerber's henchmen—has given us a line as to his present orbit ofpiracy, and the means of a check on his activities. But that's notreally why I've brought you here. He frowned again as if what he hadto say were difficult indeed. Marla Starland, your fiancee, accepted an assignment we offered her—adelicate piece of work here on Terra that only a very beautiful, andvery clever young lady could perform. And, he paused, grimacing,somewhere between Venus and Terra, the interplanetary spacer bringingher and several other passengers, began to send distress signals.Finally, we couldn't contact the ship any more. It is three daysoverdue. All passengers, a cargo of radium from Venus worth untoldmillions, the spacer itself—seem to have vanished. Dennis Brooke's space-tanned features had gone pale. His large hazeleyes, fringed with auburn lashes, too long for a man, were bright slitsthat smouldered. He stood silent, his hands clenched at his sides,while something cold and sharp seemed to dig at his heart with cruelprecision. Marla! He breathed at last. The thought of Marla in the powerof Koerber sent a wave of anguish that seared through him like anatom-blast. Commander, Dennis said, and his rich baritone voice had depths ofemotion so great that they startled Commander Bertram himself—andthat grizzled veteran of the I.S.P., had at one time or another knownevery change of torture that could possibly be wrung on a human soul.Commander, give me one ... one chance at that spawn of unthinkablebegetting! Let me try, and I promise you ... in his torture, Denniswas unconsciously banging a knotted fist on the chaste, satiny surfaceof the priceless desk, I promise you that I will either bring youKoerber, or forfeit my life! Commander Bertram nodded his head. I brought you here for thatpurpose, son. We have reached a point in our war with Koerber, wherethe last stakes must be played ... and the last stake is death! He reached over and flipped up the activator on a small telecast seton his desk; instantly the viso-screen lighted up. You'll now seea visual record of all we know about the passenger spacer that leftVenus with passengers and cargo, as far as we could contact the vesselin space. This, Dennis, the Commander emphasized his words, is yourchance to redeem yourself! He fell silent, while the viso-screen beganto show a crowded space port on Venus, and a gigantic passenger spacerup-tilted in its cradle. <doc-sep></s> [SEP] What is known about the life forms inhabiting the surface of Venus, as described in THE LOST TRIBES OF VENUS?

Venus is a hot and muggy planet, most comparable to certain areas of South America. The air is so moist and hot that many of the colonists when arrived felt as though they were melting or wading through a swamp. Much of the planet is covered in swamps and marshes, while only a small portion is made up of solid rock or land. The air teems with buzzing insects and creatures roam the surface of the planet. Large vegetarian Venusian creatures roam solid ground, and, though they aren’t going to eat the humans, their humongous size can make them a danger to have around. Different creatures reside in the swamps and oceans as well. Flesh-eating worms lie deep in the swamps, while humanoid Venusians live out in the open ocean.

What is the story of Robson Hind in THE LOST TRIBES OF VENUS? [SEP] <s> THE LOST TRIBES OF VENUS By ERIK FENNEL On mist-shrouded Venus, where hostile swamp meets hostile sea ... there did Barry Barr—Earthman transmuted—swap his Terran heritage for the deep dark waters of Tana; for the strangely beautiful Xintel of the blue-brown skin. [Transcriber's Note: This etext was produced from Planet Stories May 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Evil luck brought the meteorite to those particular space-timecoordinates as Number Four rode the downhill spiral toward Venus. Thefootball-sized chunk of nickel-iron and rock overtook the ship at arelative speed of only a few hundred miles per hour and passed closeenough to come within the tremendous pseudo-gravatic fields of theidling drivers. It swerved into a paraboloid course, following the flux lines, and wasdragged directly against one of the three projecting nozzles. Energyof motion was converted to heat and a few meteoric fragments fusedthemselves to the nonmetallic tube casing. In the jet room the positronic line accelerator for that particulardriver fouled under the intolerable overload, and the backsurge sentsearing heat and deadly radiation blasting through the compartmentbefore the main circuit breakers could clack open. The bellow of the alarm horn brought Barry Barr fully awake, shatteringa delightfully intimate dream of the dark haired girl he hoped to seeagain soon in Venus Colony. As he unbuckled his bunk straps and startedaft at a floating, bounding run his weightlessness told him instantlythat Number Four was in free fall with dead drivers. Red warning lights gleamed wickedly above the safety-locked jetroom door, and Nick Podtiaguine, the air machines specialist, wasmanipulating the emergency controls with Captain Reno at his elbow. Oneby one the crew crowded into the corridor and watched in tense silence. The automatic lock clicked off as the jet room returned to habitableconditions, and at Captain Reno's gesture two men swung the door open.Quickly the commander entered the blasted jet room. Barry Barr wasclose behind him. Robson Hind, jet chief of Four and electronics expert for Venus Colony,hung back until others had gone in first. His handsome, heavy face hadlost its usual ruddiness. Captain Reno surveyed the havoc. Young Ryan's body floated eerily inthe zero gravity, charred into instant death by the back-blast. Theline accelerator was a shapeless ruin, but except for broken meterglasses and scorched control handles other mechanical damage appearedminor. They had been lucky. Turnover starts in six hours twelve minutes, the captain saidmeaningfully. Robson Hind cleared his throat. We can change accelerators in twohours, he declared. With a quick reassumption of authority he began toorder his crew into action. It took nearer three hours than two to change accelerators despiteHind's shouted orders. At last the job was completed. Hind made a final check, floated over tothe control panel and started the fuel feed. With a confident smile hethrew in the accelerator switch. The meter needles climbed, soared past the red lines without pausing,and just in time to prevent a second blowback, Hind cut the power. There's metal in the field! His voice was high and unsteady. <doc-sep>Everyone knew what that meant. The slightest trace of magnetic materialwould distort the delicately balanced cylinder of force that containedand directed the Hoskins blast, making it suicidal to operate. Calmly Captain Reno voiced the thought in every mind. It must be cleared. From the outside. Several of the men swore under their breaths. Interplanetary spacewas constantly bombarded, with an intensity inverse to the prevailinggravitation, by something called Sigma radiation. Man had neverencountered it until leaving Earth, and little was known of itexcept that short exposure killed test animals and left their bodiesunpredictably altered. Inside the ship it was safe enough, for the sleek hull was charged witha Kendall power-shield, impervious to nearly any Sigma concentration.But the shielding devices in the emergency spacesuits were smalland had never been space-tested in a region of nearly equalizedgravitations. The man who emerged from the airlock would be flipping a coin with aparticularly unpleasant form of death. Many pairs of eyes turned toward Robson Hind. He was jet chief. I'm assigned, not expendable, he protested hastily. If there weremore trouble later.... His face was pasty. Assigned. That was the key word. Barry Barr felt a lump tighteningin his stomach as the eyes shifted to him. He had some training inHoskins drivers. He knew alloys and power tools. And he was riding Fourunassigned after that broken ankle had made him miss Three. He was thelogical man. For the safety of the ship. That phrase, taken from the ancientEarthbound code of the sea, had occurred repeatedly in theindoctrination manual at Training Base. He remembered it, andremembered further the contingent plans regarding assigned andunassigned personnel. For a moment he stood indecisively, the nervous, unhumorous smilequirking across his angular face making him look more like an untriedboy than a structural engineer who had fought his way up through someof the toughest tropical construction camps of Earth. His lean body,built more for quick, neatly coordinated action than brute power,balanced handily in the zero gravity as he ran one hand through hissandy hair in a gesture of uncertainty. He knew that not even the captain would order him through the airlock. But the members of the Five Ship Plan had been selected in part for asense of responsibility. Nick, will you help me button up? he asked with forced calmness. For an instant he thought he detected a sly gleam in Hind's eyes. Butthen the jet chief was pressing forward with the others to shake hishand. Rebellious reluctance flared briefly in Barry's mind. Dorothy Voorheeshad refused to make a definite promise before blasting off in Three—infact he hadn't even seen her during her last few days on Earth. Butstill he felt he had the inside track despite Hind's money and thebrash assurance that went with it. But if Hind only were to reach Venusalive— <doc-sep>The blazing disc of Sol, the minor globes of the planets, the unwinkingpinpoints of the stars, all stared with cosmic disinterest at the tinyfigure crawling along the hull. His spacesuit trapped and amplifiedbreathing and heartbeats into a roaring chaos that was an invitationto blind panic, and all the while there was consciousness of theinsidiously deadly Sigma radiations. Barry found the debris of the meteorite, an ugly shining splotchagainst the dull superceramic tube, readied his power chisel, startedcutting. Soon it became a tedious, torturingly strenuous manual taskrequiring little conscious thought, and Barry's mind touched briefly onthe events that had brought him here. First Luna, and that had been murderous. Man had encountered Sigmafor the first time, and many had died before the Kendall-shield wasperfected. And the chemical-fueled rockets of those days had beeninherently poor. Hoskins semi-atomics had made possible the next step—to Mars. But menhad found Mars barren, swept clear of all life in the cataclysm thathad shattered the trans-Martian planet to form the Asteroid Belt. Venus, its true surface forever hidden by enshrouding mists, had beenwell within one-way range. But Hoskins fuel requirements for a roundtrip added up to something beyond critical mass. Impossible. But the Five Ship Plan had evolved, a joint enterprise of governmentand various private groups. Five vessels were to go out, each fueledto within a whiskered neutron of spontaneous detonation, manned byspecialists who, it was hoped, could maintain themselves under alienconditions. On Venus the leftover fuel from all five would be transferred towhichever ship had survived the outbound voyage in best condition.That one would return to Earth. Permanent base or homeward voyage withcolonists crowded aboard like defeated sardines? Only time would tell. Barry Barr had volunteered, and because the enlightened guesses of theexperts called for men and women familiar with tropical conditions,he had survived the rigorous weeding-out process. His duties in VenusColony would be to refabricate the discarded ships into whatever formwas most needed—most particularly a launching ramp—and to studynative Venusian materials. Dorothy Voorhees had signed on as toxicologist and dietician. When thelimited supply of Earth food ran out the Colony would be forced torely upon Venusian plants and animals. She would guard against subtledelayed-action poisons, meanwhile devising ways of preparing Venusianmaterials to suit Earth tastes and digestions. Barry had met her at Training Base and known at once that his years ofloneliness had come to an end. She seemed utterly independent, self-contained, completely intellectualdespite her beauty, but Barry had not been deceived. From the momentof first meeting he had sensed within her deep springs of suppressedemotion, and he had understood. He too had come up the hard way, alone,and been forced to develop a shell of hardness and cold, single-mindeddevotion to his work. Gradually, often unwillingly under hisinsistence, her aloofness had begun to melt. But Robson Hind too had been attracted. He was the only son of thebusiness manager of the great Hoskins Corporation which carrieda considerable share in the Five Ship Plan. Dorothy's failure tovirtually fall into his arms had only piqued his desires. The man's smooth charm had fascinated the girl and his money had openedto her an entirely new world of lavish nightclubs and extravagantlyexpensive entertainments, but her inborn shrewdness had sensed somefactor in his personality that had made her hesitate. Barry had felt a distrust of Hind apart from the normal dislike ofrivalry. He had looked forward to being with Dorothy aboard Three, andhad made no secret of his satisfaction when Hind's efforts to havehimself transferred to Three also or the girl to Four had failed. But then a scaffold had slipped while Three was being readied, and witha fractured ankle he had been forced to miss the ship. He unclipped the magnetic detector from his belt and ran it inch byinch over the nozzle. He found one spot of metal, pinhead-sized, butenough to cause trouble, and once more swung his power chisel intostuttering action. Then it was done. As quickly as possible he inched back to the airlock. Turnover had tostart according to calculations. <doc-sep></s> [SEP] What is the story of Robson Hind in THE LOST TRIBES OF VENUS?

Robson Hind is a very wealthy man and jet chief of Number Four. The son of the manager of Hoskins Corporation, Hind was basically guaranteed a spot in the Five Ship Plan. Just like Barry Barr, he was instantly attracted to Dorothy Voorhees and her jet-black hair, high cheekbones, and intelligence. Before their ships take off, Hind conspires to join her on Number Three or transfer her to Number Four. However, his scheme eventually fails. Before Three lifts off, he sends Dorothy a letter pretending to be Barry’s imaginary wife from Philadelphia, asking her to stay away from him so his wife and children can still have him. This works for a time in keeping Dorothy away from Barry. Once again, however, Hind’s scheme ultimately fails once they arrive on Venus and Dorothy is near Barry again. While on Number Four, Hind refuses to exit the spaceship to work on the meteor shards, citing his assigned status. When Barry volunteers, Hind is secretly happy, almost as if he wants him out of the picture for good. After their arrival on Venus, Dorothy stays away from Barry for a time, but eventually runs into his hospital room and embraces him. She discovers that Hind’s letter was a lie and rushes into Barry’s arms for good. Presumably, once Hind discovered this, he dismantled Barry’s life-saving moisture machine and locked him in the room to die.

What is the Five Ship Plan and how does it relate to THE LOST TRIBES OF VENUS? [SEP] <s> THE LOST TRIBES OF VENUS By ERIK FENNEL On mist-shrouded Venus, where hostile swamp meets hostile sea ... there did Barry Barr—Earthman transmuted—swap his Terran heritage for the deep dark waters of Tana; for the strangely beautiful Xintel of the blue-brown skin. [Transcriber's Note: This etext was produced from Planet Stories May 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Evil luck brought the meteorite to those particular space-timecoordinates as Number Four rode the downhill spiral toward Venus. Thefootball-sized chunk of nickel-iron and rock overtook the ship at arelative speed of only a few hundred miles per hour and passed closeenough to come within the tremendous pseudo-gravatic fields of theidling drivers. It swerved into a paraboloid course, following the flux lines, and wasdragged directly against one of the three projecting nozzles. Energyof motion was converted to heat and a few meteoric fragments fusedthemselves to the nonmetallic tube casing. In the jet room the positronic line accelerator for that particulardriver fouled under the intolerable overload, and the backsurge sentsearing heat and deadly radiation blasting through the compartmentbefore the main circuit breakers could clack open. The bellow of the alarm horn brought Barry Barr fully awake, shatteringa delightfully intimate dream of the dark haired girl he hoped to seeagain soon in Venus Colony. As he unbuckled his bunk straps and startedaft at a floating, bounding run his weightlessness told him instantlythat Number Four was in free fall with dead drivers. Red warning lights gleamed wickedly above the safety-locked jetroom door, and Nick Podtiaguine, the air machines specialist, wasmanipulating the emergency controls with Captain Reno at his elbow. Oneby one the crew crowded into the corridor and watched in tense silence. The automatic lock clicked off as the jet room returned to habitableconditions, and at Captain Reno's gesture two men swung the door open.Quickly the commander entered the blasted jet room. Barry Barr wasclose behind him. Robson Hind, jet chief of Four and electronics expert for Venus Colony,hung back until others had gone in first. His handsome, heavy face hadlost its usual ruddiness. Captain Reno surveyed the havoc. Young Ryan's body floated eerily inthe zero gravity, charred into instant death by the back-blast. Theline accelerator was a shapeless ruin, but except for broken meterglasses and scorched control handles other mechanical damage appearedminor. They had been lucky. Turnover starts in six hours twelve minutes, the captain saidmeaningfully. Robson Hind cleared his throat. We can change accelerators in twohours, he declared. With a quick reassumption of authority he began toorder his crew into action. It took nearer three hours than two to change accelerators despiteHind's shouted orders. At last the job was completed. Hind made a final check, floated over tothe control panel and started the fuel feed. With a confident smile hethrew in the accelerator switch. The meter needles climbed, soared past the red lines without pausing,and just in time to prevent a second blowback, Hind cut the power. There's metal in the field! His voice was high and unsteady. <doc-sep>The blazing disc of Sol, the minor globes of the planets, the unwinkingpinpoints of the stars, all stared with cosmic disinterest at the tinyfigure crawling along the hull. His spacesuit trapped and amplifiedbreathing and heartbeats into a roaring chaos that was an invitationto blind panic, and all the while there was consciousness of theinsidiously deadly Sigma radiations. Barry found the debris of the meteorite, an ugly shining splotchagainst the dull superceramic tube, readied his power chisel, startedcutting. Soon it became a tedious, torturingly strenuous manual taskrequiring little conscious thought, and Barry's mind touched briefly onthe events that had brought him here. First Luna, and that had been murderous. Man had encountered Sigmafor the first time, and many had died before the Kendall-shield wasperfected. And the chemical-fueled rockets of those days had beeninherently poor. Hoskins semi-atomics had made possible the next step—to Mars. But menhad found Mars barren, swept clear of all life in the cataclysm thathad shattered the trans-Martian planet to form the Asteroid Belt. Venus, its true surface forever hidden by enshrouding mists, had beenwell within one-way range. But Hoskins fuel requirements for a roundtrip added up to something beyond critical mass. Impossible. But the Five Ship Plan had evolved, a joint enterprise of governmentand various private groups. Five vessels were to go out, each fueledto within a whiskered neutron of spontaneous detonation, manned byspecialists who, it was hoped, could maintain themselves under alienconditions. On Venus the leftover fuel from all five would be transferred towhichever ship had survived the outbound voyage in best condition.That one would return to Earth. Permanent base or homeward voyage withcolonists crowded aboard like defeated sardines? Only time would tell. Barry Barr had volunteered, and because the enlightened guesses of theexperts called for men and women familiar with tropical conditions,he had survived the rigorous weeding-out process. His duties in VenusColony would be to refabricate the discarded ships into whatever formwas most needed—most particularly a launching ramp—and to studynative Venusian materials. Dorothy Voorhees had signed on as toxicologist and dietician. When thelimited supply of Earth food ran out the Colony would be forced torely upon Venusian plants and animals. She would guard against subtledelayed-action poisons, meanwhile devising ways of preparing Venusianmaterials to suit Earth tastes and digestions. Barry had met her at Training Base and known at once that his years ofloneliness had come to an end. She seemed utterly independent, self-contained, completely intellectualdespite her beauty, but Barry had not been deceived. From the momentof first meeting he had sensed within her deep springs of suppressedemotion, and he had understood. He too had come up the hard way, alone,and been forced to develop a shell of hardness and cold, single-mindeddevotion to his work. Gradually, often unwillingly under hisinsistence, her aloofness had begun to melt. But Robson Hind too had been attracted. He was the only son of thebusiness manager of the great Hoskins Corporation which carrieda considerable share in the Five Ship Plan. Dorothy's failure tovirtually fall into his arms had only piqued his desires. The man's smooth charm had fascinated the girl and his money had openedto her an entirely new world of lavish nightclubs and extravagantlyexpensive entertainments, but her inborn shrewdness had sensed somefactor in his personality that had made her hesitate. Barry had felt a distrust of Hind apart from the normal dislike ofrivalry. He had looked forward to being with Dorothy aboard Three, andhad made no secret of his satisfaction when Hind's efforts to havehimself transferred to Three also or the girl to Four had failed. But then a scaffold had slipped while Three was being readied, and witha fractured ankle he had been forced to miss the ship. He unclipped the magnetic detector from his belt and ran it inch byinch over the nozzle. He found one spot of metal, pinhead-sized, butenough to cause trouble, and once more swung his power chisel intostuttering action. Then it was done. As quickly as possible he inched back to the airlock. Turnover had tostart according to calculations. <doc-sep>I’d been interested in the Brightside for almost as long asI can remember (Claney said). I guess I was about ten whenWyatt and Carpenter made the last attempt—that was in 2082,I think. I followed the news stories like a tri-V serial and thenI was heartbroken when they just disappeared. I know now that they were a pair of idiots, starting off withoutproper equipment, with practically no knowledge of surfaceconditions, without any charts—they couldn’t have madea hundred miles—but I didn’t know that then and it was aterrible tragedy. After that, I followed Sanderson’s work in theTwilight Lab up there and began to get Brightside into myblood, sure as death. But it was Mikuta’s idea to attempt a Crossing. Did you everknow Tom Mikuta? I don’t suppose you did. No, not Japanese—Polish-American.He was a major in the Interplanetary Servicefor some years and hung onto the title after he gave uphis commission. He was with Armstrong on Mars during his Service days,did a good deal of the original mapping and surveying forthe Colony there. I first met him on Venus; we spent fiveyears together up there doing some of the nastiest exploringsince the Matto Grasso. Then he made the attempt on VulcanCrater that paved the way for Balmer a few years later. I’d always liked the Major—he was big and quiet and cool,the sort of guy who always had things figured a little furtherahead than anyone else and always knew what to do in a tightplace. Too many men in this game are all nerve and luck,with no judgment. The Major had both. He also had the kindof personality that could take a crew of wild men andmake them work like a well-oiled machine across a thousandmiles of Venus jungle. I liked him and I trusted him. He contacted me in New York and he was very casual atfirst. We spent an evening here at the Red Lion, talking aboutold times; he told me about the Vulcan business, and how he’dbeen out to see Sanderson and the Twilight Lab on Mercury,and how he preferred a hot trek to a cold one any day of theyear—and then he wanted to know what I’d been doing sinceVenus and what my plans were. “No particular plans,” I told him. “Why?” He looked me over. “How much do you weigh, Peter?” I told him one-thirty-five. “That much!” he said. “Well, there can’t be much fat onyou, at any rate. How do you take heat?” “You should know,” I said. “Venus was no icebox.” “No, I mean real heat.” Then I began to get it. “You’re planning a trip.” “That’s right. A hot trip.” He grinned at me. “Might bedangerous, too.” “What trip?” “Brightside of Mercury,” the Major said. I whistled cautiously. “At aphelion?” He threw his head back. “Why try a Crossing at aphelion?What have you done then? Four thousand miles of butcherousheat, just to have some joker come along, use your data anddrum you out of the glory by crossing at perihelion forty-fourdays later? No, thanks. I want the Brightside without any nonsenseabout it.” He leaned across me eagerly. “I want to makea Crossing at perihelion and I want to cross on the surface. Ifa man can do that, he’s got Mercury. Until then, nobody’s gotMercury. I want Mercury—but I’ll need help getting it.” I’d thought of it a thousand times and never dared considerit. Nobody had, since Wyatt and Carpenter disappeared. Mercuryturns on its axis in the same time that it wheels aroundthe Sun, which means that the Brightside is always facing in.That makes the Brightside of Mercury at perihelion the hottestplace in the Solar System, with one single exception: thesurface of the Sun itself. It would be a hellish trek. Only a few men had ever learnedjust how hellish and they never came back to tell about it. Itwas a real hell’s Crossing, but someday, I thought, somebodywould cross it. I wanted to be along. <doc-sep></s> [SEP] What is the Five Ship Plan and how does it relate to THE LOST TRIBES OF VENUS?

After discovering Mars and the moon, humanity decided to conquer yet another planet: Venus. However, Venus was too far away to safely carry the amount of fuel needed for a round trip mission. So, the Five Ship Plan evolved. Five rockets were to fly to Venus at separate intervals. Those who landed first would build a colony to live in and welcome the others to the surface of the planet. Once all five had arrived, they would figure out which ship was in the best shape and transfer all remaining fuel to that one. The colonists would head back home if Venus was completely uninhabitable, or remain on the planet for the time being, living out their lives on the colony.

Can you provide a summary of the MASTER of Life and Death storyline? [SEP] <s>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep>He stood then in the middle of the room, arms akimbo, his head swimmingwith glory—and remembered suddenly that he was hungry. He felt in thecontainer of his helmet, extracted a couple of food tablets, and poppedthem into his mouth. They would take care of his needs, but they didn't satisfy his hunger.No food tablets for him after this! Steaks, wines, souffles.... Hismouth began to water at the very thought. And then the robot rolled on soundless wheels into the room. Symewhirled and saw it only when it was almost upon him. The thing wasremarkably lifelike, and for a moment he was startled. But it was not alive. It was only a Martian feeding-machine, kept inrepair all these millennia by other robots. It was not intelligent,and so it did not know that its masters would never return. It did notknow, either, that Syme was not a Martian, or that he wanted a steak,and not the distilled liquor of the xopa fungus, which still grew inthe subterranean gardens of Kal-Jmar. It was capable only of receivingthe mental impulse of hunger, and of responding to that impulse. And so when Syme saw it and opened his mouth in startlement, therobot acted as it had done with its degenerate, slothful masters. Itsflexible feeding tube darted out and half down the man's gullet beforehe could move to avoid it. And down Syme Rector's throat poured a floodof xopa -juice, nectar to Martians, but swift, terrible death to humanbeings.... Outside, the last doorway to Kal-Jmar closed forever, across from thecold body of Tate. <doc-sep>The girl did not answer then and a hushed expectancy fell over theship. Somewhere aft a small motor was running. Wind whistled past theopen lock. I've caused plenty of trouble haven't I? she asked aloud, finally.This was certainly a fool stunt, and I'm guilty of a lot of foolstunts! I just didn't realize until now the why of that law. Don't talk so much, the nurse admonished. A lot of people have foundout the why of that law the hard way, just as you are doing, andlived to remember it. Until hospitals are built on this forlorn world,humans like you who haven't been properly conditioned will have to stayright at home. How about these men that live and work here? They never get here until they've been through the mill first.Adenoids, appendix', all the extra parts they can get along without. Well, Judith said. I've certainly learned my lesson! Gray didn't answer, but from out of the darkness surrounding her came asound remarkably resembling a snort. Gray? Judith asked fearfully. Yes? Hasn't the pilot been gone an awfully long time? Rat himself provided the answer by alighting at the lip with a jar thatshook the ship. He was breathing heavily and lugging something in hisarms. The burden groaned. Gladney! Nurse Gray exclaimed. I got. Rat confirmed. Yes, Gladney. Damn heavy, Gladney. But how? she demanded. What of Roberds and Peterson? Trick, he sniggered. I burn down my shack. Boss run out. I run in.Very simple. He packed Gladney into the remaining hammock and snappedbuckles. And Peterson? she prompted. Oh yes. Peterson. So sorry about Peterson. Had to fan him. Fan him? I don't understand. Fan. With chair. Everything all right. I apologized. Rat finished upand was walking back to the lock. They heard a slight rustling of wingsas he padded away. He was back instantly, duplicating his feat of a short time ago.Cursing shouts were slung on the night air, and the deadly spang ofbullets bounced on the hull! Some entered the lock. The Centauriansnapped it shut. Chunks of lead continued to pound the ship. Rat leapedfor the pilot's chair, heavily, a wing drooping. You've been hurt! Gray cried. A small panel light outlined hisfeatures. She tried to struggle up. Lie still! We go. Boss get wise. With lightning fingers he flickedseveral switches on the panel, turned to her. Hold belly. Zoom! Gray folded her hands across her stomach and closed her eyes. Rat unlocked the master level and shoved! <doc-sep></s> [SEP] Can you provide a summary of the MASTER of Life and Death storyline?

Roy Walton is the Assistant Administrator of the Bureau of Population Equalization, otherwise known as Popeek. In the six weeks that they have been working, thousands of people have been euthanized, sterilized, and relocated in order to curb population growth and overcrowding. Roy Walton arrives at his desk, filled with papers, and settles into his miserable job. He asks for a relocation of the people of central Belgium to Patagonia before his receptionist alerts him Mr. Prior is here to see him. He refuses, but Mr. Prior sneaks through security and the unlocked door–Walton’s fault–and demands his attention. He is a famous poet, one Walton admires. He asks Walton to save his son who is to be euthanized for being tubercular. Walton turns him down, but after Prior leaves, his words swim in his head. He realizes he wants to save his baby, and so he sets off to do just that. He runs into his boss, Director FitzMaugham in the elevator and tries to lie his way through the encounter. He narrowly succeeds but is left with the feeling that Director FitzMaughan knew more than he was letting on. Walton gets off at the 20th floor and breezes past the receptionist to input Philp Porter into the computer. A series of cards come out, detailing all the baby’s specifics as well as the tubercular diagnosis. He deletes the cause for euthanization and inputs the new data into the system. He comes back clear. Hoping no one saw him, he walks down past the hall of babies and chats with the doctor, asking where his brother, another doctor, is. Evidently, his brother is running analytics, so Walton is safe for now. He speaks with the executioner, Falbrough, and tells him to double-check every baby before euthanization, due to an unfortunate incident in Europe. Falbrough agrees, and Walton quickly slips back upstairs to his office. Worrying about his actions that day, Walton gets a call from Falbrough informing him that there was a mistake, and they saved a baby’s life that day. Walton tells him to keep it under wraps, and he quickly hangs up. Walton has now committed a felony, and he’s wondering what the long-term effects will be. His brother, Fred, calls him and tells him that he knows what he did. By accessing confidential information (a crime in and of itself), Fred knows that Roy saved that baby’s life illegally. He holds it over his head and asks for a favor in return, as well as silence on Roy’s end. The story ends with Roy’s fate up in the air as well as the fate of the new world order.

What are the Equalization Laws and how do they relate to the new world order depicted in MASTER of Life and Death? [SEP] <s> MASTER of Life and Death by ROBERT SILVERBERG ACE BOOKS A Division of A. A. Wyn, Inc. 23 West 47th Street, New York 36, N. Y. MASTER OF LIFE AND DEATH Copyright 1957, by A. A. Wyn, Inc. All Rights Reserved For Antigone— Who Thinks We're Property Printed in U.S.A. [Transcriber's Note: Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] THE MAN WHO RATIONED BABIES By the 23rd century Earth's population had reached seven billion.Mankind was in danger of perishing for lack of elbow room—unlessprompt measures were taken. Roy Walton had the power to enforce thosemeasures. But though his job was in the service of humanity, he soonfound himself the most hated man in the world. For it was his job to tell parents their children were unfit to live; he had to uproot people from their homes and send them to remoteareas of the world. Now, threatened by mobs of outraged citizens,denounced and blackened by the press, Roy Walton had to make adecision: resign his post, or use his power to destroy his enemies,become a dictator in the hopes of saving humanity from its own folly.In other words, should he become the MASTER OF LIFE AND DEATH? CAST OF CHARACTERS ROY WALTON He had to adopt the motto— the ends justify the means . FITZMAUGHAM His reward for devoted service was—an assassin's bullet. FRED WALTON His ambition was to fill his brother's shoes—but he underestimatedtheir size. LEE PERCY His specialty was sugarcoating bitter pills. PRIOR With the pen as his only weapon, could he save his son? DR. LAMARRE He died for discovering the secret of immortality. Contents I The offices of the Bureau of Population Equalization, vulgarly knownas Popeek, were located on the twentieth through twenty-ninth floorsof the Cullen Building, a hundred-story monstrosity typical oftwenty-second-century neo-Victorian at its overdecorated worst. RoyWalton, Popeek's assistant administrator, had to apologize to himselfeach morning as he entered the hideous place. Since taking the job, he had managed to redecorate his own office—onthe twenty-eighth floor, immediately below Director FitzMaugham's—butthat had created only one minor oasis in the esthetically repugnantbuilding. It couldn't be helped, though; Popeek was unpopular, thoughnecessary; and, like the public hangman of some centuries earlier, theBureau did not rate attractive quarters. So Walton had removed some of the iridescent chrome scalloping thattrimmed the walls, replaced the sash windows with opaquers, and changedthe massive ceiling fixture to more subtle electroluminescents. But themark of the last century was stamped irrevocably on both building andoffice. Which was as it should be, Walton had finally realized. It was the lastcentury's foolishness that had made Popeek necessary, after all. His desk was piled high with reports, and more kept arriving viapneumochute every minute. The job of assistant administrator wasa thankless one, he thought; as much responsibility as DirectorFitzMaugham, and half the pay. He lifted a report from one eyebrow-high stack, smoothed the crinklypaper carefully, and read it. It was a despatch from Horrocks, the Popeek agent currently on duty inPatagonia. It was dated 4 June 2232 , six days before, and after along and rambling prologue in the usual Horrocks manner it went on tosay, Population density remains low here: 17.3 per square mile, farbelow optimum. Looks like a prime candidate for equalization. Walton agreed. He reached for his voicewrite and said sharply, Memofrom Assistant Administrator Walton, re equalization of ... He paused,picking a trouble-spot at random, ... central Belgium. Will thesection chief in charge of this area please consider the advisabilityof transferring population excess to fertile areas in Patagonia?Recommendation: establishment of industries in latter region, to easetransition. He shut his eyes, dug his thumbs into them until bright flares of lightshot across his eyeballs, and refused to let himself be bothered bythe multiple problems involved in dumping several hundred thousandBelgians into Patagonia. He forced himself to cling to one of DirectorFitzMaugham's oft-repeated maxims, If you want to stay sane, think ofthese people as pawns in a chess game—not as human beings. Walton sighed. This was the biggest chess problem in the history ofhumanity, and the way it looked now, all the solutions led to checkmatein a century or less. They could keep equalizing population only solong, shifting like loggers riding logs in a rushing river, beforetrouble came. There was another matter to be attended to now. He picked up thevoicewrite again. Memo from the assistant administrator, reestablishment of new policy on reports from local agents: hire a staffof three clever girls to make a précis of each report, eliminatingirrelevant data. It was a basic step, one that should have been taken long ago. Now,with three feet of reports stacked on his desk, it was mandatory. Oneof the troubles with Popeek was its newness; it had been established sosuddenly that most of its procedures were still in the formative stage. He took another report from the heap. This one was the data sheet ofthe Zurich Euthanasia Center, and he gave it a cursory scanning. Duringthe past week, eleven substandard children and twenty-three substandardadults had been sent on to Happysleep. That was the grimmest form of population equalization. Walton initialedthe report, earmarked it for files, and dumped it in the pneumochute. The annunciator chimed. I'm busy, Walton said immediately. There's a Mr. Prior to see you, the annunciator's calm voice said.He insists it's an emergency. Tell Mr. Prior I can't see anyone for at least three hours. Waltonstared gloomily at the growing pile of paper on his desk. Tell him hecan have ten minutes with me at—oh, say, 1300. Walton heard an angry male voice muttering something in the outeroffice, and then the annunciator said, He insists he must see youimmediately in reference to a Happysleep commitment. Commitments are irrevocable, Walton said heavily. The last thing inthe world he wanted was to see a man whose child or parent had justbeen committed. Tell Mr. Prior I can't see him at all. Walton found his fingers trembling; he clamped them tight to the edgeof his desk to steady himself. It was all right sitting up here in thisugly building and initialing commitment papers, but actually to see one of those people and try to convince him of the need— The door burst open. A tall, dark-haired man in an open jacket came rushing through andpaused dramatically just over the threshold. Immediately behind himcame three unsmiling men in the gray silk-sheen uniforms of security.They carried drawn needlers. Are you Administrator Walton? the big man asked, in an astonishinglydeep, rich voice. I have to see you. I'm Lyle Prior. The three security men caught up and swarmed all over Prior. One ofthem turned apologetically to Walton. We're terribly sorry about this,sir. He just broke away and ran. We can't understand how he got inhere, but he did. Ah—yes. So I noticed, Walton remarked drily. See if he's planningto assassinate anybody, will you? Administrator Walton! Prior protested. I'm a man of peace! How canyou accuse me of— One of the security men hit him. Walton stiffened and resisted the urgeto reprimand the man. He was only doing his job, after all. Search him, Walton said. They gave Prior an efficient going-over. He's clean, Mr. Walton.Should we take him to security, or downstairs to health? Neither. Leave him here with me. Are you sure you— Get out of here, Walton snapped. As the three security men slinkedaway, he added, And figure out some more efficient system forprotecting me. Some day an assassin is going to sneak through hereand get me. Not that I give a damn about myself, you understand; it'ssimply that I'm indispensable. There isn't another lunatic in the worldwho'd take this job. Now get out ! They wasted no time in leaving. Walton waited until the door closedand jammed down hard on the lockstud. His tirade, he knew, was whollyunjustified; if he had remembered to lock his door as regulationsprescribed, Prior would never have broken in. But he couldn't admitthat to the guards. Take a seat, Mr. Prior. I have to thank you for granting me this audience, Prior said,without a hint of sarcasm in his booming voice. I realize you're aterribly busy man. I am. Another three inches of paper had deposited itself on Walton'sdesk since Prior had entered. You're very lucky to have hit thepsychological moment for your entrance. At any other time I'd havehad you brigged for a month, but just now I'm in need of a littlediversion. Besides, I very much admire your work, Mr. Prior. Thank you. Again that humility, startling in so big and commanding aman. I hadn't expected to find—I mean that you— That a bureaucrat should admire poetry? Is that what you're gropingfor? Prior reddened. Yes, he admitted. Grinning, Walton said, I have to do something when I go home atnight. I don't really read Popeek reports twenty-four hours a day. Nomore than twenty; that's my rule. I thought your last book was quiteremarkable. The critics didn't, Prior said diffidently. Critics! What do they know? Walton demanded. They swing in cycles.Ten years ago it was form and technique, and you got the Melling Prize.Now it's message, political content that counts. That's not poetry, Mr.Prior—and there are still a few of us who recognize what poetry is.Take Yeats, for instance— Walton was ready to launch into a discussion of every poet from Priorback to Surrey and Wyatt; anything to keep from the job at hand,anything to keep his mind from Popeek. But Prior interrupted him. Mr. Walton.... Yes? My son Philip ... he's two weeks old now.... Walton understood. No, Prior. Please don't ask. Walton's skin feltcold; his hands, tightly clenched, were clammy. He was committed to Happysleep this morning—potentially tubercular.The boy's perfectly sound, Mr. Walton. Couldn't you— Walton rose. No , he said, half-commanding, half-pleading. Don'task me to do it. I can't make any exceptions, not even for you. You'rean intelligent man; you understand our program. I voted for Popeek. I know all about Weeding the Garden and theEuthanasia Plan. But I hadn't expected— You thought euthanasia was a fine thing for other people. So dideveryone else, Walton said. That's how the act was passed. Tenderlyhe said, I can't do it. I can't spare your son. Our doctors give ababy every chance to live. I was tubercular. They cured me. What if they had practicedeuthanasia a generation ago? Where would my poems be now? It was an unanswerable question; Walton tried to ignore it.Tuberculosis is an extremely rare disease, Mr. Prior. We can wipeit out completely if we strike at those with TB-susceptible genetictraits. Meaning you'll kill any children I have? Prior asked. Those who inherit your condition, Walton said gently. Go home, Mr.Prior. Burn me in effigy. Write a poem about me. But don't ask me to dothe impossible. I can't catch any falling stars for you. Prior rose. He was immense, a hulking tragic figure staring broodinglyat Walton. For the first time since the poet's abrupt entry, Waltonfeared violence. His fingers groped for the needle gun he kept in hisupper left desk drawer. But Prior had no violence in him. I'll leave you, he said somberly.I'm sorry, sir. Deeply sorry. For both of us. Walton pressed the doorlock to let him out, then locked it again andslipped heavily into his chair. Three more reports slid out of thechute and landed on his desk. He stared at them as if they were threebasilisks. In the six weeks of Popeek's existence, three thousand babies had beenticketed for Happysleep, and three thousand sets of degenerate geneshad been wiped from the race. Ten thousand subnormal males had beensterilized. Eight thousand dying oldsters had reached their gravesahead of time. It was a tough-minded program. But why transmit palsy to unborngenerations? Why let an adult idiot litter the world with subnormalprogeny? Why force a man hopelessly cancerous to linger on in pain,consuming precious food? Unpleasant? Sure. But the world had voted for it. Until Lang and histeam succeeded in terraforming Venus, or until the faster-than-lightoutfit opened the stars to mankind, something had to be done aboutEarth's overpopulation. There were seven billion now and the figure wasstill growing. Prior's words haunted him. I was tubercular ... where would my poemsbe now? The big humble man was one of the great poets. Keats had beentubercular too. What good are poets? he asked himself savagely. The reply came swiftly: What good is anything, then? Keats,Shakespeare, Eliot, Yeats, Donne, Pound, Matthews ... and Prior. Howmuch duller life would be without them, Walton thought, picturinghis bookshelf—his one bookshelf, in his crowded little cubicle of aone-room home. Sweat poured down his back as he groped toward his decision. The step he was considering would disqualify him from his job if headmitted it, though he wouldn't do that. Under the Equalization Law, itwould be a criminal act. But just one baby wouldn't matter. Just one. Prior's baby. With nervous fingers he switched on the annunciator and said, If thereare any calls for me, take the message. I'll be out of my office forthe next half-hour. II He stepped out of the office, glancing around furtively. The outeroffice was busy: half a dozen girls were answering calls, openingletters, coordinating activities. Walton slipped quickly past them intothe hallway. There was a knot of fear in his stomach as he turned toward thelift tube. Six weeks of pressure, six weeks of tension since Popeekwas organized and old man FitzMaugham had tapped him for thesecond-in-command post ... and now, a rebellion. The sparing of asingle child was a small rebellion, true, but he knew he was strikingas effectively at the base of Popeek this way as if he had broughtabout repeal of the entire Equalization Law. Well, just one lapse, he promised himself. I'll spare Prior's child,and after that I'll keep within the law. He jabbed the lift tube indicator and the tube rose in its shaft. Theclinic was on the twentieth floor. Roy. At the sound of the quiet voice behind him, Walton jumped in surprise.He steadied himself, forcing himself to turn slowly. The director stoodthere. Good morning, Mr. FitzMaugham. The old man was smiling serenely, his unlined face warm and friendly,his mop of white hair bright and full. You look preoccupied, boy.Something the matter? Walton shook his head quickly. Just a little tired, sir. There's beena lot of work lately. As he said it, he knew how foolish it sounded. If anyone in Popeekworked harder than he did, it was the elderly director. FitzMaughamhad striven for equalization legislature for fifty years, and now, atthe age of eighty, he put in a sixteen-hour day at the task of savingmankind from itself. The director smiled. You never did learn how to budget your strength,Roy. You'll be a worn-out wreck before you're half my age. I'm gladyou're adopting my habit of taking a coffee break in the morning,though. Mind if I join you? I'm—not taking a break, sir. I have some work to do downstairs. Oh? Can't you take care of it by phone? No, Mr. FitzMaugham. Walton felt as though he'd already been tried,drawn, and quartered. It requires personal attention. I see. The deep, warm eyes bored into his. You ought to slow down alittle, I think. Yes, sir. As soon as the work eases up a little. FitzMaugham chuckled. In another century or two, you mean. I'm afraidyou'll never learn how to relax, my boy. The lift tube arrived. Walton stepped to one side, allowed the Directorto enter, and got in himself. FitzMaugham pushed Fourteen ; there wasa coffee shop down there. Hesitantly, Walton pushed twenty , coveringthe panel with his arm so the old man would be unable to see hisdestination. As the tube began to descend, FitzMaugham said, Did Mr. Prior come tosee you this morning? Yes, Walton said. He's the poet, isn't he? The one you say is so good? That's right, sir, Walton said tightly. He came to see me first, but I had him referred down to you. What wason his mind? Walton hesitated. He—he wanted his son spared from Happysleep.Naturally, I had to turn him down. Naturally, FitzMaugham agreed solemnly. Once we make even oneexception, the whole framework crumbles. Of course, sir. The lift tube halted and rocked on its suspension. The door slid back,revealing a neat, gleaming sign: FLOOR 20 Euthanasia Clinic and Files Walton had forgotten the accursed sign. He began to wish he had avoidedtraveling down with the director. He felt that his purpose must seemnakedly obvious now. The old man's eyes were twinkling amusedly. I guess you get off here,he said. I hope you catch up with your work soon, Roy. You reallyshould take some time off for relaxation each day. I'll try, sir. Walton stepped out of the tube and returned FitzMaugham's smile as thedoor closed again. Bitter thoughts assailed him as soon as he was alone. Some fine criminal you are. You've given the show away already! Anddamn that smooth paternal smile. FitzMaugham knows! He must know! Walton wavered, then abruptly made his decision. He sucked in a deepbreath and walked briskly toward the big room where the euthanasiafiles were kept. <doc-sep>Bob's nose twitched as he adjusted his glasses, which he wore eveninside his suit. He couldn't think of anything pertinent to say. Heknew that he was slowly working up a blush. Mildly speaking, thegirl was beautiful, and though only her carefully made-up face wasvisible—cool blue eyes, masterfully coiffed, upswept, glinting brownhair, wilful lips and chin—Bob suspected the rest of her comparednicely. Her expression darkened as she saw the completely instinctive way hewas looking at her and her radioed-voice rapped out, Now you two boysgo and play somewhere else! Else I'll let the Interplanetary Commissionknow you've infringed the law. G'bye! She turned and disappeared. Bob awoke from his trance, shouted desperately, Hey! Wait! You! He and Queazy caught up with her on the side of the asteroid theyhadn't yet examined. It was a rough plane, completing the rigidqualifications Burnside had set down. Wait a minute, Bob Parker begged nervously. I want to make someconversation, lady. I'm sure you don't understand the conditions— The girl turned and drew a gun from a holster. It was a spasticizer,and it was three times as big as her gloved hand. I understand conditions better than you do, she said. You wantto move this asteroid from its orbit and haul it back to Earth.Unfortunately, this is my home, by common law. Come back in a month. Idon't expect to be here then. A month! Parker burst the word out. He started to sweat, then hisface became grim. He took two slow steps toward the girl. She blinkedand lost her composure and unconsciously backed up two steps. Abouttwenty steps away was her small dumbbell-shaped ship, so shiny andunscarred that it reflected starlight in highlights from its curvedsurface. A rich girl's ship, Bob Parker thought angrily. A month wouldbe too late! He said grimly, Don't worry. I don't intend to pull any rough stuff.I just want you to listen to reason. You've taken a whim to stay onan asteroid that doesn't mean anything to you one way or another. Butto us—to me and Queazy here—it means our business. We got an orderfor this asteroid. Some screwball millionaire wants it for a backyardwedding see? We get five hundred and fifty thousand dollars for it!If we don't take this asteroid to Earth before June 2, we go back toSatterfield City and work the rest of our lives in the glass factories.Don't we, Queazy? Queazy said simply, That's right, miss. We're in a spot. I assure youwe didn't expect to find someone living here. The girl holstered her spasticizer, but her completely inhospitableexpression did not change. She put her hands on the bulging hips of herspace-suit. Okay, she said. Now I understand the conditions. Now weboth understand each other. G'bye again. I'm staying here and— shesmiled sweetly —it may interest you to know that if I let you havethe asteroid you'll save your business, but I'll meet a fate worse thandeath! So that's that. Bob recognized finality when he saw it. Come on, Queazy, he saidfuming. Let this brat have her way. But if I ever run across herwithout a space-suit on I'm going to give her the licking of her life,right where it'll do the most good! He turned angrily, but Queazy grabbed his arm, his mouth falling open.He pointed off into space, beyond the girl. What's that? he whispered. What's wha— Oh! Bob Parker's stomach caved in. A few hundred feet away, floatinggently toward the asteroid, came another ship—a ship a trifle biggerthan their own. The girl turned, too. They heard her gasp. In anothersecond, Bob was standing next to her. He turned the audio-switch to hisheadset off, and spoke to the girl by putting his helmet against hers. Listen to me, miss, he snapped earnestly, when she tried to drawaway. Don't talk by radio. That ship belongs to the Saylor brothers!Oh, Lord, that this should happen! Somewhere along the line, we've beendouble-crossed. Those boys are after this asteroid too, and they won'thesitate to pull any rough stuff. We're in this together, understand?We got to back each other up. The girl nodded dumbly. Suddenly she seemed to be frightened.It's—it's very important that this—this asteroid stay right where itis, she said huskily. What—what will they do? <doc-sep>Purnie worked his way down the hill, imploring them to save themselves.The sounds they made carried a new tone, a desperate foreboding ofdeath. Rhodes! Cabot! Can you hear me? I—I can't move, Captain. My leg, it's.... My God, we're going todrown! Look around you, Cabot. Can you see anyone moving? The men on the beach are nearly buried, Captain. And the rest of ushere in the water— Forbes. Can you see Forbes? Maybe he's— His sounds were cut off by awavelet gently rolling over his head. Purnie could wait no longer. The tides were all but covering one of theanimals, and soon the others would be in the same plight. Disregardingthe consequences, he ordered time to stop. Wading down into the surf, he worked a log off one victim, then hetugged the animal up to the sand. Through blinding tears, Purnie workedslowly and carefully. He knew there was no hurry—at least, not as faras his friends' safety was concerned. No matter what their conditionof life or death was at this moment, it would stay the same way untilhe started time again. He made his way deeper into the orange liquid,where a raised hand signalled the location of a submerged body. Thehand was clutching a large white banner that was tangled among thelogs. Purnie worked the animal free and pulled it ashore. It was the one who had been carrying the shiny object that spit smoke. Scarcely noticing his own injured leg, he ferried one victim afteranother until there were no more in the surf. Up on the beach, hestarted unraveling the logs that pinned down the animals caught there.He removed a log from the lap of one, who then remained in a sittingposition, his face contorted into a frozen mask of agony and shock.Another, with the weight removed, rolled over like an iron statue intoa new position. Purnie whimpered in black misery as he surveyed thechaotic scene before him. At last he could do no more; he felt consciousness slipping away fromhim. He instinctively knew that if he lost his senses during a period oftime-stopping, events would pick up where they had left off ... withouthim. For Purnie, this would be death. If he had to lose consciousness,he knew he must first resume time. Step by step he plodded up the little hill, pausing every now and thento consider if this were the moment to start time before it was toolate. With his energy fast draining away, he reached the top of theknoll, and he turned to look down once more on the group below. Then he knew how much his mind and body had suffered: when he orderedtime to resume, nothing happened. His heart sank. He wasn't afraid of death, and he knew that if he diedthe oceans would roll again and his friends would move about. But hewanted to see them safe. He tried to clear his mind for supreme effort. There was no urging time to start. He knew he couldn't persuade it by bits and pieces,first slowly then full ahead. Time either progressed or it didn't. Hehad to take one viewpoint or the other. Then, without knowing exactly when it happened, his mind tookcommand.... <doc-sep></s> [SEP] What are the Equalization Laws and how do they relate to the new world order depicted in MASTER of Life and Death?

In the year 2232, the Earth’s population of humans had maxed out at seven billion. This huge influx of people and steady population growth caused major poverty, starvation, and trade/supply issues. For these reasons and more, the Equalization Law was implemented in order to contain humanity and limit population growth. One such rule under this new world order was the Equalization Law where all newborn babies must be presented before they are two weeks old to be examined. If they do not have any congenital defects or carry any unwanted genes, they will be allowed to live. If not, they will be committed to euthanization, otherwise known as Happysleep. As well, several thousand members of the elderly population were euthanized, as they were already on death’s doorstep. Thousands of men were sterilized in order to prevent any insufficient offspring, and those that were ill or handicapped in some way were also euthanized. As for overcrowding, the Bureau of Population Equalization (Popeek) also relocates certain groups of people to more empty settings. For example, Roy Walton set up a relocation for several thousand people in Belgium to the empty areas of Patagonia.

What is the backdrop of the story MASTER of Life and Death? [SEP] <s>He stood then in the middle of the room, arms akimbo, his head swimmingwith glory—and remembered suddenly that he was hungry. He felt in thecontainer of his helmet, extracted a couple of food tablets, and poppedthem into his mouth. They would take care of his needs, but they didn't satisfy his hunger.No food tablets for him after this! Steaks, wines, souffles.... Hismouth began to water at the very thought. And then the robot rolled on soundless wheels into the room. Symewhirled and saw it only when it was almost upon him. The thing wasremarkably lifelike, and for a moment he was startled. But it was not alive. It was only a Martian feeding-machine, kept inrepair all these millennia by other robots. It was not intelligent,and so it did not know that its masters would never return. It did notknow, either, that Syme was not a Martian, or that he wanted a steak,and not the distilled liquor of the xopa fungus, which still grew inthe subterranean gardens of Kal-Jmar. It was capable only of receivingthe mental impulse of hunger, and of responding to that impulse. And so when Syme saw it and opened his mouth in startlement, therobot acted as it had done with its degenerate, slothful masters. Itsflexible feeding tube darted out and half down the man's gullet beforehe could move to avoid it. And down Syme Rector's throat poured a floodof xopa -juice, nectar to Martians, but swift, terrible death to humanbeings.... Outside, the last doorway to Kal-Jmar closed forever, across from thecold body of Tate. <doc-sep> THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes,and had changed its color from a dazzling blue through white to thenormal yellow, of a GO sun. That was the Doppler effect as the star'sradial velocity changed relative to the Quest III , as for forty hoursthe ship had decelerated. They had seen many such stars come near out of the galaxy's glitteringbackdrop, and had seen them dwindle, turn red and go out as the QuestIII drove on its way once more, lashed by despair toward the speed oflight, leaving behind the mockery of yet another solitary and lifelessluminary unaccompanied by worlds where men might dwell. They had grownsated with the sight of wonders—of multiple systems of giant stars, ofnebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, theycame and stood quietly gazing into the big vision screens that showedthe oncoming star, and there were wide-eyed children who had been bornin the ship and had never seen a planet. The grownups talked in lowvoices, in tones of mingled eagerness and apprehension, of what mightlie at the long journey's end. For the Quest III was coming home; thesun ahead was the Sun, whose rays had warmed their lives' beginning. <doc-sep> The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watchthe great changeless sweep of space. He could not quite explain thefeelings within him; they were so alien, so unnatural. But ever sincethe engines somewhere in the rear of the world had changed their tone,from the steady whining Rikud had heard all twenty-five years of hislife, to the sullen roar that came to his ears now, the feelings hadgrown. If anyone else had noticed the change, he failed to mention it. Thisdisturbed Rikud, although he could not tell why. And, because he hadrealized this odd difference in himself, he kept it locked up insidehim. Today, space looked somehow different. The stars—it was a meaninglessconcept to Rikud, but that was what everyone called the brightpinpoints of light on the black backdrop in the viewport—were notapparent in the speckled profusion Rikud had always known. Instead,there was more of the blackness, and one very bright star set apartby itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this wasodd. His head ached with the half-born thought. It was—it was—whatwas it? Someone was clomping up the companionway behind Rikud. He turned andgreeted gray-haired old Chuls. In five more years, the older man chided, you'll be ready to sirechildren. And all you can do in the meantime is gaze out at the stars. Rikud knew he should be exercising now, or bathing in the rays of thehealth-lamps. It had never occurred to him that he didn't feel like it;he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of thetime he would be thirty and a father. Whom would the Calculator selectas his mate? The first time this idea had occurred to him, Rikudignored it. But it came again, and each time it left him with a feelinghe could not explain. Why should he think thoughts that no other manhad? Why should he think he was thinking such thoughts, when it alwaysembroiled him in a hopeless, infinite confusion that left him with aheadache? Chuls said, It is time for my bath in the health-rays. I saw you hereand knew it was your time, too.... His voice trailed off. Rikud knew that something which he could notexplain had entered the elder man's head for a moment, but it haddeparted almost before Chuls knew of its existence. I'll go with you, Rikud told him. <doc-sep></s> [SEP] What is the backdrop of the story MASTER of Life and Death?

Master of Life and Death by Robert Silverberg takes place on Earth many years in the future, specifically June 10, 2232, or six weeks after the equalization laws were implemented. The story takes place within the confines of the Cullen building, specifically through the twentieth and twenty-ninth floors. It starts in Roy Walton’s office on the twenty-eighth floor, designed à la 22nd Century neo-Victorian style. Roy redesigned his office, changing the lights, windows, and removing the trim, but the room still felt ugly to him. His office has a desk with a firearm strapped to the bottom, and the door features a lock so as to prevent an assassination. He communicates with people through a holographic video call, and papers and assignments are sent to his desk immediately. Throughout the story, Roy travels down the elevator to the 20th floor, otherwise known as the Euthanization Clinic. There is a receptionist there as well as several computers. Different offices house different doctors, but he makes his to the center for babies where the executioner works. The rooms are very sterile and hospital-like. Each baby had its own pen, and several doctors examined them all while parents watched from screens.

What role does Fred Walton play in the story MASTER of Life and Death? [SEP] <s>Five doctors were bustling back and forth as Walton entered the mainsection of the clinic. There must have been a hundred babies there,each in a little pen of its own, and the doctors were humming from oneto the next, while anxious parents watched from screens above. The Equalization Law provided that every child be presented at itslocal clinic within two weeks of birth, for an examination and acertificate. Perhaps one in ten thousand would be denied acertificate ... and life. Hello, Mr. Walton. What brings you down here? Walton smiled affably. Just a routine investigation, Doctor. I try tokeep in touch with every department we have, you know. Mr. FitzMaugham was down here to look around a little while ago. We'rereally getting a going-over today, Mr. Walton! Umm. Yes. Walton didn't like that, but there was nothing he coulddo about it. He'd have to rely on the old man's abiding faith in hisprotégé to pull him out of any possible stickiness that arose. Seen my brother around? he asked. Fred? He's working in room seven, running analyses. Want me to get himfor you, Mr. Walton? No—no, don't bother him, thanks. I'll find him later. Inwardly,Walton felt relieved. Fred Walton, his younger brother, was a doctor inthe employ of Popeek. Little love was lost between the brothers, andRoy did not care to have Fred know he was down there. Strolling casually through the clinic, he peered at a few plump,squalling babies, and said, Find many sour ones today? Seven so far. They're scheduled for the 1100 chamber. Three tuberc,two blind, one congenital syph. That only makes six, Walton said. Oh, and a spastic, the doctor said. Biggest haul we've had yet.Seven in one morning. Have any trouble with the parents? What do you think? the doctor asked. But some of them seemed tounderstand. One of the tuberculars nearly raised the roof, though. Walton shuddered. You remember his name? he asked, with feigned calm. Silence for a moment. No. Darned if I can think of it. I can look itup for you if you like. Don't bother, Walton said hurriedly. He moved on, down the winding corridor that led to the executionchamber. Falbrough, the executioner, was studying a list of names athis desk when Walton appeared. Falbrough didn't look like the sort of man who would enjoy his work. Hewas short and plump, with a high-domed bald head and glittering contactlenses in his weak blue eyes. Morning, Mr. Walton. Good morning, Doctor Falbrough. You'll be operating soon, won't you? Eleven hundred, as usual. Good. There's a new regulation in effect from now on, Walton said.To keep public opinion on our side. Sir? Henceforth, until further notice, you're to check each baby thatcomes to you against the main file, just to make sure there's been nomistake. Got that? Mistake? But how— Never mind that, Falbrough. There was quite a tragic slip-up at oneof the European centers yesterday. We may all hang for it if news getsout. How glibly I reel this stuff off , Walton thought in amazement. Falbrough looked grave. I see, sir. Of course. We'll double-checkeverything from now on. Good. Begin with the 1100 batch. Walton couldn't bear to remain down in the clinic any longer. He leftvia a side exit, and signaled for a lift tube. Minutes later he was back in his office, behind the security of atowering stack of work. His pulse was racing; his throat was dry. Heremembered what FitzMaugham had said: Once we make even one exception,the whole framework crumbles. Well, the framework had begun crumbling, then. And there was littledoubt in Walton's mind that FitzMaugham knew or would soon know what hehad done. He would have to cover his traces, somehow. The annunciator chimed and said, Dr. Falbrough of Happysleep callingyou, sir. Put him on. The screen lit and Falbrough's face appeared; its normal blandness hadgiven way to wild-eyed tenseness. What is it, Doctor? It's a good thing you issued that order when you did, sir! You'llnever guess what just happened— No guessing games, Falbrough. Speak up. I—well, sir, I ran checks on the seven babies they sent me thismorning. And guess—I mean—well, one of them shouldn't have been sentto me! No! It's the truth, sir. A cute little baby indeed. I've got his cardright here. The boy's name is Philip Prior, and his gene-pattern isfine. Any recommendation for euthanasia on the card? Walton asked. No, sir. Walton chewed at a ragged cuticle for a moment, counterfeiting greatanxiety. Falbrough, we're going to have to keep this very quiet.Someone slipped up in the examining room, and if word gets out thatthere's been as much as one mistake, we'll have a mob swarming over usin half an hour. Yes, sir. Falbrough looked terribly grave. What should I do, sir? Don't say a word about this to anyone , not even the men in theexamining room. Fill out a certificate for the boy, find his parents,apologize and return him to them. And make sure you keep checking forany future cases of this sort. Certainly, sir. Is that all? It is, Walton said crisply, and broke the contact. He took a deepbreath and stared bleakly at the far wall. The Prior boy was safe. And in the eyes of the law—the EqualizationLaw—Roy Walton was now a criminal. He was every bit as much a criminalas the man who tried to hide his dying father from the investigators,or the anxious parents who attempted to bribe an examining doctor. He felt curiously dirty. And, now that he had betrayed FitzMaugham andthe Cause, now that it was done, he had little idea why he had doneit, why he had jeopardized the Popeek program, his position—his life,even—for the sake of one potentially tubercular baby. Well, the thing was done. No. Not quite. Later, when things had quieted down, he would have tofinish the job by transferring all the men in the clinic to distantplaces and by obliterating the computer's memories of this morning'sactivities. The annunciator chimed again. Your brother is on the wire, sir. Walton trembled imperceptibly as he said, Put him on. Somehow, Frednever called unless he could say or do something unpleasant. AndWalton was very much afraid that his brother meant no good by thiscall. No good at all. III Roy Walton watched his brother's head and shoulders take form out ofthe swirl of colors on the screen. Fred Walton was more compact, builtcloser to the ground than his rangy brother; he was a squat five-seven,next to Roy's lean six-two. Fred had always threatened to get evenwith his older brother as soon as they were the same size, but toFred's great dismay he had never managed to catch up with Roy in height. Even on the screen, Fred's neck and shoulders gave an impression oftremendous solidity and force. Walton waited for his brother's image totake shape, and when the time lag was over he said, Well, Fred? Whatgoes? His brother's eyes flickered sleepily. They tell me you were down herea little while ago, Roy. How come I didn't rate a visit? I wasn't in your section. It was official business, anyway. I didn'thave time. Walton fixed his eyes sharply on the caduceus emblem gleaming on Fred'slapel, and refused to look anywhere else. Fred said slowly, You had time to tinker with our computer, though. Official business! Really, Roy? His brother's tone was venomous. I happened tobe using the computer shortly after you this morning. I wascurious—unpardonably so, dear brother. I requested a transcript ofyour conversation with the machine. Sparks seemed to flow from the screen. Walton sat back, feeling numb.He managed to pull his sagging mouth back into a stiff hard line andsay, That's a criminal offense, Fred. Any use I make of a Popeekcomputer outlet is confidential. Criminal offence? Maybe so ... but that makes two of us, then. Eh,Roy? How much do you know? You wouldn't want me to recite it over a public communications system,would you? Your friend FitzMaugham might be listening to every word ofthis, and I have too much fraternal feeling for that. Ole Doc Waltondoesn't want to get his bigwig big brother in trouble—oh, no! Thanks for small blessings, Roy said acidly. You got me this job. You can take it away. Let's call it even for now,shall we? Anything you like, Walton said. He was drenched in sweat, thoughthe ingenious executive filter in the sending apparatus of the screencloaked that fact and presented him as neat and fresh. I have somework to do now. His voice was barely audible. I won't keep you any longer, then, Fred said. The screen went dead. Walton killed the contact at his end, got up, walked to the window. Henudged the opaquer control and the frosty white haze over the glasscleared away, revealing the fantastic beehive of the city outside. Idiot! he thought. Fool! He had risked everything to save one baby, one child probably doomedto an early death anyway. And FitzMaugham knew—the old man could seethrough Walton with ease—and Fred knew, too. His brother, and hisfather-substitute. FitzMaugham might well choose to conceal Roy's defection this time,but would surely place less trust in him in the future. And as forFred.... There was no telling what Fred might do. They had never beenparticularly close as brothers; they had lived with their parents (nowalmost totally forgotten) until Roy was nine and Fred seven. Theirparents had gone down off Maracaibo in a jet crash; Roy and Fred hadbeen sent to the public crèche. After that it had been separate paths for the brothers. For Roy, aneducation in the law, a short spell as Senator FitzMaugham's privatesecretary, followed last month by his sudden elevation to assistantadministrator of the newly-created Popeek Bureau. For Fred, medicine,unsuccessful private practice, finally a job in the Happysleep sectionof Popeek, thanks to Roy. <doc-sep> MASTER of Life and Death by ROBERT SILVERBERG ACE BOOKS A Division of A. A. Wyn, Inc. 23 West 47th Street, New York 36, N. Y. MASTER OF LIFE AND DEATH Copyright 1957, by A. A. Wyn, Inc. All Rights Reserved For Antigone— Who Thinks We're Property Printed in U.S.A. [Transcriber's Note: Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] THE MAN WHO RATIONED BABIES By the 23rd century Earth's population had reached seven billion.Mankind was in danger of perishing for lack of elbow room—unlessprompt measures were taken. Roy Walton had the power to enforce thosemeasures. But though his job was in the service of humanity, he soonfound himself the most hated man in the world. For it was his job to tell parents their children were unfit to live; he had to uproot people from their homes and send them to remoteareas of the world. Now, threatened by mobs of outraged citizens,denounced and blackened by the press, Roy Walton had to make adecision: resign his post, or use his power to destroy his enemies,become a dictator in the hopes of saving humanity from its own folly.In other words, should he become the MASTER OF LIFE AND DEATH? CAST OF CHARACTERS ROY WALTON He had to adopt the motto— the ends justify the means . FITZMAUGHAM His reward for devoted service was—an assassin's bullet. FRED WALTON His ambition was to fill his brother's shoes—but he underestimatedtheir size. LEE PERCY His specialty was sugarcoating bitter pills. PRIOR With the pen as his only weapon, could he save his son? DR. LAMARRE He died for discovering the secret of immortality. Contents I The offices of the Bureau of Population Equalization, vulgarly knownas Popeek, were located on the twentieth through twenty-ninth floorsof the Cullen Building, a hundred-story monstrosity typical oftwenty-second-century neo-Victorian at its overdecorated worst. RoyWalton, Popeek's assistant administrator, had to apologize to himselfeach morning as he entered the hideous place. Since taking the job, he had managed to redecorate his own office—onthe twenty-eighth floor, immediately below Director FitzMaugham's—butthat had created only one minor oasis in the esthetically repugnantbuilding. It couldn't be helped, though; Popeek was unpopular, thoughnecessary; and, like the public hangman of some centuries earlier, theBureau did not rate attractive quarters. So Walton had removed some of the iridescent chrome scalloping thattrimmed the walls, replaced the sash windows with opaquers, and changedthe massive ceiling fixture to more subtle electroluminescents. But themark of the last century was stamped irrevocably on both building andoffice. Which was as it should be, Walton had finally realized. It was the lastcentury's foolishness that had made Popeek necessary, after all. His desk was piled high with reports, and more kept arriving viapneumochute every minute. The job of assistant administrator wasa thankless one, he thought; as much responsibility as DirectorFitzMaugham, and half the pay. He lifted a report from one eyebrow-high stack, smoothed the crinklypaper carefully, and read it. It was a despatch from Horrocks, the Popeek agent currently on duty inPatagonia. It was dated 4 June 2232 , six days before, and after along and rambling prologue in the usual Horrocks manner it went on tosay, Population density remains low here: 17.3 per square mile, farbelow optimum. Looks like a prime candidate for equalization. Walton agreed. He reached for his voicewrite and said sharply, Memofrom Assistant Administrator Walton, re equalization of ... He paused,picking a trouble-spot at random, ... central Belgium. Will thesection chief in charge of this area please consider the advisabilityof transferring population excess to fertile areas in Patagonia?Recommendation: establishment of industries in latter region, to easetransition. He shut his eyes, dug his thumbs into them until bright flares of lightshot across his eyeballs, and refused to let himself be bothered bythe multiple problems involved in dumping several hundred thousandBelgians into Patagonia. He forced himself to cling to one of DirectorFitzMaugham's oft-repeated maxims, If you want to stay sane, think ofthese people as pawns in a chess game—not as human beings. Walton sighed. This was the biggest chess problem in the history ofhumanity, and the way it looked now, all the solutions led to checkmatein a century or less. They could keep equalizing population only solong, shifting like loggers riding logs in a rushing river, beforetrouble came. There was another matter to be attended to now. He picked up thevoicewrite again. Memo from the assistant administrator, reestablishment of new policy on reports from local agents: hire a staffof three clever girls to make a précis of each report, eliminatingirrelevant data. It was a basic step, one that should have been taken long ago. Now,with three feet of reports stacked on his desk, it was mandatory. Oneof the troubles with Popeek was its newness; it had been established sosuddenly that most of its procedures were still in the formative stage. He took another report from the heap. This one was the data sheet ofthe Zurich Euthanasia Center, and he gave it a cursory scanning. Duringthe past week, eleven substandard children and twenty-three substandardadults had been sent on to Happysleep. That was the grimmest form of population equalization. Walton initialedthe report, earmarked it for files, and dumped it in the pneumochute. The annunciator chimed. I'm busy, Walton said immediately. There's a Mr. Prior to see you, the annunciator's calm voice said.He insists it's an emergency. Tell Mr. Prior I can't see anyone for at least three hours. Waltonstared gloomily at the growing pile of paper on his desk. Tell him hecan have ten minutes with me at—oh, say, 1300. Walton heard an angry male voice muttering something in the outeroffice, and then the annunciator said, He insists he must see youimmediately in reference to a Happysleep commitment. Commitments are irrevocable, Walton said heavily. The last thing inthe world he wanted was to see a man whose child or parent had justbeen committed. Tell Mr. Prior I can't see him at all. Walton found his fingers trembling; he clamped them tight to the edgeof his desk to steady himself. It was all right sitting up here in thisugly building and initialing commitment papers, but actually to see one of those people and try to convince him of the need— The door burst open. A tall, dark-haired man in an open jacket came rushing through andpaused dramatically just over the threshold. Immediately behind himcame three unsmiling men in the gray silk-sheen uniforms of security.They carried drawn needlers. Are you Administrator Walton? the big man asked, in an astonishinglydeep, rich voice. I have to see you. I'm Lyle Prior. The three security men caught up and swarmed all over Prior. One ofthem turned apologetically to Walton. We're terribly sorry about this,sir. He just broke away and ran. We can't understand how he got inhere, but he did. Ah—yes. So I noticed, Walton remarked drily. See if he's planningto assassinate anybody, will you? Administrator Walton! Prior protested. I'm a man of peace! How canyou accuse me of— One of the security men hit him. Walton stiffened and resisted the urgeto reprimand the man. He was only doing his job, after all. Search him, Walton said. They gave Prior an efficient going-over. He's clean, Mr. Walton.Should we take him to security, or downstairs to health? Neither. Leave him here with me. Are you sure you— Get out of here, Walton snapped. As the three security men slinkedaway, he added, And figure out some more efficient system forprotecting me. Some day an assassin is going to sneak through hereand get me. Not that I give a damn about myself, you understand; it'ssimply that I'm indispensable. There isn't another lunatic in the worldwho'd take this job. Now get out ! They wasted no time in leaving. Walton waited until the door closedand jammed down hard on the lockstud. His tirade, he knew, was whollyunjustified; if he had remembered to lock his door as regulationsprescribed, Prior would never have broken in. But he couldn't admitthat to the guards. Take a seat, Mr. Prior. I have to thank you for granting me this audience, Prior said,without a hint of sarcasm in his booming voice. I realize you're aterribly busy man. I am. Another three inches of paper had deposited itself on Walton'sdesk since Prior had entered. You're very lucky to have hit thepsychological moment for your entrance. At any other time I'd havehad you brigged for a month, but just now I'm in need of a littlediversion. Besides, I very much admire your work, Mr. Prior. Thank you. Again that humility, startling in so big and commanding aman. I hadn't expected to find—I mean that you— That a bureaucrat should admire poetry? Is that what you're gropingfor? Prior reddened. Yes, he admitted. Grinning, Walton said, I have to do something when I go home atnight. I don't really read Popeek reports twenty-four hours a day. Nomore than twenty; that's my rule. I thought your last book was quiteremarkable. The critics didn't, Prior said diffidently. Critics! What do they know? Walton demanded. They swing in cycles.Ten years ago it was form and technique, and you got the Melling Prize.Now it's message, political content that counts. That's not poetry, Mr.Prior—and there are still a few of us who recognize what poetry is.Take Yeats, for instance— Walton was ready to launch into a discussion of every poet from Priorback to Surrey and Wyatt; anything to keep from the job at hand,anything to keep his mind from Popeek. But Prior interrupted him. Mr. Walton.... Yes? My son Philip ... he's two weeks old now.... Walton understood. No, Prior. Please don't ask. Walton's skin feltcold; his hands, tightly clenched, were clammy. He was committed to Happysleep this morning—potentially tubercular.The boy's perfectly sound, Mr. Walton. Couldn't you— Walton rose. No , he said, half-commanding, half-pleading. Don'task me to do it. I can't make any exceptions, not even for you. You'rean intelligent man; you understand our program. I voted for Popeek. I know all about Weeding the Garden and theEuthanasia Plan. But I hadn't expected— You thought euthanasia was a fine thing for other people. So dideveryone else, Walton said. That's how the act was passed. Tenderlyhe said, I can't do it. I can't spare your son. Our doctors give ababy every chance to live. I was tubercular. They cured me. What if they had practicedeuthanasia a generation ago? Where would my poems be now? It was an unanswerable question; Walton tried to ignore it.Tuberculosis is an extremely rare disease, Mr. Prior. We can wipeit out completely if we strike at those with TB-susceptible genetictraits. Meaning you'll kill any children I have? Prior asked. Those who inherit your condition, Walton said gently. Go home, Mr.Prior. Burn me in effigy. Write a poem about me. But don't ask me to dothe impossible. I can't catch any falling stars for you. Prior rose. He was immense, a hulking tragic figure staring broodinglyat Walton. For the first time since the poet's abrupt entry, Waltonfeared violence. His fingers groped for the needle gun he kept in hisupper left desk drawer. But Prior had no violence in him. I'll leave you, he said somberly.I'm sorry, sir. Deeply sorry. For both of us. Walton pressed the doorlock to let him out, then locked it again andslipped heavily into his chair. Three more reports slid out of thechute and landed on his desk. He stared at them as if they were threebasilisks. In the six weeks of Popeek's existence, three thousand babies had beenticketed for Happysleep, and three thousand sets of degenerate geneshad been wiped from the race. Ten thousand subnormal males had beensterilized. Eight thousand dying oldsters had reached their gravesahead of time. It was a tough-minded program. But why transmit palsy to unborngenerations? Why let an adult idiot litter the world with subnormalprogeny? Why force a man hopelessly cancerous to linger on in pain,consuming precious food? Unpleasant? Sure. But the world had voted for it. Until Lang and histeam succeeded in terraforming Venus, or until the faster-than-lightoutfit opened the stars to mankind, something had to be done aboutEarth's overpopulation. There were seven billion now and the figure wasstill growing. Prior's words haunted him. I was tubercular ... where would my poemsbe now? The big humble man was one of the great poets. Keats had beentubercular too. What good are poets? he asked himself savagely. The reply came swiftly: What good is anything, then? Keats,Shakespeare, Eliot, Yeats, Donne, Pound, Matthews ... and Prior. Howmuch duller life would be without them, Walton thought, picturinghis bookshelf—his one bookshelf, in his crowded little cubicle of aone-room home. Sweat poured down his back as he groped toward his decision. The step he was considering would disqualify him from his job if headmitted it, though he wouldn't do that. Under the Equalization Law, itwould be a criminal act. But just one baby wouldn't matter. Just one. Prior's baby. With nervous fingers he switched on the annunciator and said, If thereare any calls for me, take the message. I'll be out of my office forthe next half-hour. II He stepped out of the office, glancing around furtively. The outeroffice was busy: half a dozen girls were answering calls, openingletters, coordinating activities. Walton slipped quickly past them intothe hallway. There was a knot of fear in his stomach as he turned toward thelift tube. Six weeks of pressure, six weeks of tension since Popeekwas organized and old man FitzMaugham had tapped him for thesecond-in-command post ... and now, a rebellion. The sparing of asingle child was a small rebellion, true, but he knew he was strikingas effectively at the base of Popeek this way as if he had broughtabout repeal of the entire Equalization Law. Well, just one lapse, he promised himself. I'll spare Prior's child,and after that I'll keep within the law. He jabbed the lift tube indicator and the tube rose in its shaft. Theclinic was on the twentieth floor. Roy. At the sound of the quiet voice behind him, Walton jumped in surprise.He steadied himself, forcing himself to turn slowly. The director stoodthere. Good morning, Mr. FitzMaugham. The old man was smiling serenely, his unlined face warm and friendly,his mop of white hair bright and full. You look preoccupied, boy.Something the matter? Walton shook his head quickly. Just a little tired, sir. There's beena lot of work lately. As he said it, he knew how foolish it sounded. If anyone in Popeekworked harder than he did, it was the elderly director. FitzMaughamhad striven for equalization legislature for fifty years, and now, atthe age of eighty, he put in a sixteen-hour day at the task of savingmankind from itself. The director smiled. You never did learn how to budget your strength,Roy. You'll be a worn-out wreck before you're half my age. I'm gladyou're adopting my habit of taking a coffee break in the morning,though. Mind if I join you? I'm—not taking a break, sir. I have some work to do downstairs. Oh? Can't you take care of it by phone? No, Mr. FitzMaugham. Walton felt as though he'd already been tried,drawn, and quartered. It requires personal attention. I see. The deep, warm eyes bored into his. You ought to slow down alittle, I think. Yes, sir. As soon as the work eases up a little. FitzMaugham chuckled. In another century or two, you mean. I'm afraidyou'll never learn how to relax, my boy. The lift tube arrived. Walton stepped to one side, allowed the Directorto enter, and got in himself. FitzMaugham pushed Fourteen ; there wasa coffee shop down there. Hesitantly, Walton pushed twenty , coveringthe panel with his arm so the old man would be unable to see hisdestination. As the tube began to descend, FitzMaugham said, Did Mr. Prior come tosee you this morning? Yes, Walton said. He's the poet, isn't he? The one you say is so good? That's right, sir, Walton said tightly. He came to see me first, but I had him referred down to you. What wason his mind? Walton hesitated. He—he wanted his son spared from Happysleep.Naturally, I had to turn him down. Naturally, FitzMaugham agreed solemnly. Once we make even oneexception, the whole framework crumbles. Of course, sir. The lift tube halted and rocked on its suspension. The door slid back,revealing a neat, gleaming sign: FLOOR 20 Euthanasia Clinic and Files Walton had forgotten the accursed sign. He began to wish he had avoidedtraveling down with the director. He felt that his purpose must seemnakedly obvious now. The old man's eyes were twinkling amusedly. I guess you get off here,he said. I hope you catch up with your work soon, Roy. You reallyshould take some time off for relaxation each day. I'll try, sir. Walton stepped out of the tube and returned FitzMaugham's smile as thedoor closed again. Bitter thoughts assailed him as soon as he was alone. Some fine criminal you are. You've given the show away already! Anddamn that smooth paternal smile. FitzMaugham knows! He must know! Walton wavered, then abruptly made his decision. He sucked in a deepbreath and walked briskly toward the big room where the euthanasiafiles were kept. <doc-sep>Most of the cousins gasped as the truth began to percolate through. I knew from the very beginning, Conrad finished, that I didn'thave to do anything at all. I just had to wait and you would destroyyourselves. I don't understand, Bartholomew protested, searching the faces of thecousins closest to him. What does he mean, we have never existed?We're here, aren't we? What— Shut up! Raymond snapped. He turned on Martin. You don't seemsurprised. The old man grinned. I'm not. I figured it all out years ago. At first, he had wondered what he should do. Would it be better tothrow them into a futile panic by telling them or to do nothing? Hehad decided on the latter; that was the role they had assigned him—towatch and wait and keep out of things—and that was the role he wouldplay. You knew all the time and you didn't tell us! Raymond spluttered.After we'd been so good to you, making a gentleman out of you insteadof a criminal.... That's right, he snarled, a criminal! An alcoholic,a thief, a derelict! How do you like that? Sounds like a rich, full life, Martin said wistfully. What an exciting existence they must have done him out of! But then, hecouldn't help thinking, he—he and Conrad together, of course—had donethem out of any kind of existence. It wasn't his responsibility,though; he had done nothing but let matters take whatever course wasdestined for them. If only he could be sure that it was the bettercourse, perhaps he wouldn't feel that nagging sense of guilt insidehim. Strange—where, in his hermetic life, could he possibly havedeveloped such a queer thing as a conscience? Then we've wasted all this time, Ninian sobbed, all this energy, allthis money, for nothing! But you were nothing to begin with, Martin told them. And then,after a pause, he added, I only wish I could be sure there had beensome purpose to this. He didn't know whether it was approaching death that dimmed his sight,or whether the frightened crowd that pressed around him was growingshadowy. I wish I could feel that some good had been done in letting you bewiped out of existence, he went on voicing his thoughts. But I knowthat the same thing that happened to your worlds and my world willhappen all over again. To other people, in other times, but again. It'sbound to happen. There isn't any hope for humanity. One man couldn't really change the course of human history, he toldhimself. Two men, that was—one real, one a shadow. Conrad came close to the old man's bed. He was almost transparent. No, he said, there is hope. They didn't know the time transmitterworks two ways. I used it for going into the past only once—just thisonce. But I've gone into the future with it many times. And— hepressed Martin's hand—believe me, what I did—what we did, you andI—serves a purpose. It will change things for the better. Everythingis going to be all right. <doc-sep></s> [SEP] What role does Fred Walton play in the story MASTER of Life and Death?

Fred Walton is the brother of Roy Walton, Assistant Administrator of the Bureau of Population Equalization. Fred Walton is a physician with a vaguely unsuccessful career history: medical school, a failed private practice, and finally becoming a doctor in the euthanizing section of Bureau of Population Equalization (or Popeek) thanks to his brother. Their childhood was tense and difficult. They were orphaned at 7 and 9 respectively when their parents died in a jet crash. Fred Walton and Roy have a very contentious relationship now, shown through Roy’s hindrance to visiting his brother when in his section of the building. Fred Walton is significant because he discovered what Roy Walton had done after breaking into the office computers and looking up confidential information. He uses his knowledge of Roy’s felony and leverages it over his head. Essentially, he offers an ultimatum: Fred will keep quiet, so long as Roy does too. Plus, Roy now owes Fred.

What is the story of MASTER of Life and Death and how does it involve Philip Prior? [SEP] <s>The room was large, as rooms went nowadays—thirty by twenty, with deckupon deck of Donnerson micro-memory-tubes racked along one wall and abank of microfilm records along the other. In six weeks of life Popeekhad piled up an impressive collection of data. While he stood there, the computer chattered, lights flashed. New factspoured into the memory banks. It probably went on day and night. Can I help—oh, it's you, Mr. Walton, a white-smocked techniciansaid. Popeek employed a small army of technicians, each one facelessand without personality, but always ready to serve. Is there anythingI can do? I'm simply running a routine checkup. Mind if I use the machine? Not at all, sir. Go right ahead. Walton grinned lightly and stepped forward. The technician practicallybacked out of his presence. No doubt I must radiate charisma , he thought. Within the building hewore a sort of luminous halo, by virtue of being Director FitzMaugham'sprotégé and second-in-command. Outside, in the colder reality of thecrowded metropolis, he kept his identity and Popeek rank quietly tohimself. Frowning, he tried to remember the Prior boy's name. Ah ... Philip,wasn't it? He punched out a request for the card on Philip Prior. A moment's pause followed, while the millions of tiny cryotroniccircuits raced with information pulses, searching the Donnersontubes for Philip Prior's record. Then, a brief squeaking sound and ayellow-brown card dropped out of the slot: 3216847AB1 PRIOR, Philip Hugh. Born 31 May 2232, New York General Hospital, NewYork. First son of Prior, Lyle Martin and Prior, Ava Leonard. Wgt. atbirth 5lb. 3oz. An elaborate description of the boy in great detail followed, endingwith blood type, agglutinating characteristic, and gene-pattern,codified. Walton skipped impatiently through that and came to thenotification typed in curt, impersonal green capital letters at thebottom of the card: EXAMINED AT N Y EUTH CLINIC 10 JUNE 2332 EUTHANASIA RECOMMENDED He glanced at his watch: the time was 1026. The boy was probably stillsomewhere in the clinic lab, waiting for the figurative axe to descend. Walton had set up the schedule himself: the gas chamber deliveredHappysleep each day at 1100 and 1500. He had about half an hour to savePhilip Prior. He peered covertly over his shoulder; no one was in sight. He slippedthe baby's card into his breast pocket. That done, he typed out a requisition for explanation of thegene-sorting code the clinic used. Symbols began pouring forth,and Walton puzzledly correlated them with the line of gibberish onPhillip Prior's record card. Finally he found the one he wanted: 3f2,tubercular-prone . He scrapped the guide sheet he had and typed out a message to themachine. Revision of card number 3216847AB1 follows. Please alter inall circuits. He proceeded to retype the child's card, omitting both the fatal symbol 3f2 and the notation recommending euthanasia from the new version.The machine beeped an acknowledgement. Walton smiled. So far, so good. Then, he requested the boy's file all over again. After the customarypause, a card numbered 3216847AB1 dropped out of the slot. He read it. The deletions had been made. As far as the machine was concerned,Philip Prior was a normal, healthy baby. He glanced at his watch. 1037. Still twenty-three minutes before thismorning's haul of unfortunates was put away. Now came the real test: could he pry the baby away from the doctorswithout attracting too much attention to himself in the process? <doc-sep> MASTER of Life and Death by ROBERT SILVERBERG ACE BOOKS A Division of A. A. Wyn, Inc. 23 West 47th Street, New York 36, N. Y. MASTER OF LIFE AND DEATH Copyright 1957, by A. A. Wyn, Inc. All Rights Reserved For Antigone— Who Thinks We're Property Printed in U.S.A. [Transcriber's Note: Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] THE MAN WHO RATIONED BABIES By the 23rd century Earth's population had reached seven billion.Mankind was in danger of perishing for lack of elbow room—unlessprompt measures were taken. Roy Walton had the power to enforce thosemeasures. But though his job was in the service of humanity, he soonfound himself the most hated man in the world. For it was his job to tell parents their children were unfit to live; he had to uproot people from their homes and send them to remoteareas of the world. Now, threatened by mobs of outraged citizens,denounced and blackened by the press, Roy Walton had to make adecision: resign his post, or use his power to destroy his enemies,become a dictator in the hopes of saving humanity from its own folly.In other words, should he become the MASTER OF LIFE AND DEATH? CAST OF CHARACTERS ROY WALTON He had to adopt the motto— the ends justify the means . FITZMAUGHAM His reward for devoted service was—an assassin's bullet. FRED WALTON His ambition was to fill his brother's shoes—but he underestimatedtheir size. LEE PERCY His specialty was sugarcoating bitter pills. PRIOR With the pen as his only weapon, could he save his son? DR. LAMARRE He died for discovering the secret of immortality. Contents I The offices of the Bureau of Population Equalization, vulgarly knownas Popeek, were located on the twentieth through twenty-ninth floorsof the Cullen Building, a hundred-story monstrosity typical oftwenty-second-century neo-Victorian at its overdecorated worst. RoyWalton, Popeek's assistant administrator, had to apologize to himselfeach morning as he entered the hideous place. Since taking the job, he had managed to redecorate his own office—onthe twenty-eighth floor, immediately below Director FitzMaugham's—butthat had created only one minor oasis in the esthetically repugnantbuilding. It couldn't be helped, though; Popeek was unpopular, thoughnecessary; and, like the public hangman of some centuries earlier, theBureau did not rate attractive quarters. So Walton had removed some of the iridescent chrome scalloping thattrimmed the walls, replaced the sash windows with opaquers, and changedthe massive ceiling fixture to more subtle electroluminescents. But themark of the last century was stamped irrevocably on both building andoffice. Which was as it should be, Walton had finally realized. It was the lastcentury's foolishness that had made Popeek necessary, after all. His desk was piled high with reports, and more kept arriving viapneumochute every minute. The job of assistant administrator wasa thankless one, he thought; as much responsibility as DirectorFitzMaugham, and half the pay. He lifted a report from one eyebrow-high stack, smoothed the crinklypaper carefully, and read it. It was a despatch from Horrocks, the Popeek agent currently on duty inPatagonia. It was dated 4 June 2232 , six days before, and after along and rambling prologue in the usual Horrocks manner it went on tosay, Population density remains low here: 17.3 per square mile, farbelow optimum. Looks like a prime candidate for equalization. Walton agreed. He reached for his voicewrite and said sharply, Memofrom Assistant Administrator Walton, re equalization of ... He paused,picking a trouble-spot at random, ... central Belgium. Will thesection chief in charge of this area please consider the advisabilityof transferring population excess to fertile areas in Patagonia?Recommendation: establishment of industries in latter region, to easetransition. He shut his eyes, dug his thumbs into them until bright flares of lightshot across his eyeballs, and refused to let himself be bothered bythe multiple problems involved in dumping several hundred thousandBelgians into Patagonia. He forced himself to cling to one of DirectorFitzMaugham's oft-repeated maxims, If you want to stay sane, think ofthese people as pawns in a chess game—not as human beings. Walton sighed. This was the biggest chess problem in the history ofhumanity, and the way it looked now, all the solutions led to checkmatein a century or less. They could keep equalizing population only solong, shifting like loggers riding logs in a rushing river, beforetrouble came. There was another matter to be attended to now. He picked up thevoicewrite again. Memo from the assistant administrator, reestablishment of new policy on reports from local agents: hire a staffof three clever girls to make a précis of each report, eliminatingirrelevant data. It was a basic step, one that should have been taken long ago. Now,with three feet of reports stacked on his desk, it was mandatory. Oneof the troubles with Popeek was its newness; it had been established sosuddenly that most of its procedures were still in the formative stage. He took another report from the heap. This one was the data sheet ofthe Zurich Euthanasia Center, and he gave it a cursory scanning. Duringthe past week, eleven substandard children and twenty-three substandardadults had been sent on to Happysleep. That was the grimmest form of population equalization. Walton initialedthe report, earmarked it for files, and dumped it in the pneumochute. The annunciator chimed. I'm busy, Walton said immediately. There's a Mr. Prior to see you, the annunciator's calm voice said.He insists it's an emergency. Tell Mr. Prior I can't see anyone for at least three hours. Waltonstared gloomily at the growing pile of paper on his desk. Tell him hecan have ten minutes with me at—oh, say, 1300. Walton heard an angry male voice muttering something in the outeroffice, and then the annunciator said, He insists he must see youimmediately in reference to a Happysleep commitment. Commitments are irrevocable, Walton said heavily. The last thing inthe world he wanted was to see a man whose child or parent had justbeen committed. Tell Mr. Prior I can't see him at all. Walton found his fingers trembling; he clamped them tight to the edgeof his desk to steady himself. It was all right sitting up here in thisugly building and initialing commitment papers, but actually to see one of those people and try to convince him of the need— The door burst open. A tall, dark-haired man in an open jacket came rushing through andpaused dramatically just over the threshold. Immediately behind himcame three unsmiling men in the gray silk-sheen uniforms of security.They carried drawn needlers. Are you Administrator Walton? the big man asked, in an astonishinglydeep, rich voice. I have to see you. I'm Lyle Prior. The three security men caught up and swarmed all over Prior. One ofthem turned apologetically to Walton. We're terribly sorry about this,sir. He just broke away and ran. We can't understand how he got inhere, but he did. Ah—yes. So I noticed, Walton remarked drily. See if he's planningto assassinate anybody, will you? Administrator Walton! Prior protested. I'm a man of peace! How canyou accuse me of— One of the security men hit him. Walton stiffened and resisted the urgeto reprimand the man. He was only doing his job, after all. Search him, Walton said. They gave Prior an efficient going-over. He's clean, Mr. Walton.Should we take him to security, or downstairs to health? Neither. Leave him here with me. Are you sure you— Get out of here, Walton snapped. As the three security men slinkedaway, he added, And figure out some more efficient system forprotecting me. Some day an assassin is going to sneak through hereand get me. Not that I give a damn about myself, you understand; it'ssimply that I'm indispensable. There isn't another lunatic in the worldwho'd take this job. Now get out ! They wasted no time in leaving. Walton waited until the door closedand jammed down hard on the lockstud. His tirade, he knew, was whollyunjustified; if he had remembered to lock his door as regulationsprescribed, Prior would never have broken in. But he couldn't admitthat to the guards. Take a seat, Mr. Prior. I have to thank you for granting me this audience, Prior said,without a hint of sarcasm in his booming voice. I realize you're aterribly busy man. I am. Another three inches of paper had deposited itself on Walton'sdesk since Prior had entered. You're very lucky to have hit thepsychological moment for your entrance. At any other time I'd havehad you brigged for a month, but just now I'm in need of a littlediversion. Besides, I very much admire your work, Mr. Prior. Thank you. Again that humility, startling in so big and commanding aman. I hadn't expected to find—I mean that you— That a bureaucrat should admire poetry? Is that what you're gropingfor? Prior reddened. Yes, he admitted. Grinning, Walton said, I have to do something when I go home atnight. I don't really read Popeek reports twenty-four hours a day. Nomore than twenty; that's my rule. I thought your last book was quiteremarkable. The critics didn't, Prior said diffidently. Critics! What do they know? Walton demanded. They swing in cycles.Ten years ago it was form and technique, and you got the Melling Prize.Now it's message, political content that counts. That's not poetry, Mr.Prior—and there are still a few of us who recognize what poetry is.Take Yeats, for instance— Walton was ready to launch into a discussion of every poet from Priorback to Surrey and Wyatt; anything to keep from the job at hand,anything to keep his mind from Popeek. But Prior interrupted him. Mr. Walton.... Yes? My son Philip ... he's two weeks old now.... Walton understood. No, Prior. Please don't ask. Walton's skin feltcold; his hands, tightly clenched, were clammy. He was committed to Happysleep this morning—potentially tubercular.The boy's perfectly sound, Mr. Walton. Couldn't you— Walton rose. No , he said, half-commanding, half-pleading. Don'task me to do it. I can't make any exceptions, not even for you. You'rean intelligent man; you understand our program. I voted for Popeek. I know all about Weeding the Garden and theEuthanasia Plan. But I hadn't expected— You thought euthanasia was a fine thing for other people. So dideveryone else, Walton said. That's how the act was passed. Tenderlyhe said, I can't do it. I can't spare your son. Our doctors give ababy every chance to live. I was tubercular. They cured me. What if they had practicedeuthanasia a generation ago? Where would my poems be now? It was an unanswerable question; Walton tried to ignore it.Tuberculosis is an extremely rare disease, Mr. Prior. We can wipeit out completely if we strike at those with TB-susceptible genetictraits. Meaning you'll kill any children I have? Prior asked. Those who inherit your condition, Walton said gently. Go home, Mr.Prior. Burn me in effigy. Write a poem about me. But don't ask me to dothe impossible. I can't catch any falling stars for you. Prior rose. He was immense, a hulking tragic figure staring broodinglyat Walton. For the first time since the poet's abrupt entry, Waltonfeared violence. His fingers groped for the needle gun he kept in hisupper left desk drawer. But Prior had no violence in him. I'll leave you, he said somberly.I'm sorry, sir. Deeply sorry. For both of us. Walton pressed the doorlock to let him out, then locked it again andslipped heavily into his chair. Three more reports slid out of thechute and landed on his desk. He stared at them as if they were threebasilisks. In the six weeks of Popeek's existence, three thousand babies had beenticketed for Happysleep, and three thousand sets of degenerate geneshad been wiped from the race. Ten thousand subnormal males had beensterilized. Eight thousand dying oldsters had reached their gravesahead of time. It was a tough-minded program. But why transmit palsy to unborngenerations? Why let an adult idiot litter the world with subnormalprogeny? Why force a man hopelessly cancerous to linger on in pain,consuming precious food? Unpleasant? Sure. But the world had voted for it. Until Lang and histeam succeeded in terraforming Venus, or until the faster-than-lightoutfit opened the stars to mankind, something had to be done aboutEarth's overpopulation. There were seven billion now and the figure wasstill growing. Prior's words haunted him. I was tubercular ... where would my poemsbe now? The big humble man was one of the great poets. Keats had beentubercular too. What good are poets? he asked himself savagely. The reply came swiftly: What good is anything, then? Keats,Shakespeare, Eliot, Yeats, Donne, Pound, Matthews ... and Prior. Howmuch duller life would be without them, Walton thought, picturinghis bookshelf—his one bookshelf, in his crowded little cubicle of aone-room home. Sweat poured down his back as he groped toward his decision. The step he was considering would disqualify him from his job if headmitted it, though he wouldn't do that. Under the Equalization Law, itwould be a criminal act. But just one baby wouldn't matter. Just one. Prior's baby. With nervous fingers he switched on the annunciator and said, If thereare any calls for me, take the message. I'll be out of my office forthe next half-hour. II He stepped out of the office, glancing around furtively. The outeroffice was busy: half a dozen girls were answering calls, openingletters, coordinating activities. Walton slipped quickly past them intothe hallway. There was a knot of fear in his stomach as he turned toward thelift tube. Six weeks of pressure, six weeks of tension since Popeekwas organized and old man FitzMaugham had tapped him for thesecond-in-command post ... and now, a rebellion. The sparing of asingle child was a small rebellion, true, but he knew he was strikingas effectively at the base of Popeek this way as if he had broughtabout repeal of the entire Equalization Law. Well, just one lapse, he promised himself. I'll spare Prior's child,and after that I'll keep within the law. He jabbed the lift tube indicator and the tube rose in its shaft. Theclinic was on the twentieth floor. Roy. At the sound of the quiet voice behind him, Walton jumped in surprise.He steadied himself, forcing himself to turn slowly. The director stoodthere. Good morning, Mr. FitzMaugham. The old man was smiling serenely, his unlined face warm and friendly,his mop of white hair bright and full. You look preoccupied, boy.Something the matter? Walton shook his head quickly. Just a little tired, sir. There's beena lot of work lately. As he said it, he knew how foolish it sounded. If anyone in Popeekworked harder than he did, it was the elderly director. FitzMaughamhad striven for equalization legislature for fifty years, and now, atthe age of eighty, he put in a sixteen-hour day at the task of savingmankind from itself. The director smiled. You never did learn how to budget your strength,Roy. You'll be a worn-out wreck before you're half my age. I'm gladyou're adopting my habit of taking a coffee break in the morning,though. Mind if I join you? I'm—not taking a break, sir. I have some work to do downstairs. Oh? Can't you take care of it by phone? No, Mr. FitzMaugham. Walton felt as though he'd already been tried,drawn, and quartered. It requires personal attention. I see. The deep, warm eyes bored into his. You ought to slow down alittle, I think. Yes, sir. As soon as the work eases up a little. FitzMaugham chuckled. In another century or two, you mean. I'm afraidyou'll never learn how to relax, my boy. The lift tube arrived. Walton stepped to one side, allowed the Directorto enter, and got in himself. FitzMaugham pushed Fourteen ; there wasa coffee shop down there. Hesitantly, Walton pushed twenty , coveringthe panel with his arm so the old man would be unable to see hisdestination. As the tube began to descend, FitzMaugham said, Did Mr. Prior come tosee you this morning? Yes, Walton said. He's the poet, isn't he? The one you say is so good? That's right, sir, Walton said tightly. He came to see me first, but I had him referred down to you. What wason his mind? Walton hesitated. He—he wanted his son spared from Happysleep.Naturally, I had to turn him down. Naturally, FitzMaugham agreed solemnly. Once we make even oneexception, the whole framework crumbles. Of course, sir. The lift tube halted and rocked on its suspension. The door slid back,revealing a neat, gleaming sign: FLOOR 20 Euthanasia Clinic and Files Walton had forgotten the accursed sign. He began to wish he had avoidedtraveling down with the director. He felt that his purpose must seemnakedly obvious now. The old man's eyes were twinkling amusedly. I guess you get off here,he said. I hope you catch up with your work soon, Roy. You reallyshould take some time off for relaxation each day. I'll try, sir. Walton stepped out of the tube and returned FitzMaugham's smile as thedoor closed again. Bitter thoughts assailed him as soon as he was alone. Some fine criminal you are. You've given the show away already! Anddamn that smooth paternal smile. FitzMaugham knows! He must know! Walton wavered, then abruptly made his decision. He sucked in a deepbreath and walked briskly toward the big room where the euthanasiafiles were kept. <doc-sep>Taphetta rustled his speech ribbons quizzically. But I thought it wasproved that some humans did originate on one planet, that there was anunbroken line of evolution that could be traced back a billion years. You're thinking of Earth, said Halden. Humans require a certain kindof planet. It's reasonable to assume that, if men were set down on ahundred such worlds, they'd seem to fit in with native life-forms on afew of them. That's what happened on Earth; when Man arrived, there wasactually a manlike creature there. Naturally our early evolutionistsstretched their theories to cover the facts they had. But there are other worlds in which humans who were there before theStone Age aren't related to anything else there. We have to concludethat Man didn't originate on any of the planets on which he is nowfound. Instead, he evolved elsewhere and later was scattered throughoutthis section of the Milky Way. And so, to account for the unique race that can interbreed acrossthousands of light-years, you've brought in the big ancestor,commented Taphetta dryly. It seems an unnecessary simplification. Can you think of a better explanation? asked Kelburn. Something had to distribute one species so widely and it's not theresult of parallel evolution—not when a hundred human races areinvolved, and only the human race. I can't think of a better explanation. Taphetta rearranged hisribbons. Frankly, no one else is much interested in Man's theoriesabout himself. It was easy to understand the attitude. Man was the most numerousthough not always the most advanced—Ribboneers had a civilization ashigh as anything in the known section of the Milky Way, and there wereothers—and humans were more than a little feared. If they ever gottogether—but they hadn't except in agreement as to their common origin. Still, Taphetta the Ribboneer was an experienced pilot and could bevery useful. A clear statement of their position was essential inhelping him make up his mind. You've heard of the adjacency matingprinciple? asked Sam Halden. Vaguely. Most people have if they've been around men. We've got new data and are able to interpret it better. The theory isthat humans who can mate with each other were once physically close.We've got a list of all our races arranged in sequence. If planetaryrace F can mate with race E back to A and forward to M, and race G isfertile only back to B, but forward to O, then we assume that whatevertheir positions are now, at once time G was actually adjacent to F, butwas a little further along. When we project back into time those starsystems on which humans existed prior to space travel, we get a certainpattern. Kelburn can explain it to you. The normally pink body of the Ribboneer flushed slightly. The colorchange was almost imperceptible, but it was enough to indicate that hewas interested. <doc-sep></s> [SEP] What is the story of MASTER of Life and Death and how does it involve Philip Prior?

