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/m/05wdvv | Steven (Hugo Stiglitz), a US-born Mexican businessman, arrives in a Mexican fishing/resort village for a vacation on a yacht anchored off shore. One of the local fishermen and the caretaker of the yacht, Colorado (Roberto Guzmán), takes Steven with him when he goes to haul in the sharks he has caught. Colorado is annoyed to learn that another shark has taken a huge bite out of one of his captured sharks. Steven says he feels bad for the sharks, then shrugs, "that's life". He then decides to scope to local beaches for sexy women. He sets his sights on Patricia (Fiona Lewis), an Englishwoman on vacation. They have a whirlwind romance but break up when Steven can not decide if he is in love with her. Steven is extremely jealous, however, when she begins a relationship with Miguel (Andrés GarcÃa) a womanizing swimming instructor at the nearby resort hotel. While Steven stews on the yacht, Patricia and Miguel have sex. Then she goes skinny dipping in the ocean for a morning swim and is eaten by a large, apparently emphysemic, 19-foot-long (5.8 m) tiger shark.
The next day, Steven confronts Miguel in the hotel bar. Miguel tells Steven that Patricia was in love with Steven but she must have returned to England. Neither Steve or Miguel ever learn about her true fate. Miguel introduces Steven to two sisters, Kelly and Cynthia Madison (Jennifer Ashley and Laura Lyons) who are American college students who have arrived on the island resort for some fun. They have a double date and, on the sisters' suggestions, swim to the yacht for some skinny-dipping. The shark's heavy, labored breathing can clearly be heard but they make it to the boat safely. Kelly and Cynthia hop back and forth between Miguel's and Steven's beds. They all swim back to shore the next morning and the submerged tiger shark again chooses not to bother them.
Miguel encourages Steven to live a carefree, womanizing life like he does. Steven agrees. They even start a shark hunting business, swimming out to sea and shooting whatever swims past them, from local blue sharks to lemon sharks. Miguel tells Steven that if a tiger shark ever appears, they must immediately get out of the water because tiger sharks or tintoreras are too dangerous to even attempt to hunt.
One night, Miguel and Steven meet Gabriella (Susan George) another young English tourist at the hotel bar. The three of them decide to have a triad; Gabriella will be sexually involved with both of them, but they won't fall in love with her, or she with them. They tour the local Mayan archaeological sites together, then retire back to the yacht for sex. Miguel and Steven take Gabriella shark hunting with them. She is appalled by what they do, but admits her feelings for them have become powerful, and as such apparently forgets her distaste. The next time the three go shark hunting, the large tiger shark appears and rips Miguel in half. Steven is bummed out, but Gabriella is so upset that she decides to leave Cancún and return to England.
Steven vows revenge on the shark. He enlists the local coast guard and fishermen in a campaign to kill the tiger shark and seemingly every other shark in the sea. Colorado is disturbed that Steven viciously beats the sharks that he has caught with a club. "I hate the bastards", Steven tells him. Colorado assures him that so many sharks have been killed, the tiger shark must have been one of them. Meanwhile, unbeknown to Steven or Colorado, the tiger shark attacks another small fishing boat and eats two fishermen.
Steven goes to a nighttime beach party with Kelly, Cynthia and two other American women he met in a bar (Priscilla Barnes and Pamela Garner). After the party ends, Kelly and Cynthia suggest everyone skinny dip again. This time, however, the tiger shark attacks, ripping Cynthia from Steven's arms as he tries to make out with her in the water as well as injuring the other two women, both of whom safely make it ashore. Steven contacts Mr. Madison (Carlos East) who comes to the village to collect Kelly. Steven vows to kill the shark himself.
That evening, Steven lures the shark with a devilfish he has speared for the occasion, and when he hears the shark's rasping approach shoots it with a speargun which has an explosive capsule on the tip. The shark rips off Steven's arm but is finally destroyed by the explosive, which detonates it in a large underwater blast of blood and guts.
Steven awakens in a hospital room, sans his right arm, thinking happy thoughts about his triad with Gabriella and Miguel. | Tintorera | b2bfd8c5-ede2-50f1-b160-92603f10ceb9 | What rips Miguel in half? | [
"the large tiger shark"
] | false |
/m/05wdvv | Steven (Hugo Stiglitz), a US-born Mexican businessman, arrives in a Mexican fishing/resort village for a vacation on a yacht anchored off shore. One of the local fishermen and the caretaker of the yacht, Colorado (Roberto Guzmán), takes Steven with him when he goes to haul in the sharks he has caught. Colorado is annoyed to learn that another shark has taken a huge bite out of one of his captured sharks. Steven says he feels bad for the sharks, then shrugs, "that's life". He then decides to scope to local beaches for sexy women. He sets his sights on Patricia (Fiona Lewis), an Englishwoman on vacation. They have a whirlwind romance but break up when Steven can not decide if he is in love with her. Steven is extremely jealous, however, when she begins a relationship with Miguel (Andrés GarcÃa) a womanizing swimming instructor at the nearby resort hotel. While Steven stews on the yacht, Patricia and Miguel have sex. Then she goes skinny dipping in the ocean for a morning swim and is eaten by a large, apparently emphysemic, 19-foot-long (5.8 m) tiger shark.
The next day, Steven confronts Miguel in the hotel bar. Miguel tells Steven that Patricia was in love with Steven but she must have returned to England. Neither Steve or Miguel ever learn about her true fate. Miguel introduces Steven to two sisters, Kelly and Cynthia Madison (Jennifer Ashley and Laura Lyons) who are American college students who have arrived on the island resort for some fun. They have a double date and, on the sisters' suggestions, swim to the yacht for some skinny-dipping. The shark's heavy, labored breathing can clearly be heard but they make it to the boat safely. Kelly and Cynthia hop back and forth between Miguel's and Steven's beds. They all swim back to shore the next morning and the submerged tiger shark again chooses not to bother them.
Miguel encourages Steven to live a carefree, womanizing life like he does. Steven agrees. They even start a shark hunting business, swimming out to sea and shooting whatever swims past them, from local blue sharks to lemon sharks. Miguel tells Steven that if a tiger shark ever appears, they must immediately get out of the water because tiger sharks or tintoreras are too dangerous to even attempt to hunt.
One night, Miguel and Steven meet Gabriella (Susan George) another young English tourist at the hotel bar. The three of them decide to have a triad; Gabriella will be sexually involved with both of them, but they won't fall in love with her, or she with them. They tour the local Mayan archaeological sites together, then retire back to the yacht for sex. Miguel and Steven take Gabriella shark hunting with them. She is appalled by what they do, but admits her feelings for them have become powerful, and as such apparently forgets her distaste. The next time the three go shark hunting, the large tiger shark appears and rips Miguel in half. Steven is bummed out, but Gabriella is so upset that she decides to leave Cancún and return to England.
Steven vows revenge on the shark. He enlists the local coast guard and fishermen in a campaign to kill the tiger shark and seemingly every other shark in the sea. Colorado is disturbed that Steven viciously beats the sharks that he has caught with a club. "I hate the bastards", Steven tells him. Colorado assures him that so many sharks have been killed, the tiger shark must have been one of them. Meanwhile, unbeknown to Steven or Colorado, the tiger shark attacks another small fishing boat and eats two fishermen.
Steven goes to a nighttime beach party with Kelly, Cynthia and two other American women he met in a bar (Priscilla Barnes and Pamela Garner). After the party ends, Kelly and Cynthia suggest everyone skinny dip again. This time, however, the tiger shark attacks, ripping Cynthia from Steven's arms as he tries to make out with her in the water as well as injuring the other two women, both of whom safely make it ashore. Steven contacts Mr. Madison (Carlos East) who comes to the village to collect Kelly. Steven vows to kill the shark himself.
That evening, Steven lures the shark with a devilfish he has speared for the occasion, and when he hears the shark's rasping approach shoots it with a speargun which has an explosive capsule on the tip. The shark rips off Steven's arm but is finally destroyed by the explosive, which detonates it in a large underwater blast of blood and guts.
Steven awakens in a hospital room, sans his right arm, thinking happy thoughts about his triad with Gabriella and Miguel. | Tintorera | 6cbce457-5117-2ffd-c33c-1c786f301018 | Steven kills the shark with a speargun armed with what weapon? | [
"An explosive capsule"
] | false |
/m/05wdvv | Steven (Hugo Stiglitz), a US-born Mexican businessman, arrives in a Mexican fishing/resort village for a vacation on a yacht anchored off shore. One of the local fishermen and the caretaker of the yacht, Colorado (Roberto Guzmán), takes Steven with him when he goes to haul in the sharks he has caught. Colorado is annoyed to learn that another shark has taken a huge bite out of one of his captured sharks. Steven says he feels bad for the sharks, then shrugs, "that's life". He then decides to scope to local beaches for sexy women. He sets his sights on Patricia (Fiona Lewis), an Englishwoman on vacation. They have a whirlwind romance but break up when Steven can not decide if he is in love with her. Steven is extremely jealous, however, when she begins a relationship with Miguel (Andrés GarcÃa) a womanizing swimming instructor at the nearby resort hotel. While Steven stews on the yacht, Patricia and Miguel have sex. Then she goes skinny dipping in the ocean for a morning swim and is eaten by a large, apparently emphysemic, 19-foot-long (5.8 m) tiger shark.
The next day, Steven confronts Miguel in the hotel bar. Miguel tells Steven that Patricia was in love with Steven but she must have returned to England. Neither Steve or Miguel ever learn about her true fate. Miguel introduces Steven to two sisters, Kelly and Cynthia Madison (Jennifer Ashley and Laura Lyons) who are American college students who have arrived on the island resort for some fun. They have a double date and, on the sisters' suggestions, swim to the yacht for some skinny-dipping. The shark's heavy, labored breathing can clearly be heard but they make it to the boat safely. Kelly and Cynthia hop back and forth between Miguel's and Steven's beds. They all swim back to shore the next morning and the submerged tiger shark again chooses not to bother them.
Miguel encourages Steven to live a carefree, womanizing life like he does. Steven agrees. They even start a shark hunting business, swimming out to sea and shooting whatever swims past them, from local blue sharks to lemon sharks. Miguel tells Steven that if a tiger shark ever appears, they must immediately get out of the water because tiger sharks or tintoreras are too dangerous to even attempt to hunt.
One night, Miguel and Steven meet Gabriella (Susan George) another young English tourist at the hotel bar. The three of them decide to have a triad; Gabriella will be sexually involved with both of them, but they won't fall in love with her, or she with them. They tour the local Mayan archaeological sites together, then retire back to the yacht for sex. Miguel and Steven take Gabriella shark hunting with them. She is appalled by what they do, but admits her feelings for them have become powerful, and as such apparently forgets her distaste. The next time the three go shark hunting, the large tiger shark appears and rips Miguel in half. Steven is bummed out, but Gabriella is so upset that she decides to leave Cancún and return to England.
Steven vows revenge on the shark. He enlists the local coast guard and fishermen in a campaign to kill the tiger shark and seemingly every other shark in the sea. Colorado is disturbed that Steven viciously beats the sharks that he has caught with a club. "I hate the bastards", Steven tells him. Colorado assures him that so many sharks have been killed, the tiger shark must have been one of them. Meanwhile, unbeknown to Steven or Colorado, the tiger shark attacks another small fishing boat and eats two fishermen.
Steven goes to a nighttime beach party with Kelly, Cynthia and two other American women he met in a bar (Priscilla Barnes and Pamela Garner). After the party ends, Kelly and Cynthia suggest everyone skinny dip again. This time, however, the tiger shark attacks, ripping Cynthia from Steven's arms as he tries to make out with her in the water as well as injuring the other two women, both of whom safely make it ashore. Steven contacts Mr. Madison (Carlos East) who comes to the village to collect Kelly. Steven vows to kill the shark himself.
That evening, Steven lures the shark with a devilfish he has speared for the occasion, and when he hears the shark's rasping approach shoots it with a speargun which has an explosive capsule on the tip. The shark rips off Steven's arm but is finally destroyed by the explosive, which detonates it in a large underwater blast of blood and guts.
Steven awakens in a hospital room, sans his right arm, thinking happy thoughts about his triad with Gabriella and Miguel. | Tintorera | 6e268497-5c6c-60fb-605b-d7651954f372 | Miguel and Steven are partners in what type of business? | [
"Shark Hunting"
] | false |
/m/05wdvv | Steven (Hugo Stiglitz), a US-born Mexican businessman, arrives in a Mexican fishing/resort village for a vacation on a yacht anchored off shore. One of the local fishermen and the caretaker of the yacht, Colorado (Roberto Guzmán), takes Steven with him when he goes to haul in the sharks he has caught. Colorado is annoyed to learn that another shark has taken a huge bite out of one of his captured sharks. Steven says he feels bad for the sharks, then shrugs, "that's life". He then decides to scope to local beaches for sexy women. He sets his sights on Patricia (Fiona Lewis), an Englishwoman on vacation. They have a whirlwind romance but break up when Steven can not decide if he is in love with her. Steven is extremely jealous, however, when she begins a relationship with Miguel (Andrés GarcÃa) a womanizing swimming instructor at the nearby resort hotel. While Steven stews on the yacht, Patricia and Miguel have sex. Then she goes skinny dipping in the ocean for a morning swim and is eaten by a large, apparently emphysemic, 19-foot-long (5.8 m) tiger shark.
The next day, Steven confronts Miguel in the hotel bar. Miguel tells Steven that Patricia was in love with Steven but she must have returned to England. Neither Steve or Miguel ever learn about her true fate. Miguel introduces Steven to two sisters, Kelly and Cynthia Madison (Jennifer Ashley and Laura Lyons) who are American college students who have arrived on the island resort for some fun. They have a double date and, on the sisters' suggestions, swim to the yacht for some skinny-dipping. The shark's heavy, labored breathing can clearly be heard but they make it to the boat safely. Kelly and Cynthia hop back and forth between Miguel's and Steven's beds. They all swim back to shore the next morning and the submerged tiger shark again chooses not to bother them.
Miguel encourages Steven to live a carefree, womanizing life like he does. Steven agrees. They even start a shark hunting business, swimming out to sea and shooting whatever swims past them, from local blue sharks to lemon sharks. Miguel tells Steven that if a tiger shark ever appears, they must immediately get out of the water because tiger sharks or tintoreras are too dangerous to even attempt to hunt.
One night, Miguel and Steven meet Gabriella (Susan George) another young English tourist at the hotel bar. The three of them decide to have a triad; Gabriella will be sexually involved with both of them, but they won't fall in love with her, or she with them. They tour the local Mayan archaeological sites together, then retire back to the yacht for sex. Miguel and Steven take Gabriella shark hunting with them. She is appalled by what they do, but admits her feelings for them have become powerful, and as such apparently forgets her distaste. The next time the three go shark hunting, the large tiger shark appears and rips Miguel in half. Steven is bummed out, but Gabriella is so upset that she decides to leave Cancún and return to England.
Steven vows revenge on the shark. He enlists the local coast guard and fishermen in a campaign to kill the tiger shark and seemingly every other shark in the sea. Colorado is disturbed that Steven viciously beats the sharks that he has caught with a club. "I hate the bastards", Steven tells him. Colorado assures him that so many sharks have been killed, the tiger shark must have been one of them. Meanwhile, unbeknown to Steven or Colorado, the tiger shark attacks another small fishing boat and eats two fishermen.
Steven goes to a nighttime beach party with Kelly, Cynthia and two other American women he met in a bar (Priscilla Barnes and Pamela Garner). After the party ends, Kelly and Cynthia suggest everyone skinny dip again. This time, however, the tiger shark attacks, ripping Cynthia from Steven's arms as he tries to make out with her in the water as well as injuring the other two women, both of whom safely make it ashore. Steven contacts Mr. Madison (Carlos East) who comes to the village to collect Kelly. Steven vows to kill the shark himself.
That evening, Steven lures the shark with a devilfish he has speared for the occasion, and when he hears the shark's rasping approach shoots it with a speargun which has an explosive capsule on the tip. The shark rips off Steven's arm but is finally destroyed by the explosive, which detonates it in a large underwater blast of blood and guts.
Steven awakens in a hospital room, sans his right arm, thinking happy thoughts about his triad with Gabriella and Miguel. | Tintorera | 78136d3c-a3c7-95c3-c267-eca9a978619a | What is the name of the Englishwoman who is eaten alive by a tiger shark? | [
"Her name is Patricia."
] | false |
/m/05wdvv | Steven (Hugo Stiglitz), a US-born Mexican businessman, arrives in a Mexican fishing/resort village for a vacation on a yacht anchored off shore. One of the local fishermen and the caretaker of the yacht, Colorado (Roberto Guzmán), takes Steven with him when he goes to haul in the sharks he has caught. Colorado is annoyed to learn that another shark has taken a huge bite out of one of his captured sharks. Steven says he feels bad for the sharks, then shrugs, "that's life". He then decides to scope to local beaches for sexy women. He sets his sights on Patricia (Fiona Lewis), an Englishwoman on vacation. They have a whirlwind romance but break up when Steven can not decide if he is in love with her. Steven is extremely jealous, however, when she begins a relationship with Miguel (Andrés GarcÃa) a womanizing swimming instructor at the nearby resort hotel. While Steven stews on the yacht, Patricia and Miguel have sex. Then she goes skinny dipping in the ocean for a morning swim and is eaten by a large, apparently emphysemic, 19-foot-long (5.8 m) tiger shark.
The next day, Steven confronts Miguel in the hotel bar. Miguel tells Steven that Patricia was in love with Steven but she must have returned to England. Neither Steve or Miguel ever learn about her true fate. Miguel introduces Steven to two sisters, Kelly and Cynthia Madison (Jennifer Ashley and Laura Lyons) who are American college students who have arrived on the island resort for some fun. They have a double date and, on the sisters' suggestions, swim to the yacht for some skinny-dipping. The shark's heavy, labored breathing can clearly be heard but they make it to the boat safely. Kelly and Cynthia hop back and forth between Miguel's and Steven's beds. They all swim back to shore the next morning and the submerged tiger shark again chooses not to bother them.
Miguel encourages Steven to live a carefree, womanizing life like he does. Steven agrees. They even start a shark hunting business, swimming out to sea and shooting whatever swims past them, from local blue sharks to lemon sharks. Miguel tells Steven that if a tiger shark ever appears, they must immediately get out of the water because tiger sharks or tintoreras are too dangerous to even attempt to hunt.
One night, Miguel and Steven meet Gabriella (Susan George) another young English tourist at the hotel bar. The three of them decide to have a triad; Gabriella will be sexually involved with both of them, but they won't fall in love with her, or she with them. They tour the local Mayan archaeological sites together, then retire back to the yacht for sex. Miguel and Steven take Gabriella shark hunting with them. She is appalled by what they do, but admits her feelings for them have become powerful, and as such apparently forgets her distaste. The next time the three go shark hunting, the large tiger shark appears and rips Miguel in half. Steven is bummed out, but Gabriella is so upset that she decides to leave Cancún and return to England.
Steven vows revenge on the shark. He enlists the local coast guard and fishermen in a campaign to kill the tiger shark and seemingly every other shark in the sea. Colorado is disturbed that Steven viciously beats the sharks that he has caught with a club. "I hate the bastards", Steven tells him. Colorado assures him that so many sharks have been killed, the tiger shark must have been one of them. Meanwhile, unbeknown to Steven or Colorado, the tiger shark attacks another small fishing boat and eats two fishermen.
Steven goes to a nighttime beach party with Kelly, Cynthia and two other American women he met in a bar (Priscilla Barnes and Pamela Garner). After the party ends, Kelly and Cynthia suggest everyone skinny dip again. This time, however, the tiger shark attacks, ripping Cynthia from Steven's arms as he tries to make out with her in the water as well as injuring the other two women, both of whom safely make it ashore. Steven contacts Mr. Madison (Carlos East) who comes to the village to collect Kelly. Steven vows to kill the shark himself.
That evening, Steven lures the shark with a devilfish he has speared for the occasion, and when he hears the shark's rasping approach shoots it with a speargun which has an explosive capsule on the tip. The shark rips off Steven's arm but is finally destroyed by the explosive, which detonates it in a large underwater blast of blood and guts.
Steven awakens in a hospital room, sans his right arm, thinking happy thoughts about his triad with Gabriella and Miguel. | Tintorera | f780cda4-b83f-820a-4e27-cbf2a528c716 | What does Colonado take Steven with him to haul in? | [
"sharks he has caught"
] | false |
/m/05wdvv | Steven (Hugo Stiglitz), a US-born Mexican businessman, arrives in a Mexican fishing/resort village for a vacation on a yacht anchored off shore. One of the local fishermen and the caretaker of the yacht, Colorado (Roberto Guzmán), takes Steven with him when he goes to haul in the sharks he has caught. Colorado is annoyed to learn that another shark has taken a huge bite out of one of his captured sharks. Steven says he feels bad for the sharks, then shrugs, "that's life". He then decides to scope to local beaches for sexy women. He sets his sights on Patricia (Fiona Lewis), an Englishwoman on vacation. They have a whirlwind romance but break up when Steven can not decide if he is in love with her. Steven is extremely jealous, however, when she begins a relationship with Miguel (Andrés GarcÃa) a womanizing swimming instructor at the nearby resort hotel. While Steven stews on the yacht, Patricia and Miguel have sex. Then she goes skinny dipping in the ocean for a morning swim and is eaten by a large, apparently emphysemic, 19-foot-long (5.8 m) tiger shark.
The next day, Steven confronts Miguel in the hotel bar. Miguel tells Steven that Patricia was in love with Steven but she must have returned to England. Neither Steve or Miguel ever learn about her true fate. Miguel introduces Steven to two sisters, Kelly and Cynthia Madison (Jennifer Ashley and Laura Lyons) who are American college students who have arrived on the island resort for some fun. They have a double date and, on the sisters' suggestions, swim to the yacht for some skinny-dipping. The shark's heavy, labored breathing can clearly be heard but they make it to the boat safely. Kelly and Cynthia hop back and forth between Miguel's and Steven's beds. They all swim back to shore the next morning and the submerged tiger shark again chooses not to bother them.
Miguel encourages Steven to live a carefree, womanizing life like he does. Steven agrees. They even start a shark hunting business, swimming out to sea and shooting whatever swims past them, from local blue sharks to lemon sharks. Miguel tells Steven that if a tiger shark ever appears, they must immediately get out of the water because tiger sharks or tintoreras are too dangerous to even attempt to hunt.
One night, Miguel and Steven meet Gabriella (Susan George) another young English tourist at the hotel bar. The three of them decide to have a triad; Gabriella will be sexually involved with both of them, but they won't fall in love with her, or she with them. They tour the local Mayan archaeological sites together, then retire back to the yacht for sex. Miguel and Steven take Gabriella shark hunting with them. She is appalled by what they do, but admits her feelings for them have become powerful, and as such apparently forgets her distaste. The next time the three go shark hunting, the large tiger shark appears and rips Miguel in half. Steven is bummed out, but Gabriella is so upset that she decides to leave Cancún and return to England.
Steven vows revenge on the shark. He enlists the local coast guard and fishermen in a campaign to kill the tiger shark and seemingly every other shark in the sea. Colorado is disturbed that Steven viciously beats the sharks that he has caught with a club. "I hate the bastards", Steven tells him. Colorado assures him that so many sharks have been killed, the tiger shark must have been one of them. Meanwhile, unbeknown to Steven or Colorado, the tiger shark attacks another small fishing boat and eats two fishermen.
Steven goes to a nighttime beach party with Kelly, Cynthia and two other American women he met in a bar (Priscilla Barnes and Pamela Garner). After the party ends, Kelly and Cynthia suggest everyone skinny dip again. This time, however, the tiger shark attacks, ripping Cynthia from Steven's arms as he tries to make out with her in the water as well as injuring the other two women, both of whom safely make it ashore. Steven contacts Mr. Madison (Carlos East) who comes to the village to collect Kelly. Steven vows to kill the shark himself.
That evening, Steven lures the shark with a devilfish he has speared for the occasion, and when he hears the shark's rasping approach shoots it with a speargun which has an explosive capsule on the tip. The shark rips off Steven's arm but is finally destroyed by the explosive, which detonates it in a large underwater blast of blood and guts.
Steven awakens in a hospital room, sans his right arm, thinking happy thoughts about his triad with Gabriella and Miguel. | Tintorera | 732f3b47-5da6-1ca5-7232-f46aa57147ae | Who goes to a nighttime beach party with Kelly, Cynthia, and two other women? | [
"Steven goes with them."
