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The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"

How would you describe Gunther as a villain?

The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"

Based on your interpretation of the passage, of the following options who do you think would most likely be interested in reading it?

The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"

How would you describe Click's primary motivations?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

Which best describes Peggy's relationship with her parents?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

What narrative role does Jean play in the story?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

Before Peggy's parents reveal their decision, was it obvious that they would let her move?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

How would you describe the tone throughout the passage?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

Which of these sets of descriptions best describes Peggy?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

What is one potential moral of this story?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

Why was Socks a part of this story?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

Generally, which of the following best describes Brian's character?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

Generally, which of the following best describes Crystal's character?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

What is one potential moral to this story?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

How would you describe the changes in tone through the passage?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

If it did, how do you think Brian's opinion on the rebellion changed throughout the passage?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

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MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

What do you think is most likely an accurate description of the rebellion?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

Do you think there is a romantic connection between Brian and Crystal?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

What were the two main goals of the Quest III ship in this story?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

How would you describe Captain Llud's character transformation across the entire Quest III journey?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

What characteristics best describe Captain Llud in the present part of the story?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

At what moment in the story did the characters seem to have the most hope?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

At what moment in the story did the characters seem to have the least hope?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

What is the overall shift in tone from the start of the passage to the end of the passage?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

What would've happened if Captain Llud tried to turn around and change course from Earth?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

Of the following, which is the best plausible explanation for the behavior of the Earthen ships?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

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THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

From the information the story provides, do you think you have a good sense of the personalities of Captain Llud's crew?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

Why is David Corbin on the ship in the first place?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

Of his fellow crew members, who does David seem to have the most concern for and why?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

What is one potential moral of this story?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

Of the following, which personality traits best describe David?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

If David had entirely forgotten his life prior to the mission, what would've happened?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

If Karen remains in her current state long-term, what would most likely happen?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

Why did everyone have to wake up?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

Why didn't Tremaine automatically include the state law enforcement in his investigation?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

Did the questions Tremaine needed answers to get resolved?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

Of the following options, which set of traits best describes Tremaine?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

Of the following options, which best describes the relationship between Tremaine and Jess?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

If Tremaine didn't go see Miss Carroll, what would've happened?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

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THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

What is the most likely reason why Tremaine confides in Jess about the case?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

Of the following options, which could best describe the moral to this story?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

Of the following options, which seems to be Tremaine's biggest asset in his investigation?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

Which best summarizes this story?

The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"

What is the relationship between the two main characters?

The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"

Why does Click suspect that the meteor strike wasn’t accidental?

The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"

Who does Click refer to as the “Big Producer?”

The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"

What would have happened if Click’s camera broke in the crash?

The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"

Why didn’t the proton gun hurt the monsters?

The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"

What is the meaning of “palaver” in the passage?

The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"

How does Gunther maintain his hold on power?

The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"

Referring to the passage’s title, who was the “Monster Maker”?

The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"

How was Gunther defeated?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

Why did the Lane family move to Wisconsin?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

Why doesn’t Jean want to join Peggy in New York?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

Why did Mrs. Lane give up her dream of singing?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

Why did Mr. & Mrs. Lane agree so quickly to Peggy’s bargain?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

How did Mr. Lane know May Berriman?

PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.

What will Peggy mostly likely do tomorrow morning?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

Why did the first policeman smirk at Brian’s door?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

Why was the woman in Brian’s apartment?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

Why did Pete send the rebels to break Brian out of jail?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

What would have happened if Brian didn’t escape with Crystal?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

What advantage did the rebels have over the Venus Consolidated police?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

What is the meaning of “laconically” as used in this passage?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

What caused the avalanche of rocks in the cavern?

MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."

What lesson did Brian learn from his experience?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

Where was the Quest III coming home from?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

How did the Quest III crew feel as they first approached the Sun?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

Who did the ship’s crew expect would meet them on arrival?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

Why had the children never seen Earth?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

What would have happened if the Centaurus Expedition hadn’t failed?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

How did Gwar Den feel about his work?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

Why were three Quest ships built?

THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."

What was Knof Junior’s plan to defeat the attackers?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

Where was David?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

Why couldn’t David move after he first opened his eyes?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

Why did David press the button?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

What did David determine the black box was for?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

Why didn’t David awaken the woman first?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

How did suspension help the crew?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

Was the ship on target, within maximum deviation from schedule?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

What would happen if they didn’t change course?

CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.

What is the crew’s mission?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

Why did Jimmy Tremaine visit his hometown?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

What kind of area is Elsby?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

What is the significance of May 19th, 1901?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

Who was in the black sedan that rushed off past Tremaine a block from the hotel?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

Who is Soup Gaskin?

THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.

Why is Tremaine considered the best person to conduct this investigation?

DOWN TO THE WORLDS OF MEN BY ALEXEI PANSHIN The ancient rule was sink or swim—swim in the miasma of a planet without spaceflight, or sink to utter destruction! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I The horses and packs were loaded before we went aboard the scoutship. The scout bay is no more than a great oversized airlock with a dozen small ships squatting over their tubes, but it was the last of the Ship that I might ever see, so I took a long final look from the top of the ramp. There were sixteen of us girls and thirteen boys. We took our places in the seats in the center of the scout. Riggy Allen made a joke that nobody bothered to laugh at, and then we were all silent. I was feeling lost and just beginning to enjoy it when Jimmy Dentremont came over to me. He's red-headed and has a face that makes him look about ten. An intelligent runt like me. He said what I expected. "Mia, do you want to go partners if we can get together when we get down?" I guess he thought that because we were always matched on study I liked him. Well, I did when I wasn't mad at him, but now I had that crack he'd made about being a snob in mind, so I said, "Not likely. I want to come back alive." It wasn't fair, but it was a good crack and he went back to his place without saying anything. My name is Mia Havero. I'm fourteen, of course, or I wouldn't be telling this. I'm short, dark and scrawny, though I don't expect that scrawniness to last much longer. Mother is very good looking. In the meantime, I've got brains as a consolation. After we were all settled, George Fuhonin, the pilot, raised the ramps. We sat there for five minutes while they bled air out of our tube and then we just ... dropped. My stomach turned flips. We didn't have to leave that way, but George thinks it's fun to be a hot pilot. Thinking it over, I was almost sorry I'd been stinking to Jimmy D. He's the only competition I have my own age. The trouble is, you don't go partners with the competition, do you? Besides, there was still that crack about being a snob. The planet chosen for our Trial was called Tintera. The last contact the Ship had had with it—and we were the ones who dropped them—was almost 150 years ago. No contact since. That had made the Council debate a little before they dropped us there, but they decided it was all right in the end. It didn't make any practical difference to us kids because they never tell you anything about the place they're going to drop you. All I knew was the name. I wouldn't have known that much if Daddy weren't Chairman of the Council. I felt like crawling in a corner of the ship and crying, but nobody else was breaking down, so I didn't. I did feel miserable. I cried when I said good-by to Mother and Daddy—a real emotional scene—but that wasn't in public. It wasn't the chance of not coming back that bothered me really, because I never believed that I wouldn't. The thought that made me unhappy was that I would have to be on a planet for a whole month. Planets make me feel wretched. The gravity is always wrong, for one thing. Either your arches and calves ache or every time you step you think you're going to trip on a piece of fluff and break your neck. There are vegetables everywhere and little grubby things just looking for you to crawl on. If you can think of anything creepier than that, you've got a real nasty imagination. Worst of all, planets stink. Every single one smells—I've been on enough to know that. A planet is all right for a Mud-eater, but not for me. We have a place in the Ship like that—the Third Level—but it's only a thousand square miles and any time it gets on your nerves you can go up a level or down a level and be back in civilization. When we reached Tintera, they started dropping us. We swung over the sea from the morning side and then dropped low over gray-green forested hills. Finally George spotted a clear area and dropped into it. They don't care what order you go in, so Jimmy D. jumped up, grabbed his gear and then led his horse down the ramp. I think he was still smarting from the slap I'd given him. In a minute we were airborne again. I wondered if I would ever see Jimmy—if he would get back alive. It's no game we play. When we turn fourteen, they drop us on the nearest colonized planet and come back one month later. That may sound like fun to you, but a lot of us never come back alive. Don't think I was helpless. I'm hell on wheels. They don't let us grow for fourteen years and then kick us out to die. They prepare us. They do figure, though, that if you can't keep yourself alive by the time you're fourteen, you're too stupid, foolish or unlucky to be any use to the Ship. There's sense behind it. It means that everybody on the Ship is a person who can take care of himself if he has to. Daddy says that something has to be done in a closed society to keep the population from decaying mentally and physically, and this is it. And it helps to keep the population steady. I began to check my gear out—sonic pistol, pickup signal so I could be found at the end of the month, saddle and cinches, food and clothes. Venie Morlock has got a crush on Jimmy D., and when she saw me start getting ready to go, she began to check her gear, too. At our next landing, I grabbed Ninc's reins and cut Venie out smoothly. It didn't have anything to do with Jimmy. I just couldn't stand to put off the bad moment any longer. The ship lifted impersonally away from Ninc and me like a rising bird, and in just a moment it was gone. Its gray-blue color was almost the color of the half-overcast sky, so I was never sure when I saw it last. II The first night was hell, I guess because I'm not used to having the lights out. That's when you really start to feel lonely, being alone in the dark. When the sun disappears, somehow you wonder in your stomach if it's really going to come back. But I lived through it—one day in thirty gone. I rode in a spiral search pattern during the next two days. I had three things in mind—stay alive, find people and find some of the others. The first was automatic. The second was to find out if there was a slot I could fit into for a month. If not, I would have to find a place to camp out, as nasty as that would be. The third was to join forces, though not with that meatball Jimmy D. No, he isn't really a meatball. The trouble is that I don't take nothing from nobody, especially him, and he doesn't take nothing from nobody, especially me. So we do a lot of fighting. I had a good month for Trial. My birthday is in November—too close to Year End Holiday for my taste, but this year it was all right. It was spring on Tintera, but it was December in the Ship, and after we got back we had five days of Holiday to celebrate. It gave me something to look forward to. In two days of riding, I ran onto nothing but a few odd-looking animals. I shot one small one and ate it. It turned out to taste pretty good, though not as good as a slice from Hambone No. 4, to my mind the best meat vat on the Ship. I've eaten things so gruey-looking that I wondered that anybody had the guts to try them in the first place and they've turned out to taste good. And I've seen things that looked good that I couldn't keep on my stomach. So I guess I was lucky. On the third day, I found the road. I brought Ninc down off the hillside, losing sight of the road in the trees, and then reaching it in the level below. It was narrow and made of sand spread over a hard base. Out of the marks in the sand, I could pick out the tracks of horses and both narrow and wide wheels. Other tracks I couldn't identify. One of the smartest moves in history was to include horses when they dropped the colonies. I say "they" because, while we did the actual dropping, the idea originated with the whole evac plan back on Earth. Considering how short a time it was in which the colonies were established, there was not time to set up industry, so they had to have draft animals. The first of the Great Ships was finished in 2025. One of the eight, as well as the two that were being built then, went up with everything else in the Solar System in 2041. In that sixteen years 112 colonies were planted. I don't know how many of those planets had animals that could have been substituted but, even if they had, they would have had to be domesticated from scratch. That would have been stupid. I'll bet that half the colonies would have failed if they hadn't had horses. We'd come in from the west over the ocean, so I traveled east on the road. That much water makes me nervous, and roads have to go somewhere. I came on my first travelers three hours later. I rounded a tree-lined bend, ducking an overhanging branch, and pulled Ninc to a stop. There were five men on horseback herding a bunch of the ugliest creatures alive. They were green and grotesque. They had squat bodies, long limbs and knobby bulges at their joints. They had square, flat animal masks for faces. But they walked on their hind legs and they had paws that were almost hands, and that was enough to make them seem almost human. They made a wordless, chilling, lowing sound as they milled and plodded along. I started Ninc up again and moved slowly to catch up with them. All the men on horseback had guns in saddle boots. They looked as nervous as cats with kittens. One of them had a string of packhorses on a line and he saw me and called to another who seemed to be the leader. That one wheeled his black horse and rode back toward me. He was a middle-aged man, maybe as old as my Daddy. He was large and he had a hard face. Normal enough, but hard. He pulled to a halt when we reached each other, but I kept going. He had to come around and follow me. I believe in judging a person by his face. A man can't help the face he owns, but he can help the expression he wears on it. If a man looks mean, I generally believe that he is. This one looked mean. That was why I kept riding. He said, "What be you doing out here, boy? Be you out of your head? There be escaped Losels in these woods." I told you I hadn't finished filling out yet, but I hadn't thought it was that bad. I wasn't ready to make a fight over the point, though. Generally, I can't keep my bloody mouth shut, but now I didn't say anything. It seemed smart. "Where be you from?" he asked. I pointed to the road behind us. "And where be you going?" I pointed ahead. No other way to go. He seemed exasperated. I have that effect sometimes. Even on Mother and Daddy, who should know better. We were coming up on the others now, and the man said, "Maybe you'd better ride on from here with us. For protection." He had an odd way of twisting his sounds, almost as though he had a mouthful of mush. I wondered whether he were just an oddball or whether everybody here spoke the same way. I'd never heard International English spoken any way but one, even on the planet Daddy made me visit with him. One of the other outriders came easing by then. I suppose they'd been watching us all the while. He called to the hard man. "He be awfully small, Horst. I doubt me a Losel'd even notice him at all. We mought as well throw him back again." The rider looked at me. When I didn't dissolve in terror as he expected, he shrugged and one of the other men laughed. The hard man said to the others, "This boy will be riding along with us to Forton for protection." I looked down at the plodding, unhappy creatures they were driving along and one looked back at me with dull, expressionless golden eyes. I felt uncomfortable. I said, "I don't think so." What the man did then surprised me. He said, "I do think so," and reached for the rifle in his saddle boot. I whipped my sonic pistol out so fast that he was caught leaning over with the rifle half out. His jaw dropped. He knew what I held and he didn't want to be fried. I said, "Ease your rifles out and drop them gently to the ground." They did, watching me all the while with wary expressions. When all the rifles were on the ground, I said, "All right, let's go." They didn't want to move. They didn't want to leave the rifles. I could see that. Horst didn't say anything. He just watched me with narrowed eyes. But one of the others held up a hand and in wheedling tones said, "Look here, kid...." "Shut up," I said, in as mean a voice as I could muster, and he did. It surprised me. I didn't think I sounded that mean. I decided he just didn't trust the crazy kid not to shoot. After twenty minutes of easy riding for us and hard walking for the creatures, I said, "If you want your rifles, you can go back and get them now." I dug my heels into Ninc's sides and rode on. At the next bend I looked back and saw four of them holding their packhorses and the creatures still while one beat a dust-raising retreat down the road. I put this episode in the "file and hold for analysis" section in my mind and rode on, feeling good. I think I even giggled once. Sometimes I even convince myself that I'm hell on wheels. III When I was nine, my Daddy gave me a painted wooden doll that my great-grandmother brought from Earth. The thing is that inside it, nestled one in another, are eleven more dolls, each one smaller than the last. I like to watch people when they open it for the first time. My face must have been like that as I rode along the road. The country leveled into a great rolling valley and the trees gave way to great farms and fields. In the fields, working, were some of the green creatures, which surprised me since the ones I'd seen before hadn't seemed smart enough to count to one, let alone do any work. But it relieved me. I thought they might have been eating them or something. I passed two crossroads and started to meet more people, but nobody questioned me. I met people on horseback, and twice I met trucks moving silently past. And I overtook a wagon driven by the oldest man I've seen in my life. He waved to me, and I waved back. Near the end of the afternoon I came to the town, and there I received a jolt that sickened me. By the time I came out on the other side, I was sick. My hands were cold and sweaty and my head was spinning, and I wanted to kick Ninc to a gallop. I rode slowly in, looking all around, missing nothing. The town was all stone, wood and brick. Out of date. Out of time, really. There were no machines more complicated than the trucks I'd seen earlier. At the edge of town, I passed a newspaper office with a headline pasted in the window—INVASION! I remember that. I wondered about it. But I looked most closely at the people. In all that town, I didn't see one girl over ten years old and no grown-up women at all. There were little kids, there were boys and there were men, but no girls. All the boys and men wore pants, and so did I, which must have been why Horst and his buddies assumed I was a boy. It wasn't flattering; but I decided I'd not tell anybody different until I found what made the clocks tick on this planet. But that wasn't what bothered me. It was the kids. My God! They swarmed. I saw a family come out of a house—a father and four children. It was the most foul thing I've ever seen. It struck me then—these people were Free Birthers! I felt a wave of nausea and I closed my eyes until it passed. The first thing you learn in school is that if it weren't for idiot and criminal people like these, Earth would never have been destroyed. The evacuation would never have had to take place, and eight billion people wouldn't have died. There wouldn't have been eight billion people. But, no. They bred and they spread and they devoured everything in their path like a cancer. They gobbled up all the resources that Earth had and crowded and shoved one another until the final war came. I am lucky. My great-great-grandparents were among those who had enough foresight to see what was coming. If it hadn't been for them and some others like them, there wouldn't be any humans left anywhere. And I wouldn't be here. That may not scare you, but it scares me. What happened before, when people didn't use their heads and wound up blowing the Solar System apart, is something nobody should forget. The older people don't let us forget. But these people had, and that the Council should know. For the first time since I landed on Tintera, I felt really frightened. There was too much going on that I didn't understand. I felt a blind urge to get away, and when I reached the edge of town, I whomped Ninc a good one and gave him his head. I let him run for almost a mile before I pulled him down to a walk again. I couldn't help wishing for Jimmy D. Whatever else he is, he's smart and brains I needed. How do you find out what's going on? Eavesdrop? That's a lousy method. For one thing, people can't be depended on to talk about the things you want to hear. For another, you're likely to get caught. Ask somebody? Who? Make the mistake of bracing a fellow like Horst and you might wind up with a sore head and an empty pocket. The best thing I could think of was to find a library, but that might be a job. I'd had two bad shocks on this day, but they weren't the last. In the late afternoon, when the sun was starting to sink and a cool wind was starting to ripple the tree leaves, I saw the scoutship high in the sky. The dying sun colored it a deep red. Back again? I wondered what had gone wrong. I reached down into my saddlebag and brought out my contact signal. The scoutship swung up in the sky in a familiar movement calculated to drop the stomach out of everybody aboard. George Fuhonin's style. I triggered the signal, my heart turning flips all the while. I didn't know why he was back, but I wasn't really sorry. The ship swung around until it was coming back on a path almost over my head, going in the same direction. Then it went into a slip and started bucking so hard that I knew this wasn't hot piloting at all, just plain idiot stutter-fingered stupidity at the controls. As it skidded by me overhead, I got a good look at it and knew that it wasn't one of ours. Not too different, but not ours. One more enigma. Where was it from? Not here. Even if you know how, and we wouldn't tell these Mud-eaters how, a scoutship is something that takes an advanced technology to build. I felt defeated and tired. Not much farther along the road, I came to a campsite with two wagons pulled in for the night, and I couldn't help but pull in myself. The campsite was large and had two permanent buildings on it. One was a well enclosure and the other was little more than a high-walled pen. It didn't even have a roof. I set up camp and ate my dinner. In the wagon closest to me were a man, his wife and their three children. The kids were running around and playing, and one of them ran close to the high-walled pen. His father came and pulled him away. The kids weren't to blame for their parents, but when one of them said hello to me, I didn't even answer. I know how lousy I would feel if I had two or three brothers and sisters, but it didn't strike me until that moment that it wouldn't even seem out of the ordinary to these kids. Isn't that horrible? About the time I finished eating, and before it grew dark, the old man I had seen earlier in the day drove his wagon in. He fascinated me. He had white hair, something I had read about in stories but had never seen before. When nightfall came, they started a large fire. Everybody gathered around. There was singing for awhile, and then the father of the children tried to pack them off to bed. But they weren't ready to go, so the old man started telling them a story. In the old man's odd accent, and sitting there in the campfire light surrounded by darkness, it seemed just right. It was about an old witch named Baba Yaga who lived in the forest in a house that stood on chicken legs. She was the nasty stepmother of a nice little girl, and to get rid of the kid, she sent her on a phony errand into the deep dark woods at nightfall. I could appreciate the poor girl's position. All the little girl had to help her were the handkerchief, the comb and the pearl that she had inherited from her dear dead mother. But, as it turned out, they were just enough to defeat nasty old Baba Yaga and bring the girl safely home. I wished for the same for myself. The old man had just finished and they were starting to drag the kids off to bed when there was a commotion on the road at the edge of the camp. I looked but my eyes were adjusted to the light of the fire and I couldn't see far into the dark. A voice there said, "I'll be damned if I'll take another day like this one, Horst. We should have been here hours ago. It be your fault we're not." Horst growled a retort. I decided that it was time for me to leave the campfire. I got up and eased away as Horst and his men came up to the fire, and cut back to where Ninc was parked. I grabbed up my blankets and mattress and started to roll them up. I had a pretty good idea now what they used the high-walled pen for. I should have known that they would have to pen the animals up for the night. I should have used my head. I hadn't and now it was time to take leave. I never got the chance. I was just heaving the saddle up on Ninc when I felt a hand on my shoulder and I was swung around. "Well, well. Horst, look who we have here," he called. It was the one who'd made the joke about me being beneath the notice of a Losel. He was alone with me now, but with that call the others would be up fast. I brought the saddle around as hard as I could and then up, and he went down. He started to get up again, so I dropped the saddle on him and reached inside my jacket for my gun. Somebody grabbed me then from behind and pinned my arms to my side. I opened my mouth to scream—I have a good scream—but a rough smelly hand clamped down over it before I had a chance to get more than a lungful of air. I bit down hard—5000 lbs. psi, I'm told—but he didn't let me go. I started to kick, but Horst jerked me off my feet and dragged me off. When we were behind the pen and out of earshot of the fire, he stopped dragging me and dropped me in a heap. "Make any noise," he said, "and I'll hurt you." That was a silly way to put it, but somehow it said more than if he'd threatened to break my arm or my head. It left him a latitude of things to do if he pleased. He examined his hand. There was enough moonlight for that. "I ought to club you anyway," he said. The one I'd dropped the saddle on came up then. The others were putting the animals in the pen. He started to kick me, but Horst stopped him. "No," he said. "Look through the kid's gear, bring the horse and what we can use." The other one didn't move. "Get going, Jack," Horst said in a menacing tone and they stood toe to toe for a long moment before Jack finally backed down. It seemed to me that Horst wasn't so much objecting to me being kicked, but was rather establishing who did the kicking in his bunch. But I wasn't done yet. I was scared, but I still had the pistol under my jacket. Horst turned back to me and I said, "You can't do this and get away with it." He said, "Look, boy. You may not know it, but you be in a lot of trouble. So don't give me a hard time." He still thought I was a boy. It was not time to correct him, but I didn't like to see the point go unchallenged. It was unflattering. "The courts won't let you get away with this," I said. I'd passed a courthouse in the town with a carved motto over the doors: EQUAL JUSTICE UNDER THE LAW or TRUTH OUR SHIELD AND JUSTICE OUR SWORD or something stuffy like that. He laughed, not a phony, villian-type laugh, but a real laugh, so I knew I'd goofed. "Boy, boy. Don't talk about the courts. I be doing you a favor. I be taking what I can use of your gear, but I be letting you go. You go to court and they'll take everything and lock you up besides. I be leaving you your freedom." "Why would they be doing that?" I asked. I slipped my hand under my jacket. "Every time you open your mouth you shout that you be off one of the Ships," Horst said. "That be enough. They already have one of you brats in jail in Forton." I was about to bring my gun out when up came Jack leading Ninc, with all my stuff loaded on. I mentally thanked him. He said, "The kid's got some good equipment. But I can't make out what this be for." He held out my pickup signal. Horst looked at it, then handed it back. "Throw it away," he said. I leveled my gun at them—Hell on Wheels strikes again! I said, "Hand that over to me." Horst made a disgusted sound. "Don't make any noise," I said, "or you'll fry. Now hand it over." I stowed it away, then paused with one hand on the leather horn of the saddle. "What's the name of the kid in jail in Forton." "I can't remember," he said. "But it be coming to me. Hold on." I waited. Then suddenly my arm was hit a numbing blow from behind and the gun went flying. Jack pounced after it and Horst said, "Good enough," to the others who'd come up behind me. I felt like a fool. Horst stalked over and got the signal. He dropped it on the ground and said in a voice far colder than mine could ever be, because it was natural and mine wasn't, "The piece be yours." Then he tromped on it until it cracked and fell apart. Then he said, "Pull a gun on me twice. Twice." He slapped me so hard that my ears rang. "You dirty little punk." I said calmly, "You big louse." It was a time I would have done better to keep my mouth shut. All I can remember is a flash of pain as his fist crunched against the side of my face and then nothing. Brains are no good if you don't use them.