Philip Prior is the son of Lyle Prior and Ava Leonard Prior. He was born small, a little over 5 pounds, and carries the gene for tuberculosis. Within this new society, this genetic mutation means that Philip Prior has to be euthanized and sent to Happysleep. At only two weeks old, he has been sentenced to death. His father, Lyle Prior the poet, comes to the office of Roy Walton to try and save his son’s life. Although he is unsuccessful at first, his words about what his son could become stuck with Roy and caused him to save Philip’s life. Philip Prior is incredibly significant because his life and sentencing caused Roy Walton to make the first crack in the framework, commit a felony by saving his life, and potentially sentence himself to a failed career and life.

Can you provide a summary of the storyline in THE LORELEI DEATH? [SEP] <s>Chip stared at his friend bewilderedly for a moment. Then he grinned.Hey—I must be getting slightly whacky in my old age. I stand herewith an unopened bottle in my hands and hear things! For a minute Ithought you said 'Lorelei.' The Lorelei, my space-cop friend, is amyth. An old Teutonic myth about a beautiful damsel who sits out inthe middle of a sea on a treacherous rock, combing her golden locks,warbling and luring her fascinated admirers to destruction. He grunted. A dirty trick, if you ask me. Catch a snort of thisalleged Scotch, pal, and I'll torture your eardrums with the whole, sadstory. He started to sing. ' Ich weiss nicht was soll es bedeuten —' The Patrolman laid a hand on his arm, silenced him. It's not funny, Chip. You've described the Lorelei exactly. That'show she got her name. An incredibly beautiful woman who wantonly luresspace-mariners to their death. The only difference is that her 'rock' is an asteroid somewhere inthe Belt—and she does not sing, she calls! She began exercisingher vicious appeal about two months ago, Earth reckoning. Sincethen, no less than a dozen spacecraft—freighters, liners, even onePatrolship—have fallen prey to her wiles. Their crews have beenbrutally murdered, their cargos stolen. Wait a minute! interrupted Chip shrewdly. How do you know about herif the crews have been murdered? She has a habit of locking the controls, explained Haldane, andsetting ravaged ships adrift. Apparently there is no room on herhideout—wherever it is—for empty hulks. One of these ships wassalvaged by a courageous cabin-boy who hid from the Lorelei and herpirate band beneath a closetful of soiled linens in the laundry. Hedescribed her. His description goes perfectly with less accurateglimpses seen over the visiphones of several score spacecraft! Chip said soberly, So it's no joke, eh, pal? Sorry I popped off. Ithought you were pulling my leg. Where do I come into this mess,though? Ekalastron! grunted Johnny succinctly. A jackpot prize for anycorsair! And you advertised a cargo of it over the etherwaves! TheLorelei will be waiting for you with her tongue hanging out. The onlything for you to do, kid, is go back to Jupiter or Io as fast as youcan get there. Make the Patrol give you a convoy— A sudden light danced in Chip Warren's eyes. It was a light Syd Palmerwould have groaned to see—for it usually presaged trouble. It was abright, hard, reckless light. Hold your jets, Johnny! drawled Chip. Aren't you forgetting onething? In a couple more hours, I can face the Lorelei and her wholemob—and be damned to them! She can't touch the Chickadee , becauseit's being plated right now! Haldane snapped his fingers in quick remembrance. By thunder, you're right! Her shells will ricochet off the Chickadee's hull like hail off a tin roof. Chip, are you in any hurryto reach Earth? I thought not. What do you say we go after the Lorelei together ! I'll swear you in as a Deputy Patrolman; we'll take the Chickadee and— It's a deal! declared Chip promptly. You got any idea where thisLorelei's hangout is? That's why I'm here on Danae. I got a tip that one of the Lorelei'smen put in here for supplies. I hoped maybe I could single himout somehow, follow him when he jetted for his base, and in thatway— Chip! Look out! <doc-sep>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep>Two hours later, Chip was still following the bright pinpoint ofscarlet which marked the course of his quarry. In the time that had elapsed since their take-off, he had told hisfriends the whole story. When he told about the Lorelei, SalvationSmith's seamy old features screwed up in a perplexed grimace. Awoman pirate in the Belt, son? I find it hard to believe. Yet— Andwhen he described the death of Johnny Haldane, anger smoldered in themissionary's eyes, and Syd Palmer's hands knotted into tight, whitefists. Said Syd, A man with a scar, eh? Well, we'll catch him sooneror later. And when we do— His tone boded no good to the man who hadslain an old and loved friend. As a matter of fact, offered Salvation, we've got him now. Any timeyou say the word, Chip. We're faster than he is. We can close in on himin five minutes. I know, nodded Warren grimly. But we won't do it—yet. I'm borrowinga bit of Johnny's strategy. I've been plotting his course. As soon asI'm sure of his destination, we'll take care of him . But our firstand most vital problem is to locate the Lorelei's hideaway. Syd said, That's all right with me, chum. I like a good scrap as muchas the next guy. Better, maybe. But this isn't our concern, strictlyspeaking. What we ought to do is report this matter to the SpacePatrol, let them take care of it. Salvation shook his head. That's where you're mistaken, Sydney. This is very much our concern.So much so, in fact, that we dare not make port again until it'scleared up. I think you have forgotten that it is not the scar-facedman who is wanted for the killing of Haldane—but Chip! B-but— gasped Palmer—b-but that's ridiculous! Chip and Johnny wereold buddies. Lifelong friends! Nevertheless, the circumstantial evidence indicates Chip's guilt.Twenty men saw him standing over Johnny's dead body, with aflame-pistol in his hand. And the barkeep heard Johnny 'arrest' Chipand accuse him of murder! Chip said ruefully, That's right, Syd. It was only a joke, but itbackfired. The bartender thought Johnny meant it. He scooted out ofthere like a bat out of Hades. I'm in it up to my neck unless we canbring back evidence that Scarface actually did the killing. And thatmay not be so easy. He stirred restlessly. But we'll cross that bridge when we come toit. Right now our job is to keep this rat in sight. We've gone fartheralready than I expected we would. He turned to the old preacher.Where do you think we're going, Padre? Out of the Belt entirely? I've been wondering that myself, son. I don't know for sure, ofcourse, but it looks to me as if we're going for the Bog. If so, you'dbetter keep a weather-eye peeled. The Bog! Chip had never penetrated the planetoids so deeply before,but he knew of the Bog by hearsay. All men did. A treacherous region oftightly packed asteroids, a mad and whirling scramble of the giganticrocks which, aeons ago, had been a planet. Few spacemen dared penetratethe Bog. Of those who did dare, few returned to tell the tale. TheBog! Say! I'd better keep a sharp lookout! He turned to the perilens once more, fastened an eye to its lens. Andthen— Syd! he cried. Salvation! Look! She—she—! He pressed the plunger that transferred the perilens image to thecentral viewscreen. And as he did so, a phantom filled the area whichshould have revealed yawning space, gay with the spangles of a myriadglowing orbs. The vision of an unbelievably beautiful girl, thegolden-crowned embodiment of a man's fondest dreaming, eyes wide withan indistinguishable emotion, arms stretched wide in mute appeal. And from the throats of all came simultaneous recognition. The Lorelei! <doc-sep></s> [SEP] Can you provide a summary of the storyline in THE LORELEI DEATH?

Chip Warren and his crew of Salvation Smith, a righteous missionary, and Syd Palmer, mechanic, have landed in the Belt on their spaceship Chickadee II after discovering a mountain of ekalastron, a highly sought-after material. Their new fortune is cause for celebration, so Chip picks out a flashy tie, which Syd and Salvation both make fun of him for, and sets off to get a drink. Syd and Salvation do not join him, as the repairmen were still encasing their ship with ekalastron. The asteroid Danae has a gravity that’s modeled after Earth, a good atmosphere, and features a wide variety of interplanetary species. Chip walks into Xu’ul’s Solarest and strolls past all the charm-gals, busy cabarets, and the native sing-stomp, before arriving in an empty, private bar. The Martian bartender serves him a new bottle of Scotch but is quickly frightened when a member of the Space Patrol steps in and accuses Chip of murder. The Martian runs off before the cop reveals himself to be Johnny Haldane, Chip’s old friend. After catching up briefly, Chip tells Johnny about their find on Titania and explains that they turned it all over to the Space Patrol, before visiphoning Earth. At this, Johnny becomes upset and explains that their message could have been intercepted by the mythic Lorelei. Chip laughs him off, but Johnny explains that for the past two months a beautiful blonde woman has been luring spacemen to their doom and stealing all their cargo. They decide to take on the Lorelei together, especially now that the Chickadee will be plated with ekalastron, an impenetrable material. Johnny claims he knows one of Lorelei’s men is on Danae right now getting more supplies, so they could follow him back to their base. As he says that, Johnny saves Chip by throwing him to the floor and sacrificing himself. He is killed by an assailant with a scar on his face. Chip tries to save his friend, but the bartender rushes back in with a horde of people, claiming Chip is the murder. Chip runs away, chasing after the true killer, but loses him. He runs back to the Chickadee, and they quickly take off, even though the plating was only halfway finished. Syd and Salvation question him, and he explains the situation, as they follow the scarred man to the Bog, an extremely dangerous asteroid-ridden area. As Chip attempts to look through the perilens, a beautiful woman pops up, crying for help: the Lorelei. Chaos ensues, and they try to get her off their transmission, while a blast rocks the hull. The Chickadee crashed, and Chip wakes up to see a large man standing above him. He and his men question Chip about the ekalastron, but Chip won’t reveal its location. The story ends with the pirate threatening to torture Chip.

What is the meaning of the Lorelei in THE LORELEI DEATH? [SEP] <s>Chip stared at his friend bewilderedly for a moment. Then he grinned.Hey—I must be getting slightly whacky in my old age. I stand herewith an unopened bottle in my hands and hear things! For a minute Ithought you said 'Lorelei.' The Lorelei, my space-cop friend, is amyth. An old Teutonic myth about a beautiful damsel who sits out inthe middle of a sea on a treacherous rock, combing her golden locks,warbling and luring her fascinated admirers to destruction. He grunted. A dirty trick, if you ask me. Catch a snort of thisalleged Scotch, pal, and I'll torture your eardrums with the whole, sadstory. He started to sing. ' Ich weiss nicht was soll es bedeuten —' The Patrolman laid a hand on his arm, silenced him. It's not funny, Chip. You've described the Lorelei exactly. That'show she got her name. An incredibly beautiful woman who wantonly luresspace-mariners to their death. The only difference is that her 'rock' is an asteroid somewhere inthe Belt—and she does not sing, she calls! She began exercisingher vicious appeal about two months ago, Earth reckoning. Sincethen, no less than a dozen spacecraft—freighters, liners, even onePatrolship—have fallen prey to her wiles. Their crews have beenbrutally murdered, their cargos stolen. Wait a minute! interrupted Chip shrewdly. How do you know about herif the crews have been murdered? She has a habit of locking the controls, explained Haldane, andsetting ravaged ships adrift. Apparently there is no room on herhideout—wherever it is—for empty hulks. One of these ships wassalvaged by a courageous cabin-boy who hid from the Lorelei and herpirate band beneath a closetful of soiled linens in the laundry. Hedescribed her. His description goes perfectly with less accurateglimpses seen over the visiphones of several score spacecraft! Chip said soberly, So it's no joke, eh, pal? Sorry I popped off. Ithought you were pulling my leg. Where do I come into this mess,though? Ekalastron! grunted Johnny succinctly. A jackpot prize for anycorsair! And you advertised a cargo of it over the etherwaves! TheLorelei will be waiting for you with her tongue hanging out. The onlything for you to do, kid, is go back to Jupiter or Io as fast as youcan get there. Make the Patrol give you a convoy— A sudden light danced in Chip Warren's eyes. It was a light Syd Palmerwould have groaned to see—for it usually presaged trouble. It was abright, hard, reckless light. Hold your jets, Johnny! drawled Chip. Aren't you forgetting onething? In a couple more hours, I can face the Lorelei and her wholemob—and be damned to them! She can't touch the Chickadee , becauseit's being plated right now! Haldane snapped his fingers in quick remembrance. By thunder, you're right! Her shells will ricochet off the Chickadee's hull like hail off a tin roof. Chip, are you in any hurryto reach Earth? I thought not. What do you say we go after the Lorelei together ! I'll swear you in as a Deputy Patrolman; we'll take the Chickadee and— It's a deal! declared Chip promptly. You got any idea where thisLorelei's hangout is? That's why I'm here on Danae. I got a tip that one of the Lorelei'smen put in here for supplies. I hoped maybe I could single himout somehow, follow him when he jetted for his base, and in thatway— Chip! Look out! <doc-sep>It was only two stories down the moving ramp to Lorelei Cooper'slaboratory. Peter took it in fifteen seconds, running, and stumbled toa halt in front of the door marked Radiation. She had set her doormechanism to Etaoin Shrdlu, principally because he hated double-talk.He mouthed the syllables, had to repeat them because he put an accentin the wrong place, and squeezed through the door as soon as it openedfar enough to admit him. Lorelei, beautiful in spite of dark-circled eyes and a smear of greaseon her chin, looked up from a huge ledger at the end of the room. Oneblonde eyebrow arched in the quizzical expression he knew so well. What makes, Peter my love? she asked, and bent back to the ledger.Then she did a double-take, looked at his face intently, and said,Darling, what's wrong? He said, Have you seen the news recently? She frowned. Why, no—Harry and I have been working for thirty-sixhours straight. Haven't seen anybody, haven't heard anything. Why? You wouldn't believe me. Where's your newsbox? She came around the desk and put her hands on his shoulders. Pete,you know I haven't one—it bores me or upsets me, depending on whetherthere's trouble or not. What— I'm sorry, I forgot, he said. But you have a scanner? Yes, of course. But really, Pete— You'll understand in a minute. Turn it on, Lorelei. She gazed at him levelly for a moment, kissed him impulsively, and thenwalked over to the video panel on the wall and swept a mountain ofpapers away from in front of it. She turned the selector dial to Newsand pressed the stud. A faint wash of color appeared on the panel, strengthened slowly, andsuddenly leapt into full brilliance. Lorelei caught her breath. It was a street scene in the Science City of Manhattan, flooded bythe warm spring sunshine. Down on the lowest level, visible past thetransport and passenger tubes, the parks and moving ways should havebeen dotted with colorful, holiday crowds. The people were there,yes but they were flowing away in a swiftly-widening circle. Theydisappeared into buildings, and the ways snatched them up, and in aheartbeat they were gone. There were left only two blood-red, malignant monstrosities somehowdefiling the air they floated in; and below them, a pitiful huddle offlesh no longer recognizable as human beings. They were not dead, thosemen and women, but they wanted to be. Their bodies had been impossiblyjoined, fused together into a single obscene, floundering mass ofhelpless protoplasm. The thin moaning that went up from them was morehorrible than any cry of agony. The Invaders are here, citizens, the commentator was saying in astrangled voice. Stay off the streets. Hide yourselves. Stay off thestreets.... His voice droned on, but neither of them heard it. <doc-sep>Two hours later, Chip was still following the bright pinpoint ofscarlet which marked the course of his quarry. In the time that had elapsed since their take-off, he had told hisfriends the whole story. When he told about the Lorelei, SalvationSmith's seamy old features screwed up in a perplexed grimace. Awoman pirate in the Belt, son? I find it hard to believe. Yet— Andwhen he described the death of Johnny Haldane, anger smoldered in themissionary's eyes, and Syd Palmer's hands knotted into tight, whitefists. Said Syd, A man with a scar, eh? Well, we'll catch him sooneror later. And when we do— His tone boded no good to the man who hadslain an old and loved friend. As a matter of fact, offered Salvation, we've got him now. Any timeyou say the word, Chip. We're faster than he is. We can close in on himin five minutes. I know, nodded Warren grimly. But we won't do it—yet. I'm borrowinga bit of Johnny's strategy. I've been plotting his course. As soon asI'm sure of his destination, we'll take care of him . But our firstand most vital problem is to locate the Lorelei's hideaway. Syd said, That's all right with me, chum. I like a good scrap as muchas the next guy. Better, maybe. But this isn't our concern, strictlyspeaking. What we ought to do is report this matter to the SpacePatrol, let them take care of it. Salvation shook his head. That's where you're mistaken, Sydney. This is very much our concern.So much so, in fact, that we dare not make port again until it'scleared up. I think you have forgotten that it is not the scar-facedman who is wanted for the killing of Haldane—but Chip! B-but— gasped Palmer—b-but that's ridiculous! Chip and Johnny wereold buddies. Lifelong friends! Nevertheless, the circumstantial evidence indicates Chip's guilt.Twenty men saw him standing over Johnny's dead body, with aflame-pistol in his hand. And the barkeep heard Johnny 'arrest' Chipand accuse him of murder! Chip said ruefully, That's right, Syd. It was only a joke, but itbackfired. The bartender thought Johnny meant it. He scooted out ofthere like a bat out of Hades. I'm in it up to my neck unless we canbring back evidence that Scarface actually did the killing. And thatmay not be so easy. He stirred restlessly. But we'll cross that bridge when we come toit. Right now our job is to keep this rat in sight. We've gone fartheralready than I expected we would. He turned to the old preacher.Where do you think we're going, Padre? Out of the Belt entirely? I've been wondering that myself, son. I don't know for sure, ofcourse, but it looks to me as if we're going for the Bog. If so, you'dbetter keep a weather-eye peeled. The Bog! Chip had never penetrated the planetoids so deeply before,but he knew of the Bog by hearsay. All men did. A treacherous region oftightly packed asteroids, a mad and whirling scramble of the giganticrocks which, aeons ago, had been a planet. Few spacemen dared penetratethe Bog. Of those who did dare, few returned to tell the tale. TheBog! Say! I'd better keep a sharp lookout! He turned to the perilens once more, fastened an eye to its lens. Andthen— Syd! he cried. Salvation! Look! She—she—! He pressed the plunger that transferred the perilens image to thecentral viewscreen. And as he did so, a phantom filled the area whichshould have revealed yawning space, gay with the spangles of a myriadglowing orbs. The vision of an unbelievably beautiful girl, thegolden-crowned embodiment of a man's fondest dreaming, eyes wide withan indistinguishable emotion, arms stretched wide in mute appeal. And from the throats of all came simultaneous recognition. The Lorelei! <doc-sep></s> [SEP] What is the meaning of the Lorelei in THE LORELEI DEATH?

The Lorelei was first an ancient myth that plagued all spacemen. It was a Teutonic myth, similar to the sirens of ancient Greece, about a gorgeous blonde woman who combed her hair and sang to those around her. Her position on the rock lured all the men to their doom, as they would crash around her. That is where the Lorelei originated. In this turn of events, the story has evolved into a present-day pirating crew using the original myth to draw spacemen in. For the past two months, according to Space Patrolman Johnny Haldane, a pirate crew has a beautiful blonde woman calling for help to lure at least a dozen spaceships in before they kill the crew and capture all of their cargo. The pirates then turn on all of the control locks and send the empty ships back out, as they have no space for them in their current base. The Lorelei and her crew intercepted Chip’s message about the ekalastron and set their sights on his ship as their next target.

What is the story of Johnny Haldane in THE LORELEI DEATH? [SEP] <s>Chip stared at his friend bewilderedly for a moment. Then he grinned.Hey—I must be getting slightly whacky in my old age. I stand herewith an unopened bottle in my hands and hear things! For a minute Ithought you said 'Lorelei.' The Lorelei, my space-cop friend, is amyth. An old Teutonic myth about a beautiful damsel who sits out inthe middle of a sea on a treacherous rock, combing her golden locks,warbling and luring her fascinated admirers to destruction. He grunted. A dirty trick, if you ask me. Catch a snort of thisalleged Scotch, pal, and I'll torture your eardrums with the whole, sadstory. He started to sing. ' Ich weiss nicht was soll es bedeuten —' The Patrolman laid a hand on his arm, silenced him. It's not funny, Chip. You've described the Lorelei exactly. That'show she got her name. An incredibly beautiful woman who wantonly luresspace-mariners to their death. The only difference is that her 'rock' is an asteroid somewhere inthe Belt—and she does not sing, she calls! She began exercisingher vicious appeal about two months ago, Earth reckoning. Sincethen, no less than a dozen spacecraft—freighters, liners, even onePatrolship—have fallen prey to her wiles. Their crews have beenbrutally murdered, their cargos stolen. Wait a minute! interrupted Chip shrewdly. How do you know about herif the crews have been murdered? She has a habit of locking the controls, explained Haldane, andsetting ravaged ships adrift. Apparently there is no room on herhideout—wherever it is—for empty hulks. One of these ships wassalvaged by a courageous cabin-boy who hid from the Lorelei and herpirate band beneath a closetful of soiled linens in the laundry. Hedescribed her. His description goes perfectly with less accurateglimpses seen over the visiphones of several score spacecraft! Chip said soberly, So it's no joke, eh, pal? Sorry I popped off. Ithought you were pulling my leg. Where do I come into this mess,though? Ekalastron! grunted Johnny succinctly. A jackpot prize for anycorsair! And you advertised a cargo of it over the etherwaves! TheLorelei will be waiting for you with her tongue hanging out. The onlything for you to do, kid, is go back to Jupiter or Io as fast as youcan get there. Make the Patrol give you a convoy— A sudden light danced in Chip Warren's eyes. It was a light Syd Palmerwould have groaned to see—for it usually presaged trouble. It was abright, hard, reckless light. Hold your jets, Johnny! drawled Chip. Aren't you forgetting onething? In a couple more hours, I can face the Lorelei and her wholemob—and be damned to them! She can't touch the Chickadee , becauseit's being plated right now! Haldane snapped his fingers in quick remembrance. By thunder, you're right! Her shells will ricochet off the Chickadee's hull like hail off a tin roof. Chip, are you in any hurryto reach Earth? I thought not. What do you say we go after the Lorelei together ! I'll swear you in as a Deputy Patrolman; we'll take the Chickadee and— It's a deal! declared Chip promptly. You got any idea where thisLorelei's hangout is? That's why I'm here on Danae. I got a tip that one of the Lorelei'smen put in here for supplies. I hoped maybe I could single himout somehow, follow him when he jetted for his base, and in thatway— Chip! Look out! <doc-sep>Two hours later, Chip was still following the bright pinpoint ofscarlet which marked the course of his quarry. In the time that had elapsed since their take-off, he had told hisfriends the whole story. When he told about the Lorelei, SalvationSmith's seamy old features screwed up in a perplexed grimace. Awoman pirate in the Belt, son? I find it hard to believe. Yet— Andwhen he described the death of Johnny Haldane, anger smoldered in themissionary's eyes, and Syd Palmer's hands knotted into tight, whitefists. Said Syd, A man with a scar, eh? Well, we'll catch him sooneror later. And when we do— His tone boded no good to the man who hadslain an old and loved friend. As a matter of fact, offered Salvation, we've got him now. Any timeyou say the word, Chip. We're faster than he is. We can close in on himin five minutes. I know, nodded Warren grimly. But we won't do it—yet. I'm borrowinga bit of Johnny's strategy. I've been plotting his course. As soon asI'm sure of his destination, we'll take care of him . But our firstand most vital problem is to locate the Lorelei's hideaway. Syd said, That's all right with me, chum. I like a good scrap as muchas the next guy. Better, maybe. But this isn't our concern, strictlyspeaking. What we ought to do is report this matter to the SpacePatrol, let them take care of it. Salvation shook his head. That's where you're mistaken, Sydney. This is very much our concern.So much so, in fact, that we dare not make port again until it'scleared up. I think you have forgotten that it is not the scar-facedman who is wanted for the killing of Haldane—but Chip! B-but— gasped Palmer—b-but that's ridiculous! Chip and Johnny wereold buddies. Lifelong friends! Nevertheless, the circumstantial evidence indicates Chip's guilt.Twenty men saw him standing over Johnny's dead body, with aflame-pistol in his hand. And the barkeep heard Johnny 'arrest' Chipand accuse him of murder! Chip said ruefully, That's right, Syd. It was only a joke, but itbackfired. The bartender thought Johnny meant it. He scooted out ofthere like a bat out of Hades. I'm in it up to my neck unless we canbring back evidence that Scarface actually did the killing. And thatmay not be so easy. He stirred restlessly. But we'll cross that bridge when we come toit. Right now our job is to keep this rat in sight. We've gone fartheralready than I expected we would. He turned to the old preacher.Where do you think we're going, Padre? Out of the Belt entirely? I've been wondering that myself, son. I don't know for sure, ofcourse, but it looks to me as if we're going for the Bog. If so, you'dbetter keep a weather-eye peeled. The Bog! Chip had never penetrated the planetoids so deeply before,but he knew of the Bog by hearsay. All men did. A treacherous region oftightly packed asteroids, a mad and whirling scramble of the giganticrocks which, aeons ago, had been a planet. Few spacemen dared penetratethe Bog. Of those who did dare, few returned to tell the tale. TheBog! Say! I'd better keep a sharp lookout! He turned to the perilens once more, fastened an eye to its lens. Andthen— Syd! he cried. Salvation! Look! She—she—! He pressed the plunger that transferred the perilens image to thecentral viewscreen. And as he did so, a phantom filled the area whichshould have revealed yawning space, gay with the spangles of a myriadglowing orbs. The vision of an unbelievably beautiful girl, thegolden-crowned embodiment of a man's fondest dreaming, eyes wide withan indistinguishable emotion, arms stretched wide in mute appeal. And from the throats of all came simultaneous recognition. The Lorelei! <doc-sep>Shock momentarily immobilized Chip. Not so the bartender. He was, itseemed, an ardent pacifist. With a bleat of panic fear he scamperedfrom his post, his metallic stilts clattering off in the distance.Chip's accuser moved forward from the shadows; dim light illumined hisfeatures. And— Johnny! Chip's voice lifted in a note of jubilant surprise.Johnny Haldane—you old scoundrel! Where in the void did you dropfrom? The S.S.P. man chuckled and returned Chip's greeting with abone-grinding handclasp. I might ask the same of you, chum! Lord, it's been ages since we'vecrossed 'jectory! When I saw you meandering across the Casino, youcould have knocked me down with a jetblast! What's new? Is old Sydstill with you? We're still shipmates. But he's back at the spaceport. The jerry-crewis plating our crate with ek, and— Ek! Plating a private cruiser! Haldane stared at him in astonishment,then whistled. Sweet Sacred Stars, you must be filthy with credits tobe able to coat an entire ship with ekalastron! You, boasted Chip, ain't heard nothing yet! And he told him howthey had discovered an entire mountain of the previous new element, No.97 in the periodic table, on frigid Titania, satellite of far Uranus.It was touch-and-go for a while, he admitted, whether we'd be theluckiest three guys in space—or the deadest! But we passed through theflaming caverns like old Shadrach in the Bible—remember?—and here weare! [1] Haldane was exuberant. A mountain of ekalastron! he gloated.That's the greatest contribution to spaceflight since Biggs'velocity-intensifier! It was no overstatement. Element No. 97 was ametal so light that a man could carry in one hand enough to coat theentire hull of a battleship—yet so adamant that a gossamer film ofit would deflect a meteor! A metal strong enough to crush diamonds toash—but so resilient that, when properly treated, it would reboundlike rubber! What are you going to do with it, Chip? Put it on theopen market? Warren shook his head. Not exactly. We talked it over carefully—Syd and Salvation and I—andwe decided there are some space-rats to whom it shouldn't be madeavailable. Privateers and outlaws, you know. So we turned control ofthe mines over to the Space Patrol at Uranus, and visiphoned the Earthauthorities we were bringing in one cargo— Visiphoned! interrupted Haldane sharply. Did you say visiphoned? Why—why, yes. From where? Oh, just before we reached the Belt. We don't have a very strongtransmitter, you know. Sa-a-ay, what's all the excitement, pal? Did wedo something that was wrong? Haldane frowned worriedly. I don't know, Chip. It wasn't anything wrong , but what you did was damned dangerous. For if your message wasintercepted, you may have played into the very hands of—the Lorelei! <doc-sep></s> [SEP] What is the story of Johnny Haldane in THE LORELEI DEATH?

Johnny Haldane is a member of the Space Patrol and one of Chip’s old friends. They talk briefly about their previous adventures and running into each other all across space, which speaks highly of their close bond. He arrives on Dandae to track one of the Lorelei’s crew, hoping to follow him all the way back to their hideout. However, while there, he runs into Chip and makes a grand entrance, accusing him of murder. This causes the bartender to scurry away, so they sit and talk in private while nursing a bottle of scotch. After chatting for a bit, Chip reveals to Johnny that his crew found a mountain of ekalastron and they gave it back to the Space Patrol, as private users might have abused the material. All is well and good until Johnny hears that Chip used his visiphone to get in touch with Earth authorities, which Johnny immediately protests. Evidently, the Lorelei tracks people through visiphone messages and could have intercepted his. They decide to take on the Lorelei together, tracking the crew member back to their base and using Chip’s newly-plated ship for protection. However, before they can move, a man comes in with a scar on his face and shoots at the two of them. Johnny saves Chip’s life by pushing him out of the way but is killed by the blast.

What does the term ekalastron or No. 97 refer to in THE LORELEI DEATH? [SEP] <s>Shock momentarily immobilized Chip. Not so the bartender. He was, itseemed, an ardent pacifist. With a bleat of panic fear he scamperedfrom his post, his metallic stilts clattering off in the distance.Chip's accuser moved forward from the shadows; dim light illumined hisfeatures. And— Johnny! Chip's voice lifted in a note of jubilant surprise.Johnny Haldane—you old scoundrel! Where in the void did you dropfrom? The S.S.P. man chuckled and returned Chip's greeting with abone-grinding handclasp. I might ask the same of you, chum! Lord, it's been ages since we'vecrossed 'jectory! When I saw you meandering across the Casino, youcould have knocked me down with a jetblast! What's new? Is old Sydstill with you? We're still shipmates. But he's back at the spaceport. The jerry-crewis plating our crate with ek, and— Ek! Plating a private cruiser! Haldane stared at him in astonishment,then whistled. Sweet Sacred Stars, you must be filthy with credits tobe able to coat an entire ship with ekalastron! You, boasted Chip, ain't heard nothing yet! And he told him howthey had discovered an entire mountain of the previous new element, No.97 in the periodic table, on frigid Titania, satellite of far Uranus.It was touch-and-go for a while, he admitted, whether we'd be theluckiest three guys in space—or the deadest! But we passed through theflaming caverns like old Shadrach in the Bible—remember?—and here weare! [1] Haldane was exuberant. A mountain of ekalastron! he gloated.That's the greatest contribution to spaceflight since Biggs'velocity-intensifier! It was no overstatement. Element No. 97 was ametal so light that a man could carry in one hand enough to coat theentire hull of a battleship—yet so adamant that a gossamer film ofit would deflect a meteor! A metal strong enough to crush diamonds toash—but so resilient that, when properly treated, it would reboundlike rubber! What are you going to do with it, Chip? Put it on theopen market? Warren shook his head. Not exactly. We talked it over carefully—Syd and Salvation and I—andwe decided there are some space-rats to whom it shouldn't be madeavailable. Privateers and outlaws, you know. So we turned control ofthe mines over to the Space Patrol at Uranus, and visiphoned the Earthauthorities we were bringing in one cargo— Visiphoned! interrupted Haldane sharply. Did you say visiphoned? Why—why, yes. From where? Oh, just before we reached the Belt. We don't have a very strongtransmitter, you know. Sa-a-ay, what's all the excitement, pal? Did wedo something that was wrong? Haldane frowned worriedly. I don't know, Chip. It wasn't anything wrong , but what you did was damned dangerous. For if your message wasintercepted, you may have played into the very hands of—the Lorelei! <doc-sep>Chip stared at his friend bewilderedly for a moment. Then he grinned.Hey—I must be getting slightly whacky in my old age. I stand herewith an unopened bottle in my hands and hear things! For a minute Ithought you said 'Lorelei.' The Lorelei, my space-cop friend, is amyth. An old Teutonic myth about a beautiful damsel who sits out inthe middle of a sea on a treacherous rock, combing her golden locks,warbling and luring her fascinated admirers to destruction. He grunted. A dirty trick, if you ask me. Catch a snort of thisalleged Scotch, pal, and I'll torture your eardrums with the whole, sadstory. He started to sing. ' Ich weiss nicht was soll es bedeuten —' The Patrolman laid a hand on his arm, silenced him. It's not funny, Chip. You've described the Lorelei exactly. That'show she got her name. An incredibly beautiful woman who wantonly luresspace-mariners to their death. The only difference is that her 'rock' is an asteroid somewhere inthe Belt—and she does not sing, she calls! She began exercisingher vicious appeal about two months ago, Earth reckoning. Sincethen, no less than a dozen spacecraft—freighters, liners, even onePatrolship—have fallen prey to her wiles. Their crews have beenbrutally murdered, their cargos stolen. Wait a minute! interrupted Chip shrewdly. How do you know about herif the crews have been murdered? She has a habit of locking the controls, explained Haldane, andsetting ravaged ships adrift. Apparently there is no room on herhideout—wherever it is—for empty hulks. One of these ships wassalvaged by a courageous cabin-boy who hid from the Lorelei and herpirate band beneath a closetful of soiled linens in the laundry. Hedescribed her. His description goes perfectly with less accurateglimpses seen over the visiphones of several score spacecraft! Chip said soberly, So it's no joke, eh, pal? Sorry I popped off. Ithought you were pulling my leg. Where do I come into this mess,though? Ekalastron! grunted Johnny succinctly. A jackpot prize for anycorsair! And you advertised a cargo of it over the etherwaves! TheLorelei will be waiting for you with her tongue hanging out. The onlything for you to do, kid, is go back to Jupiter or Io as fast as youcan get there. Make the Patrol give you a convoy— A sudden light danced in Chip Warren's eyes. It was a light Syd Palmerwould have groaned to see—for it usually presaged trouble. It was abright, hard, reckless light. Hold your jets, Johnny! drawled Chip. Aren't you forgetting onething? In a couple more hours, I can face the Lorelei and her wholemob—and be damned to them! She can't touch the Chickadee , becauseit's being plated right now! Haldane snapped his fingers in quick remembrance. By thunder, you're right! Her shells will ricochet off the Chickadee's hull like hail off a tin roof. Chip, are you in any hurryto reach Earth? I thought not. What do you say we go after the Lorelei together ! I'll swear you in as a Deputy Patrolman; we'll take the Chickadee and— It's a deal! declared Chip promptly. You got any idea where thisLorelei's hangout is? That's why I'm here on Danae. I got a tip that one of the Lorelei'smen put in here for supplies. I hoped maybe I could single himout somehow, follow him when he jetted for his base, and in thatway— Chip! Look out! <doc-sep> THE LORELEI DEATH by NELSON S. BOND Far out in limitless Space she plied her deadly trade ... a Lorelei of the void, beckoning spacemen to death and destruction with her beautiful siren lure. [Transcriber's Note: This etext was produced from Planet Stories Winter 1941. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Chip Warren stood before an oblong of glass set into one wall ofthe spaceship Chickadee II , stared at what he saw reflectedtherefrom—and frowned. He didn't like it. Not a bit! It was too—too— He turned away angrily, ripped the offending article from about hisneck, and chose another necktie from the rack. This one was brighter,gaudier, much more in keeping with the gaiety of his mood. He emitted agrunt of satisfaction, spun from the mirror to face his two companionstriumphantly. There! How do you like that ? Syd Palmer, short and chubby, tow-headed and liquid-blue of eye, alwayslanguid save when engaged in the solution of some engineering problemconcerned with the space vessel he mothered like a brooding hen, moanedinsultingly and forced a shudder. Sunspots! Novae! Flying comets! And he wears 'em around his neck! You, Chip told him serenely, have no appreciation of beauty. What do you think of it, Padre? Salvation Smith, a tall, gangling scarecrow garbed in rusty black,a lean-jawed, hawkeyed man with tumbled locks of silver framing hisweathered cheeks like a halo, concealed his grin poorly. Well,my boy, he admitted, there is some Biblical precedent foryour—ahem!—clamorous raiment. 'So Joseph made for himself a coatwhich was of many colors—' Both of you, declared Chip, give me a pain in the pants!Stick-in-the-muds! Here we are in port for the first time in months,cargo-bins loaded to the gunwales with enough ekalastron to make usrich for life—and you sit here like a pair of stuffed owls! Well, not me! I'm going to take a night off, throw myself a party thelikes of which was never seen around these parts. Put a candle in thewindow, chilluns, 'cause li'l' Chip won't be home till the wee, sma'hours! Syd chuckled. O.Q., big shot. But don't get too cozy with any of those joy-jointentertainers. Remember what happened to poor old Dougal MacNeer! Salvation said soberly, Syd's just fooling, my boy. But I would becareful if I were you. We're in the Belt, you know. The forces of lawand order do not always govern these wild outposts of civilization aswell as might be hoped. The planetoids are dens of iniquity, violentand unheeding the words of Him who rules all— The old man's lips etched a straight line, reminding Chip thatSalvation Smith was not one of those milk-and-water missionaries whoespoused the principle of turning the other cheek to evildoers.Salvation was not the ordained emissary of any church. A devoutlyreligious man with the heart of an adventurer, he had taken uponhimself the mission of carrying to outland tribes the story of the Godhe worshipped. That his God was the fierce Yahveh of the Old Testament, a God ofanger and retribution, was made evident by the methods Salvationsometimes employed in winning his converts. For not only was Salvationacknowledged the most pious man in space; he was also conceded to bethe best hand with a gun! Now Chip gave quiet answer. I know, Padre: I'll be careful. Well,Syd—sure you won't change your mind and come along? No can do, chum. The spaceport repair crew's still smearing thisjalopy with ek. Got to stay and watch 'em. O.Q. I'm off alone, then. See you later! And, whistling, Chip Warren stepped through the lock of the Chickadee onto the soil of the asteroid Danae. <doc-sep></s> [SEP] What does the term ekalastron or No. 97 refer to in THE LORELEI DEATH?

Ekalastron is the element No. 97 on the period table. It is an incredibly valuable material due to its properties. It’s an incredibly light metal, and yet it is also impenetrable. Johnny claims that it’s strong enough that a simple film of ekalastron would deflect an entire meteor. Of course, because of this, any amount of ekalastron could make a person very wealthy. Chip and his crew find an entire mountain of ekalastron on the chilly Titania, a satellite off of Uranus. They decided to turn over their find to the Uranus Space Patrol, and then let the Earth authorities know that they were bringing in some cargo.

What role does Salvation Smith play in THE LORELEI DEATH? [SEP] <s> THE LORELEI DEATH by NELSON S. BOND Far out in limitless Space she plied her deadly trade ... a Lorelei of the void, beckoning spacemen to death and destruction with her beautiful siren lure. [Transcriber's Note: This etext was produced from Planet Stories Winter 1941. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Chip Warren stood before an oblong of glass set into one wall ofthe spaceship Chickadee II , stared at what he saw reflectedtherefrom—and frowned. He didn't like it. Not a bit! It was too—too— He turned away angrily, ripped the offending article from about hisneck, and chose another necktie from the rack. This one was brighter,gaudier, much more in keeping with the gaiety of his mood. He emitted agrunt of satisfaction, spun from the mirror to face his two companionstriumphantly. There! How do you like that ? Syd Palmer, short and chubby, tow-headed and liquid-blue of eye, alwayslanguid save when engaged in the solution of some engineering problemconcerned with the space vessel he mothered like a brooding hen, moanedinsultingly and forced a shudder. Sunspots! Novae! Flying comets! And he wears 'em around his neck! You, Chip told him serenely, have no appreciation of beauty. What do you think of it, Padre? Salvation Smith, a tall, gangling scarecrow garbed in rusty black,a lean-jawed, hawkeyed man with tumbled locks of silver framing hisweathered cheeks like a halo, concealed his grin poorly. Well,my boy, he admitted, there is some Biblical precedent foryour—ahem!—clamorous raiment. 'So Joseph made for himself a coatwhich was of many colors—' Both of you, declared Chip, give me a pain in the pants!Stick-in-the-muds! Here we are in port for the first time in months,cargo-bins loaded to the gunwales with enough ekalastron to make usrich for life—and you sit here like a pair of stuffed owls! Well, not me! I'm going to take a night off, throw myself a party thelikes of which was never seen around these parts. Put a candle in thewindow, chilluns, 'cause li'l' Chip won't be home till the wee, sma'hours! Syd chuckled. O.Q., big shot. But don't get too cozy with any of those joy-jointentertainers. Remember what happened to poor old Dougal MacNeer! Salvation said soberly, Syd's just fooling, my boy. But I would becareful if I were you. We're in the Belt, you know. The forces of lawand order do not always govern these wild outposts of civilization aswell as might be hoped. The planetoids are dens of iniquity, violentand unheeding the words of Him who rules all— The old man's lips etched a straight line, reminding Chip thatSalvation Smith was not one of those milk-and-water missionaries whoespoused the principle of turning the other cheek to evildoers.Salvation was not the ordained emissary of any church. A devoutlyreligious man with the heart of an adventurer, he had taken uponhimself the mission of carrying to outland tribes the story of the Godhe worshipped. That his God was the fierce Yahveh of the Old Testament, a God ofanger and retribution, was made evident by the methods Salvationsometimes employed in winning his converts. For not only was Salvationacknowledged the most pious man in space; he was also conceded to bethe best hand with a gun! Now Chip gave quiet answer. I know, Padre: I'll be careful. Well,Syd—sure you won't change your mind and come along? No can do, chum. The spaceport repair crew's still smearing thisjalopy with ek. Got to stay and watch 'em. O.Q. I'm off alone, then. See you later! And, whistling, Chip Warren stepped through the lock of the Chickadee onto the soil of the asteroid Danae. <doc-sep>Two hours later, Chip was still following the bright pinpoint ofscarlet which marked the course of his quarry. In the time that had elapsed since their take-off, he had told hisfriends the whole story. When he told about the Lorelei, SalvationSmith's seamy old features screwed up in a perplexed grimace. Awoman pirate in the Belt, son? I find it hard to believe. Yet— Andwhen he described the death of Johnny Haldane, anger smoldered in themissionary's eyes, and Syd Palmer's hands knotted into tight, whitefists. Said Syd, A man with a scar, eh? Well, we'll catch him sooneror later. And when we do— His tone boded no good to the man who hadslain an old and loved friend. As a matter of fact, offered Salvation, we've got him now. Any timeyou say the word, Chip. We're faster than he is. We can close in on himin five minutes. I know, nodded Warren grimly. But we won't do it—yet. I'm borrowinga bit of Johnny's strategy. I've been plotting his course. As soon asI'm sure of his destination, we'll take care of him . But our firstand most vital problem is to locate the Lorelei's hideaway. Syd said, That's all right with me, chum. I like a good scrap as muchas the next guy. Better, maybe. But this isn't our concern, strictlyspeaking. What we ought to do is report this matter to the SpacePatrol, let them take care of it. Salvation shook his head. That's where you're mistaken, Sydney. This is very much our concern.So much so, in fact, that we dare not make port again until it'scleared up. I think you have forgotten that it is not the scar-facedman who is wanted for the killing of Haldane—but Chip! B-but— gasped Palmer—b-but that's ridiculous! Chip and Johnny wereold buddies. Lifelong friends! Nevertheless, the circumstantial evidence indicates Chip's guilt.Twenty men saw him standing over Johnny's dead body, with aflame-pistol in his hand. And the barkeep heard Johnny 'arrest' Chipand accuse him of murder! Chip said ruefully, That's right, Syd. It was only a joke, but itbackfired. The bartender thought Johnny meant it. He scooted out ofthere like a bat out of Hades. I'm in it up to my neck unless we canbring back evidence that Scarface actually did the killing. And thatmay not be so easy. He stirred restlessly. But we'll cross that bridge when we come toit. Right now our job is to keep this rat in sight. We've gone fartheralready than I expected we would. He turned to the old preacher.Where do you think we're going, Padre? Out of the Belt entirely? I've been wondering that myself, son. I don't know for sure, ofcourse, but it looks to me as if we're going for the Bog. If so, you'dbetter keep a weather-eye peeled. The Bog! Chip had never penetrated the planetoids so deeply before,but he knew of the Bog by hearsay. All men did. A treacherous region oftightly packed asteroids, a mad and whirling scramble of the giganticrocks which, aeons ago, had been a planet. Few spacemen dared penetratethe Bog. Of those who did dare, few returned to tell the tale. TheBog! Say! I'd better keep a sharp lookout! He turned to the perilens once more, fastened an eye to its lens. Andthen— Syd! he cried. Salvation! Look! She—she—! He pressed the plunger that transferred the perilens image to thecentral viewscreen. And as he did so, a phantom filled the area whichshould have revealed yawning space, gay with the spangles of a myriadglowing orbs. The vision of an unbelievably beautiful girl, thegolden-crowned embodiment of a man's fondest dreaming, eyes wide withan indistinguishable emotion, arms stretched wide in mute appeal. And from the throats of all came simultaneous recognition. The Lorelei! <doc-sep>At the same moment came a plea from the enchantress of space througha second medium. For no reason anyone could explain, the ship's telaudio wakened to life; over it came to their ears the actual wordsof the girl: Help! Oh, help! Can anyone hear me? Help — Even though he knew this to be only a ruse, a deliberate, dastardlytrap set for the unwary, Chip Warren's pulse leaped in hot response tothat desperate plea. Even with the warning of Johnny Haldane fresh inhis memory, some gallantry deep within him spurred him to the aid ofthis lovely vision. Here was a woman a man could live for, fight for, die for! A woman like no other in the universe. Then common sense came to his rescue. He wrenched his gaze from thetempting shadow, cried: Kill that wavelength! Tune the lens onanother beam, Syd! Palmer, bedazzled but obedient, spun the dial of the perilens .Despite his vastly improved science Man had never yet succeeded indevising a transparent medium through which to view the void whereinhe soared; the perilens was a device which translated impinginglight-waves into a picture of that which lay outside the ship's hull.When or where electrical disturbances existed in space, its frequencycould be changed for greater clarity. This was what Syd now attempted. But to no avail! For it mattered not which cycle he tuned to—theimage persisted. Still on the viewscreen that pleading figurebeckoned piteously. And still the cabin rang to the prayers of thatheart-tugging voice: Help! Oh, help! Can anyone hear me? Help — Gone, now, was any fascination that thrilling vision might previouslyhave held for Chip Warren. Understanding of their plight dawned coldlyupon him, and his brow became dark with anger. We're blanketed! Flying blind! Salvation, radio a general alarm!Syd, jazz the hypos to max. Shift trajectory to fourteen-oh-three Northand loft ... fire No. 3 jet.... He had hurled himself into the bucket-shaped pilot's seat; nowhis fingers played the controls like those of a mad organist. The Chickadee groaned from prow to stern, trembled like a tortured thingas he thrust it into a rising spiral. It was a desperate chance he was taking. Increasing his speed thus, itwas certain he would be spotted by the man he had been following; theflaming jets of the Chickadee must form a crimson arch against blackspace visible for hundreds—thousands!—of miles. Nor was there any wayof knowing what lay in the path Chip thus blindly chose. Titanic deathmight loom on every side. But they had to fight clear of this spot ofblindness, clear their instruments.... And then it came! A jarring concussion that smashed against the prowof the Chickadee like a battering ram. Chip flew headlong out of hisbucket to spreadeagle on the heaving iron floor. He heard, above thegrinding plaint of shattered steel the bellowing prayer of SalvationSmith: We've crashed! 'Into Thy hands, O Lord of old—' Then Syd's angry cry, Crashed, hell! He's smashed us with atractor-blast! Chip stared at his companion numbly. But—but that's impossible! We're plated with ek! A tractor-cannoncouldn't hurt us— Half-plated! howled Syd savagely. And those damn fools startedworking from the stern of the Chickadee ! We're vulnerable up front,and that's where he got us! In a minute this can will be leaking like asieve. I'll get out bulgers. Hold 'er to her course, Chip! He dove for the lockers wherein were hung the space-suits, tore themhastily from their hangers. Chip again spun the perilens vernier. Nogood! No space ... no stars ... just a beautiful phantom crying them tocertain doom. By now he was aware that from a dozen sprung plates airwas seeping, but he fought down despair. While there remained hope, aman had to keep on fighting. He scrambled back into the bucket-seat, experimented with controls thatanswered sluggishly. Salvation had sprung to the rotor-gun, was nowangrily jerking its lanyard, lacing the void with death-dealing burststhat had no mark. The old man's eyes were brands of fire, his whitehair clung wetly to his forehead. His rage was terrible to behold. 'Yes, truly shall I destroy them!' he cried, 'who loose theirstealth upon me like a thief from the night—' Then suddenly there came a second and more frightful blow. Thestraining Chickadee stopped as though pole-axed by a gigantic fist.Stopped and shuddered and screamed in metal agony. This time inertiaflung Chip headlong, helpless, into the control racks. Brazen studstook the impact of his body; crushing pain banded about his temples,and a red wetness ran into his eyes, blurring and blinding him, burning. For an instant there flamed before him a universe of incandescentstars, weaving, shimmering, merging. The vision of a woman whose hairwas a golden glory.... After that—nothing! <doc-sep></s> [SEP] What role does Salvation Smith play in THE LORELEI DEATH?

Salvation Smith is a highly-religious man and a missionary. However, his god is not a gentle one. Salvation Smith is a scarecrow of a man, tall and lean, who dresses in all black with wavy gray hair. He believed in spreading the word of Yahveh of the Old Testament and took his words to heart. Salvation did not turn away from evil, in fact, he was one of the best shooters in space. Salvation Smith stays behind with Syd Palmer at the beginning of the story, after wisely warning Chip to be careful during his night on the town. Chip and Syd both respect Salvation for his knowledge, faith, and strength, so he is usually listened to. In the end, Salvation helps Chip escape from the authorities and men wrongfully pursuing him and tries to save them from destruction when they encounter the Lorelei. However, the story ends without a complete resolution for Salvation. The readers are unsure if he survived the crash, or if he’d been taken hostage by the pirates. Salvation Smith is often a voice of reason, as well as a great companion throughout the story.

Can you provide a summary of the storyline in CONTAGION? [SEP] <s>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep> CONTAGION By KATHERINE MacLEAN [Transcriber's Note: This etext was produced from Galaxy Science Fiction October 1950. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Minos was such a lovely planet. Not a thing seemed wrong with it. Excepting the food, perhaps. And a disease that wasn't really. It was like an Earth forest in the fall, but it was not fall. Theforest leaves were green and copper and purple and fiery red, and awind sent patches of bright greenish sunlight dancing among the leafshadows. The hunt party of the Explorer filed along the narrow trail, gunsready, walking carefully, listening to the distant, half familiar criesof strange birds. A faint crackle of static in their earphones indicated that a gun hadbeen fired. Got anything? asked June Walton. The helmet intercom carried hervoice to the ears of the others without breaking the stillness of theforest. Took a shot at something, explained George Barton's cheerful voicein her earphones. She rounded a bend of the trail and came upon Bartonstanding peering up into the trees, his gun still raised. It lookedlike a duck. This isn't Central Park, said Hal Barton, his brother, coming intosight. His green spacesuit struck an incongruous note against thebronze and red forest. They won't all look like ducks, he saidsoberly. Maybe some will look like dragons. Don't get eaten by a dragon,June, came Max's voice quietly into her earphones. Not while I stilllove you. He came out of the trees carrying the blood sample kit, andtouched her glove with his, the grin on his ugly beloved face barelyvisible in the mingled light and shade. A patch of sunlight struck agreenish glint from his fishbowl helmet. <doc-sep> UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was onlyone thing he could bring backfrom the wonderful future ...and though he didn't want to... nevertheless he did.... Illustrated by Freas Betty looked up fromher magazine. She saidmildly, You're late. Don't yell at me, Ifeel awful, Simon toldher. He sat down at his desk, passedhis tongue over his teeth in distaste,groaned, fumbled in a drawer for theaspirin bottle. He looked over at Betty and said,almost as though reciting, What Ineed is a vacation. What, Betty said, are you goingto use for money? Providence, Simon told herwhilst fiddling with the aspirin bottle,will provide. Hm-m-m. But before providingvacations it'd be nice if Providenceturned up a missing jewel deal, say.Something where you could deducethat actually the ruby ring had gonedown the drain and was caught in theelbow. Something that would netabout fifty dollars. Simon said, mournful of tone,Fifty dollars? Why not make it fivehundred? I'm not selfish, Betty said. AllI want is enough to pay me thisweek's salary. Money, Simon said. When youtook this job you said it was the romancethat appealed to you. Hm-m-m. I didn't know mostsleuthing amounted to snoopingaround department stores to check onthe clerks knocking down. Simon said, enigmatically, Nowit comes. <doc-sep></s> [SEP] Can you provide a summary of the storyline in CONTAGION?

The story begins with the Explorer ship landing on an unknown planet. The ships inhabitants are careful of any potential diseases and so do not readily disembark to explore their new surroundings. Instead, they send a crew of four medical doctors to go on a hunt party to understand the types of pathogens on the planet. The four doctors in the hunt party are June Walton, George Barton, Hal Barton, and Max. George and Hal are brothers. Max and June are in a relationship together. They walk through the forest, shooting different animals that they encounter to test for diseases. As they walk through the forest, they encounter a man who speaks English. His name is Patrick Mead and he introduces the party to the planet, known as Minos. The man explains how his group was 300 miles away from their ship. Patrick and the group asks questions of each other. Patrick notes that he is shocked to see a variety of different looking people as those on Minos all look very similar to each other. The group and Pat all head back to the ship where they explain to Pat that he has to go through a process of decontamination. They begin by taking specimen from Pat and spinal fluid samples from him. Pat then continues on to the rest of the decontamination process that the others do not have to go through. While Pat is going through decontamination, so is the rest of the doctors – but in a different process. During June’s process, she is seen admiring her body. Once they are done, they go to the dining hall to eat. A woman asks the doctors when they will be able to let out of the ship to explore the new land, and Max answers that it might happen soon. Many people are excited about the possibility because they have all been isolated in space for the past year and a half. When they enter the cafeteria, they can hear passengers excitedly gossiping about Pat’s arrival. As soon as pat enters the room, people approach him eagerly awaiting to talk to him. During the meal, Pat explains how a geneticist on the planet adapted the citizens’ cells to their planet so that they would not destroy the planet foraging for food. During the conversation over food, Hall enters the room to inform them that the hamsters showed signs of infection. This means that Pat’s people still do carry the disease, the morning sickness. Pat assures them that his people would be willing to be de-infected. The crew then send Reno Ulrich to go to Pat’s town to make relations with the people.After eating, June goes back to the laboratory. She sees Pat and the beautiful Shelia Davenport walking in her direction. She mockingly acknowledges his presence when he walks past her.

How does June's interaction with Patrick Mead affect her emotions in CONTAGION? [SEP] <s>June looked in stunned silence at the stranger leaning against thetree. Thirty-six light years—thirty-six times six trillion milesof monotonous space travel—to be told that the planet was alreadysettled! We didn't know there was a colony here, she said. It is noton the map. We were afraid of that, the tall bronze man answered soberly. Wehave been here three generations and yet no traders have come. Max shifted the kit strap on his shoulder and offered a hand. My nameis Max Stark, M.D. This is June Walton, M.D., Hal Barton, M.D., andGeorge Barton, Hal's brother, also M.D. Patrick Mead is the name, smiled the man, shaking hands casually.Just a hunter and bridge carpenter myself. Never met any medicosbefore. The grip was effortless but even through her airproofed glove Junecould feel that the fingers that touched hers were as hard as paddedsteel. What—what is the population of Minos? she asked. He looked down at her curiously for a moment before answering. Onlyone hundred and fifty. He smiled. Don't worry, this isn't a cityplanet yet. There's room for a few more people. He shook hands withthe Bartons quickly. That is—you are people, aren't you? he askedstartlingly. Why not? said Max with a poise that June admired. Well, you are all so—so— Patrick Mead's eyes roamed across thefaces of the group. So varied. They could find no meaning in that, and stood puzzled. I mean, Patrick Mead said into the silence, all these—interestingdifferent hair colors and face shapes and so forth— He made a vaguewave with one hand as if he had run out of words or was anxious not toinsult them. Joke? Max asked, bewildered. June laid a hand on his arm. No harm meant, she said to him over theintercom. We're just as much of a shock to him as he is to us. She addressed a question to the tall colonist on outside sound. Whatshould a person look like, Mr. Mead? He indicated her with a smile. Like you. June stepped closer and stood looking up at him, considering her owndescription. She was tall and tanned, like him; had a few freckles,like him; and wavy red hair, like his. She ignored the brightlyhumorous blue eyes. In other words, she said, everyone on the planet looks like you andme? Patrick Mead took another look at their four faces and began to grin.Like me, I guess. But I hadn't thought of it before. I did not thinkthat people could have different colored hair or that noses could fitso many ways onto faces. I was judging by my own appearance, but Isuppose any fool can walk on his hands and say the world is upsidedown! He laughed and sobered. But then why wear spacesuits? The airis breathable. For safety, June told him. We can't take any chances on plague. Pat Mead was wearing nothing but a loin cloth and his weapons, and thewind ruffled his hair. He looked comfortable, and they longed to takeoff the stuffy spacesuits and feel the wind against their own skins.Minos was like home, like Earth.... But they were strangers. Plague, Pat Mead said thoughtfully. We had one here. It came twoyears after the colony arrived and killed everyone except the Meadfamilies. They were immune. I guess we look alike because we're allrelated, and that's why I grew up thinking that it is the only waypeople can look. Plague. What was the disease? Hal Barton asked. Pretty gruesome, according to my father. They called it the meltingsickness. The doctors died too soon to find out what it was or what todo about it. You should have trained for more doctors, or sent to civilization forsome. A trace of impatience was in George Barton's voice. Pat Mead explained patiently, Our ship, with the power plant and allthe books we needed, went off into the sky to avoid the contagion,and never came back. The crew must have died. Long years of hardshipwere indicated by that statement, a colony with electric power goneand machinery stilled, with key technicians dead and no way to replacethem. June realized then the full meaning of the primitive sheath knifeand bow. Any recurrence of melting sickness? asked Hal Barton. No. Any other diseases? Not a one. Max was eyeing the bronze red-headed figure with something approachingawe. Do you think all the Meads look like that? he said to June onthe intercom. I wouldn't mind being a Mead myself! <doc-sep>Go ahead and eat it. It just wouldn't digest. You'd stay hungry. Why? Len was aggrieved. Chemical differences in the basic protoplasm of Minos. Differentamino linkages, left-handed instead of right-handed molecules in thecarbohydrates, things like that. Nothing will be digestible here untilyou are adapted chemically by a little test-tube evolution. Till thenyou'd starve to death on a full stomach. Pat's side of the table had been loaded with the dishes from two trays,but it was almost clear now and the dishes were stacked neatly to oneside. He started on three desserts, thoughtfully tasting each in turn. Test-tube evolution? Max repeated. What's that? I thought you peoplehad no doctors. It's a story. Pat leaned back again. Alexander P. Mead, the head ofthe Mead clan, was a plant geneticist, a very determined personalityand no man to argue with. He didn't want us to go through the struggleof killing off all Minos plants and putting in our own, spoiling theface of the planet and upsetting the balance of its ecology. He decidedthat he would adapt our genes to this planet or kill us trying. He didit all right.' Did which? asked June, suddenly feeling a sourceless prickle of fear. Adapted us to Minos. He took human cells— <doc-sep>May I go aboard? Pat asked hopefully. Max unslung the specimen kit from his shoulder, laid it on the carpetof plants that covered the ground and began to open it. Tests first, Hal Barton said. We have to find out if you peoplestill carry this so-called melting sickness. We'll have to de-microbeyou and take specimens before we let you on board. Once on, you'll beno good as a check for what the other Meads might have. Max was taking out a rack and a stand of preservative bottles andhypodermics. Are you going to jab me with those? Pat asked with interest. You're just a specimen animal to me, bud! Max grinned at Pat Mead,and Pat grinned back. June saw that they were friends already, thetall pantherish colonist, and the wry, black-haired doctor. She felt astab of guilt because she loved Max and yet could pity him for beingsmaller and frailer than Pat Mead. Lie down, Max told him, and hold still. We need two spinal fluidsamples from the back, a body cavity one in front, and another from thearm. Pat lay down obediently. Max knelt, and, as he spoke, expertly swabbedand inserted needles with the smooth speed that had made him a finenerve surgeon on Earth. High above them the scout helioplane came out of an opening in the shipand angled off toward the west, its buzz diminishing. Then, suddenly,it veered and headed back, and Reno Unrich's voice came tinnily fromtheir earphones: What's that you've got? Hey, what are you docs doing down there? Hebanked again and came to a stop, hovering fifty feet away. June couldsee his startled face looking through the glass at Pat. Hal Barton switched to a narrow radio beam, explained rapidly andpointed in the direction of Alexandria. Reno's plane lifted and flewaway over the odd-colored forest. The plane will drop a note on your town, telling them you gotthrough to us, Hal Barton told Pat, who was sitting up watching Maxdexterously put the blood and spinal fluids into the right bottleswithout exposing them to air. We won't be free to contact your people until we know if they stillcarry melting sickness, Max added. You might be immune so it doesn'tshow on you, but still carry enough germs—if that's what caused it—towipe out a planet. If you do carry melting sickness, said Hal Barton, we won't be ableto mingle with your people until we've cleared them of the disease. Starting with me? Pat asked. Starting with you, Max told him ruefully, as soon as you step onboard. More needles? Yes, and a few little extras thrown in. Rough? It isn't easy. A few minutes later, standing in the stalls for spacesuitdecontamination, being buffeted by jets of hot disinfectant, bathed inglares of sterilizing ultraviolet radiation, June remembered that andcompared Pat Mead's treatment to theirs. In the Explorer , stored carefully in sealed tanks and containers,was the ultimate, multi-purpose cureall. It was a solution of enzymesso like the key catalysts of the human cell nucleus that it causedchemical derangement and disintegration in any non-human cell. Nothingcould live in contact with it but human cells; any alien intruder tothe body would die. Nucleocat Cureall was its trade name. But the cureall alone was not enough for complete safety. Plagues hadbeen known to slay too rapidly and universally to be checked by humantreatment. Doctors are not reliable; they die. Therefore spaceways andinterplanetary health law demanded that ship equipment for guardingagainst disease be totally mechanical in operation, rapid and efficient. Somewhere near them, in a series of stalls which led around andaround like a rabbit maze, Pat was being herded from stall to stallby peremptory mechanical voices, directed to soap and shower, orderedto insert his arm into a slot which took a sample of his blood, givensolutions to drink, bathed in germicidal ultraviolet, shaken by sonicblasts, breathing air thick with sprays of germicidal mists, beingdirected to put his arms into other slots where they were anesthesizedand injected with various immunizing solutions. Finally, he would be put in a room of high temperature and extremedryness, and instructed to sit for half an hour while more fluids weredripped into his veins through long thin tubes. All legal spaceships were built for safety. No chance was taken ofallowing a suspected carrier to bring an infection on board with him. <doc-sep></s> [SEP] How does June's interaction with Patrick Mead affect her emotions in CONTAGION?

Upon meeting Patrick, June makes note of his tall frame and how his appearance resembles her own. She seems to admire his looks. She in turn feels guilty as Max, her partner, seems to not compare well to Patrick in her own eyes. She also notes that Max is frailer than Pat. Back on the ship, June admires herself during the spacesuit decontamination process. Evident from Max’s reaction, it is unusual for her to do so in such a manner. It is hinted that Pat’s appearance prompted her examination. Further, into the story, June begins to express more uneasiness with Max’s figure. She also does not appear to like that so many women are giving Pat a lot of attention. She continues to feel guilty as she sees her feelings toward Pat as being disloyal to Max, who she thinks she loves. She again shows her jealously when Pat is seen walking down a hallway with Shelia Davenport, who June herself describes as gorgeous.

What does the term melting sickness refer to in CONTAGION? [SEP] <s>June looked in stunned silence at the stranger leaning against thetree. Thirty-six light years—thirty-six times six trillion milesof monotonous space travel—to be told that the planet was alreadysettled! We didn't know there was a colony here, she said. It is noton the map. We were afraid of that, the tall bronze man answered soberly. Wehave been here three generations and yet no traders have come. Max shifted the kit strap on his shoulder and offered a hand. My nameis Max Stark, M.D. This is June Walton, M.D., Hal Barton, M.D., andGeorge Barton, Hal's brother, also M.D. Patrick Mead is the name, smiled the man, shaking hands casually.Just a hunter and bridge carpenter myself. Never met any medicosbefore. The grip was effortless but even through her airproofed glove Junecould feel that the fingers that touched hers were as hard as paddedsteel. What—what is the population of Minos? she asked. He looked down at her curiously for a moment before answering. Onlyone hundred and fifty. He smiled. Don't worry, this isn't a cityplanet yet. There's room for a few more people. He shook hands withthe Bartons quickly. That is—you are people, aren't you? he askedstartlingly. Why not? said Max with a poise that June admired. Well, you are all so—so— Patrick Mead's eyes roamed across thefaces of the group. So varied. They could find no meaning in that, and stood puzzled. I mean, Patrick Mead said into the silence, all these—interestingdifferent hair colors and face shapes and so forth— He made a vaguewave with one hand as if he had run out of words or was anxious not toinsult them. Joke? Max asked, bewildered. June laid a hand on his arm. No harm meant, she said to him over theintercom. We're just as much of a shock to him as he is to us. She addressed a question to the tall colonist on outside sound. Whatshould a person look like, Mr. Mead? He indicated her with a smile. Like you. June stepped closer and stood looking up at him, considering her owndescription. She was tall and tanned, like him; had a few freckles,like him; and wavy red hair, like his. She ignored the brightlyhumorous blue eyes. In other words, she said, everyone on the planet looks like you andme? Patrick Mead took another look at their four faces and began to grin.Like me, I guess. But I hadn't thought of it before. I did not thinkthat people could have different colored hair or that noses could fitso many ways onto faces. I was judging by my own appearance, but Isuppose any fool can walk on his hands and say the world is upsidedown! He laughed and sobered. But then why wear spacesuits? The airis breathable. For safety, June told him. We can't take any chances on plague. Pat Mead was wearing nothing but a loin cloth and his weapons, and thewind ruffled his hair. He looked comfortable, and they longed to takeoff the stuffy spacesuits and feel the wind against their own skins.Minos was like home, like Earth.... But they were strangers. Plague, Pat Mead said thoughtfully. We had one here. It came twoyears after the colony arrived and killed everyone except the Meadfamilies. They were immune. I guess we look alike because we're allrelated, and that's why I grew up thinking that it is the only waypeople can look. Plague. What was the disease? Hal Barton asked. Pretty gruesome, according to my father. They called it the meltingsickness. The doctors died too soon to find out what it was or what todo about it. You should have trained for more doctors, or sent to civilization forsome. A trace of impatience was in George Barton's voice. Pat Mead explained patiently, Our ship, with the power plant and allthe books we needed, went off into the sky to avoid the contagion,and never came back. The crew must have died. Long years of hardshipwere indicated by that statement, a colony with electric power goneand machinery stilled, with key technicians dead and no way to replacethem. June realized then the full meaning of the primitive sheath knifeand bow. Any recurrence of melting sickness? asked Hal Barton. No. Any other diseases? Not a one. Max was eyeing the bronze red-headed figure with something approachingawe. Do you think all the Meads look like that? he said to June onthe intercom. I wouldn't mind being a Mead myself! <doc-sep>May I go aboard? Pat asked hopefully. Max unslung the specimen kit from his shoulder, laid it on the carpetof plants that covered the ground and began to open it. Tests first, Hal Barton said. We have to find out if you peoplestill carry this so-called melting sickness. We'll have to de-microbeyou and take specimens before we let you on board. Once on, you'll beno good as a check for what the other Meads might have. Max was taking out a rack and a stand of preservative bottles andhypodermics. Are you going to jab me with those? Pat asked with interest. You're just a specimen animal to me, bud! Max grinned at Pat Mead,and Pat grinned back. June saw that they were friends already, thetall pantherish colonist, and the wry, black-haired doctor. She felt astab of guilt because she loved Max and yet could pity him for beingsmaller and frailer than Pat Mead. Lie down, Max told him, and hold still. We need two spinal fluidsamples from the back, a body cavity one in front, and another from thearm. Pat lay down obediently. Max knelt, and, as he spoke, expertly swabbedand inserted needles with the smooth speed that had made him a finenerve surgeon on Earth. High above them the scout helioplane came out of an opening in the shipand angled off toward the west, its buzz diminishing. Then, suddenly,it veered and headed back, and Reno Unrich's voice came tinnily fromtheir earphones: What's that you've got? Hey, what are you docs doing down there? Hebanked again and came to a stop, hovering fifty feet away. June couldsee his startled face looking through the glass at Pat. Hal Barton switched to a narrow radio beam, explained rapidly andpointed in the direction of Alexandria. Reno's plane lifted and flewaway over the odd-colored forest. The plane will drop a note on your town, telling them you gotthrough to us, Hal Barton told Pat, who was sitting up watching Maxdexterously put the blood and spinal fluids into the right bottleswithout exposing them to air. We won't be free to contact your people until we know if they stillcarry melting sickness, Max added. You might be immune so it doesn'tshow on you, but still carry enough germs—if that's what caused it—towipe out a planet. If you do carry melting sickness, said Hal Barton, we won't be ableto mingle with your people until we've cleared them of the disease. Starting with me? Pat asked. Starting with you, Max told him ruefully, as soon as you step onboard. More needles? Yes, and a few little extras thrown in. Rough? It isn't easy. A few minutes later, standing in the stalls for spacesuitdecontamination, being buffeted by jets of hot disinfectant, bathed inglares of sterilizing ultraviolet radiation, June remembered that andcompared Pat Mead's treatment to theirs. In the Explorer , stored carefully in sealed tanks and containers,was the ultimate, multi-purpose cureall. It was a solution of enzymesso like the key catalysts of the human cell nucleus that it causedchemical derangement and disintegration in any non-human cell. Nothingcould live in contact with it but human cells; any alien intruder tothe body would die. Nucleocat Cureall was its trade name. But the cureall alone was not enough for complete safety. Plagues hadbeen known to slay too rapidly and universally to be checked by humantreatment. Doctors are not reliable; they die. Therefore spaceways andinterplanetary health law demanded that ship equipment for guardingagainst disease be totally mechanical in operation, rapid and efficient. Somewhere near them, in a series of stalls which led around andaround like a rabbit maze, Pat was being herded from stall to stallby peremptory mechanical voices, directed to soap and shower, orderedto insert his arm into a slot which took a sample of his blood, givensolutions to drink, bathed in germicidal ultraviolet, shaken by sonicblasts, breathing air thick with sprays of germicidal mists, beingdirected to put his arms into other slots where they were anesthesizedand injected with various immunizing solutions. Finally, he would be put in a room of high temperature and extremedryness, and instructed to sit for half an hour while more fluids weredripped into his veins through long thin tubes. All legal spaceships were built for safety. No chance was taken ofallowing a suspected carrier to bring an infection on board with him. <doc-sep>Their job had been made easy by the coming of Pat. They went back tothe ship laughing, exchanging anecdotes with him. There was nothingnow to keep Minos from being the home they wanted, except the meltingsickness, and, forewarned against it, they could take precautions. The polished silver and black column of the Explorer seemed to risehigher and higher over the trees as they neared it. Then its symmetryblurred all sense of specific size as they stepped out from among thetrees and stood on the edge of the meadow, looking up. Nice! said Pat. Beautiful! The admiration in his voice was warming. It was a yacht, Max said, still looking up, second hand, an old-timebeauty without a sign of wear. Synthetic diamond-studded control boardand murals on the walls. It doesn't have the new speed drives, but itbrought us thirty-six light years in one and a half subjective years.Plenty good enough. The tall tanned man looked faintly wistful, and June realized thathe had never had access to a full library, never seen a movie, neverexperienced luxury. He had been born and raised on Minos. <doc-sep></s> [SEP] What does the term melting sickness refer to in CONTAGION?

The melting sickness is described as a type of plague by Pat. He informs the doctors that it arrived soon after the colony settled on the planet and killed all but one particular familiar which happened to be immune to the disease. The disease is described as being brutal and not even doctors were able to avoid it. According to Pat, there has not been any recurrence of the melting sickness and no other diseases to note.

What standards of health safety are adhered to by the Explorer members in CONTAGION? [SEP] <s>The Vinzz had been locking antennae with another of his kind. Now theydetached, and the first approached the man once more. There is, as ithappens, a body available for a private game, he lisped. No questionsto be asked or answered. All I can tell you is that it is in goodhealth. The man hesitated. But unable to pass the screening? he murmuredaloud. A criminal then. The green one's face—if you could call it a face—remained impassive. Male? Of course, the Vinzz said primly. His kind did have certain ultimatestandards to which they adhered rigidly, and one of those was thecurious tabu against mixed games, strictly enforced even though itkept them from tapping a vast source of potential players. There hadalso never been a recorded instance of humans and extraterrestrialsexchanging identities, but whether that was the result of tabu orbiological impossibility, no one could tell. It might merely be prudence on the Vinzz' part—if it had everbeen proved that an alien life-form had desecrated a human body,Earthmen would clamor for war ... for on this planet humanity heldits self-bestowed purity of birthright dear—and the Vinzz, despitebeing unquestionably the stronger, were pragmatic pacifists. It hadbeen undoubtedly some rabid member of the anti-alien groups active onTerra who had started the rumor that the planetary slogan of Vinau was,Don't beat 'em; cheat 'em. It would have to be something pretty nuclear for the other guy to takesuch a risk. The man rubbed his chin thoughtfully. How much? Thirty thousand credits. Why, that's three times the usual rate! The other will pay five times the usual rate. Oh, all right, the delicate young man gave in. It was a terrificrisk he was agreeing to take, because, if the other was a criminal, hehimself would, upon assuming the body, assume responsibility for allthe crimes it had committed. But there was nothing else he could do. <doc-sep>For me, it was a nightmare. I lay down in my cabin and thought. I hadto think things through very carefully. One mistake was too many forme. My worst fear had been that someday I would overlook one tiny flawand ruin a gem. Now I might have ruined an exploration and destroyed aman, not a stone, because I had missed the flaw. No one but a reckless fool would have gone out alone on a strangeplanet with a terrifying phenomenon, but I'd had enough evidence to seethat space exploration made a man a reckless fool by doing things onone planet he had once found safe and wise on some other world. The thought intruded itself: why hadn't I recognized this before Ilet Quade escape to almost certain death? Wasn't it because I wantedhim dead, because I resented the crew's resentment of my authority, andrecognized in him the leader and symbol of this resentment? I threw away that idea along with my half-used cigarette. It might verywell be true, but how did that help now? I had to think . I was going after him, that was certain. Not only for humanereasons—he was the most important member of the crew. With him around,there were only two opinions, his and mine. Without him, I'd haveendless opinions to contend with. But it wouldn't do any good to go out no better equipped than he.There was no time to wait for tractors to be built if we wanted toreach him alive, and we certainly couldn't reach him five or tenmiles out with our three miles of safety line. We would have to go inspacesuits. But how would that leave us any better off than Quade? Why was Quade vulnerable in his spacesuit, as I knew from experience hewould be? How could we be less vulnerable, or preferably invulnerable? <doc-sep> CONTAGION By KATHERINE MacLEAN [Transcriber's Note: This etext was produced from Galaxy Science Fiction October 1950. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Minos was such a lovely planet. Not a thing seemed wrong with it. Excepting the food, perhaps. And a disease that wasn't really. It was like an Earth forest in the fall, but it was not fall. Theforest leaves were green and copper and purple and fiery red, and awind sent patches of bright greenish sunlight dancing among the leafshadows. The hunt party of the Explorer filed along the narrow trail, gunsready, walking carefully, listening to the distant, half familiar criesof strange birds. A faint crackle of static in their earphones indicated that a gun hadbeen fired. Got anything? asked June Walton. The helmet intercom carried hervoice to the ears of the others without breaking the stillness of theforest. Took a shot at something, explained George Barton's cheerful voicein her earphones. She rounded a bend of the trail and came upon Bartonstanding peering up into the trees, his gun still raised. It lookedlike a duck. This isn't Central Park, said Hal Barton, his brother, coming intosight. His green spacesuit struck an incongruous note against thebronze and red forest. They won't all look like ducks, he saidsoberly. Maybe some will look like dragons. Don't get eaten by a dragon,June, came Max's voice quietly into her earphones. Not while I stilllove you. He came out of the trees carrying the blood sample kit, andtouched her glove with his, the grin on his ugly beloved face barelyvisible in the mingled light and shade. A patch of sunlight struck agreenish glint from his fishbowl helmet. <doc-sep></s> [SEP] What standards of health safety are adhered to by the Explorer members in CONTAGION?

Potential pathogens are of grave concern to the members of the Explorer. To ensure their safety, they send out a hunting party of medical doctors to gather data on the diseases present on the planet Minos. The doctors wear protective gear during this trip. When they bring Pat back to their ship, they require him to go through tests before he is allowed onto the ship. They include needing to de-microbe him and taking specimens from him. Max takes spinal fluid samples from Pat during this process. Pat then went through a long process where he was guided by mechanical voices to go through many different stages of decontamination. While the group of doctors do not have to go through the same process as Pat to board the ship, they go through their own decontamination process. There is a stall for spacesuit decontamination that shoots out disinfectants and baths of ultraviolet radiation for sterilization. The ship was also governed by interplanetary health laws. These laws demanded that ship equipment protecting against diseases had to be completely mechanical in operation and efficient.

What is the backdrop of the CONTAGION tale? [SEP] <s> CONTAGION By KATHERINE MacLEAN [Transcriber's Note: This etext was produced from Galaxy Science Fiction October 1950. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Minos was such a lovely planet. Not a thing seemed wrong with it. Excepting the food, perhaps. And a disease that wasn't really. It was like an Earth forest in the fall, but it was not fall. Theforest leaves were green and copper and purple and fiery red, and awind sent patches of bright greenish sunlight dancing among the leafshadows. The hunt party of the Explorer filed along the narrow trail, gunsready, walking carefully, listening to the distant, half familiar criesof strange birds. A faint crackle of static in their earphones indicated that a gun hadbeen fired. Got anything? asked June Walton. The helmet intercom carried hervoice to the ears of the others without breaking the stillness of theforest. Took a shot at something, explained George Barton's cheerful voicein her earphones. She rounded a bend of the trail and came upon Bartonstanding peering up into the trees, his gun still raised. It lookedlike a duck. This isn't Central Park, said Hal Barton, his brother, coming intosight. His green spacesuit struck an incongruous note against thebronze and red forest. They won't all look like ducks, he saidsoberly. Maybe some will look like dragons. Don't get eaten by a dragon,June, came Max's voice quietly into her earphones. Not while I stilllove you. He came out of the trees carrying the blood sample kit, andtouched her glove with his, the grin on his ugly beloved face barelyvisible in the mingled light and shade. A patch of sunlight struck agreenish glint from his fishbowl helmet. <doc-sep> A grim tale of a future in which everyone is desperate to escapereality, and a hero who wants to have his wine and drink it, too. A BOTTLE OF Old Wine By Richard O. Lewis Illustrated by KELLY FREAS <doc-sep>They walked on. A quarter of a mile back, the space ship Explorer towered over the forest like a tapering skyscraper, and the people ofthe ship looked out of the viewplates at fresh winds and sunlight andclouds, and they longed to be outside. But the likeness to Earth was danger, and the cool wind might be death,for if the animals were like Earth animals, their diseases might belike Earth diseases, alike enough to be contagious, different enough tobe impossible to treat. There was warning enough in the past. Colonieshad vanished, and traveled spaceways drifted with the corpses of shipswhich had touched on some plague planet. The people of the ship waited while their doctors, in airtightspacesuits, hunted animals to test them for contagion. The four medicos, for June Walton was also a doctor, filed through thealien homelike forest, walking softly, watching for motion among thecopper and purple shadows. They saw it suddenly, a lighter moving copper patch among the darkerbrowns. Reflex action swung June's gun into line, and behind hersomeone's gun went off with a faint crackle of static, and made a holein the leaves beside the specimen. Then for a while no one moved. This one looked like a man, a magnificently muscled, leanly graceful,humanlike animal. Even in its callused bare feet, it was a head tallerthan any of them. Red-haired, hawk-faced and darkly tanned, it stoodbreathing heavily, looking at them without expression. At its side hunga sheath knife, and a crossbow was slung across one wide shoulder. They lowered their guns. It needs a shave, Max said reasonably in their earphones, and hereached up to his helmet and flipped the switch that let his voice beheard. Something we could do for you, Mac? The friendly drawl was the first voice that had broken the forestsounds. June smiled suddenly. He was right. The strict logic ofevolution did not demand beards; therefore a non-human would not bewearing a three day growth of red stubble. Still panting, the tall figure licked dry lips and spoke. Welcome toMinos. The Mayor sends greetings from Alexandria. English? gasped June. We were afraid you would take off again before I could bring word toyou.... It's three hundred miles.... We saw your scout plane passtwice, but we couldn't attract its attention. <doc-sep></s> [SEP] What is the backdrop of the CONTAGION tale?

The story begins with the ship, the Explorer, landing on an unknown planet. It has an Earth-like forest in the fall. The leaves were of various colors, green, copper, purple, and red. To get to this planet, known as Minos, it took 36 light-years from Earth. The ship they traveled on is described as being like a silver and black column. It was previously a yacht that was retrofitted to become the Explorer. They take Pat back to the ship and they all decontaminate. Once they are done, they go to the dining hall for food. After eating their food in the dining, June and some of the other doctors return to the laboratory to inspect the mice.

Can you provide a summary of the storyline in THE CREATURES THAT TIME FORGOT? [SEP] <s>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep>Joyce glared at him furiously. Four! Act your age! We've got to dosomething with him. It's preposterous that we should be detained hereat the whim of a mere blob! I don't figure it's a whim, Grampa said. Circular gravity is whathe's got to have for one reason or another, so he just naturally bendsthe space-time continuum around him—conscious or subconscious, I don'tknow. But protoplasm is always more efficient than machines, so theflivver won't move. I don't care why that thing does it, Joyce said icily. I want itstopped, and the sooner the better. If it won't turn the gravity off,we'll just have to do away with it. How? asked Four. Fweep's skin is pretty close to impervious andyou can't shoot him, stab him or poison him. He doesn't breathe, soyou can't drown or strangle him. You can't imprison him; he 'eats'everything. And violence might be more dangerous to us than to him.Right now, Fweep is friendly, but suppose he got mad! He could lowerhis radioactive shield or he might increase the gravity by a few times.Either way, you'd feel rather uncomfortable, Grammy. Don't call me 'Grammy!' Well, what are we going to do, just sit aroundand wait for that thing to die? We'd have a long wait, Four observed. Fweep is the only one of hiskind on this planet. Well? Probably he's immortal. And he doesn't reproduce? Reba asked sympathetically. Probably not. If he doesn't die, there's no point in reproduction.Reproduction is nature's way of providing racial immortality to mortalcreatures. But he must have some way of reproduction, Reba argued. An egg orsomething. He couldn't just have sprung into being as he is now. Maybe he developed, Four offered. It seems to me that he's biggerthan when we first landed. He must have been here a long, long time,Fred said. Fweepland, as Four calls it, kept its atmosphere and itswater, which a planet this size ordinarily would have lost by now. <doc-sep>Hatcher hurried through the halls of the great buried structure inwhich he worked, toward the place where the supervising council of allprobes would be in permanent session. They admitted him at once. Hatcher identified himself and gave a quick, concise report: The subject recovered consciousness a short time ago and began toinspect his enclosure. His method of doing so was to put his ownmembers in physical contact with the various objects in the enclosure.After observing him do this for a time we concluded he might be unableto see and so we illuminated his field of vision for him. This appeared to work well for a time. He seemed relativelyundisturbed. However, he then reverted to physical-contact,manipulating certain appurtenances of an artificial skin we hadprovided for him. He then began to vibrate the atmosphere by means of resonating organsin his breathing passage. Simultaneously, the object he was holding, attached to the artificialskin, was discovered to be generating paranormal forces. The supervising council rocked with excitement. You're sure? demandedone of the councilmen. Yes, sir. The staff is preparing a technical description of the forcesnow, but I can say that they are electromagnetic vibrations modulatinga carrier wave of very high speed, and in turn modulated by thevibrations of the atmosphere caused by the subject's own breathing. Fantastic, breathed the councillor, in a tone of dawning hope. Howabout communicating with him, Hatcher? Any progress? Well ... not much, sir. He suddenly panicked. We don't know why; butwe thought we'd better pull back and let him recover for a while. The council conferred among itself for a moment, Hatcher waiting. Itwas not really a waste of time for him; with the organs he had left inthe probe-team room, he was in fairly close touch with what was goingon—knew that McCray was once again fumbling among the objects in thedark, knew that the team-members had tried illuminating the room forhim briefly and again produced the rising panic. Still, Hatcher fretted. He wanted to get back. Stop fidgeting, commanded the council leader abruptly. Hatcher, youare to establish communication at once. But, sir.... Hatcher swung closer, his thick skin quivering slightly;he would have gestured if he had brought members with him to gesturewith. We've done everything we dare. We've made the place homeyfor him— actually, what he said was more like, we've warmed thebiophysical nuances of his enclosure —and tried to guess his needs;and we're frightening him half to death. We can't go faster. Thiscreature is in no way similar to us, you know. He relies on paranormalforces—heat, light, kinetic energy—for his life. His chemistry is notours, his processes of thought are not ours, his entire organism iscloser to the inanimate rocks of a sea-bottom than to ourselves. Understood, Hatcher. In your first report you stated these creatureswere intelligent. Yes, sir. But not in our way. But in a way, and you must learn that way. I know. One lobster-clawshaped member drifted close to the councillor's body and raised itselfin an admonitory gesture. You want time. But we don't have time,Hatcher. Yours is not the only probe team working. The Central Massesteam has just turned in a most alarming report. Have they secured a subject? Hatcher demanded jealously. The councillor paused. Worse than that, Hatcher. I am afraid theirsubjects have secured one of them. One of them is missing. There was a moment's silence. Frozen, Hatcher could only wait. Thecouncil room was like a tableau in a museum until the councillor spokeagain, each council member poised over his locus-point, his membersdrifting about him. Finally the councillor said, I speak for all of us, I think. If theOld Ones have seized one of our probers our time margin is considerablynarrowed. Indeed, we may not have any time at all. You must doeverything you can to establish communication with your subject. But the danger to the specimen— Hatcher protested automatically. —is no greater, said the councillor, than the danger to every oneof us if we do not find allies now . <doc-sep></s> [SEP] Can you provide a summary of the storyline in THE CREATURES THAT TIME FORGOT?

The story begins with Sim being born in a cold cave. He’s wailing with tears while his mom feverishly feeds him. Even though he is a newborn, he interestingly has some self-awareness. Sim looked around the cave and spotted some old people dying in a graphic, grotesque manner. He raged in angst and his mom moved to soothe him. Suddenly, his father goes to attack him and his mother with a knife. His father wants to kill him as he reasons that there is no reason to live. Sim’s mother begs him not to and tells him to have faith that their son might live longer. After this altercation, Sim notices his sister, Dark, for the first time. Afterwards, he notices that his mother goes through a painful process of aging. Sim cannot seem to find anywhere to look in the cave that is not horrifying to look at and cries himself at these revelations. Because the people on this planet age incredibly fast, Sim goes through a lot of understanding and self-thought during the first day of his life. Eventually, the next day arrives. As an avalanche falls into the valley, Sim’s father takes him and they both jump into the avalanche and are carried by it into the valley. Sim and his family enjoy the valley during the time that it is livable to play within its borders. During this time, Sim’s mother and father become upset as there is a pressing realization that they both will die soon. They all hurriedly return back to their cave as the sun is coming out and would kill them if they are caught in its rays. A young child is caught in the sun’s rays and burned to death. Upon their return, Sim’s mother and father toast icicles to signify their last day. Throughout the day, Sim continues to grow and gain more intelligence. His mother feeds him and lovingly embraces him. Upon their mother’s instruction, Dark takes Sim out into the valley and watches over him. While they are in the valley, the two parents die from old age. In the valley, Sim wonders why no one else asks about the metal seed in the distance that he sees. He thinks it is a potential escape plan. While outside, Sim observes meaning screaming a war rallying cry. When he finds a red berry, a boy named Chion goes and steals it from Sim. Dark slaps the boy and scolds him for stealing the berry. Sim thinks to himself about how he does not understand the fighting nature people have when life is already so short. He then threatens Chion and acknowledges the boy as his new enemy. Dark gives him advice about enemies and friends, how quick they can be made. However, Sim gets distracted with lustful thoughts about a girl that passes him. Dark mentions that she is concerned for his future as he will have to fight Chion. They then both run back to the caves.

Can you tell me where THE CREATURES THAT TIME FORGOT takes place? [SEP] <s>The lady drew herself up and jutted an indignant brow at him. Sir!This is a church! Oh—I see—excuse me, I, I, I— Matheny backed out of the crowd,shuddering. He looked around for some place to hide his burning ears. You forgot your chips, pal, said a voice. Oh. Thanks. Thanks ever so much. I, I, that is— Matheny cursedhis knotting tongue. Damn it, just because they're so much moresophisticated than I, do I have to talk like a leaky boiler? The helpful Earthman was not tall. He was dark and chisel-faced andsleekly pomaded, dapper in blue pajamas with a red zigzag, a sleighbellcloak and curly-toed slippers. You're from Mars, aren't you? he asked in the friendliest toneMatheny had yet heard. Yes. Yes, I am. M-my name's Peter Matheny. I, I— He stuck out hishand to shake and chips rolled over the floor. Damn! Oh, excuse me, Iforgot this was a church. Never mind the chips. No, please. I just wantto g-g-get the hell out of here. Good idea. How about a drink? I know a bar downshaft. Matheny sighed. A drink is what I need the very most. My name's Doran. Gus Doran. Call me Gus. They walked back to the deaconette's booth and Matheny cashed whatremained of his winnings. I don't want to—I mean if you're busy tonight, Mr. Doran— Nah. I am not doing one thing in particular. Besides, I have never meta Martian. I am very interested. There aren't many of us on Earth, agreed Matheny. Just a smallembassy staff and an occasional like me. I should think you would do a lot of traveling here. The old motherplanet and so on. We can't afford it, said Matheny. What with gravitation anddistance, such voyages are much too expensive for us to make them forpleasure. Not to mention our dollar shortage. As they entered theshaft, he added wistfully: You Earth people have that kind of money,at least in your more prosperous brackets. Why don't you send a fewtourists to us? I always wanted to, said Doran. I would like to see the what theycall City of Time, and so on. As a matter of fact, I have given mygirl one of those Old Martian rings last Ike's Birthday and she wasjust gazoo about it. A jewel dug out of the City of Time, like,made a million years ago by a, uh, extinct race ... I tell you, she appreciated me for it! He winked and nudged. Oh, said Matheny. <doc-sep>I really haven't the time to waste talking irrelevancies, Swarts saida while later. Honestly. Maitland, I'm working against a time limit.If you'll cooperate, I'll tell Ching to answer your questions.' Ching? Ingrid Ching is the girl who has been bringing you your meals. Maitland considered a moment, then nodded. Swarts lowered the projectorto his eyes again, and this time the engineer did not resist. That evening, he could hardly wait for her to come. Too excited to sitand watch the sunset, he paced interminably about the room, sometimeswhistling nervously, snapping his fingers, sitting down and jitteringone leg. After a while he noticed that he was whistling the same themeover and over: a minute's thought identified it as that exuberantmounting phrase which recurs in the finale of Beethoven's NinthSymphony. He forgot about it and went on whistling. He was picturing himselfaboard a ship dropping in toward Mars, making planetfall at SyrtisMajor; he was seeing visions of Venus and the awesome beauty of Saturn.In his mind, he circled the Moon, and viewed the Earth as a huge brightglobe against the constellations.... Finally the door slid aside and she appeared, carrying the usual trayof food. She smiled at him, making dimples in her golden skin andrevealing a perfect set of teeth, and put the tray on the table. I think you are wonderful, she laughed. You get everything youwant, even from Swarts, and I have not been able to get even a littleof what I want from him. I want to travel in time, go back to your 20thCentury. And I wanted to talk with you, and he would not let me. Shelaughed again, hands on her rounded hips. I have never seen him soirritated as he was this noon. Maitland urged her into the chair and sat down on the edge of the bed.Eagerly he asked, Why the devil do you want to go to the 20th Century?Believe me, I've been there, and what I've seen of this world looks alot better. She shrugged. Swarts says that I want to go back to the Dark Age ofTechnology because I have not adapted well to modern culture. Myself,I think I have just a romantic nature. Far times and places look moreexciting.... How do you mean— Maitland wrinkled his brow—adapt to modernculture? Don't tell me you're from another time! Oh, no! But my home is Aresund, a little fishing village at the headof a fiord in what you would call Norway. So far north, we are muchbehind the times. We live in the old way, from the sea, speak the oldtongue. <doc-sep>Tonight is our last night at TheSpace Room . Goon-Face is scowlingagain with the icy fury of aPlutonian monsoon. As Goon-Facehas said, No beeg feedle, no contract. Without John, we're notes in alost chord. We've searched everything, inhospitals, morgues, jails, night clubs,hotels. We've hounded spaceportsand 'copter terminals. Nowhere, nowhereis John Smith. Ziggy, whose two fingers havehealed, has already bowed to whatseems inevitable. He's signed up forthat trip to Neptune's uraniumpits. There's plenty of room formore volunteers, he tells us. But Ispend my time cussing the guy whoforgot to set the force field at theother end of the hole and let Johnand his Zloomph back into his owntime dimension. I cuss harder whenI think how we were robbed of thebest bass player in the galaxy. And without a corpus delecti wecan't even sue the city. ... THE END <doc-sep></s> [SEP] Can you tell me where THE CREATURES THAT TIME FORGOT takes place?

The story begins at night when Sim is born. He and his family are inside of the cold cave. The cave had a thick fog in it that originally obscured his dad from view. The cave is where people on the planet spend most of their time. During the two hours of the day that they are able to venture out into the valley, they enjoy the beautiful scenery of greenery until they have to return to their cave tunnels. When the time is up, the sun returns and its rays scorch and kill everything in the valley.

