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fatmaElsafoury2022

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like 1

It 's obvious ( Je-Gyu is ) trying for poetry

what he gets instead has all the lyricism of a limerick scrawled in a public restroom .

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a bilingual charmer , just like the woman who inspired it

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In the real world , an actor this uncharismatically beautiful would have a résumé loaded with credits like `` Girl in Bar # 3 . ''

0.36

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His work transcends the boy-meets-girl posturing of typical love stories .

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Schneidermeister ... Makin ' a fool of himself ... Losin ' his fan base ...

0.29

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So vivid a portrait of a woman consumed by lust and love and crushed by betrayal that it conjures up the intoxicating fumes and emotional ghosts of a freshly painted Rembrandt .

0.82

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My goodness , Queen Latifah has a lot to offer and she seemed to have no problem flaunting her natural gifts .

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Ourside the theatre Roger might be intolerable company , but inside it he 's well worth spending some time with .

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Savvy director Robert J. Siegel and his co-writers keep the story subtle and us in suspense .

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Davis is funny , charming and quirky in her feature film acting debut as Amy .

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But his showboating wise-cracker stock persona sure is getting old .

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Caviezel embodies the transformation of his character completely .

0.78

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Egoyan 's work often elegantly considers various levels of reality and uses shifting points of view , but here he has constructed a film so labyrinthine that it defeats his larger purpose .

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Welles groupie\/scholar Peter Bogdanovich took a long time to do it , but he 's finally provided his own broadside at publishing giant William Randolph Hearst .

0.61

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Salma goes native and she 's never been better in this colorful bio-pic of a Mexican icon .

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Mr. Goyer 's loose , unaccountable direction is technically sophisticated in the worst way .

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As if trying to grab a lump of Play-Doh , the harder that Liman tries to squeeze his story , the more details slip out between his fingers .

0.26

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She 's not yet an actress , not quite a singer ...

0.42

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The movie is loaded with good intentions , but in his zeal to squeeze the action and our emotions into the all-too-familiar dramatic arc of the Holocaust escape story , Minac drains his movie of all individuality .

0.38

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Barney throws away the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull .

0.22

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Ultimately , Jane learns her place as a girl , softens up and loses some of the intensity that made her an interesting character to begin with .

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( Newton ) wanders through CHARLIE completely unaware she needs to show some presence and star quality .

0.24

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The best that can be said about the work here of Scottish director Ritchie ... is that he obviously does n't have his heart in it .

0.31

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For his first attempt at film noir , Spielberg presents a fascinating but flawed look at the near future .

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It 's Tommy 's job to clean the peep booths surrounding her , and after viewing this one , you 'll feel like mopping up , too .

0.26

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However clever Nelson has been in providing variation within the confines of her structure and staging , the question remains whether this should , indeed , have been presented as a theatrical release .

0.49

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In ( screenwriter ) Charlie Kaufman 's world , truth and fiction are equally strange , and his for the taking .

0.42

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I do n't know if Frailty will turn Bill Paxton into an A-list director , but he can rest contentedly with the knowledge that he 's made at least one damn fine horror movie .

0.67

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Director-chef Gabriele Muccino keeps it fast -- zippy , comin ' at ya -- as if fearing that his film is molto superficiale .

0.46

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Lee 's achievement extends to his supple understanding of the role that Brown played in American culture as an athlete , a movie star , and an image of black indomitability .

0.62

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He just wants them to be part of the action , the wallpaper of his chosen reality .

0.61

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The filmmakers wisely decided to let Crocodile Hunter Steve Irwin do what he does best , and fashion a story around him .

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Demme gets a lot of flavor and spice into his Charade remake , but he ca n't disguise that he 's spiffing up leftovers that are n't so substantial or fresh .

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( Carvey 's ) characters are both overplayed and exaggerated , but then again , subtlety has never been his trademark .

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It 's a drag how Nettelbeck sees working women -- or at least this working woman -- for whom she shows little understanding .

0.11

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Damon brings the proper conviction to his role as ( Jason Bourne ) .

0.69

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Ze movie starts out so funny , then she is nothing .

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Gooding is the energetic frontman , and it 's hard to resist his enthusiasm , even if the filmmakers come up with nothing original in the way of slapstick sequences .

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The problem is that rather than dramatizing this premise , Mr. Desplechin is content to state it .

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For the future , one hopes Mr. Plympton will find room for one more member of his little band , a professional screenwriter .

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That Haynes can both maintain and dismantle the facades that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace .

0.82

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Morton uses her face and her body language to bring us Morvern 's soul , even though the character is almost completely deadpan .

0.71

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A limp Eddie Murphy vehicle that even he seems embarrassed to be part of .

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Once one experiences Mr. Haneke 's own sadistic tendencies toward his audience , one is left with a sour taste in one 's mouth , and little else .

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But he loses his focus when he concentrates on any single person .

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Demme finally succeeds in diminishing his stature from Oscar-winning master to lowly studio hack .

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Though few will argue that it ranks with the best of Herzog 's works , Invincible shows he 's back in form , with an astoundingly rich film .

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But that 's just the problem with it - the director has n't added enough of his own ingredients .

0.38

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Campanella 's competent direction and his excellent cast overcome the obstacles of a predictable outcome and a screenplay that glosses over Rafael 's evolution .

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With Spy Kids 2 : The Island of Lost Dreams , however , Robert Rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking .

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You might not want to hang out with Samantha , but you 'll probably see a bit of yourself in her unfinished story .

0.64

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It 's clear that Mehta simply wanted to update her beloved genre for the thousands of Indians who fancy themselves too sophisticated for the cheese-laced spectacles that pack 'em in on the subcontinent .