Where did Mia grow up?

DOWN TO THE WORLDS OF MEN BY ALEXEI PANSHIN The ancient rule was sink or swim—swim in the miasma of a planet without spaceflight, or sink to utter destruction! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I The horses and packs were loaded before we went aboard the scoutship. The scout bay is no more than a great oversized airlock with a dozen small ships squatting over their tubes, but it was the last of the Ship that I might ever see, so I took a long final look from the top of the ramp. There were sixteen of us girls and thirteen boys. We took our places in the seats in the center of the scout. Riggy Allen made a joke that nobody bothered to laugh at, and then we were all silent. I was feeling lost and just beginning to enjoy it when Jimmy Dentremont came over to me. He's red-headed and has a face that makes him look about ten. An intelligent runt like me. He said what I expected. "Mia, do you want to go partners if we can get together when we get down?" I guess he thought that because we were always matched on study I liked him. Well, I did when I wasn't mad at him, but now I had that crack he'd made about being a snob in mind, so I said, "Not likely. I want to come back alive." It wasn't fair, but it was a good crack and he went back to his place without saying anything. My name is Mia Havero. I'm fourteen, of course, or I wouldn't be telling this. I'm short, dark and scrawny, though I don't expect that scrawniness to last much longer. Mother is very good looking. In the meantime, I've got brains as a consolation. After we were all settled, George Fuhonin, the pilot, raised the ramps. We sat there for five minutes while they bled air out of our tube and then we just ... dropped. My stomach turned flips. We didn't have to leave that way, but George thinks it's fun to be a hot pilot. Thinking it over, I was almost sorry I'd been stinking to Jimmy D. He's the only competition I have my own age. The trouble is, you don't go partners with the competition, do you? Besides, there was still that crack about being a snob. The planet chosen for our Trial was called Tintera. The last contact the Ship had had with it—and we were the ones who dropped them—was almost 150 years ago. No contact since. That had made the Council debate a little before they dropped us there, but they decided it was all right in the end. It didn't make any practical difference to us kids because they never tell you anything about the place they're going to drop you. All I knew was the name. I wouldn't have known that much if Daddy weren't Chairman of the Council. I felt like crawling in a corner of the ship and crying, but nobody else was breaking down, so I didn't. I did feel miserable. I cried when I said good-by to Mother and Daddy—a real emotional scene—but that wasn't in public. It wasn't the chance of not coming back that bothered me really, because I never believed that I wouldn't. The thought that made me unhappy was that I would have to be on a planet for a whole month. Planets make me feel wretched. The gravity is always wrong, for one thing. Either your arches and calves ache or every time you step you think you're going to trip on a piece of fluff and break your neck. There are vegetables everywhere and little grubby things just looking for you to crawl on. If you can think of anything creepier than that, you've got a real nasty imagination. Worst of all, planets stink. Every single one smells—I've been on enough to know that. A planet is all right for a Mud-eater, but not for me. We have a place in the Ship like that—the Third Level—but it's only a thousand square miles and any time it gets on your nerves you can go up a level or down a level and be back in civilization. When we reached Tintera, they started dropping us. We swung over the sea from the morning side and then dropped low over gray-green forested hills. Finally George spotted a clear area and dropped into it. They don't care what order you go in, so Jimmy D. jumped up, grabbed his gear and then led his horse down the ramp. I think he was still smarting from the slap I'd given him. In a minute we were airborne again. I wondered if I would ever see Jimmy—if he would get back alive. It's no game we play. When we turn fourteen, they drop us on the nearest colonized planet and come back one month later. That may sound like fun to you, but a lot of us never come back alive. Don't think I was helpless. I'm hell on wheels. They don't let us grow for fourteen years and then kick us out to die. They prepare us. They do figure, though, that if you can't keep yourself alive by the time you're fourteen, you're too stupid, foolish or unlucky to be any use to the Ship. There's sense behind it. It means that everybody on the Ship is a person who can take care of himself if he has to. Daddy says that something has to be done in a closed society to keep the population from decaying mentally and physically, and this is it. And it helps to keep the population steady. I began to check my gear out—sonic pistol, pickup signal so I could be found at the end of the month, saddle and cinches, food and clothes. Venie Morlock has got a crush on Jimmy D., and when she saw me start getting ready to go, she began to check her gear, too. At our next landing, I grabbed Ninc's reins and cut Venie out smoothly. It didn't have anything to do with Jimmy. I just couldn't stand to put off the bad moment any longer. The ship lifted impersonally away from Ninc and me like a rising bird, and in just a moment it was gone. Its gray-blue color was almost the color of the half-overcast sky, so I was never sure when I saw it last. II The first night was hell, I guess because I'm not used to having the lights out. That's when you really start to feel lonely, being alone in the dark. When the sun disappears, somehow you wonder in your stomach if it's really going to come back. But I lived through it—one day in thirty gone. I rode in a spiral search pattern during the next two days. I had three things in mind—stay alive, find people and find some of the others. The first was automatic. The second was to find out if there was a slot I could fit into for a month. If not, I would have to find a place to camp out, as nasty as that would be. The third was to join forces, though not with that meatball Jimmy D. No, he isn't really a meatball. The trouble is that I don't take nothing from nobody, especially him, and he doesn't take nothing from nobody, especially me. So we do a lot of fighting. I had a good month for Trial. My birthday is in November—too close to Year End Holiday for my taste, but this year it was all right. It was spring on Tintera, but it was December in the Ship, and after we got back we had five days of Holiday to celebrate. It gave me something to look forward to. In two days of riding, I ran onto nothing but a few odd-looking animals. I shot one small one and ate it. It turned out to taste pretty good, though not as good as a slice from Hambone No. 4, to my mind the best meat vat on the Ship. I've eaten things so gruey-looking that I wondered that anybody had the guts to try them in the first place and they've turned out to taste good. And I've seen things that looked good that I couldn't keep on my stomach. So I guess I was lucky. On the third day, I found the road. I brought Ninc down off the hillside, losing sight of the road in the trees, and then reaching it in the level below. It was narrow and made of sand spread over a hard base. Out of the marks in the sand, I could pick out the tracks of horses and both narrow and wide wheels. Other tracks I couldn't identify. One of the smartest moves in history was to include horses when they dropped the colonies. I say "they" because, while we did the actual dropping, the idea originated with the whole evac plan back on Earth. Considering how short a time it was in which the colonies were established, there was not time to set up industry, so they had to have draft animals. The first of the Great Ships was finished in 2025. One of the eight, as well as the two that were being built then, went up with everything else in the Solar System in 2041. In that sixteen years 112 colonies were planted. I don't know how many of those planets had animals that could have been substituted but, even if they had, they would have had to be domesticated from scratch. That would have been stupid. I'll bet that half the colonies would have failed if they hadn't had horses. We'd come in from the west over the ocean, so I traveled east on the road. That much water makes me nervous, and roads have to go somewhere. I came on my first travelers three hours later. I rounded a tree-lined bend, ducking an overhanging branch, and pulled Ninc to a stop. There were five men on horseback herding a bunch of the ugliest creatures alive. They were green and grotesque. They had squat bodies, long limbs and knobby bulges at their joints. They had square, flat animal masks for faces. But they walked on their hind legs and they had paws that were almost hands, and that was enough to make them seem almost human. They made a wordless, chilling, lowing sound as they milled and plodded along. I started Ninc up again and moved slowly to catch up with them. All the men on horseback had guns in saddle boots. They looked as nervous as cats with kittens. One of them had a string of packhorses on a line and he saw me and called to another who seemed to be the leader. That one wheeled his black horse and rode back toward me. He was a middle-aged man, maybe as old as my Daddy. He was large and he had a hard face. Normal enough, but hard. He pulled to a halt when we reached each other, but I kept going. He had to come around and follow me. I believe in judging a person by his face. A man can't help the face he owns, but he can help the expression he wears on it. If a man looks mean, I generally believe that he is. This one looked mean. That was why I kept riding. He said, "What be you doing out here, boy? Be you out of your head? There be escaped Losels in these woods." I told you I hadn't finished filling out yet, but I hadn't thought it was that bad. I wasn't ready to make a fight over the point, though. Generally, I can't keep my bloody mouth shut, but now I didn't say anything. It seemed smart. "Where be you from?" he asked. I pointed to the road behind us. "And where be you going?" I pointed ahead. No other way to go. He seemed exasperated. I have that effect sometimes. Even on Mother and Daddy, who should know better. We were coming up on the others now, and the man said, "Maybe you'd better ride on from here with us. For protection." He had an odd way of twisting his sounds, almost as though he had a mouthful of mush. I wondered whether he were just an oddball or whether everybody here spoke the same way. I'd never heard International English spoken any way but one, even on the planet Daddy made me visit with him. One of the other outriders came easing by then. I suppose they'd been watching us all the while. He called to the hard man. "He be awfully small, Horst. I doubt me a Losel'd even notice him at all. We mought as well throw him back again." The rider looked at me. When I didn't dissolve in terror as he expected, he shrugged and one of the other men laughed. The hard man said to the others, "This boy will be riding along with us to Forton for protection." I looked down at the plodding, unhappy creatures they were driving along and one looked back at me with dull, expressionless golden eyes. I felt uncomfortable. I said, "I don't think so." What the man did then surprised me. He said, "I do think so," and reached for the rifle in his saddle boot. I whipped my sonic pistol out so fast that he was caught leaning over with the rifle half out. His jaw dropped. He knew what I held and he didn't want to be fried. I said, "Ease your rifles out and drop them gently to the ground." They did, watching me all the while with wary expressions. When all the rifles were on the ground, I said, "All right, let's go." They didn't want to move. They didn't want to leave the rifles. I could see that. Horst didn't say anything. He just watched me with narrowed eyes. But one of the others held up a hand and in wheedling tones said, "Look here, kid...." "Shut up," I said, in as mean a voice as I could muster, and he did. It surprised me. I didn't think I sounded that mean. I decided he just didn't trust the crazy kid not to shoot. After twenty minutes of easy riding for us and hard walking for the creatures, I said, "If you want your rifles, you can go back and get them now." I dug my heels into Ninc's sides and rode on. At the next bend I looked back and saw four of them holding their packhorses and the creatures still while one beat a dust-raising retreat down the road. I put this episode in the "file and hold for analysis" section in my mind and rode on, feeling good. I think I even giggled once. Sometimes I even convince myself that I'm hell on wheels. III When I was nine, my Daddy gave me a painted wooden doll that my great-grandmother brought from Earth. The thing is that inside it, nestled one in another, are eleven more dolls, each one smaller than the last. I like to watch people when they open it for the first time. My face must have been like that as I rode along the road. The country leveled into a great rolling valley and the trees gave way to great farms and fields. In the fields, working, were some of the green creatures, which surprised me since the ones I'd seen before hadn't seemed smart enough to count to one, let alone do any work. But it relieved me. I thought they might have been eating them or something. I passed two crossroads and started to meet more people, but nobody questioned me. I met people on horseback, and twice I met trucks moving silently past. And I overtook a wagon driven by the oldest man I've seen in my life. He waved to me, and I waved back. Near the end of the afternoon I came to the town, and there I received a jolt that sickened me. By the time I came out on the other side, I was sick. My hands were cold and sweaty and my head was spinning, and I wanted to kick Ninc to a gallop. I rode slowly in, looking all around, missing nothing. The town was all stone, wood and brick. Out of date. Out of time, really. There were no machines more complicated than the trucks I'd seen earlier. At the edge of town, I passed a newspaper office with a headline pasted in the window—INVASION! I remember that. I wondered about it. But I looked most closely at the people. In all that town, I didn't see one girl over ten years old and no grown-up women at all. There were little kids, there were boys and there were men, but no girls. All the boys and men wore pants, and so did I, which must have been why Horst and his buddies assumed I was a boy. It wasn't flattering; but I decided I'd not tell anybody different until I found what made the clocks tick on this planet. But that wasn't what bothered me. It was the kids. My God! They swarmed. I saw a family come out of a house—a father and four children. It was the most foul thing I've ever seen. It struck me then—these people were Free Birthers! I felt a wave of nausea and I closed my eyes until it passed. The first thing you learn in school is that if it weren't for idiot and criminal people like these, Earth would never have been destroyed. The evacuation would never have had to take place, and eight billion people wouldn't have died. There wouldn't have been eight billion people. But, no. They bred and they spread and they devoured everything in their path like a cancer. They gobbled up all the resources that Earth had and crowded and shoved one another until the final war came. I am lucky. My great-great-grandparents were among those who had enough foresight to see what was coming. If it hadn't been for them and some others like them, there wouldn't be any humans left anywhere. And I wouldn't be here. That may not scare you, but it scares me. What happened before, when people didn't use their heads and wound up blowing the Solar System apart, is something nobody should forget. The older people don't let us forget. But these people had, and that the Council should know. For the first time since I landed on Tintera, I felt really frightened. There was too much going on that I didn't understand. I felt a blind urge to get away, and when I reached the edge of town, I whomped Ninc a good one and gave him his head. I let him run for almost a mile before I pulled him down to a walk again. I couldn't help wishing for Jimmy D. Whatever else he is, he's smart and brains I needed. How do you find out what's going on? Eavesdrop? That's a lousy method. For one thing, people can't be depended on to talk about the things you want to hear. For another, you're likely to get caught. Ask somebody? Who? Make the mistake of bracing a fellow like Horst and you might wind up with a sore head and an empty pocket. The best thing I could think of was to find a library, but that might be a job. I'd had two bad shocks on this day, but they weren't the last. In the late afternoon, when the sun was starting to sink and a cool wind was starting to ripple the tree leaves, I saw the scoutship high in the sky. The dying sun colored it a deep red. Back again? I wondered what had gone wrong. I reached down into my saddlebag and brought out my contact signal. The scoutship swung up in the sky in a familiar movement calculated to drop the stomach out of everybody aboard. George Fuhonin's style. I triggered the signal, my heart turning flips all the while. I didn't know why he was back, but I wasn't really sorry. The ship swung around until it was coming back on a path almost over my head, going in the same direction. Then it went into a slip and started bucking so hard that I knew this wasn't hot piloting at all, just plain idiot stutter-fingered stupidity at the controls. As it skidded by me overhead, I got a good look at it and knew that it wasn't one of ours. Not too different, but not ours. One more enigma. Where was it from? Not here. Even if you know how, and we wouldn't tell these Mud-eaters how, a scoutship is something that takes an advanced technology to build. I felt defeated and tired. Not much farther along the road, I came to a campsite with two wagons pulled in for the night, and I couldn't help but pull in myself. The campsite was large and had two permanent buildings on it. One was a well enclosure and the other was little more than a high-walled pen. It didn't even have a roof. I set up camp and ate my dinner. In the wagon closest to me were a man, his wife and their three children. The kids were running around and playing, and one of them ran close to the high-walled pen. His father came and pulled him away. The kids weren't to blame for their parents, but when one of them said hello to me, I didn't even answer. I know how lousy I would feel if I had two or three brothers and sisters, but it didn't strike me until that moment that it wouldn't even seem out of the ordinary to these kids. Isn't that horrible? About the time I finished eating, and before it grew dark, the old man I had seen earlier in the day drove his wagon in. He fascinated me. He had white hair, something I had read about in stories but had never seen before. When nightfall came, they started a large fire. Everybody gathered around. There was singing for awhile, and then the father of the children tried to pack them off to bed. But they weren't ready to go, so the old man started telling them a story. In the old man's odd accent, and sitting there in the campfire light surrounded by darkness, it seemed just right. It was about an old witch named Baba Yaga who lived in the forest in a house that stood on chicken legs. She was the nasty stepmother of a nice little girl, and to get rid of the kid, she sent her on a phony errand into the deep dark woods at nightfall. I could appreciate the poor girl's position. All the little girl had to help her were the handkerchief, the comb and the pearl that she had inherited from her dear dead mother. But, as it turned out, they were just enough to defeat nasty old Baba Yaga and bring the girl safely home. I wished for the same for myself. The old man had just finished and they were starting to drag the kids off to bed when there was a commotion on the road at the edge of the camp. I looked but my eyes were adjusted to the light of the fire and I couldn't see far into the dark. A voice there said, "I'll be damned if I'll take another day like this one, Horst. We should have been here hours ago. It be your fault we're not." Horst growled a retort. I decided that it was time for me to leave the campfire. I got up and eased away as Horst and his men came up to the fire, and cut back to where Ninc was parked. I grabbed up my blankets and mattress and started to roll them up. I had a pretty good idea now what they used the high-walled pen for. I should have known that they would have to pen the animals up for the night. I should have used my head. I hadn't and now it was time to take leave. I never got the chance. I was just heaving the saddle up on Ninc when I felt a hand on my shoulder and I was swung around. "Well, well. Horst, look who we have here," he called. It was the one who'd made the joke about me being beneath the notice of a Losel. He was alone with me now, but with that call the others would be up fast. I brought the saddle around as hard as I could and then up, and he went down. He started to get up again, so I dropped the saddle on him and reached inside my jacket for my gun. Somebody grabbed me then from behind and pinned my arms to my side. I opened my mouth to scream—I have a good scream—but a rough smelly hand clamped down over it before I had a chance to get more than a lungful of air. I bit down hard—5000 lbs. psi, I'm told—but he didn't let me go. I started to kick, but Horst jerked me off my feet and dragged me off. When we were behind the pen and out of earshot of the fire, he stopped dragging me and dropped me in a heap. "Make any noise," he said, "and I'll hurt you." That was a silly way to put it, but somehow it said more than if he'd threatened to break my arm or my head. It left him a latitude of things to do if he pleased. He examined his hand. There was enough moonlight for that. "I ought to club you anyway," he said. The one I'd dropped the saddle on came up then. The others were putting the animals in the pen. He started to kick me, but Horst stopped him. "No," he said. "Look through the kid's gear, bring the horse and what we can use." The other one didn't move. "Get going, Jack," Horst said in a menacing tone and they stood toe to toe for a long moment before Jack finally backed down. It seemed to me that Horst wasn't so much objecting to me being kicked, but was rather establishing who did the kicking in his bunch. But I wasn't done yet. I was scared, but I still had the pistol under my jacket. Horst turned back to me and I said, "You can't do this and get away with it." He said, "Look, boy. You may not know it, but you be in a lot of trouble. So don't give me a hard time." He still thought I was a boy. It was not time to correct him, but I didn't like to see the point go unchallenged. It was unflattering. "The courts won't let you get away with this," I said. I'd passed a courthouse in the town with a carved motto over the doors: EQUAL JUSTICE UNDER THE LAW or TRUTH OUR SHIELD AND JUSTICE OUR SWORD or something stuffy like that. He laughed, not a phony, villian-type laugh, but a real laugh, so I knew I'd goofed. "Boy, boy. Don't talk about the courts. I be doing you a favor. I be taking what I can use of your gear, but I be letting you go. You go to court and they'll take everything and lock you up besides. I be leaving you your freedom." "Why would they be doing that?" I asked. I slipped my hand under my jacket. "Every time you open your mouth you shout that you be off one of the Ships," Horst said. "That be enough. They already have one of you brats in jail in Forton." I was about to bring my gun out when up came Jack leading Ninc, with all my stuff loaded on. I mentally thanked him. He said, "The kid's got some good equipment. But I can't make out what this be for." He held out my pickup signal. Horst looked at it, then handed it back. "Throw it away," he said. I leveled my gun at them—Hell on Wheels strikes again! I said, "Hand that over to me." Horst made a disgusted sound. "Don't make any noise," I said, "or you'll fry. Now hand it over." I stowed it away, then paused with one hand on the leather horn of the saddle. "What's the name of the kid in jail in Forton." "I can't remember," he said. "But it be coming to me. Hold on." I waited. Then suddenly my arm was hit a numbing blow from behind and the gun went flying. Jack pounced after it and Horst said, "Good enough," to the others who'd come up behind me. I felt like a fool. Horst stalked over and got the signal. He dropped it on the ground and said in a voice far colder than mine could ever be, because it was natural and mine wasn't, "The piece be yours." Then he tromped on it until it cracked and fell apart. Then he said, "Pull a gun on me twice. Twice." He slapped me so hard that my ears rang. "You dirty little punk." I said calmly, "You big louse." It was a time I would have done better to keep my mouth shut. All I can remember is a flash of pain as his fist crunched against the side of my face and then nothing. Brains are no good if you don't use them.

What is the Trial?