What kind of connection exists between Dark and Sim in THE CREATURES THAT TIME FORGOT? [SEP] <s>All day the sun seemed to blaze and erupt into the valley. Sim couldnot see it, but the vivid pictorials in his parents' minds weresufficient evidence of the nature of the day fire. The light ran likemercury, sizzling and roasting the caves, poking inward, but neverpenetrating deeply enough. It lighted the caves. It made the hollows ofthe cliff comfortably warm. Sim fought to keep his parents young. But no matter how hard he foughtwith mind and image, they became like mummies before him. His fatherseemed to dissolve from one stage of oldness to another. This is whatwill happen to me soon, though Sim in terror. Sim grew upon himself. He felt the digestive-eliminatory movementsof his body. He was fed every minute, he was continually swallowing,feeding. He began to fit words to images and processes. Such a word waslove. It was not an abstraction, but a process, a stir of breath, asmell of morning air, a flutter of heart, the curve of arm holding him,the look in the suspended face of his mother. He saw the processes,then searched behind her suspended face and there was the word, in herbrain, ready to use. His throat prepared to speak. Life was pushinghim, rushing him along toward oblivion. He sensed the expansion of his fingernails, the adjustments of hiscells, the profusion of his hair, the multiplication of his bones andsinew, the grooving of the soft pale wax of his brain. His brain atbirth as clear as a circle of ice, innocent, unmarked, was, an instantlater, as if hit with a thrown rock, cracked and marked and patternedin a million crevices of thought and discovery. His sister, Dark, ran in and out with other little hothouse children,forever eating. His mother trembled over him, not eating, she had noappetite, her eyes were webbed shut. Sunset, said his father, at last. The day was over. The light faded, a wind sounded. His mother arose. I want to see the outside world once more ... justonce more.... She stared blindly, shivering. His father's eyes were shut, he lay against the wall. I cannot rise, he whispered faintly. I cannot. Dark! The mother croaked, the girl came running. Here, and Sim washanded to the girl. Hold to Sim, Dark, feed him, care for him. Shegave Sim one last fondling touch. Dark said not a word, holding Sim, her great green eyes shining wetly. Go now, said the mother. Take him out into the sunset time. Enjoyyourselves. Pick foods, eat. Play. Dark walked away without looking back. Sim twisted in her grasp,looking over her shoulder with unbelieving, tragic eyes. He cried outand somehow summoned from his lips the first word of his existence. Why...? He saw his mother stiffen. The child spoke! Aye, said his father. Did you hear what he said? I heard, said the mother quietly. The last thing Sim saw of his living parents was his mother weakly,swayingly, slowly moving across the floor to lie beside her silenthusband. That was the last time he ever saw them move. IV The night came and passed and then started the second day. The bodies of all those who had died during the night were carried in afuneral procession to the top of a small hill. The procession was long,the bodies numerous. Dark walked in the procession, holding the newly walking Sim by onehand. Only an hour before dawn Sim had learned to walk. At the top of the hill, Sim saw once again the far off metal seed.Nobody ever looked at it, or spoke of it. Why? Was there some reason?Was it a mirage? Why did they not run toward it? Worship it? Try to getto it and fly away into space? The funeral words were spoken. The bodies were placed upon the groundwhere the sun, in a few minutes, would cremate them. The procession then turned and ran down the hill, eager to have theirfew minutes of free time running and playing and laughing in the sweetair. Dark and Sim, chattering like birds, feeding among the rocks, exchangedwhat they knew of life. He was in his second day, she in her third.They were driven, as always, by the mercurial speed of their lives. Another piece of his life opened wide. Fifty young men ran down from the cliffs, holding sharp stones and rockdaggers in their thick hands. Shouting, they ran off toward distantblack, low lines of small rock cliffs. War! The thought stood in Sim's brain. It shocked and beat at him. These menwere running to fight, to kill, over there in those small black cliffswhere other people lived. But why? Wasn't life short enough without fighting, killing? From a great distance he heard the sound of conflict, and it made hisstomach cold. Why, Dark, why? Dark didn't know. Perhaps they would understand tomorrow. Now, therewas the business of eating to sustain and support their lives. WatchingDark was like seeing a lizard forever flickering its pink tongue,forever hungry. Pale children ran on all sides of them. One beetle-like boy scuttled upthe rocks, knocking Sim aside, to take from him a particularly lusciousred berry he had found growing under an outcrop. The child ate hastily of the fruit before Sim could gain his feet. ThenSim hurled himself unsteadily, the two of them fell in a ridiculousjumble, rolling, until Dark pried them, squalling, apart. Sim bled. A part of him stood off, like a god, and said, This shouldnot be. Children should not be this way. It is wrong! Dark slapped the little intruding boy away. Get on! she cried.What's your name, bad one? Chion! laughed the boy. Chion, Chion, Chion! Sim glared at him with all the ferocity in his small, unskilledfeatures. He choked. This was his enemy. It was as if he'd waitedfor an enemy of person as well as scene. He had already understoodthe avalanches, the heat, the cold, the shortness of life, but thesewere things of places, of scene—mute, extravagant manifestations ofunthinking nature, not motivated save by gravity and radiation. Here,now, in this stridulent Chion he recognized a thinking enemy! Chion darted off, turned at a distance, tauntingly crying: Tomorrow I will be big enough to kill you! And he vanished around a rock. More children ran, giggling, by Sim. Which of them would be friends,enemies? How could friends and enemies come about in this impossible,quick life time? There was no time to make either, was there? Dark, as if knowing his thoughts, drew him away. As they searched fordesired foods, she whispered fiercely in his ear. Enemies are madeover things like stolen foods; gifts of long grasses make friends.Enemies come, too, from opinions and thoughts. In five seconds you'vemade an enemy for life. Life's so short enemies must be made quickly.And she laughed with an irony strange for one so young, who was growingolder before her rightful time. You must fight to protect yourself.Others, superstitious ones, will try killing you. There is a belief, aridiculous belief, that if one kills another, the murderer partakes ofthe life energy of the slain, and therefore will live an extra day. Yousee? As long as that is believed, you're in danger. But Sim was not listening. Bursting from a flock of delicate girls whotomorrow would be tall, quieter, and who day after that would gainbreasts and the next day take husbands, Sim caught sight of one smallgirl whose hair was a violet blue flame. She ran past, brushed Sim, their bodies touched. Her eyes, white assilver coins, shone at him. He knew then that he'd found a friend, alove, a wife, one who'd a week from now lie with him atop the funeralpyre as sunlight undressed their flesh from bone. Only the glance, but it held them in mid-motion, one instant. Your name? he shouted after her. Lyte! she called laughingly back. I'm Sim, he answered, confused and bewildered. Sim! she repeated it, flashing on. I'll remember! Dark nudged his ribs. Here, eat , she said to the distracted boy.Eat or you'll never get big enough to catch her. From nowhere, Chion appeared, running by. Lyte! he mocked, dancingmalevolently along and away. Lyte! I'll remember Lyte, too! Dark stood tall and reed slender, shaking her dark ebony clouds ofhair, sadly. I see your life before you, little Sim. You'll needweapons soon to fight for this Lyte one. Now, hurry—the sun's coming! They ran back to the caves. <doc-sep> THE CREATURES THAT TIME FORGOT By RAY BRADBURY Mad, impossible world! Sun-blasted by day, cold-wracked by night—and life condensed by radiation into eight days! Sim eyed the Ship—if he only dared reach it and escape! ... but it was more than half an hour distant—the limit of life itself! [Transcriber's Note: This etext was produced from Planet Stories Fall 1946. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] During the night, Sim was born. He lay wailing upon the cold cavestones. His blood beat through him a thousand pulses each minute. Hegrew, steadily. Into his mouth his mother with feverish hands put the food. Thenightmare of living was begun. Almost instantly at birth his eyes grewalert, and then, without half understanding why, filled with bright,insistent terror. He gagged upon the food, choked and wailed. He lookedabout, blindly. There was a thick fog. It cleared. The outlines of the cave appeared.And a man loomed up, insane and wild and terrible. A man with a dyingface. Old, withered by winds, baked like adobe in the heat. The man wascrouched in a far corner of the cave, his eyes whitening to one side ofhis face, listening to the far wind trumpeting up above on the frozennight planet. Sim's mother, trembling, now and again, staring at the man, fed Simpebble-fruits, valley-grasses and ice-nipples broken from the cavernentrances, and eating, eliminating, eating again, he grew larger,larger. The man in the corner of the cave was his father! The man's eyes wereall that was alive in his face. He held a crude stone dagger in hiswithered hands and his jaw hung loose and senseless. Then, with a widening focus, Sim saw the old people sitting in thetunnel beyond this living quarter. And as he watched, they began to die. Their agonies filled the cave. They melted like waxen images, theirfaces collapsed inward on their sharp bones, their teeth protruded. Oneminute their faces were mature, fairly smooth, alive, electric. Thenext minute a desication and burning away of their flesh occurred. Sim thrashed in his mother's grasp. She held him. No, no, she soothedhim, quietly, earnestly, looking to see if this, too, would cause herhusband to rise again. With a soft swift padding of naked feet, Sim's father ran across thecave. Sim's mother screamed. Sim felt himself torn loose from hergrasp. He fell upon the stones, rolling, shrieking with his new, moistlungs! With a soft padding of naked feet Sim's father ran across the cave. The webbed face of his father jerked over him, the knife was poised.It was like one of those prenatal nightmares he'd had while stillin his mother's flesh. In the next few blazing, impossible instantsquestions flicked through his brain. The knife was high, suspended,ready to destroy him. But the whole question of life in this cave, thedying people, the withering and the insanity, surged through Sim'snew, small head. How was it that he understood? A newborn child? Can anewborn child think, see, understand, interpret? No. It was wrong! Itwas impossible. Yet it was happening! To him. He had been alive an hournow. And in the next instant perhaps dead! His mother flung herself upon the back of his father, and beat down theweapon. Sim caught the terrific backwash of emotion from both theirconflicting minds. Let me kill him! shouted the father, breathingharshly, sobbingly. What has he to live for? No, no! insisted the mother, and her body, frail and old as it was,stretched across the huge body of the father, tearing at his weapon.He must live! There may be a future for him! He may live longer thanus, and be young! The father fell back against a stone crib. Lying there, staring,eyes glittering, Sim saw another figure inside that stone crib. Agirl-child, quietly feeding itself, moving its delicate hands toprocure food. His sister. The mother wrenched the dagger from her husband's grasp, stood up,weeping and pushing back her cloud of stiffening gray hair. Her mouthtrembled and jerked. I'll kill you! she said, glaring down at herhusband. Leave my children alone. The old man spat tiredly, bitterly, and looked vacantly into the stonecrib, at the little girl. One-eighth of her life's over, already,he gasped. And she doesn't know it. What's the use? As Sim watched, his own mother seemed to shift and take a tortured,smoke-like form. The thin bony face broke out into a maze of wrinkles.She was shaken with pain and had to sit by him, shuddering and cuddlingthe knife to her shriveled breasts. She, like the old people in thetunnel, was aging, dying. Sim cried steadily. Everywhere he looked was horror. A mind came tomeet his own. Instinctively he glanced toward the stone crib. Dark, hissister, returned his glance. Their minds brushed like straying fingers.He relaxed somewhat. He began to learn. The father sighed, shut his lids down over his green eyes. Feed thechild, he said, exhaustedly. Hurry. It is almost dawn and it is ourlast day of living, woman. Feed him. Make him grow. Sim quieted, and images, out of the terror, floated to him. This was a planet next to the sun. The nights burned with cold, thedays were like torches of fire. It was a violent, impossible world. Thepeople lived in the cliffs to escape the incredible ice and the day offlame. Only at dawn and sunset was the air breath-sweet, flower-strong,and then the cave peoples brought their children out into a stony,barren valley. At dawn the ice thawed into creeks and rivers, at sunsetthe day-fires died and cooled. In the intervals of even, livabletemperature the people lived, ran, played, loved, free of the caverns;all life on the planet jumped, burst into life. Plants grew instantly,birds were flung like pellets across the sky. Smaller, legged animallife rushed frantically through the rocks; everything tried to getits living down in the brief hour of respite. It was an unbearable planet. Sim understood this, a matter of hoursafter birth. Racial memory bloomed in him. He would live his entirelife in the caves, with two hours a day outside. Here, in stonechannels of air he would talk, talk incessantly with his people, sleepnever, think, think and lie upon his back, dreaming; but never sleeping. And he would live exactly eight days. <doc-sep>The violence of this thought evacuated his bowels. Eight days. Eight short days. It was wrong, impossible, but a fact. Even while in hismother's flesh some racial knowledge had told him he was being formedrapidly, shaped and propelled out swiftly. Birth was quick as a knife. Childhood was over in a flash. Adolescencewas a sheet of lightning. Manhood was a dream, maturity a myth, old agean inescapably quick reality, death a swift certainty. Eight days from now he'd stand half-blind, withering, dying, as hisfather now stood, staring uselessly at his own wife and child. This day was an eighth part of his total life! He must enjoy everysecond of it. He must search his parents' thoughts for knowledge. Because in a few hours they'd be dead. This was so impossibly unfair. Was this all of life? In his prenatalstate hadn't he dreamed of long lives, valleys not of blasted stonebut green foliage and temperate clime? Yes! And if he'd dreamed thenthere must be truth in the visions. How could he seek and find the longlife? Where? And how could he accomplish a life mission that huge anddepressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown acrossspace from a distant green world, fighting with long flames, crashingon this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffsfrom the sun. Fire, ice and floods washed away the wreckage of thehuge metal seeds. The victims were shaped and beaten like iron upona forge. Solar radiations drenched them. Their pulses quickened,two hundred, five hundred, a thousand beats a minute. Their skinsthickened, their blood changed. Old age came rushing. Children wereborn in the caves. Swifter, swifter, swifter the process. Like all thisworld's wild life, the men and women from the crash lived and died in aweek, leaving children to do likewise. So this is life, thought Sim. It was not spoken in his mind, forhe knew no words, he knew only images, old memory, an awareness, atelepathy that could penetrate flesh, rock, metal. So I'm the fivethousandth in a long line of futile sons? What can I do to save myselffrom dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect,unscarred metal seed. A metal ship, not rusted or touched by theavalanches. The ship was deserted, whole, intact. It was the only shipof all these that had crashed that was still a unit, still usable. Butit was so far away. There was no one in it to help. This ship, then, onthe far mountain, was the destiny toward which he would grow. There washis only hope of escape. His mind flexed. In this cliff, deep down in a confinement of solitude, worked a handfulof scientists. To these men, when he was old enough and wise enough, hemust go. They, too, dreamed of escape, of long life, of green valleysand temperate weathers. They, too, stared longingly at that distantship upon its high mountain, its metal so perfect it did not rust orage. The cliff groaned. Sim's father lifted his eroded, lifeless face. Dawn's coming, he said. II Morning relaxed the mighty granite cliff muscles. It was the time ofthe Avalanche. The tunnels echoed to running bare feet. Adults, children pushed witheager, hungry eyes toward the outside dawn. From far out, Sim hearda rumble of rock, a scream, a silence. Avalanches fell into valley.Stones that had been biding their time, not quite ready to fall, fora million years let go their bulks, and where they had begun theirjourney as single boulders they smashed upon the valley floor in athousand shrapnels and friction-heated nuggets. Every morning at least one person was caught in the downpour. The cliff people dared the avalanches. It added one more excitement totheir lives, already too short, too headlong, too dangerous. Sim felt himself seized up by his father. He was carried brusquely downthe tunnel for a thousand yards, to where the daylight appeared. Therewas a shining insane light in his father's eyes. Sim could not move. Hesensed what was going to happen. Behind his father, his mother hurried,bringing with her the little sister, Dark. Wait! Be careful! shecried to her husband. Sim felt his father crouch, listening. High in the cliff was a tremor, a shivering. Now! bellowed his father, and leaped out. An avalanche fell down at them! Sim had accelerated impressions of plunging walls, dust, confusion. Hismother screamed! There was a jolting, a plunging. With one last step, Sim's father hurried him forward into the day. Theavalanche thundered behind him. The mouth of the cave, where mother andDark stood back out of the way, was choked with rubble and two bouldersthat weighed a hundred pounds each. The storm thunder of the avalanche passed away to a trickle of sand.Sim's father burst out into laughter. Made it! By the Gods! Made italive! And he looked scornfully at the cliff and spat. Pagh! Mother and sister Dark struggled through the rubble. She cursed herhusband. Fool! You might have killed Sim! I may yet, retorted the father. Sim was not listening. He was fascinated with the remains of anavalanche afront of the next tunnel. A blood stain trickled out fromunder a rise of boulders, soaking into the ground. There was nothingelse to be seen. Someone else had lost the game. Dark ran ahead on lithe, supple feet, naked and certain. The valley air was like a wine filtered between mountains. The heavenwas a restive blue; not the pale scorched atmosphere of full day, northe bloated, bruised black-purple of night, a-riot with sickly shiningstars. This was a tide pool. A place where waves of varying and violenttemperatures struck, receded. Now the tide pool was quiet, cool, andits life moved abroad. Laughter! Far away, Sim heard it. Why laughter? How could any of hispeople find time for laughing? Perhaps later he would discover why. The valley suddenly blushed with impulsive color. Plant-life, thawingin the precipitant dawn, shoved out from most unexpected sources. Itflowered as you watched. Pale green tendrils appeared on scoured rocks.Seconds later, ripe globes of fruit twitched upon the blade-tips.Father gave Sim over to mother and harvested the momentary, volatilecrop, thrust scarlet, blue, yellow fruits into a fur sack which hung athis waist. Mother tugged at the moist new grasses, laid them on Sim'stongue. His senses were being honed to a fine edge. He stored knowledgethirstily. He understood love, marriage, customs, anger, pity, rage,selfishness, shadings and subtleties, realities and reflections. Onething suggested another. The sight of green plant life whirled his mindlike a gyroscope, seeking balance in a world where lack of time forexplanations made a mind seek and interpret on its own. The soft burdenof food gave him knowledge of his system, of energy, of movement. Likea bird newly cracking its way from a shell, he was almost a unit,complete, all-knowing. Heredity had done all this for him. He grewexcited with his ability. <doc-sep></s> [SEP] What kind of connection exists between Dark and Sim in THE CREATURES THAT TIME FORGOT?

Dark is the older sister to Sim. When both of their parents die from old age, on the eighth day of their existence, Dark takes over as a carrying role for Sim. She tries her best to impart knowledge to him about friends and enemies. Noticing the interactions Sim is having with other kids his age, she warns him about the violence that his future surely holds due to a new enemy. While she is not his mother and was not born much before him, she does take a protective role. She makes sure he is fed and defends him when he is being bullied.

What makes the planet unusual in THE CREATURES THAT TIME FORGOT? [SEP] <s> He was still weak days later whenCapt. Ron Small of SP-101 said, Yes, Karyl, it's ironical. They fed youwhat they thought was sure death, and it'sthe only thing that kept you going longenough to warn us. I was dumb for a long time, Karyl said.I thought that it was the acid, almost tothe very last. But when I drank that lastglass, I knew they didn't have a chance. They were metal monsters. No wonderthey feared that liquid. It would rust theirjoints, short their wiring, and kill them.No wonder they stared when I kept aliveafter drinking enough to completely annihilatea half-dozen of them. But what happened when you met theship? The space captain grinned. Not much. Our crew was busy creatinga hollow shell filled with water to be shotout of a rocket tube converted into a projectilethrower. These Steel-Blues, as you call them, puttraction beams on us and started tugging ustoward the asteroid. We tried a couple ofatomic shots but when they just glanced off,we gave up. They weren't expecting the shell ofwater. When it hit that blue ship, you couldalmost see it oxidize before your eyes. I guess they knew what was wrong rightaway. They let go the traction beams andtried to get away. They forgot about theforce field, so we just poured atomic fireinto the weakening ship. It just meltedaway. Jon Karyl got up from the divan wherehe'd been lying. They thought I was ametal creature, too. But where do you supposethey came from? The captain shrugged. Who knows? Jon set two glasses on the table. Have a drink of the best damn water inthe solar system? He asked Capt. Small. Don't mind if I do. The water twinkled in the two glasses,winking as if it knew just what it haddone. Transcriber's Note: This etext was produced from Planet Stories July 1952.Extensive research did not uncover any evidence that the U.S.copyright on this publication was renewed. Minor spelling andtypographical errors have been corrected without note.<doc-sep>class=chap/> 2. If you have explored the weird life of many a planet, as I have, youcan appreciate the deep sense of excitement that comes over me when,looking out at a new world for the first time, I see a man-like animal. Walking upright! Wearing adornments in the nature of clothing! I gazed, and my lungs filled with the breath of wonderment. A man!Across millions of miles of space—a man, like the men of the Earth. Six times before in my life of exploration I had gazed at new realmswithin the approachable parts of our universe, but never before had theliving creatures borne such wonderful resemblance to the human life ofour Earth. A man! He might have been creeping on all fours. He might have been skulking like a lesser animal. He might have been entirely naked. He was none of these—and at the very first moment of viewing him Ifelt a kinship toward him. Oh, he was primitive in appearance—but hadmy ancestors not been the same? Was this not a mirror of my own racea million years or so ago? I sensed that my own stream of life hadsomehow crossed with his in ages gone by. How? Who can ever know? Bywhat faded charts of the movements through the sky will man ever beable to retrace relationships of forms of life among planets? Get ready to go out and meet him, Campbell, I said. He's a friend. Split Campbell gave me a look as if to say, Sir, you don't even knowwhat sort of animal he is, actually, much less whether he's friendly ormurderous. There are some things I can sense on first sight, Campbell. Take myword for it, he's a friend. I didn't say anything, sir. Good. Don't. Just get ready. We're going to go out —? Yes, I said. Orders. And meet both of them? Split was at the telescope. Both? I took the instrument from him. Both! Well! They seem to be coming out of the ground, Split said. I see no signsof habitation, but apparently we've landed on top of an undergroundcity—though I hasten to add that this is only an hypothesis. One's a male and the other's a female, I said. Another hypothesis, said Split. The late evening sunshine gave us a clear view of our two friends.They were fully a mile away. Split was certain they had not seen ourship, and to this conclusion I was in agreement. They had apparentlycome up out of the barren rock hillside to view the sunset. I studiedthem through the telescope while Split checked over equipment for ahike. The man's walk was unhurried. He moved thoughtfully, one mightguess. His bare chest and legs showed him to be statuesque in mold,cleanly muscled, fine of bone. His skin was almost the color of thecream-colored robe which flowed from his back, whipping lightly inthe breeze. He wore a brilliant red sash about his middle, and thiswas matched by a red headdress that came down over his shoulders as acircular mantle. The girl stood several yards distant, watching him. This was somesort of ritual, no doubt. He was not concerned with her, but with thesetting sun. Its rays were almost horizontal, knifing through a breakin the distant mountain skyline. He went through some routine motions,his moving arms highlighted by the lemon-colored light of evening. The girl approached him. Two other persons appeared from somewhere backof her.... Three.... Four.... Five.... Where do they come from? Split had paused in the act of checkingequipment to take his turn at the telescope. If he had not done so, Imight not have made a discovery. The landscape was moving . The long shadows that I had not noticed through the telescope were aprominent part of the picture I saw through the ship's window when Ilooked out across the scene with the naked eye. The shadows were moving. They were tree shadows. They were moving toward the clearing where thecrowd gathered. And the reason for their movement was that the treesthemselves were moving. Notice anything? I asked Split. The crowd is growing. We've certainly landed on top of a city. Hegazed. They're coming from underground. Looking through the telescope, obviously he didn't catch the view ofthe moving trees. Notice anything else unusual? I persisted. Yes. The females—I'm speaking hypothetically—but they must befemales—are all wearing puffy white fur ornaments around their elbows.I wonder why? You haven't noticed the trees? The females are quite attractive, said Split. I forgot about the moving trees, then, and took over the telescope.Mobile trees were not new to me. I had seen similar vegetation on otherplanets—sponge-trees—which possessed a sort of muscular quality. Ifthese were similar, they were no doubt feeding along the surface of theslope below the rocky plateau. The people in the clearing beyond paidno attention to them. I studied the crowd of people. Only the leader wore the brilliant garb.The others were more scantily clothed. All were handsome of build. Thelemon-tinted sunlight glanced off the muscular shoulders of the malesand the soft curves of the females. Those furry elbow ornaments on the females, I said to Split,they're for protection. The caves they live in must be narrow, sothey pad their elbows. Why don't they pad their shoulders? They don't have anything on theirshoulders. Are you complaining? We became fascinated in watching, from the seclusion of our ship. If wewere to walk out, or make any sounds, we might have interrupted theirmeeting. Here they were in their native ritual of sunset, not knowingthat people from another world watched. The tall leader must be makinga speech. They sat around him in little huddles. He moved his arms incalm, graceful gestures. They'd better break it up! Split said suddenly. The jungles aremoving in on them. They're spellbound, I said. They're used to sponge-trees. Didn't youever see moving trees? Split said sharply, Those trees are marching! They're an army undercover. Look! I saw, then. The whole line of advancing vegetation was camouflage fora sneak attack. And all those natives sitting around in meeting were asinnocent as a flock of sitting ducks. Split Campbell's voice was edgedwith alarm. Captain! Those worshippers—how can we warn them? Oh-oh!Too late. Look! All at once the advancing sponge-trees were tossed back over the headsof the savage band concealed within. They were warriors—fifty or moreof them—with painted naked bodies. They dashed forward in a widesemicircle, swinging crude weapons, bent on slaughter. <doc-sep>The lady drew herself up and jutted an indignant brow at him. Sir!This is a church! Oh—I see—excuse me, I, I, I— Matheny backed out of the crowd,shuddering. He looked around for some place to hide his burning ears. You forgot your chips, pal, said a voice. Oh. Thanks. Thanks ever so much. I, I, that is— Matheny cursedhis knotting tongue. Damn it, just because they're so much moresophisticated than I, do I have to talk like a leaky boiler? The helpful Earthman was not tall. He was dark and chisel-faced andsleekly pomaded, dapper in blue pajamas with a red zigzag, a sleighbellcloak and curly-toed slippers. You're from Mars, aren't you? he asked in the friendliest toneMatheny had yet heard. Yes. Yes, I am. M-my name's Peter Matheny. I, I— He stuck out hishand to shake and chips rolled over the floor. Damn! Oh, excuse me, Iforgot this was a church. Never mind the chips. No, please. I just wantto g-g-get the hell out of here. Good idea. How about a drink? I know a bar downshaft. Matheny sighed. A drink is what I need the very most. My name's Doran. Gus Doran. Call me Gus. They walked back to the deaconette's booth and Matheny cashed whatremained of his winnings. I don't want to—I mean if you're busy tonight, Mr. Doran— Nah. I am not doing one thing in particular. Besides, I have never meta Martian. I am very interested. There aren't many of us on Earth, agreed Matheny. Just a smallembassy staff and an occasional like me. I should think you would do a lot of traveling here. The old motherplanet and so on. We can't afford it, said Matheny. What with gravitation anddistance, such voyages are much too expensive for us to make them forpleasure. Not to mention our dollar shortage. As they entered theshaft, he added wistfully: You Earth people have that kind of money,at least in your more prosperous brackets. Why don't you send a fewtourists to us? I always wanted to, said Doran. I would like to see the what theycall City of Time, and so on. As a matter of fact, I have given mygirl one of those Old Martian rings last Ike's Birthday and she wasjust gazoo about it. A jewel dug out of the City of Time, like,made a million years ago by a, uh, extinct race ... I tell you, she appreciated me for it! He winked and nudged. Oh, said Matheny. <doc-sep></s> [SEP] What makes the planet unusual in THE CREATURES THAT TIME FORGOT?

The planet is strange because of its extremes. The people that live on the planet have to spend most of their time in the caves because during most of the day the sun is too powerful and kills everything that it touches. At night, there is a cold, burning sensation. There are about two hours during the day, dawn and sunset, where the people are able to venture into the valley. During this time, the rivers flow, the flowers bloom, and the people enjoy the livable temperatures outside. Even more strange on the planet is the extreme aging that people go through. People only live 8 days. As a result, they mature, understand, grow, and age at an incredible pace.

How does Sim acquire his knowledge and perceive his environment in THE CREATURES THAT TIME FORGOT? [SEP] <s>The violence of this thought evacuated his bowels. Eight days. Eight short days. It was wrong, impossible, but a fact. Even while in hismother's flesh some racial knowledge had told him he was being formedrapidly, shaped and propelled out swiftly. Birth was quick as a knife. Childhood was over in a flash. Adolescencewas a sheet of lightning. Manhood was a dream, maturity a myth, old agean inescapably quick reality, death a swift certainty. Eight days from now he'd stand half-blind, withering, dying, as hisfather now stood, staring uselessly at his own wife and child. This day was an eighth part of his total life! He must enjoy everysecond of it. He must search his parents' thoughts for knowledge. Because in a few hours they'd be dead. This was so impossibly unfair. Was this all of life? In his prenatalstate hadn't he dreamed of long lives, valleys not of blasted stonebut green foliage and temperate clime? Yes! And if he'd dreamed thenthere must be truth in the visions. How could he seek and find the longlife? Where? And how could he accomplish a life mission that huge anddepressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown acrossspace from a distant green world, fighting with long flames, crashingon this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffsfrom the sun. Fire, ice and floods washed away the wreckage of thehuge metal seeds. The victims were shaped and beaten like iron upona forge. Solar radiations drenched them. Their pulses quickened,two hundred, five hundred, a thousand beats a minute. Their skinsthickened, their blood changed. Old age came rushing. Children wereborn in the caves. Swifter, swifter, swifter the process. Like all thisworld's wild life, the men and women from the crash lived and died in aweek, leaving children to do likewise. So this is life, thought Sim. It was not spoken in his mind, forhe knew no words, he knew only images, old memory, an awareness, atelepathy that could penetrate flesh, rock, metal. So I'm the fivethousandth in a long line of futile sons? What can I do to save myselffrom dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect,unscarred metal seed. A metal ship, not rusted or touched by theavalanches. The ship was deserted, whole, intact. It was the only shipof all these that had crashed that was still a unit, still usable. Butit was so far away. There was no one in it to help. This ship, then, onthe far mountain, was the destiny toward which he would grow. There washis only hope of escape. His mind flexed. In this cliff, deep down in a confinement of solitude, worked a handfulof scientists. To these men, when he was old enough and wise enough, hemust go. They, too, dreamed of escape, of long life, of green valleysand temperate weathers. They, too, stared longingly at that distantship upon its high mountain, its metal so perfect it did not rust orage. The cliff groaned. Sim's father lifted his eroded, lifeless face. Dawn's coming, he said. II Morning relaxed the mighty granite cliff muscles. It was the time ofthe Avalanche. The tunnels echoed to running bare feet. Adults, children pushed witheager, hungry eyes toward the outside dawn. From far out, Sim hearda rumble of rock, a scream, a silence. Avalanches fell into valley.Stones that had been biding their time, not quite ready to fall, fora million years let go their bulks, and where they had begun theirjourney as single boulders they smashed upon the valley floor in athousand shrapnels and friction-heated nuggets. Every morning at least one person was caught in the downpour. The cliff people dared the avalanches. It added one more excitement totheir lives, already too short, too headlong, too dangerous. Sim felt himself seized up by his father. He was carried brusquely downthe tunnel for a thousand yards, to where the daylight appeared. Therewas a shining insane light in his father's eyes. Sim could not move. Hesensed what was going to happen. Behind his father, his mother hurried,bringing with her the little sister, Dark. Wait! Be careful! shecried to her husband. Sim felt his father crouch, listening. High in the cliff was a tremor, a shivering. Now! bellowed his father, and leaped out. An avalanche fell down at them! Sim had accelerated impressions of plunging walls, dust, confusion. Hismother screamed! There was a jolting, a plunging. With one last step, Sim's father hurried him forward into the day. Theavalanche thundered behind him. The mouth of the cave, where mother andDark stood back out of the way, was choked with rubble and two bouldersthat weighed a hundred pounds each. The storm thunder of the avalanche passed away to a trickle of sand.Sim's father burst out into laughter. Made it! By the Gods! Made italive! And he looked scornfully at the cliff and spat. Pagh! Mother and sister Dark struggled through the rubble. She cursed herhusband. Fool! You might have killed Sim! I may yet, retorted the father. Sim was not listening. He was fascinated with the remains of anavalanche afront of the next tunnel. A blood stain trickled out fromunder a rise of boulders, soaking into the ground. There was nothingelse to be seen. Someone else had lost the game. Dark ran ahead on lithe, supple feet, naked and certain. The valley air was like a wine filtered between mountains. The heavenwas a restive blue; not the pale scorched atmosphere of full day, northe bloated, bruised black-purple of night, a-riot with sickly shiningstars. This was a tide pool. A place where waves of varying and violenttemperatures struck, receded. Now the tide pool was quiet, cool, andits life moved abroad. Laughter! Far away, Sim heard it. Why laughter? How could any of hispeople find time for laughing? Perhaps later he would discover why. The valley suddenly blushed with impulsive color. Plant-life, thawingin the precipitant dawn, shoved out from most unexpected sources. Itflowered as you watched. Pale green tendrils appeared on scoured rocks.Seconds later, ripe globes of fruit twitched upon the blade-tips.Father gave Sim over to mother and harvested the momentary, volatilecrop, thrust scarlet, blue, yellow fruits into a fur sack which hung athis waist. Mother tugged at the moist new grasses, laid them on Sim'stongue. His senses were being honed to a fine edge. He stored knowledgethirstily. He understood love, marriage, customs, anger, pity, rage,selfishness, shadings and subtleties, realities and reflections. Onething suggested another. The sight of green plant life whirled his mindlike a gyroscope, seeking balance in a world where lack of time forexplanations made a mind seek and interpret on its own. The soft burdenof food gave him knowledge of his system, of energy, of movement. Likea bird newly cracking its way from a shell, he was almost a unit,complete, all-knowing. Heredity had done all this for him. He grewexcited with his ability. <doc-sep> THE CREATURES THAT TIME FORGOT By RAY BRADBURY Mad, impossible world! Sun-blasted by day, cold-wracked by night—and life condensed by radiation into eight days! Sim eyed the Ship—if he only dared reach it and escape! ... but it was more than half an hour distant—the limit of life itself! [Transcriber's Note: This etext was produced from Planet Stories Fall 1946. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] During the night, Sim was born. He lay wailing upon the cold cavestones. His blood beat through him a thousand pulses each minute. Hegrew, steadily. Into his mouth his mother with feverish hands put the food. Thenightmare of living was begun. Almost instantly at birth his eyes grewalert, and then, without half understanding why, filled with bright,insistent terror. He gagged upon the food, choked and wailed. He lookedabout, blindly. There was a thick fog. It cleared. The outlines of the cave appeared.And a man loomed up, insane and wild and terrible. A man with a dyingface. Old, withered by winds, baked like adobe in the heat. The man wascrouched in a far corner of the cave, his eyes whitening to one side ofhis face, listening to the far wind trumpeting up above on the frozennight planet. Sim's mother, trembling, now and again, staring at the man, fed Simpebble-fruits, valley-grasses and ice-nipples broken from the cavernentrances, and eating, eliminating, eating again, he grew larger,larger. The man in the corner of the cave was his father! The man's eyes wereall that was alive in his face. He held a crude stone dagger in hiswithered hands and his jaw hung loose and senseless. Then, with a widening focus, Sim saw the old people sitting in thetunnel beyond this living quarter. And as he watched, they began to die. Their agonies filled the cave. They melted like waxen images, theirfaces collapsed inward on their sharp bones, their teeth protruded. Oneminute their faces were mature, fairly smooth, alive, electric. Thenext minute a desication and burning away of their flesh occurred. Sim thrashed in his mother's grasp. She held him. No, no, she soothedhim, quietly, earnestly, looking to see if this, too, would cause herhusband to rise again. With a soft swift padding of naked feet, Sim's father ran across thecave. Sim's mother screamed. Sim felt himself torn loose from hergrasp. He fell upon the stones, rolling, shrieking with his new, moistlungs! With a soft padding of naked feet Sim's father ran across the cave. The webbed face of his father jerked over him, the knife was poised.It was like one of those prenatal nightmares he'd had while stillin his mother's flesh. In the next few blazing, impossible instantsquestions flicked through his brain. The knife was high, suspended,ready to destroy him. But the whole question of life in this cave, thedying people, the withering and the insanity, surged through Sim'snew, small head. How was it that he understood? A newborn child? Can anewborn child think, see, understand, interpret? No. It was wrong! Itwas impossible. Yet it was happening! To him. He had been alive an hournow. And in the next instant perhaps dead! His mother flung herself upon the back of his father, and beat down theweapon. Sim caught the terrific backwash of emotion from both theirconflicting minds. Let me kill him! shouted the father, breathingharshly, sobbingly. What has he to live for? No, no! insisted the mother, and her body, frail and old as it was,stretched across the huge body of the father, tearing at his weapon.He must live! There may be a future for him! He may live longer thanus, and be young! The father fell back against a stone crib. Lying there, staring,eyes glittering, Sim saw another figure inside that stone crib. Agirl-child, quietly feeding itself, moving its delicate hands toprocure food. His sister. The mother wrenched the dagger from her husband's grasp, stood up,weeping and pushing back her cloud of stiffening gray hair. Her mouthtrembled and jerked. I'll kill you! she said, glaring down at herhusband. Leave my children alone. The old man spat tiredly, bitterly, and looked vacantly into the stonecrib, at the little girl. One-eighth of her life's over, already,he gasped. And she doesn't know it. What's the use? As Sim watched, his own mother seemed to shift and take a tortured,smoke-like form. The thin bony face broke out into a maze of wrinkles.She was shaken with pain and had to sit by him, shuddering and cuddlingthe knife to her shriveled breasts. She, like the old people in thetunnel, was aging, dying. Sim cried steadily. Everywhere he looked was horror. A mind came tomeet his own. Instinctively he glanced toward the stone crib. Dark, hissister, returned his glance. Their minds brushed like straying fingers.He relaxed somewhat. He began to learn. The father sighed, shut his lids down over his green eyes. Feed thechild, he said, exhaustedly. Hurry. It is almost dawn and it is ourlast day of living, woman. Feed him. Make him grow. Sim quieted, and images, out of the terror, floated to him. This was a planet next to the sun. The nights burned with cold, thedays were like torches of fire. It was a violent, impossible world. Thepeople lived in the cliffs to escape the incredible ice and the day offlame. Only at dawn and sunset was the air breath-sweet, flower-strong,and then the cave peoples brought their children out into a stony,barren valley. At dawn the ice thawed into creeks and rivers, at sunsetthe day-fires died and cooled. In the intervals of even, livabletemperature the people lived, ran, played, loved, free of the caverns;all life on the planet jumped, burst into life. Plants grew instantly,birds were flung like pellets across the sky. Smaller, legged animallife rushed frantically through the rocks; everything tried to getits living down in the brief hour of respite. It was an unbearable planet. Sim understood this, a matter of hoursafter birth. Racial memory bloomed in him. He would live his entirelife in the caves, with two hours a day outside. Here, in stonechannels of air he would talk, talk incessantly with his people, sleepnever, think, think and lie upon his back, dreaming; but never sleeping. And he would live exactly eight days. <doc-sep>All day the sun seemed to blaze and erupt into the valley. Sim couldnot see it, but the vivid pictorials in his parents' minds weresufficient evidence of the nature of the day fire. The light ran likemercury, sizzling and roasting the caves, poking inward, but neverpenetrating deeply enough. It lighted the caves. It made the hollows ofthe cliff comfortably warm. Sim fought to keep his parents young. But no matter how hard he foughtwith mind and image, they became like mummies before him. His fatherseemed to dissolve from one stage of oldness to another. This is whatwill happen to me soon, though Sim in terror. Sim grew upon himself. He felt the digestive-eliminatory movementsof his body. He was fed every minute, he was continually swallowing,feeding. He began to fit words to images and processes. Such a word waslove. It was not an abstraction, but a process, a stir of breath, asmell of morning air, a flutter of heart, the curve of arm holding him,the look in the suspended face of his mother. He saw the processes,then searched behind her suspended face and there was the word, in herbrain, ready to use. His throat prepared to speak. Life was pushinghim, rushing him along toward oblivion. He sensed the expansion of his fingernails, the adjustments of hiscells, the profusion of his hair, the multiplication of his bones andsinew, the grooving of the soft pale wax of his brain. His brain atbirth as clear as a circle of ice, innocent, unmarked, was, an instantlater, as if hit with a thrown rock, cracked and marked and patternedin a million crevices of thought and discovery. His sister, Dark, ran in and out with other little hothouse children,forever eating. His mother trembled over him, not eating, she had noappetite, her eyes were webbed shut. Sunset, said his father, at last. The day was over. The light faded, a wind sounded. His mother arose. I want to see the outside world once more ... justonce more.... She stared blindly, shivering. His father's eyes were shut, he lay against the wall. I cannot rise, he whispered faintly. I cannot. Dark! The mother croaked, the girl came running. Here, and Sim washanded to the girl. Hold to Sim, Dark, feed him, care for him. Shegave Sim one last fondling touch. Dark said not a word, holding Sim, her great green eyes shining wetly. Go now, said the mother. Take him out into the sunset time. Enjoyyourselves. Pick foods, eat. Play. Dark walked away without looking back. Sim twisted in her grasp,looking over her shoulder with unbelieving, tragic eyes. He cried outand somehow summoned from his lips the first word of his existence. Why...? He saw his mother stiffen. The child spoke! Aye, said his father. Did you hear what he said? I heard, said the mother quietly. The last thing Sim saw of his living parents was his mother weakly,swayingly, slowly moving across the floor to lie beside her silenthusband. That was the last time he ever saw them move. IV The night came and passed and then started the second day. The bodies of all those who had died during the night were carried in afuneral procession to the top of a small hill. The procession was long,the bodies numerous. Dark walked in the procession, holding the newly walking Sim by onehand. Only an hour before dawn Sim had learned to walk. At the top of the hill, Sim saw once again the far off metal seed.Nobody ever looked at it, or spoke of it. Why? Was there some reason?Was it a mirage? Why did they not run toward it? Worship it? Try to getto it and fly away into space? The funeral words were spoken. The bodies were placed upon the groundwhere the sun, in a few minutes, would cremate them. The procession then turned and ran down the hill, eager to have theirfew minutes of free time running and playing and laughing in the sweetair. Dark and Sim, chattering like birds, feeding among the rocks, exchangedwhat they knew of life. He was in his second day, she in her third.They were driven, as always, by the mercurial speed of their lives. Another piece of his life opened wide. Fifty young men ran down from the cliffs, holding sharp stones and rockdaggers in their thick hands. Shouting, they ran off toward distantblack, low lines of small rock cliffs. War! The thought stood in Sim's brain. It shocked and beat at him. These menwere running to fight, to kill, over there in those small black cliffswhere other people lived. But why? Wasn't life short enough without fighting, killing? From a great distance he heard the sound of conflict, and it made hisstomach cold. Why, Dark, why? Dark didn't know. Perhaps they would understand tomorrow. Now, therewas the business of eating to sustain and support their lives. WatchingDark was like seeing a lizard forever flickering its pink tongue,forever hungry. Pale children ran on all sides of them. One beetle-like boy scuttled upthe rocks, knocking Sim aside, to take from him a particularly lusciousred berry he had found growing under an outcrop. The child ate hastily of the fruit before Sim could gain his feet. ThenSim hurled himself unsteadily, the two of them fell in a ridiculousjumble, rolling, until Dark pried them, squalling, apart. Sim bled. A part of him stood off, like a god, and said, This shouldnot be. Children should not be this way. It is wrong! Dark slapped the little intruding boy away. Get on! she cried.What's your name, bad one? Chion! laughed the boy. Chion, Chion, Chion! Sim glared at him with all the ferocity in his small, unskilledfeatures. He choked. This was his enemy. It was as if he'd waitedfor an enemy of person as well as scene. He had already understoodthe avalanches, the heat, the cold, the shortness of life, but thesewere things of places, of scene—mute, extravagant manifestations ofunthinking nature, not motivated save by gravity and radiation. Here,now, in this stridulent Chion he recognized a thinking enemy! Chion darted off, turned at a distance, tauntingly crying: Tomorrow I will be big enough to kill you! And he vanished around a rock. More children ran, giggling, by Sim. Which of them would be friends,enemies? How could friends and enemies come about in this impossible,quick life time? There was no time to make either, was there? Dark, as if knowing his thoughts, drew him away. As they searched fordesired foods, she whispered fiercely in his ear. Enemies are madeover things like stolen foods; gifts of long grasses make friends.Enemies come, too, from opinions and thoughts. In five seconds you'vemade an enemy for life. Life's so short enemies must be made quickly.And she laughed with an irony strange for one so young, who was growingolder before her rightful time. You must fight to protect yourself.Others, superstitious ones, will try killing you. There is a belief, aridiculous belief, that if one kills another, the murderer partakes ofthe life energy of the slain, and therefore will live an extra day. Yousee? As long as that is believed, you're in danger. But Sim was not listening. Bursting from a flock of delicate girls whotomorrow would be tall, quieter, and who day after that would gainbreasts and the next day take husbands, Sim caught sight of one smallgirl whose hair was a violet blue flame. She ran past, brushed Sim, their bodies touched. Her eyes, white assilver coins, shone at him. He knew then that he'd found a friend, alove, a wife, one who'd a week from now lie with him atop the funeralpyre as sunlight undressed their flesh from bone. Only the glance, but it held them in mid-motion, one instant. Your name? he shouted after her. Lyte! she called laughingly back. I'm Sim, he answered, confused and bewildered. Sim! she repeated it, flashing on. I'll remember! Dark nudged his ribs. Here, eat , she said to the distracted boy.Eat or you'll never get big enough to catch her. From nowhere, Chion appeared, running by. Lyte! he mocked, dancingmalevolently along and away. Lyte! I'll remember Lyte, too! Dark stood tall and reed slender, shaking her dark ebony clouds ofhair, sadly. I see your life before you, little Sim. You'll needweapons soon to fight for this Lyte one. Now, hurry—the sun's coming! They ran back to the caves. <doc-sep></s> [SEP] How does Sim acquire his knowledge and perceive his environment in THE CREATURES THAT TIME FORGOT?

During his first day, Sim knows no words and has not yet spoken. Yet, he gains a lot of knowledge from images, old memories, and a telepathic type of awareness that seems to penetrate everything. He observes much of his surroundings and is upset by his analysis of the horror that occurs every day on the planet. On the second day of his existence, Sim readily and eagerly acquires more knowledge about social customs and how his society worked.

Can you provide a summary of the storyline in HOME IS WHERE YOU LEFT IT? [SEP] <s>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep> UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was onlyone thing he could bring backfrom the wonderful future ...and though he didn't want to... nevertheless he did.... Illustrated by Freas Betty looked up fromher magazine. She saidmildly, You're late. Don't yell at me, Ifeel awful, Simon toldher. He sat down at his desk, passedhis tongue over his teeth in distaste,groaned, fumbled in a drawer for theaspirin bottle. He looked over at Betty and said,almost as though reciting, What Ineed is a vacation. What, Betty said, are you goingto use for money? Providence, Simon told herwhilst fiddling with the aspirin bottle,will provide. Hm-m-m. But before providingvacations it'd be nice if Providenceturned up a missing jewel deal, say.Something where you could deducethat actually the ruby ring had gonedown the drain and was caught in theelbow. Something that would netabout fifty dollars. Simon said, mournful of tone,Fifty dollars? Why not make it fivehundred? I'm not selfish, Betty said. AllI want is enough to pay me thisweek's salary. Money, Simon said. When youtook this job you said it was the romancethat appealed to you. Hm-m-m. I didn't know mostsleuthing amounted to snoopingaround department stores to check onthe clerks knocking down. Simon said, enigmatically, Nowit comes. <doc-sep> Mr. Dawes came home anhour later, looking tired.Mom pecked him lightly onthe forehead. He glanced atthe evening paper, and thenspoke to Sol. Hear you been askingquestions, Mr. Becker. Sol nodded, embarrassed.Guess I have. I'm awfullycurious about this Armagonplace. Never heard of anythinglike it before. Dawes grunted. You ain'ta reporter? Oh, no. I'm an engineer. Iwas just satisfying my owncuriosity. Uh-huh. Dawes lookedreflective. You wouldn't bethinkin' about writing us upor anything. I mean, this is apretty private affair. Writing it up? Solblinked. I hadn't thought ofit. But you'll have to admit—it'ssure interesting. Yeah, Dawes said narrowly.I guess it would be. Supper! Mom called. After the meal, they spenta quiet evening at home. Sallywent to bed, screaming herreluctance, at eight-thirty.Mom, dozing in the big chairnear the fireplace, padded upstairsat nine. Then Dawesyawned widely, stood up, andsaid goodnight at quarter-of-ten. He paused in the doorwaybefore leaving. I'd think about that, hesaid. Writing it up, I mean.A lot of folks would thinkyou were just plum crazy. Sol laughed feebly. Iguess they would at that. Goodnight, Dawes said. Goodnight. He read Sally's copy of Treasure Island for abouthalf an hour. Then he undressed,made himself comfortableon the sofa, snuggledunder the soft blanketthat Mom had provided, andshut his eyes. He reviewed the events ofthe day before dropping offto sleep. The troublesomeSally. The strange dreamworld of Armagon. The visitto the barber shop. The removalof Brundage's body.The conversations with thetownspeople. Dawes' suspiciousattitude ... Then sleep came. <doc-sep></s> [SEP] Can you provide a summary of the storyline in HOME IS WHERE YOU LEFT IT?

Steve Cantwell grew up in a desert village on Sirius' second planet, he lived with his aunt. It is one of the human colonies, and it has never been accepted by the Kumaji tribesmen - the natives who have been raiding the settlements for years. Steve went to Earth to get an education, but now he came back to the planet. He flew from Oasis City to his native village on a unicopter only to find the deserted buildings and poisoned water. A Kumaji, who lived with the earthmen, tells him that the natives poisoned the well - three people died, and everybody else had to leave their home and walk to Oasis City through the desert wasteland. Now the Kumaji are looking for them to kill. The man stayed here to die since he’s too old to flee or fight. Steve gives him his water canteen and flies away to find the other citizens. Hours later, he spots a caravan with camels. He first meets Tobias Whiting, who was the most successful man in the village when Steve was a child. The man greets him coldly and soon informs Steve that his aunt was one of the people who died from the poisoned water. Then he introduces him to his daughter Mary, the young woman who charms Steve. Tobias says he had a profitable business, but all his money is gone now. Three days later, he disappears, taking Steve’s unicopter with him. The other members suppose that Tobias decided to trade the caravan’s location for his profits, thus betraying them. Mary and Steve take some food and head towards the Kumaji base to the north of the caravan since Tobias probably decided to fly there. Four days later, they spot the empty unicopter and realize that Tobias must’ve reached the base by now. They keep walking and soon surrender to the Kumajis, who put them in a circular tent where they meet Tobias. He explains to Mary that he wants to give her the life she deserves. Now he’s determined to tell the Kumaji everything since his daughter got captured, and the Kumaji might torture her for information. Steve devises an escape plan: at night, he makes Tobias scream for a second to make one of the guards come in. Steve kills this one Kumaji, but the guard manages to lethally wound Tobias while fighting with the attacker. Whiting blesses Mary and Steve and orders them to leave, promising that he’ll deceive the Kumaji and not share the true location of the caravan. The couple runs from the tent, and Steve kills several more guards before gliding off on the thlot’s - desert animal - back with Mary. They reach the caravan two days later and decide to tell everyone that Whiting initially went to the Kumaji to save everyone. Mary admits to Steve that she loves him.

What is the story about and how does it involve Tobias Whiting? [SEP] <s>The first night, they camped in the lee of low sandhills. The secondnight they found a small spring with brackish but drinkable water. Onthe third day, having covered half the distance to the Kumajisettlement, they began to encounter Kumaji patrols, on foot or thlotback , the six-legged desert animals running so swiftly over thesands and so low to the ground that they almost seemed to be gliding.Steve and Mary hardly spoke. Talk was unnecessary. But slowly a bondgrew between them. Steve liked this slim silent girl who had come outhere with him risking her life although she must have known deep in herheart that her father had almost certainly decided to turn traitor inorder to regain his fortune. On the fourth day, they spotted the unicopter from a long way off andmade their way toward it. It had come much further than Steve hadexpected. With sinking heart he realized that Tobias Whiting, if heescaped the crash-landing without injury, must surely have reached theKumaji encampment by now. It doesn't seem badly damaged, Mary said. The platform had buckled slightly, the 'copter was tilted over, one ofthe rotors twisted, its end buried in sand. Tobias Whiting wasn't there. No, Steve said. It's hardly damaged at all. Your father got out of itall right. To go—to them? I think so, Mary. I don't want to pass judgment until we're sure. I'msorry. Oh, Steve! Steve! What will we do? What can we do? Find him, if it isn't too late. Come on. North? North. And if by some miracle we find him? Steve said nothing. The answer—capture or death—was obvious. But youcouldn't tell that to a traitor's daughter, could you? As it turned out, they did not find Tobias Whiting through their ownefforts. Half an hour after setting out from the unicopter, they werespotted by a roving band of Kumajis, who came streaking toward them ontheir thlots . Mary raised her atorifle, but Steve struck the barrelaside. They'd kill us, he said. We can only surrender. They were hobbled and led painfully across the sand. They were takenthat way to a small Kumaji encampment, and thrust within a circulartent. Tobias Whiting was in there. <doc-sep>They fell together on the sand, the guard still struggling. Stevecouldn't release his throat to grab the pike. The guard stabbed outawkwardly, blindly with it, kicking up sand. Then Tobias Whiting moaned,but Steve hardly heard him. When the guard's legs stopped drumming, Steve released him. The man waseither dead or so close to death that he would be out for hours. Stevehad never killed a man before, had never in violence and with intent tokill attacked a man.... Steve! It was Mary, calling his name and crying. It's Dad. Dad was—hit. The pike, a wild stab. He's hit bad— Steve crawled over to them. It was very dark. He could barely make outTobias Whiting's pain-contorted face. My stomach, Whiting said, gasping for breath. The pain.... Steve probed with his hands, found the wound. Blood was rushing out. Hecouldn't stop it and he knew it and he thought Whiting knew it too. Hetouched Mary's hand, and held it. Mary sobbed against him, cryingsoftly. You two ... Whiting gasped. You two ... Mary, Mary girl. Is—he—whatyou want? Yes, Dad. Oh, yes! You can get her out of here, Cantwell? I think so, Steve said. Then go. Go while you can. I'll tell them—due south. The Earthmen areheading due south. They'll go—south. They won't find the caravan.You'll—all—get away. If it's—what you want, Mary. She leaned away from Steve, kissing her father. She asked Steve: Isn'tthere anything we can do for him? Steve shook his head. But he's got to live long enough to tell them, todeceive them. I'll live long enough, Whiting said, and Steve knew then that hewould. Luck to—all of you. From a—very foolish—man.... <doc-sep>Three days later, Tobias Whiting disappeared. The caravan had been making no more than ten or fifteen miles a day.Their water supply was almost gone but on the fourth day they hoped toreach an oasis in the desert. Two of the older folks had died offatigue. A third was critically ill and there was little that could bedone for him. The food supply was running short, but they could alwaysslaughter their camels for food and make their way to Oasis City, stillfour hundred and some miles away, with nothing but the clothes on theirbacks. And then, during the fourth night, Tobias Whiting disappeared, takingSteve's unicopter. A sentry had heard the low muffled whine of theturbojets during the night and had seen the small craft take off, buthad assumed Steve had taken it up for some reason. Each day Steve haddone so, reconnoitering for signs of the Kumaji. But why? someone asked. Why? At first there was no answer. Then a woman whose husband had died theday before said: It's no secret Whiting has plenty of money—with theKumaji. None of them looked at Mary. She stood there defiantly, not sayinganything, and Steve squeezed her hand. Now, wait a minute, one of Whiting's friends said. Wait, nothing. This was Jeremy Gort, who twice had been mayor of thecolony. I know how Whiting's mind works. He slaved all his life forthat money, that's the way he'll see it. Cantwell, didn't you say theKumaji were looking for us, to kill us? That's what I was told, Steve said. All right, Gort went on relentlessly. Then this is what I figure musthave happened. Whiting got to brooding over his lost fortune and finallydecided he had to have it. So, he went off at night in Cantwell's'copter, determined to get it. Only catch is, folks, if I know theKumaji, they won't just give it to him—not by a long sight. No? someone asked. No sir. They'll trade. For our location. And if Whiting went off likethat without even saying good-bye to his girl here, my guess is he'llmake the trade. His voice reflected some bitterness. <doc-sep></s> [SEP] What is the story about and how does it involve Tobias Whiting?

Tobias is a well-muscled, handsome man in his mid-forties. He is the Colony’s official trader with the Kumajis. Steve believed him to have been the most successful man in the Colony before the events of the story. The water in his village gets poisoned by the Kumaji. He, together with his daughter and other citizens, is forced to abandon his home and walk through the desert to Oasis City, leaving all his treasures and assets behind. The Kumajis are trying to chase them and kill the Colony. At some point in their journey, he meets Steve, who found the caravan on his unicopter. Several days later, Tobias decides to steal the unicopter and fly to the Kumaji’s base fifty miles due north of their stop and trade the caravan’s location for his money. He’s kept in one of the tents, and soon Mary and Steve join him. Now that his daughter is a prisoner, he’s eager to share the location of the caravan and save her from torture. At night Steve whispers that he will kill Tobias, and the man screams. Steve quickly silences him and attacks the coming guard. The Kumaji loses the battle with Steve but stabs Tobias in the stomach. He realizes that he won’t be able to leave the camp alive, so he blesses Mary and Steve and promises to give the Kumaji the wrong direction and save the caravan.

What is the backdrop of the story HOME IS WHERE YOU LEFT IT? [SEP] <s> THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes,and had changed its color from a dazzling blue through white to thenormal yellow, of a GO sun. That was the Doppler effect as the star'sradial velocity changed relative to the Quest III , as for forty hoursthe ship had decelerated. They had seen many such stars come near out of the galaxy's glitteringbackdrop, and had seen them dwindle, turn red and go out as the QuestIII drove on its way once more, lashed by despair toward the speed oflight, leaving behind the mockery of yet another solitary and lifelessluminary unaccompanied by worlds where men might dwell. They had grownsated with the sight of wonders—of multiple systems of giant stars, ofnebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, theycame and stood quietly gazing into the big vision screens that showedthe oncoming star, and there were wide-eyed children who had been bornin the ship and had never seen a planet. The grownups talked in lowvoices, in tones of mingled eagerness and apprehension, of what mightlie at the long journey's end. For the Quest III was coming home; thesun ahead was the Sun, whose rays had warmed their lives' beginning. <doc-sep> The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watchthe great changeless sweep of space. He could not quite explain thefeelings within him; they were so alien, so unnatural. But ever sincethe engines somewhere in the rear of the world had changed their tone,from the steady whining Rikud had heard all twenty-five years of hislife, to the sullen roar that came to his ears now, the feelings hadgrown. If anyone else had noticed the change, he failed to mention it. Thisdisturbed Rikud, although he could not tell why. And, because he hadrealized this odd difference in himself, he kept it locked up insidehim. Today, space looked somehow different. The stars—it was a meaninglessconcept to Rikud, but that was what everyone called the brightpinpoints of light on the black backdrop in the viewport—were notapparent in the speckled profusion Rikud had always known. Instead,there was more of the blackness, and one very bright star set apartby itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this wasodd. His head ached with the half-born thought. It was—it was—whatwas it? Someone was clomping up the companionway behind Rikud. He turned andgreeted gray-haired old Chuls. In five more years, the older man chided, you'll be ready to sirechildren. And all you can do in the meantime is gaze out at the stars. Rikud knew he should be exercising now, or bathing in the rays of thehealth-lamps. It had never occurred to him that he didn't feel like it;he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of thetime he would be thirty and a father. Whom would the Calculator selectas his mate? The first time this idea had occurred to him, Rikudignored it. But it came again, and each time it left him with a feelinghe could not explain. Why should he think thoughts that no other manhad? Why should he think he was thinking such thoughts, when it alwaysembroiled him in a hopeless, infinite confusion that left him with aheadache? Chuls said, It is time for my bath in the health-rays. I saw you hereand knew it was your time, too.... His voice trailed off. Rikud knew that something which he could notexplain had entered the elder man's head for a moment, but it haddeparted almost before Chuls knew of its existence. I'll go with you, Rikud told him. <doc-sep>Bob Parker came to, the emptiness of remote starlight in his face. Heopened his eyes. He was slowly revolving on an axis. Sometimes the Sunswept across his line of vision. A cold hammering began at the base ofhis skull, a sensation similar to that of being buried alive. There wasno asteroid, no girl, no Queazy. He was alone in the vastness of space.Alone in a space-suit. Queazy! he whispered. Queazy! I'm running out of air! There was no answer from Queazy. With sick eyes, Bob studied theoxygen indicator. There was only five pounds pressure. Five pounds!That meant he had been floating around out here—how long? Days atleast—maybe weeks! It was evident that somebody had given him a doseof spastic rays, enough to screw up every muscle in his body to thesnapping point, putting him in such a condition of suspended animationthat his oxygen needs were small. He closed his eyes, trying to fightagainst panic. He was glad he couldn't see any part of his body. He wasprobably scrawny. And he was hungry! I'll starve, he thought. Or suffocate to death first! He couldn't keep himself from taking in great gulps of air. Minutes,then hours passed. He was breathing abnormally, and there wasn't enoughair in the first place. He pleaded continually for Queazy, hopingthat somehow Queazy could help, when probably Queazy was in the samecondition. He ripped out wild curses directed at the Saylor brothers.Murderers, both of them! Up until this time, he had merely thought ofthem as business rivals. If he ever got out of this— He groaned. He never would get out of it! After another hour, he wasgasping weakly, and yellow spots danced in his eyes. He called Queazy'sname once more, knowing that was the last time he would have strengthto call it. And this time the headset spoke back! Bob Parker made a gurgling sound. A voice came again, washed withstatic, far away, burbling, but excited. Bob made a rattling sound inhis throat. Then his eyes started to close, but he imagined that he sawa ship, shiny and small, driving toward him, growing in size againstthe backdrop of the Milky Way. He relapsed, a terrific buzzing in hisears. He did not lose consciousness. He heard voices, Queazy's and thegirl's, whoever she was. Somebody grabbed hold of his foot. Hisaquarium was unbuckled and good air washed over his streaming face.The sudden rush of oxygen to his brain dizzied him. Then he was lyingon a bunk, and gradually the world beyond his sick body focussed in hisclearing eyes and he knew he was alive—and going to stay that way, forawhile anyway. Thanks, Queazy, he said huskily. Queazy was bending over him, his anxiety clearing away from hissuddenly brightening face. Don't thank me, he whispered. We'd have both been goners if ithadn't been for her. The Saylor brothers left her paralyzed likeus, and when she woke up she was on a slow orbit around her ship.She unstrapped her holster and threw it away from her and it gaveher enough reaction to reach the ship. She got inside and used thedirection-finder on the telaudio and located me first. The Saylorsscattered us far and wide. Queazy's broad, normally good-humored facetwisted blackly. The so and so's didn't care if we lived or died. Bob saw the girl now, standing a little behind Queazy, looking down athim curiously, but unhappily. Her space-suit was off. She was wearinglightly striped blue slacks and blue silk blouse and she had a paperflower in her hair. Something in Bob's stomach caved in as his eyeswidened on her. The girl said glumly, I guess you men won't much care for me when youfind out who I am and what I've done. I'm Starre Lowenthal—Andrew S.Burnside's granddaughter! <doc-sep></s> [SEP] What is the backdrop of the story HOME IS WHERE YOU LEFT IT?

The story is set in the twenty-second century: the Earth government is seeking colonies in many places. One of them is on Sirius’ second planet. Steve spent his early childhood here in a human settlement in the middle of a desert, but he went to Earth to get an education. Now he got back to Oasis City, which is built at the confluence of two underground rivers and is 500 miles from his home Colony. At the beginning, Steve flies across the desert to his village: it looks abandoned. He walks from the well with water to his aunt’s house and soon finds the dying Kumaji. Later, Steve flies above the desert dunes and spots the caravan. He lands there and spends the next several days with the people walking east to Oasis City. Then Steve and Mary go to the north - to the Kumaji base. They surrender, and the Kumaji take them both to a small encampment. In a secular tent, they find Mary’s Father. When it’s dark, Mary and Steve sneak out of the tent and soon glide off across the sand on the thlot’s back.

What role do the Kumaji's play in the story "HOME IS WHERE YOU LEFT IT"? [SEP] <s> HOME IS WHERE YOU LEFT IT By ADAM CHASE [Transcriber Note: This etext was produced from Amazing Stories February1957. Extensive research did not uncover any evidence that the U.S.copyright on this publication was renewed.] The chance of mass slaughter was their eternal nightmare. How black is the blackest treachery? Is the most calloustraitor entitled to mercy? Steve pondered these questions. His decision?That at times the villain should possibly be spoken of as a hero. Only the shells of deserted mud-brick houses greeted Steve Cantwell whenhe reached the village. He poked around in them for a while. The desert heat was searing,parching, and the Sirian sun gleamed balefully off the blades of Steve'sunicopter, which had brought him from Oasis City, almost five hundredmiles away. He had remembered heat from his childhood here on Sirius'second planet with the Earth colony, but not heat like this. It was likea magnet drawing all the moisture out of his body. He walked among the buildings, surprise and perhaps sadness etched onhis gaunt, weather-beaten face. Childhood memories flooded back: thesingle well from which all the families drew their water, the mud-brickhouse, hardly different from the others and just four walls and a roofnow, in which he'd lived with his aunt after his parents had been killedin a Kumaji raid, the community center where he'd spent his happiesttime as a boy. He went to the well and hoisted up a pailful of water. The winch creakedas he remembered. He ladled out the water, suddenly very thirsty, andbrought the ladle to his lips. He hurled the ladle away. The water was bitter. Not brackish. Poisoned. He spat with fury, then kneeled and stuffed his mouth with sand, almostgagging. After a while he spat out the sand too and opened his canteenand rinsed his mouth. His lips and mouth were paralyzed by contact withthe poison. He walked quickly across the well-square to his aunt'shouse. Inside, it was dim but hardly cooler. Steve was sweating, thesaline sweat making him blink. He scowled, not understanding. The tablewas set in his aunt's house. A coffeepot was on the stove and lastnight's partially-consumed dinner still on the table. The well had been poisoned, the town had been deserted on the spur ofthe moment, and Steve had returned to his boyhood home from Earth—toolate for anything. He went outside into the square. A lizard was sunning itself and staringat him with lidless eyes. When he moved across the square, the lizardscurried away. Earthman! a quavering voice called. Steve ran toward the sound. In the scant shadow of the community center,a Kumaji was resting. He was a withered old man, all skin and bones andsweat-stiffened tunic, with enormous red-rimmed eyes. His purple skin,which had been blasted by the merciless sun, was almost black. Steve held the canteen to his lips and watched his throat working almostspasmodically to get the water down. After a while Steve withdrew thecanteen and said: What happened here? They're gone. All gone. Yes, but what happened? The Kumaji— You're Kumaji. This is my town, the old man said. I lived with the Earthmen. Nowthey're gone. But you stayed here— To die, the old man said, without self-pity. I'm too old to flee, tooold to fight, too old for anything but death. More water. <doc-sep>Steve gave him another drink. You still haven't told me what happened.Actually, though, Steve could guess. With the twenty-second centuryEarth population hovering at the eleven billion mark, colonies weresought everywhere. Even on a parched desert wasteland like this. TheKumaji tribesmen had never accepted the colony as a fact of their lifeon the desert, and in a way Steve could not blame them. It meant oneoasis less for their own nomadic sustenance. When Steve was a boy,Kumaji raids were frequent. At school on Earth and Luna he'd read aboutthe raids, how they'd increased in violence, how the Earth government,so far away and utterly unable to protect its distant colony, hadsuggested withdrawal from the Kumaji desert settlement, especially sincea colony could exist there under only the most primitive conditions,almost like the purple-skinned Kumaji natives themselves. When did it happen? Steve demanded. Last night. It was now midafternoon. Three folks died, the Kumajisaid in his almost perfect English, from the poisoning of the well. Thewell was the last straw. The colonists had no choice. They had to go,and go fast, taking what little water they had left in the houses. Will they try to walk all the way through to Oasis City? Oasis City,built at the confluence of two underground rivers which came to thesurface there and flowed the rest of the way to the sea above ground,was almost five hundred miles from the colony. Five hundred miles oftrackless sands and hundred-and-thirty-degree heat.... They have to, the old man said. And they have to hurry. Men, womenand children. The Kumaji are after them. <doc-sep>Mary went to Gort and slapped his face. The elderly man did not evenblink. Well, he asked her gently, did your pa tell you he was going? N-no, Mary said. There were tears in her eyes, but she did not cry. Gort turned to Steve. Cantwell, can he get far in that 'copter? Steve shook his head. Ten or fifteen miles is all. Almost out of fuel,Mr. Gort. You saw how I took her up for only a quick mile swing eachday. He won't get far. He'll crash in the desert? Crash or crash-land, Steve said. Mary sobbed, and bit her lip, and was silent. We've got to stop him, Gort said. And fast. If he gets to the Kumaji,they'll send down a raiding party and we'll be finished. We could neverfight them off without the protection of our village. Near as I canfigure, there's a Kumaji base fifty miles due north of here. Whitingknows it too, so that's where he'll be going, I figure. Can't spare morethan a couple of men to look for him, though, in case the Kumaji findus—or are led to us—and attack. Steve said, I should have taken something out of the 'copter everynight, so it couldn't start. I'll go. Mary came forward boldly. I have to go. He's my father. If he crashedout there, he may be hurt. He may be—dying. Gort looked at her. And if he's trying to sell us out to the Kumajis? Then—then I'll do whatever Steve asks me to. I promise. That's good enough for me, Steve said. A few minutes later, armed with atorifles and their share of the foodand water that was left, Steve and Mary set out northward across thesand while the caravan continued east. Fear of what they might findmounted. <doc-sep></s> [SEP] What role do the Kumaji's play in the story "HOME IS WHERE YOU LEFT IT"?

The Kumaji are the native tribesmen, and they have been raiding the Colony for many years. They also killed Steve’s parents in the past. Now they poison the village’s well, and his aunt dies from this water. They practically force the citizens to leave their homes and walk through the desert. The Kumaji are looking for the caravan to kill everyone else who remains alive. They have Tobias’ money which upsets him and makes him initially betray his people and try to trade their location for his fortune. They take him, Steve, and Mary captive and then end up being unable to stop the last two from running away.

Can you explain the importance of the elderly man in HOME IS WHERE YOU LEFT IT? [SEP] <s>Loyce relaxed a little. He studied the people around him. Dulled, tiredfaces. People going home from work. Quite ordinary faces. None of thempaid any attention to him. All sat quietly, sunk down in their seats,jiggling with the motion of the bus. The man sitting next to him unfolded a newspaper. He began to read thesports section, his lips moving. An ordinary man. Blue suit. Tie. Abusinessman, or a salesman. On his way home to his wife and family. Across the aisle a young woman, perhaps twenty. Dark eyes and hair, apackage on her lap. Nylons and heels. Red coat and white angora sweater.Gazing absently ahead of her. A high school boy in jeans and black jacket. A great triple-chinned woman with an immense shopping bag loaded withpackages and parcels. Her thick face dim with weariness. Ordinary people. The kind that rode the bus every evening. Going home totheir families. To dinner. Going home—with their minds dead. Controlled, filmed over with the maskof an alien being that had appeared and taken possession of them, theirtown, their lives. Himself, too. Except that he happened to be deep inhis cellar instead of in the store. Somehow, he had been overlooked.They had missed him. Their control wasn't perfect, foolproof. Maybe there were others. Hope flickered in Loyce. They weren't omnipotent. They had made amistake, not got control of him. Their net, their field of control, hadpassed over him. He had emerged from his cellar as he had gone down.Apparently their power-zone was limited. A few seats down the aisle a man was watching him. Loyce broke off hischain of thought. A slender man, with dark hair and a small mustache.Well-dressed, brown suit and shiny shoes. A book between his smallhands. He was watching Loyce, studying him intently. He turned quicklyaway. Loyce tensed. One of them ? Or—another they had missed? The man was watching him again. Small dark eyes, alive and clever.Shrewd. A man too shrewd for them—or one of the things itself, an alieninsect from beyond. The bus halted. An elderly man got on slowly and dropped his token intothe box. He moved down the aisle and took a seat opposite Loyce. The elderly man caught the sharp-eyed man's gaze. For a split secondsomething passed between them. A look rich with meaning. Loyce got to his feet. The bus was moving. He ran to the door. One stepdown into the well. He yanked the emergency door release. The rubberdoor swung open. Hey! the driver shouted, jamming on the brakes. What the hell— Loyce squirmed through. The bus was slowing down. Houses on all sides. Aresidential district, lawns and tall apartment buildings. Behind him,the bright-eyed man had leaped up. The elderly man was also on his feet.They were coming after him. Loyce leaped. He hit the pavement with terrific force and rolled againstthe curb. Pain lapped over him. Pain and a vast tide of blackness.Desperately, he fought it off. He struggled to his knees and then sliddown again. The bus had stopped. People were getting off. Loyce groped around. His fingers closed over something. A rock, lying inthe gutter. He crawled to his feet, grunting with pain. A shape loomedbefore him. A man, the bright-eyed man with the book. Loyce kicked. The man gasped and fell. Loyce brought the rock down. Theman screamed and tried to roll away. Stop! For God's sake listen— He struck again. A hideous crunching sound. The man's voice cut off anddissolved in a bubbling wail. Loyce scrambled up and back. The otherswere there, now. All around him. He ran, awkwardly, down the sidewalk,up a driveway. None of them followed him. They had stopped and werebending over the inert body of the man with the book, the bright-eyedman who had come after him. Had he made a mistake? But it was too late to worry about that. He had to get out—away fromthem. Out of Pikeville, beyond the crack of darkness, the rent betweentheir world and his. <doc-sep>A group of Sirians was traveling on the shelf above him on the slow,very slow jet bus that was flying Michael back to Angeles, back to theLodge, back to the Brotherhood, back to her. Their melancholy howlingwas getting on his nerves, but in a little while, he told himself, itwould be all over. He would be back home, safe with his own kind. When our minds have grown tired, when our lives have expired, when oursorrows no longer can weary us, let our ashes return, neatly packed inan urn, to the bright purple swamps of our Sirius. The advideo crackled: The gown her fairy godmother once gave toCinderella was created by the haute couture of fashion-wise Capella. The ancient taxi was there, the one that Michael had taken from theLodge, early that morning, to the little Angeleno landing field, as ifit had been waiting for his return. I see you're back, son, the driver said without surprise. He set thenoisy old rockets blasting. I been to Portyork once. It's not a badplace to live in, but I hate to visit it. I'm back! Michael sank into the motheaten sable cushions and gazedwith pleasure at the familiar landmarks half seen in the darkness. I'mback! And a loud sneer to civilization! Better be careful, son, the driver warned. I know this is a ruralarea, but civilization is spreading. There are secret police all over.How do you know I ain't a government spy? I could pull you in forinsulting civilization. The elderly black and white advideo flickered, broke into purringsound: Do you find life continues to daze you? Do you find for a quickdeath you hanker? Why not try the new style euthanasia, performed byskilled workmen from Ancha? Not any more, Michael thought contentedly. He was going home. <doc-sep>Strange? The object rose a quarter of a mile above us, a huge, curvinghulk of smooth metal. It was featureless and yet conveyed a senseof alienness . It was alien and yet it wasn't a natural formation.Something had made the thing, whatever it was. But was it strange thatit hadn't been noticed before? Men had lived on the Moon for over ayear, but the Moon was vast and the Mare Serenitatis covered threehundred and forty thousand square miles. What is it? Marie asked breathlessly. Her husband grunted his bafflement. Who knows? But see how it curves?If it's a perfect sphere, it must be at least two miles in diameter! If it's a perfect sphere, Miller suggested, most of it must bebeneath the Moon's surface. Maybe it isn't a sphere, my wife said. Maybe this is all of it. Let's call Lunar City and tell the authorities about it. I reachedfor the radio controls on my suit. Kane grabbed my arm. No. Let's find out whatever we can by ourselves.If we tell the authorities, they'll order us to leave it alone. If wediscover something really important, we'll be famous! I lowered my arm. His outburst seemed faintly childish to me. And yetit carried a good measure of common sense. If we discovered proof ofan alien race, we would indeed be famous. The more we discovered forourselves, the more famous we'd be. Fame was practically a synonym forprestige and wealth. All right, I conceded. Miller stepped forward, moving slowly in the bulk of his spacesuit.Deliberately, he removed a small torch from his side and pressed thebrilliant flame against the metal. A few minutes later, the elderly mineralogist gave his opinion: It'ssteel ... made thousands of years ago. Someone gasped over the intercom, Thousands of years! But wouldn't itbe in worse shape than this if it was that old? Miller pointed at the small cut his torch had made in the metal. Thenotch was only a quarter of an inch deep. I say steel because it's similar to steel. Actually, it's a much stronger alloy. Besides that,on the Moon, there's been no water or atmosphere to rust it. Not evena wind to disturb its surface. It's at least several thousand yearsold. <doc-sep></s> [SEP] Can you explain the importance of the elderly man in HOME IS WHERE YOU LEFT IT?

When Steve arrives at the Colony, he sees deserted buildings and realizes that the well water is poisoned. The old man - the Kumaji who lived with the humans - tells him that the day before, three people died from the poisoned drinking water. The Kumaji are behind this and are trying to locate the others who left the Colony. They want to find the caravan, and even though the desert wind will wipe out the humans' trail, they still need to be informed about this danger. Knowing all of this allows Steve to find the caravan and eventually save them from the Kumaji, who could learn their location from Tobias Whiting.

Can you provide a summary of the storyline in Dream Town? [SEP] <s>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep>His entire body trembled. His mind trembled too. He walked, and came toa waist-high metal railing, and made a tiny sound deep in his throat.He looked out over water, endless water rolling in endless waves underthe night sky. Crashing water, topped with reflected silver from themoon. Pounding water, filling the air with spray. He put out his hands and grasped the railing. It was wet. He raiseddamp fingers to his mouth. Salt. He stepped back, back, and turned and ran. He ran wildly, blindly,until he could run no more. Then he fell, feeling the sand beneath him,and shut his eyes and mind to everything. Much later, he got up and went to the fence and climbed it. He camedown on the other side and looked around and saw Plum. He walked toher, mounted her, sat still. The thoughts, or dreams, or whatever theywere which had been torturing him these past few weeks began torturinghim again. It was getting light. His head was splitting. Davie. His son Davie. Fourteen years old. Going to high school intown.... Town! He should've gone there in the first place! He would ride east,to the road, then head south, back toward home. That would bring himright down Main Street. Regulations or not, he'd talk to people, findout what was happening. He kicked Plum's sides. The mare began to move. He kept kicking untilshe broke into a brisk canter. He held on with hands and legs. Why hadn't he seen the Pangborns and Elvertons lately—a long timelately? The ocean. He'd seen the ocean. Not a reservoir or lake made byflooding and by damming, but salt water and enormous. An ocean, wherethere could be no ocean. The Pangborns and Elvertons had been wherethat ocean was now. And after the Elvertons had come the Dobsons.And after them the new plastics plant. And after that the city ofCrossville. And after that.... He was passing his own farm. He hadn't come through town, and yet herehe was at his own farm. Could he have forgotten where town was? Couldit be north of his home, not south? Could a man get so confused as toforget things he'd known all his life? He reached the Shanks' place, and passed it at a trot. Then he wasbeyond their boundaries and breaking regulations again. He stayed onthe road. He went by a small house and saw colored folks in the yard.There'd been no colored folks here. There'd been Eli Bergen and hisfamily and his mother, in a bigger, newer house. The colored folksheard Plum's hooves and looked up and stared. Then a man raised hisvoice. Mistah, you breakin' regulations! Mistah, the police gonnah getyou! <doc-sep>Sorry, the Vinzz said impersonally, in English that was perfectexcept for the slight dampening of the sibilants, but I'm afraid youcannot play. Why not? The emaciated young man began to put on his clothes. You know why. Your body is worthless. And this is a reputable house. But I have plenty of money. The young man coughed. The Vinzzshrugged. I'll pay you twice the regular fee. The green one shook his head. Regrettably, I do mean what I say. Thisgame is really clean. In a town like this? That is the reason we can afford to be honest. The Vinzz' tendrilsquivered in what the man had come to recognize as amusement throughlong, but necessarily superficial acquaintance with the Vinzz. Hisheavy robe of what looked like moss-green velvet, but might have beenvelvet-green moss, encrusted with oddly faceted alien jewels, swungwith him. We do a lot of business here, he said unnecessarily, for the wholeset-up spelled wealth far beyond the dreams of the man, and he was byno means poor when it came to worldly goods. Why don't you try anothertown where they're not so particular? The young man smiled wryly. Just his luck to stumble on a sunny game.He never liked to risk following his quarry in the same configuration.And even though only the girl had actually seen him this time, hewouldn't feel at ease until he had made the usual body-shift. Washe changing because of Gabriel, he wondered, or was he using his owndiscoverment and identification simply as an excuse to cover the factthat none of the bodies that fell to his lot ever seemed to fit him?Was he activated solely by revenge or as much by the hope that in thehazards of the game he might, impossible though it now seemed, some daywin another body that approached perfection as nearly as his originalcasing had? He didn't know. However, there seemed to be no help for it now; hewould have to wait until they reached the next town, unless the girl,seeing him reappear in the same guise, would guess what had happenedand tell her husband. He himself had been a fool to admit to her thatthe hulk he inhabited was a sick one; he still couldn't understandhow he could so casually have entrusted her with so vital a piece ofinformation. <doc-sep></s> [SEP] Can you provide a summary of the storyline in Dream Town?

The plot follows Sol, a veteran of the U.S. army who, after picking up a hitchhiker on the way to a wedding, gets his car robbed near a small town. He ends up staying in the house of a young family who are kind enough to host him. They are very nice with him, and even offer him breakfast the next morning. As Sol learns more of the town and the family, he learns that the people in the town share the same dream every night, in a place called the Armagon. He also learns that there was an execution last night in the same place. He follows Willie Dawes, the head of the family, to pick up the body of the person that was executed. They are also accompanied by the sheriff of the town and by a man named Charlie. When Sol sees the body of the executed person, he starts to get worried and starts asking people in the town questions about the Armagon. That night, Sol stays with the Dawes family again, and when he goes to sleep he meets with the townspeople in the Armagon, where it seems that he will be executed.

What are the defining traits of Willie Dawes, and who is he in relation to Dream Town? [SEP] <s> He was flanked by marblepillars, thrusting towardsa high-domed ceiling. The room stretched longand wide before him, thewalls bedecked in stunningpurple draperies. He whirled at the sound offootsteps, echoing stridentlyon the stone floor. Someonewas running towards him. It was Sally, pigtailsstreaming out behind her, thesmall body wearing a flowingwhite toga. She was shrieking,laughing as she skitteredpast him, clutching a gleaminggold helmet. He called out to her, butshe was too busy outdistancingher pursuer. It was SheriffCoogan, puffing and huffing,the metal-and-gold clothuniform ludicrous on hislanky frame. Consarn kid! he wheezed.Gimme my hat! Mom was following him,her stout body regal in scarletrobes. Sally! You giveSir Coogan his helmet! Youhear? Mrs. Dawes! Sol said. Why, Mr. Becker! Hownice to see you again! Pa! Pa! Look who's here! Willie Dawes appeared. No! Sol thought. This was King Dawes; nothing elsecould explain the magnificenceof his attire. Yes, Dawes said craftily.So I see. Welcome to Armagon,Mr. Becker. Armagon? Sol gaped.Then this is the placeyou've been dreaming about? Yep, the King said. Andnow you're in it, too. Then I'm only dreaming! Charlie, the fat man,clumsy as ever in his robes ofState, said: So that's thesnooper, eh? Yep, Dawes chuckled.Think you better round upthe Knights. Sol said: The Knights? Exelution! Exelution!Sally shrieked. Now wait a minute— Charlie shouted. Running feet, clanking ofarmor. Sol backed up againsta pillar. Now look here.You've gone far enough— Not quite, said the King. The Knights stepped forward. Wait! Sol screamed. Familiar faces, under shininghelmets, moved towardshim; the tips of sharp-pointedspears gleaming wickedly.And Sol Becker wondered—wouldhe ever awake? Transcriber's Note: This etext was produced from Fantastic Universe January 1957.Extensive research did not uncover any evidence that the U.S.copyright on this publication was renewed. Minor spelling andtypographical errors have been corrected without note.<doc-sep> He took a walk. The town was just comingto life. People were strollingout of their houses, commentingon the weather, chucklingamiably about local affairs.Kids on bicycles were beginningto appear, jangling thelittle bells and hooting toeach other. A woman, hangingwash in the back yard,called out to him, thinkinghe was somebody else. He found a little park, nomore than twenty yards incircumference, centeredaround a weatherbeaten monumentof some unrecognizablemilitary figure. Threeold men took their places onthe bench that circled theGeneral, and leaned on theircanes. Sol was a civil engineer.But he made like a reporter. Pardon me, sir. The oldman, leathery-faced, with afine yellow moustache, lookedat him dumbly. Have youever heard of Armagon? You a stranger? Yes. Thought so. Sol repeated the question. Course I did. Been goin'there ever since I was a kid.Night-times, that is. How—I mean, what kindof place is it? Said you're a stranger? Yes. Then 'tain't your business. That was that. He left the park, and wanderedinto a thriving luncheonette.He tried questioningthe man behind the counter,who merely snickered andsaid: You stayin' with theDawes, ain't you? Better askWillie, then. He knows theplace better than anybody. He asked about the execution,and the man stiffened. Don't think I can talkabout that. Fella broke one ofthe Laws; that's about it.Don't see where you comeinto it. At eleven o'clock, he returnedto the Dawes residence,and found Mom in thekitchen, surrounded by thewarm nostalgic odor of home-bakedbread. She told himthat her husband had left amessage for the stranger, informinghim that the StatePolice would be around to gethis story. He waited in the house,gloomily turning the pages ofthe local newspaper, searchingfor references to Armagon.He found nothing. At eleven-thirty, a brown-facedState Trooper came tocall, and Sol told his story.He was promised nothing,and told to stay in town untilhe was contacted again bythe authorities. Mom fixed him a lightlunch, the greatest feature ofwhich was some hot biscuitsshe plucked out of the oven.It made him feel almost normal. He wandered around thetown some more after lunch,trying to spark conversationwith the residents. He learned little. <doc-sep> At the table, Dawesasked his destination. Wedding in Salinas, heexplained. Old Army friendof mine. I picked this hitchhikerup about two miles fromhere. He seemed okay. Never can tell, Dawessaid placidly, munching egg.Hey, Ma. That why youwere so late comin' to courtlast night? That's right, Pa. Shepoured the blackest coffeeSol had ever seen. Didn'tmiss much, though. What court is that? Solasked politely, his mouth full. Umagum, Sally said, apiece of toast sticking outfrom the side of her mouth.Don't you know nothin' ? Arma gon, Dawes corrected.He looked sheepishly atthe stranger. Don't expectMister— He cocked an eyebrow.What's the name? Becker. Don't expect Mr. Beckerknows anything about Armagon.It's just a dream, youknow. He smiled apologetically. Dream? You mean this—Armagonis a place you dreamabout? Yep, Dawes said. He liftedcup to lip. Great coffee,Ma. He leaned back with acontented sigh. Dream aboutit every night. Got so used tothe place, I get all confusedin the daytime. Mom said: I get muddle-headedtoo, sometimes. You mean— Sol put hisnapkin in his lap. You mean you dream about the sameplace? Sure, Sally piped. Weall go there at night. I'm goin'to the palace again, too. If you brush your teeth,Mom said primly. If I brush my teeth. Boy,you shoulda seen the exelution! Execution, her fathersaid. Oh, my goodness! Momgot up hastily. That remindsme. I gotta call poor Mrs.Brundage. It's the least Icould do. Good idea, Dawes nodded.And I'll have to roundup some folks and get oldBrundage out of there. Sol was staring. He openedhis mouth, but couldn't thinkof the right question to ask.Then he blurted out: Whatexecution? None of your business,the man said coldly. You eatup, young man. If you wantme to get Sheriff Cooganlookin' for your car. The rest of the meal wentsilently, except for Sally's insistenceupon singing herschool song between mouthfuls.When Dawes wasthrough, he pushed back hisplate and ordered Sol to getready. Sol grabbed his topcoat andfollowed the man out thedoor. Have to stop someplacefirst, Dawes said. But we'llbe pickin' up the Sheriff onthe way. Okay with you? Fine, Sol said uneasily. The rain had stopped, butthe heavy clouds seemed reluctantto leave the skies overthe small town. There was askittish breeze blowing, andSol Becker tightened the collarof his coat around hisneck as he tried to keep upwith the fast-stepping Dawes. <doc-sep></s> [SEP] What are the defining traits of Willie Dawes, and who is he in relation to Dream Town?

Willie is the head of the family that hosts and helps Sol after his car was stolen. He seems to have a lot of influence in the town, as he helps the sheriff in his day to day tasks and everyone in the town knows him. He is described as a tall and skinny man. He is also married to Mom, which is the woman that first received Sol after his car was stolen. Together she and Willie have a child called Sally. At the end, it is revealed that Willie is actually the king of the Armagon, which is why he has so much influence in the town.

What is the fate of Mrs. Brundage in the story "Dream Town"? [SEP] <s> At the table, Dawesasked his destination. Wedding in Salinas, heexplained. Old Army friendof mine. I picked this hitchhikerup about two miles fromhere. He seemed okay. Never can tell, Dawessaid placidly, munching egg.Hey, Ma. That why youwere so late comin' to courtlast night? That's right, Pa. Shepoured the blackest coffeeSol had ever seen. Didn'tmiss much, though. What court is that? Solasked politely, his mouth full. Umagum, Sally said, apiece of toast sticking outfrom the side of her mouth.Don't you know nothin' ? Arma gon, Dawes corrected.He looked sheepishly atthe stranger. Don't expectMister— He cocked an eyebrow.What's the name? Becker. Don't expect Mr. Beckerknows anything about Armagon.It's just a dream, youknow. He smiled apologetically. Dream? You mean this—Armagonis a place you dreamabout? Yep, Dawes said. He liftedcup to lip. Great coffee,Ma. He leaned back with acontented sigh. Dream aboutit every night. Got so used tothe place, I get all confusedin the daytime. Mom said: I get muddle-headedtoo, sometimes. You mean— Sol put hisnapkin in his lap. You mean you dream about the sameplace? Sure, Sally piped. Weall go there at night. I'm goin'to the palace again, too. If you brush your teeth,Mom said primly. If I brush my teeth. Boy,you shoulda seen the exelution! Execution, her fathersaid. Oh, my goodness! Momgot up hastily. That remindsme. I gotta call poor Mrs.Brundage. It's the least Icould do. Good idea, Dawes nodded.And I'll have to roundup some folks and get oldBrundage out of there. Sol was staring. He openedhis mouth, but couldn't thinkof the right question to ask.Then he blurted out: Whatexecution? None of your business,the man said coldly. You eatup, young man. If you wantme to get Sheriff Cooganlookin' for your car. The rest of the meal wentsilently, except for Sally's insistenceupon singing herschool song between mouthfuls.When Dawes wasthrough, he pushed back hisplate and ordered Sol to getready. Sol grabbed his topcoat andfollowed the man out thedoor. Have to stop someplacefirst, Dawes said. But we'llbe pickin' up the Sheriff onthe way. Okay with you? Fine, Sol said uneasily. The rain had stopped, butthe heavy clouds seemed reluctantto leave the skies overthe small town. There was askittish breeze blowing, andSol Becker tightened the collarof his coat around hisneck as he tried to keep upwith the fast-stepping Dawes. <doc-sep> The fat man rang thebell. It was a while before ananswer came. It was a reedy woman in ahousecoat, her hair in curlers,her eyes red and swollen. Now, now, Dawes saidgently. Don't you take onlike that, Mrs. Brundage. Youheard the charges. It haddabe this way. My poor Vincent, shesobbed. Better let us up, theSheriff said kindly. No usejust lettin' him lay there,Mrs. Brundage. He didn't mean no harm,the woman snuffled. He wasjust purely ornery, Vincentwas. Just plain mean stubborn. The law's the law, thefat man sighed. Sol couldn't hold himselfin. What law? Who's dead?How did it happen? Dawes looked at him disgustedly.Now is it any of your business? I mean, is it? I don't know, Sol saidmiserably. You better stay out ofthis, the Sheriff warned.This is a local matter, youngman. You better stay in theshop while we go up. They filed past him and thecrying Mrs. Brundage. When they were out ofsight, Sol pleaded with her. What happened? How didyour husband die? Please ... You must tell me! Was itsomething to do with Armagon?Do you dream about theplace, too? She was shocked at thequestion. Of course! And your husband? Didhe have the same dream? Fresh tears resulted. Can'tyou leave me alone? Sheturned her back. I got thingsto do. You can make yourselfcomfortable— She indicatedthe barber chairs, and leftthrough the back door. Sol looked after her, andthen ambled over to the firstchair and slipped into thehigh seat. His reflection inthe mirror, strangely gray inthe dim light, made himgroan. His clothes were amess, and he needed a shave.If only Brundage had beenalive ... He leaped out of the chairas voices sounded behind thedoor. Dawes was kicking itopen with his foot, his armsladen with two rather largefeet, still encased in bedroomslippers. Charlie was at theother end of the burden,which appeared to be a middle-agedman in pajamas. TheSheriff followed the trio upwith a sad, undertaker expression.Behind him came Mrs.Brundage, properly weeping. We'll take him to the funeralparlor, Dawes said,breathing hard. Weighs aton, don't he? What killed him? Solsaid. Heart attack. The fat man chuckled. The tableau was grisly. Sollooked away, towards thecomfortingly mundane atmosphereof the barber shop. Buteven the sight of the thick-paddedchairs, the shavingmugs on the wall, the neatrows of cutting instruments,seemed grotesque and morbid. Listen, Sol said, as theywent through the doorway.About my car— The Sheriff turned and regardedhim lugubriously.Your car ? Young man, ain'tyou got no respect ? Sol swallowed hard and fellsilent. He went outside withthem, the woman slammingthe barber-shop door behindhim. He waited in front ofthe building while the mentoted away the corpse to somenew destination. <doc-sep> They crossed thestreet diagonally, and entereda two-story wooden building.Dawes took the stairs at abrisk pace, and pushed openthe door on the second floor.A fat man looked up frombehind a desk. Hi, Charlie. Thought I'dsee if you wanted to helpmove Brundage. The man batted his eyes.Oh, Brundage! he said.You know, I clean forgotabout him? He laughed.Imagine me forgettingthat? Yeah. Dawes wasn'tamused. And you Prince Regent. Aw, Willie— Well, come on. Stir thatfat carcass. Gotta pick upSheriff Coogan, too. Thishere gentleman has to see himabout somethin' else. The man regarded Sol suspiciously.Never seen youbefore. Night or day. Stranger? Come on ! Dawes said. The fat man grunted andhoisted himself out of theswivel chair. He followedlamely behind the two menas they went out into thestreet again. A woman, with an emptymarket basket, nodded casuallyto them. Mornin', folks.Enjoyed it last night.Thought you made a rightnice speech, Mr. Dawes. Thanks, Dawes answeredgruffly, but obviously flattered.We were just goin'over to Brundage's to pick upthe body. Ma's gonna pay acall on Mrs. Brundage aroundten o'clock. You care to visit? Why, I think that's verynice, the woman said. I'llbe sure and do that. Shesmiled at the fat man. Mornin',Prince. Sol's head was spinning. Asthey left the woman and continuedtheir determinedmarch down the quiet street,he tried to find answers. Look, Mr. Dawes. He waspanting; the pace was fast.Does she dream about this—Armagon,too? That womanback there? Yep. Charlie chuckled. He's astranger, all right. And you, Mr.— Solturned to the fat man. Youalso know about this palaceand everything? I told you, Dawes saidtestily. Charlie here's PrinceRegent. But don't let the fancytitle fool you. He got nomore power than any Knightof the Realm. He's just toodern fat to do much more'nsit on a throne and eat grapes.That right, Charlie? The fat man giggled. Here's the Sheriff, Dawessaid. The Sheriff, a sleepy-eyedcitizen with a long, sad face,was rocking on a porch asthey approached his house,trying to puff a half-lit pipe.He lifted one hand wearilywhen he saw them. Hi, Cookie, Dawesgrinned. Thought you, me,and Charlie would get Brundage'sbody outa the house.This here's Mr. Becker; hegot another problem. Mr.Becker, meet Cookie Coogan. The Sheriff joined the procession,pausing only once toinquire into Sol's predicament. He described the hitchhikerincident, but Cooganlistened stoically. He murmuredsomething about theTroopers, and shuffled alongsidethe puffing fat man. Sol soon realized that theirdestination was a barber shop. Dawes cupped his handsover the plate glass andpeered inside. Gold letters onthe glass advertised: HAIRCUTSHAVE & MASSAGEPARLOR. He reported: Nobodyin the shop. Must beupstairs. <doc-sep></s> [SEP] What is the fate of Mrs. Brundage in the story "Dream Town"?

Mrs. Brundage is one of the townspeople that live in the town that Sol got robbed in. She and her Husband own a barber shop, in which her husband was the barber. It is revealed that the execution in the Armagon from the first night was in fact Mr. Brundage, and that he was executed for breaking the rules. When Sol and Mr. Dawes picks up the body, she seems very distraught and sad, but she seems to understand the repercussions of her husband’s actions.

What are the defining traits of Mom? [SEP] <s>For more than a century, robotocists have been trying to build Asimov'sfamous Three Laws of Robotics into a robot brain. First Law: A robot shall not, either through action or inaction, allowharm to come to a human being. Second Law: A robot shall obey the orders of a human being, exceptwhen such orders conflict with the First Law . [15] Third Law: A robot shall strive to protect its own existence, exceptwhen this conflicts with the First or Second Law. Nobody has succeeded yet, because nobody has yet succeeded in definingthe term human being in such a way that the logical mind of a robotcan encompass the concept. A traffic robot is useful only because the definition has been rigidlynarrowed down. As far as a traffic robot is concerned, human beingsare the automobiles on its highways. Woe betide any poor sap who tries,illegally, to cross a robot-controlled highway on foot. The robot'sonly concern would be with the safety of the automobiles, and if theonly way to avoid destruction of an automobile were to be by nudgingthe pedestrian aside with a fender, that's what would happen. And, since its orders only come from one place, I suppose that atraffic robot thinks that the guy who uses that typer is an automobile. With the first six models of the McGuire ships, the robotocistsattempted to build in the Three Laws exactly as stated. And the firstsix went insane. If one human being says jump left, and another says jump right,the robot is unable to evaluate which human being has given the morevalid order. Feed enough confusing and conflicting data into a robotbrain, and it can begin behaving in ways that, in a human being, wouldbe called paranoia or schizophrenia or catatonia or what-have-you,depending [16] on the symptoms. And an insane robot is fully as dangerousas an insane human being controlling the same mechanical equipment, ifnot more so. So the seventh model had been modified. The present McGuire's brain wasimpressed with slight modifications of the First and Second Laws. If it is difficult to define a human being, it is much more difficultto define a responsible human being. One, in other words, who canbe relied upon to give wise and proper orders to a robot, who can berelied upon not to drive the robot insane. The robotocists at Viking Spacecraft had decided to take anothertack. Very well, they'd said, if we can't define all the membersof a group, we can certainly define an individual. We'll pick oneresponsible person and build McGuire so that he will take orders onlyfrom that person. As it turned out, I was that person. Just substitute Daniel Oakfor human being in the First and Second Laws, and you'll see howimportant I was to a certain spaceship named McGuire. <doc-sep> Mr. Dawes came home anhour later, looking tired.Mom pecked him lightly onthe forehead. He glanced atthe evening paper, and thenspoke to Sol. Hear you been askingquestions, Mr. Becker. Sol nodded, embarrassed.Guess I have. I'm awfullycurious about this Armagonplace. Never heard of anythinglike it before. Dawes grunted. You ain'ta reporter? Oh, no. I'm an engineer. Iwas just satisfying my owncuriosity. Uh-huh. Dawes lookedreflective. You wouldn't bethinkin' about writing us upor anything. I mean, this is apretty private affair. Writing it up? Solblinked. I hadn't thought ofit. But you'll have to admit—it'ssure interesting. Yeah, Dawes said narrowly.I guess it would be. Supper! Mom called. After the meal, they spenta quiet evening at home. Sallywent to bed, screaming herreluctance, at eight-thirty.Mom, dozing in the big chairnear the fireplace, padded upstairsat nine. Then Dawesyawned widely, stood up, andsaid goodnight at quarter-of-ten. He paused in the doorwaybefore leaving. I'd think about that, hesaid. Writing it up, I mean.A lot of folks would thinkyou were just plum crazy. Sol laughed feebly. Iguess they would at that. Goodnight, Dawes said. Goodnight. He read Sally's copy of Treasure Island for abouthalf an hour. Then he undressed,made himself comfortableon the sofa, snuggledunder the soft blanketthat Mom had provided, andshut his eyes. He reviewed the events ofthe day before dropping offto sleep. The troublesomeSally. The strange dreamworld of Armagon. The visitto the barber shop. The removalof Brundage's body.The conversations with thetownspeople. Dawes' suspiciousattitude ... Then sleep came. <doc-sep>He nodded. He'd heard about the sea-bottom mining cities that werebubbling under protective domes in every one of the Earth's oceans justabout the same time settlements were springing up on the planets. He looked impressed when I told him about Mom and Pop being one of thefirst couples to get married in Undersea. He looked thoughtful when Itold him how Sis and I had been born there and spent half our childhoodlistening to the pressure pumps. He raised his eyebrows and lookeddisgusted when I told how Mom, as Undersea representative on the WorldCouncil, had been one of the framers of the Male Desuffrage Act afterthe Third Atomic War had resulted in the Maternal Revolution. <doc-sep></s> [SEP] What are the defining traits of Mom?

Mom is the wife of Willie Dawes, and is the kind woman who received Sol when his car was robbed and he was wet from the rain. She was very kind to give him the sofa, after which she hurried up to her room to attend the Armagon execution. She seems to be a very good mom, and she enjoys cooking for her family. She is very helpful to Sol, but she also makes it clear that she isn’t going to go out of her way to help him more, like he has to sleep on the sofa and that breakfast is at 7.

What is the importance of the dream that the residents of the town had? [SEP] <s> He took a walk. The town was just comingto life. People were strollingout of their houses, commentingon the weather, chucklingamiably about local affairs.Kids on bicycles were beginningto appear, jangling thelittle bells and hooting toeach other. A woman, hangingwash in the back yard,called out to him, thinkinghe was somebody else. He found a little park, nomore than twenty yards incircumference, centeredaround a weatherbeaten monumentof some unrecognizablemilitary figure. Threeold men took their places onthe bench that circled theGeneral, and leaned on theircanes. Sol was a civil engineer.But he made like a reporter. Pardon me, sir. The oldman, leathery-faced, with afine yellow moustache, lookedat him dumbly. Have youever heard of Armagon? You a stranger? Yes. Thought so. Sol repeated the question. Course I did. Been goin'there ever since I was a kid.Night-times, that is. How—I mean, what kindof place is it? Said you're a stranger? Yes. Then 'tain't your business. That was that. He left the park, and wanderedinto a thriving luncheonette.He tried questioningthe man behind the counter,who merely snickered andsaid: You stayin' with theDawes, ain't you? Better askWillie, then. He knows theplace better than anybody. He asked about the execution,and the man stiffened. Don't think I can talkabout that. Fella broke one ofthe Laws; that's about it.Don't see where you comeinto it. At eleven o'clock, he returnedto the Dawes residence,and found Mom in thekitchen, surrounded by thewarm nostalgic odor of home-bakedbread. She told himthat her husband had left amessage for the stranger, informinghim that the StatePolice would be around to gethis story. He waited in the house,gloomily turning the pages ofthe local newspaper, searchingfor references to Armagon.He found nothing. At eleven-thirty, a brown-facedState Trooper came tocall, and Sol told his story.He was promised nothing,and told to stay in town untilhe was contacted again bythe authorities. Mom fixed him a lightlunch, the greatest feature ofwhich was some hot biscuitsshe plucked out of the oven.It made him feel almost normal. He wandered around thetown some more after lunch,trying to spark conversationwith the residents. He learned little. <doc-sep>Untrimmed sumacs threw late-afternoon shadows on the discolored stuccofacade of the Elsby Public Library. Inside, Tremaine followed apaper-dry woman of indeterminate age to a rack of yellowed newsprint. You'll find back to nineteen-forty here, the librarian said. Theolder are there in the shelves. I want nineteen-oh-one, if they go back that far. The woman darted a suspicious look at Tremaine. You have to handlethese old papers carefully. I'll be extremely careful. The woman sniffed, opened a drawer, leafedthrough it, muttering. What date was it you wanted? Nineteen-oh-one; the week of May nineteenth. The librarian pulled out a folded paper, placed it on the table,adjusted her glasses, squinted at the front page. That's it, shesaid. These papers keep pretty well, provided they're stored in thedark. But they're still flimsy, mind you. I'll remember. The woman stood by as Tremaine looked over the frontpage. The lead article concerned the opening of the Pan-AmericanExposition at Buffalo. Vice-President Roosevelt had made a speech.Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land,north of town, together with a sturdy house, from J. P. Spivey ofElsby. Mr. Bram will occupy the home and will continue to graze afew head of stock. Mr. Bram, who is a newcomer to the county, hasbeen a resident of Mrs. Stoate's Guest Home in Elsby for the pastmonths. May I see some earlier issues; from about the first of the year? The librarian produced the papers. Tremaine turned the pages, read theheads, skimmed an article here and there. The librarian went back toher desk. An hour later, in the issue for July 7, 1900, an item caughthis eye: A Severe Thunderstorm. Citizens of Elsby and the country were muchalarmed by a violent cloudburst, accompanied by lightning andthunder, during the night of the fifth. A fire set in the pinewoods north of Spivey's farm destroyed a considerable amount oftimber and threatened the house before burning itself out alongthe river. The librarian was at Tremaine's side. I have to close the library now.You'll have to come back tomorrow. Outside, the sky was sallow in the west: lights were coming on inwindows along the side streets. Tremaine turned up his collar against acold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faintsqueal of tires and gunned past him, a heavy antenna mounted forwardof the left rear tail fin whipping in the slipstream. Tremaine stoppedshort, stared after the car. Damn! he said aloud. An elderly man veered, eyeing him sharply.Tremaine set off at a run, covered the two blocks to the hotel, yankedopen the door to his car, slid into the seat, made a U-turn, and headednorth after the police car. <doc-sep>His entire body trembled. His mind trembled too. He walked, and came toa waist-high metal railing, and made a tiny sound deep in his throat.He looked out over water, endless water rolling in endless waves underthe night sky. Crashing water, topped with reflected silver from themoon. Pounding water, filling the air with spray. He put out his hands and grasped the railing. It was wet. He raiseddamp fingers to his mouth. Salt. He stepped back, back, and turned and ran. He ran wildly, blindly,until he could run no more. Then he fell, feeling the sand beneath him,and shut his eyes and mind to everything. Much later, he got up and went to the fence and climbed it. He camedown on the other side and looked around and saw Plum. He walked toher, mounted her, sat still. The thoughts, or dreams, or whatever theywere which had been torturing him these past few weeks began torturinghim again. It was getting light. His head was splitting. Davie. His son Davie. Fourteen years old. Going to high school intown.... Town! He should've gone there in the first place! He would ride east,to the road, then head south, back toward home. That would bring himright down Main Street. Regulations or not, he'd talk to people, findout what was happening. He kicked Plum's sides. The mare began to move. He kept kicking untilshe broke into a brisk canter. He held on with hands and legs. Why hadn't he seen the Pangborns and Elvertons lately—a long timelately? The ocean. He'd seen the ocean. Not a reservoir or lake made byflooding and by damming, but salt water and enormous. An ocean, wherethere could be no ocean. The Pangborns and Elvertons had been wherethat ocean was now. And after the Elvertons had come the Dobsons.And after them the new plastics plant. And after that the city ofCrossville. And after that.... He was passing his own farm. He hadn't come through town, and yet herehe was at his own farm. Could he have forgotten where town was? Couldit be north of his home, not south? Could a man get so confused as toforget things he'd known all his life? He reached the Shanks' place, and passed it at a trot. Then he wasbeyond their boundaries and breaking regulations again. He stayed onthe road. He went by a small house and saw colored folks in the yard.There'd been no colored folks here. There'd been Eli Bergen and hisfamily and his mother, in a bigger, newer house. The colored folksheard Plum's hooves and looked up and stared. Then a man raised hisvoice. Mistah, you breakin' regulations! Mistah, the police gonnah getyou! <doc-sep></s> [SEP] What is the importance of the dream that the residents of the town had?

The dream of the townspeople is what makes the town unique, and what puts Sol in danger. At the beginning Sol thought that the Dawes family shared a dream, but then he learned that everyone in the town had the same dream every night together. Also, the dream is a courtroom style, where Dawes is the king and can execute people. Charlie, the fat man that helps Dawes, is one of the knights in the Armagon. At the end, Sol attends this shared dream and it is implied that he is going to be killed by Dawes and the others.