] | false |
/m/05wdvv | Steven (Hugo Stiglitz), a US-born Mexican businessman, arrives in a Mexican fishing/resort village for a vacation on a yacht anchored off shore. One of the local fishermen and the caretaker of the yacht, Colorado (Roberto Guzmán), takes Steven with him when he goes to haul in the sharks he has caught. Colorado is annoyed to learn that another shark has taken a huge bite out of one of his captured sharks. Steven says he feels bad for the sharks, then shrugs, "that's life". He then decides to scope to local beaches for sexy women. He sets his sights on Patricia (Fiona Lewis), an Englishwoman on vacation. They have a whirlwind romance but break up when Steven can not decide if he is in love with her. Steven is extremely jealous, however, when she begins a relationship with Miguel (Andrés GarcÃa) a womanizing swimming instructor at the nearby resort hotel. While Steven stews on the yacht, Patricia and Miguel have sex. Then she goes skinny dipping in the ocean for a morning swim and is eaten by a large, apparently emphysemic, 19-foot-long (5.8 m) tiger shark.
The next day, Steven confronts Miguel in the hotel bar. Miguel tells Steven that Patricia was in love with Steven but she must have returned to England. Neither Steve or Miguel ever learn about her true fate. Miguel introduces Steven to two sisters, Kelly and Cynthia Madison (Jennifer Ashley and Laura Lyons) who are American college students who have arrived on the island resort for some fun. They have a double date and, on the sisters' suggestions, swim to the yacht for some skinny-dipping. The shark's heavy, labored breathing can clearly be heard but they make it to the boat safely. Kelly and Cynthia hop back and forth between Miguel's and Steven's beds. They all swim back to shore the next morning and the submerged tiger shark again chooses not to bother them.
Miguel encourages Steven to live a carefree, womanizing life like he does. Steven agrees. They even start a shark hunting business, swimming out to sea and shooting whatever swims past them, from local blue sharks to lemon sharks. Miguel tells Steven that if a tiger shark ever appears, they must immediately get out of the water because tiger sharks or tintoreras are too dangerous to even attempt to hunt.
One night, Miguel and Steven meet Gabriella (Susan George) another young English tourist at the hotel bar. The three of them decide to have a triad; Gabriella will be sexually involved with both of them, but they won't fall in love with her, or she with them. They tour the local Mayan archaeological sites together, then retire back to the yacht for sex. Miguel and Steven take Gabriella shark hunting with them. She is appalled by what they do, but admits her feelings for them have become powerful, and as such apparently forgets her distaste. The next time the three go shark hunting, the large tiger shark appears and rips Miguel in half. Steven is bummed out, but Gabriella is so upset that she decides to leave Cancún and return to England.
Steven vows revenge on the shark. He enlists the local coast guard and fishermen in a campaign to kill the tiger shark and seemingly every other shark in the sea. Colorado is disturbed that Steven viciously beats the sharks that he has caught with a club. "I hate the bastards", Steven tells him. Colorado assures him that so many sharks have been killed, the tiger shark must have been one of them. Meanwhile, unbeknown to Steven or Colorado, the tiger shark attacks another small fishing boat and eats two fishermen.
Steven goes to a nighttime beach party with Kelly, Cynthia and two other American women he met in a bar (Priscilla Barnes and Pamela Garner). After the party ends, Kelly and Cynthia suggest everyone skinny dip again. This time, however, the tiger shark attacks, ripping Cynthia from Steven's arms as he tries to make out with her in the water as well as injuring the other two women, both of whom safely make it ashore. Steven contacts Mr. Madison (Carlos East) who comes to the village to collect Kelly. Steven vows to kill the shark himself.
That evening, Steven lures the shark with a devilfish he has speared for the occasion, and when he hears the shark's rasping approach shoots it with a speargun which has an explosive capsule on the tip. The shark rips off Steven's arm but is finally destroyed by the explosive, which detonates it in a large underwater blast of blood and guts.
Steven awakens in a hospital room, sans his right arm, thinking happy thoughts about his triad with Gabriella and Miguel. | Tintorera | d40f19a4-566f-4dac-feb5-086760767745 | What does Steven use to lure the shark? | [
"with a devilfish"
] | false |
/m/05wdvv | Steven (Hugo Stiglitz), a US-born Mexican businessman, arrives in a Mexican fishing/resort village for a vacation on a yacht anchored off shore. One of the local fishermen and the caretaker of the yacht, Colorado (Roberto Guzmán), takes Steven with him when he goes to haul in the sharks he has caught. Colorado is annoyed to learn that another shark has taken a huge bite out of one of his captured sharks. Steven says he feels bad for the sharks, then shrugs, "that's life". He then decides to scope to local beaches for sexy women. He sets his sights on Patricia (Fiona Lewis), an Englishwoman on vacation. They have a whirlwind romance but break up when Steven can not decide if he is in love with her. Steven is extremely jealous, however, when she begins a relationship with Miguel (Andrés GarcÃa) a womanizing swimming instructor at the nearby resort hotel. While Steven stews on the yacht, Patricia and Miguel have sex. Then she goes skinny dipping in the ocean for a morning swim and is eaten by a large, apparently emphysemic, 19-foot-long (5.8 m) tiger shark.
The next day, Steven confronts Miguel in the hotel bar. Miguel tells Steven that Patricia was in love with Steven but she must have returned to England. Neither Steve or Miguel ever learn about her true fate. Miguel introduces Steven to two sisters, Kelly and Cynthia Madison (Jennifer Ashley and Laura Lyons) who are American college students who have arrived on the island resort for some fun. They have a double date and, on the sisters' suggestions, swim to the yacht for some skinny-dipping. The shark's heavy, labored breathing can clearly be heard but they make it to the boat safely. Kelly and Cynthia hop back and forth between Miguel's and Steven's beds. They all swim back to shore the next morning and the submerged tiger shark again chooses not to bother them.
Miguel encourages Steven to live a carefree, womanizing life like he does. Steven agrees. They even start a shark hunting business, swimming out to sea and shooting whatever swims past them, from local blue sharks to lemon sharks. Miguel tells Steven that if a tiger shark ever appears, they must immediately get out of the water because tiger sharks or tintoreras are too dangerous to even attempt to hunt.
One night, Miguel and Steven meet Gabriella (Susan George) another young English tourist at the hotel bar. The three of them decide to have a triad; Gabriella will be sexually involved with both of them, but they won't fall in love with her, or she with them. They tour the local Mayan archaeological sites together, then retire back to the yacht for sex. Miguel and Steven take Gabriella shark hunting with them. She is appalled by what they do, but admits her feelings for them have become powerful, and as such apparently forgets her distaste. The next time the three go shark hunting, the large tiger shark appears and rips Miguel in half. Steven is bummed out, but Gabriella is so upset that she decides to leave Cancún and return to England.
Steven vows revenge on the shark. He enlists the local coast guard and fishermen in a campaign to kill the tiger shark and seemingly every other shark in the sea. Colorado is disturbed that Steven viciously beats the sharks that he has caught with a club. "I hate the bastards", Steven tells him. Colorado assures him that so many sharks have been killed, the tiger shark must have been one of them. Meanwhile, unbeknown to Steven or Colorado, the tiger shark attacks another small fishing boat and eats two fishermen.
Steven goes to a nighttime beach party with Kelly, Cynthia and two other American women he met in a bar (Priscilla Barnes and Pamela Garner). After the party ends, Kelly and Cynthia suggest everyone skinny dip again. This time, however, the tiger shark attacks, ripping Cynthia from Steven's arms as he tries to make out with her in the water as well as injuring the other two women, both of whom safely make it ashore. Steven contacts Mr. Madison (Carlos East) who comes to the village to collect Kelly. Steven vows to kill the shark himself.
That evening, Steven lures the shark with a devilfish he has speared for the occasion, and when he hears the shark's rasping approach shoots it with a speargun which has an explosive capsule on the tip. The shark rips off Steven's arm but is finally destroyed by the explosive, which detonates it in a large underwater blast of blood and guts.
Steven awakens in a hospital room, sans his right arm, thinking happy thoughts about his triad with Gabriella and Miguel. | Tintorera | df0b5e6d-3aa5-6342-c689-5d2b541b72d4 | Steven lures the killer tigershark with what bait? | [
"A devilfish"
] | false |
/m/01n7sz | Several British and American civilians, service members and merchant mariners are stuck in a lifeboat in the North Atlantic after their ship and a U-boat sink each other in combat. Willi (Walter Slezak), a German survivor, is pulled aboard and denies being the U-boat's captain. During an animated debate, engine room crewman Kovac (John Hodiak) demands the German be thrown out to drown. However, the others object, with radioman Stanley (Hume Cronyn), wealthy industrialist Rittenhouse (Henry Hull) and columnist Connie Porter (Tallulah Bankhead), who speaks German, succeeding in arguing that he be allowed to stay. Porter, initially alone in the boat, had managed to bring her luggage with her, and her primary concern at first is a run in her stocking. She is thrilled at having filmed the battle between the two vessels, but her movie camera is the first in a series of her possessions to be lost overboard in a succession of incidents.
Among the passengers is Mrs. Higley, a young British woman (Heather Angel) whose infant child is dead when they are pulled from the water after being saved by steward "Joe" Spencer (Canada Lee). After being treated by a U.S. Army nurse, Alice (Mary Anderson), she must be tied down to stop her from hurting herself. The woman, still wrapped in Porter's mink coat for warmth, sneaks off the boat while the other passengers sleep, drowning herself in the night. Willi is revealed to be the U-boat captain.
The film then follows the lifeboat inhabitants as they attempt to organize their rations, set a course for Bermuda, and coexist as they try to survive. The characters start out being good-natured, cooperative, and optimistic about rescue. However, they descend into desperation, dehydration, and frustration with each other. The back stories of the characters are examined, and divisions of race, religion, sex, class, and nationality are brought to the surface. The passengers also cooperate through this stress, such as when they must amputate the leg of one of their boatmates, the German-American Gus Smith (William Bendix), because of gangrene.
Kovac takes charge, rationing the little food and water they have, but Willi, who has been consulting a concealed compass and reveals that he speaks English, wrests control away from him in a storm. One morning, while the others are sleeping, Smith, who had resorted to drinking seawater, catches Willi drinking water from a hidden flask. Too delirious to be taken seriously by the drowsing survivors, Gus is coaxed overboard by Willi and drowns. Upon waking, the others discover Gus missing and Willi is questioned. When they notice that the German is sweating, the other passengers discover the hoarded flask in his jacket. In a spasm of anger led by Alice, they descend upon him as a group, beat him, and throw him overboard. Rittenhouse strikes him multiple times with Gus' boot to prevent him from re-boarding and, utterly disillusioned by Willi's behavior, laments, "What do you do with people like that?"
The survivors are subsequently spotted by the German supply ship to which Willi had been steering them. Before a launch can pick them up, both it and the supply ship are sunk by gunfire from an Allied warship over the horizon. A frightened young German seaman is pulled aboard the lifeboat. The surviving passengers debate whether to keep him aboard or throw him off to drown as they await rescue by an approaching Allied vessel. The German sailor pulls a gun on the boat occupants but is surprised and disarmed. He asks in German, "Aren't you going to kill me?" Kovac muses, "'Aren't you going to kill me?' What do you do with people like that?" | Lifeboat | 64ac66fa-4c72-9545-daf0-73f9c38b5d7d | Why is it necessary for Gus Smith's leg to be amputated? | [
"It is gangrenous."
] | false |
/m/01n7sz | Several British and American civilians, service members and merchant mariners are stuck in a lifeboat in the North Atlantic after their ship and a U-boat sink each other in combat. Willi (Walter Slezak), a German survivor, is pulled aboard and denies being the U-boat's captain. During an animated debate, engine room crewman Kovac (John Hodiak) demands the German be thrown out to drown. However, the others object, with radioman Stanley (Hume Cronyn), wealthy industrialist Rittenhouse (Henry Hull) and columnist Connie Porter (Tallulah Bankhead), who speaks German, succeeding in arguing that he be allowed to stay. Porter, initially alone in the boat, had managed to bring her luggage with her, and her primary concern at first is a run in her stocking. She is thrilled at having filmed the battle between the two vessels, but her movie camera is the first in a series of her possessions to be lost overboard in a succession of incidents.
Among the passengers is Mrs. Higley, a young British woman (Heather Angel) whose infant child is dead when they are pulled from the water after being saved by steward "Joe" Spencer (Canada Lee). After being treated by a U.S. Army nurse, Alice (Mary Anderson), she must be tied down to stop her from hurting herself. The woman, still wrapped in Porter's mink coat for warmth, sneaks off the boat while the other passengers sleep, drowning herself in the night. Willi is revealed to be the U-boat captain.
The film then follows the lifeboat inhabitants as they attempt to organize their rations, set a course for Bermuda, and coexist as they try to survive. The characters start out being good-natured, cooperative, and optimistic about rescue. However, they descend into desperation, dehydration, and frustration with each other. The back stories of the characters are examined, and divisions of race, religion, sex, class, and nationality are brought to the surface. The passengers also cooperate through this stress, such as when they must amputate the leg of one of their boatmates, the German-American Gus Smith (William Bendix), because of gangrene.
Kovac takes charge, rationing the little food and water they have, but Willi, who has been consulting a concealed compass and reveals that he speaks English, wrests control away from him in a storm. One morning, while the others are sleeping, Smith, who had resorted to drinking seawater, catches Willi drinking water from a hidden flask. Too delirious to be taken seriously by the drowsing survivors, Gus is coaxed overboard by Willi and drowns. Upon waking, the others discover Gus missing and Willi is questioned. When they notice that the German is sweating, the other passengers discover the hoarded flask in his jacket. In a spasm of anger led by Alice, they descend upon him as a group, beat him, and throw him overboard. Rittenhouse strikes him multiple times with Gus' boot to prevent him from re-boarding and, utterly disillusioned by Willi's behavior, laments, "What do you do with people like that?"
The survivors are subsequently spotted by the German supply ship to which Willi had been steering them. Before a launch can pick them up, both it and the supply ship are sunk by gunfire from an Allied warship over the horizon. A frightened young German seaman is pulled aboard the lifeboat. The surviving passengers debate whether to keep him aboard or throw him off to drown as they await rescue by an approaching Allied vessel. The German sailor pulls a gun on the boat occupants but is surprised and disarmed. He asks in German, "Aren't you going to kill me?" Kovac muses, "'Aren't you going to kill me?' What do you do with people like that?" | Lifeboat | 7e25676b-c17e-4893-a424-0d7abeb357d8 | Who denied being the U-boat's captain ? | [
"Willi"
] | false |
/m/01n7sz | Several British and American civilians, service members and merchant mariners are stuck in a lifeboat in the North Atlantic after their ship and a U-boat sink each other in combat. Willi (Walter Slezak), a German survivor, is pulled aboard and denies being the U-boat's captain. During an animated debate, engine room crewman Kovac (John Hodiak) demands the German be thrown out to drown. However, the others object, with radioman Stanley (Hume Cronyn), wealthy industrialist Rittenhouse (Henry Hull) and columnist Connie Porter (Tallulah Bankhead), who speaks German, succeeding in arguing that he be allowed to stay. Porter, initially alone in the boat, had managed to bring her luggage with her, and her primary concern at first is a run in her stocking. She is thrilled at having filmed the battle between the two vessels, but her movie camera is the first in a series of her possessions to be lost overboard in a succession of incidents.
Among the passengers is Mrs. Higley, a young British woman (Heather Angel) whose infant child is dead when they are pulled from the water after being saved by steward "Joe" Spencer (Canada Lee). After being treated by a U.S. Army nurse, Alice (Mary Anderson), she must be tied down to stop her from hurting herself. The woman, still wrapped in Porter's mink coat for warmth, sneaks off the boat while the other passengers sleep, drowning herself in the night. Willi is revealed to be the U-boat captain.
The film then follows the lifeboat inhabitants as they attempt to organize their rations, set a course for Bermuda, and coexist as they try to survive. The characters start out being good-natured, cooperative, and optimistic about rescue. However, they descend into desperation, dehydration, and frustration with each other. The back stories of the characters are examined, and divisions of race, religion, sex, class, and nationality are brought to the surface. The passengers also cooperate through this stress, such as when they must amputate the leg of one of their boatmates, the German-American Gus Smith (William Bendix), because of gangrene.
Kovac takes charge, rationing the little food and water they have, but Willi, who has been consulting a concealed compass and reveals that he speaks English, wrests control away from him in a storm. One morning, while the others are sleeping, Smith, who had resorted to drinking seawater, catches Willi drinking water from a hidden flask. Too delirious to be taken seriously by the drowsing survivors, Gus is coaxed overboard by Willi and drowns. Upon waking, the others discover Gus missing and Willi is questioned. When they notice that the German is sweating, the other passengers discover the hoarded flask in his jacket. In a spasm of anger led by Alice, they descend upon him as a group, beat him, and throw him overboard. Rittenhouse strikes him multiple times with Gus' boot to prevent him from re-boarding and, utterly disillusioned by Willi's behavior, laments, "What do you do with people like that?"
The survivors are subsequently spotted by the German supply ship to which Willi had been steering them. Before a launch can pick them up, both it and the supply ship are sunk by gunfire from an Allied warship over the horizon. A frightened young German seaman is pulled aboard the lifeboat. The surviving passengers debate whether to keep him aboard or throw him off to drown as they await rescue by an approaching Allied vessel. The German sailor pulls a gun on the boat occupants but is surprised and disarmed. He asks in German, "Aren't you going to kill me?" Kovac muses, "'Aren't you going to kill me?' What do you do with people like that?" | Lifeboat | 37914209-1cf6-9aaf-3694-135c78936044 | How did Willi get aboard the lifeboat ? | [
"He was pulled aboard"
] | false |
/m/01n7sz | Several British and American civilians, service members and merchant mariners are stuck in a lifeboat in the North Atlantic after their ship and a U-boat sink each other in combat. Willi (Walter Slezak), a German survivor, is pulled aboard and denies being the U-boat's captain. During an animated debate, engine room crewman Kovac (John Hodiak) demands the German be thrown out to drown. However, the others object, with radioman Stanley (Hume Cronyn), wealthy industrialist Rittenhouse (Henry Hull) and columnist Connie Porter (Tallulah Bankhead), who speaks German, succeeding in arguing that he be allowed to stay. Porter, initially alone in the boat, had managed to bring her luggage with her, and her primary concern at first is a run in her stocking. She is thrilled at having filmed the battle between the two vessels, but her movie camera is the first in a series of her possessions to be lost overboard in a succession of incidents.
Among the passengers is Mrs. Higley, a young British woman (Heather Angel) whose infant child is dead when they are pulled from the water after being saved by steward "Joe" Spencer (Canada Lee). After being treated by a U.S. Army nurse, Alice (Mary Anderson), she must be tied down to stop her from hurting herself. The woman, still wrapped in Porter's mink coat for warmth, sneaks off the boat while the other passengers sleep, drowning herself in the night. Willi is revealed to be the U-boat captain.
The film then follows the lifeboat inhabitants as they attempt to organize their rations, set a course for Bermuda, and coexist as they try to survive. The characters start out being good-natured, cooperative, and optimistic about rescue. However, they descend into desperation, dehydration, and frustration with each other. The back stories of the characters are examined, and divisions of race, religion, sex, class, and nationality are brought to the surface. The passengers also cooperate through this stress, such as when they must amputate the leg of one of their boatmates, the German-American Gus Smith (William Bendix), because of gangrene.
Kovac takes charge, rationing the little food and water they have, but Willi, who has been consulting a concealed compass and reveals that he speaks English, wrests control away from him in a storm. One morning, while the others are sleeping, Smith, who had resorted to drinking seawater, catches Willi drinking water from a hidden flask. Too delirious to be taken seriously by the drowsing survivors, Gus is coaxed overboard by Willi and drowns. Upon waking, the others discover Gus missing and Willi is questioned. When they notice that the German is sweating, the other passengers discover the hoarded flask in his jacket. In a spasm of anger led by Alice, they descend upon him as a group, beat him, and throw him overboard. Rittenhouse strikes him multiple times with Gus' boot to prevent him from re-boarding and, utterly disillusioned by Willi's behavior, laments, "What do you do with people like that?"
The survivors are subsequently spotted by the German supply ship to which Willi had been steering them. Before a launch can pick them up, both it and the supply ship are sunk by gunfire from an Allied warship over the horizon. A frightened young German seaman is pulled aboard the lifeboat. The surviving passengers debate whether to keep him aboard or throw him off to drown as they await rescue by an approaching Allied vessel. The German sailor pulls a gun on the boat occupants but is surprised and disarmed. He asks in German, "Aren't you going to kill me?" Kovac muses, "'Aren't you going to kill me?' What do you do with people like that?" | Lifeboat | 25abf9dd-9c22-d25d-b6b3-2160261ec022 | British and American civilians along with service members and merchant mariners were stuck in what after their ship sunk in combat with a U-boat ? | [
"Lifeboat"
] | false |
/m/01n7sz | Several British and American civilians, service members and merchant mariners are stuck in a lifeboat in the North Atlantic after their ship and a U-boat sink each other in combat. Willi (Walter Slezak), a German survivor, is pulled aboard and denies being the U-boat's captain. During an animated debate, engine room crewman Kovac (John Hodiak) demands the German be thrown out to drown. However, the others object, with radioman Stanley (Hume Cronyn), wealthy industrialist Rittenhouse (Henry Hull) and columnist Connie Porter (Tallulah Bankhead), who speaks German, succeeding in arguing that he be allowed to stay. Porter, initially alone in the boat, had managed to bring her luggage with her, and her primary concern at first is a run in her stocking. She is thrilled at having filmed the battle between the two vessels, but her movie camera is the first in a series of her possessions to be lost overboard in a succession of incidents.
Among the passengers is Mrs. Higley, a young British woman (Heather Angel) whose infant child is dead when they are pulled from the water after being saved by steward "Joe" Spencer (Canada Lee). After being treated by a U.S. Army nurse, Alice (Mary Anderson), she must be tied down to stop her from hurting herself. The woman, still wrapped in Porter's mink coat for warmth, sneaks off the boat while the other passengers sleep, drowning herself in the night. Willi is revealed to be the U-boat captain.
The film then follows the lifeboat inhabitants as they attempt to organize their rations, set a course for Bermuda, and coexist as they try to survive. The characters start out being good-natured, cooperative, and optimistic about rescue. However, they descend into desperation, dehydration, and frustration with each other. The back stories of the characters are examined, and divisions of race, religion, sex, class, and nationality are brought to the surface. The passengers also cooperate through this stress, such as when they must amputate the leg of one of their boatmates, the German-American Gus Smith (William Bendix), because of gangrene.
Kovac takes charge, rationing the little food and water they have, but Willi, who has been consulting a concealed compass and reveals that he speaks English, wrests control away from him in a storm. One morning, while the others are sleeping, Smith, who had resorted to drinking seawater, catches Willi drinking water from a hidden flask. Too delirious to be taken seriously by the drowsing survivors, Gus is coaxed overboard by Willi and drowns. Upon waking, the others discover Gus missing and Willi is questioned. When they notice that the German is sweating, the other passengers discover the hoarded flask in his jacket. In a spasm of anger led by Alice, they descend upon him as a group, beat him, and throw him overboard. Rittenhouse strikes him multiple times with Gus' boot to prevent him from re-boarding and, utterly disillusioned by Willi's behavior, laments, "What do you do with people like that?"
The survivors are subsequently spotted by the German supply ship to which Willi had been steering them. Before a launch can pick them up, both it and the supply ship are sunk by gunfire from an Allied warship over the horizon. A frightened young German seaman is pulled aboard the lifeboat. The surviving passengers debate whether to keep him aboard or throw him off to drown as they await rescue by an approaching Allied vessel. The German sailor pulls a gun on the boat occupants but is surprised and disarmed. He asks in German, "Aren't you going to kill me?" Kovac muses, "'Aren't you going to kill me?' What do you do with people like that?" | Lifeboat | 04edd137-9a9a-85fc-33ee-b75a622b1700 | What sinks the German supply ship? | [
"Allied Warship"
] | false |
/m/01n7sz | Several British and American civilians, service members and merchant mariners are stuck in a lifeboat in the North Atlantic after their ship and a U-boat sink each other in combat. Willi (Walter Slezak), a German survivor, is pulled aboard and denies being the U-boat's captain. During an animated debate, engine room crewman Kovac (John Hodiak) demands the German be thrown out to drown. However, the others object, with radioman Stanley (Hume Cronyn), wealthy industrialist Rittenhouse (Henry Hull) and columnist Connie Porter (Tallulah Bankhead), who speaks German, succeeding in arguing that he be allowed to stay. Porter, initially alone in the boat, had managed to bring her luggage with her, and her primary concern at first is a run in her stocking. She is thrilled at having filmed the battle between the two vessels, but her movie camera is the first in a series of her possessions to be lost overboard in a succession of incidents.