DOWN TO THE WORLDS OF MEN BY ALEXEI PANSHIN The ancient rule was sink or swim—swim in the miasma of a planet without spaceflight, or sink to utter destruction! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I The horses and packs were loaded before we went aboard the scoutship. The scout bay is no more than a great oversized airlock with a dozen small ships squatting over their tubes, but it was the last of the Ship that I might ever see, so I took a long final look from the top of the ramp. There were sixteen of us girls and thirteen boys. We took our places in the seats in the center of the scout. Riggy Allen made a joke that nobody bothered to laugh at, and then we were all silent. I was feeling lost and just beginning to enjoy it when Jimmy Dentremont came over to me. He's red-headed and has a face that makes him look about ten. An intelligent runt like me. He said what I expected. "Mia, do you want to go partners if we can get together when we get down?" I guess he thought that because we were always matched on study I liked him. Well, I did when I wasn't mad at him, but now I had that crack he'd made about being a snob in mind, so I said, "Not likely. I want to come back alive." It wasn't fair, but it was a good crack and he went back to his place without saying anything. My name is Mia Havero. I'm fourteen, of course, or I wouldn't be telling this. I'm short, dark and scrawny, though I don't expect that scrawniness to last much longer. Mother is very good looking. In the meantime, I've got brains as a consolation. After we were all settled, George Fuhonin, the pilot, raised the ramps. We sat there for five minutes while they bled air out of our tube and then we just ... dropped. My stomach turned flips. We didn't have to leave that way, but George thinks it's fun to be a hot pilot. Thinking it over, I was almost sorry I'd been stinking to Jimmy D. He's the only competition I have my own age. The trouble is, you don't go partners with the competition, do you? Besides, there was still that crack about being a snob. The planet chosen for our Trial was called Tintera. The last contact the Ship had had with it—and we were the ones who dropped them—was almost 150 years ago. No contact since. That had made the Council debate a little before they dropped us there, but they decided it was all right in the end. It didn't make any practical difference to us kids because they never tell you anything about the place they're going to drop you. All I knew was the name. I wouldn't have known that much if Daddy weren't Chairman of the Council. I felt like crawling in a corner of the ship and crying, but nobody else was breaking down, so I didn't. I did feel miserable. I cried when I said good-by to Mother and Daddy—a real emotional scene—but that wasn't in public. It wasn't the chance of not coming back that bothered me really, because I never believed that I wouldn't. The thought that made me unhappy was that I would have to be on a planet for a whole month. Planets make me feel wretched. The gravity is always wrong, for one thing. Either your arches and calves ache or every time you step you think you're going to trip on a piece of fluff and break your neck. There are vegetables everywhere and little grubby things just looking for you to crawl on. If you can think of anything creepier than that, you've got a real nasty imagination. Worst of all, planets stink. Every single one smells—I've been on enough to know that. A planet is all right for a Mud-eater, but not for me. We have a place in the Ship like that—the Third Level—but it's only a thousand square miles and any time it gets on your nerves you can go up a level or down a level and be back in civilization. When we reached Tintera, they started dropping us. We swung over the sea from the morning side and then dropped low over gray-green forested hills. Finally George spotted a clear area and dropped into it. They don't care what order you go in, so Jimmy D. jumped up, grabbed his gear and then led his horse down the ramp. I think he was still smarting from the slap I'd given him. In a minute we were airborne again. I wondered if I would ever see Jimmy—if he would get back alive. It's no game we play. When we turn fourteen, they drop us on the nearest colonized planet and come back one month later. That may sound like fun to you, but a lot of us never come back alive. Don't think I was helpless. I'm hell on wheels. They don't let us grow for fourteen years and then kick us out to die. They prepare us. They do figure, though, that if you can't keep yourself alive by the time you're fourteen, you're too stupid, foolish or unlucky to be any use to the Ship. There's sense behind it. It means that everybody on the Ship is a person who can take care of himself if he has to. Daddy says that something has to be done in a closed society to keep the population from decaying mentally and physically, and this is it. And it helps to keep the population steady. I began to check my gear out—sonic pistol, pickup signal so I could be found at the end of the month, saddle and cinches, food and clothes. Venie Morlock has got a crush on Jimmy D., and when she saw me start getting ready to go, she began to check her gear, too. At our next landing, I grabbed Ninc's reins and cut Venie out smoothly. It didn't have anything to do with Jimmy. I just couldn't stand to put off the bad moment any longer. The ship lifted impersonally away from Ninc and me like a rising bird, and in just a moment it was gone. Its gray-blue color was almost the color of the half-overcast sky, so I was never sure when I saw it last. II The first night was hell, I guess because I'm not used to having the lights out. That's when you really start to feel lonely, being alone in the dark. When the sun disappears, somehow you wonder in your stomach if it's really going to come back. But I lived through it—one day in thirty gone. I rode in a spiral search pattern during the next two days. I had three things in mind—stay alive, find people and find some of the others. The first was automatic. The second was to find out if there was a slot I could fit into for a month. If not, I would have to find a place to camp out, as nasty as that would be. The third was to join forces, though not with that meatball Jimmy D. No, he isn't really a meatball. The trouble is that I don't take nothing from nobody, especially him, and he doesn't take nothing from nobody, especially me. So we do a lot of fighting. I had a good month for Trial. My birthday is in November—too close to Year End Holiday for my taste, but this year it was all right. It was spring on Tintera, but it was December in the Ship, and after we got back we had five days of Holiday to celebrate. It gave me something to look forward to. In two days of riding, I ran onto nothing but a few odd-looking animals. I shot one small one and ate it. It turned out to taste pretty good, though not as good as a slice from Hambone No. 4, to my mind the best meat vat on the Ship. I've eaten things so gruey-looking that I wondered that anybody had the guts to try them in the first place and they've turned out to taste good. And I've seen things that looked good that I couldn't keep on my stomach. So I guess I was lucky. On the third day, I found the road. I brought Ninc down off the hillside, losing sight of the road in the trees, and then reaching it in the level below. It was narrow and made of sand spread over a hard base. Out of the marks in the sand, I could pick out the tracks of horses and both narrow and wide wheels. Other tracks I couldn't identify. One of the smartest moves in history was to include horses when they dropped the colonies. I say "they" because, while we did the actual dropping, the idea originated with the whole evac plan back on Earth. Considering how short a time it was in which the colonies were established, there was not time to set up industry, so they had to have draft animals. The first of the Great Ships was finished in 2025. One of the eight, as well as the two that were being built then, went up with everything else in the Solar System in 2041. In that sixteen years 112 colonies were planted. I don't know how many of those planets had animals that could have been substituted but, even if they had, they would have had to be domesticated from scratch. That would have been stupid. I'll bet that half the colonies would have failed if they hadn't had horses. We'd come in from the west over the ocean, so I traveled east on the road. That much water makes me nervous, and roads have to go somewhere. I came on my first travelers three hours later. I rounded a tree-lined bend, ducking an overhanging branch, and pulled Ninc to a stop. There were five men on horseback herding a bunch of the ugliest creatures alive. They were green and grotesque. They had squat bodies, long limbs and knobby bulges at their joints. They had square, flat animal masks for faces. But they walked on their hind legs and they had paws that were almost hands, and that was enough to make them seem almost human. They made a wordless, chilling, lowing sound as they milled and plodded along. I started Ninc up again and moved slowly to catch up with them. All the men on horseback had guns in saddle boots. They looked as nervous as cats with kittens. One of them had a string of packhorses on a line and he saw me and called to another who seemed to be the leader. That one wheeled his black horse and rode back toward me. He was a middle-aged man, maybe as old as my Daddy. He was large and he had a hard face. Normal enough, but hard. He pulled to a halt when we reached each other, but I kept going. He had to come around and follow me. I believe in judging a person by his face. A man can't help the face he owns, but he can help the expression he wears on it. If a man looks mean, I generally believe that he is. This one looked mean. That was why I kept riding. He said, "What be you doing out here, boy? Be you out of your head? There be escaped Losels in these woods." I told you I hadn't finished filling out yet, but I hadn't thought it was that bad. I wasn't ready to make a fight over the point, though. Generally, I can't keep my bloody mouth shut, but now I didn't say anything. It seemed smart. "Where be you from?" he asked. I pointed to the road behind us. "And where be you going?" I pointed ahead. No other way to go. He seemed exasperated. I have that effect sometimes. Even on Mother and Daddy, who should know better. We were coming up on the others now, and the man said, "Maybe you'd better ride on from here with us. For protection." He had an odd way of twisting his sounds, almost as though he had a mouthful of mush. I wondered whether he were just an oddball or whether everybody here spoke the same way. I'd never heard International English spoken any way but one, even on the planet Daddy made me visit with him. One of the other outriders came easing by then. I suppose they'd been watching us all the while. He called to the hard man. "He be awfully small, Horst. I doubt me a Losel'd even notice him at all. We mought as well throw him back again." The rider looked at me. When I didn't dissolve in terror as he expected, he shrugged and one of the other men laughed. The hard man said to the others, "This boy will be riding along with us to Forton for protection." I looked down at the plodding, unhappy creatures they were driving along and one looked back at me with dull, expressionless golden eyes. I felt uncomfortable. I said, "I don't think so." What the man did then surprised me. He said, "I do think so," and reached for the rifle in his saddle boot. I whipped my sonic pistol out so fast that he was caught leaning over with the rifle half out. His jaw dropped. He knew what I held and he didn't want to be fried. I said, "Ease your rifles out and drop them gently to the ground." They did, watching me all the while with wary expressions. When all the rifles were on the ground, I said, "All right, let's go." They didn't want to move. They didn't want to leave the rifles. I could see that. Horst didn't say anything. He just watched me with narrowed eyes. But one of the others held up a hand and in wheedling tones said, "Look here, kid...." "Shut up," I said, in as mean a voice as I could muster, and he did. It surprised me. I didn't think I sounded that mean. I decided he just didn't trust the crazy kid not to shoot. After twenty minutes of easy riding for us and hard walking for the creatures, I said, "If you want your rifles, you can go back and get them now." I dug my heels into Ninc's sides and rode on. At the next bend I looked back and saw four of them holding their packhorses and the creatures still while one beat a dust-raising retreat down the road. I put this episode in the "file and hold for analysis" section in my mind and rode on, feeling good. I think I even giggled once. Sometimes I even convince myself that I'm hell on wheels. III When I was nine, my Daddy gave me a painted wooden doll that my great-grandmother brought from Earth. The thing is that inside it, nestled one in another, are eleven more dolls, each one smaller than the last. I like to watch people when they open it for the first time. My face must have been like that as I rode along the road. The country leveled into a great rolling valley and the trees gave way to great farms and fields. In the fields, working, were some of the green creatures, which surprised me since the ones I'd seen before hadn't seemed smart enough to count to one, let alone do any work. But it relieved me. I thought they might have been eating them or something. I passed two crossroads and started to meet more people, but nobody questioned me. I met people on horseback, and twice I met trucks moving silently past. And I overtook a wagon driven by the oldest man I've seen in my life. He waved to me, and I waved back. Near the end of the afternoon I came to the town, and there I received a jolt that sickened me. By the time I came out on the other side, I was sick. My hands were cold and sweaty and my head was spinning, and I wanted to kick Ninc to a gallop. I rode slowly in, looking all around, missing nothing. The town was all stone, wood and brick. Out of date. Out of time, really. There were no machines more complicated than the trucks I'd seen earlier. At the edge of town, I passed a newspaper office with a headline pasted in the window—INVASION! I remember that. I wondered about it. But I looked most closely at the people. In all that town, I didn't see one girl over ten years old and no grown-up women at all. There were little kids, there were boys and there were men, but no girls. All the boys and men wore pants, and so did I, which must have been why Horst and his buddies assumed I was a boy. It wasn't flattering; but I decided I'd not tell anybody different until I found what made the clocks tick on this planet. But that wasn't what bothered me. It was the kids. My God! They swarmed. I saw a family come out of a house—a father and four children. It was the most foul thing I've ever seen. It struck me then—these people were Free Birthers! I felt a wave of nausea and I closed my eyes until it passed. The first thing you learn in school is that if it weren't for idiot and criminal people like these, Earth would never have been destroyed. The evacuation would never have had to take place, and eight billion people wouldn't have died. There wouldn't have been eight billion people. But, no. They bred and they spread and they devoured everything in their path like a cancer. They gobbled up all the resources that Earth had and crowded and shoved one another until the final war came. I am lucky. My great-great-grandparents were among those who had enough foresight to see what was coming. If it hadn't been for them and some others like them, there wouldn't be any humans left anywhere. And I wouldn't be here. That may not scare you, but it scares me. What happened before, when people didn't use their heads and wound up blowing the Solar System apart, is something nobody should forget. The older people don't let us forget. But these people had, and that the Council should know. For the first time since I landed on Tintera, I felt really frightened. There was too much going on that I didn't understand. I felt a blind urge to get away, and when I reached the edge of town, I whomped Ninc a good one and gave him his head. I let him run for almost a mile before I pulled him down to a walk again. I couldn't help wishing for Jimmy D. Whatever else he is, he's smart and brains I needed. How do you find out what's going on? Eavesdrop? That's a lousy method. For one thing, people can't be depended on to talk about the things you want to hear. For another, you're likely to get caught. Ask somebody? Who? Make the mistake of bracing a fellow like Horst and you might wind up with a sore head and an empty pocket. The best thing I could think of was to find a library, but that might be a job. I'd had two bad shocks on this day, but they weren't the last. In the late afternoon, when the sun was starting to sink and a cool wind was starting to ripple the tree leaves, I saw the scoutship high in the sky. The dying sun colored it a deep red. Back again? I wondered what had gone wrong. I reached down into my saddlebag and brought out my contact signal. The scoutship swung up in the sky in a familiar movement calculated to drop the stomach out of everybody aboard. George Fuhonin's style. I triggered the signal, my heart turning flips all the while. I didn't know why he was back, but I wasn't really sorry. The ship swung around until it was coming back on a path almost over my head, going in the same direction. Then it went into a slip and started bucking so hard that I knew this wasn't hot piloting at all, just plain idiot stutter-fingered stupidity at the controls. As it skidded by me overhead, I got a good look at it and knew that it wasn't one of ours. Not too different, but not ours. One more enigma. Where was it from? Not here. Even if you know how, and we wouldn't tell these Mud-eaters how, a scoutship is something that takes an advanced technology to build. I felt defeated and tired. Not much farther along the road, I came to a campsite with two wagons pulled in for the night, and I couldn't help but pull in myself. The campsite was large and had two permanent buildings on it. One was a well enclosure and the other was little more than a high-walled pen. It didn't even have a roof. I set up camp and ate my dinner. In the wagon closest to me were a man, his wife and their three children. The kids were running around and playing, and one of them ran close to the high-walled pen. His father came and pulled him away. The kids weren't to blame for their parents, but when one of them said hello to me, I didn't even answer. I know how lousy I would feel if I had two or three brothers and sisters, but it didn't strike me until that moment that it wouldn't even seem out of the ordinary to these kids. Isn't that horrible? About the time I finished eating, and before it grew dark, the old man I had seen earlier in the day drove his wagon in. He fascinated me. He had white hair, something I had read about in stories but had never seen before. When nightfall came, they started a large fire. Everybody gathered around. There was singing for awhile, and then the father of the children tried to pack them off to bed. But they weren't ready to go, so the old man started telling them a story. In the old man's odd accent, and sitting there in the campfire light surrounded by darkness, it seemed just right. It was about an old witch named Baba Yaga who lived in the forest in a house that stood on chicken legs. She was the nasty stepmother of a nice little girl, and to get rid of the kid, she sent her on a phony errand into the deep dark woods at nightfall. I could appreciate the poor girl's position. All the little girl had to help her were the handkerchief, the comb and the pearl that she had inherited from her dear dead mother. But, as it turned out, they were just enough to defeat nasty old Baba Yaga and bring the girl safely home. I wished for the same for myself. The old man had just finished and they were starting to drag the kids off to bed when there was a commotion on the road at the edge of the camp. I looked but my eyes were adjusted to the light of the fire and I couldn't see far into the dark. A voice there said, "I'll be damned if I'll take another day like this one, Horst. We should have been here hours ago. It be your fault we're not." Horst growled a retort. I decided that it was time for me to leave the campfire. I got up and eased away as Horst and his men came up to the fire, and cut back to where Ninc was parked. I grabbed up my blankets and mattress and started to roll them up. I had a pretty good idea now what they used the high-walled pen for. I should have known that they would have to pen the animals up for the night. I should have used my head. I hadn't and now it was time to take leave. I never got the chance. I was just heaving the saddle up on Ninc when I felt a hand on my shoulder and I was swung around. "Well, well. Horst, look who we have here," he called. It was the one who'd made the joke about me being beneath the notice of a Losel. He was alone with me now, but with that call the others would be up fast. I brought the saddle around as hard as I could and then up, and he went down. He started to get up again, so I dropped the saddle on him and reached inside my jacket for my gun. Somebody grabbed me then from behind and pinned my arms to my side. I opened my mouth to scream—I have a good scream—but a rough smelly hand clamped down over it before I had a chance to get more than a lungful of air. I bit down hard—5000 lbs. psi, I'm told—but he didn't let me go. I started to kick, but Horst jerked me off my feet and dragged me off. When we were behind the pen and out of earshot of the fire, he stopped dragging me and dropped me in a heap. "Make any noise," he said, "and I'll hurt you." That was a silly way to put it, but somehow it said more than if he'd threatened to break my arm or my head. It left him a latitude of things to do if he pleased. He examined his hand. There was enough moonlight for that. "I ought to club you anyway," he said. The one I'd dropped the saddle on came up then. The others were putting the animals in the pen. He started to kick me, but Horst stopped him. "No," he said. "Look through the kid's gear, bring the horse and what we can use." The other one didn't move. "Get going, Jack," Horst said in a menacing tone and they stood toe to toe for a long moment before Jack finally backed down. It seemed to me that Horst wasn't so much objecting to me being kicked, but was rather establishing who did the kicking in his bunch. But I wasn't done yet. I was scared, but I still had the pistol under my jacket. Horst turned back to me and I said, "You can't do this and get away with it." He said, "Look, boy. You may not know it, but you be in a lot of trouble. So don't give me a hard time." He still thought I was a boy. It was not time to correct him, but I didn't like to see the point go unchallenged. It was unflattering. "The courts won't let you get away with this," I said. I'd passed a courthouse in the town with a carved motto over the doors: EQUAL JUSTICE UNDER THE LAW or TRUTH OUR SHIELD AND JUSTICE OUR SWORD or something stuffy like that. He laughed, not a phony, villian-type laugh, but a real laugh, so I knew I'd goofed. "Boy, boy. Don't talk about the courts. I be doing you a favor. I be taking what I can use of your gear, but I be letting you go. You go to court and they'll take everything and lock you up besides. I be leaving you your freedom." "Why would they be doing that?" I asked. I slipped my hand under my jacket. "Every time you open your mouth you shout that you be off one of the Ships," Horst said. "That be enough. They already have one of you brats in jail in Forton." I was about to bring my gun out when up came Jack leading Ninc, with all my stuff loaded on. I mentally thanked him. He said, "The kid's got some good equipment. But I can't make out what this be for." He held out my pickup signal. Horst looked at it, then handed it back. "Throw it away," he said. I leveled my gun at them—Hell on Wheels strikes again! I said, "Hand that over to me." Horst made a disgusted sound. "Don't make any noise," I said, "or you'll fry. Now hand it over." I stowed it away, then paused with one hand on the leather horn of the saddle. "What's the name of the kid in jail in Forton." "I can't remember," he said. "But it be coming to me. Hold on." I waited. Then suddenly my arm was hit a numbing blow from behind and the gun went flying. Jack pounced after it and Horst said, "Good enough," to the others who'd come up behind me. I felt like a fool. Horst stalked over and got the signal. He dropped it on the ground and said in a voice far colder than mine could ever be, because it was natural and mine wasn't, "The piece be yours." Then he tromped on it until it cracked and fell apart. Then he said, "Pull a gun on me twice. Twice." He slapped me so hard that my ears rang. "You dirty little punk." I said calmly, "You big louse." It was a time I would have done better to keep my mouth shut. All I can remember is a flash of pain as his fist crunched against the side of my face and then nothing. Brains are no good if you don't use them.

What happened to Earth?