Can you provide a summary of the storyline in PRIME DIFFERENCE? [SEP] <s>Practical androids had been a pipe dream until Hunyadi invented theNeuro-pantograph. Hunyadi had no idea in the world what to do with itonce he'd invented it, but a couple of enterprising engineers boughthim body and soul, sub-contracted the problems of anatomy, design,artistry, audio and visio circuitry, and so forth, and ended up withthe modern Ego Primes we have today. I spent a busy two hours under the NP microprobes; the artists workedoutside while the NP technicians worked inside. I came out of it prettywoozy, but a shot of Happy-O set that straight. Then I waited in therecovery room for another two hours, dreaming up ways to use my Primewhen I got him. Finally the door opened and the head technician walkedin, followed by a tall, sandy-haired man with worried blue eyes and atired look on his face. Meet George Faircloth Prime, the technician said, grinning at me likea nursing mother. I shook hands with myself. Good firm handshake, I thought admiringly.Nothing flabby about it. I slapped George Prime on the shoulder happily. Come on, Brother, Isaid. You've got a job to do. But, secretly, I was wondering what Jeree was doing that night. George Prime had remote controls, as well as a completely recordedneurological analogue of his boss, who was me. George Prime thoughtwhat I thought about the same things I did in the same way I did. Theonly difference was that what I told George Prime to do, George Primedid. If I told him to go to a business conference in San Francisco and makethe smallest possible concessions for the largest possible orders,he would go there and do precisely that. His signature would be mysignature. It would hold up in court. And if I told him that my wife Marge was really a sweet, good-heartedgirl and that he was to stay home and keep her quiet and happy any timeI chose, he'd do that, too. George Prime was a duplicate of me right down to the sandy hairs onthe back of my hands. Our fingerprints were the same. We had the samemannerisms and used the same figures of speech. The only physicaldifference apparent even to an expert was the tiny finger-depressionburied in the hair above his ear. A little pressure there would stopGeorge Prime dead in his tracks. He was so lifelike, even I kept forgetting that he was basically just apile of gears. I'd planned very carefully how I meant to use him, of course. Every man who's been married eight years has a sanctuary. He builds itup and maintains it against assault in the very teeth of his wife'snatural instinct to clean, poke, pry and rearrange things. Sometimesit takes him years of diligent work to establish his hideout and beconfident that it will stay inviolate, but if he starts early enough,and sticks with it long enough, and is fierce enough and persistentenough and crafty enough, he'll probably win in the end. The girls hatehim for it, but he'll win. With some men, it's just a box on their dressers, or a desk, or acorner of an unused back room. But I had set my sights high early inthe game. With me, it was the whole workshop in the garage. <doc-sep>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep>It was completely illegal, of course. The wonder was that Ego Prime,Inc., ever got to put their product on the market at all, once thenation's housewives got wind of just what their product was. From the first, there was rigid Federal control and laws regulating theuse of Primes right down to the local level. You could get a licensefor a Utility model Prime if you were a big business executive, or ahigh public official, or a movie star, or something like that; but eventhen his circuits had to be inspected every two months, and he had tohave a thousand built-in Paralyzers, and you had to specify in advanceexactly what you wanted your Prime to be able to do when, where, how,why, and under what circumstances. The law didn't leave a man much leeway. But everybody knew that if you really wanted a personal Prime withall his circuits open and no questions asked, you could get one. Blackmarket prices were steep and you ran your own risk, but it could bedone. Harry Folsom told his friend who knew a guy, and a few greenbacks gotlost somewhere, and I found myself looking at a greasy little man witha black mustache and a bald spot, up in a dingy fourth-story warehouseoff lower Broadway. Ah, yes, the little man said. Mr. Faircloth. We've been expectingyou. <doc-sep></s> [SEP] Can you provide a summary of the storyline in PRIME DIFFERENCE?

George Faircloth, a husband who has an eight-year marriage with Marge Faircloth, is unsatisfied with his wife as he thinks she is annoying and unbearable. He desires but cannot divorce her as the law and society are critical of the divorce. His colleague, Harry Folsom, suggests he get an illegal Ego Prime, a technology that can produce a human duplicate possessing all the human features and functions, after he becomes fed up with his wife after a fight over his new secretary. He goes to the black market, goes through all the examinations needed for the technology, and buys a Super Deluxe Prime, George Prime, to hide in his workshop in the garage. The workshop is his sanctuary that he keeps for years after a long fight with Marge, a place where Marge cannot go in. He sets up George Prime and orders it to pretend him whenever he goes out to have some extramarital affairs with women in his office. George Prime does an excellent job on that as it behaves completely identical to George Faircloth, except that it gives Marge Faircloth more pleasure than George Faircloth does. At first, George Faircloth enjoys the freedom of playing around with women and not having to worry about Marge’s hysteria. But after a while, as he realizes that Marge has been more mellow and sweet whenever he is at home, catching George Prime on the street once when it is not supposed to be outside according to his order, he starts to suspect whether his choice is correct or not. One day, he leaves his date and comes home early, seeing George Prime have sexual affairs with Marge. Gripped by the anger, he tries to recall George Prime coming back to the garage, but it doesn’t respond due to the lack of the first logical opportunity for it to return. After that, through the conversation with George Prime, he realizes that things are out of his control as he cannot decide specifically what George Prime will do. Even worse, he finds out that his money is spent through the signature of George Prime as their signatures both have legal effects, and that he cannot call the police to fix it as he couldn’t explain the situation of illegal George Prime. George Prime and Marge Faircloth leave for Bermuda with his money. Marge comes home when he feels desperate in his house and comforts him. He soon realizes that it is not Marge Faircloth but Marge Prime, his wife’s duplicate and that his wife had already found out his trick long before. In the end, George Faircloth lives happily with Marge Prime, and Marge Faircloth lives happily with George Prime. Both of them are satisfied with the duplicates as they would satisfy their needs in the marriage.

What does the "Prime" technology signify in the context of the story "Prime Difference"? [SEP] <s>Practical androids had been a pipe dream until Hunyadi invented theNeuro-pantograph. Hunyadi had no idea in the world what to do with itonce he'd invented it, but a couple of enterprising engineers boughthim body and soul, sub-contracted the problems of anatomy, design,artistry, audio and visio circuitry, and so forth, and ended up withthe modern Ego Primes we have today. I spent a busy two hours under the NP microprobes; the artists workedoutside while the NP technicians worked inside. I came out of it prettywoozy, but a shot of Happy-O set that straight. Then I waited in therecovery room for another two hours, dreaming up ways to use my Primewhen I got him. Finally the door opened and the head technician walkedin, followed by a tall, sandy-haired man with worried blue eyes and atired look on his face. Meet George Faircloth Prime, the technician said, grinning at me likea nursing mother. I shook hands with myself. Good firm handshake, I thought admiringly.Nothing flabby about it. I slapped George Prime on the shoulder happily. Come on, Brother, Isaid. You've got a job to do. But, secretly, I was wondering what Jeree was doing that night. George Prime had remote controls, as well as a completely recordedneurological analogue of his boss, who was me. George Prime thoughtwhat I thought about the same things I did in the same way I did. Theonly difference was that what I told George Prime to do, George Primedid. If I told him to go to a business conference in San Francisco and makethe smallest possible concessions for the largest possible orders,he would go there and do precisely that. His signature would be mysignature. It would hold up in court. And if I told him that my wife Marge was really a sweet, good-heartedgirl and that he was to stay home and keep her quiet and happy any timeI chose, he'd do that, too. George Prime was a duplicate of me right down to the sandy hairs onthe back of my hands. Our fingerprints were the same. We had the samemannerisms and used the same figures of speech. The only physicaldifference apparent even to an expert was the tiny finger-depressionburied in the hair above his ear. A little pressure there would stopGeorge Prime dead in his tracks. He was so lifelike, even I kept forgetting that he was basically just apile of gears. I'd planned very carefully how I meant to use him, of course. Every man who's been married eight years has a sanctuary. He builds itup and maintains it against assault in the very teeth of his wife'snatural instinct to clean, poke, pry and rearrange things. Sometimesit takes him years of diligent work to establish his hideout and beconfident that it will stay inviolate, but if he starts early enough,and sticks with it long enough, and is fierce enough and persistentenough and crafty enough, he'll probably win in the end. The girls hatehim for it, but he'll win. With some men, it's just a box on their dressers, or a desk, or acorner of an unused back room. But I had set my sights high early inthe game. With me, it was the whole workshop in the garage. <doc-sep>It was completely illegal, of course. The wonder was that Ego Prime,Inc., ever got to put their product on the market at all, once thenation's housewives got wind of just what their product was. From the first, there was rigid Federal control and laws regulating theuse of Primes right down to the local level. You could get a licensefor a Utility model Prime if you were a big business executive, or ahigh public official, or a movie star, or something like that; but eventhen his circuits had to be inspected every two months, and he had tohave a thousand built-in Paralyzers, and you had to specify in advanceexactly what you wanted your Prime to be able to do when, where, how,why, and under what circumstances. The law didn't leave a man much leeway. But everybody knew that if you really wanted a personal Prime withall his circuits open and no questions asked, you could get one. Blackmarket prices were steep and you ran your own risk, but it could bedone. Harry Folsom told his friend who knew a guy, and a few greenbacks gotlost somewhere, and I found myself looking at a greasy little man witha black mustache and a bald spot, up in a dingy fourth-story warehouseoff lower Broadway. Ah, yes, the little man said. Mr. Faircloth. We've been expectingyou. <doc-sep>Needless to say, the affairs of George Faircloth took on a new sparklewith George Prime on hand to cover the home front. For the first week, I was hardly home at all. I must say I felt alittle guilty, leaving poor old George Prime to cope with Marge allthe time—he looked and acted so human, it was easy to forget thathe literally couldn't care less. But I felt apologetic all the samewhenever I took him out of his closet. She's really a sweet girl underneath it all, I'd say. You'll learnto like her after a bit. Of course I like her, George Prime said. You told me to, didn't you?Stop worrying. She's really a sweet girl underneath it all. He sounded convincing enough, but still it bothered me. You're sureyou understand the exchange mechanism? I asked. I didn't want anyfoul-ups there, as you can imagine. Perfectly, said George Prime. When you buzz the recall, I wait forthe first logical opportunity I can find to come out to the workshop,and you take over. But you might get nervous. You might inadvertently tip her off. George Prime looked pained. Really, old man! I'm a Super Deluxe model,remember? I don't have fourteen activated Hunyadi tubes up in thiscranial vault of mine just for nothing. You're the one that's nervous.I'll take care of everything. Relax. So I did. Jeree made good all her tacit promises and then some. She had a verycozy little apartment on 34th Street where we went to relax aftera hard day at the office. When we weren't doing the town, that is.As long as Jeree didn't try too much conversation, everything waswonderful. And then, when Jeree got a little boring, there was Sybil in theaccounting department. Or Dorothy in promotion. Or Jane. Or Ingrid. I could go on at some length, but I won't. I was building quite areputation for myself around the office. Of course, it was like buying your first 3-V set. In a week or so, thenovelty wears off a little and you start eating on schedule again. Ittook a little while, but I finally had things down to a reasonableprogram. Tuesday and Thursday nights, I was informally out while formallyin. Sometimes I took Sunday nights out if things got too stickyaround the house over the weekend. The rest of the time, George Primecooled his heels in his closet. Locked up, of course. Can't completelytrust a wife to observe a taboo, no matter how well trained she is. There, was an irreconcilable amount of risk. George Prime had toquick-step some questions about my work at the office—there was noway to supply him with current data until the time for his regulartwo-month refill and pattern-accommodation at the laboratory. In themeantime, George Prime had to make do with what he had. But as he himself pointed out he was a Super Deluxe model. <doc-sep></s> [SEP] What does the "Prime" technology signify in the context of the story "Prime Difference"?

The Ego Prime is a technology that produces a robotic duplicate of a person. This duplicate is based on a neuro-pantograph with a humanlike body and soul. The duplicate is identical to a real person, including the habits, thought processes, physiological functions, or even the handwritten legal signature that one person may have. The only difference between the real person and one’s duplicate is that the duplicate has a finger-depression button hidden underneath the hair above the ear. Throughout the story, George, a husband who has been tired of his wife, buys a George Prime, the duplicate of himself, to deal with his wife and have sexual affairs with other women around his office. However, he finds out that George Prime leaves with her wife, and his wife, Marge Faircloth, sends her duplicate Marge Prime to accompany her, just as he did to her. The exchange of their duplicates to escape from the unsatisfying marriage contributes to most of the story. Prime technology plays a significant role as duplicates can satisfy human needs better than a natural person. Due to this characteristic of being able to meet one’s demand by their logical inferences and inability to feel annoyed, the duplicates of both sides become the ideal mates for each person, both George and Marge, ending the story with both of them living with the Primes. Without Prime Technology, the story would not have developed.

How does the story PRIME DIFFERENCE delve into the theme of marriage? [SEP] <s> PRIME DIFFERENCE By ALAN E. NOURSE Illustrated by SCHOENHEER [Transcriber's Note: This etext was produced from Galaxy Science Fiction June 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Being two men rolled out of one would solve my problems—but which one would I be? I suppose that every guy reaches a point once in his lifetime when hegets one hundred and forty per cent fed up with his wife. Understand now—I've got nothing against marriage or any thinglike that. Marriage is great. It's a good old red-blooded AmericanInstitution. Except that it's got one defect in it big enough to throwa cat through, especially when you happen to be married to a womanlike Marge— It's so permanent . Oh, I'd have divorced Marge in a minute if we'd been living in theBlissful 'Fifties—but with the Family Solidarity Amendment of 1968,and all the divorce taxes we have these days since the women gottheir teeth into politics, to say nothing of the Aggrieved SpouseCompensation Act, I'd have been a pauper for the rest of my life ifI'd tried it. That's aside from the social repercussions involved. You can't really blame me for looking for another way out. But a manhas to be desperate to try to buy himself an Ego Prime. So, all right, I was desperate. I'd spent eight years trying to keepMarge happy, which was exactly seven and a half years too long. Marge was a dream to look at, with her tawny hair and her sulky eyesand a shape that could set your teeth chattering—but that was wherethe dream stopped. She had a tongue like a #10 wood rasp and a list of grievances longenough to paper the bedroom wall. When she wasn't complaining, she wascrying, and when she wasn't crying, she was pointing out in chillingdetail exactly where George Faircloth fell short as a model husband,which happened to be everywhere. Half of the time she had a beastlyheadache (for which I was personally responsible) and the other halfshe was sore about something, so ninety-nine per cent of the time wegot along like a couple of tomcats in a packing case. <doc-sep>Practical androids had been a pipe dream until Hunyadi invented theNeuro-pantograph. Hunyadi had no idea in the world what to do with itonce he'd invented it, but a couple of enterprising engineers boughthim body and soul, sub-contracted the problems of anatomy, design,artistry, audio and visio circuitry, and so forth, and ended up withthe modern Ego Primes we have today. I spent a busy two hours under the NP microprobes; the artists workedoutside while the NP technicians worked inside. I came out of it prettywoozy, but a shot of Happy-O set that straight. Then I waited in therecovery room for another two hours, dreaming up ways to use my Primewhen I got him. Finally the door opened and the head technician walkedin, followed by a tall, sandy-haired man with worried blue eyes and atired look on his face. Meet George Faircloth Prime, the technician said, grinning at me likea nursing mother. I shook hands with myself. Good firm handshake, I thought admiringly.Nothing flabby about it. I slapped George Prime on the shoulder happily. Come on, Brother, Isaid. You've got a job to do. But, secretly, I was wondering what Jeree was doing that night. George Prime had remote controls, as well as a completely recordedneurological analogue of his boss, who was me. George Prime thoughtwhat I thought about the same things I did in the same way I did. Theonly difference was that what I told George Prime to do, George Primedid. If I told him to go to a business conference in San Francisco and makethe smallest possible concessions for the largest possible orders,he would go there and do precisely that. His signature would be mysignature. It would hold up in court. And if I told him that my wife Marge was really a sweet, good-heartedgirl and that he was to stay home and keep her quiet and happy any timeI chose, he'd do that, too. George Prime was a duplicate of me right down to the sandy hairs onthe back of my hands. Our fingerprints were the same. We had the samemannerisms and used the same figures of speech. The only physicaldifference apparent even to an expert was the tiny finger-depressionburied in the hair above his ear. A little pressure there would stopGeorge Prime dead in his tracks. He was so lifelike, even I kept forgetting that he was basically just apile of gears. I'd planned very carefully how I meant to use him, of course. Every man who's been married eight years has a sanctuary. He builds itup and maintains it against assault in the very teeth of his wife'snatural instinct to clean, poke, pry and rearrange things. Sometimesit takes him years of diligent work to establish his hideout and beconfident that it will stay inviolate, but if he starts early enough,and sticks with it long enough, and is fierce enough and persistentenough and crafty enough, he'll probably win in the end. The girls hatehim for it, but he'll win. With some men, it's just a box on their dressers, or a desk, or acorner of an unused back room. But I had set my sights high early inthe game. With me, it was the whole workshop in the garage. <doc-sep>Outside in the corridor, Magnan came up to Retief, who stood talking toa tall man in a pilot's coverall. I'll be tied up, sending through full details on my—our—yourrecruiting theme, Retief, Magnan said. Suppose you run into the cityto assist the new Verpp Consul in settling in. I'll do that, Mr. Magnan. Anything else? Magnan raised his eyebrows. You're remarkably compliant today, Retief.I'll arrange transportation. Don't bother, Mr. Magnan. Cy here will run me over. He was the pilotwho ferried us over to Roolit I, you recall. I'll be with you as soon as I pack a few phone numbers, Retief, thepilot said. He moved off. Magnan followed him with a disapproving eye.An uncouth sort, I fancied. I trust you're not consorting with hiskind socially. I wouldn't say that, exactly, Retief said. We just want to go over afew figures together. <doc-sep></s> [SEP] How does the story PRIME DIFFERENCE delve into the theme of marriage?

The story starts with a husband, George Faircloth, who is unsatisfied with his marriage, trying to escape from his wife without communicating with her. Throughout the story, he uses Prime Technology, a technology that can produce an identical duplicate of a human, to deal with his wife’s complaints and other annoying interactions with him. However, when he finds out that George Prime, his duplicate, gets along better with his wife than him and finally leaves him behind together, he realizes what he has done wrong. When he feels desperate, his wife’s duplicate comes to stay with him, and he finally finds his wife’s duplicate better than his wife. The central theme of the story is the marriage relationship. The beginning of the story reveals a marriage failure where both the husband and the wife are not satisfied with each other after years-long marriage. Their solutions are not to communicate with each other or change for the better but to escape from each other through Prime technology. In the middle of the story, where George Faircloth once finds his wife adorable again due to George Prime’s effort, it shows the importance of communication and mutual support in the marriage, which is lacking in their relationship. The ending of the story, where both of them live with the duplicates of each other, indicates that a good relationship in marriage is to listen to and satisfy what each other needs with proper communication.

What distinguishes the connection between George Faircloth and Marge Faircloth in PRIME DIFFERENCE? [SEP] <s>I dashed into the workshop and punched the recall button as hard as Icould, swearing under my breath. How long had this been going on? Ipunched the button again, viciously, and waited. George Prime didn't come out. It was plenty cold out in the workshop that night and I didn't sleepa wink. About dawn, out came George Prime, looking like a man with afour-day hangover. Our conversation got down to fundamentals. George Prime kept insistingblandly that, according to my own directions, he was to pick the firstlogical opportunity to come out when I buzzed, and that was exactlywhat he'd done. I was furious all the way to work. I'd take care of this nonsense, allright. I'd have George Prime rewired from top to bottom as soon as thelaboratory could take him. But I never phoned the laboratory. The bank was calling me when I gotto the office. They wanted to know what I planned to do about thatcheck of mine that had just bounced. What check? I asked. The one you wrote to cash yesterday—five hundred dollars—againstyour regular account, Mr. Faircloth. The last I'd looked, I'd had about three thousand dollars in thataccount. I told the man so rather bluntly. Oh, no, sir. That is, you did until last week. But all these checksyou've been cashing have emptied the account. He flashed the checks on the desk screen. My signature was on every oneof them. What about my special account? I'd learned long before that anaccount Marge didn't know about was sound rear-guard strategy. That's been closed out for two weeks. I hadn't written a check against that account for over a year! I glaredat the ceiling and tried to think things through. I came up with a horrible thought. Marge had always had her heart set on a trip to Bermuda. Just to getaway from it all, she'd say. A second honeymoon. I got a list of travel agencies from the business directory and starteddown them. The third one I tried had a pleasant tenor voice. No, sir,not Mrs. Faircloth. You bought two tickets. One way. Champagneflight to Bermuda. When? I choked out. Why, today, as a matter of fact. It leaves Idlewild at eleveno'clock— I let him worry about my amnesia and started home fast. I didn't knowwhat they'd given that Prime for circuits, but there was no questionnow that he was out of control— way out of control. And poor Marge,all worked up for a second honeymoon— Then it struck me. Poor Marge? Poor sucker George! No Prime in hisright circuits would behave this way without some human guidance andthat meant only one thing: Marge had spotted him. It had happenedbefore. Couple of nasty court battles I'd read about. And she'd knownall about George Prime. For how long? <doc-sep>Practical androids had been a pipe dream until Hunyadi invented theNeuro-pantograph. Hunyadi had no idea in the world what to do with itonce he'd invented it, but a couple of enterprising engineers boughthim body and soul, sub-contracted the problems of anatomy, design,artistry, audio and visio circuitry, and so forth, and ended up withthe modern Ego Primes we have today. I spent a busy two hours under the NP microprobes; the artists workedoutside while the NP technicians worked inside. I came out of it prettywoozy, but a shot of Happy-O set that straight. Then I waited in therecovery room for another two hours, dreaming up ways to use my Primewhen I got him. Finally the door opened and the head technician walkedin, followed by a tall, sandy-haired man with worried blue eyes and atired look on his face. Meet George Faircloth Prime, the technician said, grinning at me likea nursing mother. I shook hands with myself. Good firm handshake, I thought admiringly.Nothing flabby about it. I slapped George Prime on the shoulder happily. Come on, Brother, Isaid. You've got a job to do. But, secretly, I was wondering what Jeree was doing that night. George Prime had remote controls, as well as a completely recordedneurological analogue of his boss, who was me. George Prime thoughtwhat I thought about the same things I did in the same way I did. Theonly difference was that what I told George Prime to do, George Primedid. If I told him to go to a business conference in San Francisco and makethe smallest possible concessions for the largest possible orders,he would go there and do precisely that. His signature would be mysignature. It would hold up in court. And if I told him that my wife Marge was really a sweet, good-heartedgirl and that he was to stay home and keep her quiet and happy any timeI chose, he'd do that, too. George Prime was a duplicate of me right down to the sandy hairs onthe back of my hands. Our fingerprints were the same. We had the samemannerisms and used the same figures of speech. The only physicaldifference apparent even to an expert was the tiny finger-depressionburied in the hair above his ear. A little pressure there would stopGeorge Prime dead in his tracks. He was so lifelike, even I kept forgetting that he was basically just apile of gears. I'd planned very carefully how I meant to use him, of course. Every man who's been married eight years has a sanctuary. He builds itup and maintains it against assault in the very teeth of his wife'snatural instinct to clean, poke, pry and rearrange things. Sometimesit takes him years of diligent work to establish his hideout and beconfident that it will stay inviolate, but if he starts early enough,and sticks with it long enough, and is fierce enough and persistentenough and crafty enough, he'll probably win in the end. The girls hatehim for it, but he'll win. With some men, it's just a box on their dressers, or a desk, or acorner of an unused back room. But I had set my sights high early inthe game. With me, it was the whole workshop in the garage. <doc-sep>When I got home, the house was empty. George Prime wasn't in hiscloset. And Marge wasn't in the house. They were gone. I started to call the police, but caught myself just in time. Icouldn't very well complain to the cops that my wife had run off withan android. Worse yet, I could get twenty years for having an illegal Primewandering around. I sat down and poured myself a stiff drink. My own wife deserting me for a pile of bearings. It was indecent. Then I heard the front door open and there was Marge, her arms full ofgrocery bundles. Why, darling! You're home early! I just blinked for a moment. Then I said, You're still here! Of course. Where did you think I'd be? But I thought—I mean the ticket office— She set down the bundles and kissed me and looked up into my eyes,almost smiling, half reproachful. You didn't really think I'd gorunning off with something out of a lab, did you? Then—you knew? Certainly I knew, silly. You didn't do a very good job of instructinghim, either. You gave him far too much latitude. Let him have ideas ofhis own and all that. And next thing I knew, he was trying to get me torun off with him to Hawaii or someplace. Bermuda, I said. And then Marge was in my arms, kissing me and snuggling her cheekagainst my chest. Even though he looked like you, I knew he couldn't be, she said. Hewas like you, but he wasn't you , darling. And all I ever want is you.I just never appreciated you before.... I held her close and tried to keep my hands from shaking. GeorgeFaircloth, Idiot, I thought. She'd never been more beautiful. But whatdid you do with him? I sent him back to the factory, naturally. They said they could blothim out and use him over again. But let's not talk about that any more.We've got more interesting things to discuss. Maybe we had, but we didn't waste a lot of time talking. It was theMarge I'd once known and I was beginning to wonder how I could havebeen so wrong about her. In fact unless my memory was getting awfullyporous, the old Marge was never like this— I kissed her tenderly and ran my hands through her hair, and feltthe depression with my fore-finger, and then I knew what had reallyhappened. That Marge always had been a sly one. I wondered how she was liking things in Bermuda. <doc-sep></s> [SEP] What distinguishes the connection between George Faircloth and Marge Faircloth in PRIME DIFFERENCE?

George Faircloth and Marge Faircloth are husband and wife. They have married for 8 years. Their relationship is toxic and unsatisfying. George is fed up with Marge’s constant complaints, grievance, and crying. Marge is unsatisfied with George’s inattention to her and his possible affairs with women in his office, so she often spies on George’s office life, which irritates George more. They are constantly in fight. Their way of communicating with each other is to attack and fight, and they haven’t seen each other carefully and sweetly for a long time. Their relationship is to conquer and be conquered repeatedly, fighting all the time.

What is the significance of Harry Folsom in the narrative of PRIME DIFFERENCE? [SEP] <s>It was completely illegal, of course. The wonder was that Ego Prime,Inc., ever got to put their product on the market at all, once thenation's housewives got wind of just what their product was. From the first, there was rigid Federal control and laws regulating theuse of Primes right down to the local level. You could get a licensefor a Utility model Prime if you were a big business executive, or ahigh public official, or a movie star, or something like that; but eventhen his circuits had to be inspected every two months, and he had tohave a thousand built-in Paralyzers, and you had to specify in advanceexactly what you wanted your Prime to be able to do when, where, how,why, and under what circumstances. The law didn't leave a man much leeway. But everybody knew that if you really wanted a personal Prime withall his circuits open and no questions asked, you could get one. Blackmarket prices were steep and you ran your own risk, but it could bedone. Harry Folsom told his friend who knew a guy, and a few greenbacks gotlost somewhere, and I found myself looking at a greasy little man witha black mustache and a bald spot, up in a dingy fourth-story warehouseoff lower Broadway. Ah, yes, the little man said. Mr. Faircloth. We've been expectingyou. <doc-sep>Maybe we just weren't meant for each other. I don't know. I used toenvy guys like Harry Folsom at the office. His wife is no joy to livewith either, but at least he could take a spin down to Rio once in awhile with one of the stenographers and get away with it. I knew better than to try. Marge was already so jealous that I couldn'teven smile at the company receptionist without a twinge of guilt. GiveMarge something real to howl about, and I'd be ready for the RehabCenter in a week. But I'd underestimated Marge. She didn't need anything real, as I foundout when Jeree came along. Business was booming and the secretaries at the office got shuffledaround from time to time. Since I had an executive-type job, I got anexecutive-type secretary. Her name was Jeree and she was gorgeous. Asa matter of fact, she was better than gorgeous. She was the sort ofsecretary every businessman ought to have in his office. Not to do anywork—just to sit there. Jeree was tall and dark, and she could convey more without sayinganything than I ever dreamed was possible. The first day she wasthere, she conveyed to me very clearly that if I cared to supply theopportunity, she'd be glad to supply the motive. That night, I could tell that Marge had been thinking something overduring the day. She let me get the first bite of dinner halfway to mymouth, and then she said, I hear you got a new secretary today. I muttered something into my coffee cup and pretended not to hear. Marge turned on her Accusing Look #7. I also hear that she'sfive-foot-eight and tapes out at 38-25-36 and thinks you're handsome. Marge had quite a spy system. She couldn't be much of a secretary, she added. She's a perfectly good secretary, I blurted, and kicked myselfmentally. I should have known Marge's traps by then. Marge exploded. I didn't get any supper, and she was still going strongat midnight. I tried to argue, but when Marge got going, there was nostopping her. I had my ultimatum, as far as Jeree was concerned. Harry Folsom administered the coup de grace at coffee next morning.What you need is an Ego Prime, he said with a grin. Solve all yourproblems. I hear they work like a charm. I set my coffee cup down. Bells were ringing in my ears. Don't beridiculous. It's against the law. Anyway, I wouldn't think of such athing. It's—it's indecent. Harry shrugged. Just joking, old man, just joking. Still, it's fun tothink about, eh? Freedom from wife. Absolutely safe and harmless. Noteven too expensive, if you've got the right contacts. And I've got afriend who knows a guy— Just then, Jeree walked past us and flashed me a big smile. I grippedmy cup for dear life and still spilled coffee on my tie. As I said, a guy gets fed up. And maybe opportunity would only knock once. And an Ego Prime would solve all my problems, as Harry had told me. <doc-sep>Practical androids had been a pipe dream until Hunyadi invented theNeuro-pantograph. Hunyadi had no idea in the world what to do with itonce he'd invented it, but a couple of enterprising engineers boughthim body and soul, sub-contracted the problems of anatomy, design,artistry, audio and visio circuitry, and so forth, and ended up withthe modern Ego Primes we have today. I spent a busy two hours under the NP microprobes; the artists workedoutside while the NP technicians worked inside. I came out of it prettywoozy, but a shot of Happy-O set that straight. Then I waited in therecovery room for another two hours, dreaming up ways to use my Primewhen I got him. Finally the door opened and the head technician walkedin, followed by a tall, sandy-haired man with worried blue eyes and atired look on his face. Meet George Faircloth Prime, the technician said, grinning at me likea nursing mother. I shook hands with myself. Good firm handshake, I thought admiringly.Nothing flabby about it. I slapped George Prime on the shoulder happily. Come on, Brother, Isaid. You've got a job to do. But, secretly, I was wondering what Jeree was doing that night. George Prime had remote controls, as well as a completely recordedneurological analogue of his boss, who was me. George Prime thoughtwhat I thought about the same things I did in the same way I did. Theonly difference was that what I told George Prime to do, George Primedid. If I told him to go to a business conference in San Francisco and makethe smallest possible concessions for the largest possible orders,he would go there and do precisely that. His signature would be mysignature. It would hold up in court. And if I told him that my wife Marge was really a sweet, good-heartedgirl and that he was to stay home and keep her quiet and happy any timeI chose, he'd do that, too. George Prime was a duplicate of me right down to the sandy hairs onthe back of my hands. Our fingerprints were the same. We had the samemannerisms and used the same figures of speech. The only physicaldifference apparent even to an expert was the tiny finger-depressionburied in the hair above his ear. A little pressure there would stopGeorge Prime dead in his tracks. He was so lifelike, even I kept forgetting that he was basically just apile of gears. I'd planned very carefully how I meant to use him, of course. Every man who's been married eight years has a sanctuary. He builds itup and maintains it against assault in the very teeth of his wife'snatural instinct to clean, poke, pry and rearrange things. Sometimesit takes him years of diligent work to establish his hideout and beconfident that it will stay inviolate, but if he starts early enough,and sticks with it long enough, and is fierce enough and persistentenough and crafty enough, he'll probably win in the end. The girls hatehim for it, but he'll win. With some men, it's just a box on their dressers, or a desk, or acorner of an unused back room. But I had set my sights high early inthe game. With me, it was the whole workshop in the garage. <doc-sep></s> [SEP] What is the significance of Harry Folsom in the narrative of PRIME DIFFERENCE?

Harry Folsom is a colleague of George Faircloth, a husband fed up with his wife. He also has a wife who is unbearable to him, but he gets the chance to escape from her once in a while. In addition, he has a friend who knows how to get the Ego Prime, a technology to produce duplicate people from natural human beings, from the black market. Harry is the person who inspires and provides the resource for George to get an illegal Ego Prime, which contributes to the whole story.

Can you provide a summary of the storyline in GROWING UP ON BIG MUDDY? [SEP] <s> Well, naturally Kaiser would transmit baby talk messages to his mother ship! He was— GROWING UP ON BIG MUDDY By CHARLES V. DE VET Illustrated by TURPIN [Transcriber's Note: This etext was produced from Galaxy Science Fiction July 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Kaiser stared at the tape in his hand for a long uncomprehendingminute. How long had the stuff been coming through in this inane babytalk? And why hadn't he noticed it before? Why had he had to read thislast communication a third time before he recognized anything unusualabout it? He went over the words again, as though maybe this time they'd read asthey should. OO IS SICK, SMOKY. DO TO BEDDY-BY. KEEP UM WARM. WHEN UM FEELS BETTER,LET USNS KNOW. SS II Kaiser let himself ease back in the pilot chair and rolled the tapethoughtfully between his fingers. Overhead and to each side, largedrops of rain thudded softly against the transparent walls of the scoutship and dripped wearily from the bottom ledge to the ground. Damn this climate! Kaiser muttered irrelevantly. Doesn't it ever doanything here except rain? His attention returned to the matter at hand. Why the baby talk? Andwhy was his memory so hazy? How long had he been here? What had he beendoing during that time? Listlessly he reached for the towel at his elbow and wiped the moisturefrom his face and bare shoulders. The air conditioning had gone outwhen the scout ship cracked up. He'd have to repair the scout or hewas stuck here for good. He remembered now that he had gone over thejob very carefully and thoroughly, and had found it too big to handlealone—or without better equipment, at least. Yet there was little orno chance of his being able to find either here. Calmly, deliberately, Kaiser collected his thoughts, his memories, andbrought them out where he could look at them: The mother ship, Soscites II , had been on the last leg of itsplanet-mapping tour. It had dropped Kaiser in the one remaining scoutship—the other seven had all been lost one way or another during theexploring of new worlds—and set itself into a giant orbit about thisplanet that Kaiser had named Big Muddy. The Soscites II had to maintain its constant speed; it had no meansof slowing, except to stop, and no way to start again once it did stop.Its limited range of maneuverability made it necessary to set up anorbit that would take it approximately one month, Earth time, to circlea pinpointed planet. And now its fuel was low. Kaiser had that one month to repair his scout or be stranded hereforever. That was all he could remember. Nothing of what he had been doingrecently. A small shiver passed through his body as he glanced once again at thetape in his hand. Baby talk.... <doc-sep>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep>Kaiser came wide awake in a cold sweat. The clock showed that only anhour had passed since he had sent his last message to the ship. Stillfive more long hours to wait. He rose and wiped the sweat from his neckand shoulders and restlessly paced the small corridor of the scout. After a few minutes, he stopped pacing and peered out into the gloom ofBig Muddy. The rain seemed to have eased off some. Not much more than aheavy drizzle now. Kaiser reached impulsively for the slicker he had thrown over a chestagainst one wall and put it on, then a pair of hip-high plastic bootsand a plastic hat. He opened the door. The scout had come to rest witha slight tilt when it crashed, and Kaiser had to sit down and rollover onto his stomach to ease himself to the ground. The weather outside was normal for Big Muddy: wet, humid, and warm. Kaiser sank to his ankles in soft mud before his feet reached solidground. He half walked and half slid to the rear of the scout. Besidethe ship, the octopus was busily at work. Tentacles and antennae,extending from the yard-high box of its body, tested and recordedtemperature, atmosphere, soil, and all other pertinent planetaryconditions. The octopus was connected to the ship's communicator andall its findings were being transmitted to the mother ship for study. Kaiser observed that it was working well and turned toward a wide,sluggish river, perhaps two hundred yards from the scout. Once there,he headed upstream. He could hear the pipings, and now and then ahigher whistling, of the seal-people before he reached a bend and sawthem. As usual, most were swimming in the river. One old fellow, whose chocolate-brown fur showed a heavy intermixtureof gray, was sitting on the bank of the river just at the bend. Perhapsa lookout. He pulled himself to his feet as he spied Kaiser and histoothless, hard-gummed mouth opened and emitted a long whistle thatmight have been a greeting—or a warning to the others that a strangerapproached. The native stood perhaps five feet tall, with the heavy, blubberybody of a seal, and short, thick arms. Membranes connected the armsto his body from shoulder-pits to mid-biceps. The arms ended inthree-fingered, thumbless hands. His legs also were short and thick,with footpads that splayed out at forty-five-degree angles. They gavehis legs the appearance of a split tail. About him hung a rank-fishsmell that made Kaiser's stomach squirm. The old fellow sounded a cheerful chirp as Kaiser came near. Feelingslightly ineffectual, Kaiser raised both hands and held them palmforward. The other chirped again and Kaiser went on toward the maingroup. <doc-sep></s> [SEP] Can you provide a summary of the storyline in GROWING UP ON BIG MUDDY?

Kaiser is a young man who was unhappily married and decided to join space service to escape his wife and her brother. He was on the mothership, Soscites II, that was finishing its planet-mapping tour. The team put him in a scout ship and sent him to the planet he calls Big Muddy. During the landing, the scout’s bottom bent inward and flattened the fuel tube. At some point, Kaiser finds himself lost because he doesn’t remember what was happening in the last hours, only the fact that he must fix the scout during the next few weeks. He reads the message tape with the mothership and learns that he had a swollen arm, a fever, periods of blankness, and in the middle of the exchange, he started using baby-talk. Now Kaiser feels better and asks for some information on fixing the scout from the mothership’s team. Then, he walks around the scout, looks at the “octopus” testing the environment of Big Muddy, and heads toward a sluggish river and native seal-people. They are short, with the body of a seal, thick arms, and thumbless hands, and have mammalian characteristics. The man spends some time observing them and then looks at their domed buildings. Soon the mothership informs Kaiser that he has probably been invaded by a symbiote, though it is not supposed to harm him. It’s adaptable and tried to give Kaiser what he emotionally desired. Hours later, the team adds that the symbiote can accurately gauge his feelings, and he needs to test this. Kaiser makes a shallow cut - it immediately heels, his sensory perception improves, and now he can control how humidity affects him. He spends a day trying to repair the scout and then leaves for a day walking trip. He meets another group of seal-people. They seem more advanced than the first ones. Kaiser sleeps in a tent and, in the morning, swims with the natives until one of them starts playfully drowning him. He comes back to his ship and realizes that his physical strength has improved. Kaiser manages to partially fix the metal bottom and report the events of the day to the mothership. They tell him that the natives probably have the symbiote and then order him to repair the ship as soon as possible. In the morning, they repeat that he needs to leave very soon, which puzzles Kaiser. The captain sends an angry message with the order to finish repairing the scout. Kaiser goes to the river and takes the communicator with him. The natives look almost human-like now and use syllabism. A female native invites him to the river, but Kaiser hears that the communicator received a message. He walks back and reads that the team has a suspicion the symbiote can alter Kaiser’s mind. The second group of seal-people was not more advanced - he just became more like them. The man destroys the communicator and follows the girl to the river.

What is the backdrop of the story "Growing Up on Big Muddy"? [SEP] <s> Well, naturally Kaiser would transmit baby talk messages to his mother ship! He was— GROWING UP ON BIG MUDDY By CHARLES V. DE VET Illustrated by TURPIN [Transcriber's Note: This etext was produced from Galaxy Science Fiction July 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Kaiser stared at the tape in his hand for a long uncomprehendingminute. How long had the stuff been coming through in this inane babytalk? And why hadn't he noticed it before? Why had he had to read thislast communication a third time before he recognized anything unusualabout it? He went over the words again, as though maybe this time they'd read asthey should. OO IS SICK, SMOKY. DO TO BEDDY-BY. KEEP UM WARM. WHEN UM FEELS BETTER,LET USNS KNOW. SS II Kaiser let himself ease back in the pilot chair and rolled the tapethoughtfully between his fingers. Overhead and to each side, largedrops of rain thudded softly against the transparent walls of the scoutship and dripped wearily from the bottom ledge to the ground. Damn this climate! Kaiser muttered irrelevantly. Doesn't it ever doanything here except rain? His attention returned to the matter at hand. Why the baby talk? Andwhy was his memory so hazy? How long had he been here? What had he beendoing during that time? Listlessly he reached for the towel at his elbow and wiped the moisturefrom his face and bare shoulders. The air conditioning had gone outwhen the scout ship cracked up. He'd have to repair the scout or hewas stuck here for good. He remembered now that he had gone over thejob very carefully and thoroughly, and had found it too big to handlealone—or without better equipment, at least. Yet there was little orno chance of his being able to find either here. Calmly, deliberately, Kaiser collected his thoughts, his memories, andbrought them out where he could look at them: The mother ship, Soscites II , had been on the last leg of itsplanet-mapping tour. It had dropped Kaiser in the one remaining scoutship—the other seven had all been lost one way or another during theexploring of new worlds—and set itself into a giant orbit about thisplanet that Kaiser had named Big Muddy. The Soscites II had to maintain its constant speed; it had no meansof slowing, except to stop, and no way to start again once it did stop.Its limited range of maneuverability made it necessary to set up anorbit that would take it approximately one month, Earth time, to circlea pinpointed planet. And now its fuel was low. Kaiser had that one month to repair his scout or be stranded hereforever. That was all he could remember. Nothing of what he had been doingrecently. A small shiver passed through his body as he glanced once again at thetape in his hand. Baby talk.... <doc-sep>Kaiser came wide awake in a cold sweat. The clock showed that only anhour had passed since he had sent his last message to the ship. Stillfive more long hours to wait. He rose and wiped the sweat from his neckand shoulders and restlessly paced the small corridor of the scout. After a few minutes, he stopped pacing and peered out into the gloom ofBig Muddy. The rain seemed to have eased off some. Not much more than aheavy drizzle now. Kaiser reached impulsively for the slicker he had thrown over a chestagainst one wall and put it on, then a pair of hip-high plastic bootsand a plastic hat. He opened the door. The scout had come to rest witha slight tilt when it crashed, and Kaiser had to sit down and rollover onto his stomach to ease himself to the ground. The weather outside was normal for Big Muddy: wet, humid, and warm. Kaiser sank to his ankles in soft mud before his feet reached solidground. He half walked and half slid to the rear of the scout. Besidethe ship, the octopus was busily at work. Tentacles and antennae,extending from the yard-high box of its body, tested and recordedtemperature, atmosphere, soil, and all other pertinent planetaryconditions. The octopus was connected to the ship's communicator andall its findings were being transmitted to the mother ship for study. Kaiser observed that it was working well and turned toward a wide,sluggish river, perhaps two hundred yards from the scout. Once there,he headed upstream. He could hear the pipings, and now and then ahigher whistling, of the seal-people before he reached a bend and sawthem. As usual, most were swimming in the river. One old fellow, whose chocolate-brown fur showed a heavy intermixtureof gray, was sitting on the bank of the river just at the bend. Perhapsa lookout. He pulled himself to his feet as he spied Kaiser and histoothless, hard-gummed mouth opened and emitted a long whistle thatmight have been a greeting—or a warning to the others that a strangerapproached. The native stood perhaps five feet tall, with the heavy, blubberybody of a seal, and short, thick arms. Membranes connected the armsto his body from shoulder-pits to mid-biceps. The arms ended inthree-fingered, thumbless hands. His legs also were short and thick,with footpads that splayed out at forty-five-degree angles. They gavehis legs the appearance of a split tail. About him hung a rank-fishsmell that made Kaiser's stomach squirm. The old fellow sounded a cheerful chirp as Kaiser came near. Feelingslightly ineffectual, Kaiser raised both hands and held them palmforward. The other chirped again and Kaiser went on toward the maingroup. <doc-sep> THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes,and had changed its color from a dazzling blue through white to thenormal yellow, of a GO sun. That was the Doppler effect as the star'sradial velocity changed relative to the Quest III , as for forty hoursthe ship had decelerated. They had seen many such stars come near out of the galaxy's glitteringbackdrop, and had seen them dwindle, turn red and go out as the QuestIII drove on its way once more, lashed by despair toward the speed oflight, leaving behind the mockery of yet another solitary and lifelessluminary unaccompanied by worlds where men might dwell. They had grownsated with the sight of wonders—of multiple systems of giant stars, ofnebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, theycame and stood quietly gazing into the big vision screens that showedthe oncoming star, and there were wide-eyed children who had been bornin the ship and had never seen a planet. The grownups talked in lowvoices, in tones of mingled eagerness and apprehension, of what mightlie at the long journey's end. For the Quest III was coming home; thesun ahead was the Sun, whose rays had warmed their lives' beginning. <doc-sep></s> [SEP] What is the backdrop of the story "Growing Up on Big Muddy"?

Kaiser left Earth on a mothership Soscites II, that soon, finishing its planet-mapping tour, approached a planet that the man named Big Muddy. He left the spacecraft in a small scout ship - which had a pilot chair, a communicator, and a bunk - and landed on the muddy surface. The other seven scouts got lost during the previous exploration of new worlds. It is wet, humid, and warm on Big muddy, constantly raining with different intensity. There is a wide sluggish river, which has the shape of a horseshoe, two hundred yards away from the scout and also a chain of hills. Farther, along the stream, there is a group of several hundred domed dwellings, built of mud blocks, packed with river weed and sand. Another group of seal-people lives near the riverbank in the opposite direction of Kaiser's first observational walk.

What role do the seal-people play in the story of GROWING UP ON BIG MUDDY? [SEP] <s>Moving quickly to the door of the scout, he shoved his equipmentthrough and crawled in behind it. He did not consult the communicator,as he customarily did on entering, but went directly to the warpedplace on the floor and picked up the crowbar he had laid there. Inserting the bar between the metal of the scout bottom and the enginecasing, he lifted. Nothing happened. He rested a minute and triedagain, this time concentrating on his desire to raise the bar. Themetal beneath yielded slightly—but he felt the palms of his handsbruise against the lever. Only after he dropped the bar did he realize the force he had exerted.His hands ached and tingled. His strength must have been increasedtremendously. With his plastic coat wrapped around the lever, he triedagain. The metal of the scout bottom gave slowly—until the fuel pumphung free! Kaiser did not repair the tube immediately. He let the solutionrest in his hands, like a package to be opened, the pleasure of itsanticipation to be enjoyed as much as the final act. He transmitted the news of what he had been able to do and sat down toread the two messages waiting for him. The first was quite routine: REPORTS FROM THE OCTOPUS INDICATE THAT BIG MUDDY UNDERGOES RADICALWEATHER-CYCLE CHANGES DURING SPRING AND FALL SEASONS, FROM EXTREMEMOISTURE TO EXTREME ARIDITY. AT HEIGHT OF DRY SEASON, PLANET MUST BECOMPLETELY DEVOID OF SURFACE LIQUID. TO SURVIVE THESE UNUSUAL EXTREMES, SEAL-PEOPLE WOULD NEED EXTREMEADAPTABILITY. THIS VERIFIES OUR EARLIER GUESS THAT NATIVES HAVESYMBIOSIS WITH THE SAME VIRUS FORM THAT INVADED YOU. WITH SYMBIOTES'AID, SUCH RADICAL PHYSICAL CHANGE COULD BE POSSIBLE. WILL KEEP YOUINFORMED. GIVE US ANY NEW INFORMATION YOU MIGHT HAVE ON NATIVES. SS II The second report was not so routine. Kaiser thought he detected a noteof uneasiness in it. SUGGEST YOU DEVOTE ALL TIME AND EFFORT TO REPAIR OF SCOUT. INFORMATIONON SEAL-PEOPLE ADEQUATE FOR OUR PURPOSES. SS II Kaiser did not answer either communication. His earlier report hadcovered all that he had learned lately. He lay on his cot and went tosleep. In the morning, another message was waiting: VERY PLEASED TO HEAR OF PROGRESS ON REPAIR OF SCOUT. COMPLETE ASQUICKLY AS POSSIBLE AND RETURN HERE IMMEDIATELY. SS II <doc-sep>Kaiser came wide awake in a cold sweat. The clock showed that only anhour had passed since he had sent his last message to the ship. Stillfive more long hours to wait. He rose and wiped the sweat from his neckand shoulders and restlessly paced the small corridor of the scout. After a few minutes, he stopped pacing and peered out into the gloom ofBig Muddy. The rain seemed to have eased off some. Not much more than aheavy drizzle now. Kaiser reached impulsively for the slicker he had thrown over a chestagainst one wall and put it on, then a pair of hip-high plastic bootsand a plastic hat. He opened the door. The scout had come to rest witha slight tilt when it crashed, and Kaiser had to sit down and rollover onto his stomach to ease himself to the ground. The weather outside was normal for Big Muddy: wet, humid, and warm. Kaiser sank to his ankles in soft mud before his feet reached solidground. He half walked and half slid to the rear of the scout. Besidethe ship, the octopus was busily at work. Tentacles and antennae,extending from the yard-high box of its body, tested and recordedtemperature, atmosphere, soil, and all other pertinent planetaryconditions. The octopus was connected to the ship's communicator andall its findings were being transmitted to the mother ship for study. Kaiser observed that it was working well and turned toward a wide,sluggish river, perhaps two hundred yards from the scout. Once there,he headed upstream. He could hear the pipings, and now and then ahigher whistling, of the seal-people before he reached a bend and sawthem. As usual, most were swimming in the river. One old fellow, whose chocolate-brown fur showed a heavy intermixtureof gray, was sitting on the bank of the river just at the bend. Perhapsa lookout. He pulled himself to his feet as he spied Kaiser and histoothless, hard-gummed mouth opened and emitted a long whistle thatmight have been a greeting—or a warning to the others that a strangerapproached. The native stood perhaps five feet tall, with the heavy, blubberybody of a seal, and short, thick arms. Membranes connected the armsto his body from shoulder-pits to mid-biceps. The arms ended inthree-fingered, thumbless hands. His legs also were short and thick,with footpads that splayed out at forty-five-degree angles. They gavehis legs the appearance of a split tail. About him hung a rank-fishsmell that made Kaiser's stomach squirm. The old fellow sounded a cheerful chirp as Kaiser came near. Feelingslightly ineffectual, Kaiser raised both hands and held them palmforward. The other chirped again and Kaiser went on toward the maingroup. <doc-sep> Well, naturally Kaiser would transmit baby talk messages to his mother ship! He was— GROWING UP ON BIG MUDDY By CHARLES V. DE VET Illustrated by TURPIN [Transcriber's Note: This etext was produced from Galaxy Science Fiction July 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Kaiser stared at the tape in his hand for a long uncomprehendingminute. How long had the stuff been coming through in this inane babytalk? And why hadn't he noticed it before? Why had he had to read thislast communication a third time before he recognized anything unusualabout it? He went over the words again, as though maybe this time they'd read asthey should. OO IS SICK, SMOKY. DO TO BEDDY-BY. KEEP UM WARM. WHEN UM FEELS BETTER,LET USNS KNOW. SS II Kaiser let himself ease back in the pilot chair and rolled the tapethoughtfully between his fingers. Overhead and to each side, largedrops of rain thudded softly against the transparent walls of the scoutship and dripped wearily from the bottom ledge to the ground. Damn this climate! Kaiser muttered irrelevantly. Doesn't it ever doanything here except rain? His attention returned to the matter at hand. Why the baby talk? Andwhy was his memory so hazy? How long had he been here? What had he beendoing during that time? Listlessly he reached for the towel at his elbow and wiped the moisturefrom his face and bare shoulders. The air conditioning had gone outwhen the scout ship cracked up. He'd have to repair the scout or hewas stuck here for good. He remembered now that he had gone over thejob very carefully and thoroughly, and had found it too big to handlealone—or without better equipment, at least. Yet there was little orno chance of his being able to find either here. Calmly, deliberately, Kaiser collected his thoughts, his memories, andbrought them out where he could look at them: The mother ship, Soscites II , had been on the last leg of itsplanet-mapping tour. It had dropped Kaiser in the one remaining scoutship—the other seven had all been lost one way or another during theexploring of new worlds—and set itself into a giant orbit about thisplanet that Kaiser had named Big Muddy. The Soscites II had to maintain its constant speed; it had no meansof slowing, except to stop, and no way to start again once it did stop.Its limited range of maneuverability made it necessary to set up anorbit that would take it approximately one month, Earth time, to circlea pinpointed planet. And now its fuel was low. Kaiser had that one month to repair his scout or be stranded hereforever. That was all he could remember. Nothing of what he had been doingrecently. A small shiver passed through his body as he glanced once again at thetape in his hand. Baby talk.... <doc-sep></s> [SEP] What role do the seal-people play in the story of GROWING UP ON BIG MUDDY?

Kaiser’s perception of the native groups of seal-people represents how his body is affected by the symbiote that has invaded his system. The first time the man sees them, he considers them mindless repulsive creatures with an unbearable odor and no proper communication system. The second meeting changes his opinion about them - now they seem more advanced in their demeanor and actions, friendlier, and their smell is less repugnant. This change in perception shows that Kaiser has already started changing, becoming more like them. The last meeting with the seal-people makes the man believe that they have more individualistic characteristics. They don’t have the bad odor anymore, just a pleasant scent. They use distinct syllabism, and, finally, living with them and swimming in the river seems more appealing to him than going back to the Soscites II. These seal-people have the same symbiote, which has altered their appearance and mind. At the end, Kaiser practically becomes one of them.

"Why does the communication device play a significant role in the story of Growing Up on Big Muddy?" [SEP] <s> Well, naturally Kaiser would transmit baby talk messages to his mother ship! He was— GROWING UP ON BIG MUDDY By CHARLES V. DE VET Illustrated by TURPIN [Transcriber's Note: This etext was produced from Galaxy Science Fiction July 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Kaiser stared at the tape in his hand for a long uncomprehendingminute. How long had the stuff been coming through in this inane babytalk? And why hadn't he noticed it before? Why had he had to read thislast communication a third time before he recognized anything unusualabout it? He went over the words again, as though maybe this time they'd read asthey should. OO IS SICK, SMOKY. DO TO BEDDY-BY. KEEP UM WARM. WHEN UM FEELS BETTER,LET USNS KNOW. SS II Kaiser let himself ease back in the pilot chair and rolled the tapethoughtfully between his fingers. Overhead and to each side, largedrops of rain thudded softly against the transparent walls of the scoutship and dripped wearily from the bottom ledge to the ground. Damn this climate! Kaiser muttered irrelevantly. Doesn't it ever doanything here except rain? His attention returned to the matter at hand. Why the baby talk? Andwhy was his memory so hazy? How long had he been here? What had he beendoing during that time? Listlessly he reached for the towel at his elbow and wiped the moisturefrom his face and bare shoulders. The air conditioning had gone outwhen the scout ship cracked up. He'd have to repair the scout or hewas stuck here for good. He remembered now that he had gone over thejob very carefully and thoroughly, and had found it too big to handlealone—or without better equipment, at least. Yet there was little orno chance of his being able to find either here. Calmly, deliberately, Kaiser collected his thoughts, his memories, andbrought them out where he could look at them: The mother ship, Soscites II , had been on the last leg of itsplanet-mapping tour. It had dropped Kaiser in the one remaining scoutship—the other seven had all been lost one way or another during theexploring of new worlds—and set itself into a giant orbit about thisplanet that Kaiser had named Big Muddy. The Soscites II had to maintain its constant speed; it had no meansof slowing, except to stop, and no way to start again once it did stop.Its limited range of maneuverability made it necessary to set up anorbit that would take it approximately one month, Earth time, to circlea pinpointed planet. And now its fuel was low. Kaiser had that one month to repair his scout or be stranded hereforever. That was all he could remember. Nothing of what he had been doingrecently. A small shiver passed through his body as he glanced once again at thetape in his hand. Baby talk.... <doc-sep>Kaiser came wide awake in a cold sweat. The clock showed that only anhour had passed since he had sent his last message to the ship. Stillfive more long hours to wait. He rose and wiped the sweat from his neckand shoulders and restlessly paced the small corridor of the scout. After a few minutes, he stopped pacing and peered out into the gloom ofBig Muddy. The rain seemed to have eased off some. Not much more than aheavy drizzle now. Kaiser reached impulsively for the slicker he had thrown over a chestagainst one wall and put it on, then a pair of hip-high plastic bootsand a plastic hat. He opened the door. The scout had come to rest witha slight tilt when it crashed, and Kaiser had to sit down and rollover onto his stomach to ease himself to the ground. The weather outside was normal for Big Muddy: wet, humid, and warm. Kaiser sank to his ankles in soft mud before his feet reached solidground. He half walked and half slid to the rear of the scout. Besidethe ship, the octopus was busily at work. Tentacles and antennae,extending from the yard-high box of its body, tested and recordedtemperature, atmosphere, soil, and all other pertinent planetaryconditions. The octopus was connected to the ship's communicator andall its findings were being transmitted to the mother ship for study. Kaiser observed that it was working well and turned toward a wide,sluggish river, perhaps two hundred yards from the scout. Once there,he headed upstream. He could hear the pipings, and now and then ahigher whistling, of the seal-people before he reached a bend and sawthem. As usual, most were swimming in the river. One old fellow, whose chocolate-brown fur showed a heavy intermixtureof gray, was sitting on the bank of the river just at the bend. Perhapsa lookout. He pulled himself to his feet as he spied Kaiser and histoothless, hard-gummed mouth opened and emitted a long whistle thatmight have been a greeting—or a warning to the others that a strangerapproached. The native stood perhaps five feet tall, with the heavy, blubberybody of a seal, and short, thick arms. Membranes connected the armsto his body from shoulder-pits to mid-biceps. The arms ended inthree-fingered, thumbless hands. His legs also were short and thick,with footpads that splayed out at forty-five-degree angles. They gavehis legs the appearance of a split tail. About him hung a rank-fishsmell that made Kaiser's stomach squirm. The old fellow sounded a cheerful chirp as Kaiser came near. Feelingslightly ineffectual, Kaiser raised both hands and held them palmforward. The other chirped again and Kaiser went on toward the maingroup. <doc-sep>Most of the cousins gasped as the truth began to percolate through. I knew from the very beginning, Conrad finished, that I didn'thave to do anything at all. I just had to wait and you would destroyyourselves. I don't understand, Bartholomew protested, searching the faces of thecousins closest to him. What does he mean, we have never existed?We're here, aren't we? What— Shut up! Raymond snapped. He turned on Martin. You don't seemsurprised. The old man grinned. I'm not. I figured it all out years ago. At first, he had wondered what he should do. Would it be better tothrow them into a futile panic by telling them or to do nothing? Hehad decided on the latter; that was the role they had assigned him—towatch and wait and keep out of things—and that was the role he wouldplay. You knew all the time and you didn't tell us! Raymond spluttered.After we'd been so good to you, making a gentleman out of you insteadof a criminal.... That's right, he snarled, a criminal! An alcoholic,a thief, a derelict! How do you like that? Sounds like a rich, full life, Martin said wistfully. What an exciting existence they must have done him out of! But then, hecouldn't help thinking, he—he and Conrad together, of course—had donethem out of any kind of existence. It wasn't his responsibility,though; he had done nothing but let matters take whatever course wasdestined for them. If only he could be sure that it was the bettercourse, perhaps he wouldn't feel that nagging sense of guilt insidehim. Strange—where, in his hermetic life, could he possibly havedeveloped such a queer thing as a conscience? Then we've wasted all this time, Ninian sobbed, all this energy, allthis money, for nothing! But you were nothing to begin with, Martin told them. And then,after a pause, he added, I only wish I could be sure there had beensome purpose to this. He didn't know whether it was approaching death that dimmed his sight,or whether the frightened crowd that pressed around him was growingshadowy. I wish I could feel that some good had been done in letting you bewiped out of existence, he went on voicing his thoughts. But I knowthat the same thing that happened to your worlds and my world willhappen all over again. To other people, in other times, but again. It'sbound to happen. There isn't any hope for humanity. One man couldn't really change the course of human history, he toldhimself. Two men, that was—one real, one a shadow. Conrad came close to the old man's bed. He was almost transparent. No, he said, there is hope. They didn't know the time transmitterworks two ways. I used it for going into the past only once—just thisonce. But I've gone into the future with it many times. And— hepressed Martin's hand—believe me, what I did—what we did, you andI—serves a purpose. It will change things for the better. Everythingis going to be all right. <doc-sep></s> [SEP] "Why does the communication device play a significant role in the story of Growing Up on Big Muddy?"

The communicator allows Kaiser to receive messages from the mothership and its team. It’s the only mechanism that connects him to other intelligent human beings. Throughout the story, these messages help him understand why he had a fever, swelling, a brief period of blankness, and why he used baby-talk. Using the communication device, the mothership’s team and scientists explain to Kaiser what kind of symbiote lives in his body and how it can gauge his emotional reactions and adapt to various environmental and mental triggers. They manage to ask Keiser to test their theory and later inform him of their findings regarding the planet's climate. They use the tape to order Kaiser to return as soon as possible and finally tell him that the symbiote is probably changing his mind and turning him into someone equal in intelligence to the seal-people.

What role does the use of baby talk play in the story of Growing Up on Big Muddy? [SEP] <s> Well, naturally Kaiser would transmit baby talk messages to his mother ship! He was— GROWING UP ON BIG MUDDY By CHARLES V. DE VET Illustrated by TURPIN [Transcriber's Note: This etext was produced from Galaxy Science Fiction July 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Kaiser stared at the tape in his hand for a long uncomprehendingminute. How long had the stuff been coming through in this inane babytalk? And why hadn't he noticed it before? Why had he had to read thislast communication a third time before he recognized anything unusualabout it? He went over the words again, as though maybe this time they'd read asthey should. OO IS SICK, SMOKY. DO TO BEDDY-BY. KEEP UM WARM. WHEN UM FEELS BETTER,LET USNS KNOW. SS II Kaiser let himself ease back in the pilot chair and rolled the tapethoughtfully between his fingers. Overhead and to each side, largedrops of rain thudded softly against the transparent walls of the scoutship and dripped wearily from the bottom ledge to the ground. Damn this climate! Kaiser muttered irrelevantly. Doesn't it ever doanything here except rain? His attention returned to the matter at hand. Why the baby talk? Andwhy was his memory so hazy? How long had he been here? What had he beendoing during that time? Listlessly he reached for the towel at his elbow and wiped the moisturefrom his face and bare shoulders. The air conditioning had gone outwhen the scout ship cracked up. He'd have to repair the scout or hewas stuck here for good. He remembered now that he had gone over thejob very carefully and thoroughly, and had found it too big to handlealone—or without better equipment, at least. Yet there was little orno chance of his being able to find either here. Calmly, deliberately, Kaiser collected his thoughts, his memories, andbrought them out where he could look at them: The mother ship, Soscites II , had been on the last leg of itsplanet-mapping tour. It had dropped Kaiser in the one remaining scoutship—the other seven had all been lost one way or another during theexploring of new worlds—and set itself into a giant orbit about thisplanet that Kaiser had named Big Muddy. The Soscites II had to maintain its constant speed; it had no meansof slowing, except to stop, and no way to start again once it did stop.Its limited range of maneuverability made it necessary to set up anorbit that would take it approximately one month, Earth time, to circlea pinpointed planet. And now its fuel was low. Kaiser had that one month to repair his scout or be stranded hereforever. That was all he could remember. Nothing of what he had been doingrecently. A small shiver passed through his body as he glanced once again at thetape in his hand. Baby talk.... <doc-sep>Most of the cousins gasped as the truth began to percolate through. I knew from the very beginning, Conrad finished, that I didn'thave to do anything at all. I just had to wait and you would destroyyourselves. I don't understand, Bartholomew protested, searching the faces of thecousins closest to him. What does he mean, we have never existed?We're here, aren't we? What— Shut up! Raymond snapped. He turned on Martin. You don't seemsurprised. The old man grinned. I'm not. I figured it all out years ago. At first, he had wondered what he should do. Would it be better tothrow them into a futile panic by telling them or to do nothing? Hehad decided on the latter; that was the role they had assigned him—towatch and wait and keep out of things—and that was the role he wouldplay. You knew all the time and you didn't tell us! Raymond spluttered.After we'd been so good to you, making a gentleman out of you insteadof a criminal.... That's right, he snarled, a criminal! An alcoholic,a thief, a derelict! How do you like that? Sounds like a rich, full life, Martin said wistfully. What an exciting existence they must have done him out of! But then, hecouldn't help thinking, he—he and Conrad together, of course—had donethem out of any kind of existence. It wasn't his responsibility,though; he had done nothing but let matters take whatever course wasdestined for them. If only he could be sure that it was the bettercourse, perhaps he wouldn't feel that nagging sense of guilt insidehim. Strange—where, in his hermetic life, could he possibly havedeveloped such a queer thing as a conscience? Then we've wasted all this time, Ninian sobbed, all this energy, allthis money, for nothing! But you were nothing to begin with, Martin told them. And then,after a pause, he added, I only wish I could be sure there had beensome purpose to this. He didn't know whether it was approaching death that dimmed his sight,or whether the frightened crowd that pressed around him was growingshadowy. I wish I could feel that some good had been done in letting you bewiped out of existence, he went on voicing his thoughts. But I knowthat the same thing that happened to your worlds and my world willhappen all over again. To other people, in other times, but again. It'sbound to happen. There isn't any hope for humanity. One man couldn't really change the course of human history, he toldhimself. Two men, that was—one real, one a shadow. Conrad came close to the old man's bed. He was almost transparent. No, he said, there is hope. They didn't know the time transmitterworks two ways. I used it for going into the past only once—just thisonce. But I've gone into the future with it many times. And— hepressed Martin's hand—believe me, what I did—what we did, you andI—serves a purpose. It will change things for the better. Everythingis going to be all right. <doc-sep>Kaiser came wide awake in a cold sweat. The clock showed that only anhour had passed since he had sent his last message to the ship. Stillfive more long hours to wait. He rose and wiped the sweat from his neckand shoulders and restlessly paced the small corridor of the scout. After a few minutes, he stopped pacing and peered out into the gloom ofBig Muddy. The rain seemed to have eased off some. Not much more than aheavy drizzle now. Kaiser reached impulsively for the slicker he had thrown over a chestagainst one wall and put it on, then a pair of hip-high plastic bootsand a plastic hat. He opened the door. The scout had come to rest witha slight tilt when it crashed, and Kaiser had to sit down and rollover onto his stomach to ease himself to the ground. The weather outside was normal for Big Muddy: wet, humid, and warm. Kaiser sank to his ankles in soft mud before his feet reached solidground. He half walked and half slid to the rear of the scout. Besidethe ship, the octopus was busily at work. Tentacles and antennae,extending from the yard-high box of its body, tested and recordedtemperature, atmosphere, soil, and all other pertinent planetaryconditions. The octopus was connected to the ship's communicator andall its findings were being transmitted to the mother ship for study. Kaiser observed that it was working well and turned toward a wide,sluggish river, perhaps two hundred yards from the scout. Once there,he headed upstream. He could hear the pipings, and now and then ahigher whistling, of the seal-people before he reached a bend and sawthem. As usual, most were swimming in the river. One old fellow, whose chocolate-brown fur showed a heavy intermixtureof gray, was sitting on the bank of the river just at the bend. Perhapsa lookout. He pulled himself to his feet as he spied Kaiser and histoothless, hard-gummed mouth opened and emitted a long whistle thatmight have been a greeting—or a warning to the others that a strangerapproached. The native stood perhaps five feet tall, with the heavy, blubberybody of a seal, and short, thick arms. Membranes connected the armsto his body from shoulder-pits to mid-biceps. The arms ended inthree-fingered, thumbless hands. His legs also were short and thick,with footpads that splayed out at forty-five-degree angles. They gavehis legs the appearance of a split tail. About him hung a rank-fishsmell that made Kaiser's stomach squirm. The old fellow sounded a cheerful chirp as Kaiser came near. Feelingslightly ineffectual, Kaiser raised both hands and held them palmforward. The other chirped again and Kaiser went on toward the maingroup. <doc-sep></s> [SEP] What role does the use of baby talk play in the story of Growing Up on Big Muddy?

The fact that Kaiser at some point uses baby-talk helps Sam and other members of the Soscites II team determine what exactly caused Kaiser’s symptoms and how it can analyze his emotions and use them to give his body what it needs. The main reason why the man uses baby-talk seems to be that he was most happy in his childhood which also underscores his alienation from people, that he is a loner. Kaiser went to space to run away from his wife and her brother, his colleagues respect him but do not like him, and none of them is Kaiser’s friend. He’s naturally unsociable and was happier when he was a kid.

Can you provide a summary of the storyline in THE EXPENDABLES? [SEP] <s>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep>Once seated, the AEC man said I'll get right to the point. You mayfind this troublesome, gentlemen, but your government intends toconfiscate all of the devices using your so-called Expendable field,and forever bar their manufacture in this country or their importation. You stinking G-men aren't getting away with this, Carmen saidingratiatingly. Ever hear of the Mafia? Not much, the young man admitted earnestly, since the FBI finishedwith its deportations a few years back. I cleared my throat. I must admit that the destruction of amulti-billion business is disconcerting before lunch. May we ask whyyou took this step? The agent inserted a finger between his collar and tie. Have younoticed how unseasonably warm it is? I wondered if you had. You're going to have heat prostration if youkeep that suit coat on five minutes more. The young man collapsed back in his chair, loosening the top button ofhis ivy league jacket, looking from my naked hide to the gossomer scrapof sport shirt Carmen wore. We have to dress inconspicuously in theservice, he panted weakly. I nodded understandingly. What does the heat have to do with theoutlawing of the Expendables? At first we thought there might be some truth in the folk nonsensethat nuclear tests had something to do with raising the meantemperature of the world, the AEC man said. But our scientistsquickly found they weren't to blame. Clever of them. Yes, they saw that the widespread use of your machines was responsiblefor the higher temperature. Your device violates the law ofconservation of energy, seemingly . It seemingly destroys matterwithout creating energy. Actually— He paused dramatically. Actually, your device added the energy it created in destroying matterto the energy potential of the planet in the form of heat . You seewhat that means? If your devices continue in operation, the meantemperature of Earth will rise to the point where we burst into flame.They must be outlawed! I agree, I said reluctantly. Tony Carmen spoke up. No, you don't, Professor. We don't agree tothat. I waved his protests aside. I would agree, I said, except that it wouldn't work. Explain thedanger to the public, let them feel the heat rise themselves, and theywill hoard Expendables against seizure and continue to use them, untilwe do burst into flame, as you put it so religiously. Why? the young man demanded. Because Expendables are convenient. There is a ban on frivolous useof water due to the dire need. But the police still have to go stoppeople from watering lawns, and I suspect not a few swimming pools arebeing filled on the sly. Water is somebody else's worry. So will begenerating enough heat to turn Eden into Hell. Mass psychology isn't my strongest point, the young man saidworriedly. But I suspect you may be right. Then—we'll be damned? No, not necessarily, I told him comfortingly. All we have to do is use up the excess energy with engines of a specific design. But can we design those engines in time? the young man wondered withuncharacteristic gloom. Certainly, I said, practising the power of positive thinking. Nowthat your world-wide testing laboratories have confirmed a vague fearof mine, I can easily reverse the field of the Expendable device andcreate a rather low-efficiency engine that consumes the excess energyin our planetary potential. <doc-sep>There's something to what you say, I admitted in the face of hisunexpected information. But I can hardly turn my invention over toyour entirely persuasive salesmen, I'm sure. This is part of theresults of an investigation for the government. Washington will haveto decide what to do with the machine. Listen, Professor, Carmen began, the Mafia— What makes you think I'm any more afraid of the Mafia than I am of theF.B.I.? I may have already sealed my fate by letting you in on thismuch. Machinegunning is hardly a less attractive fate to me than a poorsecurity rating. To me, being dead professionally would be as bad asbeing dead biologically. Tony Carmen laid a heavy hand on my shoulder. I finally deduced heintended to be cordial. Of course, he said smoothly you have to give this to Washington butthere are ways , Professor. I know. I'm a business man— You are ? I said. He named some of the businesses in which he held large shares of stock. You are . I've had experience in this sort of thing. We simply leak theinformation to a few hundred well selected persons about all that yourmachine can do. We'll call 'em Expendables, because they can expendanything. I, I interjected, planned to call it the Venetti Machine. Professor, who calls the radio the Marconi these days? There are Geiger-Muller Counters, though, I said. You don't have to give a Geiger counter the sex appeal of a TV set ora hardtop convertible. We'll call them Expendables. No home will becomplete without one. Perfect for disposing of unwanted bodies, I mused. The murder ratewill go alarmingly with those devices within easy reach. Did that stop Sam Colt or Henry Ford? Tony Carmen asked reasonably.... Naturally, I was aware that the government would not be interested inmy machine. I am not a Fortean, a psychic, a psionicist or a screwball.But the government frequently gets things it doesn't know what to dowith—like airplanes in the 'twenties. When it doesn't know what to do,it doesn't do it. There have been hundreds of workable perpetual motion machinespatented, for example. Of course, they weren't vices in the strictestsense of the word. Many of them used the external power of gravity,they would wear out or slow down in time from friction, but for themeanwhile, for some ten to two hundred years they would just sit there,moving. No one had ever been able to figure out what to do with them. I knew the AEC wasn't going to dump tons of radioactive waste (withsome possible future reclaimation value) into a machine which theydidn't believe actually could work. Tony Carmen knew exactly what to do with an Expendable once he got hishands on it. Naturally, that was what I had been afraid of. <doc-sep></s> [SEP] Can you provide a summary of the storyline in THE EXPENDABLES?

A racketeer, Tony Carmen, comes to Professor Venetti, demanding him figure out how to get rid of the corpse in his house without leaving any traces by using the information Professor Venetti has in his job for the U.S. government that is related to the disposal problem of nuclear waste. Tony threatens Professor Venetti that if Professor Venetti does not abide by what he says, his connection with Mafia will cause Professor Venetti a lot of trouble. Afraid of what the Mafia may do, Professor Venetti finally accepts his request. However, professor Venetti does not abide by the safety and careful principles when he invents the machine, which is named Expendable late after by Tony. He does not know how the machine works either; he creates a device that can turn physical mass into nothingness without knowing where the disposed of mass or energy goes. When he gives the machine to Tony, Tony asks how the machine works, but Professor Venetti cannot explain. Later on, Tony sets up the device on the street, ordering Professor Venetti to turn on the machine, which is modified by a boy who used to be a mechanic, and Professor Venetti does. The machine destroys a warehouse, including the people inside. Professor Venetti condemns Tony for committing a crime, but Tony does not care as there is no corpse to prove the crime. Tony persuades Professor Venetti to put the Expendables into business. He leaks the information about the machine through newspapers to attract big corporations to come for them. As they make more profits from the product and go through all the business matters, an agent from Atomic Energy Commission comes. The agent informs them about the ban of their products because there is a research finding that the side effect of their product is the heat transformed from the mass, which results in the rising temperature. Professor Venetti believes that people would not stop using the products even if they knew what environmental damage they would cause. He creates a reverse version of the machine, called Disexpendable, which would consume the excess energy produced by the Expendables. After he completes it, he turns it on. As the Disexpendable operates, the temperature gets colder, and the corpse, once decomposed, appears in the room in front of the agent. At the same time, Tony orders Professor Venetti to turn off the machine.

What is the fate of Tony Carmen in THE EXPENDABLES? [SEP] <s>There's something to what you say, I admitted in the face of hisunexpected information. But I can hardly turn my invention over toyour entirely persuasive salesmen, I'm sure. This is part of theresults of an investigation for the government. Washington will haveto decide what to do with the machine. Listen, Professor, Carmen began, the Mafia— What makes you think I'm any more afraid of the Mafia than I am of theF.B.I.? I may have already sealed my fate by letting you in on thismuch. Machinegunning is hardly a less attractive fate to me than a poorsecurity rating. To me, being dead professionally would be as bad asbeing dead biologically. Tony Carmen laid a heavy hand on my shoulder. I finally deduced heintended to be cordial. Of course, he said smoothly you have to give this to Washington butthere are ways , Professor. I know. I'm a business man— You are ? I said. He named some of the businesses in which he held large shares of stock. You are . I've had experience in this sort of thing. We simply leak theinformation to a few hundred well selected persons about all that yourmachine can do. We'll call 'em Expendables, because they can expendanything. I, I interjected, planned to call it the Venetti Machine. Professor, who calls the radio the Marconi these days? There are Geiger-Muller Counters, though, I said. You don't have to give a Geiger counter the sex appeal of a TV set ora hardtop convertible. We'll call them Expendables. No home will becomplete without one. Perfect for disposing of unwanted bodies, I mused. The murder ratewill go alarmingly with those devices within easy reach. Did that stop Sam Colt or Henry Ford? Tony Carmen asked reasonably.... Naturally, I was aware that the government would not be interested inmy machine. I am not a Fortean, a psychic, a psionicist or a screwball.But the government frequently gets things it doesn't know what to dowith—like airplanes in the 'twenties. When it doesn't know what to do,it doesn't do it. There have been hundreds of workable perpetual motion machinespatented, for example. Of course, they weren't vices in the strictestsense of the word. Many of them used the external power of gravity,they would wear out or slow down in time from friction, but for themeanwhile, for some ten to two hundred years they would just sit there,moving. No one had ever been able to figure out what to do with them. I knew the AEC wasn't going to dump tons of radioactive waste (withsome possible future reclaimation value) into a machine which theydidn't believe actually could work. Tony Carmen knew exactly what to do with an Expendable once he got hishands on it. Naturally, that was what I had been afraid of. <doc-sep>The agent of the AEC whose name I can never remember was present alongwith Tony Carmen the night my assistants finished with the work I hadoutlined. While it was midnight outside, the fluorescents made the scene morevisible than sunlight. My Disexpendable was a medium-sized drum in atripod frame with an unturned coolie's hat at the bottom. Breathlessly, I closed the switch and the scooped disc began slowly torevolve. Is it my imagination, the agent asked, or is it getting cooler inhere? Professor. Carmen gave me a warning nudge. There was now something on the revolving disc. It was a bar of someshiny gray metal. Kill the power, Professor, Carmen said. Can it be, I wondered, that the machine is somehow recreating ordrawing back the processed material from some other time or dimension? Shut the thing off, Venetti! the racketeer demanded. But too late. There was now a somewhat dead man sitting in the saddle of the turningcircle of metal. If Harry Keno had only been sane when he turned up on thatmerry-go-round in Boston I feel we would have learned much of immensevalue on the nature of time and space. As it is, I feel that it is a miscarriage of justice to hold me inconnection with the murders I am sure Tony Carmen did commit. I hope this personal account when published will end the viciousstory supported by the district attorney that it was I who sought TonyCarmen out and offered to dispose of his enemies and that I sought hisfinancial backing for the exploitation of my invention. This is the true, and only true, account of the development of themachine known as the Expendable. I am only sorry, now that the temperature has been standardized oncemore, that the Expendable's antithesis, the Disexpendable, is of toolow an order of efficiency to be of much value as a power source inthese days of nuclear and solar energy. So the world is again stuckwith the problem of waste disposal ... including all that I dumpedbefore. But as a great American once said, you can't win 'em all. If you so desire, you may send your generous and fruitful letterstowards my upcoming defense in care of this civic-minded publication. <doc-sep>The closed sedan was warm, even in early December. Outside, the street was a progression of shadowed block forms. I wasshivering slightly, my teeth rattling like the porcelain they were. Wasthis the storied ride, I wondered? Carmen finally returned to the car, unlatched the door and slid in. Hedid not reinsert the ignition key. I did not feel like sprinting downthe deserted street. The boys will have it set up in a minute, Tony the racketeer informedme. What? The firing squad? The Expendable, of course. Here? You dragged me out here to see how you have prostituted myinvention? I presume you've set it up with a 'Keep Our City Clean' signpasted on it. He chuckled. It was a somewhat nasty sound, or so I imagined. A flashlight winked in the sooty twilight. Okay. Let's go, Tony said, slapping my shoulder. I got out of the car, rubbing my flabby bicep. Whenever I took myteen-age daughter to the beach from my late wife's parents' home, Ifrequently found 230 pound bullies did kick sand in my ears. The machine was installed on the corner, half covered with a gloomywhite shroud, and fearlessly plugged into the city lighting system viaa blanketed streetlamp. Two hoods hovered in a doorway ready to takecare of the first cop with a couple of fifties or a single .38, asnecessity dictated. Tony guided my elbow. Okay, Professor, I think I understand the bitnow, but I'll let you run it up with the flagpole for me, to see how itwaves to the national anthem. Here? I spluttered once more. I told you, Carmen, I wanted nothingmore to do with you. Your check is still on deposit.... You didn't want anything to do with me in the first place. The thug'steeth flashed in the night. Throw your contraption into gear, buddy. That was the first time the tone of respect, even if faked, had goneout of his voice. I moved to the switchboard of my invention. Whatremained was as simple as adjusting a modern floor lamp to a mediumlight position. I flipped. Restraining any impulse toward colloqualism, I was also deeplydisturbed by what next occurred. One of the massive square shapes on the horizon vanished. What have you done? I yelped, ripping the cover off the machine. Even under the uncertain illumination of the smogged stars I could seethat the unit was half gone—in fact, exactly halved. Squint the Seal is one of my boys. He used to be a mechanic in theold days for Burger, Madle, the guys who used to rob banks and stuff.There was an unmistakable note of boyish admiration in Carmen's voice.He figured the thing would work like that. Separate the poles and youincrease the size of the working area. You mean square the operational field. Your idiot doesn't even knowmechanics. No, but he knows all about how any kind of machine works. You call that working? I demanded. Do you realize what you havethere, Carmen? Sure. A disintegrator ray, straight out of Startling Stories . My opinion as to the type of person who followed the pages ofscience-fiction magazines with fluttering lips and tracing finger wasupheld. I looked at the old warehouse and of course didn't see it. What was this a test for? I asked, fearful of the Frankenstein I hadmade. What are you planning to do now? This was no test, Venetti. This was it. I just wiped out Harry Kenoand his intimates right in the middle of their confidential squat. Good heavens. That's uncouthly old-fashioned of you, Carmen! Why,that's murder . Not, Carmen said, without no corpus delecti . The body of the crime remains without the body of the victim, Iremembered from my early Ellery Queen training. You're talking too much, Professor, Tony suggested. Remember, you did it with your machine. Yes, I said at length. And why are we standing here letting thosemachines sit there? <doc-sep></s> [SEP] What is the fate of Tony Carmen in THE EXPENDABLES?

Tony Carmen is a racketeer who threatens Professor Venetti to invent the machine to decompose corpses without leaving any traces. He is also a criminal who does not care about killing people, so he orders Professor Venetti to conduct the machine to wipe off the warehouse and the people inside. It is also implied that he kills the corpse he wants to get rid of. When he receives the machine Professor Venetti creates, he gives it to his subordinates and lets them modify it. He takes Professor Venetti to the place where they try the machine's function. He has many connections to business, the mafia, and the news, and he knows how to make profits by manipulating the business work behind the scene. When he realizes how much profit the machine can make after seeing its effects, he persuades Professor Venetti to collaborate with him. He leaks the information through the newspaper to attract the business corporates’ attention. When the agent from Atomic Energy Commission informs the harmful consequences of the machine, he strongly disagrees with the ban on the manufacture and the selling of the device. When Professor Venetti turns on the reverse machine, Tony is panicked, and he shouts to order the professor to turn off the engine.

What inventions has Professor Venetti created and what is their function in THE EXPENDABLES? [SEP] <s>There's something to what you say, I admitted in the face of hisunexpected information. But I can hardly turn my invention over toyour entirely persuasive salesmen, I'm sure. This is part of theresults of an investigation for the government. Washington will haveto decide what to do with the machine. Listen, Professor, Carmen began, the Mafia— What makes you think I'm any more afraid of the Mafia than I am of theF.B.I.? I may have already sealed my fate by letting you in on thismuch. Machinegunning is hardly a less attractive fate to me than a poorsecurity rating. To me, being dead professionally would be as bad asbeing dead biologically. Tony Carmen laid a heavy hand on my shoulder. I finally deduced heintended to be cordial. Of course, he said smoothly you have to give this to Washington butthere are ways , Professor. I know. I'm a business man— You are ? I said. He named some of the businesses in which he held large shares of stock. You are . I've had experience in this sort of thing. We simply leak theinformation to a few hundred well selected persons about all that yourmachine can do. We'll call 'em Expendables, because they can expendanything. I, I interjected, planned to call it the Venetti Machine. Professor, who calls the radio the Marconi these days? There are Geiger-Muller Counters, though, I said. You don't have to give a Geiger counter the sex appeal of a TV set ora hardtop convertible. We'll call them Expendables. No home will becomplete without one. Perfect for disposing of unwanted bodies, I mused. The murder ratewill go alarmingly with those devices within easy reach. Did that stop Sam Colt or Henry Ford? Tony Carmen asked reasonably.... Naturally, I was aware that the government would not be interested inmy machine. I am not a Fortean, a psychic, a psionicist or a screwball.But the government frequently gets things it doesn't know what to dowith—like airplanes in the 'twenties. When it doesn't know what to do,it doesn't do it. There have been hundreds of workable perpetual motion machinespatented, for example. Of course, they weren't vices in the strictestsense of the word. Many of them used the external power of gravity,they would wear out or slow down in time from friction, but for themeanwhile, for some ten to two hundred years they would just sit there,moving. No one had ever been able to figure out what to do with them. I knew the AEC wasn't going to dump tons of radioactive waste (withsome possible future reclaimation value) into a machine which theydidn't believe actually could work. Tony Carmen knew exactly what to do with an Expendable once he got hishands on it. Naturally, that was what I had been afraid of. <doc-sep>The agent of the AEC whose name I can never remember was present alongwith Tony Carmen the night my assistants finished with the work I hadoutlined. While it was midnight outside, the fluorescents made the scene morevisible than sunlight. My Disexpendable was a medium-sized drum in atripod frame with an unturned coolie's hat at the bottom. Breathlessly, I closed the switch and the scooped disc began slowly torevolve. Is it my imagination, the agent asked, or is it getting cooler inhere? Professor. Carmen gave me a warning nudge. There was now something on the revolving disc. It was a bar of someshiny gray metal. Kill the power, Professor, Carmen said. Can it be, I wondered, that the machine is somehow recreating ordrawing back the processed material from some other time or dimension? Shut the thing off, Venetti! the racketeer demanded. But too late. There was now a somewhat dead man sitting in the saddle of the turningcircle of metal. If Harry Keno had only been sane when he turned up on thatmerry-go-round in Boston I feel we would have learned much of immensevalue on the nature of time and space. As it is, I feel that it is a miscarriage of justice to hold me inconnection with the murders I am sure Tony Carmen did commit. I hope this personal account when published will end the viciousstory supported by the district attorney that it was I who sought TonyCarmen out and offered to dispose of his enemies and that I sought hisfinancial backing for the exploitation of my invention. This is the true, and only true, account of the development of themachine known as the Expendable. I am only sorry, now that the temperature has been standardized oncemore, that the Expendable's antithesis, the Disexpendable, is of toolow an order of efficiency to be of much value as a power source inthese days of nuclear and solar energy. So the world is again stuckwith the problem of waste disposal ... including all that I dumpedbefore. But as a great American once said, you can't win 'em all. If you so desire, you may send your generous and fruitful letterstowards my upcoming defense in care of this civic-minded publication. <doc-sep>There were two small items of interest to me in the Times the followingmorning. One two-inch story—barely making page one because of a hole to fill atthe bottom of an account of the number of victims of Indian summer heatprostration—told of the incineration of a warehouse on Fleet Street byan ingenious new arson bomb that left virtually no trace. (Maybe thefire inspector had planted a few traces to make his explanation morecreditable.) The second item was further over in a science column just off theeditorial page. It told of the government—!—developing a new processof waste disposal rivaling the old Buck Rogers disintegrator ray. This, I presumed, was one of Tony Carmen's information leaks. If he hoped to arouse the public into demanding my invention Idoubted he would succeed. The public had been told repeatedly of anew radioactive process for preserving food and a painless way ofspraying injections through the skin. But they were still stuck withrefrigerators and hypodermic needles. I had forced my way half-way through the paper and the terrible coffeeI made when the doorbell rang. I was hardly surprised when it turned out to be Tony Carmen behind thefront door. He pushed in, slapping a rolled newspaper in his palm. Action,Professor. The district attorney has indicted you? I asked hopefully. He's not even indicted you , Venetti. No, I got a feeler on thisplant in the Times . I shook my head. The government will take over the invention, nomatter what the public wants. The public? Who cares about the public? The Arcivox corporation wantsthis machine of yours. They have their agents tracing the plant now.They will go from the columnist to his legman to my man and finally toyou. Won't be long before they get here. An hour maybe. Arcivox makes radios and TV sets. What do they want with theExpendables? Opening up a new appliance line with real innovations. I hear they gota new refrigerator. All open. Just shelves—no doors or sides. Theywant a revolutionary garbage disposal too. Do you own stock in the company? Is that how you know? I own stock in a competitor. That's how I know, Carmen informed me.Listen, Professor, you can sell to Arcivox and still keep control ofthe patents through a separate corporation. And I'll give you 49% ofits stock. This was Carmen's idea of a magnanimous offer for my invention. It was a pretty good offer—49% and my good health. But will the government let Arcivox have the machine for commercialuse? The government would let Arcivox have the hydrogen bomb if they founda commercial use for it. There was a sturdy knock on the door, not a shrill ring of the bell. That must be Arcivox now, Carmen growled. They have the bestdetectives in the business. You know what to tell them? I knew what to tell them. <doc-sep></s> [SEP] What inventions has Professor Venetti created and what is their function in THE EXPENDABLES?

Professor Venetti’s inventions are the Expendables which can decompose anything into nothingness without apparent side effects. It is first shown to violate the energy conservation rule when Professor Venetti finds it produces nothing after the decomposition, and he does not know where the decomposed particles go. However, later in the story, it is revealed by an investigator of the Atomic Energy Commission that the energy transformed from mass through the machine turns into heat, resulting in the rising global temperature. The other device he creates is Disexpendable, the reverse version of the Expendable. It is a medium-sized drum in a frame with an unturned coolie’s hat at the bottom. Disexpendable has a low-efficiency engine, and it can consume excess energy produced by the Expendable and lower the temperature. Consuming the excess energy also makes the once-decomposed mass back together again, such as the corpse.

In what ways does the story of THE EXPENDABLES delve into the topic of climate change? [SEP] <s>There's something to what you say, I admitted in the face of hisunexpected information. But I can hardly turn my invention over toyour entirely persuasive salesmen, I'm sure. This is part of theresults of an investigation for the government. Washington will haveto decide what to do with the machine. Listen, Professor, Carmen began, the Mafia— What makes you think I'm any more afraid of the Mafia than I am of theF.B.I.? I may have already sealed my fate by letting you in on thismuch. Machinegunning is hardly a less attractive fate to me than a poorsecurity rating. To me, being dead professionally would be as bad asbeing dead biologically. Tony Carmen laid a heavy hand on my shoulder. I finally deduced heintended to be cordial. Of course, he said smoothly you have to give this to Washington butthere are ways , Professor. I know. I'm a business man— You are ? I said. He named some of the businesses in which he held large shares of stock. You are . I've had experience in this sort of thing. We simply leak theinformation to a few hundred well selected persons about all that yourmachine can do. We'll call 'em Expendables, because they can expendanything. I, I interjected, planned to call it the Venetti Machine. Professor, who calls the radio the Marconi these days? There are Geiger-Muller Counters, though, I said. You don't have to give a Geiger counter the sex appeal of a TV set ora hardtop convertible. We'll call them Expendables. No home will becomplete without one. Perfect for disposing of unwanted bodies, I mused. The murder ratewill go alarmingly with those devices within easy reach. Did that stop Sam Colt or Henry Ford? Tony Carmen asked reasonably.... Naturally, I was aware that the government would not be interested inmy machine. I am not a Fortean, a psychic, a psionicist or a screwball.But the government frequently gets things it doesn't know what to dowith—like airplanes in the 'twenties. When it doesn't know what to do,it doesn't do it. There have been hundreds of workable perpetual motion machinespatented, for example. Of course, they weren't vices in the strictestsense of the word. Many of them used the external power of gravity,they would wear out or slow down in time from friction, but for themeanwhile, for some ten to two hundred years they would just sit there,moving. No one had ever been able to figure out what to do with them. I knew the AEC wasn't going to dump tons of radioactive waste (withsome possible future reclaimation value) into a machine which theydidn't believe actually could work. Tony Carmen knew exactly what to do with an Expendable once he got hishands on it. Naturally, that was what I had been afraid of. <doc-sep>Once seated, the AEC man said I'll get right to the point. You mayfind this troublesome, gentlemen, but your government intends toconfiscate all of the devices using your so-called Expendable field,and forever bar their manufacture in this country or their importation. You stinking G-men aren't getting away with this, Carmen saidingratiatingly. Ever hear of the Mafia? Not much, the young man admitted earnestly, since the FBI finishedwith its deportations a few years back. I cleared my throat. I must admit that the destruction of amulti-billion business is disconcerting before lunch. May we ask whyyou took this step? The agent inserted a finger between his collar and tie. Have younoticed how unseasonably warm it is? I wondered if you had. You're going to have heat prostration if youkeep that suit coat on five minutes more. The young man collapsed back in his chair, loosening the top button ofhis ivy league jacket, looking from my naked hide to the gossomer scrapof sport shirt Carmen wore. We have to dress inconspicuously in theservice, he panted weakly. I nodded understandingly. What does the heat have to do with theoutlawing of the Expendables? At first we thought there might be some truth in the folk nonsensethat nuclear tests had something to do with raising the meantemperature of the world, the AEC man said. But our scientistsquickly found they weren't to blame. Clever of them. Yes, they saw that the widespread use of your machines was responsiblefor the higher temperature. Your device violates the law ofconservation of energy, seemingly . It seemingly destroys matterwithout creating energy. Actually— He paused dramatically. Actually, your device added the energy it created in destroying matterto the energy potential of the planet in the form of heat . You seewhat that means? If your devices continue in operation, the meantemperature of Earth will rise to the point where we burst into flame.They must be outlawed! I agree, I said reluctantly. Tony Carmen spoke up. No, you don't, Professor. We don't agree tothat. I waved his protests aside. I would agree, I said, except that it wouldn't work. Explain thedanger to the public, let them feel the heat rise themselves, and theywill hoard Expendables against seizure and continue to use them, untilwe do burst into flame, as you put it so religiously. Why? the young man demanded. Because Expendables are convenient. There is a ban on frivolous useof water due to the dire need. But the police still have to go stoppeople from watering lawns, and I suspect not a few swimming pools arebeing filled on the sly. Water is somebody else's worry. So will begenerating enough heat to turn Eden into Hell. Mass psychology isn't my strongest point, the young man saidworriedly. But I suspect you may be right. Then—we'll be damned? No, not necessarily, I told him comfortingly. All we have to do is use up the excess energy with engines of a specific design. But can we design those engines in time? the young man wondered withuncharacteristic gloom. Certainly, I said, practising the power of positive thinking. Nowthat your world-wide testing laboratories have confirmed a vague fearof mine, I can easily reverse the field of the Expendable device andcreate a rather low-efficiency engine that consumes the excess energyin our planetary potential. <doc-sep>It wasn't very big, the thing that had been his shining dream. It laythere in its rough cradle, a globe of raw dura-steel not more thanfive hundred meters in diameter, where the Citadel was to have been athousand. It wouldn't house a hundred scientists, eagerly delving intothe hinterland of research. The huge compartments weren't filled withthe latest equipment for chemical and physical experiment; instead,there was compressed oxygen there, and concentrated food, enough tolast a lifetime. It was a new world, all by itself; or else it was a tomb. And there wasone other change, one that you couldn't see from the outside. The solidmeters of lead in its outer skin, the shielding to keep out cosmicrays, were gone. A man had just finished engraving the final stroke on its nameplate, tothe left of the airlock— The Avenger . He stepped away now, and joinedthe group a little distance away, silently waiting. Lorelei said, You can't do it. I won't let you! Peter— Darling, he began wearily. Don't throw your life away! Give us time—there must be another way. There's no other way, Peter said. He gripped her arms tightly, as ifhe could compel her to understand by the sheer pressure of his fingers.Darling, listen to me. We've tried everything. We've gone underground,but that's only delaying the end. They still come down here, only notas many. The mortality rate is up, the suicide rate is up, the birthrate is down, in spite of anything we can do. You've seen the figures:we're riding a curve that ends in extinction fifty years from now. They'll live, and we'll die, because they're a superior race. We're amillion years too far back even to understand what they are or wherethey came from. Besides them, we're apes. There's only one answer. She was crying now, silently, with great racking sobs that shook herslender body. But he went remorselessly on. Out there, in space, the cosmics change unshielded life. Theymake tentacles out of arms; or scales out of hair; or twelve toes,or a dozen ears—or a better brain. Out of those millions ofpossible mutations, there's one that will save the human race. Wecan't fight them , but a superman could. That's our only chance.Lorelei—darling—don't you see that? She choked, But why can't you take me along? He stared unseeingly past her wet, upturned face. You know why, hesaid bitterly. Those rays are strong. They don't only work on embryos;they change adult life forms, too. I have one chance in seven ofstaying alive. You'd have one chance in a million of staying beautiful.I couldn't stand that. I'd kill myself, and then humanity would die,too. You'd be their murderer. Her sobs gradually died away. She straightened slowly until he nolonger had to support her, but all the vitality and resilience was goneout of her body. All right, she said in a lifeless voice. You'llcome back, Peter. He turned away suddenly, not trusting himself to kiss her goodbye. Aline from an old film kept echoing through his head. They'll comeback—but not as boys ! We'll come back, but not as men. We'll come back, but not as elephants. We'll come back, but not as octopi. <doc-sep></s> [SEP] In what ways does the story of THE EXPENDABLES delve into the topic of climate change?

Throughout the story, a racketeer demands a professor create a machine to destroy the dead body he has without leaving any traces. The professor invented the device that can destroy mass into nothingness without knowing where the decomposed particles or mass go. However, later in the story, it reveals that the missing energy is turned into heat under the rule of energy conservation, resulting in a rising global temperature. The officials come to ban the usage and production of the machine, but the professor knows that people will still use it for its convenience, just like what people do concerning the wasteful use of water when it is in dire need. The professor ends up creating a machine whose side effect would cool down the temperature to fix the problem. The theme of global warming is explored through the conflicted balance between convenience and environmental damage. People tend to use what is convenient for them with the knowledge of its ecological harm until the consequence is no longer recoverable. The author tries to imply that if we keep wasting resources and damage the environment for our benefit, global warming will reach a point where the earth is no longer recoverable. It is also mentioned in the professor’s thought when he is thinking about selling the machine that tons of patented perpetual motion machines are created, used, and remain as trash without the means to get rid of them. People don’t care whether there is a solution to get rid of those trash completely or don’t know how, but they still produce and use them. This preference for convenience over the environment indicates that humans would not stop their pollution until they bear the consequence of their deeds, not to mention improve the situation of global warming.

How does THE EXPENDABLES delve into the theme of capitalism? [SEP] <s>Once seated, the AEC man said I'll get right to the point. You mayfind this troublesome, gentlemen, but your government intends toconfiscate all of the devices using your so-called Expendable field,and forever bar their manufacture in this country or their importation. You stinking G-men aren't getting away with this, Carmen saidingratiatingly. Ever hear of the Mafia? Not much, the young man admitted earnestly, since the FBI finishedwith its deportations a few years back. I cleared my throat. I must admit that the destruction of amulti-billion business is disconcerting before lunch. May we ask whyyou took this step? The agent inserted a finger between his collar and tie. Have younoticed how unseasonably warm it is? I wondered if you had. You're going to have heat prostration if youkeep that suit coat on five minutes more. The young man collapsed back in his chair, loosening the top button ofhis ivy league jacket, looking from my naked hide to the gossomer scrapof sport shirt Carmen wore. We have to dress inconspicuously in theservice, he panted weakly. I nodded understandingly. What does the heat have to do with theoutlawing of the Expendables? At first we thought there might be some truth in the folk nonsensethat nuclear tests had something to do with raising the meantemperature of the world, the AEC man said. But our scientistsquickly found they weren't to blame. Clever of them. Yes, they saw that the widespread use of your machines was responsiblefor the higher temperature. Your device violates the law ofconservation of energy, seemingly . It seemingly destroys matterwithout creating energy. Actually— He paused dramatically. Actually, your device added the energy it created in destroying matterto the energy potential of the planet in the form of heat . You seewhat that means? If your devices continue in operation, the meantemperature of Earth will rise to the point where we burst into flame.They must be outlawed! I agree, I said reluctantly. Tony Carmen spoke up. No, you don't, Professor. We don't agree tothat. I waved his protests aside. I would agree, I said, except that it wouldn't work. Explain thedanger to the public, let them feel the heat rise themselves, and theywill hoard Expendables against seizure and continue to use them, untilwe do burst into flame, as you put it so religiously. Why? the young man demanded. Because Expendables are convenient. There is a ban on frivolous useof water due to the dire need. But the police still have to go stoppeople from watering lawns, and I suspect not a few swimming pools arebeing filled on the sly. Water is somebody else's worry. So will begenerating enough heat to turn Eden into Hell. Mass psychology isn't my strongest point, the young man saidworriedly. But I suspect you may be right. Then—we'll be damned? No, not necessarily, I told him comfortingly. All we have to do is use up the excess energy with engines of a specific design. But can we design those engines in time? the young man wondered withuncharacteristic gloom. Certainly, I said, practising the power of positive thinking. Nowthat your world-wide testing laboratories have confirmed a vague fearof mine, I can easily reverse the field of the Expendable device andcreate a rather low-efficiency engine that consumes the excess energyin our planetary potential. <doc-sep>There's something to what you say, I admitted in the face of hisunexpected information. But I can hardly turn my invention over toyour entirely persuasive salesmen, I'm sure. This is part of theresults of an investigation for the government. Washington will haveto decide what to do with the machine. Listen, Professor, Carmen began, the Mafia— What makes you think I'm any more afraid of the Mafia than I am of theF.B.I.? I may have already sealed my fate by letting you in on thismuch. Machinegunning is hardly a less attractive fate to me than a poorsecurity rating. To me, being dead professionally would be as bad asbeing dead biologically. Tony Carmen laid a heavy hand on my shoulder. I finally deduced heintended to be cordial. Of course, he said smoothly you have to give this to Washington butthere are ways , Professor. I know. I'm a business man— You are ? I said. He named some of the businesses in which he held large shares of stock. You are . I've had experience in this sort of thing. We simply leak theinformation to a few hundred well selected persons about all that yourmachine can do. We'll call 'em Expendables, because they can expendanything. I, I interjected, planned to call it the Venetti Machine. Professor, who calls the radio the Marconi these days? There are Geiger-Muller Counters, though, I said. You don't have to give a Geiger counter the sex appeal of a TV set ora hardtop convertible. We'll call them Expendables. No home will becomplete without one. Perfect for disposing of unwanted bodies, I mused. The murder ratewill go alarmingly with those devices within easy reach. Did that stop Sam Colt or Henry Ford? Tony Carmen asked reasonably.... Naturally, I was aware that the government would not be interested inmy machine. I am not a Fortean, a psychic, a psionicist or a screwball.But the government frequently gets things it doesn't know what to dowith—like airplanes in the 'twenties. When it doesn't know what to do,it doesn't do it. There have been hundreds of workable perpetual motion machinespatented, for example. Of course, they weren't vices in the strictestsense of the word. Many of them used the external power of gravity,they would wear out or slow down in time from friction, but for themeanwhile, for some ten to two hundred years they would just sit there,moving. No one had ever been able to figure out what to do with them. I knew the AEC wasn't going to dump tons of radioactive waste (withsome possible future reclaimation value) into a machine which theydidn't believe actually could work. Tony Carmen knew exactly what to do with an Expendable once he got hishands on it. Naturally, that was what I had been afraid of. <doc-sep>Outside in the corridor, Magnan came up to Retief, who stood talking toa tall man in a pilot's coverall. I'll be tied up, sending through full details on my—our—yourrecruiting theme, Retief, Magnan said. Suppose you run into the cityto assist the new Verpp Consul in settling in. I'll do that, Mr. Magnan. Anything else? Magnan raised his eyebrows. You're remarkably compliant today, Retief.I'll arrange transportation. Don't bother, Mr. Magnan. Cy here will run me over. He was the pilotwho ferried us over to Roolit I, you recall. I'll be with you as soon as I pack a few phone numbers, Retief, thepilot said. He moved off. Magnan followed him with a disapproving eye.An uncouth sort, I fancied. I trust you're not consorting with hiskind socially. I wouldn't say that, exactly, Retief said. We just want to go over afew figures together. <doc-sep></s> [SEP] How does THE EXPENDABLES delve into the theme of capitalism?