Among the passengers is Mrs. Higley, a young British woman (Heather Angel) whose infant child is dead when they are pulled from the water after being saved by steward "Joe" Spencer (Canada Lee). After being treated by a U.S. Army nurse, Alice (Mary Anderson), she must be tied down to stop her from hurting herself. The woman, still wrapped in Porter's mink coat for warmth, sneaks off the boat while the other passengers sleep, drowning herself in the night. Willi is revealed to be the U-boat captain.
The film then follows the lifeboat inhabitants as they attempt to organize their rations, set a course for Bermuda, and coexist as they try to survive. The characters start out being good-natured, cooperative, and optimistic about rescue. However, they descend into desperation, dehydration, and frustration with each other. The back stories of the characters are examined, and divisions of race, religion, sex, class, and nationality are brought to the surface. The passengers also cooperate through this stress, such as when they must amputate the leg of one of their boatmates, the German-American Gus Smith (William Bendix), because of gangrene.
Kovac takes charge, rationing the little food and water they have, but Willi, who has been consulting a concealed compass and reveals that he speaks English, wrests control away from him in a storm. One morning, while the others are sleeping, Smith, who had resorted to drinking seawater, catches Willi drinking water from a hidden flask. Too delirious to be taken seriously by the drowsing survivors, Gus is coaxed overboard by Willi and drowns. Upon waking, the others discover Gus missing and Willi is questioned. When they notice that the German is sweating, the other passengers discover the hoarded flask in his jacket. In a spasm of anger led by Alice, they descend upon him as a group, beat him, and throw him overboard. Rittenhouse strikes him multiple times with Gus' boot to prevent him from re-boarding and, utterly disillusioned by Willi's behavior, laments, "What do you do with people like that?"
The survivors are subsequently spotted by the German supply ship to which Willi had been steering them. Before a launch can pick them up, both it and the supply ship are sunk by gunfire from an Allied warship over the horizon. A frightened young German seaman is pulled aboard the lifeboat. The surviving passengers debate whether to keep him aboard or throw him off to drown as they await rescue by an approaching Allied vessel. The German sailor pulls a gun on the boat occupants but is surprised and disarmed. He asks in German, "Aren't you going to kill me?" Kovac muses, "'Aren't you going to kill me?' What do you do with people like that?" | Lifeboat | 73bf6644-3497-963d-dde0-b1062fb80af1 | Who filmed the battle between the two vessels ? | [
"Connie porter"
] | false |
/m/01n7sz | Several British and American civilians, service members and merchant mariners are stuck in a lifeboat in the North Atlantic after their ship and a U-boat sink each other in combat. Willi (Walter Slezak), a German survivor, is pulled aboard and denies being the U-boat's captain. During an animated debate, engine room crewman Kovac (John Hodiak) demands the German be thrown out to drown. However, the others object, with radioman Stanley (Hume Cronyn), wealthy industrialist Rittenhouse (Henry Hull) and columnist Connie Porter (Tallulah Bankhead), who speaks German, succeeding in arguing that he be allowed to stay. Porter, initially alone in the boat, had managed to bring her luggage with her, and her primary concern at first is a run in her stocking. She is thrilled at having filmed the battle between the two vessels, but her movie camera is the first in a series of her possessions to be lost overboard in a succession of incidents.
Among the passengers is Mrs. Higley, a young British woman (Heather Angel) whose infant child is dead when they are pulled from the water after being saved by steward "Joe" Spencer (Canada Lee). After being treated by a U.S. Army nurse, Alice (Mary Anderson), she must be tied down to stop her from hurting herself. The woman, still wrapped in Porter's mink coat for warmth, sneaks off the boat while the other passengers sleep, drowning herself in the night. Willi is revealed to be the U-boat captain.
The film then follows the lifeboat inhabitants as they attempt to organize their rations, set a course for Bermuda, and coexist as they try to survive. The characters start out being good-natured, cooperative, and optimistic about rescue. However, they descend into desperation, dehydration, and frustration with each other. The back stories of the characters are examined, and divisions of race, religion, sex, class, and nationality are brought to the surface. The passengers also cooperate through this stress, such as when they must amputate the leg of one of their boatmates, the German-American Gus Smith (William Bendix), because of gangrene.
Kovac takes charge, rationing the little food and water they have, but Willi, who has been consulting a concealed compass and reveals that he speaks English, wrests control away from him in a storm. One morning, while the others are sleeping, Smith, who had resorted to drinking seawater, catches Willi drinking water from a hidden flask. Too delirious to be taken seriously by the drowsing survivors, Gus is coaxed overboard by Willi and drowns. Upon waking, the others discover Gus missing and Willi is questioned. When they notice that the German is sweating, the other passengers discover the hoarded flask in his jacket. In a spasm of anger led by Alice, they descend upon him as a group, beat him, and throw him overboard. Rittenhouse strikes him multiple times with Gus' boot to prevent him from re-boarding and, utterly disillusioned by Willi's behavior, laments, "What do you do with people like that?"
The survivors are subsequently spotted by the German supply ship to which Willi had been steering them. Before a launch can pick them up, both it and the supply ship are sunk by gunfire from an Allied warship over the horizon. A frightened young German seaman is pulled aboard the lifeboat. The surviving passengers debate whether to keep him aboard or throw him off to drown as they await rescue by an approaching Allied vessel. The German sailor pulls a gun on the boat occupants but is surprised and disarmed. He asks in German, "Aren't you going to kill me?" Kovac muses, "'Aren't you going to kill me?' What do you do with people like that?" | Lifeboat | 8a3c3dee-6ae1-f36b-8507-44c7f4d995a1 | Who was treated by a U.S. Army nurse ? | [
"Mrs. higley"
] | false |
/m/01n7sz | Several British and American civilians, service members and merchant mariners are stuck in a lifeboat in the North Atlantic after their ship and a U-boat sink each other in combat. Willi (Walter Slezak), a German survivor, is pulled aboard and denies being the U-boat's captain. During an animated debate, engine room crewman Kovac (John Hodiak) demands the German be thrown out to drown. However, the others object, with radioman Stanley (Hume Cronyn), wealthy industrialist Rittenhouse (Henry Hull) and columnist Connie Porter (Tallulah Bankhead), who speaks German, succeeding in arguing that he be allowed to stay. Porter, initially alone in the boat, had managed to bring her luggage with her, and her primary concern at first is a run in her stocking. She is thrilled at having filmed the battle between the two vessels, but her movie camera is the first in a series of her possessions to be lost overboard in a succession of incidents.
Among the passengers is Mrs. Higley, a young British woman (Heather Angel) whose infant child is dead when they are pulled from the water after being saved by steward "Joe" Spencer (Canada Lee). After being treated by a U.S. Army nurse, Alice (Mary Anderson), she must be tied down to stop her from hurting herself. The woman, still wrapped in Porter's mink coat for warmth, sneaks off the boat while the other passengers sleep, drowning herself in the night. Willi is revealed to be the U-boat captain.
The film then follows the lifeboat inhabitants as they attempt to organize their rations, set a course for Bermuda, and coexist as they try to survive. The characters start out being good-natured, cooperative, and optimistic about rescue. However, they descend into desperation, dehydration, and frustration with each other. The back stories of the characters are examined, and divisions of race, religion, sex, class, and nationality are brought to the surface. The passengers also cooperate through this stress, such as when they must amputate the leg of one of their boatmates, the German-American Gus Smith (William Bendix), because of gangrene.
Kovac takes charge, rationing the little food and water they have, but Willi, who has been consulting a concealed compass and reveals that he speaks English, wrests control away from him in a storm. One morning, while the others are sleeping, Smith, who had resorted to drinking seawater, catches Willi drinking water from a hidden flask. Too delirious to be taken seriously by the drowsing survivors, Gus is coaxed overboard by Willi and drowns. Upon waking, the others discover Gus missing and Willi is questioned. When they notice that the German is sweating, the other passengers discover the hoarded flask in his jacket. In a spasm of anger led by Alice, they descend upon him as a group, beat him, and throw him overboard. Rittenhouse strikes him multiple times with Gus' boot to prevent him from re-boarding and, utterly disillusioned by Willi's behavior, laments, "What do you do with people like that?"
The survivors are subsequently spotted by the German supply ship to which Willi had been steering them. Before a launch can pick them up, both it and the supply ship are sunk by gunfire from an Allied warship over the horizon. A frightened young German seaman is pulled aboard the lifeboat. The surviving passengers debate whether to keep him aboard or throw him off to drown as they await rescue by an approaching Allied vessel. The German sailor pulls a gun on the boat occupants but is surprised and disarmed. He asks in German, "Aren't you going to kill me?" Kovac muses, "'Aren't you going to kill me?' What do you do with people like that?" | Lifeboat | 9c70b31d-5b89-eac6-6899-ca726f4a445b | What is the first possession of Connie Porter's to be lost overboard? | [
"her movie camera"
] | false |
/m/01n7sz | Several British and American civilians, service members and merchant mariners are stuck in a lifeboat in the North Atlantic after their ship and a U-boat sink each other in combat. Willi (Walter Slezak), a German survivor, is pulled aboard and denies being the U-boat's captain. During an animated debate, engine room crewman Kovac (John Hodiak) demands the German be thrown out to drown. However, the others object, with radioman Stanley (Hume Cronyn), wealthy industrialist Rittenhouse (Henry Hull) and columnist Connie Porter (Tallulah Bankhead), who speaks German, succeeding in arguing that he be allowed to stay. Porter, initially alone in the boat, had managed to bring her luggage with her, and her primary concern at first is a run in her stocking. She is thrilled at having filmed the battle between the two vessels, but her movie camera is the first in a series of her possessions to be lost overboard in a succession of incidents.
Among the passengers is Mrs. Higley, a young British woman (Heather Angel) whose infant child is dead when they are pulled from the water after being saved by steward "Joe" Spencer (Canada Lee). After being treated by a U.S. Army nurse, Alice (Mary Anderson), she must be tied down to stop her from hurting herself. The woman, still wrapped in Porter's mink coat for warmth, sneaks off the boat while the other passengers sleep, drowning herself in the night. Willi is revealed to be the U-boat captain.
The film then follows the lifeboat inhabitants as they attempt to organize their rations, set a course for Bermuda, and coexist as they try to survive. The characters start out being good-natured, cooperative, and optimistic about rescue. However, they descend into desperation, dehydration, and frustration with each other. The back stories of the characters are examined, and divisions of race, religion, sex, class, and nationality are brought to the surface. The passengers also cooperate through this stress, such as when they must amputate the leg of one of their boatmates, the German-American Gus Smith (William Bendix), because of gangrene.
Kovac takes charge, rationing the little food and water they have, but Willi, who has been consulting a concealed compass and reveals that he speaks English, wrests control away from him in a storm. One morning, while the others are sleeping, Smith, who had resorted to drinking seawater, catches Willi drinking water from a hidden flask. Too delirious to be taken seriously by the drowsing survivors, Gus is coaxed overboard by Willi and drowns. Upon waking, the others discover Gus missing and Willi is questioned. When they notice that the German is sweating, the other passengers discover the hoarded flask in his jacket. In a spasm of anger led by Alice, they descend upon him as a group, beat him, and throw him overboard. Rittenhouse strikes him multiple times with Gus' boot to prevent him from re-boarding and, utterly disillusioned by Willi's behavior, laments, "What do you do with people like that?"
The survivors are subsequently spotted by the German supply ship to which Willi had been steering them. Before a launch can pick them up, both it and the supply ship are sunk by gunfire from an Allied warship over the horizon. A frightened young German seaman is pulled aboard the lifeboat. The surviving passengers debate whether to keep him aboard or throw him off to drown as they await rescue by an approaching Allied vessel. The German sailor pulls a gun on the boat occupants but is surprised and disarmed. He asks in German, "Aren't you going to kill me?" Kovac muses, "'Aren't you going to kill me?' What do you do with people like that?" | Lifeboat | f5696830-64b9-1e6f-e9b7-269a1a6a9d6f | What other language did Connie Porter speak ? | [
"German"
] | false |
/m/01n7sz | Several British and American civilians, service members and merchant mariners are stuck in a lifeboat in the North Atlantic after their ship and a U-boat sink each other in combat. Willi (Walter Slezak), a German survivor, is pulled aboard and denies being the U-boat's captain. During an animated debate, engine room crewman Kovac (John Hodiak) demands the German be thrown out to drown. However, the others object, with radioman Stanley (Hume Cronyn), wealthy industrialist Rittenhouse (Henry Hull) and columnist Connie Porter (Tallulah Bankhead), who speaks German, succeeding in arguing that he be allowed to stay. Porter, initially alone in the boat, had managed to bring her luggage with her, and her primary concern at first is a run in her stocking. She is thrilled at having filmed the battle between the two vessels, but her movie camera is the first in a series of her possessions to be lost overboard in a succession of incidents.
Among the passengers is Mrs. Higley, a young British woman (Heather Angel) whose infant child is dead when they are pulled from the water after being saved by steward "Joe" Spencer (Canada Lee). After being treated by a U.S. Army nurse, Alice (Mary Anderson), she must be tied down to stop her from hurting herself. The woman, still wrapped in Porter's mink coat for warmth, sneaks off the boat while the other passengers sleep, drowning herself in the night. Willi is revealed to be the U-boat captain.
The film then follows the lifeboat inhabitants as they attempt to organize their rations, set a course for Bermuda, and coexist as they try to survive. The characters start out being good-natured, cooperative, and optimistic about rescue. However, they descend into desperation, dehydration, and frustration with each other. The back stories of the characters are examined, and divisions of race, religion, sex, class, and nationality are brought to the surface. The passengers also cooperate through this stress, such as when they must amputate the leg of one of their boatmates, the German-American Gus Smith (William Bendix), because of gangrene.
Kovac takes charge, rationing the little food and water they have, but Willi, who has been consulting a concealed compass and reveals that he speaks English, wrests control away from him in a storm. One morning, while the others are sleeping, Smith, who had resorted to drinking seawater, catches Willi drinking water from a hidden flask. Too delirious to be taken seriously by the drowsing survivors, Gus is coaxed overboard by Willi and drowns. Upon waking, the others discover Gus missing and Willi is questioned. When they notice that the German is sweating, the other passengers discover the hoarded flask in his jacket. In a spasm of anger led by Alice, they descend upon him as a group, beat him, and throw him overboard. Rittenhouse strikes him multiple times with Gus' boot to prevent him from re-boarding and, utterly disillusioned by Willi's behavior, laments, "What do you do with people like that?"
The survivors are subsequently spotted by the German supply ship to which Willi had been steering them. Before a launch can pick them up, both it and the supply ship are sunk by gunfire from an Allied warship over the horizon. A frightened young German seaman is pulled aboard the lifeboat. The surviving passengers debate whether to keep him aboard or throw him off to drown as they await rescue by an approaching Allied vessel. The German sailor pulls a gun on the boat occupants but is surprised and disarmed. He asks in German, "Aren't you going to kill me?" Kovac muses, "'Aren't you going to kill me?' What do you do with people like that?" | Lifeboat | 02c7867d-51f5-94d3-60d3-850703033022 | Who is revealed to be the Uboat captain? | [
"Willi"
] | false |
/m/03v_6t | A Texan-accented narrator introduces the viewers to the shadowy Denton TV executive Farley Flavors (Cliff De Young), who has lived his life "fast" but still feels incomplete without a certain woman... who belongs to someone else. As Flavors watches from his office, his television studio... which now encompasses the entire town of Denton... is steadily filled with the former residents of Denton, who gleefully assume their new roles as studio audience members of a 24-hour live reality television broadcast ('Overture'). The sole holdout in the celebration is the neurotic Brad Majors (also Cliff De Young in a dual role), who despite the insistence of his wife, Janet (Jessica Harper), that things will be OK, is ambivalent about the town's transformation. Once the audience is seated, they are greeted by a welcoming committee led by local reporter and documentary filmmaker Neely Pritt (Betsy Brantley), who inform the audience... and viewers on television... of Denton's supposed virtues ('Denton, U.S.A.').Brad and Janet are chosen as contestants on "Marriage Maze," a supposed game show whose only purpose seems to be committing people to "Dentonvale", Denton's resident hospital and insane asylum which also serves as the reality TV hospital series of the same name. Janet is given the opportunity to have Brad committed by the show's host, a supposedly blind and flaky Austrian named Bert Schnick (Barry Humphries), who promises her that the experience will improve their marriage. Janet and Brad lament the state of their relationship, with Janet ultimately deciding to have Brad sent to Dentonvale ('Bitchin' in the Kitchen').Upon arriving at Dentonvale, Brad and Janet are greeted by the eccentric staff whom include Nurse Ansalong (Nell Campbell), her boyfriend and fellow orderly 'Rest Home' Ricky (Rik Mayall), and Dentonvale's supervisors, the apparently incestuous siblings Dr. Cosmo and Nation McKinley (Richard O'Brien and Patricia Quinn). Despite Brad's objections, Cosmo has him drugged, bound, gagged, and placed in a padded cell known as the "Terminal Ward." Before Janet can sign the papers permitting the McKinleys to treat Brad, Nurse Ansalong tells her to wait a day, to give her time to make up her mind.Meanwhile, Janet's parents, Emily and Harry Weiss (Darlene Johnson and Manning Redwood), are brought onto "Marriage Maze" and promised a prize if they offer a psychological assessment of Brad. Deciding that he's regressing into childhood, the Weisses are awarded a vacation home on another of DTV's reality TV programs called "Happy Homes". Janet goes to meet them there and laments Brad's lack of assertiveness, wishing he could see that she still loves him instead of giving into the doldrums of marriage ('In My Own Way'). Mr. Weiss chastises Janet for marrying Brad, an orphan whose parents died in a car crash, rather than other boys from more stable home backgrounds. Janet tells her father that the boy he'd wanted her to marry turned out to be gay, prompting Mr. Weiss to proclaim the virtues of traditional American masculinity ('Thank God I'm a Man').In Dentonvale, the McKinleys are informed by Bert that financing for their show has been taken over by Farley Flavors' own personal company, a fast food enterprise, named "Five Flavors", which Farley hopes to use to finance a pop psychology movement, using a new TV reality/talk show program titled "Faith Factory" as the platform and the McKinleys as his mouthpieces. The reluctant McKinleys are quickly taken in by a persuasive videotaped pitch, and on Farley's orders, they recruit Janet to be the face of Farley's "Take Away Psychology," as he believes she is the perfect example of the girl next door ('Farley's Song'). Janet moves into Dentonvale with the McKinleys and Bert Shnick, with the promise that her new life as an exciting model will make her desirable to Brad again ('Lullaby').Meanwhile, Judge Wright (Charles Gray) and Betty Hapschatt (Ruby Wax), two DTV presenters from the news show "Denton Dossier" whom are sympathetic to Brad, look into the histories of Farley and the McKinleys, suspecting that there is a sinister motive behind "Faith Factory." However, their investigation is hampered when they are informed that they are being replaced as anchorpeople of "Denton Dossier" by Betty's ex-husband Ralph (Jeremy Newson) whom is currently dating the hot blond reporter Macy Struthers (Wendy Raeback) whom gets promoted to be the new co-anchor.The next day, after Nation catches a fully-sighted Bert Schnick spying on Janet in the shower, Cosmo strokes Janet's ego and designs a sexy new outfit for her, transforming her into "Miss Mental Health" ('Little Black Dress'). DTV manufactures Janet into an overnight sensation, and the newfound fame immediately goes to Janet's head, causing her to forget about repairing her marriage with Brad as she makes her debut by singing her song to the studio audence of her new fame. ('Me of Me').Janet, her parents, and Bert Schnick go to visit Brad at Dentonvale, where the Weisses question whether the McKinleys can really help him. The Dentonvale Staff assure everyone of their competency, "curing" Bert's blindness to demonstrate their abilities ('Shock Treatment'). Janet and her parents are completely taken in, but Janet's ego becomes difficult for the McKinley's to control. To keep Janet manageable, they drug her in her dressing room, resulting in a surreal dream sequence in which she patrols Denton looking for sex while Brad begs her for love from his asylum cell ('Looking for Trade').As the premier of the new psychology reality TV show "Faith Factory" nears, Bert, the Dentonvale Staff, and the Weisses prepare for their new TV roles by dressing up in white doctor and nurse uniforms in the wardrobe room as they sing about their new images ('Look What I Did To My Id').Meanwhile, Betty hacks into DTV's computer system and learns that the McKinleys are in fact character actors and that "Dentonvale" isn't a real hospital."Faith Factory" goes on the air, opening with a live musical performance by Janet's groupies, a punk band called Oscar Drill and the Bits ('Breaking Out'). Using the performance as a cover, Judge Wright and Betty dress up as white-lab coated doctors and break Brad out of Dentonvale, telling him that they've learned Farley is his biological twin brother, who was split from him during the adoption process and grew up poor. Now the wealthy and powerful Farley wants to destroy Brad's life out of jealousy, and is planning to seduce Janet on national TV as the last part of his plan.Brad, Judge Wright, and Betty break through the wall of the "Faith Factory" set, and Brad finally confronts Farley face-to-face about his plan ('Duel Duet'). Farley demands Brad be remanded to the hospital, but Janet, finally snapped out of her ego-trip, informs him that she never signed the consent forms. Angrily, Farley has Brad, Janet, Wright, and Betty arrested, and hastily names DTV host Macy Struthers as the new "Miss Mental Health." His psychology program ready to go, Farley invites the studio audience to join him in Dentonvale, to which they readily agree... they are all summarily handed stripped straight jackets, which they happily don and file out of the studio.Betty uses a hairpin to pick the lock on hers, Brad, Janet and the Judge's holding cell, and the shunned and defeated foursome resolves to leave Denton behind, but with their hopes and ideals intact despite the loss of everything ('Anyhow Anyhow'). With the help of Oscar Drill and the Bits, they hotwire a car that was meant to be a prize on "Faith Factory" and they all drive away off the deserted soundstage, out of the studio and the town itself, as Farley and the Dentonvale staff celebrate having just committed the entire town of Denton to the terminal ward in Dentonvale ('Denton, U.S.A. Reprise'). | Shock Treatment | 9544fb3c-8e2a-77d6-e2e2-22d4efc3f35b | Who gives Janet a view intoshow-biz? | [
"Brad Majors (also Cliff De Young)"
] | false |