DOWN TO THE WORLDS OF MEN BY ALEXEI PANSHIN The ancient rule was sink or swim—swim in the miasma of a planet without spaceflight, or sink to utter destruction! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I The horses and packs were loaded before we went aboard the scoutship. The scout bay is no more than a great oversized airlock with a dozen small ships squatting over their tubes, but it was the last of the Ship that I might ever see, so I took a long final look from the top of the ramp. There were sixteen of us girls and thirteen boys. We took our places in the seats in the center of the scout. Riggy Allen made a joke that nobody bothered to laugh at, and then we were all silent. I was feeling lost and just beginning to enjoy it when Jimmy Dentremont came over to me. He's red-headed and has a face that makes him look about ten. An intelligent runt like me. He said what I expected. "Mia, do you want to go partners if we can get together when we get down?" I guess he thought that because we were always matched on study I liked him. Well, I did when I wasn't mad at him, but now I had that crack he'd made about being a snob in mind, so I said, "Not likely. I want to come back alive." It wasn't fair, but it was a good crack and he went back to his place without saying anything. My name is Mia Havero. I'm fourteen, of course, or I wouldn't be telling this. I'm short, dark and scrawny, though I don't expect that scrawniness to last much longer. Mother is very good looking. In the meantime, I've got brains as a consolation. After we were all settled, George Fuhonin, the pilot, raised the ramps. We sat there for five minutes while they bled air out of our tube and then we just ... dropped. My stomach turned flips. We didn't have to leave that way, but George thinks it's fun to be a hot pilot. Thinking it over, I was almost sorry I'd been stinking to Jimmy D. He's the only competition I have my own age. The trouble is, you don't go partners with the competition, do you? Besides, there was still that crack about being a snob. The planet chosen for our Trial was called Tintera. The last contact the Ship had had with it—and we were the ones who dropped them—was almost 150 years ago. No contact since. That had made the Council debate a little before they dropped us there, but they decided it was all right in the end. It didn't make any practical difference to us kids because they never tell you anything about the place they're going to drop you. All I knew was the name. I wouldn't have known that much if Daddy weren't Chairman of the Council. I felt like crawling in a corner of the ship and crying, but nobody else was breaking down, so I didn't. I did feel miserable. I cried when I said good-by to Mother and Daddy—a real emotional scene—but that wasn't in public. It wasn't the chance of not coming back that bothered me really, because I never believed that I wouldn't. The thought that made me unhappy was that I would have to be on a planet for a whole month. Planets make me feel wretched. The gravity is always wrong, for one thing. Either your arches and calves ache or every time you step you think you're going to trip on a piece of fluff and break your neck. There are vegetables everywhere and little grubby things just looking for you to crawl on. If you can think of anything creepier than that, you've got a real nasty imagination. Worst of all, planets stink. Every single one smells—I've been on enough to know that. A planet is all right for a Mud-eater, but not for me. We have a place in the Ship like that—the Third Level—but it's only a thousand square miles and any time it gets on your nerves you can go up a level or down a level and be back in civilization. When we reached Tintera, they started dropping us. We swung over the sea from the morning side and then dropped low over gray-green forested hills. Finally George spotted a clear area and dropped into it. They don't care what order you go in, so Jimmy D. jumped up, grabbed his gear and then led his horse down the ramp. I think he was still smarting from the slap I'd given him. In a minute we were airborne again. I wondered if I would ever see Jimmy—if he would get back alive. It's no game we play. When we turn fourteen, they drop us on the nearest colonized planet and come back one month later. That may sound like fun to you, but a lot of us never come back alive. Don't think I was helpless. I'm hell on wheels. They don't let us grow for fourteen years and then kick us out to die. They prepare us. They do figure, though, that if you can't keep yourself alive by the time you're fourteen, you're too stupid, foolish or unlucky to be any use to the Ship. There's sense behind it. It means that everybody on the Ship is a person who can take care of himself if he has to. Daddy says that something has to be done in a closed society to keep the population from decaying mentally and physically, and this is it. And it helps to keep the population steady. I began to check my gear out—sonic pistol, pickup signal so I could be found at the end of the month, saddle and cinches, food and clothes. Venie Morlock has got a crush on Jimmy D., and when she saw me start getting ready to go, she began to check her gear, too. At our next landing, I grabbed Ninc's reins and cut Venie out smoothly. It didn't have anything to do with Jimmy. I just couldn't stand to put off the bad moment any longer. The ship lifted impersonally away from Ninc and me like a rising bird, and in just a moment it was gone. Its gray-blue color was almost the color of the half-overcast sky, so I was never sure when I saw it last. II The first night was hell, I guess because I'm not used to having the lights out. That's when you really start to feel lonely, being alone in the dark. When the sun disappears, somehow you wonder in your stomach if it's really going to come back. But I lived through it—one day in thirty gone. I rode in a spiral search pattern during the next two days. I had three things in mind—stay alive, find people and find some of the others. The first was automatic. The second was to find out if there was a slot I could fit into for a month. If not, I would have to find a place to camp out, as nasty as that would be. The third was to join forces, though not with that meatball Jimmy D. No, he isn't really a meatball. The trouble is that I don't take nothing from nobody, especially him, and he doesn't take nothing from nobody, especially me. So we do a lot of fighting. I had a good month for Trial. My birthday is in November—too close to Year End Holiday for my taste, but this year it was all right. It was spring on Tintera, but it was December in the Ship, and after we got back we had five days of Holiday to celebrate. It gave me something to look forward to. In two days of riding, I ran onto nothing but a few odd-looking animals. I shot one small one and ate it. It turned out to taste pretty good, though not as good as a slice from Hambone No. 4, to my mind the best meat vat on the Ship. I've eaten things so gruey-looking that I wondered that anybody had the guts to try them in the first place and they've turned out to taste good. And I've seen things that looked good that I couldn't keep on my stomach. So I guess I was lucky. On the third day, I found the road. I brought Ninc down off the hillside, losing sight of the road in the trees, and then reaching it in the level below. It was narrow and made of sand spread over a hard base. Out of the marks in the sand, I could pick out the tracks of horses and both narrow and wide wheels. Other tracks I couldn't identify. One of the smartest moves in history was to include horses when they dropped the colonies. I say "they" because, while we did the actual dropping, the idea originated with the whole evac plan back on Earth. Considering how short a time it was in which the colonies were established, there was not time to set up industry, so they had to have draft animals. The first of the Great Ships was finished in 2025. One of the eight, as well as the two that were being built then, went up with everything else in the Solar System in 2041. In that sixteen years 112 colonies were planted. I don't know how many of those planets had animals that could have been substituted but, even if they had, they would have had to be domesticated from scratch. That would have been stupid. I'll bet that half the colonies would have failed if they hadn't had horses. We'd come in from the west over the ocean, so I traveled east on the road. That much water makes me nervous, and roads have to go somewhere. I came on my first travelers three hours later. I rounded a tree-lined bend, ducking an overhanging branch, and pulled Ninc to a stop. There were five men on horseback herding a bunch of the ugliest creatures alive. They were green and grotesque. They had squat bodies, long limbs and knobby bulges at their joints. They had square, flat animal masks for faces. But they walked on their hind legs and they had paws that were almost hands, and that was enough to make them seem almost human. They made a wordless, chilling, lowing sound as they milled and plodded along. I started Ninc up again and moved slowly to catch up with them. All the men on horseback had guns in saddle boots. They looked as nervous as cats with kittens. One of them had a string of packhorses on a line and he saw me and called to another who seemed to be the leader. That one wheeled his black horse and rode back toward me. He was a middle-aged man, maybe as old as my Daddy. He was large and he had a hard face. Normal enough, but hard. He pulled to a halt when we reached each other, but I kept going. He had to come around and follow me. I believe in judging a person by his face. A man can't help the face he owns, but he can help the expression he wears on it. If a man looks mean, I generally believe that he is. This one looked mean. That was why I kept riding. He said, "What be you doing out here, boy? Be you out of your head? There be escaped Losels in these woods." I told you I hadn't finished filling out yet, but I hadn't thought it was that bad. I wasn't ready to make a fight over the point, though. Generally, I can't keep my bloody mouth shut, but now I didn't say anything. It seemed smart. "Where be you from?" he asked. I pointed to the road behind us. "And where be you going?" I pointed ahead. No other way to go. He seemed exasperated. I have that effect sometimes. Even on Mother and Daddy, who should know better. We were coming up on the others now, and the man said, "Maybe you'd better ride on from here with us. For protection." He had an odd way of twisting his sounds, almost as though he had a mouthful of mush. I wondered whether he were just an oddball or whether everybody here spoke the same way. I'd never heard International English spoken any way but one, even on the planet Daddy made me visit with him. One of the other outriders came easing by then. I suppose they'd been watching us all the while. He called to the hard man. "He be awfully small, Horst. I doubt me a Losel'd even notice him at all. We mought as well throw him back again." The rider looked at me. When I didn't dissolve in terror as he expected, he shrugged and one of the other men laughed. The hard man said to the others, "This boy will be riding along with us to Forton for protection." I looked down at the plodding, unhappy creatures they were driving along and one looked back at me with dull, expressionless golden eyes. I felt uncomfortable. I said, "I don't think so." What the man did then surprised me. He said, "I do think so," and reached for the rifle in his saddle boot. I whipped my sonic pistol out so fast that he was caught leaning over with the rifle half out. His jaw dropped. He knew what I held and he didn't want to be fried. I said, "Ease your rifles out and drop them gently to the ground." They did, watching me all the while with wary expressions. When all the rifles were on the ground, I said, "All right, let's go." They didn't want to move. They didn't want to leave the rifles. I could see that. Horst didn't say anything. He just watched me with narrowed eyes. But one of the others held up a hand and in wheedling tones said, "Look here, kid...." "Shut up," I said, in as mean a voice as I could muster, and he did. It surprised me. I didn't think I sounded that mean. I decided he just didn't trust the crazy kid not to shoot. After twenty minutes of easy riding for us and hard walking for the creatures, I said, "If you want your rifles, you can go back and get them now." I dug my heels into Ninc's sides and rode on. At the next bend I looked back and saw four of them holding their packhorses and the creatures still while one beat a dust-raising retreat down the road. I put this episode in the "file and hold for analysis" section in my mind and rode on, feeling good. I think I even giggled once. Sometimes I even convince myself that I'm hell on wheels. III When I was nine, my Daddy gave me a painted wooden doll that my great-grandmother brought from Earth. The thing is that inside it, nestled one in another, are eleven more dolls, each one smaller than the last. I like to watch people when they open it for the first time. My face must have been like that as I rode along the road. The country leveled into a great rolling valley and the trees gave way to great farms and fields. In the fields, working, were some of the green creatures, which surprised me since the ones I'd seen before hadn't seemed smart enough to count to one, let alone do any work. But it relieved me. I thought they might have been eating them or something. I passed two crossroads and started to meet more people, but nobody questioned me. I met people on horseback, and twice I met trucks moving silently past. And I overtook a wagon driven by the oldest man I've seen in my life. He waved to me, and I waved back. Near the end of the afternoon I came to the town, and there I received a jolt that sickened me. By the time I came out on the other side, I was sick. My hands were cold and sweaty and my head was spinning, and I wanted to kick Ninc to a gallop. I rode slowly in, looking all around, missing nothing. The town was all stone, wood and brick. Out of date. Out of time, really. There were no machines more complicated than the trucks I'd seen earlier. At the edge of town, I passed a newspaper office with a headline pasted in the window—INVASION! I remember that. I wondered about it. But I looked most closely at the people. In all that town, I didn't see one girl over ten years old and no grown-up women at all. There were little kids, there were boys and there were men, but no girls. All the boys and men wore pants, and so did I, which must have been why Horst and his buddies assumed I was a boy. It wasn't flattering; but I decided I'd not tell anybody different until I found what made the clocks tick on this planet. But that wasn't what bothered me. It was the kids. My God! They swarmed. I saw a family come out of a house—a father and four children. It was the most foul thing I've ever seen. It struck me then—these people were Free Birthers! I felt a wave of nausea and I closed my eyes until it passed. The first thing you learn in school is that if it weren't for idiot and criminal people like these, Earth would never have been destroyed. The evacuation would never have had to take place, and eight billion people wouldn't have died. There wouldn't have been eight billion people. But, no. They bred and they spread and they devoured everything in their path like a cancer. They gobbled up all the resources that Earth had and crowded and shoved one another until the final war came. I am lucky. My great-great-grandparents were among those who had enough foresight to see what was coming. If it hadn't been for them and some others like them, there wouldn't be any humans left anywhere. And I wouldn't be here. That may not scare you, but it scares me. What happened before, when people didn't use their heads and wound up blowing the Solar System apart, is something nobody should forget. The older people don't let us forget. But these people had, and that the Council should know. For the first time since I landed on Tintera, I felt really frightened. There was too much going on that I didn't understand. I felt a blind urge to get away, and when I reached the edge of town, I whomped Ninc a good one and gave him his head. I let him run for almost a mile before I pulled him down to a walk again. I couldn't help wishing for Jimmy D. Whatever else he is, he's smart and brains I needed. How do you find out what's going on? Eavesdrop? That's a lousy method. For one thing, people can't be depended on to talk about the things you want to hear. For another, you're likely to get caught. Ask somebody? Who? Make the mistake of bracing a fellow like Horst and you might wind up with a sore head and an empty pocket. The best thing I could think of was to find a library, but that might be a job. I'd had two bad shocks on this day, but they weren't the last. In the late afternoon, when the sun was starting to sink and a cool wind was starting to ripple the tree leaves, I saw the scoutship high in the sky. The dying sun colored it a deep red. Back again? I wondered what had gone wrong. I reached down into my saddlebag and brought out my contact signal. The scoutship swung up in the sky in a familiar movement calculated to drop the stomach out of everybody aboard. George Fuhonin's style. I triggered the signal, my heart turning flips all the while. I didn't know why he was back, but I wasn't really sorry. The ship swung around until it was coming back on a path almost over my head, going in the same direction. Then it went into a slip and started bucking so hard that I knew this wasn't hot piloting at all, just plain idiot stutter-fingered stupidity at the controls. As it skidded by me overhead, I got a good look at it and knew that it wasn't one of ours. Not too different, but not ours. One more enigma. Where was it from? Not here. Even if you know how, and we wouldn't tell these Mud-eaters how, a scoutship is something that takes an advanced technology to build. I felt defeated and tired. Not much farther along the road, I came to a campsite with two wagons pulled in for the night, and I couldn't help but pull in myself. The campsite was large and had two permanent buildings on it. One was a well enclosure and the other was little more than a high-walled pen. It didn't even have a roof. I set up camp and ate my dinner. In the wagon closest to me were a man, his wife and their three children. The kids were running around and playing, and one of them ran close to the high-walled pen. His father came and pulled him away. The kids weren't to blame for their parents, but when one of them said hello to me, I didn't even answer. I know how lousy I would feel if I had two or three brothers and sisters, but it didn't strike me until that moment that it wouldn't even seem out of the ordinary to these kids. Isn't that horrible? About the time I finished eating, and before it grew dark, the old man I had seen earlier in the day drove his wagon in. He fascinated me. He had white hair, something I had read about in stories but had never seen before. When nightfall came, they started a large fire. Everybody gathered around. There was singing for awhile, and then the father of the children tried to pack them off to bed. But they weren't ready to go, so the old man started telling them a story. In the old man's odd accent, and sitting there in the campfire light surrounded by darkness, it seemed just right. It was about an old witch named Baba Yaga who lived in the forest in a house that stood on chicken legs. She was the nasty stepmother of a nice little girl, and to get rid of the kid, she sent her on a phony errand into the deep dark woods at nightfall. I could appreciate the poor girl's position. All the little girl had to help her were the handkerchief, the comb and the pearl that she had inherited from her dear dead mother. But, as it turned out, they were just enough to defeat nasty old Baba Yaga and bring the girl safely home. I wished for the same for myself. The old man had just finished and they were starting to drag the kids off to bed when there was a commotion on the road at the edge of the camp. I looked but my eyes were adjusted to the light of the fire and I couldn't see far into the dark. A voice there said, "I'll be damned if I'll take another day like this one, Horst. We should have been here hours ago. It be your fault we're not." Horst growled a retort. I decided that it was time for me to leave the campfire. I got up and eased away as Horst and his men came up to the fire, and cut back to where Ninc was parked. I grabbed up my blankets and mattress and started to roll them up. I had a pretty good idea now what they used the high-walled pen for. I should have known that they would have to pen the animals up for the night. I should have used my head. I hadn't and now it was time to take leave. I never got the chance. I was just heaving the saddle up on Ninc when I felt a hand on my shoulder and I was swung around. "Well, well. Horst, look who we have here," he called. It was the one who'd made the joke about me being beneath the notice of a Losel. He was alone with me now, but with that call the others would be up fast. I brought the saddle around as hard as I could and then up, and he went down. He started to get up again, so I dropped the saddle on him and reached inside my jacket for my gun. Somebody grabbed me then from behind and pinned my arms to my side. I opened my mouth to scream—I have a good scream—but a rough smelly hand clamped down over it before I had a chance to get more than a lungful of air. I bit down hard—5000 lbs. psi, I'm told—but he didn't let me go. I started to kick, but Horst jerked me off my feet and dragged me off. When we were behind the pen and out of earshot of the fire, he stopped dragging me and dropped me in a heap. "Make any noise," he said, "and I'll hurt you." That was a silly way to put it, but somehow it said more than if he'd threatened to break my arm or my head. It left him a latitude of things to do if he pleased. He examined his hand. There was enough moonlight for that. "I ought to club you anyway," he said. The one I'd dropped the saddle on came up then. The others were putting the animals in the pen. He started to kick me, but Horst stopped him. "No," he said. "Look through the kid's gear, bring the horse and what we can use." The other one didn't move. "Get going, Jack," Horst said in a menacing tone and they stood toe to toe for a long moment before Jack finally backed down. It seemed to me that Horst wasn't so much objecting to me being kicked, but was rather establishing who did the kicking in his bunch. But I wasn't done yet. I was scared, but I still had the pistol under my jacket. Horst turned back to me and I said, "You can't do this and get away with it." He said, "Look, boy. You may not know it, but you be in a lot of trouble. So don't give me a hard time." He still thought I was a boy. It was not time to correct him, but I didn't like to see the point go unchallenged. It was unflattering. "The courts won't let you get away with this," I said. I'd passed a courthouse in the town with a carved motto over the doors: EQUAL JUSTICE UNDER THE LAW or TRUTH OUR SHIELD AND JUSTICE OUR SWORD or something stuffy like that. He laughed, not a phony, villian-type laugh, but a real laugh, so I knew I'd goofed. "Boy, boy. Don't talk about the courts. I be doing you a favor. I be taking what I can use of your gear, but I be letting you go. You go to court and they'll take everything and lock you up besides. I be leaving you your freedom." "Why would they be doing that?" I asked. I slipped my hand under my jacket. "Every time you open your mouth you shout that you be off one of the Ships," Horst said. "That be enough. They already have one of you brats in jail in Forton." I was about to bring my gun out when up came Jack leading Ninc, with all my stuff loaded on. I mentally thanked him. He said, "The kid's got some good equipment. But I can't make out what this be for." He held out my pickup signal. Horst looked at it, then handed it back. "Throw it away," he said. I leveled my gun at them—Hell on Wheels strikes again! I said, "Hand that over to me." Horst made a disgusted sound. "Don't make any noise," I said, "or you'll fry. Now hand it over." I stowed it away, then paused with one hand on the leather horn of the saddle. "What's the name of the kid in jail in Forton." "I can't remember," he said. "But it be coming to me. Hold on." I waited. Then suddenly my arm was hit a numbing blow from behind and the gun went flying. Jack pounced after it and Horst said, "Good enough," to the others who'd come up behind me. I felt like a fool. Horst stalked over and got the signal. He dropped it on the ground and said in a voice far colder than mine could ever be, because it was natural and mine wasn't, "The piece be yours." Then he tromped on it until it cracked and fell apart. Then he said, "Pull a gun on me twice. Twice." He slapped me so hard that my ears rang. "You dirty little punk." I said calmly, "You big louse." It was a time I would have done better to keep my mouth shut. All I can remember is a flash of pain as his fist crunched against the side of my face and then nothing. Brains are no good if you don't use them.

What is the name of the first person to talk to Mia on Tintera?