The theme of capitalism is explored throughout the story by the greed of the racketeer, Tony Carmen, and how he prefers profits over the environment. In the story, Professor Venetti creates a machine that can easily decompose anything without knowing how it works and where the decomposed particles go. His process of creating the device is also not carefully examined under the safety rules. Despite knowing these manufacturing facts and the uncertainty of its consequences, Tony Carmen makes this machine into a business and sells it for a considerable profit, with the collaboration of Professor Venetti. The theme of capitalism is shown through the preference for profits over safety when seeking profits from a product. It is also explored through Tony’s dealings with business corporates and how he attracts business corporations’ attention to sell their products. Revealed by Tony’s testimony, big business corporations would have detectives and their sources of information to buy the inventions and sell them. Finally, the mechanism of the business world and the dark side of capitalism are shown through Tony’s plan to sell the products and all the dirty work behind it when Professor Venetti’s secretary is reading the letters regarding their business matter from several organizations.

Can you provide a summary of the storyline in DESIRE NO MORE? [SEP] <s>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep> UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was onlyone thing he could bring backfrom the wonderful future ...and though he didn't want to... nevertheless he did.... Illustrated by Freas Betty looked up fromher magazine. She saidmildly, You're late. Don't yell at me, Ifeel awful, Simon toldher. He sat down at his desk, passedhis tongue over his teeth in distaste,groaned, fumbled in a drawer for theaspirin bottle. He looked over at Betty and said,almost as though reciting, What Ineed is a vacation. What, Betty said, are you goingto use for money? Providence, Simon told herwhilst fiddling with the aspirin bottle,will provide. Hm-m-m. But before providingvacations it'd be nice if Providenceturned up a missing jewel deal, say.Something where you could deducethat actually the ruby ring had gonedown the drain and was caught in theelbow. Something that would netabout fifty dollars. Simon said, mournful of tone,Fifty dollars? Why not make it fivehundred? I'm not selfish, Betty said. AllI want is enough to pay me thisweek's salary. Money, Simon said. When youtook this job you said it was the romancethat appealed to you. Hm-m-m. I didn't know mostsleuthing amounted to snoopingaround department stores to check onthe clerks knocking down. Simon said, enigmatically, Nowit comes. <doc-sep> He had but one ambition, one desire: to pilot the first manned rocket to the moon. And he was prepared as no man had ever prepared himself before.... DESIRE NO MORE by Algis Budrys ( illustrated by Milton Luros ) Desire no more than to thy lot may fall.... —Chaucer <doc-sep></s> [SEP] Can you provide a summary of the storyline in DESIRE NO MORE?

The story follows the journey of Martin Isherwood, a man whose dream is to become a rocket pilot. Everything he does is to reach that dream. When he turns 17, he cuts away from his family and starts to follow his dream. He participates in different plane races in order to become a pilot. He continuously shows his determination to become a pilot to everyone he meets, and doesn’t care what they say. Mostly everyone tells Ish that he should quit on this path, that he has nothing to prove and that there is no reason to continue pursuing his dream. He doesn’t heed this advice and continues convincing people as to why he should be a rocket pilot. At the end, he manages to do the trip, but does it while thinking that he had already done it before, therefore taking out all the excitement that the first trip would have had. He ends up never driving a rocket again, and dies in the rocket station.

What is the story of Nan in DESIRE NO MORE? [SEP] <s> HE BROUGHT the Mark VII out of her orbit after two days of running ringsaround the spinning Earth, and the world loved him. He climbed out ofthe crackling, pinging ship, bearded and dirty, with oil on his face andin his hair, with food stains all over his whipcord, red-eyed, andhuskily quiet as he said his few words into the network microphones. Andhe was not satisfied. There was no peace in his eyes, and his handsmoved even more sharply in their expressive gestures as he gave animpromptu report to the technicians who were walking back to thepersonnel bunker with him. Nan could see that. Four years ago, he had been different. Four yearsago, if she had only known the right words, he wouldn't be so intent nowon throwing himself away to the sky. She was a woman scorned. She had to lie to herself. She broke out of thepress section and ran over to him. Marty! She brushed past atechnician. He looked at her with faint surprise on his face. Well, Nan! hemumbled. But he did not put his hand over her own where it touched hisshoulder. I'm sorry, Marty, she said in a rush. I didn't understand. I couldn'tsee how much it all meant. Her face was flushed, and she spoke asrapidly as she could, not noticing that Ish had already gestured awaythe guards she was afraid would interrupt her. But it's all right, now. You got your rockets. You've done it. Youtrained yourself for it, and now it's over. You've flown your rocket! He looked up at her face and shook his head in quiet pity. One of theshocked technicians was trying to pull her away, and Ish made no move tostop him. Suddenly, he was tired, there was something in him that was trying tobreak out against his will, and his reaction was that of a child whosecandy is being taken away from him after only one bite. Rocket! he shouted into her terrified face. Rocket! Call that pileof tin a rocket? He pointed at the weary Mark VII with a trembling arm.Who cares about the bloody machines ! If I thought roller-skatingwould get me there, I would have gone to work in a rink when I wasseventeen! It's getting there that counts! Who gives a good goddam how it's done, or what with! And he stood there, shaking like a leaf, outraged, while the guards cameand got her. <doc-sep> He had but one ambition, one desire: to pilot the first manned rocket to the moon. And he was prepared as no man had ever prepared himself before.... DESIRE NO MORE by Algis Budrys ( illustrated by Milton Luros ) Desire no more than to thy lot may fall.... —Chaucer <doc-sep> ISH LOOKED up bitterly at the Receptionist. No, he said. But everybody fills out an application, she protested. No. I've got a job, he said as he had been saying for the last halfhour. The Receptionist sighed. If you'll only read the literature I'vegiven you, you'll understand that all your previous commitments havebeen cancelled. Look, Honey, I've seen company poop sheets before. Now, let's cut thisnonsense. I've got to get back. But nobody goes back. Goddam it, I don't know what kind of place this is, but— He stoppedat the Receptionist's wince, and looked around, his mouth open. Thereception desk was solid enough. There were IN and OUT and HOLD basketson the desk, and the Receptionist seemed to see nothing extraordinaryabout it. But the room—a big room, he realized—seemed to fade out atthe edges, rather than stop at walls. The lighting, too.... Let's see your back! he rapped out, his voice high. She sighed in exasperation. If you'd read the literature ... Sheswiveled her chair slowly. No wings, he said. Of course not! she snapped. She brushed her hair away from herforehead without his telling her to. No horns, either. Streamlined, huh? he said bitterly. It's a little different for everybody, she said with unexpectedgentleness. It would have to be, wouldn't it? Yeah, I guess so, he admitted slowly. Then he lost his momentary awe,and his posture grew tense again. He glanced down at his wrist. Sixhours, forty-seven minutes, and no days to go. Who do I see? She stared at him, bewildered at the sudden change in his voice. See? About getting out of here! Come on, come on, he barked, snapping hisfingers impatiently. I haven't got much time. She smiled sweetly. Oh, but you do. Can it! Who's your Section boss? Get him down here. On the double. Comeon! His face was streaming with perspiration but his voice was firmwith the purpose that drove him. Her lips closed into an angry line, and she jabbed a finger at a deskbutton. I'll call the Personnel Manager. Thanks, he said sarcastically, and waited impatiently. Odd, the waythe Receptionist looked a little like Nan. <doc-sep></s> [SEP] What is the story of Nan in DESIRE NO MORE?

Nan is a woman, who for a while is Martin Isherwood’s girlfriend. She owns a racing plane, which Ish uses to win a race and continue his plan to become a rocket pilot. When she and Ish go on a practice flight, Ish almost crashes them because for a second he wanted the plane all the way to the moon. For a while she wanted to get married to him, but he never reciprocated the feeling because he was too focused on flying to the moon, and ended up driving her away. The story insinuates that they broke up after Ish orbited the earth on a ship.

What are the defining traits of Martin Isherwood, the protagonist of DESIRE NO MORE? [SEP] <s> THE SMALL young man looked at his father, and shook his head. But you've got to learn a trade, his father said, exasperated. Ican't afford to send you to college; you know that. I've got a trade, he answered. His father smiled thinly. What? he asked patronizingly. I'm a rocket pilot, the boy said, his thin jaw stretching the skin ofhis cheeks. His father laughed in the way the boy had learned to anticipate andhate. Yeah, he said. He leaned back in his chair and laughed so hardthat the Sunday paper slipped off his wide lap and fell to the floorwith an unnoticed stiff rustle. A rocket pilot! His father's derision hooted through the quietparlor. A ro— oh, no! —a rocket pilot ! The boy stared silently at the convulsed figure in the chair. His lipsfell into a set white bar, and the corners of his jaws bulged with thetension in their muscles. Suddenly, he turned on his heel and stalkedout of the parlor, through the hall, out the front door, to the porch.He stopped there, hesitating a little. Marty! His father's shout followed him out of the parlor. It seemedto act like a hand between the shoulder-blades, because the boy almostran as he got down the porch stairs. What is it, Howard? Marty's mother asked in a worried voice as shecame in from the kitchen, her damp hands rubbing themselves dry againstthe sides of her housedress. Crazy kid, Howard Isherwood muttered. He stared at the figure of hisson as the boy reached the end of the walk and turned off into thestreet. Come back here! he shouted. A rocket pilot, he cursedunder his breath. What's the kid been reading? Claiming he's a rocketpilot! Margaret Isherwood's brow furrowed into a faint, bewildered frown.But—isn't he a little young? I know they're teaching some very oddthings in high schools these days, but it seems to me.... Oh, for Pete's sake, Marge, there aren't even any rockets yet! Comeback here, you idiot! Howard Isherwood was standing on his porch, hisclenched fists trembling at the ends of his stiffly-held arms. Are you sure, Howard? his wife asked faintly. Yes, I'm sure ! But, where's he going? Stop that! Get off that bus! YOU hear me? Marty? Howard! Stop acting like a child and talk to me! Where is that boygoing? Howard Isherwood, stocky, red-faced, forty-seven, and defeated, turnedaway from the retreating bus and looked at his wife. I don't know, hetold her bitterly, between rushes of air into his jerkily heaving lungs.Maybe, the moon, he told her sarcastically. Martin Isherwood, rocket pilot, weight 102, height 4', 11, had come ofage at seventeen. <doc-sep>So Martin held his peace, because, on the whole, he liked things theway they were. Ninian really was the limit, though. All the people heknew lived in scabrous tenement apartments like his, but she seemed tothink it was disgusting. So if you don't like it, clean it up, he suggested. She looked at him as if he were out of his mind. Hire a maid, then! he jeered. And darned if that dope didn't go out and get a woman to come clean upthe place! He was so embarrassed, he didn't even dare show his face inthe streets—especially with the women buttonholing him and demandingto know what gave. They tried talking to Ninian, but she certainly knewhow to give them the cold shoulder. One day the truant officer came to ask why Martin hadn't been comingto school. Very few of the neighborhood kids attended classes veryregularly, so this was just routine. But Ninian didn't know that andshe went into a real tizzy, babbling that Martin had been sick andwould make up the work. Martin nearly did get sick from laughing sohard inside. But he laughed out of the other side of his mouth when she went out andhired a private tutor for him. A tutor—in that neighborhood! Martinhad to beat up every kid on the block before he could walk a stepwithout hearing Fancy Pants! yelled after him. Ninian worried all the time. It wasn't that she cared what these peoplethought of her, for she made no secret of regarding them as littlebetter than animals, but she was shy of attracting attention. Therewere an awful lot of people in that neighborhood who felt exactly thesame way, only she didn't know that, either. She was really prettydumb, Martin thought, for all her fancy lingo. It's so hard to think these things out without any prior practicalapplication to go by, she told him. He nodded, knowing what she meant was that everything was coming outwrong. But he didn't try to help her; he just watched to see whatshe'd do next. Already he had begun to assume the detached role of aspectator. When it became clear that his mother was never going to show up again,Ninian bought one of those smallish, almost identical houses thatmushroom on the fringes of a city after every war, particularly whereintensive bombing has created a number of desirable building sites. This is a much better neighborhood for a boy to grow up in, shedeclared. Besides, it's easier to keep an eye on you here. And keep an eye on him she did—she or a rather foppish young man whocame to stay with them occasionally. Martin was told to call him UncleRaymond. From time to time, there were other visitors—Uncles Ives andBartholomew and Olaf, Aunts Ottillie and Grania and Lalage, and manymore—all cousins to one another, he was told, all descendants of his. <doc-sep> THE SMALL man looked at his faculty advisor. No, he said. I am notinterested in working for a degree. But— The faculty advisor unconsciously tapped the point of a yellowpencil against the fresh green of his desk blotter, leaving a rough arcof black flecks. Look, Ish, you've got to either deliver or get off thebasket. This program is just like the others you've followed for ninesemesters; nothing but math and engineering. You've taken just aboutevery undergrad course there is in those fields. How long are you goingto keep this up? I'm signed up for Astronomy 101, Isherwood pointed out. The faculty advisor snorted. A snap course. A breather, after you'vestudied the same stuff in Celestial Navigation. What's the matter, Ish?Scared of liberal arts? Isherwood shook his head. Uh-unh. Not interested. No time. And thatAstronomy course isn't a breather. Different slant from Cee Nav—theywon't be talking about stars as check points, but as things inthemselves. Something seemed to flicker across his face as he said it. The advisor missed it; he was too engrossed in his argument. Still asnap. What's the difference, how you look at a star? Isherwood almost winced. Call it a hobby, he said. He looked down athis watch. Come on, Dave. You're not going to convince me. You haven'tconvinced me any of the other times, either, so you might as well giveup, don't you think? I've got a half hour before I go on the job. Let'sgo get some beer. The advisor, not much older than Isherwood, shrugged, defeated. Crazy,he muttered. But it was a hot day, and he was as thirsty as the nextman. The bar was air conditioned. The advisor shivered, half grinned, andsoftly quoted: Though I go bare, take ye no care,I am nothing a-cold;I stuff my skin so full withinOf jolly good ale and old. Huh? Ish was wearing the look with which he always reacted to theunfamiliar. The advisor lifted two fingers to the bartender and shrugged. It's apoem; about four hundred years old, as a matter of fact. Oh. Don't you give a damn? the advisor asked, with some peevishness. Ish laughed shortly, without embarrassment. Sorry, Dave, but no. It'snot my racket. The advisor cramped his hand a little too tightly around his glass.Strictly a specialist, huh? Ish nodded. Call it that. But what , for Pete's sake? What is this crazy specialty that blindsyou to all the fine things that man has done? Ish took a swallow of his beer. Well, now, if I was a poet, I'd say itwas the finest thing that man has ever done. The advisor's lips twisted in derision. That's pretty fanatical, isn'tit? Uh-huh. Ish waved to the bartender for refills. <doc-sep></s> [SEP] What are the defining traits of Martin Isherwood, the protagonist of DESIRE NO MORE?

Martin Isherwood is the main character of the story. He only wants one thing in life, which is to drive a rocket to the moon. Everything he does in his life is to reach that goal, he pushes everyone away. He pushes away his parents and his girlfriend because they didn’t understand the dream he was trying to accomplish. He is described as very determined, as he only has one thing in mind. He is also very stubborn, doesn’t heed the advice of others and also is described as irritable.

What is the story of Mackenzie in DESIRE NO MORE? [SEP] <s> MacKENZIE didn't seem to be taking any notes, or paying any specialattention to the answers Ish was giving to his casual questions. But thequestions fell into a pattern that was far from casual, and Ish couldsee the small button-mike of a portable tape-recorder nestling under theman's lapel. Been working your own way for the last seventeen years, haven't you?MacKenzie seemed to mumble in a perfectly clear voice. Ish nodded. How's that? The corners of Isherwood's mouth twitched, and he said Yes for therecorder's benefit. Odd jobs, first of all? Something like that. Anything I could get, the first few months. AfterI was halfway set up, I stuck to garages and repair shops. Out at the airports around Miami, mostly, wasn't it? Ahuh. Took some of your pay in flying lessons. Right. MacKenzie's face passed no judgements—he simply hunched in his chair,seemingly dwarfed by the shoulders of his perfectly tailored suit, hisstubby fingers twiddling a Phi Beta Kappa key. He was a spare man—onlya step or two away from emaciation. Occasionally, he pushed a tiredstrand of washed-out hair away from his forehead. Ish answered him truthfully, without more than ordinary reservations.This was the man who could ground him He was dangerous—red-letterdangerous—because of it. No family. Ish shrugged. Not that I know of. Cut out at seventeen. My father wasmaking good money. He had a pension plan, insurance policies. No need toworry about them. Ish knew the normal reaction a statement like that should have brought.MacKenzie's face did not go into a blank of repression—but it stillpassed no judgements. How's things between you and the opposite sex? About normal. No wife—no steady girl. Not a very good idea, in my racket. MacKenzie grunted. Suddenly, he sat bolt upright in his chair, and swungtoward Ish. His lean arm shot out, and his index finger was aimedbetween Isherwood's eyes. You can't go! Ish was on his feet, his fists clenched, the blood throbbing in histemple veins. What! he roared. MacKenzie seemed to collapse in his chair. The brief commanding burstwas over, and his face was apologetic, Sorry, he said. He seemedgenuinely abashed. Shotgun therapy. Works best, sometimes. You can go,all right; I just wanted to get a fast check on your reactions anddrives. Ish could feel the anger that still ran through him—anger, and morefear than he wanted to admit. I'm due at a briefing, he said tautly.You through with me? MacKenzie nodded, still embarrassed. Sorry. Ish ignored the man's obvious feelings. He stopped at the door to send aparting stroke at the thing that had frightened him. Big gun in thepsychiatry racket, huh? Well, your professional lingo's slipping, Doc.They did put some learning in my head at college, you know. Therapy,hell! Testing maybe, but you sure didn't do anything to help me! I don't know, MacKenzie said softly. I wish I did. Ish slammed the door behind him. He stood in the corridor, jamming afresh cigarette in his mouth. He threw a glance at his watch. Twelvehours, twenty-two minutes, and four days to go. Damn! He was late for the briefing. Odd—that fool psychiatrist hadn'tseemed to take up that much of his time. He shrugged. What difference did it make? As he strode down the hall, helost his momentary puzzlement under the flood of realization thatnothing could stop him now, that the last hurdle was beaten. He wasgoing. He was going, and if there were faint echoes of Marty! ringingin the dark background of his mind, they only served to push him faster,as they always had. Nothing but death could stop him now. <doc-sep> MacKENZIE was waiting for him in the crew section. Ish flicked hisstolid eyes at him, shrugged, and stripped out of his clothes. He pulleda coverall out of a locker and climbed into it, then went over to hisbunk and lay down on his side, facing the bulkhead. Ish. It was MacKenzie, bending over him. Ish grunted. It wasn't any good was it? You'd done it all before; you'd been there. He was past emotions. Yeah? We couldn't take the chance. MacKenzie was trying desperately toexplain. You were the best there was—but you'd done something toyourself by becoming the best. You shut yourself off from your family.You had no close friends, no women. You had no other interests. You werea rocket pilot—nothing else. You've never read an adult book thatwasn't a text; you've never listened to a symphony except by accident.You don't know Rembrandt from Norman Rockwell. Nothing. No ties, noprops, nothing to sustain you if something went wrong. We couldn't takethe chance, Ish! So? There was too much at stake. If we let you go, you might haveforgotten to come back. You might have just kept going. He remembered the time with the Navion , and nodded. I might have. I hypnotized you, MacKenzie said. You were never dead. I don't knowwhat the details of your hallucination were, but the important part camethrough, all right. You thought you'd been to the Moon before. It tookall the adventure out of the actual flight; it was just a workadaytrip. I said it was easy, Ish said. There was no other way to do it! I had to cancel out the thrill thatcomes from challenging the unknown. You knew what death was like, andyou knew what the Moon was like. Can you understand why I had to do it? Yeah. Now get out before I kill you. He didn't live too long after that. He never entered a rocket again—hedied on the Station, and was buried in space, while a grateful worldmourned him. I wonder what it was like, in his mind, when he reallydied. But he spent the days he had, after the trip, just sitting at anobservatory port, cursing the traitor stars with his dead andpurposeless eyes. TRANSCRIBER'S NOTES: Obvious typographical errors have been corrected without note. This etext was produced from Dynamic Science Fiction, January, 1954.Extensive research did not uncover any evidence that the U.S.copyright on this publication was renewed. <doc-sep> SIT DOWN, Ish, the Flight Surgeon said. They always begin that way , Isherwood thought. The standard medicalopening. Sit down. What for? Did somebody really believe that anythinghe might hear would make him faint? He smiled with as much expression ashe ever did, and chose a comfortable chair, rolling the white cylinderof a cigarette between his fingers. He glanced at his watch. Fourteenhours, thirty-six minutes, and four days to go. How's it? the FS asked. Ish grinned and shrugged. All right. But he didn't usually grin. Therealization disquieted him a little. Think you'll make it? Deliberately, rather than automatically, he fell back into his usualresponse-pattern. Don't know. That's what I'm being paid to find out. Uh- huh . The FS tapped the eraser of his pencil against his teeth.Look—you want to talk to a man for a while? What man? It didn't really matter. He had a feeling that anything hesaid or did now would have a bearing, somehow, on the trip. If theywanted him to do something for them, he was bloody well going to do it. Fellow named MacKenzie. Big gun in the head-thumping racket. TheFlight Surgeon was trying to be as casual as he could. Air Forceinsisted on it, as a matter of fact, he said. Can't really blame them.After all, it's their beast. Don't want any hole-heads denting it up on them, huh? Ish lit thecigarette and flipped his lighter shut with a snap of the lid. Sure.Bring him on. The FS smiled. Good. He's—uh—he's in the next room. Okay to ask himin right now? Sure. Something flickered in Isherwood's eyes. Amusement at the FlightSurgeon's discomfort was part of it. Worry was some of the rest. <doc-sep></s> [SEP] What is the story of Mackenzie in DESIRE NO MORE?

Mackenzie is an army therapist who first meets Martin when he is asked to vet him before he goes on a trip for the airforce. Mackenzie tries to test Martin a lot, but ends up clearing him and allowing him to fly. At the end, it is also Mackenzie who tells Martin what had actually happened to him, and that what he thought was a routine trip was in fact Martin’s first trip to the moon. Mackenzie struggles with telling Martin this, but ends up doing it. This news ends up hurting Martin mentally, and it is insinuated that Martin holds a grudge forever against Mackenzie.

What is the importance of the comments made by others regarding the rocket in DESIRE NO MORE? [SEP] <s> He had but one ambition, one desire: to pilot the first manned rocket to the moon. And he was prepared as no man had ever prepared himself before.... DESIRE NO MORE by Algis Budrys ( illustrated by Milton Luros ) Desire no more than to thy lot may fall.... —Chaucer <doc-sep>What do you do ? Steffens asked. Elb replied quickly, with characteristic simplicity: We can do verylittle. A certain amount of physical knowledge was imparted to us atbirth by the Makers. We spend the main part of our time expanding thatknowledge wherever possible. We have made some progress in the naturalsciences, and some in mathematics. Our purpose in being, you see, isto serve the Makers. Any ability we can acquire will make us that muchmore fit to serve when the Makers return. When they return? It had not occurred to Steffens until now that therobots expected the Makers to do so. Elb regarded him out of the band of the circling eye. I see you hadsurmised that the Makers were not coming back. If the robot could have laughed, Steffens thought it would have, then.But it just stood there, motionless, its tone politely emphatic. It has always been our belief that the Makers would return. Why elsewould we have been built? Steffens thought the robot would go on, but it didn't. The question, toElb, was no question at all. Although Steffens knew already what the robot could not possibly haveknown—that the Makers were gone and would never come back—he was along time understanding. What he did was push this speculation into theback of his mind, to keep it from Elb. He had no desire to destroy afaith. But it created a problem in him. He had begun to picture for Elb thestructure of human society, and the robot—a machine which did not eator sleep—listened gravely and tried to understand. One day Steffensmentioned God. God? the robot repeated without comprehension. What is God? Steffens explained briefly, and the robot answered: It is a matter which has troubled us. We thought at first that youwere the Makers returning— Steffens remembered the brief lapse, theseeming disappointment he had sensed—but then we probed your mindsand found that you were not, that you were another kind of being,unlike either the Makers or ourselves. You were not even— Elb caughthimself—you did not happen to be telepaths. Therefore we troubledover who made you. We did detect the word 'Maker' in your theology,but it seemed to have a peculiar— Elb paused for a long while—anuntouchable, intangible meaning which varies among you. Steffens understood. He nodded. The Makers were the robots' God, were all the God they needed. TheMakers had built them, the planet, the universe. If he were to ask themwho made the Makers, it would be like their asking him who made God. It was an ironic parallel, and he smiled to himself. But on that planet, it was the last time he smiled. <doc-sep>Confound the girl, he couldn't help thinking. This morning, when sheshould have made herself scarce, she'd sprawled about sleeping. Now,when he felt like seeing her, when her presence would have added apleasant final touch to his glowing mood, she chose to be absent. Hereally should use his hypnotic control on her, he decided, and againthere sprang into his mind the word—a pet form of her name—that wouldsend her into obedient trance. No, he told himself again, that was to be reserved for some momentof crisis or desperate danger, when he would need someone to strikesuddenly and unquestioningly for himself and mankind. Caddy was merelya wilful and rather silly girl, incapable at present of understandingthe tremendous tensions under which he operated. When he had time forit, he would train her up to be a fitting companion without hypnosis. Yet the fact of her absence had a subtly disquieting effect. It shookhis perfect self-confidence just a fraction. He asked himself ifhe'd been wise in summoning the rocket physicists without consultingTregarron. But this mood, too, he conquered quickly. Tregarron wasn't hisboss, but just the Thinker's most clever salesman, an expert in themumbo-jumbo so necessary for social control in this chaotic era. Hehimself, Jorj Helmuth, was the real leader in theoretics and all-overstrategy, the mind behind the mind behind Maizie. He stretched himself on the bed, almost instantly achieved maximumrelaxation, turned on the somno-learner, and began the two hour rest heknew would be desirable before the big conference. <doc-sep></s> [SEP] What is the importance of the comments made by others regarding the rocket in DESIRE NO MORE?

One of the greatest challenges that Martin faces in his journey to become a rocket pilot is the negativity that comes from other people. Almost everyone that Martin meets advises him that he is wasting his life, and that he should focus on something more realistic that can allow him to have a family. His parents, his girlfriend, and Mackenzie all tell him that he should settle for a plane pilot or should focus his career on something else, something less risky. These words only help to make Martin more determined to become a pilot, because he wants to prove everyone wrong.

Can you provide a summary of the storyline in CONTROL GROUP? [SEP] <s>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep> HOW TO MAKE FRIENDS By JIM HARMON Illustrated by WEST [Transcriber's Note: This etext was produced from Galaxy Magazine October 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Every lonely man tries to make friends. Manet just didn't know when to stop! William Manet was alone. In the beginning, he had seen many advantages to being alone. It wouldgive him an unprecedented opportunity to once and for all correlateloneliness to the point of madness, to see how long it would take himto start slavering and clawing the pin-ups from the magazines, to beginteaching himself classes in philosophy consisting of interminablelectures to a bored and captive audience of one. He would be able to measure the qualities of peace and decide whetherit was really better than war, he would be able to get as fat and asdirty as he liked, he would be able to live more like an animal andthink more like a god than any man for generations. But after a shorter time than he expected, it all got to be a tearingbore. Even the waiting to go crazy part of it. Not that he was going to have any great long wait of it. He was alreadytalking to himself, making verbal notes for his lectures, and he hadcut out a picture of Annie Oakley from an old book. He tacked it up andwinked at it whenever he passed that way. Lately she was winking back at him. Loneliness was a physical weight on his skull. It peeled the flesh fromhis arms and legs and sandpapered his self-pity to a fine sensitivity. No one on Earth was as lonely as William Manet, and even William Manetcould only be this lonely on Mars. Manet was Atmosphere Seeder Station 131-47's own human. All Manet had to do was sit in the beating aluminum heart in the middleof the chalk desert and stare out, chin cupped in hands, at the flat,flat pavement of dirty talcum, at the stars gleaming as hard in theblack sky as a starlet's capped teeth ... stars two of which were moonsand one of which was Earth. He had to do nothing else. The wholegimcrack was cybernetically controlled, entirely automatic. No one wasneeded here—no human being, at least. The Workers' Union was a pretty small pressure group, but it didn'ttake much to pressure the Assembly. Featherbedding had been carefullyspecified, including an Overseer for each of the Seeders to honeycombMars, to prepare its atmosphere for colonization. They didn't give tests to find well-balanced, well-integrated peoplefor the job. Well-balanced, well-integrated men weren't going toisolate themselves in a useless job. They got, instead, William Manetand his fellows. The Overseers were to stay as long as the job required. Passenger fareto Mars was about one billion dollars. They weren't providing commuterservice for night shifts. They weren't providing accommodationsfor couples when the law specified only one occupant. They weren'tproviding fuel (at fifty million dollars a gallon) for visits betweenthe various Overseers. They weren't very providential. But it was two hundred thousand a year in salary, and it offeredwonderful opportunities. It gave William Manet an opportunity to think he saw a spaceship makinga tailfirst landing on the table of the desert, its tail burning asbright as envy. <doc-sep> Any problem posed by one group ofhuman beings can be resolved by anyother group. That's what the Handbooksaid. But did that include primitivehumans? Or the Bees? Or a ... CONTROL GROUP By ROGER DEE <doc-sep></s> [SEP] Can you provide a summary of the storyline in CONTROL GROUP?

The story is set in the fourth millennium, and humans have invented a technology - the Ringwave propulsion-communication principle - that allows them to explore the neighboring cosmic systems. In the past, they were invaded by an alien species called Hymenops, or the Bees, who enslaved Terrans, and tried to colonize other planets but unexpectedly left years later. The crew members of the spaceship Marco Four are on a mission looking for the slave colonies that were abandoned by the Bees. Farrell, the navigator, is arguing with captain Stryker, Gibson - an engineer - and Xavier, the ship’s mechanic, and is trying to convince them to land on Alphard Six and claiming the planet is not inhabited. Stryker reminds him about the importance of vigilance on unexplored territories and tells Farrell to find a reconnaissance spiral. Something resembling an atomic torpedo explodes near the ship, rocking it. Later, the crew starts discussing who can possibly live on Alphard Six. They know that in the year 3000, there was no one on the planet. The ones who attacked them might be the Hymenopes or some Terrans enslaved by them, or even an unknown alien culture. The screen shows a town with a thousand buildings and a prehistoric ship with rocket propulsion. This ship seems to be eleven hundred years old, which is puzzling. This atomic-powered spaceship neither could’ve been constructed here nor could it have successfully traveled for hundreds of years. The area around Alphard Six was guarded by the Bees for several hundred years. So, it would be impossible for this ancient Terran ship to land on the planet without being detected by them. Farrell interrupts the discussion and suggests they go down and look. He gets on a helihopper, and Xavier quickly disappears in his scouter. The two other crew members left on the ship say that they just detected an electromagnetic vibration. Farrell notices a bonfire near the town. He is ready to report it when his helihopper suddenly jerks, a flare of electric discharge blinds him, and Farrell loses consciousness. He wakes up in an infirmary. A doctor speaks in unintelligible words and gestures to Farrell to follow him. While walking through the corridors of the ancient ship, he notices Xavier’s scouter, and later the Marco Four. Shocked, Farrell rapidly plunges inside the spaceship, and it darts up when suddenly Stryker appears from the sleeping cubicle and orders him to fly back. Gibson explains that Farrell piloted his helihopper into power lines and crashed. The Alphardians tried to communicate with the crew using an electromagnetic wave language and never attacked them. The Bees made the ancestors of these people believe that they were the descendants of an Earth expedition that perished a thousand years ago. The Alphardians don’t even know the Hymenops. Apparently, the Bees wanted to monitor the human species in a natural habitat. But they never understood human logic and after all, left all their colonies.

What is the role of Farrell in the story CONTROL GROUP and how does his character develop? [SEP] <s> The cool green disk of AlphardSix on the screen wasinfinitely welcome after the ariddesolation and stinking swamplandsof the inner planets, anairy jewel of a world that mighthave been designed specificallyfor the hard-earned month ofrest ahead. Navigator Farrell,youngest and certainly most impulsiveof the three-man TerranReclamations crew, would haveset the Marco Four down atonce but for the greater cautionof Stryker, nominally captain ofthe group, and of Gibson, engineer,and linguist. Xavier, theship's little mechanical, had—aswas usual and proper—no voicein the matter. Reconnaissance spiral first,Arthur, Stryker said firmly. Hechuckled at Farrell's instantscowl, his little eyes twinklingand his naked paunch quakingover the belt of his shipboardshorts. Chapter One, SubsectionFive, Paragraph Twenty-seven: No planetfall on an unreclaimedworld shall be deemedsafe without proper— Farrell, as Stryker had expected,interrupted with characteristicimpatience. Do you sleep with that damned ReclamationsHandbook, Lee? Alphard Sixisn't an unreclaimed world—itwas never colonized before theHymenop invasion back in 3025,so why should it be inhabitednow? Gibson, who for four hourshad not looked up from his interminablechess game withXavier, paused with a beleagueredknight in one blunt brownhand. No point in taking chances,Gibson said in his neutral baritone.He shrugged thick bareshoulders, his humorless black-browedface unmoved, whenFarrell included him in hisscowl. We're two hundred twenty-sixlight-years from Sol, atthe old limits of Terran expansion,and there's no knowingwhat we may turn up here. Alphard'swas one of the first systemsthe Bees took over. It musthave been one of the last to beabandoned when they pulled backto 70 Ophiuchi. And I think you live for theday, Farrell said acidly, whenwe'll stumble across a functioningdome of live, buzzing Hymenops.Damn it, Gib, the Beespulled out a hundred years ago,before you and I were born—neitherof us ever saw a Hymenop,and never will! But I saw them, Strykersaid. I fought them for the betterpart of the century they werehere, and I learned there's nopredicting nor understandingthem. We never knew why theycame nor why they gave up andleft. How can we know whetherthey'd leave a rear-guard orbooby trap here? He put a paternal hand onFarrell's shoulder, understandingthe younger man's eagernessand knowing that their close-knitteam would have been themore poorly balanced without it. Gib's right, he said. Henearly added as usual . We're onrest leave at the moment, yes,but our mission is still to findTerran colonies enslaved andabandoned by the Bees, not torisk our necks and a valuableReorientations ship by landingblind on an unobserved planet.We're too close already. Cut inyour shields and find a reconnaissancespiral, will you? Grumbling, Farrell punchedcoordinates on the Ringwaveboard that lifted the Marco Four out of her descent and restoredthe bluish enveloping haze ofher repellors. Stryker's caution was justifiedon the instant. The speedingstreamlined shape that had flashedup unobserved from belowswerved sharply and exploded ina cataclysmic blaze of atomicfire that rocked the ship wildlyand flung the three men to thefloor in a jangling roar ofalarms. So the Handbook tacticiansknew what they were about,Stryker said minutes later. Deliberatelyhe adopted the smugtone best calculated to sting Farrellout of his first self-reproach,and grinned when the navigatorbristled defensively. Some oftheir enjoinders seem a littlestuffy and obvious at times, butthey're eminently sensible. When Farrell refused to bebaited Stryker turned to Gibson,who was busily assessing thedamage done to the ship's morefragile equipment, and to Xavier,who searched the planet'ssurface with the ship's magnoscanner.The Marco Four , Ringwavegenerators humming gently,hung at the moment justinside the orbit of Alphard Six'ssingle dun-colored moon. Gibson put down a test meterwith an air of finality. Nothing damaged but theZero Interval Transfer computer.I can realign that in a coupleof hours, but it'll have to bedone before we hit Transferagain. Stryker looked dubious.What if the issue is forced beforethe ZIT unit is repaired?Suppose they come up after us? I doubt that they can. Anyinstallation crudely enoughequipped to trust in guided missilesis hardly likely to have developedefficient space craft. Stryker was not reassured. That torpedo of theirs wasdeadly enough, he said. Andits nature reflects the nature ofthe people who made it. Any racevicious enough to use atomiccharges is too dangerous totrifle with. Worry made comicalcreases in his fat, good-humoredface. We'll have to findout who they are and whythey're here, you know. They can't be Hymenops,Gibson said promptly. First,because the Bees pinned theirfaith on Ringwave energy fields,as we did, rather than on missiles.Second, because there's nodome on Six. There were three emptydomes on Five, which is a desertplanet, Farrell pointed out.Why didn't they settle Six? It'sa more habitable world. Gibson shrugged. I know theBees always erected domes onevery planet they colonized, Arthur,but precedent is a fallibletool. And it's even more firmlyestablished that there's no possibilityof our rationalizing themotivations of a culture as alienas the Hymenops'—we've beenover that argument a hundredtimes on other reclaimedworlds. But this was never an unreclaimedworld, Farrell saidwith the faint malice of one toorecently caught in the wrong.Alphard Six was surveyed andseeded with Terran bacteriaaround the year 3000, but theBees invaded before we couldcolonize. And that means we'llhave to rule out any resurgentcolonial group down there, becauseSix never had a colony inthe beginning. The Bees have been gone forover a hundred years, Strykersaid. Colonists might have migratedfrom another Terran-occupiedplanet. Gibson disagreed. We've touched at every inhabitedworld in this sector, Lee,and not one surviving colony hasdeveloped space travel on itsown. The Hymenops had a hundredyears to condition their humanslaves to ignorance ofeverything beyond their immediateenvironment—the motivesbehind that conditioning usuallyescape us, but that's beside thepoint—and they did a thoroughjob of it. The colonists have hadno more than a century of freedomsince the Bees pulled out,and four generations simplyisn't enough time for any subjugatedculture to climb fromslavery to interstellar flight. Stryker made a padding turnabout the control room, tuggingunhappily at the scanty fringeof hair the years had left him. If they're neither Hymenopsnor resurgent colonists, he said,then there's only one choice remaining—they'realiens from asystem we haven't reached yet,beyond the old sphere of Terranexploration. We always assumedthat we'd find other races outhere someday, and that they'dbe as different from us in formand motivation as the Hymenops.Why not now? Gibson said seriously, Notprobable, Lee. The same objectionthat rules out the Bees appliesto any trans-Alphardianculture—they'd have to be beyondthe atomic fission stage,else they'd never have attemptedinterstellar flight. The Ringwavewith its Zero Interval Transferprinciple and instantaneous communicationsapplications is theonly answer to long-range travel,and if they'd had that theywouldn't have bothered withatomics. Stryker turned on him almostangrily. If they're not Hymenopsor humans or aliens, thenwhat in God's name are they? Aye, there's the rub, Farrellsaid, quoting a passagewhose aptness had somehow seenit through a dozen reorganizationsof insular tongue and afinal translation to universalTerran. If they're none of thosethree, we've only one conclusionleft. There's no one down thereat all—we're victims of the firstjoint hallucination in psychiatrichistory. Stryker threw up his hands insurrender. We can't identifythem by theorizing, and thatbrings us down to the businessof first-hand investigation.Who's going to bell the cat thistime? I'd like to go, Gibson saidat once. The ZIT computer canwait. Stryker vetoed his offer aspromptly. No, the ZIT comesfirst. We may have to run for it,and we can't set up a Transferjump without the computer. It'sgot to be me or Arthur. Farrell felt the familiar chillof uneasiness that inevitablypreceded this moment of decision.He was not lacking in courage,else the circumstances underwhich he had worked for thepast ten years—the sometimesperilous, sometimes downrightcharnel conditions left by thefleeing Hymenop conquerors—wouldhave broken him longago. But that same hard experiencehad honed rather thanblunted the edge of his imagination,and the prospect of a close-quartersstalking of an unknownand patently hostile force wasanything but attractive. You two did the field workon the last location, he said.It's high time I took my turn—andGod knows I'd go mad ifI had to stay inship and listento Lee memorizing his Handbooksubsections or to Gib practicingdead languages with Xavier. Stryker laughed for the firsttime since the explosion thathad so nearly wrecked the MarcoFour . Good enough. Though itwouldn't be more diverting tolisten for hours to you improvisingenharmonic variations onthe Lament for Old Terra withyour accordion. Gibson, characteristically, hada refinement to offer. They'll be alerted down therefor a reconnaissance sally, hesaid. Why not let Xavier takethe scouter down for overt diversion,and drop Arthur off inthe helihopper for a low-levelcheck? Stryker looked at Farrell. Allright, Arthur? Good enough, Farrell said.And to Xavier, who had notmoved from his post at the magnoscanner:How does it look,Xav? Have you pinned downtheir base yet? The mechanical answered himin a voice as smooth and clear—andas inflectionless—as a 'cellonote. The planet seems uninhabitedexcept for a large islandsome three hundred miles indiameter. There are twenty-sevensmall agrarian hamlets surroundedby cultivated fields.There is one city of perhaps athousand buildings with a centralsquare. In the square restsa grounded spaceship of approximatelyten times the bulkof the Marco Four . They crowded about the visionscreen, jostling Xavier's jointedgray shape in their interest. Thecentral city lay in minutest detailbefore them, the batteredhulk of the grounded ship glintingrustily in the late afternoonsunlight. Streets radiated awayfrom the square in orderly succession,the whole so clearlydepicted that they could see thethrongs of people surging upand down, tiny foreshortenedfaces turned toward the sky. At least they're human,Farrell said. Relief replaced insome measure his earlier uneasiness.Which means that they'reTerran, and can be dealt withaccording to Reclamations routine.Is that hulk spaceworthy,Xav? Xavier's mellow drone assumedthe convention vibrato thatindicated stark puzzlement. Itsbreached hull makes the ship incapableof flight. Apparently itis used only to supply power tothe outlying hamlets. The mechanical put a flexiblegray finger upon an indicatorgraph derived from a compositesection of detector meters. Thepower transmitted seems to begross electric current conveyedby metallic cables. It is generatedthrough a crudely governedprocess of continuous atomicfission. Farrell, himself appalled bythe information, still found himselfable to chuckle at Stryker'sbellow of consternation. Continuous fission? GoodGod, only madmen would deliberatelyrun a risk like that! Farrell prodded him withcheerful malice. Why say mad men ? Maybe they're humanoidaliens who thrive on hard radiationand look on the danger ofbeing blown to hell in the middleof the night as a satisfactoryrisk. They're not alien, Gibsonsaid positively. Their architectureis Terran, and so is theirship. The ship is incrediblyprimitive, though; those batteriesof tubes at either end— Are thrust reaction jets,Stryker finished in an awedvoice. Primitive isn't the word,Gib—the thing is prehistoric!Rocket propulsion hasn't beenused in spacecraft since—howlong, Xav? Xavier supplied the informationwith mechanical infallibility.Since the year 2100 whenthe Ringwave propulsion-communicationprinciple was discovered.That principle has servedmen since. Farrell stared in blank disbeliefat the anomalous craft onthe screen. Primitive, as Strykerhad said, was not the wordfor it: clumsily ovoid, studdedwith torpedo domes and turretsand bristling at either end withpropulsion tubes, it lay at thecenter of its square like a rustedrelic of a past largely destroyedand all but forgotten. What amagnificent disregard its buildersmust have had, he thought,for their lives and the geneticpurity of their posterity! Thesullen atomic fires banked inthat oxidizing hulk— Stryker said plaintively, Ifyou're right, Gib, then we'remore in the dark than ever. Howcould a Terran-built ship elevenhundred years old get here ? Gibson, absorbed in his chess-player'scontemplation of alternatives,seemed hardly to hearhim. Logic or not-logic, Gibsonsaid. If it's a Terran artifact,we can discover the reason forits presence. If not— Any problem posed by onegroup of human beings , Strykerquoted his Handbook, can beresolved by any other group, regardlessof ideology or conditioning,because the basicperceptive abilities of both mustbe the same through identicalheredity . If it's an imitation, and thisis another Hymenop experimentin condition ecology, then we'restumped to begin with, Gibsonfinished. Because we're notequipped to evaluate the psychologyof alien motivation. We'vegot to determine first which caseapplies here. He waited for Farrell's expectedirony, and when thenavigator forestalled him by remaininggrimly quiet, continued. The obvious premise is thata Terran ship must have beenbuilt by Terrans. Question: Wasit flown here, or built here? It couldn't have been builthere, Stryker said. AlphardSix was surveyed just before theBees took over in 3025, and therewas nothing of the sort herethen. It couldn't have been builtduring the two and a quartercenturies since; it's obviouslymuch older than that. It wasflown here. We progress, Farrell saiddryly. Now if you'll tell us how ,we're ready to move. I think the ship was built onTerra during the Twenty-secondCentury, Gibson said calmly.The atomic wars during thatperiod destroyed practically allhistorical records along with thetechnology of the time, but I'veread well-authenticated reportsof atomic-driven ships leavingTerra before then for the nearerstars. The human race climbedout of its pit again during theTwenty-third Century and developedthe technology that gaveus the Ringwave. Certainly noatomic-powered ships were builtafter the wars—our records arecomplete from that time. Farrell shook his head at theinference. I've read any numberof fanciful romances on thetheme, Gib, but it won't standup in practice. No shipboard societycould last through a thousand-yearspace voyage. It's aphysical and psychological impossibility.There's got to besome other explanation. Gibson shrugged. We canonly eliminate the least likelyalternatives and accept the simplestone remaining. Then we can eliminate thisone now, Farrell said flatly. Itentails a thousand-year voyage,which is an impossibility for anygross reaction drive; the applicationof suspended animationor longevity or a successive-generationprogram, and a finalpenetration of Hymenop-occupiedspace to set up a colony underthe very antennae of theBees. Longevity wasn't developeduntil around the year 3000—Leehere was one of the first toprofit by it, if you remember—andsuspended animation is stillto come. So there's one theoryyou can forget. Arthur's right, Stryker saidreluctantly. An atomic-poweredship couldn't have made such atrip, Gib. And such a lineal-descendantproject couldn't havelasted through forty generations,speculative fiction to thecontrary—the later generationswould have been too far removedin ideology and intent fromtheir ancestors. They'd haveadapted to shipboard life as thenorm. They'd have atrophiedphysically, perhaps even havemutated— And they'd never havefought past the Bees during theHymenop invasion and occupation,Farrell finished triumphantly.The Bees had betterdetection equipment than wehad. They'd have picked thisship up long before it reachedAlphard Six. But the ship wasn't here in3000, Gibson said, and it isnow. Therefore it must have arrivedat some time during thetwo hundred years of Hymenopoccupation and evacuation. Farrell, tangled in contradictions,swore bitterly. Butwhy should the Bees let themthrough? The three domes onFive are over two hundred yearsold, which means that the Beeswere here before the ship came.Why didn't they blast it or enslaveits crew? We haven't touched on all thepossibilities, Gibson remindedhim. We haven't even establishedyet that these people werenever under Hymenop control.Precedent won't hold always, andthere's no predicting nor evaluatingthe motives of an alienrace. We never understood theHymenops because there's nocommon ground of logic betweenus. Why try to interpret theirintentions now? Farrell threw up his hands indisgust. Next you'll say this isan ancient Terran expeditionthat actually succeeded! There'sonly one way to answer thequestions we've raised, andthat's to go down and see forourselves. Ready, Xav? But uncertainty nagged uneasilyat him when Farrell foundhimself alone in the helihopperwith the forest flowing beneathlike a leafy river and Xavier'sscouter disappearing bulletlikeinto the dusk ahead. We never found a colony soadvanced, Farrell thought. Supposethis is a Hymenop experimentthat really paid off? TheBees did some weird and wonderfulthings with humanguinea pigs—what if they'vecreated the ultimate booby traphere, and primed it with conditionedmyrmidons in our ownform? Suppose, he thought—and deridedhimself for thinking it—oneof those suicidal old interstellarventures did succeed? Xavier's voice, a mellowdrone from the helihopper'sRingwave-powered visicom, cutsharply into his musing. Theship has discovered the scouterand is training an electronicbeam upon it. My instrumentsrecord an electromagnetic vibrationpattern of low power butrapidly varying frequency. Theoperation seems pointless. Stryker's voice followed, querulouswith worry: I'd betterpull Xav back. It may be somethinglethal. Don't, Gibson's baritone advised.Surprisingly, there wasexcitement in the engineer'svoice. I think they're trying tocommunicate with us. Farrell was on the point ofdemanding acidly to know howone went about communicatingby means of a fluctuating electricfield when the unexpectedcessation of forest diverted hisattention. The helihopper scuddedover a cultivated areaof considerable extent, fieldsstretching below in a vague randomcheckerboard of lighter anddarker earth, an undefined clusterof buildings at their center.There was a central bonfire thatburned like a wild red eyeagainst the lower gloom, and inits plunging ruddy glow he madeout an urgent scurrying of shadowyfigures. I'm passing over a hamlet,Farrell reported. The one nearestthe city, I think. There'ssomething odd going ondown— Catastrophe struck so suddenlythat he was caught completelyunprepared. The helihopper'sflimsy carriage bucked andcrumpled. There was a blindingflare of electric discharge, apungent stink of ozone and astunning shock that flung himheadlong into darkness. He awoke slowly with a brutalheadache and a conviction ofnightmare heightened by theoutlandish tone of his surroundings.He lay on a narrow bed ina whitely antiseptic infirmary,an oblong metal cell clutteredwith a grimly utilitarian arrayof tables and lockers and chests.The lighting was harsh andoverbright and the air hungthick with pungent unfamiliarchemical odors. From somewhere,far off yet at the sametime as near as the bulkheadabove him, came the unceasingdrone of machinery. Farrell sat up, groaning,when full consciousness made hisposition clear. He had been shotdown by God knew what sort ofdevastating unorthodox weaponand was a prisoner in thegrounded ship. At his rising, a white-smockedfat man with anachronistic spectaclesand close-cropped grayhair came into the room, movingwith the professional assuranceof a medic. The man stoppedshort at Farrell's stare andspoke; his words were utterlyunintelligible, but his gesturewas unmistakable. Farrell followed him dumblyout of the infirmary and downa bare corridor whose metalfloor rang coldly underfoot. Anopen port near the corridor's endrelieved the blankness of walland let in a flood of reddish Alphardiansunlight; Farrell slowedto look out, wondering howlong he had lain unconscious,and felt panic knife at himwhen he saw Xavier's scouter lying,port open and undefended,on the square outside. The mechanical had been aseasily taken as himself, then.Stryker and Gibson, for all theirprofessional caution, would fareno better—they could not haveoverlooked the capture of Farrelland Xavier, and when theytried as a matter of course torescue them the Marco would bestruck down in turn by the sameweapon. The fat medic turned andsaid something urgent in hisunintelligible tongue. Farrell,dazed by the enormity of whathad happened, followed withoutprotest into an intersecting waythat led through a bewilderingsuccession of storage rooms andhydroponics gardens, through asmall gymnasium fitted withphysical training equipment ingraduated sizes and finally intoa soundproofed place that couldhave been nothing but a nursery. The implication behind itspresence stopped Farrell short. A creche , he said, stunned.He had a wild vision of endlessgenerations of children growingup in this dim and stuffy room,to be taught from their firsttoddling steps the functions theymust fulfill before the ventureof which they were a part couldbe consummated. One of those old ventures had succeeded, he thought, and wasawed by the daring of that thousand-yearodyssey. The realizationleft him more alarmed thanbefore—for what technical marvelsmight not an isolated groupof such dogged specialists havedeveloped during a millenniumof application? Such a weapon as had broughtdown the helihopper and scouterwas patently beyond reach of hisown latter-day technology. Perhaps,he thought, its possessionexplained the presence of thesepeople here in the first strongholdof the Hymenops; perhapsthey had even fought and defeatedthe Bees on their own invadedground. He followed his white-smockedguide through a power roomwhere great crude generatorswhirred ponderously, pouringout gross electric current intoarm-thick cables. They werenearing the bow of the shipwhen they passed by anotheropen port and Farrell, glancingout over the lowered rampway,saw that his fears for Strykerand Gibson had been wellgrounded. The Marco Four , ports open,lay grounded outside. Farrell could not have said,later, whether his next movewas planned or reflexive. Thewhole desperate issue seemed tohang suspended for a breathlessmoment upon a hair-fine edge ofdecision, and in that instant hemade his bid. Without pausing in his stridehe sprang out and through theport and down the steep planeof the ramp. The rough stonepavement of the square drummedunderfoot; sore musclestore at him, and weakness waslike a weight about his neck. Heexpected momentarily to beblasted out of existence. He reached the Marco Four with the startled shouts of hisguide ringing unintelligibly inhis ears. The port yawned; heplunged inside and stabbed atcontrols without waiting to seathimself. The ports swung shut.The ship darted up under hismanipulation and arrowed intospace with an acceleration thatsprung his knees and made hisvision swim blackly. He was so weak with strainand with the success of his coupthat he all but fainted whenStryker, his scanty hair tousledand his fat face comical with bewilderment,stumbled out of hissleeping cubicle and bellowed athim. What the hell are you doing,Arthur? Take us down! Farrell gaped at him, speechless. Stryker lumbered past himand took the controls, spiralingthe Marco Four down. Menswarmed outside the ports whenthe Reclamations craft settledgently to the square again. Gibsonand Xavier reached the shipfirst; Gibson came inside quickly,leaving the mechanical outsidemaking patient explanationsto an excited group of Alphardians. Gibson put a reassuring handon Farrell's arm. It's all right,Arthur. There's no trouble. Farrell said dumbly, I don'tunderstand. They didn't shootyou and Xav down too? It was Gibson's turn to stare. No one shot you down! Thesepeople are primitive enough touse metallic power lines tocarry electricity to their hamlets,an anachronism you forgotlast night. You piloted the helihopperinto one of those lines,and the crash put you out forthe rest of the night and mostof today. These Alphardians arefriendly, so desperately happy tobe found again that it's reallypathetic. Friendly? That torpedo— It wasn't a torpedo at all,Stryker put in. Understandingof the error under which Farrellhad labored erased hisearlier irritation, and he chuckledcommiseratingly. They hadone small boat left for emergencymissions, and sent it up tocontact us in the fear that wemight overlook their settlementand move on. The boat wasatomic powered, and our shieldscreens set off its engines. Farrell dropped into a chair atthe chart table, limp with reaction.He was suddenly exhausted,and his head ached dully. We cracked the communicationsproblem early last night,Gibson said. These people usean ancient system of electromagneticwave propagation calledfrequency modulation, and onceLee and I rigged up a suitabletransceiver the rest was simple.Both Xav and I recognized theold language; the natives reportedyour accident, and we camedown at once. They really came from Terra?They lived through a thousandyears of flight? The ship left Terra forSirius in 2171, Gibson said.But not with these peopleaboard, or their ancestors. Thatexpedition perished after lessthan a light-year when itshydroponics system failed. TheHymenops found the ship derelictwhen they invaded us, andbrought it to Alphard Six inwhat was probably their first experimentwith human subjects.The ship's log shows clearlywhat happened to the originalcomplement. The rest is deduciblefrom the situation here. Farrell put his hands to histemples and groaned. The crashmust have scrambled my wits.Gib, where did they come from? From one of the first peripheralcolonies conquered by theBees, Gibson said patiently.The Hymenops were long-rangeplanners, remember, and mastersof hypnotic conditioning. Theystocked the ship with a captivecrew of Terrans conditioned tobelieve themselves descendantsof the original crew, andgrounded it here in disabledcondition. They left for AlphardFive then, to watch developments. Succeeding generations ofcolonists grew up accepting thefact that their ship had missedSirius and made planetfall here—theystill don't know wherethey really are—by luck. Theynever knew about the Hymenops,and they've struggled alongwith an inadequate technology inthe hope that a later expeditionwould find them. They found thetruth hard to take, but they'reeager to enjoy the fruits of Terranassimilation. Stryker, grinning, broughtFarrell a frosted drink that tinkledinvitingly. An unusuallyfortunate ending to a Hymenopexperiment, he said. Thesepeople progressed normally becausethey've been let alone. Reorientingthem will be a simplematter; they'll be properly spoiledcolonists within another generation. Farrell sipped his drink appreciatively. But I don't see why the Beesshould go to such trouble to deceivethese people. Why did theysit back and let them grow asthey pleased, Gib? It doesn'tmake sense! But it does, for once, Gibsonsaid. The Bees set up thiscolony as a control unit to studythe species they were invading,and they had to give theirspecimens a normal—if obsolete—backgroundin order to determinetheir capabilities. The factthat their experiment didn't tellthem what they wanted to knowmay have had a direct bearingon their decision to pull out. Farrell shook his head. It'sa reverse application, isn't it ofthe old saw about Terrans beingincapable of understanding analien culture? Of course, said Gibson, surprised.It's obvious enough,surely—hard as they tried, theBees never understood useither. THE END Transcriber's Note: This etext was produced from Amazing Science Fiction Stories January1960. Extensive research did not uncover any evidence that the U.S.copyright on this publication was renewed. Minor spelling andtypographical errors have been corrected without note.<doc-sep> AIDE MEMOIRE BY KEITH LAUMER The Fustians looked like turtles—but they could move fast when they chose! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Across the table from Retief, Ambassador Magnan rustled a stiff sheetof parchment and looked grave. This aide memoire, he said, was just handed to me by the CulturalAttache. It's the third on the subject this week. It refers to thematter of sponsorship of Youth groups— Some youths, Retief said. Average age, seventy-five. The Fustians are a long-lived people, Magnan snapped. These mattersare relative. At seventy-five, a male Fustian is at a trying age— That's right. He'll try anything—in the hope it will maim somebody. Precisely the problem, Magnan said. But the Youth Movement isthe important news in today's political situation here on Fust. Andsponsorship of Youth groups is a shrewd stroke on the part of theTerrestrial Embassy. At my suggestion, well nigh every member of themission has leaped at the opportunity to score a few p—that is, cementrelations with this emergent power group—the leaders of the future.You, Retief, as Councillor, are the outstanding exception. I'm not convinced these hoodlums need my help in organizing theirrumbles, Retief said. Now, if you have a proposal for a pest controlgroup— To the Fustians this is no jesting matter, Magnan cut in. Thisgroup— he glanced at the paper—known as the Sexual, Cultural, andAthletic Recreational Society, or SCARS for short, has been awaitingsponsorship for a matter of weeks now. Meaning they want someone to buy them a clubhouse, uniforms, equipmentand anything else they need to complete their sexual, cultural andathletic development, Retief said. If we don't act promptly, Magnan said, the Groaci Embassy may wellanticipate us. They're very active here. That's an idea, said Retief. Let 'em. After awhile they'll go brokeinstead of us. Nonsense. The group requires a sponsor. I can't actually order you tostep forward. However.... Magnan let the sentence hang in the air.Retief raised one eyebrow. For a minute there, he said, I thought you were going to make apositive statement. <doc-sep>Most of the cousins gasped as the truth began to percolate through. I knew from the very beginning, Conrad finished, that I didn'thave to do anything at all. I just had to wait and you would destroyyourselves. I don't understand, Bartholomew protested, searching the faces of thecousins closest to him. What does he mean, we have never existed?We're here, aren't we? What— Shut up! Raymond snapped. He turned on Martin. You don't seemsurprised. The old man grinned. I'm not. I figured it all out years ago. At first, he had wondered what he should do. Would it be better tothrow them into a futile panic by telling them or to do nothing? Hehad decided on the latter; that was the role they had assigned him—towatch and wait and keep out of things—and that was the role he wouldplay. You knew all the time and you didn't tell us! Raymond spluttered.After we'd been so good to you, making a gentleman out of you insteadof a criminal.... That's right, he snarled, a criminal! An alcoholic,a thief, a derelict! How do you like that? Sounds like a rich, full life, Martin said wistfully. What an exciting existence they must have done him out of! But then, hecouldn't help thinking, he—he and Conrad together, of course—had donethem out of any kind of existence. It wasn't his responsibility,though; he had done nothing but let matters take whatever course wasdestined for them. If only he could be sure that it was the bettercourse, perhaps he wouldn't feel that nagging sense of guilt insidehim. Strange—where, in his hermetic life, could he possibly havedeveloped such a queer thing as a conscience? Then we've wasted all this time, Ninian sobbed, all this energy, allthis money, for nothing! But you were nothing to begin with, Martin told them. And then,after a pause, he added, I only wish I could be sure there had beensome purpose to this. He didn't know whether it was approaching death that dimmed his sight,or whether the frightened crowd that pressed around him was growingshadowy. I wish I could feel that some good had been done in letting you bewiped out of existence, he went on voicing his thoughts. But I knowthat the same thing that happened to your worlds and my world willhappen all over again. To other people, in other times, but again. It'sbound to happen. There isn't any hope for humanity. One man couldn't really change the course of human history, he toldhimself. Two men, that was—one real, one a shadow. Conrad came close to the old man's bed. He was almost transparent. No, he said, there is hope. They didn't know the time transmitterworks two ways. I used it for going into the past only once—just thisonce. But I've gone into the future with it many times. And— hepressed Martin's hand—believe me, what I did—what we did, you andI—serves a purpose. It will change things for the better. Everythingis going to be all right. <doc-sep></s> [SEP] What is the role of Farrell in the story CONTROL GROUP and how does his character develop?

Arthur Farrell is the ship’s navigator, the youngest and most impulsive member of the crew. He tries to convince captain Stryker to land on Alphard Six, claiming that it cannot be inhabited. Stryker doesn’t agree and orders Farrell to find a reconnaissance spiral. After the torpedo explodes near the ship, they all discuss who the attackers could be. Farrell points out that there was no sign of life on Alphard Six around the year 3000, so the inhabitants appeared after this. Farrell agrees to be sent to the planet’s surface and explore. They continue talking and soon see an ancient ship in the center of the planet’s town. Farrell is quick to state that it couldn’t have come from Earth because it would've taken hundreds of years to travel here, and the ship’s ancient technology is not effective enough for such a voyage. Irritated, he interrupts the discussion and suggests he and Xavier go down and see who the inhabitants are. Farrell flies in a helihopper and notices a bonfire near the town. He starts reporting when the helihopper’s carriage crumples, an electric discharge blinds Farrell, and he momentarily loses consciousness. Later, he wakes up with a brutal headache in an infirmary inside the ancient ship. A medic with anachronistic spectacles and gray hair uses unintelligible words and gestures to Farrell to follow him. They pass several open ports, and he sees Xavier’s scouter and later the Marco Four. Shocked, he runs to the spaceship and takes off, when unexpectedly Stryker appears near him, ordering him to take the ship down. Soon Gibson explains that Farrell piloted into metallic power lines, and the crash put him out for almost a day. These Alphardians are incredibly friendly. The object the crew considered a torpedo was actually an emergency boat the inhabitants sent to the spaceship to make sure the people on board noticed their colony. Their spaceship’s technology set off the atomic engines of the boat, making it explode. Gibson and Xavier recognized an old language of frequency modulation the night before, heard about Farrell’s crash, and landed the ship to help. It turns out that the expedition that left Terra for Sirius in 2171 perished soon, and the Bees brought the spacecraft here. They also brought some people from their peripheral colonies conditioned to believe themselves descendants of the expedition. They have been let alone. Farrell understands that the Bees were trying to monitor this group and understand humans’ logic, but they never did.

What are the defining traits of Stryker in CONTROL GROUP? [SEP] <s> The cool green disk of AlphardSix on the screen wasinfinitely welcome after the ariddesolation and stinking swamplandsof the inner planets, anairy jewel of a world that mighthave been designed specificallyfor the hard-earned month ofrest ahead. Navigator Farrell,youngest and certainly most impulsiveof the three-man TerranReclamations crew, would haveset the Marco Four down atonce but for the greater cautionof Stryker, nominally captain ofthe group, and of Gibson, engineer,and linguist. Xavier, theship's little mechanical, had—aswas usual and proper—no voicein the matter. Reconnaissance spiral first,Arthur, Stryker said firmly. Hechuckled at Farrell's instantscowl, his little eyes twinklingand his naked paunch quakingover the belt of his shipboardshorts. Chapter One, SubsectionFive, Paragraph Twenty-seven: No planetfall on an unreclaimedworld shall be deemedsafe without proper— Farrell, as Stryker had expected,interrupted with characteristicimpatience. Do you sleep with that damned ReclamationsHandbook, Lee? Alphard Sixisn't an unreclaimed world—itwas never colonized before theHymenop invasion back in 3025,so why should it be inhabitednow? Gibson, who for four hourshad not looked up from his interminablechess game withXavier, paused with a beleagueredknight in one blunt brownhand. No point in taking chances,Gibson said in his neutral baritone.He shrugged thick bareshoulders, his humorless black-browedface unmoved, whenFarrell included him in hisscowl. We're two hundred twenty-sixlight-years from Sol, atthe old limits of Terran expansion,and there's no knowingwhat we may turn up here. Alphard'swas one of the first systemsthe Bees took over. It musthave been one of the last to beabandoned when they pulled backto 70 Ophiuchi. And I think you live for theday, Farrell said acidly, whenwe'll stumble across a functioningdome of live, buzzing Hymenops.Damn it, Gib, the Beespulled out a hundred years ago,before you and I were born—neitherof us ever saw a Hymenop,and never will! But I saw them, Strykersaid. I fought them for the betterpart of the century they werehere, and I learned there's nopredicting nor understandingthem. We never knew why theycame nor why they gave up andleft. How can we know whetherthey'd leave a rear-guard orbooby trap here? He put a paternal hand onFarrell's shoulder, understandingthe younger man's eagernessand knowing that their close-knitteam would have been themore poorly balanced without it. Gib's right, he said. Henearly added as usual . We're onrest leave at the moment, yes,but our mission is still to findTerran colonies enslaved andabandoned by the Bees, not torisk our necks and a valuableReorientations ship by landingblind on an unobserved planet.We're too close already. Cut inyour shields and find a reconnaissancespiral, will you? Grumbling, Farrell punchedcoordinates on the Ringwaveboard that lifted the Marco Four out of her descent and restoredthe bluish enveloping haze ofher repellors. Stryker's caution was justifiedon the instant. The speedingstreamlined shape that had flashedup unobserved from belowswerved sharply and exploded ina cataclysmic blaze of atomicfire that rocked the ship wildlyand flung the three men to thefloor in a jangling roar ofalarms. So the Handbook tacticiansknew what they were about,Stryker said minutes later. Deliberatelyhe adopted the smugtone best calculated to sting Farrellout of his first self-reproach,and grinned when the navigatorbristled defensively. Some oftheir enjoinders seem a littlestuffy and obvious at times, butthey're eminently sensible. When Farrell refused to bebaited Stryker turned to Gibson,who was busily assessing thedamage done to the ship's morefragile equipment, and to Xavier,who searched the planet'ssurface with the ship's magnoscanner.The Marco Four , Ringwavegenerators humming gently,hung at the moment justinside the orbit of Alphard Six'ssingle dun-colored moon. Gibson put down a test meterwith an air of finality. Nothing damaged but theZero Interval Transfer computer.I can realign that in a coupleof hours, but it'll have to bedone before we hit Transferagain. Stryker looked dubious.What if the issue is forced beforethe ZIT unit is repaired?Suppose they come up after us? I doubt that they can. Anyinstallation crudely enoughequipped to trust in guided missilesis hardly likely to have developedefficient space craft. Stryker was not reassured. That torpedo of theirs wasdeadly enough, he said. Andits nature reflects the nature ofthe people who made it. Any racevicious enough to use atomiccharges is too dangerous totrifle with. Worry made comicalcreases in his fat, good-humoredface. We'll have to findout who they are and whythey're here, you know. They can't be Hymenops,Gibson said promptly. First,because the Bees pinned theirfaith on Ringwave energy fields,as we did, rather than on missiles.Second, because there's nodome on Six. There were three emptydomes on Five, which is a desertplanet, Farrell pointed out.Why didn't they settle Six? It'sa more habitable world. Gibson shrugged. I know theBees always erected domes onevery planet they colonized, Arthur,but precedent is a fallibletool. And it's even more firmlyestablished that there's no possibilityof our rationalizing themotivations of a culture as alienas the Hymenops'—we've beenover that argument a hundredtimes on other reclaimedworlds. But this was never an unreclaimedworld, Farrell saidwith the faint malice of one toorecently caught in the wrong.Alphard Six was surveyed andseeded with Terran bacteriaaround the year 3000, but theBees invaded before we couldcolonize. And that means we'llhave to rule out any resurgentcolonial group down there, becauseSix never had a colony inthe beginning. The Bees have been gone forover a hundred years, Strykersaid. Colonists might have migratedfrom another Terran-occupiedplanet. Gibson disagreed. We've touched at every inhabitedworld in this sector, Lee,and not one surviving colony hasdeveloped space travel on itsown. The Hymenops had a hundredyears to condition their humanslaves to ignorance ofeverything beyond their immediateenvironment—the motivesbehind that conditioning usuallyescape us, but that's beside thepoint—and they did a thoroughjob of it. The colonists have hadno more than a century of freedomsince the Bees pulled out,and four generations simplyisn't enough time for any subjugatedculture to climb fromslavery to interstellar flight. Stryker made a padding turnabout the control room, tuggingunhappily at the scanty fringeof hair the years had left him. If they're neither Hymenopsnor resurgent colonists, he said,then there's only one choice remaining—they'realiens from asystem we haven't reached yet,beyond the old sphere of Terranexploration. We always assumedthat we'd find other races outhere someday, and that they'dbe as different from us in formand motivation as the Hymenops.Why not now? Gibson said seriously, Notprobable, Lee. The same objectionthat rules out the Bees appliesto any trans-Alphardianculture—they'd have to be beyondthe atomic fission stage,else they'd never have attemptedinterstellar flight. The Ringwavewith its Zero Interval Transferprinciple and instantaneous communicationsapplications is theonly answer to long-range travel,and if they'd had that theywouldn't have bothered withatomics. Stryker turned on him almostangrily. If they're not Hymenopsor humans or aliens, thenwhat in God's name are they? Aye, there's the rub, Farrellsaid, quoting a passagewhose aptness had somehow seenit through a dozen reorganizationsof insular tongue and afinal translation to universalTerran. If they're none of thosethree, we've only one conclusionleft. There's no one down thereat all—we're victims of the firstjoint hallucination in psychiatrichistory. Stryker threw up his hands insurrender. We can't identifythem by theorizing, and thatbrings us down to the businessof first-hand investigation.Who's going to bell the cat thistime? I'd like to go, Gibson saidat once. The ZIT computer canwait. Stryker vetoed his offer aspromptly. No, the ZIT comesfirst. We may have to run for it,and we can't set up a Transferjump without the computer. It'sgot to be me or Arthur. Farrell felt the familiar chillof uneasiness that inevitablypreceded this moment of decision.He was not lacking in courage,else the circumstances underwhich he had worked for thepast ten years—the sometimesperilous, sometimes downrightcharnel conditions left by thefleeing Hymenop conquerors—wouldhave broken him longago. But that same hard experiencehad honed rather thanblunted the edge of his imagination,and the prospect of a close-quartersstalking of an unknownand patently hostile force wasanything but attractive. You two did the field workon the last location, he said.It's high time I took my turn—andGod knows I'd go mad ifI had to stay inship and listento Lee memorizing his Handbooksubsections or to Gib practicingdead languages with Xavier. Stryker laughed for the firsttime since the explosion thathad so nearly wrecked the MarcoFour . Good enough. Though itwouldn't be more diverting tolisten for hours to you improvisingenharmonic variations onthe Lament for Old Terra withyour accordion. Gibson, characteristically, hada refinement to offer. They'll be alerted down therefor a reconnaissance sally, hesaid. Why not let Xavier takethe scouter down for overt diversion,and drop Arthur off inthe helihopper for a low-levelcheck? Stryker looked at Farrell. Allright, Arthur? Good enough, Farrell said.And to Xavier, who had notmoved from his post at the magnoscanner:How does it look,Xav? Have you pinned downtheir base yet? The mechanical answered himin a voice as smooth and clear—andas inflectionless—as a 'cellonote. The planet seems uninhabitedexcept for a large islandsome three hundred miles indiameter. There are twenty-sevensmall agrarian hamlets surroundedby cultivated fields.There is one city of perhaps athousand buildings with a centralsquare. In the square restsa grounded spaceship of approximatelyten times the bulkof the Marco Four . They crowded about the visionscreen, jostling Xavier's jointedgray shape in their interest. Thecentral city lay in minutest detailbefore them, the batteredhulk of the grounded ship glintingrustily in the late afternoonsunlight. Streets radiated awayfrom the square in orderly succession,the whole so clearlydepicted that they could see thethrongs of people surging upand down, tiny foreshortenedfaces turned toward the sky. At least they're human,Farrell said. Relief replaced insome measure his earlier uneasiness.Which means that they'reTerran, and can be dealt withaccording to Reclamations routine.Is that hulk spaceworthy,Xav? Xavier's mellow drone assumedthe convention vibrato thatindicated stark puzzlement. Itsbreached hull makes the ship incapableof flight. Apparently itis used only to supply power tothe outlying hamlets. The mechanical put a flexiblegray finger upon an indicatorgraph derived from a compositesection of detector meters. Thepower transmitted seems to begross electric current conveyedby metallic cables. It is generatedthrough a crudely governedprocess of continuous atomicfission. Farrell, himself appalled bythe information, still found himselfable to chuckle at Stryker'sbellow of consternation. Continuous fission? GoodGod, only madmen would deliberatelyrun a risk like that! Farrell prodded him withcheerful malice. Why say mad men ? Maybe they're humanoidaliens who thrive on hard radiationand look on the danger ofbeing blown to hell in the middleof the night as a satisfactoryrisk. They're not alien, Gibsonsaid positively. Their architectureis Terran, and so is theirship. The ship is incrediblyprimitive, though; those batteriesof tubes at either end— Are thrust reaction jets,Stryker finished in an awedvoice. Primitive isn't the word,Gib—the thing is prehistoric!Rocket propulsion hasn't beenused in spacecraft since—howlong, Xav? Xavier supplied the informationwith mechanical infallibility.Since the year 2100 whenthe Ringwave propulsion-communicationprinciple was discovered.That principle has servedmen since. Farrell stared in blank disbeliefat the anomalous craft onthe screen. Primitive, as Strykerhad said, was not the wordfor it: clumsily ovoid, studdedwith torpedo domes and turretsand bristling at either end withpropulsion tubes, it lay at thecenter of its square like a rustedrelic of a past largely destroyedand all but forgotten. What amagnificent disregard its buildersmust have had, he thought,for their lives and the geneticpurity of their posterity! Thesullen atomic fires banked inthat oxidizing hulk— Stryker said plaintively, Ifyou're right, Gib, then we'remore in the dark than ever. Howcould a Terran-built ship elevenhundred years old get here ? Gibson, absorbed in his chess-player'scontemplation of alternatives,seemed hardly to hearhim. Logic or not-logic, Gibsonsaid. If it's a Terran artifact,we can discover the reason forits presence. If not— Any problem posed by onegroup of human beings , Strykerquoted his Handbook, can beresolved by any other group, regardlessof ideology or conditioning,because the basicperceptive abilities of both mustbe the same through identicalheredity . If it's an imitation, and thisis another Hymenop experimentin condition ecology, then we'restumped to begin with, Gibsonfinished. Because we're notequipped to evaluate the psychologyof alien motivation. We'vegot to determine first which caseapplies here. He waited for Farrell's expectedirony, and when thenavigator forestalled him by remaininggrimly quiet, continued. The obvious premise is thata Terran ship must have beenbuilt by Terrans. Question: Wasit flown here, or built here? It couldn't have been builthere, Stryker said. AlphardSix was surveyed just before theBees took over in 3025, and therewas nothing of the sort herethen. It couldn't have been builtduring the two and a quartercenturies since; it's obviouslymuch older than that. It wasflown here. We progress, Farrell saiddryly. Now if you'll tell us how ,we're ready to move. I think the ship was built onTerra during the Twenty-secondCentury, Gibson said calmly.The atomic wars during thatperiod destroyed practically allhistorical records along with thetechnology of the time, but I'veread well-authenticated reportsof atomic-driven ships leavingTerra before then for the nearerstars. The human race climbedout of its pit again during theTwenty-third Century and developedthe technology that gaveus the Ringwave. Certainly noatomic-powered ships were builtafter the wars—our records arecomplete from that time. Farrell shook his head at theinference. I've read any numberof fanciful romances on thetheme, Gib, but it won't standup in practice. No shipboard societycould last through a thousand-yearspace voyage. It's aphysical and psychological impossibility.There's got to besome other explanation. Gibson shrugged. We canonly eliminate the least likelyalternatives and accept the simplestone remaining. Then we can eliminate thisone now, Farrell said flatly. Itentails a thousand-year voyage,which is an impossibility for anygross reaction drive; the applicationof suspended animationor longevity or a successive-generationprogram, and a finalpenetration of Hymenop-occupiedspace to set up a colony underthe very antennae of theBees. Longevity wasn't developeduntil around the year 3000—Leehere was one of the first toprofit by it, if you remember—andsuspended animation is stillto come. So there's one theoryyou can forget. Arthur's right, Stryker saidreluctantly. An atomic-poweredship couldn't have made such atrip, Gib. And such a lineal-descendantproject couldn't havelasted through forty generations,speculative fiction to thecontrary—the later generationswould have been too far removedin ideology and intent fromtheir ancestors. They'd haveadapted to shipboard life as thenorm. They'd have atrophiedphysically, perhaps even havemutated— And they'd never havefought past the Bees during theHymenop invasion and occupation,Farrell finished triumphantly.The Bees had betterdetection equipment than wehad. They'd have picked thisship up long before it reachedAlphard Six. But the ship wasn't here in3000, Gibson said, and it isnow. Therefore it must have arrivedat some time during thetwo hundred years of Hymenopoccupation and evacuation. Farrell, tangled in contradictions,swore bitterly. Butwhy should the Bees let themthrough? The three domes onFive are over two hundred yearsold, which means that the Beeswere here before the ship came.Why didn't they blast it or enslaveits crew? We haven't touched on all thepossibilities, Gibson remindedhim. We haven't even establishedyet that these people werenever under Hymenop control.Precedent won't hold always, andthere's no predicting nor evaluatingthe motives of an alienrace. We never understood theHymenops because there's nocommon ground of logic betweenus. Why try to interpret theirintentions now? Farrell threw up his hands indisgust. Next you'll say this isan ancient Terran expeditionthat actually succeeded! There'sonly one way to answer thequestions we've raised, andthat's to go down and see forourselves. Ready, Xav? But uncertainty nagged uneasilyat him when Farrell foundhimself alone in the helihopperwith the forest flowing beneathlike a leafy river and Xavier'sscouter disappearing bulletlikeinto the dusk ahead. We never found a colony soadvanced, Farrell thought. Supposethis is a Hymenop experimentthat really paid off? TheBees did some weird and wonderfulthings with humanguinea pigs—what if they'vecreated the ultimate booby traphere, and primed it with conditionedmyrmidons in our ownform? Suppose, he thought—and deridedhimself for thinking it—oneof those suicidal old interstellarventures did succeed? Xavier's voice, a mellowdrone from the helihopper'sRingwave-powered visicom, cutsharply into his musing. Theship has discovered the scouterand is training an electronicbeam upon it. My instrumentsrecord an electromagnetic vibrationpattern of low power butrapidly varying frequency. Theoperation seems pointless. Stryker's voice followed, querulouswith worry: I'd betterpull Xav back. It may be somethinglethal. Don't, Gibson's baritone advised.Surprisingly, there wasexcitement in the engineer'svoice. I think they're trying tocommunicate with us. Farrell was on the point ofdemanding acidly to know howone went about communicatingby means of a fluctuating electricfield when the unexpectedcessation of forest diverted hisattention. The helihopper scuddedover a cultivated areaof considerable extent, fieldsstretching below in a vague randomcheckerboard of lighter anddarker earth, an undefined clusterof buildings at their center.There was a central bonfire thatburned like a wild red eyeagainst the lower gloom, and inits plunging ruddy glow he madeout an urgent scurrying of shadowyfigures. I'm passing over a hamlet,Farrell reported. The one nearestthe city, I think. There'ssomething odd going ondown— Catastrophe struck so suddenlythat he was caught completelyunprepared. The helihopper'sflimsy carriage bucked andcrumpled. There was a blindingflare of electric discharge, apungent stink of ozone and astunning shock that flung himheadlong into darkness. He awoke slowly with a brutalheadache and a conviction ofnightmare heightened by theoutlandish tone of his surroundings.He lay on a narrow bed ina whitely antiseptic infirmary,an oblong metal cell clutteredwith a grimly utilitarian arrayof tables and lockers and chests.The lighting was harsh andoverbright and the air hungthick with pungent unfamiliarchemical odors. From somewhere,far off yet at the sametime as near as the bulkheadabove him, came the unceasingdrone of machinery. Farrell sat up, groaning,when full consciousness made hisposition clear. He had been shotdown by God knew what sort ofdevastating unorthodox weaponand was a prisoner in thegrounded ship. At his rising, a white-smockedfat man with anachronistic spectaclesand close-cropped grayhair came into the room, movingwith the professional assuranceof a medic. The man stoppedshort at Farrell's stare andspoke; his words were utterlyunintelligible, but his gesturewas unmistakable. Farrell followed him dumblyout of the infirmary and downa bare corridor whose metalfloor rang coldly underfoot. Anopen port near the corridor's endrelieved the blankness of walland let in a flood of reddish Alphardiansunlight; Farrell slowedto look out, wondering howlong he had lain unconscious,and felt panic knife at himwhen he saw Xavier's scouter lying,port open and undefended,on the square outside. The mechanical had been aseasily taken as himself, then.Stryker and Gibson, for all theirprofessional caution, would fareno better—they could not haveoverlooked the capture of Farrelland Xavier, and when theytried as a matter of course torescue them the Marco would bestruck down in turn by the sameweapon. The fat medic turned andsaid something urgent in hisunintelligible tongue. Farrell,dazed by the enormity of whathad happened, followed withoutprotest into an intersecting waythat led through a bewilderingsuccession of storage rooms andhydroponics gardens, through asmall gymnasium fitted withphysical training equipment ingraduated sizes and finally intoa soundproofed place that couldhave been nothing but a nursery. The implication behind itspresence stopped Farrell short. A creche , he said, stunned.He had a wild vision of endlessgenerations of children growingup in this dim and stuffy room,to be taught from their firsttoddling steps the functions theymust fulfill before the ventureof which they were a part couldbe consummated. One of those old ventures had succeeded, he thought, and wasawed by the daring of that thousand-yearodyssey. The realizationleft him more alarmed thanbefore—for what technical marvelsmight not an isolated groupof such dogged specialists havedeveloped during a millenniumof application? Such a weapon as had broughtdown the helihopper and scouterwas patently beyond reach of hisown latter-day technology. Perhaps,he thought, its possessionexplained the presence of thesepeople here in the first strongholdof the Hymenops; perhapsthey had even fought and defeatedthe Bees on their own invadedground. He followed his white-smockedguide through a power roomwhere great crude generatorswhirred ponderously, pouringout gross electric current intoarm-thick cables. They werenearing the bow of the shipwhen they passed by anotheropen port and Farrell, glancingout over the lowered rampway,saw that his fears for Strykerand Gibson had been wellgrounded. The Marco Four , ports open,lay grounded outside. Farrell could not have said,later, whether his next movewas planned or reflexive. Thewhole desperate issue seemed tohang suspended for a breathlessmoment upon a hair-fine edge ofdecision, and in that instant hemade his bid. Without pausing in his stridehe sprang out and through theport and down the steep planeof the ramp. The rough stonepavement of the square drummedunderfoot; sore musclestore at him, and weakness waslike a weight about his neck. Heexpected momentarily to beblasted out of existence. He reached the Marco Four with the startled shouts of hisguide ringing unintelligibly inhis ears. The port yawned; heplunged inside and stabbed atcontrols without waiting to seathimself. The ports swung shut.The ship darted up under hismanipulation and arrowed intospace with an acceleration thatsprung his knees and made hisvision swim blackly. He was so weak with strainand with the success of his coupthat he all but fainted whenStryker, his scanty hair tousledand his fat face comical with bewilderment,stumbled out of hissleeping cubicle and bellowed athim. What the hell are you doing,Arthur? Take us down! Farrell gaped at him, speechless. Stryker lumbered past himand took the controls, spiralingthe Marco Four down. Menswarmed outside the ports whenthe Reclamations craft settledgently to the square again. Gibsonand Xavier reached the shipfirst; Gibson came inside quickly,leaving the mechanical outsidemaking patient explanationsto an excited group of Alphardians. Gibson put a reassuring handon Farrell's arm. It's all right,Arthur. There's no trouble. Farrell said dumbly, I don'tunderstand. They didn't shootyou and Xav down too? It was Gibson's turn to stare. No one shot you down! Thesepeople are primitive enough touse metallic power lines tocarry electricity to their hamlets,an anachronism you forgotlast night. You piloted the helihopperinto one of those lines,and the crash put you out forthe rest of the night and mostof today. These Alphardians arefriendly, so desperately happy tobe found again that it's reallypathetic. Friendly? That torpedo— It wasn't a torpedo at all,Stryker put in. Understandingof the error under which Farrellhad labored erased hisearlier irritation, and he chuckledcommiseratingly. They hadone small boat left for emergencymissions, and sent it up tocontact us in the fear that wemight overlook their settlementand move on. The boat wasatomic powered, and our shieldscreens set off its engines. Farrell dropped into a chair atthe chart table, limp with reaction.He was suddenly exhausted,and his head ached dully. We cracked the communicationsproblem early last night,Gibson said. These people usean ancient system of electromagneticwave propagation calledfrequency modulation, and onceLee and I rigged up a suitabletransceiver the rest was simple.Both Xav and I recognized theold language; the natives reportedyour accident, and we camedown at once. They really came from Terra?They lived through a thousandyears of flight? The ship left Terra forSirius in 2171, Gibson said.But not with these peopleaboard, or their ancestors. Thatexpedition perished after lessthan a light-year when itshydroponics system failed. TheHymenops found the ship derelictwhen they invaded us, andbrought it to Alphard Six inwhat was probably their first experimentwith human subjects.The ship's log shows clearlywhat happened to the originalcomplement. The rest is deduciblefrom the situation here. Farrell put his hands to histemples and groaned. The crashmust have scrambled my wits.Gib, where did they come from? From one of the first peripheralcolonies conquered by theBees, Gibson said patiently.The Hymenops were long-rangeplanners, remember, and mastersof hypnotic conditioning. Theystocked the ship with a captivecrew of Terrans conditioned tobelieve themselves descendantsof the original crew, andgrounded it here in disabledcondition. They left for AlphardFive then, to watch developments. Succeeding generations ofcolonists grew up accepting thefact that their ship had missedSirius and made planetfall here—theystill don't know wherethey really are—by luck. Theynever knew about the Hymenops,and they've struggled alongwith an inadequate technology inthe hope that a later expeditionwould find them. They found thetruth hard to take, but they'reeager to enjoy the fruits of Terranassimilation. Stryker, grinning, broughtFarrell a frosted drink that tinkledinvitingly. An unusuallyfortunate ending to a Hymenopexperiment, he said. Thesepeople progressed normally becausethey've been let alone. Reorientingthem will be a simplematter; they'll be properly spoiledcolonists within another generation. Farrell sipped his drink appreciatively. But I don't see why the Beesshould go to such trouble to deceivethese people. Why did theysit back and let them grow asthey pleased, Gib? It doesn'tmake sense! But it does, for once, Gibsonsaid. The Bees set up thiscolony as a control unit to studythe species they were invading,and they had to give theirspecimens a normal—if obsolete—backgroundin order to determinetheir capabilities. The factthat their experiment didn't tellthem what they wanted to knowmay have had a direct bearingon their decision to pull out. Farrell shook his head. It'sa reverse application, isn't it ofthe old saw about Terrans beingincapable of understanding analien culture? Of course, said Gibson, surprised.It's obvious enough,surely—hard as they tried, theBees never understood useither. THE END Transcriber's Note: This etext was produced from Amazing Science Fiction Stories January1960. Extensive research did not uncover any evidence that the U.S.copyright on this publication was renewed. Minor spelling andtypographical errors have been corrected without note.<doc-sep>For more than a century, robotocists have been trying to build Asimov'sfamous Three Laws of Robotics into a robot brain. First Law: A robot shall not, either through action or inaction, allowharm to come to a human being. Second Law: A robot shall obey the orders of a human being, exceptwhen such orders conflict with the First Law . [15] Third Law: A robot shall strive to protect its own existence, exceptwhen this conflicts with the First or Second Law. Nobody has succeeded yet, because nobody has yet succeeded in definingthe term human being in such a way that the logical mind of a robotcan encompass the concept. A traffic robot is useful only because the definition has been rigidlynarrowed down. As far as a traffic robot is concerned, human beingsare the automobiles on its highways. Woe betide any poor sap who tries,illegally, to cross a robot-controlled highway on foot. The robot'sonly concern would be with the safety of the automobiles, and if theonly way to avoid destruction of an automobile were to be by nudgingthe pedestrian aside with a fender, that's what would happen. And, since its orders only come from one place, I suppose that atraffic robot thinks that the guy who uses that typer is an automobile. With the first six models of the McGuire ships, the robotocistsattempted to build in the Three Laws exactly as stated. And the firstsix went insane. If one human being says jump left, and another says jump right,the robot is unable to evaluate which human being has given the morevalid order. Feed enough confusing and conflicting data into a robotbrain, and it can begin behaving in ways that, in a human being, wouldbe called paranoia or schizophrenia or catatonia or what-have-you,depending [16] on the symptoms. And an insane robot is fully as dangerousas an insane human being controlling the same mechanical equipment, ifnot more so. So the seventh model had been modified. The present McGuire's brain wasimpressed with slight modifications of the First and Second Laws. If it is difficult to define a human being, it is much more difficultto define a responsible human being. One, in other words, who canbe relied upon to give wise and proper orders to a robot, who can berelied upon not to drive the robot insane. The robotocists at Viking Spacecraft had decided to take anothertack. Very well, they'd said, if we can't define all the membersof a group, we can certainly define an individual. We'll pick oneresponsible person and build McGuire so that he will take orders onlyfrom that person. As it turned out, I was that person. Just substitute Daniel Oakfor human being in the First and Second Laws, and you'll see howimportant I was to a certain spaceship named McGuire. <doc-sep>III Oh, yes, and Jamieson had a feeble paper on what he calledindividualization in marine worms. Barr, have you ever thought muchabout the larger aspects of the problem of individuality? Jack jumped slightly. He had let his thoughts wander very far. Not especially, sir, he mumbled. The house was still. A few minutes after the professor's arrival,Mrs. Kesserich had gone off with an anxious glance at Jack. He knewwhy and wished he could reassure her that he would not mention theirconversation to the professor. Kesserich had spent perhaps a half hour briefing him on the moreimportant papers delivered at the conferences. Then, almost as ifit were a teacher's trick to show up a pupil's inattention, he hadsuddenly posed this question about individuality. You know what I mean, of course, Kesserich pressed. The factors thatmake you you, and me me. Heredity and environment, Jack parroted like a freshman. Kesserich nodded. Suppose—this is just speculation—that we couldcontrol heredity and environment. Then we could re-create the sameindividual at will. Jack felt a shiver go through him. To get exactly the same pattern ofhereditary traits. That'd be far beyond us. What about identical twins? Kesserich pointed out. And then there'sparthenogenesis to be considered. One might produce a duplicate of themother without the intervention of the male. Although his voice hadgrown more idly speculative, Kesserich seemed to Jack to be smilingsecretly. There are many examples in the lower animal forms, to saynothing of the technique by which Loeb caused a sea urchin to reproducewith no more stimulus than a salt solution. Jack felt the hair rising on his neck. Even then you wouldn't getexactly the same pattern of hereditary traits. Not if the parent were of very pure stock? Not if there were somespecial technique for selecting ova that would reproduce all themother's traits? But environment would change things, Jack objected. The duplicatewould be bound to develop differently. Is environment so important? Newman tells about a pair of identicaltwins separated from birth, unaware of each other's existence. They metby accident when they were twenty-one. Each was a telephone repairman.Each had a wife the same age. Each had a baby son. And each had a foxterrier called 'Trixie.' That's without trying to make environmentssimilar. But suppose you did try. Suppose you saw to it that each ofthem had exactly the same experiences at the same times.... For a moment it seemed to Jack that the room was dimming and wavering,becoming a dark pool in which the only motionless thing was Kesserich'ssphinx-like face. Well, we've escaped quite far enough from Jamieson's marine worms,the biologist said, all brisk again. He said it as if Jack were theone who had led the conversation down wild and unprofitable channels.Let's get on to your project. I want to talk it over now, because Iwon't have any time for it tomorrow. Jack looked at him blankly. Tomorrow I must attend to a very important matter, the biologistexplained. <doc-sep></s> [SEP] What are the defining traits of Stryker in CONTROL GROUP?

Stryker is a crew member of the Marco Four, nominally captain of the group sent on a mission to locate the Terran slaves that were abandoned by the Bees. He seems experienced, calm, and disciplined, always following the Reclamation Handbook. Stryker has fought the Hymenops and spent a lot of time trying to understand their behavior. He values his team and doesn’t want to risk them or their ship in the search for the unknown and, for example, was ready to pull Xavier back when they just detected the waves, fearing it could be something lethal. He appreciates Farrell’s eagerness to find the new and enjoys bantering with him; he also respects other crew members, like Gibson and Xavier, and attentively listens to them when they discuss the origin of the atomic-powered ship. Stryker is intelligent enough to determine that this ancient ship couldn’t have been constructed on this planet - it was brought from somewhere else.

What is the backdrop of the story CONTROL GROUP? [SEP] <s> Any problem posed by one group ofhuman beings can be resolved by anyother group. That's what the Handbooksaid. But did that include primitivehumans? Or the Bees? Or a ... CONTROL GROUP By ROGER DEE <doc-sep> AIDE MEMOIRE BY KEITH LAUMER The Fustians looked like turtles—but they could move fast when they chose! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Across the table from Retief, Ambassador Magnan rustled a stiff sheetof parchment and looked grave. This aide memoire, he said, was just handed to me by the CulturalAttache. It's the third on the subject this week. It refers to thematter of sponsorship of Youth groups— Some youths, Retief said. Average age, seventy-five. The Fustians are a long-lived people, Magnan snapped. These mattersare relative. At seventy-five, a male Fustian is at a trying age— That's right. He'll try anything—in the hope it will maim somebody. Precisely the problem, Magnan said. But the Youth Movement isthe important news in today's political situation here on Fust. Andsponsorship of Youth groups is a shrewd stroke on the part of theTerrestrial Embassy. At my suggestion, well nigh every member of themission has leaped at the opportunity to score a few p—that is, cementrelations with this emergent power group—the leaders of the future.You, Retief, as Councillor, are the outstanding exception. I'm not convinced these hoodlums need my help in organizing theirrumbles, Retief said. Now, if you have a proposal for a pest controlgroup— To the Fustians this is no jesting matter, Magnan cut in. Thisgroup— he glanced at the paper—known as the Sexual, Cultural, andAthletic Recreational Society, or SCARS for short, has been awaitingsponsorship for a matter of weeks now. Meaning they want someone to buy them a clubhouse, uniforms, equipmentand anything else they need to complete their sexual, cultural andathletic development, Retief said. If we don't act promptly, Magnan said, the Groaci Embassy may wellanticipate us. They're very active here. That's an idea, said Retief. Let 'em. After awhile they'll go brokeinstead of us. Nonsense. The group requires a sponsor. I can't actually order you tostep forward. However.... Magnan let the sentence hang in the air.Retief raised one eyebrow. For a minute there, he said, I thought you were going to make apositive statement. <doc-sep> THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes,and had changed its color from a dazzling blue through white to thenormal yellow, of a GO sun. That was the Doppler effect as the star'sradial velocity changed relative to the Quest III , as for forty hoursthe ship had decelerated. They had seen many such stars come near out of the galaxy's glitteringbackdrop, and had seen them dwindle, turn red and go out as the QuestIII drove on its way once more, lashed by despair toward the speed oflight, leaving behind the mockery of yet another solitary and lifelessluminary unaccompanied by worlds where men might dwell. They had grownsated with the sight of wonders—of multiple systems of giant stars, ofnebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, theycame and stood quietly gazing into the big vision screens that showedthe oncoming star, and there were wide-eyed children who had been bornin the ship and had never seen a planet. The grownups talked in lowvoices, in tones of mingled eagerness and apprehension, of what mightlie at the long journey's end. For the Quest III was coming home; thesun ahead was the Sun, whose rays had warmed their lives' beginning. <doc-sep></s> [SEP] What is the backdrop of the story CONTROL GROUP?

The story begins on a spaceship called the Marco Four. It is working on Ringwave generators and hangs inside the orbit of a dun-colored moon of the green planet Alphard Six. This ship has several tools, including a magnoscanner, the Zero Interval Transfer computer, and a screen that shows the surface of the planet. Then Farrell gets on a helihopper and soon crashes. The next day he wakes up in an infirmary with white walls, tables, lockers, chests, and some unfamiliar chemical odor. It is one of the rooms of the ancient ship located in the central square of the town on Alphard Six. Farrell then walks down a bare corridor with a metal floor and rare open ports that let in a flood of reddish sunlight. He goes through storage rooms, hydroponics gardens, a gymnasium, a nursery, and a power room. He also notices the Marco Four parked near the square.