/m/03v_6t | A Texan-accented narrator introduces the viewers to the shadowy Denton TV executive Farley Flavors (Cliff De Young), who has lived his life "fast" but still feels incomplete without a certain woman... who belongs to someone else. As Flavors watches from his office, his television studio... which now encompasses the entire town of Denton... is steadily filled with the former residents of Denton, who gleefully assume their new roles as studio audience members of a 24-hour live reality television broadcast ('Overture'). The sole holdout in the celebration is the neurotic Brad Majors (also Cliff De Young in a dual role), who despite the insistence of his wife, Janet (Jessica Harper), that things will be OK, is ambivalent about the town's transformation. Once the audience is seated, they are greeted by a welcoming committee led by local reporter and documentary filmmaker Neely Pritt (Betsy Brantley), who inform the audience... and viewers on television... of Denton's supposed virtues ('Denton, U.S.A.').Brad and Janet are chosen as contestants on "Marriage Maze," a supposed game show whose only purpose seems to be committing people to "Dentonvale", Denton's resident hospital and insane asylum which also serves as the reality TV hospital series of the same name. Janet is given the opportunity to have Brad committed by the show's host, a supposedly blind and flaky Austrian named Bert Schnick (Barry Humphries), who promises her that the experience will improve their marriage. Janet and Brad lament the state of their relationship, with Janet ultimately deciding to have Brad sent to Dentonvale ('Bitchin' in the Kitchen').Upon arriving at Dentonvale, Brad and Janet are greeted by the eccentric staff whom include Nurse Ansalong (Nell Campbell), her boyfriend and fellow orderly 'Rest Home' Ricky (Rik Mayall), and Dentonvale's supervisors, the apparently incestuous siblings Dr. Cosmo and Nation McKinley (Richard O'Brien and Patricia Quinn). Despite Brad's objections, Cosmo has him drugged, bound, gagged, and placed in a padded cell known as the "Terminal Ward." Before Janet can sign the papers permitting the McKinleys to treat Brad, Nurse Ansalong tells her to wait a day, to give her time to make up her mind.Meanwhile, Janet's parents, Emily and Harry Weiss (Darlene Johnson and Manning Redwood), are brought onto "Marriage Maze" and promised a prize if they offer a psychological assessment of Brad. Deciding that he's regressing into childhood, the Weisses are awarded a vacation home on another of DTV's reality TV programs called "Happy Homes". Janet goes to meet them there and laments Brad's lack of assertiveness, wishing he could see that she still loves him instead of giving into the doldrums of marriage ('In My Own Way'). Mr. Weiss chastises Janet for marrying Brad, an orphan whose parents died in a car crash, rather than other boys from more stable home backgrounds. Janet tells her father that the boy he'd wanted her to marry turned out to be gay, prompting Mr. Weiss to proclaim the virtues of traditional American masculinity ('Thank God I'm a Man').In Dentonvale, the McKinleys are informed by Bert that financing for their show has been taken over by Farley Flavors' own personal company, a fast food enterprise, named "Five Flavors", which Farley hopes to use to finance a pop psychology movement, using a new TV reality/talk show program titled "Faith Factory" as the platform and the McKinleys as his mouthpieces. The reluctant McKinleys are quickly taken in by a persuasive videotaped pitch, and on Farley's orders, they recruit Janet to be the face of Farley's "Take Away Psychology," as he believes she is the perfect example of the girl next door ('Farley's Song'). Janet moves into Dentonvale with the McKinleys and Bert Shnick, with the promise that her new life as an exciting model will make her desirable to Brad again ('Lullaby').Meanwhile, Judge Wright (Charles Gray) and Betty Hapschatt (Ruby Wax), two DTV presenters from the news show "Denton Dossier" whom are sympathetic to Brad, look into the histories of Farley and the McKinleys, suspecting that there is a sinister motive behind "Faith Factory." However, their investigation is hampered when they are informed that they are being replaced as anchorpeople of "Denton Dossier" by Betty's ex-husband Ralph (Jeremy Newson) whom is currently dating the hot blond reporter Macy Struthers (Wendy Raeback) whom gets promoted to be the new co-anchor.The next day, after Nation catches a fully-sighted Bert Schnick spying on Janet in the shower, Cosmo strokes Janet's ego and designs a sexy new outfit for her, transforming her into "Miss Mental Health" ('Little Black Dress'). DTV manufactures Janet into an overnight sensation, and the newfound fame immediately goes to Janet's head, causing her to forget about repairing her marriage with Brad as she makes her debut by singing her song to the studio audence of her new fame. ('Me of Me').Janet, her parents, and Bert Schnick go to visit Brad at Dentonvale, where the Weisses question whether the McKinleys can really help him. The Dentonvale Staff assure everyone of their competency, "curing" Bert's blindness to demonstrate their abilities ('Shock Treatment'). Janet and her parents are completely taken in, but Janet's ego becomes difficult for the McKinley's to control. To keep Janet manageable, they drug her in her dressing room, resulting in a surreal dream sequence in which she patrols Denton looking for sex while Brad begs her for love from his asylum cell ('Looking for Trade').As the premier of the new psychology reality TV show "Faith Factory" nears, Bert, the Dentonvale Staff, and the Weisses prepare for their new TV roles by dressing up in white doctor and nurse uniforms in the wardrobe room as they sing about their new images ('Look What I Did To My Id').Meanwhile, Betty hacks into DTV's computer system and learns that the McKinleys are in fact character actors and that "Dentonvale" isn't a real hospital."Faith Factory" goes on the air, opening with a live musical performance by Janet's groupies, a punk band called Oscar Drill and the Bits ('Breaking Out'). Using the performance as a cover, Judge Wright and Betty dress up as white-lab coated doctors and break Brad out of Dentonvale, telling him that they've learned Farley is his biological twin brother, who was split from him during the adoption process and grew up poor. Now the wealthy and powerful Farley wants to destroy Brad's life out of jealousy, and is planning to seduce Janet on national TV as the last part of his plan.Brad, Judge Wright, and Betty break through the wall of the "Faith Factory" set, and Brad finally confronts Farley face-to-face about his plan ('Duel Duet'). Farley demands Brad be remanded to the hospital, but Janet, finally snapped out of her ego-trip, informs him that she never signed the consent forms. Angrily, Farley has Brad, Janet, Wright, and Betty arrested, and hastily names DTV host Macy Struthers as the new "Miss Mental Health." His psychology program ready to go, Farley invites the studio audience to join him in Dentonvale, to which they readily agree... they are all summarily handed stripped straight jackets, which they happily don and file out of the studio.Betty uses a hairpin to pick the lock on hers, Brad, Janet and the Judge's holding cell, and the shunned and defeated foursome resolves to leave Denton behind, but with their hopes and ideals intact despite the loss of everything ('Anyhow Anyhow'). With the help of Oscar Drill and the Bits, they hotwire a car that was meant to be a prize on "Faith Factory" and they all drive away off the deserted soundstage, out of the studio and the town itself, as Farley and the Dentonvale staff celebrate having just committed the entire town of Denton to the terminal ward in Dentonvale ('Denton, U.S.A. Reprise'). | Shock Treatment | 12194a69-c67c-323c-688c-d512321584c8 | Who plays Betty Hapschatt? | [
"filmmaker Neely Pritt"
] | false |
/m/03v_6t | A Texan-accented narrator introduces the viewers to the shadowy Denton TV executive Farley Flavors (Cliff De Young), who has lived his life "fast" but still feels incomplete without a certain woman... who belongs to someone else. As Flavors watches from his office, his television studio... which now encompasses the entire town of Denton... is steadily filled with the former residents of Denton, who gleefully assume their new roles as studio audience members of a 24-hour live reality television broadcast ('Overture'). The sole holdout in the celebration is the neurotic Brad Majors (also Cliff De Young in a dual role), who despite the insistence of his wife, Janet (Jessica Harper), that things will be OK, is ambivalent about the town's transformation. Once the audience is seated, they are greeted by a welcoming committee led by local reporter and documentary filmmaker Neely Pritt (Betsy Brantley), who inform the audience... and viewers on television... of Denton's supposed virtues ('Denton, U.S.A.').Brad and Janet are chosen as contestants on "Marriage Maze," a supposed game show whose only purpose seems to be committing people to "Dentonvale", Denton's resident hospital and insane asylum which also serves as the reality TV hospital series of the same name. Janet is given the opportunity to have Brad committed by the show's host, a supposedly blind and flaky Austrian named Bert Schnick (Barry Humphries), who promises her that the experience will improve their marriage. Janet and Brad lament the state of their relationship, with Janet ultimately deciding to have Brad sent to Dentonvale ('Bitchin' in the Kitchen').Upon arriving at Dentonvale, Brad and Janet are greeted by the eccentric staff whom include Nurse Ansalong (Nell Campbell), her boyfriend and fellow orderly 'Rest Home' Ricky (Rik Mayall), and Dentonvale's supervisors, the apparently incestuous siblings Dr. Cosmo and Nation McKinley (Richard O'Brien and Patricia Quinn). Despite Brad's objections, Cosmo has him drugged, bound, gagged, and placed in a padded cell known as the "Terminal Ward." Before Janet can sign the papers permitting the McKinleys to treat Brad, Nurse Ansalong tells her to wait a day, to give her time to make up her mind.Meanwhile, Janet's parents, Emily and Harry Weiss (Darlene Johnson and Manning Redwood), are brought onto "Marriage Maze" and promised a prize if they offer a psychological assessment of Brad. Deciding that he's regressing into childhood, the Weisses are awarded a vacation home on another of DTV's reality TV programs called "Happy Homes". Janet goes to meet them there and laments Brad's lack of assertiveness, wishing he could see that she still loves him instead of giving into the doldrums of marriage ('In My Own Way'). Mr. Weiss chastises Janet for marrying Brad, an orphan whose parents died in a car crash, rather than other boys from more stable home backgrounds. Janet tells her father that the boy he'd wanted her to marry turned out to be gay, prompting Mr. Weiss to proclaim the virtues of traditional American masculinity ('Thank God I'm a Man').In Dentonvale, the McKinleys are informed by Bert that financing for their show has been taken over by Farley Flavors' own personal company, a fast food enterprise, named "Five Flavors", which Farley hopes to use to finance a pop psychology movement, using a new TV reality/talk show program titled "Faith Factory" as the platform and the McKinleys as his mouthpieces. The reluctant McKinleys are quickly taken in by a persuasive videotaped pitch, and on Farley's orders, they recruit Janet to be the face of Farley's "Take Away Psychology," as he believes she is the perfect example of the girl next door ('Farley's Song'). Janet moves into Dentonvale with the McKinleys and Bert Shnick, with the promise that her new life as an exciting model will make her desirable to Brad again ('Lullaby').Meanwhile, Judge Wright (Charles Gray) and Betty Hapschatt (Ruby Wax), two DTV presenters from the news show "Denton Dossier" whom are sympathetic to Brad, look into the histories of Farley and the McKinleys, suspecting that there is a sinister motive behind "Faith Factory." However, their investigation is hampered when they are informed that they are being replaced as anchorpeople of "Denton Dossier" by Betty's ex-husband Ralph (Jeremy Newson) whom is currently dating the hot blond reporter Macy Struthers (Wendy Raeback) whom gets promoted to be the new co-anchor.The next day, after Nation catches a fully-sighted Bert Schnick spying on Janet in the shower, Cosmo strokes Janet's ego and designs a sexy new outfit for her, transforming her into "Miss Mental Health" ('Little Black Dress'). DTV manufactures Janet into an overnight sensation, and the newfound fame immediately goes to Janet's head, causing her to forget about repairing her marriage with Brad as she makes her debut by singing her song to the studio audence of her new fame. ('Me of Me').Janet, her parents, and Bert Schnick go to visit Brad at Dentonvale, where the Weisses question whether the McKinleys can really help him. The Dentonvale Staff assure everyone of their competency, "curing" Bert's blindness to demonstrate their abilities ('Shock Treatment'). Janet and her parents are completely taken in, but Janet's ego becomes difficult for the McKinley's to control. To keep Janet manageable, they drug her in her dressing room, resulting in a surreal dream sequence in which she patrols Denton looking for sex while Brad begs her for love from his asylum cell ('Looking for Trade').As the premier of the new psychology reality TV show "Faith Factory" nears, Bert, the Dentonvale Staff, and the Weisses prepare for their new TV roles by dressing up in white doctor and nurse uniforms in the wardrobe room as they sing about their new images ('Look What I Did To My Id').Meanwhile, Betty hacks into DTV's computer system and learns that the McKinleys are in fact character actors and that "Dentonvale" isn't a real hospital."Faith Factory" goes on the air, opening with a live musical performance by Janet's groupies, a punk band called Oscar Drill and the Bits ('Breaking Out'). Using the performance as a cover, Judge Wright and Betty dress up as white-lab coated doctors and break Brad out of Dentonvale, telling him that they've learned Farley is his biological twin brother, who was split from him during the adoption process and grew up poor. Now the wealthy and powerful Farley wants to destroy Brad's life out of jealousy, and is planning to seduce Janet on national TV as the last part of his plan.Brad, Judge Wright, and Betty break through the wall of the "Faith Factory" set, and Brad finally confronts Farley face-to-face about his plan ('Duel Duet'). Farley demands Brad be remanded to the hospital, but Janet, finally snapped out of her ego-trip, informs him that she never signed the consent forms. Angrily, Farley has Brad, Janet, Wright, and Betty arrested, and hastily names DTV host Macy Struthers as the new "Miss Mental Health." His psychology program ready to go, Farley invites the studio audience to join him in Dentonvale, to which they readily agree... they are all summarily handed stripped straight jackets, which they happily don and file out of the studio.Betty uses a hairpin to pick the lock on hers, Brad, Janet and the Judge's holding cell, and the shunned and defeated foursome resolves to leave Denton behind, but with their hopes and ideals intact despite the loss of everything ('Anyhow Anyhow'). With the help of Oscar Drill and the Bits, they hotwire a car that was meant to be a prize on "Faith Factory" and they all drive away off the deserted soundstage, out of the studio and the town itself, as Farley and the Dentonvale staff celebrate having just committed the entire town of Denton to the terminal ward in Dentonvale ('Denton, U.S.A. Reprise'). | Shock Treatment | 159f6104-bf02-0500-91e3-a6b98a5c833b | Who has taken over the town of Denton? | [
"Farley Flavors"
] | false |
/m/03v_6t | A Texan-accented narrator introduces the viewers to the shadowy Denton TV executive Farley Flavors (Cliff De Young), who has lived his life "fast" but still feels incomplete without a certain woman... who belongs to someone else. As Flavors watches from his office, his television studio... which now encompasses the entire town of Denton... is steadily filled with the former residents of Denton, who gleefully assume their new roles as studio audience members of a 24-hour live reality television broadcast ('Overture'). The sole holdout in the celebration is the neurotic Brad Majors (also Cliff De Young in a dual role), who despite the insistence of his wife, Janet (Jessica Harper), that things will be OK, is ambivalent about the town's transformation. Once the audience is seated, they are greeted by a welcoming committee led by local reporter and documentary filmmaker Neely Pritt (Betsy Brantley), who inform the audience... and viewers on television... of Denton's supposed virtues ('Denton, U.S.A.').Brad and Janet are chosen as contestants on "Marriage Maze," a supposed game show whose only purpose seems to be committing people to "Dentonvale", Denton's resident hospital and insane asylum which also serves as the reality TV hospital series of the same name. Janet is given the opportunity to have Brad committed by the show's host, a supposedly blind and flaky Austrian named Bert Schnick (Barry Humphries), who promises her that the experience will improve their marriage. Janet and Brad lament the state of their relationship, with Janet ultimately deciding to have Brad sent to Dentonvale ('Bitchin' in the Kitchen').Upon arriving at Dentonvale, Brad and Janet are greeted by the eccentric staff whom include Nurse Ansalong (Nell Campbell), her boyfriend and fellow orderly 'Rest Home' Ricky (Rik Mayall), and Dentonvale's supervisors, the apparently incestuous siblings Dr. Cosmo and Nation McKinley (Richard O'Brien and Patricia Quinn). Despite Brad's objections, Cosmo has him drugged, bound, gagged, and placed in a padded cell known as the "Terminal Ward." Before Janet can sign the papers permitting the McKinleys to treat Brad, Nurse Ansalong tells her to wait a day, to give her time to make up her mind.Meanwhile, Janet's parents, Emily and Harry Weiss (Darlene Johnson and Manning Redwood), are brought onto "Marriage Maze" and promised a prize if they offer a psychological assessment of Brad. Deciding that he's regressing into childhood, the Weisses are awarded a vacation home on another of DTV's reality TV programs called "Happy Homes". Janet goes to meet them there and laments Brad's lack of assertiveness, wishing he could see that she still loves him instead of giving into the doldrums of marriage ('In My Own Way'). Mr. Weiss chastises Janet for marrying Brad, an orphan whose parents died in a car crash, rather than other boys from more stable home backgrounds. Janet tells her father that the boy he'd wanted her to marry turned out to be gay, prompting Mr. Weiss to proclaim the virtues of traditional American masculinity ('Thank God I'm a Man').In Dentonvale, the McKinleys are informed by Bert that financing for their show has been taken over by Farley Flavors' own personal company, a fast food enterprise, named "Five Flavors", which Farley hopes to use to finance a pop psychology movement, using a new TV reality/talk show program titled "Faith Factory" as the platform and the McKinleys as his mouthpieces. The reluctant McKinleys are quickly taken in by a persuasive videotaped pitch, and on Farley's orders, they recruit Janet to be the face of Farley's "Take Away Psychology," as he believes she is the perfect example of the girl next door ('Farley's Song'). Janet moves into Dentonvale with the McKinleys and Bert Shnick, with the promise that her new life as an exciting model will make her desirable to Brad again ('Lullaby').Meanwhile, Judge Wright (Charles Gray) and Betty Hapschatt (Ruby Wax), two DTV presenters from the news show "Denton Dossier" whom are sympathetic to Brad, look into the histories of Farley and the McKinleys, suspecting that there is a sinister motive behind "Faith Factory." However, their investigation is hampered when they are informed that they are being replaced as anchorpeople of "Denton Dossier" by Betty's ex-husband Ralph (Jeremy Newson) whom is currently dating the hot blond reporter Macy Struthers (Wendy Raeback) whom gets promoted to be the new co-anchor.The next day, after Nation catches a fully-sighted Bert Schnick spying on Janet in the shower, Cosmo strokes Janet's ego and designs a sexy new outfit for her, transforming her into "Miss Mental Health" ('Little Black Dress'). DTV manufactures Janet into an overnight sensation, and the newfound fame immediately goes to Janet's head, causing her to forget about repairing her marriage with Brad as she makes her debut by singing her song to the studio audence of her new fame. ('Me of Me').Janet, her parents, and Bert Schnick go to visit Brad at Dentonvale, where the Weisses question whether the McKinleys can really help him. The Dentonvale Staff assure everyone of their competency, "curing" Bert's blindness to demonstrate their abilities ('Shock Treatment'). Janet and her parents are completely taken in, but Janet's ego becomes difficult for the McKinley's to control. To keep Janet manageable, they drug her in her dressing room, resulting in a surreal dream sequence in which she patrols Denton looking for sex while Brad begs her for love from his asylum cell ('Looking for Trade').As the premier of the new psychology reality TV show "Faith Factory" nears, Bert, the Dentonvale Staff, and the Weisses prepare for their new TV roles by dressing up in white doctor and nurse uniforms in the wardrobe room as they sing about their new images ('Look What I Did To My Id').Meanwhile, Betty hacks into DTV's computer system and learns that the McKinleys are in fact character actors and that "Dentonvale" isn't a real hospital."Faith Factory" goes on the air, opening with a live musical performance by Janet's groupies, a punk band called Oscar Drill and the Bits ('Breaking Out'). Using the performance as a cover, Judge Wright and Betty dress up as white-lab coated doctors and break Brad out of Dentonvale, telling him that they've learned Farley is his biological twin brother, who was split from him during the adoption process and grew up poor. Now the wealthy and powerful Farley wants to destroy Brad's life out of jealousy, and is planning to seduce Janet on national TV as the last part of his plan.Brad, Judge Wright, and Betty break through the wall of the "Faith Factory" set, and Brad finally confronts Farley face-to-face about his plan ('Duel Duet'). Farley demands Brad be remanded to the hospital, but Janet, finally snapped out of her ego-trip, informs him that she never signed the consent forms. Angrily, Farley has Brad, Janet, Wright, and Betty arrested, and hastily names DTV host Macy Struthers as the new "Miss Mental Health." His psychology program ready to go, Farley invites the studio audience to join him in Dentonvale, to which they readily agree... they are all summarily handed stripped straight jackets, which they happily don and file out of the studio.Betty uses a hairpin to pick the lock on hers, Brad, Janet and the Judge's holding cell, and the shunned and defeated foursome resolves to leave Denton behind, but with their hopes and ideals intact despite the loss of everything ('Anyhow Anyhow'). With the help of Oscar Drill and the Bits, they hotwire a car that was meant to be a prize on "Faith Factory" and they all drive away off the deserted soundstage, out of the studio and the town itself, as Farley and the Dentonvale staff celebrate having just committed the entire town of Denton to the terminal ward in Dentonvale ('Denton, U.S.A. Reprise'). | Shock Treatment | c1557a46-602a-9939-258e-e037deaa29dd | In what town does the film take place? | [
"Denton"
] | false |
/m/03v_6t | A Texan-accented narrator introduces the viewers to the shadowy Denton TV executive Farley Flavors (Cliff De Young), who has lived his life "fast" but still feels incomplete without a certain woman... who belongs to someone else. As Flavors watches from his office, his television studio... which now encompasses the entire town of Denton... is steadily filled with the former residents of Denton, who gleefully assume their new roles as studio audience members of a 24-hour live reality television broadcast ('Overture'). The sole holdout in the celebration is the neurotic Brad Majors (also Cliff De Young in a dual role), who despite the insistence of his wife, Janet (Jessica Harper), that things will be OK, is ambivalent about the town's transformation. Once the audience is seated, they are greeted by a welcoming committee led by local reporter and documentary filmmaker Neely Pritt (Betsy Brantley), who inform the audience... and viewers on television... of Denton's supposed virtues ('Denton, U.S.A.').Brad and Janet are chosen as contestants on "Marriage Maze," a supposed game show whose only purpose seems to be committing people to "Dentonvale", Denton's resident hospital and insane asylum which also serves as the reality TV hospital series of the same name. Janet is given the opportunity to have Brad committed by the show's host, a supposedly blind and flaky Austrian named Bert Schnick (Barry Humphries), who promises her that the experience will improve their marriage. Janet and Brad lament the state of their relationship, with Janet ultimately deciding to have Brad sent to Dentonvale ('Bitchin' in the Kitchen').Upon arriving at Dentonvale, Brad and Janet are greeted by the eccentric staff whom include Nurse Ansalong (Nell Campbell), her boyfriend and fellow orderly 'Rest Home' Ricky (Rik Mayall), and Dentonvale's supervisors, the apparently incestuous siblings Dr. Cosmo and Nation McKinley (Richard O'Brien and Patricia Quinn). Despite Brad's objections, Cosmo has him drugged, bound, gagged, and placed in a padded cell known as the "Terminal Ward." Before Janet can sign the papers permitting the McKinleys to treat Brad, Nurse Ansalong tells her to wait a day, to give her time to make up her mind.Meanwhile, Janet's parents, Emily and Harry Weiss (Darlene Johnson and Manning Redwood), are brought onto "Marriage Maze" and promised a prize if they offer a psychological assessment of Brad. Deciding that he's regressing into childhood, the Weisses are awarded a vacation home on another of DTV's reality TV programs called "Happy Homes". Janet goes to meet them there and laments Brad's lack of assertiveness, wishing he could see that she still loves him instead of giving into the doldrums of marriage ('In My Own Way'). Mr. Weiss chastises Janet for marrying Brad, an orphan whose parents died in a car crash, rather than other boys from more stable home backgrounds. Janet tells her father that the boy he'd wanted her to marry turned out to be gay, prompting Mr. Weiss to proclaim the virtues of traditional American masculinity ('Thank God I'm a Man').In Dentonvale, the McKinleys are informed by Bert that financing for their show has been taken over by Farley Flavors' own personal company, a fast food enterprise, named "Five Flavors", which Farley hopes to use to finance a pop psychology movement, using a new TV reality/talk show program titled "Faith Factory" as the platform and the McKinleys as his mouthpieces. The reluctant McKinleys are quickly taken in by a persuasive videotaped pitch, and on Farley's orders, they recruit Janet to be the face of Farley's "Take Away Psychology," as he believes she is the perfect example of the girl next door ('Farley's Song'). Janet moves into Dentonvale with the McKinleys and Bert Shnick, with the promise that her new life as an exciting model will make her desirable to Brad again ('Lullaby').Meanwhile, Judge Wright (Charles Gray) and Betty Hapschatt (Ruby Wax), two DTV presenters from the news show "Denton Dossier" whom are sympathetic to Brad, look into the histories of Farley and the McKinleys, suspecting that there is a sinister motive behind "Faith Factory." However, their investigation is hampered when they are informed that they are being replaced as anchorpeople of "Denton Dossier" by Betty's ex-husband Ralph (Jeremy Newson) whom is currently dating the hot blond reporter Macy Struthers (Wendy Raeback) whom gets promoted to be the new co-anchor.The next day, after Nation catches a fully-sighted Bert Schnick spying on Janet in the shower, Cosmo strokes Janet's ego and designs a sexy new outfit for her, transforming her into "Miss Mental Health" ('Little Black Dress'). DTV manufactures Janet into an overnight sensation, and the newfound fame immediately goes to Janet's head, causing her to forget about repairing her marriage with Brad as she makes her debut by singing her song to the studio audence of her new fame. ('Me of Me').Janet, her parents, and Bert Schnick go to visit Brad at Dentonvale, where the Weisses question whether the McKinleys can really help him. The Dentonvale Staff assure everyone of their competency, "curing" Bert's blindness to demonstrate their abilities ('Shock Treatment'). Janet and her parents are completely taken in, but Janet's ego becomes difficult for the McKinley's to control. To keep Janet manageable, they drug her in her dressing room, resulting in a surreal dream sequence in which she patrols Denton looking for sex while Brad begs her for love from his asylum cell ('Looking for Trade').As the premier of the new psychology reality TV show "Faith Factory" nears, Bert, the Dentonvale Staff, and the Weisses prepare for their new TV roles by dressing up in white doctor and nurse uniforms in the wardrobe room as they sing about their new images ('Look What I Did To My Id').Meanwhile, Betty hacks into DTV's computer system and learns that the McKinleys are in fact character actors and that "Dentonvale" isn't a real hospital."Faith Factory" goes on the air, opening with a live musical performance by Janet's groupies, a punk band called Oscar Drill and the Bits ('Breaking Out'). Using the performance as a cover, Judge Wright and Betty dress up as white-lab coated doctors and break Brad out of Dentonvale, telling him that they've learned Farley is his biological twin brother, who was split from him during the adoption process and grew up poor. Now the wealthy and powerful Farley wants to destroy Brad's life out of jealousy, and is planning to seduce Janet on national TV as the last part of his plan.Brad, Judge Wright, and Betty break through the wall of the "Faith Factory" set, and Brad finally confronts Farley face-to-face about his plan ('Duel Duet'). Farley demands Brad be remanded to the hospital, but Janet, finally snapped out of her ego-trip, informs him that she never signed the consent forms. Angrily, Farley has Brad, Janet, Wright, and Betty arrested, and hastily names DTV host Macy Struthers as the new "Miss Mental Health." His psychology program ready to go, Farley invites the studio audience to join him in Dentonvale, to which they readily agree... they are all summarily handed stripped straight jackets, which they happily don and file out of the studio.Betty uses a hairpin to pick the lock on hers, Brad, Janet and the Judge's holding cell, and the shunned and defeated foursome resolves to leave Denton behind, but with their hopes and ideals intact despite the loss of everything ('Anyhow Anyhow'). With the help of Oscar Drill and the Bits, they hotwire a car that was meant to be a prize on "Faith Factory" and they all drive away off the deserted soundstage, out of the studio and the town itself, as Farley and the Dentonvale staff celebrate having just committed the entire town of Denton to the terminal ward in Dentonvale ('Denton, U.S.A. Reprise'). | Shock Treatment | a3f36c84-3204-71ef-af17-f176b8e353d9 | What show does Bert Schnick host? | [