DOWN TO THE WORLDS OF MEN BY ALEXEI PANSHIN The ancient rule was sink or swim—swim in the miasma of a planet without spaceflight, or sink to utter destruction! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I The horses and packs were loaded before we went aboard the scoutship. The scout bay is no more than a great oversized airlock with a dozen small ships squatting over their tubes, but it was the last of the Ship that I might ever see, so I took a long final look from the top of the ramp. There were sixteen of us girls and thirteen boys. We took our places in the seats in the center of the scout. Riggy Allen made a joke that nobody bothered to laugh at, and then we were all silent. I was feeling lost and just beginning to enjoy it when Jimmy Dentremont came over to me. He's red-headed and has a face that makes him look about ten. An intelligent runt like me. He said what I expected. "Mia, do you want to go partners if we can get together when we get down?" I guess he thought that because we were always matched on study I liked him. Well, I did when I wasn't mad at him, but now I had that crack he'd made about being a snob in mind, so I said, "Not likely. I want to come back alive." It wasn't fair, but it was a good crack and he went back to his place without saying anything. My name is Mia Havero. I'm fourteen, of course, or I wouldn't be telling this. I'm short, dark and scrawny, though I don't expect that scrawniness to last much longer. Mother is very good looking. In the meantime, I've got brains as a consolation. After we were all settled, George Fuhonin, the pilot, raised the ramps. We sat there for five minutes while they bled air out of our tube and then we just ... dropped. My stomach turned flips. We didn't have to leave that way, but George thinks it's fun to be a hot pilot. Thinking it over, I was almost sorry I'd been stinking to Jimmy D. He's the only competition I have my own age. The trouble is, you don't go partners with the competition, do you? Besides, there was still that crack about being a snob. The planet chosen for our Trial was called Tintera. The last contact the Ship had had with it—and we were the ones who dropped them—was almost 150 years ago. No contact since. That had made the Council debate a little before they dropped us there, but they decided it was all right in the end. It didn't make any practical difference to us kids because they never tell you anything about the place they're going to drop you. All I knew was the name. I wouldn't have known that much if Daddy weren't Chairman of the Council. I felt like crawling in a corner of the ship and crying, but nobody else was breaking down, so I didn't. I did feel miserable. I cried when I said good-by to Mother and Daddy—a real emotional scene—but that wasn't in public. It wasn't the chance of not coming back that bothered me really, because I never believed that I wouldn't. The thought that made me unhappy was that I would have to be on a planet for a whole month. Planets make me feel wretched. The gravity is always wrong, for one thing. Either your arches and calves ache or every time you step you think you're going to trip on a piece of fluff and break your neck. There are vegetables everywhere and little grubby things just looking for you to crawl on. If you can think of anything creepier than that, you've got a real nasty imagination. Worst of all, planets stink. Every single one smells—I've been on enough to know that. A planet is all right for a Mud-eater, but not for me. We have a place in the Ship like that—the Third Level—but it's only a thousand square miles and any time it gets on your nerves you can go up a level or down a level and be back in civilization. When we reached Tintera, they started dropping us. We swung over the sea from the morning side and then dropped low over gray-green forested hills. Finally George spotted a clear area and dropped into it. They don't care what order you go in, so Jimmy D. jumped up, grabbed his gear and then led his horse down the ramp. I think he was still smarting from the slap I'd given him. In a minute we were airborne again. I wondered if I would ever see Jimmy—if he would get back alive. It's no game we play. When we turn fourteen, they drop us on the nearest colonized planet and come back one month later. That may sound like fun to you, but a lot of us never come back alive. Don't think I was helpless. I'm hell on wheels. They don't let us grow for fourteen years and then kick us out to die. They prepare us. They do figure, though, that if you can't keep yourself alive by the time you're fourteen, you're too stupid, foolish or unlucky to be any use to the Ship. There's sense behind it. It means that everybody on the Ship is a person who can take care of himself if he has to. Daddy says that something has to be done in a closed society to keep the population from decaying mentally and physically, and this is it. And it helps to keep the population steady. I began to check my gear out—sonic pistol, pickup signal so I could be found at the end of the month, saddle and cinches, food and clothes. Venie Morlock has got a crush on Jimmy D., and when she saw me start getting ready to go, she began to check her gear, too. At our next landing, I grabbed Ninc's reins and cut Venie out smoothly. It didn't have anything to do with Jimmy. I just couldn't stand to put off the bad moment any longer. The ship lifted impersonally away from Ninc and me like a rising bird, and in just a moment it was gone. Its gray-blue color was almost the color of the half-overcast sky, so I was never sure when I saw it last. II The first night was hell, I guess because I'm not used to having the lights out. That's when you really start to feel lonely, being alone in the dark. When the sun disappears, somehow you wonder in your stomach if it's really going to come back. But I lived through it—one day in thirty gone. I rode in a spiral search pattern during the next two days. I had three things in mind—stay alive, find people and find some of the others. The first was automatic. The second was to find out if there was a slot I could fit into for a month. If not, I would have to find a place to camp out, as nasty as that would be. The third was to join forces, though not with that meatball Jimmy D. No, he isn't really a meatball. The trouble is that I don't take nothing from nobody, especially him, and he doesn't take nothing from nobody, especially me. So we do a lot of fighting. I had a good month for Trial. My birthday is in November—too close to Year End Holiday for my taste, but this year it was all right. It was spring on Tintera, but it was December in the Ship, and after we got back we had five days of Holiday to celebrate. It gave me something to look forward to. In two days of riding, I ran onto nothing but a few odd-looking animals. I shot one small one and ate it. It turned out to taste pretty good, though not as good as a slice from Hambone No. 4, to my mind the best meat vat on the Ship. I've eaten things so gruey-looking that I wondered that anybody had the guts to try them in the first place and they've turned out to taste good. And I've seen things that looked good that I couldn't keep on my stomach. So I guess I was lucky. On the third day, I found the road. I brought Ninc down off the hillside, losing sight of the road in the trees, and then reaching it in the level below. It was narrow and made of sand spread over a hard base. Out of the marks in the sand, I could pick out the tracks of horses and both narrow and wide wheels. Other tracks I couldn't identify. One of the smartest moves in history was to include horses when they dropped the colonies. I say "they" because, while we did the actual dropping, the idea originated with the whole evac plan back on Earth. Considering how short a time it was in which the colonies were established, there was not time to set up industry, so they had to have draft animals. The first of the Great Ships was finished in 2025. One of the eight, as well as the two that were being built then, went up with everything else in the Solar System in 2041. In that sixteen years 112 colonies were planted. I don't know how many of those planets had animals that could have been substituted but, even if they had, they would have had to be domesticated from scratch. That would have been stupid. I'll bet that half the colonies would have failed if they hadn't had horses. We'd come in from the west over the ocean, so I traveled east on the road. That much water makes me nervous, and roads have to go somewhere. I came on my first travelers three hours later. I rounded a tree-lined bend, ducking an overhanging branch, and pulled Ninc to a stop. There were five men on horseback herding a bunch of the ugliest creatures alive. They were green and grotesque. They had squat bodies, long limbs and knobby bulges at their joints. They had square, flat animal masks for faces. But they walked on their hind legs and they had paws that were almost hands, and that was enough to make them seem almost human. They made a wordless, chilling, lowing sound as they milled and plodded along. I started Ninc up again and moved slowly to catch up with them. All the men on horseback had guns in saddle boots. They looked as nervous as cats with kittens. One of them had a string of packhorses on a line and he saw me and called to another who seemed to be the leader. That one wheeled his black horse and rode back toward me. He was a middle-aged man, maybe as old as my Daddy. He was large and he had a hard face. Normal enough, but hard. He pulled to a halt when we reached each other, but I kept going. He had to come around and follow me. I believe in judging a person by his face. A man can't help the face he owns, but he can help the expression he wears on it. If a man looks mean, I generally believe that he is. This one looked mean. That was why I kept riding. He said, "What be you doing out here, boy? Be you out of your head? There be escaped Losels in these woods." I told you I hadn't finished filling out yet, but I hadn't thought it was that bad. I wasn't ready to make a fight over the point, though. Generally, I can't keep my bloody mouth shut, but now I didn't say anything. It seemed smart. "Where be you from?" he asked. I pointed to the road behind us. "And where be you going?" I pointed ahead. No other way to go. He seemed exasperated. I have that effect sometimes. Even on Mother and Daddy, who should know better. We were coming up on the others now, and the man said, "Maybe you'd better ride on from here with us. For protection." He had an odd way of twisting his sounds, almost as though he had a mouthful of mush. I wondered whether he were just an oddball or whether everybody here spoke the same way. I'd never heard International English spoken any way but one, even on the planet Daddy made me visit with him. One of the other outriders came easing by then. I suppose they'd been watching us all the while. He called to the hard man. "He be awfully small, Horst. I doubt me a Losel'd even notice him at all. We mought as well throw him back again." The rider looked at me. When I didn't dissolve in terror as he expected, he shrugged and one of the other men laughed. The hard man said to the others, "This boy will be riding along with us to Forton for protection." I looked down at the plodding, unhappy creatures they were driving along and one looked back at me with dull, expressionless golden eyes. I felt uncomfortable. I said, "I don't think so." What the man did then surprised me. He said, "I do think so," and reached for the rifle in his saddle boot. I whipped my sonic pistol out so fast that he was caught leaning over with the rifle half out. His jaw dropped. He knew what I held and he didn't want to be fried. I said, "Ease your rifles out and drop them gently to the ground." They did, watching me all the while with wary expressions. When all the rifles were on the ground, I said, "All right, let's go." They didn't want to move. They didn't want to leave the rifles. I could see that. Horst didn't say anything. He just watched me with narrowed eyes. But one of the others held up a hand and in wheedling tones said, "Look here, kid...." "Shut up," I said, in as mean a voice as I could muster, and he did. It surprised me. I didn't think I sounded that mean. I decided he just didn't trust the crazy kid not to shoot. After twenty minutes of easy riding for us and hard walking for the creatures, I said, "If you want your rifles, you can go back and get them now." I dug my heels into Ninc's sides and rode on. At the next bend I looked back and saw four of them holding their packhorses and the creatures still while one beat a dust-raising retreat down the road. I put this episode in the "file and hold for analysis" section in my mind and rode on, feeling good. I think I even giggled once. Sometimes I even convince myself that I'm hell on wheels. III When I was nine, my Daddy gave me a painted wooden doll that my great-grandmother brought from Earth. The thing is that inside it, nestled one in another, are eleven more dolls, each one smaller than the last. I like to watch people when they open it for the first time. My face must have been like that as I rode along the road. The country leveled into a great rolling valley and the trees gave way to great farms and fields. In the fields, working, were some of the green creatures, which surprised me since the ones I'd seen before hadn't seemed smart enough to count to one, let alone do any work. But it relieved me. I thought they might have been eating them or something. I passed two crossroads and started to meet more people, but nobody questioned me. I met people on horseback, and twice I met trucks moving silently past. And I overtook a wagon driven by the oldest man I've seen in my life. He waved to me, and I waved back. Near the end of the afternoon I came to the town, and there I received a jolt that sickened me. By the time I came out on the other side, I was sick. My hands were cold and sweaty and my head was spinning, and I wanted to kick Ninc to a gallop. I rode slowly in, looking all around, missing nothing. The town was all stone, wood and brick. Out of date. Out of time, really. There were no machines more complicated than the trucks I'd seen earlier. At the edge of town, I passed a newspaper office with a headline pasted in the window—INVASION! I remember that. I wondered about it. But I looked most closely at the people. In all that town, I didn't see one girl over ten years old and no grown-up women at all. There were little kids, there were boys and there were men, but no girls. All the boys and men wore pants, and so did I, which must have been why Horst and his buddies assumed I was a boy. It wasn't flattering; but I decided I'd not tell anybody different until I found what made the clocks tick on this planet. But that wasn't what bothered me. It was the kids. My God! They swarmed. I saw a family come out of a house—a father and four children. It was the most foul thing I've ever seen. It struck me then—these people were Free Birthers! I felt a wave of nausea and I closed my eyes until it passed. The first thing you learn in school is that if it weren't for idiot and criminal people like these, Earth would never have been destroyed. The evacuation would never have had to take place, and eight billion people wouldn't have died. There wouldn't have been eight billion people. But, no. They bred and they spread and they devoured everything in their path like a cancer. They gobbled up all the resources that Earth had and crowded and shoved one another until the final war came. I am lucky. My great-great-grandparents were among those who had enough foresight to see what was coming. If it hadn't been for them and some others like them, there wouldn't be any humans left anywhere. And I wouldn't be here. That may not scare you, but it scares me. What happened before, when people didn't use their heads and wound up blowing the Solar System apart, is something nobody should forget. The older people don't let us forget. But these people had, and that the Council should know. For the first time since I landed on Tintera, I felt really frightened. There was too much going on that I didn't understand. I felt a blind urge to get away, and when I reached the edge of town, I whomped Ninc a good one and gave him his head. I let him run for almost a mile before I pulled him down to a walk again. I couldn't help wishing for Jimmy D. Whatever else he is, he's smart and brains I needed. How do you find out what's going on? Eavesdrop? That's a lousy method. For one thing, people can't be depended on to talk about the things you want to hear. For another, you're likely to get caught. Ask somebody? Who? Make the mistake of bracing a fellow like Horst and you might wind up with a sore head and an empty pocket. The best thing I could think of was to find a library, but that might be a job. I'd had two bad shocks on this day, but they weren't the last. In the late afternoon, when the sun was starting to sink and a cool wind was starting to ripple the tree leaves, I saw the scoutship high in the sky. The dying sun colored it a deep red. Back again? I wondered what had gone wrong. I reached down into my saddlebag and brought out my contact signal. The scoutship swung up in the sky in a familiar movement calculated to drop the stomach out of everybody aboard. George Fuhonin's style. I triggered the signal, my heart turning flips all the while. I didn't know why he was back, but I wasn't really sorry. The ship swung around until it was coming back on a path almost over my head, going in the same direction. Then it went into a slip and started bucking so hard that I knew this wasn't hot piloting at all, just plain idiot stutter-fingered stupidity at the controls. As it skidded by me overhead, I got a good look at it and knew that it wasn't one of ours. Not too different, but not ours. One more enigma. Where was it from? Not here. Even if you know how, and we wouldn't tell these Mud-eaters how, a scoutship is something that takes an advanced technology to build. I felt defeated and tired. Not much farther along the road, I came to a campsite with two wagons pulled in for the night, and I couldn't help but pull in myself. The campsite was large and had two permanent buildings on it. One was a well enclosure and the other was little more than a high-walled pen. It didn't even have a roof. I set up camp and ate my dinner. In the wagon closest to me were a man, his wife and their three children. The kids were running around and playing, and one of them ran close to the high-walled pen. His father came and pulled him away. The kids weren't to blame for their parents, but when one of them said hello to me, I didn't even answer. I know how lousy I would feel if I had two or three brothers and sisters, but it didn't strike me until that moment that it wouldn't even seem out of the ordinary to these kids. Isn't that horrible? About the time I finished eating, and before it grew dark, the old man I had seen earlier in the day drove his wagon in. He fascinated me. He had white hair, something I had read about in stories but had never seen before. When nightfall came, they started a large fire. Everybody gathered around. There was singing for awhile, and then the father of the children tried to pack them off to bed. But they weren't ready to go, so the old man started telling them a story. In the old man's odd accent, and sitting there in the campfire light surrounded by darkness, it seemed just right. It was about an old witch named Baba Yaga who lived in the forest in a house that stood on chicken legs. She was the nasty stepmother of a nice little girl, and to get rid of the kid, she sent her on a phony errand into the deep dark woods at nightfall. I could appreciate the poor girl's position. All the little girl had to help her were the handkerchief, the comb and the pearl that she had inherited from her dear dead mother. But, as it turned out, they were just enough to defeat nasty old Baba Yaga and bring the girl safely home. I wished for the same for myself. The old man had just finished and they were starting to drag the kids off to bed when there was a commotion on the road at the edge of the camp. I looked but my eyes were adjusted to the light of the fire and I couldn't see far into the dark. A voice there said, "I'll be damned if I'll take another day like this one, Horst. We should have been here hours ago. It be your fault we're not." Horst growled a retort. I decided that it was time for me to leave the campfire. I got up and eased away as Horst and his men came up to the fire, and cut back to where Ninc was parked. I grabbed up my blankets and mattress and started to roll them up. I had a pretty good idea now what they used the high-walled pen for. I should have known that they would have to pen the animals up for the night. I should have used my head. I hadn't and now it was time to take leave. I never got the chance. I was just heaving the saddle up on Ninc when I felt a hand on my shoulder and I was swung around. "Well, well. Horst, look who we have here," he called. It was the one who'd made the joke about me being beneath the notice of a Losel. He was alone with me now, but with that call the others would be up fast. I brought the saddle around as hard as I could and then up, and he went down. He started to get up again, so I dropped the saddle on him and reached inside my jacket for my gun. Somebody grabbed me then from behind and pinned my arms to my side. I opened my mouth to scream—I have a good scream—but a rough smelly hand clamped down over it before I had a chance to get more than a lungful of air. I bit down hard—5000 lbs. psi, I'm told—but he didn't let me go. I started to kick, but Horst jerked me off my feet and dragged me off. When we were behind the pen and out of earshot of the fire, he stopped dragging me and dropped me in a heap. "Make any noise," he said, "and I'll hurt you." That was a silly way to put it, but somehow it said more than if he'd threatened to break my arm or my head. It left him a latitude of things to do if he pleased. He examined his hand. There was enough moonlight for that. "I ought to club you anyway," he said. The one I'd dropped the saddle on came up then. The others were putting the animals in the pen. He started to kick me, but Horst stopped him. "No," he said. "Look through the kid's gear, bring the horse and what we can use." The other one didn't move. "Get going, Jack," Horst said in a menacing tone and they stood toe to toe for a long moment before Jack finally backed down. It seemed to me that Horst wasn't so much objecting to me being kicked, but was rather establishing who did the kicking in his bunch. But I wasn't done yet. I was scared, but I still had the pistol under my jacket. Horst turned back to me and I said, "You can't do this and get away with it." He said, "Look, boy. You may not know it, but you be in a lot of trouble. So don't give me a hard time." He still thought I was a boy. It was not time to correct him, but I didn't like to see the point go unchallenged. It was unflattering. "The courts won't let you get away with this," I said. I'd passed a courthouse in the town with a carved motto over the doors: EQUAL JUSTICE UNDER THE LAW or TRUTH OUR SHIELD AND JUSTICE OUR SWORD or something stuffy like that. He laughed, not a phony, villian-type laugh, but a real laugh, so I knew I'd goofed. "Boy, boy. Don't talk about the courts. I be doing you a favor. I be taking what I can use of your gear, but I be letting you go. You go to court and they'll take everything and lock you up besides. I be leaving you your freedom." "Why would they be doing that?" I asked. I slipped my hand under my jacket. "Every time you open your mouth you shout that you be off one of the Ships," Horst said. "That be enough. They already have one of you brats in jail in Forton." I was about to bring my gun out when up came Jack leading Ninc, with all my stuff loaded on. I mentally thanked him. He said, "The kid's got some good equipment. But I can't make out what this be for." He held out my pickup signal. Horst looked at it, then handed it back. "Throw it away," he said. I leveled my gun at them—Hell on Wheels strikes again! I said, "Hand that over to me." Horst made a disgusted sound. "Don't make any noise," I said, "or you'll fry. Now hand it over." I stowed it away, then paused with one hand on the leather horn of the saddle. "What's the name of the kid in jail in Forton." "I can't remember," he said. "But it be coming to me. Hold on." I waited. Then suddenly my arm was hit a numbing blow from behind and the gun went flying. Jack pounced after it and Horst said, "Good enough," to the others who'd come up behind me. I felt like a fool. Horst stalked over and got the signal. He dropped it on the ground and said in a voice far colder than mine could ever be, because it was natural and mine wasn't, "The piece be yours." Then he tromped on it until it cracked and fell apart. Then he said, "Pull a gun on me twice. Twice." He slapped me so hard that my ears rang. "You dirty little punk." I said calmly, "You big louse." It was a time I would have done better to keep my mouth shut. All I can remember is a flash of pain as his fist crunched against the side of my face and then nothing. Brains are no good if you don't use them.

What is NOT a reason that Mia pulled out her pistol the first time?

DOWN TO THE WORLDS OF MEN BY ALEXEI PANSHIN The ancient rule was sink or swim—swim in the miasma of a planet without spaceflight, or sink to utter destruction! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I The horses and packs were loaded before we went aboard the scoutship. The scout bay is no more than a great oversized airlock with a dozen small ships squatting over their tubes, but it was the last of the Ship that I might ever see, so I took a long final look from the top of the ramp. There were sixteen of us girls and thirteen boys. We took our places in the seats in the center of the scout. Riggy Allen made a joke that nobody bothered to laugh at, and then we were all silent. I was feeling lost and just beginning to enjoy it when Jimmy Dentremont came over to me. He's red-headed and has a face that makes him look about ten. An intelligent runt like me. He said what I expected. "Mia, do you want to go partners if we can get together when we get down?" I guess he thought that because we were always matched on study I liked him. Well, I did when I wasn't mad at him, but now I had that crack he'd made about being a snob in mind, so I said, "Not likely. I want to come back alive." It wasn't fair, but it was a good crack and he went back to his place without saying anything. My name is Mia Havero. I'm fourteen, of course, or I wouldn't be telling this. I'm short, dark and scrawny, though I don't expect that scrawniness to last much longer. Mother is very good looking. In the meantime, I've got brains as a consolation. After we were all settled, George Fuhonin, the pilot, raised the ramps. We sat there for five minutes while they bled air out of our tube and then we just ... dropped. My stomach turned flips. We didn't have to leave that way, but George thinks it's fun to be a hot pilot. Thinking it over, I was almost sorry I'd been stinking to Jimmy D. He's the only competition I have my own age. The trouble is, you don't go partners with the competition, do you? Besides, there was still that crack about being a snob. The planet chosen for our Trial was called Tintera. The last contact the Ship had had with it—and we were the ones who dropped them—was almost 150 years ago. No contact since. That had made the Council debate a little before they dropped us there, but they decided it was all right in the end. It didn't make any practical difference to us kids because they never tell you anything about the place they're going to drop you. All I knew was the name. I wouldn't have known that much if Daddy weren't Chairman of the Council. I felt like crawling in a corner of the ship and crying, but nobody else was breaking down, so I didn't. I did feel miserable. I cried when I said good-by to Mother and Daddy—a real emotional scene—but that wasn't in public. It wasn't the chance of not coming back that bothered me really, because I never believed that I wouldn't. The thought that made me unhappy was that I would have to be on a planet for a whole month. Planets make me feel wretched. The gravity is always wrong, for one thing. Either your arches and calves ache or every time you step you think you're going to trip on a piece of fluff and break your neck. There are vegetables everywhere and little grubby things just looking for you to crawl on. If you can think of anything creepier than that, you've got a real nasty imagination. Worst of all, planets stink. Every single one smells—I've been on enough to know that. A planet is all right for a Mud-eater, but not for me. We have a place in the Ship like that—the Third Level—but it's only a thousand square miles and any time it gets on your nerves you can go up a level or down a level and be back in civilization. When we reached Tintera, they started dropping us. We swung over the sea from the morning side and then dropped low over gray-green forested hills. Finally George spotted a clear area and dropped into it. They don't care what order you go in, so Jimmy D. jumped up, grabbed his gear and then led his horse down the ramp. I think he was still smarting from the slap I'd given him. In a minute we were airborne again. I wondered if I would ever see Jimmy—if he would get back alive. It's no game we play. When we turn fourteen, they drop us on the nearest colonized planet and come back one month later. That may sound like fun to you, but a lot of us never come back alive. Don't think I was helpless. I'm hell on wheels. They don't let us grow for fourteen years and then kick us out to die. They prepare us. They do figure, though, that if you can't keep yourself alive by the time you're fourteen, you're too stupid, foolish or unlucky to be any use to the Ship. There's sense behind it. It means that everybody on the Ship is a person who can take care of himself if he has to. Daddy says that something has to be done in a closed society to keep the population from decaying mentally and physically, and this is it. And it helps to keep the population steady. I began to check my gear out—sonic pistol, pickup signal so I could be found at the end of the month, saddle and cinches, food and clothes. Venie Morlock has got a crush on Jimmy D., and when she saw me start getting ready to go, she began to check her gear, too. At our next landing, I grabbed Ninc's reins and cut Venie out smoothly. It didn't have anything to do with Jimmy. I just couldn't stand to put off the bad moment any longer. The ship lifted impersonally away from Ninc and me like a rising bird, and in just a moment it was gone. Its gray-blue color was almost the color of the half-overcast sky, so I was never sure when I saw it last. II The first night was hell, I guess because I'm not used to having the lights out. That's when you really start to feel lonely, being alone in the dark. When the sun disappears, somehow you wonder in your stomach if it's really going to come back. But I lived through it—one day in thirty gone. I rode in a spiral search pattern during the next two days. I had three things in mind—stay alive, find people and find some of the others. The first was automatic. The second was to find out if there was a slot I could fit into for a month. If not, I would have to find a place to camp out, as nasty as that would be. The third was to join forces, though not with that meatball Jimmy D. No, he isn't really a meatball. The trouble is that I don't take nothing from nobody, especially him, and he doesn't take nothing from nobody, especially me. So we do a lot of fighting. I had a good month for Trial. My birthday is in November—too close to Year End Holiday for my taste, but this year it was all right. It was spring on Tintera, but it was December in the Ship, and after we got back we had five days of Holiday to celebrate. It gave me something to look forward to. In two days of riding, I ran onto nothing but a few odd-looking animals. I shot one small one and ate it. It turned out to taste pretty good, though not as good as a slice from Hambone No. 4, to my mind the best meat vat on the Ship. I've eaten things so gruey-looking that I wondered that anybody had the guts to try them in the first place and they've turned out to taste good. And I've seen things that looked good that I couldn't keep on my stomach. So I guess I was lucky. On the third day, I found the road. I brought Ninc down off the hillside, losing sight of the road in the trees, and then reaching it in the level below. It was narrow and made of sand spread over a hard base. Out of the marks in the sand, I could pick out the tracks of horses and both narrow and wide wheels. Other tracks I couldn't identify. One of the smartest moves in history was to include horses when they dropped the colonies. I say "they" because, while we did the actual dropping, the idea originated with the whole evac plan back on Earth. Considering how short a time it was in which the colonies were established, there was not time to set up industry, so they had to have draft animals. The first of the Great Ships was finished in 2025. One of the eight, as well as the two that were being built then, went up with everything else in the Solar System in 2041. In that sixteen years 112 colonies were planted. I don't know how many of those planets had animals that could have been substituted but, even if they had, they would have had to be domesticated from scratch. That would have been stupid. I'll bet that half the colonies would have failed if they hadn't had horses. We'd come in from the west over the ocean, so I traveled east on the road. That much water makes me nervous, and roads have to go somewhere. I came on my first travelers three hours later. I rounded a tree-lined bend, ducking an overhanging branch, and pulled Ninc to a stop. There were five men on horseback herding a bunch of the ugliest creatures alive. They were green and grotesque. They had squat bodies, long limbs and knobby bulges at their joints. They had square, flat animal masks for faces. But they walked on their hind legs and they had paws that were almost hands, and that was enough to make them seem almost human. They made a wordless, chilling, lowing sound as they milled and plodded along. I started Ninc up again and moved slowly to catch up with them. All the men on horseback had guns in saddle boots. They looked as nervous as cats with kittens. One of them had a string of packhorses on a line and he saw me and called to another who seemed to be the leader. That one wheeled his black horse and rode back toward me. He was a middle-aged man, maybe as old as my Daddy. He was large and he had a hard face. Normal enough, but hard. He pulled to a halt when we reached each other, but I kept going. He had to come around and follow me. I believe in judging a person by his face. A man can't help the face he owns, but he can help the expression he wears on it. If a man looks mean, I generally believe that he is. This one looked mean. That was why I kept riding. He said, "What be you doing out here, boy? Be you out of your head? There be escaped Losels in these woods." I told you I hadn't finished filling out yet, but I hadn't thought it was that bad. I wasn't ready to make a fight over the point, though. Generally, I can't keep my bloody mouth shut, but now I didn't say anything. It seemed smart. "Where be you from?" he asked. I pointed to the road behind us. "And where be you going?" I pointed ahead. No other way to go. He seemed exasperated. I have that effect sometimes. Even on Mother and Daddy, who should know better. We were coming up on the others now, and the man said, "Maybe you'd better ride on from here with us. For protection." He had an odd way of twisting his sounds, almost as though he had a mouthful of mush. I wondered whether he were just an oddball or whether everybody here spoke the same way. I'd never heard International English spoken any way but one, even on the planet Daddy made me visit with him. One of the other outriders came easing by then. I suppose they'd been watching us all the while. He called to the hard man. "He be awfully small, Horst. I doubt me a Losel'd even notice him at all. We mought as well throw him back again." The rider looked at me. When I didn't dissolve in terror as he expected, he shrugged and one of the other men laughed. The hard man said to the others, "This boy will be riding along with us to Forton for protection." I looked down at the plodding, unhappy creatures they were driving along and one looked back at me with dull, expressionless golden eyes. I felt uncomfortable. I said, "I don't think so." What the man did then surprised me. He said, "I do think so," and reached for the rifle in his saddle boot. I whipped my sonic pistol out so fast that he was caught leaning over with the rifle half out. His jaw dropped. He knew what I held and he didn't want to be fried. I said, "Ease your rifles out and drop them gently to the ground." They did, watching me all the while with wary expressions. When all the rifles were on the ground, I said, "All right, let's go." They didn't want to move. They didn't want to leave the rifles. I could see that. Horst didn't say anything. He just watched me with narrowed eyes. But one of the others held up a hand and in wheedling tones said, "Look here, kid...." "Shut up," I said, in as mean a voice as I could muster, and he did. It surprised me. I didn't think I sounded that mean. I decided he just didn't trust the crazy kid not to shoot. After twenty minutes of easy riding for us and hard walking for the creatures, I said, "If you want your rifles, you can go back and get them now." I dug my heels into Ninc's sides and rode on. At the next bend I looked back and saw four of them holding their packhorses and the creatures still while one beat a dust-raising retreat down the road. I put this episode in the "file and hold for analysis" section in my mind and rode on, feeling good. I think I even giggled once. Sometimes I even convince myself that I'm hell on wheels. III When I was nine, my Daddy gave me a painted wooden doll that my great-grandmother brought from Earth. The thing is that inside it, nestled one in another, are eleven more dolls, each one smaller than the last. I like to watch people when they open it for the first time. My face must have been like that as I rode along the road. The country leveled into a great rolling valley and the trees gave way to great farms and fields. In the fields, working, were some of the green creatures, which surprised me since the ones I'd seen before hadn't seemed smart enough to count to one, let alone do any work. But it relieved me. I thought they might have been eating them or something. I passed two crossroads and started to meet more people, but nobody questioned me. I met people on horseback, and twice I met trucks moving silently past. And I overtook a wagon driven by the oldest man I've seen in my life. He waved to me, and I waved back. Near the end of the afternoon I came to the town, and there I received a jolt that sickened me. By the time I came out on the other side, I was sick. My hands were cold and sweaty and my head was spinning, and I wanted to kick Ninc to a gallop. I rode slowly in, looking all around, missing nothing. The town was all stone, wood and brick. Out of date. Out of time, really. There were no machines more complicated than the trucks I'd seen earlier. At the edge of town, I passed a newspaper office with a headline pasted in the window—INVASION! I remember that. I wondered about it. But I looked most closely at the people. In all that town, I didn't see one girl over ten years old and no grown-up women at all. There were little kids, there were boys and there were men, but no girls. All the boys and men wore pants, and so did I, which must have been why Horst and his buddies assumed I was a boy. It wasn't flattering; but I decided I'd not tell anybody different until I found what made the clocks tick on this planet. But that wasn't what bothered me. It was the kids. My God! They swarmed. I saw a family come out of a house—a father and four children. It was the most foul thing I've ever seen. It struck me then—these people were Free Birthers! I felt a wave of nausea and I closed my eyes until it passed. The first thing you learn in school is that if it weren't for idiot and criminal people like these, Earth would never have been destroyed. The evacuation would never have had to take place, and eight billion people wouldn't have died. There wouldn't have been eight billion people. But, no. They bred and they spread and they devoured everything in their path like a cancer. They gobbled up all the resources that Earth had and crowded and shoved one another until the final war came. I am lucky. My great-great-grandparents were among those who had enough foresight to see what was coming. If it hadn't been for them and some others like them, there wouldn't be any humans left anywhere. And I wouldn't be here. That may not scare you, but it scares me. What happened before, when people didn't use their heads and wound up blowing the Solar System apart, is something nobody should forget. The older people don't let us forget. But these people had, and that the Council should know. For the first time since I landed on Tintera, I felt really frightened. There was too much going on that I didn't understand. I felt a blind urge to get away, and when I reached the edge of town, I whomped Ninc a good one and gave him his head. I let him run for almost a mile before I pulled him down to a walk again. I couldn't help wishing for Jimmy D. Whatever else he is, he's smart and brains I needed. How do you find out what's going on? Eavesdrop? That's a lousy method. For one thing, people can't be depended on to talk about the things you want to hear. For another, you're likely to get caught. Ask somebody? Who? Make the mistake of bracing a fellow like Horst and you might wind up with a sore head and an empty pocket. The best thing I could think of was to find a library, but that might be a job. I'd had two bad shocks on this day, but they weren't the last. In the late afternoon, when the sun was starting to sink and a cool wind was starting to ripple the tree leaves, I saw the scoutship high in the sky. The dying sun colored it a deep red. Back again? I wondered what had gone wrong. I reached down into my saddlebag and brought out my contact signal. The scoutship swung up in the sky in a familiar movement calculated to drop the stomach out of everybody aboard. George Fuhonin's style. I triggered the signal, my heart turning flips all the while. I didn't know why he was back, but I wasn't really sorry. The ship swung around until it was coming back on a path almost over my head, going in the same direction. Then it went into a slip and started bucking so hard that I knew this wasn't hot piloting at all, just plain idiot stutter-fingered stupidity at the controls. As it skidded by me overhead, I got a good look at it and knew that it wasn't one of ours. Not too different, but not ours. One more enigma. Where was it from? Not here. Even if you know how, and we wouldn't tell these Mud-eaters how, a scoutship is something that takes an advanced technology to build. I felt defeated and tired. Not much farther along the road, I came to a campsite with two wagons pulled in for the night, and I couldn't help but pull in myself. The campsite was large and had two permanent buildings on it. One was a well enclosure and the other was little more than a high-walled pen. It didn't even have a roof. I set up camp and ate my dinner. In the wagon closest to me were a man, his wife and their three children. The kids were running around and playing, and one of them ran close to the high-walled pen. His father came and pulled him away. The kids weren't to blame for their parents, but when one of them said hello to me, I didn't even answer. I know how lousy I would feel if I had two or three brothers and sisters, but it didn't strike me until that moment that it wouldn't even seem out of the ordinary to these kids. Isn't that horrible? About the time I finished eating, and before it grew dark, the old man I had seen earlier in the day drove his wagon in. He fascinated me. He had white hair, something I had read about in stories but had never seen before. When nightfall came, they started a large fire. Everybody gathered around. There was singing for awhile, and then the father of the children tried to pack them off to bed. But they weren't ready to go, so the old man started telling them a story. In the old man's odd accent, and sitting there in the campfire light surrounded by darkness, it seemed just right. It was about an old witch named Baba Yaga who lived in the forest in a house that stood on chicken legs. She was the nasty stepmother of a nice little girl, and to get rid of the kid, she sent her on a phony errand into the deep dark woods at nightfall. I could appreciate the poor girl's position. All the little girl had to help her were the handkerchief, the comb and the pearl that she had inherited from her dear dead mother. But, as it turned out, they were just enough to defeat nasty old Baba Yaga and bring the girl safely home. I wished for the same for myself. The old man had just finished and they were starting to drag the kids off to bed when there was a commotion on the road at the edge of the camp. I looked but my eyes were adjusted to the light of the fire and I couldn't see far into the dark. A voice there said, "I'll be damned if I'll take another day like this one, Horst. We should have been here hours ago. It be your fault we're not." Horst growled a retort. I decided that it was time for me to leave the campfire. I got up and eased away as Horst and his men came up to the fire, and cut back to where Ninc was parked. I grabbed up my blankets and mattress and started to roll them up. I had a pretty good idea now what they used the high-walled pen for. I should have known that they would have to pen the animals up for the night. I should have used my head. I hadn't and now it was time to take leave. I never got the chance. I was just heaving the saddle up on Ninc when I felt a hand on my shoulder and I was swung around. "Well, well. Horst, look who we have here," he called. It was the one who'd made the joke about me being beneath the notice of a Losel. He was alone with me now, but with that call the others would be up fast. I brought the saddle around as hard as I could and then up, and he went down. He started to get up again, so I dropped the saddle on him and reached inside my jacket for my gun. Somebody grabbed me then from behind and pinned my arms to my side. I opened my mouth to scream—I have a good scream—but a rough smelly hand clamped down over it before I had a chance to get more than a lungful of air. I bit down hard—5000 lbs. psi, I'm told—but he didn't let me go. I started to kick, but Horst jerked me off my feet and dragged me off. When we were behind the pen and out of earshot of the fire, he stopped dragging me and dropped me in a heap. "Make any noise," he said, "and I'll hurt you." That was a silly way to put it, but somehow it said more than if he'd threatened to break my arm or my head. It left him a latitude of things to do if he pleased. He examined his hand. There was enough moonlight for that. "I ought to club you anyway," he said. The one I'd dropped the saddle on came up then. The others were putting the animals in the pen. He started to kick me, but Horst stopped him. "No," he said. "Look through the kid's gear, bring the horse and what we can use." The other one didn't move. "Get going, Jack," Horst said in a menacing tone and they stood toe to toe for a long moment before Jack finally backed down. It seemed to me that Horst wasn't so much objecting to me being kicked, but was rather establishing who did the kicking in his bunch. But I wasn't done yet. I was scared, but I still had the pistol under my jacket. Horst turned back to me and I said, "You can't do this and get away with it." He said, "Look, boy. You may not know it, but you be in a lot of trouble. So don't give me a hard time." He still thought I was a boy. It was not time to correct him, but I didn't like to see the point go unchallenged. It was unflattering. "The courts won't let you get away with this," I said. I'd passed a courthouse in the town with a carved motto over the doors: EQUAL JUSTICE UNDER THE LAW or TRUTH OUR SHIELD AND JUSTICE OUR SWORD or something stuffy like that. He laughed, not a phony, villian-type laugh, but a real laugh, so I knew I'd goofed. "Boy, boy. Don't talk about the courts. I be doing you a favor. I be taking what I can use of your gear, but I be letting you go. You go to court and they'll take everything and lock you up besides. I be leaving you your freedom." "Why would they be doing that?" I asked. I slipped my hand under my jacket. "Every time you open your mouth you shout that you be off one of the Ships," Horst said. "That be enough. They already have one of you brats in jail in Forton." I was about to bring my gun out when up came Jack leading Ninc, with all my stuff loaded on. I mentally thanked him. He said, "The kid's got some good equipment. But I can't make out what this be for." He held out my pickup signal. Horst looked at it, then handed it back. "Throw it away," he said. I leveled my gun at them—Hell on Wheels strikes again! I said, "Hand that over to me." Horst made a disgusted sound. "Don't make any noise," I said, "or you'll fry. Now hand it over." I stowed it away, then paused with one hand on the leather horn of the saddle. "What's the name of the kid in jail in Forton." "I can't remember," he said. "But it be coming to me. Hold on." I waited. Then suddenly my arm was hit a numbing blow from behind and the gun went flying. Jack pounced after it and Horst said, "Good enough," to the others who'd come up behind me. I felt like a fool. Horst stalked over and got the signal. He dropped it on the ground and said in a voice far colder than mine could ever be, because it was natural and mine wasn't, "The piece be yours." Then he tromped on it until it cracked and fell apart. Then he said, "Pull a gun on me twice. Twice." He slapped me so hard that my ears rang. "You dirty little punk." I said calmly, "You big louse." It was a time I would have done better to keep my mouth shut. All I can remember is a flash of pain as his fist crunched against the side of my face and then nothing. Brains are no good if you don't use them.