What does the Ringwave technology signify in CONTROL GROUP? [SEP] <s> The cool green disk of AlphardSix on the screen wasinfinitely welcome after the ariddesolation and stinking swamplandsof the inner planets, anairy jewel of a world that mighthave been designed specificallyfor the hard-earned month ofrest ahead. Navigator Farrell,youngest and certainly most impulsiveof the three-man TerranReclamations crew, would haveset the Marco Four down atonce but for the greater cautionof Stryker, nominally captain ofthe group, and of Gibson, engineer,and linguist. Xavier, theship's little mechanical, had—aswas usual and proper—no voicein the matter. Reconnaissance spiral first,Arthur, Stryker said firmly. Hechuckled at Farrell's instantscowl, his little eyes twinklingand his naked paunch quakingover the belt of his shipboardshorts. Chapter One, SubsectionFive, Paragraph Twenty-seven: No planetfall on an unreclaimedworld shall be deemedsafe without proper— Farrell, as Stryker had expected,interrupted with characteristicimpatience. Do you sleep with that damned ReclamationsHandbook, Lee? Alphard Sixisn't an unreclaimed world—itwas never colonized before theHymenop invasion back in 3025,so why should it be inhabitednow? Gibson, who for four hourshad not looked up from his interminablechess game withXavier, paused with a beleagueredknight in one blunt brownhand. No point in taking chances,Gibson said in his neutral baritone.He shrugged thick bareshoulders, his humorless black-browedface unmoved, whenFarrell included him in hisscowl. We're two hundred twenty-sixlight-years from Sol, atthe old limits of Terran expansion,and there's no knowingwhat we may turn up here. Alphard'swas one of the first systemsthe Bees took over. It musthave been one of the last to beabandoned when they pulled backto 70 Ophiuchi. And I think you live for theday, Farrell said acidly, whenwe'll stumble across a functioningdome of live, buzzing Hymenops.Damn it, Gib, the Beespulled out a hundred years ago,before you and I were born—neitherof us ever saw a Hymenop,and never will! But I saw them, Strykersaid. I fought them for the betterpart of the century they werehere, and I learned there's nopredicting nor understandingthem. We never knew why theycame nor why they gave up andleft. How can we know whetherthey'd leave a rear-guard orbooby trap here? He put a paternal hand onFarrell's shoulder, understandingthe younger man's eagernessand knowing that their close-knitteam would have been themore poorly balanced without it. Gib's right, he said. Henearly added as usual . We're onrest leave at the moment, yes,but our mission is still to findTerran colonies enslaved andabandoned by the Bees, not torisk our necks and a valuableReorientations ship by landingblind on an unobserved planet.We're too close already. Cut inyour shields and find a reconnaissancespiral, will you? Grumbling, Farrell punchedcoordinates on the Ringwaveboard that lifted the Marco Four out of her descent and restoredthe bluish enveloping haze ofher repellors. Stryker's caution was justifiedon the instant. The speedingstreamlined shape that had flashedup unobserved from belowswerved sharply and exploded ina cataclysmic blaze of atomicfire that rocked the ship wildlyand flung the three men to thefloor in a jangling roar ofalarms. So the Handbook tacticiansknew what they were about,Stryker said minutes later. Deliberatelyhe adopted the smugtone best calculated to sting Farrellout of his first self-reproach,and grinned when the navigatorbristled defensively. Some oftheir enjoinders seem a littlestuffy and obvious at times, butthey're eminently sensible. When Farrell refused to bebaited Stryker turned to Gibson,who was busily assessing thedamage done to the ship's morefragile equipment, and to Xavier,who searched the planet'ssurface with the ship's magnoscanner.The Marco Four , Ringwavegenerators humming gently,hung at the moment justinside the orbit of Alphard Six'ssingle dun-colored moon. Gibson put down a test meterwith an air of finality. Nothing damaged but theZero Interval Transfer computer.I can realign that in a coupleof hours, but it'll have to bedone before we hit Transferagain. Stryker looked dubious.What if the issue is forced beforethe ZIT unit is repaired?Suppose they come up after us? I doubt that they can. Anyinstallation crudely enoughequipped to trust in guided missilesis hardly likely to have developedefficient space craft. Stryker was not reassured. That torpedo of theirs wasdeadly enough, he said. Andits nature reflects the nature ofthe people who made it. Any racevicious enough to use atomiccharges is too dangerous totrifle with. Worry made comicalcreases in his fat, good-humoredface. We'll have to findout who they are and whythey're here, you know. They can't be Hymenops,Gibson said promptly. First,because the Bees pinned theirfaith on Ringwave energy fields,as we did, rather than on missiles.Second, because there's nodome on Six. There were three emptydomes on Five, which is a desertplanet, Farrell pointed out.Why didn't they settle Six? It'sa more habitable world. Gibson shrugged. I know theBees always erected domes onevery planet they colonized, Arthur,but precedent is a fallibletool. And it's even more firmlyestablished that there's no possibilityof our rationalizing themotivations of a culture as alienas the Hymenops'—we've beenover that argument a hundredtimes on other reclaimedworlds. But this was never an unreclaimedworld, Farrell saidwith the faint malice of one toorecently caught in the wrong.Alphard Six was surveyed andseeded with Terran bacteriaaround the year 3000, but theBees invaded before we couldcolonize. And that means we'llhave to rule out any resurgentcolonial group down there, becauseSix never had a colony inthe beginning. The Bees have been gone forover a hundred years, Strykersaid. Colonists might have migratedfrom another Terran-occupiedplanet. Gibson disagreed. We've touched at every inhabitedworld in this sector, Lee,and not one surviving colony hasdeveloped space travel on itsown. The Hymenops had a hundredyears to condition their humanslaves to ignorance ofeverything beyond their immediateenvironment—the motivesbehind that conditioning usuallyescape us, but that's beside thepoint—and they did a thoroughjob of it. The colonists have hadno more than a century of freedomsince the Bees pulled out,and four generations simplyisn't enough time for any subjugatedculture to climb fromslavery to interstellar flight. Stryker made a padding turnabout the control room, tuggingunhappily at the scanty fringeof hair the years had left him. If they're neither Hymenopsnor resurgent colonists, he said,then there's only one choice remaining—they'realiens from asystem we haven't reached yet,beyond the old sphere of Terranexploration. We always assumedthat we'd find other races outhere someday, and that they'dbe as different from us in formand motivation as the Hymenops.Why not now? Gibson said seriously, Notprobable, Lee. The same objectionthat rules out the Bees appliesto any trans-Alphardianculture—they'd have to be beyondthe atomic fission stage,else they'd never have attemptedinterstellar flight. The Ringwavewith its Zero Interval Transferprinciple and instantaneous communicationsapplications is theonly answer to long-range travel,and if they'd had that theywouldn't have bothered withatomics. Stryker turned on him almostangrily. If they're not Hymenopsor humans or aliens, thenwhat in God's name are they? Aye, there's the rub, Farrellsaid, quoting a passagewhose aptness had somehow seenit through a dozen reorganizationsof insular tongue and afinal translation to universalTerran. If they're none of thosethree, we've only one conclusionleft. There's no one down thereat all—we're victims of the firstjoint hallucination in psychiatrichistory. Stryker threw up his hands insurrender. We can't identifythem by theorizing, and thatbrings us down to the businessof first-hand investigation.Who's going to bell the cat thistime? I'd like to go, Gibson saidat once. The ZIT computer canwait. Stryker vetoed his offer aspromptly. No, the ZIT comesfirst. We may have to run for it,and we can't set up a Transferjump without the computer. It'sgot to be me or Arthur. Farrell felt the familiar chillof uneasiness that inevitablypreceded this moment of decision.He was not lacking in courage,else the circumstances underwhich he had worked for thepast ten years—the sometimesperilous, sometimes downrightcharnel conditions left by thefleeing Hymenop conquerors—wouldhave broken him longago. But that same hard experiencehad honed rather thanblunted the edge of his imagination,and the prospect of a close-quartersstalking of an unknownand patently hostile force wasanything but attractive. You two did the field workon the last location, he said.It's high time I took my turn—andGod knows I'd go mad ifI had to stay inship and listento Lee memorizing his Handbooksubsections or to Gib practicingdead languages with Xavier. Stryker laughed for the firsttime since the explosion thathad so nearly wrecked the MarcoFour . Good enough. Though itwouldn't be more diverting tolisten for hours to you improvisingenharmonic variations onthe Lament for Old Terra withyour accordion. Gibson, characteristically, hada refinement to offer. They'll be alerted down therefor a reconnaissance sally, hesaid. Why not let Xavier takethe scouter down for overt diversion,and drop Arthur off inthe helihopper for a low-levelcheck? Stryker looked at Farrell. Allright, Arthur? Good enough, Farrell said.And to Xavier, who had notmoved from his post at the magnoscanner:How does it look,Xav? Have you pinned downtheir base yet? The mechanical answered himin a voice as smooth and clear—andas inflectionless—as a 'cellonote. The planet seems uninhabitedexcept for a large islandsome three hundred miles indiameter. There are twenty-sevensmall agrarian hamlets surroundedby cultivated fields.There is one city of perhaps athousand buildings with a centralsquare. In the square restsa grounded spaceship of approximatelyten times the bulkof the Marco Four . They crowded about the visionscreen, jostling Xavier's jointedgray shape in their interest. Thecentral city lay in minutest detailbefore them, the batteredhulk of the grounded ship glintingrustily in the late afternoonsunlight. Streets radiated awayfrom the square in orderly succession,the whole so clearlydepicted that they could see thethrongs of people surging upand down, tiny foreshortenedfaces turned toward the sky. At least they're human,Farrell said. Relief replaced insome measure his earlier uneasiness.Which means that they'reTerran, and can be dealt withaccording to Reclamations routine.Is that hulk spaceworthy,Xav? Xavier's mellow drone assumedthe convention vibrato thatindicated stark puzzlement. Itsbreached hull makes the ship incapableof flight. Apparently itis used only to supply power tothe outlying hamlets. The mechanical put a flexiblegray finger upon an indicatorgraph derived from a compositesection of detector meters. Thepower transmitted seems to begross electric current conveyedby metallic cables. It is generatedthrough a crudely governedprocess of continuous atomicfission. Farrell, himself appalled bythe information, still found himselfable to chuckle at Stryker'sbellow of consternation. Continuous fission? GoodGod, only madmen would deliberatelyrun a risk like that! Farrell prodded him withcheerful malice. Why say mad men ? Maybe they're humanoidaliens who thrive on hard radiationand look on the danger ofbeing blown to hell in the middleof the night as a satisfactoryrisk. They're not alien, Gibsonsaid positively. Their architectureis Terran, and so is theirship. The ship is incrediblyprimitive, though; those batteriesof tubes at either end— Are thrust reaction jets,Stryker finished in an awedvoice. Primitive isn't the word,Gib—the thing is prehistoric!Rocket propulsion hasn't beenused in spacecraft since—howlong, Xav? Xavier supplied the informationwith mechanical infallibility.Since the year 2100 whenthe Ringwave propulsion-communicationprinciple was discovered.That principle has servedmen since. Farrell stared in blank disbeliefat the anomalous craft onthe screen. Primitive, as Strykerhad said, was not the wordfor it: clumsily ovoid, studdedwith torpedo domes and turretsand bristling at either end withpropulsion tubes, it lay at thecenter of its square like a rustedrelic of a past largely destroyedand all but forgotten. What amagnificent disregard its buildersmust have had, he thought,for their lives and the geneticpurity of their posterity! Thesullen atomic fires banked inthat oxidizing hulk— Stryker said plaintively, Ifyou're right, Gib, then we'remore in the dark than ever. Howcould a Terran-built ship elevenhundred years old get here ? Gibson, absorbed in his chess-player'scontemplation of alternatives,seemed hardly to hearhim. Logic or not-logic, Gibsonsaid. If it's a Terran artifact,we can discover the reason forits presence. If not— Any problem posed by onegroup of human beings , Strykerquoted his Handbook, can beresolved by any other group, regardlessof ideology or conditioning,because the basicperceptive abilities of both mustbe the same through identicalheredity . If it's an imitation, and thisis another Hymenop experimentin condition ecology, then we'restumped to begin with, Gibsonfinished. Because we're notequipped to evaluate the psychologyof alien motivation. We'vegot to determine first which caseapplies here. He waited for Farrell's expectedirony, and when thenavigator forestalled him by remaininggrimly quiet, continued. The obvious premise is thata Terran ship must have beenbuilt by Terrans. Question: Wasit flown here, or built here? It couldn't have been builthere, Stryker said. AlphardSix was surveyed just before theBees took over in 3025, and therewas nothing of the sort herethen. It couldn't have been builtduring the two and a quartercenturies since; it's obviouslymuch older than that. It wasflown here. We progress, Farrell saiddryly. Now if you'll tell us how ,we're ready to move. I think the ship was built onTerra during the Twenty-secondCentury, Gibson said calmly.The atomic wars during thatperiod destroyed practically allhistorical records along with thetechnology of the time, but I'veread well-authenticated reportsof atomic-driven ships leavingTerra before then for the nearerstars. The human race climbedout of its pit again during theTwenty-third Century and developedthe technology that gaveus the Ringwave. Certainly noatomic-powered ships were builtafter the wars—our records arecomplete from that time. Farrell shook his head at theinference. I've read any numberof fanciful romances on thetheme, Gib, but it won't standup in practice. No shipboard societycould last through a thousand-yearspace voyage. It's aphysical and psychological impossibility.There's got to besome other explanation. Gibson shrugged. We canonly eliminate the least likelyalternatives and accept the simplestone remaining. Then we can eliminate thisone now, Farrell said flatly. Itentails a thousand-year voyage,which is an impossibility for anygross reaction drive; the applicationof suspended animationor longevity or a successive-generationprogram, and a finalpenetration of Hymenop-occupiedspace to set up a colony underthe very antennae of theBees. Longevity wasn't developeduntil around the year 3000—Leehere was one of the first toprofit by it, if you remember—andsuspended animation is stillto come. So there's one theoryyou can forget. Arthur's right, Stryker saidreluctantly. An atomic-poweredship couldn't have made such atrip, Gib. And such a lineal-descendantproject couldn't havelasted through forty generations,speculative fiction to thecontrary—the later generationswould have been too far removedin ideology and intent fromtheir ancestors. They'd haveadapted to shipboard life as thenorm. They'd have atrophiedphysically, perhaps even havemutated— And they'd never havefought past the Bees during theHymenop invasion and occupation,Farrell finished triumphantly.The Bees had betterdetection equipment than wehad. They'd have picked thisship up long before it reachedAlphard Six. But the ship wasn't here in3000, Gibson said, and it isnow. Therefore it must have arrivedat some time during thetwo hundred years of Hymenopoccupation and evacuation. Farrell, tangled in contradictions,swore bitterly. Butwhy should the Bees let themthrough? The three domes onFive are over two hundred yearsold, which means that the Beeswere here before the ship came.Why didn't they blast it or enslaveits crew? We haven't touched on all thepossibilities, Gibson remindedhim. We haven't even establishedyet that these people werenever under Hymenop control.Precedent won't hold always, andthere's no predicting nor evaluatingthe motives of an alienrace. We never understood theHymenops because there's nocommon ground of logic betweenus. Why try to interpret theirintentions now? Farrell threw up his hands indisgust. Next you'll say this isan ancient Terran expeditionthat actually succeeded! There'sonly one way to answer thequestions we've raised, andthat's to go down and see forourselves. Ready, Xav? But uncertainty nagged uneasilyat him when Farrell foundhimself alone in the helihopperwith the forest flowing beneathlike a leafy river and Xavier'sscouter disappearing bulletlikeinto the dusk ahead. We never found a colony soadvanced, Farrell thought. Supposethis is a Hymenop experimentthat really paid off? TheBees did some weird and wonderfulthings with humanguinea pigs—what if they'vecreated the ultimate booby traphere, and primed it with conditionedmyrmidons in our ownform? Suppose, he thought—and deridedhimself for thinking it—oneof those suicidal old interstellarventures did succeed? Xavier's voice, a mellowdrone from the helihopper'sRingwave-powered visicom, cutsharply into his musing. Theship has discovered the scouterand is training an electronicbeam upon it. My instrumentsrecord an electromagnetic vibrationpattern of low power butrapidly varying frequency. Theoperation seems pointless. Stryker's voice followed, querulouswith worry: I'd betterpull Xav back. It may be somethinglethal. Don't, Gibson's baritone advised.Surprisingly, there wasexcitement in the engineer'svoice. I think they're trying tocommunicate with us. Farrell was on the point ofdemanding acidly to know howone went about communicatingby means of a fluctuating electricfield when the unexpectedcessation of forest diverted hisattention. The helihopper scuddedover a cultivated areaof considerable extent, fieldsstretching below in a vague randomcheckerboard of lighter anddarker earth, an undefined clusterof buildings at their center.There was a central bonfire thatburned like a wild red eyeagainst the lower gloom, and inits plunging ruddy glow he madeout an urgent scurrying of shadowyfigures. I'm passing over a hamlet,Farrell reported. The one nearestthe city, I think. There'ssomething odd going ondown— Catastrophe struck so suddenlythat he was caught completelyunprepared. The helihopper'sflimsy carriage bucked andcrumpled. There was a blindingflare of electric discharge, apungent stink of ozone and astunning shock that flung himheadlong into darkness. He awoke slowly with a brutalheadache and a conviction ofnightmare heightened by theoutlandish tone of his surroundings.He lay on a narrow bed ina whitely antiseptic infirmary,an oblong metal cell clutteredwith a grimly utilitarian arrayof tables and lockers and chests.The lighting was harsh andoverbright and the air hungthick with pungent unfamiliarchemical odors. From somewhere,far off yet at the sametime as near as the bulkheadabove him, came the unceasingdrone of machinery. Farrell sat up, groaning,when full consciousness made hisposition clear. He had been shotdown by God knew what sort ofdevastating unorthodox weaponand was a prisoner in thegrounded ship. At his rising, a white-smockedfat man with anachronistic spectaclesand close-cropped grayhair came into the room, movingwith the professional assuranceof a medic. The man stoppedshort at Farrell's stare andspoke; his words were utterlyunintelligible, but his gesturewas unmistakable. Farrell followed him dumblyout of the infirmary and downa bare corridor whose metalfloor rang coldly underfoot. Anopen port near the corridor's endrelieved the blankness of walland let in a flood of reddish Alphardiansunlight; Farrell slowedto look out, wondering howlong he had lain unconscious,and felt panic knife at himwhen he saw Xavier's scouter lying,port open and undefended,on the square outside. The mechanical had been aseasily taken as himself, then.Stryker and Gibson, for all theirprofessional caution, would fareno better—they could not haveoverlooked the capture of Farrelland Xavier, and when theytried as a matter of course torescue them the Marco would bestruck down in turn by the sameweapon. The fat medic turned andsaid something urgent in hisunintelligible tongue. Farrell,dazed by the enormity of whathad happened, followed withoutprotest into an intersecting waythat led through a bewilderingsuccession of storage rooms andhydroponics gardens, through asmall gymnasium fitted withphysical training equipment ingraduated sizes and finally intoa soundproofed place that couldhave been nothing but a nursery. The implication behind itspresence stopped Farrell short. A creche , he said, stunned.He had a wild vision of endlessgenerations of children growingup in this dim and stuffy room,to be taught from their firsttoddling steps the functions theymust fulfill before the ventureof which they were a part couldbe consummated. One of those old ventures had succeeded, he thought, and wasawed by the daring of that thousand-yearodyssey. The realizationleft him more alarmed thanbefore—for what technical marvelsmight not an isolated groupof such dogged specialists havedeveloped during a millenniumof application? Such a weapon as had broughtdown the helihopper and scouterwas patently beyond reach of hisown latter-day technology. Perhaps,he thought, its possessionexplained the presence of thesepeople here in the first strongholdof the Hymenops; perhapsthey had even fought and defeatedthe Bees on their own invadedground. He followed his white-smockedguide through a power roomwhere great crude generatorswhirred ponderously, pouringout gross electric current intoarm-thick cables. They werenearing the bow of the shipwhen they passed by anotheropen port and Farrell, glancingout over the lowered rampway,saw that his fears for Strykerand Gibson had been wellgrounded. The Marco Four , ports open,lay grounded outside. Farrell could not have said,later, whether his next movewas planned or reflexive. Thewhole desperate issue seemed tohang suspended for a breathlessmoment upon a hair-fine edge ofdecision, and in that instant hemade his bid. Without pausing in his stridehe sprang out and through theport and down the steep planeof the ramp. The rough stonepavement of the square drummedunderfoot; sore musclestore at him, and weakness waslike a weight about his neck. Heexpected momentarily to beblasted out of existence. He reached the Marco Four with the startled shouts of hisguide ringing unintelligibly inhis ears. The port yawned; heplunged inside and stabbed atcontrols without waiting to seathimself. The ports swung shut.The ship darted up under hismanipulation and arrowed intospace with an acceleration thatsprung his knees and made hisvision swim blackly. He was so weak with strainand with the success of his coupthat he all but fainted whenStryker, his scanty hair tousledand his fat face comical with bewilderment,stumbled out of hissleeping cubicle and bellowed athim. What the hell are you doing,Arthur? Take us down! Farrell gaped at him, speechless. Stryker lumbered past himand took the controls, spiralingthe Marco Four down. Menswarmed outside the ports whenthe Reclamations craft settledgently to the square again. Gibsonand Xavier reached the shipfirst; Gibson came inside quickly,leaving the mechanical outsidemaking patient explanationsto an excited group of Alphardians. Gibson put a reassuring handon Farrell's arm. It's all right,Arthur. There's no trouble. Farrell said dumbly, I don'tunderstand. They didn't shootyou and Xav down too? It was Gibson's turn to stare. No one shot you down! Thesepeople are primitive enough touse metallic power lines tocarry electricity to their hamlets,an anachronism you forgotlast night. You piloted the helihopperinto one of those lines,and the crash put you out forthe rest of the night and mostof today. These Alphardians arefriendly, so desperately happy tobe found again that it's reallypathetic. Friendly? That torpedo— It wasn't a torpedo at all,Stryker put in. Understandingof the error under which Farrellhad labored erased hisearlier irritation, and he chuckledcommiseratingly. They hadone small boat left for emergencymissions, and sent it up tocontact us in the fear that wemight overlook their settlementand move on. The boat wasatomic powered, and our shieldscreens set off its engines. Farrell dropped into a chair atthe chart table, limp with reaction.He was suddenly exhausted,and his head ached dully. We cracked the communicationsproblem early last night,Gibson said. These people usean ancient system of electromagneticwave propagation calledfrequency modulation, and onceLee and I rigged up a suitabletransceiver the rest was simple.Both Xav and I recognized theold language; the natives reportedyour accident, and we camedown at once. They really came from Terra?They lived through a thousandyears of flight? The ship left Terra forSirius in 2171, Gibson said.But not with these peopleaboard, or their ancestors. Thatexpedition perished after lessthan a light-year when itshydroponics system failed. TheHymenops found the ship derelictwhen they invaded us, andbrought it to Alphard Six inwhat was probably their first experimentwith human subjects.The ship's log shows clearlywhat happened to the originalcomplement. The rest is deduciblefrom the situation here. Farrell put his hands to histemples and groaned. The crashmust have scrambled my wits.Gib, where did they come from? From one of the first peripheralcolonies conquered by theBees, Gibson said patiently.The Hymenops were long-rangeplanners, remember, and mastersof hypnotic conditioning. Theystocked the ship with a captivecrew of Terrans conditioned tobelieve themselves descendantsof the original crew, andgrounded it here in disabledcondition. They left for AlphardFive then, to watch developments. Succeeding generations ofcolonists grew up accepting thefact that their ship had missedSirius and made planetfall here—theystill don't know wherethey really are—by luck. Theynever knew about the Hymenops,and they've struggled alongwith an inadequate technology inthe hope that a later expeditionwould find them. They found thetruth hard to take, but they'reeager to enjoy the fruits of Terranassimilation. Stryker, grinning, broughtFarrell a frosted drink that tinkledinvitingly. An unusuallyfortunate ending to a Hymenopexperiment, he said. Thesepeople progressed normally becausethey've been let alone. Reorientingthem will be a simplematter; they'll be properly spoiledcolonists within another generation. Farrell sipped his drink appreciatively. But I don't see why the Beesshould go to such trouble to deceivethese people. Why did theysit back and let them grow asthey pleased, Gib? It doesn'tmake sense! But it does, for once, Gibsonsaid. The Bees set up thiscolony as a control unit to studythe species they were invading,and they had to give theirspecimens a normal—if obsolete—backgroundin order to determinetheir capabilities. The factthat their experiment didn't tellthem what they wanted to knowmay have had a direct bearingon their decision to pull out. Farrell shook his head. It'sa reverse application, isn't it ofthe old saw about Terrans beingincapable of understanding analien culture? Of course, said Gibson, surprised.It's obvious enough,surely—hard as they tried, theBees never understood useither. THE END Transcriber's Note: This etext was produced from Amazing Science Fiction Stories January1960. Extensive research did not uncover any evidence that the U.S.copyright on this publication was renewed. Minor spelling andtypographical errors have been corrected without note.<doc-sep>The Movement met in what had been the children's room, where unpaidladies of the afternoon had once upon a time read stories to otherpeople's offspring. The members sat around at the miniature tableslooking oddly like giants fled from their fairy tales, protesting. Where did the old society fail? the leader was demanding of them. Hestood in the center of the room, leaning on a heavy knobbed cane. Heglanced around at the group almost complacently, and waited as HumphreyFownes squeezed into an empty chair. We live in a dome, the leadersaid, for lack of something. An invention! What is the one thingthat the great technological societies before ours could not invent,notwithstanding their various giant brains, electronic and otherwise? Fownes was the kind of man who never answered a rhetorical question. Hewaited, uncomfortable in the tight chair, while the others struggledwith this problem in revolutionary dialectics. A sound foreign policy , the leader said, aware that no one else hadobtained the insight. If a sound foreign policy can't be created theonly alternative is not to have any foreign policy at all. Thus themovement into domes began— by common consent of the governments . Thisis known as self-containment. Dialectically out in left field, Humphrey Fownes waited for a lullin the ensuing discussion and then politely inquired how it might bearranged for him to get out. Out? the leader said, frowning. Out? Out where? Outside the dome. Oh. All in good time, my friend. One day we shall all pick up andleave. And that day I'll await impatiently, Fownes replied with marveloustact, because it will be lonely out there for the two of us. My futurewife and I have to leave now . Nonsense. Ridiculous! You have to be prepared for the Open Country.You can't just up and leave, it would be suicide, Fownes. Anddialectically very poor. Then you have discussed preparations, the practical necessities oflife in the Open Country. Food, clothing, a weapon perhaps? What else?Have I left anything out? The leader sighed. The gentleman wants to know if he's left anythingout, he said to the group. Fownes looked around at them, at some dozen pained expressions. Tell the man what he's forgotten, the leader said, walking to the farwindow and turning his back quite pointedly on them. Everyone spoke at the same moment. A sound foreign policy , they allsaid, it being almost too obvious for words. <doc-sep> Any problem posed by one group ofhuman beings can be resolved by anyother group. That's what the Handbooksaid. But did that include primitivehumans? Or the Bees? Or a ... CONTROL GROUP By ROGER DEE <doc-sep></s> [SEP] What does the Ringwave technology signify in CONTROL GROUP?

The Ringwave technology allowed humans to explore the neighboring systems of planets, find new habitable territories, and colonize them. It also partially leads to the invasion of the Bees and allows humans to fight with them. The knowledge about the history of the Ringwave propulsion-communication principle, especially the fact that it was discovered in 2100, also helps the crew realize that the spaceship on planet Alphard Six is atomic-powered and thus prehistoric. It’s eleven hundred years old, also Terran, and was brought here from somewhere else.

Can you provide a summary of the storyline in ACID BATH? [SEP] <s> ACID BATH By VASELEOS GARSON The starways' Lone Watcher had expected some odd developmentsin his singular, nerve-fraught job on the asteroid. But nothing like theweird twenty-one-day liquid test devised by the invading Steel-Blues. <doc-sep>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep> The cylinder moved so fast Jon felt hiseyes jump in his head. He brought thestubray gun up—but he was helpless. Thepistol kept on going up. With a deft movement,one of the tentacles had speared itfrom his hand and was holding it out ofhis reach. Jon kicked at the glass in the cylinder'shand. But he was too slow. Two tentaclesgripped the kicking leg. Another struck himin the chest, knocking him to the pallet. Thesame tentacle, assisted by a new one,pinioned his shoulders. Four tentacles held him supine. The cylinderlifted a glass-like cap from the tumblerof liquid. Lying there helplessly, Jon was rememberingan old fairy tale he'd read as a kid.Something about a fellow named Socrateswho was given a cup of hemlock to drink.It was the finis for Socrates. But the oldhero had been nonchalant and calm aboutthe whole thing. With a sigh, Jon Karyl, who was curiousunto death, relaxed and said, All right,bub, you don't have to force-feed me. I'lltake it like a man. The cylinder apparently understood him,for it handed him the tumbler. It even reholsteredhis stubray pistol. Jon brought the glass of liquid under hisnose. The fumes of the liquid were pungent.It brought tears to his eyes. He looked at the cylinder, then at theSteel-Blues crowding around the plasticigloo. He waved the glass at the audience. To Earth, ever triumphant, he toasted.Then he drained the glass at a gulp. Its taste was bitter, and he felt hotprickles jab at his scalp. It was like eatingvery hot peppers. His eyes filled with tears.He coughed as the stuff went down. But he was still alive, he thought inamazement. He'd drunk the hemlock andwas still alive. The reaction set in quickly. He hadn'tknown until then how tense he'd been. Nowwith the torture ordeal over, he relaxed. Helaid down on the pallet and went to sleep. There was one lone Steel-Blue watchinghim when he rubbed the sleep out of hiseyes and sat up. He vanished almost instantly. He, or anotherlike him, returned immediately accompaniedby a half-dozen others, includingthe multi-tentacled creature known as No. 1. One said, You are alive. The thought registeredamazement. When you lost consciousness,we thought you had—there was a hesitation—asyou say, died. No, Jon Karyl said. I didn't die. Iwas just plain dead-beat so I went to sleep.The Steel-Blues apparently didn't understand. Good it is that you live. The torturewill continue, spoke No. 1 before lopingaway. The cylinder business began again. Thistime, Jon drank the bitter liquid slowly, tryingto figure out what it was. It had afamiliar, tantalizing taste but he couldn'tquite put a taste-finger on it. His belly said he was hungry. He glancedat his chronometer. Only 20 days left beforethe SP ship arrived. Would this torture—he chuckled—lastuntil then? But he was growing more andmore conscious that his belly was screamingfor hunger. The liquid had taken the edgeoff his thirst. It was on the fifth day of his torture thatJon Karyl decided that he was going to getsomething to eat or perish in the attempt. The cylinder sat passively in its niche inthe circle. A dozen Steel-Blues were watchingas Jon put on his helmet and unsheathedhis stubray. They merely watched as he pressed thestubray's firing stud. Invisible rays lickedout of the bulbous muzzle of the pistol.The plastic splintered. Jon was out of his goldfish bowl andstriding toward his own igloo adjacent tothe service station when a Steel-Blueaccosted him. Out of my way, grunted Jon, wavingthe stubray. I'm hungry. I'm the first Steel-Blue you met, saidthe creature who barred his way. Go backto your torture. But I'm so hungry I'll chew off one ofyour tentacles and eat it without seasoning. Eat? The Steel-Blue sounded puzzled. I want to refuel. I've got to have foodto keep my engine going. Steel-Blue chuckled. So the hemlock, asyou call it, is beginning to affect you atlast? Back to the torture room. Like R-dust, Jon growled. He pressedthe firing stud on the stubray gun. One ofSteel-Blue's tentacles broke off and fell tothe rocky sward. Steel-Blue jerked out the box he'd usedonce before. A tentacle danced over it. Abruptly Jon found himself standing ona pinnacle of rock. Steel-Blue had cut aswath around him 15 feet deep and five feetwide. Back to the room, Steel-Blue commanded. Jon resheathed the stubray pistol,shrugged non-committally and leaped thetrench. He walked slowly back and reenteredthe torture chamber. The Steel-Blues rapidly repaired the damagehe'd done. As he watched them, Jon was still curious,but he was getting mad underneath atthe cold egoism of the Steel-Blues. By the shimmering clouds of Earth, byher green fields, and dark forests, he'dstay alive to warn the SP ship. Yes, he'd stay alive till then. And sendthe story of the Steel-Blues' corrosive acidto it. Then hundreds of Earth's ships couldequip themselves with spray guns and squirtcitric acid and watch the Steel-Blues fadeaway. It sounded almost silly to Jon Karyl. Thefruit acid of Earth to repel these invaders—itdoesn't sound possible. That couldn't bethe answer. Citric acid wasn't the answer, Jon Karyldiscovered a week later. The Steel-Blue who had captured him inthe power room of the service station camein to examine him. You're still holding out, I see, he observedafter poking Jon in every sensitivepart of his body. I'll suggest to No. 1 that we increasethe power of the—ah—hemlock. How doyou feel? Between the rich oxygen and the dizzinessof hunger, Jon was a bit delirious. But heanswered honestly enough: My guts feel asif they're chewing each other up. My bonesache. My joints creak. I can't coordinate I'mso hungry. That is the hemlock, Steel-Blue said. It was when he quaffed the new andstronger draught that Jon knew that hishope that it was citric acid was squelched. The acid taste was weaker which meantthat the citric acid was the diluting liquid.It was the liquid he couldn't taste beneaththe tang of the citric acid that was the corrosiveacid. On the fourteenth day, Jon was so weakhe didn't feel much like moving around. Helet the cylinder feed him the hemlock. No. 1 came again to see him, and wentaway chuckling, Decrease the dilution.This Earthman at last is beginning tosuffer. <doc-sep></s> [SEP] Can you provide a summary of the storyline in ACID BATH?

Jon Karyl is bolting a new baffle plate on the stationary rocket engine and ignores what happens around other parts of the little asteroid. A peculiar spaceship lands a few hundred yards away from his plastic igloo, and a half-dozen steel-blue creatures slide out of the airlock. When he climbs up again and sees the creatures, Jon runs for the rocky slopes. Jon brings out his stubray pistol and turns up the oxygen dial for greater exertion as two of the creatures continue to chase him. He manages to elude them by going down a dim trail temporarily. Once Jon finds the stubby bush shaped like a Maltese cross, he keeps going until he reaches the hollowed-out space. He observes the steel-blue creatures from the televisor, noting how they head towards the station to try and destroy it. Although the station is not supposed to break because it is made out of stelrylite, the creatures pound holes into the station with round-headed metal clubs. He presses the atomic cannon’s firing buttons and finds that it is impossible to damage the ship. Suddenly, a Steel-Blue paralyzes him from the waist down and tells him to come with them. Once outside, the Steel-Blue explains to Jon that the most protective metal they use is the softest one in their world. He follows the Steel-Blue into the ship, where a more massive one tells Jon’s Steel-Blue to examine him and give him death. The Steel-Blue brings him to the examination room, where Jon is curious about this whole interaction. He thinks about warning the SP patrol and using his weapon, but his Steel-Blue tells him they are already aware of it. The other Steel-Blues begin reproducing the service station, and Jon’s Steel-Blue tells him that his torture will be dissolved in a liquid they have prepared. When he goes inside, he prepares to blast at the cylinder with his gun. However, the tentacles take it away from him and bring him a glass-like cup filled with liquid. Jon toasts to Earth and drinks the liquid, going to sleep shortly after. When he awakes again, the Steel-Blues are amazed that he is still alive. On the fifth day, Jon breaks out of his plastic bowl with his subray because he is hungry. The Steel-Blues try to torture him more with the poison, and Jon has now made it a fetish to stay alive. When Jon takes the drink from No. 1, it tells him that the SP ship will be destroyed. Jon tries to send a distress signal, and he watches as the SP ship begins to come abruptly. The Steel-Blues watch as he tries to escape, only to be greeted by the voice of a space guard. Captain Ron Small of SP-101 tells him later that the Steel-Blues fed him a liquid they feared. The Steel-Blues tried to fight back, but the SP ship just shot a water rocket and set it on atomic fire. Captain Small and Jon then toast to water.

What characteristics do the Steel-Blue creatures possess in terms of their physical appearance? [SEP] <s> There , just ahead of him, was the lockleading into the service station. Slippinga key out of a leg pouch on the space suit,he jabbed it into the center of the lock,opening the lever housing. He pulled strongly on the lever. With ahiss of escaping air, the lock swung open.Jon Karyl darted inside, the door closingsoftly behind. At the end of the long tunnel he steppedto the televisor which was fixed on the areasurrounding the station. Jon Karyl saw none of the steel-blue creatures.But he saw their ship. It squattedlike a smashed-down kid's top, its lock shuttight. He tuned the televisor to its widest rangeand finally spotted one of the Steel-Blues.He was looking into the stationary rocketengine. As Karyl watched, a second Steel-Bluecame crawling out of the ship. The two Steel-Blues moved toward thecenter of the televisor range. They're comingtoward the station, Karyl thought grimly. Karyl examined the two creatures. Theywere of the steel-blue color from the crownof their egg-shaped heads to the tips oftheir walking appendages. They were about the height of Karyl—sixfeet. But where he tapered from broadshoulders to flat hips, they were straight upand down. They had no legs, just appendages,many-jointed that stretched andshrank independent of the other, but keepingthe cylindrical body with its four pairsof tentacles on a level balance. Where their eyes would have been wasan elliptical-shaped lens, covering half theegg-head, with its converging ends curvingaround the sides of the head. Robots! Jon gauged immediately. Butwhere were their masters? The Steel-Blues moved out of the rangeof the televisor. A minute later Jon hearda pounding from the station upstairs. He chuckled. They were like the wolf ofpre-atomic days who huffed and puffed toblow the house down. The outer shell of the station was formedfrom stelrylite, the toughest metal in thesolar system. With the self-sealing lock ofthe same resistant material, a mere poundingwas nothing. Jon thought he'd have a look-see anyway.He went up the steel ladder leading to thestation's power plant and the televisor thatcould look into every room within thestation. He heaved a slight sigh when he reachedthe power room, for right at his hand wereweapons to blast the ship from the asteroid. Jon adjusted one televisor to take in thelock to the station. His teeth suddenlyclamped down on his lower lip. Those Steel-Blues were pounding holesinto the stelrylite with round-headed metalclubs. But it was impossible. Stelrylite didn'tbreak up that easily. Jon leaped to a row of studs, lining upthe revolving turret which capped the stationso that its thin fin pointed at thesquat ship of the invaders. Then he went to the atomic cannon'sfiring buttons. He pressed first the yellow, then the bluebutton. Finally the red one. The thin fin—the cannon's sight—split inhalf as the turret opened and the coiled noseof the cannon protruded. There was asoundless flash. Then a sharp crack. Jon was dumbfounded when he saw thebolt ricochet off the ship. This was no shipof the solar system. There was nothing thatcould withstand even the slight jolt of powergiven by the station cannon on any of theSun's worlds. But what was this? A piece ofthe ship had changed. A bubble of metal,like a huge drop of blue wax, dripped offthe vessel and struck the rocket of theasteroid. It steamed and ran in rivulets. He pressed the red button again. Then abruptly he was on the floor of thepower room, his legs strangely cut out fromunder him. He tried to move them. They layflaccid. His arms seemed all right and triedto lever himself to an upright position. Damn it, he seemed as if he were paralyzedfrom the waist down. But it couldn'thappen that suddenly. He turned his head. A Steel-Blue stood facing him. A forkedtentacle held a square black box. Jon could read nothing in that metallicface. He said, voice muffled by the confinesof the plastic helmet, Who are you? I am—there was a rising inflection inthe answer—a Steel-Blue. There were no lips on the Steel-Blue'sface to move. That is what I have namedyou, Jon Karyl said. But what are you? A robot, came the immediate answer.Jon was quite sure then that the Steel-Bluewas telepathic. Yes, the Steel-Blue answered.We talk in the language of themind. Come! he said peremptorily, motioningwith the square black box. The paralysis left Karyl's legs. He followedthe Steel-Blue, aware that the lenshe'd seen on the creature's face had acounterpart on the back of the egg-head. Eyes in the back of his head, Jon thought.That's quite an innovation. Thank you,Steel-Blue said. There wasn't much fear in Jon Karyl'smind. Psychiatrists had proved that when hehad applied for this high-paying but man-killingjob as a Lone Watcher on the SolarSystem's starways. He had little fear now, only curiosity.These Steel-Blues didn't seem inimical.They could have snuffed out my life verysimply. Perhaps they and Solarians can befriends. Steel-Blue chuckled. <doc-sep> There was a hiss. Simultaneously, as thetiny microphone on the outside of hissuit picked up the hiss, he felt a chill gothrough his body. Then it seemed as if ahalf dozen hands were inside him, examininghis internal organs. His stomach contracted.He felt a squeeze on his heart. Hislungs tickled. There were several more queer motionsinside his body. Then another Steel-Blue voice said: He is a soft-metal creature, made up ofmetals that melt at a very low temperature.He also contains a liquid whose makeup Icannot ascertain by ray-probe. Bring himback when the torture is done. Jon Karyl grinned a trifle wryly. Whatkind of torture could this be? Would it last 21 days? He glanced at thechronometer on his wrist. Jon's Steel-Blue led him out of the alienship and halted expectantly just outside theship's lock. Jon Karyl waited, too. He thought of thestubray pistol holstered at his hip. Shoot myway out? It'd be fun while it lasted. But hetoted up the disadvantages. He either would have to find a hidingplace on the asteroid, and if the Steel-Blueswanted him bad enough they could tear thewhole place to pieces, or somehow getaboard the little life ship hidden in theservice station. In that he would be just a sitting duck. He shrugged off the slight temptation touse the pistol. He was still curious. And he was interested in staying alive aslong as possible. There was a remote chancehe might warn the SP ship. Unconsciously,he glanced toward his belt to see the littlepower pack which, if under ideal conditions,could finger out fifty thousand miles intospace. If he could somehow stay alive the 21days he might be able to warn the patrol.He couldn't do it by attempting to flee, forhis life would be snuffed out immediately. The Steel-Blue said quietly: It might be ironical to let you warnthat SP ship you keep thinking about. Butwe know your weapon now. Already ourship is equipped with a force field designedespecially to deflect your atomic guns. Jon Karyl covered up his thoughtsquickly. They can delve deeper than thesurface of the mind. Or wasn't I keeping aleash on my thoughts? The Steel-Blue chuckled. You get—absent-minded,is it?—every once in awhile. Just then four other Steel-Blues appearedlugging great sheets of plastic and variousother equipment. They dumped their loads and began unbundlingthem. Working swiftly, they built a plasticigloo, smaller than the living room in thelarger service station igloo. They ranged instrumentsinside—one of them Jon Karylrecognized as an air pump from within thestation—and they laid out a pallet. When they were done Jon saw a miniaturereproduction of the service station, lackingonly the cannon cap and fin, and with clearplastic walls instead of the opaqueness of theother. His Steel-Blue said: We have reproducedthe atmosphere of your station so that yoube watched while you undergo the tortureunder the normal conditions of your life. What is this torture? Jon Karyl asked. The answer was almost caressing: It isa liquid we use to dissolve metals. It causesjoints to harden if even so much as a dropremains on it long. It eats away the metal,leaving a scaly residue which crumbleseventually into dust. We will dilute it with a harmless liquidfor you since No. 1 does not wish you to dieinstantly. Enter your—the Steel-Blue hesitated—mausoleum.You die in your own atmosphere.However, we took the liberty of purifyingit. There were dangerous elements init. Jon walked into the little igloo. TheSteel-Blues sealed the lock, fingered dialsand switches on the outside. Jon's space suitdeflated. Pressure was building up in theigloo. He took a sample of the air, found thatit was good, although quite rich in oxygencompared with what he'd been using in theservice station and in his suit. With a sigh of relief he took off his helmetand gulped huge draughts of the air. He sat down on the pallet and waitedfor the torture to begin. The Steel Blues crowded about the igloo,staring at him through elliptical eyes. Apparently, they too, were waiting for thetorture to begin. Jon thought the excess of oxygen wasmaking him light-headed. He stared at a cylinder which was beginningto sprout tentacles from the circle.He rubbed his eyes and looked again. Anopening, like the adjustable eye-piece of aspacescope, was appearing in the center ofthe cylinder. A square, glass-like tumbler sat in theopening disclosed in the four-foot cylinderthat had sprouted tentacles. It contained ayellowish liquid. One of the tentacles reached into theopening and clasped the glass. The openingclosed and the cylinder, propelled by locomotorappendages, moved toward Jon. He didn't like the looks of the liquid inthe tumbler. It looked like an acid of somesort. He raised to his feet. He unsheathed the stubray gun and preparedto blast the cylinder. <doc-sep> The cylinder moved so fast Jon felt hiseyes jump in his head. He brought thestubray gun up—but he was helpless. Thepistol kept on going up. With a deft movement,one of the tentacles had speared itfrom his hand and was holding it out ofhis reach. Jon kicked at the glass in the cylinder'shand. But he was too slow. Two tentaclesgripped the kicking leg. Another struck himin the chest, knocking him to the pallet. Thesame tentacle, assisted by a new one,pinioned his shoulders. Four tentacles held him supine. The cylinderlifted a glass-like cap from the tumblerof liquid. Lying there helplessly, Jon was rememberingan old fairy tale he'd read as a kid.Something about a fellow named Socrateswho was given a cup of hemlock to drink.It was the finis for Socrates. But the oldhero had been nonchalant and calm aboutthe whole thing. With a sigh, Jon Karyl, who was curiousunto death, relaxed and said, All right,bub, you don't have to force-feed me. I'lltake it like a man. The cylinder apparently understood him,for it handed him the tumbler. It even reholsteredhis stubray pistol. Jon brought the glass of liquid under hisnose. The fumes of the liquid were pungent.It brought tears to his eyes. He looked at the cylinder, then at theSteel-Blues crowding around the plasticigloo. He waved the glass at the audience. To Earth, ever triumphant, he toasted.Then he drained the glass at a gulp. Its taste was bitter, and he felt hotprickles jab at his scalp. It was like eatingvery hot peppers. His eyes filled with tears.He coughed as the stuff went down. But he was still alive, he thought inamazement. He'd drunk the hemlock andwas still alive. The reaction set in quickly. He hadn'tknown until then how tense he'd been. Nowwith the torture ordeal over, he relaxed. Helaid down on the pallet and went to sleep. There was one lone Steel-Blue watchinghim when he rubbed the sleep out of hiseyes and sat up. He vanished almost instantly. He, or anotherlike him, returned immediately accompaniedby a half-dozen others, includingthe multi-tentacled creature known as No. 1. One said, You are alive. The thought registeredamazement. When you lost consciousness,we thought you had—there was a hesitation—asyou say, died. No, Jon Karyl said. I didn't die. Iwas just plain dead-beat so I went to sleep.The Steel-Blues apparently didn't understand. Good it is that you live. The torturewill continue, spoke No. 1 before lopingaway. The cylinder business began again. Thistime, Jon drank the bitter liquid slowly, tryingto figure out what it was. It had afamiliar, tantalizing taste but he couldn'tquite put a taste-finger on it. His belly said he was hungry. He glancedat his chronometer. Only 20 days left beforethe SP ship arrived. Would this torture—he chuckled—lastuntil then? But he was growing more andmore conscious that his belly was screamingfor hunger. The liquid had taken the edgeoff his thirst. It was on the fifth day of his torture thatJon Karyl decided that he was going to getsomething to eat or perish in the attempt. The cylinder sat passively in its niche inthe circle. A dozen Steel-Blues were watchingas Jon put on his helmet and unsheathedhis stubray. They merely watched as he pressed thestubray's firing stud. Invisible rays lickedout of the bulbous muzzle of the pistol.The plastic splintered. Jon was out of his goldfish bowl andstriding toward his own igloo adjacent tothe service station when a Steel-Blueaccosted him. Out of my way, grunted Jon, wavingthe stubray. I'm hungry. I'm the first Steel-Blue you met, saidthe creature who barred his way. Go backto your torture. But I'm so hungry I'll chew off one ofyour tentacles and eat it without seasoning. Eat? The Steel-Blue sounded puzzled. I want to refuel. I've got to have foodto keep my engine going. Steel-Blue chuckled. So the hemlock, asyou call it, is beginning to affect you atlast? Back to the torture room. Like R-dust, Jon growled. He pressedthe firing stud on the stubray gun. One ofSteel-Blue's tentacles broke off and fell tothe rocky sward. Steel-Blue jerked out the box he'd usedonce before. A tentacle danced over it. Abruptly Jon found himself standing ona pinnacle of rock. Steel-Blue had cut aswath around him 15 feet deep and five feetwide. Back to the room, Steel-Blue commanded. Jon resheathed the stubray pistol,shrugged non-committally and leaped thetrench. He walked slowly back and reenteredthe torture chamber. The Steel-Blues rapidly repaired the damagehe'd done. As he watched them, Jon was still curious,but he was getting mad underneath atthe cold egoism of the Steel-Blues. By the shimmering clouds of Earth, byher green fields, and dark forests, he'dstay alive to warn the SP ship. Yes, he'd stay alive till then. And sendthe story of the Steel-Blues' corrosive acidto it. Then hundreds of Earth's ships couldequip themselves with spray guns and squirtcitric acid and watch the Steel-Blues fadeaway. It sounded almost silly to Jon Karyl. Thefruit acid of Earth to repel these invaders—itdoesn't sound possible. That couldn't bethe answer. Citric acid wasn't the answer, Jon Karyldiscovered a week later. The Steel-Blue who had captured him inthe power room of the service station camein to examine him. You're still holding out, I see, he observedafter poking Jon in every sensitivepart of his body. I'll suggest to No. 1 that we increasethe power of the—ah—hemlock. How doyou feel? Between the rich oxygen and the dizzinessof hunger, Jon was a bit delirious. But heanswered honestly enough: My guts feel asif they're chewing each other up. My bonesache. My joints creak. I can't coordinate I'mso hungry. That is the hemlock, Steel-Blue said. It was when he quaffed the new andstronger draught that Jon knew that hishope that it was citric acid was squelched. The acid taste was weaker which meantthat the citric acid was the diluting liquid.It was the liquid he couldn't taste beneaththe tang of the citric acid that was the corrosiveacid. On the fourteenth day, Jon was so weakhe didn't feel much like moving around. Helet the cylinder feed him the hemlock. No. 1 came again to see him, and wentaway chuckling, Decrease the dilution.This Earthman at last is beginning tosuffer. <doc-sep></s> [SEP] What characteristics do the Steel-Blue creatures possess in terms of their physical appearance?

The Steel-Blue creatures are described to be steel-blue in color. They have egg-shaped heads and walking appendages. The Steel-Blues are also around the height of Jon at six feet, and their appendages are many-jointed. These appendages also stretch and shrink independent of each other, but the cylindrical body and tentacles are kept on a level balance. Instead of eyes, the Steel-Blues have elliptical-shaped lenses that cover half of the head and converge around the sides of the head. Jon notes that they are robots without masters. When Jon follows the Steel-Blue later, he notes that it has a lens on the back of its head as well. The massive steel-blue creature that Jon meets has four more tentacles, including two short ones that grow out of its head.

What is the backdrop of the story ACID BATH? [SEP] <s> ACID BATH By VASELEOS GARSON The starways' Lone Watcher had expected some odd developmentsin his singular, nerve-fraught job on the asteroid. But nothing like theweird twenty-one-day liquid test devised by the invading Steel-Blues. <doc-sep> The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watchthe great changeless sweep of space. He could not quite explain thefeelings within him; they were so alien, so unnatural. But ever sincethe engines somewhere in the rear of the world had changed their tone,from the steady whining Rikud had heard all twenty-five years of hislife, to the sullen roar that came to his ears now, the feelings hadgrown. If anyone else had noticed the change, he failed to mention it. Thisdisturbed Rikud, although he could not tell why. And, because he hadrealized this odd difference in himself, he kept it locked up insidehim. Today, space looked somehow different. The stars—it was a meaninglessconcept to Rikud, but that was what everyone called the brightpinpoints of light on the black backdrop in the viewport—were notapparent in the speckled profusion Rikud had always known. Instead,there was more of the blackness, and one very bright star set apartby itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this wasodd. His head ached with the half-born thought. It was—it was—whatwas it? Someone was clomping up the companionway behind Rikud. He turned andgreeted gray-haired old Chuls. In five more years, the older man chided, you'll be ready to sirechildren. And all you can do in the meantime is gaze out at the stars. Rikud knew he should be exercising now, or bathing in the rays of thehealth-lamps. It had never occurred to him that he didn't feel like it;he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of thetime he would be thirty and a father. Whom would the Calculator selectas his mate? The first time this idea had occurred to him, Rikudignored it. But it came again, and each time it left him with a feelinghe could not explain. Why should he think thoughts that no other manhad? Why should he think he was thinking such thoughts, when it alwaysembroiled him in a hopeless, infinite confusion that left him with aheadache? Chuls said, It is time for my bath in the health-rays. I saw you hereand knew it was your time, too.... His voice trailed off. Rikud knew that something which he could notexplain had entered the elder man's head for a moment, but it haddeparted almost before Chuls knew of its existence. I'll go with you, Rikud told him. <doc-sep> The cylinder moved so fast Jon felt hiseyes jump in his head. He brought thestubray gun up—but he was helpless. Thepistol kept on going up. With a deft movement,one of the tentacles had speared itfrom his hand and was holding it out ofhis reach. Jon kicked at the glass in the cylinder'shand. But he was too slow. Two tentaclesgripped the kicking leg. Another struck himin the chest, knocking him to the pallet. Thesame tentacle, assisted by a new one,pinioned his shoulders. Four tentacles held him supine. The cylinderlifted a glass-like cap from the tumblerof liquid. Lying there helplessly, Jon was rememberingan old fairy tale he'd read as a kid.Something about a fellow named Socrateswho was given a cup of hemlock to drink.It was the finis for Socrates. But the oldhero had been nonchalant and calm aboutthe whole thing. With a sigh, Jon Karyl, who was curiousunto death, relaxed and said, All right,bub, you don't have to force-feed me. I'lltake it like a man. The cylinder apparently understood him,for it handed him the tumbler. It even reholsteredhis stubray pistol. Jon brought the glass of liquid under hisnose. The fumes of the liquid were pungent.It brought tears to his eyes. He looked at the cylinder, then at theSteel-Blues crowding around the plasticigloo. He waved the glass at the audience. To Earth, ever triumphant, he toasted.Then he drained the glass at a gulp. Its taste was bitter, and he felt hotprickles jab at his scalp. It was like eatingvery hot peppers. His eyes filled with tears.He coughed as the stuff went down. But he was still alive, he thought inamazement. He'd drunk the hemlock andwas still alive. The reaction set in quickly. He hadn'tknown until then how tense he'd been. Nowwith the torture ordeal over, he relaxed. Helaid down on the pallet and went to sleep. There was one lone Steel-Blue watchinghim when he rubbed the sleep out of hiseyes and sat up. He vanished almost instantly. He, or anotherlike him, returned immediately accompaniedby a half-dozen others, includingthe multi-tentacled creature known as No. 1. One said, You are alive. The thought registeredamazement. When you lost consciousness,we thought you had—there was a hesitation—asyou say, died. No, Jon Karyl said. I didn't die. Iwas just plain dead-beat so I went to sleep.The Steel-Blues apparently didn't understand. Good it is that you live. The torturewill continue, spoke No. 1 before lopingaway. The cylinder business began again. Thistime, Jon drank the bitter liquid slowly, tryingto figure out what it was. It had afamiliar, tantalizing taste but he couldn'tquite put a taste-finger on it. His belly said he was hungry. He glancedat his chronometer. Only 20 days left beforethe SP ship arrived. Would this torture—he chuckled—lastuntil then? But he was growing more andmore conscious that his belly was screamingfor hunger. The liquid had taken the edgeoff his thirst. It was on the fifth day of his torture thatJon Karyl decided that he was going to getsomething to eat or perish in the attempt. The cylinder sat passively in its niche inthe circle. A dozen Steel-Blues were watchingas Jon put on his helmet and unsheathedhis stubray. They merely watched as he pressed thestubray's firing stud. Invisible rays lickedout of the bulbous muzzle of the pistol.The plastic splintered. Jon was out of his goldfish bowl andstriding toward his own igloo adjacent tothe service station when a Steel-Blueaccosted him. Out of my way, grunted Jon, wavingthe stubray. I'm hungry. I'm the first Steel-Blue you met, saidthe creature who barred his way. Go backto your torture. But I'm so hungry I'll chew off one ofyour tentacles and eat it without seasoning. Eat? The Steel-Blue sounded puzzled. I want to refuel. I've got to have foodto keep my engine going. Steel-Blue chuckled. So the hemlock, asyou call it, is beginning to affect you atlast? Back to the torture room. Like R-dust, Jon growled. He pressedthe firing stud on the stubray gun. One ofSteel-Blue's tentacles broke off and fell tothe rocky sward. Steel-Blue jerked out the box he'd usedonce before. A tentacle danced over it. Abruptly Jon found himself standing ona pinnacle of rock. Steel-Blue had cut aswath around him 15 feet deep and five feetwide. Back to the room, Steel-Blue commanded. Jon resheathed the stubray pistol,shrugged non-committally and leaped thetrench. He walked slowly back and reenteredthe torture chamber. The Steel-Blues rapidly repaired the damagehe'd done. As he watched them, Jon was still curious,but he was getting mad underneath atthe cold egoism of the Steel-Blues. By the shimmering clouds of Earth, byher green fields, and dark forests, he'dstay alive to warn the SP ship. Yes, he'd stay alive till then. And sendthe story of the Steel-Blues' corrosive acidto it. Then hundreds of Earth's ships couldequip themselves with spray guns and squirtcitric acid and watch the Steel-Blues fadeaway. It sounded almost silly to Jon Karyl. Thefruit acid of Earth to repel these invaders—itdoesn't sound possible. That couldn't bethe answer. Citric acid wasn't the answer, Jon Karyldiscovered a week later. The Steel-Blue who had captured him inthe power room of the service station camein to examine him. You're still holding out, I see, he observedafter poking Jon in every sensitivepart of his body. I'll suggest to No. 1 that we increasethe power of the—ah—hemlock. How doyou feel? Between the rich oxygen and the dizzinessof hunger, Jon was a bit delirious. But heanswered honestly enough: My guts feel asif they're chewing each other up. My bonesache. My joints creak. I can't coordinate I'mso hungry. That is the hemlock, Steel-Blue said. It was when he quaffed the new andstronger draught that Jon knew that hishope that it was citric acid was squelched. The acid taste was weaker which meantthat the citric acid was the diluting liquid.It was the liquid he couldn't taste beneaththe tang of the citric acid that was the corrosiveacid. On the fourteenth day, Jon was so weakhe didn't feel much like moving around. Helet the cylinder feed him the hemlock. No. 1 came again to see him, and wentaway chuckling, Decrease the dilution.This Earthman at last is beginning tosuffer. <doc-sep></s> [SEP] What is the backdrop of the story ACID BATH?

The story is initially set on an asteroid, where a stationary rocket station is. Jon has a blue plastic igloo to live in. There is also a ravine where he runs to in an attempt to elude the Steel-Blues. There are bushes, water, and dense thicket that he must go through before getting to the hollowed-out space in the center. At the station, there is a lock for his key to go through. The lever then opens to a long tunnel, and there is a televisor that fixes on the area. The station is made out of stelrylite, but it becomes riddled with holes after the Steel-Blues attack. The station also has a row of studs and a revolving turret that fires atomic cannons. There is a yellow, blue, and red button to fire. The Blue Steels’ spaceship can change its part to a bubble-like metal. The spaceship of the invaders is pitch-black and is a maze-like corridor. At the end, there is a circular room with bright light streaming from a glass-like and bulging skylight. In the examination room, the Steel-Blues build a miniature reproduction of the space station with plastic walls. There is a small opening in the four foot cylinder that brings him a strange liquid. Although the Steel-Blues are always present, the tank they keep him in is fairly easy to break out of.

What types of tools were utilized in the ACID BATH narrative? [SEP] <s> ACID BATH By VASELEOS GARSON The starways' Lone Watcher had expected some odd developmentsin his singular, nerve-fraught job on the asteroid. But nothing like theweird twenty-one-day liquid test devised by the invading Steel-Blues. <doc-sep>Though I'm signed aboard as Ship's Surgeon, I seldom lift a knifein space. My employment is more in the nature of TS-card-puncherextraordinary. My duties are to serve as wailing-wall, morale officer,guardian of the medicinal whiskey and frustrator of mutual murder.Generally the man aboard who'd serve as the most popular murder-victimis the Cook. This trip, the-man-you-love-to-hate was our Captain. If the Cook hadn't problems enough with the chemical and psychic dutiesof his office, Winkelmann supplied the want. Captain Willy Winkelmannwas the sort of man who, if he had to go into space at all, had best doso alone. If the Prussians had a Marine Corps, Winkelmann would havedone splendidly as Drill Instructor for their boot camp. His heartwas a chip of helium ice, his voice dripped sarcastic acid. The planetEarth was hardly large enough to accommodate a wart as annoying asWilly Winkelmann. Cheek-by-jowl every day in a nacelle the size of aPullman car, our Captain quickly established himself as a major socialhemorrhoid. The Captain's particular patsy was, of course, young Bailey the Cook.It was Winkelmann who saw humorous possibilities in the entry, Bailey,Robert, on Ship's Articles. He at once renamed our unfortunateshipmate Belly-Robber. It was Winkelmann who discussed hautcuisine and the properties of the nobler wines while we munched ouralgaeburgers and sipped coffee that tasted of utility water. And it wasCaptain Willy Winkelmann who never referred to the ship's head by anyother name than The Kitchen Cabinet. Bailey tried to feed us by groundside standards. He hid the tasteof synthetic methionine—an essential amino acid not synthesized byChlorella—by seasoning our algaeal repasts with pinches of oreganoand thyme. He tinted the pale-green dollops of pressed Chlorella pink,textured the mass to the consistency of hamburger and toasted theslabs to a delicate brown in a forlorn attempt to make mock-meat.For dessert, he served a fudge compounded from the dextrose-paste ofthe carbohydrate recycler. The crew thanked him. The Captain did not.Belly-Robber, he said, his tone icy as winter wind off the North Sea,you had best cycle this mess through the tanks again. There is a punin my home country: Mensch ist was er isst. It means, you are whatyou eat. I think you are impertinent to suggest I should become this Schweinerei you are feeding me. Captain Winkelmann blotted his chinwith his napkin, heaved his bulk up from the table, and climbed up theladder from the dining-cubby. <doc-sep>Lexington stared at his cup without touching it for a long while. Thenhe continued with his narrative. I suppose it's all my own fault. Ididn't detect the symptoms soon enough. After this plant got workingproperly, I started living here. It wasn't a question of saving money.I hated to waste two hours a day driving to and from my house, and Ialso wanted to be on hand in case anything should go wrong that themachine couldn't fix for itself. Handling the cup as if it were going to shatter at any moment, he tooka gulp. I began to see that the machine could understand the writtenword, and I tried hooking a teletype directly into the logic circuits.It was like uncorking a seltzer bottle. The machine had a funnyvocabulary—all of it gleaned from letters it had seen coming in, andreplies it had seen leaving. But it was intelligible. It even displayedsome traces of the personality the machine was acquiring. It had chosen a name for itself, for instance—'Lex.' That shook me.You might think Lex Industries was named through an abbreviation ofthe name Lexington, but it wasn't. My wife's name was Alexis, and itwas named after the nickname she always used. I objected, of course,but how can you object on a point like that to a machine? Bear in mindthat I had to be careful to behave reasonably at all times, because themachine was still learning from me, and I was afraid that any tantrumsI threw might be imitated. It sounds pretty awkward, Peter put in. You don't know the half of it! As time went on, I had less and less todo, and business-wise I found that the entire control of the operationwas slipping from my grasp. Many times I discovered—too late—thatthe machine had taken the damnedest risks you ever saw on bids andcontracts for supply. It was quoting impossible delivery times onsome orders, and charging pirate's prices on others, all without anyobvious reason. Inexplicably, we always came out on top. It would turnout that on the short-delivery-time quotations, we'd been up againststiff competition, and cutting the production time was the only way wecould get the order. On the high-priced quotes, I'd find that no oneelse was bidding. We were making more money than I'd ever dreamed of,and to make it still better, I'd find that for months I had virtuallynothing to do. It sounds wonderful, sir, said Peter, feeling dazzled. It was, in a way. I remember one day I was especially pleased withsomething, and I went to the control console to give the kicker buttona long, hard push. The button, much to my amazement, had been removed,and a blank plate had been installed to cover the opening in the board.I went over to the teletype and punched in the shortest message I hadever sent. 'LEX—WHAT THE HELL?' I typed. The answer came back in the jargon it had learned from letters it hadseen, and I remember it as if it just happened. 'MR. A LEXINGTON, LEXINDUSTRIES, DEAR SIR: RE YOUR LETTER OF THE THIRTEENTH INST., I AMPLEASED TO ADVISE YOU THAT I AM ABLE TO DISCERN WHETHER OR NOT YOU AREPLEASED WITH MY SERVICE WITHOUT THE USE OF THE EQUIPMENT PREVIOUSLYUSED FOR THIS PURPOSE. RESPECTFULLY, I MIGHT SUGGEST THAT IF THEPUSHBUTTON ARRANGEMENT WERE NECESSARY, I COULD PUSH THE BUTTON MYSELF.I DO NOT BELIEVE THIS WOULD MEET WITH YOUR APPROVAL, AND HAVE TAKENSTEPS TO RELIEVE YOU OF THE BURDEN INVOLVED IN REMEMBERING TO PUSH THEBUTTON EACH TIME YOU ARE ESPECIALLY PLEASED. I SHOULD LIKE TO TAKE THISOPPORTUNITY TO THANK YOU FOR YOUR INQUIRY, AND LOOK FORWARD TO SERVINGYOU IN THE FUTURE AS I HAVE IN THE PAST. YOURS FAITHFULLY, LEX'. <doc-sep></s> [SEP] What types of tools were utilized in the ACID BATH narrative?

Jon uses a stubray pistol that he keeps on him at all times. The space station itself is fairly equipped, with a thin turret that can fire atomic cannons. The ship that the Steel Blues arrive in is very advanced as well, and it is capable of recovering from the cannon. The Steel Blue’s build his habitat out of plastic and other material that they have in possession. When the Steel Blue’s begin Jon’s torture, they feed him a drink that he thinks is hemlock. Later, Jon also uses his little power-pack radio to send a distress signal to the SP ship. When the SP ship defeats the Steel Blues, they use a rocket tube to shoot water and then atomic fire.

What is the connection between Jon Karyl and his Steel-Blue (the one he first encounters) in the story ACID BATH? [SEP] <s> The cylinder moved so fast Jon felt hiseyes jump in his head. He brought thestubray gun up—but he was helpless. Thepistol kept on going up. With a deft movement,one of the tentacles had speared itfrom his hand and was holding it out ofhis reach. Jon kicked at the glass in the cylinder'shand. But he was too slow. Two tentaclesgripped the kicking leg. Another struck himin the chest, knocking him to the pallet. Thesame tentacle, assisted by a new one,pinioned his shoulders. Four tentacles held him supine. The cylinderlifted a glass-like cap from the tumblerof liquid. Lying there helplessly, Jon was rememberingan old fairy tale he'd read as a kid.Something about a fellow named Socrateswho was given a cup of hemlock to drink.It was the finis for Socrates. But the oldhero had been nonchalant and calm aboutthe whole thing. With a sigh, Jon Karyl, who was curiousunto death, relaxed and said, All right,bub, you don't have to force-feed me. I'lltake it like a man. The cylinder apparently understood him,for it handed him the tumbler. It even reholsteredhis stubray pistol. Jon brought the glass of liquid under hisnose. The fumes of the liquid were pungent.It brought tears to his eyes. He looked at the cylinder, then at theSteel-Blues crowding around the plasticigloo. He waved the glass at the audience. To Earth, ever triumphant, he toasted.Then he drained the glass at a gulp. Its taste was bitter, and he felt hotprickles jab at his scalp. It was like eatingvery hot peppers. His eyes filled with tears.He coughed as the stuff went down. But he was still alive, he thought inamazement. He'd drunk the hemlock andwas still alive. The reaction set in quickly. He hadn'tknown until then how tense he'd been. Nowwith the torture ordeal over, he relaxed. Helaid down on the pallet and went to sleep. There was one lone Steel-Blue watchinghim when he rubbed the sleep out of hiseyes and sat up. He vanished almost instantly. He, or anotherlike him, returned immediately accompaniedby a half-dozen others, includingthe multi-tentacled creature known as No. 1. One said, You are alive. The thought registeredamazement. When you lost consciousness,we thought you had—there was a hesitation—asyou say, died. No, Jon Karyl said. I didn't die. Iwas just plain dead-beat so I went to sleep.The Steel-Blues apparently didn't understand. Good it is that you live. The torturewill continue, spoke No. 1 before lopingaway. The cylinder business began again. Thistime, Jon drank the bitter liquid slowly, tryingto figure out what it was. It had afamiliar, tantalizing taste but he couldn'tquite put a taste-finger on it. His belly said he was hungry. He glancedat his chronometer. Only 20 days left beforethe SP ship arrived. Would this torture—he chuckled—lastuntil then? But he was growing more andmore conscious that his belly was screamingfor hunger. The liquid had taken the edgeoff his thirst. It was on the fifth day of his torture thatJon Karyl decided that he was going to getsomething to eat or perish in the attempt. The cylinder sat passively in its niche inthe circle. A dozen Steel-Blues were watchingas Jon put on his helmet and unsheathedhis stubray. They merely watched as he pressed thestubray's firing stud. Invisible rays lickedout of the bulbous muzzle of the pistol.The plastic splintered. Jon was out of his goldfish bowl andstriding toward his own igloo adjacent tothe service station when a Steel-Blueaccosted him. Out of my way, grunted Jon, wavingthe stubray. I'm hungry. I'm the first Steel-Blue you met, saidthe creature who barred his way. Go backto your torture. But I'm so hungry I'll chew off one ofyour tentacles and eat it without seasoning. Eat? The Steel-Blue sounded puzzled. I want to refuel. I've got to have foodto keep my engine going. Steel-Blue chuckled. So the hemlock, asyou call it, is beginning to affect you atlast? Back to the torture room. Like R-dust, Jon growled. He pressedthe firing stud on the stubray gun. One ofSteel-Blue's tentacles broke off and fell tothe rocky sward. Steel-Blue jerked out the box he'd usedonce before. A tentacle danced over it. Abruptly Jon found himself standing ona pinnacle of rock. Steel-Blue had cut aswath around him 15 feet deep and five feetwide. Back to the room, Steel-Blue commanded. Jon resheathed the stubray pistol,shrugged non-committally and leaped thetrench. He walked slowly back and reenteredthe torture chamber. The Steel-Blues rapidly repaired the damagehe'd done. As he watched them, Jon was still curious,but he was getting mad underneath atthe cold egoism of the Steel-Blues. By the shimmering clouds of Earth, byher green fields, and dark forests, he'dstay alive to warn the SP ship. Yes, he'd stay alive till then. And sendthe story of the Steel-Blues' corrosive acidto it. Then hundreds of Earth's ships couldequip themselves with spray guns and squirtcitric acid and watch the Steel-Blues fadeaway. It sounded almost silly to Jon Karyl. Thefruit acid of Earth to repel these invaders—itdoesn't sound possible. That couldn't bethe answer. Citric acid wasn't the answer, Jon Karyldiscovered a week later. The Steel-Blue who had captured him inthe power room of the service station camein to examine him. You're still holding out, I see, he observedafter poking Jon in every sensitivepart of his body. I'll suggest to No. 1 that we increasethe power of the—ah—hemlock. How doyou feel? Between the rich oxygen and the dizzinessof hunger, Jon was a bit delirious. But heanswered honestly enough: My guts feel asif they're chewing each other up. My bonesache. My joints creak. I can't coordinate I'mso hungry. That is the hemlock, Steel-Blue said. It was when he quaffed the new andstronger draught that Jon knew that hishope that it was citric acid was squelched. The acid taste was weaker which meantthat the citric acid was the diluting liquid.It was the liquid he couldn't taste beneaththe tang of the citric acid that was the corrosiveacid. On the fourteenth day, Jon was so weakhe didn't feel much like moving around. Helet the cylinder feed him the hemlock. No. 1 came again to see him, and wentaway chuckling, Decrease the dilution.This Earthman at last is beginning tosuffer. <doc-sep> There , just ahead of him, was the lockleading into the service station. Slippinga key out of a leg pouch on the space suit,he jabbed it into the center of the lock,opening the lever housing. He pulled strongly on the lever. With ahiss of escaping air, the lock swung open.Jon Karyl darted inside, the door closingsoftly behind. At the end of the long tunnel he steppedto the televisor which was fixed on the areasurrounding the station. Jon Karyl saw none of the steel-blue creatures.But he saw their ship. It squattedlike a smashed-down kid's top, its lock shuttight. He tuned the televisor to its widest rangeand finally spotted one of the Steel-Blues.He was looking into the stationary rocketengine. As Karyl watched, a second Steel-Bluecame crawling out of the ship. The two Steel-Blues moved toward thecenter of the televisor range. They're comingtoward the station, Karyl thought grimly. Karyl examined the two creatures. Theywere of the steel-blue color from the crownof their egg-shaped heads to the tips oftheir walking appendages. They were about the height of Karyl—sixfeet. But where he tapered from broadshoulders to flat hips, they were straight upand down. They had no legs, just appendages,many-jointed that stretched andshrank independent of the other, but keepingthe cylindrical body with its four pairsof tentacles on a level balance. Where their eyes would have been wasan elliptical-shaped lens, covering half theegg-head, with its converging ends curvingaround the sides of the head. Robots! Jon gauged immediately. Butwhere were their masters? The Steel-Blues moved out of the rangeof the televisor. A minute later Jon hearda pounding from the station upstairs. He chuckled. They were like the wolf ofpre-atomic days who huffed and puffed toblow the house down. The outer shell of the station was formedfrom stelrylite, the toughest metal in thesolar system. With the self-sealing lock ofthe same resistant material, a mere poundingwas nothing. Jon thought he'd have a look-see anyway.He went up the steel ladder leading to thestation's power plant and the televisor thatcould look into every room within thestation. He heaved a slight sigh when he reachedthe power room, for right at his hand wereweapons to blast the ship from the asteroid. Jon adjusted one televisor to take in thelock to the station. His teeth suddenlyclamped down on his lower lip. Those Steel-Blues were pounding holesinto the stelrylite with round-headed metalclubs. But it was impossible. Stelrylite didn'tbreak up that easily. Jon leaped to a row of studs, lining upthe revolving turret which capped the stationso that its thin fin pointed at thesquat ship of the invaders. Then he went to the atomic cannon'sfiring buttons. He pressed first the yellow, then the bluebutton. Finally the red one. The thin fin—the cannon's sight—split inhalf as the turret opened and the coiled noseof the cannon protruded. There was asoundless flash. Then a sharp crack. Jon was dumbfounded when he saw thebolt ricochet off the ship. This was no shipof the solar system. There was nothing thatcould withstand even the slight jolt of powergiven by the station cannon on any of theSun's worlds. But what was this? A piece ofthe ship had changed. A bubble of metal,like a huge drop of blue wax, dripped offthe vessel and struck the rocket of theasteroid. It steamed and ran in rivulets. He pressed the red button again. Then abruptly he was on the floor of thepower room, his legs strangely cut out fromunder him. He tried to move them. They layflaccid. His arms seemed all right and triedto lever himself to an upright position. Damn it, he seemed as if he were paralyzedfrom the waist down. But it couldn'thappen that suddenly. He turned his head. A Steel-Blue stood facing him. A forkedtentacle held a square black box. Jon could read nothing in that metallicface. He said, voice muffled by the confinesof the plastic helmet, Who are you? I am—there was a rising inflection inthe answer—a Steel-Blue. There were no lips on the Steel-Blue'sface to move. That is what I have namedyou, Jon Karyl said. But what are you? A robot, came the immediate answer.Jon was quite sure then that the Steel-Bluewas telepathic. Yes, the Steel-Blue answered.We talk in the language of themind. Come! he said peremptorily, motioningwith the square black box. The paralysis left Karyl's legs. He followedthe Steel-Blue, aware that the lenshe'd seen on the creature's face had acounterpart on the back of the egg-head. Eyes in the back of his head, Jon thought.That's quite an innovation. Thank you,Steel-Blue said. There wasn't much fear in Jon Karyl'smind. Psychiatrists had proved that when hehad applied for this high-paying but man-killingjob as a Lone Watcher on the SolarSystem's starways. He had little fear now, only curiosity.These Steel-Blues didn't seem inimical.They could have snuffed out my life verysimply. Perhaps they and Solarians can befriends. Steel-Blue chuckled. <doc-sep> There was a hiss. Simultaneously, as thetiny microphone on the outside of hissuit picked up the hiss, he felt a chill gothrough his body. Then it seemed as if ahalf dozen hands were inside him, examininghis internal organs. His stomach contracted.He felt a squeeze on his heart. Hislungs tickled. There were several more queer motionsinside his body. Then another Steel-Blue voice said: He is a soft-metal creature, made up ofmetals that melt at a very low temperature.He also contains a liquid whose makeup Icannot ascertain by ray-probe. Bring himback when the torture is done. Jon Karyl grinned a trifle wryly. Whatkind of torture could this be? Would it last 21 days? He glanced at thechronometer on his wrist. Jon's Steel-Blue led him out of the alienship and halted expectantly just outside theship's lock. Jon Karyl waited, too. He thought of thestubray pistol holstered at his hip. Shoot myway out? It'd be fun while it lasted. But hetoted up the disadvantages. He either would have to find a hidingplace on the asteroid, and if the Steel-Blueswanted him bad enough they could tear thewhole place to pieces, or somehow getaboard the little life ship hidden in theservice station. In that he would be just a sitting duck. He shrugged off the slight temptation touse the pistol. He was still curious. And he was interested in staying alive aslong as possible. There was a remote chancehe might warn the SP ship. Unconsciously,he glanced toward his belt to see the littlepower pack which, if under ideal conditions,could finger out fifty thousand miles intospace. If he could somehow stay alive the 21days he might be able to warn the patrol.He couldn't do it by attempting to flee, forhis life would be snuffed out immediately. The Steel-Blue said quietly: It might be ironical to let you warnthat SP ship you keep thinking about. Butwe know your weapon now. Already ourship is equipped with a force field designedespecially to deflect your atomic guns. Jon Karyl covered up his thoughtsquickly. They can delve deeper than thesurface of the mind. Or wasn't I keeping aleash on my thoughts? The Steel-Blue chuckled. You get—absent-minded,is it?—every once in awhile. Just then four other Steel-Blues appearedlugging great sheets of plastic and variousother equipment. They dumped their loads and began unbundlingthem. Working swiftly, they built a plasticigloo, smaller than the living room in thelarger service station igloo. They ranged instrumentsinside—one of them Jon Karylrecognized as an air pump from within thestation—and they laid out a pallet. When they were done Jon saw a miniaturereproduction of the service station, lackingonly the cannon cap and fin, and with clearplastic walls instead of the opaqueness of theother. His Steel-Blue said: We have reproducedthe atmosphere of your station so that yoube watched while you undergo the tortureunder the normal conditions of your life. What is this torture? Jon Karyl asked. The answer was almost caressing: It isa liquid we use to dissolve metals. It causesjoints to harden if even so much as a dropremains on it long. It eats away the metal,leaving a scaly residue which crumbleseventually into dust. We will dilute it with a harmless liquidfor you since No. 1 does not wish you to dieinstantly. Enter your—the Steel-Blue hesitated—mausoleum.You die in your own atmosphere.However, we took the liberty of purifyingit. There were dangerous elements init. Jon walked into the little igloo. TheSteel-Blues sealed the lock, fingered dialsand switches on the outside. Jon's space suitdeflated. Pressure was building up in theigloo. He took a sample of the air, found thatit was good, although quite rich in oxygencompared with what he'd been using in theservice station and in his suit. With a sigh of relief he took off his helmetand gulped huge draughts of the air. He sat down on the pallet and waitedfor the torture to begin. The Steel Blues crowded about the igloo,staring at him through elliptical eyes. Apparently, they too, were waiting for thetorture to begin. Jon thought the excess of oxygen wasmaking him light-headed. He stared at a cylinder which was beginningto sprout tentacles from the circle.He rubbed his eyes and looked again. Anopening, like the adjustable eye-piece of aspacescope, was appearing in the center ofthe cylinder. A square, glass-like tumbler sat in theopening disclosed in the four-foot cylinderthat had sprouted tentacles. It contained ayellowish liquid. One of the tentacles reached into theopening and clasped the glass. The openingclosed and the cylinder, propelled by locomotorappendages, moved toward Jon. He didn't like the looks of the liquid inthe tumbler. It looked like an acid of somesort. He raised to his feet. He unsheathed the stubray gun and preparedto blast the cylinder. <doc-sep></s> [SEP] What is the connection between Jon Karyl and his Steel-Blue (the one he first encounters) in the story ACID BATH?

Jon is initially curious about the Steel-Blue that he first meets in the space station. When he notices that it has eyes on the back of its head, it even says “Thank you” to him. It also tells him that its species can read his mind. The Steel-Blue also explains to him that the metal they use at the station is considered to be the softest one from where the Space Blue’s come from. It is not openly hostile towards him, but it does speak almost contemptuously when they go to the examination room. Although his Steel Blue initially did not show much hostility, it does warn him to not even think about contacting the SP ship or using his weapon. However, it does tease him and say that he gets absent-minded at times. When it tells him about the torture, his Blue Steel speaks in an almost-caressing way as well. When Jon breaks out of his tank to find food, his Steel-Blue tells him that it is the first of the creatures that he has met. It commands him to go back to the tank. Although it seems friendly at first, Jon and the Steel-Blue do not have any sort of positive relationship. The Steel-Blue wishes to see him suffer, while Jon wants to survive and get out of the torture room.

Can you give me a summary of the storyline in "The Hoofer"? [SEP] <s> A wayfarer's return from a far country to his wife and family may be ashining experience, a kind of second honeymoon. Or it may be so shadowedby Time's relentless tyranny that the changes which have occurred in hisabsence can lead only to tragedy and despair. This rarely discerning, warmlyhuman story by a brilliant newcomer to the science fantasy field is toldwith no pulling of punches, and its adroit unfolding will astound you. the hoofer by ... Walter M. Miller, Jr. A space rover has no business with a family. But what can a manin the full vigor of youth do—if his heart cries out for a home? <doc-sep>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep> They all knew he was a spacerbecause of the white goggle markson his sun-scorched face, and sothey tolerated him and helped him.They even made allowances for himwhen he staggered and fell in theaisle of the bus while pursuing theharassed little housewife from seatto seat and cajoling her to sit andtalk with him. Having fallen, he decided tosleep in the aisle. Two men helpedhim to the back of the bus, dumpedhim on the rear seat, and tucked hisgin bottle safely out of sight. Afterall, he had not seen Earth for ninemonths, and judging by the crustedmatter about his eyelids, he couldn'thave seen it too well now, even ifhe had been sober. Glare-blindness,gravity-legs, and agoraphobia wereexcuses for a lot of things, when aman was just back from Big Bottomless.And who could blame aman for acting strangely? Minutes later, he was back up theaisle and swaying giddily over thelittle housewife. How! he said.Me Chief Broken Wing. Youwanta Indian wrestle? The girl, who sat nervously staringat him, smiled wanly, andshook her head. Quiet li'l pigeon, aren'tcha? heburbled affectionately, crashing intothe seat beside her. The two men slid out of theirseats, and a hand clamped his shoulder.Come on, Broken Wing, let'sgo back to bed. My name's Hogey, he said.Big Hogey Parker. I was just kiddingabout being a Indian. Yeah. Come on, let's go have adrink. They got him on his feet,and led him stumbling back downthe aisle. My ma was half Cherokee, see?That's how come I said it. Youwanta hear a war whoop? Realstuff. Never mind. He cupped his hands to hismouth and favored them with ablood-curdling proof of his ancestry,while the female passengersstirred restlessly and hunched intheir seats. The driver stopped thebus and went back to warn himagainst any further display. Thedriver flashed a deputy's badge andthreatened to turn him over to aconstable. I gotta get home, Big Hogeytold him. I got me a son now,that's why. You know? A littlebaby pigeon of a son. Haven't seenhim yet. Will you just sit still and bequiet then, eh? Big Hogey nodded emphatically.Shorry, officer, I didn't mean tomake any trouble. When the bus started again, hefell on his side and lay still. Hemade retching sounds for a time,then rested, snoring softly. The busdriver woke him again at Caine'sjunction, retrieved his gin bottlefrom behind the seat, and helpedhim down the aisle and out of thebus. Big Hogey stumbled about for amoment, then sat down hard in thegravel at the shoulder of the road.The driver paused with one foot onthe step, looking around. There wasnot even a store at the road junction,but only a freight buildingnext to the railroad track, a coupleof farmhouses at the edge of a side-road,and, just across the way, a desertedfilling station with a saggingroof. The land was Great Plainscountry, treeless, barren, and rolling. Big Hogey got up and staggeredaround in front of the bus, clutchingat it for support, losing hisduffle bag. Hey, watch the traffic! Thedriver warned. With a surge of unwelcomecompassion he trottedaround after his troublesome passenger,taking his arm as he saggedagain. You crossing? Yah, Hogey muttered. Lemmealone, I'm okay. The driver started across thehighway with him. The traffic wassparse, but fast and dangerous inthe central ninety-mile lane. I'm okay, Hogey kept protesting.I'm a tumbler, ya know?Gravity's got me. Damn gravity.I'm not used to gravity, ya know? Iused to be a tumbler— huk! —onlynow I gotta be a hoofer. 'Countof li'l Hogey. You know about li'lHogey? Yeah. Your son. Come on. Say, you gotta son? I bet yougotta son. Two kids, said the driver,catching Hogey's bag as it slippedfrom his shoulder. Both girls. Say, you oughta be home withthem kids. Man oughta stick withhis family. You oughta get anotherjob. Hogey eyed him owlishly,waggled a moralistic finger, skiddedon the gravel as they steppedonto the opposite shoulder, andsprawled again. The driver blew a weary breath,looked down at him, and shook hishead. Maybe it'd be kinder to finda constable after all. This guy couldget himself killed, wanderingaround loose. Somebody supposed to meetyou? he asked, squinting aroundat the dusty hills. Huk! —who, me? Hogey giggled,belched, and shook his head.Nope. Nobody knows I'm coming.S'prise. I'm supposed to be here aweek ago. He looked up at thedriver with a pained expression.Week late, ya know? Marie'sgonna be sore—woo- hoo !—is shegonna be sore! He waggled hishead severely at the ground. Which way are you going? thedriver grunted impatiently. Hogey pointed down the side-roadthat led back into the hills.Marie's pop's place. You knowwhere? 'Bout three miles fromhere. Gotta walk, I guess. Don't, the driver warned.You sit there by the culvert tillyou get a ride. Okay? Hogey nodded forlornly. Now stay out of the road, thedriver warned, then hurried backacross the highway. Moments later,the atomic battery-driven motorsdroned mournfully, and the buspulled away. Big Hogey blinked after it, rubbingthe back of his neck. Nicepeople, he said. Nice buncha people.All hoofers. With a grunt and a lurch, he gotto his feet, but his legs wouldn'twork right. With his tumbler's reflexes,he fought to right himselfwith frantic arm motions, but gravityclaimed him, and he went stumblinginto the ditch. Damn legs, damn crazy legs!he cried. The bottom of the ditch was wet,and he crawled up the embankmentwith mud-soaked knees, and sat onthe shoulder again. The gin bottlewas still intact. He had himself along fiery drink, and it warmed himdeep down. He blinked around atthe gaunt and treeless land. The sun was almost down, forge-redon a dusty horizon. The blood-streakedsky faded into sulphurousyellow toward the zenith, and thevery air that hung over the landseemed full of yellow smoke, theomnipresent dust of the plains. A farm truck turned onto theside-road and moaned away, itsdriver hardly glancing at the darkyoung man who sat swaying on hisduffle bag near the culvert. Hogeyscarcely noticed the vehicle. He justkept staring at the crazy sun. He shook his head. It wasn't reallythe sun. The sun, the real sun,was a hateful eye-sizzling horror inthe dead black pit. It painted everythingwith pure white pain, and yousaw things by the reflected pain-light.The fat red sun was strictly aphoney, and it didn't fool him any.He hated it for what he knew it wasbehind the gory mask, and for whatit had done to his eyes. With a grunt, he got to his feet,managed to shoulder the duffle bag,and started off down the middle ofthe farm road, lurching from sideto side, and keeping his eyes on therolling distances. Another car turnedonto the side-road, honking angrily. Hogey tried to turn around tolook at it, but he forgot to shift hisfooting. He staggered and wentdown on the pavement. The car'stires screeched on the hot asphalt.Hogey lay there for a moment,groaning. That one had hurt hiship. A car door slammed and a bigman with a florid face got out andstalked toward him, looking angry. What the hell's the matter withyou, fella? he drawled. Yousoused? Man, you've really got aload. Hogey got up doggedly, shakinghis head to clear it. Space legs, heprevaricated. Got space legs. Can'tstand the gravity. The burly farmer retrieved hisgin bottle for him, still miraculouslyunbroken. Here's your gravity,he grunted. Listen, fella, you betterget home pronto. Pronto? Hey, I'm no Mex. Honest,I'm just space burned. Youknow? Yeah. Say, who are you, anyway?Do you live around here? It was obvious that the big manhad taken him for a hobo or atramp. Hogey pulled himself together.Goin' to the Hauptman'splace. Marie. You know Marie? The farmer's eyebrows went up.Marie Hauptman? Sure I knowher. Only she's Marie Parker now.Has been, nigh on six years. Say—He paused, then gaped. You ain'ther husband by any chance? Hogey, that's me. Big HogeyParker. Well, I'll be—! Get in the car.I'm going right past John Hauptman'splace. Boy, you're in noshape to walk it. He grinned wryly, waggled hishead, and helped Hogey and hisbag into the back seat. A womanwith a sun-wrinkled neck sat rigidlybeside the farmer in the front,and she neither greeted the passengernor looked around. They don't make cars like thisanymore, the farmer called overthe growl of the ancient gasolineengine and the grind of gears.You can have them new atomicswith their loads of hot isotopesunder the seat. Ain't safe, I say—eh,Martha? The woman with the sun-bakedneck quivered her head slightly.A car like this was good enoughfor Pa, an' I reckon it's goodenough for us, she drawled mournfully. Five minutes later the car drewin to the side of the road. Reckonyou can walk it from here, thefarmer said. That's Hauptman'sroad just up ahead. He helped Hogey out of the carand drove away without lookingback to see if Hogey stayed on hisfeet. The woman with the sun-bakedneck was suddenly talkinggarrulously in his direction. It was twilight. The sun had set,and the yellow sky was turninggray. Hogey was too tired to go on,and his legs would no longer holdhim. He blinked around at the land,got his eyes focused, and foundwhat looked like Hauptman's placeon a distant hillside. It was a bigframe house surrounded by a wheatfield,and a few scrawny trees. Havinglocated it, he stretched out inthe tall grass beyond the ditch totake a little rest. Somewhere dogs were barking,and a cricket sang creaking monotonyin the grass. Once there was thedistant thunder of a rocket blastfrom the launching station six milesto the west, but it faded quickly. AnA-motored convertible whined paston the road, but Hogey went unseen. When he awoke, it was night,and he was shivering. His stomachwas screeching, and his nerves dancingwith high voltages. He sat upand groped for his watch, then rememberedhe had pawned it afterthe poker game. Remembering thegame and the results of the gamemade him wince and bite his lipand grope for the bottle again. He sat breathing heavily for amoment after the stiff drink. Equatingtime to position had becomesecond nature with him, but he hadto think for a moment because hisdefective vision prevented him fromseeing the Earth-crescent. Vega was almost straight abovehim in the late August sky, so heknew it wasn't much after sundown—probablyabout eight o'clock. Hebraced himself with another swallowof gin, picked himself up andgot back to the road, feeling a littlesobered after the nap. He limped on up the pavementand turned left at the narrow drivethat led between barbed-wire fencestoward the Hauptman farmhouse,five hundred yards or so from thefarm road. The fields on his leftbelonged to Marie's father, heknew. He was getting close—closeto home and woman and child. He dropped the bag suddenlyand leaned against a fence post,rolling his head on his forearmsand choking in spasms of air. Hewas shaking all over, and his bellywrithed. He wanted to turn andrun. He wanted to crawl out in thegrass and hide. What were they going to say?And Marie, Marie most of all.How was he going to tell her aboutthe money? Six hitches in space, and everytime the promise had been thesame: One more tour, baby, andwe'll have enough dough, and thenI'll quit for good. One more time,and we'll have our stake—enoughto open a little business, or buy ahouse with a mortgage and get ajob. And she had waited, but themoney had never been quite enoughuntil this time. This time the tourhad lasted nine months, and he hadsigned on for every run from stationto moon-base to pick up thebonuses. And this time he'd madeit. Two weeks ago, there had beenforty-eight hundred in the bank.And now ... Why? he groaned, striking hisforehead against his forearms. Hisarm slipped, and his head hit thetop of the fencepost, and the painblinded him for a moment. He staggeredback into the road with alow roar, wiped blood from hisforehead, and savagely kicked hisbag. It rolled a couple of yards up theroad. He leaped after it and kickedit again. When he had finishedwith it, he stood panting and angry,but feeling better. He shoulderedthe bag and hiked on toward thefarmhouse. They're hoofers, that's all—justan Earth-chained bunch of hoofers,even Marie. And I'm a tumbler. Aborn tumbler. Know what thatmeans? It means—God, what doesit mean? It means out in Big Bottomless,where Earth's like a fatmoon with fuzzy mold growing onit. Mold, that's all you are, justmold. A dog barked, and he wonderedif he had been muttering aloud. Hecame to a fence-gap and paused inthe darkness. The road woundaround and came up the hill infront of the house. Maybe they weresitting on the porch. Maybe they'dalready heard him coming. Maybe ... He was trembling again. Hefished the fifth of gin out of hiscoat pocket and sloshed it. Still overhalf a pint. He decided to kill it. Itwouldn't do to go home with abottle sticking out of his pocket.He stood there in the night wind,sipping at it, and watching the reddishmoon come up in the east. Themoon looked as phoney as thesetting sun. He straightened in sudden determination.It had to be sometime.Get it over with, get it over withnow. He opened the fence-gap, slippedthrough, and closed it firmlybehind him. He retrieved his bag,and waded quietly through the tallgrass until he reached the hedgewhich divided an area of sicklypeach trees from the field. He gotover the hedge somehow, and startedthrough the trees toward thehouse. He stumbled over some oldboards, and they clattered. Shhh! he hissed, and movedon. The dogs were barking angrily,and he heard a screen door slam.He stopped. Ho there! a male voice calledexperimentally from the house. One of Marie's brothers. Hogeystood frozen in the shadow of apeach tree, waiting. Anybody out there? the mancalled again. Hogey waited, then heard theman muttering, Sic 'im, boy, sic'im. The hound's bark became eager.The animal came chasing down theslope, and stopped ten feet away tocrouch and bark frantically at theshadow in the gloom. He knew thedog. Hooky! he whispered. Hookyboy—here! The dog stopped barking, sniffed,trotted closer, and went Rrrooff! Then he started sniffingsuspiciously again. Easy, Hooky, here boy! hewhispered. The dog came forward silently,sniffed his hand, and whined inrecognition. Then he trotted aroundHogey, panting doggy affection anddancing an invitation to romp. Theman whistled from the porch. Thedog froze, then trotted quickly backup the slope. Nothing, eh, Hooky? theman on the porch said. Chasin'armadillos again, eh? The screen door slammed again,and the porch light went out.Hogey stood there staring, unableto think. Somewhere beyond thewindow lights were—his woman,his son. What the hell was a tumbler doingwith a woman and a son? After perhaps a minute, he steppedforward again. He tripped overa shovel, and his foot plunged intosomething that went squelch andswallowed the foot past the ankle.He fell forward into a heap ofsand, and his foot went deeper intothe sloppy wetness. He lay there with his stingingforehead on his arms, cursing softlyand crying. Finally he rolledover, pulled his foot out of themess, and took off his shoes. Theywere full of mud—sticky sandymud. The dark world was reelingabout him, and the wind was draggingat his breath. He fell backagainst the sand pile and let hisfeet sink in the mud hole and wriggledhis toes. He was laughingsoundlessly, and his face was wetin the wind. He couldn't think. Hecouldn't remember where he wasand why, and he stopped caring,and after a while he felt better. The stars were swimming overhim, dancing crazily, and the mudcooled his feet, and the sand wassoft behind him. He saw a rocketgo up on a tail of flame from thestation, and waited for the sound ofits blast, but he was already asleepwhen it came. It was far past midnight when hebecame conscious of the dog lickingwetly at his ear and cheek. Hepushed the animal away with a lowcurse and mopped at the side of hisface. He stirred, and groaned. Hisfeet were burning up! He tried topull them toward him, but theywouldn't budge. There was somethingwrong with his legs. For an instant he stared wildlyaround in the night. Then he rememberedwhere he was, closed hiseyes and shuddered. When heopened them again, the moon hademerged from behind a cloud, andhe could see clearly the cruel trapinto which he had accidentallystumbled. A pile of old boards, acareful stack of new lumber, apick and shovel, a sand-pile, heapsof fresh-turned earth, and a concretemixer—well, it added up. He gripped his ankles and pulled,but his feet wouldn't budge. Insudden terror, he tried to stand up,but his ankles were clutched by theconcrete too, and he fell back inthe sand with a low moan. He laystill for several minutes, consideringcarefully. He pulled at his left foot. It waslocked in a vise. He tugged evenmore desperately at his right foot.It was equally immovable. He sat up with a whimper andclawed at the rough concrete untilhis nails tore and his fingertipsbled. The surface still felt damp,but it had hardened while he slept. He sat there stunned until Hookybegan licking at his scuffed fingers.He shouldered the dog away, anddug his hands into the sand-pile tostop the bleeding. Hooky licked athis face, panting love. Get away! he croaked savagely. The dog whined softly, trotteda short distance away, circled, andcame back to crouch down in thesand directly before Hogey, inchingforward experimentally. Hogey gripped fistfuls of the drysand and cursed between his teeth,while his eyes wandered over thesky. They came to rest on the sliverof light—the space station—risingin the west, floating out in Big Bottomlesswhere the gang was—Nicholsand Guerrera and Lavrentiand Fats. And he wasn't forgettingKeesey, the rookie who'd replacedhim. Keesey would have a rough timefor a while—rough as a cob. The pitwas no playground. The first timeyou went out of the station in asuit, the pit got you. Everythingwas falling, and you fell, with it.Everything. The skeletons of steel,the tire-shaped station, the spheresand docks and nightmare shapes—alltied together by umbilical cablesand flexible tubes. Like some crazysea-thing they seemed, floating in ablack ocean with its tentacles boundtogether by drifting strands in thedark tide that bore it. Everything was pain-bright ordead black, and it wheeled aroundyou, and you went nuts trying tofigure which way was down. In fact,it took you months to teach yourbody that all ways were down andthat the pit was bottomless. He became conscious of a plaintivesound in the wind, and froze tolisten. It was a baby crying. It was nearly a minute before hegot the significance of it. It hit himwhere he lived, and he began jerkingfrantically at his encased feetand sobbing low in his throat.They'd hear him if he kept that up.He stopped and covered his ears toclose out the cry of his firstborn. Alight went on in the house, andwhen it went off again, the infant'scry had ceased. Another rocket went up from thestation, and he cursed it. Space wasa disease, and he had it. Help! he cried out suddenly.I'm stuck! Help me, help me! He knew he was yelling hystericallyat the sky and fighting the relentlessconcrete that clutched hisfeet, and after a moment he stopped. The light was on in the houseagain, and he heard faint sounds.The stirring-about woke the babyagain, and once more the infant'swail came on the breeze. Make the kid shut up, make thekid shut up ... But that was no good. It wasn'tthe kid's fault. It wasn't Marie'sfault. No fathers allowed in space,they said, but it wasn't their faulteither. They were right, and he hadonly himself to blame. The kid wasan accident, but that didn't changeanything. Not a thing in the world.It remained a tragedy. A tumbler had no business with afamily, but what was a man goingto do? Take a skinning knife, boy,and make yourself a eunuch. Butthat was no good either. They neededbulls out there in the pit, notsteers. And when a man came downfrom a year's hitch, what was hegoing to do? Live in a lonely shackand read books for kicks? Becauseyou were a man, you sought out awoman. And because she was awoman, she got a kid, and that wasthe end of it. It was nobody's fault,nobody's at all. He stared at the red eye of Marslow in the southwest. They wererunning out there now, and nextyear he would have been on thelong long run ... But there was no use thinkingabout it. Next year and the yearsafter belonged to little Hogey. He sat there with his feet lockedin the solid concrete of the footing,staring out into Big Bottomlesswhile his son's cry came from thehouse and the Hauptman menfolkcame wading through the tall grassin search of someone who had criedout. His feet were stuck tight, andhe wouldn't ever get them out. Hewas sobbing softly when they foundhim. Transcriber's Note: This etext was produced from Fantastic Universe September 1955.Extensive research did not uncover any evidence that the U.S.copyright on this publication was renewed. Minor spelling andtypographical errors have been corrected without note.<doc-sep></s> [SEP] Can you give me a summary of the storyline in "The Hoofer"?

This story follows the protagonist, Hogey Parker’s, journey in heading back home after a long stint in space. His identity leans heavily on being a spacer - or a tumbler - with distinguishing sunburned marks and glare-blinded eyes. Parker is accompanied by a bottle of gin, and with it, stumbles onto a bus. In his drunken ramblings and stumblings - attributed by himself to him being a spaceman - Hogey creates a ruckus on the bus and disturbs its passengers. Fellow passengers give him allowances as he’s a spaceman and help him out. Throughout his journey, he is helped by various characters who further progress his journey back home. After being dropped off, the bus driver helps him across the road, where he is later then picked up by a farmer who drops Hogey off even closer to his farmhouse. In between, Hogey constantly looks up at the Big Bottomless space and thinks about his time in space with particular feelings of resentment and anger - one towards the sun for blinding him and another towards the rookie that replaced him. After finally making it close to his farmhouse, he sneaks through the grass past the fence and encounters the dog, who he quickly shushes when one of his wife’s brothers comes out to investigate the noise. Staring at his wife and son through the house, he stumbles into wet concrete and quickly becomes stuck in the sand as it dries. Despite his best efforts he is unable to claw himself out. At the end of the story, his cries at being stuck in the concrete echo at the same time the cries of his son as the Hauptmann men find him, stuck.