"Faith Factory",
"Marriage Maze"
] | false |
/m/03v_6t | A Texan-accented narrator introduces the viewers to the shadowy Denton TV executive Farley Flavors (Cliff De Young), who has lived his life "fast" but still feels incomplete without a certain woman... who belongs to someone else. As Flavors watches from his office, his television studio... which now encompasses the entire town of Denton... is steadily filled with the former residents of Denton, who gleefully assume their new roles as studio audience members of a 24-hour live reality television broadcast ('Overture'). The sole holdout in the celebration is the neurotic Brad Majors (also Cliff De Young in a dual role), who despite the insistence of his wife, Janet (Jessica Harper), that things will be OK, is ambivalent about the town's transformation. Once the audience is seated, they are greeted by a welcoming committee led by local reporter and documentary filmmaker Neely Pritt (Betsy Brantley), who inform the audience... and viewers on television... of Denton's supposed virtues ('Denton, U.S.A.').Brad and Janet are chosen as contestants on "Marriage Maze," a supposed game show whose only purpose seems to be committing people to "Dentonvale", Denton's resident hospital and insane asylum which also serves as the reality TV hospital series of the same name. Janet is given the opportunity to have Brad committed by the show's host, a supposedly blind and flaky Austrian named Bert Schnick (Barry Humphries), who promises her that the experience will improve their marriage. Janet and Brad lament the state of their relationship, with Janet ultimately deciding to have Brad sent to Dentonvale ('Bitchin' in the Kitchen').Upon arriving at Dentonvale, Brad and Janet are greeted by the eccentric staff whom include Nurse Ansalong (Nell Campbell), her boyfriend and fellow orderly 'Rest Home' Ricky (Rik Mayall), and Dentonvale's supervisors, the apparently incestuous siblings Dr. Cosmo and Nation McKinley (Richard O'Brien and Patricia Quinn). Despite Brad's objections, Cosmo has him drugged, bound, gagged, and placed in a padded cell known as the "Terminal Ward." Before Janet can sign the papers permitting the McKinleys to treat Brad, Nurse Ansalong tells her to wait a day, to give her time to make up her mind.Meanwhile, Janet's parents, Emily and Harry Weiss (Darlene Johnson and Manning Redwood), are brought onto "Marriage Maze" and promised a prize if they offer a psychological assessment of Brad. Deciding that he's regressing into childhood, the Weisses are awarded a vacation home on another of DTV's reality TV programs called "Happy Homes". Janet goes to meet them there and laments Brad's lack of assertiveness, wishing he could see that she still loves him instead of giving into the doldrums of marriage ('In My Own Way'). Mr. Weiss chastises Janet for marrying Brad, an orphan whose parents died in a car crash, rather than other boys from more stable home backgrounds. Janet tells her father that the boy he'd wanted her to marry turned out to be gay, prompting Mr. Weiss to proclaim the virtues of traditional American masculinity ('Thank God I'm a Man').In Dentonvale, the McKinleys are informed by Bert that financing for their show has been taken over by Farley Flavors' own personal company, a fast food enterprise, named "Five Flavors", which Farley hopes to use to finance a pop psychology movement, using a new TV reality/talk show program titled "Faith Factory" as the platform and the McKinleys as his mouthpieces. The reluctant McKinleys are quickly taken in by a persuasive videotaped pitch, and on Farley's orders, they recruit Janet to be the face of Farley's "Take Away Psychology," as he believes she is the perfect example of the girl next door ('Farley's Song'). Janet moves into Dentonvale with the McKinleys and Bert Shnick, with the promise that her new life as an exciting model will make her desirable to Brad again ('Lullaby').Meanwhile, Judge Wright (Charles Gray) and Betty Hapschatt (Ruby Wax), two DTV presenters from the news show "Denton Dossier" whom are sympathetic to Brad, look into the histories of Farley and the McKinleys, suspecting that there is a sinister motive behind "Faith Factory." However, their investigation is hampered when they are informed that they are being replaced as anchorpeople of "Denton Dossier" by Betty's ex-husband Ralph (Jeremy Newson) whom is currently dating the hot blond reporter Macy Struthers (Wendy Raeback) whom gets promoted to be the new co-anchor.The next day, after Nation catches a fully-sighted Bert Schnick spying on Janet in the shower, Cosmo strokes Janet's ego and designs a sexy new outfit for her, transforming her into "Miss Mental Health" ('Little Black Dress'). DTV manufactures Janet into an overnight sensation, and the newfound fame immediately goes to Janet's head, causing her to forget about repairing her marriage with Brad as she makes her debut by singing her song to the studio audence of her new fame. ('Me of Me').Janet, her parents, and Bert Schnick go to visit Brad at Dentonvale, where the Weisses question whether the McKinleys can really help him. The Dentonvale Staff assure everyone of their competency, "curing" Bert's blindness to demonstrate their abilities ('Shock Treatment'). Janet and her parents are completely taken in, but Janet's ego becomes difficult for the McKinley's to control. To keep Janet manageable, they drug her in her dressing room, resulting in a surreal dream sequence in which she patrols Denton looking for sex while Brad begs her for love from his asylum cell ('Looking for Trade').As the premier of the new psychology reality TV show "Faith Factory" nears, Bert, the Dentonvale Staff, and the Weisses prepare for their new TV roles by dressing up in white doctor and nurse uniforms in the wardrobe room as they sing about their new images ('Look What I Did To My Id').Meanwhile, Betty hacks into DTV's computer system and learns that the McKinleys are in fact character actors and that "Dentonvale" isn't a real hospital."Faith Factory" goes on the air, opening with a live musical performance by Janet's groupies, a punk band called Oscar Drill and the Bits ('Breaking Out'). Using the performance as a cover, Judge Wright and Betty dress up as white-lab coated doctors and break Brad out of Dentonvale, telling him that they've learned Farley is his biological twin brother, who was split from him during the adoption process and grew up poor. Now the wealthy and powerful Farley wants to destroy Brad's life out of jealousy, and is planning to seduce Janet on national TV as the last part of his plan.Brad, Judge Wright, and Betty break through the wall of the "Faith Factory" set, and Brad finally confronts Farley face-to-face about his plan ('Duel Duet'). Farley demands Brad be remanded to the hospital, but Janet, finally snapped out of her ego-trip, informs him that she never signed the consent forms. Angrily, Farley has Brad, Janet, Wright, and Betty arrested, and hastily names DTV host Macy Struthers as the new "Miss Mental Health." His psychology program ready to go, Farley invites the studio audience to join him in Dentonvale, to which they readily agree... they are all summarily handed stripped straight jackets, which they happily don and file out of the studio.Betty uses a hairpin to pick the lock on hers, Brad, Janet and the Judge's holding cell, and the shunned and defeated foursome resolves to leave Denton behind, but with their hopes and ideals intact despite the loss of everything ('Anyhow Anyhow'). With the help of Oscar Drill and the Bits, they hotwire a car that was meant to be a prize on "Faith Factory" and they all drive away off the deserted soundstage, out of the studio and the town itself, as Farley and the Dentonvale staff celebrate having just committed the entire town of Denton to the terminal ward in Dentonvale ('Denton, U.S.A. Reprise'). | Shock Treatment | 8f598c7e-dcad-ef97-5412-b35008cda37c | What does Janet do to become famous? | [
"Janet has Brad committed and takes the part in \"Take Away Psychology,\""
] | false |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 5c0b2036-6aae-b52d-e136-d18a1e064b6c | What personal item of Stanley's is the reason he's suspected in the bank robbery? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 77ecae06-21ff-234f-ae68-7e151fcc34c9 | Where does Tina throw the mask? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 79e11240-67c2-2901-ea96-7a0c0cfda344 | bizarre trickster known as? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 98ebdd2b-72be-72d8-093b-bb90f5070abf | Who discovers the mask after Tyrell takes it off? | [
"DR. ALLEN BARNES"
] | false |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | fb876c22-aff9-c9e3-5bee-5d16b552fcc2 | What does Stanley, with the mask on, make the policemen and surrounding citizens do in order to avoid arrest? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 43b384dc-a42d-5a81-a7e4-4e5ccb883078 | Who does stanley consult? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | adeae228-0fd1-9149-1228-538cadaa7104 | What happens when Stanley recovers the mask? | [
"experiences dream-like visions which become increasingly disturbing and violent"
] | false |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 4c9f60d7-bd11-555b-0702-3435d0d61e47 | What does Tina trick Tyrell into doing? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 0f36975c-6f24-9e36-4501-ac5039c23373 | What happens after Stanley enters the club? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | d0c6a82a-65fd-e21b-b665-4ad3b8b8850a | What happens when the mask is donned by Milo? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 9573913e-ef48-0124-3d41-431fb1014f3e | WHO IS SCARES OFF A STREET? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 61406b3c-1d1a-d0ff-50fb-3ec0585ffc1e | WHERE IS THE WOOD MASK FIND IT? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 3df1ccff-de1d-990b-2b28-2aa28f9bc3bd | What does Dorian Tyrell own? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 4bf56cb4-1ad6-c964-9d39-76577fd40793 | Whom does Kellaway suspect to be the bank robber? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | a515dfc2-f6ea-5d90-b15d-229e57029c25 | Who interrupts their meeting? | [
"barnes"
] | false |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 905987e9-d350-f0fc-de67-da8c093b1c99 | What does The Mask turn into a Tommy gun to fend off a street gang? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 3f4c3856-f15d-f633-61d6-a1132c98c3e1 | Who is Kellaway? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 683c236c-220d-1a25-fed3-368b06640d81 | What detective does Stanley encounter ? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 85ae385c-f5de-65c3-0a27-6fbc0de6c3c3 | Who does Tina meet in their cell? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 2540ab10-2837-bcf0-a681-b7225a1dfc4b | WHERE IS THE DENIED ENTRANCE? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 5a05e29c-67b1-9280-c40f-6c6ffe58a2c3 | What reporter does Stanley encounter ? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | a345fac4-aa4f-0fcb-2462-ad43ec7c2fbd | WHAT IS THE NAME OF THIS MOVIE? | [
"the mask"
] | false |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 80a8eeaa-b74d-f010-4a61-b5fa656b601b | WHO IS ATTRACTED TO TINA? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 51cfac68-b7ad-8ee6-15dd-1938423576ff | What is Standley's dog's name? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 175f5565-a63a-5be7-092f-6f54ec9e9d03 | For how much money does Peggy betray Stanley? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | fdb4b98e-961d-42aa-2621-393864aa4969 | To which establishment was Stanley denied entrance? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 6cca71b3-6235-c129-a50f-941f725dc8d7 | Who captures Tina? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 7843a873-cf2e-ee50-1fd8-07543ff46d18 | With whom does Stanley flee? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | ca4bc44c-67fa-821b-027a-ae31b02c2fad | According to the psychiatrist, who's the mask a depiction of? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 733452b7-efc7-38a1-ab05-e620ff1241fe | Where does Stanley meet Tina? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 55a5b27e-bb95-779b-b4c4-6b6fb14d1749 | Where does Stanley go after locking Kellaway in his car? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | bbaa549a-155d-bc0b-ef61-90c8f941fe6a | What does Tina reveal to Stanley? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 8fe0f3c0-4560-4e32-5ac7-60ee9738a62b | What kind of suit does The Mask wear? | [] | true |
/m/0kvcj3 | The story concerns a psychiatrist, Dr. Allen Barnes (Stevens), who obtains a mysterious ancient tribal mask. Whenever he puts on the mask, Barnes experiences dream-like visions which become increasingly disturbing and violent. The visions begin to alter Barnes' personality, and eventually drive him insane. | The Mask | 806754cb-32c9-9d5a-ff59-3d4bfeacd953 | Where does Stanley lock Kellaway? | [] | true |
/m/02psgq | Based on the most common interpretation of the storyline,[4] the film can be divided into a prologue, seven major episodes interrupted by an intermezzo, and an epilogue (see also Structure, below). If the evenings of each episode were joined with the morning of the respective preceding episode together as a day, they would form seven consecutive days, which may not necessarily be the case.[clarification needed]
Prologue[edit]
1st Day Sequence: A helicopter transports a statue of Christ over an ancient Roman aqueduct outside Rome while a second, Marcello Rubini's news helicopter, follows it into the city. The news helicopter is momentarily sidetracked by a group of bikini-clad women sunbathing on the rooftop of a high-rise apartment building. Hovering above, Marcello uses gestures to elicit phone numbers from them but fails in his attempt then shrugs and continues on following the statue into Saint Peter's Square.
Episode 1[edit]
1st Night Sequence: Marcello meets Maddalena by chance in an exclusive nightclub. A beautiful and wealthy heiress, Maddalena is tired of Rome and constantly in search of new sensations while Marcello finds Rome suits him as a jungle he can hide in. They make love in the bedroom of a prostitute to whom they had given a ride home in Maddalenaâs Cadillac.
1st Dawn Sequence: Marcello returns to his apartment at dawn to find that his fiancée, Emma, has overdosed. On the way to the hospital, he declares his everlasting love to her and again as she lies in a semiconscious state in the emergency room. While waiting frantically for her recovery, however, he tries to make a phone call to Maddalena.
Episode 2[edit]
2nd Day Sequence: That day, he goes on assignment for the arrival of Sylvia, a famous Swedish-American actress, at Ciampino airport where she is met by a horde of news reporters.
During Sylvia's press conference, Marcello calls home to ensure Emma has taken her medication while reassuring her that he is not alone with Sylvia. After the film star confidently replies to the barrage of journalists' questions, her boyfriend Robert (Lex Barker) enters the room late and drunk. To Sylvia's producer, Marcello casually recommends that Sylvia be taken on a tour of St Peter's.
Inside St Peter's dome, a news reporter complains that Sylvia is "an elevator" because none of them can match her energetic climb up the numerous flights of stairs. Inspired, Marcello maneuvers forward to be alone with her when they finally reach the balcony overlooking the Vatican.
2nd Night Sequence: That evening, the infatuated Marcello dances with Sylvia in the Baths of Caracalla. Sylvia's natural sensuality triggers raucous partying while Robert, her bored fiancé, draws caricatures and reads a newspaper. His humiliating remark to her causes Sylvia to leave the group, eagerly followed by Marcello and his paparazzi colleagues. Finding themselves alone, Marcello and Sylvia spend the rest of the evening in the alleys of Rome where they wade into the Trevi Fountain.
2nd Dawn Sequence: Like a magic spell that has suddenly been broken, dawn arrives at the very moment Sylvia playfully "anoints" Marcello's head with fountain water. They drive back to Sylvia's hotel to find an enraged Robert waiting for her in his car. Robert slaps Sylvia, orders her to go to bed, and then assaults Marcello who takes it in stride.
Episode 3a[edit]
3rd Day Sequence: Marcello meets Steiner, his distinguished intellectual friend, inside a church playing Bach on the organ. Steiner shows off his book of Sanskrit grammar.
Episode 4[edit]
4th Day Sequence: Late afternoon, Marcello, his photographer friend Paparazzo, and Emma drive to the outskirts of Rome to cover the story of the purported sighting of the Madonna by two children. Although the Catholic Church is officially skeptical, a huge crowd of devotees and reporters gathers at the site.
3rd Night Sequence: That night, the event is broadcast over Italian radio and television. Blindly following the two children from corner to corner in a downpour, the crowd tears a small tree apart for its branches and leaves said to have sheltered the Madonna. Meanwhile, Emma prays to the Virgin Mary to be given sole possession of Marcello's heart.
3rd Dawn Sequence: The gathering ends at dawn with the crowd mourning a sick child, a pilgrim brought by his mother to be healed, but trampled to death in the melee.
Episode 3b[edit]
4th Night Sequence: One evening, Marcello and Emma attend a gathering at Steinerâs luxurious home where they are introduced to a group of intellectuals who recite poetry, strum the guitar, offer philosophical ideas, and listen to sounds of nature recorded on tape. While one of the women declares it better not to get married so that one does not need to choose, Marcello responds that it is better to be chosen than to choose. Emma appears enchanted with Steiner's home and children, telling Marcello that one day he will have a home like Steiner's.
Outside on the terrace, Marcello confesses to Steiner his admiration for all he stands for, but Steiner admits he is torn between the security that a materialistic life affords and his longing for a more spiritual albeit insecure way of life. Steiner philosophizes about the need for love in the world and fears what his children may grow up to face one day.
Intermezzo[edit]
5th Day Sequence: Marcello spends the afternoon working on his novel at a seaside restaurant where he meets Paola, a young waitress from Perugia playing Perez Prado's cha-cha Patricia on the jukebox and then humming its tune. He asks her if she has a boyfriend, then describes her as an angel in Umbrian paintings.
Episode 5[edit]
5th Night Sequence: Marcello meets his father (Annibale Ninchi) visiting Rome on the Via Veneto. With Paparazzo, they go to the Cha-Cha-Cha Club where Marcello introduces his father to Fanny, a beautiful dancer and one of his past one-night stands (he had promised to get her picture in the paper, but failed to do it). Fanny takes a liking to his father. Marcello tells Paparazzo that as a child he had never seen much of his father, who would spend weeks away from home. Fanny invites Marcelloâs father back to her flat, and two other dancers invite the two younger men to go with them. Marcello leaves the others when they get to the dancers' neighborhood. Fanny comes out of her house, upset that Marcello's father has become ill.
4th Dawn Sequence: Marcello's father has suffered what seems to be a mild heart attack. Marcello wants him to stay with him in Rome so they can get to know each other, but his father, weakened, wants to go home and gets in a taxi to catch the first train home. He leaves Marcello forlorn, on the street, watching the taxi leave.
Episode 6[edit]
6th Night Sequence: Marcello, Nico, and other friends met on the Via Veneto are driven to a castle owned by aristocrats at Bassano di Sutri outside Rome. There is already a party long in progress, and the party-goers are bleary-eyed and intoxicated. By chance, Marcello meets Maddalena again. The two of them explore a suite of ruins annexed to the castle. Maddalena seats Marcello in a vast room and then closets herself in another room connected by an echo chamber. As a disembodied voice, Maddalena asks him to marry her; Marcello professes his love for her, avoiding answering her proposal. Another man kisses and embraces Maddalena, who loses interest in Marcello. He rejoins the group, and eventually spends the night with Jane, an American artist and heiress.
5th Dawn Sequence: Burnt out and bleary-eyed, the group returns at dawn to the main section of the castle, to be met by the matriarch of the castle, who is on her way to mass, accompanied by priests in a procession.
Episode 3c[edit]
7th Night Sequence: Marcello and Emma are alone in his sports car on an isolated road. Emma starts an argument by professing her love, and tries to get out of the car; Marcello pleads with her not to get out. Emma says that Marcello will never find another woman who loves him the way she does. Marcello becomes enraged at her, telling her that he cannot live with her maternal and smothering love. He now wants her to get out of the car, and she refuses. With some violence (a bite from her and a slap from him), he throws her out of the car and drives off. She is left alone on a dark, lonely road, in the dark. After some hours (it is now dawn), Emma is still alone on the road, holding flowers, when she hears his car approaching. She gets into the car without saying a word.
6th Dawn Sequence: Marcello and Emma are asleep in bed, tenderly intertwined; Marcello receives a phone call. He rushes to the Steiners' apartment and learns that Steiner has killed himself and his two children.
6th Day Sequence: After waiting with the police for Steinerâs wife to return home, he meets her outside to break the terrible news while paparazzi swarm around her snapping pictures.
Episode 7[edit]
6th Night Sequence: An unspecified amount of time later, an older Marcelloânow with gray in his hairâand a group of partygoers break into a Fregene beach house owned by Riccardo, a friend of Marcello's. To celebrate her recent divorce from Riccardo, Nadia performs a striptease to Perez Prado's cha-cha Patricia. The drunken Marcello attempts to provoke the other partygoers into an orgy. Due to their inebriated states, however, the party descends into mayhem with Marcello throwing pillow feathers around the room as he rides a young woman crawling on her hands and knees. Riccardo shows up at the house and angrily tells the partiers to leave.
Epilogue[edit]
7th Dawn Sequence: The party proceeds to the beach at dawn where they find a modern-day leviathan, a bloated, stingray-like creature, caught in the fishermen's nets.[a] In his stupor, Marcello comments on how its eyes stare even in death.
7th Day Sequence: Paola, the adolescent waitress from the seaside restaurant in Fregene, calls to Marcello from across an estuary but the words they exchange are lost on the wind, drowned out by the crash of the waves. He signals his inability to understand what she is saying or interpret her gestures. He shrugs and returns to the partygoers; one of the women joins him and they hold hands as they walk away from the beach. In a long final close-up, Paola waves to Marcello then stands watching him with an enigmatic smile. | La Dolce Vita | 56121507-7b62-40d5-9128-41d00bb3bfe2 | Who is the "Great Whore"? | [
"Maddalena"
] | false |
/m/02psgq | Based on the most common interpretation of the storyline,[4] the film can be divided into a prologue, seven major episodes interrupted by an intermezzo, and an epilogue (see also Structure, below). If the evenings of each episode were joined with the morning of the respective preceding episode together as a day, they would form seven consecutive days, which may not necessarily be the case.[clarification needed]
Prologue[edit]
1st Day Sequence: A helicopter transports a statue of Christ over an ancient Roman aqueduct outside Rome while a second, Marcello Rubini's news helicopter, follows it into the city. The news helicopter is momentarily sidetracked by a group of bikini-clad women sunbathing on the rooftop of a high-rise apartment building. Hovering above, Marcello uses gestures to elicit phone numbers from them but fails in his attempt then shrugs and continues on following the statue into Saint Peter's Square.
Episode 1[edit]
1st Night Sequence: Marcello meets Maddalena by chance in an exclusive nightclub. A beautiful and wealthy heiress, Maddalena is tired of Rome and constantly in search of new sensations while Marcello finds Rome suits him as a jungle he can hide in. They make love in the bedroom of a prostitute to whom they had given a ride home in Maddalenaâs Cadillac.
1st Dawn Sequence: Marcello returns to his apartment at dawn to find that his fiancée, Emma, has overdosed. On the way to the hospital, he declares his everlasting love to her and again as she lies in a semiconscious state in the emergency room. While waiting frantically for her recovery, however, he tries to make a phone call to Maddalena.
Episode 2[edit]
2nd Day Sequence: That day, he goes on assignment for the arrival of Sylvia, a famous Swedish-American actress, at Ciampino airport where she is met by a horde of news reporters.
During Sylvia's press conference, Marcello calls home to ensure Emma has taken her medication while reassuring her that he is not alone with Sylvia. After the film star confidently replies to the barrage of journalists' questions, her boyfriend Robert (Lex Barker) enters the room late and drunk. To Sylvia's producer, Marcello casually recommends that Sylvia be taken on a tour of St Peter's.
Inside St Peter's dome, a news reporter complains that Sylvia is "an elevator" because none of them can match her energetic climb up the numerous flights of stairs. Inspired, Marcello maneuvers forward to be alone with her when they finally reach the balcony overlooking the Vatican.
2nd Night Sequence: That evening, the infatuated Marcello dances with Sylvia in the Baths of Caracalla. Sylvia's natural sensuality triggers raucous partying while Robert, her bored fiancé, draws caricatures and reads a newspaper. His humiliating remark to her causes Sylvia to leave the group, eagerly followed by Marcello and his paparazzi colleagues. Finding themselves alone, Marcello and Sylvia spend the rest of the evening in the alleys of Rome where they wade into the Trevi Fountain.
2nd Dawn Sequence: Like a magic spell that has suddenly been broken, dawn arrives at the very moment Sylvia playfully "anoints" Marcello's head with fountain water. They drive back to Sylvia's hotel to find an enraged Robert waiting for her in his car. Robert slaps Sylvia, orders her to go to bed, and then assaults Marcello who takes it in stride.