What did Mia have for siblings?

DOWN TO THE WORLDS OF MEN BY ALEXEI PANSHIN The ancient rule was sink or swim—swim in the miasma of a planet without spaceflight, or sink to utter destruction! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I The horses and packs were loaded before we went aboard the scoutship. The scout bay is no more than a great oversized airlock with a dozen small ships squatting over their tubes, but it was the last of the Ship that I might ever see, so I took a long final look from the top of the ramp. There were sixteen of us girls and thirteen boys. We took our places in the seats in the center of the scout. Riggy Allen made a joke that nobody bothered to laugh at, and then we were all silent. I was feeling lost and just beginning to enjoy it when Jimmy Dentremont came over to me. He's red-headed and has a face that makes him look about ten. An intelligent runt like me. He said what I expected. "Mia, do you want to go partners if we can get together when we get down?" I guess he thought that because we were always matched on study I liked him. Well, I did when I wasn't mad at him, but now I had that crack he'd made about being a snob in mind, so I said, "Not likely. I want to come back alive." It wasn't fair, but it was a good crack and he went back to his place without saying anything. My name is Mia Havero. I'm fourteen, of course, or I wouldn't be telling this. I'm short, dark and scrawny, though I don't expect that scrawniness to last much longer. Mother is very good looking. In the meantime, I've got brains as a consolation. After we were all settled, George Fuhonin, the pilot, raised the ramps. We sat there for five minutes while they bled air out of our tube and then we just ... dropped. My stomach turned flips. We didn't have to leave that way, but George thinks it's fun to be a hot pilot. Thinking it over, I was almost sorry I'd been stinking to Jimmy D. He's the only competition I have my own age. The trouble is, you don't go partners with the competition, do you? Besides, there was still that crack about being a snob. The planet chosen for our Trial was called Tintera. The last contact the Ship had had with it—and we were the ones who dropped them—was almost 150 years ago. No contact since. That had made the Council debate a little before they dropped us there, but they decided it was all right in the end. It didn't make any practical difference to us kids because they never tell you anything about the place they're going to drop you. All I knew was the name. I wouldn't have known that much if Daddy weren't Chairman of the Council. I felt like crawling in a corner of the ship and crying, but nobody else was breaking down, so I didn't. I did feel miserable. I cried when I said good-by to Mother and Daddy—a real emotional scene—but that wasn't in public. It wasn't the chance of not coming back that bothered me really, because I never believed that I wouldn't. The thought that made me unhappy was that I would have to be on a planet for a whole month. Planets make me feel wretched. The gravity is always wrong, for one thing. Either your arches and calves ache or every time you step you think you're going to trip on a piece of fluff and break your neck. There are vegetables everywhere and little grubby things just looking for you to crawl on. If you can think of anything creepier than that, you've got a real nasty imagination. Worst of all, planets stink. Every single one smells—I've been on enough to know that. A planet is all right for a Mud-eater, but not for me. We have a place in the Ship like that—the Third Level—but it's only a thousand square miles and any time it gets on your nerves you can go up a level or down a level and be back in civilization. When we reached Tintera, they started dropping us. We swung over the sea from the morning side and then dropped low over gray-green forested hills. Finally George spotted a clear area and dropped into it. They don't care what order you go in, so Jimmy D. jumped up, grabbed his gear and then led his horse down the ramp. I think he was still smarting from the slap I'd given him. In a minute we were airborne again. I wondered if I would ever see Jimmy—if he would get back alive. It's no game we play. When we turn fourteen, they drop us on the nearest colonized planet and come back one month later. That may sound like fun to you, but a lot of us never come back alive. Don't think I was helpless. I'm hell on wheels. They don't let us grow for fourteen years and then kick us out to die. They prepare us. They do figure, though, that if you can't keep yourself alive by the time you're fourteen, you're too stupid, foolish or unlucky to be any use to the Ship. There's sense behind it. It means that everybody on the Ship is a person who can take care of himself if he has to. Daddy says that something has to be done in a closed society to keep the population from decaying mentally and physically, and this is it. And it helps to keep the population steady. I began to check my gear out—sonic pistol, pickup signal so I could be found at the end of the month, saddle and cinches, food and clothes. Venie Morlock has got a crush on Jimmy D., and when she saw me start getting ready to go, she began to check her gear, too. At our next landing, I grabbed Ninc's reins and cut Venie out smoothly. It didn't have anything to do with Jimmy. I just couldn't stand to put off the bad moment any longer. The ship lifted impersonally away from Ninc and me like a rising bird, and in just a moment it was gone. Its gray-blue color was almost the color of the half-overcast sky, so I was never sure when I saw it last. II The first night was hell, I guess because I'm not used to having the lights out. That's when you really start to feel lonely, being alone in the dark. When the sun disappears, somehow you wonder in your stomach if it's really going to come back. But I lived through it—one day in thirty gone. I rode in a spiral search pattern during the next two days. I had three things in mind—stay alive, find people and find some of the others. The first was automatic. The second was to find out if there was a slot I could fit into for a month. If not, I would have to find a place to camp out, as nasty as that would be. The third was to join forces, though not with that meatball Jimmy D. No, he isn't really a meatball. The trouble is that I don't take nothing from nobody, especially him, and he doesn't take nothing from nobody, especially me. So we do a lot of fighting. I had a good month for Trial. My birthday is in November—too close to Year End Holiday for my taste, but this year it was all right. It was spring on Tintera, but it was December in the Ship, and after we got back we had five days of Holiday to celebrate. It gave me something to look forward to. In two days of riding, I ran onto nothing but a few odd-looking animals. I shot one small one and ate it. It turned out to taste pretty good, though not as good as a slice from Hambone No. 4, to my mind the best meat vat on the Ship. I've eaten things so gruey-looking that I wondered that anybody had the guts to try them in the first place and they've turned out to taste good. And I've seen things that looked good that I couldn't keep on my stomach. So I guess I was lucky. On the third day, I found the road. I brought Ninc down off the hillside, losing sight of the road in the trees, and then reaching it in the level below. It was narrow and made of sand spread over a hard base. Out of the marks in the sand, I could pick out the tracks of horses and both narrow and wide wheels. Other tracks I couldn't identify. One of the smartest moves in history was to include horses when they dropped the colonies. I say "they" because, while we did the actual dropping, the idea originated with the whole evac plan back on Earth. Considering how short a time it was in which the colonies were established, there was not time to set up industry, so they had to have draft animals. The first of the Great Ships was finished in 2025. One of the eight, as well as the two that were being built then, went up with everything else in the Solar System in 2041. In that sixteen years 112 colonies were planted. I don't know how many of those planets had animals that could have been substituted but, even if they had, they would have had to be domesticated from scratch. That would have been stupid. I'll bet that half the colonies would have failed if they hadn't had horses. We'd come in from the west over the ocean, so I traveled east on the road. That much water makes me nervous, and roads have to go somewhere. I came on my first travelers three hours later. I rounded a tree-lined bend, ducking an overhanging branch, and pulled Ninc to a stop. There were five men on horseback herding a bunch of the ugliest creatures alive. They were green and grotesque. They had squat bodies, long limbs and knobby bulges at their joints. They had square, flat animal masks for faces. But they walked on their hind legs and they had paws that were almost hands, and that was enough to make them seem almost human. They made a wordless, chilling, lowing sound as they milled and plodded along. I started Ninc up again and moved slowly to catch up with them. All the men on horseback had guns in saddle boots. They looked as nervous as cats with kittens. One of them had a string of packhorses on a line and he saw me and called to another who seemed to be the leader. That one wheeled his black horse and rode back toward me. He was a middle-aged man, maybe as old as my Daddy. He was large and he had a hard face. Normal enough, but hard. He pulled to a halt when we reached each other, but I kept going. He had to come around and follow me. I believe in judging a person by his face. A man can't help the face he owns, but he can help the expression he wears on it. If a man looks mean, I generally believe that he is. This one looked mean. That was why I kept riding. He said, "What be you doing out here, boy? Be you out of your head? There be escaped Losels in these woods." I told you I hadn't finished filling out yet, but I hadn't thought it was that bad. I wasn't ready to make a fight over the point, though. Generally, I can't keep my bloody mouth shut, but now I didn't say anything. It seemed smart. "Where be you from?" he asked. I pointed to the road behind us. "And where be you going?" I pointed ahead. No other way to go. He seemed exasperated. I have that effect sometimes. Even on Mother and Daddy, who should know better. We were coming up on the others now, and the man said, "Maybe you'd better ride on from here with us. For protection." He had an odd way of twisting his sounds, almost as though he had a mouthful of mush. I wondered whether he were just an oddball or whether everybody here spoke the same way. I'd never heard International English spoken any way but one, even on the planet Daddy made me visit with him. One of the other outriders came easing by then. I suppose they'd been watching us all the while. He called to the hard man. "He be awfully small, Horst. I doubt me a Losel'd even notice him at all. We mought as well throw him back again." The rider looked at me. When I didn't dissolve in terror as he expected, he shrugged and one of the other men laughed. The hard man said to the others, "This boy will be riding along with us to Forton for protection." I looked down at the plodding, unhappy creatures they were driving along and one looked back at me with dull, expressionless golden eyes. I felt uncomfortable. I said, "I don't think so." What the man did then surprised me. He said, "I do think so," and reached for the rifle in his saddle boot. I whipped my sonic pistol out so fast that he was caught leaning over with the rifle half out. His jaw dropped. He knew what I held and he didn't want to be fried. I said, "Ease your rifles out and drop them gently to the ground." They did, watching me all the while with wary expressions. When all the rifles were on the ground, I said, "All right, let's go." They didn't want to move. They didn't want to leave the rifles. I could see that. Horst didn't say anything. He just watched me with narrowed eyes. But one of the others held up a hand and in wheedling tones said, "Look here, kid...." "Shut up," I said, in as mean a voice as I could muster, and he did. It surprised me. I didn't think I sounded that mean. I decided he just didn't trust the crazy kid not to shoot. After twenty minutes of easy riding for us and hard walking for the creatures, I said, "If you want your rifles, you can go back and get them now." I dug my heels into Ninc's sides and rode on. At the next bend I looked back and saw four of them holding their packhorses and the creatures still while one beat a dust-raising retreat down the road. I put this episode in the "file and hold for analysis" section in my mind and rode on, feeling good. I think I even giggled once. Sometimes I even convince myself that I'm hell on wheels. III When I was nine, my Daddy gave me a painted wooden doll that my great-grandmother brought from Earth. The thing is that inside it, nestled one in another, are eleven more dolls, each one smaller than the last. I like to watch people when they open it for the first time. My face must have been like that as I rode along the road. The country leveled into a great rolling valley and the trees gave way to great farms and fields. In the fields, working, were some of the green creatures, which surprised me since the ones I'd seen before hadn't seemed smart enough to count to one, let alone do any work. But it relieved me. I thought they might have been eating them or something. I passed two crossroads and started to meet more people, but nobody questioned me. I met people on horseback, and twice I met trucks moving silently past. And I overtook a wagon driven by the oldest man I've seen in my life. He waved to me, and I waved back. Near the end of the afternoon I came to the town, and there I received a jolt that sickened me. By the time I came out on the other side, I was sick. My hands were cold and sweaty and my head was spinning, and I wanted to kick Ninc to a gallop. I rode slowly in, looking all around, missing nothing. The town was all stone, wood and brick. Out of date. Out of time, really. There were no machines more complicated than the trucks I'd seen earlier. At the edge of town, I passed a newspaper office with a headline pasted in the window—INVASION! I remember that. I wondered about it. But I looked most closely at the people. In all that town, I didn't see one girl over ten years old and no grown-up women at all. There were little kids, there were boys and there were men, but no girls. All the boys and men wore pants, and so did I, which must have been why Horst and his buddies assumed I was a boy. It wasn't flattering; but I decided I'd not tell anybody different until I found what made the clocks tick on this planet. But that wasn't what bothered me. It was the kids. My God! They swarmed. I saw a family come out of a house—a father and four children. It was the most foul thing I've ever seen. It struck me then—these people were Free Birthers! I felt a wave of nausea and I closed my eyes until it passed. The first thing you learn in school is that if it weren't for idiot and criminal people like these, Earth would never have been destroyed. The evacuation would never have had to take place, and eight billion people wouldn't have died. There wouldn't have been eight billion people. But, no. They bred and they spread and they devoured everything in their path like a cancer. They gobbled up all the resources that Earth had and crowded and shoved one another until the final war came. I am lucky. My great-great-grandparents were among those who had enough foresight to see what was coming. If it hadn't been for them and some others like them, there wouldn't be any humans left anywhere. And I wouldn't be here. That may not scare you, but it scares me. What happened before, when people didn't use their heads and wound up blowing the Solar System apart, is something nobody should forget. The older people don't let us forget. But these people had, and that the Council should know. For the first time since I landed on Tintera, I felt really frightened. There was too much going on that I didn't understand. I felt a blind urge to get away, and when I reached the edge of town, I whomped Ninc a good one and gave him his head. I let him run for almost a mile before I pulled him down to a walk again. I couldn't help wishing for Jimmy D. Whatever else he is, he's smart and brains I needed. How do you find out what's going on? Eavesdrop? That's a lousy method. For one thing, people can't be depended on to talk about the things you want to hear. For another, you're likely to get caught. Ask somebody? Who? Make the mistake of bracing a fellow like Horst and you might wind up with a sore head and an empty pocket. The best thing I could think of was to find a library, but that might be a job. I'd had two bad shocks on this day, but they weren't the last. In the late afternoon, when the sun was starting to sink and a cool wind was starting to ripple the tree leaves, I saw the scoutship high in the sky. The dying sun colored it a deep red. Back again? I wondered what had gone wrong. I reached down into my saddlebag and brought out my contact signal. The scoutship swung up in the sky in a familiar movement calculated to drop the stomach out of everybody aboard. George Fuhonin's style. I triggered the signal, my heart turning flips all the while. I didn't know why he was back, but I wasn't really sorry. The ship swung around until it was coming back on a path almost over my head, going in the same direction. Then it went into a slip and started bucking so hard that I knew this wasn't hot piloting at all, just plain idiot stutter-fingered stupidity at the controls. As it skidded by me overhead, I got a good look at it and knew that it wasn't one of ours. Not too different, but not ours. One more enigma. Where was it from? Not here. Even if you know how, and we wouldn't tell these Mud-eaters how, a scoutship is something that takes an advanced technology to build. I felt defeated and tired. Not much farther along the road, I came to a campsite with two wagons pulled in for the night, and I couldn't help but pull in myself. The campsite was large and had two permanent buildings on it. One was a well enclosure and the other was little more than a high-walled pen. It didn't even have a roof. I set up camp and ate my dinner. In the wagon closest to me were a man, his wife and their three children. The kids were running around and playing, and one of them ran close to the high-walled pen. His father came and pulled him away. The kids weren't to blame for their parents, but when one of them said hello to me, I didn't even answer. I know how lousy I would feel if I had two or three brothers and sisters, but it didn't strike me until that moment that it wouldn't even seem out of the ordinary to these kids. Isn't that horrible? About the time I finished eating, and before it grew dark, the old man I had seen earlier in the day drove his wagon in. He fascinated me. He had white hair, something I had read about in stories but had never seen before. When nightfall came, they started a large fire. Everybody gathered around. There was singing for awhile, and then the father of the children tried to pack them off to bed. But they weren't ready to go, so the old man started telling them a story. In the old man's odd accent, and sitting there in the campfire light surrounded by darkness, it seemed just right. It was about an old witch named Baba Yaga who lived in the forest in a house that stood on chicken legs. She was the nasty stepmother of a nice little girl, and to get rid of the kid, she sent her on a phony errand into the deep dark woods at nightfall. I could appreciate the poor girl's position. All the little girl had to help her were the handkerchief, the comb and the pearl that she had inherited from her dear dead mother. But, as it turned out, they were just enough to defeat nasty old Baba Yaga and bring the girl safely home. I wished for the same for myself. The old man had just finished and they were starting to drag the kids off to bed when there was a commotion on the road at the edge of the camp. I looked but my eyes were adjusted to the light of the fire and I couldn't see far into the dark. A voice there said, "I'll be damned if I'll take another day like this one, Horst. We should have been here hours ago. It be your fault we're not." Horst growled a retort. I decided that it was time for me to leave the campfire. I got up and eased away as Horst and his men came up to the fire, and cut back to where Ninc was parked. I grabbed up my blankets and mattress and started to roll them up. I had a pretty good idea now what they used the high-walled pen for. I should have known that they would have to pen the animals up for the night. I should have used my head. I hadn't and now it was time to take leave. I never got the chance. I was just heaving the saddle up on Ninc when I felt a hand on my shoulder and I was swung around. "Well, well. Horst, look who we have here," he called. It was the one who'd made the joke about me being beneath the notice of a Losel. He was alone with me now, but with that call the others would be up fast. I brought the saddle around as hard as I could and then up, and he went down. He started to get up again, so I dropped the saddle on him and reached inside my jacket for my gun. Somebody grabbed me then from behind and pinned my arms to my side. I opened my mouth to scream—I have a good scream—but a rough smelly hand clamped down over it before I had a chance to get more than a lungful of air. I bit down hard—5000 lbs. psi, I'm told—but he didn't let me go. I started to kick, but Horst jerked me off my feet and dragged me off. When we were behind the pen and out of earshot of the fire, he stopped dragging me and dropped me in a heap. "Make any noise," he said, "and I'll hurt you." That was a silly way to put it, but somehow it said more than if he'd threatened to break my arm or my head. It left him a latitude of things to do if he pleased. He examined his hand. There was enough moonlight for that. "I ought to club you anyway," he said. The one I'd dropped the saddle on came up then. The others were putting the animals in the pen. He started to kick me, but Horst stopped him. "No," he said. "Look through the kid's gear, bring the horse and what we can use." The other one didn't move. "Get going, Jack," Horst said in a menacing tone and they stood toe to toe for a long moment before Jack finally backed down. It seemed to me that Horst wasn't so much objecting to me being kicked, but was rather establishing who did the kicking in his bunch. But I wasn't done yet. I was scared, but I still had the pistol under my jacket. Horst turned back to me and I said, "You can't do this and get away with it." He said, "Look, boy. You may not know it, but you be in a lot of trouble. So don't give me a hard time." He still thought I was a boy. It was not time to correct him, but I didn't like to see the point go unchallenged. It was unflattering. "The courts won't let you get away with this," I said. I'd passed a courthouse in the town with a carved motto over the doors: EQUAL JUSTICE UNDER THE LAW or TRUTH OUR SHIELD AND JUSTICE OUR SWORD or something stuffy like that. He laughed, not a phony, villian-type laugh, but a real laugh, so I knew I'd goofed. "Boy, boy. Don't talk about the courts. I be doing you a favor. I be taking what I can use of your gear, but I be letting you go. You go to court and they'll take everything and lock you up besides. I be leaving you your freedom." "Why would they be doing that?" I asked. I slipped my hand under my jacket. "Every time you open your mouth you shout that you be off one of the Ships," Horst said. "That be enough. They already have one of you brats in jail in Forton." I was about to bring my gun out when up came Jack leading Ninc, with all my stuff loaded on. I mentally thanked him. He said, "The kid's got some good equipment. But I can't make out what this be for." He held out my pickup signal. Horst looked at it, then handed it back. "Throw it away," he said. I leveled my gun at them—Hell on Wheels strikes again! I said, "Hand that over to me." Horst made a disgusted sound. "Don't make any noise," I said, "or you'll fry. Now hand it over." I stowed it away, then paused with one hand on the leather horn of the saddle. "What's the name of the kid in jail in Forton." "I can't remember," he said. "But it be coming to me. Hold on." I waited. Then suddenly my arm was hit a numbing blow from behind and the gun went flying. Jack pounced after it and Horst said, "Good enough," to the others who'd come up behind me. I felt like a fool. Horst stalked over and got the signal. He dropped it on the ground and said in a voice far colder than mine could ever be, because it was natural and mine wasn't, "The piece be yours." Then he tromped on it until it cracked and fell apart. Then he said, "Pull a gun on me twice. Twice." He slapped me so hard that my ears rang. "You dirty little punk." I said calmly, "You big louse." It was a time I would have done better to keep my mouth shut. All I can remember is a flash of pain as his fist crunched against the side of my face and then nothing. Brains are no good if you don't use them.