What is the importance of Hogey's feet being trapped in concrete in "The Hoofer"? [SEP] <s> They all knew he was a spacerbecause of the white goggle markson his sun-scorched face, and sothey tolerated him and helped him.They even made allowances for himwhen he staggered and fell in theaisle of the bus while pursuing theharassed little housewife from seatto seat and cajoling her to sit andtalk with him. Having fallen, he decided tosleep in the aisle. Two men helpedhim to the back of the bus, dumpedhim on the rear seat, and tucked hisgin bottle safely out of sight. Afterall, he had not seen Earth for ninemonths, and judging by the crustedmatter about his eyelids, he couldn'thave seen it too well now, even ifhe had been sober. Glare-blindness,gravity-legs, and agoraphobia wereexcuses for a lot of things, when aman was just back from Big Bottomless.And who could blame aman for acting strangely? Minutes later, he was back up theaisle and swaying giddily over thelittle housewife. How! he said.Me Chief Broken Wing. Youwanta Indian wrestle? The girl, who sat nervously staringat him, smiled wanly, andshook her head. Quiet li'l pigeon, aren'tcha? heburbled affectionately, crashing intothe seat beside her. The two men slid out of theirseats, and a hand clamped his shoulder.Come on, Broken Wing, let'sgo back to bed. My name's Hogey, he said.Big Hogey Parker. I was just kiddingabout being a Indian. Yeah. Come on, let's go have adrink. They got him on his feet,and led him stumbling back downthe aisle. My ma was half Cherokee, see?That's how come I said it. Youwanta hear a war whoop? Realstuff. Never mind. He cupped his hands to hismouth and favored them with ablood-curdling proof of his ancestry,while the female passengersstirred restlessly and hunched intheir seats. The driver stopped thebus and went back to warn himagainst any further display. Thedriver flashed a deputy's badge andthreatened to turn him over to aconstable. I gotta get home, Big Hogeytold him. I got me a son now,that's why. You know? A littlebaby pigeon of a son. Haven't seenhim yet. Will you just sit still and bequiet then, eh? Big Hogey nodded emphatically.Shorry, officer, I didn't mean tomake any trouble. When the bus started again, hefell on his side and lay still. Hemade retching sounds for a time,then rested, snoring softly. The busdriver woke him again at Caine'sjunction, retrieved his gin bottlefrom behind the seat, and helpedhim down the aisle and out of thebus. Big Hogey stumbled about for amoment, then sat down hard in thegravel at the shoulder of the road.The driver paused with one foot onthe step, looking around. There wasnot even a store at the road junction,but only a freight buildingnext to the railroad track, a coupleof farmhouses at the edge of a side-road,and, just across the way, a desertedfilling station with a saggingroof. The land was Great Plainscountry, treeless, barren, and rolling. Big Hogey got up and staggeredaround in front of the bus, clutchingat it for support, losing hisduffle bag. Hey, watch the traffic! Thedriver warned. With a surge of unwelcomecompassion he trottedaround after his troublesome passenger,taking his arm as he saggedagain. You crossing? Yah, Hogey muttered. Lemmealone, I'm okay. The driver started across thehighway with him. The traffic wassparse, but fast and dangerous inthe central ninety-mile lane. I'm okay, Hogey kept protesting.I'm a tumbler, ya know?Gravity's got me. Damn gravity.I'm not used to gravity, ya know? Iused to be a tumbler— huk! —onlynow I gotta be a hoofer. 'Countof li'l Hogey. You know about li'lHogey? Yeah. Your son. Come on. Say, you gotta son? I bet yougotta son. Two kids, said the driver,catching Hogey's bag as it slippedfrom his shoulder. Both girls. Say, you oughta be home withthem kids. Man oughta stick withhis family. You oughta get anotherjob. Hogey eyed him owlishly,waggled a moralistic finger, skiddedon the gravel as they steppedonto the opposite shoulder, andsprawled again. The driver blew a weary breath,looked down at him, and shook hishead. Maybe it'd be kinder to finda constable after all. This guy couldget himself killed, wanderingaround loose. Somebody supposed to meetyou? he asked, squinting aroundat the dusty hills. Huk! —who, me? Hogey giggled,belched, and shook his head.Nope. Nobody knows I'm coming.S'prise. I'm supposed to be here aweek ago. He looked up at thedriver with a pained expression.Week late, ya know? Marie'sgonna be sore—woo- hoo !—is shegonna be sore! He waggled hishead severely at the ground. Which way are you going? thedriver grunted impatiently. Hogey pointed down the side-roadthat led back into the hills.Marie's pop's place. You knowwhere? 'Bout three miles fromhere. Gotta walk, I guess. Don't, the driver warned.You sit there by the culvert tillyou get a ride. Okay? Hogey nodded forlornly. Now stay out of the road, thedriver warned, then hurried backacross the highway. Moments later,the atomic battery-driven motorsdroned mournfully, and the buspulled away. Big Hogey blinked after it, rubbingthe back of his neck. Nicepeople, he said. Nice buncha people.All hoofers. With a grunt and a lurch, he gotto his feet, but his legs wouldn'twork right. With his tumbler's reflexes,he fought to right himselfwith frantic arm motions, but gravityclaimed him, and he went stumblinginto the ditch. Damn legs, damn crazy legs!he cried. The bottom of the ditch was wet,and he crawled up the embankmentwith mud-soaked knees, and sat onthe shoulder again. The gin bottlewas still intact. He had himself along fiery drink, and it warmed himdeep down. He blinked around atthe gaunt and treeless land. The sun was almost down, forge-redon a dusty horizon. The blood-streakedsky faded into sulphurousyellow toward the zenith, and thevery air that hung over the landseemed full of yellow smoke, theomnipresent dust of the plains. A farm truck turned onto theside-road and moaned away, itsdriver hardly glancing at the darkyoung man who sat swaying on hisduffle bag near the culvert. Hogeyscarcely noticed the vehicle. He justkept staring at the crazy sun. He shook his head. It wasn't reallythe sun. The sun, the real sun,was a hateful eye-sizzling horror inthe dead black pit. It painted everythingwith pure white pain, and yousaw things by the reflected pain-light.The fat red sun was strictly aphoney, and it didn't fool him any.He hated it for what he knew it wasbehind the gory mask, and for whatit had done to his eyes. With a grunt, he got to his feet,managed to shoulder the duffle bag,and started off down the middle ofthe farm road, lurching from sideto side, and keeping his eyes on therolling distances. Another car turnedonto the side-road, honking angrily. Hogey tried to turn around tolook at it, but he forgot to shift hisfooting. He staggered and wentdown on the pavement. The car'stires screeched on the hot asphalt.Hogey lay there for a moment,groaning. That one had hurt hiship. A car door slammed and a bigman with a florid face got out andstalked toward him, looking angry. What the hell's the matter withyou, fella? he drawled. Yousoused? Man, you've really got aload. Hogey got up doggedly, shakinghis head to clear it. Space legs, heprevaricated. Got space legs. Can'tstand the gravity. The burly farmer retrieved hisgin bottle for him, still miraculouslyunbroken. Here's your gravity,he grunted. Listen, fella, you betterget home pronto. Pronto? Hey, I'm no Mex. Honest,I'm just space burned. Youknow? Yeah. Say, who are you, anyway?Do you live around here? It was obvious that the big manhad taken him for a hobo or atramp. Hogey pulled himself together.Goin' to the Hauptman'splace. Marie. You know Marie? The farmer's eyebrows went up.Marie Hauptman? Sure I knowher. Only she's Marie Parker now.Has been, nigh on six years. Say—He paused, then gaped. You ain'ther husband by any chance? Hogey, that's me. Big HogeyParker. Well, I'll be—! Get in the car.I'm going right past John Hauptman'splace. Boy, you're in noshape to walk it. He grinned wryly, waggled hishead, and helped Hogey and hisbag into the back seat. A womanwith a sun-wrinkled neck sat rigidlybeside the farmer in the front,and she neither greeted the passengernor looked around. They don't make cars like thisanymore, the farmer called overthe growl of the ancient gasolineengine and the grind of gears.You can have them new atomicswith their loads of hot isotopesunder the seat. Ain't safe, I say—eh,Martha? The woman with the sun-bakedneck quivered her head slightly.A car like this was good enoughfor Pa, an' I reckon it's goodenough for us, she drawled mournfully. Five minutes later the car drewin to the side of the road. Reckonyou can walk it from here, thefarmer said. That's Hauptman'sroad just up ahead. He helped Hogey out of the carand drove away without lookingback to see if Hogey stayed on hisfeet. The woman with the sun-bakedneck was suddenly talkinggarrulously in his direction. It was twilight. The sun had set,and the yellow sky was turninggray. Hogey was too tired to go on,and his legs would no longer holdhim. He blinked around at the land,got his eyes focused, and foundwhat looked like Hauptman's placeon a distant hillside. It was a bigframe house surrounded by a wheatfield,and a few scrawny trees. Havinglocated it, he stretched out inthe tall grass beyond the ditch totake a little rest. Somewhere dogs were barking,and a cricket sang creaking monotonyin the grass. Once there was thedistant thunder of a rocket blastfrom the launching station six milesto the west, but it faded quickly. AnA-motored convertible whined paston the road, but Hogey went unseen. When he awoke, it was night,and he was shivering. His stomachwas screeching, and his nerves dancingwith high voltages. He sat upand groped for his watch, then rememberedhe had pawned it afterthe poker game. Remembering thegame and the results of the gamemade him wince and bite his lipand grope for the bottle again. He sat breathing heavily for amoment after the stiff drink. Equatingtime to position had becomesecond nature with him, but he hadto think for a moment because hisdefective vision prevented him fromseeing the Earth-crescent. Vega was almost straight abovehim in the late August sky, so heknew it wasn't much after sundown—probablyabout eight o'clock. Hebraced himself with another swallowof gin, picked himself up andgot back to the road, feeling a littlesobered after the nap. He limped on up the pavementand turned left at the narrow drivethat led between barbed-wire fencestoward the Hauptman farmhouse,five hundred yards or so from thefarm road. The fields on his leftbelonged to Marie's father, heknew. He was getting close—closeto home and woman and child. He dropped the bag suddenlyand leaned against a fence post,rolling his head on his forearmsand choking in spasms of air. Hewas shaking all over, and his bellywrithed. He wanted to turn andrun. He wanted to crawl out in thegrass and hide. What were they going to say?And Marie, Marie most of all.How was he going to tell her aboutthe money? Six hitches in space, and everytime the promise had been thesame: One more tour, baby, andwe'll have enough dough, and thenI'll quit for good. One more time,and we'll have our stake—enoughto open a little business, or buy ahouse with a mortgage and get ajob. And she had waited, but themoney had never been quite enoughuntil this time. This time the tourhad lasted nine months, and he hadsigned on for every run from stationto moon-base to pick up thebonuses. And this time he'd madeit. Two weeks ago, there had beenforty-eight hundred in the bank.And now ... Why? he groaned, striking hisforehead against his forearms. Hisarm slipped, and his head hit thetop of the fencepost, and the painblinded him for a moment. He staggeredback into the road with alow roar, wiped blood from hisforehead, and savagely kicked hisbag. It rolled a couple of yards up theroad. He leaped after it and kickedit again. When he had finishedwith it, he stood panting and angry,but feeling better. He shoulderedthe bag and hiked on toward thefarmhouse. They're hoofers, that's all—justan Earth-chained bunch of hoofers,even Marie. And I'm a tumbler. Aborn tumbler. Know what thatmeans? It means—God, what doesit mean? It means out in Big Bottomless,where Earth's like a fatmoon with fuzzy mold growing onit. Mold, that's all you are, justmold. A dog barked, and he wonderedif he had been muttering aloud. Hecame to a fence-gap and paused inthe darkness. The road woundaround and came up the hill infront of the house. Maybe they weresitting on the porch. Maybe they'dalready heard him coming. Maybe ... He was trembling again. Hefished the fifth of gin out of hiscoat pocket and sloshed it. Still overhalf a pint. He decided to kill it. Itwouldn't do to go home with abottle sticking out of his pocket.He stood there in the night wind,sipping at it, and watching the reddishmoon come up in the east. Themoon looked as phoney as thesetting sun. He straightened in sudden determination.It had to be sometime.Get it over with, get it over withnow. He opened the fence-gap, slippedthrough, and closed it firmlybehind him. He retrieved his bag,and waded quietly through the tallgrass until he reached the hedgewhich divided an area of sicklypeach trees from the field. He gotover the hedge somehow, and startedthrough the trees toward thehouse. He stumbled over some oldboards, and they clattered. Shhh! he hissed, and movedon. The dogs were barking angrily,and he heard a screen door slam.He stopped. Ho there! a male voice calledexperimentally from the house. One of Marie's brothers. Hogeystood frozen in the shadow of apeach tree, waiting. Anybody out there? the mancalled again. Hogey waited, then heard theman muttering, Sic 'im, boy, sic'im. The hound's bark became eager.The animal came chasing down theslope, and stopped ten feet away tocrouch and bark frantically at theshadow in the gloom. He knew thedog. Hooky! he whispered. Hookyboy—here! The dog stopped barking, sniffed,trotted closer, and went Rrrooff! Then he started sniffingsuspiciously again. Easy, Hooky, here boy! hewhispered. The dog came forward silently,sniffed his hand, and whined inrecognition. Then he trotted aroundHogey, panting doggy affection anddancing an invitation to romp. Theman whistled from the porch. Thedog froze, then trotted quickly backup the slope. Nothing, eh, Hooky? theman on the porch said. Chasin'armadillos again, eh? The screen door slammed again,and the porch light went out.Hogey stood there staring, unableto think. Somewhere beyond thewindow lights were—his woman,his son. What the hell was a tumbler doingwith a woman and a son? After perhaps a minute, he steppedforward again. He tripped overa shovel, and his foot plunged intosomething that went squelch andswallowed the foot past the ankle.He fell forward into a heap ofsand, and his foot went deeper intothe sloppy wetness. He lay there with his stingingforehead on his arms, cursing softlyand crying. Finally he rolledover, pulled his foot out of themess, and took off his shoes. Theywere full of mud—sticky sandymud. The dark world was reelingabout him, and the wind was draggingat his breath. He fell backagainst the sand pile and let hisfeet sink in the mud hole and wriggledhis toes. He was laughingsoundlessly, and his face was wetin the wind. He couldn't think. Hecouldn't remember where he wasand why, and he stopped caring,and after a while he felt better. The stars were swimming overhim, dancing crazily, and the mudcooled his feet, and the sand wassoft behind him. He saw a rocketgo up on a tail of flame from thestation, and waited for the sound ofits blast, but he was already asleepwhen it came. It was far past midnight when hebecame conscious of the dog lickingwetly at his ear and cheek. Hepushed the animal away with a lowcurse and mopped at the side of hisface. He stirred, and groaned. Hisfeet were burning up! He tried topull them toward him, but theywouldn't budge. There was somethingwrong with his legs. For an instant he stared wildlyaround in the night. Then he rememberedwhere he was, closed hiseyes and shuddered. When heopened them again, the moon hademerged from behind a cloud, andhe could see clearly the cruel trapinto which he had accidentallystumbled. A pile of old boards, acareful stack of new lumber, apick and shovel, a sand-pile, heapsof fresh-turned earth, and a concretemixer—well, it added up. He gripped his ankles and pulled,but his feet wouldn't budge. Insudden terror, he tried to stand up,but his ankles were clutched by theconcrete too, and he fell back inthe sand with a low moan. He laystill for several minutes, consideringcarefully. He pulled at his left foot. It waslocked in a vise. He tugged evenmore desperately at his right foot.It was equally immovable. He sat up with a whimper andclawed at the rough concrete untilhis nails tore and his fingertipsbled. The surface still felt damp,but it had hardened while he slept. He sat there stunned until Hookybegan licking at his scuffed fingers.He shouldered the dog away, anddug his hands into the sand-pile tostop the bleeding. Hooky licked athis face, panting love. Get away! he croaked savagely. The dog whined softly, trotteda short distance away, circled, andcame back to crouch down in thesand directly before Hogey, inchingforward experimentally. Hogey gripped fistfuls of the drysand and cursed between his teeth,while his eyes wandered over thesky. They came to rest on the sliverof light—the space station—risingin the west, floating out in Big Bottomlesswhere the gang was—Nicholsand Guerrera and Lavrentiand Fats. And he wasn't forgettingKeesey, the rookie who'd replacedhim. Keesey would have a rough timefor a while—rough as a cob. The pitwas no playground. The first timeyou went out of the station in asuit, the pit got you. Everythingwas falling, and you fell, with it.Everything. The skeletons of steel,the tire-shaped station, the spheresand docks and nightmare shapes—alltied together by umbilical cablesand flexible tubes. Like some crazysea-thing they seemed, floating in ablack ocean with its tentacles boundtogether by drifting strands in thedark tide that bore it. Everything was pain-bright ordead black, and it wheeled aroundyou, and you went nuts trying tofigure which way was down. In fact,it took you months to teach yourbody that all ways were down andthat the pit was bottomless. He became conscious of a plaintivesound in the wind, and froze tolisten. It was a baby crying. It was nearly a minute before hegot the significance of it. It hit himwhere he lived, and he began jerkingfrantically at his encased feetand sobbing low in his throat.They'd hear him if he kept that up.He stopped and covered his ears toclose out the cry of his firstborn. Alight went on in the house, andwhen it went off again, the infant'scry had ceased. Another rocket went up from thestation, and he cursed it. Space wasa disease, and he had it. Help! he cried out suddenly.I'm stuck! Help me, help me! He knew he was yelling hystericallyat the sky and fighting the relentlessconcrete that clutched hisfeet, and after a moment he stopped. The light was on in the houseagain, and he heard faint sounds.The stirring-about woke the babyagain, and once more the infant'swail came on the breeze. Make the kid shut up, make thekid shut up ... But that was no good. It wasn'tthe kid's fault. It wasn't Marie'sfault. No fathers allowed in space,they said, but it wasn't their faulteither. They were right, and he hadonly himself to blame. The kid wasan accident, but that didn't changeanything. Not a thing in the world.It remained a tragedy. A tumbler had no business with afamily, but what was a man goingto do? Take a skinning knife, boy,and make yourself a eunuch. Butthat was no good either. They neededbulls out there in the pit, notsteers. And when a man came downfrom a year's hitch, what was hegoing to do? Live in a lonely shackand read books for kicks? Becauseyou were a man, you sought out awoman. And because she was awoman, she got a kid, and that wasthe end of it. It was nobody's fault,nobody's at all. He stared at the red eye of Marslow in the southwest. They wererunning out there now, and nextyear he would have been on thelong long run ... But there was no use thinkingabout it. Next year and the yearsafter belonged to little Hogey. He sat there with his feet lockedin the solid concrete of the footing,staring out into Big Bottomlesswhile his son's cry came from thehouse and the Hauptman menfolkcame wading through the tall grassin search of someone who had criedout. His feet were stuck tight, andhe wouldn't ever get them out. Hewas sobbing softly when they foundhim. Transcriber's Note: This etext was produced from Fantastic Universe September 1955.Extensive research did not uncover any evidence that the U.S.copyright on this publication was renewed. Minor spelling andtypographical errors have been corrected without note.<doc-sep> A wayfarer's return from a far country to his wife and family may be ashining experience, a kind of second honeymoon. Or it may be so shadowedby Time's relentless tyranny that the changes which have occurred in hisabsence can lead only to tragedy and despair. This rarely discerning, warmlyhuman story by a brilliant newcomer to the science fantasy field is toldwith no pulling of punches, and its adroit unfolding will astound you. the hoofer by ... Walter M. Miller, Jr. A space rover has no business with a family. But what can a manin the full vigor of youth do—if his heart cries out for a home? <doc-sep>He'd never gone as far as the bridge before, not having wanted tolook as if he might be leaving the city. The approach was a jungle ofconcrete with an underbrush of reinforcing-steel that reached for theunwary with rusted spines. Frequently they had to balance on crackedgirders, and inch over roadless spots high off the ground. Here Ida took the lead. When they got to where three approach roadsmade a clover-leaf, she led him down a side road and into a forest. Roddie stopped, and seized her arm. What are you trying to do? he demanded. I'm taking you with me, Ida said firmly. Taking you where youbelong! No! he blurted, drawing his hammer. I can't go, nor let you go. Ibelong here! Ida gasped, twisted loose, and ran. Roddie ran after her. She wasn't so easily caught. Like a frightened doe, she dashed in andout among the trees, leaped to the bridge's underpinnings where theythrust rustedly from a cliff, and scrambled up the ramp. Roddie sighed and slowed down. The pavement ended just beyond the cableanchors. From there to the south tower, only an occasional danglingsupport wire showed where the actual bridge had been suspended. Ida wastrapped. He could take his time. Let the soldiers come up, as they undoubtedlywould, to finish the job.... But Ida didn't seem to realize she was trapped. Without hesitation shedashed up the main left-hand suspension cable and ran along its curvedsteel surface. For a moment, Roddie thought of letting her go, letting her run up theever-steepening catenary until—because there were no guard-ropes orhandgrips—she simply fell. That would solve his problem. Except it wouldn't be his solution. Her death wouldn't prove him tohis friends. He set out quickly, before Ida was lost to sight in the thick fogthat billowed in straight from the ocean. At first he ran erect alongthe top of the yard-wide cylinder of twisted metal, but soon the curvesteepened. He had to go on all fours, clinging palm and sole. Blood was on the cable where she'd passed. More blood stained it whenhe'd followed. But because his friends knew neither pain nor fatigue, Roddie wouldadmit none either. Nor would he give in to the fear that dizzied him atevery downward look. He scrambled on like an automaton, watching onlyhis holds, till he rammed Ida's rear with his head. <doc-sep></s> [SEP] What is the importance of Hogey's feet being trapped in concrete in "The Hoofer"?

There is an ironic significance in Hogey’s feet being stuck in concrete. Throughout the story, Hogey’s identity is tied to being a tumbler - a spaceman. Not only does he physically look like a spacer with his sun-burned marks from his goggles, he has also been blinded by the sun’s glare. It is only due to these characteristics that other people give him allowances while Hogey is in a drunken stupor. Hogey constantly speaks to separate himself from everyone else - even his wife - by identifying as a tumbler and them as hoofers. He insists that he was born as a tumbler and belongs in space, and hence blames his drunken inability to walk as due to a difficulty in adjusting to the gravity on Earth. He insists that he has to become a hoofer, but refuses to, and at the end of the story even denounces his wife and child. It is ironic then, that by Hogey’s feet being stuck in the concrete, he has reluctantly become a hoofer as his feet are literally encased in the Earth.

How do the hoofers assist Hogey in returning home? [SEP] <s> They all knew he was a spacerbecause of the white goggle markson his sun-scorched face, and sothey tolerated him and helped him.They even made allowances for himwhen he staggered and fell in theaisle of the bus while pursuing theharassed little housewife from seatto seat and cajoling her to sit andtalk with him. Having fallen, he decided tosleep in the aisle. Two men helpedhim to the back of the bus, dumpedhim on the rear seat, and tucked hisgin bottle safely out of sight. Afterall, he had not seen Earth for ninemonths, and judging by the crustedmatter about his eyelids, he couldn'thave seen it too well now, even ifhe had been sober. Glare-blindness,gravity-legs, and agoraphobia wereexcuses for a lot of things, when aman was just back from Big Bottomless.And who could blame aman for acting strangely? Minutes later, he was back up theaisle and swaying giddily over thelittle housewife. How! he said.Me Chief Broken Wing. Youwanta Indian wrestle? The girl, who sat nervously staringat him, smiled wanly, andshook her head. Quiet li'l pigeon, aren'tcha? heburbled affectionately, crashing intothe seat beside her. The two men slid out of theirseats, and a hand clamped his shoulder.Come on, Broken Wing, let'sgo back to bed. My name's Hogey, he said.Big Hogey Parker. I was just kiddingabout being a Indian. Yeah. Come on, let's go have adrink. They got him on his feet,and led him stumbling back downthe aisle. My ma was half Cherokee, see?That's how come I said it. Youwanta hear a war whoop? Realstuff. Never mind. He cupped his hands to hismouth and favored them with ablood-curdling proof of his ancestry,while the female passengersstirred restlessly and hunched intheir seats. The driver stopped thebus and went back to warn himagainst any further display. Thedriver flashed a deputy's badge andthreatened to turn him over to aconstable. I gotta get home, Big Hogeytold him. I got me a son now,that's why. You know? A littlebaby pigeon of a son. Haven't seenhim yet. Will you just sit still and bequiet then, eh? Big Hogey nodded emphatically.Shorry, officer, I didn't mean tomake any trouble. When the bus started again, hefell on his side and lay still. Hemade retching sounds for a time,then rested, snoring softly. The busdriver woke him again at Caine'sjunction, retrieved his gin bottlefrom behind the seat, and helpedhim down the aisle and out of thebus. Big Hogey stumbled about for amoment, then sat down hard in thegravel at the shoulder of the road.The driver paused with one foot onthe step, looking around. There wasnot even a store at the road junction,but only a freight buildingnext to the railroad track, a coupleof farmhouses at the edge of a side-road,and, just across the way, a desertedfilling station with a saggingroof. The land was Great Plainscountry, treeless, barren, and rolling. Big Hogey got up and staggeredaround in front of the bus, clutchingat it for support, losing hisduffle bag. Hey, watch the traffic! Thedriver warned. With a surge of unwelcomecompassion he trottedaround after his troublesome passenger,taking his arm as he saggedagain. You crossing? Yah, Hogey muttered. Lemmealone, I'm okay. The driver started across thehighway with him. The traffic wassparse, but fast and dangerous inthe central ninety-mile lane. I'm okay, Hogey kept protesting.I'm a tumbler, ya know?Gravity's got me. Damn gravity.I'm not used to gravity, ya know? Iused to be a tumbler— huk! —onlynow I gotta be a hoofer. 'Countof li'l Hogey. You know about li'lHogey? Yeah. Your son. Come on. Say, you gotta son? I bet yougotta son. Two kids, said the driver,catching Hogey's bag as it slippedfrom his shoulder. Both girls. Say, you oughta be home withthem kids. Man oughta stick withhis family. You oughta get anotherjob. Hogey eyed him owlishly,waggled a moralistic finger, skiddedon the gravel as they steppedonto the opposite shoulder, andsprawled again. The driver blew a weary breath,looked down at him, and shook hishead. Maybe it'd be kinder to finda constable after all. This guy couldget himself killed, wanderingaround loose. Somebody supposed to meetyou? he asked, squinting aroundat the dusty hills. Huk! —who, me? Hogey giggled,belched, and shook his head.Nope. Nobody knows I'm coming.S'prise. I'm supposed to be here aweek ago. He looked up at thedriver with a pained expression.Week late, ya know? Marie'sgonna be sore—woo- hoo !—is shegonna be sore! He waggled hishead severely at the ground. Which way are you going? thedriver grunted impatiently. Hogey pointed down the side-roadthat led back into the hills.Marie's pop's place. You knowwhere? 'Bout three miles fromhere. Gotta walk, I guess. Don't, the driver warned.You sit there by the culvert tillyou get a ride. Okay? Hogey nodded forlornly. Now stay out of the road, thedriver warned, then hurried backacross the highway. Moments later,the atomic battery-driven motorsdroned mournfully, and the buspulled away. Big Hogey blinked after it, rubbingthe back of his neck. Nicepeople, he said. Nice buncha people.All hoofers. With a grunt and a lurch, he gotto his feet, but his legs wouldn'twork right. With his tumbler's reflexes,he fought to right himselfwith frantic arm motions, but gravityclaimed him, and he went stumblinginto the ditch. Damn legs, damn crazy legs!he cried. The bottom of the ditch was wet,and he crawled up the embankmentwith mud-soaked knees, and sat onthe shoulder again. The gin bottlewas still intact. He had himself along fiery drink, and it warmed himdeep down. He blinked around atthe gaunt and treeless land. The sun was almost down, forge-redon a dusty horizon. The blood-streakedsky faded into sulphurousyellow toward the zenith, and thevery air that hung over the landseemed full of yellow smoke, theomnipresent dust of the plains. A farm truck turned onto theside-road and moaned away, itsdriver hardly glancing at the darkyoung man who sat swaying on hisduffle bag near the culvert. Hogeyscarcely noticed the vehicle. He justkept staring at the crazy sun. He shook his head. It wasn't reallythe sun. The sun, the real sun,was a hateful eye-sizzling horror inthe dead black pit. It painted everythingwith pure white pain, and yousaw things by the reflected pain-light.The fat red sun was strictly aphoney, and it didn't fool him any.He hated it for what he knew it wasbehind the gory mask, and for whatit had done to his eyes. With a grunt, he got to his feet,managed to shoulder the duffle bag,and started off down the middle ofthe farm road, lurching from sideto side, and keeping his eyes on therolling distances. Another car turnedonto the side-road, honking angrily. Hogey tried to turn around tolook at it, but he forgot to shift hisfooting. He staggered and wentdown on the pavement. The car'stires screeched on the hot asphalt.Hogey lay there for a moment,groaning. That one had hurt hiship. A car door slammed and a bigman with a florid face got out andstalked toward him, looking angry. What the hell's the matter withyou, fella? he drawled. Yousoused? Man, you've really got aload. Hogey got up doggedly, shakinghis head to clear it. Space legs, heprevaricated. Got space legs. Can'tstand the gravity. The burly farmer retrieved hisgin bottle for him, still miraculouslyunbroken. Here's your gravity,he grunted. Listen, fella, you betterget home pronto. Pronto? Hey, I'm no Mex. Honest,I'm just space burned. Youknow? Yeah. Say, who are you, anyway?Do you live around here? It was obvious that the big manhad taken him for a hobo or atramp. Hogey pulled himself together.Goin' to the Hauptman'splace. Marie. You know Marie? The farmer's eyebrows went up.Marie Hauptman? Sure I knowher. Only she's Marie Parker now.Has been, nigh on six years. Say—He paused, then gaped. You ain'ther husband by any chance? Hogey, that's me. Big HogeyParker. Well, I'll be—! Get in the car.I'm going right past John Hauptman'splace. Boy, you're in noshape to walk it. He grinned wryly, waggled hishead, and helped Hogey and hisbag into the back seat. A womanwith a sun-wrinkled neck sat rigidlybeside the farmer in the front,and she neither greeted the passengernor looked around. They don't make cars like thisanymore, the farmer called overthe growl of the ancient gasolineengine and the grind of gears.You can have them new atomicswith their loads of hot isotopesunder the seat. Ain't safe, I say—eh,Martha? The woman with the sun-bakedneck quivered her head slightly.A car like this was good enoughfor Pa, an' I reckon it's goodenough for us, she drawled mournfully. Five minutes later the car drewin to the side of the road. Reckonyou can walk it from here, thefarmer said. That's Hauptman'sroad just up ahead. He helped Hogey out of the carand drove away without lookingback to see if Hogey stayed on hisfeet. The woman with the sun-bakedneck was suddenly talkinggarrulously in his direction. It was twilight. The sun had set,and the yellow sky was turninggray. Hogey was too tired to go on,and his legs would no longer holdhim. He blinked around at the land,got his eyes focused, and foundwhat looked like Hauptman's placeon a distant hillside. It was a bigframe house surrounded by a wheatfield,and a few scrawny trees. Havinglocated it, he stretched out inthe tall grass beyond the ditch totake a little rest. Somewhere dogs were barking,and a cricket sang creaking monotonyin the grass. Once there was thedistant thunder of a rocket blastfrom the launching station six milesto the west, but it faded quickly. AnA-motored convertible whined paston the road, but Hogey went unseen. When he awoke, it was night,and he was shivering. His stomachwas screeching, and his nerves dancingwith high voltages. He sat upand groped for his watch, then rememberedhe had pawned it afterthe poker game. Remembering thegame and the results of the gamemade him wince and bite his lipand grope for the bottle again. He sat breathing heavily for amoment after the stiff drink. Equatingtime to position had becomesecond nature with him, but he hadto think for a moment because hisdefective vision prevented him fromseeing the Earth-crescent. Vega was almost straight abovehim in the late August sky, so heknew it wasn't much after sundown—probablyabout eight o'clock. Hebraced himself with another swallowof gin, picked himself up andgot back to the road, feeling a littlesobered after the nap. He limped on up the pavementand turned left at the narrow drivethat led between barbed-wire fencestoward the Hauptman farmhouse,five hundred yards or so from thefarm road. The fields on his leftbelonged to Marie's father, heknew. He was getting close—closeto home and woman and child. He dropped the bag suddenlyand leaned against a fence post,rolling his head on his forearmsand choking in spasms of air. Hewas shaking all over, and his bellywrithed. He wanted to turn andrun. He wanted to crawl out in thegrass and hide. What were they going to say?And Marie, Marie most of all.How was he going to tell her aboutthe money? Six hitches in space, and everytime the promise had been thesame: One more tour, baby, andwe'll have enough dough, and thenI'll quit for good. One more time,and we'll have our stake—enoughto open a little business, or buy ahouse with a mortgage and get ajob. And she had waited, but themoney had never been quite enoughuntil this time. This time the tourhad lasted nine months, and he hadsigned on for every run from stationto moon-base to pick up thebonuses. And this time he'd madeit. Two weeks ago, there had beenforty-eight hundred in the bank.And now ... Why? he groaned, striking hisforehead against his forearms. Hisarm slipped, and his head hit thetop of the fencepost, and the painblinded him for a moment. He staggeredback into the road with alow roar, wiped blood from hisforehead, and savagely kicked hisbag. It rolled a couple of yards up theroad. He leaped after it and kickedit again. When he had finishedwith it, he stood panting and angry,but feeling better. He shoulderedthe bag and hiked on toward thefarmhouse. They're hoofers, that's all—justan Earth-chained bunch of hoofers,even Marie. And I'm a tumbler. Aborn tumbler. Know what thatmeans? It means—God, what doesit mean? It means out in Big Bottomless,where Earth's like a fatmoon with fuzzy mold growing onit. Mold, that's all you are, justmold. A dog barked, and he wonderedif he had been muttering aloud. Hecame to a fence-gap and paused inthe darkness. The road woundaround and came up the hill infront of the house. Maybe they weresitting on the porch. Maybe they'dalready heard him coming. Maybe ... He was trembling again. Hefished the fifth of gin out of hiscoat pocket and sloshed it. Still overhalf a pint. He decided to kill it. Itwouldn't do to go home with abottle sticking out of his pocket.He stood there in the night wind,sipping at it, and watching the reddishmoon come up in the east. Themoon looked as phoney as thesetting sun. He straightened in sudden determination.It had to be sometime.Get it over with, get it over withnow. He opened the fence-gap, slippedthrough, and closed it firmlybehind him. He retrieved his bag,and waded quietly through the tallgrass until he reached the hedgewhich divided an area of sicklypeach trees from the field. He gotover the hedge somehow, and startedthrough the trees toward thehouse. He stumbled over some oldboards, and they clattered. Shhh! he hissed, and movedon. The dogs were barking angrily,and he heard a screen door slam.He stopped. Ho there! a male voice calledexperimentally from the house. One of Marie's brothers. Hogeystood frozen in the shadow of apeach tree, waiting. Anybody out there? the mancalled again. Hogey waited, then heard theman muttering, Sic 'im, boy, sic'im. The hound's bark became eager.The animal came chasing down theslope, and stopped ten feet away tocrouch and bark frantically at theshadow in the gloom. He knew thedog. Hooky! he whispered. Hookyboy—here! The dog stopped barking, sniffed,trotted closer, and went Rrrooff! Then he started sniffingsuspiciously again. Easy, Hooky, here boy! hewhispered. The dog came forward silently,sniffed his hand, and whined inrecognition. Then he trotted aroundHogey, panting doggy affection anddancing an invitation to romp. Theman whistled from the porch. Thedog froze, then trotted quickly backup the slope. Nothing, eh, Hooky? theman on the porch said. Chasin'armadillos again, eh? The screen door slammed again,and the porch light went out.Hogey stood there staring, unableto think. Somewhere beyond thewindow lights were—his woman,his son. What the hell was a tumbler doingwith a woman and a son? After perhaps a minute, he steppedforward again. He tripped overa shovel, and his foot plunged intosomething that went squelch andswallowed the foot past the ankle.He fell forward into a heap ofsand, and his foot went deeper intothe sloppy wetness. He lay there with his stingingforehead on his arms, cursing softlyand crying. Finally he rolledover, pulled his foot out of themess, and took off his shoes. Theywere full of mud—sticky sandymud. The dark world was reelingabout him, and the wind was draggingat his breath. He fell backagainst the sand pile and let hisfeet sink in the mud hole and wriggledhis toes. He was laughingsoundlessly, and his face was wetin the wind. He couldn't think. Hecouldn't remember where he wasand why, and he stopped caring,and after a while he felt better. The stars were swimming overhim, dancing crazily, and the mudcooled his feet, and the sand wassoft behind him. He saw a rocketgo up on a tail of flame from thestation, and waited for the sound ofits blast, but he was already asleepwhen it came. It was far past midnight when hebecame conscious of the dog lickingwetly at his ear and cheek. Hepushed the animal away with a lowcurse and mopped at the side of hisface. He stirred, and groaned. Hisfeet were burning up! He tried topull them toward him, but theywouldn't budge. There was somethingwrong with his legs. For an instant he stared wildlyaround in the night. Then he rememberedwhere he was, closed hiseyes and shuddered. When heopened them again, the moon hademerged from behind a cloud, andhe could see clearly the cruel trapinto which he had accidentallystumbled. A pile of old boards, acareful stack of new lumber, apick and shovel, a sand-pile, heapsof fresh-turned earth, and a concretemixer—well, it added up. He gripped his ankles and pulled,but his feet wouldn't budge. Insudden terror, he tried to stand up,but his ankles were clutched by theconcrete too, and he fell back inthe sand with a low moan. He laystill for several minutes, consideringcarefully. He pulled at his left foot. It waslocked in a vise. He tugged evenmore desperately at his right foot.It was equally immovable. He sat up with a whimper andclawed at the rough concrete untilhis nails tore and his fingertipsbled. The surface still felt damp,but it had hardened while he slept. He sat there stunned until Hookybegan licking at his scuffed fingers.He shouldered the dog away, anddug his hands into the sand-pile tostop the bleeding. Hooky licked athis face, panting love. Get away! he croaked savagely. The dog whined softly, trotteda short distance away, circled, andcame back to crouch down in thesand directly before Hogey, inchingforward experimentally. Hogey gripped fistfuls of the drysand and cursed between his teeth,while his eyes wandered over thesky. They came to rest on the sliverof light—the space station—risingin the west, floating out in Big Bottomlesswhere the gang was—Nicholsand Guerrera and Lavrentiand Fats. And he wasn't forgettingKeesey, the rookie who'd replacedhim. Keesey would have a rough timefor a while—rough as a cob. The pitwas no playground. The first timeyou went out of the station in asuit, the pit got you. Everythingwas falling, and you fell, with it.Everything. The skeletons of steel,the tire-shaped station, the spheresand docks and nightmare shapes—alltied together by umbilical cablesand flexible tubes. Like some crazysea-thing they seemed, floating in ablack ocean with its tentacles boundtogether by drifting strands in thedark tide that bore it. Everything was pain-bright ordead black, and it wheeled aroundyou, and you went nuts trying tofigure which way was down. In fact,it took you months to teach yourbody that all ways were down andthat the pit was bottomless. He became conscious of a plaintivesound in the wind, and froze tolisten. It was a baby crying. It was nearly a minute before hegot the significance of it. It hit himwhere he lived, and he began jerkingfrantically at his encased feetand sobbing low in his throat.They'd hear him if he kept that up.He stopped and covered his ears toclose out the cry of his firstborn. Alight went on in the house, andwhen it went off again, the infant'scry had ceased. Another rocket went up from thestation, and he cursed it. Space wasa disease, and he had it. Help! he cried out suddenly.I'm stuck! Help me, help me! He knew he was yelling hystericallyat the sky and fighting the relentlessconcrete that clutched hisfeet, and after a moment he stopped. The light was on in the houseagain, and he heard faint sounds.The stirring-about woke the babyagain, and once more the infant'swail came on the breeze. Make the kid shut up, make thekid shut up ... But that was no good. It wasn'tthe kid's fault. It wasn't Marie'sfault. No fathers allowed in space,they said, but it wasn't their faulteither. They were right, and he hadonly himself to blame. The kid wasan accident, but that didn't changeanything. Not a thing in the world.It remained a tragedy. A tumbler had no business with afamily, but what was a man goingto do? Take a skinning knife, boy,and make yourself a eunuch. Butthat was no good either. They neededbulls out there in the pit, notsteers. And when a man came downfrom a year's hitch, what was hegoing to do? Live in a lonely shackand read books for kicks? Becauseyou were a man, you sought out awoman. And because she was awoman, she got a kid, and that wasthe end of it. It was nobody's fault,nobody's at all. He stared at the red eye of Marslow in the southwest. They wererunning out there now, and nextyear he would have been on thelong long run ... But there was no use thinkingabout it. Next year and the yearsafter belonged to little Hogey. He sat there with his feet lockedin the solid concrete of the footing,staring out into Big Bottomlesswhile his son's cry came from thehouse and the Hauptman menfolkcame wading through the tall grassin search of someone who had criedout. His feet were stuck tight, andhe wouldn't ever get them out. Hewas sobbing softly when they foundhim. Transcriber's Note: This etext was produced from Fantastic Universe September 1955.Extensive research did not uncover any evidence that the U.S.copyright on this publication was renewed. Minor spelling andtypographical errors have been corrected without note.<doc-sep> A wayfarer's return from a far country to his wife and family may be ashining experience, a kind of second honeymoon. Or it may be so shadowedby Time's relentless tyranny that the changes which have occurred in hisabsence can lead only to tragedy and despair. This rarely discerning, warmlyhuman story by a brilliant newcomer to the science fantasy field is toldwith no pulling of punches, and its adroit unfolding will astound you. the hoofer by ... Walter M. Miller, Jr. A space rover has no business with a family. But what can a manin the full vigor of youth do—if his heart cries out for a home? <doc-sep>Hatcher returned to his laboratory gloomily. It was just like the council to put the screws on; they had areputation for demanding results at any cost—even at the cost ofdestroying the only thing you had that would make results possible. Hatcher did not like the idea of endangering the Earthman. It cannotbe said that he was emotionally involved; it was not pity or sympathythat caused him to regret the dangers in moving too fast towardcommunication. Not even Hatcher had quite got over the revoltingphysical differences between the Earthman and his own people. ButHatcher did not want him destroyed. It had been difficult enoughgetting him here. Hatcher checked through the members that he had left with the rest ofhis team and discovered that there were no immediate emergencies, so hetook time to eat. In Hatcher's race this was accomplished in ways notentirely pleasant to Earthmen. A slit in the lower hemisphere of hisbody opened, like a purse, emitting a thin, pussy, fetid fluid whichHatcher caught and poured into a disposal trough at the side of theeating room. He then stuffed the slit with pulpy vegetation the textureof kelp; it closed, and his body was supplied with nourishment foranother day. He returned quickly to the room. His second in command was busy, but one of the other team workersreported—nothing new—and asked about Hatcher's appearance before thecouncil. Hatcher passed the question off. He considered telling hisstaff about the disappearance of the Central Masses team member, butdecided against it. He had not been told it was secret. On the otherhand, he had not been told it was not. Something of this importance wasnot lightly to be gossiped about. For endless generations the threatof the Old Ones had hung over his race, those queer, almost mythicalbeings from the Central Masses of the galaxy. One brush with them, inages past, had almost destroyed Hatcher's people. Only by running andhiding, bearing one of their planets with them and abandoning it—withits population—as a decoy, had they arrived at all. Now they had detected mapping parties of the Old Ones dangerously nearthe spiral arm of the galaxy in which their planet was located, theyhad begun the Probe Teams to find some way of combating them, or offleeing again. But it seemed that the Probe Teams themselves might be betraying theirexistence to their enemies— Hatcher! The call was urgent; he hurried to see what it was about. It was hissecond in command, very excited. What is it? Hatcher demanded. Wait.... Hatcher was patient; he knew his assistant well. Obviously somethingwas about to happen. He took the moment to call his members back tohim for feeding; they dodged back to their niches on his skin, fittedthemselves into their vestigial slots, poured back their wastes intohis own circulation and ingested what they needed from the meal he hadjust taken.... Now! cried the assistant. Look! At what passed among Hatcher's people for a viewing console an imagewas forming. Actually it was the assistant himself who formed it, not acathode trace or projected shadow; but it showed what it was meant toshow. Hatcher was startled. Another one! And—is it a different species? Ormerely a different sex? Study the probe for yourself, the assistant invited. Hatcher studied him frostily; his patience was not, after all, endless.No matter, he said at last. Bring the other one in. And then, in a completely different mood, We may need him badly. Wemay be in the process of killing our first one now. Killing him, Hatcher? Hatcher rose and shook himself, his mindless members floating away likepuppies dislodged from suck. Council's orders, he said. We've got togo into Stage Two of the project at once. III Before Stage Two began, or before Herrell McCray realized it had begun,he had an inspiration. The dark was absolute, but he remembered where the spacesuit had beenand groped his way to it and, yes, it had what all spacesuits had tohave. It had a light. He found the toggle that turned it on and pressedit. Light. White, flaring, Earthly light, that showed everything—evenhimself. God bless, he said, almost beside himself with joy. Whatever thatpinkish, dancing halo had been, it had thrown him into a panic; nowthat he could see his own hand again, he could blame the weird effectson some strange property of the light. At the moment he heard the click that was the beginning of Stage Two. He switched off the light and stood for a moment, listening. For a second he thought he heard the far-off voice, quiet, calm andalmost hopeless, that he had sensed hours before; but then that wasgone. Something else was gone. Some faint mechanical sound that hadhardly registered at the time, but was not missing. And there was,perhaps, a nice new sound that had not been there before; a veryfaint, an almost inaudible elfin hiss. McCray switched the light on and looked around. There seemed to be nochange. And yet, surely, it was warmer in here. He could see no difference; but perhaps, he thought, he could smellone. The unpleasant halogen odor from the grating was surely strongernow. He stood there, perplexed. A tinny little voice from the helmet of the space suit said sharply,amazement in its tone, McCray, is that you? Where the devil are youcalling from? He forgot smell, sound and temperature and leaped for the suit. Thisis Herrell McCray, he cried. I'm in a room of some sort, apparentlyon a planet of approximate Earth mass. I don't know— McCray! cried the tiny voice in his ear. Where are you? This is Jodrell Bank calling. Answer, please! I am answering, damn it, he roared. What took you so long? Herrell McCray, droned the tiny voice in his ear, Herrell McCray,Herrell McCray, this is Jodrell Bank responding to your message,acknowledge please. Herrell McCray, Herrell McCray.... It kept on, and on. McCray took a deep breath and thought. Something was wrong. Either theydidn't hear him, which meant the radio wasn't transmitting, or—no.That was not it; they had heard him, because they were responding.But it seemed to take them so long.... Abruptly his face went white. Took them so long! He cast back in hismind, questing for a fact, unable to face its implications. When wasit he called them? Two hours ago? Three? Did that mean—did it possibly mean—that there was a lag of an houror two each way? Did it, for example, mean that at the speed of hissuit's pararadio, millions of times faster than light, it took hours to get a message to the ship and back? And if so ... where in the name of heaven was he? <doc-sep></s> [SEP] How do the hoofers assist Hogey in returning home?

Hogey gets home through the kindness of the hoofers, who all know him to be a spacer due to the white marks on his face. As such, when Hogey becomes rowdy and drunk on the bus, they gracefully pick him up and seat him down at the back of the bus. After getting off the bus, Hogey has trouble crossing the highway with all the passing cars and the bus driver compassionately helps him across the road. The driver even inquired about someone picking him up, before warning Hogey not to traipse through the hills alone and instead, wait for someone to come along. As Hogey staggers down the pavement, he stumbles in front of a farmer’s truck. Since the farmer recognizes Hogey’s residence and identity, he helps Hogey get closer to his destination and drops him off right on the road in front of Hauptman’s place.

What distinguishes a hoofer from a tumbler? [SEP] <s> They all knew he was a spacerbecause of the white goggle markson his sun-scorched face, and sothey tolerated him and helped him.They even made allowances for himwhen he staggered and fell in theaisle of the bus while pursuing theharassed little housewife from seatto seat and cajoling her to sit andtalk with him. Having fallen, he decided tosleep in the aisle. Two men helpedhim to the back of the bus, dumpedhim on the rear seat, and tucked hisgin bottle safely out of sight. Afterall, he had not seen Earth for ninemonths, and judging by the crustedmatter about his eyelids, he couldn'thave seen it too well now, even ifhe had been sober. Glare-blindness,gravity-legs, and agoraphobia wereexcuses for a lot of things, when aman was just back from Big Bottomless.And who could blame aman for acting strangely? Minutes later, he was back up theaisle and swaying giddily over thelittle housewife. How! he said.Me Chief Broken Wing. Youwanta Indian wrestle? The girl, who sat nervously staringat him, smiled wanly, andshook her head. Quiet li'l pigeon, aren'tcha? heburbled affectionately, crashing intothe seat beside her. The two men slid out of theirseats, and a hand clamped his shoulder.Come on, Broken Wing, let'sgo back to bed. My name's Hogey, he said.Big Hogey Parker. I was just kiddingabout being a Indian. Yeah. Come on, let's go have adrink. They got him on his feet,and led him stumbling back downthe aisle. My ma was half Cherokee, see?That's how come I said it. Youwanta hear a war whoop? Realstuff. Never mind. He cupped his hands to hismouth and favored them with ablood-curdling proof of his ancestry,while the female passengersstirred restlessly and hunched intheir seats. The driver stopped thebus and went back to warn himagainst any further display. Thedriver flashed a deputy's badge andthreatened to turn him over to aconstable. I gotta get home, Big Hogeytold him. I got me a son now,that's why. You know? A littlebaby pigeon of a son. Haven't seenhim yet. Will you just sit still and bequiet then, eh? Big Hogey nodded emphatically.Shorry, officer, I didn't mean tomake any trouble. When the bus started again, hefell on his side and lay still. Hemade retching sounds for a time,then rested, snoring softly. The busdriver woke him again at Caine'sjunction, retrieved his gin bottlefrom behind the seat, and helpedhim down the aisle and out of thebus. Big Hogey stumbled about for amoment, then sat down hard in thegravel at the shoulder of the road.The driver paused with one foot onthe step, looking around. There wasnot even a store at the road junction,but only a freight buildingnext to the railroad track, a coupleof farmhouses at the edge of a side-road,and, just across the way, a desertedfilling station with a saggingroof. The land was Great Plainscountry, treeless, barren, and rolling. Big Hogey got up and staggeredaround in front of the bus, clutchingat it for support, losing hisduffle bag. Hey, watch the traffic! Thedriver warned. With a surge of unwelcomecompassion he trottedaround after his troublesome passenger,taking his arm as he saggedagain. You crossing? Yah, Hogey muttered. Lemmealone, I'm okay. The driver started across thehighway with him. The traffic wassparse, but fast and dangerous inthe central ninety-mile lane. I'm okay, Hogey kept protesting.I'm a tumbler, ya know?Gravity's got me. Damn gravity.I'm not used to gravity, ya know? Iused to be a tumbler— huk! —onlynow I gotta be a hoofer. 'Countof li'l Hogey. You know about li'lHogey? Yeah. Your son. Come on. Say, you gotta son? I bet yougotta son. Two kids, said the driver,catching Hogey's bag as it slippedfrom his shoulder. Both girls. Say, you oughta be home withthem kids. Man oughta stick withhis family. You oughta get anotherjob. Hogey eyed him owlishly,waggled a moralistic finger, skiddedon the gravel as they steppedonto the opposite shoulder, andsprawled again. The driver blew a weary breath,looked down at him, and shook hishead. Maybe it'd be kinder to finda constable after all. This guy couldget himself killed, wanderingaround loose. Somebody supposed to meetyou? he asked, squinting aroundat the dusty hills. Huk! —who, me? Hogey giggled,belched, and shook his head.Nope. Nobody knows I'm coming.S'prise. I'm supposed to be here aweek ago. He looked up at thedriver with a pained expression.Week late, ya know? Marie'sgonna be sore—woo- hoo !—is shegonna be sore! He waggled hishead severely at the ground. Which way are you going? thedriver grunted impatiently. Hogey pointed down the side-roadthat led back into the hills.Marie's pop's place. You knowwhere? 'Bout three miles fromhere. Gotta walk, I guess. Don't, the driver warned.You sit there by the culvert tillyou get a ride. Okay? Hogey nodded forlornly. Now stay out of the road, thedriver warned, then hurried backacross the highway. Moments later,the atomic battery-driven motorsdroned mournfully, and the buspulled away. Big Hogey blinked after it, rubbingthe back of his neck. Nicepeople, he said. Nice buncha people.All hoofers. With a grunt and a lurch, he gotto his feet, but his legs wouldn'twork right. With his tumbler's reflexes,he fought to right himselfwith frantic arm motions, but gravityclaimed him, and he went stumblinginto the ditch. Damn legs, damn crazy legs!he cried. The bottom of the ditch was wet,and he crawled up the embankmentwith mud-soaked knees, and sat onthe shoulder again. The gin bottlewas still intact. He had himself along fiery drink, and it warmed himdeep down. He blinked around atthe gaunt and treeless land. The sun was almost down, forge-redon a dusty horizon. The blood-streakedsky faded into sulphurousyellow toward the zenith, and thevery air that hung over the landseemed full of yellow smoke, theomnipresent dust of the plains. A farm truck turned onto theside-road and moaned away, itsdriver hardly glancing at the darkyoung man who sat swaying on hisduffle bag near the culvert. Hogeyscarcely noticed the vehicle. He justkept staring at the crazy sun. He shook his head. It wasn't reallythe sun. The sun, the real sun,was a hateful eye-sizzling horror inthe dead black pit. It painted everythingwith pure white pain, and yousaw things by the reflected pain-light.The fat red sun was strictly aphoney, and it didn't fool him any.He hated it for what he knew it wasbehind the gory mask, and for whatit had done to his eyes. With a grunt, he got to his feet,managed to shoulder the duffle bag,and started off down the middle ofthe farm road, lurching from sideto side, and keeping his eyes on therolling distances. Another car turnedonto the side-road, honking angrily. Hogey tried to turn around tolook at it, but he forgot to shift hisfooting. He staggered and wentdown on the pavement. The car'stires screeched on the hot asphalt.Hogey lay there for a moment,groaning. That one had hurt hiship. A car door slammed and a bigman with a florid face got out andstalked toward him, looking angry. What the hell's the matter withyou, fella? he drawled. Yousoused? Man, you've really got aload. Hogey got up doggedly, shakinghis head to clear it. Space legs, heprevaricated. Got space legs. Can'tstand the gravity. The burly farmer retrieved hisgin bottle for him, still miraculouslyunbroken. Here's your gravity,he grunted. Listen, fella, you betterget home pronto. Pronto? Hey, I'm no Mex. Honest,I'm just space burned. Youknow? Yeah. Say, who are you, anyway?Do you live around here? It was obvious that the big manhad taken him for a hobo or atramp. Hogey pulled himself together.Goin' to the Hauptman'splace. Marie. You know Marie? The farmer's eyebrows went up.Marie Hauptman? Sure I knowher. Only she's Marie Parker now.Has been, nigh on six years. Say—He paused, then gaped. You ain'ther husband by any chance? Hogey, that's me. Big HogeyParker. Well, I'll be—! Get in the car.I'm going right past John Hauptman'splace. Boy, you're in noshape to walk it. He grinned wryly, waggled hishead, and helped Hogey and hisbag into the back seat. A womanwith a sun-wrinkled neck sat rigidlybeside the farmer in the front,and she neither greeted the passengernor looked around. They don't make cars like thisanymore, the farmer called overthe growl of the ancient gasolineengine and the grind of gears.You can have them new atomicswith their loads of hot isotopesunder the seat. Ain't safe, I say—eh,Martha? The woman with the sun-bakedneck quivered her head slightly.A car like this was good enoughfor Pa, an' I reckon it's goodenough for us, she drawled mournfully. Five minutes later the car drewin to the side of the road. Reckonyou can walk it from here, thefarmer said. That's Hauptman'sroad just up ahead. He helped Hogey out of the carand drove away without lookingback to see if Hogey stayed on hisfeet. The woman with the sun-bakedneck was suddenly talkinggarrulously in his direction. It was twilight. The sun had set,and the yellow sky was turninggray. Hogey was too tired to go on,and his legs would no longer holdhim. He blinked around at the land,got his eyes focused, and foundwhat looked like Hauptman's placeon a distant hillside. It was a bigframe house surrounded by a wheatfield,and a few scrawny trees. Havinglocated it, he stretched out inthe tall grass beyond the ditch totake a little rest. Somewhere dogs were barking,and a cricket sang creaking monotonyin the grass. Once there was thedistant thunder of a rocket blastfrom the launching station six milesto the west, but it faded quickly. AnA-motored convertible whined paston the road, but Hogey went unseen. When he awoke, it was night,and he was shivering. His stomachwas screeching, and his nerves dancingwith high voltages. He sat upand groped for his watch, then rememberedhe had pawned it afterthe poker game. Remembering thegame and the results of the gamemade him wince and bite his lipand grope for the bottle again. He sat breathing heavily for amoment after the stiff drink. Equatingtime to position had becomesecond nature with him, but he hadto think for a moment because hisdefective vision prevented him fromseeing the Earth-crescent. Vega was almost straight abovehim in the late August sky, so heknew it wasn't much after sundown—probablyabout eight o'clock. Hebraced himself with another swallowof gin, picked himself up andgot back to the road, feeling a littlesobered after the nap. He limped on up the pavementand turned left at the narrow drivethat led between barbed-wire fencestoward the Hauptman farmhouse,five hundred yards or so from thefarm road. The fields on his leftbelonged to Marie's father, heknew. He was getting close—closeto home and woman and child. He dropped the bag suddenlyand leaned against a fence post,rolling his head on his forearmsand choking in spasms of air. Hewas shaking all over, and his bellywrithed. He wanted to turn andrun. He wanted to crawl out in thegrass and hide. What were they going to say?And Marie, Marie most of all.How was he going to tell her aboutthe money? Six hitches in space, and everytime the promise had been thesame: One more tour, baby, andwe'll have enough dough, and thenI'll quit for good. One more time,and we'll have our stake—enoughto open a little business, or buy ahouse with a mortgage and get ajob. And she had waited, but themoney had never been quite enoughuntil this time. This time the tourhad lasted nine months, and he hadsigned on for every run from stationto moon-base to pick up thebonuses. And this time he'd madeit. Two weeks ago, there had beenforty-eight hundred in the bank.And now ... Why? he groaned, striking hisforehead against his forearms. Hisarm slipped, and his head hit thetop of the fencepost, and the painblinded him for a moment. He staggeredback into the road with alow roar, wiped blood from hisforehead, and savagely kicked hisbag. It rolled a couple of yards up theroad. He leaped after it and kickedit again. When he had finishedwith it, he stood panting and angry,but feeling better. He shoulderedthe bag and hiked on toward thefarmhouse. They're hoofers, that's all—justan Earth-chained bunch of hoofers,even Marie. And I'm a tumbler. Aborn tumbler. Know what thatmeans? It means—God, what doesit mean? It means out in Big Bottomless,where Earth's like a fatmoon with fuzzy mold growing onit. Mold, that's all you are, justmold. A dog barked, and he wonderedif he had been muttering aloud. Hecame to a fence-gap and paused inthe darkness. The road woundaround and came up the hill infront of the house. Maybe they weresitting on the porch. Maybe they'dalready heard him coming. Maybe ... He was trembling again. Hefished the fifth of gin out of hiscoat pocket and sloshed it. Still overhalf a pint. He decided to kill it. Itwouldn't do to go home with abottle sticking out of his pocket.He stood there in the night wind,sipping at it, and watching the reddishmoon come up in the east. Themoon looked as phoney as thesetting sun. He straightened in sudden determination.It had to be sometime.Get it over with, get it over withnow. He opened the fence-gap, slippedthrough, and closed it firmlybehind him. He retrieved his bag,and waded quietly through the tallgrass until he reached the hedgewhich divided an area of sicklypeach trees from the field. He gotover the hedge somehow, and startedthrough the trees toward thehouse. He stumbled over some oldboards, and they clattered. Shhh! he hissed, and movedon. The dogs were barking angrily,and he heard a screen door slam.He stopped. Ho there! a male voice calledexperimentally from the house. One of Marie's brothers. Hogeystood frozen in the shadow of apeach tree, waiting. Anybody out there? the mancalled again. Hogey waited, then heard theman muttering, Sic 'im, boy, sic'im. The hound's bark became eager.The animal came chasing down theslope, and stopped ten feet away tocrouch and bark frantically at theshadow in the gloom. He knew thedog. Hooky! he whispered. Hookyboy—here! The dog stopped barking, sniffed,trotted closer, and went Rrrooff! Then he started sniffingsuspiciously again. Easy, Hooky, here boy! hewhispered. The dog came forward silently,sniffed his hand, and whined inrecognition. Then he trotted aroundHogey, panting doggy affection anddancing an invitation to romp. Theman whistled from the porch. Thedog froze, then trotted quickly backup the slope. Nothing, eh, Hooky? theman on the porch said. Chasin'armadillos again, eh? The screen door slammed again,and the porch light went out.Hogey stood there staring, unableto think. Somewhere beyond thewindow lights were—his woman,his son. What the hell was a tumbler doingwith a woman and a son? After perhaps a minute, he steppedforward again. He tripped overa shovel, and his foot plunged intosomething that went squelch andswallowed the foot past the ankle.He fell forward into a heap ofsand, and his foot went deeper intothe sloppy wetness. He lay there with his stingingforehead on his arms, cursing softlyand crying. Finally he rolledover, pulled his foot out of themess, and took off his shoes. Theywere full of mud—sticky sandymud. The dark world was reelingabout him, and the wind was draggingat his breath. He fell backagainst the sand pile and let hisfeet sink in the mud hole and wriggledhis toes. He was laughingsoundlessly, and his face was wetin the wind. He couldn't think. Hecouldn't remember where he wasand why, and he stopped caring,and after a while he felt better. The stars were swimming overhim, dancing crazily, and the mudcooled his feet, and the sand wassoft behind him. He saw a rocketgo up on a tail of flame from thestation, and waited for the sound ofits blast, but he was already asleepwhen it came. It was far past midnight when hebecame conscious of the dog lickingwetly at his ear and cheek. Hepushed the animal away with a lowcurse and mopped at the side of hisface. He stirred, and groaned. Hisfeet were burning up! He tried topull them toward him, but theywouldn't budge. There was somethingwrong with his legs. For an instant he stared wildlyaround in the night. Then he rememberedwhere he was, closed hiseyes and shuddered. When heopened them again, the moon hademerged from behind a cloud, andhe could see clearly the cruel trapinto which he had accidentallystumbled. A pile of old boards, acareful stack of new lumber, apick and shovel, a sand-pile, heapsof fresh-turned earth, and a concretemixer—well, it added up. He gripped his ankles and pulled,but his feet wouldn't budge. Insudden terror, he tried to stand up,but his ankles were clutched by theconcrete too, and he fell back inthe sand with a low moan. He laystill for several minutes, consideringcarefully. He pulled at his left foot. It waslocked in a vise. He tugged evenmore desperately at his right foot.It was equally immovable. He sat up with a whimper andclawed at the rough concrete untilhis nails tore and his fingertipsbled. The surface still felt damp,but it had hardened while he slept. He sat there stunned until Hookybegan licking at his scuffed fingers.He shouldered the dog away, anddug his hands into the sand-pile tostop the bleeding. Hooky licked athis face, panting love. Get away! he croaked savagely. The dog whined softly, trotteda short distance away, circled, andcame back to crouch down in thesand directly before Hogey, inchingforward experimentally. Hogey gripped fistfuls of the drysand and cursed between his teeth,while his eyes wandered over thesky. They came to rest on the sliverof light—the space station—risingin the west, floating out in Big Bottomlesswhere the gang was—Nicholsand Guerrera and Lavrentiand Fats. And he wasn't forgettingKeesey, the rookie who'd replacedhim. Keesey would have a rough timefor a while—rough as a cob. The pitwas no playground. The first timeyou went out of the station in asuit, the pit got you. Everythingwas falling, and you fell, with it.Everything. The skeletons of steel,the tire-shaped station, the spheresand docks and nightmare shapes—alltied together by umbilical cablesand flexible tubes. Like some crazysea-thing they seemed, floating in ablack ocean with its tentacles boundtogether by drifting strands in thedark tide that bore it. Everything was pain-bright ordead black, and it wheeled aroundyou, and you went nuts trying tofigure which way was down. In fact,it took you months to teach yourbody that all ways were down andthat the pit was bottomless. He became conscious of a plaintivesound in the wind, and froze tolisten. It was a baby crying. It was nearly a minute before hegot the significance of it. It hit himwhere he lived, and he began jerkingfrantically at his encased feetand sobbing low in his throat.They'd hear him if he kept that up.He stopped and covered his ears toclose out the cry of his firstborn. Alight went on in the house, andwhen it went off again, the infant'scry had ceased. Another rocket went up from thestation, and he cursed it. Space wasa disease, and he had it. Help! he cried out suddenly.I'm stuck! Help me, help me! He knew he was yelling hystericallyat the sky and fighting the relentlessconcrete that clutched hisfeet, and after a moment he stopped. The light was on in the houseagain, and he heard faint sounds.The stirring-about woke the babyagain, and once more the infant'swail came on the breeze. Make the kid shut up, make thekid shut up ... But that was no good. It wasn'tthe kid's fault. It wasn't Marie'sfault. No fathers allowed in space,they said, but it wasn't their faulteither. They were right, and he hadonly himself to blame. The kid wasan accident, but that didn't changeanything. Not a thing in the world.It remained a tragedy. A tumbler had no business with afamily, but what was a man goingto do? Take a skinning knife, boy,and make yourself a eunuch. Butthat was no good either. They neededbulls out there in the pit, notsteers. And when a man came downfrom a year's hitch, what was hegoing to do? Live in a lonely shackand read books for kicks? Becauseyou were a man, you sought out awoman. And because she was awoman, she got a kid, and that wasthe end of it. It was nobody's fault,nobody's at all. He stared at the red eye of Marslow in the southwest. They wererunning out there now, and nextyear he would have been on thelong long run ... But there was no use thinkingabout it. Next year and the yearsafter belonged to little Hogey. He sat there with his feet lockedin the solid concrete of the footing,staring out into Big Bottomlesswhile his son's cry came from thehouse and the Hauptman menfolkcame wading through the tall grassin search of someone who had criedout. His feet were stuck tight, andhe wouldn't ever get them out. Hewas sobbing softly when they foundhim. Transcriber's Note: This etext was produced from Fantastic Universe September 1955.Extensive research did not uncover any evidence that the U.S.copyright on this publication was renewed. Minor spelling andtypographical errors have been corrected without note.<doc-sep> A wayfarer's return from a far country to his wife and family may be ashining experience, a kind of second honeymoon. Or it may be so shadowedby Time's relentless tyranny that the changes which have occurred in hisabsence can lead only to tragedy and despair. This rarely discerning, warmlyhuman story by a brilliant newcomer to the science fantasy field is toldwith no pulling of punches, and its adroit unfolding will astound you. the hoofer by ... Walter M. Miller, Jr. A space rover has no business with a family. But what can a manin the full vigor of youth do—if his heart cries out for a home? <doc-sep>Manet suspected hallucination, but in an existence with all the palliddispassion of a requited love he was happy to welcome dementia.Sometimes he even manufactured it. Sometimes he would run through thearteries of the factory and play that it had suddenly gone mad hatinghuman beings, and was about to close down its bulkheads on him as sureas the Engineers' Thumb and bale up the pressure-dehydrated digest,making so much stall flooring of him. He ran until he dropped with akind of climaxing release of terror. So Manet put on the pressure suit he had been given because he wouldnever need it, and marched out to meet the visiting spaceship. He wasn't quite clear how he came from walking effortlessly acrossthe Martian plain that had all the distance-perpetuating qualities ofa kid's crank movie machine to the comfortable interior of a strangecabin. Not a ship's cabin but a Northwoods cabin. The black and orange Hallowe'en log charring in the slate stonefireplace seemed real. So did the lean man with the smiling mustachepainted with the random designs of the fire, standing before thehorizontal pattern of chinked wall. Need a fresher? the host inquired. Manet's eyes wondered down to heavy water tumbler full of rich, amberwhiskey full of sparks from the hearth. He stirred himself in thecomfortingly warm leather chair. No, no, I'm fine . He let the wordhang there for examination. Pardon me, but could you tell me just whatplace this is? The host shrugged. It was the only word for it. Whatever place youchoose it to be, so long as you're with Trader Tom. 'Service,' that'smy motto. It is a way of life with me. Trader Tom? Service? Yes! That's it exactly. It's me exactly. Trader Tom Service—Servingthe Wants of the Spaceman Between the Stars. Of course, 'stars' ispoetic. Any point of light in the sky in a star. We service theplanets. Manet took the tumbler in both hands and drank. It was good whiskey,immensely powerful. The government wouldn't pay for somebody servingthe wants of spacemen, he exploded. Ah, Trader Tom said, cautionary. He moved nearer the fire and warmedhis hands and buttocks. Ah, but I am not a government service. Irepresent free enterprise. <doc-sep></s> [SEP] What distinguishes a hoofer from a tumbler?

A tumbler and a hoofer are considered to be two types of people, as described by Hogey’s drunken ramblings. A tumbler is someone who lives in space and never interacts with gravity. As such, a tumbler is often clumsy and has limbs that flail about. In addition, a tumbler is not meant to be a family man, and should neither have a wife nor children. Therefore, a hoofer is a person who lives on Earth and is rooted to the ground by gravity, as they have never traveled to space. By contrast, they would have a family, like Marie Parker does with her son. In addition, the hoofers in this story are stable and kind, like the farmer and the bus driver, who all help Hogey when his limbs and center of gravity fail him.

What is the backdrop of the story "The Hoofer"? [SEP] <s> A wayfarer's return from a far country to his wife and family may be ashining experience, a kind of second honeymoon. Or it may be so shadowedby Time's relentless tyranny that the changes which have occurred in hisabsence can lead only to tragedy and despair. This rarely discerning, warmlyhuman story by a brilliant newcomer to the science fantasy field is toldwith no pulling of punches, and its adroit unfolding will astound you. the hoofer by ... Walter M. Miller, Jr. A space rover has no business with a family. But what can a manin the full vigor of youth do—if his heart cries out for a home? <doc-sep> THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes,and had changed its color from a dazzling blue through white to thenormal yellow, of a GO sun. That was the Doppler effect as the star'sradial velocity changed relative to the Quest III , as for forty hoursthe ship had decelerated. They had seen many such stars come near out of the galaxy's glitteringbackdrop, and had seen them dwindle, turn red and go out as the QuestIII drove on its way once more, lashed by despair toward the speed oflight, leaving behind the mockery of yet another solitary and lifelessluminary unaccompanied by worlds where men might dwell. They had grownsated with the sight of wonders—of multiple systems of giant stars, ofnebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, theycame and stood quietly gazing into the big vision screens that showedthe oncoming star, and there were wide-eyed children who had been bornin the ship and had never seen a planet. The grownups talked in lowvoices, in tones of mingled eagerness and apprehension, of what mightlie at the long journey's end. For the Quest III was coming home; thesun ahead was the Sun, whose rays had warmed their lives' beginning. <doc-sep> The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watchthe great changeless sweep of space. He could not quite explain thefeelings within him; they were so alien, so unnatural. But ever sincethe engines somewhere in the rear of the world had changed their tone,from the steady whining Rikud had heard all twenty-five years of hislife, to the sullen roar that came to his ears now, the feelings hadgrown. If anyone else had noticed the change, he failed to mention it. Thisdisturbed Rikud, although he could not tell why. And, because he hadrealized this odd difference in himself, he kept it locked up insidehim. Today, space looked somehow different. The stars—it was a meaninglessconcept to Rikud, but that was what everyone called the brightpinpoints of light on the black backdrop in the viewport—were notapparent in the speckled profusion Rikud had always known. Instead,there was more of the blackness, and one very bright star set apartby itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this wasodd. His head ached with the half-born thought. It was—it was—whatwas it? Someone was clomping up the companionway behind Rikud. He turned andgreeted gray-haired old Chuls. In five more years, the older man chided, you'll be ready to sirechildren. And all you can do in the meantime is gaze out at the stars. Rikud knew he should be exercising now, or bathing in the rays of thehealth-lamps. It had never occurred to him that he didn't feel like it;he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of thetime he would be thirty and a father. Whom would the Calculator selectas his mate? The first time this idea had occurred to him, Rikudignored it. But it came again, and each time it left him with a feelinghe could not explain. Why should he think thoughts that no other manhad? Why should he think he was thinking such thoughts, when it alwaysembroiled him in a hopeless, infinite confusion that left him with aheadache? Chuls said, It is time for my bath in the health-rays. I saw you hereand knew it was your time, too.... His voice trailed off. Rikud knew that something which he could notexplain had entered the elder man's head for a moment, but it haddeparted almost before Chuls knew of its existence. I'll go with you, Rikud told him. <doc-sep></s> [SEP] What is the backdrop of the story "The Hoofer"?

This story takes place on Earth. As we are following the protagonist’s journey home, the setting constantly changes in terms of transportation mode and the landscape. First, we can identify the setting as a public bus, where Hogey occupies the back seats of the bus as he falls asleep clutching his gin. Hogey gets off at his stop - Caine’s junction - which is a road junction with just a few farmhouses at the side and a derelict filling station. There is also a ditch, which he promptly stumbles into. The landscape reveals the Great Plains country, with descriptions of the setting being treeless and barren, and instead being full of rolling hills and fields of grass.Towards the end of the story, the setting changes to the Hauptman’s place where the farmhouse sits off the side of the road with a barbed-wire fence. Within the tall grass of the farmhouse also lies a sloppy heap of sand - concrete.

Can you provide a summary of the storyline in THE HANGING STRANGER? [SEP] <s>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep> He took a walk. The town was just comingto life. People were strollingout of their houses, commentingon the weather, chucklingamiably about local affairs.Kids on bicycles were beginningto appear, jangling thelittle bells and hooting toeach other. A woman, hangingwash in the back yard,called out to him, thinkinghe was somebody else. He found a little park, nomore than twenty yards incircumference, centeredaround a weatherbeaten monumentof some unrecognizablemilitary figure. Threeold men took their places onthe bench that circled theGeneral, and leaned on theircanes. Sol was a civil engineer.But he made like a reporter. Pardon me, sir. The oldman, leathery-faced, with afine yellow moustache, lookedat him dumbly. Have youever heard of Armagon? You a stranger? Yes. Thought so. Sol repeated the question. Course I did. Been goin'there ever since I was a kid.Night-times, that is. How—I mean, what kindof place is it? Said you're a stranger? Yes. Then 'tain't your business. That was that. He left the park, and wanderedinto a thriving luncheonette.He tried questioningthe man behind the counter,who merely snickered andsaid: You stayin' with theDawes, ain't you? Better askWillie, then. He knows theplace better than anybody. He asked about the execution,and the man stiffened. Don't think I can talkabout that. Fella broke one ofthe Laws; that's about it.Don't see where you comeinto it. At eleven o'clock, he returnedto the Dawes residence,and found Mom in thekitchen, surrounded by thewarm nostalgic odor of home-bakedbread. She told himthat her husband had left amessage for the stranger, informinghim that the StatePolice would be around to gethis story. He waited in the house,gloomily turning the pages ofthe local newspaper, searchingfor references to Armagon.He found nothing. At eleven-thirty, a brown-facedState Trooper came tocall, and Sol told his story.He was promised nothing,and told to stay in town untilhe was contacted again bythe authorities. Mom fixed him a lightlunch, the greatest feature ofwhich was some hot biscuitsshe plucked out of the oven.It made him feel almost normal. He wandered around thetown some more after lunch,trying to spark conversationwith the residents. He learned little. <doc-sep> THE HANGING STRANGER BY PHILIP K. DICK ILLUSTRATED BY SMITH [Transcriber's Note: This etext was produced from Science FictionAdventures Magazine December 1953. Extensive research did not uncoverany evidence that the U.S. copyright on this publication was renewed.] Ed had always been a practical man, when he saw something waswrong he tried to correct it. Then one day he saw it hanging in thetown square. Five o'clock Ed Loyce washed up, tossed on his hat and coat, got his carout and headed across town toward his TV sales store. He was tired. Hisback and shoulders ached from digging dirt out of the basement andwheeling it into the back yard. But for a forty-year-old man he had doneokay. Janet could get a new vase with the money he had saved; and heliked the idea of repairing the foundations himself! It was getting dark. The setting sun cast long rays over the scurryingcommuters, tired and grim-faced, women loaded down with bundles andpackages, students swarming home from the university, mixing with clerksand businessmen and drab secretaries. He stopped his Packard for a redlight and then started it up again. The store had been open without him;he'd arrive just in time to spell the help for dinner, go over therecords of the day, maybe even close a couple of sales himself. He droveslowly past the small square of green in the center of the street, thetown park. There were no parking places in front of LOYCE TV SALES ANDSERVICE. He cursed under his breath and swung the car in a U-turn. Againhe passed the little square of green with its lonely drinking fountainand bench and single lamppost. From the lamppost something was hanging. A shapeless dark bundle,swinging a little with the wind. Like a dummy of some sort. Loyce rolleddown his window and peered out. What the hell was it? A display ofsome kind? Sometimes the Chamber of Commerce put up displays in thesquare. Again he made a U-turn and brought his car around. He passed the parkand concentrated on the dark bundle. It wasn't a dummy. And if it was adisplay it was a strange kind. The hackles on his neck rose and heswallowed uneasily. Sweat slid out on his face and hands. It was a body. A human body. <doc-sep></s> [SEP] Can you provide a summary of the storyline in THE HANGING STRANGER?

Edward Loyce spends the whole day repairing the foundation. When he drives past the town park, he sees a thing hanging under the lamppost. He realizes that it’s a hanging human. Ed is frightened because of the hanged body and because everyone seems to not care about it. People walk past and ignore it. Ed tells the owners of other shops, trying to figure out the situation. However, both the owners think it is normal. After realizing he is the only one who feels strange, Ed gets closer to the hanged body, noticing that it’s a stranger. He bumps into Jenkins, a stationary clerk. Through the conversation with Jenkins and the jewelry store owner, he realizes that he is the only normal person in the town. He shouts to get the police, makes his way through the crowd, and finally gets into the police’s car.When he tries to understand the situation from the police, he realizes that the police are fake because he knows every cop in the town. He escapes from the fake police. When he gets closer to the police station, he sees a swarm of alien flies landing on the roof of City Hall and flying inside of the building, disguising themselves as men coming out of the City Hall. Ed realizes that they are aliens from other dimensions trying to control the humans and already control the minds of town people, except for him, as he escapes from it when repairing the foundation. He cautiously leaves and takes the bus. People on the bus are mind-controlled. A man with a book is looking at him, and Ed guesses the identity of the seemingly mind-clear man. When another older man ascends the bus and looks at the man with the book, Ed realizes the strangeness and escapes from the bus. Two men come after Ed, and Ed kills the man with the book and runs away. A doubt about killing the wrong person flashes through his mind, but he has no time to think.He tells his wife to get ready to leave when he gets home. He picks up a butcher knife and explains everything to his wife. When the twins come down, he sees a baby alien fly come toward him. Ed kills the alien, abandons his dazed wife and child, and flees. He runs ten miles towards Oak Grove. He explains everything to the Commissioner. The Commissioner records and agrees with his saying. Ed talks about his theory of the alien, but he cannot figure out the purpose of the hanged body. Finally, the Commissioner tells him that it is bait to lure people like him who escape successfully. Ed is frightened and realizes that he will be hanged in Oak Grove, just like the hanged body in Pikeville. That evening, Clarence Mason, the vice president of the Oak Grove Merchant’s Bank, sees a hanging object under the telephone pole in front of the police station.

What are the defining traits of Edward C. Loyce, the character in THE HANGING STRANGER? [SEP] <s>Name? the cop with the notebook murmured. Loyce. He mopped his forehead wearily. Edward C. Loyce. Listen to me.Back there— Address? the cop demanded. The police car moved swiftly throughtraffic, shooting among the cars and buses. Loyce sagged against theseat, exhausted and confused. He took a deep shuddering breath. 1368 Hurst Road. That's here in Pikeville? That's right. Loyce pulled himself up with a violent effort. Listento me. Back there. In the square. Hanging from the lamppost— Where were you today? the cop behind the wheel demanded. Where? Loyce echoed. You weren't in your shop, were you? No. He shook his head. No, I was home. Down in the basement. In the basement ? Digging. A new foundation. Getting out the dirt to pour a cement frame.Why? What has that to do with— Was anybody else down there with you? No. My wife was downtown. My kids were at school. Loyce looked fromone heavy-set cop to the other. Hope flicked across his face, wild hope.You mean because I was down there I missed—the explanation? I didn'tget in on it? Like everybody else? After a pause the cop with the notebook said: That's right. You missedthe explanation. Then it's official? The body—it's supposed to be hanging there? It's supposed to be hanging there. For everybody to see. Ed Loyce grinned weakly. Good Lord. I guess I sort of went off the deepend. I thought maybe something had happened. You know, something likethe Ku Klux Klan. Some kind of violence. Communists or Fascists takingover. He wiped his face with his breast-pocket handkerchief, his handsshaking. I'm glad to know it's on the level. It's on the level. The police car was getting near the Hall ofJustice. The sun had set. The streets were gloomy and dark. The lightshad not yet come on. I feel better, Loyce said. I was pretty excited there, for a minute.I guess I got all stirred up. Now that I understand, there's no need totake me in, is there? The two cops said nothing. I should be back at my store. The boys haven't had dinner. I'm allright, now. No more trouble. Is there any need of— This won't take long, the cop behind the wheel interrupted. A shortprocess. Only a few minutes. I hope it's short, Loyce muttered. The car slowed down for astoplight. I guess I sort of disturbed the peace. Funny, gettingexcited like that and— Loyce yanked the door open. He sprawled out into the street and rolledto his feet. Cars were moving all around him, gaining speed as the lightchanged. Loyce leaped onto the curb and raced among the people,burrowing into the swarming crowds. Behind him he heard sounds, shouts,people running. They weren't cops. He had realized that right away. He knew every cop inPikeville. A man couldn't own a store, operate a business in a smalltown for twenty-five years without getting to know all the cops. They weren't cops—and there hadn't been any explanation. Potter,Fergusson, Jenkins, none of them knew why it was there. They didn'tknow—and they didn't care. That was the strange part. Loyce ducked into a hardware store. He raced toward the back, past thestartled clerks and customers, into the shipping room and through theback door. He tripped over a garbage can and ran up a flight of concretesteps. He climbed over a fence and jumped down on the other side,gasping and panting. There was no sound behind him. He had got away. He was at the entrance of an alley, dark and strewn with boards andruined boxes and tires. He could see the street at the far end. A streetlight wavered and came on. Men and women. Stores. Neon signs. Cars. And to his right—the police station. He was close, terribly close. Past the loading platform of a grocerystore rose the white concrete side of the Hall of Justice. Barredwindows. The police antenna. A great concrete wall rising up in thedarkness. A bad place for him to be near. He was too close. He had tokeep moving, get farther away from them. Them? Loyce moved cautiously down the alley. Beyond the police station was theCity Hall, the old-fashioned yellow structure of wood and gilded brassand broad cement steps. He could see the endless rows of offices, darkwindows, the cedars and beds of flowers on each side of the entrance. And—something else. Above the City Hall was a patch of darkness, a cone of gloom denser thanthe surrounding night. A prism of black that spread out and was lostinto the sky. He listened. Good God, he could hear something. Something that made himstruggle frantically to close his ears, his mind, to shut out the sound.A buzzing. A distant, muted hum like a great swarm of bees. Loyce gazed up, rigid with horror. The splotch of darkness, hanging overthe City Hall. Darkness so thick it seemed almost solid. In the vortexsomething moved. Flickering shapes. Things, descending from the sky,pausing momentarily above the City Hall, fluttering over it in a denseswarm and then dropping silently onto the roof. Shapes. Fluttering shapes from the sky. From the crack of darkness thathung above him. He was seeing—them. <doc-sep>They kept a tape recorder going all the time he talked. When he hadfinished the Commissioner snapped off the recorder and got to his feet.He stood for a moment, deep in thought. Finally he got out hiscigarettes and lit up slowly, a frown on his beefy face. You don't believe me, Loyce said. The Commissioner offered him a cigarette. Loyce pushed it impatientlyaway. Suit yourself. The Commissioner moved over to the window andstood for a time looking out at the town of Oak Grove. I believe you,he said abruptly. Loyce sagged. Thank God. So you got away. The Commissioner shook his head. You were down inyour cellar instead of at work. A freak chance. One in a million. Loyce sipped some of the black coffee they had brought him. I have atheory, he murmured. What is it? About them. Who they are. They take over one area at a time. Startingat the top—the highest level of authority. Working down from there in awidening circle. When they're firmly in control they go on to the nexttown. They spread, slowly, very gradually. I think it's been going onfor a long time. A long time? Thousands of years. I don't think it's new. Why do you say that? When I was a kid.... A picture they showed us in Bible League. Areligious picture—an old print. The enemy gods, defeated by Jehovah.Moloch, Beelzebub, Moab, Baalin, Ashtaroth— So? They were all represented by figures. Loyce looked up at theCommissioner. Beelzebub was represented as—a giant fly. The Commissioner grunted. An old struggle. They've been defeated. The Bible is an account of their defeats. Theymake gains—but finally they're defeated. Why defeated? They can't get everyone. They didn't get me. And they never got theHebrews. The Hebrews carried the message to the whole world. Therealization of the danger. The two men on the bus. I think theyunderstood. Had escaped, like I did. He clenched his fists. I killedone of them. I made a mistake. I was afraid to take a chance. The Commissioner nodded. Yes, they undoubtedly had escaped, as you did.Freak accidents. But the rest of the town was firmly in control. Heturned from the window. Well, Mr. Loyce. You seem to have figuredeverything out. Not everything. The hanging man. The dead man hanging from thelamppost. I don't understand that. Why? Why did they deliberately hanghim there? That would seem simple. The Commissioner smiled faintly. Bait. Loyce stiffened. His heart stopped beating. Bait? What do you mean? To draw you out. Make you declare yourself. So they'd know who wasunder control—and who had escaped. Loyce recoiled with horror. Then they expected failures! Theyanticipated— He broke off. They were ready with a trap. And you showed yourself. You reacted. You made yourself known. TheCommissioner abruptly moved toward the door. Come along, Loyce. There'sa lot to do. We must get moving. There's no time to waste. Loyce started slowly to his feet, numbed. And the man. Who was theman? I never saw him before. He wasn't a local man. He was a stranger.All muddy and dirty, his face cut, slashed— There was a strange look on the Commissioner's face as he answered.Maybe, he said softly, you'll understand that, too. Come along withme, Mr. Loyce. He held the door open, his eyes gleaming. Loyce caught aglimpse of the street in front of the police station. Policemen, aplatform of some sort. A telephone pole—and a rope! Right this way,the Commissioner said, smiling coldly. <doc-sep>Look at it! Loyce snapped. Come on out here! Don Fergusson came slowly out of the store, buttoning his pin-stripecoat with dignity. This is a big deal, Ed. I can't just leave the guystanding there. See it? Ed pointed into the gathering gloom. The lamppost jutted upagainst the sky—the post and the bundle swinging from it. There it is.How the hell long has it been there? His voice rose excitedly. What'swrong with everybody? They just walk on past! Don Fergusson lit a cigarette slowly. Take it easy, old man. There mustbe a good reason, or it wouldn't be there. A reason! What kind of a reason? Fergusson shrugged. Like the time the Traffic Safety Council put thatwrecked Buick there. Some sort of civic thing. How would I know? Jack Potter from the shoe shop joined them. What's up, boys? There's a body hanging from the lamppost, Loyce said. I'm going tocall the cops. They must know about it, Potter said. Or otherwise it wouldn't bethere. I got to get back in. Fergusson headed back into the store. Businessbefore pleasure. Loyce began to get hysterical. You see it? You see it hanging there? Aman's body! A dead man! Sure, Ed. I saw it this afternoon when I went out for coffee. You mean it's been there all afternoon? Sure. What's the matter? Potter glanced at his watch. Have to run.See you later, Ed. Potter hurried off, joining the flow of people moving along thesidewalk. Men and women, passing by the park. A few glanced up curiouslyat the dark bundle—and then went on. Nobody stopped. Nobody paid anyattention. I'm going nuts, Loyce whispered. He made his way to the curb andcrossed out into traffic, among the cars. Horns honked angrily at him.He gained the curb and stepped up onto the little square of green. The man had been middle-aged. His clothing was ripped and torn, a graysuit, splashed and caked with dried mud. A stranger. Loyce had neverseen him before. Not a local man. His face was partly turned, away, andin the evening wind he spun a little, turning gently, silently. His skinwas gouged and cut. Red gashes, deep scratches of congealed blood. Apair of steel-rimmed glasses hung from one ear, dangling foolishly. Hiseyes bulged. His mouth was open, tongue thick and ugly blue. For Heaven's sake, Loyce muttered, sickened. He pushed down his nauseaand made his way back to the sidewalk. He was shaking all over, withrevulsion—and fear. Why? Who was the man? Why was he hanging there? What did it mean? And—why didn't anybody notice? He bumped into a small man hurrying along the sidewalk. Watch it! theman grated, Oh, it's you, Ed. Ed nodded dazedly. Hello, Jenkins. What's the matter? The stationery clerk caught Ed's arm. You looksick. The body. There in the park. Sure, Ed. Jenkins led him into the alcove of LOYCE TV SALES ANDSERVICE. Take it easy. Margaret Henderson from the jewelry store joined them. Somethingwrong? Ed's not feeling well. Loyce yanked himself free. How can you stand here? Don't you see it?For God's sake— What's he talking about? Margaret asked nervously. The body! Ed shouted. The body hanging there! More people collected. Is he sick? It's Ed Loyce. You okay, Ed? The body! Loyce screamed, struggling to get past them. Hands caught athim. He tore loose. Let me go! The police! Get the police! Ed— Better get a doctor! He must be sick. Or drunk. Loyce fought his way through the people. He stumbled and half fell.Through a blur he saw rows of faces, curious, concerned, anxious. Menand women halting to see what the disturbance was. He fought past themtoward his store. He could see Fergusson inside talking to a man,showing him an Emerson TV set. Pete Foley in the back at the servicecounter, setting up a new Philco. Loyce shouted at them frantically.His voice was lost in the roar of traffic and the murmur around him. Do something! he screamed. Don't stand there! Do something!Something's wrong! Something's happened! Things are going on! The crowd melted respectfully for the two heavy-set cops movingefficiently toward Loyce. <doc-sep></s> [SEP] What are the defining traits of Edward C. Loyce, the character in THE HANGING STRANGER?

Edward C. Loyce has been the owner of the TV sales store in the town for twenty-five years, and he is also called Ed by the town people. He is forty years old, living at 1368 Hurst Road, Pikeville. He has a wife, Janet, and twin sons, Jimmy and Tommy. He owns a Packard. He is practical and always tries to correct wrong things. He is friendly because he knows everyone in the town, and everyone seems to have a good relationship with him. Ed is brave because when he realizes that nobody pays attention to the hanged body in the town park, he gets closer and tries to figure out who the corpse is. Ed is also brilliant because he grasps the abnormal situations immediately after noticing the difference between the current situation and the normal one and because he sees the alien’s power flaws right after knowing the situation. He is also practical because he plans what he should do right after grasping the situation in the town. He is cautious as he kills the man with the book on the bus, not letting the aliens' slight chance get him. His will is formidable because he runs with his feet for ten miles along the rough ground to escape from Pikeville and because he makes the decision immediately when he knows that he has to abandon his family.

How does the presence of the hanged human body contribute to the plot of THE HANGING STRANGER? [SEP] <s> THE HANGING STRANGER BY PHILIP K. DICK ILLUSTRATED BY SMITH [Transcriber's Note: This etext was produced from Science FictionAdventures Magazine December 1953. Extensive research did not uncoverany evidence that the U.S. copyright on this publication was renewed.] Ed had always been a practical man, when he saw something waswrong he tried to correct it. Then one day he saw it hanging in thetown square. Five o'clock Ed Loyce washed up, tossed on his hat and coat, got his carout and headed across town toward his TV sales store. He was tired. Hisback and shoulders ached from digging dirt out of the basement andwheeling it into the back yard. But for a forty-year-old man he had doneokay. Janet could get a new vase with the money he had saved; and heliked the idea of repairing the foundations himself! It was getting dark. The setting sun cast long rays over the scurryingcommuters, tired and grim-faced, women loaded down with bundles andpackages, students swarming home from the university, mixing with clerksand businessmen and drab secretaries. He stopped his Packard for a redlight and then started it up again. The store had been open without him;he'd arrive just in time to spell the help for dinner, go over therecords of the day, maybe even close a couple of sales himself. He droveslowly past the small square of green in the center of the street, thetown park. There were no parking places in front of LOYCE TV SALES ANDSERVICE. He cursed under his breath and swung the car in a U-turn. Againhe passed the little square of green with its lonely drinking fountainand bench and single lamppost. From the lamppost something was hanging. A shapeless dark bundle,swinging a little with the wind. Like a dummy of some sort. Loyce rolleddown his window and peered out. What the hell was it? A display ofsome kind? Sometimes the Chamber of Commerce put up displays in thesquare. Again he made a U-turn and brought his car around. He passed the parkand concentrated on the dark bundle. It wasn't a dummy. And if it was adisplay it was a strange kind. The hackles on his neck rose and heswallowed uneasily. Sweat slid out on his face and hands. It was a body. A human body. <doc-sep>Look at it! Loyce snapped. Come on out here! Don Fergusson came slowly out of the store, buttoning his pin-stripecoat with dignity. This is a big deal, Ed. I can't just leave the guystanding there. See it? Ed pointed into the gathering gloom. The lamppost jutted upagainst the sky—the post and the bundle swinging from it. There it is.How the hell long has it been there? His voice rose excitedly. What'swrong with everybody? They just walk on past! Don Fergusson lit a cigarette slowly. Take it easy, old man. There mustbe a good reason, or it wouldn't be there. A reason! What kind of a reason? Fergusson shrugged. Like the time the Traffic Safety Council put thatwrecked Buick there. Some sort of civic thing. How would I know? Jack Potter from the shoe shop joined them. What's up, boys? There's a body hanging from the lamppost, Loyce said. I'm going tocall the cops. They must know about it, Potter said. Or otherwise it wouldn't bethere. I got to get back in. Fergusson headed back into the store. Businessbefore pleasure. Loyce began to get hysterical. You see it? You see it hanging there? Aman's body! A dead man! Sure, Ed. I saw it this afternoon when I went out for coffee. You mean it's been there all afternoon? Sure. What's the matter? Potter glanced at his watch. Have to run.See you later, Ed. Potter hurried off, joining the flow of people moving along thesidewalk. Men and women, passing by the park. A few glanced up curiouslyat the dark bundle—and then went on. Nobody stopped. Nobody paid anyattention. I'm going nuts, Loyce whispered. He made his way to the curb andcrossed out into traffic, among the cars. Horns honked angrily at him.He gained the curb and stepped up onto the little square of green. The man had been middle-aged. His clothing was ripped and torn, a graysuit, splashed and caked with dried mud. A stranger. Loyce had neverseen him before. Not a local man. His face was partly turned, away, andin the evening wind he spun a little, turning gently, silently. His skinwas gouged and cut. Red gashes, deep scratches of congealed blood. Apair of steel-rimmed glasses hung from one ear, dangling foolishly. Hiseyes bulged. His mouth was open, tongue thick and ugly blue. For Heaven's sake, Loyce muttered, sickened. He pushed down his nauseaand made his way back to the sidewalk. He was shaking all over, withrevulsion—and fear. Why? Who was the man? Why was he hanging there? What did it mean? And—why didn't anybody notice? He bumped into a small man hurrying along the sidewalk. Watch it! theman grated, Oh, it's you, Ed. Ed nodded dazedly. Hello, Jenkins. What's the matter? The stationery clerk caught Ed's arm. You looksick. The body. There in the park. Sure, Ed. Jenkins led him into the alcove of LOYCE TV SALES ANDSERVICE. Take it easy. Margaret Henderson from the jewelry store joined them. Somethingwrong? Ed's not feeling well. Loyce yanked himself free. How can you stand here? Don't you see it?For God's sake— What's he talking about? Margaret asked nervously. The body! Ed shouted. The body hanging there! More people collected. Is he sick? It's Ed Loyce. You okay, Ed? The body! Loyce screamed, struggling to get past them. Hands caught athim. He tore loose. Let me go! The police! Get the police! Ed— Better get a doctor! He must be sick. Or drunk. Loyce fought his way through the people. He stumbled and half fell.Through a blur he saw rows of faces, curious, concerned, anxious. Menand women halting to see what the disturbance was. He fought past themtoward his store. He could see Fergusson inside talking to a man,showing him an Emerson TV set. Pete Foley in the back at the servicecounter, setting up a new Philco. Loyce shouted at them frantically.His voice was lost in the roar of traffic and the murmur around him. Do something! he screamed. Don't stand there! Do something!Something's wrong! Something's happened! Things are going on! The crowd melted respectfully for the two heavy-set cops movingefficiently toward Loyce. <doc-sep>They kept a tape recorder going all the time he talked. When he hadfinished the Commissioner snapped off the recorder and got to his feet.He stood for a moment, deep in thought. Finally he got out hiscigarettes and lit up slowly, a frown on his beefy face. You don't believe me, Loyce said. The Commissioner offered him a cigarette. Loyce pushed it impatientlyaway. Suit yourself. The Commissioner moved over to the window andstood for a time looking out at the town of Oak Grove. I believe you,he said abruptly. Loyce sagged. Thank God. So you got away. The Commissioner shook his head. You were down inyour cellar instead of at work. A freak chance. One in a million. Loyce sipped some of the black coffee they had brought him. I have atheory, he murmured. What is it? About them. Who they are. They take over one area at a time. Startingat the top—the highest level of authority. Working down from there in awidening circle. When they're firmly in control they go on to the nexttown. They spread, slowly, very gradually. I think it's been going onfor a long time. A long time? Thousands of years. I don't think it's new. Why do you say that? When I was a kid.... A picture they showed us in Bible League. Areligious picture—an old print. The enemy gods, defeated by Jehovah.Moloch, Beelzebub, Moab, Baalin, Ashtaroth— So? They were all represented by figures. Loyce looked up at theCommissioner. Beelzebub was represented as—a giant fly. The Commissioner grunted. An old struggle. They've been defeated. The Bible is an account of their defeats. Theymake gains—but finally they're defeated. Why defeated? They can't get everyone. They didn't get me. And they never got theHebrews. The Hebrews carried the message to the whole world. Therealization of the danger. The two men on the bus. I think theyunderstood. Had escaped, like I did. He clenched his fists. I killedone of them. I made a mistake. I was afraid to take a chance. The Commissioner nodded. Yes, they undoubtedly had escaped, as you did.Freak accidents. But the rest of the town was firmly in control. Heturned from the window. Well, Mr. Loyce. You seem to have figuredeverything out. Not everything. The hanging man. The dead man hanging from thelamppost. I don't understand that. Why? Why did they deliberately hanghim there? That would seem simple. The Commissioner smiled faintly. Bait. Loyce stiffened. His heart stopped beating. Bait? What do you mean? To draw you out. Make you declare yourself. So they'd know who wasunder control—and who had escaped. Loyce recoiled with horror. Then they expected failures! Theyanticipated— He broke off. They were ready with a trap. And you showed yourself. You reacted. You made yourself known. TheCommissioner abruptly moved toward the door. Come along, Loyce. There'sa lot to do. We must get moving. There's no time to waste. Loyce started slowly to his feet, numbed. And the man. Who was theman? I never saw him before. He wasn't a local man. He was a stranger.All muddy and dirty, his face cut, slashed— There was a strange look on the Commissioner's face as he answered.Maybe, he said softly, you'll understand that, too. Come along withme, Mr. Loyce. He held the door open, his eyes gleaming. Loyce caught aglimpse of the street in front of the police station. Policemen, aplatform of some sort. A telephone pole—and a rope! Right this way,the Commissioner said, smiling coldly. <doc-sep></s> [SEP] How does the presence of the hanged human body contribute to the plot of THE HANGING STRANGER?

The hanged human body is bait to lure people who escape successfully from the mind control of alien flies and draw themselves out. People who are not under mental control would try everything they can to escape from the controlled town to the nearby uncontrolled town, but when they arrive in the uncontrolled town, they will be hanged as another bait in the new town, just like what happens to Ed Loyce in the story. When Ed notices the hanged body in the park and the strangeness that nobody cares about, he tries everything to alert people and escape. Yet, he ends up being suspended by the Commissioner in the town nearby as a new bait to lure people like him. The fact that the uncontrolled person escapes from the controlled town is also why the hanged body looks like a stranger in a town because the person often comes from another town. This fact also constitutes why the body is caked with mud, and its clothes are torn and ripped because it is the consequence of a long journey from another town to where it is hanged.