Episode 3a[edit]
3rd Day Sequence: Marcello meets Steiner, his distinguished intellectual friend, inside a church playing Bach on the organ. Steiner shows off his book of Sanskrit grammar.
Episode 4[edit]
4th Day Sequence: Late afternoon, Marcello, his photographer friend Paparazzo, and Emma drive to the outskirts of Rome to cover the story of the purported sighting of the Madonna by two children. Although the Catholic Church is officially skeptical, a huge crowd of devotees and reporters gathers at the site.
3rd Night Sequence: That night, the event is broadcast over Italian radio and television. Blindly following the two children from corner to corner in a downpour, the crowd tears a small tree apart for its branches and leaves said to have sheltered the Madonna. Meanwhile, Emma prays to the Virgin Mary to be given sole possession of Marcello's heart.
3rd Dawn Sequence: The gathering ends at dawn with the crowd mourning a sick child, a pilgrim brought by his mother to be healed, but trampled to death in the melee.
Episode 3b[edit]
4th Night Sequence: One evening, Marcello and Emma attend a gathering at Steinerâs luxurious home where they are introduced to a group of intellectuals who recite poetry, strum the guitar, offer philosophical ideas, and listen to sounds of nature recorded on tape. While one of the women declares it better not to get married so that one does not need to choose, Marcello responds that it is better to be chosen than to choose. Emma appears enchanted with Steiner's home and children, telling Marcello that one day he will have a home like Steiner's.
Outside on the terrace, Marcello confesses to Steiner his admiration for all he stands for, but Steiner admits he is torn between the security that a materialistic life affords and his longing for a more spiritual albeit insecure way of life. Steiner philosophizes about the need for love in the world and fears what his children may grow up to face one day.
Intermezzo[edit]
5th Day Sequence: Marcello spends the afternoon working on his novel at a seaside restaurant where he meets Paola, a young waitress from Perugia playing Perez Prado's cha-cha Patricia on the jukebox and then humming its tune. He asks her if she has a boyfriend, then describes her as an angel in Umbrian paintings.
Episode 5[edit]
5th Night Sequence: Marcello meets his father (Annibale Ninchi) visiting Rome on the Via Veneto. With Paparazzo, they go to the Cha-Cha-Cha Club where Marcello introduces his father to Fanny, a beautiful dancer and one of his past one-night stands (he had promised to get her picture in the paper, but failed to do it). Fanny takes a liking to his father. Marcello tells Paparazzo that as a child he had never seen much of his father, who would spend weeks away from home. Fanny invites Marcelloâs father back to her flat, and two other dancers invite the two younger men to go with them. Marcello leaves the others when they get to the dancers' neighborhood. Fanny comes out of her house, upset that Marcello's father has become ill.
4th Dawn Sequence: Marcello's father has suffered what seems to be a mild heart attack. Marcello wants him to stay with him in Rome so they can get to know each other, but his father, weakened, wants to go home and gets in a taxi to catch the first train home. He leaves Marcello forlorn, on the street, watching the taxi leave.
Episode 6[edit]
6th Night Sequence: Marcello, Nico, and other friends met on the Via Veneto are driven to a castle owned by aristocrats at Bassano di Sutri outside Rome. There is already a party long in progress, and the party-goers are bleary-eyed and intoxicated. By chance, Marcello meets Maddalena again. The two of them explore a suite of ruins annexed to the castle. Maddalena seats Marcello in a vast room and then closets herself in another room connected by an echo chamber. As a disembodied voice, Maddalena asks him to marry her; Marcello professes his love for her, avoiding answering her proposal. Another man kisses and embraces Maddalena, who loses interest in Marcello. He rejoins the group, and eventually spends the night with Jane, an American artist and heiress.
5th Dawn Sequence: Burnt out and bleary-eyed, the group returns at dawn to the main section of the castle, to be met by the matriarch of the castle, who is on her way to mass, accompanied by priests in a procession.
Episode 3c[edit]
7th Night Sequence: Marcello and Emma are alone in his sports car on an isolated road. Emma starts an argument by professing her love, and tries to get out of the car; Marcello pleads with her not to get out. Emma says that Marcello will never find another woman who loves him the way she does. Marcello becomes enraged at her, telling her that he cannot live with her maternal and smothering love. He now wants her to get out of the car, and she refuses. With some violence (a bite from her and a slap from him), he throws her out of the car and drives off. She is left alone on a dark, lonely road, in the dark. After some hours (it is now dawn), Emma is still alone on the road, holding flowers, when she hears his car approaching. She gets into the car without saying a word.
6th Dawn Sequence: Marcello and Emma are asleep in bed, tenderly intertwined; Marcello receives a phone call. He rushes to the Steiners' apartment and learns that Steiner has killed himself and his two children.
6th Day Sequence: After waiting with the police for Steinerâs wife to return home, he meets her outside to break the terrible news while paparazzi swarm around her snapping pictures.
Episode 7[edit]
6th Night Sequence: An unspecified amount of time later, an older Marcelloânow with gray in his hairâand a group of partygoers break into a Fregene beach house owned by Riccardo, a friend of Marcello's. To celebrate her recent divorce from Riccardo, Nadia performs a striptease to Perez Prado's cha-cha Patricia. The drunken Marcello attempts to provoke the other partygoers into an orgy. Due to their inebriated states, however, the party descends into mayhem with Marcello throwing pillow feathers around the room as he rides a young woman crawling on her hands and knees. Riccardo shows up at the house and angrily tells the partiers to leave.
Epilogue[edit]
7th Dawn Sequence: The party proceeds to the beach at dawn where they find a modern-day leviathan, a bloated, stingray-like creature, caught in the fishermen's nets.[a] In his stupor, Marcello comments on how its eyes stare even in death.
7th Day Sequence: Paola, the adolescent waitress from the seaside restaurant in Fregene, calls to Marcello from across an estuary but the words they exchange are lost on the wind, drowned out by the crash of the waves. He signals his inability to understand what she is saying or interpret her gestures. He shrugs and returns to the partygoers; one of the women joins him and they hold hands as they walk away from the beach. In a long final close-up, Paola waves to Marcello then stands watching him with an enigmatic smile. | La Dolce Vita | 45f189e4-19cf-de97-d2ed-0f4c7e3351d0 | In this film, what symbolises the Beast? | [
"The security of a materialistic life"
] | false |
/m/02psgq | Based on the most common interpretation of the storyline,[4] the film can be divided into a prologue, seven major episodes interrupted by an intermezzo, and an epilogue (see also Structure, below). If the evenings of each episode were joined with the morning of the respective preceding episode together as a day, they would form seven consecutive days, which may not necessarily be the case.[clarification needed]
Prologue[edit]
1st Day Sequence: A helicopter transports a statue of Christ over an ancient Roman aqueduct outside Rome while a second, Marcello Rubini's news helicopter, follows it into the city. The news helicopter is momentarily sidetracked by a group of bikini-clad women sunbathing on the rooftop of a high-rise apartment building. Hovering above, Marcello uses gestures to elicit phone numbers from them but fails in his attempt then shrugs and continues on following the statue into Saint Peter's Square.
Episode 1[edit]
1st Night Sequence: Marcello meets Maddalena by chance in an exclusive nightclub. A beautiful and wealthy heiress, Maddalena is tired of Rome and constantly in search of new sensations while Marcello finds Rome suits him as a jungle he can hide in. They make love in the bedroom of a prostitute to whom they had given a ride home in Maddalenaâs Cadillac.
1st Dawn Sequence: Marcello returns to his apartment at dawn to find that his fiancée, Emma, has overdosed. On the way to the hospital, he declares his everlasting love to her and again as she lies in a semiconscious state in the emergency room. While waiting frantically for her recovery, however, he tries to make a phone call to Maddalena.
Episode 2[edit]
2nd Day Sequence: That day, he goes on assignment for the arrival of Sylvia, a famous Swedish-American actress, at Ciampino airport where she is met by a horde of news reporters.
During Sylvia's press conference, Marcello calls home to ensure Emma has taken her medication while reassuring her that he is not alone with Sylvia. After the film star confidently replies to the barrage of journalists' questions, her boyfriend Robert (Lex Barker) enters the room late and drunk. To Sylvia's producer, Marcello casually recommends that Sylvia be taken on a tour of St Peter's.
Inside St Peter's dome, a news reporter complains that Sylvia is "an elevator" because none of them can match her energetic climb up the numerous flights of stairs. Inspired, Marcello maneuvers forward to be alone with her when they finally reach the balcony overlooking the Vatican.
2nd Night Sequence: That evening, the infatuated Marcello dances with Sylvia in the Baths of Caracalla. Sylvia's natural sensuality triggers raucous partying while Robert, her bored fiancé, draws caricatures and reads a newspaper. His humiliating remark to her causes Sylvia to leave the group, eagerly followed by Marcello and his paparazzi colleagues. Finding themselves alone, Marcello and Sylvia spend the rest of the evening in the alleys of Rome where they wade into the Trevi Fountain.
2nd Dawn Sequence: Like a magic spell that has suddenly been broken, dawn arrives at the very moment Sylvia playfully "anoints" Marcello's head with fountain water. They drive back to Sylvia's hotel to find an enraged Robert waiting for her in his car. Robert slaps Sylvia, orders her to go to bed, and then assaults Marcello who takes it in stride.
Episode 3a[edit]
3rd Day Sequence: Marcello meets Steiner, his distinguished intellectual friend, inside a church playing Bach on the organ. Steiner shows off his book of Sanskrit grammar.
Episode 4[edit]
4th Day Sequence: Late afternoon, Marcello, his photographer friend Paparazzo, and Emma drive to the outskirts of Rome to cover the story of the purported sighting of the Madonna by two children. Although the Catholic Church is officially skeptical, a huge crowd of devotees and reporters gathers at the site.
3rd Night Sequence: That night, the event is broadcast over Italian radio and television. Blindly following the two children from corner to corner in a downpour, the crowd tears a small tree apart for its branches and leaves said to have sheltered the Madonna. Meanwhile, Emma prays to the Virgin Mary to be given sole possession of Marcello's heart.
3rd Dawn Sequence: The gathering ends at dawn with the crowd mourning a sick child, a pilgrim brought by his mother to be healed, but trampled to death in the melee.
Episode 3b[edit]
4th Night Sequence: One evening, Marcello and Emma attend a gathering at Steinerâs luxurious home where they are introduced to a group of intellectuals who recite poetry, strum the guitar, offer philosophical ideas, and listen to sounds of nature recorded on tape. While one of the women declares it better not to get married so that one does not need to choose, Marcello responds that it is better to be chosen than to choose. Emma appears enchanted with Steiner's home and children, telling Marcello that one day he will have a home like Steiner's.
Outside on the terrace, Marcello confesses to Steiner his admiration for all he stands for, but Steiner admits he is torn between the security that a materialistic life affords and his longing for a more spiritual albeit insecure way of life. Steiner philosophizes about the need for love in the world and fears what his children may grow up to face one day.
Intermezzo[edit]
5th Day Sequence: Marcello spends the afternoon working on his novel at a seaside restaurant where he meets Paola, a young waitress from Perugia playing Perez Prado's cha-cha Patricia on the jukebox and then humming its tune. He asks her if she has a boyfriend, then describes her as an angel in Umbrian paintings.
Episode 5[edit]
5th Night Sequence: Marcello meets his father (Annibale Ninchi) visiting Rome on the Via Veneto. With Paparazzo, they go to the Cha-Cha-Cha Club where Marcello introduces his father to Fanny, a beautiful dancer and one of his past one-night stands (he had promised to get her picture in the paper, but failed to do it). Fanny takes a liking to his father. Marcello tells Paparazzo that as a child he had never seen much of his father, who would spend weeks away from home. Fanny invites Marcelloâs father back to her flat, and two other dancers invite the two younger men to go with them. Marcello leaves the others when they get to the dancers' neighborhood. Fanny comes out of her house, upset that Marcello's father has become ill.
4th Dawn Sequence: Marcello's father has suffered what seems to be a mild heart attack. Marcello wants him to stay with him in Rome so they can get to know each other, but his father, weakened, wants to go home and gets in a taxi to catch the first train home. He leaves Marcello forlorn, on the street, watching the taxi leave.
Episode 6[edit]
6th Night Sequence: Marcello, Nico, and other friends met on the Via Veneto are driven to a castle owned by aristocrats at Bassano di Sutri outside Rome. There is already a party long in progress, and the party-goers are bleary-eyed and intoxicated. By chance, Marcello meets Maddalena again. The two of them explore a suite of ruins annexed to the castle. Maddalena seats Marcello in a vast room and then closets herself in another room connected by an echo chamber. As a disembodied voice, Maddalena asks him to marry her; Marcello professes his love for her, avoiding answering her proposal. Another man kisses and embraces Maddalena, who loses interest in Marcello. He rejoins the group, and eventually spends the night with Jane, an American artist and heiress.
5th Dawn Sequence: Burnt out and bleary-eyed, the group returns at dawn to the main section of the castle, to be met by the matriarch of the castle, who is on her way to mass, accompanied by priests in a procession.
Episode 3c[edit]
7th Night Sequence: Marcello and Emma are alone in his sports car on an isolated road. Emma starts an argument by professing her love, and tries to get out of the car; Marcello pleads with her not to get out. Emma says that Marcello will never find another woman who loves him the way she does. Marcello becomes enraged at her, telling her that he cannot live with her maternal and smothering love. He now wants her to get out of the car, and she refuses. With some violence (a bite from her and a slap from him), he throws her out of the car and drives off. She is left alone on a dark, lonely road, in the dark. After some hours (it is now dawn), Emma is still alone on the road, holding flowers, when she hears his car approaching. She gets into the car without saying a word.
6th Dawn Sequence: Marcello and Emma are asleep in bed, tenderly intertwined; Marcello receives a phone call. He rushes to the Steiners' apartment and learns that Steiner has killed himself and his two children.
6th Day Sequence: After waiting with the police for Steinerâs wife to return home, he meets her outside to break the terrible news while paparazzi swarm around her snapping pictures.
Episode 7[edit]
6th Night Sequence: An unspecified amount of time later, an older Marcelloânow with gray in his hairâand a group of partygoers break into a Fregene beach house owned by Riccardo, a friend of Marcello's. To celebrate her recent divorce from Riccardo, Nadia performs a striptease to Perez Prado's cha-cha Patricia. The drunken Marcello attempts to provoke the other partygoers into an orgy. Due to their inebriated states, however, the party descends into mayhem with Marcello throwing pillow feathers around the room as he rides a young woman crawling on her hands and knees. Riccardo shows up at the house and angrily tells the partiers to leave.
Epilogue[edit]
7th Dawn Sequence: The party proceeds to the beach at dawn where they find a modern-day leviathan, a bloated, stingray-like creature, caught in the fishermen's nets.[a] In his stupor, Marcello comments on how its eyes stare even in death.
7th Day Sequence: Paola, the adolescent waitress from the seaside restaurant in Fregene, calls to Marcello from across an estuary but the words they exchange are lost on the wind, drowned out by the crash of the waves. He signals his inability to understand what she is saying or interpret her gestures. He shrugs and returns to the partygoers; one of the women joins him and they hold hands as they walk away from the beach. In a long final close-up, Paola waves to Marcello then stands watching him with an enigmatic smile. | La Dolce Vita | cb78a646-85cc-b5a1-a75a-0603186cd478 | Who has a meeting with Sylia? | [
"Marcello"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | c35bf8a8-1b54-65f1-50f7-6a12adc4f6b1 | What does Fergus feel guilty about? | [
"Jody's death"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 26af4187-f791-7617-7a71-1cb7663b997e | Who does Jude want Fergus to assassinate? | [
"Jody",
"a man in london"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | d35ff3ac-9e23-28a2-a2cb-eb4157fe999a | Where does Fergus find Dil? | [
"London"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 13e8c7a1-2851-7686-244b-9548f09273bb | Who is assigned to guard Jody? | [
"Fergus"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 50318515-7ddf-541a-f4f3-4579c995f5a6 | Who do the IRA members kidnap? | [
"Jody"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 5c186d42-a868-7eab-8801-340f9d9f0c64 | Who kills Maguire? | [
"one of the bodyguards"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | be047861-a6ff-ec2e-8ac4-9d32b9401279 | What does Fergus do when Dil leaves? | [
"Provisional IRA volunteer"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 8076c87d-8171-7233-aff6-8a56c5d19b4f | Who do the IRA members demand be released? | [
"Jailed IRA"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 4f705ca2-aa34-2d43-49c1-5ea5c57fc99c | What does Fergus learn about Dil? | [
"She love him"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 7ecf3271-3352-2095-38f3-9597ec85dda3 | What is the relationship of Dil to Fergus? | [
"Jody's lover"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 36bf648f-483e-79d7-3ca2-47954090afcf | What did a man once say? | [
"it's in my nature"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 5f134ef5-39de-5254-0a0e-8fa12d1e7438 | What is Fergus's alias? | [
"Jimmie"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 6c546024-e4d7-58f8-2e14-1125d346ddfe | How does Dil keep Fergus captive? | [
"Ties him to the bed"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 7cfcb976-1658-859f-718d-ac41efe992f3 | Jude enters Dil's flat with what? | [
"With a gun",
"A gun."
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 5e070730-b533-50c4-6274-f993ecdae8dd | Where does Dil visit Fergus? | [
"in prison"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | 3a2fcd5f-497f-e8f5-cc82-0e7522c047d8 | Who did Fergus admit he helped indirectly kill? | [
"Jodie"
] | false |
/m/07j8r | British soldier Jody (Forest Whitaker) is lured by Jude while off duty in Ireland an taken captive by Fergus (Stephan Rea), Jude (Miranda Richardson), Maguire (Adrian Dunbar) and others in the IRA. He is held to be exchanged for a IRA prisoner the British are holding.
During the three days Jody is held, he and Fergus become friendly as they talk about their lives and Ferguson shows care by removing the canvass sack on his head. Jody tells Fergus about his girlfriend back in London named Dil. Jody says she is his type of woman. Jody tells Fergus he won't shoot him when it's time because it's not in Fergus' nature. He tells him a parable about the scorpion and the frog. The scorpion asks the frog to take him across the river because the scorpion can't swim. The frog says no because you'll sting me. The scorpion says trust me. Half way across, the frog feels a sharp sting and says to the scorpion as they sink, why did you sting me? Now we'll both drown. I couldn't help it, said the scorpion, it's in my nature. Jody has Ferguson take his wallet with Dil's picture and asks him to go to her place of work or local bar and tell her he was thinking of her at the end.
Finally, when it becomes time to shoot Jody, Fergus takes him out into the woods, takes off the hood, but can't shoot him. Jody breaks his bonds and runs away from Fergus. Jody runs onto a road and is hit by one and run over by a second British armored carrier. The carrier and assault troops are attacking the house where Jody was being held. Two IRA members are killed in the attack except Fergus, Jude and Macguire.
Fergus decides to disappear and go to London and find Dil. He arranges to get to London and begins working as a day laborer. He goes to the place where Dil works as a hair dresser, has his hair cut and then follows her to "The Metro," a corner bar.
Col (Jim Broadbent) is the bartender and he begins the discussion between Dil and Fergus, who is now using the name Jimmie. But soon the two of them are talking to one another. Another man comes up to Dil and drags her out and down the street. Fergus follows them as they go to Dil's apartment and he sits outside and watches them embrace in the window shadows in her flat.
Fergus goes to the bar a second time and again talks with Dil after she does a number on the stage and her boyfriend come up. The boyfriend grabs Dil and they go outside and down an alley. Fergus follows them and he defends Dil and knocks the other man down and asks Dil what she would like him to do with the boyfriend. They leave him and go back to Dil's flat. Later the boyfriend shows up outside Dil's flat and she throws all his clothes and possessions out the window.
Jimmie asks Dil about the man in a number of pictures in her flat. The man is Jody and Dil says he is a soldier and he is different from the others. Jimmie and Dil begin making out and Jimmie begins to run his hand up Dil's skirt, but she stops him and then performs oral sex on him. She says he can't stay over and they arrange a date for the next day.
They go for dinner and end up back at Dil's flat and lie down on the bed. Dil goes into the bathroom and changes into a robe. She returns and Jimmie opens the robe discovers that Dil is a male with a penis.
Jimmie is repulsed and hits Dil's as he gets up and heads into the bathroom and vomits in the sink. Dil realizes then that Jimmie was unaware she was a male. Jimmie leaves the flat while Dil pleads with him to stay.
After thinking about Dil That night, Jimmie realizes he still cares and writes a letter of apology to Dil and puts it in her mail box. Dil shows up at Jimmie's work site and they talk and reconcile and agre to meet later.
Upon his return to his flat, Fergus discovers Jude waiting for him. He thought she had been killed in the attack. She said they were going to kill him for messing up, but they were impressed he had disappeared and was a hidden resource. Fergus asks to be left alone but Jude reminds him there is no quitting the IRA. He is told he will be part of an assasination assignment on a man in London. Fergus realizes he has no choice and Jude makes it clear they are watching Dil, and if Fergus doesn't cooperate she will be harmed.
Ferguson goes to warn Dil's and finds Jude at the hair shop getting her hair done by Dil. Jude then follows the pair and they have a confrontation where Dil gets jealous and walks out. Jude and McGuire take Fergus to case the assignment and Dil follows and confronts Fergus.
Fergus talks her into cutting her hair and becoming a man and takes her to a hotel to hide. But when he leaves the next day to go to work and meet Jude. Dil leaves the hotel. Dil gets a bottle and heads back to her flat drunk. Fergus intercepts her and they go upstairs where Fergus comforts her. They fall asleep and when Dil awakes, she ties Fergus to the bed to prevent him from leaving after she finds a gun in his coat. Dil holds the gun and gets the truth about Jodie and what happened in Ireland.
Jude and Maguire are waiting for Fergus to show and when he doesn't, Maguire tries to do the mission himself and is killed. Jude drives off and heads for Dil's flat.
Jude bursts into the flat with her gun but Dil gets off the first shots and kills Jude. Fergus tells her to leave right now and he sits down to wait for the police and cleans the fingerprints off the gun and puts his own on the trigger.