Why did Mia begin to feel defeated and tired?

DOWN TO THE WORLDS OF MEN BY ALEXEI PANSHIN The ancient rule was sink or swim—swim in the miasma of a planet without spaceflight, or sink to utter destruction! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I The horses and packs were loaded before we went aboard the scoutship. The scout bay is no more than a great oversized airlock with a dozen small ships squatting over their tubes, but it was the last of the Ship that I might ever see, so I took a long final look from the top of the ramp. There were sixteen of us girls and thirteen boys. We took our places in the seats in the center of the scout. Riggy Allen made a joke that nobody bothered to laugh at, and then we were all silent. I was feeling lost and just beginning to enjoy it when Jimmy Dentremont came over to me. He's red-headed and has a face that makes him look about ten. An intelligent runt like me. He said what I expected. "Mia, do you want to go partners if we can get together when we get down?" I guess he thought that because we were always matched on study I liked him. Well, I did when I wasn't mad at him, but now I had that crack he'd made about being a snob in mind, so I said, "Not likely. I want to come back alive." It wasn't fair, but it was a good crack and he went back to his place without saying anything. My name is Mia Havero. I'm fourteen, of course, or I wouldn't be telling this. I'm short, dark and scrawny, though I don't expect that scrawniness to last much longer. Mother is very good looking. In the meantime, I've got brains as a consolation. After we were all settled, George Fuhonin, the pilot, raised the ramps. We sat there for five minutes while they bled air out of our tube and then we just ... dropped. My stomach turned flips. We didn't have to leave that way, but George thinks it's fun to be a hot pilot. Thinking it over, I was almost sorry I'd been stinking to Jimmy D. He's the only competition I have my own age. The trouble is, you don't go partners with the competition, do you? Besides, there was still that crack about being a snob. The planet chosen for our Trial was called Tintera. The last contact the Ship had had with it—and we were the ones who dropped them—was almost 150 years ago. No contact since. That had made the Council debate a little before they dropped us there, but they decided it was all right in the end. It didn't make any practical difference to us kids because they never tell you anything about the place they're going to drop you. All I knew was the name. I wouldn't have known that much if Daddy weren't Chairman of the Council. I felt like crawling in a corner of the ship and crying, but nobody else was breaking down, so I didn't. I did feel miserable. I cried when I said good-by to Mother and Daddy—a real emotional scene—but that wasn't in public. It wasn't the chance of not coming back that bothered me really, because I never believed that I wouldn't. The thought that made me unhappy was that I would have to be on a planet for a whole month. Planets make me feel wretched. The gravity is always wrong, for one thing. Either your arches and calves ache or every time you step you think you're going to trip on a piece of fluff and break your neck. There are vegetables everywhere and little grubby things just looking for you to crawl on. If you can think of anything creepier than that, you've got a real nasty imagination. Worst of all, planets stink. Every single one smells—I've been on enough to know that. A planet is all right for a Mud-eater, but not for me. We have a place in the Ship like that—the Third Level—but it's only a thousand square miles and any time it gets on your nerves you can go up a level or down a level and be back in civilization. When we reached Tintera, they started dropping us. We swung over the sea from the morning side and then dropped low over gray-green forested hills. Finally George spotted a clear area and dropped into it. They don't care what order you go in, so Jimmy D. jumped up, grabbed his gear and then led his horse down the ramp. I think he was still smarting from the slap I'd given him. In a minute we were airborne again. I wondered if I would ever see Jimmy—if he would get back alive. It's no game we play. When we turn fourteen, they drop us on the nearest colonized planet and come back one month later. That may sound like fun to you, but a lot of us never come back alive. Don't think I was helpless. I'm hell on wheels. They don't let us grow for fourteen years and then kick us out to die. They prepare us. They do figure, though, that if you can't keep yourself alive by the time you're fourteen, you're too stupid, foolish or unlucky to be any use to the Ship. There's sense behind it. It means that everybody on the Ship is a person who can take care of himself if he has to. Daddy says that something has to be done in a closed society to keep the population from decaying mentally and physically, and this is it. And it helps to keep the population steady. I began to check my gear out—sonic pistol, pickup signal so I could be found at the end of the month, saddle and cinches, food and clothes. Venie Morlock has got a crush on Jimmy D., and when she saw me start getting ready to go, she began to check her gear, too. At our next landing, I grabbed Ninc's reins and cut Venie out smoothly. It didn't have anything to do with Jimmy. I just couldn't stand to put off the bad moment any longer. The ship lifted impersonally away from Ninc and me like a rising bird, and in just a moment it was gone. Its gray-blue color was almost the color of the half-overcast sky, so I was never sure when I saw it last. II The first night was hell, I guess because I'm not used to having the lights out. That's when you really start to feel lonely, being alone in the dark. When the sun disappears, somehow you wonder in your stomach if it's really going to come back. But I lived through it—one day in thirty gone. I rode in a spiral search pattern during the next two days. I had three things in mind—stay alive, find people and find some of the others. The first was automatic. The second was to find out if there was a slot I could fit into for a month. If not, I would have to find a place to camp out, as nasty as that would be. The third was to join forces, though not with that meatball Jimmy D. No, he isn't really a meatball. The trouble is that I don't take nothing from nobody, especially him, and he doesn't take nothing from nobody, especially me. So we do a lot of fighting. I had a good month for Trial. My birthday is in November—too close to Year End Holiday for my taste, but this year it was all right. It was spring on Tintera, but it was December in the Ship, and after we got back we had five days of Holiday to celebrate. It gave me something to look forward to. In two days of riding, I ran onto nothing but a few odd-looking animals. I shot one small one and ate it. It turned out to taste pretty good, though not as good as a slice from Hambone No. 4, to my mind the best meat vat on the Ship. I've eaten things so gruey-looking that I wondered that anybody had the guts to try them in the first place and they've turned out to taste good. And I've seen things that looked good that I couldn't keep on my stomach. So I guess I was lucky. On the third day, I found the road. I brought Ninc down off the hillside, losing sight of the road in the trees, and then reaching it in the level below. It was narrow and made of sand spread over a hard base. Out of the marks in the sand, I could pick out the tracks of horses and both narrow and wide wheels. Other tracks I couldn't identify. One of the smartest moves in history was to include horses when they dropped the colonies. I say "they" because, while we did the actual dropping, the idea originated with the whole evac plan back on Earth. Considering how short a time it was in which the colonies were established, there was not time to set up industry, so they had to have draft animals. The first of the Great Ships was finished in 2025. One of the eight, as well as the two that were being built then, went up with everything else in the Solar System in 2041. In that sixteen years 112 colonies were planted. I don't know how many of those planets had animals that could have been substituted but, even if they had, they would have had to be domesticated from scratch. That would have been stupid. I'll bet that half the colonies would have failed if they hadn't had horses. We'd come in from the west over the ocean, so I traveled east on the road. That much water makes me nervous, and roads have to go somewhere. I came on my first travelers three hours later. I rounded a tree-lined bend, ducking an overhanging branch, and pulled Ninc to a stop. There were five men on horseback herding a bunch of the ugliest creatures alive. They were green and grotesque. They had squat bodies, long limbs and knobby bulges at their joints. They had square, flat animal masks for faces. But they walked on their hind legs and they had paws that were almost hands, and that was enough to make them seem almost human. They made a wordless, chilling, lowing sound as they milled and plodded along. I started Ninc up again and moved slowly to catch up with them. All the men on horseback had guns in saddle boots. They looked as nervous as cats with kittens. One of them had a string of packhorses on a line and he saw me and called to another who seemed to be the leader. That one wheeled his black horse and rode back toward me. He was a middle-aged man, maybe as old as my Daddy. He was large and he had a hard face. Normal enough, but hard. He pulled to a halt when we reached each other, but I kept going. He had to come around and follow me. I believe in judging a person by his face. A man can't help the face he owns, but he can help the expression he wears on it. If a man looks mean, I generally believe that he is. This one looked mean. That was why I kept riding. He said, "What be you doing out here, boy? Be you out of your head? There be escaped Losels in these woods." I told you I hadn't finished filling out yet, but I hadn't thought it was that bad. I wasn't ready to make a fight over the point, though. Generally, I can't keep my bloody mouth shut, but now I didn't say anything. It seemed smart. "Where be you from?" he asked. I pointed to the road behind us. "And where be you going?" I pointed ahead. No other way to go. He seemed exasperated. I have that effect sometimes. Even on Mother and Daddy, who should know better. We were coming up on the others now, and the man said, "Maybe you'd better ride on from here with us. For protection." He had an odd way of twisting his sounds, almost as though he had a mouthful of mush. I wondered whether he were just an oddball or whether everybody here spoke the same way. I'd never heard International English spoken any way but one, even on the planet Daddy made me visit with him. One of the other outriders came easing by then. I suppose they'd been watching us all the while. He called to the hard man. "He be awfully small, Horst. I doubt me a Losel'd even notice him at all. We mought as well throw him back again." The rider looked at me. When I didn't dissolve in terror as he expected, he shrugged and one of the other men laughed. The hard man said to the others, "This boy will be riding along with us to Forton for protection." I looked down at the plodding, unhappy creatures they were driving along and one looked back at me with dull, expressionless golden eyes. I felt uncomfortable. I said, "I don't think so." What the man did then surprised me. He said, "I do think so," and reached for the rifle in his saddle boot. I whipped my sonic pistol out so fast that he was caught leaning over with the rifle half out. His jaw dropped. He knew what I held and he didn't want to be fried. I said, "Ease your rifles out and drop them gently to the ground." They did, watching me all the while with wary expressions. When all the rifles were on the ground, I said, "All right, let's go." They didn't want to move. They didn't want to leave the rifles. I could see that. Horst didn't say anything. He just watched me with narrowed eyes. But one of the others held up a hand and in wheedling tones said, "Look here, kid...." "Shut up," I said, in as mean a voice as I could muster, and he did. It surprised me. I didn't think I sounded that mean. I decided he just didn't trust the crazy kid not to shoot. After twenty minutes of easy riding for us and hard walking for the creatures, I said, "If you want your rifles, you can go back and get them now." I dug my heels into Ninc's sides and rode on. At the next bend I looked back and saw four of them holding their packhorses and the creatures still while one beat a dust-raising retreat down the road. I put this episode in the "file and hold for analysis" section in my mind and rode on, feeling good. I think I even giggled once. Sometimes I even convince myself that I'm hell on wheels. III When I was nine, my Daddy gave me a painted wooden doll that my great-grandmother brought from Earth. The thing is that inside it, nestled one in another, are eleven more dolls, each one smaller than the last. I like to watch people when they open it for the first time. My face must have been like that as I rode along the road. The country leveled into a great rolling valley and the trees gave way to great farms and fields. In the fields, working, were some of the green creatures, which surprised me since the ones I'd seen before hadn't seemed smart enough to count to one, let alone do any work. But it relieved me. I thought they might have been eating them or something. I passed two crossroads and started to meet more people, but nobody questioned me. I met people on horseback, and twice I met trucks moving silently past. And I overtook a wagon driven by the oldest man I've seen in my life. He waved to me, and I waved back. Near the end of the afternoon I came to the town, and there I received a jolt that sickened me. By the time I came out on the other side, I was sick. My hands were cold and sweaty and my head was spinning, and I wanted to kick Ninc to a gallop. I rode slowly in, looking all around, missing nothing. The town was all stone, wood and brick. Out of date. Out of time, really. There were no machines more complicated than the trucks I'd seen earlier. At the edge of town, I passed a newspaper office with a headline pasted in the window—INVASION! I remember that. I wondered about it. But I looked most closely at the people. In all that town, I didn't see one girl over ten years old and no grown-up women at all. There were little kids, there were boys and there were men, but no girls. All the boys and men wore pants, and so did I, which must have been why Horst and his buddies assumed I was a boy. It wasn't flattering; but I decided I'd not tell anybody different until I found what made the clocks tick on this planet. But that wasn't what bothered me. It was the kids. My God! They swarmed. I saw a family come out of a house—a father and four children. It was the most foul thing I've ever seen. It struck me then—these people were Free Birthers! I felt a wave of nausea and I closed my eyes until it passed. The first thing you learn in school is that if it weren't for idiot and criminal people like these, Earth would never have been destroyed. The evacuation would never have had to take place, and eight billion people wouldn't have died. There wouldn't have been eight billion people. But, no. They bred and they spread and they devoured everything in their path like a cancer. They gobbled up all the resources that Earth had and crowded and shoved one another until the final war came. I am lucky. My great-great-grandparents were among those who had enough foresight to see what was coming. If it hadn't been for them and some others like them, there wouldn't be any humans left anywhere. And I wouldn't be here. That may not scare you, but it scares me. What happened before, when people didn't use their heads and wound up blowing the Solar System apart, is something nobody should forget. The older people don't let us forget. But these people had, and that the Council should know. For the first time since I landed on Tintera, I felt really frightened. There was too much going on that I didn't understand. I felt a blind urge to get away, and when I reached the edge of town, I whomped Ninc a good one and gave him his head. I let him run for almost a mile before I pulled him down to a walk again. I couldn't help wishing for Jimmy D. Whatever else he is, he's smart and brains I needed. How do you find out what's going on? Eavesdrop? That's a lousy method. For one thing, people can't be depended on to talk about the things you want to hear. For another, you're likely to get caught. Ask somebody? Who? Make the mistake of bracing a fellow like Horst and you might wind up with a sore head and an empty pocket. The best thing I could think of was to find a library, but that might be a job. I'd had two bad shocks on this day, but they weren't the last. In the late afternoon, when the sun was starting to sink and a cool wind was starting to ripple the tree leaves, I saw the scoutship high in the sky. The dying sun colored it a deep red. Back again? I wondered what had gone wrong. I reached down into my saddlebag and brought out my contact signal. The scoutship swung up in the sky in a familiar movement calculated to drop the stomach out of everybody aboard. George Fuhonin's style. I triggered the signal, my heart turning flips all the while. I didn't know why he was back, but I wasn't really sorry. The ship swung around until it was coming back on a path almost over my head, going in the same direction. Then it went into a slip and started bucking so hard that I knew this wasn't hot piloting at all, just plain idiot stutter-fingered stupidity at the controls. As it skidded by me overhead, I got a good look at it and knew that it wasn't one of ours. Not too different, but not ours. One more enigma. Where was it from? Not here. Even if you know how, and we wouldn't tell these Mud-eaters how, a scoutship is something that takes an advanced technology to build. I felt defeated and tired. Not much farther along the road, I came to a campsite with two wagons pulled in for the night, and I couldn't help but pull in myself. The campsite was large and had two permanent buildings on it. One was a well enclosure and the other was little more than a high-walled pen. It didn't even have a roof. I set up camp and ate my dinner. In the wagon closest to me were a man, his wife and their three children. The kids were running around and playing, and one of them ran close to the high-walled pen. His father came and pulled him away. The kids weren't to blame for their parents, but when one of them said hello to me, I didn't even answer. I know how lousy I would feel if I had two or three brothers and sisters, but it didn't strike me until that moment that it wouldn't even seem out of the ordinary to these kids. Isn't that horrible? About the time I finished eating, and before it grew dark, the old man I had seen earlier in the day drove his wagon in. He fascinated me. He had white hair, something I had read about in stories but had never seen before. When nightfall came, they started a large fire. Everybody gathered around. There was singing for awhile, and then the father of the children tried to pack them off to bed. But they weren't ready to go, so the old man started telling them a story. In the old man's odd accent, and sitting there in the campfire light surrounded by darkness, it seemed just right. It was about an old witch named Baba Yaga who lived in the forest in a house that stood on chicken legs. She was the nasty stepmother of a nice little girl, and to get rid of the kid, she sent her on a phony errand into the deep dark woods at nightfall. I could appreciate the poor girl's position. All the little girl had to help her were the handkerchief, the comb and the pearl that she had inherited from her dear dead mother. But, as it turned out, they were just enough to defeat nasty old Baba Yaga and bring the girl safely home. I wished for the same for myself. The old man had just finished and they were starting to drag the kids off to bed when there was a commotion on the road at the edge of the camp. I looked but my eyes were adjusted to the light of the fire and I couldn't see far into the dark. A voice there said, "I'll be damned if I'll take another day like this one, Horst. We should have been here hours ago. It be your fault we're not." Horst growled a retort. I decided that it was time for me to leave the campfire. I got up and eased away as Horst and his men came up to the fire, and cut back to where Ninc was parked. I grabbed up my blankets and mattress and started to roll them up. I had a pretty good idea now what they used the high-walled pen for. I should have known that they would have to pen the animals up for the night. I should have used my head. I hadn't and now it was time to take leave. I never got the chance. I was just heaving the saddle up on Ninc when I felt a hand on my shoulder and I was swung around. "Well, well. Horst, look who we have here," he called. It was the one who'd made the joke about me being beneath the notice of a Losel. He was alone with me now, but with that call the others would be up fast. I brought the saddle around as hard as I could and then up, and he went down. He started to get up again, so I dropped the saddle on him and reached inside my jacket for my gun. Somebody grabbed me then from behind and pinned my arms to my side. I opened my mouth to scream—I have a good scream—but a rough smelly hand clamped down over it before I had a chance to get more than a lungful of air. I bit down hard—5000 lbs. psi, I'm told—but he didn't let me go. I started to kick, but Horst jerked me off my feet and dragged me off. When we were behind the pen and out of earshot of the fire, he stopped dragging me and dropped me in a heap. "Make any noise," he said, "and I'll hurt you." That was a silly way to put it, but somehow it said more than if he'd threatened to break my arm or my head. It left him a latitude of things to do if he pleased. He examined his hand. There was enough moonlight for that. "I ought to club you anyway," he said. The one I'd dropped the saddle on came up then. The others were putting the animals in the pen. He started to kick me, but Horst stopped him. "No," he said. "Look through the kid's gear, bring the horse and what we can use." The other one didn't move. "Get going, Jack," Horst said in a menacing tone and they stood toe to toe for a long moment before Jack finally backed down. It seemed to me that Horst wasn't so much objecting to me being kicked, but was rather establishing who did the kicking in his bunch. But I wasn't done yet. I was scared, but I still had the pistol under my jacket. Horst turned back to me and I said, "You can't do this and get away with it." He said, "Look, boy. You may not know it, but you be in a lot of trouble. So don't give me a hard time." He still thought I was a boy. It was not time to correct him, but I didn't like to see the point go unchallenged. It was unflattering. "The courts won't let you get away with this," I said. I'd passed a courthouse in the town with a carved motto over the doors: EQUAL JUSTICE UNDER THE LAW or TRUTH OUR SHIELD AND JUSTICE OUR SWORD or something stuffy like that. He laughed, not a phony, villian-type laugh, but a real laugh, so I knew I'd goofed. "Boy, boy. Don't talk about the courts. I be doing you a favor. I be taking what I can use of your gear, but I be letting you go. You go to court and they'll take everything and lock you up besides. I be leaving you your freedom." "Why would they be doing that?" I asked. I slipped my hand under my jacket. "Every time you open your mouth you shout that you be off one of the Ships," Horst said. "That be enough. They already have one of you brats in jail in Forton." I was about to bring my gun out when up came Jack leading Ninc, with all my stuff loaded on. I mentally thanked him. He said, "The kid's got some good equipment. But I can't make out what this be for." He held out my pickup signal. Horst looked at it, then handed it back. "Throw it away," he said. I leveled my gun at them—Hell on Wheels strikes again! I said, "Hand that over to me." Horst made a disgusted sound. "Don't make any noise," I said, "or you'll fry. Now hand it over." I stowed it away, then paused with one hand on the leather horn of the saddle. "What's the name of the kid in jail in Forton." "I can't remember," he said. "But it be coming to me. Hold on." I waited. Then suddenly my arm was hit a numbing blow from behind and the gun went flying. Jack pounced after it and Horst said, "Good enough," to the others who'd come up behind me. I felt like a fool. Horst stalked over and got the signal. He dropped it on the ground and said in a voice far colder than mine could ever be, because it was natural and mine wasn't, "The piece be yours." Then he tromped on it until it cracked and fell apart. Then he said, "Pull a gun on me twice. Twice." He slapped me so hard that my ears rang. "You dirty little punk." I said calmly, "You big louse." It was a time I would have done better to keep my mouth shut. All I can remember is a flash of pain as his fist crunched against the side of my face and then nothing. Brains are no good if you don't use them.