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Hardman is a grating , mannered onscreen presence , which is especially unfortunate in light of the fine work done by most of the rest of her cast .

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Ignoring that , he made Swimfan anyway

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Majidi gets uniformly engaging performances from his largely amateur cast .

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Japan 's premier stylist of sex and blood hits audiences with what may be his most demented film to date .

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His best film remains his shortest , The Hole , which makes many of the points that this film does but feels less repetitive .

0.56

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( Lee ) treats his audience the same way that Jim Brown treats his women -- as dumb , credulous , unassuming , subordinate subjects .

0.15

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Liman , of Swingers and Go , makes his big-budget action film debut something of a clunker as he delivers a long , low-heat chase , interrupted by a middling car chase .

0.29

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Mostly , ( Goldbacher ) just lets her complicated characters be unruly , confusing and , through it all , human .

0.64

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When Perry fists a bull at the Moore Farm , it 's only a matter of time before he gets the upper hand in matters of the heart .

0.56

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So refreshingly incisive is Grant that for the first time he 'll probably appeal more to guys than to their girlfriends who drag them to this movie for the Hugh factor .

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MacDowell ... gives give a solid , anguished performance that eclipses nearly everything else she 's ever done .

0.83

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Maggie Smith as the Ya-Ya member with the O2-tank will absolutely crack you up with her crass , then gasp for gas , verbal deportment .

0.83

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This is an egotistical endeavor from the daughter of horror director Dario Argento ( a producer here ) , but her raw performance and utter fearlessness make it strangely magnetic .

0.74

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It 's hard to imagine Alan Arkin being better than he is in this performance .

0.79

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Director Roger Michell does so many of the little things right that it 's difficult not to cuss him out severely for bungling the big stuff .

0.42

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Noyce creates a film of near-hypnotic physical beauty even as he tells a story as horrifying as any in the heart-breakingly extensive annals of white-on-black racism .

0.6

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Her delivery and timing are flawless .

0.99

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To the filmmakers , Ivan is a prince of a fellow , but he comes across as shallow and glib though not mean-spirited , and there 's no indication that he 's been responsible for putting together any movies of particular value or merit .

0.22

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Director Tom Dey demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut Shanghai Noon , but Showtime 's uninspired send-up of TV cop show cliches mostly leaves him shooting blanks .

0.71

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Affleck merely creates an outline for a role he still needs to grow into , a role that Ford effortlessly filled with authority .

0.58

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Feels like the work of someone who may indeed have finally aged past his prime ... and , perhaps more than he realizes , just wants to be liked by the people who can still give him work .

0.31

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I highly recommend Irwin , but not in the way this film showcases him .

0.58

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As is often the case with ambitious , eager first-time filmmakers , Mr. Murray , a prolific director of music videos , stuffs his debut with more plot than it can comfortably hold .

0.35

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( Hayek ) throws herself into this dream Hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with Molina and she gradually makes us believe she is Kahlo .

0.85

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... a cute and sometimes side-splittingly funny blend of Legally Blonde and Drop Dead Gorgeous , starring Piper Perabo in what could be her breakthrough role .

0.85

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The difference between Cho and most comics is that her confidence in her material is merited .

0.61

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Despite her relentless vim and winsome facial symmetry , Witherspoon is just too dialed-up to be America 's Sweetheart .

0.4

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directed in a flashy , empty sub-music video style by a director so self-possessed he actually adds a period to his first name

0.44

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He has not learnt that storytelling is what the movies are about .

0.19

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It 's ( Ricci 's ) best work yet , this girl-woman who sincerely believes she can thwart the world 's misery with blind good will .

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However stale the material , Lawrence 's delivery remains perfect ; his great gift is that he can actually trick you into thinking some of this worn-out , pandering palaver is actually funny .

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About Amy 's cuteness , Amy 's career success ( she 's a best-selling writer of self-help books who ca n't help herself ) , and Amy 's neuroses when it comes to men .

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Is n't it a bit early in his career for director Barry Sonnenfeld to do a homage to himself ?

0.28

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No cute factor here ... Not that I mind ugly ; the problem is he has no character , loveable or otherwise .

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Jones helps breathe some life into the insubstantial plot , but even he is overwhelmed by predictability .

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Bisset delivers a game performance , but she is unable to save the movie .

0.57

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Brosnan gives a portrayal as solid and as perfect as his outstanding performance as Bond in Die Another Day .

0.81

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He thinks the film is just as much a document about him as it is about the subject .

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Birot creates a drama with such a well-defined sense of place and age -- as in , 15 years old -- that the torments and angst become almost as operatic to us as they are to her characters .

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As if to prove a female director can make a movie with no soft edges , Kathryn Bigelow offers no sugar-coating or interludes of lightness .

0.69

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See it for his performance if nothing else .

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He does this so well you do n't have the slightest difficulty accepting him in the role .

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Without heavy-handedness , Dong provides perspective with his intelligent grasp of human foibles and contradictions .

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Ms. Phoenix is completely lacking in charm and charisma , and is unable to project either Esther 's initial anomie or her eventual awakening .

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And he allows a gawky actor like Spall -- who could too easily become comic relief in any other film -- to reveal his impressively delicate range .

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Despite Hoffman 's best efforts , Wilson remains a silent , lumpish cipher ; his encounters reveal nothing about who he is or who he was before .

0.43

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Bright seems alternately amused and disgusted with this material , and he ca n't help throwing in a few of his own touches .

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The banter between Calvin and his fellow barbers feels like a streetwise McLaughlin Group ... and never fails to entertain .

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