The closing scene is in the prison where Fergus is doing time for the murder. Dil comes to visit him and has regrown her hair and they discuss how many days are left in his sentence and they can be together. She asks why he took the murder rap for her. He tells her Jodie's story about the scorpion and the frog. He ends by saying, it's in my nature (to do the right thing). | The Crying Game | c4ce33cf-069f-55b8-d0de-31cc417c3250 | What is the group Dil unwittingly keeps Fergus from joining the next morning? | [
"Jude and Maguire"
] | false |
/m/047pcpq | Copenhagen in the 1950s. On her way to work, the young woman Eva Møller (Helle Virkner) stops by a clothes store to speak to Børge (Holger Juul Hansen), who has broken their engagement in a brief letter. She finds him with another girl and agitatedly tells him off. Eva works as a seamstress and chats with a co-worker (Caja Heimann) about having too little money and her desire to find a rich man to ease her worries. Their supervisor shouts at Eva for being late and talking too much. After work, Eva is left alone as her co-worker is picked up by her boyfriend. As she walks through the streets she comes across a store with a beautiful gown in the window. As she stands there looking at it, she appears to have an idea and rushes to the house where she lives with her older brother (Ove Sprogøe) and his wife (Lis Løwert). She changes her clothes and picks up her bankbook and is out the door again. She goes back to the store intending to buy the dress, but the saleswoman tells her it's already been sold, and Eva realizes that it would have been too expensive for her anyway. When the saleswoman (Inger Lassen) goes into another room, Eva sees the dress in a corner and goes to look at it, and when the saleswoman locks up and leaves the store moments later, she doesn't realize that Eva is still inside. Eva puts the dress on and dances around the room imagining it's her own. Suddenly a man appears. He turns out to be the dress designer, Marcel (Angelo Bruun), and instead of being upset he is stunned by her graceful appearance. He has her stay at the store all night to wear his fabrics as he draws new designs. In the morning, shocked by the dull appearance of her usual clothing, he allows her to have the dress from the window as a gift.Eva has to go straight to work and changes into her work clothes in the lavatory. Not having slept all night, however, she falls asleep, dreaming of colourful scenes of love and adoration (including a singing Poul Reichhardt). She is fired, but only has smiles to offer in return. Eva goes home in her dress and faces her brother's questions, but she has her own ideas about what to do. One night she goes out to a bar wearing the dress. Men pay attention to her like never before, but the other women are less pleased. When she runs out she breaks a heel and stumbles, but a young and well-dressed man, Jakob (Henning Moritzen), helps her and offers to drive her home. To appear wealthier than she is she gives him an address in a fancy neighbourhood and ends up hitchhiking home, but at least she has a new date with the dashing man. Meanwhile, Jakob returns his expensive car to the garage, and we learn that he is a student who works odd jobs and not the rich gentleman Eva thinks he is.The next day, Jakob wakes up in a good mood at the pension he lives in, and he loans money from his landlady (Gerda Madsen). At the dress store, there is a commotion as the sold dress has disappeared, until Marcel arrives to tell them that he has simply given it away. Meanwhile, at the house of the fake address that Eva gave Jakob, the young lady who actually lives there, a popular actress named Elizabeth (Nina Pens Rode), is chatting and rehearsing lines with her older husband (Gunnar Lauring). She soon hurries to a dress fitting at Marcel's, where the rich ladies of town are gossipping and inspecting his latest creations. It turns out that it was Elizabeth who had bought the dress Marcel gave to Eva, but Marcel persuades her that it wasn't right for her.At night, Eva and Jakob meet for dinner. She is frightened when it turns out they are going to the restaurant where her brother works as a waiter, but it is her brother who is most ill at ease. Then they go to the theatre to see The Taming of the Shrew, and just as the dialogue mentions a fancy dress, the actress on stage - Elizabeth - notices Eva in her dress in the first row and freezes. After the show in the dressing room, Marcel somes to see Elizabeth, and they argue about the dress. When Marcel implies that she is being ungrateful and that he is solely responsible for her celebrity status, she challenges him to bring Eva to her party the next night and prove his abilities in elevating a young lady to grace and nobility. Meanwhile, Eva and Jakob dance in a night club, and they confess their love to each other.The next day, Eva tells her sister-in-law that she thinks she might marry Jakob. At Elizabeth's house, a love letter arrives from Jakob, who still thinks Eva lives there. When Elizabeth's husband opens it, he assumes it is for Elizabeth. A little later, Jakob arrives at the house, intending to tell Eva the truth about about his financial status, but instead he learns the truth about Eva. Eva, in turn, is left waiting for Jakob in town when Marcel's saleswoman, Jokum, arrives to whisk her off to a dress fitting and then Elizabeth's party. When Jakob also comes to the party on Elizabeth's invitation, the guests are given the impression that the two have a relationship. Elizabeth's husband is disheartened, as is Eva. She confronts Jakob, who in a heated scene finally tells her the truth. She is destraught and leaves the party disillusioned. Meanwhile, the morning papers arrive, and a critic (Olaf Ussing) leaves the party before the present actors and theatre staff can read his scathing review of their play.The morning after, Eva's sister-in-law cheers Eva up, but when her brother, Max, sees them wearing the fancy dresses, he takes the dresses to the store to return them and tell Marcel off for introducing such luxury into his working-class home. But Marcel doesn't pay much attention, and when he later pays a visit to Eva to offer her work he ends up designing a dress for Max's wife, who eventually forces Max to take a different stance. Eva meets Jakob in the street, but they end up arguing again, and she proceeds to Marcel's fashion show, where she appears as a mannequin. But Jakob turns up at the show, and when he sees Eva dressed in a lavish wedding gown, he resolutely walks on stage, tells Eva he wants to marry her and carries her off stage and out the room. They ride his bicycle back to Jakob's flat, where they practice their love chatter and kiss. | Kispus | f42c08c3-4a53-5115-f68b-56d06f68255a | who is The eccentric fashion designer? | [
"Mr. Marcel"
] | false |
/m/047pcpq | Copenhagen in the 1950s. On her way to work, the young woman Eva Møller (Helle Virkner) stops by a clothes store to speak to Børge (Holger Juul Hansen), who has broken their engagement in a brief letter. She finds him with another girl and agitatedly tells him off. Eva works as a seamstress and chats with a co-worker (Caja Heimann) about having too little money and her desire to find a rich man to ease her worries. Their supervisor shouts at Eva for being late and talking too much. After work, Eva is left alone as her co-worker is picked up by her boyfriend. As she walks through the streets she comes across a store with a beautiful gown in the window. As she stands there looking at it, she appears to have an idea and rushes to the house where she lives with her older brother (Ove Sprogøe) and his wife (Lis Løwert). She changes her clothes and picks up her bankbook and is out the door again. She goes back to the store intending to buy the dress, but the saleswoman tells her it's already been sold, and Eva realizes that it would have been too expensive for her anyway. When the saleswoman (Inger Lassen) goes into another room, Eva sees the dress in a corner and goes to look at it, and when the saleswoman locks up and leaves the store moments later, she doesn't realize that Eva is still inside. Eva puts the dress on and dances around the room imagining it's her own. Suddenly a man appears. He turns out to be the dress designer, Marcel (Angelo Bruun), and instead of being upset he is stunned by her graceful appearance. He has her stay at the store all night to wear his fabrics as he draws new designs. In the morning, shocked by the dull appearance of her usual clothing, he allows her to have the dress from the window as a gift.Eva has to go straight to work and changes into her work clothes in the lavatory. Not having slept all night, however, she falls asleep, dreaming of colourful scenes of love and adoration (including a singing Poul Reichhardt). She is fired, but only has smiles to offer in return. Eva goes home in her dress and faces her brother's questions, but she has her own ideas about what to do. One night she goes out to a bar wearing the dress. Men pay attention to her like never before, but the other women are less pleased. When she runs out she breaks a heel and stumbles, but a young and well-dressed man, Jakob (Henning Moritzen), helps her and offers to drive her home. To appear wealthier than she is she gives him an address in a fancy neighbourhood and ends up hitchhiking home, but at least she has a new date with the dashing man. Meanwhile, Jakob returns his expensive car to the garage, and we learn that he is a student who works odd jobs and not the rich gentleman Eva thinks he is.The next day, Jakob wakes up in a good mood at the pension he lives in, and he loans money from his landlady (Gerda Madsen). At the dress store, there is a commotion as the sold dress has disappeared, until Marcel arrives to tell them that he has simply given it away. Meanwhile, at the house of the fake address that Eva gave Jakob, the young lady who actually lives there, a popular actress named Elizabeth (Nina Pens Rode), is chatting and rehearsing lines with her older husband (Gunnar Lauring). She soon hurries to a dress fitting at Marcel's, where the rich ladies of town are gossipping and inspecting his latest creations. It turns out that it was Elizabeth who had bought the dress Marcel gave to Eva, but Marcel persuades her that it wasn't right for her.At night, Eva and Jakob meet for dinner. She is frightened when it turns out they are going to the restaurant where her brother works as a waiter, but it is her brother who is most ill at ease. Then they go to the theatre to see The Taming of the Shrew, and just as the dialogue mentions a fancy dress, the actress on stage - Elizabeth - notices Eva in her dress in the first row and freezes. After the show in the dressing room, Marcel somes to see Elizabeth, and they argue about the dress. When Marcel implies that she is being ungrateful and that he is solely responsible for her celebrity status, she challenges him to bring Eva to her party the next night and prove his abilities in elevating a young lady to grace and nobility. Meanwhile, Eva and Jakob dance in a night club, and they confess their love to each other.The next day, Eva tells her sister-in-law that she thinks she might marry Jakob. At Elizabeth's house, a love letter arrives from Jakob, who still thinks Eva lives there. When Elizabeth's husband opens it, he assumes it is for Elizabeth. A little later, Jakob arrives at the house, intending to tell Eva the truth about about his financial status, but instead he learns the truth about Eva. Eva, in turn, is left waiting for Jakob in town when Marcel's saleswoman, Jokum, arrives to whisk her off to a dress fitting and then Elizabeth's party. When Jakob also comes to the party on Elizabeth's invitation, the guests are given the impression that the two have a relationship. Elizabeth's husband is disheartened, as is Eva. She confronts Jakob, who in a heated scene finally tells her the truth. She is destraught and leaves the party disillusioned. Meanwhile, the morning papers arrive, and a critic (Olaf Ussing) leaves the party before the present actors and theatre staff can read his scathing review of their play.The morning after, Eva's sister-in-law cheers Eva up, but when her brother, Max, sees them wearing the fancy dresses, he takes the dresses to the store to return them and tell Marcel off for introducing such luxury into his working-class home. But Marcel doesn't pay much attention, and when he later pays a visit to Eva to offer her work he ends up designing a dress for Max's wife, who eventually forces Max to take a different stance. Eva meets Jakob in the street, but they end up arguing again, and she proceeds to Marcel's fashion show, where she appears as a mannequin. But Jakob turns up at the show, and when he sees Eva dressed in a lavish wedding gown, he resolutely walks on stage, tells Eva he wants to marry her and carries her off stage and out the room. They ride his bicycle back to Jakob's flat, where they practice their love chatter and kiss. | Kispus | 59089006-7e09-6c9f-a242-2941120e6117 | who attracts the young aristocrat Jakob? | [
"Eva"
] | false |
/m/047pcpq | Copenhagen in the 1950s. On her way to work, the young woman Eva Møller (Helle Virkner) stops by a clothes store to speak to Børge (Holger Juul Hansen), who has broken their engagement in a brief letter. She finds him with another girl and agitatedly tells him off. Eva works as a seamstress and chats with a co-worker (Caja Heimann) about having too little money and her desire to find a rich man to ease her worries. Their supervisor shouts at Eva for being late and talking too much. After work, Eva is left alone as her co-worker is picked up by her boyfriend. As she walks through the streets she comes across a store with a beautiful gown in the window. As she stands there looking at it, she appears to have an idea and rushes to the house where she lives with her older brother (Ove Sprogøe) and his wife (Lis Løwert). She changes her clothes and picks up her bankbook and is out the door again. She goes back to the store intending to buy the dress, but the saleswoman tells her it's already been sold, and Eva realizes that it would have been too expensive for her anyway. When the saleswoman (Inger Lassen) goes into another room, Eva sees the dress in a corner and goes to look at it, and when the saleswoman locks up and leaves the store moments later, she doesn't realize that Eva is still inside. Eva puts the dress on and dances around the room imagining it's her own. Suddenly a man appears. He turns out to be the dress designer, Marcel (Angelo Bruun), and instead of being upset he is stunned by her graceful appearance. He has her stay at the store all night to wear his fabrics as he draws new designs. In the morning, shocked by the dull appearance of her usual clothing, he allows her to have the dress from the window as a gift.Eva has to go straight to work and changes into her work clothes in the lavatory. Not having slept all night, however, she falls asleep, dreaming of colourful scenes of love and adoration (including a singing Poul Reichhardt). She is fired, but only has smiles to offer in return. Eva goes home in her dress and faces her brother's questions, but she has her own ideas about what to do. One night she goes out to a bar wearing the dress. Men pay attention to her like never before, but the other women are less pleased. When she runs out she breaks a heel and stumbles, but a young and well-dressed man, Jakob (Henning Moritzen), helps her and offers to drive her home. To appear wealthier than she is she gives him an address in a fancy neighbourhood and ends up hitchhiking home, but at least she has a new date with the dashing man. Meanwhile, Jakob returns his expensive car to the garage, and we learn that he is a student who works odd jobs and not the rich gentleman Eva thinks he is.The next day, Jakob wakes up in a good mood at the pension he lives in, and he loans money from his landlady (Gerda Madsen). At the dress store, there is a commotion as the sold dress has disappeared, until Marcel arrives to tell them that he has simply given it away. Meanwhile, at the house of the fake address that Eva gave Jakob, the young lady who actually lives there, a popular actress named Elizabeth (Nina Pens Rode), is chatting and rehearsing lines with her older husband (Gunnar Lauring). She soon hurries to a dress fitting at Marcel's, where the rich ladies of town are gossipping and inspecting his latest creations. It turns out that it was Elizabeth who had bought the dress Marcel gave to Eva, but Marcel persuades her that it wasn't right for her.At night, Eva and Jakob meet for dinner. She is frightened when it turns out they are going to the restaurant where her brother works as a waiter, but it is her brother who is most ill at ease. Then they go to the theatre to see The Taming of the Shrew, and just as the dialogue mentions a fancy dress, the actress on stage - Elizabeth - notices Eva in her dress in the first row and freezes. After the show in the dressing room, Marcel somes to see Elizabeth, and they argue about the dress. When Marcel implies that she is being ungrateful and that he is solely responsible for her celebrity status, she challenges him to bring Eva to her party the next night and prove his abilities in elevating a young lady to grace and nobility. Meanwhile, Eva and Jakob dance in a night club, and they confess their love to each other.The next day, Eva tells her sister-in-law that she thinks she might marry Jakob. At Elizabeth's house, a love letter arrives from Jakob, who still thinks Eva lives there. When Elizabeth's husband opens it, he assumes it is for Elizabeth. A little later, Jakob arrives at the house, intending to tell Eva the truth about about his financial status, but instead he learns the truth about Eva. Eva, in turn, is left waiting for Jakob in town when Marcel's saleswoman, Jokum, arrives to whisk her off to a dress fitting and then Elizabeth's party. When Jakob also comes to the party on Elizabeth's invitation, the guests are given the impression that the two have a relationship. Elizabeth's husband is disheartened, as is Eva. She confronts Jakob, who in a heated scene finally tells her the truth. She is destraught and leaves the party disillusioned. Meanwhile, the morning papers arrive, and a critic (Olaf Ussing) leaves the party before the present actors and theatre staff can read his scathing review of their play.The morning after, Eva's sister-in-law cheers Eva up, but when her brother, Max, sees them wearing the fancy dresses, he takes the dresses to the store to return them and tell Marcel off for introducing such luxury into his working-class home. But Marcel doesn't pay much attention, and when he later pays a visit to Eva to offer her work he ends up designing a dress for Max's wife, who eventually forces Max to take a different stance. Eva meets Jakob in the street, but they end up arguing again, and she proceeds to Marcel's fashion show, where she appears as a mannequin. But Jakob turns up at the show, and when he sees Eva dressed in a lavish wedding gown, he resolutely walks on stage, tells Eva he wants to marry her and carries her off stage and out the room. They ride his bicycle back to Jakob's flat, where they practice their love chatter and kiss. | Kispus | c4dae422-8857-7230-d9fd-95a923fd4d48 | who is a fraud? | [
"Jakob"
] | false |
/m/0b2g2k | In late 19th-century Arizona, an Apache-raised white man, John Russell, faces prejudice in the white world after he returns for his inheritance (a gold watch and a boarding house) upon his father's death. Deciding to sell the house in order to buy a herd of horsesâwhich does not endear him to the boarders who live there or to the caretaker, JessieâRussell ends up riding a stagecoach with Jessie and unhappily married boarders Doris and Billy Lee Blake leaving town.
Three others ride with them: Indian agent Professor Alexander Favor, his aristocratic wife Audra and the crude Cicero Grimes. Upon discovering that John Russell is of Apache background, Professor Favor requests that Russell ride up top with driver Henry Mendez. The stagecoach is robbed by a gang led by Grimes, who knew that Dr. Favor had been carrying money that he stole from the very Apaches whom Russell grew up with. Grimes rides off, taking Mrs. Favor as a hostage. Russell shoots two of the outlawsâone of whom is Jessie's former lover, sheriff-gone-bad Frankâwho have the stolen money in their saddle bags. He insists that Dr. Favor give the recovered money to him. The bigots he rode with now appeal to Russell to lead them to safety. After Russell scouts ahead, Dr. Favor disarms Mendez. Russel returns as Favor is about to leave with the money and supplies; Russell banishes him from the group.
Russell's instincts to protect the group clash with their morality and desire to save the Favors, especially when Grimes and his remaining gang offer to trade Mrs. Favor for the money. Their pity for Mrs. Favor's life eventually outweighs the knowledge that Grimes is using her to bait a trap, and Jessie talks Russell into saving Mrs. Favor. Russell gives the money to Billy Lee and asks him to take it back to the Indians from whom it was stolen. Russell descends from the group's hideout with saddle bags that he pretends are full of the money, while Billy Lee stays in the hideout and aims a rifle at one of the outlaws. Russell cuts Mrs Favor loose, and she slowly makes her way up to the group, but by the time Russell throws the saddle bags to Grimes, Mrs Favor has collapsed at a point where she is obscuring Billy Lee's target. In the ensuing firefight, although Russell is able to kill Grimes, Billy Lee is unable to prevent an outlaw shooting Russell dead. | Hombre | 1e6c97f1-a975-70e7-81bd-7b8006c2405e | Who tells John that the stagecoach line is shutting down? | [] | true |
/m/0b2g2k | In late 19th-century Arizona, an Apache-raised white man, John Russell, faces prejudice in the white world after he returns for his inheritance (a gold watch and a boarding house) upon his father's death. Deciding to sell the house in order to buy a herd of horsesâwhich does not endear him to the boarders who live there or to the caretaker, JessieâRussell ends up riding a stagecoach with Jessie and unhappily married boarders Doris and Billy Lee Blake leaving town.
Three others ride with them: Indian agent Professor Alexander Favor, his aristocratic wife Audra and the crude Cicero Grimes. Upon discovering that John Russell is of Apache background, Professor Favor requests that Russell ride up top with driver Henry Mendez. The stagecoach is robbed by a gang led by Grimes, who knew that Dr. Favor had been carrying money that he stole from the very Apaches whom Russell grew up with. Grimes rides off, taking Mrs. Favor as a hostage. Russell shoots two of the outlawsâone of whom is Jessie's former lover, sheriff-gone-bad Frankâwho have the stolen money in their saddle bags. He insists that Dr. Favor give the recovered money to him. The bigots he rode with now appeal to Russell to lead them to safety. After Russell scouts ahead, Dr. Favor disarms Mendez. Russel returns as Favor is about to leave with the money and supplies; Russell banishes him from the group.
Russell's instincts to protect the group clash with their morality and desire to save the Favors, especially when Grimes and his remaining gang offer to trade Mrs. Favor for the money. Their pity for Mrs. Favor's life eventually outweighs the knowledge that Grimes is using her to bait a trap, and Jessie talks Russell into saving Mrs. Favor. Russell gives the money to Billy Lee and asks him to take it back to the Indians from whom it was stolen. Russell descends from the group's hideout with saddle bags that he pretends are full of the money, while Billy Lee stays in the hideout and aims a rifle at one of the outlaws. Russell cuts Mrs Favor loose, and she slowly makes her way up to the group, but by the time Russell throws the saddle bags to Grimes, Mrs Favor has collapsed at a point where she is obscuring Billy Lee's target. In the ensuing firefight, although Russell is able to kill Grimes, Billy Lee is unable to prevent an outlaw shooting Russell dead. | Hombre | 2a103935-945e-98ab-3564-5fc3d7418fa1 | Who cuts Audra loose? | [] | true |
/m/0b2g2k | In late 19th-century Arizona, an Apache-raised white man, John Russell, faces prejudice in the white world after he returns for his inheritance (a gold watch and a boarding house) upon his father's death. Deciding to sell the house in order to buy a herd of horsesâwhich does not endear him to the boarders who live there or to the caretaker, JessieâRussell ends up riding a stagecoach with Jessie and unhappily married boarders Doris and Billy Lee Blake leaving town.
Three others ride with them: Indian agent Professor Alexander Favor, his aristocratic wife Audra and the crude Cicero Grimes. Upon discovering that John Russell is of Apache background, Professor Favor requests that Russell ride up top with driver Henry Mendez. The stagecoach is robbed by a gang led by Grimes, who knew that Dr. Favor had been carrying money that he stole from the very Apaches whom Russell grew up with. Grimes rides off, taking Mrs. Favor as a hostage. Russell shoots two of the outlawsâone of whom is Jessie's former lover, sheriff-gone-bad Frankâwho have the stolen money in their saddle bags. He insists that Dr. Favor give the recovered money to him. The bigots he rode with now appeal to Russell to lead them to safety. After Russell scouts ahead, Dr. Favor disarms Mendez. Russel returns as Favor is about to leave with the money and supplies; Russell banishes him from the group.
Russell's instincts to protect the group clash with their morality and desire to save the Favors, especially when Grimes and his remaining gang offer to trade Mrs. Favor for the money. Their pity for Mrs. Favor's life eventually outweighs the knowledge that Grimes is using her to bait a trap, and Jessie talks Russell into saving Mrs. Favor. Russell gives the money to Billy Lee and asks him to take it back to the Indians from whom it was stolen. Russell descends from the group's hideout with saddle bags that he pretends are full of the money, while Billy Lee stays in the hideout and aims a rifle at one of the outlaws. Russell cuts Mrs Favor loose, and she slowly makes her way up to the group, but by the time Russell throws the saddle bags to Grimes, Mrs Favor has collapsed at a point where she is obscuring Billy Lee's target. In the ensuing firefight, although Russell is able to kill Grimes, Billy Lee is unable to prevent an outlaw shooting Russell dead. | Hombre | 42da514e-05d3-8d3e-fde1-0d2aef9a6b19 | What is in the saddlebag? | [
"stolen money"
] | false |
/m/0b2g2k | In late 19th-century Arizona, an Apache-raised white man, John Russell, faces prejudice in the white world after he returns for his inheritance (a gold watch and a boarding house) upon his father's death. Deciding to sell the house in order to buy a herd of horsesâwhich does not endear him to the boarders who live there or to the caretaker, JessieâRussell ends up riding a stagecoach with Jessie and unhappily married boarders Doris and Billy Lee Blake leaving town.
Three others ride with them: Indian agent Professor Alexander Favor, his aristocratic wife Audra and the crude Cicero Grimes. Upon discovering that John Russell is of Apache background, Professor Favor requests that Russell ride up top with driver Henry Mendez. The stagecoach is robbed by a gang led by Grimes, who knew that Dr. Favor had been carrying money that he stole from the very Apaches whom Russell grew up with. Grimes rides off, taking Mrs. Favor as a hostage. Russell shoots two of the outlawsâone of whom is Jessie's former lover, sheriff-gone-bad Frankâwho have the stolen money in their saddle bags. He insists that Dr. Favor give the recovered money to him. The bigots he rode with now appeal to Russell to lead them to safety. After Russell scouts ahead, Dr. Favor disarms Mendez. Russel returns as Favor is about to leave with the money and supplies; Russell banishes him from the group.
Russell's instincts to protect the group clash with their morality and desire to save the Favors, especially when Grimes and his remaining gang offer to trade Mrs. Favor for the money. Their pity for Mrs. Favor's life eventually outweighs the knowledge that Grimes is using her to bait a trap, and Jessie talks Russell into saving Mrs. Favor. Russell gives the money to Billy Lee and asks him to take it back to the Indians from whom it was stolen. Russell descends from the group's hideout with saddle bags that he pretends are full of the money, while Billy Lee stays in the hideout and aims a rifle at one of the outlaws. Russell cuts Mrs Favor loose, and she slowly makes her way up to the group, but by the time Russell throws the saddle bags to Grimes, Mrs Favor has collapsed at a point where she is obscuring Billy Lee's target. In the ensuing firefight, although Russell is able to kill Grimes, Billy Lee is unable to prevent an outlaw shooting Russell dead. | Hombre | 83449a24-a8d9-a9ab-9eeb-a99b0ac4538a | Why does John wait for the black stallion to lead its herd to a waterhole? | [] | true |
/m/0b2g2k | In late 19th-century Arizona, an Apache-raised white man, John Russell, faces prejudice in the white world after he returns for his inheritance (a gold watch and a boarding house) upon his father's death. Deciding to sell the house in order to buy a herd of horsesâwhich does not endear him to the boarders who live there or to the caretaker, JessieâRussell ends up riding a stagecoach with Jessie and unhappily married boarders Doris and Billy Lee Blake leaving town.
Three others ride with them: Indian agent Professor Alexander Favor, his aristocratic wife Audra and the crude Cicero Grimes. Upon discovering that John Russell is of Apache background, Professor Favor requests that Russell ride up top with driver Henry Mendez. The stagecoach is robbed by a gang led by Grimes, who knew that Dr. Favor had been carrying money that he stole from the very Apaches whom Russell grew up with. Grimes rides off, taking Mrs. Favor as a hostage. Russell shoots two of the outlawsâone of whom is Jessie's former lover, sheriff-gone-bad Frankâwho have the stolen money in their saddle bags. He insists that Dr. Favor give the recovered money to him. The bigots he rode with now appeal to Russell to lead them to safety. After Russell scouts ahead, Dr. Favor disarms Mendez. Russel returns as Favor is about to leave with the money and supplies; Russell banishes him from the group.