What DIDN'T Mia learn at the campsite she located?

JUPITER'S JOKE By A. L. HALEY Casey Ritter, the guy who never turned down a dare, breathed a prayer to the gods of idiots and spacemen, and headed in toward the great red spot of terrible Jupiter. [Transcriber's Note: This etext was produced from Planet Stories Fall 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Those methane and ammonia planets, take it from me, they're the dead-end of creation, and why the Old Man ever thought them up I'll never know. I never thought I'd mess around any of them, but things can sure happen. A man can get himself backed into a corner in this little old solar system. It just ain't big enough for a gent of scope and talent; and the day the Solar System Customs caught me red-handed smuggling Kooleen crystals in from Mars, I knew I was in that corner, and sewed up tight. Sure, the crystals are deadly, but I was smuggling them legitimately, in a manner of speaking, for this doctor to experiment with. He wasn't going to sell them for dope. But—and this was the 'but' that was likely to deprive the System of my activities—even experimenting with them was illegal even if it needed to be done; also, I had promised not to rat on him before taking the job. Well, Casey Ritter may be a lot of things we won't mention, but he doesn't rat on his clients. So there I was, closeted with the ten members of the S.S. Customs Court, getting set to hear the gavel fall and the head man intone the sentence that would take me out of circulation for a long, long time. And instead, blast me, if they didn't foul me with this trip to good old Jupiter. I didn't get it at first. I'd argued with 'em, but inside I'd been all set for the sentence, and even sort of reconciled to it. I could even hear the words in my mind. But they didn't match what the judge was saying. I stood there gaping like a beached fish while I sorted it out. Then I croaked, "Jupiter! What for? Are you running outa space in stir? Want to choke me to death in chlorine instead?" Being civil to the court didn't seem important just then. Jupiter was worse than the pen, a lot worse. Jupiter was a death sentence. The senior judge rapped sharply with his gavel. He frowned me down and then nodded at the judge on his right. This bird, a little old hank of dried-up straw, joined his fingertips carefully, cleared his scrawny throat, and told me what for. "You've no doubt heard tales of the strange population of Jupiter," he said. "Every spaceman has, I am sure. Insect-like creatures who manifestly migrated there from some other system and who inhabit the Red Spot of the planet, floating in some kind of artificial anti-gravity field in the gaseous portion of the atmosphere—" I snorted. "Aw, hell, judge, that's just one of those screwy fairy tales! How could any—" The senior judge rapped ferociously, and I skidded to a halt. Our little story teller patiently cleared his skinny throat again. "I assure you it is no fairy tale. We possess well-authenticated photographs of these inhabitants, and if you are prepared to visit them and in some way worm from them the secret of their anti-gravity field, the government stands ready to issue you a full pardon as well as a substantial monetary reward. Your talents, Mr. Ritter, seem, shall we say, eminently suited to the task." He beamed at me. I looked around. They were all beaming. At me! Suddenly I smelled a rat as big as an elephant. That whole Kooleen caper: Had it been just a trap to lead me straight to this? I hadn't been able to figure how they'd cracked my setup.... At the thought my larynx froze up tight. This was worse than I'd thought. Government men trapping me and then beaming at me. And a full pardon. And a reward. Oh, no! I told myself, it wasn't possible. Not when I already had more counts against me than a cur has fleas. Not unless it was a straight suicide mission! I feebly massaged my throat. "Pictures?" I whispered. "Show me 'em." Crude, but it was all I could squeeze out. I squeezed out more when I saw those pictures, though. Those inhabitants were charming, just charming if you like scorpions. Well, a cross between a scorpion and a grasshopper, to be accurate. Floating among that red stuff, they showed up a kind of sickly purple turning to gangrene around the edges. The bleat of anguish that accompanied my first view of those beauties had taken my voice again. "How big?" I whispered. He shrugged, trying for nonchalance. "About the size of a man, I believe." I raised my shrinking head. "Take me to jail!" I said firmly, and collapsed onto my chair. A crafty-eyed buzzard across the table leaned toward me. "So this is the great Casey Ritter, daredevil of the Solar System!" he sneered. "Never loses a bet, never turns down a dare!" I shuddered. "You're telling that one! And besides, a man's got to draw the line somewhere. And I'm drawing it right here. Take me to jail!" They were really stumped. They hadn't expected me to take this attitude at all. No doubt they had it figured that I'd gratefully throw myself into a sea of ammonia among man-size scorpions just for the hell of it. Nuts! After all, in the pen a man can eat and breathe, and a guard won't reach in and nip off an arm or leg while he's got his back turned. How stupid could they get? When I finally wore them down and got to my little cell, I looked around it with a feeling of real coziness. I even patted the walls chummily and snapped a salute at the guard. It makes me grind my molars now to think of it. The way that bunch of stuffed shirts in the S.S.C. made a gold-barred chimpanzee out of me has broken my spirit and turned me into an honest trader. Me, Casey Ritter, slickest slicker in the Solar System, led like a precious infant right where I'd flatly refused to go! In plain English, I underestimated the enemy. Feeling safe and secure in the grip of the good old Iron College, I relaxed. At this strategic point, the enemy planted a stoolie on me. Not in my cell block. They were too smart for that. But we met at recreation, and his mug seemed familiar, like a wisp of smoke where no smoke has got a right to be; and after awhile I braced him. I was right. I'd met the shrimp before when I was wound up in an asteroid real estate racket. Pard Hoskins was his alias, and he had the tag of being a real slick operator. We swapped yarns for about a week when we met, and then I asked him what's his rap this trip. "Oh, a pretty good jolt if they can keep hold of me," he says. "I just made a pass at the Killicut Emeralds, that's all, and got nabbed." "Oh, no!" I moaned. "What were you trying to do, start a feud between us and Mars?" He shrugged, but his little black-currant eyes began to sparkle with real passion, the high voltage kind that only a woman in a million, or a million in a bank, can kindle in a guy. "Buddy," he said reverently, "I'd start more than that just to get me mitts on them stones again! Why, you ain't never seen jools till you've seen them! Big as hen's eggs, an even dozen of 'em; and flawless, I'm a-shoutin', not a flaw!" His eyes watered at the memory, yearning like a hound-dog's over a fresh scent. I couldn't believe it. Those emeralds were in the inner shrine of the super-sacred, super-secret temple of the cavern-dwelling tribe of Killicuts on Mars—the real aborigines. Bleachies, we call them, sort of contemptuously; but those Bleachies are a rough lot when they're mad, and if Pard had really got near those emeralds, he should be nothing but a heap of cleaned bones by now. Either he was the world's champion liar or its bravest son, and either way I took my hat off to him. "How'd you make the getaway?" I asked, taking him at his word. He looked loftily past me. "Sorry. Gotta keep that a secret. Likewise where I cached 'em." "Cached what?" "The rocks, stupe." I hardly heard the cut. "You mean you really did get away with them?" My jaw must've been hanging down a foot, because I'd just been playing along with him, not really believing him, and now all of a sudden I somehow knew that he'd really lifted those emeralds. But how? It was impossible. I'd investigated once myself. He nodded and then moved casually away. I looked up and saw a guard coming. That night I turned on my hard prison cot until my bones were so much jelly, trying to figure that steal. The next morning I got up burning with this fever for information, only to find that Pard had got himself put in solitary for mugging a guard, and that really put the heat on me. I chewed my fingernails down to the quick by the time he got out a week later. By that time he really had me hooked. I'd of sworn he was leveling with me. But he wouldn't tell me how he'd worked the steal. Instead, he opened up on the trade he'd booked for the string. He said, "When I chisel me way outa this squirrel cage, I'm gonna hit fer good old Jupe and sell 'em to Akroida. She's nuts about jools. What that old girl won't give me fer 'em—" He whistled appreciatively, thinking about it. "Jupiter!" I goggled at him. "Akroida! Who's she?" He looked at me as if I hadn't yet got out from under the rock where he was sure I'd been born. "Don't you know nothin', butterhead?" From him I took it. I even waited patiently till the master spoke again. The memory still makes me fry. "Akroida," he explained in his own sweet time, "is the queen-scorp of them idiotic scorpions that lives on Jupiter. I sold her the Halcyon Diamond that disappeared from the World Museum five years ago, remember?" He winked broadly. "It come from Mars in the first place, you know. Mars! What a place fer jools! Damn desert's lousy with 'em, if it wasn't so much trouble to dig 'em out—" He went off into a dream about the rocks on Mars but I jerked him back. "You mean those scorpions have really got brains?" "Brains!" he snorted. "Have they got brains! Why, they're smarter than people! And not ferocious, neither, in spite of how they look, if you just leave 'em alone. That's all they want, just to be left alone. Peace an' quiet, and lots of methane and ammonia and arsenic, that's fer them. Besides, the space suit rig you got to wear, they can't bite you. Akroida's not a bad old girl. Partial to arsenic on her lettuce, so I brought her a hundred pounds of the stuff, an' she went fer that almost like it was diamonds, too. Did I rate around there fer awhile!" He sighed regretfully. "But then I went and made her mad, an' I'm kinda persona non grata there right now. By the time I gnaw outa this here cheese trap, though, I figger she'll be all cooled off and ready fer them emeralds." I went back to my cot that night, and this time instead of biting my nails, I bit myself. So I faced it. Casey Ritter lost his nerve, and along with it, the chance of a lifetime. A better man than me had already penetrated the Great Red Spot of old Jupiter and come out alive. That thought ate me to the quick, and I began to wonder if it was too late, after all. I could hardly wait for morning to come, so that I could pry more information out of Pard Hoskins. But I didn't see Pard for a few days. And then, a week later, a group of lifers made a break that didn't jell, and the whole bunch was locked up in the blockhouse, the special building reserved for escapees. Pard Hoskins was in the bunch. He'd never get out of there, and he knew it. So did I. For three more days I worked down my knuckles, my nails being gone, while I sat around all hunched up, wondering feverishly if Pard would make a deal about those emeralds. Then I broke down and sent out a letter to the S.S.C. The Big Sneer of the conference table promptly dropped in on me, friendly as a bottle of strychnine. But for a lad headed for Jupiter that was good training, so I sneered right back at him, explained the caper, and we both paid a visit to Pard. In two days the deal was made and the caper set up. There were a few bits of info that Pard had to shell out, like where the emeralds were, and how to communicate with those scorpions, and how he'd made Akroida mad. "I put on a yeller slicker," he confessed sadly. "That there ammonia mist was eatin' into the finish on my spacesuit, so I draped this here slicker around me to sorta fancy up the rig before goin' in to an audience with the old rip." He shook his head slowly. "The kid that took me in was colorblind, so I didn't have no warning at all. I found out that them scorpions can't stand yeller. It just plain drives them nuts! Thought they'd chaw me up and spit me out into the chlorine before I could get outa the damn thing. If my colorblind pal hadn't helped me, they'd of done it, too. And Akroida claimed I done it a-purpose to upset her." Then he winked at me. "But then I got off in a corner and cooked up some perfume that drives them nuts the other way; sorta frantic with ecstasy, like the book says. Didn't have a chance to try it on Akroida, though. She wouldn't give me another audience. It's in the stuff they cleaned outa me room: a poiple bottle with a bright green stopper." He ruminated a few minutes. "Tell you what, chump. Make them shell out with a green an' poiple spacesuit—them's the real Jupiter colors—an' put just a touch o' that there perfume on the outside of it. Akroida'll do anything fer you if she just gets a whiff. Just anything! But remember, don't use but a drop. It's real powerful." II Real powerful, said the man. What an understatement! But the day I was set adrift in that sea of frozen ammonia clouds mixed with nice cozy methane gas I sure prayed for it to be powerful, and I clutched that tiny bottle like that boy Aladdin clutching his little old lamp. I'd had a lot of cooperation getting that far. An Earth patrol had slipped down onto the Red Desert of Mars and picked up the Killicut Emeralds from where Pard Hoskins had cached them; and safe out in space again, we had pored over that string of green headlights practically slobbering. But the Big Sneer of the S.S.C., the fellow that had got me into this caper, was right there to take the joy out of it all and to remind me that this was public service, strictly. "These—" he had proclaimed with a disdainful flourish, like a placer miner pointing to a batch of fool's gold—"These jewels are as nothing, Ritter, compared with the value of the secret you are to buy with them. And be assured that if you're man enough to effect the trade—" He paused, his long nose twitching cynically—"IF you succeed, your reward will be triple what you could get for them in any market. Added to which, IF you succeed, you will be a free man." That twitch of the nose riled me no little. "I ain't failed yet!" I snarled at him. "Just you wait till I do, feller!" I slipped the string of emeralds back into its little safe. "Instead of sniping at me, why don't you get that brain busy and set our rendezvous?" With that we got down to business and fixed a meeting point out on Jupiter's farthest moon; then they took me in to the edge of Jupiter's ice-cloud and turned me loose in a peanut of a space boat with old Jupe looming ahead bigger than all outdoors and the Red Spot dead ahead. I patted my pretty enameled suit, which was a study in paris green and passionate purple. I patted the three hundred pounds of arsenic crystals for Akroida and anyone else I might have to bribe. I anxiously examined my suit's air and water containers and the heating unit that would keep them in their proper state. I had already gone over the space boat. Yeah, I was as nervous as a cat with new kittens. Feeling again for my little bottle of horrid stench, I breathed a prayer to the god of idiots and spacemen, and headed in. The big ship was long gone, and I felt like a mighty small and naked microbe diving into the Pacific Ocean. That famous Red Spot was that big, too. It kept expanding until the whole universe was a fierce, raw luminous red. Out beyond it at first there had been fringes of snow-white frozen ammonia, but now it was all dyed redder than Mars. Then I took the plunge right into it. Surprise! The stuff was plants! Plants as big as meadows, bright red, floating around in those clouds of frozen ammonia like seaweed! Then I noticed that the ammonia around them wasn't frozen any more and peeked at the outside thermometer I couldn't believe it. It was above zero. Then I forgot about the temperature because it dawned on me that I was lost. I couldn't see a thing but drifting ammonia fog and those tangles of red floating plants like little islands all around. Cutting down the motor, I eased along. But my green boat must have showed up like a lighthouse in all that red, because it wasn't long until I spotted a purple and green hopper-scorp traveling straight toward me, sort of rowing along with a pair of stubby wings. He didn't seem to be making much effort, even though he was climbing vertically up from the planet. In fact, he didn't seem to be climbing at all but just going along horizontally. There just wasn't any up or down in that crazy place. It must be that anti-grav field, I concluded. The air was getting different, too, now that I was further in. I'm no chemist, and I couldn't have gotten out there to experiment if I had been, but those plants were certainly doing something to that ammonia and methane. The fog thinned, for one thing, and the temperature rose to nearly forty. Meanwhile the hopper-scorp reached the ship. Hastily I squirted some of my Scorpion-Come-Hither lure on the chest of my spacesuit, opened the lock, and popped out, brave as could be. Face to face with that thing, though, I nearly lost my grip on the handle. In fact, I'd have fainted dead away right there if Pard Hoskins hadn't been there already and lived. If that little shrimp could do it, I could, too. I braced up and tapped out the greeting Pard had taught me. My fiendish-looking opponent tapped right back, inquiring why the hell I was back so soon when I knew that Akroida was all set to carve me into steaks for just any meal. But the tone was friendly and even intimate—or rather, the taps were. There was even a rather warm expression discernible in the thing's eyes, so I took heart and decided to ignore the ferocious features surrounding those eyes. After all, the poor sinner's map was made of shell, and he wasn't responsible for its expression. I tapped back very politely that he must be mistaking me for someone else. "I've never been here before, and so I've never met the charming lady," I informed him. "However, I have something very special in the way of jewels—not with me, naturally—and the rumor is that she might be interested." He reared back at that, and reaching up, plucked his right eye out of the socket and reeled it out to the end of a two-foot tentacle, and then he examined me with it just like an old-time earl with one of those things they called monocles. Pard hadn't warned me about those removable eyes, for reasons best known to himself. I still wake up screaming.... Anyway, when that thing pulled out its eye and held it toward me, I backed up against the side of the ship like I'd been half-electrocuted. Then I gagged. But I could still remember that I had to live in that suit for awhile, so I held on. Then that monstrosity reeled in the eye, and I gagged again. My actions didn't bother him a bit. "Jewels, did you say?" he tapped out thoughtfully, just like an ordinary business man, and I managed to tap out yes. He drifted closer; close enough to get a whiff.... A shudder of ecstasy stiffened him. His head and eyes rolled with it, and he wafted closer still. Right there I began to harbor a premonition that there might be such a thing as being too popular in Scorpdom, but I thrust this sneak-thief idea back into limbo. Taking advantage of his condition, I boldly tapped out, "How's about taking me on a guided tour through this red spinach patch to Akroida, old pal?" Or words to that effect. He lolled his hideous cranium practically on my shoulder. "Anything! Just anything you desire, my dearest friend." I tried to back off from him a bit, but the ship stopped me. "I'm Casey Ritter. What's your label, chum?" "Attaboy," he ticked coyly. "Attaboy?" Things blurred around me. It couldn't be. It was just plain nuts. Then I got a glimmer through my paralyzed gray matter. "Who named you that?" He simpered. "My dear friend, Pard Hoskins." I breathed again. How simple could I get? He'd already mistaken me for Pard, hadn't he? Then I remembered something else. "How come you aren't mad at him? Don't you hate yellow, too?" He hung his silly head. "I fear I am colorblind," he confessed sadly. Right there I forgave him for pulling that eye on me. He was the guide I needed, the one who had got Pard out alive. I almost hugged him. "Lead off, old pal," I sang out, and then had to tap it. "I'll follow in my boat." Well, I'd met the first of the brood and was still alive. Not only alive but loved and cherished, thanks to Pard's inventiveness and to a kindly fate which had sent Pard's old pal my way. A great man, Pard Hoskins. How had he made friends with the brute in the first place? Being once more inside my spaceboat, I raised my helmet, which was like one of those head-pieces they used to put on suits of armor instead of the usual plastic bubble. And it was rigged out with phony antennae and mandibles and other embellishments calculated to interest my hosts. Whether it interested them or not, it was plenty uncomfortable for me. Peeking out the porthole I saw that my guide was fidgeting and looking over his shoulder at my ship, so I eased in the controls and edge after him. To my surprise a vapor shot out of a box that I had taken for a natural lump on his back, and he darted away from me. I opened the throttle and tore after him among the immense red blobs that were now beginning to be patterned with dozens of green-and-purple scorpions, all busy filling huge baskets with buds and tendrils, no doubt. Other scorpions oared and floated about in twos and threes in a free and peaceable manner that almost made me forget that I was scared to death of them, and they stared at my boat with only a mild interest that would have taught manners to most of my fellow citizens of Earth. It wasn't until we had covered some two hundred miles of this that something began to loom out of the mist, and I forgot the playboys and the field workers. It loomed higher and higher. Then we burst out into a clearing several miles in diameter, and I saw the structure clearly. It was red, like everything else in this screwy place, and could only have been built out of compressed blocks of the red plant. In shape it was a perfect octagon. It hung poised in the center of the cleared space, suspended on nothing. It had to be at least a mile in diameter, and its sides were pierced with thousands of openings through which its nightmare occupants appeared and disappeared, drifting in and out like they had all the time in the world. I stared until my eyeballs felt paralyzed. Pard was right again. These critters had brains. And my S.S.C. persecutor was right, too. That anti-grav secret was worth more than any string of rocks in the system, including the Killicut Emeralds. Then I swallowed hard. Attaboy was leading me straight across to a window. Closing my helmet, my fingers fumbled badly. My brain was fumbling, too. "Zero hour, chump!" it told me, and I shuddered. Picking up the first hundred pounds of the arsenic, I wobbled over to the airlock. III That palace was like nothing on earth. Naturally, you'll say, it's on Jupiter. But I mean it was even queerer than that. It was like no building on any planet at all. And, in fact, it wasn't on a planet; it was floating up there only two hundred miles in from the raw edge of space. In that building everything stayed right where it was put. If it was put twelve or fifty feet up off the floor, it stayed there. Not that there wasn't gravity. There was plenty of gravity to suit me—just right, in fact—and still they had furniture sitting around in the air as solid as if on a floor. Which was fine for flying hopper-scorps, but what about Casey Ritter, who hadn't cultivated even a feather? Attaboy, however, had the answers for everything. Towing me from the airlock to the window ledge, he again sniffed that delectable odor on my chest, caressed me with his front pair of legs while I manfully endured, and then without warning tossed me onto his back above the little box and flew off with me along a tunnel with luminous red walls. We finally came to the central hall of the palace, and at the sight of all that space dropping away, I clutched at his shell and nearly dropped the arsenic. But he didn't have any brakes I could grab, so he just flew out into mid-air in a room that could have swallowed a city block, skyscrapers and all. It was like a mammoth red cavern, and it glowed like the inside of a red light. No wonder those scorpions like green and purple. What a relief from all that red! A patch in the middle of the hall became a floating platform holding up a divan twenty feet square covered with stuff as green as new spring grass, and in the center of this reclined Akroida. It had to be. Who else could look like that? No one, believe me, boys and girls, no one! Our little Akroida was a pure and peculiarly violent purple—not a green edge anywhere. She was even more purple than my fancy enameled space suit, and she was big enough to comfortably fill most of that twenty-foot couch. To my shrinking eyes right then she looked as big as a ten-ton cannon and twice as mean and dangerous. She was idly nipping here and there as though she was just itching to take a hunk out of somebody, and the way the servants were edging away out around her, I could see they didn't want to get in range. I didn't blame them a bit. Under the vicious sag of her Roman nose, her mandibles kept grinding, shaking the jewels that were hung all over her repulsive carcass, and making the Halcyon Diamond on her chest blaze like a bonfire. Attaboy dumped me onto a floating cushion where I lay clutching and shuddering away from her and from the void all around me, and went across to her alone with the arsenic. Akroida rose up sort of languidly on an elbow that was all stripped bone and sharp as a needle. She pulled an eyeball out about a yard and scanned Attaboy and the box. He closed in to the couch all hunched over, ducked his head humbly half-a-dozen times, and pushed the box over beside her. Akroida eased her eyeball back, opened the box and sniffed, and then turned to Attaboy with a full-blown Satanic grin. I could hear her question reverberate away over where I was. "Who from?" asked Akroida. That conversation was telegraphed to me blow by blow by the actions of those hopper-scorps. I didn't need their particular brand of Morse Code at all. "Who from?" Attaboy cringed lower and blushed a purple all-over blush. "Dear lady, it is from an interspace trader who possesses some truly remarkable jewels," he confessed coyly. Akroida toyed with the Halcyon Diamond and ignored the bait. "His name?" she demanded. And when he told her, with a bad stutter in his code, she reared up higher on her skinny elbow and glared in my direction. "Casey Ritter? Never heard of him. Where's he from?" Well, after all, she wasn't blind. He had to confess. "I—uh—the stones were so amazing, Royal Akroida, that I didn't pay much attention to the—uh—trader. He does seem to resemble an—ah—earthman." He ducked his head and fearfully waited. A sort of jerking quiver ran through Akroida. She reared up even higher. Her mean Roman nose twitched. "An earthman? Like Pard Hoskins?" Attaboy shrank smaller and smaller. He could only nod dumbly. The storm broke, all right. That old dame let out a scream like a maddened stallion and began to thrash around and flail her couch with that dragon's tail of hers.

What wouldn't Casey say to describe himself?