What are the defining traits of the extraterrestrial flies in THE HANGING STRANGER? [SEP] <s>They kept a tape recorder going all the time he talked. When he hadfinished the Commissioner snapped off the recorder and got to his feet.He stood for a moment, deep in thought. Finally he got out hiscigarettes and lit up slowly, a frown on his beefy face. You don't believe me, Loyce said. The Commissioner offered him a cigarette. Loyce pushed it impatientlyaway. Suit yourself. The Commissioner moved over to the window andstood for a time looking out at the town of Oak Grove. I believe you,he said abruptly. Loyce sagged. Thank God. So you got away. The Commissioner shook his head. You were down inyour cellar instead of at work. A freak chance. One in a million. Loyce sipped some of the black coffee they had brought him. I have atheory, he murmured. What is it? About them. Who they are. They take over one area at a time. Startingat the top—the highest level of authority. Working down from there in awidening circle. When they're firmly in control they go on to the nexttown. They spread, slowly, very gradually. I think it's been going onfor a long time. A long time? Thousands of years. I don't think it's new. Why do you say that? When I was a kid.... A picture they showed us in Bible League. Areligious picture—an old print. The enemy gods, defeated by Jehovah.Moloch, Beelzebub, Moab, Baalin, Ashtaroth— So? They were all represented by figures. Loyce looked up at theCommissioner. Beelzebub was represented as—a giant fly. The Commissioner grunted. An old struggle. They've been defeated. The Bible is an account of their defeats. Theymake gains—but finally they're defeated. Why defeated? They can't get everyone. They didn't get me. And they never got theHebrews. The Hebrews carried the message to the whole world. Therealization of the danger. The two men on the bus. I think theyunderstood. Had escaped, like I did. He clenched his fists. I killedone of them. I made a mistake. I was afraid to take a chance. The Commissioner nodded. Yes, they undoubtedly had escaped, as you did.Freak accidents. But the rest of the town was firmly in control. Heturned from the window. Well, Mr. Loyce. You seem to have figuredeverything out. Not everything. The hanging man. The dead man hanging from thelamppost. I don't understand that. Why? Why did they deliberately hanghim there? That would seem simple. The Commissioner smiled faintly. Bait. Loyce stiffened. His heart stopped beating. Bait? What do you mean? To draw you out. Make you declare yourself. So they'd know who wasunder control—and who had escaped. Loyce recoiled with horror. Then they expected failures! Theyanticipated— He broke off. They were ready with a trap. And you showed yourself. You reacted. You made yourself known. TheCommissioner abruptly moved toward the door. Come along, Loyce. There'sa lot to do. We must get moving. There's no time to waste. Loyce started slowly to his feet, numbed. And the man. Who was theman? I never saw him before. He wasn't a local man. He was a stranger.All muddy and dirty, his face cut, slashed— There was a strange look on the Commissioner's face as he answered.Maybe, he said softly, you'll understand that, too. Come along withme, Mr. Loyce. He held the door open, his eyes gleaming. Loyce caught aglimpse of the street in front of the police station. Policemen, aplatform of some sort. A telephone pole—and a rope! Right this way,the Commissioner said, smiling coldly. <doc-sep>For more than a century, robotocists have been trying to build Asimov'sfamous Three Laws of Robotics into a robot brain. First Law: A robot shall not, either through action or inaction, allowharm to come to a human being. Second Law: A robot shall obey the orders of a human being, exceptwhen such orders conflict with the First Law . [15] Third Law: A robot shall strive to protect its own existence, exceptwhen this conflicts with the First or Second Law. Nobody has succeeded yet, because nobody has yet succeeded in definingthe term human being in such a way that the logical mind of a robotcan encompass the concept. A traffic robot is useful only because the definition has been rigidlynarrowed down. As far as a traffic robot is concerned, human beingsare the automobiles on its highways. Woe betide any poor sap who tries,illegally, to cross a robot-controlled highway on foot. The robot'sonly concern would be with the safety of the automobiles, and if theonly way to avoid destruction of an automobile were to be by nudgingthe pedestrian aside with a fender, that's what would happen. And, since its orders only come from one place, I suppose that atraffic robot thinks that the guy who uses that typer is an automobile. With the first six models of the McGuire ships, the robotocistsattempted to build in the Three Laws exactly as stated. And the firstsix went insane. If one human being says jump left, and another says jump right,the robot is unable to evaluate which human being has given the morevalid order. Feed enough confusing and conflicting data into a robotbrain, and it can begin behaving in ways that, in a human being, wouldbe called paranoia or schizophrenia or catatonia or what-have-you,depending [16] on the symptoms. And an insane robot is fully as dangerousas an insane human being controlling the same mechanical equipment, ifnot more so. So the seventh model had been modified. The present McGuire's brain wasimpressed with slight modifications of the First and Second Laws. If it is difficult to define a human being, it is much more difficultto define a responsible human being. One, in other words, who canbe relied upon to give wise and proper orders to a robot, who can berelied upon not to drive the robot insane. The robotocists at Viking Spacecraft had decided to take anothertack. Very well, they'd said, if we can't define all the membersof a group, we can certainly define an individual. We'll pick oneresponsible person and build McGuire so that he will take orders onlyfrom that person. As it turned out, I was that person. Just substitute Daniel Oakfor human being in the First and Second Laws, and you'll see howimportant I was to a certain spaceship named McGuire. <doc-sep>Playing the game was fabulously expensive; it had to be to make itprofitable for the Vinzz to run it. Those odd creatures from Altair'sseventh planet cared nothing for the welfare of the completely alienhuman beings; all they wanted was to feather their own pockets withinterstellar credits, so that they could return to Vinau and buy manyslaves. For, on Vinau, bodies were of little account, and so to themzarquil was the equivalent of the terrestrial game musical chairs.Which was why they came to Terra to make profits—there has never beenbig money in musical chairs as such. When the zarquil operators were apprehended, which was not frequent—asthey had strange powers, which, not being definable, were beyond thelaw—they suffered their sentences with equanimity. No Earth courtcould give an effective prison sentence to a creature whose lifespanned approximately two thousand terrestrial years. And capitalpunishment had become obsolete on Terra, which very possibly saved theterrestrials embarrassment, for it was not certain that their weaponscould kill the Vinzz ... or whether, in fact, the Vinzz merely expiredafter a period of years out of sheer boredom. Fortunately, becausetrade was more profitable than war, there had always been peace betweenVinau and Terra, and, for that reason, Terra could not bar the entranceof apparently respectable citizens of a friendly planet. The taxi driver took the fat man to one of the rather seedy locales inwhich the zarquil games were usually found, for the Vinzz attempted toconduct their operations with as much unobtrusiveness as was possible.But the front door swung open on an interior that lacked the opulenceof the usual Vinoz set-up; it was down-right shabby, the dim olivelight hinting of squalor rather than forbidden pleasures. That wasthe trouble in these smaller towns—you ran greater risks of gettinginvolved in games where the players had not been carefully screened. The Vinoz games were usually clean, because that paid off better, but,when profits were lacking, the Vinzz were capable of sliding off intodarkside practices. Naturally the small-town houses were more likely tohave trouble in making ends meet, because everybody in the parish kneweverybody else far too well. The fat man wondered whether that had been his quarry's motive incoming to such desolate, off-trail places—hoping that eventuallydisaster would hit the one who pursued him. Somehow, such a plan seemedtoo logical for the man he was haunting. However, beggars could not be choosers. The fat man paid off theheli-driver and entered the zarquil house. One? the small greencreature in the slightly frayed robe asked. One, the fat man answered. III The would-be thief fled down the dark alley, with the hot bright raysfrom the stranger's gun lancing out after him in flamboyant but futilepatterns. The stranger, a thin young man with delicate, angularfeatures, made no attempt to follow. Instead, he bent over to examineGabriel Lockard's form, appropriately outstretched in the gutter. Onlyweighted out, he muttered, he'll be all right. Whatever possessed youtwo to come out to a place like this? I really think Gabriel must be possessed.... the girl said, mostlyto herself. I had no idea of the kind of place it was going to beuntil he brought me here. The others were bad, but this is even worse.It almost seems as if he went around looking for trouble, doesn't it? It does indeed, the stranger agreed, coughing a little. It wasgrowing colder and, on this world, the cities had no domes to protectthem from the climate, because it was Earth and the air was breathableand it wasn't worth the trouble of fixing up. The girl looked closely at him. You look different, but you are thesame man who pulled us out of that aircar crash, aren't you? And beforethat the man in the gray suit? And before that...? The young man's cheekbones protruded as he smiled. Yes, I'm all ofthem. Then what they say about the zarquil games is true? There are peoplewho go around changing their bodies like—like hats? Automatically shereached to adjust the expensive bit of blue synthetic on her moon-palehair, for she was always conscious of her appearance; if she had notbeen so before marriage, Gabriel would have taught her that. <doc-sep></s> [SEP] What are the defining traits of the extraterrestrial flies in THE HANGING STRANGER?

The alien flies have multi-lensed inhuman eyes, wings, and a stinger. They are dark, coming from another dimension. They look like giant insects in their original form. When they move, they will produce a buzzing sound. They can mimic the appearance of humans, and they can control human minds. However, their mind control ability has its limit that they can control one area at one time, starting from the highest authority and widening down the control in a circle. When they control the whole town, they move to another area to continue. Their power flaw makes them unable to control everyone that someone may be overlooked. When that is the case, they set up a trap, using people who escape from the controlled town as bait to hang them in public, to lure people who are not under control to come to them by themselves. They anticipate their failures and are smart enough to make up for their flaws.

Can you tell me where the story of THE HANGING STRANGER takes place? [SEP] <s> He took a walk. The town was just comingto life. People were strollingout of their houses, commentingon the weather, chucklingamiably about local affairs.Kids on bicycles were beginningto appear, jangling thelittle bells and hooting toeach other. A woman, hangingwash in the back yard,called out to him, thinkinghe was somebody else. He found a little park, nomore than twenty yards incircumference, centeredaround a weatherbeaten monumentof some unrecognizablemilitary figure. Threeold men took their places onthe bench that circled theGeneral, and leaned on theircanes. Sol was a civil engineer.But he made like a reporter. Pardon me, sir. The oldman, leathery-faced, with afine yellow moustache, lookedat him dumbly. Have youever heard of Armagon? You a stranger? Yes. Thought so. Sol repeated the question. Course I did. Been goin'there ever since I was a kid.Night-times, that is. How—I mean, what kindof place is it? Said you're a stranger? Yes. Then 'tain't your business. That was that. He left the park, and wanderedinto a thriving luncheonette.He tried questioningthe man behind the counter,who merely snickered andsaid: You stayin' with theDawes, ain't you? Better askWillie, then. He knows theplace better than anybody. He asked about the execution,and the man stiffened. Don't think I can talkabout that. Fella broke one ofthe Laws; that's about it.Don't see where you comeinto it. At eleven o'clock, he returnedto the Dawes residence,and found Mom in thekitchen, surrounded by thewarm nostalgic odor of home-bakedbread. She told himthat her husband had left amessage for the stranger, informinghim that the StatePolice would be around to gethis story. He waited in the house,gloomily turning the pages ofthe local newspaper, searchingfor references to Armagon.He found nothing. At eleven-thirty, a brown-facedState Trooper came tocall, and Sol told his story.He was promised nothing,and told to stay in town untilhe was contacted again bythe authorities. Mom fixed him a lightlunch, the greatest feature ofwhich was some hot biscuitsshe plucked out of the oven.It made him feel almost normal. He wandered around thetown some more after lunch,trying to spark conversationwith the residents. He learned little. <doc-sep> THE HANGING STRANGER BY PHILIP K. DICK ILLUSTRATED BY SMITH [Transcriber's Note: This etext was produced from Science FictionAdventures Magazine December 1953. Extensive research did not uncoverany evidence that the U.S. copyright on this publication was renewed.] Ed had always been a practical man, when he saw something waswrong he tried to correct it. Then one day he saw it hanging in thetown square. Five o'clock Ed Loyce washed up, tossed on his hat and coat, got his carout and headed across town toward his TV sales store. He was tired. Hisback and shoulders ached from digging dirt out of the basement andwheeling it into the back yard. But for a forty-year-old man he had doneokay. Janet could get a new vase with the money he had saved; and heliked the idea of repairing the foundations himself! It was getting dark. The setting sun cast long rays over the scurryingcommuters, tired and grim-faced, women loaded down with bundles andpackages, students swarming home from the university, mixing with clerksand businessmen and drab secretaries. He stopped his Packard for a redlight and then started it up again. The store had been open without him;he'd arrive just in time to spell the help for dinner, go over therecords of the day, maybe even close a couple of sales himself. He droveslowly past the small square of green in the center of the street, thetown park. There were no parking places in front of LOYCE TV SALES ANDSERVICE. He cursed under his breath and swung the car in a U-turn. Againhe passed the little square of green with its lonely drinking fountainand bench and single lamppost. From the lamppost something was hanging. A shapeless dark bundle,swinging a little with the wind. Like a dummy of some sort. Loyce rolleddown his window and peered out. What the hell was it? A display ofsome kind? Sometimes the Chamber of Commerce put up displays in thesquare. Again he made a U-turn and brought his car around. He passed the parkand concentrated on the dark bundle. It wasn't a dummy. And if it was adisplay it was a strange kind. The hackles on his neck rose and heswallowed uneasily. Sweat slid out on his face and hands. It was a body. A human body. <doc-sep>They kept a tape recorder going all the time he talked. When he hadfinished the Commissioner snapped off the recorder and got to his feet.He stood for a moment, deep in thought. Finally he got out hiscigarettes and lit up slowly, a frown on his beefy face. You don't believe me, Loyce said. The Commissioner offered him a cigarette. Loyce pushed it impatientlyaway. Suit yourself. The Commissioner moved over to the window andstood for a time looking out at the town of Oak Grove. I believe you,he said abruptly. Loyce sagged. Thank God. So you got away. The Commissioner shook his head. You were down inyour cellar instead of at work. A freak chance. One in a million. Loyce sipped some of the black coffee they had brought him. I have atheory, he murmured. What is it? About them. Who they are. They take over one area at a time. Startingat the top—the highest level of authority. Working down from there in awidening circle. When they're firmly in control they go on to the nexttown. They spread, slowly, very gradually. I think it's been going onfor a long time. A long time? Thousands of years. I don't think it's new. Why do you say that? When I was a kid.... A picture they showed us in Bible League. Areligious picture—an old print. The enemy gods, defeated by Jehovah.Moloch, Beelzebub, Moab, Baalin, Ashtaroth— So? They were all represented by figures. Loyce looked up at theCommissioner. Beelzebub was represented as—a giant fly. The Commissioner grunted. An old struggle. They've been defeated. The Bible is an account of their defeats. Theymake gains—but finally they're defeated. Why defeated? They can't get everyone. They didn't get me. And they never got theHebrews. The Hebrews carried the message to the whole world. Therealization of the danger. The two men on the bus. I think theyunderstood. Had escaped, like I did. He clenched his fists. I killedone of them. I made a mistake. I was afraid to take a chance. The Commissioner nodded. Yes, they undoubtedly had escaped, as you did.Freak accidents. But the rest of the town was firmly in control. Heturned from the window. Well, Mr. Loyce. You seem to have figuredeverything out. Not everything. The hanging man. The dead man hanging from thelamppost. I don't understand that. Why? Why did they deliberately hanghim there? That would seem simple. The Commissioner smiled faintly. Bait. Loyce stiffened. His heart stopped beating. Bait? What do you mean? To draw you out. Make you declare yourself. So they'd know who wasunder control—and who had escaped. Loyce recoiled with horror. Then they expected failures! Theyanticipated— He broke off. They were ready with a trap. And you showed yourself. You reacted. You made yourself known. TheCommissioner abruptly moved toward the door. Come along, Loyce. There'sa lot to do. We must get moving. There's no time to waste. Loyce started slowly to his feet, numbed. And the man. Who was theman? I never saw him before. He wasn't a local man. He was a stranger.All muddy and dirty, his face cut, slashed— There was a strange look on the Commissioner's face as he answered.Maybe, he said softly, you'll understand that, too. Come along withme, Mr. Loyce. He held the door open, his eyes gleaming. Loyce caught aglimpse of the street in front of the police station. Policemen, aplatform of some sort. A telephone pole—and a rope! Right this way,the Commissioner said, smiling coldly. <doc-sep></s> [SEP] Can you tell me where the story of THE HANGING STRANGER takes place?

The story happens in Pikeville town and Oak Grove town. The first scene occurs in the town park where the hanged body is. In the park, there is a lamppost, a drinking fountain, and a bench. Under the lamppost, the body is hanged. The second scene is in the car, where Ed has a conversation with the fake police. When Ed escapes from the fake police, he runs into a hardware store filled with customers and clerks. There is a back door in the shipping room, a garbage can next to the door, and concrete stairs outside the store towards the top of the fence. The other side of the fence is an entrance to an alley, which is filled with boards and ruined boxes and tires. Passing the loading platform of a grocery store stands one wall of the Hall of Justice. The wall is white with barred windows. The City Hall is next to the police station, with yellow wooden walls with brass cement steps. Cedars and flowers are planted on each side of the entrance. When Ed gets on the bus, the people sitting around him are all dull, tired, and quiet. No one pays attention to him. People seem to be normal: one is reading the newspaper, another with business suits sits quietly, and the other gazes absently towards the front. When Ed escapes from the bus, he runs into a residential district, pavement sides with tall apartment buildings and lawns. When Ed comes home, there are windows with shades in the living room. The house is a two-floor building. The twin’s room is upstairs. There is a basement in the house. In the kitchen, a butcher knife lies in the drawer under the sink. On his way to Oak Grove, rough ground, gullies, open fields, and forest are along the way. In Oak Grove, there is a gasoline station and drive-in. Several trucks park there—some chickens on the field and a dog tied with the string. In front of the police station in Oak Grove, a telephone pole is suitable to hang a human body.

Can you provide a summary of the storyline in THE HIGHEST MOUNTAIN? [SEP] <s>He stared at the radio. He hesitated, reached out and switched on themike. He got through to her. Hello, hello, darling, he whispered. Marsha, can you hear me? Yes, yes. You down there, all warm and cozy, reading poetry, darling.Where you can see both ways instead of just up and down, up and down. He tried to imagine where she was now as he spoke to her, how shelooked. He thought of Earth and how it had been there, years ago, withMarsha. Things had seemed so different then. There was something ofthat hope in his voice now as he spoke to her, yet not directly to her,as he looked out the window at the naked frigid sky and the barrenrocks. '... and there is nowhere to go from the top of a mountain, But down, my dear; And the springs that flow on the floor of the valley Will never seem fresh or clear For thinking of the glitter of the mountain water In the feathery green of the year....' The wind stormed over the shelter in a burst of power, buried the soundof his own voice. Marsha, are you still there? What the devil's the idea, poetry at a time like this, or any time?Terrence demanded. Listen, you taking this down? We haven't run intoany signs of the others. Six hundred thousand feet, Bruce! We feel ourdestiny. We conquer the Solar System. And we'll go out and out, andwe'll climb the highest mountain, the highest mountain anywhere. We'regoing up and up. We've voted on it. Unanimous. We go on. On to thetop, Bruce! Nothing can stop us. If it takes ten years, a hundred, athousand years, we'll find it. We'll find the top! Not the top of thisworld—the top of everything . The top of the UNIVERSE ! Later, Terrence's voice broke off in the middle of something orother—Bruce couldn't make any sense out of it at all—and turned intocrazy yells that faded out and never came back. Bruce figured the others might still be climbing somewhere, or maybethey were dead. Either way it wouldn't make any difference to him. Heknew they would never come back down. He was switching off the radio for good when he saw the colorationbreak over the window. It was the same as the dream, but for aninstant, dream and reality seemed fused like two superimposed filmnegatives. He went to the window and looked out. The comfortable little city wasout there, and the canal flowing past through a pleasantly cool yetsunny afternoon. Purple mist blanketed the knees of low hills and therewas a valley, green and rich with the trees high and full beside thesoftly flowing canal water. The filmy shapes that seemed alive, that were partly translucent,drifted along the water's edge, and birds as delicate as colored glasswavered down the wind. He opened the shelter door and went out. The shelter looked the same,but useless now. How did the shelter of that bleak world get into thisone, where the air was warm and fragrant, where there was no cold, fromthat world into this one of his dreams? The girl—Helene—was standing there leaning against a tree, smoking acigarette. He walked toward her, and stopped. In the dream it had been easy, butnow he was embarrassed, in spite of the intimacy that had grown betweenthem. She wore the same casual slacks and sandals. Her hair was brown.She was not particularly beautiful, but she was comfortable to look atbecause she seemed so peaceful. Content, happy with what was and onlywhat was. He turned quickly. The shelter was still there, and behind it the rowof spaceships—not like chalk marks on a tallyboard now, but like oddrelics that didn't belong there in the thick green grass. Five shipsinstead of four. There was his own individual shelter beyond the headquarters building,and the other buildings. He looked up. There was no mountain. <doc-sep> THE HIGHEST MOUNTAIN By BRYCE WALTON Illustrated by BOB HAYES [Transcriber's Note: This etext was produced from Galaxy Science Fiction June 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] First one up this tallest summit in the Solar System was a rotten egg ... a very rotten egg! Bruce heard their feet on the gravel outside and got up reluctantly toopen the door for them. He'd been reading some of Byron's poems he'dsneaked aboard the ship; after that he had been on the point of dozingoff, and now one of those strangely realistic dreams would have to bepostponed for a while. Funny, those dreams. There were faces in them ofhuman beings, or of ghosts, and other forms that weren't human at all,but seemed real and alive—except that they were also just parts of alast unconscious desire to escape death. Maybe that was it. 'Oh that my young life were a lasting dream, my spirit not awakeningtill the beam of an eternity should bring the 'morrow, Bruce said. Hesmiled without feeling much of anything and added, Thanks, Mr. Poe. Jacobs and Anhauser stood outside. The icy wind cut through and intoBruce, but he didn't seem to notice. Anhauser's bulk loomed even largerin the special cold-resisting suiting. Jacobs' thin face frowned slylyat Bruce. Come on in, boys, and get warm, Bruce invited. Hey, poet, you're still here! Anhauser said, looking astonished. We thought you'd be running off somewhere, Jacobs said. Bruce reached for the suit on its hook, started climbing into it.Where? he asked. Mars looks alike wherever you go. Where did youthink I'd be running to? Any place just so it was away from here and us, Anhauser said. I don't have to do that. You are going away from me. That takes careof that, doesn't it? Ah, come on, get the hell out of there, Jacobs said. He pulled therevolver from its holster and pointed it at Bruce. We got to get somesleep. We're starting up that mountain at five in the morning. I know, Bruce said. I'll be glad to see you climb the mountain. Outside, in the weird light of the double moons, Bruce looked up at thegigantic overhang of the mountain. It was unbelievable. The mountaindidn't seem to belong here. He'd thought so when they'd first hit Marseight months back and discovered the other four rockets that had nevergot back to Earth—all lying side by side under the mountain's shadow,like little white chalk marks on a tallyboard. They'd estimated its height at over 45,000 feet, which was a lot higherthan any mountain on Earth. Yet Mars was much older, geologically. Theentire face of the planet was smoothed into soft, undulating red hillsby erosion. And there in the middle of barren nothingness rose that oneincredible mountain. On certain nights when the stars were right, ithad seemed to Bruce as though it were pointing an accusing finger atEarth—or a warning one. <doc-sep>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep></s> [SEP] Can you provide a summary of the storyline in THE HIGHEST MOUNTAIN?

The story is set on Mars. A group of conquerors from Earth arrived here after the last four crews never returned after deciding to climb a very high Martian mountain. The fifth team with Bruce, Marsha - his past love interest, Anhauser, Jacobs, Doran, Max Drexel, Stromberg - the psychologist, and its captain Terrence arrived here on their ship Mars V eight months ago. A day before the ascent Bruce is reading Byron and thinking about his bizarre dreams. Then we see an inquest. With all the crew members listening, Terrence interrogates Bruce and asks why he shot Doran. Bruce reminds the crew about the genocide of the Venusian aborigines: five years ago, he and Doran were part of the crew of the first ship that landed on Venus; these explorers wiped out the entire Venusian community. Terrence claims that Bruce is mentally ill and doesn’t have the real conquering blood. The captain understands the young man doesn’t believe in the philosophy of conquering and remains faithful to the old ideas of democracy and freedom. Bruce then explains that Marsha and Doran woke him up after a bizarre dream, and he immediately saw something or someone in the window. When Doran saw the creature, he left the room, and Bruce heard his rifle go off. Infuriated, Bruce killed the man. Stromberg deems Bruce a delusional schizophrenic and says that Doran probably imagined the creature, too. Instead of punishing the man by executing him, Terrence orders Bruce to write down everything they report via radio while they are climbing. He stays by the radio, eats what they left for him, and sometimes sleeps. Eventually, Terrence reports that the mountain is way higher than they anticipated - 45 00 feet. Later, he screams that he just killed Anhauser for dissent. The captain speaks of their great conquest, and Bruce sometimes replies to prove he's still writing down everything. His dreams become more realistic and he seems to see some crew members of the previous expeditions: Pietro, Marlene, and Helene. Terrence reports that they are at an altitude of five hundred thousand feet and later adds that Marsha is dying. She says she loves Bruce, and he recites a poem for her. Terrence later crazily speaks about toppling the Solar system but soon stops reporting. Bruce turns off the radio. The exterior of the ship changes - now he sees a small town and the grandiose mountain vanished. Not sure if it’s a dream or not, he approaches Helene, who eventually explains that the Martians wanted to stop the human conquerors. They decided to create an illusion of an infinitely high mountain, and the colonists felt an uncontrollable urge to climb it. They both walk to a red mound, where Bruce notices the bodies of the crew members of all five ships. Only people like him remained alive. Bruce looks at them and, together with Helene, leaves the mound, entering the city.

What is the backdrop of THE HIGHEST MOUNTAIN? [SEP] <s>He stared at the radio. He hesitated, reached out and switched on themike. He got through to her. Hello, hello, darling, he whispered. Marsha, can you hear me? Yes, yes. You down there, all warm and cozy, reading poetry, darling.Where you can see both ways instead of just up and down, up and down. He tried to imagine where she was now as he spoke to her, how shelooked. He thought of Earth and how it had been there, years ago, withMarsha. Things had seemed so different then. There was something ofthat hope in his voice now as he spoke to her, yet not directly to her,as he looked out the window at the naked frigid sky and the barrenrocks. '... and there is nowhere to go from the top of a mountain, But down, my dear; And the springs that flow on the floor of the valley Will never seem fresh or clear For thinking of the glitter of the mountain water In the feathery green of the year....' The wind stormed over the shelter in a burst of power, buried the soundof his own voice. Marsha, are you still there? What the devil's the idea, poetry at a time like this, or any time?Terrence demanded. Listen, you taking this down? We haven't run intoany signs of the others. Six hundred thousand feet, Bruce! We feel ourdestiny. We conquer the Solar System. And we'll go out and out, andwe'll climb the highest mountain, the highest mountain anywhere. We'regoing up and up. We've voted on it. Unanimous. We go on. On to thetop, Bruce! Nothing can stop us. If it takes ten years, a hundred, athousand years, we'll find it. We'll find the top! Not the top of thisworld—the top of everything . The top of the UNIVERSE ! Later, Terrence's voice broke off in the middle of something orother—Bruce couldn't make any sense out of it at all—and turned intocrazy yells that faded out and never came back. Bruce figured the others might still be climbing somewhere, or maybethey were dead. Either way it wouldn't make any difference to him. Heknew they would never come back down. He was switching off the radio for good when he saw the colorationbreak over the window. It was the same as the dream, but for aninstant, dream and reality seemed fused like two superimposed filmnegatives. He went to the window and looked out. The comfortable little city wasout there, and the canal flowing past through a pleasantly cool yetsunny afternoon. Purple mist blanketed the knees of low hills and therewas a valley, green and rich with the trees high and full beside thesoftly flowing canal water. The filmy shapes that seemed alive, that were partly translucent,drifted along the water's edge, and birds as delicate as colored glasswavered down the wind. He opened the shelter door and went out. The shelter looked the same,but useless now. How did the shelter of that bleak world get into thisone, where the air was warm and fragrant, where there was no cold, fromthat world into this one of his dreams? The girl—Helene—was standing there leaning against a tree, smoking acigarette. He walked toward her, and stopped. In the dream it had been easy, butnow he was embarrassed, in spite of the intimacy that had grown betweenthem. She wore the same casual slacks and sandals. Her hair was brown.She was not particularly beautiful, but she was comfortable to look atbecause she seemed so peaceful. Content, happy with what was and onlywhat was. He turned quickly. The shelter was still there, and behind it the rowof spaceships—not like chalk marks on a tallyboard now, but like oddrelics that didn't belong there in the thick green grass. Five shipsinstead of four. There was his own individual shelter beyond the headquarters building,and the other buildings. He looked up. There was no mountain. <doc-sep> THE HIGHEST MOUNTAIN By BRYCE WALTON Illustrated by BOB HAYES [Transcriber's Note: This etext was produced from Galaxy Science Fiction June 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] First one up this tallest summit in the Solar System was a rotten egg ... a very rotten egg! Bruce heard their feet on the gravel outside and got up reluctantly toopen the door for them. He'd been reading some of Byron's poems he'dsneaked aboard the ship; after that he had been on the point of dozingoff, and now one of those strangely realistic dreams would have to bepostponed for a while. Funny, those dreams. There were faces in them ofhuman beings, or of ghosts, and other forms that weren't human at all,but seemed real and alive—except that they were also just parts of alast unconscious desire to escape death. Maybe that was it. 'Oh that my young life were a lasting dream, my spirit not awakeningtill the beam of an eternity should bring the 'morrow, Bruce said. Hesmiled without feeling much of anything and added, Thanks, Mr. Poe. Jacobs and Anhauser stood outside. The icy wind cut through and intoBruce, but he didn't seem to notice. Anhauser's bulk loomed even largerin the special cold-resisting suiting. Jacobs' thin face frowned slylyat Bruce. Come on in, boys, and get warm, Bruce invited. Hey, poet, you're still here! Anhauser said, looking astonished. We thought you'd be running off somewhere, Jacobs said. Bruce reached for the suit on its hook, started climbing into it.Where? he asked. Mars looks alike wherever you go. Where did youthink I'd be running to? Any place just so it was away from here and us, Anhauser said. I don't have to do that. You are going away from me. That takes careof that, doesn't it? Ah, come on, get the hell out of there, Jacobs said. He pulled therevolver from its holster and pointed it at Bruce. We got to get somesleep. We're starting up that mountain at five in the morning. I know, Bruce said. I'll be glad to see you climb the mountain. Outside, in the weird light of the double moons, Bruce looked up at thegigantic overhang of the mountain. It was unbelievable. The mountaindidn't seem to belong here. He'd thought so when they'd first hit Marseight months back and discovered the other four rockets that had nevergot back to Earth—all lying side by side under the mountain's shadow,like little white chalk marks on a tallyboard. They'd estimated its height at over 45,000 feet, which was a lot higherthan any mountain on Earth. Yet Mars was much older, geologically. Theentire face of the planet was smoothed into soft, undulating red hillsby erosion. And there in the middle of barren nothingness rose that oneincredible mountain. On certain nights when the stars were right, ithad seemed to Bruce as though it were pointing an accusing finger atEarth—or a warning one. <doc-sep>The problem of where to put the line between dream and reality began toworry Bruce. He would wake up and listen and take down what Terrencewas saying, and then go to sleep again with increasing expectancy. Hisdream took on continuity. He could return to the point where he hadleft it, and it was the same—allowing even for the time differencenecessitated by his periods of sleep. He met people in the dreams, two girls and a man. They had names:Pietro, Marlene, Helene. Helene he had seen from the beginning, but she became more real tohim all the time, until he could talk with her. After that, he couldalso talk with Marlene and Pietro, and the conversations made sense.Consistently, they made sense. The Martian landscape was entirely different in the dreams. Greenvalleys and rivers, or actually wide canals, with odd trees trailingtheir branches on the slow, peacefully gliding currents. Here and therewere pastel-colored cities and there were things drifting through themthat were alive and intelligent and soft and warm and wonderful to know. ' ... dreams, in their vivid coloring of life, as in that fleeting,shadowy, misty strife of semblance with reality which brings to thedelirious eye more lovely things of paradise and love—and all ourown!—than young Hope in his sunniest hour hath known.... ' So sometimes he read poetry, but even that was hardly equal to thedreams. And then he would wake up and listen to Terrence's voice. He wouldlook out the window over the barren frigid land where there was nothingbut seams of worn land, like scabs under the brazen sky. If I had a choice, he thought, I wouldn't ever wake up at all again.The dreams may not be more real, but they're preferable. Dreams were supposed to be wishful thinking, primarily, but hecouldn't live in them very long. His body would dry up and he woulddie. He had to stay awake enough to put a little energy back intohimself. Of course, if he died and lost the dreams, there would be onecompensation—he would also be free of Terrence and the rest of themwho had learned that the only value in life lay in killing one's wayacross the Cosmos. But then he had a feeling Terrence's voice wouldn't be annoying himmuch more anyway. The voice was unreal, coming out of some void. Hecould switch off Terrence any time now, but he was still curious. Bruce—Bruce, you still there? Listen, we're up here at what we figureto be five hundred thousand feet! It is impossible. We keep climbingand now we look up and we can see up and up and there the mountain isgoing up and up— And some time later: Bruce, Marsha's dying! We don't know what's thematter. We can't find any reason for it. She's lying here and she keepslaughing and calling your name. She's a woman, so that's probably it.Women don't have real guts. Bruce bent toward the radio. Outside the shelter, the wind whistledsoftly at the door. Marsha, he said. Bruce— She hadn't said his name that way for a long time. Marsha, remember how we used to talk about human values? I rememberhow you seemed to have something maybe different from the others. Inever thought you'd really buy this will to conquer, and now it doesn'tmatter.... He listened to her voice, first the crazy laughter, and then a whisper.Bruce, hello down there. Her voice was all mixed up with fear andhysteria and mockery. Bruce darling, are you lonely down there? I wishI were with you, safe ... free ... warm. I love you. Do you hear that?I really love you, after all. After all.... Her voice drifted away, came back to him. We're climbing the highestmountain. What are you doing there, relaxing where it's peaceful andwarm and sane? You always were such a calm guy. I remember now. Whatare you doing—reading poetry while we climb the mountain? What wasthat, Bruce—that one about the mountain you tried to quote to me lastnight before you ... I can't remember it now. Darling, what...? <doc-sep></s> [SEP] What is the backdrop of THE HIGHEST MOUNTAIN?

At the beginning, Jacobs, Bruce, and Anhauser talk aboard their ship Mars V which recently landed on the windy surface of Mars. Bruce then looks at the even Martian landscape with an incredible mountain right near the ship and the double moons illuminating the surface. When everybody else leaves to climb the mountain, he spends his time on the spaceship, eating, sleeping, and sitting by the radio. Bruce dreams of a green valley and canals inside a town. And later, when the crew stops reporting anything, he finally can see the real landscape of Mars. He looks at numerous low hills with purple mist, a canal, and valleys with green trees. The mountain disappeared. A quarter of a mile beyond the canal, there is an ugly red mound with the bodies of the conquerors lying there. After looking at Marsha and Terrence, together with Helene, he walks along the canal back to the city.

Can you describe the connection between Bruce and Marsha in THE HIGHEST MOUNTAIN? [SEP] <s>He stared at the radio. He hesitated, reached out and switched on themike. He got through to her. Hello, hello, darling, he whispered. Marsha, can you hear me? Yes, yes. You down there, all warm and cozy, reading poetry, darling.Where you can see both ways instead of just up and down, up and down. He tried to imagine where she was now as he spoke to her, how shelooked. He thought of Earth and how it had been there, years ago, withMarsha. Things had seemed so different then. There was something ofthat hope in his voice now as he spoke to her, yet not directly to her,as he looked out the window at the naked frigid sky and the barrenrocks. '... and there is nowhere to go from the top of a mountain, But down, my dear; And the springs that flow on the floor of the valley Will never seem fresh or clear For thinking of the glitter of the mountain water In the feathery green of the year....' The wind stormed over the shelter in a burst of power, buried the soundof his own voice. Marsha, are you still there? What the devil's the idea, poetry at a time like this, or any time?Terrence demanded. Listen, you taking this down? We haven't run intoany signs of the others. Six hundred thousand feet, Bruce! We feel ourdestiny. We conquer the Solar System. And we'll go out and out, andwe'll climb the highest mountain, the highest mountain anywhere. We'regoing up and up. We've voted on it. Unanimous. We go on. On to thetop, Bruce! Nothing can stop us. If it takes ten years, a hundred, athousand years, we'll find it. We'll find the top! Not the top of thisworld—the top of everything . The top of the UNIVERSE ! Later, Terrence's voice broke off in the middle of something orother—Bruce couldn't make any sense out of it at all—and turned intocrazy yells that faded out and never came back. Bruce figured the others might still be climbing somewhere, or maybethey were dead. Either way it wouldn't make any difference to him. Heknew they would never come back down. He was switching off the radio for good when he saw the colorationbreak over the window. It was the same as the dream, but for aninstant, dream and reality seemed fused like two superimposed filmnegatives. He went to the window and looked out. The comfortable little city wasout there, and the canal flowing past through a pleasantly cool yetsunny afternoon. Purple mist blanketed the knees of low hills and therewas a valley, green and rich with the trees high and full beside thesoftly flowing canal water. The filmy shapes that seemed alive, that were partly translucent,drifted along the water's edge, and birds as delicate as colored glasswavered down the wind. He opened the shelter door and went out. The shelter looked the same,but useless now. How did the shelter of that bleak world get into thisone, where the air was warm and fragrant, where there was no cold, fromthat world into this one of his dreams? The girl—Helene—was standing there leaning against a tree, smoking acigarette. He walked toward her, and stopped. In the dream it had been easy, butnow he was embarrassed, in spite of the intimacy that had grown betweenthem. She wore the same casual slacks and sandals. Her hair was brown.She was not particularly beautiful, but she was comfortable to look atbecause she seemed so peaceful. Content, happy with what was and onlywhat was. He turned quickly. The shelter was still there, and behind it the rowof spaceships—not like chalk marks on a tallyboard now, but like oddrelics that didn't belong there in the thick green grass. Five shipsinstead of four. There was his own individual shelter beyond the headquarters building,and the other buildings. He looked up. There was no mountain. <doc-sep>The problem of where to put the line between dream and reality began toworry Bruce. He would wake up and listen and take down what Terrencewas saying, and then go to sleep again with increasing expectancy. Hisdream took on continuity. He could return to the point where he hadleft it, and it was the same—allowing even for the time differencenecessitated by his periods of sleep. He met people in the dreams, two girls and a man. They had names:Pietro, Marlene, Helene. Helene he had seen from the beginning, but she became more real tohim all the time, until he could talk with her. After that, he couldalso talk with Marlene and Pietro, and the conversations made sense.Consistently, they made sense. The Martian landscape was entirely different in the dreams. Greenvalleys and rivers, or actually wide canals, with odd trees trailingtheir branches on the slow, peacefully gliding currents. Here and therewere pastel-colored cities and there were things drifting through themthat were alive and intelligent and soft and warm and wonderful to know. ' ... dreams, in their vivid coloring of life, as in that fleeting,shadowy, misty strife of semblance with reality which brings to thedelirious eye more lovely things of paradise and love—and all ourown!—than young Hope in his sunniest hour hath known.... ' So sometimes he read poetry, but even that was hardly equal to thedreams. And then he would wake up and listen to Terrence's voice. He wouldlook out the window over the barren frigid land where there was nothingbut seams of worn land, like scabs under the brazen sky. If I had a choice, he thought, I wouldn't ever wake up at all again.The dreams may not be more real, but they're preferable. Dreams were supposed to be wishful thinking, primarily, but hecouldn't live in them very long. His body would dry up and he woulddie. He had to stay awake enough to put a little energy back intohimself. Of course, if he died and lost the dreams, there would be onecompensation—he would also be free of Terrence and the rest of themwho had learned that the only value in life lay in killing one's wayacross the Cosmos. But then he had a feeling Terrence's voice wouldn't be annoying himmuch more anyway. The voice was unreal, coming out of some void. Hecould switch off Terrence any time now, but he was still curious. Bruce—Bruce, you still there? Listen, we're up here at what we figureto be five hundred thousand feet! It is impossible. We keep climbingand now we look up and we can see up and up and there the mountain isgoing up and up— And some time later: Bruce, Marsha's dying! We don't know what's thematter. We can't find any reason for it. She's lying here and she keepslaughing and calling your name. She's a woman, so that's probably it.Women don't have real guts. Bruce bent toward the radio. Outside the shelter, the wind whistledsoftly at the door. Marsha, he said. Bruce— She hadn't said his name that way for a long time. Marsha, remember how we used to talk about human values? I rememberhow you seemed to have something maybe different from the others. Inever thought you'd really buy this will to conquer, and now it doesn'tmatter.... He listened to her voice, first the crazy laughter, and then a whisper.Bruce, hello down there. Her voice was all mixed up with fear andhysteria and mockery. Bruce darling, are you lonely down there? I wishI were with you, safe ... free ... warm. I love you. Do you hear that?I really love you, after all. After all.... Her voice drifted away, came back to him. We're climbing the highestmountain. What are you doing there, relaxing where it's peaceful andwarm and sane? You always were such a calm guy. I remember now. Whatare you doing—reading poetry while we climb the mountain? What wasthat, Bruce—that one about the mountain you tried to quote to me lastnight before you ... I can't remember it now. Darling, what...? <doc-sep>They walked toward the ugly red mound that jutted above the green. Whenthey came close enough, he saw the bodies lying there ... the remains,actually, of what had once been bodies. He felt too sickened to go onwalking. It may seem cruel now, she said, but the Martians realized thatthere is no cure for the will to conquer. There is no safety from it,either, as the people of Earth and Venus discovered, unless it isgiven an impossible obstacle to overcome. So the Martians provided theConquerors with a mountain. They themselves wanted to climb. They hadto. He was hardly listening as he walked away from Helene toward the erodedhills. The crew members of the first four ships were skeletons tiedtogether with imperishably strong rope about their waists. Far beyondthem were those from Mars V , too freshly dead to have decayedmuch ... Anhauser with his rope cut, a bullet in his head; Jacobs andMarsha and the others ... Terrence much past them all. He had managedto climb higher than anyone else and he lay with his arms stretchedout, his fingers still clutching at rock outcroppings. The trail they left wound over the ground, chipped in places for holds,red elsewhere with blood from torn hands. Terrence was more than twelvemiles from the ship—horizontally. Bruce lifted Marsha and carried her back over the rocky dust, into thefresh fragrance of the high grass, and across it to the shade and peacebeside the canal. He put her down. She looked peaceful enough, more peaceful than thatother time, years ago, when the two of them seemed to have shared somuch, when the future had not yet destroyed her. He saw the shadow ofHelene bend across Marsha's face against the background of the silentlyflowing water of the cool, green canal. You loved her? Once, Bruce said. She might have been sane. They got her when shewas young. Too young to fight. But she would have, I think, if she'dbeen older when they got her. He sat looking down at Marsha's face, and then at the water with theleaves floating down it. '... And the springs that flow on the floor of the valley will neverseem fresh or clear for thinking of the glitter of the mountain waterin the feathery green of the year....' He stood up, walked back with Helene along the canal toward the calmcity. He didn't look back. They've all been dead quite a while, Bruce said wonderingly. YetI seemed to be hearing from Terrence until only a short time ago.Are—are the climbers still climbing—somewhere, Helene? Who knows? Helene answered softly. Maybe. I doubt if even theMartians have the answer to that. They entered the city. <doc-sep></s> [SEP] Can you describe the connection between Bruce and Marsha in THE HIGHEST MOUNTAIN?

Bruce and Marsha were close years ago when they lived on Earth. They shared similar values and loved each other, but eventually, Marsha became one of the conquerors, ready to expand the human territories. Now she’s almost emotionless. Bruce is disappointed and reckons that the other conquerors had gotten her young, and there was nothing he could do about it. When he’s interrogated, the psychologist asks if she saw any creature before Bruce shot Doran. She seems hesitant and doesn’t look at Bruce when denying seeing anything. When she is dying, she crazily laughs and admits that she is in love with him, asking Bruce to read her a poem. At the end, he finds Marsha’s body among the eroded hills and puts it beside the city canal. He says that he loved her once, and she could’ve been sane, different if the conquerors hadn’t got her when she was so young.

What is the importance of the highest peak? [SEP] <s>Roddie awoke as Ida finished struggling free of his unconscious grip.Limping, he joined her painful walk around the tower. From its openingsthey looked out on a strange and isolated world. To the north, where Ida seemed drawn as though by instinct, MountTamalpais reared its brushy head, a looming island above a billowywhite sea of fog. To the south were the Twin Peaks, a pair of buttonson a cotton sheet. Eastward lay Mount Diablo, bald and brooding,tallest of the peaks and most forbidding. But westward over the ocean lay the land of gold—of all the kinds ofgold there are, from brightest yellow to deepest orange. Only a smallportion of the setting sun glared above the fog-bank; the rest seemedto have been broken off and smeared around by a child in love with itscolor. Fascinated, Roddie stared for minutes, but turned when Ida showed nointerest. She was intent on the tower itself. Following her eyes,Roddie saw his duty made suddenly clear. Easy to make out even in the fading light was the route by whichInvaders could cross to the foot of this tower on the remaining ruinsof the road, climb to where he now stood, and then descend the cableover the bridge's gap and catch the city unaware. Easy to estimate wasthe advantage of even this perilous route over things that scattered onthe water and prevented a landing in strength. Easy to see was the needto kill Ida before she carried home this knowledge. Roddie took the hammer from his waist. Don't! Oh, don't! Ida screamed. She burst into tears and covered herface with scratched and bloodied hands. Surprised, Roddie withheld the blow. He had wept, as a child, and,weeping, had for the first time learned he differed from his friends.Ida's tears disturbed him, bringing unhappy memories. Why should you cry? he asked comfortingly. You know your people willcome back to avenge you and will destroy my friends. But—but my people are your people, too, Ida wailed. It's sosenseless, now, after all our struggle to escape. Don't you see? Yourfriends are only machines, built by our ancestors. We are Men—and thecity is ours, not theirs! It can't be, Roddie objected. The city surely belongs to thosewho are superior, and my friends are superior to your people, even tome. Each of us has a purpose, though, while you Invaders seem to beaimless. Each of us helps preserve the city; you only try to rob andend it by destroying it. My people must be the true Men, becausethey're so much more rational than yours.... And it isn't rational tolet you escape. Ida had turned up her tear-streaked face to stare at him. Rational! What's rational about murdering a defenseless girl incold blood? Don't you realize we're the same sort of being, we two?Don't—don't you remember how we've been with each other all day? She paused. Roddie noticed that her eyes were dark and frightened, yetsomehow soft, over scarlet cheeks. He had to look away. But he saidnothing. Never mind! Ida said viciously. You can't make me beg. Go ahead andkill—see if it proves you're superior. My people will take over thecity regardless of you and me, and regardless of your jumping-jackfriends, too! Men can accomplish anything! <doc-sep>It became evident, too, that the bombardment was being kept up by aconstant arrival of fresh attackers, while others raced away intospace, presumably returning to base to replenish their ammunition. Thatargued a planned and prepared interception with virulent hatred behindit. Elsuz Llug, the gravitic engineer, calculated dismally, At the ratewe're having to shed energy, the fuel will be gone in six or eighthours. We'll have reached Earth before then, Gwar Den said hopefully. If they don't bring out the heavy artillery first. We're under the psychological disadvantage, said the captain, of notknowing why we're being attacked. Knof Jr. burst out, spluttering slightly with the violence of athought too important to suppress, But we're under a ps-psychologicaladvantage, too! His father raised an eyebrow. What's that? I don't seem to havenoticed it. They're mad and we aren't, yet, said the boy. Then, seeing that hehadn't made himself clear, In a fight, if a guy gets mad he startsswinging wild and then you nail him. Smiles splintered the ice of tension. Captain Llud said, Maybe you'vegot something there. They seem to be mad, all right. But we're not ina position to throw any punches. He turned back to the others. As Iwas going to say—I think we'd better try to parley with the enemy. Atleast we may find out who he is and why he's determined to smash us. And now instead of tight-beam detectors the ship was broadcasting on anaudio carrier wave that shifted through a wide range of frequencies,repeating on each the same brief recorded message: Who are you? What do you want? We are the interstellar expedition Quest III .... And so on, identifying themselves and protesting thatthey were unarmed and peaceful, that there must be some mistake, andquerying again, Who are you ? There was no answer. The ship drove on, its fuel trickling away undermultiplied demands. Those outside were squandering vastly greateramounts of energy in the effort to batter down its defenses, butconverting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his ownnerves and muscles and will weakening along with the power-sinews ofhis ship. Zost Relyul approached him apologetically. If you have time,Captain—I've got some data on Earth now. Eagerly Llud took the sheaf of photographs made with the telescope. Butthey told him nothing; only the continental outlines were clear, andthose were as they had been nine hundred years ago.... He looked upinquiringly at Zost Relyul. There are some strange features, said the astronomer carefully.First of all—there are no lights on the night side. And on thedaylight face, our highest magnification should already reveal tracesof cities, canals, and the like—but it does not. The prevailing color of the land masses, you see, is the normalgreen vegetation. But the diffraction spectrum is queer. It indicatesreflecting surfaces less than one-tenth millimeter wide—so thevegetation there can't be trees or grass, but must be more like a finemoss or even a coarse mold. Is that all? demanded Llud. Isn't it enough? said Zost Relyul blankly. Well—we triedphotography by invisible light, of course. The infra-red shows nothingand likewise the ultraviolet up to the point where the atmosphere isopaque to it. The captain sighed wearily. Good work, he said. Keep it up; perhapsyou can answer some of these riddles before— We know who you are , interrupted a harshly crackling voice with astrange accent, and pleading will do you no good. <doc-sep>He stared at the radio. He hesitated, reached out and switched on themike. He got through to her. Hello, hello, darling, he whispered. Marsha, can you hear me? Yes, yes. You down there, all warm and cozy, reading poetry, darling.Where you can see both ways instead of just up and down, up and down. He tried to imagine where she was now as he spoke to her, how shelooked. He thought of Earth and how it had been there, years ago, withMarsha. Things had seemed so different then. There was something ofthat hope in his voice now as he spoke to her, yet not directly to her,as he looked out the window at the naked frigid sky and the barrenrocks. '... and there is nowhere to go from the top of a mountain, But down, my dear; And the springs that flow on the floor of the valley Will never seem fresh or clear For thinking of the glitter of the mountain water In the feathery green of the year....' The wind stormed over the shelter in a burst of power, buried the soundof his own voice. Marsha, are you still there? What the devil's the idea, poetry at a time like this, or any time?Terrence demanded. Listen, you taking this down? We haven't run intoany signs of the others. Six hundred thousand feet, Bruce! We feel ourdestiny. We conquer the Solar System. And we'll go out and out, andwe'll climb the highest mountain, the highest mountain anywhere. We'regoing up and up. We've voted on it. Unanimous. We go on. On to thetop, Bruce! Nothing can stop us. If it takes ten years, a hundred, athousand years, we'll find it. We'll find the top! Not the top of thisworld—the top of everything . The top of the UNIVERSE ! Later, Terrence's voice broke off in the middle of something orother—Bruce couldn't make any sense out of it at all—and turned intocrazy yells that faded out and never came back. Bruce figured the others might still be climbing somewhere, or maybethey were dead. Either way it wouldn't make any difference to him. Heknew they would never come back down. He was switching off the radio for good when he saw the colorationbreak over the window. It was the same as the dream, but for aninstant, dream and reality seemed fused like two superimposed filmnegatives. He went to the window and looked out. The comfortable little city wasout there, and the canal flowing past through a pleasantly cool yetsunny afternoon. Purple mist blanketed the knees of low hills and therewas a valley, green and rich with the trees high and full beside thesoftly flowing canal water. The filmy shapes that seemed alive, that were partly translucent,drifted along the water's edge, and birds as delicate as colored glasswavered down the wind. He opened the shelter door and went out. The shelter looked the same,but useless now. How did the shelter of that bleak world get into thisone, where the air was warm and fragrant, where there was no cold, fromthat world into this one of his dreams? The girl—Helene—was standing there leaning against a tree, smoking acigarette. He walked toward her, and stopped. In the dream it had been easy, butnow he was embarrassed, in spite of the intimacy that had grown betweenthem. She wore the same casual slacks and sandals. Her hair was brown.She was not particularly beautiful, but she was comfortable to look atbecause she seemed so peaceful. Content, happy with what was and onlywhat was. He turned quickly. The shelter was still there, and behind it the rowof spaceships—not like chalk marks on a tallyboard now, but like oddrelics that didn't belong there in the thick green grass. Five shipsinstead of four. There was his own individual shelter beyond the headquarters building,and the other buildings. He looked up. There was no mountain. <doc-sep></s> [SEP] What is the importance of the highest peak?

The mountain is a sign of an impossible obstacle that the conquerors from Earth want to overcome, topple. Their urge to expand their territories and own the entire Solar System forces the Martians to come up with an illusion of something that can stop the destruction humans are spreading. The Martian mountain is a part of the hypnotic vision the conquered had access to, but they never saw the Martian city. They all ultimately died trying to climb it, from their drive to conquer everything they could find. The mountain is a perfect symbol of humans’ greed for territories and power, and it is also what stops them all from expanding their so-called empire.

How does Terrence's journey unfold in THE HIGHEST MOUNTAIN? [SEP] <s>The problem of where to put the line between dream and reality began toworry Bruce. He would wake up and listen and take down what Terrencewas saying, and then go to sleep again with increasing expectancy. Hisdream took on continuity. He could return to the point where he hadleft it, and it was the same—allowing even for the time differencenecessitated by his periods of sleep. He met people in the dreams, two girls and a man. They had names:Pietro, Marlene, Helene. Helene he had seen from the beginning, but she became more real tohim all the time, until he could talk with her. After that, he couldalso talk with Marlene and Pietro, and the conversations made sense.Consistently, they made sense. The Martian landscape was entirely different in the dreams. Greenvalleys and rivers, or actually wide canals, with odd trees trailingtheir branches on the slow, peacefully gliding currents. Here and therewere pastel-colored cities and there were things drifting through themthat were alive and intelligent and soft and warm and wonderful to know. ' ... dreams, in their vivid coloring of life, as in that fleeting,shadowy, misty strife of semblance with reality which brings to thedelirious eye more lovely things of paradise and love—and all ourown!—than young Hope in his sunniest hour hath known.... ' So sometimes he read poetry, but even that was hardly equal to thedreams. And then he would wake up and listen to Terrence's voice. He wouldlook out the window over the barren frigid land where there was nothingbut seams of worn land, like scabs under the brazen sky. If I had a choice, he thought, I wouldn't ever wake up at all again.The dreams may not be more real, but they're preferable. Dreams were supposed to be wishful thinking, primarily, but hecouldn't live in them very long. His body would dry up and he woulddie. He had to stay awake enough to put a little energy back intohimself. Of course, if he died and lost the dreams, there would be onecompensation—he would also be free of Terrence and the rest of themwho had learned that the only value in life lay in killing one's wayacross the Cosmos. But then he had a feeling Terrence's voice wouldn't be annoying himmuch more anyway. The voice was unreal, coming out of some void. Hecould switch off Terrence any time now, but he was still curious. Bruce—Bruce, you still there? Listen, we're up here at what we figureto be five hundred thousand feet! It is impossible. We keep climbingand now we look up and we can see up and up and there the mountain isgoing up and up— And some time later: Bruce, Marsha's dying! We don't know what's thematter. We can't find any reason for it. She's lying here and she keepslaughing and calling your name. She's a woman, so that's probably it.Women don't have real guts. Bruce bent toward the radio. Outside the shelter, the wind whistledsoftly at the door. Marsha, he said. Bruce— She hadn't said his name that way for a long time. Marsha, remember how we used to talk about human values? I rememberhow you seemed to have something maybe different from the others. Inever thought you'd really buy this will to conquer, and now it doesn'tmatter.... He listened to her voice, first the crazy laughter, and then a whisper.Bruce, hello down there. Her voice was all mixed up with fear andhysteria and mockery. Bruce darling, are you lonely down there? I wishI were with you, safe ... free ... warm. I love you. Do you hear that?I really love you, after all. After all.... Her voice drifted away, came back to him. We're climbing the highestmountain. What are you doing there, relaxing where it's peaceful andwarm and sane? You always were such a calm guy. I remember now. Whatare you doing—reading poetry while we climb the mountain? What wasthat, Bruce—that one about the mountain you tried to quote to me lastnight before you ... I can't remember it now. Darling, what...? <doc-sep>He stared at the radio. He hesitated, reached out and switched on themike. He got through to her. Hello, hello, darling, he whispered. Marsha, can you hear me? Yes, yes. You down there, all warm and cozy, reading poetry, darling.Where you can see both ways instead of just up and down, up and down. He tried to imagine where she was now as he spoke to her, how shelooked. He thought of Earth and how it had been there, years ago, withMarsha. Things had seemed so different then. There was something ofthat hope in his voice now as he spoke to her, yet not directly to her,as he looked out the window at the naked frigid sky and the barrenrocks. '... and there is nowhere to go from the top of a mountain, But down, my dear; And the springs that flow on the floor of the valley Will never seem fresh or clear For thinking of the glitter of the mountain water In the feathery green of the year....' The wind stormed over the shelter in a burst of power, buried the soundof his own voice. Marsha, are you still there? What the devil's the idea, poetry at a time like this, or any time?Terrence demanded. Listen, you taking this down? We haven't run intoany signs of the others. Six hundred thousand feet, Bruce! We feel ourdestiny. We conquer the Solar System. And we'll go out and out, andwe'll climb the highest mountain, the highest mountain anywhere. We'regoing up and up. We've voted on it. Unanimous. We go on. On to thetop, Bruce! Nothing can stop us. If it takes ten years, a hundred, athousand years, we'll find it. We'll find the top! Not the top of thisworld—the top of everything . The top of the UNIVERSE ! Later, Terrence's voice broke off in the middle of something orother—Bruce couldn't make any sense out of it at all—and turned intocrazy yells that faded out and never came back. Bruce figured the others might still be climbing somewhere, or maybethey were dead. Either way it wouldn't make any difference to him. Heknew they would never come back down. He was switching off the radio for good when he saw the colorationbreak over the window. It was the same as the dream, but for aninstant, dream and reality seemed fused like two superimposed filmnegatives. He went to the window and looked out. The comfortable little city wasout there, and the canal flowing past through a pleasantly cool yetsunny afternoon. Purple mist blanketed the knees of low hills and therewas a valley, green and rich with the trees high and full beside thesoftly flowing canal water. The filmy shapes that seemed alive, that were partly translucent,drifted along the water's edge, and birds as delicate as colored glasswavered down the wind. He opened the shelter door and went out. The shelter looked the same,but useless now. How did the shelter of that bleak world get into thisone, where the air was warm and fragrant, where there was no cold, fromthat world into this one of his dreams? The girl—Helene—was standing there leaning against a tree, smoking acigarette. He walked toward her, and stopped. In the dream it had been easy, butnow he was embarrassed, in spite of the intimacy that had grown betweenthem. She wore the same casual slacks and sandals. Her hair was brown.She was not particularly beautiful, but she was comfortable to look atbecause she seemed so peaceful. Content, happy with what was and onlywhat was. He turned quickly. The shelter was still there, and behind it the rowof spaceships—not like chalk marks on a tallyboard now, but like oddrelics that didn't belong there in the thick green grass. Five shipsinstead of four. There was his own individual shelter beyond the headquarters building,and the other buildings. He looked up. There was no mountain. <doc-sep>Bruce watched them go, away and up and around the immediate face ofthe mountain in the bleak cold of the Martian morning. He watched themdisappear behind a high ledge, tied together with plastic rope likeconvicts. He stayed by the radio. He lost track of time and didn't care muchif he did. Sometimes he took a heavy sedative and slept. The sedativeprevented the dreams. He had an idea that the dreams might be sopleasant that he wouldn't wake up. He wanted to listen to Terrence aslong as the captain had anything to say. It was nothing but curiosity. At fifteen thousand feet, Terrence reported only that they wereclimbing. At twenty thousand feet, Terrence said, We're still climbing, andthat's all I can report, Bruce. It's worth coming to Mars for—toaccept a challenge like this! At twenty-five thousand feet, Terrence reported, We've put on oxygenmasks. Jacobs and Drexel have developed some kind of altitude sicknessand we're taking a little time out. It's a magnificent sight up here. Ican imagine plenty of tourists coming to Mars one of these days, justto climb this mountain! Mt. Everest is a pimple compared with this!What a feeling of power, Bruce! From forty thousand feet, Terrence said, We gauged this mountainat forty-five thousand. But here we are at forty and there doesn'tseem to be any top. We can see up and up and the mountain keeps ongoing. I don't understand how we could have made such an error in ourcomputations. I talked with Burton. He doesn't see how a mountain thishigh could still be here when the rest of the planet has been worn sosmooth. And then from fifty-three thousand feet, Terrence said with a voicethat seemed slightly strained: No sign of any of the crew of the otherfour ships yet. Ten in each crew, that makes fifty. Not a sign of anyof them so far, but then we seem to have a long way left to climb— Bruce listened and noted and took sedatives and opened cans of foodconcentrates. He smoked and ate and slept. He had plenty of time. Hehad only time and the dreams which he knew he could utilize later totake care of the time. From sixty thousand feet, Terrence reported, I had to shoot Anhausera few minutes ago! He was dissenting. Hear that, Bruce? One of my mostdependable men. We took a vote. A mere formality, of course, whetherwe should continue climbing or not. We knew we'd all vote to keep onclimbing. And then Anhauser dissented. He was hysterical. He refusedto accept the majority decision. 'I'm going back down!' he yelled.So I had to shoot him. Imagine a man of his apparent caliber turninganti-democratic like that! This mountain will be a great tester forus in the future. We'll test everybody, find out quickly who theweaklings are. Bruce listened to the wind. It seemed to rise higher and higher.Terrence, who had climbed still higher, was calling. Think of it! Whata conquest! No man's ever done a thing like this. Like Stromberg says,it's symbolic! We can build spaceships and reach other planets, butthat's not actual physical conquest. We feel like gods up here. We cansee what we are now. We can see how it's going to be— Once in a while Terrence demanded that Bruce say something to prove hewas still there taking down what Terrence said. Bruce obliged. A longtime passed, the way time does when no one cares. Bruce stopped takingthe sedatives finally. The dreams came back and became, somehow, morereal each time. He needed the companionship of the dreams. It was very lonely sitting there without the dreams, with nothing butTerrence's voice ranting excitedly on and on. Terrence didn't seem realany more; certainly not as real as the dreams. <doc-sep></s> [SEP] How does Terrence's journey unfold in THE HIGHEST MOUNTAIN?

Terrence is the ship’s captain. At the beginning, he serves as a judge when he interrogates Bruce, who killed the other crew member Doran. Terrence listens to the story about Venus and claims that Bruce is not a true conqueror and is simply a psycho. He then asks a question about Bruce’s dreams and later hears the story of Doran's death. Stromberg then concludes that Bruce has schizophrenia caused by inner conflict. He also supposes that Doran imagined the strange creature after Terrence asks him to explain the actions of the killed crew member. Finally, instead of killing Bruce, Terrence orders him to sit by the radio and write down everything they report while climbing. He reports that they are at fifteen and then twenty-five thousand feet and are to take a little time out. At forty thousand feet, he tells Bruce that the mountain is way higher than they thought - their computations are wrong. At sixty thousand feet, he shoots Anhauser after the latter starts dissenting and becomes hysterical and claims the mountain to be a tester for the real conquerors. Eventually, they reach the mark of five hundred thousand feet, and the captain is shocked. Later, Marsha unexpectedly starts dying, and Terrence concludes that women don’t have real guts for such undertakings. At six hundred thousand feet, he starts declaring that they will soon find the top of the universe. Terrence made it farther than any other crew member of the five ships. He dies with his fingers still clutching the rock outcroppings. In reality, he’s just over twelve miles away from the spaceship horizontally.

Can you provide a summary of the storyline in Bridge Crossing? [SEP] <s>What is it you wish? he barked. I understood in my discussions withthe other ... ah ... civilian there'd be no further need for theseirritating conferences. I've just learned you're placing more students abroad, Mr. Gulver. Howmany this time? Two thousand. And where will they be going? Croanie. It's all in the application form I've handed in. Your job isto provide transportation. Will there be any other students embarking this season? Why ... perhaps. That's Boge's business. Gulver looked at Retief withpursed lips. As a matter of fact, we had in mind dispatching anothertwo thousand to Featherweight. Another under-populated world—and in the same cluster, I believe,Retief said. Your people must be unusually interested in that regionof space. If that's all you wanted to know, I'll be on my way. I have matters ofimportance to see to. After Gulver left, Retief called Miss Furkle in. I'd like to have abreak-out of all the student movements that have been planned under thepresent program, he said. And see if you can get a summary of whatMEDDLE has been shipping lately. Miss Furkle compressed her lips. If Mr. Magnan were here, I'm surehe wouldn't dream of interfering in the work of other departments.I ... overheard your conversation with the gentleman from the CroanieLegation— The lists, Miss Furkle. I'm not accustomed, Miss Furkle said, to intruding in mattersoutside our interest cluster. That's worse than listening in on phone conversations, eh? But nevermind. I need the information, Miss Furkle. Loyalty to my Chief— Loyalty to your pay-check should send you scuttling for the materialI've asked for, Retief said. I'm taking full responsibility. Nowscat. The buzzer sounded. Retief flipped a key. MUDDLE, Retief speaking.... Arapoulous's brown face appeared on the desk screen. How-do, Retief. Okay if I come up? Sure, Hank. I want to talk to you. In the office, Arapoulous took a chair. Sorry if I'm rushing you,Retief, he said. But have you got anything for me? Retief waved at the wine bottles. What do you know about Croanie? Croanie? Not much of a place. Mostly ocean. All right if you likefish, I guess. We import our seafood from there. Nice prawns in monsoontime. Over a foot long. You on good terms with them? Sure, I guess so. Course, they're pretty thick with Boge. So? Didn't I tell you? Boge was the bunch that tried to take us over herea dozen years back. They'd've made it too, if they hadn't had a lot ofbad luck. Their armor went in the drink, and without armor they're easygame. Miss Furkle buzzed. I have your lists, she said shortly. Bring them in, please. <doc-sep>I'd like to get a look at you, he said. The girl laughed self-consciously. It's getting gray out. You'll seeme soon enough. But she'd see him , Roddie realized. He had to talk fast. What'll we do when it's light? he asked. Well, I guess the boats have gone, Ida said. You could swim theGate, I guess—you seem tall and strong enough. But I couldn't. You'llthink it's crazy, but I've given this some thought, and even looked itover from the other side. I expect to try the Golden Gate Bridge! Now he was getting somewhere! The bridge was ruined, impassable. Evenher own people had crossed the Strait by other means. But if there were a way over the bridge.... It's broken, he said. How in the world can we cross it? Oh, you'll find out, if you take me up there. I—I don't want to bealone, Roddie. Will you go with me? Now? Well, she could be made to point out the route before he killedher— if nothing happened when she saw him. Uneasy, Roddie hefted the hammer in his hand. A giggle broke the pause. It's nice of you to wait and let me go firstup the ladder, the girl said. But where the heck is the rusty oldthing? I'll go first, said Roddie. He might need the advantage. Theladder's right behind me. He climbed with hammer in teeth, and stretched his left hand fromstreet level to grasp and neutralize the girl's right. Then, nervouslyfingering his weapon, he stared at her in the thin gray dawn. She was short and lean, except for roundnesses here and there. From hershapeless doeskin dress stretched slender legs that tapered to feetthat were bare, tiny, and, like her hands, only two in number. Roddie was pleased. They were evenly matched as to members, and thatwould make things easy when the time came. He looked into her face. It smiled at him, tanned and ruddy, with afull mouth and bright dark eyes that hid under long lashes when helooked too long. Startling, those wary eyes. Concealing. For a moment he felt a rush offear, but she gave his hand a squeeze before twisting loose, and burstinto sudden laughter. Diapers! she chortled, struggling to keep her voice low. My big,strong, blond and blue-eyed hero goes into battle wearing diapers, andcarrying only a hammer to fight with! You're the most unforgettablecharacter I have ever known! He'd passed inspection, then—so far. He expelled his withheld breath,and said, I think you'll find me a little odd, in some ways. Oh, not at all, Ida replied quickly. Different, yes, but I wouldn'tsay odd. <doc-sep> Bridge Crossing BY DAVE DRYFOOS Illustrated by HARRISON [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He knew the city was organized for his individual defense, for it had been that way since he was born. But who was his enemy? In 1849, the mist that sometimes rolled through the Golden Gate wasknown as fog. In 2149, it had become far more frequent, and was knownas smog. By 2349, it was fog again. But tonight there was smoke mixed with the fog. Roddie could smell it.Somewhere in the forested ruins, fire was burning. He wasn't worried. The small blaze that smoldered behind him on thecracked concrete floor had consumed everything burnable within blocks;what remained of the gutted concrete office building from which hepeered was fire-proof. But Roddie was himself aflame with anger. As always when Invaders brokein from the north, he'd been left behind with his nurse, Molly, whilethe soldiers went out to fight. And nowadays Molly's presence wasn't the comfort it used to be. He feltalmost ready to jump out of his skin, the way she rocked and knitted inthat grating ruined chair, saying over and over again, The soldiersdon't want little boys. The soldiers don't want little boys. Thesoldiers don't— I'm not a little boy! Roddie suddenly shouted. I'm full-grown andI've never even seen an Invader. Why won't you let me go and fight? Fiercely he crossed the bare, gritty floor and shook Molly's shoulder.She rattled under his jarring hand, and abruptly changed the subject. A is for Atom, B is for Bomb, C is for Corpse— she chanted. Roddie reached into her shapeless dress and pinched. Lately that hadhelped her over these spells. But this time, though it stopped thekindergarten song, the treatment only started something worse. Wuzzums hungry? Molly cooed, still rocking. Utterly disgusted, Roddie ripped her head off her neck. It was a completely futile gesture. The complicated mind that hadcared for him and taught him speech and the alphabet hadn't made him amechanic, and his only tool was a broken-handled screwdriver. <doc-sep></s> [SEP] Can you provide a summary of the storyline in Bridge Crossing?

The protagonist of this story is Roddie, a young male character whose interactions with the characters around him include mechanical arms and robotic functionalities. It turns out that Roddie lives within a dystopian city, to which alongside his android friends, seek to defend the city against its enemy. Whilst going about his day, Roddie investigates the manhole he often frequents and finds that it has recently been visited by something warm. Further investigation reveals Ida to be the culprit, a human female who has decided to help the wounded in the city.Despite Roddie’s initial hesitance, Ida and Roddie strike up an easygoing acquaintance and gallivant around the city, with the latter guiding the former due to his experience. In addition to helping Ida find food and shelter, Roddie is able to ward off a potential attack from an android soldier with a talisman - his watch. However, this watch leads Ida to be suspicious of Roddie. As they neared the bridge, Ida insists on bringing Roddie back to where he belongs, fearing he had been wrongfully taken or indoctrinated. After a chase and climbing up the south tower, Roddie notices that Ida may be able to inform her fellow humans on how to infiltrate the city due to them being on top of the bridge. Choosing to defend his city and prove himself to his friends, Roddie does not hesitate to kill Ida and advances to do so. Ida begins to cry and defend her people - insisting that they are on the same side as Men and that the city belongs to the two of them, not Roddie’s friends. Initially in disbelief, Roddie continues to advance before deciding to leave it for the next morning before comforting Ida and later on, realizing that he too, is Man.

What are the defining traits of Ida, the character in Bridge Crossing? [SEP] <s>I'd like to get a look at you, he said. The girl laughed self-consciously. It's getting gray out. You'll seeme soon enough. But she'd see him , Roddie realized. He had to talk fast. What'll we do when it's light? he asked. Well, I guess the boats have gone, Ida said. You could swim theGate, I guess—you seem tall and strong enough. But I couldn't. You'llthink it's crazy, but I've given this some thought, and even looked itover from the other side. I expect to try the Golden Gate Bridge! Now he was getting somewhere! The bridge was ruined, impassable. Evenher own people had crossed the Strait by other means. But if there were a way over the bridge.... It's broken, he said. How in the world can we cross it? Oh, you'll find out, if you take me up there. I—I don't want to bealone, Roddie. Will you go with me? Now? Well, she could be made to point out the route before he killedher— if nothing happened when she saw him. Uneasy, Roddie hefted the hammer in his hand. A giggle broke the pause. It's nice of you to wait and let me go firstup the ladder, the girl said. But where the heck is the rusty oldthing? I'll go first, said Roddie. He might need the advantage. Theladder's right behind me. He climbed with hammer in teeth, and stretched his left hand fromstreet level to grasp and neutralize the girl's right. Then, nervouslyfingering his weapon, he stared at her in the thin gray dawn. She was short and lean, except for roundnesses here and there. From hershapeless doeskin dress stretched slender legs that tapered to feetthat were bare, tiny, and, like her hands, only two in number. Roddie was pleased. They were evenly matched as to members, and thatwould make things easy when the time came. He looked into her face. It smiled at him, tanned and ruddy, with afull mouth and bright dark eyes that hid under long lashes when helooked too long. Startling, those wary eyes. Concealing. For a moment he felt a rush offear, but she gave his hand a squeeze before twisting loose, and burstinto sudden laughter. Diapers! she chortled, struggling to keep her voice low. My big,strong, blond and blue-eyed hero goes into battle wearing diapers, andcarrying only a hammer to fight with! You're the most unforgettablecharacter I have ever known! He'd passed inspection, then—so far. He expelled his withheld breath,and said, I think you'll find me a little odd, in some ways. Oh, not at all, Ida replied quickly. Different, yes, but I wouldn'tsay odd. <doc-sep>When they started down the street, she was nervous despite Roddie'sassertion that he knew where the soldiers were posted. He wondered ifshe felt some of the doubt he'd tried to conceal, shared his visions ofwhat the soldiers might do if they found him brazenly strolling with anInvader. They might not believe he was only questioning a prisoner. Every day, his friends were becoming more unpredictable. For that very reason, because he didn't know what precautions would doany good, he took a chance and walked openly to the bridge by the mostdirect route. In time this apparent assurance stilled Ida's fears, andshe began to talk. Many of the things she said were beyond his experience and meaninglessto him, but he did note with interest how effective the soldiers hadbeen. It's awful, Ida said. So few young men are left, so manycasualties.... But why do you—we—keep up the fight? Roddie asked. I mean, thesoldiers will never leave the city; their purpose is to guard it andthey can't leave, so they won't attack. Let them alone, and there'llbe plenty of young men. Well! said Ida, sharply. You need indoctrination! Didn't they evertell you that the city is our home, even if the stupid androids do keepus out? Don't you know how dependent we are on these raids for all ourtools and things? She sounded suspicious. Roddie shot her a furtive, startled glance.But she wasn't standing off to fight him. On the contrary, she was tooclose for both comfort and combat. She bumped him hip and shoulderevery few steps, and if he edged away, she followed. He went on with his questioning. Why are you here? I mean, sure, theothers are after tools and things, but what's your purpose? Ida shrugged. I'll admit no girl has ever done it before, she said,but I thought I could help with the wounded. That's why I have noweapon. She hesitated, glanced covertly up at him, and went on with a rush ofwords. It's the lack of men, I guess. All the girls are kind of boredand hopeless, so I got this bright idea and stowed away on one of theboats when it was dark and the fog had settled down. Do you think I wasbeing silly? No, but you do seem a little purposeless. In silence they trudged through a vast area of charred wood andconcrete foundations on the northern end of the city. Thick fog overthe water hid Alcatraz, but in-shore visibility was better, and theycould see the beginning of the bridge approach. A stone rattled nearby. There was a clink of metal. Ida gasped, andclung to Roddie's arm. Behind me! he whispered urgently. Get behind me and hold on! He felt Ida's arms encircling his waist, her chin digging into his backbelow the left shoulder. Facing them, a hundred feet away, stood asoldier. He looked contemptuous, hostile. It's all right, Roddie said, his voice breaking. There was a long, sullen, heart-stopping stare. Then the soldier turnedand walked away. Ida's grip loosened, and he could feel her sag behind him. Roddieturned and held her. With eyes closed, she pressed cold blue lips tohis. He grimaced and turned away his head. Ida's response was quick. Forgive me, she breathed, and slipped fromhis arms, but she held herself erect. I was so scared. And then we'vehad no sleep, no food or water. Roddie was familiar with these signs of weakness, proud of appearing todeny his own humiliating needs. I guess you're not as strong as me, he said smugly. I'll take careof you. Of course we can't sleep now, but I'll get food and water. Leaving her to follow, he turned left to the ruins of a supermarket hehad previously visited, demonstrating his superior strength by settinga pace Ida couldn't match. By the time she caught up with him, he hadgrubbed out a few cans of the special size that Molly always chose.Picking two that were neither dented, swollen, nor rusted, he smashedan end of each with his hammer, and gave Ida her choice of strainedspinach or squash. Baby food! she muttered. Maybe it's just what we need, but to eatbaby food with a man wearing a diaper.... Tell me, Roddie, how did youhappen to know where to find it? Well, this is the northern end of the city, he answered, shrugging.I've been here before. Why did the soldier let us go? This watch, he said, touching the radium dial. It's a talisman. But Ida's eyes had widened, and the color was gone from her face. Shewas silent, too, except when asking him to fill his fast-emptied canwith rain-water. She didn't finish her own portion, but lay back in therubble with feet higher than her head, obviously trying to renew herstrength. And when they resumed their walk, her sullen, fear-clouded face showedplainly that he'd given himself away. But to kill her now, before learning how she planned to cross thesupposedly impassable bridge, seemed as purposeless and impulsive asIda herself. Roddie didn't think, in any case, that her death wouldsatisfy the soldiers. With new and useful information to offer, hemight join them as an equal at last. But if his dalliance with thisenemy seemed pointless, not even Molly's knitting needles could protecthim. He was sure the soldiers must be tracking the mysterious emanations ofhis watch dial, and had trouble to keep from glancing over his shoulderat every step. But arrival at the bridge approach ended the need forthis self-restraint. Here, difficult going demanded full attention. <doc-sep>He'd never gone as far as the bridge before, not having wanted tolook as if he might be leaving the city. The approach was a jungle ofconcrete with an underbrush of reinforcing-steel that reached for theunwary with rusted spines. Frequently they had to balance on crackedgirders, and inch over roadless spots high off the ground. Here Ida took the lead. When they got to where three approach roadsmade a clover-leaf, she led him down a side road and into a forest. Roddie stopped, and seized her arm. What are you trying to do? he demanded. I'm taking you with me, Ida said firmly. Taking you where youbelong! No! he blurted, drawing his hammer. I can't go, nor let you go. Ibelong here! Ida gasped, twisted loose, and ran. Roddie ran after her. She wasn't so easily caught. Like a frightened doe, she dashed in andout among the trees, leaped to the bridge's underpinnings where theythrust rustedly from a cliff, and scrambled up the ramp. Roddie sighed and slowed down. The pavement ended just beyond the cableanchors. From there to the south tower, only an occasional danglingsupport wire showed where the actual bridge had been suspended. Ida wastrapped. He could take his time. Let the soldiers come up, as they undoubtedlywould, to finish the job.... But Ida didn't seem to realize she was trapped. Without hesitation shedashed up the main left-hand suspension cable and ran along its curvedsteel surface. For a moment, Roddie thought of letting her go, letting her run up theever-steepening catenary until—because there were no guard-ropes orhandgrips—she simply fell. That would solve his problem. Except it wouldn't be his solution. Her death wouldn't prove him tohis friends. He set out quickly, before Ida was lost to sight in the thick fogthat billowed in straight from the ocean. At first he ran erect alongthe top of the yard-wide cylinder of twisted metal, but soon the curvesteepened. He had to go on all fours, clinging palm and sole. Blood was on the cable where she'd passed. More blood stained it whenhe'd followed. But because his friends knew neither pain nor fatigue, Roddie wouldadmit none either. Nor would he give in to the fear that dizzied him atevery downward look. He scrambled on like an automaton, watching onlyhis holds, till he rammed Ida's rear with his head. <doc-sep></s> [SEP] What are the defining traits of Ida, the character in Bridge Crossing?

Ida is a human girl that Roddie first encounters when she is hiding in the manhole that he frequents himself. She appears to have come into the android-ridden city on her own with the altruistic desire to help the wounded. She is selfless and persistent in her mission. She is inexperienced with the android world as demonstrated by her fright when the pair encountered a soldier, who only walked away after Roddie confronted it. Similarly, Roddie had to guide her around the city and help her with access to resources like shelter and food. Ida is loyal and brave as well. Despite Roddie threatening to kill her at the end of the story, Ida insists on the idea that they are both human and that Roddie’s way of thinking was incorrect. In the end, she is able to discourage him from killing her and he ends up comforting her.

What is the connection between Ida and Roddie in the story of Bridge Crossing? [SEP] <s>When they started down the street, she was nervous despite Roddie'sassertion that he knew where the soldiers were posted. He wondered ifshe felt some of the doubt he'd tried to conceal, shared his visions ofwhat the soldiers might do if they found him brazenly strolling with anInvader. They might not believe he was only questioning a prisoner. Every day, his friends were becoming more unpredictable. For that very reason, because he didn't know what precautions would doany good, he took a chance and walked openly to the bridge by the mostdirect route. In time this apparent assurance stilled Ida's fears, andshe began to talk. Many of the things she said were beyond his experience and meaninglessto him, but he did note with interest how effective the soldiers hadbeen. It's awful, Ida said. So few young men are left, so manycasualties.... But why do you—we—keep up the fight? Roddie asked. I mean, thesoldiers will never leave the city; their purpose is to guard it andthey can't leave, so they won't attack. Let them alone, and there'llbe plenty of young men. Well! said Ida, sharply. You need indoctrination! Didn't they evertell you that the city is our home, even if the stupid androids do keepus out? Don't you know how dependent we are on these raids for all ourtools and things? She sounded suspicious. Roddie shot her a furtive, startled glance.But she wasn't standing off to fight him. On the contrary, she was tooclose for both comfort and combat. She bumped him hip and shoulderevery few steps, and if he edged away, she followed. He went on with his questioning. Why are you here? I mean, sure, theothers are after tools and things, but what's your purpose? Ida shrugged. I'll admit no girl has ever done it before, she said,but I thought I could help with the wounded. That's why I have noweapon. She hesitated, glanced covertly up at him, and went on with a rush ofwords. It's the lack of men, I guess. All the girls are kind of boredand hopeless, so I got this bright idea and stowed away on one of theboats when it was dark and the fog had settled down. Do you think I wasbeing silly? No, but you do seem a little purposeless. In silence they trudged through a vast area of charred wood andconcrete foundations on the northern end of the city. Thick fog overthe water hid Alcatraz, but in-shore visibility was better, and theycould see the beginning of the bridge approach. A stone rattled nearby. There was a clink of metal. Ida gasped, andclung to Roddie's arm. Behind me! he whispered urgently. Get behind me and hold on! He felt Ida's arms encircling his waist, her chin digging into his backbelow the left shoulder. Facing them, a hundred feet away, stood asoldier. He looked contemptuous, hostile. It's all right, Roddie said, his voice breaking. There was a long, sullen, heart-stopping stare. Then the soldier turnedand walked away. Ida's grip loosened, and he could feel her sag behind him. Roddieturned and held her. With eyes closed, she pressed cold blue lips tohis. He grimaced and turned away his head. Ida's response was quick. Forgive me, she breathed, and slipped fromhis arms, but she held herself erect. I was so scared. And then we'vehad no sleep, no food or water. Roddie was familiar with these signs of weakness, proud of appearing todeny his own humiliating needs. I guess you're not as strong as me, he said smugly. I'll take careof you. Of course we can't sleep now, but I'll get food and water. Leaving her to follow, he turned left to the ruins of a supermarket hehad previously visited, demonstrating his superior strength by settinga pace Ida couldn't match. By the time she caught up with him, he hadgrubbed out a few cans of the special size that Molly always chose.Picking two that were neither dented, swollen, nor rusted, he smashedan end of each with his hammer, and gave Ida her choice of strainedspinach or squash. Baby food! she muttered. Maybe it's just what we need, but to eatbaby food with a man wearing a diaper.... Tell me, Roddie, how did youhappen to know where to find it? Well, this is the northern end of the city, he answered, shrugging.I've been here before. Why did the soldier let us go? This watch, he said, touching the radium dial. It's a talisman. But Ida's eyes had widened, and the color was gone from her face. Shewas silent, too, except when asking him to fill his fast-emptied canwith rain-water. She didn't finish her own portion, but lay back in therubble with feet higher than her head, obviously trying to renew herstrength. And when they resumed their walk, her sullen, fear-clouded face showedplainly that he'd given himself away. But to kill her now, before learning how she planned to cross thesupposedly impassable bridge, seemed as purposeless and impulsive asIda herself. Roddie didn't think, in any case, that her death wouldsatisfy the soldiers. With new and useful information to offer, hemight join them as an equal at last. But if his dalliance with thisenemy seemed pointless, not even Molly's knitting needles could protecthim. He was sure the soldiers must be tracking the mysterious emanations ofhis watch dial, and had trouble to keep from glancing over his shoulderat every step. But arrival at the bridge approach ended the need forthis self-restraint. Here, difficult going demanded full attention. <doc-sep>I'd like to get a look at you, he said. The girl laughed self-consciously. It's getting gray out. You'll seeme soon enough. But she'd see him , Roddie realized. He had to talk fast. What'll we do when it's light? he asked. Well, I guess the boats have gone, Ida said. You could swim theGate, I guess—you seem tall and strong enough. But I couldn't. You'llthink it's crazy, but I've given this some thought, and even looked itover from the other side. I expect to try the Golden Gate Bridge! Now he was getting somewhere! The bridge was ruined, impassable. Evenher own people had crossed the Strait by other means. But if there were a way over the bridge.... It's broken, he said. How in the world can we cross it? Oh, you'll find out, if you take me up there. I—I don't want to bealone, Roddie. Will you go with me? Now? Well, she could be made to point out the route before he killedher— if nothing happened when she saw him. Uneasy, Roddie hefted the hammer in his hand. A giggle broke the pause. It's nice of you to wait and let me go firstup the ladder, the girl said. But where the heck is the rusty oldthing? I'll go first, said Roddie. He might need the advantage. Theladder's right behind me. He climbed with hammer in teeth, and stretched his left hand fromstreet level to grasp and neutralize the girl's right. Then, nervouslyfingering his weapon, he stared at her in the thin gray dawn. She was short and lean, except for roundnesses here and there. From hershapeless doeskin dress stretched slender legs that tapered to feetthat were bare, tiny, and, like her hands, only two in number. Roddie was pleased. They were evenly matched as to members, and thatwould make things easy when the time came. He looked into her face. It smiled at him, tanned and ruddy, with afull mouth and bright dark eyes that hid under long lashes when helooked too long. Startling, those wary eyes. Concealing. For a moment he felt a rush offear, but she gave his hand a squeeze before twisting loose, and burstinto sudden laughter. Diapers! she chortled, struggling to keep her voice low. My big,strong, blond and blue-eyed hero goes into battle wearing diapers, andcarrying only a hammer to fight with! You're the most unforgettablecharacter I have ever known! He'd passed inspection, then—so far. He expelled his withheld breath,and said, I think you'll find me a little odd, in some ways. Oh, not at all, Ida replied quickly. Different, yes, but I wouldn'tsay odd. <doc-sep>He'd never gone as far as the bridge before, not having wanted tolook as if he might be leaving the city. The approach was a jungle ofconcrete with an underbrush of reinforcing-steel that reached for theunwary with rusted spines. Frequently they had to balance on crackedgirders, and inch over roadless spots high off the ground. Here Ida took the lead. When they got to where three approach roadsmade a clover-leaf, she led him down a side road and into a forest. Roddie stopped, and seized her arm. What are you trying to do? he demanded. I'm taking you with me, Ida said firmly. Taking you where youbelong! No! he blurted, drawing his hammer. I can't go, nor let you go. Ibelong here! Ida gasped, twisted loose, and ran. Roddie ran after her. She wasn't so easily caught. Like a frightened doe, she dashed in andout among the trees, leaped to the bridge's underpinnings where theythrust rustedly from a cliff, and scrambled up the ramp. Roddie sighed and slowed down. The pavement ended just beyond the cableanchors. From there to the south tower, only an occasional danglingsupport wire showed where the actual bridge had been suspended. Ida wastrapped. He could take his time. Let the soldiers come up, as they undoubtedlywould, to finish the job.... But Ida didn't seem to realize she was trapped. Without hesitation shedashed up the main left-hand suspension cable and ran along its curvedsteel surface. For a moment, Roddie thought of letting her go, letting her run up theever-steepening catenary until—because there were no guard-ropes orhandgrips—she simply fell. That would solve his problem. Except it wouldn't be his solution. Her death wouldn't prove him tohis friends. He set out quickly, before Ida was lost to sight in the thick fogthat billowed in straight from the ocean. At first he ran erect alongthe top of the yard-wide cylinder of twisted metal, but soon the curvesteepened. He had to go on all fours, clinging palm and sole. Blood was on the cable where she'd passed. More blood stained it whenhe'd followed. But because his friends knew neither pain nor fatigue, Roddie wouldadmit none either. Nor would he give in to the fear that dizzied him atevery downward look. He scrambled on like an automaton, watching onlyhis holds, till he rammed Ida's rear with his head. <doc-sep></s> [SEP] What is the connection between Ida and Roddie in the story of Bridge Crossing?

Although Roddie has been preparing his entire life for defense against something, someone, he never knows who his enemy is. Ida - by nature of being Man - is his enemy, as Roddie believes him to be an android. When they first meet in the darkness, Roddie is afraid that Ida may realize what he is. However, they have no trouble once they see each other and spend the entire day together. Roddie proudly takes the role of Ida’s caretaker, noting that she is scared of the soldiers and not as strong as he is, so he takes her to a supermarket and feeds her. However, when Roddie reveals the talisman that prevented the soldier from attacking, their relationship changes. Ida tries to take Roddie back to her boat where she proclaims he belongs and Roddie insists that he belongs in this android-ridden dystopia. In their chase, they end up atop a tower. Realizing Ida now has the knowledge to bring home to the Invaders on how to enter the city, Roddie feels a sense of duty to kill her. She is the enemy, as he thinks she wishes to harm his city. As Ida cries - something Roddie can do but his friends can’t - he realizes that he too is Man and decides not to kill her.

In what ways does Roddie utilize his screwdriver and hammer in the narrative of Bridge Crossing? [SEP] <s>I'd like to get a look at you, he said. The girl laughed self-consciously. It's getting gray out. You'll seeme soon enough. But she'd see him , Roddie realized. He had to talk fast. What'll we do when it's light? he asked. Well, I guess the boats have gone, Ida said. You could swim theGate, I guess—you seem tall and strong enough. But I couldn't. You'llthink it's crazy, but I've given this some thought, and even looked itover from the other side. I expect to try the Golden Gate Bridge! Now he was getting somewhere! The bridge was ruined, impassable. Evenher own people had crossed the Strait by other means. But if there were a way over the bridge.... It's broken, he said. How in the world can we cross it? Oh, you'll find out, if you take me up there. I—I don't want to bealone, Roddie. Will you go with me? Now? Well, she could be made to point out the route before he killedher— if nothing happened when she saw him. Uneasy, Roddie hefted the hammer in his hand. A giggle broke the pause. It's nice of you to wait and let me go firstup the ladder, the girl said. But where the heck is the rusty oldthing? I'll go first, said Roddie. He might need the advantage. Theladder's right behind me. He climbed with hammer in teeth, and stretched his left hand fromstreet level to grasp and neutralize the girl's right. Then, nervouslyfingering his weapon, he stared at her in the thin gray dawn. She was short and lean, except for roundnesses here and there. From hershapeless doeskin dress stretched slender legs that tapered to feetthat were bare, tiny, and, like her hands, only two in number. Roddie was pleased. They were evenly matched as to members, and thatwould make things easy when the time came. He looked into her face. It smiled at him, tanned and ruddy, with afull mouth and bright dark eyes that hid under long lashes when helooked too long. Startling, those wary eyes. Concealing. For a moment he felt a rush offear, but she gave his hand a squeeze before twisting loose, and burstinto sudden laughter. Diapers! she chortled, struggling to keep her voice low. My big,strong, blond and blue-eyed hero goes into battle wearing diapers, andcarrying only a hammer to fight with! You're the most unforgettablecharacter I have ever known! He'd passed inspection, then—so far. He expelled his withheld breath,and said, I think you'll find me a little odd, in some ways. Oh, not at all, Ida replied quickly. Different, yes, but I wouldn'tsay odd. <doc-sep> Bridge Crossing BY DAVE DRYFOOS Illustrated by HARRISON [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He knew the city was organized for his individual defense, for it had been that way since he was born. But who was his enemy? In 1849, the mist that sometimes rolled through the Golden Gate wasknown as fog. In 2149, it had become far more frequent, and was knownas smog. By 2349, it was fog again. But tonight there was smoke mixed with the fog. Roddie could smell it.Somewhere in the forested ruins, fire was burning. He wasn't worried. The small blaze that smoldered behind him on thecracked concrete floor had consumed everything burnable within blocks;what remained of the gutted concrete office building from which hepeered was fire-proof. But Roddie was himself aflame with anger. As always when Invaders brokein from the north, he'd been left behind with his nurse, Molly, whilethe soldiers went out to fight. And nowadays Molly's presence wasn't the comfort it used to be. He feltalmost ready to jump out of his skin, the way she rocked and knitted inthat grating ruined chair, saying over and over again, The soldiersdon't want little boys. The soldiers don't want little boys. Thesoldiers don't— I'm not a little boy! Roddie suddenly shouted. I'm full-grown andI've never even seen an Invader. Why won't you let me go and fight? Fiercely he crossed the bare, gritty floor and shook Molly's shoulder.She rattled under his jarring hand, and abruptly changed the subject. A is for Atom, B is for Bomb, C is for Corpse— she chanted. Roddie reached into her shapeless dress and pinched. Lately that hadhelped her over these spells. But this time, though it stopped thekindergarten song, the treatment only started something worse. Wuzzums hungry? Molly cooed, still rocking. Utterly disgusted, Roddie ripped her head off her neck. It was a completely futile gesture. The complicated mind that hadcared for him and taught him speech and the alphabet hadn't made him amechanic, and his only tool was a broken-handled screwdriver. <doc-sep>He'd never gone as far as the bridge before, not having wanted tolook as if he might be leaving the city. The approach was a jungle ofconcrete with an underbrush of reinforcing-steel that reached for theunwary with rusted spines. Frequently they had to balance on crackedgirders, and inch over roadless spots high off the ground. Here Ida took the lead. When they got to where three approach roadsmade a clover-leaf, she led him down a side road and into a forest. Roddie stopped, and seized her arm. What are you trying to do? he demanded. I'm taking you with me, Ida said firmly. Taking you where youbelong! No! he blurted, drawing his hammer. I can't go, nor let you go. Ibelong here! Ida gasped, twisted loose, and ran. Roddie ran after her. She wasn't so easily caught. Like a frightened doe, she dashed in andout among the trees, leaped to the bridge's underpinnings where theythrust rustedly from a cliff, and scrambled up the ramp. Roddie sighed and slowed down. The pavement ended just beyond the cableanchors. From there to the south tower, only an occasional danglingsupport wire showed where the actual bridge had been suspended. Ida wastrapped. He could take his time. Let the soldiers come up, as they undoubtedlywould, to finish the job.... But Ida didn't seem to realize she was trapped. Without hesitation shedashed up the main left-hand suspension cable and ran along its curvedsteel surface. For a moment, Roddie thought of letting her go, letting her run up theever-steepening catenary until—because there were no guard-ropes orhandgrips—she simply fell. That would solve his problem. Except it wouldn't be his solution. Her death wouldn't prove him tohis friends. He set out quickly, before Ida was lost to sight in the thick fogthat billowed in straight from the ocean. At first he ran erect alongthe top of the yard-wide cylinder of twisted metal, but soon the curvesteepened. He had to go on all fours, clinging palm and sole. Blood was on the cable where she'd passed. More blood stained it whenhe'd followed. But because his friends knew neither pain nor fatigue, Roddie wouldadmit none either. Nor would he give in to the fear that dizzied him atevery downward look. He scrambled on like an automaton, watching onlyhis holds, till he rammed Ida's rear with his head. <doc-sep></s> [SEP] In what ways does Roddie utilize his screwdriver and hammer in the narrative of Bridge Crossing?

The first tool that Roddie uses is a screwdriver with a broken handle. He uses it to tinker with and screw Molly’s head back onto her robot body, after tearing it off himself. He also used it when he was considering heating it over a fire to mold it into a different tool, but ended up not completing it. His hammer is his weapon. Roddie keeps his hammer on his body, which he was able to reach for conveniently when he initially found a warm body hiding in the manhole. All throughout this initial encounter with Ida, Roddie has his hammer close to him, either clutching it or holding it in his mouth while climbing the ladder. He also uses it as a tool to break open cans. Finally, at the end of the story, he is prepared to use the hammer to kill Ida - even going as far as raising it threateningly - before deciding not to.

What methods does Roddie use to determine the reason for his uniqueness compared to his peers in the story of Bridge Crossing? [SEP] <s> Bridge Crossing BY DAVE DRYFOOS Illustrated by HARRISON [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He knew the city was organized for his individual defense, for it had been that way since he was born. But who was his enemy? In 1849, the mist that sometimes rolled through the Golden Gate wasknown as fog. In 2149, it had become far more frequent, and was knownas smog. By 2349, it was fog again. But tonight there was smoke mixed with the fog. Roddie could smell it.Somewhere in the forested ruins, fire was burning. He wasn't worried. The small blaze that smoldered behind him on thecracked concrete floor had consumed everything burnable within blocks;what remained of the gutted concrete office building from which hepeered was fire-proof. But Roddie was himself aflame with anger. As always when Invaders brokein from the north, he'd been left behind with his nurse, Molly, whilethe soldiers went out to fight. And nowadays Molly's presence wasn't the comfort it used to be. He feltalmost ready to jump out of his skin, the way she rocked and knitted inthat grating ruined chair, saying over and over again, The soldiersdon't want little boys. The soldiers don't want little boys. Thesoldiers don't— I'm not a little boy! Roddie suddenly shouted. I'm full-grown andI've never even seen an Invader. Why won't you let me go and fight? Fiercely he crossed the bare, gritty floor and shook Molly's shoulder.She rattled under his jarring hand, and abruptly changed the subject. A is for Atom, B is for Bomb, C is for Corpse— she chanted. Roddie reached into her shapeless dress and pinched. Lately that hadhelped her over these spells. But this time, though it stopped thekindergarten song, the treatment only started something worse. Wuzzums hungry? Molly cooed, still rocking. Utterly disgusted, Roddie ripped her head off her neck. It was a completely futile gesture. The complicated mind that hadcared for him and taught him speech and the alphabet hadn't made him amechanic, and his only tool was a broken-handled screwdriver. <doc-sep>I'd like to get a look at you, he said. The girl laughed self-consciously. It's getting gray out. You'll seeme soon enough. But she'd see him , Roddie realized. He had to talk fast. What'll we do when it's light? he asked. Well, I guess the boats have gone, Ida said. You could swim theGate, I guess—you seem tall and strong enough. But I couldn't. You'llthink it's crazy, but I've given this some thought, and even looked itover from the other side. I expect to try the Golden Gate Bridge! Now he was getting somewhere! The bridge was ruined, impassable. Evenher own people had crossed the Strait by other means. But if there were a way over the bridge.... It's broken, he said. How in the world can we cross it? Oh, you'll find out, if you take me up there. I—I don't want to bealone, Roddie. Will you go with me? Now? Well, she could be made to point out the route before he killedher— if nothing happened when she saw him. Uneasy, Roddie hefted the hammer in his hand. A giggle broke the pause. It's nice of you to wait and let me go firstup the ladder, the girl said. But where the heck is the rusty oldthing? I'll go first, said Roddie. He might need the advantage. Theladder's right behind me. He climbed with hammer in teeth, and stretched his left hand fromstreet level to grasp and neutralize the girl's right. Then, nervouslyfingering his weapon, he stared at her in the thin gray dawn. She was short and lean, except for roundnesses here and there. From hershapeless doeskin dress stretched slender legs that tapered to feetthat were bare, tiny, and, like her hands, only two in number. Roddie was pleased. They were evenly matched as to members, and thatwould make things easy when the time came. He looked into her face. It smiled at him, tanned and ruddy, with afull mouth and bright dark eyes that hid under long lashes when helooked too long. Startling, those wary eyes. Concealing. For a moment he felt a rush offear, but she gave his hand a squeeze before twisting loose, and burstinto sudden laughter. Diapers! she chortled, struggling to keep her voice low. My big,strong, blond and blue-eyed hero goes into battle wearing diapers, andcarrying only a hammer to fight with! You're the most unforgettablecharacter I have ever known! He'd passed inspection, then—so far. He expelled his withheld breath,and said, I think you'll find me a little odd, in some ways. Oh, not at all, Ida replied quickly. Different, yes, but I wouldn'tsay odd. <doc-sep>When they started down the street, she was nervous despite Roddie'sassertion that he knew where the soldiers were posted. He wondered ifshe felt some of the doubt he'd tried to conceal, shared his visions ofwhat the soldiers might do if they found him brazenly strolling with anInvader. They might not believe he was only questioning a prisoner. Every day, his friends were becoming more unpredictable. For that very reason, because he didn't know what precautions would doany good, he took a chance and walked openly to the bridge by the mostdirect route. In time this apparent assurance stilled Ida's fears, andshe began to talk. Many of the things she said were beyond his experience and meaninglessto him, but he did note with interest how effective the soldiers hadbeen. It's awful, Ida said. So few young men are left, so manycasualties.... But why do you—we—keep up the fight? Roddie asked. I mean, thesoldiers will never leave the city; their purpose is to guard it andthey can't leave, so they won't attack. Let them alone, and there'llbe plenty of young men. Well! said Ida, sharply. You need indoctrination! Didn't they evertell you that the city is our home, even if the stupid androids do keepus out? Don't you know how dependent we are on these raids for all ourtools and things? She sounded suspicious. Roddie shot her a furtive, startled glance.But she wasn't standing off to fight him. On the contrary, she was tooclose for both comfort and combat. She bumped him hip and shoulderevery few steps, and if he edged away, she followed. He went on with his questioning. Why are you here? I mean, sure, theothers are after tools and things, but what's your purpose? Ida shrugged. I'll admit no girl has ever done it before, she said,but I thought I could help with the wounded. That's why I have noweapon. She hesitated, glanced covertly up at him, and went on with a rush ofwords. It's the lack of men, I guess. All the girls are kind of boredand hopeless, so I got this bright idea and stowed away on one of theboats when it was dark and the fog had settled down. Do you think I wasbeing silly? No, but you do seem a little purposeless. In silence they trudged through a vast area of charred wood andconcrete foundations on the northern end of the city. Thick fog overthe water hid Alcatraz, but in-shore visibility was better, and theycould see the beginning of the bridge approach. A stone rattled nearby. There was a clink of metal. Ida gasped, andclung to Roddie's arm. Behind me! he whispered urgently. Get behind me and hold on! He felt Ida's arms encircling his waist, her chin digging into his backbelow the left shoulder. Facing them, a hundred feet away, stood asoldier. He looked contemptuous, hostile. It's all right, Roddie said, his voice breaking. There was a long, sullen, heart-stopping stare. Then the soldier turnedand walked away. Ida's grip loosened, and he could feel her sag behind him. Roddieturned and held her. With eyes closed, she pressed cold blue lips tohis. He grimaced and turned away his head. Ida's response was quick. Forgive me, she breathed, and slipped fromhis arms, but she held herself erect. I was so scared. And then we'vehad no sleep, no food or water. Roddie was familiar with these signs of weakness, proud of appearing todeny his own humiliating needs. I guess you're not as strong as me, he said smugly. I'll take careof you. Of course we can't sleep now, but I'll get food and water. Leaving her to follow, he turned left to the ruins of a supermarket hehad previously visited, demonstrating his superior strength by settinga pace Ida couldn't match. By the time she caught up with him, he hadgrubbed out a few cans of the special size that Molly always chose.Picking two that were neither dented, swollen, nor rusted, he smashedan end of each with his hammer, and gave Ida her choice of strainedspinach or squash. Baby food! she muttered. Maybe it's just what we need, but to eatbaby food with a man wearing a diaper.... Tell me, Roddie, how did youhappen to know where to find it? Well, this is the northern end of the city, he answered, shrugging.I've been here before. Why did the soldier let us go? This watch, he said, touching the radium dial. It's a talisman. But Ida's eyes had widened, and the color was gone from her face. Shewas silent, too, except when asking him to fill his fast-emptied canwith rain-water. She didn't finish her own portion, but lay back in therubble with feet higher than her head, obviously trying to renew herstrength. And when they resumed their walk, her sullen, fear-clouded face showedplainly that he'd given himself away. But to kill her now, before learning how she planned to cross thesupposedly impassable bridge, seemed as purposeless and impulsive asIda herself. Roddie didn't think, in any case, that her death wouldsatisfy the soldiers. With new and useful information to offer, hemight join them as an equal at last. But if his dalliance with thisenemy seemed pointless, not even Molly's knitting needles could protecthim. He was sure the soldiers must be tracking the mysterious emanations ofhis watch dial, and had trouble to keep from glancing over his shoulderat every step. But arrival at the bridge approach ended the need forthis self-restraint. Here, difficult going demanded full attention. <doc-sep></s> [SEP] What methods does Roddie use to determine the reason for his uniqueness compared to his peers in the story of Bridge Crossing?

Put simply, Roddie is Man and his friends in the story are androids. Despite growing up with them and having been brought up by Molly, Roddie is human. One clear difference is the fact that Roddie is able to tear off the limbs of his friends and repair it back together. For example, he tore off Molly’s head when her “spells” became worse, and then later tinkered it back on her head. Another example of this difference is when Ida begins to cry at the end of the story, and Roddie internally expresses that the first time he wept was the first time he noted a difference between him and his android friends, who presumably cannot emote in the same way. Similarly, they do not know pain nor fatigue, so Roddie pretends he doesn’t either. At the very end of the story, he finally accepts that he is Man.