Russell's instincts to protect the group clash with their morality and desire to save the Favors, especially when Grimes and his remaining gang offer to trade Mrs. Favor for the money. Their pity for Mrs. Favor's life eventually outweighs the knowledge that Grimes is using her to bait a trap, and Jessie talks Russell into saving Mrs. Favor. Russell gives the money to Billy Lee and asks him to take it back to the Indians from whom it was stolen. Russell descends from the group's hideout with saddle bags that he pretends are full of the money, while Billy Lee stays in the hideout and aims a rifle at one of the outlaws. Russell cuts Mrs Favor loose, and she slowly makes her way up to the group, but by the time Russell throws the saddle bags to Grimes, Mrs Favor has collapsed at a point where she is obscuring Billy Lee's target. In the ensuing firefight, although Russell is able to kill Grimes, Billy Lee is unable to prevent an outlaw shooting Russell dead. | Hombre | 5936dd31-49d3-eb5b-2bfe-64d0145305ab | Who is the landlady of the boarding house? | [
"Jessie"
] | false |
/m/0b2g2k | In late 19th-century Arizona, an Apache-raised white man, John Russell, faces prejudice in the white world after he returns for his inheritance (a gold watch and a boarding house) upon his father's death. Deciding to sell the house in order to buy a herd of horsesâwhich does not endear him to the boarders who live there or to the caretaker, JessieâRussell ends up riding a stagecoach with Jessie and unhappily married boarders Doris and Billy Lee Blake leaving town.
Three others ride with them: Indian agent Professor Alexander Favor, his aristocratic wife Audra and the crude Cicero Grimes. Upon discovering that John Russell is of Apache background, Professor Favor requests that Russell ride up top with driver Henry Mendez. The stagecoach is robbed by a gang led by Grimes, who knew that Dr. Favor had been carrying money that he stole from the very Apaches whom Russell grew up with. Grimes rides off, taking Mrs. Favor as a hostage. Russell shoots two of the outlawsâone of whom is Jessie's former lover, sheriff-gone-bad Frankâwho have the stolen money in their saddle bags. He insists that Dr. Favor give the recovered money to him. The bigots he rode with now appeal to Russell to lead them to safety. After Russell scouts ahead, Dr. Favor disarms Mendez. Russel returns as Favor is about to leave with the money and supplies; Russell banishes him from the group.
Russell's instincts to protect the group clash with their morality and desire to save the Favors, especially when Grimes and his remaining gang offer to trade Mrs. Favor for the money. Their pity for Mrs. Favor's life eventually outweighs the knowledge that Grimes is using her to bait a trap, and Jessie talks Russell into saving Mrs. Favor. Russell gives the money to Billy Lee and asks him to take it back to the Indians from whom it was stolen. Russell descends from the group's hideout with saddle bags that he pretends are full of the money, while Billy Lee stays in the hideout and aims a rifle at one of the outlaws. Russell cuts Mrs Favor loose, and she slowly makes her way up to the group, but by the time Russell throws the saddle bags to Grimes, Mrs Favor has collapsed at a point where she is obscuring Billy Lee's target. In the ensuing firefight, although Russell is able to kill Grimes, Billy Lee is unable to prevent an outlaw shooting Russell dead. | Hombre | 0d9ba5ec-5b4b-4727-8093-718fda9eee9e | Who left John a boarding house? | [] | true |
/m/0b2g2k | In late 19th-century Arizona, an Apache-raised white man, John Russell, faces prejudice in the white world after he returns for his inheritance (a gold watch and a boarding house) upon his father's death. Deciding to sell the house in order to buy a herd of horsesâwhich does not endear him to the boarders who live there or to the caretaker, JessieâRussell ends up riding a stagecoach with Jessie and unhappily married boarders Doris and Billy Lee Blake leaving town.
Three others ride with them: Indian agent Professor Alexander Favor, his aristocratic wife Audra and the crude Cicero Grimes. Upon discovering that John Russell is of Apache background, Professor Favor requests that Russell ride up top with driver Henry Mendez. The stagecoach is robbed by a gang led by Grimes, who knew that Dr. Favor had been carrying money that he stole from the very Apaches whom Russell grew up with. Grimes rides off, taking Mrs. Favor as a hostage. Russell shoots two of the outlawsâone of whom is Jessie's former lover, sheriff-gone-bad Frankâwho have the stolen money in their saddle bags. He insists that Dr. Favor give the recovered money to him. The bigots he rode with now appeal to Russell to lead them to safety. After Russell scouts ahead, Dr. Favor disarms Mendez. Russel returns as Favor is about to leave with the money and supplies; Russell banishes him from the group.
Russell's instincts to protect the group clash with their morality and desire to save the Favors, especially when Grimes and his remaining gang offer to trade Mrs. Favor for the money. Their pity for Mrs. Favor's life eventually outweighs the knowledge that Grimes is using her to bait a trap, and Jessie talks Russell into saving Mrs. Favor. Russell gives the money to Billy Lee and asks him to take it back to the Indians from whom it was stolen. Russell descends from the group's hideout with saddle bags that he pretends are full of the money, while Billy Lee stays in the hideout and aims a rifle at one of the outlaws. Russell cuts Mrs Favor loose, and she slowly makes her way up to the group, but by the time Russell throws the saddle bags to Grimes, Mrs Favor has collapsed at a point where she is obscuring Billy Lee's target. In the ensuing firefight, although Russell is able to kill Grimes, Billy Lee is unable to prevent an outlaw shooting Russell dead. | Hombre | 68b11ea8-ac74-ecf1-1c56-dd68588a5de7 | What is he going to do with the horses? | [] | true |
/m/0b2g2k | In late 19th-century Arizona, an Apache-raised white man, John Russell, faces prejudice in the white world after he returns for his inheritance (a gold watch and a boarding house) upon his father's death. Deciding to sell the house in order to buy a herd of horsesâwhich does not endear him to the boarders who live there or to the caretaker, JessieâRussell ends up riding a stagecoach with Jessie and unhappily married boarders Doris and Billy Lee Blake leaving town.
Three others ride with them: Indian agent Professor Alexander Favor, his aristocratic wife Audra and the crude Cicero Grimes. Upon discovering that John Russell is of Apache background, Professor Favor requests that Russell ride up top with driver Henry Mendez. The stagecoach is robbed by a gang led by Grimes, who knew that Dr. Favor had been carrying money that he stole from the very Apaches whom Russell grew up with. Grimes rides off, taking Mrs. Favor as a hostage. Russell shoots two of the outlawsâone of whom is Jessie's former lover, sheriff-gone-bad Frankâwho have the stolen money in their saddle bags. He insists that Dr. Favor give the recovered money to him. The bigots he rode with now appeal to Russell to lead them to safety. After Russell scouts ahead, Dr. Favor disarms Mendez. Russel returns as Favor is about to leave with the money and supplies; Russell banishes him from the group.
Russell's instincts to protect the group clash with their morality and desire to save the Favors, especially when Grimes and his remaining gang offer to trade Mrs. Favor for the money. Their pity for Mrs. Favor's life eventually outweighs the knowledge that Grimes is using her to bait a trap, and Jessie talks Russell into saving Mrs. Favor. Russell gives the money to Billy Lee and asks him to take it back to the Indians from whom it was stolen. Russell descends from the group's hideout with saddle bags that he pretends are full of the money, while Billy Lee stays in the hideout and aims a rifle at one of the outlaws. Russell cuts Mrs Favor loose, and she slowly makes her way up to the group, but by the time Russell throws the saddle bags to Grimes, Mrs Favor has collapsed at a point where she is obscuring Billy Lee's target. In the ensuing firefight, although Russell is able to kill Grimes, Billy Lee is unable to prevent an outlaw shooting Russell dead. | Hombre | fef2ab43-9b37-79a7-cfaa-d2f2f2ddee96 | Who is the only person brave enough to go down the hill? | [] | true |
/m/0b2g2k | In late 19th-century Arizona, an Apache-raised white man, John Russell, faces prejudice in the white world after he returns for his inheritance (a gold watch and a boarding house) upon his father's death. Deciding to sell the house in order to buy a herd of horsesâwhich does not endear him to the boarders who live there or to the caretaker, JessieâRussell ends up riding a stagecoach with Jessie and unhappily married boarders Doris and Billy Lee Blake leaving town.
Three others ride with them: Indian agent Professor Alexander Favor, his aristocratic wife Audra and the crude Cicero Grimes. Upon discovering that John Russell is of Apache background, Professor Favor requests that Russell ride up top with driver Henry Mendez. The stagecoach is robbed by a gang led by Grimes, who knew that Dr. Favor had been carrying money that he stole from the very Apaches whom Russell grew up with. Grimes rides off, taking Mrs. Favor as a hostage. Russell shoots two of the outlawsâone of whom is Jessie's former lover, sheriff-gone-bad Frankâwho have the stolen money in their saddle bags. He insists that Dr. Favor give the recovered money to him. The bigots he rode with now appeal to Russell to lead them to safety. After Russell scouts ahead, Dr. Favor disarms Mendez. Russel returns as Favor is about to leave with the money and supplies; Russell banishes him from the group.
Russell's instincts to protect the group clash with their morality and desire to save the Favors, especially when Grimes and his remaining gang offer to trade Mrs. Favor for the money. Their pity for Mrs. Favor's life eventually outweighs the knowledge that Grimes is using her to bait a trap, and Jessie talks Russell into saving Mrs. Favor. Russell gives the money to Billy Lee and asks him to take it back to the Indians from whom it was stolen. Russell descends from the group's hideout with saddle bags that he pretends are full of the money, while Billy Lee stays in the hideout and aims a rifle at one of the outlaws. Russell cuts Mrs Favor loose, and she slowly makes her way up to the group, but by the time Russell throws the saddle bags to Grimes, Mrs Favor has collapsed at a point where she is obscuring Billy Lee's target. In the ensuing firefight, although Russell is able to kill Grimes, Billy Lee is unable to prevent an outlaw shooting Russell dead. | Hombre | e3ed7c1b-57b4-f2ad-55d8-432d110ee556 | Whom did Alex embezzle money from? | [
"the Apaches"
] | false |
/m/0b2g2k | In late 19th-century Arizona, an Apache-raised white man, John Russell, faces prejudice in the white world after he returns for his inheritance (a gold watch and a boarding house) upon his father's death. Deciding to sell the house in order to buy a herd of horsesâwhich does not endear him to the boarders who live there or to the caretaker, JessieâRussell ends up riding a stagecoach with Jessie and unhappily married boarders Doris and Billy Lee Blake leaving town.
Three others ride with them: Indian agent Professor Alexander Favor, his aristocratic wife Audra and the crude Cicero Grimes. Upon discovering that John Russell is of Apache background, Professor Favor requests that Russell ride up top with driver Henry Mendez. The stagecoach is robbed by a gang led by Grimes, who knew that Dr. Favor had been carrying money that he stole from the very Apaches whom Russell grew up with. Grimes rides off, taking Mrs. Favor as a hostage. Russell shoots two of the outlawsâone of whom is Jessie's former lover, sheriff-gone-bad Frankâwho have the stolen money in their saddle bags. He insists that Dr. Favor give the recovered money to him. The bigots he rode with now appeal to Russell to lead them to safety. After Russell scouts ahead, Dr. Favor disarms Mendez. Russel returns as Favor is about to leave with the money and supplies; Russell banishes him from the group.
Russell's instincts to protect the group clash with their morality and desire to save the Favors, especially when Grimes and his remaining gang offer to trade Mrs. Favor for the money. Their pity for Mrs. Favor's life eventually outweighs the knowledge that Grimes is using her to bait a trap, and Jessie talks Russell into saving Mrs. Favor. Russell gives the money to Billy Lee and asks him to take it back to the Indians from whom it was stolen. Russell descends from the group's hideout with saddle bags that he pretends are full of the money, while Billy Lee stays in the hideout and aims a rifle at one of the outlaws. Russell cuts Mrs Favor loose, and she slowly makes her way up to the group, but by the time Russell throws the saddle bags to Grimes, Mrs Favor has collapsed at a point where she is obscuring Billy Lee's target. In the ensuing firefight, although Russell is able to kill Grimes, Billy Lee is unable to prevent an outlaw shooting Russell dead. | Hombre | 2cf0a698-0a33-a35f-f3a0-169ae1b02383 | Where does John rest after killing two men? | [] | true |
/m/05v70q | Leila (Ashley) and Charli (Mary-Kate) go to Rome for a summer job with four other people. After a few minor accidents, the twins are fired. Both girls are shocked, and so are the other interns. The sisters soon meet Derek Hammond, the owner of the fashion company. He re-hires them and the girls and Jamie stay at Hammond's for a few days. There, Leila meets a bad boy from New York named Ryan (who just so happens to be Derek's nephew). The two soon bond and start to develop feelings for each other while Ryan comes out and tries to kiss her good night. Leila does not respond the same and she pushes him away. It is very clear that she likes him too, but she might have just broken up with her boyfriend back home and was not ready for a new love. The girls soon return to work and do very well. But soon another accident happens and this time it is much more serious. All six interns are fired. Soon after Leila returns with Ryan and the two reveal the plot. They use Charli's designs for the missing clothes. They tell Derek when he returns he already knew about this. They do a photo shoot where Mr. Tortoni comes too he re hires everyone but he is then arrested also the interns and Ryan are very proud of themselves. Jamie and Derek decide to take them all to New York. While Derek and Jamie as well as Charli and Paolo kiss. Ryan tries again with Leila leading to her smiling at him but says she'd rather have a hug. The two hug with huge smiles on their faces, showing that Leila did really like Ryan in that way. The photo shoot is still going on with everyone smiling and laughing. | When in Rome | b7edeb89-acef-65bd-0af4-6f497937bcfc | Who does Beth see Nick kiss ? | [] | true |
/m/05v70q | Leila (Ashley) and Charli (Mary-Kate) go to Rome for a summer job with four other people. After a few minor accidents, the twins are fired. Both girls are shocked, and so are the other interns. The sisters soon meet Derek Hammond, the owner of the fashion company. He re-hires them and the girls and Jamie stay at Hammond's for a few days. There, Leila meets a bad boy from New York named Ryan (who just so happens to be Derek's nephew). The two soon bond and start to develop feelings for each other while Ryan comes out and tries to kiss her good night. Leila does not respond the same and she pushes him away. It is very clear that she likes him too, but she might have just broken up with her boyfriend back home and was not ready for a new love. The girls soon return to work and do very well. But soon another accident happens and this time it is much more serious. All six interns are fired. Soon after Leila returns with Ryan and the two reveal the plot. They use Charli's designs for the missing clothes. They tell Derek when he returns he already knew about this. They do a photo shoot where Mr. Tortoni comes too he re hires everyone but he is then arrested also the interns and Ryan are very proud of themselves. Jamie and Derek decide to take them all to New York. While Derek and Jamie as well as Charli and Paolo kiss. Ryan tries again with Leila leading to her smiling at him but says she'd rather have a hug. The two hug with huge smiles on their faces, showing that Leila did really like Ryan in that way. The photo shoot is still going on with everyone smiling and laughing. | When in Rome | 05120b4f-b81a-97d7-e887-30fabc56ee92 | Who plays the role of Joan ? | [] | true |
/m/05v70q | Leila (Ashley) and Charli (Mary-Kate) go to Rome for a summer job with four other people. After a few minor accidents, the twins are fired. Both girls are shocked, and so are the other interns. The sisters soon meet Derek Hammond, the owner of the fashion company. He re-hires them and the girls and Jamie stay at Hammond's for a few days. There, Leila meets a bad boy from New York named Ryan (who just so happens to be Derek's nephew). The two soon bond and start to develop feelings for each other while Ryan comes out and tries to kiss her good night. Leila does not respond the same and she pushes him away. It is very clear that she likes him too, but she might have just broken up with her boyfriend back home and was not ready for a new love. The girls soon return to work and do very well. But soon another accident happens and this time it is much more serious. All six interns are fired. Soon after Leila returns with Ryan and the two reveal the plot. They use Charli's designs for the missing clothes. They tell Derek when he returns he already knew about this. They do a photo shoot where Mr. Tortoni comes too he re hires everyone but he is then arrested also the interns and Ryan are very proud of themselves. Jamie and Derek decide to take them all to New York. While Derek and Jamie as well as Charli and Paolo kiss. Ryan tries again with Leila leading to her smiling at him but says she'd rather have a hug. The two hug with huge smiles on their faces, showing that Leila did really like Ryan in that way. The photo shoot is still going on with everyone smiling and laughing. | When in Rome | c9dd795a-e126-701d-09ab-879b4c9d2024 | Who plays Stacey? | [] | true |
/m/05v70q | Leila (Ashley) and Charli (Mary-Kate) go to Rome for a summer job with four other people. After a few minor accidents, the twins are fired. Both girls are shocked, and so are the other interns. The sisters soon meet Derek Hammond, the owner of the fashion company. He re-hires them and the girls and Jamie stay at Hammond's for a few days. There, Leila meets a bad boy from New York named Ryan (who just so happens to be Derek's nephew). The two soon bond and start to develop feelings for each other while Ryan comes out and tries to kiss her good night. Leila does not respond the same and she pushes him away. It is very clear that she likes him too, but she might have just broken up with her boyfriend back home and was not ready for a new love. The girls soon return to work and do very well. But soon another accident happens and this time it is much more serious. All six interns are fired. Soon after Leila returns with Ryan and the two reveal the plot. They use Charli's designs for the missing clothes. They tell Derek when he returns he already knew about this. They do a photo shoot where Mr. Tortoni comes too he re hires everyone but he is then arrested also the interns and Ryan are very proud of themselves. Jamie and Derek decide to take them all to New York. While Derek and Jamie as well as Charli and Paolo kiss. Ryan tries again with Leila leading to her smiling at him but says she'd rather have a hug. The two hug with huge smiles on their faces, showing that Leila did really like Ryan in that way. The photo shoot is still going on with everyone smiling and laughing. | When in Rome | af2d7c78-c011-ec34-ffb5-bccc6339827e | Who plays the role of Beth ? | [] | true |
/m/05v70q | Leila (Ashley) and Charli (Mary-Kate) go to Rome for a summer job with four other people. After a few minor accidents, the twins are fired. Both girls are shocked, and so are the other interns. The sisters soon meet Derek Hammond, the owner of the fashion company. He re-hires them and the girls and Jamie stay at Hammond's for a few days. There, Leila meets a bad boy from New York named Ryan (who just so happens to be Derek's nephew). The two soon bond and start to develop feelings for each other while Ryan comes out and tries to kiss her good night. Leila does not respond the same and she pushes him away. It is very clear that she likes him too, but she might have just broken up with her boyfriend back home and was not ready for a new love. The girls soon return to work and do very well. But soon another accident happens and this time it is much more serious. All six interns are fired. Soon after Leila returns with Ryan and the two reveal the plot. They use Charli's designs for the missing clothes. They tell Derek when he returns he already knew about this. They do a photo shoot where Mr. Tortoni comes too he re hires everyone but he is then arrested also the interns and Ryan are very proud of themselves. Jamie and Derek decide to take them all to New York. While Derek and Jamie as well as Charli and Paolo kiss. Ryan tries again with Leila leading to her smiling at him but says she'd rather have a hug. The two hug with huge smiles on their faces, showing that Leila did really like Ryan in that way. The photo shoot is still going on with everyone smiling and laughing. | When in Rome | e6853d8d-9606-f42d-6805-a173e35c6e70 | Who steals Beth's coins? | [] | true |
/m/05v70q | Leila (Ashley) and Charli (Mary-Kate) go to Rome for a summer job with four other people. After a few minor accidents, the twins are fired. Both girls are shocked, and so are the other interns. The sisters soon meet Derek Hammond, the owner of the fashion company. He re-hires them and the girls and Jamie stay at Hammond's for a few days. There, Leila meets a bad boy from New York named Ryan (who just so happens to be Derek's nephew). The two soon bond and start to develop feelings for each other while Ryan comes out and tries to kiss her good night. Leila does not respond the same and she pushes him away. It is very clear that she likes him too, but she might have just broken up with her boyfriend back home and was not ready for a new love. The girls soon return to work and do very well. But soon another accident happens and this time it is much more serious. All six interns are fired. Soon after Leila returns with Ryan and the two reveal the plot. They use Charli's designs for the missing clothes. They tell Derek when he returns he already knew about this. They do a photo shoot where Mr. Tortoni comes too he re hires everyone but he is then arrested also the interns and Ryan are very proud of themselves. Jamie and Derek decide to take them all to New York. While Derek and Jamie as well as Charli and Paolo kiss. Ryan tries again with Leila leading to her smiling at him but says she'd rather have a hug. The two hug with huge smiles on their faces, showing that Leila did really like Ryan in that way. The photo shoot is still going on with everyone smiling and laughing. | When in Rome | 006c8d23-77db-8464-e840-e4d23e5b8ca0 | what does nick throw into the water? | [
"Bag"
] | false |
/m/05v70q | Leila (Ashley) and Charli (Mary-Kate) go to Rome for a summer job with four other people. After a few minor accidents, the twins are fired. Both girls are shocked, and so are the other interns. The sisters soon meet Derek Hammond, the owner of the fashion company. He re-hires them and the girls and Jamie stay at Hammond's for a few days. There, Leila meets a bad boy from New York named Ryan (who just so happens to be Derek's nephew). The two soon bond and start to develop feelings for each other while Ryan comes out and tries to kiss her good night. Leila does not respond the same and she pushes him away. It is very clear that she likes him too, but she might have just broken up with her boyfriend back home and was not ready for a new love. The girls soon return to work and do very well. But soon another accident happens and this time it is much more serious. All six interns are fired. Soon after Leila returns with Ryan and the two reveal the plot. They use Charli's designs for the missing clothes. They tell Derek when he returns he already knew about this. They do a photo shoot where Mr. Tortoni comes too he re hires everyone but he is then arrested also the interns and Ryan are very proud of themselves. Jamie and Derek decide to take them all to New York. While Derek and Jamie as well as Charli and Paolo kiss. Ryan tries again with Leila leading to her smiling at him but says she'd rather have a hug. The two hug with huge smiles on their faces, showing that Leila did really like Ryan in that way. The photo shoot is still going on with everyone smiling and laughing. | When in Rome | 6c7c7f14-b607-1702-1968-67654f294362 | Where does all suitors show up? | [] | true |
/m/05v70q | Leila (Ashley) and Charli (Mary-Kate) go to Rome for a summer job with four other people. After a few minor accidents, the twins are fired. Both girls are shocked, and so are the other interns. The sisters soon meet Derek Hammond, the owner of the fashion company. He re-hires them and the girls and Jamie stay at Hammond's for a few days. There, Leila meets a bad boy from New York named Ryan (who just so happens to be Derek's nephew). The two soon bond and start to develop feelings for each other while Ryan comes out and tries to kiss her good night. Leila does not respond the same and she pushes him away. It is very clear that she likes him too, but she might have just broken up with her boyfriend back home and was not ready for a new love. The girls soon return to work and do very well. But soon another accident happens and this time it is much more serious. All six interns are fired. Soon after Leila returns with Ryan and the two reveal the plot. They use Charli's designs for the missing clothes. They tell Derek when he returns he already knew about this. They do a photo shoot where Mr. Tortoni comes too he re hires everyone but he is then arrested also the interns and Ryan are very proud of themselves. Jamie and Derek decide to take them all to New York. While Derek and Jamie as well as Charli and Paolo kiss. Ryan tries again with Leila leading to her smiling at him but says she'd rather have a hug. The two hug with huge smiles on their faces, showing that Leila did really like Ryan in that way. The photo shoot is still going on with everyone smiling and laughing. | When in Rome | 39299604-851d-9066-4908-66f187586fe2 | Where does Beth pick coins from ? | [] | true |
/m/05v70q | Leila (Ashley) and Charli (Mary-Kate) go to Rome for a summer job with four other people. After a few minor accidents, the twins are fired. Both girls are shocked, and so are the other interns. The sisters soon meet Derek Hammond, the owner of the fashion company. He re-hires them and the girls and Jamie stay at Hammond's for a few days. There, Leila meets a bad boy from New York named Ryan (who just so happens to be Derek's nephew). The two soon bond and start to develop feelings for each other while Ryan comes out and tries to kiss her good night. Leila does not respond the same and she pushes him away. It is very clear that she likes him too, but she might have just broken up with her boyfriend back home and was not ready for a new love. The girls soon return to work and do very well. But soon another accident happens and this time it is much more serious. All six interns are fired. Soon after Leila returns with Ryan and the two reveal the plot. They use Charli's designs for the missing clothes. They tell Derek when he returns he already knew about this. They do a photo shoot where Mr. Tortoni comes too he re hires everyone but he is then arrested also the interns and Ryan are very proud of themselves. Jamie and Derek decide to take them all to New York. While Derek and Jamie as well as Charli and Paolo kiss. Ryan tries again with Leila leading to her smiling at him but says she'd rather have a hug. The two hug with huge smiles on their faces, showing that Leila did really like Ryan in that way. The photo shoot is still going on with everyone smiling and laughing. | When in Rome | c66233e9-293e-4520-6dc6-c2591ad94f13 | Where is Beth and Nick's wedding? | [
"Rome"
] | false |
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